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NOAG INTERIORS

Online-Only Auction: April 17, 2019


New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504.566.1849 LA Auction License AB-363, Steinkamp #1265, Thomas #1833, Eichenwald #1922 | 25% Buyer’s Premium


ABOUT NOAG INTERIORS NOAG Interiors is an online-only auction offering fine and decorative art, furniture, carpets, lighting, mirrors and more. Leave advance bids or bid live during the sale on our partner bidding sites, liveauctioneers and invaluable. Absentee bidding is available on our website prior to the auction. CONDITION REQUESTS Condition reports are posted daily as requested on our website and on our partner bidding sites, LiveAuctioneers and Invaluable. If you would like to request extra photos or a detailed report be emailed to you directly, you can contact us at info@neworleansauction.com, or click “INQUIRY” on the lot detail page, fill out the necessary fields and click “SEND INQUIRY”. We will respond to requests on a first come, first served basis. BIDDING Visit www.neworleansauction.com to create an account. Make sure that you are logged in and your registration has been approved. From the homepage, click “View Catalogue” to browse the current sale. You can also browse or search the catalogue from the “Auctions” tab under “Auction Schedule” or “Catalogue Search”. Scroll through the catalogue. When you see an item that you would like to bid on, click “BID & TRACK”. ABSENTEE BIDDING If you would like to submit an absentee bid, click “BID & TRACK” on the desired lot. Fill in the amount in the “Enter Your Bid” field. Please note that any special symbols or characters will not be accepted. Click “I agree to the Terms & Conditions. Place my bid” to submit your bid. You will receive a confirmation email once we process your bid(s). Click “Back” to continue bidding. Note that telephone bidding is not available for this sale. BID LIVE ONLINE Live online bidding is available via LiveAuctioneers and Invaluable.


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1 Terry Weldon (American/Louisiana, b. 1947) 3

“Worn Stele Fragment”, 1996 enamel on metal Glazed and framed. 18” x 18”, framed 25” x 25” Provenance: Arthur Roger Gallery, New Orleans, Louisiana. $800-$1,200

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2 Marilyn Conrad (American/Louisiana, b. 1923) “Abstraction” oil on panel signed upper mid-left. Period frame. 6-1/2” x 11-3/4”, framed 7” x 12-1/2” $300-$500 3 Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997) “Layered Landscape”, 1973 color lithograph pencil-signed, dated, titled and numbered “61/100” lower right. Glazed and framed. sight 44” x 29-3/4”, framed 46-3/4” x 32-1/2” $600-$900

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4 Louise Guidry (American/Louisiana, b. 1930) “Second Time Around” “Blue” pair of acrylic and mixed medias on gallery-wrapped canvas each signed lower right. each 12” x 12” $500-$800


5 Louise Hutson Finke (American/Louisiana, 1920-1997) “Louisiana Bayou, North Shore”, 1939 oil on canvas signed and dated lower right. Framed. 18” x 24”, framed 19-1/2” x 25-1/4” $800-$1,200

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6 Alexander John Drysdale (American/Louisiana, 1870-1934) “Louisiana Bayou”, 1923 oil wash on board signed and dated lower left. Period frame. sight 19-1/2” x 29-1/2”, framed 23-1/4” x 33-1/2” $700-$1,000 7 George Rodrigue (American/Louisiana, 1944-2013)

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“Stripes” silkscreen on paper signed and numbered “34/75” lower right. Matted, glazed and framed. sheet 30” x 23”, framed 40-1/2” x 30-3/4” Literature: Listed and illustrated in George Rodrigue Prints: A Catalogue Raisonne, 1970-2007, New York: Abrams, p. 129. $1,000-$1,500

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8 Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997) “Quartered”, 1981 serigraph on paper pencil-signed, titled, dated and numbered “103/135” lower margin. Matted, glazed and framed. sight 30-1/4” x 33”, framed 40-1/2” x 42-1/2” Provenance: Arthur Roger Gallery, New Orleans, Louisiana. $800-$1,200 5

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9 Richard Rosenblum (American/Louisiana, 1940-2000) “Standing Figure” patinated bronze incised signature along back edge of self-base, on a carved wood plinth. h. 10-1/8”, w. 2”, d. 2” $300-$500 10 James Rogers Lamantia (American/New Orleans, 1923-2011) fine art prints including “Portrait of Man”, “Landscape”, “Trees”, “Palm Tree” and “Fenced in Yard”, 1963-1967 five etchings on paper each pencil-signed and dated lower margin. All matted, glazed and framed. sights 5-1/2” x 3-1/4” to 9-3/4” x 12-1/2”, framed 11” x 8” to 15-1/4” x 18” $500-$800 11 Kay Johnson (American/New Orleans, 20th Century) “Portrait of a Red-Head”, 1958 oil on masonite signed and dated lower left. Framed. 48” x 24”, framed 51-1/2” x 27-1/2”

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$700-$1,000

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12 Jean Seidenberg (American/Louisiana, b. 1930) “Portrait of a Woman”, 1959 oil on canvas signed and dated “1/17/59” mid-left. Framed. 29-1/2” x 35”, framed 30-1/2” x 36-3/4” Provenance: Private collection, New Orleans, Louisiana. $800-$1,200

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14 Carol Summers (American/New York, 1925-2016) “Bhanavkund” color woodcut pencil-signed upper right, titled and numbered “30/75” upper left, verso with “Joan E. Kaplan, Fine Contemporary Art, New York” label. Float-mounted and framed. 23-1/2” x 24”, framed 30-1/2” x 30-1/4” Provenance: The corporate collection of Freeport-McMoRan Inc., New Orleans, Louisiana. $600-$900

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13 Don Wright (American/Louisiana, 1938-2007) “Clowns”, 1973 oil on canvas signed and dated lower right. Framed. 36” x 24”, framed 37” x 25” $600-$900

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15 Overstuffed Armchair and Ottoman 20th century, the chair with rolled arms, a padded back and reversible cushions, the conforming rounded rectangular ottoman with a reversible cushion. chair h. 19”, w. 31”, d. 35”; ottoman h. 19”, w. 26”, d. 21” $300-$500 16 Marguerite Stix (Austrian/ New York, 1904-1975) “Infant”, 20th century patinated bronze with verdigris inscribed “REW1” at bottom of stool. h. 8-1/4”, w. 4-1/4”, d. 5-1/8” 16

Provenance: Deaccessioned property of a Southern institution. $100-$200 17 Pair of Marble Architectural Balusters late 19th century and later, of urn form and turned with cove molding, on square plinths, now mounted as lamps. overall h. 36-1/2”, dia. 9” $500-$800

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18 David Shapiro (American, 1944-2014) “Suki II”, 1979 color lithograph on rag paper pencil-signed and dated lower center and titled lower right, numbered “13/35”. Framed. sheet 25” x 20-1/2”, framed 33” x 28-1/2” Provenance: The corporate collection of Freeport-McMoRan Inc., New Orleans, Louisiana. $300-$500 19 Contemporary Brushed Steel and Brass Cocktail Table in the manner of Maison Jansen, of neoclassical inspiration, with a rectilinear beveled glass top supported by columns with beaded capitals, joined by a shaped stretcher. h. 17”, w. 48-1/4”, d. 23-3/4” 18

Provenance: Estate of Audry and Sherwood Bailey, Sr., Pass Christian, Mississippi. $700-$1,000 20 Interesting Art Deco-Style Curved and Upholstered Bench with a tubular tucked back, curved seat, and raised on ebonized short tapered legs. h. 44”, w. 70”, d. 26” $50-$100

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21 Contemporary Brushed Steel and White Glass Circular Cocktail Table the table with a lower shelf and raised on casters. h. 16”, dia. 29-1/2” $100-$200 22 Roark Gourley (American, b. 1949) “Bathroom Quake” mixed media construction signed lower right, numbered 46/395 lower left. Shadowbox frame. overall 22-5/8” x 34-1/2” $200-$400 23 Patinated Bronze, Polished Steel and Brass “Tour Eiffel” Coffee Table

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after a design by Jean Royere (1901-1981), fitted with a plate glass top. h. 18”, w. 48”, d. 24” $400-$700 24 Charles John Romans (American, 1893-1973) “Mending Nets” oil on canvas board signed lower right, signed, titled, inscribed “Cape May, N.J.”, and with “Old Bergen Art Guild, Bayonne, N.J.” and “Cape Ann Fine Arts” labels en verso. Framed. 18” x 23-3/4”, framed 23-1/4” x 29”

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$300-$500

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25 Contemporary Parcel-Gilt Wrought Iron and Ebony Glass Occasional Table the circular top above a conforming base with cabriole legs joined by X-form stretchers. h. 19”, dia. 31-1/4” $75-$125 26 Henry Jackson (American, 1924-2011) “Steer Roper - Hard and Fast (Bustin’ One)”, 1959 patinated bronze cast signature, dated, titled and copyright marked along right edge of self-base, a number “9” at left edge, on a black marble plinth. overall h. 13-1/2”, w. 23”, d. 14-1/2”

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Provenance: Deaccessioned property of a Southern institution. $2,000-$4,000 27 Giltwood and Ebonized Mirror second quarter 20th century, decorated with chip carving. h. 50”, w. 33” $50-$100

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28 Ornate Wrought Iron and Marble-Top Table early 20th century, having a scrolled iron base and an ebonized painted surface. h. 30”, dia. 33-1/2” $100-$200

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29 Lenard Kester (American/California, 1917-1997) “Clown Holding Balloons” oil on canvas signed lower right. Framed. 20” x 16-1/4”, framed 27” x 23” $400-$700 30 G. Patrick Riley (American/Oklahoma, 20th Century) “Body Meditation #2”, 1971 assemblage of bamboo, wire, armadillo carapace, leather and ginger root h. 120”, w. 68” Provenance: Deaccessioned property of a Southern institution.

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$500-$900 The mixed media artist Patrick Riley creates complex assembled masks and sculptures, referencing the motifs and symbols of earlier cultures. Inspired by his childhood visits to the museum on the campus of St. Gregory’s University in his native Oklahoma, where he was first exposed to African ritual masks and the art of taxidermy, he utilizes the various natural materials available. 31 Contemporary Argente and Plate Glass Side Table the circular plate glass top with a molded edge, on a tapering column, each side with four triangular panels joined by a base. h. 29”, dia. 51” $150-$300

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32 Pair of Painted Altar Sticks 20th century, American, with silver trim. h. 40”, dia. 12” $75-$125 33 Ralph Carpentier (American/New York, 1929-2016) “Cleaning the Fishing Nets on the Beach, East End, Long Island”, 1994 oil on canvas signed and dated lower right. Framed. 36” x 52”, framed 42” x 58” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $800-$1,200 34 Richard B. Copeland (American, 20th Century) “Self-Propelled Canada Goose”, 1984 assemblage of carved oak and iron signed and dated “5-84” along proper right edge of goose. overall h. 76”, w. 59-1/2”, d. 12” Provenance: Deaccessioned property of a Southern institution. $700-$1,000 34

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35 Four-High Mahogany Stacking Bookcase ca. 1900, by Macey. h. 63”, w. 34”, d. 12” $400-$700 36 American Colonial Revival Brass, Iron and Steel Fireplace Set ca. 1900, the set including a pair of andirons, h. 23-1/2”, w. 9-1/2”, d. 24”, a pierced fender, h. 11-1/2”, w. 62-1/4”, d. 10”, and three fire tools, l. 30” to 38”.

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Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $600-$900 37 Chippendale Mahogany Looking Glass

38 Figured Mahogany Mirror in the Chippendale Style

18th century, American or English, with a scroll-cut crest and tail. h. 51”, w. 27”

early 19th century, probably American, with a classical-style stenciled surround and a brass candle arm attached to the lower edge. h. 48”, w. 23-1/4”

$300-$500

$300-$500

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39 Hayley Lever (American, 1876-1958) “Harbor at Night” oil on canvas signed lower left. Framed. 9-7/8” x 14-3/4”, framed 14-1/4” x 19-3/4” $800-$1,200 40 Suite of Ten Chippendale-Style Polychrome Dining Chairs all white-painted mahogany, with open splats, slip seats and Marlborough legs, comprised of two armchairs and eight side chairs, the seats upholstered in coral Moliere damask. h. 37-1/4”

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Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $700-$1,000 41 Suite of Four Baker Furniture Chippendale-Style Chairs American, all white-painted mahogany, comprised of two armchairs and two side chairs, each with a carved top rail, open splat and cabriole legs ending in ball-and-claw feet, retaining a Baker metal tag and printed label, the seats upholstered in pale peach damask. h. 38-1/4” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $500-$800 40

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42 Baker Furniture Inlaid Mahogany Games Table

43 American School (Mid-19th Century)

in the Hepplewhite taste, the demi-lune parquetry fold-over top supported by fly legs, over an inlaid frieze, raised on tapering legs with spade feet, the underside retaining a Baker metal label and a printed paper label. h. 30”, w. 37”, d. 18-1/2”, ext. dia. 37”

“Pendant Portraits of Husband and Wife”

Provenance: Estate of Margaret “Pat” Breen, Houston, Texas.

oil on canvas unsigned. Presented in period matching gilt frames with oval apertures. each 30” x 25”, framed 40-1/4” x 35-1/4”

$600-$900

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $1,000-$1,500

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44 American Classical Mahogany Chest ca. 1825, with a pair of projecting drawers over a bank of four drawers, flanked by foliate and pineapple-carved pilasters, on paw feet, the top fitted with a scroll backboard with pineapplecarved finials. h. 64-1/2”, w. 48-1/2”, d. 23” $500-$800

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45 American Classical Birdseye Maple Rocking Armchair 19th century, with shaped top rail, scroll arms, caned back and rush seat. h. 42-1/2” Provenance: Don Didier, New Orleans, Louisiana. $300-$500

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46 American School (Mid-19th Century) “Portrait of a Young Woman” oil on canvas handwritten label en verso with an attribution to W. B. Wright (American/Geneva, N.Y., act. 1841) and identifying the sitter as a member of the John Hampden Randolph Family of Nottoway Plantation, White Castle, Louisiana. Period frame. 33” x 27-3/4”, framed 42” x 36-1/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $400-$700 47 American Late Classical Plum Pudding Mahogany DropLeaf Table second quarter 19th century, the top supported by a cylindrical standard, the base with carved paw feet. h. 29-3/4”, w. 42”, ext. l. 58-1/2”

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$400-$700 48 American Late Classical Mahogany and Marble-Top Pier Table second quarter 19th century, the gray marble top over an ogee-form drawer, the base with scrolled supports and raised on animal paw feet. h. 35”, w. 40-1/2”, d. 19” $700-$1,000

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49 American/Southern School (Mid-19th Century) “Portrait of a Handsome Gentleman” oil on canvas unsigned, an “Edward Dechaux, New York” canvas stamp en verso. Period frame. 27” x 22”, framed 36” x 31” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $400-$700 50 American Late Victorian Maple and Marble-Top Washstand ca. 1900, with a single long drawer above a pair of cabinet doors. h. 28”, w. 28”, d. 16”

