Page 1

Oscar Bianchi

THANKS TO MY EYES opéra sur un livret de Joël Pommerat d’après sa pièce Grâce à mes yeux

commande du Festival d’Aix-en-Provence et de T&M – Paris/Réseau Varèse


Création mondiale : 5 Juillet 2011, Festival d’Aix-en-Provence Ensemble Modern dirigé par Franck Ollu First performance: 5 July 2011, Festival d’Aix-en-Provence Ensemble Modern conducted by Franck Ollu Aymar: Hagen Matzeit The Father: Brian Bannatyne-Scott The Mother: Anne Rotger A Young Woman, in the night: Keren Motseri A Young Blonde Woman: Fflur Wyn

Nouvelle production du Festival d’Aix-en-Provence coproduction : T&M Paris / Théâtre de Gennevilliers CDNCC La Monnaie / Théâtre National de Bruxelles Musica / Festival international des musiques d’aujourd’hui de Strasbourg

© 2011 Éditions DURAND Tous droits réservés pour tous pays All rights reserved édition du 5 juin 2011 D & F 15981


THANKS TO MY EYES

Characters A man with long hair, mime A young blonde woman, soprano A young woman, in the night, soprano The Mother, actress Aymar, countertenor The Father, bass baritone

Instruments Flutes: C Flute, Bass Flute in C, Piccolo Recorders: Sopranino, Soprano (Descant), Tenor, Bass recorders, Paetzold Contrabass Recorder in F Clarinets: Clarinet in B , Bass Clarinet in B , Contrabass Clarinet in B  Saxophones: Soprano Saxophone in B , Alto Saxophone in E , Tubax in E  Trumpet in C (doubling Flugelhorn, Cornett) Trombone Percussion (one player): Glockenspiel, Vibraphone, Marimba, Tubular Bells, Symphonic Bass Drum, Pedal Bass Drum, Temple Blocks, Wood Blocks, Slap Stick, large Bullroarer, Cymbal (Chinese hi-hat), Tam-tam, Metal Sheet Accordion (also triggering sampler) Violin Viola Violoncello Double bass

(Bass Flute, Contrabass Clarinet, Tubax and Double bass sound one octave lower than notated. Piccolo and Bass recorder sound one octave higher than notated.)

Score in C

Duration: circa 90 minutes


Composer’s note

Trills: The auxiliary note is always a step above the main note

Trill

Realization

Unless specified: 2 Trill

Realization

Trumpet and Trombone mutes: always Harmon mute unless specified.

Symbols used in the score

slap

multiphonic on the written fundamental

utter tongue

multiphonic on the written fundamental

utter tongue

open slap resulting pitch

multiphonic on the written fundamental

utter tongue

open slap resulting pitch

multiphonic on the written fundamental

utter tongue

tongue ram

Flute

z

double tonguing

air

air with some pitch

air

air with some pitch

air

air with some pitch

double tonguing t-k

air

air with some pitch

valve tremolo when speci ed

air

air with some pitch

double tonguing

air

air with some pitch

fast ribattuto

bellow sound (no pitch)

measured tremolo

on the tail piece

t-k

ngering resulting pitch slap

z

double tonguing t-k

Recorder

slap

z

double tonguing t-k

Clarinet

slap

z

Sax

multiphonic on the written fundamental (overblowing)

utter tongue z

double tonguing t-k

Trumpet

multiphonic on the written fundamental

utter tongue z

Trombone

Accordeon

S P = sul ponticello S T = sul tasto S V = senza vibrato Strings

=

scrape: extreme pressure unmeasured (overbowing) tremolo

autato


to Antoine Gindt and Bernard Foccroulle

THANKS TO MY EYES

OUVRAGE PROTÉGÉ PHOTOCOPIE INTERDITE même partielle constituerait une contrefaçon

Opera in one act

Libretto by Joël Pommerat

  

q = 50 circa, libero

Flute

Recorder

Contrabass Clarinet in Bb

   

 Tubax   Trumpet in C

Trombone

Percussion

Produce multiphonics ad libitum. Durations ad libitum

a Young Woman, in the Night

Aymar

  

  

 

 

 e Father   Accordion / Sampler

Violin

Viola

Violoncello

Contrabass

  Cb Rec  7

Cb Cl

  

 

q = 50 circa, libero

a Young Blonde Woman

Father gets on stage

   

    

  

 

 

 

 

 

             

 

 

 

 

 

 

 

ppp

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

     

 

  

 

q = 50 circa, libero

 

 

(solo)

ppp

 

 

Circular breathing

  

Oscar Bianchi

PROLOGUE

LIGHTS OFF

 

 

 

 

 

 

 

 

 

 

 

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

     

 

ppp



 

  

 

  

ppp

  

© 2011 Editions DURAND Paris, France

  

       

                 

 

    

ppp

 

f

ppp

 

 

 

 

 

 

 

 

 

Paetzold Contrabass t-k length of crescendo and decrescendo ad libitum Recorder in F

 

 

   

 

 

 

 

 

take B Cl

Tous droits réservés pour tous pays D & F 15981


Father LIGHTS ON Aymar 2 Yb Bl Wm (off stage) q = 92 Yn Wm N (off stage)

  Fl   

  

13

Cb Rec

Cb Cl

Tx

SCENE 1 Nightfall. A plot of land behind the house. Cloudy, stormy sky. The father and his son are stood face-to-face, motionless. The father holds a coat hanger in his hand, on which hangs a costume, with jacket and trousers. A gala suit that sparkles in the low light. In the distance, there is a thin man with long hair who looks like a hippie, observing them.

         

  

  

  

mp

Bass Clarinet in Bb

 

      Tbn      

      

5

Glock

mf

pp

      

mute off

  

q = 92

  Yn Bl Wm   

  

  

Ay

is

 

is

  

  Vln   

  

q = 92

           mp

Vc

  

  Cb  

    p

with close mouth

one

I

 

   p

 

mf

 

..o...

p

 mf

 #autato molto arco

mp

  

pp SP

  

pp

 

 

 pp

   

Full

 p

   

p

pp

mf ord

   

ord

 

wore,

SP

 

mf

              

pp

mf

#autato molto arco

Vla

p

    3         the last

  

Accord

 

 

..o...

     

    Fr  

 

off stage

Voce leggera, baroque style, avoid vibrato at note's attack

mp

 

off stage

Voce leggera, baroque style, avoid vibrato at note's attack

  

..o...

Voce leggera, baroque style, avoid vibrato at note's attack

Yn Wm N

pp



p

Voce leggera, baroque style, avoid vibrato at note's attack

  

p

pp

  

  

pp

                   

plunger ad lib

mp

   

mf

p

  

   

mf

   p

mf

       pp

D & F 15981

p

pp


3

  Fl 

19

Tx

C Tpt

B Cl

Yn Bl Wm

Vln

Vla

 

Vc

Cb

 

p

    

   

Glockenspiel

3            mf



mfp

 

pp





pp



pp

-

p sub

-

-



 

ther

made

falsetto (ad lib)

me.

  

   

pizz

mf

mf

p

  

it's the most beau - ti - ful your mo

 

mf

              

   

3

p

mp

Accord

 

 

Ay

Fr

 

Yn Wm N

 

p

Glock

       mf

mf

3

   

   

pp

       mf    3      3

   

pp

Tbn

 



p

Cb Rec



mf



mf

mf

pizz

 



 

D & F 15981

 

          pizz

mf

mf

         pizz



arco 3



mf

mf


4

 Fl  24

 Soprano Recorder

Cb Rec

 



p

mf

 p

 

mf

mp

   

     

 

Glock

p

Tenor Recorder

mp

p

  

           

  



p

p



 

when you'll

 

mf

5

leave

    pp

3

mf



 

 

 

mp





     pp

ppp

mute

pp

p

arco



      

 

p

arco

fz

p

    

 

p

Vc

you'll wear it

arco

mp

           Vln 

Vla

 

 

    

Cb

ord

Accord

p sub.

take plunger

Fr





  C Tpt    

Ay

p take T Rec

p sub.

Tbn

      

B Cl

Tx

 #z   



p

mf







 

mf p sub

D & F 15981



 



     

mute

mute

pp

   pp

  

p


  Fl  32

  

B Cl

 

 C Tpt 

Tbn

   

T Rec

Tx

5

A  

 Ay 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

Glock

 

 

take plunger

A

   

mf

 

 

 

 

 

Accord

 

 A   Vln      

Vla

  

Vc

Cb

SP



ppp

with plunger #z

  

  

pp

mute off

  p

 

     

with Vla plunger mute

         

 

 

 

   

 

 

 

mute off

mf p

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

#autato molto arco

         pp

mf

 

         p

If

 

pp

 

 

        

     

    

ord

pp

with tbn S P ord

 

 

 

 

 

 

 

 

 

 

 

D & F 15981

e - ver - you'll

 

mf p

 

   

pizz

mp

p

Dad,

#z

 

Yes,

Fr

 

 

   

 


6

  Fl  

 

40

T Rec

p



#z



mf

 

B Cl

Tx

C Tpt

 

  



      

   

 

   

  

mf

mp

   

p

p

 

pp

to T Bl

  

mp

 

  

 

  

pp

      p

pp

             mf

pp

Fr

 



be

rea

Accord

 

p

 Vln 

Vla



 

arco

  Cb 

ord

Vc

-

dy

p

p

p

 

pp

3

year

at

last...

    

mf

   

p

mp

mp

mf

       

   

   

mp

 

                  fp

      

mp

 

 

is

   

mp

 

  

Last

mp

 

  

    

 

   

Temple Blocks

 

   

pp



  

     

      mp p

mf

 Ay 

p

p

 

Glock

mp

 

pp

p

Tbn

   mf



      p

p

D & F 15981

mp

 

p

    

  

  

 

pp

p

 

       

  

 

   

pp

p

 

 pp

mp

 mp

   

          pizz muted

mf


 46     Fl  

mf

T Rec

B Cl

Tx

 

 

   C Tpt     Tbn

Tm Bl

Ay

  

p

 

 

  

 

  

      Vln  

pizz

     

Vc

 

mp

mute off

f

 pizz ord

  Cb  

B



      

      

mf

pizz             

f

D & F 15981

f

3

   

mf

fz

fz

 

 

arco

fz

f

 

5

fz

 



                 fz

 

mf

f

 

 

you

  

 

 

will

   

  

but

 

Vla

p



mute off

mf 5

 

 

pizz

3

 

   

 

mf

mf

mf

f

mf

             

 

    

3

B

      

     

mute off

mf

         mf p

      

 

#z

    

3

mp

    mf

 

mf

mp

Glockenspiel

7

             

  

     

mf

 

Accord

 

p

   

 Fr  

 

  

 

t-k

 

f

 

  5        

      

   

 

  

t-k

     

   

B

 f



 3   

  mp

  

mf

   mf



pizz

fz

 

f

  

pizz



 


8

  Fl     50

T Rec

          5

mp

mf

5                      mp

mf

B Cl

                 3

 

 

5

3

f poco

5

f poco

                

mf

     Tbn   Glock

Ay

      

  

mf sub

Accord

mf

 

    Vln    fz

        

   5                 5 

rea...,

 

Vc

fz

     Cb   fz

 

 

 

 

fz

  

  3   

 

       

   

f

fz p

    

fz

   

fz

D & F 15981

 

fz

fz

this

pizz

fz p

arco

 

rea -dy

  f

3

7:6

pizz

fz

   

       

arco

pizz

Vla

     

    

mf

  5                            5   

 

 

   

f

mf

   

 

   

    

 

    

f poco

  

be

muliphonics on this fundamental

pp

    

f poco

 

   Fr    

mf

5

fz

f poco

          

mf

         

 

fz

f poco

    5      Tx                  

    

5

C Tpt

   

                

7:6

         fz

      fz

         p

       p

 

7:6

 

 

         fz

       fz

   


  Fl   54

      

mf

B Cl

 3                mf

Tx

    

       pp

 

 



 

  C Tpt  

  

 

Glock

Ay

 

  

Vln

 

  

Vc

   

mute off

mute off

 

mute off

    

p

mf

       mf

 

 

   

mf

mf

ppp

    

  

  

 C

 

  

 

  

  

pp

   pp

 



p

-

be

  

p

p

C

p

  

 

  

pp

   

mf

   



pp

D & F 15981

pp

     ppp

         

your

ppp

mo

pp

-

ther

  

   

will

     

ppp

 with Father                

pp

  

arco poco espr

                   p

    

     

with Father

      

   



slap (resulting pitch)

    

p

arco

 

 Cb  

open slap (resulting pitch) or ord

may

 

9

p

with Father

p

year? with Rec

mf

p

pp

arco

Vla

  

Contrabass Recorder

mf

3                 mf

 

 



mf

     Fr  

Accord

mf

     

mf

      

Tbn

p

muliphonics on this fundamental

     

take Cbs Rec

with acc

T Rec

C

p

pp

 

arco

pp


10

  

   

62

Fl

  

Cb Rec

   

B Cl

Tx

Tbn

  

  

  

     

    

Accord

   

 Vln  

 

Vc

Cb

  

    

Vla

 

multiphonic

p

    

 

 

 

 

 

 

p

    

 

    

 

mf

Slap Stick or temple block, ad lib

          

to make it

  

   

  

   

    

 

to bs dr

 

  

 

mf

poco         

   

mf p sub

         

 

p

D & F 15981

  

 

   

         pizz

3

mf

 

with Father

 

p

size

#autato S P with Father

p

 

your

The father hands the suit to his son. Aymar takes it carefully

  

mf

  

 

p

  

  



strength

  

multiphonic

to Sl S

p

              Fr    e - nough



  

p

pp

have

 

ord

   

 Ay 

p

 

Glock

    

  

 C Tpt  

  

    

p

pizz

3         

mf





 

 

 

 


  Fl   69

Cb Rec

B Cl

Tx

poco più mosso q = 102

 

 

  

 

ord  

Tenor Recorder

p

p

ppp

 

 

11

 

  

 

 

 

 

 

  

Tbn

  

 

 

Sl. S.

 

 

 

 

 

C Tpt

Ay

  

         Fr  

when

I

mar

  

     -

-

-



  Vln  

poco più mosso q = 102

Vla

Vc

 

  



  

it

 

 

 

 

   ord  

p arco SP

    mp

 

D & F 15981

 



    

           

  

p

 

#atutato



  

 

mo - ther

arco

 

 your

  

ried

ppp

 

Cb

p

poco più mosso q = 102

p

Accord

   

 

  

 


12

  Fl   74

T Rec



  

 

 Tx  

B Cl

C Tpt

Tbn

    

Vc

Cb

#z

 

mp

 

 

  

      

p

 

  

was

as if

I'd

pp

mf

           mar

-

ried

my

mo

-



           

 

 

3

mfp

 take Cb Rec

 

 Bass Drum (symphonic)

  

mp

(Monteverdi trill)

pp sub

-

 

 -

  

ther

 

 

  Vln   Vla

  

   Fr  

Accord



mp

  

Sl. S.

Ay

              

 

 

D & F 15981

      mp




 Fl 

tempo I q = 92

                       p

 

 

 

 

 

 

 

       

 

    

 

 

80

T Rec

B Cl

Tx

C Tpt

Tbn

B. D.

Ay

 

with Tbn

  

with Fl

 

 

tempo I q = 92

p

 

3

with Vcl

 Vln 

tempo I q = 92

Accord

Vla

Vc

Cb

                                        ppp



me

need

 

 

 

   



 

 

 

p

                 

       Fr   An ar - tist like

-









ed

a

wife

like



pp



 

p

#autato

           p with Fl

D & F 15981

   

13

 

 

pp













                 

#autato

pp



arco #autato

pp

p

 

 


14

  Fl    83

T Rec

B Cl

Tx

C Tpt

      

p

                       

 

 

  Vln  

Vc

 3    

mp

 

with b dr

mf

 

 



 

 

 

      

 

 

      

ppp

p

mp

 

ppp

p

mp with Father

 

  

p

3

 

3    

 

 

 

     

that

an

 

mf



p

 

 

  

     

 

3      

3



un - der - stan

mp più lento

pizz

q = 82 poco rit

 -

pp  

ding

mo

   



-

ther....

 

 

 

   

 

   

 

q = 82

pizz

mf

    

3

mf

pizz

3

mf

hit on muted low strings with hands



mp



D & F 15981

 

 

mf

mp

 

                       p



pizz with Father

pp

 Cb     



       

 

 

q = 82

poco rit

with #

più lento q = 82

  

 

 

pp

Vla

 

    Fr  

Accord

 

 

  

 

  Tbn  

Ay

 

q = 82

Contrabass Recorder

 

B. D.

 

più lento q = 82 poco rit

 

3

 

  

mf

hit on muted low strings with hands



3



mf

  


 87   Fl    Cb Rec

B Cl

  3    

  

3      

mf

Tx

3          

mf

         3

C Tpt

mf

3       Tbn   mf

3

       

    

     Fr   



Accord

  

  

hand on mouthpiece

  

ord

 

fz

 

                fz

       fz

fz



 



 

pp

pp

 

    

 

   fz

  

7:6

pp

pp

tempo I q = 92

 

 

             

the same

goes

 

for

you,

            p

D

tempo I q = 92

 

 

   arco      p

fz

       fz

 

         arco

p

arco         

p

   pp

 pp

  pp

     

pp

        

D & F 15981

p

p

       

pizz

fz

 

 

 

    

      Cb  

pp

p

D

fz

 

Temple Blocks

fz

 

 

       

 

 

pp

    

p

  

Glockenspiel

 

 

   

p

                                    



p

            f p pp

  

 

fz



    

 

pizz

Vc

 

 

 

                      Vln   

Vla

  

   

15



            p

ord

  

 

fz

   

Temple Blocks

  

 

tempo I q = 92

f

 

hand on mouthpiece

mf

Ay

  

 

mf

    

fz

Glockenspiel

Glock

    

mf

  

D

       


16

   91

Fl

Cb Rec

B Cl

Tx

C Tpt

     mf

     

mf

 

mf

mf

    

    

 

  

p

Vla

     

     

Vc

Cb

    

 mf

 

 



you'll

need

a

wife

mf

   mf

 

  

  



mf



mf



3

like

that

when

   



3

   

  

pizz

 

fz

   

  

 

      

    

 

    

  

  

  

fz



pizz

f

pizz

fz

D & F 15981



f

fz

fz

 

  

    

mf

pizz

    

 

mf

mf

  

mf

arco

 

f

 

  

mf

f

  

    

 

p

f

 



   

          

  

 

mf

 

 

Vln

 

  

 Fr   

Accord

mf

    

Tm Bl

  

    

 Tbn  

Ay



arco

mf

arco

mf


 Fl   94

      



mf

   

 

Cb Rec

mf

3

mf Tx

C Tpt

Tbn

 

   

Ay

Fr

  

 

 

Accord

 

 Vln  

Vla

Vc

Cb



mp sub

  

     

you



3

are

  fz

far

    

 

 

     

 

 



  

    

 

  

    

mf

 

  

mf pizz

fz

   fz

 

mf

 

from,

   

   

arco



3

mf

mf

mf

     

f

  

      

 

  

  

mf

mf

 



f

mf

     5                                 3

 3

5

mp

mp

6

5

mf

                                        5 5 5

mf

     

           

                  

 

Tm Bl

3

                

5

mp

  

            

B Cl

  

17

          5

5

f

           

5       

5

5

pizz

fz

arco  

 

 

mf

pizz

fz

    

   arco

fz

       fz

D & F 15981

arco

mf

 

mf

f

3 

mf

 f


Aymar stares at the costume for a long time. The father leaves and looks at the man with long hair in the distance.

18

   97

Fl

fz

   

Cb Rec

f

 

B Cl

Tx

 

ppp

       f

C Tpt

      f

Tbn

    f

  Glock    mf  Ay       Fr 

here.

   p

  

  

Vln

  



pizz

f fz



pizz

Vla

Vc

f fz

     fz

    Cb  fz

 

f

take harmon mute

mf

  

Glockenspiel

Accord

                      5

               6 6

mf

5

5



5

mf



 

pp



  

 



5

7:6

                 

7

mp

 p

f

 

        

7:6

p

p

slide superball ad libitum on skin

 

   5                           

    5     5                            



fz

   5                 



 



fz



 take harmon mute    

      

mp

 

mp

Soprano Recorder

Bass Drum

5



 

7             

arco

mp



p

  6     

arco

 

p 7

mp

      

 

    

 

fz

fz

D & F 15981


LIGHTS OFF

     99             Fl  p

5

5

Hold as long as Aymar wishes to stare at the costume

 

pp

6   take T rec               

S Rec

6

p

B Cl

19

 3             p mf #z

       

Tenor Recorder #z

 

pp

p

Tx



 C Tpt 

Tbn

Ay

Fr

Accord

 

mp

 

 

               

pp

 

Vc

7

ppp

   

 3      mf

Cb

 

 

 

   

 

 



mf

 

 

take Alto Sax

 

 

 

 





mf



etc

 



 

 

 

 

 

    

pppp

     

      

   

 

  

 

   

 

 

 

 

 

     

 

 

    

 

 

#autato molto arco



pp

 



   

 



 

 

Vla

 

 

this bar: dynamics and movements ad lib

 

Vln

 

 

BD

ord or slap with sound (resulting pitch) with Cb

 

 

ord

pp

ord

p

D & F 15981

        mf

p

with Tubax

mf


Aymar Mother Yb Bl Wm (off stage) 20 Yn Wm N (off stage) Father (off stage)

SCENE 2 In the house. In the mother’s bedroom. It’s the afternoon. It’s hot. The father’s costume is on a tailor’s mannequin. This shining suit contrasts with the rustic aspect of the place. Aymar is sat on a chair. He seems overwhelmed. A very old woman (the mother), is stood still in the background, she is a little unsteady, and her eyes are fixed on the suit.

LIGHTS ON

  Fl   107

T Rec

q = 92

 

    

p ppp sub

ppp

3

     

B Cl

 Alto Sax.     C Tpt   Tbn

  

  Yn Bl Wm   Yn Wm N

 

  

       

  Vln  

    

ppp

harmon mute

ppp



 

q = 92

 

   the

  

  

  

  

arco

ppp

ppp

  

..ay.. off stage, S V pp

..ay..

 

 -



p

  

..ay..



  

SP

p ppp sub

mp

3

p ppp sub

    SP

3

      

mp

SP   

mp

 

arco

p

pizz

   

pizz

SP  3          

mp

pp

D & F 15981

pers say: off stage, S V pp

p ppp sub



news - pa

pp

arco

 

p

pp

  

pizz

3

p

     p pizz



 Cb  

  

  

p ppp sub arco

off stage, S V pp



  

3

Vc

mp

mute off

   

    

ppp

 

p ppp sub

 

ppp



p

 

 



p

 

  

    

p ppp sub

Glockenspiel

there

p



 



 

p ppp sub



down

   

Vla

       ppp

 Fr   Accord

harmon mute

q = 92

pp dolce

Ay

   

BD

ppp

Alto Saxophone

p

       

p

p ppp sub

ppp

 

arco



pp


  Fl   111

     

#z

ppp sub

Yn Bl Wm

 

 

Fr

Accord

ppp sub

 

 

 

    

 

 

 

    

 

 

 

    

     

 

 

    

 

 

 

 

   

         

  



pp

...er...

 

    

    

    

o

'the son

soon take

-

-

-

ver'.

           

 

  

3

Cb



    

ppp

D & F 15981

 

 

p

 

 

  



 

  

 

p

 

  

 

  

 

 

 

Avant je faisais tout.

     p

  

  

p

 

E



  



     Vln         p            Vla        Vc

p

pp

lv

lv

...er...

              will

p

    

Ay



 

 

Mo

 

 

Yn Wm N



 

Glock



 

      

  



Sopranino Recorder

  

Take Tubax

Tbn

p

 

ppp sub

C Tpt

 

 

#z

Alto Sax.





       

ppp sub

B Cl





21

E

 

#z

T Rec

 

ord

   But what

E

  

 

 

 



 

  

#autato with Aymar

 

 

 

p

    p

p sub

   


22

  Fl  

120

  

 

 

   

take S Rec

 

 

 

p

    

Tenor Recorder

Sop. Rec

p

B Cl

Alto Sax.

 

  

  C Tpt   Tbn

Glock

Yn Bl Wm

    

 

 

    

 

  

pp

 

 

 

 

 

 

 

 

            3

3

mp

3            mp

  

Tubax

mute off

 

 

 

 

 

 

 

harmon or plunger ad lib

  

più lento q = 82

Tubular Bells lv

        mp

più lento q = 82

lv

 

 

Yn Wm N

 

 

 

 

 

Mo

 

 

 

 

 

  

 

 

 

 

 

Ay

Fr

    

they're real - ly

  

 

think -

p

 

ing

 

 

 

   

  

pp

 

più lento q = 82

          pizz

 

 

 

               pizz

p

         

pizz



 

 

 

 

 



p

 



p



      

 

be



       

p

 

D & F 15981

         p



pizz



 Cb   

 

p sub

Vc

 

 

SP

Vla

3

'will he

 

is:

    



   Vln  



  

Accord

 

   


   127

Fl

 

  

 

 

 Tx  

  

 

 Tbn  

 

 

 

B Cl

C Tpt

Tub. B.

Yn Bl Wm

Yn Wm N

Mo

Ay

  

  

 

   up

to

 

 

  Vln    Vla

Vc

 

SV

 

pp

     

       Cb    pp

 

 

 

 

 

 



 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

    

 

 

 

 

 

 

 

SV

SV

it



it



 

 

 

 Vous faites mon travail maintenant.

Je ne suis plus bonne à rien

 

 

pp

pizz

arco

3

pp

ppp

     

arco

ppp

    arco

ppp

 

it



D & F 15981

ppp

 



3        

     pp

        

ppp

 

3

3

ppp

ppp

 

  



it?'

ppp

  

 Fr  

Accord

  

 



ppp

 3  

ppp

3    

ppp

 

 

Sopranino Recorder

ppp

 

T Rec



3

23

 

pizz

     pp 3

     

pizz

    pp

pp

pizz

       pp 3

3


24

  Fl     132

Sop. Rec

F

        



    

5

pp

         To S Rec

    

         5

pp

C Tpt

  

Tub. B.

 

Ay

Accord

    

  Vln   Vla

Vc

Cb

  

     

  

    

3

3

p

5

 



f

3

mp

  f

p



 

  

   



  

#z

mp

 

 

 

pp

 

          

  

F



p

 

  

     

pp

Marimba



p

Its

    

        p

  

  

  

with Mar

F

Mo

  

5

 Tbn  



p

 

 

Soprano Recorder

mp

              Tx   pp

5

pp

B Cl

  5         5 

na

    mf

tu

-

5

   

 

ral:

 

 

 

        

 

  

 

 

   

 

mf

       arco

p

D & F 15981

         5

           p

  5                   

     -

with Rec

p

     p

 

p



 

   


  Fl    135

S Rec

B Cl

  

     

  

  

     

   

p

Alto Saxophone with Aymar

Alto Sax.

  



 Tbn     Mar

Ay

 

my

fa

-

      5

    

        

Accord

Vc

5

    

 

ther

was

  

arco

 Cb    

5

5

                   p mp          

arco

p

  



grea

5

D & F 15981

p

-

test

 

5

 

  mf

  

    mp

  p

 

   

with Aymar

       

5

5           5

  

 

 

  

mp



   

 

5                 5

 



mp

5

 

the

mp

         

p

mp

5  6         5                                                  6 5 p     5 mp nf

p

p

   

   

arco

  

p

     5       6                                    5       6               



  

6

6

  5                           5 

  Vln     

Vla

  

mp

                p

p

   

6

             

   

6

p

 

#z

                  

 

 



  





  

            

mp

C Tpt

25

     


26

137     Fl   

S Rec

B Cl

Alto Sax.

C Tpt

    

   

 

Mar

Mo

Ay

p

Vc

   

with Aymar

 

   

 

    

 

co

-

me

    -

mf

 

      

di - an

 the

            



mp

5



     world

mf

had e -



 

ver

seen

     

with Aymar

    



mf

    

 

       

 

SP           

 

arco

mp

5

                5

                5

D & F 15981

 

     pp

mf

SP

mp

 

ST

3

mf

SP

mp

mf

du tout bonne à rien.

 

       

  Cb   

  Vln  

Vla

p

  

       

 

                

          

Accord

 

p

 

    

   

with Aymar

  Tbn  

take T Rec

 

 

   

       pp  ST

3

 

ST

   pp


 

 

  

 

  

 

 

  

 

 

  

 

  



142

B Cl

Alto Sax.

 C Tpt     Tbn 

 

Mo

  

  

  

pp

  

  

Où est ton père ?

Ay

Accord

 

 

 

 

 

 

 Vln  

Vc

 

 

 

5

      

p

              

5

poco meno mosso (q = 76)

put mute

mf

  

-

-

           

D & F 15981

-

-

-

-

-

-

  

ppp

put mute

ppp

 

put mute

  Cb 

ppp

p

Mo

put mute

 

t-k

  

Il dort.

   

ppp

 

poco meno mosso (q = 76)

pp

spoken

      

#autato

3

Vla

 

Tenor Recorder

 

      

Glockenspiel

Glock

27

 Fl  

S Rec

G

p

poco meno mosso (q = 76)

 

 

mute



5

ord

               

p

mute

                ord

5

p


28

                     Fl  146

6

p

  

T Rec

6

 

mf

Alto Sax.



Mar

Mo

    

p

5

5

   

mute pizz

                       p 

      

     



 

 

  

         

 

              



5

5

p

7               

arco

pizz

    

mp

D & F 15981

5

                   



5

pizz

    

p

 

arco

p

5

p

mp

 

I

p



6

ther

mf

 

 

5

   

mute

 

 

p

-

              

Tubax 3

p

Cb

7



  

6           

 



  Vln       

Vc

    

mf

  5        Ay     

Vla

    

p

Marimba

 

5

mp

p sub

Accord

mf

p

 

    

p

p

5

 C Tpt  Tbn

    

 

B Cl

    



5



 5  

arco

   


  Fl   

  

148

T Rec

29

   5             

 

 

 

5

p

5

5

       

mf

B Cl

 

pp

Tx

   

pp

  C Tpt   

 Tbn     Mar

Mo

5

                      p

  



Cb

p

mf

 

3

can't

7               

p

      

3

 3

       

p

 3



-

3

3

3

       

            

no

     

5

3

-

5

D & F 15981

p

 p

-

 

 

  3

   

     

         3

3

with Rec

mf

 

5

        

 3

5



           p

 

a

  



stay

6    

      

 

p

Vc

    

 

Vla

6

 

7

p

 

Vln

6               

 

                               

 Ay    

Accord

 

 


30



  Fl    150

T Rec

p

                     p

B Cl

6

 

 

 

 

 

  Vln   Vla

Vc

5

    

  

 Cb   



   3

  

    p

   

the man get's in

  

spoken

encore une lettre pour toi?

   

spoken

Merci.       

year

  

mf



3

  

 

 

 

 

5

  

 

  

p

 

                  

  

   

  

 

ther

p

  

  

 take Cl     

  

 

  

p

 



p

p

    

 



    Ay     

Accord

 

     

 

 

      

p

p

  Mn Ln H   Mo

     

 

       

  C Tpt     Tbn  

 

6

  

 Tx   

Mar

 



    

 

 

 

   

 

  

  

 

  

   



 

D & F 15981

  

p

     p

        p


H

LIGHTS OFF 31

tempo I 154 (q = 82)

Fl

  

 f







f



      

 

T Rec



6

or #z   

bisb.

6

mf

B Cl

Tx



C Tpt

Tbn

   

       mp f                  

 

5

mp

Mar



5

 Mn Ln H 

 take harmon mute

f

tempo I (q = 82)

the man exits coughing

Mo

Ay



      

Accord

mf

5

       tempo I (q = 82)

 Vln  

mute off

 

Vla

 

mute off

Vc

      



    

pizz

Cb

mute off

f

5





 5



                mp f

             5

mp

 

6

   mf

5

5

mute off

     

3



5

 

arco

f

5

      

f

f

D & F 15981

pizz



mf




32

 Fl  

   

156

with Vcl

mf

    

T Rec

 

 

                    3

with Tpt

mf

              mf

6

5

            

 

  

 

                  

 

  

 

mf

Tx



 C Tpt  Tbn

 

              

Clarinet in Bb bisb.

