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when we all fall asleep, where do we go?


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DO-IT-YOURSELF IS CONCEPT. IS IS A FA OF CREATION THAN HANDIWORK IT HAS GRO WITH. IT IS SYNONY ARE EMPOWERMENT. TRANSGRESSIVE. TO YOURSELF IS TO DO S AN INVITATION FROM T CONVENTIONAL INS EXPECTED RESOURCE SELF-RELIANT ARE T ST THE PARTY OF IN WITHOUT PERMISSION IS MORE RESILIENT YOU DO NOT NEED START AN EXHIBITION A MAGAZINE, TO NETWORKING SITE OR OPERATING SYSTEM AGAINST THE ODDS A


AN UNDERRATED AR GREATER MEANS THE BRICOLAGE OR OWN TO BE ASSOCIATED YMOUS WITH INIATIVE T. IT IS INHERENTLY O DO SOMETHING SOMETHING WITHOUT THE WORLD, WHITOUT SFRASTRUCTURE OR ES. THOSE WHO ARE THE GATE-CRASHERS NOOVATION. THEY ACT N, AND THEIR WORK T, MORE IMPACFUL. AND INVITATION TO N SPACE OR PRODUCE LAUNCH A SOCIAL R INVENT A COMPUTER M. PROJECTS BORN ARE BORN STRONGER.


Camille Henrot - Grosse Fatigue


Romain Baro - À L’Américane

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Vanessa Beecroft - VB 66


‘‘I’m flattered but at the same time, I find it very dangerous, like a wild world where it’s very fast and you could easily be forgotten. Personally, I’m repulsed by pop culture! I don’t like the music, I don’t like the imagery, I like only very little fashion… I don’t like the objectification of everything: the sexiness, the sensuality. I find it shallow. I do get depressed when I look at a magazine. I never went to a discotheque. I could never bear it! I never wanted to belong to that because it feels juvenile and therefore decadent. We’re going to age! So I want to prepare all my life to age with dignity. It is just a sphere that I never found interesting’’. - Vanessa Beecroft


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FANTASY IS OFTEN POSIT OF REALITY, BUT THIS IS A PART OF REALITY - PERH PART, AND CENTAINLY IT FANTASY, THE REALITY NOT ONLY BE GRAYER, I ALL. FANTASY IS NOT M TOP OF SIMPLE INTELLE INTEGRAL TO THE FOUND IT IS NOT A THREAT TO PERCEPTION. IT IS THE FOR THESE THINGS. FAC IN A RELATIONSHIP OF PRODUCTIVE RECIPROCIT TO SAY WHICH COME IGNORED, THIS RELATION CHICKEN-AND-EGG QU EXISTENCE. HOW EVER POWER THAT RESULTS INTERACTION, ACTUALLY CAM IS FIRST OF LITTLE MAKES US DREAM, AND D


TED AS THE ANTITHESIS A FALLACY. FANTASY IS A HAPS ITS MOST VIBRANT TS MOST FUN. WITHOUT Y WE INHABIT WOULD IT WOULD NOT EXIST AT MERELY A CHERRY ON ECTUAL EXISTENCE. IT IS DATIONS OF OUR CULTURE. O TRUTH, MORALITY, OR NECESSARY CONDITION CT AND FANTASY EXIST SUCH CONSTANT AND TY THAT IT IS IMPOSSIBLE ES FIRST. TOO OFTEN NSHIP IS THE PERENNIAL UESTION OF HUMAN R, GIVEN THE CREATIVE S FROM THIS MAGICAL Y DETERMINING WHICH E IMPORTANCE. REALITY DREAMS MAKE US REAL.


Aron Filkey - Look as if


Eden Bannet - Back Stage

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Minh.T - Morning Sound


Namsa Leuba - YaKaLaBen

‘‘A picture is not reality, voilà. My photos speak about ethnocentrism and clichés but also about ambiguity, how we all think in clichés to a certain extent. I know that I look at things in a certain way, and that I have prejudices. In my photos I like to address these. So I take photos from my own imagination, but I know that it isn’t reality. I know I didn’t find things like this, I constructed the picture myself’’. - Namsa Leuba


Tom Skipp - Amasunzu


‘‘Amasunzu is a hairstyle unique to Rwanda. Notifying social status it used to be worn by kings, queens, warriors and villagers. Now it is rarely found on the streets of Kigali, and causes people to stop in their tracks.’’. - Tom Skipp


Nosi Ginga - Marumo Yeoville, Johannesburg

Faces and Phase


Lesego - Magwai, Pretoria


Nosipho Solundwana - Parktown, Johannesburg


Nhlanhla Esther Mofokeng - Thokoza, Johannesburg


Sacha Kalmplex - Morrison, Toronto


Manucha - Muizenberg, Cape Town


Tumi Mkhuma - Yeoville, Johannesburg


Sheila Plaatjie pParktown Johannesburg


WE WOULD RATH INTO A CREATIV CEASING TO CH LIKE THE LIQ WE ARE FIERC BUT RELIABLY WE BELIEVE I NOT WE BELIEVE NOT IN TH WE SPLIT OUR HIGH AND LOW L LONG-DISTANCE THIS IS CLEARLY R CURRENT INDUST THOSE WHO ARE


HER BE FALLING VE ABBYS THAN HANGE AT ALL. QUID MERCURY, CELY RELIABLE, CHANGEABLE. IN RECIPROCITY, PERMANENCE. IN TOUCHING, HE PARTITION. TIME BETWEEN LIKE WE ARE IN A RELATIONSHIP. REFLECTIVE OF A TRY CLIMATE AND IMMOVABLE WILL.


Ai Wei Wei - Wooden Ball

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Ai Wei Wei - Huali Wood

‘‘Censorship is saying: ‘I’m the one who says the last sentence. Whatever you say, the conclusion is mine.’ But the internet is like a tree that is growing. The people will always have the last word - even if someone has a very weak, quiet voice. Such power will collapse because of a whisper’’. - Ai Wei Wei


Huang Yong Ping - Leviathanation


Sakarin Krue - On Lotus Pod Lead


Sakarin Krue - Yellow Simple


Ran Hwang - Third Floor


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Mijoo Kim - The Mothe of the Sea


FREEDOM FROM IS A NECESSA FOR CREATION SIMPLY A Q MATERIAL FRE GEOGRAPHICAL OR LACK O BOUNDARIES. QUESTION OF I EMOTIONAL, A LIBERTY. IT IS OF THE ACCEP ACCEPTABLE, O IT IS A IMPULSE UNSEEN AND T A THIRST FO


M THE KNOWN ARY CONDITION N. THIS IS NOT QUESTION OF EEDOM, OF A L MOBILITY, OF PHYSICAL IT IS A INTELLECTUAL, AND CARNAL A REJECTION PTED AND THE OF THE FAMILIAR. E TOWARDS THE THE UNKNOWN, OR NEWNESS.


Coco Capitan


Malick Sidibé - Un Yé Yé En Position


Harley Weir - Homes


Profile for OK Mag

OK Mag - Special Art - Namsa Leuba - When We All Fall Asleep, Where Do We Go?  

Ai Wei Wei, Aron Filkey, Camille Henrot, Coco Capitan, Eden Bannet, Harley Weir, Huang Yong Ping, Keizo Kitajima, Malick Sidibé, Mijoo Kim,...

OK Mag - Special Art - Namsa Leuba - When We All Fall Asleep, Where Do We Go?  

Ai Wei Wei, Aron Filkey, Camille Henrot, Coco Capitan, Eden Bannet, Harley Weir, Huang Yong Ping, Keizo Kitajima, Malick Sidibé, Mijoo Kim,...

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