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4

Theory Level 1B #2 Page 1

Name

1. Add barlines to this rhytlnn pattern.

3 4 Use whole notes.

A

D

G

c

E

B

3. Draw these bass clef notes.

-..

c

4.

second (2nd)

second (2nd)

third (3rd)

third (3rd)

third (3rd)

fifth (5th)

fifth (5th)

fifth (5th)

copyrightJudithWade2003


7 Theory Level 3A #3 Page 1

Name

1. Add barlines to this rhythm pattern.

nn

2. Complete these measures, using one note or one rest.

3. In the box, write the the corre",

4. Draw a keybo Start with a C.

v~a

their black neighbors.

ps and half steps in this Major scale. Use II ndicate half steps.

copyright Judith Wade 2003

to indicatewhole


4

THEORY LEVEL 6 #2 Page 1

Name

1. Add barlines to this rhythmn pattern.

2. Complete these rhythm patterns using one note or rest..

3. Write fmelodic minor scale ascending and de Do not use key signatures.

4.

P4

m7

M7

key signatures. Also, give the name ofthe relative minor key.

B Major

mmor

A Major

mmor

EpMajor _minor

copyright Judith Wade 2003

G Major

mmor


1

8 Theory Worksheets Level 10 #3 Page 2 Name 5. Write the f# melodic minor scale one octave ascending and descending. ;)V (ll."I."lUvULCUi)

(li) UVVUVU.

.LJV uv

Ui)'-' a 1'.'-'y i)15uaLl.U'-'.

..

."

v 4p)

6. Write the indicated triads in the given inversions using the follow

..

VI6 3

III+6 4 7. Identify the following Major cadences

..

..

OlC"e diminished 7th chords. chord and its inversion. (example: c dim. ) 2nd inversion

copyright Judith Wade 2003


Theory Worksheet Samples