Cl

7                   mp

 

 

take harmon mute

with Fl 3

mf

 

Wood Blocks

  

Mar

Mo

Ay

  

 

Accord

Vln



 

3      

 

 

  

 

 

  

 

 

  

        

         

  

3

       

Vla

    

Vc

       mp

    

arco

Cb



    

      



with Fl pizz



      



   



   



   

mf

 



 



 

 

 

arco

 

D & F 15981

             p



       

 

f

 



      

 

        

 

 

  


Aymar

SCENE 3

LIGHTS ON

A few moments later. In the afternoon. At the top of the mountain. The edge of a ravine. Immensity of the sky. A stone bench. Aymar, alone, with the letter in his hand, is stood by the edge.

q = 126 - 132

  Fl     p 160

#z

f

 

               with Acc

T Rec

3

mp

3

33

           

p

            p

f

 3       3

Cl

 

 

 

    

Tx

  

 

 

    

    

    

  C Tpt  

 

 Tbn  

      

W.B.

q = 126 - 132

  Ay    

with Rec

3

3

3

  

p

p



 

 

SV

f

   

SV

pp

f

         SV

pp

 

        

  

is

mute off

fp

so

pure

 

 

        

  

            

 

f

       

   

Zink

   p

      

 

fp

5 5                   

  

q = 126 - 132

pp

 

mute off

    

f

  Vln   

 Cb  

p

 

3

Air

 

Vc

      

              

Vla

fp

e

 

harmon mute

  

p

Accord

p

Marimba

mf

mp

   

 

harmon mute To Zn

pp

    

f

     

pp

f

pp

D & F 15981

f

    

here

I

7          p

 mf

 

pizz

mp



pizz

mp

       3

      

pizz

 

like

mp

     

pizz

mp


34

 Fl  167

 

T Rec

p





Mar

co

Vc

Cb

  

       

       

 

     

 

 

  

 

 

 

 

take C Tpt

 

 

 

 

       

 

 

 

      3

mp

 

  

mp

3

mp

3                    

p

ming

 

3

 



 -

 

3

  

    

here

just like this

         the

mf

p

mf

with Aymar

mp

3

on

 

 

3          

edge

Look - ing down

       

 

 

 

       

 

 

 

       

 

       Vln  

Vla

 Ay   

Accord

      



3   

 

3

mp

5

 Zi   Tbn

3       

         

Cl

Tx

 

   

p

    p

               

       

   

       

p

p



ppp

arco mute

      

D & F 15981

mf

pizz with Aymar

ppp

  

arco mute

arco mute

         3

    

  

ppp

   

 

mf

mp

pizz with Aymar

          3

mf

 

mp

 


  Fl   176

T Rec

Cl

 

 

              

 

 

 

 

 

 

 

p

I

 

 

 mp



35

 

     

 

 

 

 

p

 

mp

pp

Tx

Zi

Tbn

Mar

Ay

Accord

Vln

Vla

Vc

Cb

  

 

 

 

 

 

 

       

 

 

 

 

 

Trumpet in C

  

 

 

3

p

  

 

 

 

     

 

 

 

 

  3                    

all

the

way

ord

p

I

poco

3

p

p

fp

       

down

 3       

       p

      

Be

-

cause

 



you

can

 

 

 

 

 

 

 

 

 

 

 

 

 

 

     

  

 

 

 

   

   

 

 

 

   

 

I

 

ppp

arco mute

 

 

 

 

 

 

D & F 15981

p

   

  

ppp

 

 

  

mf fp

arco mute

ppp

 

   p

     

fp

p

 

f

p sub

   


36

  Fl   185

 f

 

     

        

 

 

   

 

 

     

 

 

3   

mp

with Aymar

T Rec

f

Cl

Tx

fp

 

    

     

 

 

      

 

  3    

                      Ay        fp

fp

5

5

see,

'..e'

e - very

-

thing

from

 

#z or t-k

pp

  pp       

 

 

p

ppp

 

    



 

 

 

mp



    

      

 

Mar

Contrabass Recorder t-k

3   

   C Tpt     Tbn

    

3

  

 

    

               

 

here

 

 

    

 

 

 

    

   

 

 

    

   Vln    

     

 

    

 

   

     

 

 

      

 

 

Accord

Vla

mp f

f

Vc

f

Cb

D & F 15981

   

  

 

 

  

 

      

 

 

ppp

ppp

ppp

    


  Fl   193

Cb Rec

Cl

Tx

C Tpt

Tbn

Mar

     

        

37

J

 

start decresc here, no wait

      

 

air

 

   

mf

mf

J

view

    is

wide



mp

o

-

 

take T Rec

p

  

 

    

air

#z

 

p

 

 

 

 

    mf

 

 

 

 

  

 

can

see

I

  

pp

  

mute off

             

mf

 

J

  

on the chin rest

pp

  

mf

on the chin rest

pp



mf

 

 

      

mp

pizz

mp

 

 

 

          

D & F 15981

 

ord with acc

p

 

 

5

5                5

    

with Mar

arco SP

 

    

 

ord with Vl and Vla

               mf

       pizz

  

air #z

    

  

pen

 

#z

     

   

 

with Vcl

bellow, air only

       

 Cb   

pp

mute off

Vc

air

mute off

Vla

 

  

5

  

Vln

 

         Ay       

Accord

mf

mf

pp

the

pp



mp

air

p

 

p



  

 

mf

       

 

5         

mf

ord with acc

  5        mf

 

 

    3


38

 Fl  200



  

 

   

        mp

(poco)

    p

#z

 

Cl

   Tx  air

mf

 C Tpt  

Mar

 Ay   

Accord

Vla

Vc

Cb

 

ord            

mf

#z

     

 



   

mf

mf

my

house

    

 

     

 



p

 

p

 

down

mf

mp

  



mf

3

take alto sax

mf

 

 

(poco)

p

    

p

p

 

  -

 

 

   p

     p

low

f quasi

 

mf

 

  

 

mp

 

   

f quasi

 

   

       ppp

 

     

mf



  

    

      

  

   

 

 

 

 

mp

f quasi

f quasi

      

       

  

    

 

        

       

  

    

 

D & F 15981

 

bisb.



  

 

 

f quasi

be

mf



 

  

       

 

mf

 3              

 

3

half air #z + keys tremolo bisb.

 Vln 

            

half air #z + keys tremolo bisb.

half air #z + keys tremolo bisb.

f quasi

mf

mf

Tbn

 

B Rec  take                   

Tenor Recorder T Rec

 

take bass Fl

 f

 f

pizz

f

pizz

f


  Fl   207

T Rec

Cl

   

poco più lento q = 128

  

 

 

Bass Recorder with Aymar

  

           pp  



Bass Flute

ppp

  



 

 

ppp

Tx

  

  C Tpt    Tbn    

Mar

  Ay  

 

 

 

 

 

Accord

  

 

  Vln  

 

 

 

 

 

 

 

 

Vla

Vc

 

 Cb   

  

     

  

arco mute

 

ppp

  

 

ppp

  



    

  





 

take tubax

  

  

   

  

 

  

 

harmon no stem

    

 

  

arco mute

ppp

3







 

   pppp

arco mute

     

3     

 

  

     

 

arco mute

on.



 

  

  

ppp

 

harmon no stem

lit - tle fur - ther

  

poco più lento q = 128

  

#z

  

poco

fa - ther a

 ppp

ppp

     

 

Alto Saxophone

 

with Cl

         

 

 

poco più lento q = 128

and my

Fr

   

Tenor Recorder

ppp

 

#z

39

pp

D & F 15981

     

 

  





He's

so

 

 small.

 

  

 

  

    



   



   

  





 

mute off

  

mute off

  

  

   mute off

 

mute off

  


40

q = 72

 B. Fl  217

Flute

        p 5

 

3                                          3  6

6

3

mp

T Rec

Cl

   

      

5



p

6

 3              with Aymar #z

pp

Alto Sax.

C Tpt

Tbn

Mar



  

 

 Ay  

 

 

 

  

p

 

 

 

 

     

 



with Aymar

 

 

         

a

tree

  

  

 

 



 

 

 

 

 

Cb



  p

Vc

 Vln 

Vla

 

3

      p  

pp

He's re - sting un - der

 

  

valve tremolo



   

q = 72

Accord

 

q = 72

D & F 15981

 p

 p

 p


222               Fl   

 

 

 

 



 

T Rec

Cl

 C Tpt 

3

mp

 

 

  

 

 

3        



 

 

with Aymar

3

mp

sf pp sub

3          

sf pp sub

 

 

mf

mf

 

p

  

3

mf with Cl

no

one

 

 

 

 

 

K

      SP

 

  

 

 

fz mp

      



 

        

 

 

f

 

K

 

 

     

Cb

 

 

    

Vc

 

 

  Vln  Vla

 

fz

 Ay  

    

 

f molto

mf

Mar

3

    Tbn  

Accord

41

#z             

3

Alto Sax.

K

f

D & F 15981

 


42

    Fl   226

T Rec

#z

 

  





3  

 

sf pp sub

Cl

        #z

sf pp sub

Alto Sax.



#z                



 

 

   C Tpt 

3     

    

3       Tbn       

    

 Ay   

 

Accord

3

 

can 3



mf

hear



3

  Vln  

Vla

Vc

Cb

   

 

  

3



mf

 

 mf

     f

3

 

  mp

  

 

I

can

e

-

  



         

 



  

ven

shout

at

 

 

 

 

  

       

fz mp

    

mf

ord

fp

 

D & F 15981



     

with Aymar

arco

mf





 

fp

    

 

  

      

ord

arco

 

mf

with Cb

p sub

 

me

  

 

with Aymar

 

 

#z

 

mp

    

Mar

 

                 

#z

sf pp sub

#z

5

3

  

sf pp sub

 

sf pp sub

5

f

sf pp sub

 

#z

    

3     

3       

   

 

 

  pizz

mf

      


5   Fl         

230

6

   

 

43

   



           



6

f

               3

3

3

6

Sopranino Recorder

T Rec

Cl

 

      

Mar

Ay

Accord

Vln

Vla

5

mf

    

  



the

f

fz

    top

of

my

lungs

  

    

   

  

   

p

        3

mf

arco 

3

pizz

mf

ff

arco          5

3

f pp sub

mf

           

      

  

   

   

6

      

   

f pp sub

f pp sub

     

f

Cb

     mf



      

6

3

  

3     

5

Vc

mf

Tubax



     

   



mp

  C Tpt   

Tbn

3   

mf

Alto Sax.

 

 



mf

D & F 15981

3   f pp sub


44

232        Fl 

  

Sop. Rec

   

3

3

 

Cl

Tx

3

f

L

 

mp

 

 

 

 

 

 

 

 

 

pp sub

f

 

               3

3

mf

   



3 6

   

 

Vla

Vc

Cb

  f

3

 

f

 3

  

3

f pp sub

 

 

pp sub

with Vln         

mf

        

 

like this

 

 

 

 

 

 

 

           

 

 

 

 

 

 

   

 

 

L

pizz with Mar

mf

f

D & F 15981

 

f

 

   

 Vln 

3

3

just



L

 

 

                   

   Ay  

Accord

   

mp

mf

Mar

  

3

63

 



 

  C Tpt 

Tbn

  


      

235         Fl   3

Sop. Rec

3

mp

   

    

 



    

    

 

                            

 

  

 

mf

   C Tpt  

 

with Cb

    

  

p

3

 

Accord

Vln

Vla

3



 

       

       

p

 

3

3

3 6

mp

 

 

           mp



and

this

mf

 

  

  pizz with Cl

  

   

 

pizz.

 

 

3

 

mf

 

with Tbx

    

  

mf 3

mf D & F 15981

q = 132 ord

mf

      

    

I

see

my

    

      

  

      

 

      

   

       

mf

q = 132

 

  

  

  Cb  



ord



 

ppp

mf

   

ppp

3

mf

f

Vc

 

  

3

quasi eco

  

  Ay   

mp

 Tbn    Mar

3            6 3

ppp



with vla

3



Tenor Recorder

f

Tx

      

take T Rec

  



ppp

mf

Cl

    

45

q = 132

   

mf

mf



    

       mf


46

   Fl  239

  

T Rec

 

 Ay    

Accord

-

mf

 

pizz

mf

 

       

    

 

     

  

 

 

king

up

      

 

 

            

 

ha - ven't had

       

      

mf

ppp

4

p

  

D & F 15981

          3

  arco

pizz

3    

mf

 

p

mf

 

 

 

time

3

arco

 

    4

p

     

 

    

with Aymar

pizz

 I

 

arco SP

p

3

           

   

-

    

ppp

 

  

mf

with Fl

 

    

ppp

ppp

         

             with Mar



   

mf

 

pizz

mf

      

p

    

ppp

mf

 





           

mf

    

 

  

mf

 

 

     

mf

       

    

 

 

mf

 

 

   

  

mf

wa

 

ther

mf

      

   

Vc

Cb

fa

 

 

with Vcl

    

 Vln 

Vla

 

 

   

Mar

 

 C Tpt   

Tbn

 

  

Cl

Tx

with Vcl

    

 

   

 


246 bisb.    Fl     

T Rec

mf

Cl

     

mf

Tx

  

   C Tpt       Tbn     

Ay

            

Vln

Vla

 

Cb

 

mf

   

    

 to Tub Bl

mf

-

-

  p sub

 

   

-

  

     

          

   

pp

D & F 15981

    

 

 

ppp

 

 

 

 

 

 

e = 144

 

 

 

 

 



e = 144

 

 

      

 

 

      

 



 

 

         f

 

arco

 

f molto

f

         

     

pp

3

      

mf

 

ter

     

       

 

 

          

      

  

-

ppp

nf

mf

the let

        

mf



p

pen

 

p

p



   

p

p

o-



          

to

mf

Vc

          

       

Accord

 

     

mf

 

mf

Mar

 

mf

     

47

e = 144

ppp

ppp


48

   254

Fl

(q = 72)

      

 Tx  

  C Tpt  

     #z    

        

take B Cl

mf

  

 

    

  

  Ay    

lv To Glock to Mar

mf

3

to 5

   

-

  

Vla

 

    

-

   

   

 

   

         

   

   

 

   

    

   

thing

p

f

p

f

    

is

a - bout

3

to hap pen



     

     

      

 

   

 

   

 

   

   

   

alone

 

   



 

   

        

      Cb   

        

       

mf

 

 

         

mf

some

 

   

 

mf

 

(q = 72)

pizz

Vc

    

3

with Vl and Vla

5

 

day

       

  Vln  

3

 

 

(q = 72)

Accord



mf

Tubular Bells

             

 #z          

 

 Tbn   Tub. B.

 #z      

 

 

Cl

 

mf

#z

T Rec

       

mf

mf

                   arco

arco        

            mf

D & F 15981

 

    

 


M

  Fl   260

 

                                         5

colla voce ad lib

5



a tempo

3

T Rec

 

 

 

 

Cl

 

 

 

 

Tx

  

 

 

 

 

  

 

 

 

  C Tpt    Tbn   Tub. B.

 

 

 

M colla voce

Glockenspiel lv

#z

   p

  

 

to Mar

 

   p

f

  p

a tempo

ad lib

p                         Ay    sung

spoken and ad lib

mp

Accord

ha

ha

ha

I'm

fun

-

ny

 

  

too!

 

 

 

 

 

 

 

 

 

 

  Vln  

M colla voce ad lib

a tempo

 

Vla

 

 

 

 

Vc

 

 

 

 

Cb

  

 

 

 

D & F 15981

49

f


50

265           Fl     

f

5

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

f

Accord

Vln

    p

p

f

f

    

 

   

p

 

f

#z

  p

f

 

 

 

 

 

 

 

 

 

 

 

 

 

       

 

 

espr

 

Vla

p

Vc

Cb

 #z

  Tbn 

Ay

f

 C Tpt  

Glock

                 

p

 

  p

Tx

6

 

 



Bass Clarinet in Bb B Cl

LIGHTS OFF

3

3

T Rec

     6                               5 5

mf

 

 

  

     

 

 

 

D & F 15981

espr

mf

  

 


51

270    Fl  

 

fff

T Rec

 

   

            6

     f

 

pp sub

3

  f

Tx

   

     C Tpt     

Tbn

Glock

Ay

Accord

   

Vc

   

3   

   

f

pp sub

 

 

   

 

 

 

 

 

    SP

fz

 

   

pp sub



 3



  

 

 

 

 



f

Cb

 

   Vln  

Vla

 

   

pp sub

pp sub

3

f

3

5

3

mf

B Cl

       





     f

3

  f

D & F 15981

 

 

 

f




52

 with Vxl           

272      Fl    

T Rec

B Cl

Tx

  

  

    

   

  C Tpt        Tbn   Glock

Ay

Fr

3

f pp sub

3      f pp sub

f pp sub

   

  

 



f

f

 

 

 Cb    

  

  

  

fp

f

f

 

p siub

f

       f

          

arco with Fl

3

        mf

ff

f

arco

fp

f

 

  

   

f

D & F 15981

 

      3

f pp sub

    f

 

 



 

 



   

 

 

 

 

#z

p

f

#z

p

f

 

 

   f

p

you'll

f

ff

 

 

ord

arco

  

  

 

fz mp

f

  

f

 

      

f pp sub

        

 

  

     3

  

 

mf

 

  

     

 

 

   Vln   

Vc

  



LIGHTS ON

f

3       

  

take B Rec

  

  

Vla

f

  

Accord

f

 

 

 

 

 

 

 

 

 

 

      

 

fp

 

 

  

  

f

 



fp

f

      arco

fp

f

 


SCENE 4 A few moments later. It’s is the end of the afternoon. Behind the house. A small wooden platform is set up in the middle of a field. Aymar is stood on the platform. Aymar is holding his head in his hands. The father goes to him. Extremely tense atmosphere The father is visibly very annoyed. The hippy comes in the distance, stands still and observes.

Father, Aymar

  Fl    276

q = 148

air exhale / inhale, etc always closed labium

  H'

B Rec

mf

Bass Recorder

 

6

   

ord

ord

mf

'H' etc exhale / inhale, etc

6

'H' 'H' etc

mf air exhale / inhale, etc

B Cl

  

  H'

mf

   

mf

6

etc

mf

 

'H' 'H' H'

mf

              5

f

mf

          

5

f

 

                

mf

   

ord

mf

3

ord

3

     

etc

6

5

mf

  

Marimba Glock

 

  Ay   

mf

'H' 'H' H'

f

ne -ver ma - nage,

  Vln   Vla

 

Cb

 

        

   

3

etc

mantice up, down, etc

 

  

just

for

a

mf

6

mf

6

pp

f

  

 

mo - ment

there

 arco

with Father mute half scrape / half sound

mute

q = 148

with Father, scrape

Vc

3

 

3

exhale / inhale, etc

        Fr  

Accord

mf

q = 148

 

5

      

mf

   f

  

 



 

  

 



mute with Father half scrape / half sound

 f

D & F 15981



6

etc

        5

mf

      

6

3

6

f

5

6

'H' H'

 

mp

air exhale / inhale, etc

 Tbn    

      

mf

ord

'H' H'

air exhale / inhale, etc

mp

  C Tpt   

ord

'H' etc

air exhale / inhale, etc

Tx

5

mf

6

f

      

5    

53


54

 Fl  280

     5

3

        

B Rec

6

6

     Tx        

Tbn

 

Fr

Vla

Vc

Cb

3

air

    

       

   

         

    

3

out

out

out

     

       

      

       

out

   

     

out

   

     

                 

 

 

 6

6

   



  

  

      I caught a glimpse

 

Vln

         

3

 

Accord

Mar

Ay

   

3

6

 C Tpt  

        

3

     

B Cl

out

  

mute off

what

you



   

could

a

 -

 chieve

  

   

     

  

    

with Father half scrape / half sound

     f

     

     

with Father half scrape / half sound

of



    

  





 



 

 



   





 



  

D & F 15981


       Fl       285

mf

slap

fp

fz

#z slap            

B Rec

mf

fp

fz

#z      slap       

B Cl

mf

Tx

#z

N



fp

fz

#z ord      C Tpt        

mf

Tbn



fp

fz

#z

ord

fp

fz

           mf

 

 

 

 

55



fp

 

 

 

ord

 

ord

fp

 

   

  

mf

 

 

fp

 

 

ord

mf

 

fp

mf

        3

Mar

Ay

Fr

Accord

  

Vc

 

 

N

 leggero



mf

 



one

ff

 

 

      

day

if you wan - ted

     to

 

 

 

 

arco 5                        6

5                      6

N mute off

mf

  

 

mute off



f

arco

6

mf

f

            ord

mf

Cb

 Vln  

Vla

3

 

3

D & F 15981



     f

 

    

pizz

ff


56

291    Fl 

mf

 

 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

  

 Ay  

 



     

       

 

I

mp

want

 

p

   



but

you

     di

-

dn't

per

 

  

 

 

 

 

 

 

 

 

     pp

   

  

with Father

  

 

  

with Father

pp

D & F 15981

pp

  

   

 

 



    

with Father arco

pp

  

-





 

se

-

  

mf

  

  

 

fp

p sub

   

 

pp



 

 

 

p sub

 

p

Vc

 

with Father

   

 Vln 

Vla

 

 fp

Yes

Cb

 

Mar

Accord

 

    C Tpt 

Fr

B Cl

Tbn

 

B Rec

Tx

fp

 

-

vere

   

  pp

    

mf

 

fp

  

fp

  fp


57

O

   Fl    



  



298

air with some pitch

f

p

overblowing to produce overtones

B Rec

f

p

overblowing to produce overtones

    

B Cl

f

overblowing to produce overtones

Tx

   

 C Tpt 

f

 f

p

overblowing to produce overtones

    

exhale / inhale, etc

f

f

 

exhale / inhale, etc

p

6

f exhale / inhale, etc

   Tbn  f

6

f

f



6

exhale / inhale, etc

f



6

f



p

exhale / inhale, etc

f

6

f exhale / inhale, etc

  

Mar

6

f

pp

 

O

Mn Ln H

Ay

Fr

Accord

   

 Vln   O

 

Vc

  Cb 

    f

       



  5

5

                  5

 

    

3

p

6

6

               5

p

mf

p

5

6

mf

D & F 15981

   

5

mf

6                       



6

      

        6

            6

mf

     

6

p

 

  

Vla

The man with long hair approaches the father and Aymar. He holds a letter in his hand. He coughs

      5


58

 Fl   300

   mf

 

B Rec

   mf

 

B Cl

  

 



   



mp

Tx

 

 

mp

           C Tpt    5

p

 

5

5

 

 

f

 

 

 

 





f

mp

6

Fr

f

f

Vc

f

mp

mf

   f

3

  

3   

        

mf

5

mp

f 3

6

6

      

mp

 3

   

f

       

      

5

 

  mp

 

f

5

     

  

 f

 

 



 

 

 



half scrape / half sound

  

6

p

half scrape / half sound

D & F 15981

mp

6

5

mp

 

f

Cb

                   

 Vln  Vla

6

mp

5 3                    3

                  6

Accord

              5

Mar

Ay

6

6

6

   

             5

mp

f

   5                     Tbn   p

   

f

    

3

mp

5

      

5   

5

     3

   

 


 Fl  302

     5

59 air

 f

air         

B Rec

6



       

   

       

 

          

    

       

        

    

       

          

    

       

       

   

       

        

    

       

3

f air

6

air

        

 

3

f

air

6

Ay

Fr

6

6

   

Vc

Cb

  

 

 

f

6



6

     

  

     

6

     

  

     

f

    

Vla

out

f

 Vln  

out

6

      

Accord

out

out

6

air           

  

3

f

 

Mar



3

         C Tpt 

Tbn

out

f

6

Tx

3

3

3           

B Cl

out

 

3

f

     5

 

                                        ord

                ord

D & F 15981



              



              



                

f p

f p

f p

f

mf

f

mf

f

mf


60

  Fl                307

mf

fp

mf



    

 

 slap    

 

 

slap

fp

mf

fz

fz

#z          

B Cl

fp

fz

  C Tpt             fp

    

        #z     

    

#z

mf

Tbn

Mar

Ay

mf

 

ord

Fr

Accord

fp

 

fp

 

 

 

fp

 

 



 

fp

  

 

 

 

 



one

 

p

     

day

if you wan - ted

 

 

 

 

                     6

5                       6

f

      f

Cb

mf

     

P

f

Vc



fp

fz

  Vln   Vla

fz

leggero

P

 

slap

#z          

B Rec

Tx

   

#z



P

5

p

f

arco

6

p

            arco

p

f

 

D & F 15981

3

3



    

 

f


312     Fl 

B Rec

B Cl

Tx

C Tpt

Tbn



   

Fr

 with Aymar     p

p sub

with Aymar

 

   



  

p



  



Yes

   I

want



 

but you di - dn't



p

mp p

  





  

mf

 

  



mf

To T Bl

mf

mp

   



Temple Blocks

mp

    mf

      

 -

 p

3         

vere

You

    

could

   

mf

pp

ord

mp p sub

pp

p

ord poco espr

  

not

          

mp p sub

 

    

mf

 S T   

   

p

subito più lento q = 92

 





mf

per - se

SP

  Vln    

mp       

p

subito più lento q = 92

p

p

p

sfp

to



p

  

 

Accord

 Ay 

Mar

61

subito più lento q = 92



   

    mp

p

SP

Vla

 

 



 

p

mp p

ST

mp

SP

Vc

    



p

Cb



 S T   

mp p

mp p sub

pp

D & F 15981

ord

p

arco

p


62

 Fl  

320

 

p

   

B Rec

B Cl

Tx

C Tpt

Tbn





 

pp

 

Vln

Vla

Vc

  

     

 

    5

p

p

    

pp

   



  

 

pp



mf

5

     mf

Q

    

mf

  

mf

      

    

Glockenspiel

want

to

   

cope,

f

  

pp

mf

     mf

  

why



not?

 

should I

4

  still

 

with Father

    

 

   

pp

 

 

 

 

pp

   

 

       

4

 

  

mf

       with Rec



mf

  

    

t-k

with Acc

          

    

 

mf

  

pp

Cb

p

pp

pp

  

                         

  

Accord

t-k

  

I

Fr



 

Q

 

    

Tm Bl

Ay

mf

  

pp

 

     



5

p

 pizz Q 

  

fz

    pizz

  

 

  pizz ord

mf

fz

D & F 15981



      

pizz muted

            

fz

      

pizz

f

fz

f

fz

       

have


  Fl  324

B Rec

3

  

  #z

mf

B Cl

Tx

C Tpt

Tbn

              3

3

  

 



f

Ay

Fr

  



Vln

 

arco

mf

arco Vla

 



Vc

Cb

 

f

    

f

  

   

     

  

    

    

 

    

fp

f

fp

f

spoken (around this point)

     

    fz

why are you saying this?

  

 

    

 

 

hope?

 

 



      



3

fp





       

 

    

        

 

fz

D & F 15981

       

f fz

fz

p

7:6

pizz

fp

fz

 pizz       

f fz

       

3

mf

fp

5

fz

take Paetzold Cb Rec in F

    

 

       

   

mf

 

Accord

5

           

   3

      5                        f 3 fp

 

Glock

5

f

f

f

                

 

#z

mf

         

 

 63 

p

7:6

   

       

     

       

fz

fz

fz

fz


64

 Fl   328

B Rec

f

B Cl

  

     mf



 C Tpt   Tbn

   

muliphonics on this fundamental

   

f

    

Temple Blocks

 

Glock

Ay

Fr

 

 

Vln

Vla

Vc

Cb

 

    

pp

    mf

        mf

   

       p

    

Glockenspiel

       p

    

 

spoken

 

Again!

Accord

f

                   

    

mf

p

pp

Tx

      

                

pp

                 p

       p

7:6

7

 

     

 

     

fz

     

pp

    pp



    

    

ppp

          



7:6

 

fz



    

    

mf

       

arco

mf

   

mf

    mf

D & F 15981

       

arco

p

p

 

    

    

    

    

p

p


SCENE 5 A while later. After nightfall. In the countryside.

65 Aymar takes the letter as his father looks at him. The man moves away coughing. Aymar is petrified. The limping man with long hair is drunk perhaps. He starts to dance. He coughs.

q = 76

   

Paetzold Contrabass Recorder in F

333

B Rec

mf

   

 

B Cl



p



f

 

mf sub

  Tx  

   

     

poco

ff p

slap

3

  

poco



  

3

f

fz fz

       5    5

mf sub

open slap

  

fz fz

    



ffz

ff

 

fz

                          Cb Rec     335

ffp

p fp

p

p

f ou ou ou ou ou - ou - ou - ou uou

 

      ord

5

f

                   Cb Rec    337

 

  

ou-ou-ou

p

 Tx  

  

   p

poco

-

f p

ou

-

ou

open slap

 

3

f

 

 

fz

                 

  fp

fp

fp

multiphonic (fundamental + second harmonic)

ff

            

  6           f

D & F 15981

ou

#z

mf sub

-

sfz p sub.

          5    5

 

5                    3

        ffz

6

5

B Cl

5

f

5                            3

B Cl

Tx

f

sffz

mf sub

  

ff

         sffz

         f

p


66

       #z  t-k                            Cb Rec          R

LIGHTS OFF

           

342

5

f

B Cl

 

fp

        3

f

mf

f

fp

f

f

f

 open slap                    f

sffz

    Tx    

sffz

mf

f

f

mf

p

    mf

    

  

    

#z

     

3

f

 

ord

f

mf

#z

mf

f mf

3

f



   

   

    

f

mf

f

mf

f

               Cb Rec  349

6

 

Tx

  



                             5         f      3

B Cl

bisb

   

  Ay   

3

    

 

f

5

#z

   f

 



p

   

 

 f

LIGHTS ON take Tenor

 

 

          mp

 

 

 

p

 

pp

To

D & F 15981

-


SCENE 6 Aymar Yn Wm N Father

A little later. The same night. Behind the house, by the platform. (In the distance the hippie is heard moving away and coughing). The woman stays in the shadows. Her presence is felt without her being visible.