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$100-$200 51 American Late Victorian Walnut Occasional Table ca. 1900, the ovoid top with a carved edge, above a frieze drawer and raised on a trestle base. h. 28-1/8”, w. 29-1/2”, d. 19” $50-$100 52 Percival De Luce (American, 1847-1914) “Portrait of a Girl with Chestnut Curls” oil on canvas signed upper right, later inscription by artist’s daughter en verso. Framed. 12-1/2” x 9-1/2”, framed 15-1/2” x 12-1/2” $800-$1,200

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53 American Federal Walnut and Line-Strung Chest ca. 1800, in the Hepplewhite taste, each of the four graduated drawers with inlaid line-stringing and a shield-form escutcheon, the perimeter edges beaded, over a scalloped apron and flare feet. h. 41”, w. 40-1/2”, d. 19-1/4” $400-$700

54 American Rococo Revival Pier Mirror and Matching Marble-Top Bracket mid-19th century, the arched top mirror decorated with a pierced crest of grapes and grapevines, the serpentine bracket with fruit and flowers and scrolled wall supports. h. 97-1/2”, w. 34”, d. 15-1/2” $400-$700

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55 American Rococo Revival Rosewood Center Table

56 Three Pieces of American Buffet Silverplate

third quarter 19th century, probably New York, retaining its original oval rosewood top over a conforming frame with carved floral sprays on each side, raised on cabriole legs with shell- and bellflower-carved knees and joined by a shaped stretcher with a central finial. h. 30”, w. 41-1/2”, d. 35”

mid-20th century, including: A large pair of covered buffet dishes on stands, of lobed rectangular form with porcelain handles, the warm water reservoir raised on four baluster legs above a conforming stand, h. 13”, l. 24-1/4”, w. 16-1/4” A Wilcox “American Rose” punchbowl, h. 6-3/4”, dia. 13-1/4”

$200-$400

$400-$700

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57 American Rococo Revival Rosewood and Faux Rosewood Secretary Bookcase third quarter 19th century, in two parts, the bonnet top over a pair of glazed doors, the base with a slant lid with applied carving and three drawers below. h. 91-1/2”, w. 39”, d. 21-1/2” $700-$1,000

58 American Empire Revival Mahogany SplitPedestal Dining Table first quarter 20th century, the circular top raised on a paneled bulbous standard above a scrollfooted base. h. 29-1/4”, dia. 53” $150-$300

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59 American Porcelain-Mounted and Marquetry-Inlaid Rosewood Settee

60 Six Silverplate Figural Napkin Rings most contemporary, including four Australian examples - a pair of coiled rings with emu, and two kangaroo (one on a map of Australia) - and two American examples with chicks (one by the Knickerbocker Silver Co., Port Jervis, New York). l. 2-3/4” to 3”

third quarter 19th century, New York, the top rail with an upholstered roll flanked by pale blue and white bisque plaques and foliate carving, the stiles and apron with geometric inlay, the open arms ending with similar porcelain plaques and banded inlay, with a bowed seat rail and carved trumpet legs, the legs retaining the period Goodyear India Rubber Comb Co. casters. h. 36-1/4”, w. 56-1/4”, d. 25”

$400-$700

$600-$900

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61 Two Woven Wool Blankets

63 Group of Four Mexican and South American Retablos

early 20th century, possibly Native American, one in gray and cream with a central medallion, l. 78”, w. 62”, and the other finely woven in multicolored stripes, l. 93”, w. 84”.

19th century and later, all oils on metal, including “Saint Liberata”, “Saint”, “Archangel”, and “Saint”. Framed. 13-1/2” x 10”, 14-1/4” x 10”, 13” x 10” and 14” x 9-3/4” framed 20” x 16-1/2”, 18-1/2” x 14-3/4”, 19-1/2” x 16” and 18-1/4” x 14-1/4”

$500-$800 62 Lothar K. Kestenbaum (German/Mexican, 1926-1995)

$600-$900

“Hombre Reposando”, 1957 fired earthenware on an integral wood base, carved inscription “LK 57” along back edge of base. overall h. 11-1/4”, w. 19”, d. 8” Provenance: Deaccessioned property of a Southern institution. $400-$700

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64 Group of Four Mexican and South American Retablos 19th century and later, all oils on metal, including two unidentified male saints, “St. Jerome” and “Archangel Michael”. Framed. one 13-3/4” x 9-1/2”, three 14” x 10”, framed 20” x 16”, 19-1/4” x 15-1/4”, 20” x 16” and 19” x 15” $500-$800

65 Group of Five Mexican and South American Retablos 19th century and later, all oils on metal, including “St. Jerome”, Archangel Michael”, “Madonna”, “Saint”, and “St. Joseph Holding Christ”. Unframed. 7” x 5”, 10” x 7”, 11-1/2” x 8-1/2”, 10” x 7” and 13-3/4” x 9-1/2”

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$500-$800

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66 Group of Three Mexican and South American Retablos

68 Group of Four Mexican and South American Retablos

19th century and later, all oils on tin, including “Saint Ramon Nonato”, “Crucifixion of Jesus”, and “Mano Poderosa”. Framed. each 14” x 11”, framed 18” x 14”, 17-1/4” x 13-1/4” and 19-1/2” x 15-1/2”

19th century and later, all oils on metal, including “Archangel”, “Saint”, “Saint”, and “St. Camilla”. Framed (two with period embossed metal and one with period carved wood). 12-1/2” x 8-1/2”, 11” x 8”, 12” x 9-1/4” and 14-1/2” x 10” framed 17-1/4” x 13-1/2”, 16-1/2” x 11-1/2”, 17-1/2” x 12-1/4” and 18-1/2” x 14-1/2”

$400-$700 67 Group of Three Mexican and South American Retablos

$500-$800

19th century and later, all oils on metal, including “Madonna”, “Christ”, and “Prayer of Thanks”. Unframed. 6-1/2” x 5”, 6-3/4” x 4-3/4” and 6-1/2” x 8” $500-$800

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69 Religious Painted Panel ca. 1900, oil and gold paint on curved wood board, with a central image of St. Anthony of Padua holding the Christ Child, flanked by St. Ghislain, St. Jerome, Mary and the Young Christ, and Our Lady of Guadalupe, a representation of the Trinity above. 22” x 17-1/2” $800-$1,200

70 Latin American Carved, Painted and Gilded Ecclesiastical Column second half 19th century, now mounted as a lamp, the gilt capital with swollen sides, carved with winged angel heads, the faces realistically painted and capped with a Corinthian capital. h. 32-3/4”, w. 8-1/4”, d. 8-1/4”

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$600-$900

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71 Baldwin Locomotive Works Illustrated Catalogue Baird, Matthew, et al, Philadelphia: J. B. Lippincott and Co., n.d. (ca. 1872), this volume for George Pandeley (1829-1894), Superintendent of Morgan’s Louisiana and Texas Railroad, brown pebbled cloth boards with gilt lettering. 11” x 8” $500-$800

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72 Dom Antoine Augustin Calmet, O.S.B. (1672-1757), “Commentary”

73 Pierre Francois Xavier de Charlevoix, S.J. (1682-1761), Histoire et Description Generale de la Nouvelle France

Commentaire Litteral sur Tous les Livres de l’Ancien et du Nouveau Testament(Paris: Pierre Emery, 1707-1716), first edition, crown octavo, eight volumes (of twenty-three), including Genesis (1707), Exodus & Leviticus (1708), Isaiah (1714), Ezekiel & Daniel (1715), Twelve Minor Prophets (1715), Matthew (1715), Mark & Luke (1715) and the Pauline Epistles (1716), in full brown leather, the flat spines with raised bands and brown panels with gilt lettering and decoration, with marbled endpapers and cut and tinted edges [Kapsner 2253]. leaf 10” x 7-3/8”, overall 10-1/2” x 8”

Paris: Nyon fils, 1744; first edition, crown octavo, three volumes (of three), in full tan leather, the later flat spine with raised bands and red and green panels with gilt lettering and decoration, with marbled endpapers and cut and tinted edges, with 20 maps (of 27; all Louisiana/New Orleans maps lacking) and 22 plates of 96 botanical specimens. [Sabin 12135; Clark, Old South I 59.4; Howes C307; Graff 650; Sommervogel 1077] 10” x 7-5/8”

$400-$700

Notes: Detailed bibliographic description available on request. $600-$900

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73A Collection of Irish Waterford Stemware 20th century, the collection including fifteen Lismore claret wines, h. 5-7/8”, eight Lismore champagne coupes, h. 4-1/4”, two Lismore brandy snifters, h. 5”, six Lismore water goblets, h. 7”, ten Lismore hock wines, h. 7-1/2”, one Lismore juice glass, h. 3”, nineteen Colleen champagne coupes, h. 4-1/2”, four Colleen balloon wines, h. 7-3/4”, one Colleen goblet, h. 5-1/4”, six Eileen sherrys, h. 4-1/2”, four red-plated toasting flutes, signed “Jim O’Leary, 2003”, two Marche by Waterford red molded flutes, h. 9”, a Glandore pitcher, h. 6”, and a Boyne pitcher, h. 6-5/8”. Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $700-$1,000

74 Auguste Edouart (French, active U.K., U.S., 1789-1861) “Wedding Portrait Silhouette of Mr. and Mrs. James Ker, Esq. Exchanging Rings”, Edinburgh, June 24, 1829 cut-out on card sitters identified in cut-outs en recto and in “keyhole” cuts en verso with “Mrs. F. Nevill Jackson” stamp; together with portrait silhouettes of “Miss Harriet Gorter”, Birmingham, 1838, and “Amadee Armand”, ca. 1851, each cut-out on card, sitters identified in cut-outs en recto. Each glazed and framed. sights 11-1/2” x 9-1/4” and 11” x 8-1/2”, respectively; framed 14-1/2” x 12-1/2” and 14-1/4” x 11-1/2”, respectively Provenance: The wedding portrait, Collection of Mrs. F. Nevill Jackson (1861-1947), London, U.K. Both, Estate of Dr. Carroll Ball, Jackson, Mississippi. Literature: The Kers listed in Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, p. 145. $200-$400

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75 Auguste Edouart (French, active U.K., U.S., 1789-1861) “Two Portrait Silhouettes of the Perg Brothers”, 1835 paper cut-outs on paper accompanied with a handwritten letter from the artist to the sitters, dated and localized “Cork”. Matted, glazed and frame together. sight 19” x 11-1/8”, framed 22” x 14-1/4”

77 Victorian-Style Chinoiserie Table first half 20th century, the circular top decorated with a central figural scene surrounded by a dense foliate design, above a turned pedestal stem on shaped tripod legs. h. 31-1/4”, dia. 36” $400-$700

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $300-$500 76 Auguste Edouart (French, active U.K., U.S., 1789-1861) Two Portrait Silhouettes of English Gentlemen each cut-out on pencil and sepia ink wash background including a “Young Scholar Standing in Front of the Chapel at King’s College, Cambridge in the Background”, 1829, signed and dated lower left, and a “Young Man/Attorney Standing in a Library”, 1839. Each glazed and framed. sights 10-5/8” x 6-3/4” and 10-3/4” x 7-3/4”, respectively; framed 15-1/4” x 11-1/2” and 14-3/4” x 11-3/4”, respectively Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $300-$500

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78 Japanese Export Black-Lacquered Tray-on-Stand mid-19th century, the rectangular tray with a full raised edge and an elaborate gilt and polychrome figural landscape, raised on a later custom ebonized stand with gilt ring-turned tapering legs. h. 27”, w. 18-1/2”, d. 15” $75-$125

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79 Suite of Four Chinoiserie Ebonized Nesting Tables fourth quarter 19th century, each with a rectangular top featuring a gilt and gesso oriental scene, raised on double faux bamboo end supports to shaped runner feet. h. 29-1/2”, w. 22-1/2”, d. 14-1/2” $75-$125

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80 Regency-Style Polychrome and Parcel-Gilt Ebonized Armchair the oval crest rail with a painted scene, over a fretwork splat, open arms and cane seat, now fitted with a loose cushion. h. 34-1/2”, w. 21”, d. 22” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $600-$900 80

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81 British School (18th Century)

83 British School (Late 18th Century)

“Portrait of a Child with Pet Terrier, Against a Verdant Landscape”

“Portrait of a Lady”

oil on canvas unsigned Framed. 42” x 32”, framed 48-1/2” x 39” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $600-$900

oil on canvas unsigned, a “Michael Davis/Surrey” label en verso frame. Framed. 29” x 24”, framed 34” x 29-1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $400-$700

82 Manner of John Hoppner (British, 1758-1810) “Portrait of a Lady in a White Lace Cap”, fourth quarter 18th century oil on canvas unsigned, a “J. Fieldhouse/Re-Gilding Works/Birmingham” label, a 1906 handwritten restorer’s note, and a “Bush Antiques/New Orleans” tag en verso frame. Handsome, antique gesso and giltwood frame. 30” x 25”, framed 43” x 36” Provenance: Bush Antiques, New Orleans, Louisiana; Estate of Dr. Carroll Ball, Jackson, Mississippi. Notes: J. Fieldhouse is listed as a “provincial” art dealer in the 1890s editions of The Year’s Art compilation published in London yearly by the J. S. Virtue Company. $500-$800 83

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84

84 Georgian-Style Mahogany Dining Table

85 Royal Worcester “Pompadour” Partial Dinner Service

the rounded rectangular top with a reeded edge and above three pedestals, each with a turned columnar support to three splayed cabriole legs ending in pad feet. h. 28-1/2”, w. 45”, l. 104”

mid-20th century, English, comprised of twelve dinner plates, dia. 12”, eight salad/dessert plates, dia. 8”, two soup bowls, dia. 8”, six bread-and-butter plates, dia. 6”, six teacups, h. 2-1/4”, and nine saucers, dia. 6”.

