TAKing THE SPOTLIGHT Pavement Picasso
Experience An entirely different category of design!
November 2012 | Issue 1 Photo Credit: Patrick Rochon
ABNORMAL ART Steph, Photography and video or Art
Light graffiti, also known as light painting, takes
what you think you know about graffiti and turns it on its head. This ephemeral approach to art and expression uses the movement of light to create incredible images and is created on the streets, in nature, and in studios by artists whose creative impulses transcend traditional media. Unlike projection bombing, light graffiti is sometimes produced as performance art, and sometimes just to capture it with photography and video, but either way it makes for some incredible viewing. These artists producing light graffiti and light painting represent some of the most amazing talent in a growing (and increasingly strange) field of art.
Patrick Rochon creates stunning images by moving light through various media and capturing the movement with photography and video. Patrickâ€™s light painting is unique even among a field of very innovative artists, using lasers to illuminate his subjects in ways that create an eerie, otherwordly feel in the finished portraits. Patrick has also taken light painting to a whole new level by building costumes of lights and performing light painting on a giant screen to create a unique visual experience.
Eric Stallerâ€˜s light drawings, created between 1976 and 1980 in New York City, give the viewer a whole new look at the Big Apple. These examples of light graffiti were created using a long exposure with a variety of light sources, sometimes in the form of 3-dimensional lit installations. His photographs seem to give the light itself a life of its own, as it travels through the city creating whimsical shapes down its streets and walkways.
Ryan Warnberg and Michelle McSwain Queens, NY light painters Ryan Warnberg and Michelle McSwain are collectively known as MRI, a group that creates light paintings for hire. MRI’s fun brand of light painting can be commissioned for parties, ad campaigns and special events, and they bring all of their own equipment. MRI creates “kaleidoscopic” images that invoke old portraits of religious figures, but with a decidedly modern twist.
Cenci Goepel and Jens Warnecke German duo Cenci Goepel and Jens Warnecke create stark imagery that brings a ghostly quality to the beauty of nature, turning striking natural settings into backdrops for glowing organic forms made of moving light. Their subtle use of light painting in deserts, canyons, forests and snowcovered fjords makes the illuminated forms seem to blend in with their backgrounds in a way that brings to mind alien landscapes on some far away planet.
Pavement Picasso By Sarah Loat
Internationally renowned Artist Julian Beever is often called the â€˜Pavement Picassoâ€™ for his enormous 3D pavement sketchings that bring his art well and truly to the streets.
Celebrating Chinese New Year Pavement art copyright Julian Beever For three days on the 27th, 28th and 29th January 2006, Julian decorated the streets of Birmingham’s Chinatown with a huge three metre by three metre Chinese dragon in celebration of Chinese New Year. “Today I’m drawing Felix the Cat gate-crashing the Chinese New Year of the dog. He’s popping put of the ground in a Chinese dragon costume.” It was while working with a Punch & Judy show in York that Julian Beever saw other pavement artists and first became inspired to give pavement art a go. The 3D aspect to his work came much later while he was working in Brussels, “I decided to get into 3D after seeing the effect of tiles being removed from the street, and later trying to recreate the sense of depth in a drawing.” “Once I realised you could make things go down, I realised you could make them appear to go up and I began experimenting.”
Beneath every street Exposed to the elements Julian works in chalk, so his art, which takes up to 3 days to complete, is there only as long as the elements allow, “If it rains it means I’ve done a lot of hard work for nothing, but I usually manage to avoid that.” “The important thing for me is to get a photo of it at the end. For me, I’m working towards building a photograph as my end result, and if I get that I’m happy.”
Artist Julian Beever has been drawing plenty of attention with his amazing 3D pavement chalk art to celebrate Chinese New Year in Birmingham.
In fact it’s not just the weather that can be cruel. During Julian’s last visit to Birmingham his drawing was swilled away from the pavement due to a mix up with permissions. Julian admits that some people do see his work as graffiti, and don’t feel it has a place on public streets. Happily, he says, he mostly receives a positive reaction and people like and enjoy his art. Art for the people “My art is for anybody, it’s for people who wouldn’t go into an art gallery. It’s art for the people. “Art shouldn’t be locked away in galleries and
Pavement Art By Other Artists libraries and books. Art should be for everybody and not just art boffins, historians and so-called experts.”
at venues all over Europe, but this will be the first time he’s completed one on the streets of Birmingham.
How does he do it?
The complete picture
Julian’s ‘trompe l’oeil’ (or ‘trick of the eye’) pavement art is amazing to see. The effect is so convincing people will swerve to avoid potholes he has drawn in the pavement. But just how does he get this incredible effect? “The secret is to set up a camera on a tripod and keep it in one spot and check every mark you make. It’s really just playing with perspective to make it appear different to what it really is.
The final piece was revealed at noon on Sunday 29th January 2006 to coincide with the Chinese New Year celebrations in the Arcadian Centre.
See for yourself
I watched as Julian engaged with people who quizzed him on art, politics and life in general. The picture on the pavement drew people in, and Julian ironically, was the captive audience that listened to each and every person who came by to view his work.
The full effect of Julian’s art is only truly appreciated when viewed through the wide angle lens on his camera. Julian invites people to have a look for themselves - visit him outside the Hippodrome Theatre and take a look! Julian took three days to complete the drawing in Birmingham, an admirable feat considering he spent three days outside in biting winds and temperatures barely reaching 5ºC. “It’s very hard work but running about between the camera and the drawing keeps me warm, and I just keep aiming at my final result. I work all the daylight hours available which is about eight hours a day in winter. “It’s very physically demanding to do it. I don’t actually kneel at all as it puts a huge strain on your body, I have a stool which I lie on which removes some of the physical stress.” In the last 15 years Julian has produced hundreds of pieces of ‘pavement art’
The picture is finished and Julian has left his mark on the streets of Birmingham. His patience and dedication to his art is inspiring, as too is his patience with his ‘gallery’ visitors.
So after three days in Baltic Birmingham, and the picture completed, how does he feel? “I’m relieved that I got it finished. The weather’s been tough but it hasn’t rained and the whole project has come to its destination. Julian Beever “I’m very pleased, when you’re working outdoors you never know what’s going to happen - it can always go wrong. It’s a pleasure and relief to get it finished.” And next on the agenda for Julian Beever? “A rest - and a hot bath!”