  Fl    354

Cb Rec

B Cl

Tx

(q = 76)

mf

  mf

 

      

  mute C Tpt   

Glock

 

Tenor Recorder

  

 Tbn  

67

mf

  

 

p

mf

mute

p

mf

 

 (q = 76) withVla

Ay

     

p

-

   -

-

  -

-

  -

-

   -

-

p sub

  -

-

-

  

Accord

p

   p

  p



  

 

   

(q = 76)

mpp

arco quasi solo with Aymar

Vla

night

  

Vln

 

f

 

 



 

 

 

 

SV ST

p sub

Vc

 

Cb

   

D & F 15981


68

355    Fl  

   

T Rec

 

                  

 

mp

   

5

mf

p sub

5

5

mp

B Cl

                   5

p sub

open slap (or ord)

     

f

ord with Aymar



mf

    

 

3

            with Aymar

Tx

 

 C Tpt   Tbn

Glock

 

f

  

 

p

f

 

p

p sub

5 5       Aymard                 

mf

f

she

 mf

  

 

comes

   I

will

tell

                   Vln   Vla

ord

p sub

5

                           5

mp

Vc

 

arco

5

5

Cb

  



   

what

 

   

 

 

 

 

mf p sub

                     

mp

her

p sub

SV ST

 

5 3            

f

sfz

5

mf

p

     

Accord

3

 

If

mf

 

 

             6



SV ST

mf p sub

                     arco

f

D & F 15981

6

3

 


  Fl  

                       

with Aymar

357

 

3

mf

5

p

T Rec

 

                 

open slap (or ord)

B Cl

            3      5 

 

f

Tx

  



 

p

mf

ff

mf

3

ord with Aymar

  

   

Glock

  

 

I've

been

   

try

-

Vc

mf

   p

  

  

to

tell

her

     for

a

3



 

 

long

5

     

 

 

 

  



 

  



 

 

 

         

time

now

 

     

 

 

p

f

    

p

      

 

f

p

f

     

 

  

      

 

3

f

  Cb  

arco



p



     

   

    

with Glck

ing

   Vln  

Vla

  

  f        Aymar  

Accord



p

with Aymar

       fp

5

     

      C Tpt   

Tbn



3

mf

3

  

5

p

        fp

with Aymar

 

69

 f

3

ff

D & F 15981

     

        arco

 


70

    Fl   361

S

 

            

f

T Rec

    

 

 

f

B Cl

 

 

        

 

 

f

C Tpt

Tbn

Glock

p

     

mf

    

mf

f

 

 

 

 

 

 

 

  S

6



 to Sl St       

f

5 5     Aymard                  

Accord

p

I'll

tell

Vc

f

  

sffz

f

that

we

        

her

 

 

 

 

 

 

 

 

 

         

  Vln  

Vla

5

 

mp

         mf

     

  Tx  

5

mf

S

     

f p

         

f p

     

 

 

 

             

 

 

mp

  Cb  

f



p

6

f

D & F 15981


364        Fl    5

T Rec

 

p sub

              5

B Cl



 

p sub

 

        

   

        

   

 

 

 

 

 

        

     

  

        

   

fp

71

   

 

 

 

   

 

 

 

 

 

 

Tbn

  

 

 

 

 

 

 

Glock

  

 

 

 

 

 

 

Tx

C Tpt

  

 

368

   Aymar  

Accord

  

should

               not

see

Vc

Cb

each

o

  

 

 

  

 

 

     Vln    

Vla

fp

         

 

        ther

a

 

  f

pizz      

      f 

ff

  

 



  

 

 



D & F 15981

ff

       

         ny

 

-

more

 

af - ter

 

 

    

    

 

 

 

      

 

    

 

pizz

ff

   

     

               

 

 

to -

    

    

arco

   

-

 

 



 


72

  Fl   

       

372

T Rec

B Cl

Tx

C Tpt

mf

        

    

mf

  

5

 

 f

             with Cb

5



                      5 3

with Aymar

mf

     



mf

   

     

take Cb Rec

mf

                  

     

f

  

     

  

with Aymar

Tbn

Glock

  

  

 

  5

                   Aymar   quasi gliss

-

-

 

Accord

    

  Vln  

Vla

     

-

 

-

  -

     3

-

  

  

-

f

 

-

5

     

          -

-

 -

-

   

     

-

-

         

mf

f

          

            

            

arco

mf

f

mf

f

5

mf

 Cb  

5

mf

                       arco

Vc

-



ord

              

            mf

 

f

with Tbx molto arco

                  mf

D & F 15981

5

f


  Fl   376

T Rec

B Cl

Tx

73

q = 108

    

 

 

 

 

 

 

    

 

        

      3

mf

  

     3

 

p

mp

mf

with Cb

 

5

p

mf

  

 

 

 

Tbn

  

 

 

 

Glock

 

 

 

 

      

C Tpt

   Yn Wm N    

q = 108 p

  

Hel

-

         Aymar    

Vln

Vla

mf

came

what's the

        

 

 

 



mp

Hel

 

-

mat -

lo

  pp

  

          

 

           

 

 

        

 

 

         

 

 

          

with soprano

pp

q = 108

mf

mf

Vc

you

- night

          

Accord

lo

mp     

mf

Cb

  

 

with Tbx molto arco

5

p

D & F 15981

mf


74

with Aymar

 Fl  382

 

T Rec

B Cl

 

Tx

C Tpt

Tbn

Contrabass Recorder

  

Clarinet in Bb

#z

 

pp

ord

Yn Wm N

Ay

      -



 



p

pp

ter

Vla

Vc

Cb

 with Vl

   

  

 





    pp

  



come

   

mf

Glockenspiel with Aymar lv

yes

 -

  

fmp

     

pp

arco

   

pp

ord

pp

D & F 15981

fa - ther was not

mf

           5



with Aymar

 

5

my

p

mf

mf

mute off



 

p

5

pizz

  

ter - day

arco

fz

5    

    

 

   

   

arco #autando mute with Aymar

 

I did not

 

 Vln 

 pp 

       

Accord

p

pp

Tenor Recorder

Slap Stick

Glock

pp

 

pp

pp



5

5 arco

    p mp 

5

  p


 Fl  389

 

 

#z

75

  

pp

5

 

p

 #z                  

 

with soprano

 

T Rec

p

p sub

   

 

Cl

p

p sub

mf

5

5

 

  

p

Alto Saxophone

Tx

C Tpt

 

                    5

p

pp

 5 5                     p

p

Tbn

Glock

Yn Wm N

Ay

 

   

sle

Vc

Cb

 



 

pp

is

-

p

           5

that what you want - ed

  

with Sx and Vcl



  

 



 

mp

 

to

      

mf



tell

me

ping

5

    

5

 

    

  

 5





    

 

 

 



Marimba

p

 Vln   Vla

      

Accord

5

 lv to Mar

with Mar

mp

mp

 mp

mp

D & F 15981

SP

  

pp SP

  

pp

        

pizz with mar

mf


76

  394

Fl

Tbn

Mar

  

take Tbx

  

     

T

 



Accord

Vc

 

 

T

     

      

p

3

p 

Tubax

  

      3                3

3

  p

3



mp

3

mp

must be

p

p



3

pp

3

6

to have a

 

 

 

 

 

with Mar

3

mp

3

fa - ther

like

yours

3

3

3

3

   

  

 



  3

3

  

   

                  p

  

  

3 3                    p

 

 

 

 

ord pizz

3

3

ord pizz

D & F 15981

       3      3

       3      

     

proud

3

p

with Tbn

      

    

3

mp

      3 3           p

 

 

Soprano Recorder

  

p

   

p

   

 

 3

     

  

 

 

mp

Cb

 

 

  Vln   

Vla



  

 

p

you

Ay

  

      

mp

 Yn Wm N   

#z

pp

Cl

C Tpt

   3

   

T Rec

Alto Sax.

(opp with Picc)

T

arco



arco

3

p

  arco



3

 

p


 Fl  399

 

S Rec

Cl

Tx

 C Tpt 

Tbn

 

Mar

 Yn Wm N 



77

 

 

 

ppp

 

 

 

   

take bass Fl

   with Cb 5

     p

f

 

 

 

 

       3

3

      3

3

3

3

   3

   3

if

Ay



Accord

 Vln  

Vla

         3

   

3

3

3

  

Vc

could

3

ppp

To Zn

 



ppp

 

be - come

3

3     

a

real

per - for -

 mer

  

 

 

 

 

 

 

        





 



 

   

3

ppp

ppp 3

ppp



        

arco

pizz

ppp

        ppp arco

pizz

ord with Tbx 5

             p

ppp

f

Cb

3   

 

f

 

3

 

  

ppp

I

f

 

D & F 15981



like


78

  403

Fl

 

S Rec

take Cbs rec   

    

Cl

ppp

 C Tpt 

Tbn

Mar

Yn Wm N

Ay

 

          

mf



I'd

Vln

Vla

Vc

Cb

-

ti - $ed for



mp

p

    mp

the rest of

my

  

  

  

  

  

   

   

pp

 

 

mp pizz.

mf

D & F 15981

3

   mf

 

 

 

U

 

another letter?

  

 

slap



    

f



spoken

   

mp

        

 

 

p

mp

ppp



f

life



  

       

Contrabass Recorderr

      

ppp

pp

 

  

 

feel gra

 

pp

3 3 3   3                  

 

you



 

  

mp

ppp

  

Accord

  

       

 take B Cl        



Tx

U

pp

mp

p

f p       yes

 

 

U

 

     

with Aymar

f

p

f

      

with Aymar

p

 

f


 Fl 

Bass Flute

409

    

fp

 

Cb Rec

  



B Cl

mp

Tx

 

f

open slap

  

 C Tpt 

Tbn

f

 

             

p

f

5

 

  

      5

mf

mf

  

Zink

#z

fp

#z   

   

   fp  

fp

fp

 

 

  

f

   

f

 

 

 

 

 

 

 

with Aymar

f

  

Vla

Vc



  

all

star

 

  

it

         

Cb

 

f

   7   Ay            

Vln

p

3

f

Accord

 

sffz ffz

Mar

Yn Wm N

         



f

Bass Clarinet in Bb

f

79

7

 -

f

7

ted

  

 

fp

        

 

 



  

   

 

 

 

 

 

 

 

 

D & F 15981


80

           B. Fl        412

f

5

f p

 

f

Cb Rec

B Cl

 

            

f

5   Zi        

with Aymar

p sub

f





 

 

 

     

 

 

3          

  

fz

 

5

f

take C Tpt



 

fp

6

   Tx  

          

#z

 

 

mp / mf

Trumpet in C

 

 

 

Tbn

  

 

 

 

Mar

 

 

 

 

 

 

 

Yn Wm N

   

with Zn 5        Ay      

a

  

Accord

 

 

 

year

a

-

-

          f

6

 Cb  

 

we

 

 

 

 

 



  

         

 

 

      

 

 

 

molto pont molto vib

 

D & F 15981

  

when

p

 

go

   

  f



 

Vc

 

  Vln   

Vla



 f

     f

f p

f p

 



  

 


81

5 416        B. Fl         

f

Cb Rec

p sub

    

f

  

 

mp

f

 Tbn  

 

#z

 

  



 

   

 

 

 

         

 

mf

3

f

 f

f

6

mp

f

 

 

 

 

 

 

 

 

 

 

 

 

with Vla

 

      down to pre

  molto vib Vln   

         f

5

molto S P

f

  



mf

molto pont

f

-



sent

me 5

  

    



 



 

f

with Aymar

 molto vib   

 Cb  

 

   

went

5



 

Vc

 

 Ay    

Vla

 

     

sffz

 



#z

p

  

 

3

p

Accord

mf

  C Tpt  

Yn Wm N

 

3

       

 with Aymar

 Tx  

Mar

      

#z

f

B Cl

 

D & F 15981

 

arco

f

5

    f

  

 

  

 

f


82

   420

B. Fl

Cb Rec

B Cl

V

  

Tbn

Mar

 

    

 

 

 

 

                      

 

 

 

 

 

  

  

mf

fp

  

  t-k

mp

   



  #z  

  

f

 

  

f mp

f

f

with Aymar                 

mf

p

5

  

with Aymar

 

 

5

 

p sub

  

f

3

  Tx   C Tpt

bisb or #z

pp

 

 

 

 

 

 

mf

mf

V

Yn Wm N

f p   Ay      

Accord

a

 

 

-

        

with Aymar

5

mf

-

-

-

  



  

al

p

     

 

mf

 

p

f

        

 

        

   

      

pizz

f

4:3 7:8

p

f

   

arco spiccato

  

 

D & F 15981

 

3

 f

mf

f

  

3       

with Aymar

p

Cb

re

V

f

Vc

mf

to

  Vln  

Vla

   5        

f

 

 

                  5

5

 

 


83

  B. Fl  

  

Cb Rec

 

  

B Cl

 

  

Tx

  

  

  

  

Tbn

  

  

Mar

 

  

  

       

  

  

  

424

C Tpt

  Yn Wm N   

5      6       Ay          

au

-

 

Accord

Vla

Vc

-

    -

di

-

5

  

  

mf

we were

5

real - ly well pre - pared

 

 

5

   

p

 p

mf

  

   pizz

ence

    

      Cb  

-

    

               

  

Vln

-

 

 

        

pizz

5

D & F 15981

  

  

  

  

  

  


84

 

  

  

  

  

 

  

 

  

 

  

 

 

Cb Rec

B Cl

Tx

C Tpt

Tbn

Mar

Yn Wm N

 

poco più lento q = 102

with Vcl

Ay

Accord

  

   

pp

a month la

  

  

poco più lento q = 102

 

   

mute

ppp

       

pp

 

with Aymar arco mute

Vc



  

I

Vla

-

ter

 Vln 

Cb

 

q = 108

430

B. Fl

poco più lento q = 102

 

mute

pp

 pp

  

  



 

 

 

 

let

-

the $rst

   

re - ceived

mute off  

ters

q = 108

    f

p

f

en

  q = 108

   

with Aymar

p

 



#autato

pp

           

    

mute off

  

with Aymar

p



 

 

  

 

mute off

D & F 15981


 B. Fl  437



           

fp

 

Cb Rec





mp

B Cl

Tx

       

 

mp

open slap

3

mf

f

3

   

mf

#z    

 

-

-

-

5

with Aymar

                   mf   mf

  7:8        f

of



    

5



                 arco spiccato

   

5

D & F 15981

-

   

fp

wo

 

4:3

fp

                  

 



 

5

ber

 pizz

Vc

-

5          





 Vln   Vla

-

mf

      fp fp

num

    

#z

a

5



p

sffz ffz

    5   Ay          

Cb

f



mf

Accord

f

f p

Mar

Yn Wm N

 

    f

slap

 C Tpt 

Tbn

f

 

85

5


86

                

 B. Fl   440

f

Cb Rec

B Cl

5

f

p

f

            

 

      

#z

 

f

6

f

          

         5

fp

f

f

p sub

5

Tx

C Tpt

Tbn

Ay

ffz

    

f

 

 f

       

f fz

mf

 

  

-

 

 Vln 

men

who were

   

Vc

 

there

that



 

with Aymar

  mf

 

 night

 

   



 

came up here to

talk

to



 

6

5

 

 

with Aymar

Vla



 

         

Cb

p sub.

5

Accord

ffz

   

Mar

Yn Wm N

3        

 

 

 

   

5

D & F 15981



  



mf

 

3

mf

with Aymar

  

pizz

   

 

3

 




444    B. Fl  



            

f

  

Cb Rec

3

Tx

      

 

Ay

Vln

 

mf



f quasi

  

ey

   



5

p

Vc

 tell

me

f

growl ad lib or #z

 

 f

#z

 mf

   

they

 

   mp

  

 

p

mf

to Tm Bl

p

 

can't

with Tpt

  

for

 

 -

  

get

I

mf

f

molto pont molto vib

 



D & F 15981

   

p

arco ord

f

molto pont molto vib

     p

f molto pont molto vib

    arco

Cb

f p

       

mf

   

   

5   

mf

p

     

 

 

f

me

f

6

f



f

   

Vla

mf

mf

   



     

 3

 

mp

#z

with Aymar

Accord

#z

p

sffz

Yn Wm N

   

with Acc

 

f 3

p

  mf

    

fp

    Tbn      Mar

 C Tpt 

f



3

B Cl

fp

87 bisb or #z

p

f


88

 

 

 

      p

 

 

 

 

449

B. Fl

Cb Rec

B Cl

Tx

5

  

ord



     

 Yn Wm N 

 

 

#z

  

mf

take Zn

f

 

#z

 f

Mar

 C Tpt  

Tbn

 

 

W

  

W

    

misterioso

pp

3

You're

Ay

Accord

Vln

  



can't

und

der

-

 -

-

 

stand

 

 

 

 

 

 

Vc

D & F 15981



ve - ry

 

Vla

Cb

-



W


 B. Fl  

89

453

 

pp

p



 

Cb Rec

 

 

#z

   

 

#z

        

 

pp

       

B Cl

p

Alto Sax.



Alto Saxophone

         



          mp

-

-



3

-

p



But

-

   

3

 it

was

    a

to - tal

di - sas

 -

-

ter

arco #autato

  

    



pp

  

ky

arco #autato

Vc



 

Vla

pp

Cb

mf



p

luc

Vln

 



arco #autato

pp

  3

 



   

 

 

 

 

D & F 15981

pp

  

5

take tubax



  Yn Wm N 

Accord





mf

  

Mar

Ay

      

    

3

Zink

Tbn

mf

p

mp

Zi

mp

 

5

mp



mf

f


90

 take Fl     B. Fl    456

mf

Cb Rec

take T rec

 

B Cl

       

    

mf

Alto Sax.



 Zi  Tbn

Mar

Yn Wm N

mp

 

 

      

 

 

 

 

Ay   

Accord

Vln

Vla

Vc

Cb



 

     

  

4

     

 not

fun - ny at

 

mf pp sub

pp

 

One eve

pp

mf pp sub

(shy)

Tubax

pp

take C Tpt

 

p

  

Clarinet in Bb

    -

 

ning

 

   

I'd

like

to

 

all

 

 

 

 

 

 



  

 

   



   



pp

 

D & F 15981


B. Fl

 

       

 

       

 

       

 

Cb Rec

 

Cl

Tx

Zi

Tbn

91

X

462

       

 

 

       

 

       

 

       

 



 

    

Mar

 mp

pp

mfp

X 3 3    3            Yn Wm N     show you some - thing if

you would

like.

it's

mf

        5        just

some

-

 -

-

thing

spoken

Ay

Accord

Vln



 p

       

 

       

 

       

 

Really?

 

       

 

       

 

Vla

Vc

X

pizz                      

mf

Cb

       

D & F 15981

4 7:8

                  arco spiccato

5

 


92

  

colla voce

469

B. Fl

 



Flute

                         #z    a tempo

6

5

p

5

Tenor Recorder

6              

take S Rec #z

   

 



Cl

 

 

Tx

  

 

  

 

Tbn

  

 

Mar

 

 

Cb Rec

Zi

Yn Bl Wm

Yn Wm N

  



p

colla voce

 

   

5

a tempo

5  6                



I've

Ay

Accord

worked

on

 

 

 

 

  colla voce

   p

          5

 

                    

 

 

a tempo

pizz

5

5

p

                

  

5

   

5

Cb

   



  Vln  

Vc

 

   

 

Vla

D & F 15981

 

        5


 

473

Fl

T Rec

Cl

Tx

Zi

Tbn

93

with Cb

 

  Yn Wm N      it pro



Accord

Vla

  

Vc

5        

-

ba - bly wont be

 

 Vln 

Cb

       

Mar

Ay

5

 

 

 

 

    

your

pp

mp

p

taste



I

know

it's

not

  

 

3

ppp

ppp arco

     3

 

ppp

        pizz

mp

 

mp

arco

ppp

 arco   ppp

with Tbx molto arco

5

          pp

D & F 15981

  

mp

ve -


94

 Fl  478

 

S Rec

Cl

Tx

Soprano Recorder



ppp



   

 

Tbn

ppp

 

ppp

 Yn Wm N 

 

 -

Ay



Vc

Cb

  

  

  

  

ful

spoken

p

 

p

p

p

A light has been turned on in your house

mf

spoken

It's my father. You must leave.

spoken

Yes, See you again then I'll go

  

  

  

  

  

  

        

  

    

-

5

   

 

        

   

 

   

  

with Cb

  

cheer

 Vln   Vla

  

ry

  





ppp

pp





   

  

Accord

p

ppp

Mar

     

   

3

Trumpet in C

C Tpt

ppp

   

ppp

  

   

    3

  

ppp

 

mp

 

  

      

ppp

mp

with Tbx molto arco

        

p

D & F 15981

5

mf


  

q = 76

483

Fl



 

95

p

Tenor Recorder with Aymar

  

T Rec

mf

Cl

Tx

C Tpt

Tbn

                

 p sub

  









  

f

 

p

  p



Temple Blocks

 

Bl Ro



with Vcl

 

mf

q = 76

with rec

p

Ay

p sub

                       I

 



 mp

q = 76     Vln 

 

 

mp

5

           5

 

Vla

Accord

                   

mp

   

Vc

Cb











 f

D & F 15981

pizz with Perc



mf










96

  Fl  484

 

mf

  

T Rec

                           

 

                          

 

5

5

mf

 

Cl

5

 mf

Tx

C Tpt

p sub

5

 

p sub

 

mf

  

 

mf

Tbn

 

 mf



 

Bl Ro

 5   Ay.                       p sub

Accord

Vln

Vla

Did

Cb

 

 

 f

mf

 5        



 

 

p

 

 

       

SV ST

5

ord

                  

           

                  

 

mf p sub

mf

SV ST

ord

mf p sub

mf

 

5

5



  

 

SP

 

5

5

 

      

 

not

5

Vc

 

 

 

 

D & F 15981

   

  5

 

 

mp

 

 ord

6

               f

   


97

 485       Fl     T Rec

  

 

                 5

mf

Cl

 

 

                 5

mf

     

 Tx    

       C Tpt    

Tbn

    

Bl Ro

 

     

 

 p

     3      Aymard        ma -

Accord

 

To W B

f

   

-

-

-

 -

 -

 3

-

 -

-

-

-

 -

 

nage

  



 

  

  



 

5                      

 

SV ST

ord

p sub SV ST

   

       Cb    3

fff

5

mp

p sub Vc

 

  

  Vln  

Vla

5

 

mf p sub

5

                        ord

5

mp

 

 

 

mf p sub

 arco





     3



p

f

D & F 15981

 




98

488      Fl   

T Rec

      5

Cl

pp

5

 

 

   

 to Cl Cb       

 

 

 

 

 

 

 

f

f

pp

    C Tpt   

pp

 

           Tbn     pp

  Aymard 

 to

Fr

Vc

p

tell

  

 

    pp

    

  

       

   

 

  Cb                5

5

Wood Blocks

f p sub

f

  

 

5

 

her

sffz

     that

 

    

  

 

 

    

  

     

 

f

   

with countertenor pizz

     

  

   

 



              

 

f

 

             

ord

SP

      

                      

  Vln  

Vla

 

p

5

3

  

Accord

 

 

 

     Tx          

Bl Ro

   

p sub

 

 

     

p sub

      

 

p

with Aymar

f

f



6

f

D & F 15981

   


  Fl   492

T Rec

Cl

Tbn

  5           

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

  

 

5

f

5

f

f

 

 

 

 

 

 

 

 

 

 

 

 

slap

3



  

              

      

 

 

should

not

 

see

each

o - ther

 a

-

-

    ny

 

    -

more

 

 

  

  

    

  

  



    

    

 

   

 

  

   

  



   

    

 

          

         f

      

 

   

 

scrape

f

 

  

with Aymar

  

5

f

f

3             

        

     

pizz

              f

pizz

         scrape

pizz

 

D & F 15981

   

5

f

       3

  

    

 



   

 

 

   

     

f

pizz

Cb

slap

slap

                                                   

  Vln  

Vc

 

 

we

Vla

  f Ay 

Accord

     

 

W.B.

Fr

 Tx    C Tpt

  

99

497

scrape



scrape

    



scrape

f

 


100

   

Fl

T Rec

Cl

Tx

C Tpt

Tbn

     

 

  

         

 

mp

 

    

pp

p

Contrabass Clarinet in Bb



      mp

 

 

mp

#z 

 

 

pp

p

   

 slap

    mp

mp

  

 

 

 

   

 

 

      

   

3

 

       6                

p

q = 148

       

mp

3                                     

   Ay  

   

  

slap

#z

Temple Blocks

W.B.

 

q = 148

500

6

 

 

(immobile, #at, no vibrato, expressionless)

Fr

  

     

Accord

      p

    

What

      

   

are

you

3      do - ing

 

here

  

tal

-

3       

king

 

to your - self?

 

 

 

 

  Vln    

   

 

 

     

   

 

 

 

 

 

 

 

 

scrape

f

Vla

Vc

     

   Cb  

q = 148

   

D & F 15981


5     Fl        

505

poco meno mosso

    

 

  

 

 

    

5 3          

 

 

   

    

 

 

 

   

       

 

 

 

    

 

 

 

    

 

mp

T Rec

 

 #z

Cb Cl

mp

Tx

C Tpt

101

poco rall

  

Tbn

    

Bl Ro

    

ord

3

mp

mp

mp

 

 

 

    to big Bl Ro               

 

 

3          

 

 

#z

6

poco meno mosso

poco rall

  mf      Ay  

    

 Fr  

    

 

    

 

 

 

 

    

 

 

 

    

 

 

 

(immobile, #at, no vibrato, expressionless)

I'm

Accord

  Vln  

wor-

king

  3   3     I was wor

 

king

a li - tle

spoken or sprechgesang (mocking)

     3

oh real -

poco meno mosso

poco rall

Vla

 

    

 

 

 

Vc

 

    

 

 

 

Cb

  

    

 

 

 

D & F 15981


Mother Father

SCENE 7

102

The next day. Interior of the house. The mother’s bedroom. It’s the afternoon. Very hot. The father’s stage costume is in a corner. It sparkles in the light of day filtered through the shutters. The mother is stood up. Aymar is sat. He looks overwhelmed. The man with long hair who brings the mail is giving a letter to the mother. The mother is increasingly unsteady on her legs. The man exists.

q = 92

Y

14' circa LIGHTS OFF

  

improvise with material from 501 on, ad lib

512 Fl

T Rec

Cb Cl

Tx

Mo

 

 

 

mf

 

improvise with material from 501 on, ad lib

 

mf

improvise with material from 501 on, ad lib

  

 

mf

 

mf

 

mf

q = 92

pp

 

Y

 

 

 

improvise with material from 501 on, ad lib

aer the mother's speech (... m'y mettre.)

 

improvise with material from 501 on, ad lib

  

Merci! Je n'aime pas être là à ne rien faire. Je n'aime pas voir mes mains inutiles... Et savoir qu'il y a tant à faire. Je ne sais pas quand j'aurai la force. Je ne sais pas quand je pourrai. J'aimerais tellement être utile. Demain. Peut-être je pourrais m'y mettre ?

   Fr  

-

 Accord   

 

mf

 

  

30' circa

improvise with material from 501 on, ad lib

  C Tpt  

Tbn

LIGHTS ON

-

 

 

 

ly?

Play Tape I (1'40''ca)

D & F 15981

 


103

Z

 Cb Cl   515

take Cl

p

 

 

 

 

 

 

Z

 Fr  

5 5                            

slightly aer the mother ends her line

p ord

it's

      

 in

-

cre - di

 

- ble

some - one is out - side wai - ting

some - one came up

here

 LIGHTS OFF

 Fl 

523

T Rec

Cb Cl

Tx

C Tpt

Tbn

 

Bl Ro

 Fr  

Accord

Vln

Vc

Cb

  

  

Clarinet in Bb

  

  

 

  

a - gain

  

 pp           

 

Vla

  

                 

for

#z

  ppp 

pp

Big bullroarer, or superball on B Dr (length: 60cm ca.) ad lib

ppp

mp



 

ppp

  p 

 

 

 

 

 

 

pp

f

 

mp

 

 

 

 

 

 

you

D & F 15981

 

arco SP

ppp

  

arco SP

 

 

ppp

p

  

 


104

Yb Bl Wm Father Aymar

  Fl   532

T Rec

Cl

largo h = 52

 

 

  

ppp

largo h = 52

  Yn Bl Wm   

Vla

p



I

don't

Cb

 

 

with Cb

  

  

pp

f

pp



pp

p

  

un - der - stand

  

 

 

p



arco with Tbx

pp

you





p

 

Marimba

  



 

 

pp

5

  mean

4

       I would ne - ver have thought

    3

it

was

 a

3

 

di -

pp

 

 

 

what

 

    

p

          

  

 

3

largo h = 52



  

 

to Mar

 

p

Vc

p

mf

Vln

pp

 

       Tbn  



mf

Accord

 

Tenor Recorder

       

Bl Ro

A few moments later. In the courtyard of the house. Aymar is listening to a young blonde woman. It’s light and hot. The man with long hair observes them from afar.

pp

 Tx   C Tpt

SCENE 8

LIGHTS ON

f

D & F 15981


 Fl 

  

  



  

 

  

540

T Rec

Tx

C Tpt

Tbn

 Yn Bl Wm   

Accord

Vln

Vc

Cb

    

my

me

-

mo - ry

of

you

that day

a year a - go

is

  

pp

 6 3  3                         

mute ord

  p

    

 

SP

still

pp

   

clear

  pp



pp sub

3

  it was

 

 A1

ord

mf quasi

pp mute arco ord

 

 

 

   

  

  

(coulisse tremolo)

A1

p

 

  

ter

 

pp

pp

   

 

Vla

-

  

3

- sas

  

  

Mar

105

A1

p

SP

ord

mf quasi

D & F 15981



pp

arco

 

pp


106

 Fl 

 



549

T Rec

Cl

Tx



Mar

Vln

Vc

Cb



 

 pp

  

#z

3

   I've

pp

ppp

ment

 

#z

ppp

-



p

 

ne

-

    pp

    

ver

 

seen

                p

a - ny - thing that beau - ti - ful

be

-

fore

  

Vla



  

 

such a stri - king mo

  



5     Yn Bl Wm    

Accord

 

 

p

 C Tpt 

Tbn

ppp

 

  

  

ppp

  

ppp

 

mute off

ppp

D & F 15981


  Fl  

   

 

558

T Rec

SV with soprano

B1

 

   

  

107

     

 

 

 

 

 



#z 

p

    

pp

 

 

    

 p

    #z

     

Cl

Tx



  

 

 

 

    

 C Tpt 

  

 

 

 

    

  

 

 

 

    

  

    

Tbn

Mar

 Yn Bl Wm   

Accord

Vln

B1

     I've

 

3 3              mp

with Vcl 3

           with Fl

tried

to

for -

get

  

but I



    

coul - dn't

  

 

 

 

    

  

 

 

 

    

 

  

 

 

 

    

  

 

 

 

    

 

    

 

    

Vla

Vc

Cb

      p

B1

pizz

 3        p

  

 

with Perc

 

D & F 15981


108

   

poco rall

 

567

    

    

    

    

  

    

Tbn

  

    

Mar

 

    

Fl

T Rec

Cl

ppp

take S Rec   

   

ppp

     

C Tpt

  

  Yn Bl Wm   

Accord

      fa - mi - ly tells

 

 

  Vln  

Vla

my

 

mf

 

p

Tx



me

p

mf

       

I

mp

f

5

should for - get

Cb

   but

I

 

can't...

  I

don't

  

 

want

    

    

   

ord with soprano

ppp



   5

ppp

 

  

5

arco with soprano

   ppp

D & F 15981

poco rall

mute off

    

mute off

    

mute off

    

    

  

5

mute Vc

it

with soprano

  

3

SP with Soprano

      

 

 

poco rall

      


C1

  Fl   576

T Rec

Cl

Tx

C Tpt

 

    

 

 

 

 

 Soprano Recorder

Mar

Yn Bl Wm

Accord

   p sub

  

 

 

  

 

    

  

 

 

 

 

 

3

    f

p sub

  #z

p sub

   f

  

to...

 

 

 

 

 

 

 

 

 

mf quasi

p sub

109



 

 

p

p

q = 92

     

f

 

f

Tbn

The father exits the house, approaches, ignores the young blonde woman, points out the man in the distance

q = 92



p

C1

  Vln  

 

 

Vla

 

 

Vc

 

 

Cb

  

 

q = 92

 

 

 

D & F 15981


110

 Fl  581

  

S Rec

Cl

mf

Tx

   

 p

 C Tpt 

Tbn

Yn Bl Wm

Accord

5

mf

         

f p sub

f

f p sub

3

  3

f

           3 5

mf

p sub

f

 

p

 

5

    

f p sub

p sub

  fp

 

 

 Vln 

p

      p

3

f

p

             

arco

mf

 

     5                       5

arco

mf

Vc

f

 

Vla

Cb

  

Mar

p

    5                 

 

   



     

5

5

3

f

p

D & F 15981


585    Fl  

Cl

C Tpt

Tbn



  ppp

 

5



p

  5

p

 

 3 3      fp   

 

         

pp

   You

 

 

ppp

  

    

5

p

it's him

p

ppp

 

ppp

-

gain

5

he comes up e - ve - ry day

  

3        



pizz

mf

 

ppp

 S V      

a

pp

 S V         p

see

p

        

D1

pp

 

with Tbx

 Vln 

Cb

D1

 

 

with Father

   

take Cb Rec

Vc

pp

 Fr 

Vla

111

Bass Clarinet in Bb

 

D1

ppp

take B Cl

 

Mar

Accord

  

S Rec

Tx

Piccolo

    pizz

 

mf

     pizz

mf

 

pizz

pp

D & F 15981

mf

5

  

arco

p

5

 

arco

p

arco

p


112

  

Flute

592

Fl

 

S Rec

B Cl

Tx

C Tpt

Tbn

  

pp

 

E1

  

   

 

 

Mar

 

 

3

p  

Paetzold Contrabass Recorder

p3

3

  

 

3

         

3

  

 

Accord

 Vln  

clai - ming he brings

         fp 3

   

3

 

Vc

the

 

   



3

  

  

3      

mf

 

E1

  S P      

arco

p

f p sub

SP    

f p sub

 

 

mf

SP



f p sub

D & F 15981

   3

     3

mf

one day

pizz Cb

post

 

    3

E1

 

Vla

  

mf

mf

Fr

   

   3


113

 Fl 

596

Cb Rec

B Cl

        Tx  

      3

3

 C Tpt 

fp

    

  Fr 

Accord

Vln

Vla

Vc

Cb

   3         mf

           mf fp

will

be

   

com...

3

3

 3



...ple..

...tely o

-

valve tremolo



        fp 

...

3

f



...ver

 

  

p

ord with Father

   3





D & F 15981

    3

3

    

         

     

p

f

3

3

f

3

3      

    3       

 

with Father

p

fp



3

mf

   

3

 

          

3

 p

we

    

 3    Tbn         Mar

3  

3


114

 Fl  

3

600

Cb Rec

p

     

B Cl

 

  pp

Tx

3

 C Tpt 

Tbn

Mar

   

   

  3

Accord

Vln

Vla

Vc

  Cb 

pp

3          fp mf 

3



  

mf

pp

        

mf

mute off

       

p

falsetto

3

 

 

pp

mf



ord with Father

         3

3

mf

  

 mf

fp

   3

mf

f

 

 

        

         

   p

arco             

F1

p

go a way!

  



3

spoken

p

3

F1

...run

 mf

mf

3

mf

off  mute          

mf

   

p

           

plunger

   3            



3



mf

mf

plunger

3

   

pp

 Fr   

mf

pp 3

3

p

fz

    

         

SV

             F1

p

f

ord                 ord SV

pp

mf

p

f

                ord

   3

 

SV

pp

mf

D & F 15981

p

        

f

   

pizz

 

mf


 Fl   607

Cb Rec

B Cl

 

     3

  

 

3

q = 112



 

 

 

 

   

 C Tpt 

 

   Tbn      

Fr

 

  

mf

   

mp

f

        mp

  

ppp

 

mp

 

mp

 

 

 

 

 

f

  

mp

f



ord

 





mp

 

f

   

 

 

            

mp

f

with vcl

p

mp

 

SP

p sub

  

 

  

 

p sub

SP

p sub

     3

      3

           p

 

SP

Cb

mp

with Vla

 

  Vln  

Vc

 

take T Rec

bisb.

 

f

 

p

  

just listen to that. Can you hear it? Someone is laughing somewhere.

