FEATURED WORK November 13–1
tation, rts (EMMA) Lab and Movement A Ariadne Mikou performed Augmener Trisha
and by form Laurie Atkins n and directed by Trisha Brow d he ent of Dance rtm pa De choreograp SU dO a core ny member an otion capture of Brown Compa ger. From a m Ya l eo work. ai vid ig t or Ab t sh tis a Visiting Ar iadne created Ar , n tio ta tation en no gm s from Laba phrase from Au rected two solo di Atkins, a yv by Le ed s rm gg rfo Rachael Ri ryad (1948), pe ad m Ha fusing ’s u, an dm rformed by Miko score: Jean Er ney (1943), pe ham ur ra Jo G a d on an e, re tu nc and Crea la, Balinese da Hu m urie fro La s r fo ce en g Through Erdman’s influ graphed Breakin tion eo or ep rc ch u pe w iko M ho g technique. ’08) explorin elle Chun (MFA ct life choices. Atkins and No oughts and dire th d an gs in el fe e ftware ap so , sh of spaces d by Murmur ints was powere and Matthew Po , x w Si ha In -S , lly ga ni na Fi er, Norah Zu ng Ai c r Tender at ar te M Pe by d designed Schroeder an n Be m fro t or ovisation aphy and impr Lewis with supp grated choreogr te cture and in ru o st tri e e th Th ACCAD. d and explored un so ive ct ra te in with real-time ntion. qualities of atte
s e c n a m r o f r e p MFA
ked and A Portrait, Ueanptreac Indelible Marks 20 Th t 09, Sullivan
in clay 4, February 12–1 der, and around a table covered nced un lo , cked, a so da rmed atop
Perfo ait, Unpa th tulips, A Portr oreographed by and adorned wi ndike* and ch or Th ey hl As essor of e at d Assistant Prof by PhD candid SU MFA ’06 an (O addressed t) ch in ni Po ta s Es en Michael Wisconsin, Stev of ity ndscape rs la e ive th Un Inspired by Dance at the representation. erg’s* of nb re pe tu na op s Kl e ou ni the tenu ire lines,” An es “d of another t or ep e nc ap architectural co left on a landsc ks ar m ed in ible ** imag tations of intang Indelible Marks ngible represen ta ston e Bo m to co d be le t, which trave human, which seven ultimedia projec e m th e th Th . wi n es tio nc ra experie ded collabo ), in March, inclu ly Skove (video and New York FA candidate Li M e nc Da s), and al s, er isu (v rm rfo bs ib pe t G studen ate Nicole Art MFA candid (lighting) of the Department of d Dave Covey an n) sig de nd ou (s l al W el Micha Dance. Department of
3 X 3 X 3
ant Theatre
right*
09, Sulliv by Kate En April 16–18, 20 performed and choreographed yriad roles
te,** stigated the m Almost, Not Qui thetic y Harrower, inve re Co th wi n tio trieving of kines in collabora making and re e th in w ay pl ne s es di itchell’ our physical bo ation. Sarah M examined ory, and expect ble piece that m se en response, mem an s wa , y ca ela Wancier de ni , rk Da wo eographed by or choreographic Ch . ics m a dance na group dy /made created the variables of ember cast, re m es been fiv ha e th as th s, wi of found object in collaboration e incorporation th on up d se collage ba visual arts. explored in the
ce of the Tap Renaissan en om W : et Fe r ei Th Thinking On nter en exner Ce
the wom
l of ,W profiled severa April 19, 2009 s cumentary film do * nce in the 1970 da r’s p he ta tc of t Cu
Jenai zed the ar tap and revolutioni l living women most influentia who resurrected e th d of an ts ai ws ie rtr ate po rsonal interv and 1980s. Intim in the studio, pe The . es hy en ap sc gr m eo fro or and ch dancers emerge performances Dally (OSU and footage of Cornell, Lynn r he conversations, at He o, lin fa Bu nio, and da tro en Pe dberg, Sarah film features Br ol G ne Ja le to , an Feldm tappers were ab alumna), Anita l of the featured ra . ve ss Se cla n. r te so as am Linda Sohl-Elli nn Dally taught emiere and Ly ) recipient. come for the pr larship (AGGRS ho search and Sc ge and traveled for Graduate Re / OSU exchan * Alumni Grants ch ar se Re nt veme on Church. Mo ds in Ju ted ic ipa tor his ** Partic rformed at the pe be to ty Ci New York
hio State University O ith w ge an ch Ex h t Researc ship with change relation MRX/OSU: Movemen professional ex
ted a leading vid Covey initia e of the world's n Petry and Da Research is on t en individual em e ov th M In 2008, Susa ng New York City. ed forms. Valui in as ch t-b ar en se em ated Re t ov Movemen search is dedic of dance and m ty, Movement Re e investigation th cie r so fo e in at th ies tig or wi ins at le labor nurture and s and vital ro t programs that creative proces os l eir -c th ca low d liti d an po t an l, tis e ra ar tation of fre reflect the cultu and implemen arch strives to to the creation es alike. ovement Rese M n. tio ta en ts and audienc experim , including artis ity un discourse and m m co moving rking diversity of its two weeks of wo and economic Residence for nt-i tis . Ar R ing M rm ent hosts a and/or perfo mer the Departm rough teaching m th su rk e wo th g eir th rin Du d sharing used studios, an Meier in 2009. in otherwise un 08, and Yvonne 20 in ce en sid day r was in re work to a Mon Barbara Mahle lty to take their cu fa e th by st en arch. This pa dents are chos ovement Rese o graduate stu n ted in full by M or In exchange, tw pp su projects. Seve , ce FA M an urch perform portions of their rtner ok to pa r ht he rig th En wi Night Judson Ch te arks, and Kate nberg and Ka M pe le lib op de Kl In rg e t .o ni March, An nie to presen ementresearch s toured with An ps, go to: mov ad cli gr eo d ch. an vid r ur ds Fo Ch ra . underg the Judson most, Not Quite ent Research at r performed Al em we ov M rro en Ha th y , re e Co spondenc to Critical Corre and follow links
Photo: Stephanie Matthews. Kate Enright (MFA ‘09) in Still Time by Ming-Shen Ku.
g on now we will be goin5, ental Media 2008, Experim
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