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cakebread decorative arts

&

design

JANUARY 27-28, 2018


cakebread decorative arts

&

design

AUCTION: JANUARY 27-28, 2018 EXHIBITION January 15-26, 2018 O p e n M o n d a y - F r i d a y, 9 a . m . - 5 p . m . O p e n S a t u r d a y, J a n u a r y 2 0 , 1 0 a . m . - 4 p . m . C l o s e d S u n d a y, J a n u a r y 2 1

EVENING RECEPTION T h u r s d a y, J a n u a r y 2 5 , 5 - 7 p . m .


LOT SCHEDULE Session I

Session II

Lots 1 - 564

Lots 565 - 1072

S aturd ay, J anuar y 27, 2018

10: 00 - 11: 0 0

1

11: 00 - 12: 0 0

101

-

200

12: 00

1:0 0

201

-

300

-

-

100

1: 00

-

2:0 0

301

-

400

2: 00

-

3:0 0

401

-

500

3: 00

-

3:4 5

501

-

564

Sunday, January 28, 2018 10:00 - 11:00

565

-

635

11:00 - 12:00

636

-

700

12:00

1:00

701

-

800

-

900

-

1:00

-

2:00

801

2:00

-

3:00

901 - 1000

3:00

-

3:45

1001 - 1072

REQUESTS Condition reports are posted daily as requested on our website and on our partner bidding sites, LiveAuctioneers and Invaluable. If you would like to request extra photos or a detailed report be emailed to you directly, you can contact us at info@neworleansauction.com, or click "INQUIRY" on the lot detail page, fill out the necessary fields and click "SEND INQUIRY". We will respond to requests on a first come, first served basis.

BIDDING Submitting absentee and telephone bids on our website: Create an account. Make sure that you are logged in and your registration has been approved. From the homepage, click “View Catalogue” to browse the current sale. You can also browse or search the catalogue from the “Auctions” tab under “Auction Schedule” or “Catalogue Search”. Scroll through the catalogue. When you see an item that you would like to bid on, click “BID & TRACK”. If you would like to submit a telephone bid, check the box (located just below the image). If you wish to be called on a phone number that is different from the number that you registered with, you can change the phone number in the “Telephone” field. Click “I agree to the Terms & Conditions. Place my bid” to submit your bid. If you would like to leave a safety bid, please contact us once your bid has been confirmed. The easiest way to add a safety bid to your telephone bid is to reply directly to your confirmation email. If you would like to submit an absentee bid, click “BID & TRACK” on the desired lot. Fill in the amount in the “Enter Your Bid” field. Please note that any special symbols or characters will not be accepted. Click “I agree to the Terms & Conditions. Place my bid” to submit your bid. You will receive a confirmation email once we process your bid(s). Click “Back” to continue bidding. Bid live online: Live online bidding is available via LiveAuctioneers and Invaluable. Bid in person: Registration for in-person bidding is available on the day of the auction. Pictured Left: Lot 769 | Cover: Lot 816

New Orleans Auction Galleries 333 Saint Joseph Street, New Orleans, Louisiana 70130 neworleansauction.com | tel: 504.566.1849 | fax: 504.566.1851 | email: info@neworleansauction.com LA Auction License AB-363, Steinkamp #1265, Thomas #1833, Eichenwald #1922 | 25% Buyer’s Premium (3% Discount For Prompt Payments Made By Cash or Check)


LETTER FROM THE PRESIDENT

Looking back on 2017, I am grateful and proud of our accomplishments here at New Orleans Auction Galleries. We began the year with our first Fine Art specialty sale, added online-only sales and launched a new website. Our staff has also expanded with the addition of Rebecca Moss, our Houston representative and Asian Arts consignment agent. We have some exciting events and improvements in store for you as we enter 2018. None of this success would have been possible without you, our loyal customers and consignors, with whom we have forged strong relationships. This is due to our continuous effort for a more personal approach to customer service. We are working diligently to improve the online customer experience to make it more enjoyable and informative. Our Cakebread Decorative Arts and Design sale offers bidders a little bit of everything, from mid-century modern furniture to 18th-century Hungarian silver. The sale features property from several estates and private collections, including maps from the estate of Hugo C. Wedemeyer, and furniture, books and silver from the estate of Diana Stuart Dymond Earhart of New Orleans. With over 1,000 lots, there is quite literally something for everyone in this sale.

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We look forward to not only this January Cakebread sale, but to our upcoming estates auctions, and the addition of more specialty sales, including an Online-Only Silver Auction. Please join us for our two-week exhibition on the first and third floors of our gallery starting on Monday, January 15. We will be hosting our traditional evening reception with cocktails and hors d’oeuvres on Thursday, January 25 from 5-7 p.m. The auction sessions begin at 10 a.m. on Saturday and Sunday, January 27-28. I would like to close this letter with a huge thank you to our entire staff, from operations to consignment agents, to graphic designers, working together as a team to bring you countless wonderful items, produce beautiful catalogues and provide excellent customer service.

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Thank you and I wish you all a very prosperous and happy new year, 3

Ashton Thomas President, New Orleans Auction Galleries

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AUGUST 2017 CAKEBREAD AUCTION EVENING RECEPTION HIGHLIGHTS 1. Leah Blake, Hope Dunlop, Sarah Story & Burke 2. Colleen Connor & Grace Connors 3. Kat Barney & Yann Colin 4. Sophie Trahan & Deandra James 5. Mary Ferry Bigelow, Joey Davis, Diana Eustis & Mallory Morvant

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Lot 909


1 Unusual French Oak Cartel Clock third quarter 19th century, in the Renaissance Revival style, the cartouche-form scrolled case decorated with a carved lion’s head and carved and painted grapes, set with a marked Japy Freres movement. h. 26”, w. 18‑3/4”, d. 5‑1/2” $500‑$800 2 Henri II Oak Cabinet 1

late 19th century, the broken triangular pediment above a foliate and military trophee-carved frieze, over two doors, each with a glazed upper section and a lower carved panel, over a long drawer with lion’s head pull, raised on block feet. h. 87”, w. 57‑1/2”, d. 19” $500‑$800 3 Suite of Four Provincial Louis XIV-Style Walnut Dining Chairs each with an upholstered seat and back, and raised on molded scroll legs joined by an H-form stretcher. h. 40‑1/2” $500‑$800 4 Neapolitan Creche Figure mid-19th century, Italian, composed of wood, cloth and terracotta. h. 10”, w. 4‑1/2”, d. 2‑1/4” $300‑$500

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5 Two Pieces of Antique Copper Cookware including a French fish poacher stamped “Lefort” on the cover, retaining its pierced liner for lifting out fish, with dovetailed construction, h. 6”, w. 23”, d. 5‑3/4”, and an English six-gallon ragout pot with dovetailed construction, marked “6 Gal” on the handle, h. 12‑3/4”, w. 16‑1/4”, d. 11‑1/2”. $300‑$500 6 French Copper Lavabo early 19th century, comprising a cistern with a molded heart and scrollwork, h. 17‑3/4”, w. 14”, d. 8‑1/2”, and a basin, h. 10”, w. 19‑1/4”, d. 12‑1/2”. $700‑$1,000

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7 French Provincial Fruitwood Panettiere 19th century, of traditional form, the shaped, domed and foliate-carved frieze with gilt finials and above a spindled case fitted with a central floral-carved door over a like-carved shaped frieze, raised on scrolled toes. h. 38”, w. 33‑1/2”, d. 18” $400‑$700 8 Pair of Louis XIII-Style Fruitwood Armchairs ca. 1900, with square padded backs and downswept arms with scrolled fronts, raised on curved legs with X-form stretchers. h. 40”, w. 21‑1/2”, d. 20” $500‑$800

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9 French Provincial Oak and Fruitwood Buffet mid-19th century, the rounded rectangular top above a conforming case fitted with three cupboard doors, all inset with shaped panels, raised on block feet. h. 36‑1/2”, w. 78”, d. 18” $600‑$900 10 Pair of Polished Bronzes of European Peasants ca. 1900, Continental. h. 9‑3/4”, w. 3‑1/4” and h. 11”, w. 4” $200‑$400

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11 Provincial Louis XV Walnut and Pine Hanging Shelf second half 18th century, the bisected opening with a scalloped top, flanked by fluted supports, the scalloped apron centered by a carved star, flanked by cabriole “legs”. h. 35‑3/4”, w. 24‑7/8”, d. 9‑3/4” $400‑$700

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12 French Provincial Fruitwood Single-Door Armoire 19th century, the molded, rounded rectangular cornice above a case fitted with a single door, inset with two shaped panels, raised on pointed toes. h. 82”, w. 42”, d. 25”

15 French Belle Epoque Carved Giltwood Hall Lantern third quarter 19th century, in the Louis XV style, the tripartite lantern carved with scrollwork and set with a carved finial. h. 24”, dia. 15” $500‑$800

$500‑$800 13 Louis XV-Style Mahogany Center Table the serpentine top over a conforming shaped apron with carved shells and flanked by cross-hatched panels, raised on cabriole legs with leaf and floral carving at the knees and feet, joined by a shaped stretcher with a carved finial. h. 29‑1/2”, w. 62”, d. 33‑1/2” $300‑$500 14 Pair of Louis XVI-Style Fruitwood Fauteuils late 19th century, each with a carved and tapering rectangular caned back surmounted by foliate finials, joined by guilloche-carved arms on spiral-fluted uprights to the caned seat, raised on spiral-fluted tapering circular legs ending in toupie feet. h. 37‑1/4”

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$400‑$700

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16 Provincial Louis XV-Style Oak Bed early 20th century, the headboard and footboard each padded and surmounted by a floral crest and surrounded by a molded frame, raised on scrolled toes, upholstered in Fortuny fabric. h. 53”, inside w. 50”, l. 74”, outside w. 54”, l. 82” $400‑$700 17 French Provincial Walnut Buffet a Deux Corps early 19th century, the molded and rounded rectangular cornice above two slightly domed doors, each bi-paneled and with carved foliate accents, the lower section fitted with two drawers over two paneled cupboard doors, all with foliate-carved accents, raised on shaped feet. h. 95”, w. 57”, d. 25‑1/2” $1,000‑$1,500

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18 Provincial Regence Oak Commode 18th century, the rectangular top with a slightly bowed front, above a conforming case fitted with two long drawers, each inset with three panels with corner accents, above a scroll-carved apron, raised on cabriole legs ending in scrolled toes. h. 37‑1/2”, w. 49”, d. 22‑1/2” $800‑$1,200

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19 Rare French Faience Seder Dish second half 18th century, with molded edges, hand-painted with flowers in the center, the borders decorated with sprigs of flowers alternating with Yiddish script. dia. 14”

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$2,500‑$4,000

20 French Provincial Fruitwood Buffet mid-19th century, in the Louis XVI taste, the rectangular top with canted corners above a conforming case fitted with two drawers over two cupboard doors, each paneled and with an elaborate floral urn carving, raised above a scalloped foliatecarved apron on shaped feet. h. 42”, w. 59‑1/2”, d. 24‑1/2” $800‑$1,200 21 Louis XV-Style Fruitwood Desk

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20th century, the shaped rectangular top with an inset leather surface above a frieze fitted with three drawers, raised on molded cabriole legs ending in scrolled toes. h. 30”, w. 62‑1/2”, d. 33” $500‑$800 22 French Provincial Oak Armoire early 19th century, the molded and rounded rectangular top above a conforming case fitted with two doors, each inset with two shaped panels over two drawers, and a shaped apron, raised on molded shaped legs. h. 88‑1/2”, w. 67”, d. 24” $500‑$800

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23 Pair of Louis XIV-Style Giltwood Sconces second quarter 20th century, probably Italian, the three-light sconces on quiver-form standards decorated with graduated bellflowers, the leaf-carved arms set with vase-form candle cups, the tops with acanthus-carved urns terminating in flameform finials. h. 34”, w. 19‑1/4”, d. 14‑1/2” $900‑$1,200 24 Provincial Louis XV-Style Oak Console Table ca. 1900, the serpentine slate top over a conforming serpentine shell-carved apron, raised on cabriole legs. h. 34”, w. 50‑1/2”, d. 23‑1/4”