$700-$1,000

Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $500-$800

85

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86 Good Victorian Silverplate Centerpiece second quarter 19th century, with a central columnar standard surrounded by three neoclassical figures in a musical Bacchanalian procession, the standard surmounted by a lobed and fluted bowl with floriform calyx, the whole raised above a waisted circular plinth with three robust acanthus scroll feet, engraved on each third of the plinth with the arms of Buck quartering Orchard, Dennis and Pawley and impaling Robbins. h. 26”, w. 12-3/4” Notes: The beautifully engraved arms here are those of Lewis William Buck (1784-1858) of Moreton House, Bideford and Hartland Abbey, Devon and his wife Ann Robbins (17911879), who were married in 1808. Buck served as M.P. for Exeter (1826-1932) and North Devon (1839-1857). An engraved escutcheon with the identical arms surmount Buck’s mural monument in St. Helen’s Church, Abbotsham, Devon. $600-$900

86

87 George IV Old Sheffield Plate Meat Dome and Associated Platter second quarter 19th century, the oval dome quarter-lobed with gadroon and rocaille banding and addorsed acanthus handle, engraved on both sides with armorials on rubbed-in plaques, the well-matched associated platter with similar decoration and acanthus-mounted turned wood handles, with well-andtree plateau and hot water reservoir, presented on a custom fitted wooden stand. h. 16”, l. 27-1/4”, w. 19-3/4” $600-$900

87

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88

89 Interesting Georgian-Style Pressed Glass Chandelier 88 George III-Style Mahogany Settee 19th century, in the Chippendale rococo taste, the padded shaped and domed back within a foliate-carved frame, joined by padded arms to the cushioned seat, raised above a shaped and pierced foliate-carved apron on cabriole legs ending in ball-and-claw feet. h. 43”, w. 50-1/2”, d. 23”

early 20th century, the nine-light chandelier composed of antique elements. h. 50”, dia. 48” $700-$1,000 90 George III-Style Mahogany Stool late 19th century, the padded rectangular top with brass tack accents, raised on cabriole legs ending in ball-and-claw feet. h. 19-1/2”, w. 19-1/2”, d. 16”

$200-$400

$50-$100

90

89

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92 George III Mahogany Chest-on-Chest fourth quarter 18th century, the molded and canted cornice above a conforming case fitted with two short drawers over three graduated long drawers, the lower section fitted with a brushing slide over three graduated long drawers, raised on bracket feet. h. 75”, w. 42”, d. 21” Provenance: Estate of Audry and Sherwood Bailey, Sr., Pass Christian, Mississippi. $800-$1,200 93 George III Mahogany Secretary early 19th century, the molded and dentillated cornice above two astragal-glazed doors, the lower section fitted with a drop front opening to a variety of drawers and cubbyholes surrounding a central cupboard, over two paneled cupboard doors opening to pull-out shelves, raised on shaped bracket feet. h. 91”, w. 46-1/2”, d. 23-1/2” Provenance: Estate of Audry and Sherwood Bailey, Sr., Pass Christian, Mississippi. $700-$1,000 92

91 Regency Inlaid Mahogany Wheel Barometer first quarter 20th century, with a pitch pediment top, the throat with a hydrometer and thermometer, inlaid with a pair of conch shells, mounted with a level on the bottom. h. 38”, w. 10-1/4” $300-$500

91 93

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96

95 Eight-Piece Collection of English Coalport Topographical Porcelain

94

ca. 1891-1920, all with hand-painted, identified scenes on a cobalt ground richly decorated with giltwork, including four cabinet plates with T. Goode & Co., London retailer’s marks, dia. 8”, a three-handled goblet, h. 9”, d. 5-3/4”, a covered urn with ram’s-head handles, h. 10-1/4”, w. 5-1/4”, d. 4”, a similar smaller urn, h. 7-1/4”, w. 4”, d. 3”, and an urn with lion’s-head handles, h. 7”, w. 4-1/4”, d. 3”.

94 Diminutive George III-Style Mahogany Slant-Front Desk ca. 1900, in the Chippendale taste, the figured slant lid and drawers with blind fretwork-carved borders, on bracket feet. h. 38”, w. 25”, d. 17-1/2”

$500-$800 96 Pair of Hand-Painted Porcelain Vases

Provenance: Estate of Margaret “Pat” Breen, Houston, Texas.

ca. 1900, probably English, painted with peacocks and set with rococo-molded handles, the cobalt grounds decorated with carefully detailed gilt insects, birds and snakes, drilled for lamps, unmarked. h. 11”, w. 8-1/2”, d. 4-3/4”

$500-$800

$300-$500

95

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97 William IV-Style Plum Pudding Mahogany Center Table the circular top with a molded edge, above a concave frieze, raised on a turned and ribbed columnar standard to four splayed legs ending in brass caps and casters. h. 28-1/2”, dia. 48” Provenance: Estate of Audry and Sherwood Bailey, Sr., Pass Christian, Mississippi. $500-$800 98 George III-Style Mahogany Sideboard

97

in the Hepplewhite taste, the serpentine banded top over a conforming frieze fitted with a band of three drawers, raised on tapering legs on spade feet, the drawer faces and legs with inlaid line stringing, retaining the label “Made in England by Arthur Brett & Sons Ltd. for Rich’s Inc Atlanta”. h. 33”, w. 78”, d. 24” Notes: Brett & Sons has been in operation from the 1860s to the present. $700-$1,000 99 Pair of Adam-Style Brass and Iron Andirons ca. 1900, decorated with ribbon-framed oval panels set with figures of muses, on bowknot supports, with cast iron billet bars. h. 14”, w. 5-1/2”, d. 7-3/4” $300-$500

99

98

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100

100 English Tunbridge Ware Writing Box third quarter 19th century, with a burr walnut veneer and bands of inlay flanking a mother-of-pearl escutcheon and top inlay, the interior with a gilt-stamped red Morocco writing surface. h. 5-1/4”, w. 12”, d. 9”

101

$500-$800

101 English Parian Bust of Napoleon

102 Two George III Armchairs

third quarter 19th century, stamped “Copelands” on the lower rear. h. 10”, w. 7-1/4”, d. 4-1/4”

late 18th/early 19th century, including a mahogany example with a pierced splat and scrolled knuckle grip, h. 38”, w. 28”, d. 21”, and a similar oak example, h. 38”, w. 26”, d. 20”.

$100-$200

$500-$800

102

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104

103

103 George III Walnut Side Chair

105 Pair of English Hand-Colored Copperplate Engravings

third quarter 18th century, with a carved crest rail and shaped splat, and raised on cabriole legs joined by turned stretchers. h. 38-1/2”, w. 22”, d. 20”

18th century, from Britannia Illustrata or Views of Several of the Queen’s Palaces and Also of the Principle Seats of the Nobility and Gentry of Great Britain by Johannes Kip, including “Shipton Moyne the Seat of Walter Estcourt, Esq.” and “Over the Seat of John Dowell, Esq.”. Matted, glazed and framed alike. each sight 15” x 17-1/2”, framed 27-1/2” x 30-1/4”

$400-$700 104 Pair of Hand-Colored Botanical Engravings

$500-$800

18th century, including “Polygonum” and “Aristolochia”. Attractively matted, glazed and framed alike. each sight 15-1/2” x 9-1/2”, framed 27” x 20-3/4” $500-$800

105

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106 Victorian Mahogany Cupboard third quarter 19th century, having an upper drawer with pressed glass pulls, over a pair of paneled doors. h. 48”, w. 38”, d. 16-1/2” $50-$100

106

107 George III Mahogany Chest of Drawers ca. 1750, in the Chippendale taste, with a bank of graduated beaded drawers flanked by rounded and fluted quarter columns, raised on ogee bracket feet. h. 34”, w. 39-1/2”, d. 22-1/4” 107

$600-$900

108 George III Mahogany Kneehole Desk 18th century, with a molded overhanging top above a pullout work slide, a single cabinet in the rear of the kneehole and flanked by a bank of drawers to each side. h. 31”, w. 38”, d. 22” $300-$500

108

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109 Pair of Japanese Imari Covered Ginger Jars ca. 1880-1900, the ribbed jars decorated with peonies and birds, the covers with pointed knops. h. 16”, dia. 6-3/4” $300-$500

109

110 Ridgway Imari Partial Dessert Service ca. 1880, English, in the “Old Derby” pattern, comprised of seven molded dessert plates, dia. 8-1/2”, and a comport, h. 2-1/4”, dia. 8-1/2”, signed. 110

Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $500-$800

111 Pair of Chinese Imari Porcelain Beaker Vases 20th century, now mounted as lamps with shades. h. 23-1/4”, w. 10-1/4”, d. 3-1/2” $200-$400

111

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112 Large English Oak Gateleg Table 19th century, the oval top supported by blockand-turned swing legs and joined by turned stretchers. h. 30”, w. 67”, closed l. 27”, open l. 74” $400-$700

112

113 Edwardian-Style Mahogany Lingerie Chest early 20th century, the serpentine front fitted with six drawers with brass bail handles. h. 47”, w. 24”, d. 18” $200-$400

114 Victorian Rosewood Teapoy mid-19th century, the circular hinged top opening to a fitted interior. h. 30”, dia. 19” $600-$900

113

114

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117

117 Richard Redgrave (British, 1804-1888) “A Woodland Glade”, 1854 oil on wood panel signed and dated lower right and en verso, “The Maas Gallery, London” label with title, “Thos. Agnew & Sons, Old Bond St. Galleries, London” label and “Robertson & Co, London” embossed stamp en verso. 10” x 14”, framed 15-1/4” x 19-1/4”

115

115 George III Carved Giltwood Mirror

Provenance: Estate of Margaret “Pat” Breen, Houston, Texas.

third quarter 18th century, with a pierced foliate- and scrollcarved crest, the sides with pierced carving of fruit and laurel leaves, the lower edge with pierced leaves, the mirror plate lined with rocaille work. h. 48-1/2”, w. 23-1/2”

$800-$1,200

$600-$900

ca. 1900, with an arched back, scrolled arms and raised on carved legs ending in ball-and-claw feet, covered in 19th-century petit point. h. 40”, w. 94-1/2”, d. 32”

118 Chippendale-Style Mahogany Camelback Sofa

116 Open Lot

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$400-$700

118


119 Regency-Style Painted Iron Birdcage on Stand of cylindrical shape with a pagoda-form top, the interior fitted with a swing, basin holders and a perch, on a wrought iron base. h. 67-1/2”, dia. 22” $75-$125

119

120 Regency-Inspired Mahogany Architectural Birdcage 20th century, the central dome surrounded by four smaller domes, with Corinthian columns on the dome and on the lower structure, the whole resting on a stand with chamfered legs, scroll-carved skirt and cross stretchers. h. 81”, w. 25-1/2”, w. 25-1/2” $400-$700

120

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121 George III Mahogany Secretary fourth quarter 19th century, the rectangular top above a banded slant front opening to an inset leather surface and a variety of drawers and cubbyholes surrounding a central patera-centered and banded cupboard, over two short drawers and three graduated long drawers, raised on ogeemolded bracket feet. h. 42-1/4”, w. 42”, d. 21” $700-$1,000

121

122 George III Mahogany Commode late 18th century, the rectangular top with a three-quarter pierced gallery, above a lift-top cupboard over a pull-out basin section, now fitted with a baize-lined surface, raised on square legs. h. 31-1/2”, w. 22-1/2”, d. 17-1/4” $400-$700

122

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123 Joseph Paulman (British, 19th Century) “Windmill Above a Cove with Boats and Figures” oil on canvas signed and dated “1890” lower right. Giltwood frame. 15” x 22”, framed 24” x 30-3/4” $400-$700 124 Abraham Pether (British, 1756-1812) “By the Shore at Dusk”

123

oil on panel signed “A. Pether” lower left. Framed and with artist plaque. 12” x 20”, framed 18” x 25” Provenance: Estate of Audry and Sherwood Bailey, Sr., Pass Christian, Mississippi. $600-$900 125 After Thomas Brooks (British, 1818-1891) Rescue on Rough Seas, “Departure” and “Return”, 1871 pair of engravings published by B. Brooks and Sons, London. Matted, glazed and framed. sight 21” x 36-1/2”, framed 34-3/4” x 50” Provenance: By repute, Estate of Fritz Bultman.

124

$500-$800

125

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126 Contemporary Oak Rolltop Desk and Chair in the traditional Late Victorian style, the desk top with a tambour roll flanked by four drawers on each side, above the “S”-curved rolltop with fitted interior and a bank of drawers to each side of the kneehole below, branded “National Mt. Airy”; accompanied by a swivel desk chair. desk h. 80”, w. 66-1/2”, d. 39”, chair h. 37” $500-$800

126

127

127 Tony Cragg (British, b. 1949) “Suburbs I”, 1990 aquatint signed and dated lower right, titled lower center and numbered “12/35” lower left. Matted and framed. sight 23-1/2” x 22-1/2”, framed 32-1/2” x 31-5/8” $500-$800

128 Decorative British Framed Canvas

128

of “The Battle of Trafalgar”, 20th century, depicting the pivotal moment of The Napoleon Wars, when the vastly outnumbered British Navy led by Admiral Nelson defeats the French and Spanish fleets. Framed. 48” x 72”, framed 62-1/2” x 87” $1,500-$2,500

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129 After Robert Wogensky (French, b. 1919) “Taillevent”, ca. 1960 Aubusson tapestry woven by Pierre Legoueix’s atelier, with woven signature “Wogensky” lower left, “L’Atelier Pierre Legoueix, Aubusson” label en verso. 50-1/4” x 62-1/8” Provenance: The corporate collection of Freeport-McMoRan Inc., New Orleans, Louisiana. $500-$800 129

130 Contemporary Polychrome Bookcase/Cabinet in the Louis XVI taste, with an arched, molded crest over four doors having etched glass panels, over a base with two pairs of drawers over two pairs of doors, the upper portion fitted with adjustable glass shelves. h. 90-1/2”, w. 79-3/4”, d. 20-1/2” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $800-$1,200

130

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131

131 French Molded Opalescent Glass Vase 20th century, decorated with winged cherubs. h. 9”, dia. 7-1/2”

132

$300-$500 132 Decorative French Bakery Sign reading “Chocolat au Lait, Chambery, B. LaBoulangere & Cie, Paris”. Framed. 40” x 40”, framed 42-1/2” x 42-1/2” $50-$100

133 Brass and Enamel-Inlaid Mantel Clock second half 19th century, with spiral-reeded columns. h. 21”, w. 10”, d. 5-1/4” $250-$400 134 Large Contemporary Mahogany-Stained and DiamondTufted Ottoman raised on trumpet turned legs. h. 19”, w. 36”, d. 36” $100-$200

133

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134


135 Sebastian Kruger (German, b. 1963) “10/10 Stones Kids: Charlie, Mick, Keith and Ronnie” four giclees on canvas signed and numbered “49/99” either lower right or left. Unframed. each 22” x 10” $600-$900 135

136 Sebastian Kruger (German, b. 1963)

137 Sebastian Kruger (German, b. 1963)

“Mick Jagger”

“Jimi Hendrix”

giclee on canvas signed lower right and numbered “42/99” lower left. Unframed. 42” x 28”

giclee on canvas signed lower right. Unframed. 63” x 47”

$800-$1,200

136

$1,000-$1,500

137

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138 Pair of Louis-Philippe Ebonized and Upholstered Slipper Chairs third quarter 19th century, each having a padded back and seat, and raised on turned legs. h. 35-1/2”, w. 21”, d. 21” $200-$400 139 Contemporary Stained Oak and Metal Coffee Table

138

having a thick plank top mounted to an X-form metal base. h. 19”, w. 48”, d. 28” $50-$100 140 French Travel Poster of “Venise” 20th century, after Hugo d’Alesi (Romanian, 1849-1908) and printed by his company, backed in linen. Presented in an acrylic shadowbox. 42-1/2” x 30-3/4” $500-$800

139

141

141 Pair of Contemporary Busts of Classical Scholars 20th century, decorated with gilt wreaths. h. 11-1/2”, w. 4”, d. 2-3/4” $100-$200 140

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142 Contemporary Neoclassical-Style Mirrored Writing Desk inset with rectangular beveled and smoky mirrors. h. 30”, w. 59-1/2”, d. 32” $300-$500 142

143 Continental School (Mid-20th Century)

144 Karl Perl (Austrian, 1876-1965)

“Clown Playing the Flute”