Vla

 

3

mp

 #z        ppp



 

 



mf

  

mp

 

 

   

f

q = 112

Accord

 

3

3

Mar

 

bisb.

ppp

 Tx  

115

 

 

Oh

 

 

 

i - sn't

 

it

beau

   -

 

mf

   

 

           p

pizz with Mar

  

 

             

 

arco

p

mp

   

with Cb



f

   

D & F 15981

mp

mf

 

 

ord

mp

f

with Acc arco



mf

  

 

 

 

f

pizz with Mar

         f

         

ppp

 

You

mp

ST #autando with Father



ti - ful...

q = 112

 

f

f




116

  Fl    615

  

 

p

 Tenor Recorder

 

 

 

B Cl

 

 

 

Tx

  

 

Cb Rec

C Tpt

Tbn

Mar

  

  

ppp

 

 

ord

mp

Accord

Vln

Vla

Vc

  p

 f

 

      

p

     

3

that

be

 

  

 3    

 

-

p

p 3

      

          

know

p

mf

    p

   

 

mp



     

#z

   Fr  

 

3

   

 

6

    

fore,



      

p

  

when the_au - di - to - rium was packed

 

 

 

 

 

 

    

arco SP

     

 

 

 

p

           mp

 Cb  

 

f

   

 

 

    3

  

mp

 

p

     

p

  

arco

ppp

D & F 15981

     arco

mf


 Fl   620







B Cl

Tx

Tbn

Mar

           

   

    

 

   

   

mp

  

    

 C Tpt 

3

mp

mp

 

mp

   

    

    

take B Rec

 

 

 



fp

   





mp

p

f quasi

Vln

Vla

Vc

laugh

mp

 

f quasi

   

    

(poco)

  

bisb.

bisb.

p

take #ug

  



pp

3

them

cause I've made

f quasi

pp



      with an au - dience laugh ing be

 

3

3

 

mf

             Fr  

Accord

 

mp

 

 



poco

T Rec

117

G1

mf

G1

p

        

I

used

 f quasi

to

cry

 

 

G1

   

    mp

  

        

 

 

 

 

 

3



mp

3

mp

   

mp

   Cb    f

mf

D & F 15981

   mp

 

#autato



pp

f quasi

 


118

 Fl 

 

 

628

T Rec

C Tpt

Tbn

a tempo

 

 

 

 

             

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mar

poco più lento q = 88

  Fr 

Accord

colla voce

B Cl

Tx

poco più lento q = 88

      

colla voce

p

mf

a tempo leggero

fp

p

    3   3                               mp

mp

laugh -ter is so beau - ti - ful

and so ne

-

ces -

sary

so

 

 

 

 

 

 

 Vln 

 





   

pp

poco più lento q = 88



ST

   

colla voce

a tempo

 

 

 

 

ST

Vla

Vc

Cb

 

 

 

 

 

 

 

p

D & F 15981


119

 Fl  634

 

      

 

 

 

 

 

 

 

Mar

 Ay. 

with Aymar

pp

   

pp

  

take bass Rec

   

per - haps

pp

Fr

p

Tbn

B Cl

C Tpt

    

T Rec

Tx

 

          3

 

ne - ces

-

sa

-

3           

quasi candenzando

but

far

 

can you hear it

ry

 

a - way

spoken

 

 

 

 

 

Vla

 

Vc

 

 

Accord

Vln

Cb

D & F 15981


120

  Fl   643

 

   

B Cl

 

C Tpt

Tbn

Mar

             with Aymar

ppp

 Tx  

 

  

 

 

  

 

 

                 

  

I don't think I can hear

 

 

Vla

Vc

Cb

    

pp

   

p

     slap with Mar

 

air

p

 

 

  

 

 

H1

   3     

but

how do you want to make o -

mf

p

mf

       arco #autato

H1

       

     with Tbx

dad

 

 

  

it

 

p

 

  

pp

mf

Vln

 Fr  

  

ppp

sorry

Accord

mf

 

  Ay.  

spoken sottovoce

  

 

     pp

Bass Recorder

B Rec

H1

arco #autato

pp

     pp

arco #autato

     pp

D & F 15981

 pp

  ord

pp



ord

pp


648    Fl  

  

B Cl

p

   

B Rec

     

p

   

   

p

mp

p

       slap

Tx

C Tpt

Tbn

  

Ay

 air     

     3

mf

 

    

  

 Vln   

p

are

mf poco



libero quasi cadenzando

   3 3 3                5

laugh

-

-

-

-

p

mf

   

-

-

-

-

 

mf

     

ord

  



 

not with Tbx anymore

     

 

p

p

Cb

 

pp

   

not with mar anymore

mf



p

Vc

   

Vla

 

        

3

- thers laugh if you can't hear when peo - ple

p

  

 

    3          Fr  

Accord

mp

 

 

mp

    

mp

mp

      

Mar



121

p

    p

  

p

 p

D & F 15981

mp

 

mf

mp 3

      


122

 Fl  

I1

     

651

mp

     

B Rec

mf

 



  Tx 

      

B Cl

C Tpt

Tbn

Mar

Fr

3

 



    



     3

  

 



         

 







mf

    





You

are

so

 

  

    



 

5

  

 



  

mf

mf

3

3

3

D & F 15981

mf

     mf

  Cb                                     3

 

off.

mp

3     

     

closed

np

f

I1

 



mp

mp



   

 

 3

mf

Flugelhorn with Father

mp

mp

Vc

     

I1

ing?

 

mf

 

   Vln   Vla

   

mp

 -

mf

   

  

  

 p

Accord

 mf

 

#z

   mf

      


123

  Fl   654

 

B Rec

B Cl

Tx

  Flug.   

mf

Tbn

Mar

 

Accord

 Vln 

Vla

Vc

To Cl    

mf

   



      3

  

 do

      

  you

know

  

3

why you're



mf

     



      



     

so

closed

  

  

     

 

   

 

      

 

           

        

SP

mf

        

SP

mf

         SP

mf

Cb

p

I

      f

     

     

 

mf

  

take Tpt

off?

    

  

     

3            

    



        

     

3



 

       3

  





 

        

  Fr  



mf

mf

  

         

 

         

                  D & F 15981


124

  

 

   

 

658

Fl

B Rec

   

J1

a tempo

poco rall

     

     

   



B Cl

Tx

Flug.

Tbn

Mar

  

 

 

 

     

  

 

     

 

 

           fz

 

think

I have

poco rall

   

  

Trumpet in C

 

pp



pp

an

inkl

pp

-

ing

     

 

 

     

 

 

 

  

      Cb           SP

mp

I'd like

       

5           J1               

to keep tal

king

to you

mf

3

   

       

   

       

   

pizz

fz

fz

D & F 15981

pizz

      mp

     

    

-

a tempo

poco rall

   

          

 

  Vln  

3

     

 

   3 3               

a tempo

 

Vc



mp

            Fr    

Vla

pp

  

   

 

 



   

poco #z

     

  

  Yn Bl Wm  

Accord

     

pp

pp

Clarinet in Bb

 

 

pizz

 mp 

   

     mp    pizz

mp


125

 Fl   665

  

B Rec

Tx

C Tpt

Tbn

  

Cl

  

 

  

a

Accord

Vc

Cb

 

p

 

-



Bass Clarinet in Bb



 

libero, quasi cadenzando

 

lit

tle

3    3                  5     

if

that's

  Vln   Vla

p

 Yn Bl Wm    

Fr

p

  

Ay

  

 

To B Cl

 

Mar

 

    

  

   

    

     



 

 





D & F 15981


126

 Fl    669

  

B Rec

C Tpt

Tbn

 

take Cb Rec

p

    

 

    

 

    

 

    

 

 

    



 

    

 

    

   

3

3

pp

pp

       -

-

kay

mf p quasi

 



I'd

to

like

  

        

talk

with

 

    

 

    

 

    

 

    

  

 Vln 

Vc

 

To B Dr

Vla

 

3

            

Ay

Cb

o

Accord

 

3

Fr

Mar

Yn Bl Wm

 

#z

B Cl

Tx

LIGHTS OFF

 

 

 

        

                       

D & F 15981

arco

p

arco

p

 

f

f

p

f

arco

    


SCENE 9 Night has fallen. The hippie goes past in the distance. The father is heard screaming out of anger or suffering

Father

  Fl   675

(q = 92)

 

      

127

 

 

           5 

 

                                       

Paetzold Contrabass Recorder with Father

Cb Rec

ffp

B Cl

fp

      

  

p

Tx

C Tpt

p

         f

   

 

mp

  

f

5

      

f

p

5

f mp

3   

 

 

 

 

 

sffz

                 with Father

Tbn

  

harmon mute

5

  lv      Bass Drum

B. D.

fff

To Mar

 

 

mf

fp

  

 

 

 

mf

 

 

(q = 92)

    f

Yn Bl Wm

you Screaming out of anger or suffering off stage, distortion

ffp

f

p

fp

o

 

Accord

Vln

Vla

Vc

  

     

cluster

fff fffp

cluster        

  

   

 5                     

p

        Fr  

with Tbn (quasi portamento)

f

 

 

 

         3

fff

fff

  

  

 

cluster       

        

 

 

      

3

 

 

 

 

 

 

 

 

 

 

 

 

3

(q = 92)

 

   3     

   Cb  

ffz

sffz

arco



sffz D & F 15981

 

 


128

   678

Fl

Cb Rec

 

B Cl

 

6

   



         3

           

3

fz

   

f

  fp

Accord

Vln

Vla

Vc

Cb

6

 

 

f

  

mp





ou - ou - ou - ou uou - ou - ou

 

f

ffz



   



f mp



   

 

 

 

  

 

 

 

 

 

 

sffz sffz

with sax col legno battuto

  

5

    f



p

mf

fff

  

   ff

D & F 15981



fff



   



#z

 

 arco 3 

mf



 

3

ffz p sub

 

 

 f



      

 

 

ou



ord slap half air 3 half sound

open slap

  

-

   

f mp

   6       

     

5

f

   Fr  

f mp

       

         

fp

B. D.

 

mf

    

  

f p sub

 

#z

ou - ou - ou - ou

       Tx     C Tpt  



5

f mp

Tbn



                    5

  

 

#z

 arco  3       

ffz

ffz p sub


129

 681   Fl 

LIGHTS ON

fff

   #z         

Cb Rec

fp

f

5

5

              

B Cl

p

   Tx 

Tbn





bisb (valve tremolo)

p

f

 f

5



5          

fz

mp

Bass Drum

B. D.

fff

 Fr 

Accord

Vln

Vla

Vc



fp

lv

To Mar

Marimba

 5 f       

 

3



sffz sffz

   3

  

with Vcl

  

  Cb 

 3     

sffz

     3

f

sffz

    



sffz sffz col legno battuto 5

   

sffz

D & F 15981

 3

with Mar

fz

sffz

 

sffz

 



sffz

         

fp

    

5

ff



bisb or #z

5

    

f p

f



       

ou - ou - ou - ou ou - ou ou ou -

f

 C Tpt  

 

t-kon


K1 130

 Fl  683

 

 

B Cl

 

f

              f f p

fp

 

6

6

* = over blowing

 

3

  

3

                 f

bisb or #z

6

6

3

with Vla   *   * * #z                          

                 

Cb Rec

LIGHTS OFF

End option 1 go to scene 10

        f 3



fp

    f

                Tx       C Tpt

Tbn

f

  

p

f

                     f

6

Mar

fp

6

 6            6        Fr 

Accord

Vln

 

mf

p

 

 

     

 

 

 

     

 

f

 

End option 1 go to scene 10

K1

 

 

 

 

 

 

 

 

End option 1 go to scene 10

 

K1

 

arco with rec

Vla

Vc

   

                     f

6

6

 

           arco

mf

p

          Cb             arco

f

p

f

D & F 15981

mf

p


686         Fl    

Cb Rec

 

  

  

3

131

 

               

6

f

B Cl

 

 



p

    Tx  

f



fp

   

f

 

f

 f

Tbn

  

 

Mar

 

 

   

 

 

 

 

 

                         

  Vln  

Vla

Vc

 

   

p

 

Accord

3

  

Fr

f

  

C Tpt

 

3

6                   

f

6



 

 arco

f

6

3

 

f

f

SP       Cb      

f

        3

SP          

f

fp

6

6

     

f

  

p

f

  

p

D & F 15981

f


132

 Fl    688

Cb Rec

fp

f

f

 

Accord

f

6

f

f

f pp sub

f

#z   

pp

fp

6

f

#z   

f pp

f

   pp

f

         

 

 

 

 

    



bellow tremolo                     

f

 

pp sub

f

    

ord

  

ord

mf

P  S    

p

   

f pp sub

mf

  Cb 

3

  

fp

 

6

SP

mf

Vc

f pp sub

 



 

p

  Vln  

Vla

#z   

    

Ay

Fr

 

f

pp

fp

6

pp

3

   #z    with bass Cl                   

Mar

Yn Wm N

6

mf

 C Tpt  Tbn

f

6

  with  tbn                #z     

B Cl

Tx

    #z             

f

   

f pp sub

f

f pp sub

f

SP       

p

SP       

p

f pp sub

D & F 15981

f


SCENE 10

LIGHTS ON Aymar Yn Wm N

e = 176 (q = 88) in 1

  Fl    690

with Aymar



f

 

T Rec

C Tpt

 

  

mf

3

 

  

  

   

 

 

  

 mute off

  

3

    

mf

mf

e = 176 (q = 88) in 1

 

     

   

       3

     

3

mf

3

    

3

mf

 

 

         

3

   

      3

 3        

mf

 

Mar

 

 

133

       

6

 Tbn  

Yn Wm N

Tenor Recorder

               

 

B Cl

Tx



A few moments later. Night time. Behind the house. Aymar and the young woman of the night, who stays in the shadows.

fp

      

3

mf

 

 

with Fl

f

Ay

Accord

Vln

   6                              

-

-

-

-

men

       

come up

  

here

 

 

 

 

 

 

 

      

to

e = 176 (q = 88) in 1

 

    

-

 

Vc

wo

 

  

Vla

Cb

ese

   

ord pizz

     

pizz ord

   

   

arco ord

mf

  

     3

 

   3

D & F 15981

   

 

3

   

  3




134

692   Fl 

T Rec

 3   

3

   

 

   

mf

B Cl



Tbn

Mar

    

          mf f p mf

3

3

 

see me

3

 

they

that

p

mf

    

 Vln  

arco ord

p

     pizz

mf

    

     f p

    3

  

3

3

        3

3       

      

    3

3

  

   3

leave

        

    5      5             

3

D & F 15981

       

     

3

         

3

3

mf

         fp

f

3

they do not want to

f

3

   3



mf

3

 3           

say

 

3

then

Cb

      

 

Vc

5

3

 

mf

 3 3   Ay     

Vla

3

 

 3     

3

    

 

5

3

      

   

3    

 Yn Wm N 

Accord

  

3

   

      

    

        Tx  C Tpt

   

                        

   

  

 

     

   3

    3

3


                            3

  Fl     695

B Cl

Tx

3

   

T Rec

3

  

     

  

Yn Wm N

Ay

 

take alto

  

3

Vla

p

  

p

    p

            mp

Zink

take cup mute

pp f mf      3  3 6  3 3                                          but

one

mor - ning

they

di - sap -

pear,

as if they'd fal

     

  p

len

down

p



   

Vln

  

 

L1

Accord

to Tub Bl

3

f

p 3

pp sub

#z

3

      

 3     Tbn         fp Mar

bisb or #z

p

3

6

3

 

 C Tpt  

135

L1

   p

L1

 f

   

3

Vc

 

  Cb 

3

    



  3

D & F 15981

arco

p


136

 Fl    



700

T Rec

B Cl

Tx

 Zi    Tbn

Mar

Accord

 

 Yn Wm N 

Ay

take Tpt and cup mute

)  p             

you

       

(

quasi cadenzando

have

such dark thoughts

  

 

 

a

hole

it's

 

    Vln   p

    

a

lit - tle

dis - tur

-

mf

ppp

bing,

Vla

Vc

p

p

  

i - sn't it?

    

    

arco

Cb

3          

p

ST

p

f

ST

p

f

     

D & F 15981


 Fl  706

Tbn

 

 

 

 

Mar

    3        mp

                

 

#z with Aymar

#z with Aymar

B Cl

Zi

Fermo e costante

T Rec

Tx

M1

To Mar

mf

    

    

 

    

 

    

 

    



        

Accord

 

    

 

    

Vla

Vc

I'm not ve

-

ry fun

M1

3

                

 Vln 

Cb

(ipnotico)



 mf

-

ny

I'm not gif - ted

     

Fermo e costante

 

mf

sad

for laughs at

all

mp

      

mf

3

     

arco with soprano

pizz

 

    

 

    

D & F 15981



with soprano

       mf

my

 

too

         

pizz



pp 3 sub      I'm

mf Ay

mf

Fermo e costante

  3 Yn Wm N          pp

mf

mf

     

Tubular Bells

             

mp

137

mf

3

pp sub


138

 Fl  713

T Rec

 

            

 

B Cl

 

 

mp

    

mf



mp

mf

mp

mf

 

 Zi 

 

 6        



 

mp

p sub

mf

  

    

Tbn

 

Tub. B.

 

 

 Yn Wm N      

 

     

Accord

 

 Vln 

Vc



    

 

 

  

mf

mf pp

mf

    3            

Coul - dn't

we

car - ry on



see- ing each o -

ther

        

   

when

your dad

is a

 

      

 

    

 

perate

 

 

   

mp

p

Marimba

          

p

3

mp p sub

    

 

mf

 

-

 

   

mfp

    

                

      

Vla

Cb

 

 

            

     Ay              ther is des

    

cup mute

fp

fa -



mp p sub

 

p



Trumpet in C cup mute 3

 

p

Alto Saxophone

Tx

 

         

  

    





     

      

 

     

mp

mf

arco

mp

mp

mp

 

 

D & F 15981

arco



mp

 

arco

mp

   

with Aymar pizz

mp

mf

      

pizz

 

mf

       

     

 

mp

mf

         mf

   

       


  Fl  

N1

         

       

          

       

       

          

 

 

  

 

 

719

mf

T Rec

B Cl

Alto Sax.

  

  C Tpt  

mf

fp

f

 

 

fp

f

fp

 take Cl       

 

 

 

 

 

 

 

 

 

 

mf

    

    3   

   

  

 

 

            3

  

  

 

 

p

 

take straight mute

 

       

 

    

 

 

 

 

     Yn Wm N     

 

    

 

 

 

 



       

Tbn

  

fp

139

Tubular Bells

Tub. B.

mf

N1

sleep

 Ay   

Accord

     

mf

fp

  

If

saw

us

he would i - ma

       

         

               

       

mf

pizz

mf

          mf

        pizz

fp

 

mf

  Cb  

mf

3            

   

he

pizz

Vc

f

        

 N1       Vln   

Vla

p

  

pizz

mf

       

f

f

         

             -

gine

there

was

take straight mute

some - thing

go - ing

on

 

 

 

 

 

 

 

 

3        

 3        

       

 

 

mf

pizz

 

D & F 15981

     

 

     

mf 3

pizz

mf

         3

pizz

mf


140

  Fl   727

T Rec

  

  

   

   

  

pp

pp

poco più mosso q = 108

  

  

3      

   3     

B Cl

 

 

 

 

Alto Sax.

  

 

 

 

 

 

  



 

 

  



C Tpt

Tbn

Tub. B.

Yn Wm N

  

  

Accord

to Mar

     3      

 Ay   

do

you mean?

 

 

 

 

 

    

 

pp

 

 



I

think

  

    SV

D & F 15981

 

     

mp

    

    

    

 

mp



fz

  



     



fz

        

       mp





     

        



 

mp



I

poco più mosso q = 108

3

espr

  3

that



 

SV

5    pizz                     

 

mp



  

poco più mosso q = 108

SV

 

 



   

arco

  

to Tub Bl

 

 

pp

fz

 

 

Cb

Vc

 

 

  Vln   Vla

with straight mute

Marimba

  

What

     

pp


 Fl   

    

732

T Rec

p

 (stop tr)      

 

p

pp



 

  

Clarinet in Bb

 

Cl

3

pp

 (stop tr)     5

    

 

take Tubax

 

 

 

 

 

 

 

 

 

 

 

 

    

 Tbn   





fpp sub

3

  



So we

Ay

  

-

     

 

 

to - night

          

 

pp sub

                 

 



        

 

mf

  

with soprano arco

     

          sorts

 

each

pp sub

of

 

p

see

out

 



     

tle

               



lit



Vc

Cb

  

-

a



p

won't



with Aymar

  

Vla

am



Vln



       

Accord

3

mute off

 mf

 Yn Wm N 

with soprano

 



Mar

 



C Tpt

 

 

    pp

  Alto Sax.        3

141

arco

p3

arco SV ST

 

p



with soprano



D & F 15981

  

 

p

 

pp

  

   

 

 

 

 

 

 


142

   738

Fl

T Rec

Cl

Alto Sax.

 

 

   

  

  

  

   

  

pp

 

 

 

     

 

  

   

pp

O1

 

 





     poco

  

 3       etc



 3          

  

       

pp

 

 

 

 

 

with  soprano           

Tbn

  

 

 

 

Mar

 

 

 

 

Tubular Bells

mf

O1               

 

 

-

gain

 

mp   

  

  

    

ppp

 

pp

   

 



  

   

 

     

 



 O1 3           pizz

 



  

   

mf

          pizz

 

mf

       pizz.

mp

   

mp

mf

      

D & F 15981

mf

     mp

pizz.

 

3

3

       

  3      

    

 

3

 3   



 



pp

last

 

mf

                

the

is



   

   

 

 



  

  

             

  



 Cb  

      



 



Vc

 

is

with soprano

Vla

 



  Vln  

 



a

  

     

 

mf

o - ther

 Ay     

Accord

  

p

  C Tpt  

    Yn Wm N  

poco

mp

 


  Fl        etc 745

       

T Rec

    

    

143

      

 

 

    

     

                  

3

     

3

Cl

    

Alto Sax.



    

 

    

    

    

 

    

C Tpt

Tbn

Tub. B.

Yn Wm N

Ay



Accord

   3

dolce

time.

 

3    

 

     

per

-

son

I've

e

-

       

ver

met

    

    

           

    



pp

pp



Vc

tru - est





3     

the





arco



     

     

3

arco

3

Vla

 You're

  

 Vln 

pp

3

ppp

   3                    

ppp

         

    

    

3



Cb

D & F 15981


144

     751

Fl

T Rec

   

 

  

 

P1

 

 

 

 Alto Sax.   

 

  

 

 Tbn  

 

 

 

Cl

C Tpt

Tub. B.

   

mp

     3         mp

Yn Wm N

I

Ay

Accord

3

spoke to you

mp 5:3

a - bout some

-

       

f

p

   

thing.

P1

       

3 

6

I think I would be a

lit - tle

less

 

 

 

 

 

  P1   

    

   

   

 

 

 Cb  

Vc

7:8

  

  Vln  

Vla

mp sub

p

mp

     mp

D & F 15981

p

      

f

p

f

p

mute

ppp

mute

ppp

 

 


 Fl 



758

T Rec

Cl

Alto Sax.

C Tpt

Tbn

  

      

Accord

Vln





   

 

ppp

 

ppp

    ppp

 

  

ppp

ppp

    If

I





showed

it

to

  

to Mar

  mp

 

you

  3       

I'll

it's

mf

watch

you then

3

  o

-

  







 







Vla

Vc

Cb

ppp

sad

Ay

    

Tub. B.

Yn Wm N

145

arco mute



ppp

D & F 15981


LIGHTS OFF 146

   764

Fl

T Rec

Cl

Alto Sax.

 



 

 

 

tr  stop                    pp

    

    

stop tr

pp

stop tr

pp

Contrabass Paetold recorder in F

         



p



 p

Tbn

Mar

    



      

     

Marimba

mf

pp

    

to Tub Bl

mp

stop tr      

p

 

 

 

She gets up on the plattform

 $stel

Ay

p

 

3

 

      Vln  

 

     

    

mf

        

 

p

pizz

ver.

Accord

mp

mf

 

   pp

mf

       pizz

Vc

arco #autato

p

            

 

 

 

mf

      pizz

Cb

   

 

 

 

 

   

q = 92

(only once on the platform)

I'm scared of doing this in fornt of you

 

                              

 

             

 arco tr    stop                        mf pp

mf

D & F 15981

 

   

 

pp sub

pizz

Vla

 

 

3

fz fz

pp

 Yn Wm N 

f

Tubax

stop tr                 C Tpt         

p

f

Bass Clarinet in Bb

         

 

q = 92

 

   

 

 

 

 

q = 92


SCENE 11 LIGHTS ON

  Flute   790

Più lento q = 68

The same place, a few moments later. Time has passed. The young woman of the night has evidently performed her little text. In the shadows still.

147

 



   



p

Contrabass Recorder

Bass Clarinet in Bb

Tubax

 

take S Rec

 

  

   Trumpet in C   

 

with harmon



ppp



mp

 

                 p 



      

 

 

  

          

 

 

   

Soprano Recorder

mp pp sub

  ppp

    p 

     

mp pp sub

Trombone

  

 

 

Marimba

 

 

 

 

 

a Young Woman, in the Night

  

Più lento q = 68

 Aymar     p

Accordion / Sampler

Violin



it's

beau -



    

ti -

 

ful

it's beau

 

 

   

 

 

 

 

  3    

    



  

Più lento q = 68

 

 

p

pp

Violoncello

  

espr

   

 

pp

 Contrabass   

 

 

 

D & F 15981

 

-

 

 

ti -

ful



pp

Viola

     p

   

 mp

 

arco

p

 

 



      

  


148

 Fl  794

  

S Rec

take T Rec

    Tx      C Tpt 

   

 

you di - dn't like

pp

it,

Vln

Vla

5

Vc

 

 

  

sf pp sub

 

sf pp sub

 

5

    

you thought it was

(stop tr)

beau-ti - ful

p

    

  

e - very - thing

  

was

so

 Cb    pp sub

    

      

   

you di - dn't like,

you're so

  

sf pp sub

    

D & F 15981

5

p

arco

  

 

p

p



  

ppp sub

 

  p      Yn Wm N     

Accord

pp

5

 Ay   

sf pp sub





#z

(stop tr)    

B Cl

Mar

ppp

Tbn

     

5

 

p 5

p


 Fl   798

   p

Tenor Recorder

 

T Rec

 

  

  p

Tubular Bells with Aymar

   3

Tub. B.



   

 

 

mp

mp

to Mar lv

   

 Vln   Vla

Vc

Cb

  

 

Soprano Recorder

 

sf pp sub

       

ppp

 

  

pp

        f

  

pp sub

Marimba

 



p

 

    

with Aymar

R1

 

lit - tle too me - lan - cho - ly

mf

3

true,

p

  



 

it's

so

true.

 

     Yet

 I

3   

  

  

3     

  

  



pp

pizz with soprano

         3

mp

 

  

mp

fz

 

fz

 

 arco

3

mp

  mp

p

 pizz     

  

fz

 

Accord

p

       

3

Ay

ppp

5   Yn Wm N             

3

149

Alto Sax

mf

pro - ba - bly a

 

ppp

 

mp

p



Clarinet in Bb

mp

 C Tpt     Tbn

 

 

take S Rec

mp

ppp

Tx

mp

p

bisb

B Cl

 

R1

  3



  

pp

D & F 15981

 pp

ppp

  

pp



arco

mp

R1

 

3

 feel

p

  

       

pp

  

mp

  


150

  803

Fl

S Rec



     3

sf

  



ppp

Cl

   sf

 take Tubax  Alto Sax.    C Tpt

Mar

Yn Wm N

Ay

p

Vln

Vla

 

 

 

 

 

 

 

 

 

 

 

 

 

    

to Tub B

   mp

ppp  sub         mp

      -

ly

der

 

stand

    

I'm

won

here.

  

    

with Aymar

p

5

  

5

de - ring

   

5

p

  

S1

mute off

 

 

 

 



  

 

         mp

 

 mute off

 mute off    

S1

5



mf



p

 

   

 

real

pizz with Aymar and Mar

 



      

   

I don't un

 

Cb   

 

sf pp sub

Vc

all this is not

sf pp sub

mf

        

Accord

sf pp sub

with Aymar and Cb

 

 

   

  

 

pp sub





  

Tbn   

 3

pp sub

S1

D & F 15981

 

p pp sub




  Fl    808

S Rec

Cl

 

p

Tenor Recorder



 

   

 

 

bisb





ppp

Tubax

   C Tpt    p

 Tbn     p

Yn Wm N

p

  Tx  

Mar

   

  

   

 

   

 5

             

mf

f

 

take alto Sax

 

   

 

   

 

       

p

Tubular Bells to T Bl

  

151

fz

 

mp

mf

            

3

3



I

f

Ay

whe - ther I'm

a - lone here tal - king to

Vln

5

5

p

5    

arco

Vla

p

Vc

   

arco    Cb  

p

 



 

                

   

 

f p

 

   f

p sub   

mf

un

-

 

trees,

 

3

don't

ppp

3 5                    

  

Accord

pp

p

   

  

p

 

     

pizz 3

fz

pizz           

  

fz

 

 

   

D & F 15981

 

 

  

pizz

f


152

poco più mosso q = 80

 Fl  811

   

#z

#z

Cl

   

p

C Tpt

 

T Rec

Tx

 

  

mf p sub

Tub. B.

   -

der

-

    Ay       mp

Accord

sha with Aymar

5

mf

 Vln      p

  

mf

p sub

talk

like

that.

-

sects.

poco più mosso q = 80

     arco

f p

f p

   

 

 

    

you

in

 arco

Cb

and

Vc

p sub

dows

p

when

      

          

Vla

stand

mf

-

poco più mosso q = 80

mf p sub 3   3             

  



f p

    f p

     f p

f

f



Yn Wm N

   

Tbn

mf

f

f p

   

D & F 15981


153

T1

  Fl 

T Rec

3

p

mf

 

       

Cl

3

    p sub



 

   p sub

mf

 p

mf

 C Tpt 

3

3

Tx

       

815

Tbn   

          3

3

mf

 

  f

p

mp

         



f

3

3

f



  

p sub

fp

 

Tub. B.



T1

Yn Wm N

Ay

  f

 



my

3

mind

is

 

Accord

 

Vln

T1

            also picchettato (ad lib) 3

3

 real

   

 -

ly

p

 

  

 

Cb

         3

mp

Vc

quasi solo with Aymar arco

f

   

p sub

     

un

mf

Vla

   



mf



3

also picchettato (ad lib) 3

    

3

     

mf

D & F 15981

-




154

  Fl 

             

817

T Rec

 

Cl

Ay

Accord

3

3



    

3

 

 

 

 

 

 

 

 

with Aymar              

 

 

 

 

 

 

          

 

mfp

mfp



  fz p

  

              3

3

3

3

mp

 

 

 

3

#z

3

mfp

mf

mf

 

 

 

 

 

 

 

  3           



my

ther

is

 

 

 

 

 

 

 

 

 

 

                       

 



   f p

   mfp pizz

 

Vc

fa -

 

 

with Cl

 

  

Vla

      

well

3 3  Vln         

Cb

  

Tub. B.

Yn Wm N

3

mp

 C Tpt   Tbn

3

3

                mp 3

Tx

3

f

D & F 15981

    

        

 

      

 

  

 


822 #z      Fl   

p

155

U1

 

pp

 

                  pp

mp

                 

  

 

#z               3

  

  

Tbn

  

Tub. B.

 

T Rec

Cl

Tx

C Tpt

mf

Ay

Accord

Vln

U1

are

sa

-

-

-

  -

ry.

            with Aymar

 

 

       pizz

3

Vla

 

Vc

 

  

mf 3



 

3

pp

  



bellow

 

  

arco also picchettato (ad lib)

           pp

 pizz

I

U1

 

3

             

ying?

    3          -

3



mf 3

Sor

 

3

  

you

right

mf

Cb

3

p

     

       

with Aymar

pp sub

What

3

p

3   3               

molto stacc

Yn Wm N

3

        3

p

D & F 15981

3

    


156

5 5  Fl             

825

Yn Wm N

 

 

#z

3

 

  

   

mp

 

#z



mf

3



you're

3



real

here...

-

ly

         5

 

but

 

  

3

 

arco

mf

p

arco

               pp 3

 mf sub

D & F 15981

pizz with Perc

5







 

                                   pp p  

to Vib

  5      

also picchettato (ad lib)

 

       3

arco

Cb

3

5 5  Vln                     

Vc



with Vcl





think

3



p

mf

Temple Blocks

don't

   

Vla







                   pp

3

  

3   Ay      

Accord

  

3

Tub. B.