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$400‑$700 25 Copper-Framed Pier Mirror ca. 1900, possibly French, the plate set in a bold, architectural copper ogee frame. h. 92”, w. 45” $600‑$900

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26 Baroque-Style Mirror ca. 1900, possibly French, set in a copper architectural surround. 44” x 45” $400‑$700

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27 French Wrought Iron Wirework Tete-a-Tete early 20th century, of serpentine form with seats in opposing directions, on cast iron feet. h. 34”, w. 49‑3/4”, d. 22‑3/4” $500‑$800 28 Continental Wrought Iron and Tile Garden Table early 20th century, probably French, the circular top with inset tiles in an iron band, raised on shaped legs joined by a ring-form stretcher. h. 29‑1/4”, dia. 39‑1/4” $500‑$800 27

29 French Marble-Clad and Marble-Top Work Cabinet 20th century, with three pull-out cutting boards, each above a drawer and cabinet door below, the surface veneered in 5/8” thick Carrara marble. h. 36”, w. 79”, d. 22” $700‑$1,000

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31 Jean-Louis Lefort (French, 1875‑1954) “Children Playing at the Beach” oil on wood panel signed lower left. Framed. 13‑5/8” x 20”, framed 24” x 31” $800‑$1,200

30 Niek van der Plas (Dutch, b. 1954)

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“Beach Umbrellas” oil on beveled wood panel signed lower right and en verso Framed. 6‑1/4” x 8‑1/4”, framed 13‑1/2” x 15‑3/8” $800‑$1,200

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32 Willem Heytman (Dutch, b. 1950) “Beach Scene” oil on canvas signed lower right. Framed. 15‑1/2” x 19‑1/2”, framed 21‑1/2” x 25” $800‑$1,200 32

33 Willem Heytman (Dutch, b. 1950) “Jaguar XK 120” oil on canvas signed lower left, titled and further inscribed en verso. Framed. 15‑3/4” x 23‑1/2”, framed 19‑5/8” x 27‑1/2” $800‑$1,200

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34 Willem Heytman (Dutch, b. 1950) “1928 Bournemouth, Lancours d’Elegance, Great Britain” oil on canvas signed lower left, titled en verso. Framed. 19‑1/2” x 27‑1/2”, framed 26” x 34‑3/4” $800‑$1,200

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35 Pierre Guillaume (Dutch, b. 1954) “Lunch on the Beach”, 2006 oil on canvas signed, dated and further inscribed lower right and en verso. Framed. 27‑1/2” x 32”, framed 34‑1/2” x 38” $1,500‑$2,500

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36 E. Haines (American, 20th Century) “Playing with Toy Boats” oil on panel signed lower right. Framed. 16” x 20‑3/8”, framed 21‑5/8” x 25‑1/2” $800‑$1,200 36

37 Jean Lefort (French, b. 1948) “The Toy Sailboat” oil on board signed lower right. Framed. 12” x 16”, framed 17‑1/4” x 21‑1/4” $800‑$1,200

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38 Jan Bevort (Dutch, 1917‑1996) “Street Scene” oil on canvas signed lower right. Framed. 23‑3/4” x 31‑7/8”, framed 31‑3/4” x 39‑1/2” $600‑$900

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39 Rene Rambert (French, 1901‑1991) “Parisian Street Scene” oil on wood panel signed lower right. Framed. 20‑3/4” x 24‑1/8”, framed 26” x 30” $800‑$1,200 39

40 Bart Schouten Leroy (Dutch/French, 1941‑2001) “The Carousel” oil on wood panel signed lower left. Framed. 7‑3/4” x 10”, framed 13‑3/4” x 15‑7/8” $500‑$800 40

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41 one of two

42 George Hendrik Breitner (Dutch, 1857‑1923) “Market Scene”

41 Aldo Marangoni (Italian, Late 19th/20th Century)

oil on wood panel signed. Framed. 4‑3/8” x 8‑3/4”, framed 10‑1/4” x 14‑3/4”

“Two Venetian Street Scenes”

$700‑$1,000

oils on canvas each signed lower right. Framed alike. 30” x 24”, framed 35‑3/4” x 29‑3/4”

43 Paul Renard (French, 1941‑1997)

$700‑$1,000

“Paris at Dusk” oil on wood panel signed lower left. Framed. 8” x 10”, framed 16” x 18” $600‑$900

41 two of two

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44 John Haymson (American, 1903‑1980) “L’Arc de Triomphe” oil on canvas signed lower right. Framed. 30” x 25”, framed 39” x 34” $600‑$900 45 Painted and Parcel-Gilt Terracotta Liturgical Bracket fourth quarter 19th century, Continental, with a leaf-molded base, Gothic fret-molded decoration, and a fret-pierced skirt, all painted gray with parcel-gilt highlights. h. 26”, w. 29”, d. 13‑1/2” $500‑$800 44

46 Italian-Style Silver-Washed Composition Mirror in the neoclassical taste, with an overhanging crown molding and deeply embossed ornamentation, mounted with a beveled glass mirror. h. 38‑1/2”, w. 33” $300‑$500 47 Rococo-Molded Metal Sanctuary Light late 18th/early 19th century, Continental or Eastern European. h. 35”, dia. 12”

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$700‑$1,000

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48 Collection of Three Italian Giltwood Lamps ca. 1900, including a spiral-reeded columnform lamp with carved and pierced grapes and grapevines and two similar urn-form lamps with carved handles. h. 14” to 31”, w. 5” to 8‑1/2” $700‑$1,200 Illustrated Online 49 Large Baroque-Style Carved Oak Pedestal late 19th century, fitted with a circular rotating top, the spiral-twist standard featuring a floral vine wrapping around the post, and mounted to an acanthus-carved circular base. h. 66”, top dia. 10‑1/2”, base dia. 20” $300‑$500 50 Continental Provincial Side Table by Ralph Lauren Home, the long, narrow rectangular top above a carved frieze fitted with a single drawer, raised on heavily turned circular legs joined by a box stretcher and ending in squat bun feet. h. 31”, w. 59‑12”, d. 18” $700‑$1,000

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51 Pair of Italian Carved Walnut Brackets 19th century, in the Baroque taste. h. 13”, w. 12‑3/4”, d. 7‑1/2” $700‑$1,000 52 Carved Alabaster Plaque of the Birth of Christ possibly 17th/18th century, probably Italian, mounted in a later carved giltwood frame. h. 6”, w. 7‑1/4” $600‑$900

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54 Baronial-Style Oak Armchair early 20th century, the tall padded rectangular back surmounted by dog finials and a carved and pierced “Green Man” masque crest, joined by imbricate carved arms to the padded seat, raised on square legs joined by a carved stretcher and ending in monumental paw feet. h. 61” $400‑$700 55 Pair of Carved Giltwood Lamps 53

53 Unusual Pair of Wood and Marble Plaques in the Grotesque Style ca. 1800, the intricately carved parcel-gilt frames depicting intertwined salamanders, game birds, grapes and pears, in a fanciful “nature morte” theme, one polished marble plaque decorated with a bird eating berries off a branch, and the other with a helmet and shield on a ground of autumn foliage, on handwrought iron hangers. h. 11”, w. 14”, d. 2‑1/4”

20th century, in the Italian Baroque taste, with pierced and scrolled handles decorated with caryatids. h. 27”, w. 13‑1/2”, d. 5‑3/4” $400‑$700 56 Large Baroque-Style Carved Giltwood Urn fourth quarter 19th century, Continental, with pierced handles and bracket feet. h. 23”, w. 18‑1/2”, d. 8‑1/2” $500‑$800

Provenance: The Flatt Collection. $800‑$1,200

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57 Continental Fruitwood and Needlepoint Armchair

60 Italian Oak Savonarola Chair

ca. 1900, with an arched back, foliate-carved downswept arms, and turned legs joined by a carved stretcher and ending in carved paw feet, the back and seat upholstered in needlepoint. h. 43”

20th century, of traditional form, the padded back surmounted by lion’s head finials and joined by padded arms with lion hand rests to the curved seat, raised on a crossover base centered by a foliate masque and ending in paw feet. h. 42”

$300‑$500 58 Continental Oak Side Table

$500‑$800

late 19th century, the banded rectangular top with a gadroon edge, above a conforming frieze fitted with a single drawer with scroll carving and centered by a masque, raised on tapering fluted legs joined by a shaped urn-centered stretcher and ending in toupie feet. h. 31”, w. 38”, d. 21‑1/2” $300‑$500 59 Flemish-Style Mahogany Stool early 20th century, the padded rectangular top above a conforming foliate shell-carved frieze, raised on paneled tapering square legs headed by foliate capitals, joined by curule-form stretchers and ending in tapering square feet. h. 18”, w. 25‑1/4”, d. 18” $500‑$800

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61 Italian Walnut Savonarola Chair late 19th century, of traditional form, the shaped foliate-carved crest above a pierced lion masque-centered back, joined by downswept imbricate-carved arms to the paneled seat, raised on an X-form base ending in runner feet. h. 39” $300‑$500 62 Italian Carved Walnut Oval Mirror fourth quarter 19th century, pierced and carved with scrollwork and flowerheads, the crest carved with a pair of angels supporting a crown. h. 36‑1/2”, w. 24” $300‑$500 63 Provincial Carved Wooden Figure 19th century, the male figure dressed in a neoclassical gown, holding up one hand as though orating. h. 45”, w. 21‑1/4”, d. 5‑3/4”

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$700‑$1,000

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64 Carved Wooden Figure of a Putto fourth quarter 19th century, Latin American, the figure poised holding a cornucopia-form flaming torch, sitting on a column-form base. h. 47”, w. 13”, d. 17” $700‑$1,000 61

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66 Unusual Carved Wooden Figure of St. Anthony of Padua second half 19th century, Continental, set with a bisque head. h. 9‑1/4”, w. 3‑1/2”, d. 2‑1/2” $400‑$700 67 Dutch Baroque-Style Silver-Gilt and Ebonized Mirror ca. 1900, with a rose-molded surround, the mirror-inset inner frame decorated with pierced and scrolled panels and ebonized trim, the silvergilt pediment crest with flowers, scrollwork and acanthus leaves. h. 83”, w. 39” $1,000‑$1,500 65

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65 Painted Wood Santos Figure 19th century, probably Latin American, depicting a female saint. h. 14”, w. 9‑1/2”, d. 3”

68 Continental Provincial Walnut Kas 19th century, the heavily molded cornice above a case fitted with two long doors, each with shaped and deeply modeled geometric panels, above a single long drawer, the sides each with two diamond-patterned panels, raised on large bun feet. h. 101”, w. 81”, d. 29” $1,000‑$1,500

$400‑$700

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71 Baroque-Style Carved Mahogany Armchair ca. 1900, the shaped and padded back with a pierced and carved crest, the open arms with carved hand rests, raised on block and turned carved legs joined by a carved front stretcher panel. h. 52” $400‑$700 72 Continental Carved Mahogany Mirror

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69 Continental Walnut Cabinet

fourth quarter 19th century, the Rococo-style mirror with a pierced frame carved with scrollwork and flowerheads, and decorated with roundels of Chinese Ch’ing period blue and white porcelain. h. 39”, w. 32‑1/2” $400‑$700

partially composed of antique elements, the rectangular banded top above a conforming case fitted with a foliate scroll-carved frieze over two cupboard doors, each paneled, above two doors with like-carved fronts, raised on bun feet. h. 37”, w. 55”, d. 27‑1/2” $500‑$800

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70 Pair of Carved Pine Figures Mounted with Candleholders fourth quarter 19th century, the provincial draped figures holding tin candle sockets molded with drip pans. h. 25‑1/2”, w. 11‑1/4”, d. 8” $1,000‑$1,500

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73 French Bronze Chandelier in the Baroque Style 20th century, the twelve-light chandelier with a molded and turned standard decorated with masques and figures of Athena, and set with shaped arms with leaf molding. h. 25‑1/2”, dia. 25” $800‑$1,200 74 Jacobean Carved Oak Coffer 17th/18th century, the framed and paneled lid with hand-forged butterfly hinges, the paneled front with relief-carved details. h. 21”, w. 47”, d. 18” $500‑$800 75 Baroque-Style Brass and Ebonized Wood Mirror