“Harlequin”

oil on canvas signed “Loveto” lower right. Framed. 19-1/2” x 13-3/4”, framed 24” x 18-1/4”

patinated bronze 20th century, incised signature and artist’s cipher along side edge, on a marble plinth. overall h. 9-3/8”, w. 8-1/4”, d. 4-1/4”

$400-$700

Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana. $500-$800

144 143

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145 Louis XVI-Inspired Polychrome and Upholstered Chair 20th century, of wing chair form, raised on fluted flare legs in the Art Nouveau manner, upholstered in green velvet. h. 42” $300-$500

145

146 Welsh Painted Wood Hobby Horse ca. 1900, set with glass eyes, with a hair mane and tail, laminated and painted construction, on a contemporary metal stand. h. 31”, w. 11-3/4”, l. 43”

146

$400-$700

147 Pair of French Green-Glazed Terracotta Planters 20th century, in the neoclassical taste, molded with acanthus leaves and set with ram’s head handles. h. 33”, w. 27”, d. 21” 147

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$400-$700


148 149

148 Large French Mahogany Center Table

150 Continental Provincial Walnut Cabinet

20th century, the circular top above a plain frieze, raised on four scrolling imbricate-carved legs joined by a molded X-form stretcher and ending in bun feet. h. 30”, dia. 64”

early 19th century, the superstructure with a molded cornice over four small drawers, all with heavily modeled diamondpatterned fronts, the rectangular top above a case fitted with two drawers over two paneled cupboard doors, all with like modeling, raised on bun feet. h. 60-1/2”, w. 65”, d. 24”

$700-$1,000 149 Carved and Painted Santos Figure of St. George

$300-$500

ca. 1700, Continental. h. 11”, w. 4-1/2”, d. 4” $300-$500

150

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151 Provincial Regence Fruitwood and Marble-Top Commode 18th century, the rectangular marble top with a shaped front, above a conforming case fitted with three long drawers, all with shaped panels, raised on pointed toes. h. 37”, w. 49-1/2”, d. 25” $1,800-$2,500

151

152 Early French Provincial Carved Oak Armoire late 18th century, with a removable molded cornice above a pair of framed and paneled doors with reliefcarved motifs of birds and flowering trees. h. 87”, w. 57”, d. 25-1/2” $500-$800

152

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153 Louis XV Provincial-Style Trumeau Mirror fourth quarter 19th century, with a carved giltwood surround framing the mirror panel, the upper painting depicting a bucolic scene, with giltwood appliques on each side. h. 58-1/2”, w. 62-1/2” $400-$700

154 French Terracotta Confit Jar 20th century, Provence, the top with two lug handles and a golden glaze. h. 13”, w. 11”, d. 8-1/2” $100-$200

155 Victor Gabriel Gilbert (French, 1847-1933)

153

“Figures with Haystacks” “Work-Horses with Haystacks” pair of oils on beveled wood panel each signed lower left. Framed. each 8-1/2” x 16-1/4”, framed 9-3/4” x 17-1/2” $700-$1,000

154

155

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158

156 French Provincial-Style Bleached Mahogany Buffet a Deux Corps 20th century. h. 92-1/2”, w. 59”, d. 19” $500-$800 157 Pair of French Hand-Colored Engravings fourth quarter 18th century, from Recueil Elementaire d’Architecture by Jean-Francois de Neufforge, including plates “LXII” and “LXIII”. Matted, glazed and framed alike. each sight 14-1/8” x 9”, framed 23-1/4” x 17-1/2” $400-$700 158 Suite of Three French Hand-Colored Engravings ca. 1900, by Armand Guerinet and Jean-Charles de la Fosse, including plates 32, 33 and 42. Matted, glazed and framed alike. each sight 11” x 7”, framed 20” x 15-3/4” $400-$700

157

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156


159 After Jean Jules Salmson (French, 1823-1902) “Sir Anthony van Dyck” patinated bronze 20th century, cast signature along edge of self-base, titled on portfolio. h. 25”, w. 11”, d. 12” $500-$800 160 Continental Provincial Fruitwood Cabinet

159

early 19th century, the molded cornice above a case fitted with two doors, each inset with a panel with corner fan accents, above two small drawers, each with floral carving, raised on tapering square legs. h. 66”, w. 45-1/4”, d. 19-1/2”

161 Continental School (20th Century)

$300-$500

“Still Life of Flowers in a Vase” oil on canvas signed “B. Maximillian” lower right. Framed. 36” x 24”, framed 44” x 32” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $600-$900

160 161

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163

162

163 Unusual Pair of Continental Turned Marble Lamps first quarter 20th century, with stepped bases and turned standards. h. 26”, dia. 6-1/2”

162 Continental Metal and Glass Electrolier first quarter 20th century, with three upturned arms and three downturned arms, the standard and “gas” sockets decorated with molded leaves and hung with prisms, the arms and upper standard with wide turned elements, originally gas. h. 43”, dia. 17” $800-$1,200

$600-$900 164 Provincial Continental Refectory Table early 20th century, the rectangular top above a conforming pendant fluted frieze, raised on shaped end supports joined by a long stretcher. h. 29”, w. 34”, l. 71” $300-$500

164

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166

165 Provincial Louis XV Pine Buffet a Deux Corps ca. 1800, in two parts, the bonnet top in scroll decor, over a pair of doors now fitted with glazed panels, the base with a pair of doors with shaped panels, scalloped apron and cabriole legs. h. 97”, w. 55”, d. 20-1/4” $500-$800

166 Continental School (19th Century) “The Work Horse”

165

oil on wood panel unsigned. Framed. 16-1/4” x 21-1/2”, framed 22-1/8” x 27-1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $400-$700

167 Provincial Louis XV-Inspired Mahogany Extension Dining Table the rectangular top raised on cabriole legs. h. 31”, w. 36-1/4”, l. 63-1/2”, ext. l. 83-1/2” $200-$400

167

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168

169 Provincial Louis XV-Style Beechwood Fauteuil

168 Provincial Louis XV-Style Fruitwood Desk the top with a molded edge, over a central drawer and kneehole opening flanked by pairs of deep drawers, raised on cabriole legs. h. 29-3/4”, w. 60”, d. 27-1/2”

with a molded back, joined to open arms, a loose seat cushion and molded serpentine seat rail extending to cabriole legs, the cushion tufted. h. 39” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $600-$900

$400-$700 170 Pair of Louis XV Bronze Candelabra mid-18th century, with seamed construction and removable candle branches. h. 15”, w. 9”, d. 5-1/2” $600-$900

169 170

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171

172

171 Louis XV-Style Beechwood Canape with a carved crest, closed arms with scroll ends, loose seat cushion and cabriole legs, upholstered in coral strie velvet. h. 34”, w. 53”, d. 25”

172 After Louis Hottot (French, 1829-1905) “Young Lady of Fashion with Opera Glasses”

Provenance: Estate of Margaret “Pat” Breen, Houston, Texas.

patinated bronze cast signature along proper left edge, on a green marble base. overall h. 25-1/2”, w. 7-1/2”, d. 9-1/2”

$600-$900

$500-$800

173 Leonard Tsuguharu Foujita (Japanese/French, 1886-1968) “Jeune Fille avec une Rose” drypoint on paper pencil-signed en verso. Matted, glazed and framed. sheet 15” x 11”, framed 17-1/2” x 14-1/4” $500-$800

173

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176

174 Louis XV-Style Giltwood Mirror fourth quarter 19th century, the arched crest with scrollwork and rocaille work, with a molded surround and cut corners, decorated with cabochons and scrollwork. h. 58-1/2”, w. 31”

175

Provenance: Estate of Audry and Sherwood Bailey, Sr., Pass Christian, Mississippi. $600-$900

175 French Gilt-Bronze Figure of a Putto fourth quarter 19th century, now mounted as a lamp. h. 19-1/2”, w. 8”, d. 8” $200-$400

176 After Auguste Moreau (French, 1834-1917) “Putto avec Canard” patinated bronze 20th century, cast signature, foundry mark, and inscribed “Copyright 1906” along self-base, on a marble plinth. h. 12-1/4”, w. 6-1/2”, d. 7-1/2” $700-$1,000

174

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177 Louis XV-Style Kingwood Work Table early 20th century, the hinged, shaped rectangular top banded and with parquetry veneer, and opening to a mirrored interior and a lift-out compartmented tray, above a shaped ormolu-applied frieze with a pull-out storage well below, raised on cabriole legs ending in sabots, the interior bearing the label “Tahan, Paris”. h. 30”, w. 22-1/2”, d. 16” $300-$500

177

178 Pair of French Bronze Candelabra in the Renaissance Revival Taste fourth quarter 19th century, the molded standards on scrolled feet decorated with bronze mounts, the bases with masques and pierced anthemia, the scrolled candle arms set with pierced drip pans and reeded candle cups. h. 20-1/2”, w. 8-3/4”, d. 8-3/4” Provenance: Estate of Audry and Sherwood Bailey, Sr., Pass Christian, Mississippi. $300-$500

178

179 Two Paris Porcelain-Style Miniature Corbeilles 20th century, each reticulated white porcelain corbeille decorated with parcel gilding and fitted with enameled brass violets. h. 7”, w. 6-1/2”, d. 4” $100-$200 179

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180 Louis XV-Style Polychrome Sofa early 20th century, the shaped, padded and curved back within a molded frame surmounted by a floral crest, joined by scrolling arms to the concave padded seat, raised on cabriole legs ending in scrolled toes. h. 40”, w. 59”, d. 27” $300-$500

180

181 Louis XV-Style Giltwood Sunburst Mirror 20th century, the circular convex mirror glass with a flower-molded surround, the straight “rays” alternating with curved “rays”. dia. 31” $800-$1,200

181

182 Pair of Louis XV-Style Gilt-Bronze and Cut Crystal Potpourri Urns 20th century, possibly Baccarat, the inverted pear-shaped urns decorated with diamond-point cutting and mounted with bronze bases, swan’s neck handles and swags of oak leaves, the pierced necks set with bronze covers. h. 20-1/4”, w. 6-1/2”, d. 6-1/2” Provenance: Estate of Audry and Sherwood Bailey, Sr., Pass Christian, Mississippi. $400-$700 182

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183

183 Louis XV-Style Parquetry-Veneered Mahogany Bureau Plat

185 Louis XV-Style Painted Trumeau Mirror

ca. 1900, with brass and bronze mounts, the tooled leather writing surface edged with brass molding, the frieze with a band of three drawers, raised on cabriole legs capped by figural bronze mounts retaining elements of their gilt surface, the feet with like sabots. h. 31”, w. 71”, d. 37-1/2”

ca. 1900, the oil-on-metal painting depicting a bridge in a landscape, the painting and mirror with carved and scrolled giltwood surrounds. h. 63-1/4”, w. 44-1/4” $400-$700

$600-$900 184 After Francisque Joseph Duret (French, 1804-1865) “L’Improvisateur” bronze first quarter 20th century, modeled as a young Neapolitan boy in the guise of Bacchus, playing a mandolin, cast signature along edge of self-base, a “Stan Levy Imports” tag at back edge. h. 17”, w. 8”, d. 7” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $300-$500

184

185

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186 French Gilt-Bronze Encrier ca. 1900, in the rococo taste, molded with shells and rocaille work, the pair of ink pots with pierced covers and glass inserts. h. 3-1/2”, w. 9-1/2”, d. 4-1/2” $200-$400 186

187 Three-Piece French Silver Coffee and Tea Set fourth quarter 19th century, by Champenois, Paris, .950 silver, including a coffeepot, h. 11-1/4”, a teapot, h. 8”, and a covered sugar bowl, h. 6-1/4”, in the Louis XIV taste, each with a pearshaped body decorated with rococo banding and cartouches, with spiral-fluted spouts, arched handles, floriform finials and raised on four rocaille-crested feet, monogramed on the cartouches “TD”. 61.43 total t. oz. $700-$1,000

188 Three Gilt-Bronze Objects Cast by Ferdinand Barbedienne, Paris fourth quarter 19th century, the collection comprised of a pair of Baroque-style molded candlesticks, signed on the lower edge, h. 9-1/2”, dia. 4-3/4”, and a table figure of Cupid, readying his bow to shoot, signed on the lower rear, h. 10”, w. 3-3/4”, d. 2-1/2”.

187

$500-$800

188

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189

191

189 Vienna-Style Porcelain Cabinet Plate ca. 1900, the border with urn-centered pastel scrolls alternating with gilt birds, the reserve depicting Horaz and Genius in a sylvan landscape, signed illegibly in gilt overglaze, the reverse with underglaze blue beehive and titled in red overglaze script: “Horaz und Genius”. dia. 9-1/2”

191 Pair of Louis XV-Style Gilt-Bronze and Crystal Sconces second quarter 20th century, French, on scrolled backplates, hung with rococo crystal drops with glass flower medallions. h. 20”, w. 14”, d. 10”

$500-$800

$400-$700 190 Louis XV-Style Giltwood and Marble-Top Pier Mirror Base third quarter 19th century, with a conforming white marble top over a shaped frame with scrolled and foliate motifs, raised on cabriole legs. h. 13-1/2”, w. 40”, d. 14” $200-$400

190

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193 194

192 Louis XV-Style Painted Leather Screen 19th century, composed of four serpentine-top panels, depicting idealized scenes of country life. overall h. 83-1/2”, w. 90” $700-$1,000

193 Pair of Louis XVI-Style Gilt-Bronze Two-Light Sconces with quiver-form backplates set with urn finials, leaf-molded candle arms and octagonal drip pans. h. 14-1/4”, w. 8-1/2”, d. 5” $250-$400

194 Louis XV/XVI-Style Fruitwood Side Table late 18th century, the triple-banded rectangular top with a three-quarter gallery and shaped front, above a paneled frieze fitted with a single compartmented end drawer, raised on cabriole legs ending in sabots. h. 28”, w. 32-1/2”, d. 19-1/4” $500-$800

192

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196

195 Louis XVI-Style Painted Trumeau Mirror in the neoclassical taste, with an oval painting of a forest view, framed with swags of flowers held with bowknots, the mirror framed with beading, the corners set with medallions, all highlighted with gilt. h. 62-1/2”, w. 41” $500-$800 195

197 Pair of French Hand-Colored Lithographs

196 Louis XV/XVI-Style Kingwood and Marble-Top Commode

20th century, after L’Oeuvre de Delafosse by Armand Guerinet and Jean-Charles de la Fosse, including “Attributs de Guerre” and “Attributs Militaires”. Matted, glazed and framed alike. each sight 10-1/4” x 6-1/2”, framed 17-3/4” x 13-1/2”

the shaped rectangular marble top with projecting corners, above a conforming case fitted with three long drawers, all triple paneled and with decorative banding, raised on splayed legs to sabots. h. 34-1/2”, w. 51”, d. 20-1/2”

$400-$700

$400-$700

197

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198 Louis XIV-Style Parcel-Gilt Mirror fourth quarter 19th century, framed with carved scrollwork and flowerheads, the pierced crest with a central pierced carving of flowerheads, mounted on a painted back with old mirror glass. h. 20-1/2”, w. 14” $800-$1,200

