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November 9, 2018
By J lo Picass . — Pab s of faces everyCITY, MO form him, KANSAS have seen the back at st looking t he wanted 1973) mu looked, faces masks thahe sought in where he pected were at that sus art. Wh his h faces he ld works ing off throug in the manifo someth to strip was , and ing s, n— see abstractio at those faceproducts of his ducible Wh were the . God — an irre h these faces. s, to irreducible ere underneat rce the surface the ewh pie of INDEXES ON was som was a way to and likeness a , ge ure but he neededthe true visa PAGES 36 & 37 not as nat paintNewsstand Rate $2.00 excavate a universe he sawat the face, he lpted universe, er of art. To get sacred, he scu the is higher ord sk. To get at the sacred. This the the ma and a of ani ed the ied spirit ica, Oce t were the embod t the arts of Afr the faces tha tha see had to paradox taught him. To everywhere he to see Americas k at him from as masks, and and bac staring not as faces but how others saw see them , he had to see ir art. jourthe sacredthe sacred in the Picasso on his w — t ed kno sen we render phany that Oil on Picasso day in o, 1938. is. © The epi oming the e on a single o the lo Picass ard bec o Par ney tow we know — cam wandered int n” by PabMusée Picass iety Ma Soc d ist Paris. Rights or think 7, when the art Trocadéro in inches. a Bearde Andre “Head of21 5/8 by 18 1/8 asso / Artistsizzi. June 190 thnographie du moment to Pic , it the canvas, ate of Pablo Jean-Gilles Ber Trocadéro . I Musée d’Ehe described t to the 2017 Est w York. Photo stench In 1939, “When I wen rket. The . I didn’t ma ux: (ARS), Ne out A flea Malra gusting. wanted to get tood it was was dis alone. I stayed. I unders was haping was all . I eth yed som sta was a surely leave. I why I ortant: seum, erstood really imp me… I und s dreadful mu ins. to in thi ty manik e pening All alone n dolls, dus l hav ski painter. sks, red makernon’ may wel to the n 1878. now ma vig d’A ch, circa witt,h unkoiselles Wattsnot at all due rcism’ pendan shouse, Fren of Newport DemFrederic but ‘exo Symbolist rge s , t Geo ‘Le day silfirs by Bac ety carat Glas t and myVase tha pe” by mel Ena ted to get Preservation Soci it was pen. ed after “Ho 1895 “I wan circahap H.e Drie ardaus n had stal. The but bec d then,Cry (1817–1904), ctioform !” An n ofs, Rich died. Me for a ema stu t, yes Tad colle tha tesy nty. — and The s Cou cour vas ect ver. yed canto elain ago. Pho other obj but I sta Derby Porc erhaus, Chic out fast, se masks and al Crown purpose.” h April 8, The Pres Gallery. vase by Roy made tho pose, a magic Porcelain. zed y throug Two-handled land, circa 1890. sacred pur in Kansas Citasso” was organinlyEng port County. Company, On view the Eyes of Pic quai Bra sée ety of New sée du vation Soci “Through Le Fur of Mu rship with Mu the tne for by Yves Chirac in par adapted ee nef and s s, Me que ari tia, Jac Picasso-P Zugazagoi O and direcnational tes by Julián CE Sta Blackwell ibition weaves United ry Louise nonThe exh D. and MaNelson-Atkins. imitive” arts of eer, car “pr the g of lon the tor in art educaof sks, Picasso’s elation collecting, and ed page.” The through s between ma the rev and, private icired the print cultures in publ ,and adm ning ums and on h the workshops and The William L. Elkins Collection, 1924. Western direct comparisonect ed in ols, muse Art, scho Museum of in coll tion g lengt atPhiladelphia on canvas. 1891. Oilto offerinHomer (American, ects he 1836–1910), onoberdiscuss ts we see again “A Huntsman and Dogs” by Winslow and obj e goes Oct sort of objec te to the figures ated. volum in the y cre statues Cit uced he prodthe ks tribu nsas ts who wed , and to pay ion, Wilde and artwor opening in Ka sartis in Albertson Aesthetic have vie port ks ofition inspired their creat visitor theyNew worexhib By Karla Kle ty: The Since its 170 and ad who abro lpemian Beau rly 50,000ing roughl ition e scu “Boh , nea exhib hom — an New 7, at ngs is R.I. in 201 ed up painti . more on NEWPORT, Oscar Wilde’s Newport” ion featur them n 60amon g ngs 00) who show rd graduate, ide and costumes gh presentat ing more tha ass e (185 o aloOsca t 4–19 r Wild tha Movement and rative arts, paintings ar-old Oxfo lud by Pic The anic artwas deco Newport throu iart, inc only a 27-ye fashionable costumes Oce paceramics and Rosecliff in of furniture, exhib in 1882 ren for the port . Accom Galleries at curator of tures and ks of African coll ection poetr byy and to marry and have child e hised view in the Ashley Householder, forduc al know County, npro 20 wor son port n yet rtanc New per was 4. tha Impo of g He ic.s of alowore in publ as The Society t of his November cathe t the and l plays, such the Eye Preservation The Arts