             3



 #z C Tpt    Tbn

mf

mf

 

Cl

 

T Rec

Tx

 

3

3

pizz

3

3

      mp 


828   Fl  

pochissimo accel

T Rec



 

Cl

mf

Tx

 C Tpt   Tbn

tempo I q = 80

p

 

 

   

 

   

 

   

 

   

mf

ppp

 

   

 

   

 

    

tempo I q = 80

pochissimo accel

V1

pp

  3                

 

in

  mf

pochissimo accel

   

 

   

 

   

 

   

 

    

 

   

 

   

V1

    

    

 

SP

arco

Cb

here,

mf

 

here,

tempo I q = 80

  

Vc

I'm

me

Vla

3

     3

but

Vln

p

 Yn Wm N 

Accord

     



Tm Bl

Ay

  

  

 

157

V1

         

mp 3

3

 

SP

   

pp

D & F 15981

 

SP

ppp



p


  Fl  

           

835

 

 

p

 

     

 

    

 

 

    

 

 C Tpt 

 

    

#z



 

    

 

  3                   

Cl

Tx

Tbn

p

Vibraphone

Tm Bl

Yn Wm N

     

 

3

mp

      ppp

Accord

Vln



 

 

     

3

 

    3     

 

 

    

p

 

 

    To B Dr      

 

 

3

  

Vc

mp

 

    

  

       3



  

p

 

 

p

ord

ah! Your father has just turned on a light in your home

Vla

Cb

 

 

spoken

look

Ay

ord

 



T Rec



158

a light coming from the house, illuminates the stage. The face of the woman, which had up to this point stayed in the darkness, is lit up. It is a strange or frightening face, supernatural or inhuman. Aymar has his gaze fixed on the house and does not turn to see the young woman. He does not see her ‘real’ face lit up.

ppp

  

 

    

 

    

D & F 15981

 

 

 

 

 

 

 

 

 

 

 

 

ord

p

p

p

 


Aymar leaves, heading towards the house without turning to see the young woman with the frightening, supernatural face

159

 Fl 

 

 

 

  

 



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

851

T Rec

Cl

Tx

C Tpt

Tbn

Vib.

LIGHTS OFF

 Yn Wm N 

spoken

Tape 26'

 

Yes, ok

Ay

Accord

Vln

 

I think he saw us

 Go away!

Play Tape II (28'')

 

 

 

 

 

 

 

 

 

 

 

Vla

Vc

Cb

spoken

D & F 15981


SCENE 12 Father 160 Aymar

A few moments later. In the house. The father is still. The mother crosses the room, as if in a trance or sleepwalking. She is trailing a several metre long white cloth behind her. Aymar enters at the back, behind them. The father speaks to the mother not noticing Aymar.

LIGHTS ON

  Fl  

q = 68

854

air, exhale (downward) and inhale (upward)

3 3 3 3 3 5                                mp p

p   

air, exhale (downward) and inhale (upward)

B Rec

3 3 3 3 5 3  Bass Recorder                                 

mp

Cl

 

 Tx  

  

Alto Saxophone

  C Tpt  

p

                               mp p 3

 

3

3

3

3



     

p

air, exhale (downward) and inhale (upward)



p   

5

           mp p

air: exhale (downward headnote) and inhale (upward headnote)

 

3

          p

air: exhale (downward headnote) and inhale (upward headnote)

 

3

mp

          mp p

air: exhale (downward headnote) and inhale (upward headnote)

Tbn

  

 





Vib.

 

 

 

3

            mp p

      

            mp p

#z

#z

mp

p

#z

#z

 

#z

 

#z

 

          mp p         p  mp            mp p 

Start as soon as tape begins fading out

Sprech gesang, tense, repressively violent.

q = 68

        Fr     mp

 

Accord

For

a great

ar - tist

 

with Father, bellow only

mp

     no - thing is

  

q = 68

 

 

Vla

 

 

 

Vc

 

 

Cb

  

 

    

more dan - ge - rous

     

mp

than a wo - man...

that's what

sound



 

 

Vln

 

 

 

sprech gesang



I would have

mp

 

 







 

 

D & F 15981

 

 


161

 859    5    3   Fl                            

                             

   5    3                            

#z  3    3    3                       

                                    

                             

B Rec

5

Cl

3

                                      5

Alto Sax.

 C Tpt    

 

  5

3

 

 

 

               

                                      5

Tbn

  3

3

Vib.

  Fr 

liked

  him

to

 Vln 

Vla

Vc

Cb

3

be

a

 -

ble

to

fp

fp

3

3

fp

un - der - stand...

 

3

  3

 

 

3

  3

 

3

mp

but

 he

 doe -

 

#z

    fp #z

3

 

 sn't

lis

-

ten

to

 







D & F 15981

 

3

                    fp 3

mp

#z

                    fp 3

  

#z

3

       

#z

3

Accord

3

col legno battuto

            mp

col legno battuto

5

          mp  

5


q = 72 162

 Fl   862

B Rec

Cl

Alto Sax.

  



fp

   

 

p

 

           

           

  

 



 

  

     



 

  

  



 

  

 

 

fp



 

fp

  

q = 72

   Fr 

Accord

a

 

 -

ny -

  

thing...

sound

I'm ve - ry tired... Death

 

 3 3 3  Vln                

 

mp                 

mp

mp

 

q = 72

is

sad.

      p       p       p

#z

 

 

4 p           

sprech gesang

      

   

fp

Vib.

             5

 

fp

Tbn

 

  



fp

C Tpt

 

you shoul - dn't de - sire it

but

         

 

 

 

 

mp

  

  

 

 

  

              

 

 

Vc

 



 

 

Cb

  



 

 

3

Vla

D & F 15981


 

 poco rit #z 3 3 3 5                             p      mp

 Fl   868

  

B Rec

Ay

3

3

Fr

 Vln  Vla

Vc

 

     

 

 

 

    

 

 

 

    

 

 

 

    

 

 

 

 

 

 

 

5

3

mp

3

mp

 

Bass Drum

pp

3

mp



mp

poco rit

Vibraphone

pp

spoken

What do you mean dad?

at

this

mf

sound

  

 

 

   point there is

no

so - lu - tion

o - ther

Cb   

      leggerissimo

than death

   

        

                  p mf

arco #autato

p

arco #autato

 

sprech gesang

     

 

 

 

How long have you

mp

 

 

 

 

 

     

 

 

 

      

 

 

 

poco rit

             p mf

 

     mp

 

arco #autato

 

mp

W1

mp

 

     mp

  

 

  

ppp

 

Accord

3

              mp p

 

 

                  p

#z

      mp

              mp p

Vib.

 

p

    C Tpt          p   mp Tbn

 

   3    3  3   5          

#z

Alto Sax.

 

mp

#z

 

Cl

    #z

163

W1

        leggerissimo

ppp

 

mf

leggerissimo

ppp

D & F 15981

leggerissimo

ppp

 

  W1


164

3    Fl       

873

f

B Rec

3         

C Tpt

Tbn

Vib.

       

f

 

  Ay  

Accord

  

  

  

  

 

 

 

 

  

 

 

3

you

 

go

-

ing

  

            

  

            

mf



are some sound

3

f

3           

 

 

f

3

mf

3

f

mf

Where

  

mf

  

here?

 

3

  

 

Vln

ppp

been

 

3

(Aymar exits the house abruptly)

    Fr  

5

5

   

  

                        ord

  

 

half  air                  ord

ppp

3

 Alto Sax.   

ppp



f

Cl

 ord half air 5               

mf

5

5

  5                col legno battuto

mf

Vla

Vc

                p mf ppp

      

 Cb    

leggerissimo

leggerissimo                     

p

mf

ppp

  

col legno battuto

               5

mf

  



  

    

col legno battuto

mf

                    p mf ppp

 

leggerissimo

D & F 15981

col legno battuto

mf


LIGHTS OFF

 Fl  876

B Rec

Cl

165

q = 54

           

air

           

air

   3         

air

air

3

slap

ord

f

  

air

3

slap

ord

f

slap

air

ord

f

Alto Sax.

  

 C Tpt 

     

p

     



p

Tbn

Vib.

Ay

Fr

   p

      

  

   

   

now?

p

 

Vc



f

with mute ord

        3

f

with mute ord

      p  3

 

air

ord

ord

ord

3

ord

           

ord

     

3

air

ord

      3

air

ord

      3

air

ord

air

ord

           

     

air

slap

air

ord

3

slap

air

     

     

air

ord

3                  

     

air

air

3

air

3

ord

#z

          3

fp

air

ord

#z

          3

fp

air

ord

#z

          3

fp

      

#z

fp

ff

     

#z

fp

ff

      

#z

fp

ff

      ff

      ff

      ff

 

 

 

 

 

 

 

 

  



ord

7         

p



  

          ff

7                   

ord

 

                       ff

q = 54

          p  

         p

      3

f

p

mute

         Cb   f

  

mute

  

  

p

 Vln  

Vla

ord

     

slap

air

q = 54

 

Accord

   3     

ord

3

3

p

  

mute

arco

7

f

7                     ff

arco

 

f

5                              ff

arco

7

f

  

                             arco

f

D & F 15981

5

7

ff


SCENE 13

Yn Bl Wm Aymar

166

LIGHTS ON

  Fl   879

It’s still night. Aymar exiting the house

q = 60

  

Tenor Recorder

T Rec

Cl

Alto Sax.

 

  

  C Tpt    Tbn  

  

ppp

p



 

 



ord

pp

 pp



pp

 

  Yn Bl Wm  

q = 60

with cup mute

 3 3     

You have

Ay

Accord

   

 

 

 q = 60

 



over pressure ---> ord poco espr

fz

         

over pressure ---> ord poco espr

fz

  

3

 



3

ppp

   



to



 

      3

 

   pizz        

    

ppp

pizz

p

pizz

p

D & F 15981

 

I

did



3

 



 

 p



  

pp

 

3  

fear.

p

ppp

  

arco

fz

Cb

thing

      p

over pressure ---> ord poco espr

Vc

-

pp

3

p

  Vln   

Vla

no

pp

  



p

p

with cup mute

 

sempre lv Vib.

bisb.

 rake cup

   #z

   

 

        

arco

pp


 Fl  



884

T Rec

Cl

Alto Sax.

 

 

 

 

 

  

not

Accord

Vla

Vc

come

up

   

  ppp

p

#z

   

take Tbx

 





 





mute off



mute off



   

     

here

out

of

 

 

ppp



 

 

  

       

      

  

poco rit a tempo



 

ppp

 

arco #autato

pp



pp

love.

arco #autato with soprano





pp

   

pizz

#autato Cb



poco rit a tempo

ppp

      



  3

3

mf

p

     

            

solo

 

3

p

 

  

3

 

mp

  3   

 Vln  

   

  

 3  





3  Yn Bl Wm   

Ay

3

Vib.

p

 C Tpt   Tbn

pp



167

poco rit a tempo

pp

D & F 15981

mp pp sub

  

 


168

    

Fl

T Rec

X1

    888

 

                               3

5

3

3

q = 88

accel

 

    p

3

   

Cl

 

 

 

Alto Sax.



 

 

 

 

 

 

 



 

 

 

 

   

C Tpt

Tbn

Vib.





To Mar

 

Marimba

p

Yn Bl Wm

Ay

Accord

  

 

q = 88

 

 3       6                             

  

 

 

 

 

 

 

mf

You must leave

   

X1 

    

pizz



mf

   

be - fore my fa

-

-

ther

q = 88

accel

 

mute off

 

 

mute off

 

 

mute off

 



mute off

 

pizz



mf

pizz

Vc

 

accel



 Vln 

Vla

X1

       3

mf

Cb



       pizz

3

mf

D & F 15981


892            Fl       mf

T Rec

Cl

3

 



 



 

 



 

mf p sub



mf

sees you.

My

 

 

with Fl

fa

  

3

-

  3             ther

keeps

  

    3        

a gun

hid - den. I

  

mf p sub

must $nd

f

    

 

mf

3

  

arco

p sub

  

   3



p

   

f

    

    

f

D & F 15981

   

   3

 

 

   

      

     

  

3

3

be -

     

     3

it

 

3

3

3

Cb

 

 Vln 

Vc



     

      Ay     

Vla

     

 

Accord

     



Yn Bl Wm

3

 

Mar

169

 C Tpt 

Tbn

 3      

  

  

mf

Alto Sax.

 

with Aymar

3

    3

 


170

       895                        Fl   5

T Rec

  

Cl

  

3

5





          Tx    C Tpt

   

mf

3

     mf 3



 

 

    5     5    Ay               

Accord

- fore

Cb



       mf  fp 

3

  

     

does.

To Vib

3  3  3                     3

Or

some - thing will

 

 

 

 

            

 

     

 

   

    

   3

3

3



 



3

 

   



 

3

 

 

3

D & F 15981

3

 

he

3

Vc

3

bisb

 

  Vln   Vla

3

3

3

  

   



      

  Yn Bl Wm  



     mf

3

   

 3     Tbn          mf fp Mar

Tubax

          #z            3 3 3

 

3



   



hap

-


q = 60

Y1   898   (also 8vb)            Fl          with Aymar

pp

6

T Rec

Cl

Tx

Mar

       

   

   p

       

   

       

   

       

p

f

   

   C Tpt  Tbn

q = 88

 pp

       

   

       

   

Y1

 Yn Bl Wm 

q = 60

                 

  3 pp f            Ay         

Accord

Cb

fore I

leave

I'd like

you to help

me

q = 88

   

un - der - stand...

why

   

night

       

   

  

       

   

p

Vc

-

-

3 3                 

poco

   Vln  

Vla

Be

3

pen to

poco

3

q = 60

f

  

ord

pp

Y1

      

ord

SP

arco ord



q = 88

        

p

ord

SP

       

       

   

       

   

p

D & F 15981



mp

171


172

   906

Fl

   

pp

 

 

T Rec

Cl

Tx

 C Tpt  

Tbn

  



Vln

  

Vla

Vc

Cb

 

 





 

 

3



has

the

day



pp

3

p

  f

 p

 

 f

ppp

 

3

   



with soprano

 

5     with soprano

5

 



 

 

  

   p

    

saw

   

you

    



3

 5

stage

 p

  

 

5

    

arco

with soprano

5

pp

D & F 15981

 

 

with soprano

pp



on

5

 

        3

     

3

with soprano

pp pppp

arco

mp

I

 

     

when

 

 

   

with soprano

p

 



 

 

p

   

 



with soprano

 

ppp

Vibraphone

 

Accord

   Yn Bl Wm  Ay

  

pp sub

Mar

 

 

  

p

pp

 

 

p

 

 

p

 p

      ppp


173

  Fl   911

T Rec

Cl

Tx

 

 

 

Tbn

Vib.

  p

 

 C Tpt   

 





ppp

 Yn Bl Wm  

   3



been en - graved

Ay



Accord

Vln

Vla

Vc

Cb

 



 

 

 



 



 

mf

p

mf

#z

  p

mf

   



pp

in

my

  

mind

(mind)

mp



 

you



  

 

 

p

ppp

  

 





pp

#z



933

 

  

 

 

    

 

   

 

 

 

pizz with soprano

  

mp

3

pizz with soprano

     

  3

mp





 



   D & F 15981


174

   

     

          

  



 



    



 

B2

   934

Fl

  

6

#z

         

mf

T Rec

Cl

 

  

  

  

 cup mute

mp

 

   Yn Bl Wm  

Vla

Vc

 

                

 

 

 Cb    

like

 

  

     

with Vcl

o

-

 



mf

  

 

the

 

 

 

pp

 

   

p

 

 

just

  

 

mf

B2

p sub

        

talk

 

    3       

p sub

 

Vln

pp

mf

  

    

#z

mf pp sub

B2

Accord

 

p

mf

 Tbn    

Ay

     

#z

mf

Alto Saxophone with Aymar

 Tx  

Vib.

  

pp

C Tpt

 

with Aymar

p

3

ther

  

 

 

3

wo - men



  3

3

 

 



  

3

p

  





   

p

 

  

with Aymar pizz



mf

  





 

 D & F 15981

3

 





up

here

     

    

 

 



 



 

 

3

arco quasi solo

 

mf

  

arco

p

3

 

 

3

came



who

 



3


175

   Fl     938

T Rec

Cl

  

   

5

mf

   

p

3

3

  

  

Tbn

Vib.

Yn Bl Wm

  

   

Vla

Vc

Cb

     

   

 

  

ppp

ppp

 

 

 

 

  

 

 

 

be

  

Vln

 

 

p sub

mf

  Ay   

Accord

  

mf

 

 

           

#z

6

 

3

take tubax     Alto Sax.        C Tpt    

 

                 #z     

  

     

  

 

-

 

fore

 

p

  

    

    

 



 

3

 



 

you.

 

 3    3           

3

ey

en



3

3

3

 

  

3



ppp

  3



 

ppp

D & F 15981

 

   

 

ppp

 

ded up

 

3

3

-

 

                           

mf

  

  

 

 

 

 

 

 

 


176

  Fl    

    

 

 

 

  

    

 

 

 

941

T Rec

Cl

 

    

 

 

 

Alto Sax.

  

    

 

 



    

 

 

 

 

 

 

C Tpt

    

 Tbn     Vib.

Yn Bl Wm



   

mute off

 

    

 

 



  

    

 

 

 

cadenzando, quasi libero

p

3  3  3 3 3                      Ay                           

Accord

Vln

Vla

Vc

Cb

di

-

sap pear - ring...

as

if down

 

a

 

hole

 

    

 

 

 

 

    

 

 

 

       

 

         



      

   

 

         

    

    

 

   

f

f p

arco #autato

 

 

 

 

D & F 15981

mp

f

         

SP

f

3




C2

  Fl   946

colla voce

177

q = 88

 

 

              mf

T Rec

 

 

  

Cl

 

 

 

 

 

 p

 

   

mf

Tubax

Tx

   

3

mf

  C Tpt  

  Tbn   Vib.

 

with tbn

3

  

with Tbx

mf

    

 

 

 

 

  

mf

  Yn Bl Wm   

Accord

  #z

p

  

 

q = 88

colla voce

3                              

mf

3

there's no need Ay

f

3

to fright

-

-

p sub

-

mf

en

me...

  

 

 

 

 

 

 

 

 

 pizz       Vln  

 

   

I have

al

 

mf

    

q = 88

 

 

 

 

 

 

-

-

-

 

    fz

     fz

colla voce

 

mf pp sub

p sub

 

arco

p

pizz

Vla

mf

pizz

Vc

3        

mf

      Cb     pizz 3

mf

  

 

D & F 15981

 

3

  3




178

   Fl  950

3

3

 

 

mf p sub

f

        

with soprano

3

 

 

pp Tx

 C Tpt  

Tbn

Vib.

mf p sub

  

 3        dy

Cb

3

told

the

 

 

    

          mf mf p sub

f

          3

 

     

3

3

3

     

         

mp

f

3

       mf

    #z

3

   

 

 

 

 

D & F 15981

   3

 

     3

3             

     

  

who were up here and ne - ver came back

3

3

         5          

f

pizz arco



 



sto - ries of peo - ple

 

 

  

mp

Marimba

 with Fl   3               

3

Vc

been



 Vln   Vla

 

- rea -



 3             pp f mf fp

to Mar

3



3

 

5

3

mf

f

   Yn Bl Wm 

Accord

      

mf

Ay

f

 

 

                   ord

    

Cl

     

  

 

T Rec

 

 

 

down...

 

     

    

 

3

3

  3

 


rall.

    Fl   953

   

T Rec

Cl

Tx

C Tpt

Tbn

Mar

f





            3

      

3   

 

3

3

 

Vln

Vla

Vc

Cb

3



 

 



mf

f

  

to Tub B

  

 rall.

  3       3       3

leave

to

-

mor

-

  -

 row



 

af - ter the



 

rall.

 

 

  

mf

         mf fp

 

   

3

3

 

(bisb)

I'll

Accord

  Yn Bl Wm   Ay

3

 

   

3

179

3

      

  3

 

  

3

 

D & F 15981

  e

 -

clipse-


180

q = 60

7 6                            Fl               

f

mf

3

mf

Cl

Tx

Mar

 

 

 

 

 

 

 

 

 

  6  pp          Yn Bl Wm   I

Accord

Vln



Vc

Cb

just

want



   f

to see

mf

 

it...

from

 

   

 3

6

7

                             mf

 

 

Vla

6

 

q = 60

Ay

3

 

p

6

   C Tpt  Tbn

3

            

  

T Rec

               

not with soprano anymore

955

 

  

q = 60

 

 

 

 



 

 

D & F 15981

p

 f

 


181

D2

  Fl   957

T Rec

 

  

   

Tx

pp

pp

           mp   

 

#z

7

Cl

#z

  C Tpt   

 p

 

 

 

 

 

     #z

f

pp sub

valve tremolo        pp

mf

pp

Tbn

  

 

Mar

 

 

D2

   Yn Bl Wm  

       3

there

Ay

Accord

 

 

      

p

  

3

  

of

f

  

arco



3

-

 

tain

 

ppp

      

p

f

p

f





    p

     arco

f

 arco          f

D & F 15981

be -

 



f

pizz

mf

   

pp

I p



mp

3    

p

    

f

 

mf

ppp

p

  

the moun

p

   

 

         

D2

  

the top

f quasi

  

p

Cb

pp

p

Vc

  

at

arco

Vla

  

   

Vln

mp

pp

pp

  

pizz

f


182

Fl

 

 



    

T Rec

Cl

Tx

C Tpt

Tbn

Mar

Yn Bl Wm

  

 

Accord

Vc

   3

pp

3

 pp



  

  

   

mp

mp

  

pp

mp

mp

mp

  

      

 

 



    



    

   

  Cb 

mp

mp



   



    

pp

  mp

3

  

arco

        p 

mf

fore

E2

   

   

3      

 Vln   Vla

 

-

Ay

  

    961

  

mf

 Tubular Bells

 

 



I

go,

p

f

    mf

-

-

E2

 mp

3

  

    3

e - clipse

E2

  

  

 

ord

SP

pp

p

pizz

 

mf

mp

D & F 15981

mp

  

 

pp

mp

-

an

  

ord



pp

pizz

   

mf

   

mf



 


183

 Fl    965

 3

6

7

  

mp

p

 

Marimba

Mar

             

 C Tpt   

#z

7

6

               mp 

 3

 

Cl

Tbn

p

                         mp

T Rec

Tx

 

 3

with Cb

mf

 Yn Bl Wm 

sempre lv



3

   p

...an

f Ay

Accord

 

3   

I

had

no

i -

  

pp

 



  Vln  

Vc

3

 

Vla

3

ord

 

mp

  Cb 

   

dea...

care

 

p SP

ord



p

 

 3

with Tbn

-

 

arco 

    

3

  

pizz

p sub

D & F 15981

3


184

967 #z    Fl  

mf

 

Cl

Tx

T Rec

pp

 p

 

 

Tbn

Mar

Yn Bl Wm



3

  

Accord

3

 

-

-

ful..

Vc

Cb

 



  7              

now!

6

                  

3



 

mf

3

mf

arco

f



go

7

3

 3

 3



 

pizz

mf 3

mf

                mp

pizz

clipse.

   Vln 

Vla

to B Dr



3



    -

mp

mf

 

  



e

Ay

 

pp

3

pp

 valve tremolo    C Tpt   mf



D & F 15981


185

LIGHTS OFF

  Fl  

                  mf

969

 

T Rec

C Tpt

3

3

3

p

7

 

 

 



 

 with Cb   

p



 

mf

Bass Drum

3     

                   mf 

 

 

                 mf

B. D.

7

    Tbn  

Yn Bl Wm

7

3

3

  

Cl

Tx

3

mf



  

     

mf

 3   3     7       3    Ay                  

Accord

I

hear

my fa

-

ther...

 

 

 Vln  

Vla

can

 

 

pizz

              

arco

mf

 

3

 

     

 

                    

 

3

7

              

arco

mf

   

 

 

3

3

7

arco Vc

 



  Cb 



mf with B Dr

  

D & F 15981

3

3

7



  

 


186

  Fl   971

mf

T Rec

Cl



     

F2

  

3

 

3

C Tpt

 



      mf



3



3

3

3

   

3

  

3

3

 



       

  

 

 

 

 

3

   

3

  

     





3

mf Tx

   

    





3

 

      3



 

3

 

 

 

 

    Tbn     

 

ppp

  

  

 

 

 

 

F2

Ay

Accord

    

  

 

 

 

 

 

 

 

 

 

F2

    mf

Vc

Cb

mf



 

  Vln   

Vla

Marimba

 

B. D.

Yn Bl Wm



lv 

        

3

    

mf



3

pp

   



3

3





 

3

    3

     3

mf



 

3

    3

  

D & F 15981



 

 


187

   Fl     973

t-k

p

T Rec

Tx

C Tpt

Tbn

Mar

Yn Bl Wm

Ay

p

 

 

 #z

Cl

 

 

#z

   

    

7









  

Vln

Vla

Vc

Cb

  

3

    

 

 

  

 

  

 

  

  

 

p

  

 

   

 

  

Accord



6

 

    

  

p

    

 

   

  

pp

D & F 15981

   


188

    974

Fl

T Rec

Cl

Tx

C Tpt

Tbn

Mar

Yn Bl Wm

Ay

Vln

Vla

 

p 3

3

  

 

   

p

3

 

   

   pp 3

 

3

   

    

 

pp 3

 

3

   

          

 

 

  

 

 

  

 

 

 

 

 

 

 

 

 

 

   

 

 

  

     3

p

  

     

  

mf

3

     

mf

        3

p

     

 Cb  

3

to B Dr

3

3

 

      

    p 3

Vc

 

3

   

3

3

    

Accord

   

   

    

   

p

3

 

3 3

3 3

   

 

3

 

    3

3

         

 

D & F 15981

  

 

pp 3

3

 

 

 

   

3

3

   

     pp 3

 

 

3

     pp

      3

     pp 

3

     arco

 

ppp

 


SCENE 14 LIGHTS ON

   977

Fl

The father is seen leaving the house and heading off into the night…walking like a killer?

(q = 60)

   

      pp 3

T Rec

 

pp 3

Cl

 

Tremolo on Bb. Approximate resulting pitch and resulting dynamic

Tx

C Tpt

     

    

   pp 3

3

3

3

   

3

3

   

3

   

 

          

3

  

   

3

   

    

 

3

3

189

 

 

           3

3

 

 

 

 

        f

Tbn

  

 

 

Mar

 

 

 

 

 

 

 

 

Accord

Play Tape III (58')

 

Vln

Vla

Vc

Cb

  

 (q = 60)

 

    

 

3

       

   

     pp

       

3

3

3

     3

     pp

3

     pp

3

   



3

    

3

3

3

    3

     3

 

     3

     

 D & F 15981

3

 

3

 

    3

    

3

   

 


190

   979

Fl

 

   

   3

T Rec

  

3

Cl

  

 Tx  

C Tpt

Tbn

Mar

 

Cb

 

 

take Cbs Rec

 

 

  

 

3

Contrabass Clarinet in Bb

 



 

 

f

  f

 

  

 

 

 

  

 

 

 



    

         G2        

 

 

 

             mf

3

  

 



6

 

  

  

6

 

Bass Drum

 

   Vln   

Vc

    

 

Vla

3

 

3

3

  

Accord

3

   

  

  

G2

take bass Fl

3

3

   

     3

    



mf

3

  G2

 

 

 

     

 

 

    

 

 

 

 

 

3

3

    

3

D & F 15981


  Fl  

LIGHTS OFF

T Rec

 

 

Cb Cl

 

 

Tx

  

982

C Tpt

Tbn

B. D.



Vla

Vc

 

191

 



 

 

 

 

 

 

 

 

pp

  

 

 

 

  

 

 

 

 

 

 

  

  

             p 3

  

 

 

     

 

  



  

 

pizz

  

mf

 

                

pp

6

 

  Cb  

  



 

Vln

 

 

Accord

986

 

 

 

 

     

 

    

 

 

 

3

   

     pp 3

     pp

3

3

     pp 

D & F 15981

3

 

 3

3

3


SCENE 15 A few moments later at the house. In the mother’s bedroom. A naked mannequin, where the father’s costume was. (the entire scene is spoken)

Aymar Mother

192

LIGHTS ON

           B. Fl                        mf       T Rec    q = 80

990

5

   

     Accord   

with sound

mf

    open slap

p sub

 

  

   

   B. Fl         p

Cb Cl

Tx

        

  Mo   Ay

   

5

    p 3    

 

5

   

mf sub

6

pp 5

6

   5



p

      p

 * Start text

    3

mf

f



  

          5

pp 3

  

3

f

       3

p



   

 5            

mf

5

mf

  



p

f mf sub

         3

mf

p

je vais partir

(notices she’s holding a suitcase and wearing a coat. She’s dressed to travel.)

D & F 15981

5

   

3

* Start text

I didn’t $nd his gun, Mum. I’m scared. What’s going on mum? * From this point: durations and syncronization of spoken text ad libitum and according to acting

Tongue ram with sound

        



        

mp

       

    

 

p

H2

       

mf

ord

     ppp

  5

ppp

     

 

pp

mf

6

mf

 

ppp

        

5

multiphonic

3

          

p

5

5

pp

995

Cb Rec

3

Tongue ram with sound

                               mf

f

 

3

           mf p         3

  B. Fl              3   Cb Rec       992

Tx

 

mf

Aymar enters, more and more agitated and panicked

Ay

Cb Cl

p

  

Cb Cl

Tx

Tongue ram

mf


193

3  sound  B. Fl                  Cb Rec 3         Cb Cl

999

Tx

Mo

Ay

with



 

 

p

f

p

f

#z





Tx

ppp

3



mf p

f

ord

 

p

p

 

Aymar?

f

       f

     

 

  3 3                    p

  

f

 

 

mf

    

 

p

f

mf

         ppp 3       p   

ppp

3

 

   f

 f

     

C’est à Aymar que je veux parler, pas à toi. Toi tu ne dis pas la vérité. Tu es trop gentil trop gentil. Aymar, lui, dit toujours la vérité.

 

 

Là.

 

I2

 

   

             

   

f mf sub

3                    multiphonic    

Qui?

fz sub

Où est Aymar ?

3

  

 

 3  Tx      Ay

f

 

 

  B. Fl    

Cb Cl

   

1009

Cb Rec



p

multiphonic

3

            

multiphonic

 Mo  Ay

Mais non

q = 120

 

Cb Cl

3

Mais où?

      

Cb Rec

f

3 3           B. Fl      

1003



   p

 

J’ai $ni mon travail

mf

 

                           3 ppp mf ppp mf p f mf ppp multiphonic sub on this fundamental 3 3                                               ppp 3 mf mf



 

#z 

pp

   

 

 

mf

  3         3                  3

p

 

 

 

p

     pp

t-k

multiphonics

          3

I2

mf

3

ppp

 

mf p

 

  

f mf sub

p

multiphonic

          mf ppp mf                  3 3

3

mf

Assieds-toi maman.

D & F 15981

  f

t-k


194

       Cb Rec 

q = 80

1015

  p  

B. Fl

Cb Cl

  f

 

  ord

p

 

f mf sub

Ay

 

mf

1018

Mo

Ay

    

 

 

p

mf

f

     

 

3

mf

mf p

f

mf sub

 

  

   

 

  p

  

  

multiphonic

ppp

mf p

3                  



mf

 

t-k



 

mf

    f

 multiphonic       mf

ppp

multiphonic on this fundamental

3       ppp

S’il te plaît …

Un peu mieux quand même… (he moves forfard)

qu’est-ce que tu dis Maman !...

   

mf

si tu veux maman. (He kisses her)

  

3

mf

3

       

Tu m’embrasses ?

  3

3

         q = 80

  

    mf 3 3            3

(e mother puckers her lips, leans towards him, unsteady, Aymar moves to stop his mother from falling. e mother places her lips her son’s and clinches him passionately. en she let’s go, as if appeased.) Silence

1021

Cb Cl

3

 

#z

      

ppp

   

         

p

 B. Fl 

Cb Rec

mf

 3

Cb Cl

       3

    

Mais maman je suis là.

 B. Fl 

Tx

 

3

3



p

 

Va chercher notre $ls s’il te plaît.



Cb Rec



      

  3    3  Tx      Mo

 

 

   

3    

 

mf

mf

 

   Tx  

mf

mf

mf

 3     mp    

   p

mp

   

mp

D & F 15981

End option 1 go to scene 16

     p   

    p

 

       3

p


q = 50

      Cb Rec  1025

5

pp

Cb Cl

Mo

Ay

 t-k fast         ppp



(Start text here)

         

 

mp pp

mf quasi

                         5

p

ppp sub

Voilà. C’est la première fois que tu m’embrasses comme ça. Tu vois, quand tu fais juste un tout petit effort.

mp

Cb Cl



pp

ppp

mf

Cb Rec

mp

5

1026

B. Fl

#z

6

    

195

5                          5

3

3

fp

       3

   

    

mf

5

p



mf 5

pp sub

 

mf

f

 mf

3

      

  Tx 

 p

               5

mf



5

mf

p

f

p

p sub

   p sub

1027  #z 3    B. Fl       

Cb Rec

f

           

 

mf

Cb Cl

            

  Tx   Mo

Ay

p sub

mp

3

mf

5

pp sub

f

5

         

mf

 

p sub

  

p

 mf

Oui, je me couche… (elle commence à partir) Je me sens bien, tellement aimée.

 Tu te couches maintenant.