199 Suite of Eight Provincial Louis XV/XVI-Style Painted Dining Chairs each with a rounded back with polychrome cane, molded compass-form seat upholstered in green floral brocade and fluted tapering circular legs. h. 35-1/2”

200

200 Large Provincial Louis XIV-Style Fruitwood Cabinet with a pair of shaped paneled doors over a pair of doors, raised on a stand with baluster-form columns joined by a serpentine stretcher. h. 84”, w. 66”, d. 27” $300-$500

$500-$800

199

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201 Suite of Ten Provincial Louis XVI-Style Beechwood Dining Chairs each with a caned back and carved compass-form seat, raised on fluted tapering legs. h. 38” $600-$900

202 Pair of Louis XVI-Style Mahogany Side Chairs early 20th century, each with a medallion back, ribbon-carved crest, serpentine rail and stop-fluted tapering legs. h. 36”

201

$200-$400

203 Collection of French Painted Lead Figures first quarter 20th century, the figures on horseback, illustrating the progress of history in France, the earliest figure is of Clovis I (466-511), who united the Frankish people, and the most recent figure is of Napoleon III (1808-1873). h. 2-1/2” to 5-1/4” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $500-$800 202

203

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205

205 Pair of Louis XVI-Style Polychrome Side Chairs

204

20th century, each with an oval padded back and raised on turned and fluted legs. h. 38-1/2”, w. 20”, d. 18”

204 Louis XIV-Style Giltwood Mirror

$50-$100

20th century, the serpentine sides inset with mirror panels trimmed with scrollwork, the crest decorated with a mirrorbacked giltwood flower in a roundel, the lower edge with a shell. h. 48-1/2”, w. 31-1/2”

206 Louis XVI-Style Polychrome Two-Drawer Commode the front with applied floral decoration, raised on tapered square legs. h. 34-1/2”, w. 49”, d. 21”

$800-$1,200

Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $700-$1,000

206

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209 207

207 Pair of Louis XVI-Style Polychrome Side Chairs 20th century, each with an oval padded back, serpentine seat and raised on turned and fluted legs. h. 38”, w. 20”, d. 18”

209 Pair of Rococo-Style Gilt-Metal Candlesticks

$100-$200

ca. 1900, Continental, the standards molded with intertwined dolphins. h. 10”, w. 5-1/2”, d. 4-1/2”

208 Louis XVI-Style Giltwood Settee

$100-$200

19th century, the floral- and ribbon-carved top rail centered by an avian-carved crest, the back joined to open arms with foliate carving, a bowed seat rail and turned legs, upholstered in gold-striped brocade. h. 39-1/2”, w. 60”, d. 22” $500-$800

208

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210

210 Pair of Louis XVI-Style Polychrome Side Chairs late 19th century, each having a carved frame with beaded detailing and raised on turned and carved legs. h. 33”, w. 17”, d. 16” $100-$200

211

212 Louis XVI-Style Giltwood Settee and Pillow early 20th century, the settee with a floral-carved crest, fluted legs and tapestry-style upholstery. h. 39”, w. 52”, d. 21” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas.

211 French Bronze Five-Light Chandelier

$700-$1,000

first quarter 20th century, in the Louis XV taste, molded with leaves and scrollwork. h. 34”, dia. 17” $500-$800

212

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213

213 French Bronze Four-Light Chandelier

215 Signed Louis XVI-Style Mahogany and Marble-Top Cabinet

first quarter 20th century, in the Directoire taste, with rope-twist arms and pierced scrolls hung with swags of flowers. h. 19”, dia. 12”

early 20th century, the stepped rectangular marble top within a full pierced brass gallery, above a case fitted with a frieze drawer over a tambour cupboard with two cabinet doors below, each inset with a parquetry panel, raised on spiralribbed toupie feet, the back stamped “Cacaut / Paris”. h. 59”, w. 28”, d. 14”

$500-$800

214 Suite of Four Louis XVI-Style Giltwood Fauteuils

$400-$700

ca. 1900, with ribbon-carved crests and retaining their Aubusson upholstery. h. 38-1/2”, w. 27”, d. 22” $1,000-$1,500

214 215

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216 Louis XVI-Style Kingwood and Marble-Top Lingerie Chest 20th century, the rounded rectangular marble top above a case fitted with six drawers, each banded and with chevron veneers and a floral scrolling inlay, the sides veneered en suite, raised on short splayed legs to sabots. h. 54-1/2”, w. 28”, d. 14-1/4” $600-$900

217 French Bronze Six-Light Chandelier first quarter 20th century, in the Renaissance taste, the triangular standard decorated with scrollwork and cabochons, and three busts, the paneled arms set with leaf-molded drip pans and sockets, alternating with winged heads on scrolled supports. h. 26”, dia. 20-1/2”

217

218 Louis XVI-Style Kingwood and Marble-Top Cabinet

$400-$700

late 19th century, the D-form marble top above a conforming case fitted with a central drop front, opening to a leather-inset surface and drawers and cubbyholes, over a tambour cupboard opening to two small drawers, flanked to either side by a drawer over a tall cupboard door, raised on tapering square legs ending in brass caps, the whole accented with decorative banding and quarter veneers. h. 47-3/8”, w. 43-1/2”, d. 17-1/2” $600-$900

218 216

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219

220

219 Louis-Philippe Mahogany Demi-lune Fold-Over Table fourth quarter 19th century, having an oval top when opened and supported by a center rear leg attached to a drawer, the whole raised on turned legs ending in brass cup casters. h. 29-1/2”, w. 45”, l. 56” $700-$1,000 220 After Francisque Joseph Duret (French, 1804-1865) “Neapolitan Dancer with Tambourine” “Neapolitan Dancer with Castanets”

221 French Baroque-Style Giltwood Mirror fourth quarter 19th century, the pierced crest decorated with a basket of flowers framed with scrollwork, with additional pierced scrollwork forming the sides, a bouquet of flowers at the lower edge. h. 39”, w. 24-1/4” $800-$1,200

pair of pendant patinated bronzes third or fourth quarter 19th century, cast by AugusteMaximilien Delafontaine (French, 1813-1892), each with cast signature and foundry inscription on self-base, marked “AD” along edge of base. h. 17”, w. 6” to 6-1/2”, d. 5” Provenance: Private collection, Connecticut. Notes: Duret was an academically trained sculptor whose most popular and familiar works reveal his deep love and appreciation for the antiquities of the Classical Age. The son of an artist, he trained with his father and studied under Francois-Joseph Bosio, before traveling to Europe where he soon immersed himself in the history, culture and artistic traditions of the region. The original models for the works presented here (part of his debut exhibition at the Paris Salon of 1838), bear a resemblance in form and composition to the Dancing Satyr, a 1st/2nd century CE Roman sculpture (itself a copy of the 2nd century Hellenistic work), now conserved at the Uffizi Gallery, Rome, and the Dancing Faun, a 2nd century BC Greco-Roman sculpture, now conserved at the National Archaeological Museum in Naples. Duret’s figures, however, exhibit more freedom from the somewhat controlled postures of his inspiration; his dancers turn, twist and contort, revealing exuberant expressions and easily conveying to the viewers their pleasure and enthusiasm for the dance in which they are so completely engrossed.

221

$800-$1,200

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222 Pair of Continental Neoclassical Giltwood Altar Sticks first quarter 19th century, now mounted as lamps, on scrolled feet, the reeded standards carved with lotus leaves, set with tole drip pans. h. 38”, dia. 7” $600-$900

223 Two Continental Mahogany and Paint-Decorated Trunks on Stands 19th century, each with a faceted and domed top, dovetailed corners and mounted to a cabriole leg stand, the front of each trunk with painted flowers and initials. h. 45”, w. 35”, d. 19” and h. 40”, w. 34”, d. 18-1/2”

224

222

$150-$300

224 Continental Painted Tin Lantern mid-19th century, now electrified and set with four sockets. h. 34”, w. 11”, d. 11” $800-$1,200

225

225 Continental Mahogany Trestle Table 20th century, the rectangular top above a conforming molded frieze, raised on scrolling acanthine-carved end supports centered by a spiralribbed column, joined by a spindled stretcher and ending in runner feet. h. 29”, w. 58-1/2”, d. 31” 223

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$300-$500


226 Continental Neoclassical-Style Parcel-Gilt Trumeau Mirror ca. 1900, the upper tablet with a basket of flowers supported by a bowknot, and flowers and garden implements, on a green ground. h. 73-1/2”, w. 30-1/4” $300-$500 227 Three Continental Silverplate and Glass Claret Jugs first half 20th century, one of tapering conical form with wheelengraved ferns and double scroll handle, one of tapering oval section and wheel-engraved with floral cartouches, swags and monogram “K”, with squared handle with toupie finial, and one of ovoid form with molded “Brilliant”-style decoration, with double scroll handle and mascaron spout. h. 8-3/4” to 10-1/2”

227

$300-$500 228 Continental Neoclassical Mahogany Secretaire a Abattant mid-19th century, the rectangular top above a conforming case fitted with a long drawer over a drop front, centered by an inlaid classical figural medallion and opening to a variety of drawers and cubbyholes, over two cupboard doors, each with a central urn inlay, raised on tapering square legs. h. 57-1/2”, w. 37”, d. 16” $300-$500

228 226

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229 Continental Scrubbed Pine Bench 20th century, of Scandinavian form with a paneled and scalloped back, spindle arm supports and plank seat. h. 35”, w. 78”, d. 21” $700-$1,000

229

230 After Halfdan Hertzberg (Norwegian, 1857-1890) “Le Siffleur - The Whistler” patinated bronze first quarter 20th century, cast signature along back of self-base, artist plaque with title along front, interior of base marked “17763”, after the model exhibited at the Exposition Universelle of 1889. h. 15”, w. 5-1/2”, d. 6” Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana. $500-$800

230

231 Pair of “Napoleon Tigre” Marble Goblet-Form Footed Urns ca. 1900, Continental, set with ring-turned stems. h. 18”, dia. 9-3/4” $50-$100

231

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232 Continental School (Third to Fourth Quarter 19th Century) “The Horse-Drawn Sleigh Ride” oil on canvas affixed to panel illegibly signed lower right. Framed. 16-1/2” x 20”, framed 21-1/4” x 24-1/2” $500-$800

232

233 Classical-Style Polychrome and MarbleTop Center Table composed of antique elements, the circular black marble top supported by a large turned and fluted standard. h. 28”, dia. 38” $400-$700

233

234 Regency-Style Faux Marbre Wooden Fireplace Surround ca. 1900, the mantel with a carved molding, over a guilloche-carved frieze, the upper corner blocks with a foliate panel, having shaped paneled legs over a projecting paneled bases. h. 48”, w. 62-1/2”, d. 8”; firebox opening h. 39-1/4”, w. 38-1/2” $600-$900

234

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235 Three Art Prints of Napoleon Bonaparte 20th century, including a facsimile of Napoleon’s coronation after the etching by Desnoyers; together with two color bookplates after portraits by Delaroche and Borely. Each matted, glazed and framed. sights 10-1/2” to 19” x 8-1/4” to 14”, framed 13-1/4” to 16” x 11-1/4” to 21-1/4” $400-$700 236 Regency-Style Mahogany Cabinet 19th century, the rectangular top above a conforming case fitted with two drawers over two paneled cupboard doors, flanked and separated by engaged ormolumounted pilasters, raised on molded block feet. h. 37”, w. 62”, d. 14-1/2”

235

Provenance: Collection of Marjorie Leverich Moran, New Orleans, Louisiana. $700-$1,000 237 Regence-Style Giltwood Stool early 20th century, the padded rectangular top raised on fluted tapering square legs headed by ribbed capitals, joined by a foliate X-form stretcher and ending in bun feet, upholstered in Janet Yonaty silk jacquard. h. 20”, w. 35”, d. 29-1/2” $500-$800

237

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238 Regence-Style Kingwood, Mixed Woods and Marble-Top Commode 20th century, the shaped marble top above a conforming bombe case fitted with two long drawers with inlaid scrolling foliate and floral patterns, the sides en suite, raised on sabre legs ending in sabots, the whole with decorative ormolu mounts. h. 33”, w. 45”, d. 22” $500-$800 239 Neoclassical-Style Marble Pedestal the variegated black and gray pedestal with a square top supported by a column joined to a square base. h. 42-1/4”, w. 11-3/4”, d. 11-3/4” $300-$500

239

238

240 Neoclassically Inspired Bronze and Stone Occasional Table the oval stone top above a frieze molded as swags and tassels, the base adorned with putti. h. 28”, w. 28-1/2”, d. 21-1/4” $300-$500

240

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241 Two Bronze Table Lamps including a Neo-Grec bronze banquet lamp, third quarter 19th century, now electrified, on a footed base decorated with molded anthemia and incising, the sides molded with classical figures from “Dance of the Hours”, and the handles molded with anthemia and scrollwork, h. 32-3/4”, dia. 6-3/4”, together with a French Portoro marble and bronze lamp, with a vasiform marble base decorated with molded bronze panels of cornucopia and laurel wreaths, h. 19-1/2”, dia. 5-1/2”. $200-$400 242 Rosa Bruhl (German, 1869-1914) “Young Maiden and Cupid with Musical Instruments”, 1895, after V. Lynais (French, 19th Century) “Young Maiden Adorned by Cupid and Putti”, 1895, after Franz Lefler (Austrian, 1831-1898) pair of oils on canvas each signed, dated and inscribed lower right and left corners. Framed alike. 27-1/2” x 19-1/2”, framed 31-1/4” x 33” $300-$500 241

242

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243 Pair of Neoclassical-Style Mahogany Obelisks 20th century, Continental, the obelisks resting on balls, above bases with ebonized trim. h. 20-1/4”, w. 4” $50-$100 244 Napoleon III Burl and Fruitwood Bureau de Dame third quarter 19th century, the superstructure fitted with a central mirrored cupboard, flanked to either side by a lower bank of three small drawers, all surrounded by a partial pierced brass gallery, the shaped lower section centered by an inset leather surface and above a frieze fitted with a single drawer, raised on cabriole legs ending in sabots, the whole accented with delicate inlaid scrolling patterns and ormolu mounts. h. 47-1/2”, w. 44”, d. 26” $700-$1,000

243

244

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245 Napoleon III-Style Kingwood, Burl Elm and MarbleTop Lingerie Chest mid-20th century, the shaped rouge marble top over a conforming case fitted with six gently serpentine drawers, dressed with ormolu mounts and banding. h. 51-1/2”, w. 27”, d. 16” $400-$700

246 Continental School (Late 18th/Early 19th Century) “The Herder with Cattle, Goats and Sheep” oil on canvas unsigned. Framed. 17-3/4” x 29-1/4”, framed 24” x 36”

246

$600-$900

247

247 Ansonia Crystal Regulator Mantel Clock second half 19th century, with a gilt-bronze case set with beveled crystal. h. 11-1/2”, w. 7-1/2”, d. 5-3/4” $250-$400