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fourth quarter 19th century, Dutch or Flemish, of “cushion” form, trimmed with ebonized ripple molding, set with pierced brass appliques and flower-molded brass bolection trim, set with a beveled mirror plate. h. 50”, w. 41‑1/4” $400‑$700 76 Spanish Embossed and Polychrome Leather Screen first quarter 20th century, in the Baroque taste. h. 75”, w. 76” $600‑$900

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77 Pair of Metal Altar Sticks turned and decorated with molded angel heads, sitting on paw feet, with pricket candle holders. h. 28‑1/4”, dia. 7‑1/2” $300‑$500 78 British School (19th Century) “Mother and Child” oil on canvas unsigned. Framed. 18‑1/2” x 18”, framed 28” x 27‑1/2” $1,000‑$1,500

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79 Dutch School (Fourth Quarter 18th Century) “Lady with a Shell” oil on canvas unsigned. Framed. 32” x 25‑1/4”, framed 41‑1/2” x 34” $1,000‑$1,500 80 Continental School (17th/18th Century) “St. John the Evangelist” oil on canvas laid on panel unsigned. Unframed. 39‑1/2” x 27” $800‑$1,200

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81 Continental School (Fourth Quarter 18th/First Quarter 19th Century) “Conversion of St. Paul” oil on canvas unsigned. Framed. 39” x 27‑1/4”, framed 52” x 40” $600‑$900

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82 Attributed to Andreas Moller Danish/German, 1684‑ca.1762) “Una Contadinella Bolognesa [sic]”, 1733 oil on linen signed, titled and dated en verso. Framed. 22‑3/8” x 17‑5/8”, framed 26‑1/2” x 22‑1/4” $800‑$1,200

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83 After Bartolome Esteban Murillo (Spanish, 1617‑1682) “The Divine Shepherd”, 1922 oil on linen painted by “Prof. Seith” of Copenhagen, inscribed and dated in Danish on stretcher. Framed. 15‑7/8” x 13‑1/2”, framed 20‑3/4” x 18” $800‑$1,200

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84 After Guido Reni (Italian, 1575‑1642)

85 Theodore Gerard (Belgian, 1829‑1895)

“Portrait of Beatrice Cenci”, fourth quarter 19th century

“Mother and Child with Dog”

oil on canvas Glazed and framed. 20‑1/8” x 16‑1/4”, framed 25‑5/8” x 21‑9/16” $700‑$1,000

oil on canvas signed lower left. Framed. 17‑5/8” x 14‑3/4”, framed 20” x 27” $800‑$1,200 86 Aladar Brull (Hungarian, 19th/20th Century) “Portrait of a Bearded Man Smoking a Pipe” oil on canvas signed and dated “1929” upper right. Framed. 23‑1/4” x 15‑3/4”, framed 28‑5/8” x 21‑1/4” $800‑$1,200 87 Liesl Kinzel (Austrian, 1886‑1961) “Interior Scene with a Woman Reading” oil on panel signed lower left. Framed. 14” x 12‑1/8”, framed 24‑1/2” x 22‑3/4” $600‑$900

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88 British School (Third Quarter 19th Century) “Charity Starts at Home” oil on canvas unsigned. Framed. 25‑1/2” x 29‑1/4”, framed 29” x 34” $800‑$1,200 89 J. M. Leitzmann (German, 19th Century) 88

“On Their Way to Evening Church Service”, 1847 oil on canvas signed and dated lower right. Framed. 18” x 15‑1/2”, framed 25” x 23” $800‑$1,200 90 British School (Fourth Quarter 18th Century) “Tavern Scene” oil on panel unsigned. Framed. 12” x 8‑3/4”, framed 15‑3/4” x 12‑1/2” $700‑$1,000

89

91

91 Philip Henry Rideout (British, 1860‑1920) “Winter Coaching Scene”, 1886 oil on canvas signed and dated lower left. Framed. 12‑1/4” x 20”, framed 21” x 28‑1/2” 90

$800‑$1,200

25


93

92

92 British Patinated Spelter Figure of a Bagpiper 20th century, on a carved wood plinth. overall h. 21”, w. 6”, d. 7” $500‑$800 93 Continental Patinated Bronze of Two Putti and a Goat 20th century, incised “Cisard” along front edge, illegible cast inscription at back. overall h. 13‑3/4”, w. 11‑3/4”, d. 9” $500‑$800 94 After Charles Anfrie (French, 1833‑1905)

94

“L’Insouciant”, 20th century patinated bronze cast signature along back edge of self-base, titled at front. h. 17”, w. 6”, d. 5‑3/4” $300‑$500 95 French Patinated Bronze of “Louis-Charles, Dauphin of France” 20th century, after Jean-Antoine Houdon (French, 1741‑1828), faint stamp at back reading in part “HOUDON sc”, on a self-socle base. overall h. 16‑1/4”, w. 9‑1/2”, d. 4‑3/4” $400‑$700

26

95


96 Brussels Hand-Woven Tapestry of a Royal Audience 19th century, the central scene of an enthroned queen receiving courtiers, with an overall acanthine border. 3’ 9” x 6’ $2,500‑$4,000

96

97

97 Continental Bowed Corner Cabinet 18th century and later, the molded cornice above two doors painted with an elaborate banquet scene and opening to a shelved interior. h. 36”, w. 24”, d. 19” $400‑$700 98 Pair of Italian Stained Beechwood Half-Tester Beds early 20th century, of neoclassical inspiration, the turned head posts with carved details, the foot posts of square form and deeply fluted, ending in turned and carved finials. h. 107”, inside w. 31”, l. 73‑1/2”, outside w. 36”, l. 80‑1/2” $500‑$800 98

27


99 Unusual Carved and Painted Plaque 19th century, made of lignum vitae, the pierced plaque with a central arrow flanked by two-headed winged creatures. h. 25”, w. 30” $400‑$800 Illustrated Online

101

100

100 Continental Polychrome Novelty Table 102

20th century, the circular top with a decorative geometric pattern, raised on a stand of four legs joined by a stretcher, simulating ropes and knots. h. 17”, dia. 24‑1/2” $500‑$800 101 Continental Enamel Plaque 18th century, depicting Aphrodite with a satyr, freshly pierced by the arrows of Eros, who stands to one side, his bow and arrow on the other, in a contemporary giltwood frame. overall h. 7‑1/2”, w. 8‑3/4” $500‑$800 102 Pair of Painted and Parcel-Gilt Putti with Candleholders fourth quarter 19th century, Italian, realistically painted, holding aloft cornucopia-form pricket candle holders, with mounts for wall hanging. h. 21‑1/4”, w. 8‑1/2”, d. 8” $500‑$800

103

103 Pair of Gilt Terracotta Putti ca. 1900, Italian, the figures modeled poised in flight, with hanging mounts. h. 16”, w. 17‑1/2”, d. 6‑3/4” $400‑$700

28


104 Pair of Venetian-Style Hand-Painted Side Tables bearing a Maitland-Smith brass tag, each with a shaped top above a single drawer and cabinet below, raised on turned and fluted legs. h. 29”, w. 26”, d. 14” $700‑$900 105 Italian Neoclassical-Style Gilt and Blue Metal Chandelier 20th century, Continental, the twelve-light chandelier strung with glass beads. h. 28‑1/2”, dia. 28‑1/2” $400‑$700

105

104

106 Italian Polychrome Desk in the Louis XV Style

106

19th century, the shaped rectangular top with a painted foliate banding, above a frieze fitted with three drawers, raised on cabriole legs headed by foliate carving and ending in shaped toes, the whole with decorative floral accents. h. 31”, w. 48”, d. 26‑1/4” $400‑$700 107 Two Pieces of Faience Pottery Spanish or Portuguese, possibly Alcora, including a triangular three-compartment rice box, h. 1‑3/4”, w. 6”, d. 6”, and a spirits cask, h. 5”, w. 4‑1/2”, d. 6‑3/4”. $500‑$800 107

29


110

109

108 Collection of Nine Crystal Mugs and Tankards 20th century, engraved in the 18th-century style. h. 4” to 4‑1/2”, dia. 3” to 3‑1/2” $400‑$700 Illustrated Online 109 Venetian Etched and Beveled Mirror second quarter 20th century, set with a beveled plate, the surround with scalloped cut trim and engraved sprays of flowers, and mirrored medallions set over the joints in the glass, the engraved crest depicting a vase flanked by scrollwork. h. 64‑1/2”, w. 38‑1/4” $600‑$900 110 Italian Fruitwood and Elm Commode early 19th century, in the rococo taste, the banded and shaped top inset with two panels with decorative corner inlays, above a conforming case fitted with three long drawers, all paneled and with like inlay, above a pierced foliate-carved apron, raised on cabriole legs ending in foliate toes. h. 34”, w. 38”, d. 22‑1/2” $1,200‑$1,800

111

111 Pair of Italian Fruitwood Commodes 20th century, each with a shaped, bowed and banded top, above a conforming case fitted with three drawers, all banded, raised on cabriole legs ending in Flemish toes. h. 30”, w. 24”, d. 12” $400‑$700 112 Two Miniature Vienna Bronze Cats first quarter 20th century, one marked “Made in Austria”. h. 2‑1/2”, w. 1‑1/2” and h. 3‑1/2”, w. 2” $500‑$800 Illustrated Online

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115 Pair of Italian Giltwood Fauteuils 19th century, each with a padded shaped back surmounted by a shell and foliate crest, joined by molded scrolling arms to the padded seat, above a shaped foliate shield-carved apron, raised on cabriole legs ending in scrolled toes, both upholstered in Fortuny fabric. h. 43” $600‑$900 116 Art Deco Venetian Mirror

113

113 Enameled Bronze Cat-Form Bell

second quarter 20th century, Italian, beveled and cut with decoration. h. 46”, w. 32” $500‑$800

first quarter 20th century, probably Austrian, with a nodding head. h. 4‑1/4”, w. 2‑3/4” $800‑$1,200 114 Giltwood Mirror of Rococo Inspiration mid-20th century, American, the pierced crest with scrollwork flanked by a fence with roses, the sides with pagoda-type scrollwork, the lower edge with a rococo cartouche flanked by pierced scrollwork, labeled “D. Milch & Sons”. h. 51”, w. 31‑1/2” $600‑$900

115

114

116

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119 Pair of Italian Polychrome and Faux Marbre Side Tables partially constructed of antique elements, each with a shaped faux verde antico top above an asymmetrical paneled base featuring bands of various faux marbles and acanthine carving, raised on a socle base. h. 36”, w. 38”, d. 23” $600‑$900

117

117 Italian Neoclassical-Style Inlaid Sideboard late 20th century, the top with geometric inlays, the front fitted with a row of three drawers above two long drawers, raised on carved splayed legs. h. 36”, w. 65”, d. 24” $400‑$700 118 Two Pairs of Italian Bracketed Hanging Wall Figures fourth quarter 19th century, including a pair of unusual giltwood angels with leaf-carved wings on leaf-carved support brackets, h. 19‑1/4”, w. 5‑1/4”, d. 5‑1/2”, and a pair of walnut brackets carved with female figures decorated with incised carving, h. 22‑3/4”, w. 6‑1/2”, d. 3‑3/4”. 119

$400‑$700 Illustrated Online

120 Pair of Venetian-Style Tole Six-Light Sconces last half 20th century, the backplates and arms in the form of flowering potted plants. h. 35”, w. 28” $600‑$900

32

120


122 121

123 124

121 Italian Giltwood Mirror

123 Suite of Six Italian Fruitwood Chairs

19th century, in the Baroque style, the pierced and carved frame with conjoining scrollwork and shells, and presented with a broadly beveled plate glass mirror. h. 46”, w. 32”

ca. 1900, each with a shaped and molded crest rail, an open back with a single pierced splat and down-curved back posts, the seat with a shaped front and supported by cabriole legs ending in scrolled toes. h. 37”