D & F 15981

 p


196

 B. Fl   1028

3

   mp        

Cb Rec

     mf

      3

mf

3

Tx

    

pp sub

5

Cb Cl

f

Tx

Mo

Ay

  



p

 

p sub

Tongue ram with sound

                              mf 5

5

5

f multiphonic

3

   

mf sub (e mother exits)

5

with sound

  

mf

Oui, maman.

mf

3

mf

3   B. Fl              3   Cb Rec      

Tx

          mf  p         3

p

1031

Cb Cl

  





mf

p

pp

3

q = 80

mf

p sub

5

5

  

f

5

 1029 5           B. Fl                           mf    Cb Rec  

5

p

          

p

           

mf



  p mf p                       

mf

fp

 

Cb Cl



5

    open slap

           

ppp

pp

p sub

   

pp

6

ppp

 

ppp

       

6

5

      ord



p

D & F 15981

5

    

 

pp 5

mf

mf

           5

6

p

 

mp

         


1034    B. Fl        

End option 2 go to scene 16

Cb Rec

Cb Cl

       p   

Cb Cl

mp

  

 

p

f

 

p

 

 

     

 

p

 Tx  

 

 

p

 

    

multiphonic on this fundamental

3

3

3

        3

#z multiphonic

   

3

ppp

f

p

f

    

 

p

f

mf

         ppp

 3         p

 

 

f

     

 

ppp

p

        



f

 D & F 15981

3

 

p

mf

   

    

mf

 

         

  

  3 3             

f

multiphonic

ppp

3

     



 

q = 120

f mf sub

f

Is that her? Calling me? (He blocks his ears.) I mustn’t hearLIGHTS her… OFF Besides she isn’t even there, she doesn’t exist… No it’s beyond my control. (He exists hurriedly.)

f

3                         

    

f #z



f mf sub

3

p

       

 

                    ppp

mf p

 

            ppp mf mf ppp                          3

 

mf p

ord

3

 

mf

p

 

197 #z

mf



1043

Cb Cl

     B. Fl      

Cb Rec

      

Aymar, come down!

at this point: Someone is calling outside.

3

Tx

p

3

3

mp

  

      

     

1039

Cb Rec

      p

mp

 Ay   

B. Fl

3     

          

 Tx  

Yn Wm N

p

3

p

  3              

     

p

with sound

 f

 

take Cl

 3      fz sub



 


SCENE 16 Yn Wm N Aymar

198

LIGHTS ON

  B. Fl   1051

q = 40

     

Cb Rec

   

A little later. Night time. Fog. On the mountaintop. The bench is visible. Aymar, very agitated, guides the young woman of the night through the darkness and the fog

q = 60

          

Flute

5

p

Tenor Recorder



p pp sub

Clarinet in Bb

     Cl     libero        Tx   mp

    C Tpt   

Marimba

    

Mar

q = 40

    Yn Wm N   

   

3

      

p

mp

  

 mp 3

       mf

mp

mf

mp

      

        

6

mp

with Aymar

 

resulting harmonics out of C#1

    Tbn   

3

ppp

 

3

 

sf pp sub



 

pp

3 3

   

mp

q = 60

 

  

  mp

mf

  

6

    

Where must we go

    

now

elegante

Ay

Accord

     

mp

 

Be

ossia:

 

 

 

     

 

 q = 60

3

- ful

not to get 

3

        

p III

3

   

3

     

too



 



II III

I II

     

 

    Cb    

 

  

 

mp



     

Vc

  3         

with Aymar

 

care 3

 

q = 40

3

mp

     

    Vln    Vla

 3   3 3        

   

        

 

mp

    

arco

mp

D & F 15981

      

5

  

  

f




 Fl  

  

1056

  

T Rec

Cl

mp

  

      

mp

mp

Yn Wm N

  

 

Mar

 

3

the



  

 

   

pizz

mf

 

mf

Cb



 

mp

    

mf

pp

 

    

 

 

 

 

 

 

 

 

mp

to W Bl

 

           3

3

J2

    

     

 

 

 

   

 

D & F 15981

fp

  

o - ver there

                     

          mp  

pp

3

6

7

Vc

ppp

          mp         

edge

  

 

3

  to

 Vln   Vla

3

close

    

 

  

Accord

                 mp pp  mf            

take Cbs Cl

mf

3

Ay

    

   

   

3

pp

ppp

mp

pp

3

3

pp

 

         

  

    

     3

   C Tpt     Tbn

 

pp

mp

Tx

 

199

J2

 

 

   

 

there

is

a

fp 

p

     

pp

 

 

J2

 

         

 

pp

f

f

  

   

arco

    

f

 

  

    

    

 

  

    

come,

 

p

  

ppp

   

mp

ppp

f



 

 arco

   pp


200

1061    Fl     

 

         mf

T Rec

 

mf

Cl

take Cl            

      

      

pp

      

ppp

 

 

 

 

 

 

 

 

f

    

ppp

Contrabass Clarinet in Bb

3            Tx         

C Tpt

      

pp

f

 

 

   

pp

      f 

 

mf

   Tbn   

     

 

 



      

 

 

 

Mar

Yn Wm N

fp

         bench

Ay

     

Cb

          3

here

3

3

but

I

can't

see

mf

   



    

      

 

 

 

pp sub

                3

it

   

3

3

it's

so

dark

 



  

to - night pp sub

        

 

 

 

    

 

 

 

 

 

       mf

mf

Vc

pp

     

    Vln      Vla

fp

    

Accord

  

               

       

 

 

 

 

 

 

 

 

pizz

f

 

 D & F 15981


  Fl    1066

T Rec

 

201

K2

take S Rec



mf

       

   

     

 



Soprano Recorder

ppp

Cb Cl

 

       



Tx

  

       

 

  C Tpt  

       

  

       

Tbn

     

Wood Blocks

W.B.

mf

Yn Wm N

  

Marimba

3    

K2

p

p

fp

p

   Why

   

ppp

you

 

      3

              

have

 

fp

       

3

      

             

 

mf

mp



fp

brought

      3

me

here

 

 

       

 

 

 

 

    

 

Ay



Accord

Vln

  

 

       

 

 

       

 

  

K2 

    

mf

     

Vc

Cb

 

     

 

pizz



mf



mf

arco

pizz

Vla

ppp

   

 

arco

 

 

 

            

mf

   

 

 

 

 

pizz

 3                      ppp

mf

with Mar

p

  

pizz

D & F 15981

mf

       

   


202

L2

  Fl   

    

1073

ppp

Tenor Recorder with Aymar

T Rec

   

 

3

mp

mp



   3

3

3

       

 

pp



  

        Clarinet in Bb

Cl

ppp

Tx

mp

  

pp

 

   C Tpt      mp

 Tbn   Mar

  



                     6

elegante

Ay

mp

    

A

   

Accord

6

3

 

-

ny

 

with Aymar

mp

3

6

3

6

3



clo

ser

to

3

3

 

L2

arco

p

pizz secco

    

  

      

3

pp

             

house

and

f



  

pizz

mf

   

 

      3

mf

D & F 15981

fa - ther might

see

p

   

pp

mp

    arco

ppp

my

    

p

  

mp

    the

 p

mp



p



p

     pizz

arco

arco



  

mf

Cb

3

   Vln  

Vc

6

6

 

 

Vla

ppp

pp

pp

Yn Wm N

p

f

mf

pizz         

pp

mf

 

3      mf

      

mp


203

 Fl   1076

T Rec

Cl

Tx

3

3

p

3

3

3

3

p 3

p

 

p

Yn Wm N

  

3

         p

 

           p 3

3

3

3

3

     

p

you.



         

p 3

   

3

3

p

   Vln  

Vc



(Aymar heads away from the bench, leading the young woman towards the cliff edge.)

   

Vla

3

3

 

5

3

    

  Ay     

Accord

3

p

  Tbn  

Mar

  

          

   

 

3

         

 

 

 

         

 

 C Tpt  

3

3

3

          

pp

p

arco

 

3

3

3

         

p

    

  Cb 

 

3

pizz

mf

6

 

arco

3

3

 

3

           p

5

  

arco

p

D & F 15981

3


204



 #z     

 Fl          1077

3

3

    

T Rec

3

mp

     3

3

3

       

 

Cl

3

 

pp

 with5Vln             3

 

 

3

mp

3 3

più mosso q = 102

mf

3

p

 

mf



        3

Tx



mp

5

mf

   

3

 





  Yn Wm N 

mf

I

need



5

mp

with  Vcl   

        to

talk

to

3

 

    

 

I

can't

p 3

3

  

 

         3

3

3

mp

mp

with Rec

      5



mp

D & F 15981

   arco

with Aymar sul D

 

    mp



mf p

fz

più mosso q = 102

3

 pizz with Mar        



 mp

mp

Cb



ppp

you

   Vln   

Vc

 più mosso q = 102

       

Vla

to T Bl

fz

33

3

 

Accord

 

SV

Ay

mf

Mar

 

 

p

    C Tpt  Tbn



   

mp



5 3

    

mf

  

p


M2

  Fl   1080

pp

 

 

 

 

 

 

  

 

rubber mallets

p air in, out, etc

  p

3

     

Cl

pp

Tx



 C Tpt 

Tbn

Accord





stop

mf

-

      



    

    

   

      

mp

f

     mp

f

mf

f

pp



pp

 

 

 

 3        

mf

f

mf

f



Marimba

 

pp

take harmon mute

f

f

mp

f

mp

ord

mf

 

mp

ord

 3        



pp

mf sub.

a - bout what my

fa - fa

 

-

on the tail piece 5

p

mf

 



 

 

 

    ppp

    p

if

  

think

 

  



 

SP

p

D & F 15981

might

 

 

ther-

 

p

 

5

Temple Blocks

rying

205

 3  3 3                             

 

air

3

 

p

mf

f

wor



air

p

Vc

mp

  

Vla

air in, out

 Vln 

Cb

  Yn Wm N  Ay

Mar

 

  

T Rec

air in, out, etc

SP

p

   p

 

  


206

P2

   1086

Fl

p

ppp

 

T Rec

p

ppp

 

Cl

p

Tx

    

 C Tpt  Tbn

ppp

mute

Ay

Vln

pp

Vc

Cb

 

 

 

  

pp

 

    pp

  

  saw

 ppp

 

 

3

    

p

p

  

 

 

pp

    pp



p



ppp

p

pp

p

SV

     

mp

a tempo mp

mf

3                  

I

ppp

need



to

talk

 

pizz with Aymar

 P2   

p

meno mosso colla voce mp

p

 

ppp

Marimba

come

3



pp

 

    

P2

 



   

ppp

you

   

p

a tempo

Tubular Bells To Tub. B. lv

 

meno mosso colla voce

 

ppp

p

p

 

Vla

ppp

pp

 

he

  

 

ppp

    

Accord

harmon mute

  



p

 Yn Wm N 

 

ppp

  

Mar

p

1125

meno mosso colla voce

a tempo

fz

 

 

ppp

  p

ppp

  ppp

D & F 15981


 Fl 

1128

Cl

C Tpt

Tbn

 



 

ppp 5

5

5

5

5

 

 

pp



ppp

 

 

 

 

 

 

 

 

  

3

    

Q2

 

 

 

 

with

Ay

Accord

Vln

    

Vla

Vc

Cb

 

 

 

 

        

        

 

 

 

 

 

5

                                       

 

mf

5

5

 

Mar

Yn Wm N

T Rec

Tx

207

Q2

arco

Q2

ppp

arco

ppp

D & F 15981


208

  

Fl

5

5

5

5

5

5

 

C Tpt

Tbn

sfz

 

       3       

 



3

sfz

mf

Tx

  

5

                                        

Cl

   

mf

5

T Rec

R2

       

1131

sfz

 

 

 

 

 

 

 

 

Tubular Bells

  to Mar    

Mar



sfz

Yn Wm N

 

R2

f 3

      

 

 

f               

you

Ay

Accord

Vln



 

 

 

 

you are

not

 R2   



 

 

3    

 

 

pizz

  

 

mf

 

 

Vla

mf



sfz

pizz

3

sfz pizz

Vc

Cb

 

 

D & F 15981

sfz


 Fl 

1135

T Rec

Tx

Cl

 C Tpt 

Tbn

      

 

mf p sub

 Yn Wm N 



  f

    

Accord

here

you are

 Vln 

 

f

p sub

not

  

   

f

your

Vc

Cb

 

 

      

    



 

  

arco

       

 

 

  



  



        



     

p sub

  

     

arco

mf p sub

-

 

  

 

    

me

mf

 

   

3

 

D & F 15981

arco

mf p sub

  

mf p sub

 f

mf p sub Vla

f

 

  

  

 

     

in

f

     

f

 

mf p sub

you're

     Ay                     

Marimba

 





ord       

   

 

mf p sub

 



ord       

f

 

 

Tub. B.

 

mf p sub

mf p sub

       

ord



ord

 

 

        

  

209

f

  f

f

f

   


210

S2

  Fl   1139

T Rec

 

mf

 

 

3

mf

Cl

Tx

  

  C Tpt   

Tbn

Mar

  

    mp

take plunger mute

     mf

         

Accord

 

  Vln   

Vla

Vc

Cb

S2



 

 3

 

mp

  

    with Aymar plunger mute

  

3

mp

to

-

   

-

 

3

no

you're

         

mf

day

you 3

know

not

here

                

I'm

 the

3

 

bench is



 

here

look at me



 

 

3

here

        

 

                      

      

- self

  

  

 Ay    

3



Tubular Bells

S2

Yn Wm N

 

3

 

  

with acc

 

with baroque Tpt ad lib with Aymar

mp



                                           

 

no

 

    

with Cl

 

mp

ST

SP

ST

pp

mp

p

       ST

  

        

  

        

  

pp

ST

pp

D & F 15981

SP

ST

mp

p

SP

ST

mp

p

 


T2

1143     Fl  

T Rec

Cl

 

 

   

 

 

        Tbn  

f p

mf

 

     p

t-k or #z

mf

 t-k 3 or #z      

 

 

mf

mf

     with Aymar

3

mf

p

3

mf

 



valve tremolo or #z

mf



 mf

fp

    mf

 

mf

f

mf

Tub. B.

  

mute off     C Tpt     

 

with Aymar



with Aymar

  



 

mf

 Tx  

   

211

mute off

mf

    

Marimba

3

           Yn Wm N                                        

f

T2

I

Ay

   

     you're

 

Accord

 

 

Vla

Vc

   

 Cb  

 

f

  Vln  

 

am

scared...

3



not

 

 

   



3

the bench

3

 

3

 

mf

 

 

mf

  

mp

p

  

p

 

mf

3

D & F 15981

f

mf

mf

    with Aymar

3   You're

  

mf



here

 

mp

but

      

is

 

p

  

p

 

here

know where we are

with Aymar

T2

   



I don't

     mf


212

 Fl 

1148

più lento q = 80

 

  

S Rec

 

mf 3

Soprano Recorder

 

p

p

 

mf

     

  

    

 

Tx

  C Tpt 

 3

#z

 



Tbn

f

    

      

 

Mar

mf

 3

p



p

 

 

p

p



  



  

   

p

mf

      

fp

p

 

p

  

       

   

 

Cl

 

   

f





  

  

   

f

f

           p

f

     

    f

        

  

p

f

più lento q = 80

Yn Wm N

  

3



you

 

Ay

3

Accord

3

più lento q = 80

    Vln  3

f

Vla

f

3

3      

f

Cb

bench

 

f

3

 

   

 

mf

 f

 

p



  

    

D & F 15981

f

      

f

           p

 



  

     

  

  

 

   

    

arco

arco

p

 

  

arco

   

p

  

    

      

3

     

 

here

3    

 

     

  3

is

f

pizz

Vc

the

      f

pizz     

   

 

 pizz

3

p

f p

here

 

can

not

Fr

  

  

p

   

f

f

   f


U2

  Fl   1153

      

                                            

  

#z





mf

     



mf

Tenor Recorder S Rec

213



Contrabass Clarinet in Bb Cl

Tx

C Tpt

Tbn

 

  

  

  

Yn Wm N

3        mp

  

Accord

                 

mp

you can

                 

touch me...

3

    p

mp

  

         

so

you might

re - a - lize....

 

 

U2 pizz 3

f

pizz

         3

pizz

       3

Vc

   

     Vln     

Vla

dolce

but

Ay

mp

to Temp Bl

Mar

3

 Cb  

      arco SP

mf

 

 

D & F 15981

 

 





 

     



arco



mf

   

p


214

V2

   Fl 

 

1157

 

T Rec

 

 

          

3

 

3





mf



    



   

mf

    

Cb Cl

f

mf

 Flug.  

       

mf

   

   

open slap resulting pitch

f

  

  

  

open slap resulting pitch

          Tx  mf

 

mf

Flugelhorn with soprano

3





Tbn

p

mf



I

am

 

Accord

 

want to...

 

 

 Vln      

Vc

Cb

   

pizz



pizz Vla



mf

mf

V2

mf

mf



3

 

   3

     3

 

   



3



 3



  

 mf     



     arco

3

   

3

   

   

    

f

D & F 15981

3

-

   3

            

a

head

           

               3  3         

 

3

arco

mf

             Go

mf

  

   

lone here



3

mf

mf



3

Hold

know I'm_a



  

here

But I

f p

      Ay                         Yes I

p

3     

V2

3    Yn Wm N  



 

Mar

mf

with harmon mute with soprano

  



with soprano

mf with soprano

with soprano

   f p

 

3

3



mf



 




 Fl   1161

 

 

 

 

 

 3       

 

f

      

 

     

mf

p





Clarinet in Bb

Cb Cl

Tx

Tbn

Mar

     

Trumpet in C

Flug.

Vln

Vla

Vc



mf



p

Alto Saxophone

   



mf

p

mf

 with soprano

mute        mf        

take harmon

mf

3

 

p

 

 

Here is

a

             





p

 

  bench

I

 

 

 

      

  mf

  

to

 

 

 

p

 

 

SP            

 

 

 

f

D & F 15981

  SP

p



W2

 

p

    Cb  

want

 

SP

3

3

think



 3

             

W2

I

     

 

 

me

p



  

3

            Ay        

Accord

p

mf

 Yn Wm N  

 

 

T Rec

p

215

W2



 

 

p


216

 

    

T Rec

    

Cl

    

Alto Sax.



    

 

    

    

X2

1167

Fl

C Tpt

Tbn

Yn Wm N

Mar

 

pp

Accord

Vln

p

       5         I

can see

a

light

 mfp

      on

        3

3

(e)

ground

the

    

 3

X2

 

 

   

 

mf

    mf



    

    

5

my

 

    

    

    

    

Vla

Vc

Cb

f p

Oh!

Ay

Temple Blocks

X2

D & F 15981


  Fl   1174

T Rec

Cl

Alto Sax.

C Tpt

     

    

    

   

      

  

217

ord

mp

  

f

     mp

f

 3      with Aymar

  Yn Wm N  

f

p

f

 

mf

f

Accord

-        pp

 

-

ther



has

pizz

3

3             3

Vla

pizz

3

f

 

 Cb  

Vc

 take Tubax

  

pp



 

 

 

pp

p

ppp



turned the

light

 



 

p

pp

pp

 

p

down

ppp



ppp

    

mp



 

      

there.

mp

D & F 15981

p

3         

   





 

  

pp

 

on

p

    



ppp

Marimba

 

 

ppp

p

p

 arco SP       

p

with harmon mute

  



     

arco SP

f

ppp

p

p

3                Vln    3

p

 

ppp

pp

mf

 

p



 3  3 3         Ay                  fa

Trumpet in C

 

p

ppp

take S Rec

 3       

p

pp

 

pp

 

mf

f

 Tbn  

f

mp

  

f

mp

ord

  

Tm Bl

mp

 

  p

p

 

p

   

ppp

ord

pp

ppp

ord

pp

p

pp

p

ppp

  p

ppp


218

Y2

 

 Fl   1180

 

 

pp

 Soprano Recorder       

T Rec

 

take T Rec

pp

Alto Sax.



 

Cl

ppp

pp

ppp



mue off



Mar

3

Y2

Accord

right

o - on



   Y2

3

fz

    

sfz

sfz

 

pp

f

we

are

on

the

3

       edge.

We

e - edge

sfz

   

sfz

       

    

sfz

 3   

3

sfz

sfz

           3         

mp

         sfz

Cb

  

3

take plunger mute

3

3  

 3         pizz

pizz

3

the

sfz

Vc



Vla

pizz with Aymar

f

mf

   

Vln

are

                      We

 f

sfz

3

Ay

pp

fz

 Yn Wm N 

ppp

    

with Aymar

  

 C Tpt   Tbn



sfz

sfz

3

3

sfz

sfz

ppp

D & F 15981


 

1186

Fl

 

Tbn

      

 

        

 

take S rec

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

pp sub

a

 

-

bout

 

 

 

 

 

pp

5

pp

pp 5

mf p sub

     to



mfp

3 3                  

fall...

have

mf

made me

 

         

 

 

 

p

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Vc

Z2

D & F 15981

p

   

3

 

5

could

pp

 

 

You

più lento q = 72

 

Vla

Cb

were

Vln

 

Tenor Recorder

           Yn Wm N     

Accord

pp

Ay

 

 

Mar

 

 

 

 

Cl

C Tpt

 

S Rec

Alto Sax.

Z2

più lento 219 q = 72

più lento q = 72


220

 Fl 

1194

 

 

 

 

 

 

 

 

 C Tpt 

 

 

 

 

 

 

 

 

 

 

T Rec

Cl

Alto Sax.

Tbn

Mar

Yn Bl Wm

 

 

 

 

ppp

Vln

 

  

 

 

 

 

 

 

 

 

 

 



 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

    

pppp



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

      

Vla

Vc

Cb

 

fall...

Accord

 

 

   

 

Yn Wm N

Ay

 

LIGHTS OFF Wait until new scene is ready

did you

 

want

D & F 15981

to

        

               


SCENE 17

Yb Bl Wm Aymar Yn Wm N (off stage) LIGHTS ON Father (off stage)

  Fl   1204

A little later. Same place. The sun has risen. Aymar is still on the edge of the cliff. Bent over. He is alone. The young woman of the night has disappeared. Does she really exist? Was she really there? Did Aymar push her? The young blonde woman comes..

   

Soprano Recorder

S Rec

Cl

(q = 72)

 

 Alto Sax.  

 

p

mf

p

f pp

p

pp

  

#z

 

 

 

Tubax

p

 

    

 take T Rec

6

 

 

 

f



mf

f

  C Tpt  

Tbn

  

 

Mar

 

 

pp

  Yn Bl Wm   

You're

Accord

Vln

Vla

Vc

   

 

 

  

   

 Cb  

p

f

f p

(q = 72)

Ay

 

with plunger mute

     

  5     6                      f

here?

As

 

 

p

(q = 72)

    

 

  SP  

p

f

p

arco

f p

f

      arco

 

 

f

f ord

ord

    p

was wal

-

-

-

 

 

 

                  

                     

 

with soprano

6

f

with soprano

 f

D & F 15981

f

6

              

 

f

5



king

f

I

arco

221

  pp


222

 Fl 

1210

C Tpt

Tbn

   

  

ppp

 

       

 

      6

ppp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  Yn Bl Wm 

have

heard

-

                 

-

ppp

mp

64

voi

                 

ces

Were

you

Yn Wm N

 

 

 

 

Ay



 

 

 

 

 

 

 

 

 

    

 

Accord

 

 

 

 

 

 

Vla

Vc

Cb

 

  

Vln

   

   

 

 

       

 

     

 

 

 



    

 

ppp

    

 

ppp

A3

    

ppp

ppp

      

  3

D & F 15981

ppp

A3

f sub e pesante



   

p

 

     3

   

I

      

 

Mar



      

ppp

A3

ppp

  

     

      

 

 Tenor Recorder

 

Cl

Tx

 

S Rec

 

      

3


223

          Fl   

   

  

           

     

 

    

 C Tpt 

 

   

 

    

 

    

1216

5

                3

T Rec

ppp

5

Cl

Tx

Tbn

5

Mar

with

Ay



Accord

some

-



  

 

 

 



     

  

ppp

5

5

                          

Vc

ppp

Cb

5

6

 

      

  

#z

ppp

 

 

 

 

 

 

 

 

 

 

 mute off

  

 clipse

 

ppp

    

 

 

fp

 

    

          is

 

  

D & F 15981

 

  

    

     

3

3

 

 

                   

ppp

mf ppp quasi sub

    

 

 

   

  

 

p

    

 

   

e-

6                 Vln          

Vla

  

Soprano Recorder

e

   

     

p

one?

ppp

     

       Yn Bl Wm             

pp

6

  

    

fz

a - bout

 

 

to

 

with soprano             

 

 

pizz with soprano

  

mp

   

with soprano pizz

            mp

with soprano pizz

 

  

    

 

 

mp

 


224

  Fl  

B3

1223

S Rec

  

   

with soprano

    

mp

Tenor Recorder with soprano

mp 5

  

6

    

    

 

  

    

 

Tbn

  

    

Mar

 

    

Cl

Tx

C Tpt

    

       

         

 

  

p



4

B3

start.

Ay

Accord

Mor -

5

ning

has

 

      

 

    

         

  Vln  

 

 

 

 

 

 

 

 

 

 

 

 

p

         

   

 

take B Cl

nmf

              Yn Bl Wm      6

   

just

    

mp

mf

arco with soprano

B3

mp

arco with soprano



bro

 -

-

-

mf

ken...

 

 

 

 

 

 

 

 

p

     

    

 

         

      

3

    

 

5

      

 

Vc

 

    

 

 

 

Cb

  

    

 

 

 

Vla

p

mf

D & F 15981

p

6

 

 

 


  Fl  

 

1229

T Rec

Cl

Tx

C Tpt

             

ppp

Bass Clarinetin Bb

  

5

5

3

3

ppp

5

mp

                             Yn Bl Wm     And

it

will

be

 

    

      Vln  

 Cb  

 

ppp

  mute

mute

mute

 

  mfp

  

night

  

f

p

p

 

ppp

p

Vc

 

          

pp

 

Vla

    

p sub

 

 

             

  

bisb. (valve tremolo)

Accord

f

 Tbn  

Ay

 

         

6

  

p

  

                      

  

Mar

  

                         

ppp

 

          

6

225

a

3

-

  

 

 

   

 

 

   

 

    

    

                         

ord

6

5

poco sul tasto molto arco

                          3

3

ppp

mf

D & F 15981

 

ord

ppp

    

ord

 

     6                             

    with soprano pizz

3

5

poco sul tasto molto arco

 

poco sul tasto molto arco

ppp



    

 

gain...

 

p sub

f

5

  

p sub

arco

p

 


226

Fl

  

C3

5

1233

    

     f

B Cl

Tx

 5

                         f fz mf 5 5 or widest tremolo  pitch)      starting from G2 (real            or widest tremolo f f G2 (real pitch)   startingfrom                  

   C Tpt    p

f

f

mf

5

 

ff mf

3

3

f

3

3                   3

Ay

Fr

  

 

Accord

Oh

    

Vla

Vc

Cb

    

 

   

mf

  

it's

 

 

 

   it's off stage      f

        

5

   

3

3

f

f

 

5

f

5

mf

it's off stage

etc            with  Tbn          3 3 3 ff fz-mf        3

                5

    

it's

             f      etc               Vln   ff

etc

  

 

f

fz

mf

Look,

3

Glockenspiel

f

mf

    

fz

  

fz

 C3 3    3               Yn Bl Wm     Yn Wm N

   

3

 

  

with Vla     Tbn        f fz mf Pedal Bass Drum Glockenspiel               Glock       

  

fz

fz

5

T Rec

5

      

     

    

5

     

5

         

5

      

mf

fz

             mf

D & F 15981

mf

5

5

5

   fz     fz

5

        mf arco      mf


1236      Fl 

fz

fz

B Cl

Tx

      

 

     

5

mf

  

T Rec

     

fz

5

  

fz

5

    mf    f

  C Tpt  

Glock

  

  

mf

        fz mf

mf



sta

-

mf



sta

-

  

star

Fr

   

-

star

-

Vla

Vc

3

 

 

5

-

-

3    3          

(ar)

-

-

f

-

-

3              (ar) -

 -

-

-

-

-

    Cb    f

fz

 

-

 -

    

-

-

-



5

-



 

 

 

-

-

 -



ted...

ted...

 

-

ted...



      

  

5

   

fz

           f

mp

fz

D & F 15981



 5

    

    



5

sim

fz

3

ted...