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245


249 Italian Verdigris-Patinated Bronze of “Mercury” ca. 1900, after Giovanni da Bologna (Italian, 1529-1608), on an octagonal weathered marble base. overall h. 22”, w. 7”, d. 7” $400-$700 250 Pair of Italian Neoclassical-Style Crackle-Painted Side Tables each with an inset glass top above a pull-out slide and drawer. h. 25”, w. 24”, d. 24” $150-$300

248

248 Parcel-Gilt and Black-Painted Mirror 20th century, in the Italian rococo taste. h. 46-3/4”, w. 30-3/4” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $700-$1,000 249

250

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251 Italian Parcel-Gilt Altar Stick in the Neoclassical Taste second quarter 19th century, on paw feet, the base decorated with blue paint and a leaf-carved standard. h. 34-1/2”, dia. 9-1/2” $500-$800 252 After Andrea Mantegna (Italian, 1431-1506) “Judith with the Head of Holofernes” pen and ink wash on paper inscribed along right edge “Andreas Mantinia”, along with Roman numerals, probably early 20th century. Antique giltwood and gesso frame. sheet 11-3/8” x 8-3/8”, framed 19-1/2” x 16” $800-$1,200 253 Impressive Italian Neoclassical Giltwood Altar Stick first quarter 19th century, on a tripartite base with angels at each corner, and molded acanthus leaves supporting the Corinthian column standard, set with a gadrooned drip pan and a pricket candle holder. h. 53-1/2”, dia. 12-1/2”

252

$600-$900

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251

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256

254

254 Italian Giltwood Mirror fourth quarter 19th century, decorated with baroque-style scrollwork. h. 17”, w. 15-1/4” $150-$300

255 Italian Neoclassical-Style Giltwood and Polychrome Demi-lune Cabinet the gadrooned top over a case fitted with two drawers, raised on tapering square legs, the whole with Florentine-style decoration. h. 29”, w. 27”, d. 14-1/2” $100-$200

256 Pair of Italian Carved and Gilded Wooden Figural Brackets fourth quarter 19th century, each with a carved cherub backplate supporting a shell-carved shelf. h. 15-1/2”, w. 15-1/2”, d. 9-1/2” $400-$700

257

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258

257 Italian Giltwood Mirror in the Rococo Taste 257

fourth quarter 18th century, the rectangular molded surround carved with beading and leaves at each corner and fitted with an inset mirror, the crest with pierced rocaille work and the sides decorated with pierced scrollwork. h. 48”, w. 34” $500-$800

258 Pair of Italian Faience Palace-Size Ginger Jars third quarter 20th century, in the Urbino style, decorated with coats of arms, cornucopias of fruit and grapevines. h. 30”, dia. 18” $500-$800

259 Pair of Italian Parcel-Gilt Sconces mid-20th century, with cornucopia backplates fitted with fruit, the arms hung with prisms. h. 27”, w. 12”, d. 7” 259

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$800-$1,200


260 Italian Rococo Carved and Painted Boiserie Niche fourth quarter 18th century, with a swell front, the serpentine opening carved with trailing flowerheads, the sides carved with scrollwork, rocaille work and flowerheads, with a shellcarved crest. h. 62-1/2”, w. 33”, d. 9” $600-$900 261 Pair of Italian Hand-Colored Engravings of Fontainebleau 18th century. Matted, glazed and framed alike. each sight 6-1/2” x 7-5/8”, framed 16-1/4” x 17-1/8”

261

$500-$800 262 Venetian Mirror mid-20th century, Italian, with beveled edges and engraved leaves. h. 57”, w. 37-1/2” $800-$1,200

261

260

262

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263 Venetian Mirror third quarter 20th century, Italian, with engraved leafshaped appliques and beveled edges. h. 52-1/2”, w. 40” $700-$1,000 264 Pair of Baroque Giltwood Architectural Elements ca. 1700, now mounted as lamps, carved with kneeling angels supporting plinths, with tole drip pans, electrified. overall h. 21-1/2”, w. 7-3/4”, d. 6-3/4” $400-$700

263

265 Baroque-Style Giltwood and Maple Cocktail Table the inset beveled glass top in a serpentine frame, raised on cabriole legs joined by shaped stretchers. h. 20-1/2”, w. 46-1/2”, d. 46-1/2” $100-$200

264

265

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266 Baroque-Style Carved Giltwood Floor Lamp first quarter 20th century, the standard carved with mirror-image acanthus leaves and rope-twist carving, above a circular base on bun feet. h. 68-1/4”, dia. 11” $600-$900

267 Adrianus Petrus Nicolaas Vermunt (Dutch, 1907-1993) “The Village”

267

oil on wood panel signed lower left. Period gilt frame. 10-1/2” x 15”, framed 20-1/2” x 25” $200-$400

268 French Gilt-Bronze, Mahogany and Glass-Top Occasional Table mid-20th century, the mahogany platform base supporting a gilt-bronze urn-form pedestal molded with putti and ram’s-head handles, and fitted with a beveled edge glass top. h. 19-3/4”, dia. 23-3/4” $200-$400

266

268

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269 Gilt- and Silvered Bronze and Glass Plateau fourth quarter 19th century, French, in the Aesthetic taste, with Asian piercing and foo dog heads on the base, the pierced rim with a molded branch with leaves and a butterfly, inset with a beveled mirror. h. 5-3/4”, dia. 15-1/2” $400-$700

269

271

270 French Bronze and Crystal Figural Centerpiece 20th century, with a gilt-bronze foot and trimming, the patinated bronze nude figure supporting the crystal bowl. h. 16-1/4”, dia. 13-1/2” $400-$700

271 Unusual Bronze and Metal Hall Lantern of Baroque Inspiration second quarter 20th century, French, with an ovalform frame decorated with molded bronze leaves and flowerheads, framing an interior leaf-molded platform set with candle sockets, the upper portion with metal scrolls trimmed with bronze leaves. h. 43”, dia. 16” $500-$800

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272

272 French Aesthetic Marble and Bronze Clock Set

273

fourth quarter 19th century, decorated with gilt and silvergilt incising, the clock with an urn-form finial, the works marked by Japy Freres, h. 15-1/2”, w. 11-1/2”, d. 7”, and the matching two-light candelabra with molded candle cups and pierced anthemia finials, h. 17”, w. 8-1/4”, d. 4-1/4”. $400-$700

273 Empire-Style Gilt-Metal Bouillotte Lamp fourth quarter 20th century, the standard flanked by dolphinhead arms, fitted with a tole shade. h. 22-1/2”, shade dia. 13” $200-$400

274 Empire-Style Gilt-Brass Bouillotte Lamp fourth quarter 20th century, with swan-form arms and a tole shade. h. 28”, shade dia. 14-1/2” $400-$700

274

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275 Empire-Style Pier Mirror with Jardiniere Base ca. 1900, the polychrome, parcel-gilt and foliate-carved cornice over a frieze with gilt mounts and a beveled rectilinear mirror plate flanked by pilasters with figural capitals and paw feet, the lower section with an open well with tole liner, on carved paw feet. h. 96”, w. 60”, d. 17” $500-$800 276 Large Meissen-Style Porcelain Figure

277

ca. 1900, depicting a reclining child with flowered dress, the underside marked with blue crossed swords. h. 9-1/2”, w. 16”, d. 7” $50-$100 277 Meissen Porcelain Figure of a Hunting Dog first quarter 19th century, German, poised on a mossy earthen mound, with a fluted and molded base, the collar marked “FA”, believed by some to stand for Frederick Augustus, elector of Saxony from 1774, with underglaze blue crossed swords and incised “C.27”. h. 7-1/4”, w. 9-3/4”, d. 5-1/2”

276

Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana. Literature: Deloris Hensi, The H. Lloyd Hawkins, Jr. Meissen Collection (New Orleans Museum of Art, 1997), p. 60. $600-$900

278

278 Three Signed Steuben Crystal Bowls third quarter 20th century, New York, including a center bowl, h. 3-1/2”, dia. 13”, and two smaller bowls, h. 3-1/2”, dia. 4-1/2” and 7-1/2”. Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $500-$800 275

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279 Pair of Restauration-Style Gilt and Patinated Brass Lamps 20th century, in the form of candlesticks, fitted with swirlpleated silk shades. h. 30-1/2”, w. 6” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $500-$800 280 Restauration-Style Walnut and Marble-Top Commode early 20th century, the rounded rectangular marble top above a conforming case fitted with a cushion frieze drawer over three long drawers, raised on bracket feet. h. 39”, w. 50”, d. 23-1/2” $500-$800 279

281 Baroque-Style Tortoiseshell Mirror fourth quarter 19th century, Dutch or Flemish, the mirror with a tortoiseshell and ripple molding. h. 30”, w. 40” $500-$800 282 Louis Franciscus Hendrik Apol (Dutch, 1850-1936) “The Bridge in Winter” oil on panel signed lower left and en verso. Framed. 16” x 12”, framed 23” x 19” 281

$500-$800

280 282

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283 Directoire-Style Fruitwood and Marble-Top Side Cabinet 19th century. h. 33”, w. 16-1/2”, d. 14” $300-$500 284 Pair of Dutch School Still Lifes fourth quarter 19th century, each chromolithograph on paper heightened with oil, later laid down on canvas and backed by panel. Framed alike. each 29” x 24”, framed 34” x 29” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $500-$800

284

285 Pair of Chinoiserie-Style Gilt-Bronze and Mirror Glass Two-Light Candelabra second quarter 20th century, the standards with pagoda finials over mirrors etched with phoenixes, issuing arms with prism-hung bobeches, on gadrooned rectangular stem feet. h. 14-3/4”, w. 11”, d. 2-1/4” $250-$400

284

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286 Pair of Rococo-Style Gilt-Bronze Tie-Backs first quarter 20th century, French, decorated with molded bunches of fruit held with pierced bowknots. w. 11-1/2”, d. 5” $200-$400 287 Fruitwood and Burl Banquet Table ca. 1900, the ovoid table banded and with a gadroon-carved edge, raised on large cabriole legs headed by foliate shield carving and ending in ball-and-claw feet, with two 12” leaves and one 24” leaf. h. 31-1/2”, w. 47-1/2”, l. 94”, ext. l. 142”

286

$800-$1,200 288 Jose Acevedo (Spanish, 1850-1905) “Matador”, 1881 watercolor signed and dated mid-left, a “Real Academia de Bellas Artes de San Fernando” label with artist and typewritten artist’s biography in Spanish en verso. Glazed and framed. sight 11-1/4” x 9-1/4”, framed 15-1/2” x 13-1/2” $500-$800

288

287

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289 Renaissance-Style Oak Kneehole Desk fourth quarter 19th century, with a rectangular top above a row of three drawers and a cabinet on each side of the kneehole opening, the rear side panels opening to hidden storage compartments. h. 30”, w. 56”, d. 31” $400-$700

290 Manuel Vicario (Spanish, b. 1956) “Beach” oil on masonite signed lower right, signed and titled in Spanish en verso. Framed. 12” x 23-1/2”, framed 21-1/4” x 33-1/4”

289

$500-$800

290

291 Biedermeier Burl Walnut Secretary mid-19th century, the domed cornice above two doors, each with a shaped glazed panel, over three short drawers, the central one concave, and one long drawer, over a faux tambour roll-top opening to an inset leather surface and drawers and a central cupboard, over a long frieze drawer over three long recessed drawers, flanked to either side by a fluted upright, raised on turned turret feet. h. 69-1/2”, w. 38”, d. 24-1/2” $500-$800

291

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294

292 Large Painted Iron Parrot Cage the domed top with applied scrolling decorative ironwork and mounted to an X-form iron base, presented in a painted surface. h. 84”, dia. 33” $800-$1,200

293 Group of Three Arras Wrought Iron Chairs 20th century, France, comprised of an armchair and two side chairs, of slung form with cast iron pad feet, the armchair with open scroll arms and shaped legs. armchair h. 36-1/4”, side chair h. 30” $500-$800

294 Pair of Arras Wrought Iron Side Chairs 20th century, each of sling form with parallel slats, the legs with cast iron paw feet. h. 30” $400-$700

292

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295 Pair of Coalbrookdale-Style Polychrome Cast Iron “Autumn” Chairs first half 20th century, English, each with a round panel decorated with putti surrounded by flowers, and a flower-molded seat on cabriole legs, the back marked “Autumn”. h. 37-1/2”, w. 22”, d. 25-1/2” $500-$800

295

297

296 Pair of Cast Stone Figural Pedestal Jardinieres each modeled as Atlas supporting a square jardiniere bowl. h. 50”, w. 23-3/4”, d. 23-3/4” $500-$800

297 Pair of Cast Lead Garden Figures 19th century, probably English, depicting two of the seasons, one figure with a fire pot for winter and the other figure with birds for spring. h. 19”, w. 7-3/4”, d. 7” $600-$900

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298 Semi-Antique Sarouk Carpet 10’ x 15’ 6” $800-$1,200 299 Heriz Carpet 11’ x 14’ 7” $700-$1,000 300 Semi-Antique Lilihan Runner 3’ 6” x 10’ 9” $300-$500

298

300

299

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301 Semi-Antique Tabriz Carpet 6’ 8” x 10’ $900-$1,200 302 Semi-Antique Heriz Carpet 8’ x 10’ Provenance: Estate of Audry and Sherwood Bailey, Sr., Pass Christian, Mississippi. $600-$900 303 Semi-Antique Isfahan Carpet 10’ x 13’ Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana. $600-$900

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305

304

304 Agra Serapi Runner 2’ 7” x 21’ 9”

306 Semi-Antique Kerman Carpet

$600-$900

4’ 11” x 7’ 5”

305 Semi-Antique Tabriz Carpet

$800-$1,200

9’ x 12’ $800-$1,200

306

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307 Tabriz Carpet 10’ x 14’ $800-$1,200

308 Turkish Angora Oushak Carpet 7’ 9” x 11’ 8” $700-$1,000

307

308

309 Turkish Oushak Carpet 8’ x 10’ $900-$1,200

309

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310 Silk Tabriz Carpet 5’ 4” x 7’ 8” Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana. $600-$900 311 Silk Tabriz Carpet 5’ 6” x 9’ 7” Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana. $600-$900

310

312

312 Laristan Sultanabad Carpet 6’ x 9’ $600-$900

311

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313

313 Collection of Seven Effigies

314 Collection of Four African Bronze Effigies

including six carved wooden African figures, h. 15-1/2” to 8-1/2”, a stool carved with a human head on an animal, h. 14-1/4”, dia. 12-3/4”, and a Central American pottery figure, h. 8-3/4”, w. 3-1/2”.