$400‑$700

$500‑$800

122 Italian Fruitwood and Marble-Top Bombe Commode

124 Italian Giltwood Mirror in the Baroque Taste

19th century, the shaped marble top above a conforming bombe case, fitted with three long drawers, all with decorative scrolling inlay, raised on splayed legs ending in sabots. h. 37”, w. 57”, d. 25” $500‑$800

fourth quarter 19th century, with an asymmetrical mirror plate lined with molded rocaille work, framed with bold, pierced scrollwork, the crest decorated with a pair of opposing leaves framing an overlapping center leaf. h. 57‑1/2”, w. 36” $400‑$700

33


126 Carlo Antonio Montesi (Italian, b. 1920) “Views of Rome” pair of watercolors on paper both signed. Each matted, glazed and framed alike. each sight 15” x 11”, framed 25‑1/2” x 21‑3/8” $500‑$800 127 Three Framed 20th-Century American Southwestern Paintings

126 one of two

including: Amy Difley Brown (American/California, 1896‑1987), “Desert View”, oil on board, signed lower right, 7‑3/4” x 9‑5/8”, framed 14‑1/2” x 16”; Mabel Louise Wheelock (American/California, 1887‑1950), “The Mission Doors”, watercolor on paper, signed lower right, a “Kamp Gallery/Illinois” stamp en verso backing, 14‑1/8” x 10‑1/8”, framed 18‑5/8” x 14‑3/4”; and James Sherman (American, 1906‑1989), “Desert”, oil on wood panel, signed lower right, 14‑1/4” x 18‑1/4”, framed 14‑1/4” x 18‑1/4”. $700‑$1,000

127 one of three

127 two of three

125 Two Italian Carved Side Tables one 18th century, with three drawers and molded top and base, h. 28”, w. 24”, d. 10”, and the other composed of antique elements, with a medial shelf and trestle base, h. 29”, w. 22‑1/2”, d. 14”. $500‑$800 Illustrated Online

34

127 three of three


130 Trevor Haddon (American/British, 1864‑1941) “Feeding the Pigeons, Venice” oil on canvas signed lower right. Framed. 16” x 26‑1/4”, framed 23” x 33” $1,000‑$1,500 131 After Eugene de Blaas (French, 1843‑1932) “The Flirtation” 128

pigment-enhanced lithograph laid down on canvas Framed. 8-3/4" x 11-3/4", framed 15" x 18" $1,000‑$1,500

129

128 Aaron Bohrod (American, 1907‑1992)

130

“House Near Crab Orchard” gouache on paper signed lower right, verso with “Collection of William C. Estler, Palo Alto, California” and “Associated American Artists, New York, New York” labels. Matted, glazed and framed. sight 13‑5/8” x 18‑3/4”, framed 24‑1/4” x 29‑1/4” $800‑$1,200 129 Sydney Herbert (British, 1854‑1914) “Italian Landscape with Figures”, 1885 oil on canvas signed and dated lower right. Framed. 20” x 30”, framed 30” x 39‑3/4” $1,000‑$1,500

131

35


133 Italian School (First Quarter 20th Century) “Fishermen Fishing in the Venetian Lagoon” “French Ships Moored in the Bay of Naples Near Mount Vesuvius” former watercolor; latter gouache on paper former signed “P. Neretti” lower left. Each matted, glazed and framed. sights 14‑3/4” x 19‑1/4” and 15‑1/4” x 23‑1/2”, respectively, framed 22‑3/4” x 26‑1/2” and 25‑1/2” x 34‑1/2”, respectively $900‑$1,200 132 one of two

132 two of two

132 Italian School (First Quarter 20th Century)

133 one of two

“View of the Bay of Naples with Mount Vesuvius in the Distance” “Travelers Resting Near the Bay Outside the Town” former gouache on cardboard, latter color pencil and watercolor former signed “M. Gianni”, latter unsigned. Each matted, glazed and framed. sight 12‑1/2” x 16‑3/4”, framed 19‑1/2” x 23‑1/4” and 15‑3/4” x 25‑1/2”, respectively $800‑$1,200

133 two of two

36


134 Georgi Alexandrovich Lapchine (Russian, 1885‑1950) “Terrace View of the Amalfi Coast” oil on artist’s board signed lower left. Framed. 18” x 25”, framed 23‑1/4” x 30” $600‑$900 135 Classical-Style Polychrome and Marble-Top Center Table

134

composed of antique elements, the circular black marble top supported by a large turned and fluted standard. h. 28”, dia. 38” $700‑$1,000 136 Classical-Style Polychrome and Marble-Top Center Table composed of antique elements, the circular black marble top supported by a large turned and fluted standard. h. 28”, dia. 38” $700‑$1,000 137 Neoclassical Giltwood and Ebonized Beveled Mirror late 20th century, of small size, with decorative corners, the ebonized portion with stenciled corners. h. 21”, w. 21” $400‑$700

135

136

137

37


138

139

140

138 Pair of Patinated and Gilt-Metal Table Lamps 20th century, in the form of Empire campana-form urns, with mounts on the bases. h. 29‑1/2”, dia. 7” $400‑$700 139 Italian Grand Tour Bronze Figure of Dionysus fourth quarter 19th century, Italian, after the Antique. h. 7‑1/2”, w. 7‑1/2”, d. 3‑1/2” $400‑$700 140 Continental Grand Tour Patinated Bronze of “Apollo” 20th century, after the original from Pompeii, now in the Museo Nazionale, Naples, Italy. h. 24‑1/2”, w. 11‑1/2”, d. 9‑1/2” $500‑$800 141 Italian Silvered Carved Wood Figure of a Roman Soldier fourth quarter 19th century, the figure wearing a plumed helmet and dressed in a cloak over an armored vest, a sword at his side. h. 46‑1/2”, w. 16‑1/2”, d. 10‑3/4” $3,000‑$5,000

38

141


142 Neoclassical Polychrome Settee mid-19th century, the trisected cushioned back joined by outswept arms to the padded seat, raised above a paneled apron on paw feet, the whole with gilt accents. h. 36”, w. 88”, d. 29‑1/2” $800‑$1,200 143 Swedish-Style Bronze and Crystal Chandelier second quarter 20th century. h. 35”, dia. 18” h. “, dia. $500‑$800

143

144 Pair of Bronze and Crystal Candelabra fourth quarter 19th century, in the Russian/Swedish style, the five graduated prism rings supported by vasiform standards on square bases, supporting , the lowest ring fitted with four candle cups and drip pans, alternating with vertical spear-point prisms and set with turned bronze upper finials. h. 34”, dia. 11‑1/2” $800‑$1,200 144

142

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146 Pair of Pickled Cypress and Terracotta-Mounted Columns early 20th century, the large lathe-turned columns with cast terracotta Ionic capitals, and mounted to a square platform base. h. 64‑1/2” and 65‑1/2”, w. 14”, d. 14” $200‑$400

145

145 Italian Neoclassical-Style Polychrome and ParcelGilt Console Table early 20th century, the front frieze with a carved torch, quiver and foliate spray, raised on turned legs with carved details. h. 33”, w. 60”, d. 16” $600‑$900

146

147 Pair of Italian Giltwood Sconces 20th century, in the neoclassical taste, marked “Made in Italy”. h. 24”, w. 11‑1/4”, d. 4‑1/4” $500‑$800

147

40


148 French Bronze Chandelier in the Neoclassical Taste first quarter 20th century, the standard molded to mimic a fringed silk swag held with oak-leaf garlands, the four arms molded as hunting horns. h. 39”, dia. 23” $400‑$700

149 Pair of Large Wooden Doric Columns ca. 1900, with molded capitals and bases. h. 86”, dia. 19‑1/2” $500‑$800

148

150

150 Pair of French Opaline Vases in the Neo-Grec Taste third quarter 19th century, decorated with images of Diana the Huntress. h. 18”, dia. 5‑1/2” $400‑$700

149

41


152 Continental Balloon-Form Chandelier second half 20th century, the six-light chanderlier set with blue and clamboth opaline glass. h. 17‑1/2”, dia. 20” $800‑$1,200

151

151 Two Chinese-Style Turquoise Glaze Jars and Covers with Ormolu Mounts 20th century, each jar with all-over deep turquoise glaze, with ormolu-mounted foot, rim and finial. the tallest h. 7‑1/2”, w. 5” $400‑$700

152

153 Two Pieces of Biedermeier Furniture including a fruitwood and marble-top pedestal cupboard, the circular marble top within a molded border, the columnar body fitted with a single cupboard and raised on a plinth base, h. 30‑1/2”, dia. 16”, and a fruitwood cellarette of canted tapering rectangular form, raised on square feet, h. 20”, w. 23”, d. 18”. $400‑$700

153

42


154 Two Biedermeier Work Tables

155 Biedermeier Fruitwood Work Table

including an early 19th-century figured birch table with a frieze drawer and cabriole legs joined by a low shelf, h. 29”, w. 21”, d. 14‑3/4”, and a slightly larger late 19th-century oak and mixed woods example with an oval inlaid and banded top, frieze drawer and tapering square legs, h. 30”, w. 23”, d. 17”.

mid-19th century, the rounded rectangular top hinged and opening to a mirrored and compartmented interior, above a conforming frieze fitted with a single drawer, raised on X-form end supports joined by a turned stretcher, the whole with ebonized accents in the neoclassical taste. h. 27”, w. 22‑1/2”, d. 16”

$300‑$500

$500‑$800

154

156

156 Black- and Gilt-Painted Tole Moderator Lamp second quarter 19th century, French, now mounted as a two-socket electric lamp. h. 35”, w. 6‑1/2”, d. 6” $400‑$700

155

43


159

158 Pair of Charles X Baltic Rosewood Side Chairs second quarter 19th century, each with a shaped crest and splat with elaborate inlaid brass patterns, the padded needlework seat raised on turned tapering circular legs with line inlay and ending in bulbous toupie feet on casters. h. 34” $500‑$800 159 Gilt-Bronze and Patinated Brass Chandelier second quarter 20th century, in the Empire taste. h. 25”, dia. 25” $800‑$1,200

157

157 Biedermeier Fruitwood and Parcel-Gilt Pier Table and Mirror second quarter 19th century, Continental, the table with painted and parcel-gilt dolphin supports, framing a gilt laurel wreath, the mirror decorated with an ebonized upper tablet mounted with a giltwood cornucopia beneath a crest with giltwood egg-and-dart molding. h. 92”, w. 30”, d. 12” $600‑$900

44

158


162

161

164

160 Neoclassical-Style Parcel-Gilt Mirror

161 Molded Metal Tazza

20th century, the tablet decorated with crossed arrows and a quiver supported by a swag of roses. h. 59‑1/2”, w. 32‑1/2”

in the 19th-century style, French, on a marble base. h. 16‑1/2”, w. 15”, d. 12”

$300‑$500

$400‑$700 162 Pair of Verre Eglomise Lamps mid-20th century, with decoupage neoclassical decoration of figures on a black ground. h. 38‑1/2”, dia. 7‑1/4” $500‑$800 163 Four Classical-Style Urns fourth quarter 19th century, Continental, including three metal volute krater examples decorated in relief with Greek maidens offering food and libations to a herm, two mounted on verde antique marble bases, the third on a faux Siena marble one, together with a Napoleon III-style onyx urn with gilt-bronze mounts; three of the urns now mounted as lamps. the first three h. 32”, w. 6‑3/4”, h. 25”, w. 4‑3/4” and h. 15‑1/4”, dia. 6”; the last h. 29‑1/2”, w. 7‑1/4” $500‑$800 Illustrated Online 164 Continental Mahogany and Exotic Woods Games Table 19th century, the square top with an inset removable parquetry-patterned piece, reversing to a baize-lined surface, removing to reveal a leather backgammon board, the top with two like-patterned drop leaves, above a frieze fitted with a single drawer, raised on tapering square legs. h. 29‑1/4”, w. 17‑1/2”, l. 17‑1/2”, ext. l. 30‑1/2” $600‑$900

160

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165 one of two

165 Continental School (19th Century) pair of red chalk drawings on paper after the Antiques, unsigned. In matching giltwood frames with handsome mats. 15” x 12‑3/8”, framed 24” x 21‑1/4”