      

mp

5

             3



  

  

-

3

 

-



 -

fz-mf

  

-

3

      

 

-

3

5



3

3

-

 

 Vln 

f

     

 

Accord

  

fz

 3          

  

mf

  

   

Ay

fz

  Yn Bl Wm    Yn Wm N

5

  

fz

Tbn

227

mf

  

 5

   

      

   


228

      1238

Fl

fz

3

3

   

T Rec

fz

C Tpt







 

3

3



 



5



         f         

B Cl

Tx



 

f



3



D3

   fz

5

     

    fz   

mf

5





5 5

          

     





  Tbn  

fz mf

 

  fz



  

   

fz

3

  

fz

Bass Drum

6

5

     

mf

with Vla

B. D.





fz



  

3

   

mf

3



Glockenspiel

mf

     

fz

 Yn Bl Wm 

D3

 

Soon

Yn Wm N

 

Soon Ay

Fr

 

Accord

 Vln    

col legno battuto 3

  

    

 

fz



5

3

  



arco

5

    

mf

with Tbn

Vla

fz-mf

Vc

 

  Cb 

 

  

    

Soon

5

   

f    Soon     

  

D3

      

  

5

     

col legno battuto 3

fz

    



3





     

   

   

mf

fz

D & F 15981

 







      

 

5

mf

fz

5

5

5

5

      

mf

   

mf


1240         Fl 



fz 3

T Rec



        

           fz     

B Cl

3

5

 f    C Tpt    Tx

Glock

       mf

5

mf

3





mf

3

  



        

mf

  

  

fz                   

fz pp sub

f mf

 3                 Yn Bl Wm   e

-

-

pp fz sub

e

-

e

-

-

very

-

-

-

f

-

-

fz

-

-

-

-

-

-

fz

-

 

e

-5

-

     

 

    Cb   fz







col legno battuto

   

-

-

5

-

3

5

very

fz

 



will

fz

  

-

thing

fz

-

-

  

with Cb

thing

 

-

thing

fz

 

 -

-

thing

     

fz   3      arco             fz

f

       mp      

-

-

-

fz

-

      5        

fz-mf

f

-

 



very

f

-

-

         

 

-

pp fz sub

fz fz



very

f

  arco  Vln 

Vc

-

         

Ay

Vla

-

f mf

pp fz sub

Accord

-

    



3                     

Yn Wm N

Fr

-



fz fz

f

fz

3

3

3

fz

with Vl

fz mf

3

3

                   5       fz               fz      

  

  

       

                  

fz

5 5



fz

Tbn



3

   fz 3



229



mp

fz

D & F 15981

5

     

    f



5

  

fz



 

 5



    

 

5

mf

  

fz

      with Tbn      fz


230

   Fl    1242

    fz

B Cl

Tx

C Tpt

          f        

 

f

5

5

  

mf

5

  

mf

     

  Yn Bl Wm 

 

Accord

Vln

  

5

 

5

     

 

  

fz-mf

Vc

 

  Cb 

   

with Cb

 

mf

 

di

-

 

di

-

f

  

-

  

 

 

 -

-

 -

-

-

-

-

-

-

     

    fz

D & F 15981

-

-

-

     

-

-

-

5

      

mf

fz

mf

-

mf

   

-

5

     

    

     

-

5

5

5

-

      5

-

 -

-

-

-

-

   

with Tbn

Vla

mf

di

 

 

 

 



di

Fr

Glockenspiel

with Vla

Ay

      

5

fz

fz mf

Yn Wm N

  

fz mf

fz

 

 Tbn    

  

mf

with Vla

B. D.

fz

Bass Drum

fz

fz

T Rec

  

 

5

     

mf

   

with Tbn

mf


1244      Fl 

fz

fz

  

B Cl

C Tpt

     

 

     

 

fz

5

  

fz

5

mf

Tx

       5

mf

  

T Rec

   f

   

Glock

mf

  

    fz mf

 -

   

- sap

  

-

- sap

-

Vln

Vla

-

-

-

-

-

 -

-

    

-

-

-

 5

      

fz-mf

    Cb    f

fz

 

-

  

 

pear



    

pear

we 3

  

3    

3   we

and

fz

we





fz

3

   

5



     

    f

mp

fz

D & F 15981



 5

    

    

 

we

      

  

3    

and

5

   3     

5

      

mp

  

3

   

-

              

  

-

3

3

Vc

 

      pear and f 3 3                   pear and       

-

-

5

 

-

 

     



-

f

3

 

 

-

-

5

   3      

- sap

Accord

-

-

  

 

3

3

fz

        f

mf

 

3

- sap

Fr

mf

  

with Vl

   Yn Bl Wm 

Ay

  

fz

mf

Yn Wm N

5

  

  

fz

Tbn

231

mf

   fz

 5

   

     

   


232

E3

   Fl    1246

fz

3

3

T Rec

    fz

B Cl

   f

  Tx  C Tpt

 

f









 

3

3



 



5



            



3

  



fz

5

     

    fz   

mf

5

 

  fz 

  

3

   

 3     

will

 3     

will

Ay

 3     Fr  

will

p sub

E3

  

col legno battuto

fz

          

     



 

 

  Cb 

   

 

fz mf

with Cb

be

  

    

  

p sub

be

mf

5

3

  



arco

    

be

5

  



mf

mf



 

  

fz-mf

3

 

 

p sub



6

  

mf

5



mf

with Tbn

Vc

5

be

p sub

 

3  Vln      

Vla

      5

5

Glockenspiel

will

 

Accord



fz

Bass Drum

Yn Wm N



fz

fz mf

Yn Bl Wm



mf

  Tbn   B. D.



fz



  

3

   

mf

3



   

      

5

col legno battuto

  

3

fz

    



      3





 

   

   

mf

fz

D & F 15981

  





      

 



5

mf

fz

5

5

5

5

 

mf

   

with Tbn

mf


1248         Fl 



fz 3

T Rec

B Cl

Tx

C Tpt

Tbn

Glock





      

3

        

   fz 3

3

           fz      5

     



f

  

5

    5

   

  

mf

3



fz



mf

                       

 3

                     5       fz 3                      fz       mf

   fz   



fz pp sub

  

  

fz fz

f

 3                 Yn Bl Wm   co o

fz pp sub

-

co o

-

fz pp sub

co o

-

Vc

-

f

-

-

-

-

-

-

-

-

-

-

 

co o

-

-

     

fz-mf

 

 

-

f

-

    Cb   f

fz

-

5

-



col legno battuto





3

fz

  

fz

fz

  

vered

fz

-

  -

vered

    

 

f

fz



5

mp

fz

D & F 15981



     

    f

5



 

fz  3     arco               

      mp      

5

with Cb

vered

-

      5        

    

-

fz

f

5

3

- vered

     

 

-

fz pp sub

  arco   Vln  Vla

-

        

Ay

Accord

-

 

  3                  

Yn Wm N

Fr

-

3

3

3

3

fz

fz              

fz mf

    

5

mf



233

 5

    

    

 fz

5

mf

  



fz

     with Tbn       fz


234

  1250                 Fl 

                      

3

3

 

T Rec

3

3

3

3

B Cl

Tx

C Tpt

 

fz

 Yn Bl Wm    





 

 

  f

  

 

fz

5

 

fz

Cb

 

 

  

fz

  

fz

etc

fz

 

 

in

fz

in

   fz

in

fz  

in

    Vln    fz     Vla  Vc

fz



fz



Accord

 

fz

fz

with Cb



 

 

  

 

 

3

fz

Fr

 

  Tbn  

Ay

3

3

fz

Yn Wm N

3

                                

Glock

3



mp

5





 

  

 5

   

5

  

           mf fz       

fz

fz

     fz

D & F 15981



f

mf

    5

   

           

    fz

 

fz

mp

 5

5





     

 5

fz

 



fz

     fz


235

F3

1252    Fl 

fz

  

T Rec

  

fz

Tx

C Tpt

 

 

    

mf

   

    Tbn   fz

 

Glock

 Yn Bl Wm  

  

Fr

3

 

   

   

  

   

 

  

fz

   -

-

dark

-

 fz

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-



fz

dark

  

-

 

  

 

     Vln    fz      Vla  F3

  f

mp

    Cb    fz

5



  

 

fz

Vc

   

Accord

   

3





 

3

3

fz

 

  

  

dark

Ay

   

  

 

fz

fz

 

   

   



 

dark

Yn Wm N

    

fz

F3

5

fz

    3

3

   

fz

B Cl

   

5

    fz

  



mf

  



5

 

 

fz

5

     

     fz

D & F 15981


236

1253                    Fl    3

3

T Rec

3

3

3

B Cl

C Tpt

Ay

   

   

     

 

 

   Fr  

fz



 



 

fz fz

ness

fz

-

   fz

ness

fz  

-

 

 

    Vln    fz     Vla 



fz Vc

  f

Cb

  

 

fz

mp

5

 

fz

  

 5

-

 

-

-

  

fz

-

-

-

 

fz

-

-

-

-



-

-

D & F 15981

-

-

-

-

-

-

-

-

-

-

5



           mf fz        fz



   f

fz

   mf

       fz

5

           

mp

 5

5



 

    

5

fz

-

-

 

    

fz

a

a

  

   

fz

fz

fz

    

 

a

   

fz



 

 

a

5

fz

 

ness

fz



fz



   fz

 



ness

-

 

-

Accord

3

 

  Yn Bl Wm    Yn Wm N

                             

fz

Glock

3

3

fz

Tbn

3

                         3

Tx

3



fz

     fz


237

1255    Fl  

Tx

     fz

 

Glock

Yn Bl Wm

   

fz

    gain...

fz

  

    

 

fz

    Cb  

          

mp

fz

5

 

   

   fz

fz

   

  

fz

fz

     fz

  

fz

   

f    

fz

  





   f

 

    fz

5

 

5

        mf fz        

5

           

D & F 15981

fz

     fz

fz



   f

 5

  

 

    mf

    fz

5

   

             

 

5

mp

fz



     

 5

mp

fz



    

 

 

5

fz

 

f    

         mf fz                fz

fz

 

 



 



 

5

5



3

f    



           5

f    

5

fz

6



gain...    

5

fz

 

f

gain...

 

 

fz

  

     Vln    fz     Vla  Vc

fz

  

fz

-

Accord

fz

   

                  

gain...

 

  

5

fz

  

-

Fr

   

fz fz

-

Ay

To Mar

  

Yn Wm N

 



3

3

take alto

mf

  



      

 

fz

5

mf

5

      f                 



     

         

fz

3

3

f

   C Tpt    Tbn

3

  

3

fz

B Cl

fz 3

T Rec

     

  

fz

     fz

 

 


238

  Fl   1258

poco più lento q = 68

                            sotto voce

mf

5

7

T Rec

 

B Cl

 

5

7

mf

 Tx   

 

7

5

mf

 

Tbn

   

 

Glock

 

Yn Bl Wm

  

poco più lento q = 68

mf

  Ay    

Accord

 

 

 

 

 

 

 

 

 

 

      

 

I'm

a

lit

 

 

 

 

 

  

  Vln  

 

 

                          7

5

ord

 

 -

le

daz

-

zled...,

 

 

                          mf

5

7

   

 

Vc

    mp

Cb

  

 

 

   mf

 

      



D & F 15981

 

f

 

    

mf

pizz

 

 

with Aymar

poco più lento q = 68

poco pont

Vla

 5 7                           Alto Saxophone

  

C Tpt



                         mf sotto voce Clarinet in Bb                               sotto voce

 

3

ff

     3

ff


  Fl    1261

T Rec

Cl



5

 

5

#z

 

#z

mfp

5

   5  Alto Sax.     C Tpt



     

 

mfp



 

#z

#z

mfp

 

mfp

   

239

 

mfp

 

 Tbn     Glock

with soprano



mp

 

    5       Yn Bl Wm  



yes

     



3

you

should

   7    5                     

p





mf

Ay

3

I'm 5

  



7

                     mp  Accord                                       Vln  

Vla

    ff

Vc

Cb

     

mp

5

7

f

p

                        7

5

f

p

f

                    

arco

5

7

mp

fp

f

D & F 15981

f

arco ord

mp

 


240

1263 6                 Fl          

mf

Tbn

 

 

 

 

 

  

       

with soprano

mf

 

 Yn Bl Wm   

 

not

stare

daz

 

 Vln    

Vla

 

Vc

Cb

 

 

-

-

-

 p

 

p

-

-

p

 

 

Marimba

3              





        

 



 

 

         

 

 

 

-

tly

at an

e

-

clipse...

zled

f

 

f

mf

take harmon mute

         

p

p

 

     

f

pp

- rec

                  



 

-

-

f



#z



3

di

 

p



 

 

 

Accord

take harmon mute

   #z

3

7

 

  

 Ay   

p

 

fp

p

 



Glock

 



7

mf

 C Tpt  

    

                mf

6

 

Cl

7

 

T Rec

Alto Sax.

6

 

#z

3

D & F 15981

 p

3

       

p


1268 #z   Fl  

 

mp

mf

     

T Rec

241

G3

    

gliss

3

mf

mp

      

   

with soprano

3

mp

                                    3

mf

Cl

   

    

5

p

6



p

 

mf

Alto Sax.

C Tpt

Tbn

 

    

 

    

 



    

 

To Glock

    

 

           



  

Mar

 

p

 Yn Bl Wm 

 

 

mf



G3

 



mp

Just

Ay

 



  

  Vln  

 

mp

 

Vla

pizz

  



  

3

-

-

   

mf

    

  

          

arco

    

 

    

 

G3

mp



p

D & F 15981



 

mf

     

 

mf

pizz

  

3

mf Cb

dar

        p

mf

mf

Vc

fore

    

mf

   

Accord



5

be -

 

Glockenspiel


242

1274       Fl  

p

      

T Rec

Cl

        

  6         

Contrabass Recorder

take Cb Rec

 

     



               5

5

ppp

Bass Clarinet in Bb

take bass cl

3

ppp

         

 

3

 Alto Sax.   

  

 

Tbn

  

 

Glock

 

 

C Tpt

  Yn Bl Wm    Ay

-

 

falls,

the

p

last

Vla

Vc

  3

p

 

 Cb  

sun -

light are

ve

 

ppp

  -

 

ry

 

 

  

 

 

    

 

ppp

 3       

p

p

     

  

           

 

3

  Vln   

rays of

ppp

  

6

                                    

 3          

Accord

                ppp 5

pp

kness

   

p sub

ppp

 

D & F 15981

poco sul tasto molto arco

      ppp

 

6

  

poco sul tasto molto arco

3

ppp

    poco sul tasto molto arco

ppp

              5

          3

5

   

                      5

6


  Fl    

  

1279

  

B Cl

     

   

         

f

 

f

f p sub

f

 

 

5

 



 

ff

f

Tubax



          C Tpt    with harmon mute

mf

ff

Glock

 

  

f

3

dan

-

  

-

       

ge - rous

 

ord

    3

      ord

   Cb   ord

p

 

p

ff

 3  



   3

se - riou - sly

            f

p

f

 

5

3

         

  

3

5

  etc    3

3

3

mf

 

 

 

 

 

 

ff

 

f

poco più mosso q = 78

ff

D & F 15981

f

      ff fz  

  

 

ff

mf

Glockenspiel

ff

         

eyes,

3

poco più mosso q = 78

    

da - mage your

  3   

etc

f





3

ff

I'm

   

3

    

Bass Drum

3

fz

fz

3

  



p

Vc

3

they can

 

  Vln   

Vla



3         

f

Accord

 

f

   Yn Bl Wm  

Ay

ff

        



     Tbn              mf

 

with harmon mute

f p sub

f

f

p

f p sub

fz

5

 

243

fz

#z

          

 Alto Sax.   

    

     

   

Tenor Recorder

T Rec

5

  

p

poco più mosso q = 78

     f

 

    

mf

f


244

     1282

Fl

fz

  

fz

B Cl

Tx

C Tpt



     

  Tbn     fz      Glock     

  

ff

  f



    

with Cb

 

fz

fz

ff

fz

f

          fz f    

  

3

fz

    

T Rec

 

1298

mf

                   fz 



 

f

  Yn Bl Wm  

fz

   

fz

fz

   

 J3

   

Accord

Vln

Vla

   

 

                              3 f

3

3

3

fz

  

f

   

    

fz

3

   

  

     

  

    

 

    

mf

3

3

3

  

f       

          f J3                       3               3 3 f 3 3                        

fz

with Tbx

mf

fz

front                          

ff

  Cb 

mf

           with vl             

3

fz

     

front

fz

Vc

    

not off stage

   Fr  not     

front

f

f

f

fz

not

Ay

3

front

f off stage

Yn Wm N

   

your

  

fz

mf f

          fz f    

      

   fz

fz

3

f

  

f



J3                   3

  f

f

D & F 15981



mf

 

fz

fz

    

      f

sim

mf

fz

fz

mf

      mf

fz


 Fl   1300

fz

       

f

     

mf

   

 

fz

   Tbn   fz

 

Glock

     

  

fz

of

the

fz

fz

of

the

fz

fz

 

Accord

Vln

Vla

 

  

     fz

Vc

     f

Cb

  

mf



f



    

fz

fz

 

of

the

  

     mf f



3         

   

fz

fz



to Mar   



  

fz fz



fz

 f

 

p sub

f

   



     

      mf f

fz

p

 sub   sun

 

f

K3

p

 It

p

 It

p

 It

f

p

             It

 



fz

mf

 f

    sun

f

fz

sun



mf

3                3 f         

p sub

     

3

fz p sub

 

fz

4

sun

 

fz



 

the

fz

f

   

3

   

3

 ff   3                    K3            f

 

3

     3 3                           3  ff ff    3                                                          3  3 fz fz ff f fz fz                              f mf fz f mf f mf                               mf

fz

mf

fz

D & F 15981

245

5 6                   

f

  

5

fz

   

3

        

f

 

  

      

 

 

    

 

fz

 

fz

of

Fr

3

    

f

fz

   

 

Ay

   

 

   

 

Yn Wm N

fz

fz

 Yn Bl Wm   

   

ff

      B Cl     f           Tx  C Tpt

     ff

K3

3

3                                3  

   

T Rec

 

 

    

mf

fz

mf

fz


246

1304          Fl  

fz

3

3

with Vcl  5    4                  

fz

fz

5 5                              3 3

T Rec

fz

f

fz

fz

5                   fz fz                  Tx   

   

B Cl

  C Tpt      f

mf

       mf fz      3

fz

    Tbn   fz

Yn Bl Wm

will

real

 

will

real



will

real

 

will

real

Ay

Fr

 

Accord

Vln

 

 



Vla

Vc

Cb

          mf

    

    

fz

f

mf

        f

   

f

fz

f

fz

             fz         

 

f

4

    

      3

   

mf

f

    

f

  







  

be

      mf f

         

 

        with Fl 4

f

D & F 15981

-

per

-

-

-

-

-

-

per

ly

-

 

be

per

 





fz

be

3



 

 4                

be

 

3



fz

ly

 

-

ly

   

fz

 

-

ly

-

      

    

  -

fz

    



fz

  

Yn Wm N

f

f

Glock

fz

f

        

 

 



  

per

          3              3 ff fz f      3    3                  f ff fz 3                  

      mf f

f

 

 

mf

 

 

    fz

      mf

fz


poco più lento q = 68

1309     Fl  

fz

    

T Rec

       

Tx

    

C Tpt

 Yn Bl Wm   

-

Ay

Fr

Vln

Vla

-

-

-

  

pp

 

mp

fect.

No,

fect.

pp

  5        

fect.

f

  Cb 

mf

fz

     mf

fz

fz

f

 

mf

p

f p

p

poco più lento q = 68 5

 



       fz

D & F 15981

5

 5



arco

5

p

  

p

 



7

                  

mf

5

     

          

      

  

I can't   

it

mf

pp

-

 

 

fect.

-

     

pp



-

      mf f

  

p

poco più lento q = 68

 

 

-



5



-

-

                        p fp 7

pp

 

fz

Vc

-



Accord

-

 

Yn Wm N

f p

5

Marimba

-

7

7

fz

-

5

p

Clarinet in Bb

f

f p                       5

Alto Saxophone

mute off

Glock

        fz       Tbn     mf

f

take cl

247

p

   

fz

B Cl

                    

  

p

p

 


248

    Fl  1312

    mp

T Rec

      mp

Cl

mp

   

  

 p



        mf

p

 



          mf

gliss

          mf



      

Mar

mf



p



      

  C Tpt  Tbn

mf

p

#z

Alto Sax.

      

p

to Glock

f

Accord

 

     

  Vln    Vla

Vc

Cb

 



 

mp

mp

mp

  

p

mp

 

 



gliss

p

       mf

                       

mf



gliss

p

mf



gliss

p

D & F 15981

 

 

 

 

 

 

 

 

 

 



 

 

 

colla voce

colla voce

  6       6       7    7    5                           Yn Bl Wm                     could da mage    Yn Wm N     3mf 3     Ay      look a ny more.  Fr

L3

        mf 

7

        5           mf

your

 

   p

   

 

 

 

 



 

 

 

 

 

 

 

 

L3

 

colla voce


249

a tempo 1316 5                      Fl           mf

5

Cl

7

mf

Alto Sax.

  

 

   

Mar

 

 

 

 

3

f

 

f

 

mp

 

Glockenspiel

Accord

Vln

Vla

Vc

3

   

  

 



on

 

 

   



-

few

rays

ly_a

 3  

 

     

5

  

 

  

 

with soprano

  

dark,

   

                                

a tempo

  

mf

   

  

it's

  

 Cb   

To Tub B

mf

ere are

p

 

 

eyes.

mf

     Yn Bl Wm    

  

 

    

 

    

5

p

  

p

 5 

a tempo

Ay

5

7

5

f

  C Tpt    Tbn

  

                          mf                              5

T Rec

p



7

3

 

mp

7

ff

 

D & F 15981

   

 

       

f

 

 

 

3

     

 3     

ff

ff

    arco

 

p

  arco

p

    arco

p


250

   

#z   

1319 #z

Fl

T Rec

   

  

 

#z

Cl

#z

Alto Sax.

Glock

 

 

p

of

    

      Vln 

Vla



Cb

         

 

 

mf

mf

 

 

 

mp



 

 



 

 

 

 

 

 

 

lv

 

 

 

mf SV

SV

pp

   f

Tubular Bells



mf

 

-

-

-

mp

   

3

  

On

 

 

p

mf

           

 

ly

  3  

          

 

p

-

  p

p

mp

light...

3

3

 

It's

mf

Vc

  

 

mf p

sun

Ay    

 

 

M3    6     6 7                        

   7    5               Yn Bl Wm         

  

mf

p

Accord

mp

pp

 



    C Tpt  Tbn

M3

 

dark,

    3

mp

 

  mute off         

 

  mute off         

 

M3

p

mf

 p

mf

mute off           

 p

mf

D & F 15981

 

   




 

p

mp

  Fl    

   



#z

pp

p

1323

#z

#z

T Rec

Cl

251

#z

 

 rubato

   

 gliss

                 

mf

3

3

mf 3

 

      

mf

Alto Sax.

  

   C Tpt  

Tbn

Tub. B.

 

 

    

valve tremolo

mf

3

pp

p

quasi solo      



with Aymar



mf

with Aymar

  

3

 

with Vcl

p

 

Marimba

 

           Yn Bl Wm    two

 

 

3

mp

To Glock

p

ppp

3







or three rays le

with brass Ay

    

  

  Vln  

Vla

Vc

Cb

 

  It's

       

Accord





dark.

 







 

 

mf

 

pizz

    mf



p

     

3



p

3

3

pizz

   3

mf

 

  

with Tbn

 3

p

D & F 15981


252

N3

O3

 Fl 

1328

T Rec

take Picc                 

take Cb Rec                    

Cl

   

  C Tpt  Tbn

Mar

p

 Yn Bl Wm  Ay





Cb

  

  

mf

  

        

p

 mp

  

 

  

 

  



 

 

         

 

 

  

p

 

 O3

 

arco        mp

   

arco

p

 

mf

pp

      

 

mf

      p

    mp

   mf

 

p

 

com

-

 

   3         

 

  

      

 

  

O3          

 

 

 

 

pp

arco

 

    

N3



     p

 Vln  

Vc

p

    

Vla

Yes

Accord

   

    

 

    

N3

 

        

        

     

 

 

      p

3

Alto Sax.

mf

p

p

LIGHTS OFF

p

ppp

3

3

mp

p sub

   mp

ppp

     p

    

  

p

 

  

3

 p

 

D & F 15981


P3

253

Piccolo

 Fl 

 

 

 

    

T Rec

 

 

 

    

Cl

 

 

 

     



 

 

 

    

 C Tpt 

 

 

  

 

 

 

    

 

 

 

 

    

 

1336

Alto Sax.

Tbn

Mar



   5  Yn Bl Wm                         

pp

 

plete

dark

ppp

-

-

   

 

     

  -



     

ppp

 

ppp

Tubax

ord

ppppp



 

ness.

Yn Wm N

 

 

 

    

 

Ay



 

 

 

    

 

 

 

 

      

 

 

 

    

Accord

 Vln 

 

P3

 



ppp 3

mute

 

 



 

 

       

     

ppp

 

     

mute

Vla

Vc

 

 

   

 

   

 

   

   

mute

Cb



 

D & F 15981

 

ppp

ppp

mute

ppp

     

     


SCENE 18

Aymar

254

A few moments later. Aymar has come back down from the summit. He is alone. He walks, tripping in the countryside. It’s still the night of the eclipse.

  Picc.   1342

h = 84



Contrabass Recorder t-k

       3

Cb Rec

        C Tpt   

p

Cl

  Ay   

Accord

  

p

  

  #z

f

    

mp

3

  

 



mp

ST

 

  Cb Rec   1348



 Ay   

not

 

re

-

-

mf

  Cb Rec  1355

Ay

   

 

f

3

 has

 ST

       

 

Poco più lento h = 76

 

turned.

  Vln                          

 3



 

Time

SP

mp

mf

 3

            mp sub

SP

mp

   

day 3

 

e

 

pp

h = 84

 h = 84arco 3    Vln     p    Vla   Vc

 

LIGHTS ON

has ST

p

       mp

#z bisb.

  pp



3

 

7 7 7 7   Vln                                                       

stopped....

ord

mf

ST

ord

ord

ST

mf

mf sub

D & F 15981

p sub


  Cb Rec    1359

Ay

255



Q3 air inhale

pp

3    

3



Will

3

it

exhale

bisb.

 

3

ff

p

3

 

be

day

a -

ord ord S T 7 7 7    SP Vln                                                 mp p

mf sub

p sub

 

1364

Picc.

Cb Rec

Cl

 

 

pp

 Ay   

Accord

-

  Vln   Vla

Vc

Cb

3

   

 

 

 

   



gain?

 

 



ppp

 C Tpt  

 

 



   

 

 

 

  ppp

  

 

 

 

 

 

 

 

D & F 15981

ppp



ppp

 

ppp

  

ppp

 

     

ppp

ppp

   

ppp

 

Poco più lento poco rall q = 72

 

 

 

(He suddenly discovers his father asleep on the ground.)

p

3

   

 

is

   

My

fa - ther

 here

Poco più lento poco rall mute off S T q = 72



fp

7

7

        

 

 

 


256

mp

ppp

 Ay    1372

pp

    

7

5

pp

  Picc.   1375

Cl

 

  

  C Tpt   

  Yn Bl Wm  

was

q = 60

SP ord       Vln                               

Cb Rec

     

     7           he

7

R3

q = 60

fz poco

ST

3                7

7

pp

      

     

     

ppp

          ppp

ppp ppp

7 3            Ay                                               slee ping...             

'o'

Accord

 

  Vln     Vla

Vc

 

 

ppp

                                                           

S3

    pp        Ay          1379

  Vln   

 7

 Cb   

Oh,

     ppp

my

fa

-

 

q = 168

 -

-

  

pp

ther's

 

 

      ppp

      ppp

ppp

   

 

 

gun...,

S P ord                                                                p    D & F 15981


257

  

   Ay    1384

  Vln    

f

(he leans over and takes it)

 

mf

  

 

my

     



mp

fa

-

 

-

                                                                        mf f T3

  Ay    1390

    p

 -

-

-

 

 

 

    f

ther's

 

No

-

                                                                         Vln         

ff

    Ay   

  

1396

-

   -

  

3

 

thing

 



can

hap

     Ay    1403

 

to

  Vln          molto pont

 

-

pen

                                                                                                                     Vln            5



p





my

fa

fz fz

5

5

3

5

subito accel

       

MP* ST MP ST

 

6

f p f f

3

  



-

ther

  

1409

now

molto molto vib vib SP SP ST ST

MP ST etc molto pont                      S T                                                                   p             p

p

fz fz

fz p

fz p

*MP = molto ponticello

   Ay   1410

   Vln  

q = 72 p





3

ere, ord

7

pp

  

the sun

has

come

3     

(His hand goes down)

U3

mp

p

     

back

Will

 7 3 5 6                              SP

7

      

pp

3

mp sub

pp D & F 15981

ppp mf pp sub


258

  Ay     1415

  fp

q = 84

  



mf

      3

p

 

3     

molto  quasi SP dolce MP 5 5 vib ord 5 3 3                                                  Vln                                                                    p     I

be

a

-

-

ble

to

un -

der

 

stand

fz fz p

   

   Ay      1420

3

what

   Vln     

 is

  6       5                           SP

MP

fz fz

f

3

 

 

 



hap - pe - ning

 

to

MP SP         5       6                                        

fz

fz

f

p

 V3

  Picc.   

 

   

       

1423

C Tpt

Ay

     

 

Flute

 

  

3    

pp

 

             Vln                     p     f

Vc

 

  

He moves away a bit staggering, the father stays there, asleep

me

SP

5

fz

 

  

fz

 ord

pp

fz

    

    

  5

 

 

take bass #

pp

pp

ST

Vla

    5               5

 

 

 

p

D & F 15981

 

 


Aymar Man with long hair LIGHTS OFF Yn Wm N (off stage) Father

   1427

Fl

Cb Rec

(e = 132)

 

SCENE 19

A little later. Aymar is alone, inside the house. The man approaches Aymar. He hands him the letter. (The whole scene is spoken)

 

q = 66

 

half sound / half air duo with vlc

                       p

Cl

Contrabass Clarinet in Bb

 

half sound / half air duo with cb



                                                    mf p

 

  

 

Tbn

  

 

Mar

 

 

Ay

Fr

Accord

  

q = 66

(e = 132)

 

  

 

 

 

 



p

5

C Tpt

  

mf

5

p

Tx

259

 q = 66

SP ST 5    3     Vln              

(e = 132)

  

  

  

fz fz

 

 

SP

 

Vla

 

 

Vc

 

 

Cb

   

 

D & F 15981

ST

6:5








260

 B. Fl  

1429 Bass Flute

half sound / half air duo with vla 5

                

p

Cb Rec

5

             

mf p

5

              

Cb Cl

        

5

                      5

mf p

  Tx                                           5

Tbn

Mar

Accord

  

5

                                 

in case articulation is tricky: use air on fast notes / sound on accents half sound / half air

C Tpt

p

5

                         etc

mf p

 

5

                          p

 

 Vln  

mf p

SP

etc

etc

etc

                                

3

ST

5

fz fz

Vla

arco still with mute

5

5

                  

p

Vc



 

arco still with mute

5

        

p arco arco still with mute

       

mf p

  Cb                             5

p

5

mf p

D & F 15981

5

              

f p f p

etc

   


W3

     1431

B. Fl

from the !rst repetition introduce new accents ad libitum

LIGHTS ON 5

        

                5

Cb Rec

Cb Cl

     

261

5

                               

                

                       

  Tx                                                        C Tpt

   

(duo with accordeon L H)

5

                      p

 

 Ay   

Vc

                

f

mf p

p

5

              etc

 W3

from the !rst repetition introduce new accents ad libitum

spoken (seeing the man with long hair)

Another letter? Are you sure? No, keep it, I’m too tired. Or throw it away.



5

                           mf p

  

 

                                        

from the !rst repetition introduce new accents ad libitum



             

  

   Cb 

f p

W3

take mute

5

etc

5

mf

   Vln    Vla

5

mf p

  

Accord

                

   Tbn 

Mar

5

etc

mf

 5

5

 

etc

5

5

5

                

                                               

5

5

                                               D & F 15981


262

 B. Fl   1433

Cb Rec

Cb Cl

Tx

Tbn

 

 Mn Ln H 

Yn Wm N



 5

                

             

5

                            etc

Vc

 

     

(miming the Young Woman's voice)

  



       (mf)

e longhaired man does not throw the letter away, but opens it and reads.



5

            

p



Dear Aymar… I hope that thanks to this piece of paper that you can crumple in your hands, you will no longer doubt we met… I am writing to tell you about something that I wasn’t able to tell you last time. You oen spoke to me about your father, about his illustrious career, about his phenomenal comic talent, which I envied and admired, as did you. It so happens that I wanted to $nd out more about him, but I couldn’t $nd anything… Perhaps your father has a similar condition to mine, victim of too vivid an imagination, which carries him away in a childlike manner… I know that you will probably be disappointed when you hear this. But think how unhappy a man your father must be. Don’t be hard on him… In any case, whatever you do, whatever you become, funny or not, I will never forget you, and, for the rest of your life, by the power of thought, I shall remain for you a great melancholic actress. (e man hands the letter to Aymar. Aymar takes it.)



(spoken, off stage)

Dear Aymar… I hope that thanks to this piece of paper that you can crumple in your hands, you will no longer doubt we met… I am writing to tell you about something that I wasn’t able to tell you last time. You oen spoke to me about your father, about his illustrious career, about his phenomenal comic talent, which I envied and admired, as did you. It so happens that I wanted to $nd out more about him, but I couldn’t $nd anything… Perhaps your father has a similar condition to mine, victim of too vivid an imagination, which carries him away in a childlike manner… I know that you will probably be disappointed when you hear this. But think how unhappy a man your father must be. Don’t be hard on him… In any case, whatever you do, whatever you become, funny or not, I will never forget you, and, for the rest of your life, by the power of thought, I shall remain for you a great melancholic actress.



      

                   etc





                  

5

                                                         (mf) p

                   Vln  Vla

5

 

Accord

5

5

             

 

  Cb 

   



mute                                       p  

                                                     

5

5

              5

D & F 15981

 


263

 B. Fl 

1435

Cb Rec

Cb Cl

Tx

C Tpt

Tbn

Mar

Accord

 5

                                                   

  

Vc

        

              

          

Vla

5

 

                         

 

 Vln 

Cb

5

                                                                        mf

D & F 15981

 

   f


264

 B. Fl 

1437

 5

                              

Cb Rec

Cb Cl

Tx

C Tpt

Tbn

Mar

Accord

 

  

  

Vc

Cb

 

 

       

 

 

 

       

 

         Vln 

Vla

                     

5



 

                  

D & F 15981


265

 B. Fl 

 

1438

Cb Rec

Cb Cl

Tx

C Tpt

Tbn

Mar

Accord

 

 

 Vln 

5

                                                 p 

5

                                      p   mf

                    

                 

SP

3

ST

5

fz fz

Vla

Vc

5

             

 

  Cb 

 5

                 

 5

5

                

                      5

5

                                               D & F 15981


266

 B. Fl 

 

1440

Cb Rec

Cb Cl

Tx

C Tpt

Tbn

Mar

Vc

   



   

 

SP

ST

p

               

SP

        

             

  Cb 

6:5

5

 

3

ST

5

             

SP

ST

fz fz

 5

            

                                                        (mf) p

                     

5

5

  Vln   

Vla

  

Accord

         

 5

                  5

             D & F 15981

 


267

 B. Fl   1442

Cb Rec

Cb Cl

Tbn

Mar

                    

                                                   

                      p

Vla

Vc

                 5

                 mf p

f

 

5

5

5

             

5

                                                  p

 

Vln

  

                     

mf

5

5

 

Accord

5

                              

             

 

5

5

  Tx   C Tpt

5

                                      p   mf

mute off

5

             

 

  Cb 

 5

               

 5

5

                

                      5

5

                                               D & F 15981


268

 B. Fl   1444

Cb Rec

Cb Cl

Tbn

         

Mar

  

                          etc

Vln

Vla

Vc

   

 

       (mf)



5

       

p

 5

               

            

  Cb 

5

                                                        (mf) p

                    

 

 

5

     

      

                  

 

         5

 

Accord

                

              5

5

5

  Tx   C Tpt

 5

                  5

             D & F 15981

 


269

X3

 B. Fl   1446

 

Cb Rec

Cb Cl

Tx

C Tpt

Tbn

Mar

Accord

Vln

5

5

5

                                             5

5

5

                                                                             5

5

5

                                                                                       

                 

       

 

 

Vla

Vc

Cb

X3

X3

D & F 15981

          


270

 B. Fl 

1448

 5

          

Cb Rec

    

Cb Cl

C Tpt

Tbn

Mar

Accord

Vln

5

                 

5

                

        

5

 5

                         

 

Vc

              

mf p

 

Vla

Cb

                                      5

Tx

SP

              SP

5

5

5

         p

        5

                                          p D & F 15981


271

5   B. Fl               

1450

 

Cb Rec

5

Tbn

Mar

 

5

5

                           etc

 

Accord

Vln

Vla

Vc

                

5

                

                                           mf  

5

                      p

5

                 p

 5

           

5

5

5

                                 p

              

    Cb  

mf

 

                

SP

 

5

                                            

                               

Cb Cl

C Tpt

5

5

Tx

D & F 15981

 5

               

        5

                    


272

5   B. Fl               

1452

 

Cb Rec

Tbn

Mar

Vln

5

5

                                               5

5

                                                     p

      

 5

                                

5

5

                              

5

(mf)

5

             

5

  

                      

                                            p     

(mf)

5

                  

 

Vc

Cb

 

Vla

                

5

5

mf

  

Accord

f

 

                                           

     Tx     C Tpt

5

 

Cb Cl

                  

D & F 15981

 5

                          

5

            


273

Y3

 B. Fl 

1454

 

Cb Rec

C Tpt

Tbn

Mar

   

 



   



 

5

                         

Y3 molto ST vib

  

 

molto vib

  ST  MP            fz

  

                        p

                 p 

p

Vc

5

Y3

 Vln 

Vla

 

Cb

Accord

Cb Cl

Tx

 ST       p

  

     

fz

 5

         

 ord    

    

     

   

D & F 15981

          

fff

      f


LIGHTS OFF 274

 B. Fl   1456

 

Cb Rec

Cb Cl

Tx

C Tpt

Tbn



5

Accord

5

                         5

5

                                                   

                 

                                                    



                           



         



5

5

5













 



Vla

Vc

(e father is seen arriving in the distance, calling out.)