Weekly abou were par an illustrated s rough of free of the pain his influ ionentia tions at the 1. write nly, “Thor tobes t exhibit ted in the Antiques and ct: “We liked the idea er5). And he was nied by asso, 197 quai Bra one of theBein spoke with proje g Earnest (189 years, so movingly depic role. In our proplo Ruiz y Pic of ed behind the Musée du use three of Pab in the title Journal. n of his final was nam inspiration Cha- asso-Paris. g” by iors: ition here becaAest itininter Picasso” the Wall Street persecutio Wilde with Stephen Fry a, Patience, hetic al Pic e. ionHous high a Man Wr doing this exhibbeautiful by thers, e a comic oper film Bell 1997 sée nat ) of 2017 “Bust of and Sullivan wrot aestheticism; the pro. MuIsaac e 30 the 1900s. Fea and by vas e, pag rt arts ties have these King e on tur can for Gilbe , 18½ e scote ed on 1881 by vogu y built decorativ a cul yru ( continu light of the in London at the newl at a number of sil, going ; 51-9/16 teau-sur-Mer, Oil Kamaon Bunwhich made ss ivity Bra enough to havectXin magterials Chirac, Paris. creat gu, great succe s, rival poets the plantellin We’re lucky Rio the ds, wo od, comp that al character duction had cques sk,refle ts of ctionMa nly-Ja ree especiallyi Bra tre. The centr sh on proponen burne it was in our colle seeds, qua thou to Savoy Thea e in the Briti were based x, ght We wa Swin figur s pho sée tdu Grosvenor, ingon his that time. . Murtan rnon Charles an impo to e, hes port Desco thorne and r Wild inc no New as Wilde, Alge so they asked Wilde Brugh t because Osca 5½ ment, such Gries,throu t, came — the spoke abou move etti emen ick ote and Ross Mov atr prom iel 1882 to Gabr just Aesthetic —P lecture tour in lecture tour and Dante tre, which is an American Atlantic. great Americanarts at the Casino Thea ue. We thought in embark on e of the Aven lished poet the decorativ t cal on this side ined, “He was an estab us on Bellevue Movement exhibiabou musi from t ing lytiz expla up the stree wonderful Aesthetic Householder time and had been proseundergraduate Oscar Wilde.” a the y tie-in with we could do he was an England at unding own companion have this lovel Movement since age of surro tion and also show does not have its this influential the Aesthetic had taken up the mess beautiful life. Although the rehensive overview of Metropolitan lead a more Oxford. He to at ty, 1986 comp beau a pure ty: d in the volume, yourself with d can be foun Pursuit of Beauily ) artistic perio exhibition catalog, In on page 12C , still read Art ( continued etic Movement shed Museum of and the Aesth sellers. The distingui 27 years old Americans chaponline book 00) was only s American the opening e (1854–19 available frommany authors, but in ambitiou at the UniOscar Wild ertook his d 140 lectures on the art history of und ‘Aesreference has ssor he n term profe whe Stein, ct: “The he presente ter, Roger B. inia, defined the subje extraordinarily s. Park (Grand Canyon of the Yellowstone)” by Thomas , on which in 260 day tour of d Yellowstone Virg Falls, “Lower a perio last ve arts versity of Gift of Thomas Gilcrease Foundat’ describes decorati States in the Moran (American, 1837–1926), 1893. Oil on canvas. thetic Movemen ity in the United red in the deco activ tion, 1955, Gilcrease Museum. rich artistic Century, cente expressed as Nineteenth s but By Jessica skwire routhier third of the s and 1880 ure and plan in the 1870 concept to critics, historians in architect rative arts PRINCETON, N.J. — Activist art has been a familiar rican painting, national and global movements well in Ame and consumers of art since at least the 1970s, when of artists to use their work to related to various social issues inspired a generation art movement, which promote awareness and change. A burgeoning environmental phenomenon in the United this of part was 1970, in Day many trace to the first Earth canon of American art, the idea States. As activist art has come to reside firmly in the — and when it does happen, it of an activist art exhibition is somewhat less familiar is not always easy to identify. of curators and the artists they Despite what may be the strong political positions and often conservative; further, it choose to include, museum boards are complicated to aggressively challenge is rarely good for attendance figures or public relations election, advice from highest levpotential visitors’ views. Since the 2016 presidential John James
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26, by “Carolina Parakeet,” in The Birds of America, plate of Rare Books Audubon (American, 1785–1851), 1827–38. Department University. and Special Collections, Firestone Library, Princeton
( continued on page 12C )
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