166 one of eight

$900‑$1,200

166 Suite of Eight Black and White Engravings of classical sculptures and busts, from Richard Chandler’s (1738‑1810) “Marmora Oxoniensia”, engraved by J. Miller, 19th century. All matted, glazed and attractively framed alike. each sight 16‑1/2” x 10”, framed 23‑1/2” x 16‑3/4” $400‑$700

167 Continental School (19th Century) “Two Studies of a Man’s Head” sanguine on laid paper probably Italian, illegibly inscribed center left, illegible Italian watermark en verso. Matted, glazed and framed. 9-3/4" x 6-7/8", framed 19-3/8" x 15-5/8" $600‑$900

46

167


169 one of two

168 one of two

168 two of two

169 two of two

168 Continental School (19th Century)

169 French School (19th Century)

pair of red chalk drawings on paper after the Antique, one with a “Kunst Academie” stamp upper right. In matching rope-molded giltwood frames with handsome mats. each sight 17” x 13”, framed 25‑7/8” x 21‑7/8

“The Dancers” “The Bathers”

$900‑$1,200

pair of sanguine and sanguine and graphite drawings on paper each unsigned. Matted, glazed and framed alike. sights 13‑1/4” x 8‑3/4” and 13” x 9‑1/2”, respectively, framed 18‑1/4” x 13‑3/4” and 18‑1/2” x 14‑5/8”, respectively $600‑$900

47


170 Italian School (19th Century) “Rape of the Sabine Women” sanguine drawing on paper after the ca. 1575 monumental marble sculpture by Giambologna (1529‑1608) now conserved at the Loggia dei Lanzi, Florence. Matted, glazed and framed. sight 21‑1/4” x 9‑1/2”, framed 31‑1/2” x 19‑1/4” $600‑$900 171 Attributed to Michel-Honore Bounieu (French, 1740‑1814) “Portrait of a Woman with a Tambourine, Possibly the Prophetess Miriam”, 1765 graphite and white chalk on blue laid paper signed “Bounieu pinc.” lower left and dated “fecit 1765” lower center. Framed. sheet 13-15/16" x 11-3/8", framed 23-1/2" x 20-1/2"

170

$600‑$900 172 Three French Engravings of Classical Scenes 18th century, from Bernard de Montfaucon’s “Supplement au Livre de L’Antiquite Expliquee et Representee en Figures (Supplement to the Book of Antiquity Explained and Represented in Figures)”, vol. 5, Paris, 1724, including plates 54 and 55, the Etruscan sepulchers, and 60, the apotheosis of Faustina. Matted, glazed and framed alike. each sight 11-3/4" x 7-1/2", framed 19-1/4" x 13-5/8" $600‑$900 171

48

172 one of three

172 two of three

172 three of three


173

174 one of two

173 After Giovanni Battista Piranesi (Italian, 1720‑1778) “Detail from the Pedestal of Trajan’s Column” black and white etching Glazed and framed. sight 16” x 21‑1/4”, framed 28” x 33‑1/8” $400‑$700 174 Two French Engravings of Classical Scenes 18th century, from Bernard de Montfaucon’s “Supplement au Livre de L’Antiquite Expliquee et Representee en Figures (Supplement to the Book of Antiquity Explained and Represented in Figures)”, vol. 5, Paris, 1724, including plates 14 and 26 on tombs and sepulchers. Matted, glazed and framed alike. sights 13" x 16-3/4", framed 21-3/4" x 23-1/4" $600‑$900 175 Continental Gilt-Bronze Figure of a Classical Maiden first quarter 20th century, on a green marble plinth. overall h. 11‑1/2”, w. 4‑1/2”, d. 5‑1/2” $500‑$800

175

49


176 After Jean De Roncourt (French, 20th Century) “Alerte”, 20th century patinated bronze on a cream and black marble base. overall h. 16‑1/4”, w. 21”, d. 6‑7/8” $500‑$800

176

178 After Clodion (b. Claude Michel, French, 1738‑1814) “Putto with Triangle” “Putto with Tambourine” pair of patinated bronzes fourth quarter 19th century, the slightly chubby figures modeled balancing on one foot and holding instruments, each signed “Clodion” on the base, on red griotte marble bases. h. 9‑3/4”, dia. 4” $900‑$1,200

177

177 Otto Schmidt-Hofer (German, 1873‑1925) “Frauenakt”, first/second quarter 20 century patinated bronze cast signature along edge of self-base, on a green marble plinth. overall h. 9‑1/8”, w. 5‑1/2”, d. 2” $600‑$900

178

50


179

179 Continental Grand Tour Patinated Bronze of “Apollo” 20th century, after the original from Pompeii, now in the Museo Nazionale, Naples, Italy. h. 24”, w. 10‑1/2”, d. 9‑1/2” $400‑$700 180 Continental Grand Tour Basalt Sculpture of the “Dying Gaul”

182

181

182 Fine Italian Polished Alabaster Figural Grouping of “Apollo and Daphne” ca. 1900, after the 1625 life-sized marble sculpture by Gian Lorenzo Bernini (Italian, 1598‑1680) conserved at the Gallerie Borghese, Rome. h. 29”, w. 14”, d. 9” $1,800‑$2,000

ca. 1900, after the Roman marble (itself a copy of a Hellenistic bronze) now conserved at the Capitoline Museum, Rome. h. 11‑1/2”, w. 22”, d. 10‑1/2” $700‑$1,000 181 Continental Carved Alabaster Sculpture of Hercules first quarter 20th century, the hero wearing the skin of the Nemean lion. h. 25‑1/2”, w. 7‑3/4”, d. 6” $500‑$800

180

51


183 Julius Schmidt-Felling (German, 1895‑1930) “Classical Warrior with Lance and Shield” patinated bronze cast signature along edge of self-base, on a rectangular marble plinth. overall h. 16”, w. 5‑3/4”, d. 3‑1/4” $500‑$800

183

185 French Terracotta Figure of a Nymph ca. 1900, after Albert-Ernest Carrier-Belleuse (French, 1824‑1887), incised signature at edge. h. 19‑3/4”, w. 6”, d. 5‑1/4” $200‑$400

185

184 Pair of Continental Black-Patinated Spelter Equestrian Figures of “Julius Caesar” and “Vercingetorix” fourth quarter 19th century, the opposing generals of the Gallic Wars each dragging a captive, on black-painted wooden bases. overall h. 26”, w. 17‑1/2”, d. 9‑1/4” $300‑$500

184

52


187

186

186 Philippe Swyncop (Belgian, 1878‑1949) “Les Poupiers” oil on canvas signed lower right “Ph. Swyncop/10”. Presented in a period giltwood and gesso frame. 53‑3/8” x 35‑1/2”, framed 64” x 46” Exhibited: Exposition Internationale de Bruxelles, 1910. $7,000‑$10,000 187 American School (20th Century) “Nude” pastel on paper signed and dated lower left “Farrell 47”. Framed. sight 23‑1/4” x 17‑1/4”, framed 26‑1/2” x 20‑1/2” $500‑$800

188

188 Robert Philipp (American, 1895‑1981) “Standing Nude” pastel on paper signed lower right “Philipp”. Glazed and framed. 21” x 14”, framed 28” x 21” $700‑$1,000

53


189 Jean Chaleye (French, 1878‑1960) “Nude” oil on board signed lower right. Framed. 18‑1/4” x 25‑3/4”, framed 24‑1/4” x 32” $700‑$1,000 190 Guy Seradour (French, 1922‑2007) “La Parisienne” oil on canvas signed lower right. Framed. 15‑3/4” x 11‑3/4”, framed 22‑1/8” x 18” $600‑$900 189

190

191 Continental School (Fourth Quarter 19th Century) “Harvesting in the Green-House Vineyard” oil on canvas monogrammed “JS” lower right, old partial label en verso stretcher. Framed. 24‑1/4” x 14”, framed 32‑1/4” x 23‑1/4” $800‑$1,200

54

191


192 Carl Cesar Adelbert Cramer (Danish, 1822‑1889) “Piquant Bacchantes” oil on tin unsigned. Framed. 34‑1/2” x 21‑1/2”, framed 42‑1/2” x 25‑3/4” $800‑$1,200 193 Yves Diey (French, 1892‑1984) “Portrait of a Woman in a Dressing Gown” oil on canvas signed lower right. Framed. 21‑1/2” x 18”, framed 28‑1/2” x 25”

193

$500‑$800 194 Edmond Petitjean (French, 1844‑1925)

“L’Hiver dan Environs Nancy” oil on canvas signed lower left, inscribed en verso frame. Framed. 12-3/4" x 18-1/4", framed 23-1/2" x 28-3/4" $1,000‑$1,500

192

194

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199

197

196

200

201

195 Mahal Carpet

197 Persian Carpet

199 Turkish Angora Oushak Carpet

4’ 8” x 6’ 8”

4’ x 6’

11’ 10” x 14’ 10”

$500‑$800 Illustrated Online

$300‑$500

$1,200‑$1,800

198 Semi-Antique Persian Mashad Carpet

200 Agra Serapi Carpet

9’ 8” x 13’

12’ x 15’

$1,200‑$1,800 Illustrated Online

$1,600‑$2,400

196 Heriz Runner 3’ 2” x 14’ 5” $600‑$900

201 Antique Mahal Carpet 7’ x 13’ 8” $6,000‑$10,000

56


202 206

202 Antique Tabriz Carpet 8’ x 11’ 4” $2,500‑$4,000 203 Louis XVI-Style Aubusson Carpet 8’ x 10’ $600‑$900 Illustrated Online 204 Antique Sultanabad Carpet 204

9’ 4” x 12’ 2” $2,000‑$4,000 205 Persian Sultanabad Carpet 9’ 8” x 12’ 9” $1,000‑$1,500 206 Antique Oushak Carpet 12’ x 14’ 9” $2,500‑$4,000

205

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208

207

207 Chinese Imari Porcelain Shaving Bowl mid-19th century, of broad crescent form, with flared lip, decorated with peony sprays within stylized foliate borders, the reverse with floral motifs. w. 11‑3/4”, d. 9‑3/4” $400‑$700 208 Two 19th-Century Swords

209

including a British naval officer’s sword with scabbard, the bronze guard with a lion’s head, molded with a crowned anchor, w. 3”, l. 35”, and an Italian sword with scabbard, the blade stamped “Lorenzotti Brescia”, w. 4‑1/2”, l. 42”. $500‑$800 209 George III Oak Chest late 18th century, the rectangular top above a case fitted with two short drawers over three graduated long drawers, raised on shaped bracket feet. h. 38”, w. 40”, d. 19‑1/2” $600‑$900 210 George III Oak Secretary fourth quarter 18th century, the molded rectangular cornice above two astragal-glazed doors, the lower section fitted with a banded slant front opening to an interior fitted with a central mahogany cupboard and a variety of drawers and cubbyholes, over four graduated long drawers, raised on bracket feet. h. 83”, w. 37‑1/2”, d. 20” $600‑$900

58

210


212

215

214

211 Pair of George III-Style Mahogany Wing Chairs

215 Chinese Famille Rose Porcelain Vase Mounted as a Lamp

early 20th century, the slightly domed and tufted back joined by shaped sides and outscrolled padded arms to the cushioned seat, raised on chamfered square legs joined by an H-form stretcher. h. 43”

likely Republic period (1912‑1949), of ovoid form with trumpet neck, decorated to the exterior with scenes of the emperor with attendants in a mountainous landscape, mounted with a single bulb fixture. overall h. 32”, dia. 7‑1/2”

$300‑$500

$300‑$500

212 Chinese Famille Rose Porcelain Garden Stool second half 20th century, of ovoid form with pierced handles, decorated with panels depicting various figural scenes, with floral borders. h. 19‑1/2”, dia. 10” $400‑$700 213 Chinese Famille Verte Porcelain Platter first quarter 20th century, of ovoid form, decorated with figures at leisure on terraces within floral borders, with a hardwood stand. w. 13”, d. 10‑1/4”

213

$400‑$700 214 Chinese Famille Verte Porcelain Table Lamp late 19th/early 20th century, of double gourd form, decorated with scenes of battle below auspicious symbols within floral borders, later mounted as a table lamp. overall h. 33”, dia. 8” $400‑$700