20th century, two male and two female, one mounted on a walnut base. h. 10-1/4” to 11”, w. 4” to 4-3/4” $400-$700

$400-$700

314

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317 Le Vian Diamond Ring 14k white gold, composed of twenty-six round-cut diamonds, four baguette-cut diamonds and twenty princess-cut diamonds, with an approximate total diamond weight of 1.17 carats. size 6-3/4, total weight 6.0 grams $400-$700

315

315 Diamond Ring platinum, the ring mounted with a row of round brilliant-cut diamonds bordered by a row of marquise-cut diamonds, weighing approximately 1.38 carats in total, approximate color E-G and clarity VS1-VS2. size 5, total weight 8.0 grams

317

$600-$900 316 Diamond Ring 14k white gold, the ring mounted on the top and sides with round brilliant-cut diamonds weighing approximately 1.60 carats in total. size 7, total weight 9.6 grams $600-$900

318 Le Vian Diamond Band 18k white gold, the band set with a row of round brilliant-cut diamonds flanked on either side by a row of baguette-cut diamonds, with an approximate total weight of 0.40 carats, stamped “Le Vian, 18K� and with the Le Vian logo. size 6, total weight 5.2 grams $400-$700

318

316

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319 Diamond Ring and Earrings the Le Vian diamond ring, 18k white gold, mounted with round brilliant-cut diamonds weighing approximately 0.45 carats in total, stamped “Le Vian” with the Le Vian logo, size 6-1/4, together with a pair of earrings, 14k white gold, mounted with round brilliant-cut diamonds weighing approximately 0.45 carats, l. 1/2”. total weight 8.1 grams $500-$800 320 Diamond Earrings sterling silver, the long articulated earrings mounted with round-cut diamonds weighing approximately 3.75 carats in total. l. 3”, total weight 14.0 grams 319

$450-$700

321 Diamond Hoop Earrings 14k white gold, the inside-out earrings pave-set with round brilliant-cut diamonds weighing approximately 4.95 carats in total. dia. 1-1/2”, total weight 18.0 grams $700-$1,000

320 322

322 Diamond Cluster Slide Pendant 10k white gold, the pendant mounted with round brilliant-cut diamonds weighing approximately 1.01 carats in total. size 7/8” x 1”, total weight 8.7 grams $250-$400

321

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323 Diamond Jewelry Suite sterling silver/18k yellow gold, including a pair of domed button earrings set with single-cut diamonds, signed “EFFY”, l. 5/8”, and a necklace with a heart pendant set with round brilliant-cut diamonds, l. 18”, with an approximate total diamond weight of 0.50 carats for both. total weight 66.5 grams $150-$300

325

324 Diamond Heart Pendant 10k white/yellow gold, the pendant mounted with round brilliant-cut diamonds weighing approximately 3.10 carats in total. l. 1-1/4”, total weight 10.4 grams $300-$500 323

325 Diamond Heart Necklace 14k white gold, the heart-shaped pendant mounted with round brilliant-cut diamonds weighing approximately 1.37 carats in total, l. 7/8”, suspended from a white gold chain, l. 16”. total weight 5.0 grams $400-$700

324

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326 Superdome Charm Necklace 14k yellow gold, the charm in the image of the New Orleans Superdome, w. 9/16”, suspended from a 17” gold chain. total weight 1.4 grams $50-$100 327 Silver and Diamond Bracelet sterling silver, the bracelet mounted with round-cut diamonds weighing approximately 0.84 carats in total. l. 7-1/4”, total weight 16.1 grams $75-$125

326

327

328 Diamond Bangle Bracelet sterling silver, the hinged bracelet mounted with round-cut and baguette-cut diamonds weighing approximately 3.24 carats in total. inside circumference 7-1/4”, total weight 14.4 grams $400-$700

329

329 South Sea Pearl and Diamond Pendant 18k white gold, the pendant mounted with a 9.4 mm cream South Sea pearl with a good luster, accented by round brilliantcut diamonds weighing approximately 0.62 carats in total. l. 1-1/8”, total weight 13.4 grams $300-$500

330

330 Pearl and Diamond Ring and Earrings 14k white gold, the ring mounted with a white pearl measuring approximately 15.5 mm x 13.7 mm, accented by roundcut diamonds, size 6, together with a pair of clip-back post earrings mounted with a white cultured pearl measuring approximately 9.3 mm in diameter, accented by round-cut diamonds, l. 3/4”, with an approximate total diamond weight of 0.14 carats for both pieces. total weight 17.0 grams 328

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$600-$900


331

332

331 Pearl and Diamond Jewelry Suite 14k white gold, including a ring, size 7, and a bracelet, inside diameter 7”, a pair of earrings, l. 3/4”, and a pendant, l. 1”, all mounted with a South Sea golden pearl with a good luster, measuring approximately 12.5 mm to 14.0 mm in diameter, and accented with round- and baguette-cut diamonds weighing approximately 1.59 carats in total. total weight 39.0 grams $500-$800 332 Pearl and Diamond Ring 18k white gold, the ring mounted with an 11.9 mm South Sea golden pearl with a good luster, accented by round brilliantcut diamonds weighing approximately 0.29 carats in total. size 6-3/4, total weight 6.7 grams

333

$250-$400 333 Pearl and Diamond Ring 14k yellow gold, the ring mounted with a mabe pearl measuring approximately 18.00 mm in diameter, accented with round-cut diamonds weighing approximately 0.29 carats in total. size 5, total weight 13.0 grams $400-$700 334 Pearl and Diamond Ring and Earrings 14k yellow gold, the ring mounted with a 13.1 mm golden South Sea pearl measuring approximately 13.1 mm in diameter, accented by single-cut diamonds, size 6, together with a pair of earrings mounted with teardrop-shaped gold pearls measuring approximately 11.4 mm x 12.2 mm, accented by round brilliant-cut diamonds, l. 1-1/8”, with an approximate total diamond weight of 0.30 carats for both pieces. total weight 15.3 grams $450-$700

334

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337

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335 Pearl Jewelry Group 14k yellow/white gold, including a multi-strand necklace composed of 3.0 mm to 3.5 mm freshwater pearls, l. 18”, a freshwater baroque pearl enhancer mounted with round-cut diamonds weighing approximately 0.03 carats in total, l. 2”, and a pair of freshwater baroque pearl earrings mounted with round-cut diamonds weighing approximately 0.05 carats in total, l. 1-1/2”. total weight 58.0 grams $500-$800 336 Pearl and Gold Necklace and Earrings 18k yellow gold, the necklace composed of long gold links separated by 7.5 mm cultured pearls, l. 25”, together with a matching pair of earrings accented with a star, set with seed pearls, l. 2-1/4”. total weight 22.9 grams $450-$700

338

337 Two Pearl Necklaces and Matching Earrings 14k yellow gold, the necklace composed of gray baroque pearls measuring from 10.9 mm x 17.5 mm to 8.3 mm x 12.1 mm, each finished with a gold ball clasp, l. 20” and 22”, together with a pair of matching dangle earrings with gold “fringe” composed of strands of gold chain, separating the top from the bottom pearl, l. 2-1/4”. total weight 115.3 grams $200-$400 338 Pearl and Diamond Brooch 14k white gold, the brooch mounted with 3.00 mm seed pearls and accented with round brilliant-cut diamonds weighing approximately 0.27 carats in total. dia. 1-1/8”, total weight 5.2 grams $200-$400

339

339 Mabe Pearl Ring and Earrings 14k yellow gold, the ring set with a gray mabe pearl measuring approximately 14.1 mm in diameter, size 4-1/2, and the clipback post earrings set with a gray mabe pearl measuring approximately 4.7 mm in diameter, l. 3/4”. total weight 10.2 grams $75-$125 340 Sapphire and Diamond Bracelet sterling silver, the bracelet mounted with pear-shaped sliced treated sapphires weighing approximately 10.56 carats in total, and slice-cut diamonds weighing approximately 2.55 carats in total. w. 3/4”, l. 7-1/2”, total weight 59.0 grams $600-$900

340

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341 Tanzanite and Diamond Ring 18k white gold, the ring mounted with a square-cut tanzanite weighing approximately 1.60 carats, accented with baguette-cut diamonds weighing approximately 0.36 carats in total. size 7, total weight 8.0 grams Provenance: Estate of Carolyn G. Fay, Houston, Texas. $400-$700

342 Blue Topaz and Sapphire Ring 14k yellow gold, the ring mounted with a treated ovalcut blue topaz weighing approximately 39.91 carats, surrounded by a halo of round-cut white sapphires weighing approximately 2.00 carats in total. size 6, total weight 18.0 grams

341

342

$500-$800

344

343 Aquamarine and Diamond Necklace 18k white gold, the double-strand necklace composed of tumbled aquamarine stones accented with two bars and a matching clasp mounted with round brilliant-cut diamonds weighing approximately 0.59 carats in total. l. 19�, total weight 60.9 grams Provenance: Estate of Carolyn G. Fay, Houston, Texas. $500-$800 344 Amethyst and Diamond Ring 14k rose gold, the ring mounted with an oval mixedcut amethyst weighing approximately 32.30 carats, flanked on either side by a round brilliant-cut diamond weighing approximately 0.20 carats in total. size 6, total weight 19.0 grams $400-$700 343

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345

348

346 347

345 Art Deco-Style Diamond Ring platinum, the custom-made ring mounted with a half-moon-cut diamond weighing approximately 0.59 carats, and baguettecut and single-cut diamonds weighing approximately 0.54 carats in total, approximate color E-F and clarity VS1-VS2, further accented with three square-cut rubies weighing approximately 0.09 carats in total. size 7, total weight 7.0 grams

347 Pink Sapphire Earrings sterling silver, the long earrings mounted with round-cut white sapphires and round-cut treated pink sapphires weighing approximately 6.05 carats in total. l. 2-1/8”, total weight 10.1 grams $400-$700

346 Pink Sapphire and Diamond Band 14k white gold, the band mounted with two rows of round-cut pink sapphires weighing approximately 0.20 carats in total, flanked on either side by a row of round brilliant-cut diamonds weighing approximately 0.12 carats in total. size 7-1/4, total weight 6.5 grams

348 Barbara Bixby Jewelry Suite sterling silver/18k yellow gold, including a ring mounted with square-cut pink tourmalines weighing approximately 2.50 carats in total, a “Bixby” flower applied to the band and set with a round brilliant-cut diamond weighing approximately 0.02 carats, size 7, and a cross pendant mounted with a round brilliant-cut diamond weighing approximately 0.02 carats, l. 1-1/4”, suspended from a 16” rope chain. total weight 18.2 grams

$400-$700

$150-$300

$1,500-$2,500

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352

349

351

118

351

353

350


349 Pink Sapphire and Diamond Ring 18k yellow gold, the ring mounted with a central ovalcut natural pink sapphire weighing approximately 1.08 carats, accented by round brilliant-cut diamonds weighing approximately 0.45 carats in total. size 6-1/4, total weight 7.8 grams $400-$700 350 Ruby and Diamond Bracelet 14k white gold, the hinged bracelet mounted with a pear-cut treated ruby weighing approximately 12.48 carats, accented by round brilliant-cut diamonds weighing approximately 6.25 carats in total, approximate color E-G and clarity VS2-SI2. inside circumference 7”, total weight 45.0 grams

355

354

$1,800-$2,500 351 Diamond Bracelet and Diamond, Turquoise and Ruby Ring sterling silver, the hinged bracelet mounted with rose-cut diamonds weighing approximately 4.19 carats in total, inside circumference 7”, and the 14k white gold/sterling silver ring in a flower design, mounted in the center with a cabochon-cut turquoise weighing approximately 2.48 carats, the “petals” mounted with pear-cut treated rubies weighing approximately 2.94 carats in total, and the whole accented with round singlecut diamonds weighing approximately 0.32 carats in total, size 6-1/2. total weight 41.5 grams $800-$1,200 352 Ruby and Diamond Pendant and Bracelet the gold vermeil/sterling silver pendant mounted with roundcut treated rubies weighing approximately 1.10 carats in total and rose-cut and slice-cut diamonds weighing approximately 6.10 carats in total, size 2-1/2” x 2-3/8”, suspended from an 18” oxidized silver chain and the sterling silver bracelet mounted with cabochon-cut treated rubies weighing approximately 12.00 carats in total, accented by rose-cut diamonds weighing approximately 3.75 carats in total, w. 1/2”, l. 7-5/8”. total weight 74.8 grams $900-$1,200 353 Seven-Piece Group of Sterling Silver Jewelry including a necklace with applied flowers and leaves, stamped “Sterling”, dia. 15”, an amethyst and shell ring stamped “Sterling”, size 9, a pair of amethyst earrings stamped “925”, l. 2”, a pair of armadillo hoop earrings, l. 1-1/4”, a wide cuff bracelet stamped “Sterling”, w. 1-1/2”, dia. 7”, and two cuff bracelets stamped “EY” and “Sterling”, dia. 7” and 7-1/4”. total weight 438.7 grams $400-$700 354 Diamond Band 14k white gold, the band pave-set with round brilliant-cut white diamonds, accented by blue, yellow, green and purple treated diamonds, with an approximate total diamond weight of 1.00 carat. size 6-1/2, total weight 10.8 grams

356

355 Le Vian Multi-Stone Ring 14k white gold, the tapered, filigree mounting set with round brilliant-cut diamonds weighing approximately 0.10 carats in total and princess-cut treated blue, yellow, pink and green sapphires weighing approximately 0.60 carats in total, stamped “Le Vian, 14k”. size 7, total weight 6.7 grams $200-$400 356 Le Vian Smoky Topaz and Diamond Ring 14k yellow gold, set with a cushion-shaped checkerboard faceted smoky topaz, with an approximate weight of 5.00 carats, and two pear-shaped checkerboard faceted smoky topazes, with an approximate total weight of 0.80 carats, twenty-four round brilliant-cut chocolate diamonds and twenty round white diamonds, with an approximate total diamond weight of 0.50 carats, stamped “14k, CN, Le Vian”. size 7, total weight 7.8 grams $250-$400

$400-$700

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361

363

362

360

357 359

120

358


357 Brown and White Diamond Ring 14k white gold, the ring set with a central round-cut brown diamond, with an approximate weight of 0.35 carats, flanked on either side by two round-cut diamonds, with an approximate total weight of 0.31 carats, and fifty-nine roundcut light brown diamonds, with an approximate total weight of 0.34 carats. size 6-1/2, total weight 4.0 grams $250-$400 358 Le Vian Chocolate/White Diamond and Garnet Ring 14k rose gold, set with an oval checkerboard-faceted garnet, with an approximate weight of 1.25 carats, thirty-eight round brilliant-cut chocolate diamonds and forty-two round white diamonds, with an approximate total weight of 0.65 carats, marked “14k” and with the Le Vian logo. size 7, total weight 5.2 grams $300-$500 359 Chocolate and White Diamond Ring 14k yellow gold, set with princess-cut chocolate diamonds and round brilliant-cut white diamonds, with an approximate total weight of 1.25 carats, stamped “R. Klein”. size 7, total weight 4.8 grams $250-$400 360 Le Vian Chocolate and White Diamond Ring 14k yellow gold, the ring in three sections, each mounted with round brilliant-cut chocolate diamonds separated by a row of round brilliant-cut white diamonds, with an approximate total diamond weight of 1.00 carat, stamped “Le Vian, 14k”. size 6, total weight 5.4 grams