(Aymar gets up as if he hadn’t heard the father and heads in the opposite direction, towards the house.)



spoken

Aymar I’ve been looking for you.











  Vln   

Cb



5

                                            

ank you.

Fr

5

 

Mar

Ay

from the !rst repetition introduce new accents ad libitum

  

ord

        

  

  

  

fff

molto pont















D & F 15981


 B. Fl 

1458

5

          

Cb Rec

 

f

LIGHTS ON

take T rec

5

5

f

Tx



 



 

         

 

                    f

                                       

Cb Cl

275

5

                                                  

5

repeat until aymar's entrance - if needed

                                   5

f

       C Tpt     pp

Tbn

Mar

Accord

mf

 

 



 



 

repeat until aymar's entrance - if needed

   

 



 

 

5

        

repeat until aymar's entrance - if needed 

pp

p

   Vln 

Vla

Trombone

 

 

 

 

mf

SP

5

       

   

p

Vc

Cb

                                    SP

 

                                   SP

f

D & F 15981

5

5

                   5

 


SCENE 20 276 Aymar

Inside the house. The mother is on the bed, dead. In the room, there is no trace of the stage costume or of the long white dress. In their place, a naked mannequin.

Father

    

 

 

  

 

 

  

              

 

 

       

1462

B. Fl

Cb Rec

q = 58

 

Cb Cl

3

   mp



   Tx  

3

  

mf

6

mf

   C Tpt   

 

 

  

 

 

    

 

 

take harmon mute

Tbn

take harmon mute

Glockenspiel

Glock

  Ay    

q = 58

p

Accord

Vln

Vla

Vc

  

So!

       is is what I've

feared...

    

 

 

  

 

 

all

this

    

 

    

        5 5                                5 pp

 

 

q = 58

  

   Cb   

 

 

 

  

 

   ord

ppp

mp



ord

            mf

D & F 15981

5

ppp


 B. Fl 

1465

Cb Rec

Cb Cl

 

 

  

 

 

 

 

 

 

 

 

 

 

3      

 

 

 

5

        3

half sound / half air

5

Tenor Recorder

3

 

277

 

                                        ppp



ord

pp

   

 

 

3

pp

 

3        

pp

mf

Tx

   p

ord    C Tpt  

ppp

Tbn

 

Glock

Ay

mp

  

 

time!

Fr

Accord

Vln

Vla

Vc

with harmon mute

ppp

 3      

p

     

my

mo - ther is

 

My

 

 

 

 

 

  

 

 

 

  

 

 



 

 

    

3

 3    

 

ord

pp

                    5

      ord

p

 

dead

pp

Cb

f

 

f

D & F 15981

 

3



pp

 

 

3    

 

 

 

 

 



 

 



 

 

3

3

pp



pp

        3

pp


278

1469      B. Fl  

T Rec

Cb Cl

Tx

C Tpt

 

   

 

   

  

     

 Tbn    

 

 

 

Vibraphone

Vib.



 

Accord

Vln

Vla

Vc

   



  

 

  

3

3

pp

 



 



 



 



 



 

 

pp

pp



 

3

 

pp

pp

 

real

-

  

ly

3

  

ex

-



traor

-

-

na

mf

pp sub



di

-

 

 

ry

mp

 

 

You

   

  

   

  

   

 

   

 

    

  3 

 Cb   

to Mar       

mo - ther was

3

  Ay          Fr  

 

 

 



  

 3

   3

 



  



   3

3  

D & F 15981



   

pp

 

 



mp

mp

mp

   

3  



 

with Father

  


279

Z3

  B. Fl    1474

T Rec

 

half sound / half air

                  ppp 

                                                     ppp

ord

5

Tx

C Tpt

  

Vib.

            

        

mf

6

mf

  

  Tbn  



p

half sound / half air

Cb Cl

5



fp

#z

 

 

pp

mp



   

 

  

Z3

Ay

Fr

   

see



your

mo

  

Accord

  

Vln

Vla

Vc

Cb



  

 

Z3

       

-

ppp

  

-

  

 SP

fp

ord

  





with Father

p

   mf

D & F 15981


280

  

Flute



1476

Fl

 

ppp

mf

   

T Rec

 

Cb Cl

Tx

 

 

 

 

 

  

#z

 p

 

is

 

Vc

slee

-

 

  

mf

  Cb                               ppp 5

-

-

5

   

ord

p

D & F 15981

Dad...

-

 

ping

   

 

 

 

  A4          

 

   

 

 

 pizz 3

ff

pizz

ff

   





 

       p

   

 

 

p sub

-

 

mf



       3   

  

 

3

   

3

ther

 

A4

 

(bow)      

Vibraphone motor on, slow

 

ppp

Vla

  

 

 

 



mf

Vln

 

  

 Ay 

Accord

    

 

   

p

Fr

   

3

Marimba Mar

 

 

5

 C Tpt   Tbn

         mf 

5

 

        

#z

 

A4

   

      f

  f

 

   

 


  

 

   

1479

Fl

T Rec

Tx

pp

 

     

pp    Ay    

Accord

you

pp

-

   3

 





 





   

 

-

  

-

-



     

  all

  

 

  



 

  

    

 

  

3   

    

 

  

3  

 

    3

pp

mute

arco

  pp

arco

pp

pp

          3





pp

D & F 15981

    

pp

mp

 

Marimba



 

p

 



ing?

 

3    

 

mo - ther has

pp

 

-



3

 3

 

pp

3

 

3    



dolce, with Tbn

 

    

281

3

    

 

say

 

lost

3

    

dolce with father

your

pp

Cb

  

   

with Aymar

  

3

Vc



p

 

are

 Vln   Vla

 

 Glockenspiel  3      

mf

Fr

p

  

 

what

 

lv

Vib.

  

pp

straight mute

 

3          

 C Tpt  Tbn

pp

3

Cb Cl



    



3     

no - tion

of

 

  

  3

  

time

 

 

she

    pp

 3

pp

 

3  



  

mp

   

3   

 

pp

mp

 mp



 

 mp

pizz with Father

 

     mp


282

    1486

Fl

  

 3      

mp

3      

mp

3     

with Father

Cb Cl

mp

Tx

   

  C Tpt   

 

 

 

    

 

 

p

 

p

  

p

 Father with mp

p



  

  

mp

the

 

mp

 

 pp        

but dad,

 

        3

mute off

     p

     

mute off

f

  

mute off

3



ppp

p

     f p

p

mf

 

with Vla

B4

  

pp

mp to glock

p



3

 

she

 

     

 p

#z

is

dead

 

 

     ppp

 

mf

    

 

    

 

arco

mf

f p

mute off arco

    

pizz

pizz

    

    Cb   

  

 

day

f

Vc

mf

  Vln   

Vla

sleeps du - ring

    



 

    

 

mf p sub

Glockenspiel motor on Vibraphone

3        

ppp

B4

  Ay  

Accord

ppp

mp

f p sub

Fr

ppp

   

       Tbn    Mar

ppp

   

with Father

T Rec

B4

pizz

mf

with Tpt arco SP

 

mf p sub

p

     pizz

mf

D & F 15981

 


C4

 Fl 

1491

  

ppp

      

    #z

T Rec

mf sub

              

Cb Cl

C Tpt

Tbn

  

    

Fr

Accord

mute off

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

       

 

 

    

 

  Cb 

subito mosso q = 96



 

her

up

ppp

  

 

 



subito mosso pizz q = 96

mf

ord

3

ff

    pizz

ff

 

  

wake

    

arco ecoing countertenor

  

  



p

Vc

 

5

 Vln   

Vla

should per - haps

p

  

    

 

    

    



 



    5

  

  

5

3

 

mf

we



 

 

 



        mf 

 

  

 

   

mf

Vib.

Ay

 

         6

283

mf

5

mf

Tx

subito mosso q = 96

 

  

arco

p

mf

D & F 15981

      



f

  f

 

 

    


284

D4

  Fl   

    

1495

3

3

mp

T Rec

Cb Cl

  

              f

3

 

mp

p

      

mp

 

 

 

f

  

 

     

 

 

  

 

3

mp

 Tx  

3

mp

  C Tpt  

  

 

 

  

 

 

 

Tbn

Vib.

take mute

     mp 3

ord

#z

mf

p

mp

D4

Ay

3  3  3            Fr   

she

will

ne

-

 

Accord

ver al

  -

3

your



 cos



-

-

3

D4

  

     mp

3

  

3

       fp

arco with Father

3

   



mp

 

3

 3

mf

  

arco

mp



mf

 



fp

tume.

with Father

with Father

Cb



  Vln  

Vc

3

ter

      

Vla

p

 

 

 

 

 

mf

     mf

D & F 15981


  Fl   1499

285

tempo I q = 58

 

 

 

 

         

 Tx  

 

T Rec

Cb Cl

 

 

3

 

 

      3

mp

3

mp

    

 

3

 

 

 

       

 

 

           p 

 

6

mf

  

 

 

 

Tbn

  

 

 

 

Vib.

 

 

 

 

 

 

C Tpt

  

tempo I q = 58

 

 Fr  

    

 

 

 

 

 

 

 

 

 

  

      

 

   

 

 

Ay

Accord

Vln

Vla

Vc

Cb

  

       



Af - ter all

it does - n't mat - ter that

tempo I q = 58

 

 

 

 

  

 

 

 

   much

since you



wont

3

be

ord

pp

3

pp

   mf

D & F 15981

 3    

   

 

pp


286

  Fl   1504

T Rec

 

 

                                       



mf

   3           

p

5

5

6

7

 

 

 

  C Tpt  

 

 

  

 

 

Tbn

Vib.

  

    

 

with mute

7

  



year

ei

 

 

 

 

 

  

 

 

Vla

 

 

 

Vc

 

 

  3 

Cb

   

    p

f

 

q = 96 subito mosso

E4

ther 3  

 3

   

But

  

  

q = 96 subito mosso

E4

  

  

  

pp

 

pp



    3

 

D & F 15981

where are you going

pp



3

4          



-

 

 



pp

    p

  

Vln

3

 

    

this

 

Glockenspiel

 Fr  

rea - dy

pp

 

    

pp

 

 3        

   

 

Accord

 

p

Bass Clarinet in Bb

3

Ay

   

mf

Tx

E4

#z

take B Cl

5

Cb Cl

 

 

q = 96 subito mosso

pp

 




       Fl  



1509

 3    C Tpt   Tbn

Fr

Accord



I'm

   

Cb

 

mf

  mute off  

mf

 

to Vib

   

to

 

pp



   

3

  



pp

3  

mf

  

3



D & F 15981

  

pp

   

  



you

pp

3





 

king

   

 

  



pp



tal -

3

Vc

   

3

Vla

  

mf

 

Vln

3

 



   

pp

  

take cl





Glock

Ay



  

3



3

       

B Cl

Tx

    

 

T Rec

287

 5                5

  

mf

mf

           pp 


288

G4

 

1514

Fl

Tx

C Tpt

Tbn

Glock

 

   

 

 

 

 

 

 

 

  

 

 

  

 

 

Ay

Fr

Accord

 

 

 

 

 SP 3 5     5                Vln                         6:5 SP

mf

Vla

Vc

Cb

ST

G4

 

 

 

pp

D & F 15981

 

 

quasi solo

pp

          pp 3

        mp

      



 

 

pppp

that's

pp

 

 

 

 

 

 

 

colla voce

   

dolce

Clarinet in Bb

 

a tempo

 

 

G4

colla voce

1556

B Cl

 

T Rec

 

I4

a tempo

 

 

 

 

 

 

   it,

  rest.



 

pppp

 

4

     colla voce



    

 



   

 

 

 

 

 

 

 

3

3

pppp



pppp

 

a tempo

pppp

 

 


  Fl    1559

Cl

Tx

C Tpt

Tbn

Glock

Ay

 

      

   

      

        

 

pp sub

ppp

Accord

Vla

  

 

Vc

 Cb  

 

 

take Cb Rec

 

 

take cb cl

 

 

 

 

 

 

 

 

 

 

 

 

 

to tub b

 

 

 

 

I will get back

 



to

work with

 

 

 

 

 pp



 

 

ppp

  

p

mp

p

  

arco

 

3



    

ppp

D & F 15981

colla voce

 

 

     

  

May - be

    

some

 

 

 

 

-

colla voce

 

 

 

 

 

 

 

 

ppp

ppp

J4

3         

pp

quasi solo

pp

son...

      

pp

   

our

        



 Vibraphone      J4

5

pp

 

     

Vln

 

          3    Fr    

 

colla voce

 mp

ppp

  

ppp

          #z

T Rec

      

289

J4


K4 290

 

 

 

T Rec

 

 

Cl

 

 

 

 

 

 

 

 

 

 

1568

Fl

Tx

C Tpt

Tbn

Vib.

e = 126 - 144

 

K4

 Ay 

       Fr  

Accord

Vln

thing

will

       hap

-

pen

       to

 

-

-

 (he exits)    

e = 126 - 144

 

 

 

day?

 

 

 

 

 

K4

 

e = 126 - 144 SP

         

ppp

Vla

Vc

Cb

#autato

   ppp

 

     

   

     

 

 

 

 

D & F 15981

extreme pressure with Father

mp


291

  Fl  

 

 

T Rec

 

 

Cl

 

 

Tx

  

1573

LIGHTS OFF

 

 

 

 



 

 



 

  

 

 

 

Tbn

  

 

 

 

Vib.

 

 

 

 

  

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

  

 

 

C Tpt

Ay

Fr

Accord

Vln

            

p

Vla

Vc

        mp

              pp mp

  

            

 Cb  

arco #autato

pp

mp

 

D & F 15981

mf

 

f

                      SP

p

mf

f

                 

                      p mf f

SP

p

SP

mf

f


SCENE 21 Yb Bl Wm

292

(q = 63 - 72) accel

  Fl    1576

T Rec

A few moments later. On the edge of the platform. The hippie is putting bandages on the young blonde woman’s eyes… They are both sat on the bench… Aymar arrives… The young blonde woman talks to the hippie.

p

  

 

 

 Tx   

Vib.

   

  

Vla

 

Vc

 

f

 

overblowing heavily

 

f

 

                                  

mute

mf

f

                                 mute

p

mf

f

 

 (q = 63 - 72) accel

                                    

p

  

Vln

mf

f

    

Accord

                 

p

Tbn

f

 

 

mf

  C Tpt   

mf

p

Contrabass Clarinet in Bb overblowing heavily

Cb Cl

                

mf

f

                                

(q = 63 - 72) accel

                                                                      

  Cb                       D & F 15981

 

 

     

 




e = 186 circa

                                                             Fl    

LIGHTS ON 293

1577

5

ff

T Rec

                                                              5

ff

Cb Cl

 

overblowing to produce overtones (circular breathing)

 

  

     

f

 Tx   C Tpt



 

                

          Tbn  

Vib.

Accord

Vln

metal mallets  

 

  

     

    

ff

mf

 

 

  

   Cb   mf

 

5

 

Tubular Bells To B. D.

  

                           

                        mf

f

f

    

  

    f

col legno battuto or bartok pizz

  

f

f

 

f

D & F 15981

  jeté

ff

   

jeté

sffz

5

                          ff

  

5

   ff 

arco

5

 

5      

arco

  

ff

    

ff

5

col legno battuto or bartok pizz

5    

         ff

e = 186 circa

    

extreme pressure

 

ff

extreme pressure

mf

 

mp

extreme pressure

  

 

5

                         

      

  

  

ff

extreme pressure

Vc



 

ord

e = 186 circa

mf

Vla

 

 

ff

  

5

    

arco

ff


294

  

 

1581

Fl

T Rec

Cb Cl

Tx

C Tpt

 

             

ff

  

     

       p

  

  

ff

  Tbn   

  

 

     ff

 

 

Vln

  

      

 

    

ord

  

  

 

 

        

            

     

 

ff

  

ff

arco extreme pressure

   Cb     p

ff sffz

 

ff

 

ff

arco

ff

D & F 15981

 

     ff

 

          ff

   f

ff

             

  

 

arco

 

5

mf

ff

    

 

  

mf

ff

ff

   

             

   

            

5

               

ff

    

ff

 

 

ff

5       

ff

ff

        f

 

    

5

arco

       

  

  

5                                       

arco extreme pressure

col legno battuto or bartok pizz

arco 5                                       

f

f

ff

 

         

  

5

 

ff

               

col legno battuto or bartok pizz

Vc

ord slap

ff

Vla

  

                             ff

    

ff

 

open slap

  Yn Bl Wm   

Accord

 

ff

 

5

ff

                           

ff

Tub. B.

                ff 5 ff                     

ff



 

 

5

5

              

ff

f

ff


  Fl    1587

T Rec

Cb Cl

Tx

   

 

  

      

Tbn

 

 

 

 

 

ff

  

ff

    

Vla

Vc

  

 

  

ff

   

ff

 

 

  

f

f

       

     

mf

                     



   

 

   

 

   

 

       

 

      f

   

    

     



  

ff

ff

f

     

ff

f

f

                f

 

 

D & F 15981

 

   

  f  

          

   

ff

f

  

    

f

 

 

 

  

   

ff

arco with soprano

 

 

I

 



 

times

  



  

                      



 

arco with soprano

   Cb    

 



    

   

295

ff

 

saw you ma - ny

ff

mf

L4

I

                    f



  

   

f

ff

 

    

mf

ff

 

Vln

f

  

     

  

     

  

Accord

       

     

ff

Yn Bl Wm

 

  

with soprano

   

Tub. B.

   

f

C Tpt

 

ff

    

L4

 

      

ff

      

ff

ff

arco     

arco

ff

    

   

 

  

arco

 

mf

f

 

f

   


296

                    1592            Fl  

T Rec

Cb Cl

Tx

        

mp sub

4

6:5

mp sub

f

            

5

           

6

      3

f

ff

  

    

    

                   



                               C Tpt    Tbn

  

4

6:5

mp sub

  

f



    

f

 

 

Yn Bl Wm

   

   5                    

 

     

 

      p

  

  

  

6

mp sub

 

ff

  

 

 

 

 

 

 

  

 

 

 

 

 

 

5

                    

6

3

    

f

ff

mf



 

  



     

   

 



   

 col legno battuto

  

      f

  

      p

D & F 15981

   

 

f

 

ff

 

5

 

f     

  

I

                               6:5 4 5

  

 

f

                  

mp sub

Cb

  

  

 

saw you ma - ny times ob - ser - ving peo - ple

mp sub

Vc

 

                                            Vln     Vla



 

ff

                       

Accord

 

  

ff

Tub. B.

  

ff

 

       

 

  

col legno battuto

f

arco extreme pressure

    ff

arco extreme pressure

  

   

ff sffz

f

     

   

   arco            f

           arco ord

f

 

        ff

         

 

 


As the young blonde woman speaks, the hippie invites Aymar to take his place on the bench next to the young blonde woman. Aymar sits next to her. e young woman thinks she is addressing the hippie.

M4

  Fl  

 

 

1597

T Rec

Cb Cl

 Tx   C Tpt

Tbn

   

multiphonic

f

 

ff

      open slap

        

   

  

                       

   

 

ff

           5 ff           

297

5

ff

 

         

               

   

   

  

 

  

ord

  

 

  

  

 

     

f

 

5

ff

 

              Yn Bl Wm   

 

 

 

 

M4

                   

Accord

saw you ma - ny times ob - ser - ving peo - ple

            

                Vln  

Vla

Vc

   

 

 

pp sub

 

ff

M4

pp

                

 

 

      

  

f

 

 

    

          

 

ff

 arco extreme pressure

jeté

ff

arco extreme pressure

jeté

        mf

D & F 15981

ff

5

                         ff

  

sffz

5

5

    ff

  

ord

5       arco ord

  

          ff

 

5

                            col legno battuto

ff

   

ff

ff

ff

        sffz

  

         

f

f

 Cb  

                        col legno battuto

5 

To B. D.

 

 

 

 

5

  

f

 

ff

Tub. B.

 

ff

5

    

arco

ff


N4

298

    1603

Fl

   

 



  

          

                      

T Rec

Cb Cl

  

 

              

 

   mf

open ord slap slap

 

f

C Tpt

   

  Tbn   

ff

      

               Bass Drum

B. D.

   p        Yn Bl Wm   

mf

N4

  

Accord

 

  

                   Vln                        ff

Vc

 

  Cb    ff

      fff

      

 

 

f

 

#z

 

f

       



mf

f

 

Tubular Bells

   

 

                       

 

 

 

                        

 

 

 

                             

 

  



ff

mf



    



f

ff

f

saw

             

 

  3   

 

  

N4

ff

6

mf

ff

f

mf

         To Tub. B.              

           

 

Vla



ff

   

I

3

                

     

ff

3

  

mf

        

6

  

   

ord

5

mf

          

              Tx       

3

                                    



  

 

4

6:5

mf

  

mf

D & F 15981

                      mf

arco    

 

mf



 

  

      f

f

f

      f


q = 86 accel

e = 186

  Fl  

 

  

 

 

 

 

with soprano #z

1607

T Rec

Cb Cl

 

overblowing heavily

     

 

mp

f

 Tx   

        

  

Tbn

ord

  

  

 

  

  

  

 

 

mp

               f

 

overblowing heavily

  C Tpt  

 

ord

f

ff

 

  

 

 

#z

 

mp

  

 5 

   

 

 

  Yn Bl Wm   

Accord

Vln

Vla

Vc

 q = 86 accel

 

mp

f

   

 

e = 186





 

  

q = 86 accel

 

 

 

  

 

extreme pressure

f

 

   

 

   

mf

f

extreme pressure

mf

 

 

f

 

 

 

 

ny

5

arco

f

ff

ff

 

col legno battuto

f

ff

sffz D & F 15981

f

       

arco

ff

arco extreme pressure

col legno battuto

5

  5      

ff

      

arco

ff

arco extreme pressure

         

p

  

 

times

           

 f

5

jeté

 

-

col legno battuto

f

              

ff

 

 

5

      ord          

    



    jeté                     

f

ff



         

col legno battuto

extreme pressure

  



ff

open slap

ff

5                     

extreme pressure

e = 186

mf

 

                 

f

ff

ma

 

f

 

5       

 

you

 

  

 with Fl

3

mf

Cb

 

 

    

     

p

ff

Tub. B.

  

  

     

299

f

    

    5



  

ff sffz

ff

 

 

           ff

                ff

              

        ff

      

ff

 


300

   1615           Fl  

  

       

         

  

  

 

 

T Rec

Cb Cl

Tx

C Tpt

     

    

        

ff

  

            slap

ord

5

  Tbn    

  

 

Tub. B.

ff

  

     Yn Bl Wm   

Accord



 

  

       5

        ff

         ff

Vc

5

 

   

   

     

 

arco

ff

  

   f

ff

5

5

 

 

D & F 15981

 

mf

 

  

  

f     you

 

ff

     

      

     ff



ff



  

    



ff

     

      f

      f

ff

ff

      f

      

f

 



f

ff



    

       

ff

f

 

f

    

                  

ff

ff

 

ff

ff

   Cb   

   

    

              arco

ff

      

ff

mf

mf

f

 

     

arco

 

  

arco

     

ff

     

5            

 

 

  

5



ff

ff

    Vln   

Vla

ff

       

 

5 

  

ff

     

    

5

  

       

  

ff

  

          f

  

         ff                

ff

 

 

ff

    

   

ff

         

    

   


O4

   1620    Fl  

 

 

      

 

 

 

 

 

 

  

 

 

   

 

 

T Rec

  

 

Cb Cl

 

 

Tx

     ff

    C Tpt  

      

 Tbn  

          

mf

 

 

  

     

     

f

 

   

mf

f

     

    

 

 

ff

Tub. B.

  

  

  

     

  

 

ff

              Vln  

Vla

Vc



       

ff

 

 



ff



ff

     

  

      fff

ff

  

 

 

f

         

   

 

 

 

  

f

 

                            

 

      

 

                                   I com - ple- tely lostmy sight to - day

I don't thinkI would

f

                                        

  

                

 Cb    



ff

     

  

 

if

        

 

 

301

mf

  

        

      

    #z

know if I com - ple- tely lost

      

mf

f

 

                 

ff

   mp f                  Yn Bl Wm    

Accord



     

  

 

 

mf

D & F 15981

     arco

f

                      

    

 

arco                                 

f

   

mf

 

    

   

  

 

   

 

 

f

   

f


302

  Fl    1625

T Rec

Cb Cl

Tx

C Tpt

Tbn

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

ff

 

  

            p

    

  

     

  

ff

f

  

 

          

   

 

   ff

   

   

ff

Tub. B.

Yn Bl Wm

      

  

Vc

Cb

 

                p

 

    

ff

   

  

           

col legno battuto

       f

   col legno battuto

f

      p

D & F 15981

be -

     

 

   arco           p

           ord

  

ff

p

arco extreme pressure

    ff

ff sffz

it

              

 

arco extreme pressure

    

would re - gret

p

ff

          

  

   

  Vln   

Vla

I

   

Accord

 

 

 

 

 


 1629    Fl   T Rec

Cb Cl

   

  

 

              

           #z      

            

 #z               

 

P4

pp

pp

 

  

  

  C Tpt   

 

 

       

     

pp

Tx

  

      

pp

303

   p

   p

  

  

     

 #z                          

  

pp

p

Tbn

  

 

 

 

Tub. B.

  

 

 

 

 

    P4                      Yn Bl Wm    

                

Accord

Vc

Cb

 

cause I've seen so ma - ny_im - por - tant things

                   

                 

    

 

    

 pizz

    pp

pizz   

pp

                 

                P4       Vln   

Vla

   jeté

pp

               

                pp

   

   

jeté

pizz

D & F 15981

pp

p

      p

                              

 




304

  Fl   1633

T Rec

Cb Cl

Tx

C Tpt

Tbn

Tub. B.

               

   

             

     

5

 

                    slap                       

 

  

     

arco extreme pressure

Vc

slap

  

mf

                             ord              ord

     

 

 

      

pp

5

 pp

 

mf p

pp

            

 

       

 

Marimba

  

p

mf

p

mf

       

                            

Q4

                 

 

          

be - cause I've seen so ma - ny_im -

            

5

 

         pizz                      5    ord

p

5

                          Q4

                        arco

   

p

         

                            

   

        

arco

pizz

p

    

      

arco ord

  

     Cb          pizz

 

                              

5

  

 

mf

with Rec

 



mf

mf

5

arco extreme pressure

Vla

p

with Tpt

5

 

Vln

     

  Yn Bl Wm   

Accord

   Q4                         

arco

       

5

5

         p

          pizz

    

D & F 15981

 

arco

 

p

   p

 

   

   


    1639

Fl

        

e. = q

T Rec

Cb Cl

 

   

  

  C Tpt   Tbn

Tub. B.

  

  

   



ff

 

 

 

 

         

   

    

take bass cl



 

overblowing heavily

 f

 

 

 Cb    

 

f

 

    

 

         

  

#z





 

    

 

    

accel

f



 

 

q = 92 poco accel

mp                       

 3   ff

accel

         arco over pressure

             

ff

4

3

 

    q = 92 poco accel

 

 

      

ff

D & F 15981



    

    

               ord

mp



 

5

 

    

 

    

ff

    

 

    

mp

 

                    3 arco over pressure

 

    

 ord                              

arco over pressure

arco over pressure

like to con - cen - trate

mp

         

f

f

3

ff

e. = q

  

    

 

                

     

                     

woul - dn't you

                     

f

 

- por- tant things in my life.

f

 

f

 

    

 

 

 

f

e. = q





305

 

Tubular Bells

     

4

q = 92

#z

                  Vln   

Vc

  

 

f

f

            

Vla

   

overblowing heavily

f

  f               Yn Bl Wm    

Accord

multiphonics on these fundamentals

f

 

3

ff

          

    Tx   

  

multiphonics on these fundamentals

f

      

 ord 1707     poco accel     X4

accel


306

  Fl   1710

   

 

   

    

 

   p

a tempo

multiphonic

T Rec

 

 

 

 

 

 

Cb Cl

 

 

 

 

 

      p

Tx

  

 

 

 

 

 

 

 

 

 

 

C Tpt

  

   

Tbn

  

 

 

 

 

 

Tub. B.

 

 

 

 

 

 

   Yn Bl Wm   



  

on

   

Accord

 

     

some - thing ve - ry 3



beau

    5                     

   

 

3

                 Vln    

Vla

   

3



5

3

-

                  pp

ti - ful,

try to think a - bout the

                   mo - ost beau - ti - ful

mo - ment in your

life

                                pp mf pp

                             

                                        3

pp

mf

pp

col legno 3               battuto                                                                                       

pp

3

mf

p

Vc

 

 

 

 

 

 

Cb

  

 

 

 

 

 

D & F 15981


 Fl 

1717

 

T Rec

Y4

 

   

  

 

  

     

    

     

  

 

   

     

5

ff

#z

mf

   

  

    

          

5

ff

#z

mf

                                          f p 5              Tx       p   ff 

Cb Cl

 C Tpt 

Tbn

Tub. B.

 Yn Bl Wm  

Accord

  

 

   

 

f

 

 

 

 

     

 

 

   p

     

   



     ff

arco extreme pressure

I





     

    mf

     

f

    

     

 

 

 

  

 

        f

 



 arco   

ff

   

ff

ff

 arco pizz                          

arco ord

pizz

ff

ff

5

      

      

mf

    pizz pizz                          5    5

 

ff

 

  

               f

        f

arco ord

 

         sffz

mf

ff

     

f

             

           

f

 

ff

5

ff

 

        

ff

                       ff

   Cb       

          

                 

ord

    

arco extreme pressure

pizz

    

 

ff

ord jeté

 

 

5

          pizz

5

ff

 

f

mf

 

ff

 

ff

Vc

 

ff

f

jeté

Vla

   

      p

  

  

Vln

  

         slap        

307

5

 

     

 

 

ff

5

       

arco

ff

D & F 15981

fff

  

arco

 

mf

 


308

         1724      Fl  

q = 86 poco accel

               with Acc             3        4:3 3

6:5

T Rec

3

f

3

  3     3   3        

      3

                      with Acc      3  3     3                5 6 6 f

Cb Cl

Tx

        

  

 

#z

mf

Tub. B.

Yn Bl Wm

      

 

 

 

f

Vc

overblowing heavily

 

 

ff

 

 

 

 

 

 

 

 

 

 

 

 

 

 

q = 86 poco accel

 

 

with Fl

 

am

                 

   

                       mf

  Cb  

 

 

f

   

                                Vln  

Vla

 



                  

Accord

f

       3

 

    ff

                       C Tpt   Tbn

 

overblowing heavily

 3     



 

3      

with Fl

f

 

    

with Rec

 

 

3 3        

3

   3   3  3     

 

    3

3       

  

q = 86

  

 

   

 

f

f

poco accel

extreme pressure

mf

 

 

D & F 15981

    

f

extreme pressure



mf

   

f

extreme pressure

mf

extreme pressure   

mf

f

f

       


q = 93 (e = 186)

1727    Fl  

 

#z with soprano

  

  

 

          

  

  

mp

 

       3

T Rec

Cb Cl

 

 Tx  

   f

  

mp

 

#z

#z

3

     

  C Tpt     Tbn

3

     

  

  

  

   

5

 

Tub. B.

  Yn Bl Wm   

mp



Accord



 

Vla

Vc

  

3

q = 93 (e = 186)

     

     

  

jeté

f

col legno battuto pizz

   f

Cb

3

ff

    jeté

    

 

 

  

    



f

5

  

    ff arco

col legno battuto pizz

  

        5

5

       

D & F 15981

f

ff

col legno battuto pizz

arco extreme pressure

   f

arco

ff

arco extreme pressure

          

ff

  

5

5

 

p

  

      ff

ff sffz

     

   f





arco

 

5

   

 

f

will

            

ff

    

              

ff

sffz

 



ff

               

ff

           

col legno battuto pizz

      3

ff

                 

 

 

f

ff

I



3      

      

Vln

 

sure

   

  

q = 93 (e = 186)

5

 

    

     

p

ff

 

  

    

ff

     

309

f

    5

 

mp

 

  

ff

   be,

  

 

   

 

      

 

 

ff

            ff

pizz                 

ff

                pizz

ff

 

 


310

    1733

Fl

T Rec

  

Cb Cl

 

Tx

  

C Tpt

Tbn

      </