211

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216 George III Walnut Kneehole Desk fourth quarter 18th century, the rectangular top banded and quarter-veneered, above a case fitted with a long frieze drawer over two banks of three graduated short drawers, flanking a recessed kneehole cupboard, all with decorative banding, raised on bracket feet. h. 30”, w. 35‑1/2”, d. 20‑1/2” $600‑$900

216

217

218

217 George III Mahogany Gainsborough Chair

219 George III-Style Mahogany Desk

late 18th century, in the Chippendale taste, the upholstered back with a serpentine crest rail, joined to open arms on rosette- and foliate-carved supports, the legs joined by an H-form stretcher. h. 41‑1/4”

20th century, in the Hepplewhite taste, bearing the branded label SLIGH Furniture, Holland, Michigan, the inset tooled leather top in three panels, over a central drawer flanked by banks of two drawers, raised on fluted legs. h. 29‑1/2”, w. 60”, d. 30”

$400‑$700

$400‑$700

218 George III-Style Mahogany Bowfront Chest late 19th century, with a bowed top with decorative edging, above a conforming case fitted with four graduated long drawers, all banded, raised on splayed feet. h. 43”, w. 40”, d. 23‑1/2” $600‑$900

60

219


220 Fine Chippendale-Style Mahogany Secretary Bookcase bearing the Baker Furniture tag from the Historic Charleston Collection, the upper section with a broken pediment and central finial above a pair of cabinet doors with adjustable interior shelves, the base with a slant lid opening to a fitted interior and four graduated drawers below. h. 95”, w. 43‑1/2”, d. 24” $800‑$1,200 221 George III-Style Mahogany Dining Suite including a dining table, 19th century, with a rounded rectangular top with a reeded edge, raised on two pedestals, each with a turned vasiform standard to three splayed and reeded legs ending in brass caps on casters, with an additional 21” leaf, h. 28”, w. 53”, l. 54”, ext. l. 75”, and thirteen dining chairs in the Hepplewhite style, each with a pierced shield-form back above the padded seat, raised on tapering square legs ending in spade feet, h. 37‑1/2”. $500‑$800

222

222 English Molded Glass Chandelier second quarter 20th century, the five-light chandelier in the Waterford taste, with a diamond-point and ribbed standard supporting swags of drops, set into a dish-form base, with twisted glass arms supporting glass candle cups and matching drip pans, hung with spear-point prisms. h. 30‑1/2”, dia. 22” $500‑$800

221

220

221

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223 Suite of Ten George III-Style Mahogany Dining Chairs 20th century, consisting of two armchairs and eight side chairs, with shell-carved crest rails, pierced and carved splats and cabriole legs ending in ball-and-claw feet. h. 39” $700‑$1,000 224 Unusual George III-Style Burl Walnut Lowboy 19th century, the shaped top with a molded edge, above two rows of three drawers, raised on carved cabriole legs ending in ball-and-claw feet. h. 30‑1/2”, w. 33”, d. 21”

225

$500‑$800 225 Japanese Imari Porcelain Charger second half 19th century, of circular form with a broad, slightly everted lip, decorated with a dense design of phoenix amid flowerheads and scrolling foliage, the reverse with three individual floral sprays. dia. 18”

226

$800‑$1,200 226 Group of Three Chinese Export Porcelain Mugs second half 19th century, each decorated in the mandarin palette with figural and floral scenes within various cartouches, with scrolling floral detail in the surround, the two larger examples with mounted metal handles. the largest h. 5‑3/4”, w. 7” (including handle) $500‑$800

224

62

223


227

230

227 George III-Style Mahogany Chest early 20th century, the rectangular top above a conforming case fitted with four graduated long drawers, raised above a gadrooned apron on ogeemolded legs ending in ball-and-claw feet. h. 43”, w. 48‑1/2”, d. 25” $400‑$700 228 Pair of George III-Style Mahogany and Parcel-Gilt Side Chairs early 20th century, each with a pierced and carved backsplat centered by a carved shell and flanked by carved eagle heads, raised on cabriole legs ending in ball-and-claw feet. h. 42” $400‑$700 228

229 George III Mahogany Kneehole Desk 18th century, with a molded overhanging top above a pull-out work slide, a single cabinet in the rear of the kneehole and flanked by a bank of drawers to each side. h. 31”, w. 38”, d. 22” $400‑$700 230 Continental School (Fourth Quarter 18th Century) “Portrait of Luigi Cracchi, a Silk Merchant, Vienna, 1780" oil on canvas inscribed mid-left. Framed. 34” x 28”, framed 38” x 32” $600‑$900

229

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231 French School (19th Century) “Portrait of a Boy” watercolor and graphite on paper signed mid-left “Crespin 1840”. Matted, glazed and framed. sight 12” x 8‑3/4”, framed 22‑1/2” x 18‑5/8” $500‑$800 232 British School (19th Century) “Portrait of a Clergyman”

231

235 one of six

232

233

oil on canvas unsigned, with old inventory labels on the reverse. Framed. 30” x 25”, framed 37‑3/4” x 32‑3/4” $800‑$1,200 233 American School (Fourth Quarter 19th Century) “Portrait of a Distinguished Gentleman” oil on canvas unsigned. Presented in a period giltwood and gesso frame. 44‑1/8” x 35‑1/8”, framed 55‑1/2” x 45‑1/2” $600‑$900 234 N. Henry Bingham (American, b. 1939) “A Toast” oil on panel signed lower left “N. Bingham”. Framed. 12” x 15‑3/4”, framed 17” x 21” $700‑$1,000 235 Suite of Six English Engravings of Queens 19th century, including “Queen Margaret”, “Marie de Medicis”, “Margaret of Anjou”, “Katherine of Valois”, “Isabella of Angouleme”, and “Marguerite of France”. Matted, glazed and framed alike. five sight 8‑1/2” x 5‑3/4” and one sight 8‑1/4” x 6‑1/4”, framed 17‑1/2” x 14‑1/2” $400‑$700

64

234


236 one of four

237 one of two

236 Suite of Four English Architectural Illustrations including “Marlborough House”, “Durham House”, “Beddington Place” and “Blenheim Castle”. All framed alike. each sight 9” x 17, framed 15‑3/4” x 23‑3/4” $500‑$800 237 Two Fine British Engravings of “Lime Hall” and “Leek” from William Upcott’s A Bibliographical Account of the Principal Works Relating to English Topography, published by Richard and Arthur Taylor, London, 1818. Matted, glazed and framed alike. each sight 7‑1/2” x 10”, framed 15” x 17”

237 two of two

$400‑$700 238 Suite of Three British Engravings of Biblical Scenes fourth quarter 17th century, including “Abraham and Isaac”, “David and Abigail”, and “Jacob Wrestling with God”, two engraved by William Tringham (1749‑ca. 1794), one by Bell, probably Andrew Bell (1726‑1809) Glazed and framed alike. each sight 13‑1/2” x 19‑1/2”, framed 14‑1/4” x 10‑1/4” $800‑$1,200

238 one of three

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239 Attributed to Thomas Rowlandson (British, 1756‑1827) “On the Character of Young Roscius”, ca. 1805 hand-colored engraving unsigned. Matted, glazed and framed. sight 6” x 17‑1/2”, framed 10‑1/4” x 21‑1/2” $700‑$1,000

239

240 George III-Style Figured Mahogany Side Table first half 20th century, the rectangular top with a banded edge and applied molding, above a straight frieze and raised on bold cabriole legs with shell-carved knees and ending in ball-andclaw feet. h. 36”, w. 59”, d. 25‑1/2” $400‑$700

240

241 Assembled Suite of Ten George II-Style Mahogany Dining Chairs in the Queen Anne taste, comprised of a pair of open armchairs, each with an upholstered back and seat, open arms and cabriole legs, h. 30‑1/4”, together with a suite of eight side chairs, each with a shaped top rail and splat, slip seat and cabriole legs ending in pad feet, h. 40‑1/4”. $1,500‑$2,500

241

242 Set of Six Rare Olive Green Glasses third quarter 18th century, Anglo-Irish or Bohemian, the cut glasses with gilt decoration. h. 6”, dia. 2‑1/2” $400‑$700

66

242


243 George III Mahogany Games Table fourth quarter 18th century, the rectangular top hinged and with projecting corners, above a plain frieze fitted with a single small side drawer, raised on cabriole legs ending in pad feet. h. 28‑1/2”, w. 32”, closed d. 16” $300‑$500 244 Georgian-Style Burlwood and Banded Mahogany Dining Table 20th century, the burlwood top mounted to the base with an egg-and-dart-carved apron and with carved cabriole legs ending in ball-and-claw feet, retaining two 19‑1/2” leaves. h. 30‑1/2”, w. 48”, l. 76”, ext. l. 115”

244

$400‑$700 245 Four Pairs of Brass Candlesticks 19th/20th century, English, including an aesthetic pair, two pairs in the Georgian style, and a smaller pair with push-ups. the tallest h. 18” $400‑$700 246 Chinese Export Armorial Porcelain Tureen and Undertray second half 19th century, of traditional twinhandle form, decorated in blue, white and gilt with scrolling vine designs and floral sprays, each side with a crest containing indistinct monogrammed initials. overall h. 11”, dia. 13”

245

$400‑$700

243

246

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247

248

247 Pair of Large Staffordshire-Type Pottery Figures depicting William Shakespeare and John Milton, each poised at a molded podium, with a stack of books and a written page, Shakespeare depicted with his trademark beard, Milton with his long locks. h. 18”, w. 11”, d. 4‑1/2”

249

$2,000‑$4,000 248 Suite of Four George III Mahogany Side Chairs 18th century, with pierced and carved back splats, slip seats and cabriole legs with acanthine-carved knees. h. 37” $500‑$800 249 Large Georgian-Style Mahogany Conference Table ca. 1900, the banded rectangular top with a molded edge, the frieze along each long side fitted with four drawers, raised on boldly carved cabriole legs ending in ball-and-claw feet. h. 32”, w. 48”, l. 120‑1/2” $1,000‑$1,500

250

250 George III Mahogany Swing-Leg Drop-Leaf Table mid-18th century, the top and leaves cut from singleboard stock, raised on cabriole legs with shell-carved knees and ending in ball-and-claw feet. h. 28‑1/2”, w. 48”, l. 19”, ext. l. 52” $500‑$800

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251 George III-Style Mahogany Tripod Table 20th century, the circular tilting top raised on a turned columnar-form standard to three splayed legs ending in pad feet. h. 30”, dia. 48” $500‑$800 252 Minton Porcelain “Cuckoo” Pattern Partial Dinner Service ca. 1889, English, hand-painted and decorated with peonies and birds, impressed “Minton” and the date latter, marked with hand-painted pattern numbers, the service including twenty-three dinner plates, dia. 10”, twelve luncheon plates, dia. 8‑3/4”, ten soup plates, dia. 10”, a soup tureen and stand, h. 8”, w. 13‑1/2”, three oval covered vegetable dishes, h. 8”, w. 12‑1/2”, three oval sauce tureens and stands, h. 5‑1/2”, w. 7‑3/4”, a tureen lid, w. 7‑3/4”, d. 9‑3/4”, an oval platter, w. 19‑1/2”, d. 14‑1/2”, a smaller oval platter, w. 13‑1/4”, d. 9‑3/4”, and four oval platters, w. 11”, d. 8”. $500‑$800 251

252

253 Pair of Copeland Spode “Green Dragons” Creamware Candlesticks third quarter 19th century, English, impressed “Copeland Spode” and marked by the retailer, “Mortlock’s, Oxford St.”. h. 10‑1/4”, dia. 5‑1/4” $300‑$500 Illustrated Online 254 George III Mahogany Secretary Bookcase fourth quarter 18th century, the molded cornice above two astragal-glazed doors, opening to a fabric-lined interior, the lower section fitted with a drop-front drawer opening to an inset leather writing surface and a variety of drawers and cubbyholes, over three graduated long drawers, raised on splayed feet. h. 85‑1/2”, w. 42”, d. 19‑1/4” $900‑$1,200