361 Le Vian Blue Quartz and Diamond Jewelry Suite 10k yellow/white gold, including a ring set with a triangular-cut blue/green quartz, with an approximate weight of 7.16 carats, and eight round-cut diamonds, with an approximate total weight of 0.03 carats, size 5-1/4, and a pendant set with an oval-shaped blue/green quartz, with an approximate weight of 11.23 carats, suspended from a 16” fourteen-karat yellow gold box chain. total weight 12.0 grams $200-$400 362 Le Vian Peridot, Diamond and Demantoid Garnet Ring 14k rose gold, the pear-shaped ring set with a conforming faceted pear-shaped apple-green peridot, with an approximate weight of 2.00 carats, surrounded by round brilliant-cut diamonds, with an approximate total weight of 0.25 carats, and pave-set round faceted demantoid garnets, with an approximate total weight of 1.00 carat, stamped “Le Vian, 14K, CN”. size 6-3/4, total weight 6.4 grams $400-$700 363 Collection of Four Lady’s Coach Quartz Wrist Watches including a round stainless steel watch engraved with a “C” logo in the bezel with a black leather band, a gold-tone rectangular case watch with a “C” logo engraved in the bezel with a black leather band, a gold-tone round case watch with a gold-tone band, and a gold-tone rectangular watch and band, l. 6” to 7-1/2”. $300-$500

$200-$400

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364 Movado Two-Tone Diamond Museum Watch stainless steel, the quartz watch set with sixteen round brilliantcut diamonds weighing approximately 0.08 carats in total, model #81 E4 1844 S, serial #8,007,XXX. inside circumference 6-1/4”, total weight 56.5 grams $200-$400 365 Cartier Moonstone Stud Set 14k yellow gold, the cufflinks and studs mounted with moonstone cabochons, stamped “CARTIER”, “14k + PLAT.”, and with an “X” over an enclosed “14”. cufflink dia. 9.0 mm, total weight 12.4 grams $800-$1,200 366 Moissanite Stud Earrings 14k yellow gold, each stud mounted with a round brilliant-cut moissanite, weighing approximately 1.00 carat in total. total weight 2.9 grams $150-$300 367 Stylized Diamond Band 14k rose/yellow/white gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total. size 7, total weight 7.3 grams 364

$400-$700

366

367

365

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368 Diamond Ring 10k yellow gold, set with a round brilliant-cut diamond and fourteen single-cut diamonds, with an approximate total weight of 0.20 carats. size 7-3/4, total weight 4.2 grams $200-$400 369 Diamond Ring 14k yellow gold, the ring mounted with a white gold illusion top and set with a European-cut diamond weighing approximately 0.33 carats. size 6, total weight 2.2 grams

368

$150-$300 370 Diamond Ring and Earrings 14k rose/yellow gold, including a ring pave-set with single-cut diamonds, size 7-3/4, with matching earrings set with single-cut diamonds, l. 5/8�, with an approximate total weight of 2.00 carats for the trio. total weight 13.2 grams $200-$400 371 Diamond Bracelet and Ring the 10k yellow gold flexible bracelet set with single-cut diamonds, l. 7-1/8�, and the 14k yellow gold ring set with single-cut and round brilliant-cut diamonds, size 8-1/4, with an approximate total diamond weight of 1.25 carats for both. total weight 13.8 grams

369

$200-$400

370

371

123


372 Diamond Tennis Bracelet 14k yellow gold, the bracelet composed of round brilliantcut diamonds weighing approximately 5.14 carats in total, approximate color E-G and clarity SI1-I1. l. 7-1/4�, total weight 16.0 grams $1,200-$1,800

372

373 Diamond Bracelet gold vermeil, the stirrup link bracelet mounted with rose-cut diamonds weighing approximately 2.89 carats in total. l. 7-3/4�, total weight 17.1 grams $500-$800

373

374 Diamond Bangle Bracelet 14k yellow gold/sterling silver, the hinged bracelet mounted with rose-cut diamonds weighing approximately 1.75 carats in total. inside circumference 6-3/4�, total weight 18.5 grams $300-$500

374

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375 Two Pairs of Diamond Hoop Earrings 14k yellow gold, the hoop earrings set with single-cut diamonds, with an approximate total diamond weight of 0.20 carats. l. 1/2”, total weight 4.7 grams $150-$300 376 Gold Hoop Earrings 14k yellow gold, the hollow hoop earrings with a smooth polished finish. l. 7/8”, total weight 3.7 grams $75-$125 377 Pair of Diamond Hoop Earrings 14k yellow gold, the hinged hoop earrings set with round brilliant-cut diamonds, with an approximate total weight of 0.15 carats. l. 5/8”, total weight 9.1 grams $150-$300 378 Diamond Pendant on Chain 14k yellow gold, the pendant mounted with three round brilliant-cut diamonds weighing approximately 0.50 carats in total, l. 3/4”, suspended from a 15-1/2” box link chain. total weight 6.1 grams $150-$300

378

376

375

377

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379 Chinese School (Possibly 19th Century and Later) Three scroll paintings: “Listening to the Wind”, “Two Phoenixes”, and “Figure in a BroadBrimmed Hat” ink and color on paper and silk images h. 67”, w. 35”, h. 38-7/8”, w. 18-1/8” and h. 20-1/2”, w. 29-1/4” overall h. 84-1/2”, w. 39”, h. 54”, w. 23-1/4” and h. 53-1/2”, w. 30” $1,000-$1,500 379

380 Chinese Elm Altar Table 20th century, the long rectangular top with up-scrolled ends, above a shaped frieze, raised on four slightly tapering slender legs terminating in molded feet. h. 38”, w. 88-1/2”, d. 17-1/4” $800-$1,200

380

381 Chinese Three-Piece Bamboo and Hardwood Suite early 20th century, consisting of two armchairs and a table, the chairs each of box form and with a decorative pierced splat, the wooden seat raised on bamboo legs joined by a box-form stretcher, h. 36”, the later square table fitted with two tiers and raised on clustered bamboo legs, h. 31”, w. 16”, d. 16”. $150-$300 381

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383

382 Chinese School (Late 20th Century) “Luohans with Mythical Creatures amid Broiling Seas” ink and color on paper with calligraphic inscriptions and seal marks to top left and lower left. image h. 35-1/4”, w. 16-7/8”, overall h. 70-1/2”, w. 22” $300-$500

383 Indian Teakwood Architectural Window Panel ca. 1900, the rectilinear frame surrounding carved scrollwork, the joints adorned with carved rosettes, the bottom back section with loose molding. h. 35”, w. 61-1/2”, d. 2-1/4” Provenance: Davies-Reid Tribal Arts, Ketchum, Idaho. 382

$200-$400

384 Group of Two Chinese Famille Rose Porcelain Figures 20th century, one modeled as a seated Budai, with impressed manufacturer’s marks to the base, the other as a female attendant pouring tea for a seated noble. the largest h. 8-1/2”, w. 6-1/2”, d. 4-1/2 $200-$400

384

127


385 Fine Pair of Chinese Famille Rose Porcelain Wide Tea Bowls Republic period (1908-1949), the wide, low bowls delicately enameled on the exterior with a flock of nine red-crested cranes feeding in a pond next to a gnarled pine tree and a calligraphic inscription, the bases with four-character Qianlong seal marks in raised blue enamel, padded wooden boxes. h. 2-1/8” $50-$100

385

386 Impressive Chinese Famille Jaune Porcelain Covered Jar 20th century, of baluster form with slightly splayed foot and everted neck supporting a carved hardwood cover, decorated to the exterior with birds perched amid blossoming foliage and rockwork, the base unglazed, together with an associated hardwood stand. h. 26”, dia. 13” (excluding stand) $400-$700

386

387 Chinese Famille Jaune Porcelain Jar and Cover late 19th century, of compressed baluster form, with everted neck and splayed foot, the domed cover surmounted with a peach-form finial, decorated to the exterior with a continuous design of birds and insects amid foliage, below cobalt blueground lappets depicting auspicious objects, the base with an apocryphal six-character Chenghua mark within two concentric bands in underglaze blue. h. 16”, dia. 12” $400-$700

387

128


389 388

389 Chinese Wucai Porcelain Jar

388 Pair of Chinese Famille Verte Porcelain Covered Vases late 19th/early 20th century, each of ovoid form, with neat dome cover, decorated to the exterior with opposing cartouches depicting birds perched amid blossoming foliage, and an arrangement of scholarly objects, the shoulders and feet with floral borders, the bases unmarked, together with carved hardwood stands. h. 11”, dia. 4-1/2” $400-$700

second half 19th century, of globular form with everted lip, decorated to the exterior with a continuous design depicting children playing with kites and flags in a terraced garden, the base with a six-character Wanli mark within concentric bands in underglaze blue. h. 3”, dia. 3-1/4” $150-$300

390 Group of Three Chinese Export Porcelain Pitchers second half 19th century, each of typical form, the first decorated in the Imari palette, the second with famille rose floral sprays, and the third with a figural scene. smallest h. 6”, largest h. 10” $1,000-$1,500

390

129


391 Group of Five Chinese Export Porcelain Mugs mid-19th century and later, of various forms, each decorated with floral designs, one example with the monogram “RW”. smallest h. 4”, largest h. 5-3/4” $1,000-$1,500

391

392 Group of Four Chinese Export Porcelain Mugs ca. 1850s and later, of various forms, decorated with floral designs, and scenes of scholarly figures, respectively. smallest h. 3-3/4”, largest h. 5-1/2” $1,000-$1,500

393 Chinese Flambe Glaze Porcelain Vase probably 20th century, of baluster form with molded loop handles, having distinctive all-over flambe glaze in purples, blues and grays. h. 6-1/2”, dia. 4-1/4”

393

$200-$400

392

130


394 Chinese White Hardstone Tripod Incense Burner and Cover likely 20th century, the body of compressed globular form, flanked by qilin-form loop handles, the domed cover with liondog finial, the whole raised on three short legs. h. 6-1/2”, w. 7-1/2”, d. 8-1/2” $200-$400 395 Chinese Serpentine Carving of a Water Buffalo 394

20th century, modeled in repose, on a fitted hardwood stand. h. 4-3/4”, w. 4-1/2”, d. 10-1/4” $300-$500 396 Chinese Carved Hardwood Cabinet fourth quarter 20th century, having a rectangular top set within a conforming frame with sectional carved scroll-form ends, over two drawers carved with mirrored depictions of dragons chasing the flaming pearl, the lower section with two cabinet doors, similarly carved with dragons amid a dense scrolling cloud design, having brass mounts and lock, opening to reveal a vacant interior, the whole raised on four block-form feet joined across the front with a densely carved frieze. h. 32”, w. 68-1/2”, d. 18-3/4” $400-$700 395

396

131


397 Chinese Cloisonne Charger 20th century, of eight-sided form, decorated with birds gliding above blossoming foliage, all on a pink ground. h. 4-3/4”, w. 27-3/4”, d. 27-3/4” $1,000-$1,500 398 Framed Chinese Painting on Silk second half 20th century, ink and color on silk, depicting a bird of prey perched on rockwork amid blossoming flowers, with a three-character inscription to the lower right. h. 50”, w. 19”, framed h. 52-1/4”, w. 21” $300-$500 397

399 Two Framed Chinese Silk Panels 20th century, the larger example decorated with moths and scrollwork, h. 44”, w. 11-1/2”, and the smaller example with Mandarin figures amongst flowering branches, a pagoda and bridges, h. 27”, w. 10-1/2”. $300-$500

399

132

398


402

402 Pair of Chinese Blue and White Porcelain Bowls

400

400 Chinese Famille Noire Porcelain Vase 20th century, of baluster form with trumpet neck, decorated to the exterior with various panels and cartouches depicting mythical creatures, with hawthorn blossoms in the surround. h. 22-1/2”

likely Ming Dynasty, 17th century, each of circular form, with steep, slightly flared sides and flared lip with subtle foliate edge, decorated to the exterior with a simple foliate design, the interior centered by a bird in a garden setting, surrounded by floral cartouches and ribbon motifs, the bases glazed and unmarked. h. 1-7/8”, approx. dia. 6” Provenance: Adriaan’s Antiques, New Orleans, Louisiana; Estate of Audry and Sherwood Bailey, Sr., Pass Christian, Mississippi. $300-$500

$200-$500 401 Chinese Black Lacquer Low Table first half 20th century, decorated with floral and foliate designs on a black lacquer ground, with gilt detail. h. 12-1/2”, w. 50-1/4”, d. 17-1/2” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $600-$900

401

133


403 Large Chinese Blue and White Porcelain Planter on Stand second half 20th century, of ovoid form with flattened rim, decorated to the exterior with five-claw dragons chasing the flaming pearl above stylized waves, the rim with floral motifs, with a hardwood stand raised on five scroll-form legs. planter h. 18-3/4”, dia. 20”, overall h. 31-1/2” Provenance: Estate of Audry and Sherwood Bailey, Sr., Pass Christian, Mississippi. $400-$700

403

405 Korean Elm Cabinet 20th century, the rectangular top bisected and hinged and opening to a drop-front shelved interior, over two cupboard doors, opening to an interior fitted with an upper drawer and two tiers of wine racks, the whole with decorative incised brass hardware. h. 41”, w. 37-1/2”, d. 22-1/4” 404

$100-$200

404 Pair of Chinese Blue and White Porcelain Garden Stools 20th century, each with pierced “cash” symbol to the top, and mounted with lion-head handles to the sides, decorated with a scrolling peony design. h. 19-3/8”, dia. 10” $1,000-$1,500

405

134


407

406

406 Japanese Imari Porcelain Fish Bowl ca. 1900, the exterior decorated with panels of birds, the interior with swimming gold fish. h. 19”, dia. 21”

408 Associated Pair of Japanese Cloisonne Dishes

$300-$500

late 20th century, depicting designs of deer and kylin, respectively, with Ando Jubei mark to each base. dia. 10-1/4”

407 Japanese Porcelain Bowl and Hardwood Stand

$1,000-$1,500

mid-20th century, the deep bowl of circular, steep-sided form, decorated to the exterior with scenes of scholars and their students studying music, painting and scripts, the interior painted with scholarly figures standing in a garden setting, the base with a Fukagawa mark in underglaze blue. h. 6”, dia. 11-3/4” $200-$400

408

135


Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17


(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17


(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17


(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17


New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com 


Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Ashton Thomas President

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Fine Jewelry Specialist

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Rebecca Moss Asian Arts Specialist

Thomas Halverson American Furniture Specialist

Burke Designer

Taylor Eichenwald Marketing & Public Relations

Charles C. Cage Silver Specialist & Office Manager

Colleen Ryan Director of Human Resources

AUCTIONEERS

CONSULTANTS

Tessa Steinkamp, #1265 Ashton Thomas, #1833 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Ellen McKenzie English & Continental Furniture Ira Savoie Independent Certified Gemologist Appraiser Claudia Kheel Fine Art

ADMINISTRATION Denise Haik Christa Ougel Office Administration Graphic Designer Gary Michael Gittelson Bettina Bausa Photographer Graphic Designer Grace Connors Manager of Cakebread Auction

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Thomas Johnson Theadrow Mark


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NOAG Interiors | April 17, 2019  

NOAG Interiors is an online-only auction offering fine and decorative art, furniture, carpets, lighting, mirrors andmore. Leave advance bids...

NOAG Interiors | April 17, 2019  

NOAG Interiors is an online-only auction offering fine and decorative art, furniture, carpets, lighting, mirrors andmore. Leave advance bids...

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