254

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255 George III-Style Mahogany Center Table early 20th century, in the Chinese Chippendale taste, the shaped square top with a foliate-carved edge, raised on cluster-column legs joined by a like X-form stretcher and ending in block feet on casters. h. 28”, w. 26”, d. 26” $400‑$700 256 Pair of Chinese Famille Rose Porcelain Vases Mounted as Table Lamps first quarter 20th century, each of baluster form with domed cover, decorated to the exterior with alternating panels depicting figures at court and birds and butterflies amid blossoming flowers, later mounted with single bulb fixtures. overall h. 21‑1/2”, base dia. 5‑1/4”

257

$400‑$700

258 256

257 Chinese Rose Medallion Porcelain Punch Bowl mid-19th century, the interior painted with alternating panels depicting figures at court and at leisure, with scrolling floral borders and birds and ruyi bats decorating the rim, the exterior with a continuous scene of ladies at leisure in gardens and on terraces, all in the famille rose palette with gilt detail. h. 5‑1/4”, dia. 13‑1/4” $500‑$800 258 Chinese Famille Rose Porcelain Vase and Cover with Yongzheng mark but later, of elongated baluster form with slightly splayed foot and everted neck, the body decorated with opposing panels depicting courtly scenes, the surround densely decorated with floral designs, with a key border to the foot and floral border to the neck, the domed cover with peachform finial, the base with apocryphal six-character Yongzheng mark in underglaze blue. h. 20‑1/2”, w. 8” $400‑$700

70

255


259 Chinese Rose Medallion Porcelain Tureen and Underplate mid-19th century, the soup tureen with intertwined handles, h. 11‑1/2”, w. 12”, d. 9”, the conforming, deep underplate with like decor, w. 14‑1/4”, d. 11‑1/4”. $300‑$500

259

260 Pair of Maple-Framed Regency Pictures second quarter 19th century, English, made of engravings enhanced with “jewels”, cut fabric and lace paper. h. 7”, w. 6‑1/2” $400‑$700

260

261 Pair of Regency-Style Glass Hurricane Lamps 20th century, with star-cut cerulean blue shades and stepped colorless bases. h. 15‑1/2”, dia. 5‑3/4” $500‑$800

261

71


262 Pair of Regency-Style Mahogany Serving Cabinets 20th century, in the Adam taste, each surmounted by an urn-form cabinet topped by a finial and fitted with a single swag-carved door, opening to four pull-out shelves, the lower cabinets each fitted with a single drawer over a tall paneled cupboard door, opening to shelves and a storage space, fronted by a swag and patera carving, raised on plinth bases. h. 60”, w. 18”, d. 18” $800‑$1,200

265

263

265 English Bronze and Glass Hall Lantern second quarter 20th century, in the William IV style, of hexagonal form, the sides set with textured, frosted glass and molded swan’s neck and anthemion crests, supported by brass scrolls. h. 26”, dia. 8‑1/2” $500‑$800

262

263 Pair of Anglo-Irish Glass Covered Pokals fourth quarter 19th century, in the Regency taste. h. 18”, dia. 6‑1/2” $800‑$1,200 264 Late Regency Rosewood Teapoy second quarter 19th century, the rectangular top with a molded edge, opening to two lidded tea compartment spaces for two mixing bowls, above an ogee-molded case, raised on a paneled bulbous standard to a concave rectangular base on scrolled feet on casters. h. 30”, w. 19‑1/4”, d. 14‑1/2” $300‑$500

72

264


266 Regency-Style Mahogany Pedestal Desk late 20th century, each bank fitted with three drawers flanked by turned columns, the top with an inlaid border and fitted with three drawers under the desk. h. 30‑1/2”, w. 66”, d. 31” $500‑$800 267 William IV Mahogany Hall Chair second quarter 19th century, with a shield-form back rest, balloon seat and flaring square legs. h. 41‑1/2”, w. 18”, d. 18” $300‑$500 268 Collection of Three Antique Boxes including a Continental carved and inlaid valuables box, late 17th century, h. 7‑3/4”, w. 11”, d. 8”, a William IV three-compartment rosewood tea caddy with brass and mother-of-pearl inlay, second quarter 19th century, h. 7‑1/2”, w. 12‑1/2”, d. 6‑1/2”, and a jewel case with North African-style marquetry and mother-of-pearl inlay, late 19th century, h. 2‑1/2”, w. 11‑1/4”, d. 7”.

269

$500‑$800 269 Late Regency Rosewood Games Table second quarter 19th century, the rectangular top with inlaid bands and a concave front, hinged and opening to a baize-lined interior, above a conforming frieze, raised on a concave graduated standard to a concave rectangular base, raised on scrolled feet and casters. h. 29‑3/4”, w. 37”, d. 19‑1/2”

268

$400‑$700

266

267

73


270 Pair of Neo-Grec Pate-sur-Pate and GiltBronze Moderator Lamps post-1865, English, the celadon vases with Grecian figures on the obverse and filigree scrolled designs on the reverse, signed “J. Hinks & Sons”, mounted as lamps on shaped bronze bases. overall h. 26‑1/2”, dia. 5‑3/4” $400‑$700 271 Regency-Style Mahogany Games Table mid 20th century, the rounded rectangular top banded and centered by an inlaid chessboard, above a canted frieze, raised on double ebonized turned columnar end supports to runner bases, joined by a bulbous turned stretcher and ending in bulbous feet. h. 27‑1/2”, w. 34‑3/4”, d. 17”

270 274

272 Pair of Regency-Style Carved and Polychromed Wooden Planters each with a circular bowl supported by three carved legs and mounted to a triangular base with garlands. h. 56”, w. 17”

$700‑$1,000

$500‑$800 273 Pair of William IV Polychrome Side Chairs second quarter 19th century, each with a paneled crest with a painted coastal landscape over a shaped horizontal splat, the padded, graduated seat raised on turned, ribbed tapering circular legs ending in tall toupie feet. h. 33” $400‑$700 274 William IV-Style Mahogany Open Bookcase

271

20th century, fitted with four graduated long shelves, all separated by scroll-fronted supports, raised on toupie feet. h. 48”, w. 48‑1/2”, d. 14‑1/2” $500‑$800

74

272

273


276

275

275 Painted Terracotta Figure of a Female second quarter 19th century, English or Continental, probably depicting Jenny Lind. h. 15‑1/2”, w. 4‑1/4” $400‑$700 276 Interesting Regency-Style Mahogany Credenza the front fitted with a single drawer above a pair of doors modeled as shelves of leather-bound books and flanked by open shelves to each side, bearing the label of Maitland Smith. h. 36”, w. 74”, d. 16” $700‑$1,000 277 William IV Mahogany Cabinet

277

second quarter 19th century, the square top above a conforming frieze fitted with a single drawer over a long tapering cupboard door, banded and with inlaid ebonized accents, flanked to either side by canted uprights headed by ebonized lion’s masques and ending in paw feet, the sides with lion’s-head ring handles. h. 50‑1/2”, w. 26‑3/4”, d. 26‑3/4” $700‑$1,000 278 William IV Mahogany Games Table second quarter 19th century, the D-form top with a reeded edge, hinged and opening to a gaming space, above a conforming frieze, raised on turned and ribbed circular legs ending in bulbous feet on casters. h. 29‑1/2”, w. 48”, closed d. 23” $400‑$700

278

75


279 Rare Pair of Early 18th-Century Hungarian Silver Altar Sticks dated 1720, by Henricus Goldner, Sopron, each with a baluster standard raised on a tripartite scroll base and surmounted by a drip-pan and pricket, the whole richly ornamented with repousse and chased scrolls, flowers and volutes, inscribed around the baluster base “Ioan[nes] Adam Gansel : Philo[sophiae] & Med[icinae] Doctor : Quis Legavit Ad. 1720”. h. 32‑1/2”, w. 13‑1/4”; weighted Literature: Judt H. Kolba, Hungarian Silver: The Nicolas M. Salgo Collection (London: Thomas Heneage, 1997), p. 88, item 76c. Notes: This handsome pair of altar sticks, along with two others, were commissioned in 1720 by Dr. Joan Adam Gansel for St. Michael’s Church in Sopron, Hungary. They were sold by the church in 1860 to Trausdorf Church in Burgenland, Austria, where they remained until 1969. They were acquired in 1980 by Nicolas M. Salgo (1914‑2005), Hungarian-born builder of the Watergate Complex and Reagan’s Ambassador to Hungary who, while in service as the latter, began to amass what would come to be regarded as the finest collection of Hungarian silver in private hands. After his death, much of his collection was retained by the Salgo Trust for Education, with some items - including the present lot - sold for the benefit of the trust. $8,000‑$12,000 279

281

280

280 Pair of German Neoclassical Silver Candlesticks

281 Pair of German Silver Candlesticks

1826, Munich, by Bartholomaeus Maierhofer (1773‑1840; Master 1804), .813 silver, each in the form of a classical urn with ringed lion’s masque handles on a fluted columnar pedestal with rope-twist-banded foot and square plinth base, the urn nozzles fitted with detachable circular bobeches. h. 11‑1/4”, w. 4‑1/2”; 27.49 total t. oz.

second quarter 19th century, Weissenfels, Saxony, .750 silver, in the neoclassical taste, each in the form of a Corinthian column above a triangular base with acanthus-crested scrolls and embossed shell and bouquet plaques, above a conforming scrolled plinth base, the nozzle fitted with a detachable leaf-banded bobeche. h. 12”, w. 5”; 19.06 total t. oz.

$1,400‑$1,800

76

$500‑$800


282

283

282 German Four-Piece Silver Tea Set first quarter 20th century, .800 silver, including a coffeepot, h. 9‑1/2”, a teapot, h. 8‑1/4”, a covered sugar bowl, h. 6”, and a cream jug, h. 5‑3/8”, each of lobed pear form and decorated with embossed floral swags and cartouches of frolicking putti, with rocaille-crested handles and feet. 71.76 total t. oz. $800‑$1,200 283 German Silver Fruit Bowl first quarter 20th century, probably Hanau, .800 silver, of hexagonally paneled form, each side decorated with embossed cartouches, alternately with putti and void, mantled with floral bouquets on an openwork scroll-and-trellis ground, the base embossed with a scene of musical putti. h. 3‑3/4”, w. 13”; 23.59 t. oz. $500‑$800 284 Two Continental Silverplate Plateaux-onStands

284

the plateaux ca. 1900, each of “turtleback” form with conforming mirrored plate, one in the neoclassical taste, 21‑1/4” x 11‑1/2”, the other in the rococo taste, 14‑1/4” x 7‑3/4”, each raised on a custom, conforming, contemporary wooden stand with tapering legs and X-form stretcher, h. 25”. $500‑$800 285 Pair of Continental Silverplate Figural Fish Sauce Boats fourth quarter 19th century, each in the form of a well-detailed heraldic dolphin, its mouth the spout, its tail curling to form the handle. h. 2‑5/8”, l. 5‑1/4”, w. 2‑1/2” $500‑$800

285

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286 Silverplate Pastry Stand and Ice Bucket contemporary, India, each with beaded rim and ring handle, the pastry stand with baluster standard fixed with five graduated bowls, h. 35”, dia. 15”, the ice bucket of tapering oval section with fitted lid, h. 14”, l. 14”, w. 10”. $400‑$700

288

288 Silverplate Double Wine Trolley contemporary, with rococo-style wine coasters with turned wood base and figural putto crest, fixed to a four-wheel trolley with rococo-scroll ring pull. h. 5‑1/2”, l. 19”, w. 8” $500‑$800

286

287 Pair of Continental Bronze Argente Candlesticks first quarter 19th century, each with a baluster-form standard, cavetto-domed base and cannon-form nozzle. h. 8”, dia. 4‑1/4” $300‑$500

289

289 Christofle “Vertigo” Silverplate Tea Tray contemporary, designed by Andree Putman, Paris, presented in the original box. 25” x 16‑1/4” $500‑$800

287

78


290 Middle Eastern Silver Two-Handled Cup mid-20th century, .900 silver, the bucket-form body decorated with engraved “aesthetic” banding, with squared arched handles and domed foot. h. 8‑3/4”, dia. 7‑3/8”; 48.78 t. oz. $700‑$1,000 291 Japanese Silver and Mixed Metal Trinket Box Taisho or early Showa period (ca. 1925), rectangular with fitted lid, the body with engraved floral scrolls, the lid with well-detailed applied gilt- and silveraccented copper medallion of Bajutsu combatants. h. 1‑3/4”, l. 3”, w. 2”; 9.77 t. oz. $1,000‑$1,500 290

292 Japanese Silver and Lacquer Potpourri Box Showa period (1926‑1989), the rounded square lacquer box clad in a silver frame raised on four legs and decorated with engraved prunus, the fitted lid with ventilated bowl handle. h. 6‑3/4”, w. 5‑1/2” $800‑$1,200

291

293

293 Victorian Japonaise Sterling Silver, Rosewood and Lacquer Standish hallmarked Sheffield, 1887‑1888, by James Deakin & Son, with a vasiform sterling silver inkwell with hammered finish fixed to a rosewood veneer stand with gilt-lacquer applied gooseberries and silver rim. h. 4”, l. 8‑3/8”, w. 6” $500‑$800

292

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294 Two Pieces of Large Victorian Silverplate Tableware fourth quarter 19th century, including an Adam-style hot water urn with arched handles and reeded tap, h. 22‑1/4”, w. 11”, and a rare game tureen, circular with stag’s head handles and recumbent deer finial, h. 10‑1/2”, dia. 9‑1/2”. $400‑$700 295 Six Pieces of Victorian Silverplate Tableware including an A. Savory & Sons meat dome with melon finial, h. 11‑1/4”, l. 18‑1/4”, a pair of wine coasters with rocaille rim, dia. 8‑1/4”, two rocaille sauce tureens, l. 9” and 8‑1/2”, the latter with engraved armorial, and a quaich with engraved crest of an elephant’s head, w. 10‑1/2”.

296

$500‑$800 296 Pair of Matthew Boulton Old Sheffield Plate Graduated Meat Domes first quarter 19th century, oval with wide gadrooned band and lion’s masque-mounted reed handle, engraved with the arms of Bayley. h. 10‑1/2”, l. 18‑1/2” and h. 9‑3/4”, l. 14‑1/2” $600‑$900

297

297 Late Victorian Cased Silverplate and Ivory Fish Service the sterling ferrules hallmarked 1897‑1898, by Levesley Brothers, Sheffield, including twelve forks, l. 7‑1/2”, and twelve knives with scimitar blades, l. 8‑3/4”, engraved with trefoils, all with spatulate ivory handles, presented in a green velvet- and ruched satin-linen mahogany case, 13‑3/4” x 10”. $500‑$800

294

80

295


298

298 Six Pieces of Victorian Silverplate Tableware fourth quarter 19th century, including a Walker & Hall pickle castor, h. 9‑1/2”, a Martin, Hall & Co. christening mug, monogrammed “JCD”, h. 3‑1/2”, an Atkins Brothers covered butter cooler, h. 6”, a Potosi Silver Co. cruet frame with vase, h. 9”, and two revolving vegetable dishes, one H. Woodward & Co., h. 8‑1/2”, w. 13‑1/4”, the other unmarked, monogrammed “JSH”, h. 8‑3/4”, w. 12‑5/8”. $500‑$800 299 Chess Set third quarter 20th century, with silver- and brass-plated pieces in a medieval-style wooden case. h. 4”, w. 14‑1/2”, d. 9‑3/4” $400‑$700

300

300 Four-Piece Collection of Pewter 18th century, Continental or English, including a wooden-lined covered tankard with engraved cutwork, a tobacco box with a pierced rococo knop, a rococo-molded sugar box with a hinged cover, and a two-compartment covered salt cellar on hoof feet. h. 1‑1/2” to 8‑3/4”, w. 4‑1/4” to 6”, d. 2‑1/2” to 5‑3/4” $500‑$800 301 English “Bobby” Character Jug early 20th century, indistinctly signed, with a printed Royal Crest mark. h. 8‑1/2”, w. 7‑3/4” $300‑$500 Illustrated Online

299

81


302 English Oak Gate-Leg Table 18th century, the rectangular top with rounded ends and two ovoid drop leaves, and raised on a gate-leg support of bobbin-turned bulbous legs joined by a like stretcher and ending in bulb feet. h. 29‑1/2”, w. 44”, l. 24”, ext. l. 60” $500‑$800 303 English Equestrian Leather Feed Bucket

302

fourth quarter 19th century, decorated with the royal coat of arms of the United Kingdom, with a linen-lined interior. h. 15”, dia. 13‑1/2” $300‑$500 304 English Carved, Polychromed and Parcel-Gilt Pine Plaque 19th century, depicting a pair of opposing eagles beneath a centered crown and holding a shield with carved lions and castles. h. 18”, w. 12” $300‑$500 305 Jacobean-Style Oak Draw-Leaf Table ca. 1900, the segmented and paneled top raised on turned legs joined by an H-form stretcher, each end fitted with a draw leaf. h. 31‑1/2”, w. 43”, l. 91”, ext. l. 139” $1,200‑$1,800

303

304

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305


306

306 Two English Walnut Boxes third quarter 19th century, with Elizabethan-style brass strapwork, the lighter example fitted as a letter box. h. 6‑1/2”, w. 9‑1/4” and h. 7”, w. 10‑1/4” $400‑$700

308

307 English Carved Oak Server in the Baroque Taste ca. 1900, the hinged top opening to an inset marble work surface, above two drawers and a medial shelf below, supported by spiral-twist columns. h. 37‑1/2”, w. 47”, d. 18” $500‑$800 308 English Mahogany, Mixed Woods and Marble-Top Dressing Table

307

fourth quarter 19th century, in the Elizabethan taste, with a beveled mirror above, on a base fitted with a single drawer and raised on spiral-twist supports joined by a stretcher. h. 69”, w. 31”, d. 20‑1/2” $500‑$800 309 Turned and Mottled Stone Standish second half 19th century, English, with a turned base, the acorn-turned cover opening to reveal a molded glass inkpot. h. 6‑1/4”, dia. 7” $300‑$500 Illustrated Online 310 George II Walnut Dressing Table early 18th century, in the William and Mary taste, the linestrung and cross-banded top over a band of three drawers with a scalloped apron, raised on turned legs joined by a shaped stretcher. h. 29‑1/2”, w. 28‑1/4”, d. 19‑1/2”

310

$500‑$800

83


311 Pair of Jacobean Fruitwood and Parcel-Gilt Hall Chairs 17th century and later, the padded backs with scrollcarved crests and turned back posts, raised on Queen Anne-form legs joined by a carved apron. h. 51” $500‑$800 312 English Giltwood Mirror 313

first quarter 20th century, in the Adam style, the outer edge lined with segmented mirror glass, the scrollmolded surround with a serpentine crest with a pierced leaf-molded finial, the sides trimmed with molded scrollwork and bellflowers. h. 67‑1/4”, w. 43” $600‑$900 313 Collection of Eight English-Style Brass Candlesticks 20th century. h. 6‑3/4” to 11‑1/4”, dia. 2‑1/2” to 4‑1/4” $300‑$500

312

314

314 Pair of Brass Andirons in the William and Mary Style late 19th century, with ball standards and bases pierced with scrollwork. h. 26”, w. 15‑3/4”, d. 14‑3/4” $300‑$500

84

311


315 George II Walnut Slant-Lid Desk 18th century, with a banded top, lid and drawers, the lid opening to reveal a fitted interior, raised on bracket feet. h. 36‑12”, w. 30”, d. 18‑1/4” $500‑$800 316 Pair of Chinese Blue and White Porcelain Jars Converted to Table Lamps probably late 19th century, each of baluster form, decorated to the exterior with qilin standing on rockwork amid foliage, and mounted with a single bulb fixture. overall h. 23”, dia. 12‑1/4” $500‑$800 317 English Pickled Pine Beveled Mirror

317

19th century, in the style of William Kent, with a deeply carved gadrooned outer edge, the inside corners with applied oak leaf and berry carving. h. 44‑1/2”, w. 39‑1/2” $400‑$700 318 George II Mahogany Drop-Leaf Table 18th century and later, the top flanked by single-board drop leaves supported by fly legs, the frieze with a single drawer, raised on cabriole legs. h. 29‑3/8”, w. 35‑3/8”, l. 17‑1/2”, ext. l. 53‑1/2” $500‑$800

316

318

315

85


319 Queen Anne-Style Mahogany Cock-Fighting Chair ca. 1900, with curved elbow rests, shaped seat and cabriole legs joined by block-and-turned stretchers. h. 35” $250‑$400 Illustrated Online 320 Group of Three Chinese Export Porcelain Mugs mid- to late 19th century, two examples decorated in the famille rose palette with a figural scene within a quatrefoil cartouche, on a blue and white cell-diaper ground, with flowers and butterflies in the surround, the other example in the mandarin palette. the largest h. 5‑1/2”, w. 6‑1/2” (including handle)

320

$400‑$700 321 Pair of Chinese Blue and White Porcelain Vases Converted to Table Lamps first quarter 20th century, each of elongated baluster form with trumpet neck, decorated to the exterior with a scrolling foliate design and double happiness symbols. overall h. 24‑1/2”, dia. 8‑3/4” $500‑$800 322 Suite of Four Queen Anne Walnut Side Chairs late 18th century, each with a rounded crest above a baluster-form splat, the padded seat raised on cabriole legs joined by a block and turned H-form stretcher and ending in pad feet. h. 41” 321

$500‑$800

86

322


323

324

323 Willem Steelink II (Dutch, 1856‑1928) “Sunset Landscape with a Shepherd and His Flock” oil on canvas signed lower left. Framed. 18‑1/2” x 28”, framed 23” x 31‑3/4” $800‑$1,200 324 F. Munsterfeld (German, active 1880s) “Low Tide” oil on canvas signed lower right. Framed. 32‑1/4” x 51”, framed 41‑3/4” x 60‑1/2” $1,000‑$1,500 325 Sigfridde Bille (German, 20th Century) “Susanna and the Elders”

325

oil on burlap monogrammed lower center right. Framed. 27‑1/2” x 19‑3/4”, framed 31” x 23‑1/4” $800‑$1,200 326 British School (First Quarter 20th Century) “Quiet Reprieve in the Garden” oil on linen indistinctly signed lower right, London manufacturer stamp en verso. Framed. 24” x 30”, framed 35” x 40” $1,000‑$1,500

326

87


328 Aksel Morch (Danish, 1883‑1960) “Miners” oil on canvas signed lower right. Framed. 46‑3/8” x 36”, framed 50” x 40‑3/8” $1,000‑$1,500

327

327 Continental School, Probably German (First Half 20th Century) “Teatime Respite” oil on canvas monogrammed “SL” lower right. Unframed. 21‑1/2” x 18‑1/4” $800‑$1,200 328

329 Axel Skjelborg (Danish, 1895‑1970) “The Cattle Herder”, 1937/38 oil on canvas signed and dated lower right, an Andelsbanken Bank presentation label at front of frame. Framed. 66‑1/2” x 50”, framed 87” x 72‑3/4” $1,000‑$1,500

329

88


330 Jon Corbino (American, 1905‑1964) “Flood Refugees” mixed media on paper signed and titled lower right. Matted, glazed and framed. sight 29‑3/4” x 19‑1/2”, framed 36‑3/4” x 25‑3/4” $800‑$1,200 331 Erskine Nicol (British, 1825‑1904) “Caught in the Act”, 1849 oil on canvas signed and dated lower left, inscribed en verso “E. Nicol R.A.”. Framed. 16‑3/4” x 20‑7/8”, framed 27‑1/4” x 23” $1,200‑$1,800 332 American School (20th Century) 330

“Quiet Harbor” oil on canvas signed lower right “M. N. Dwyer”. Framed. 12” x 16”, framed 16‑1/2” x 20” $500‑$800 333 Continental School (First Quarter 20th Century) “Harbor Scene” oil on panel indistinctly pencil-signed “A. M. Proc...ber” lower right, a “Wally Findlay” label on frame backing. Framed. sight 12‑1/2” x 16”, framed 17‑3/4” x 21‑1/4”

331

332

$800‑$1,200

333

89


335 Continental School (20th Century) “Summer Harvest” oil on canvas signed illegibly lower left. Framed. 23” x 27‑3/4”, framed 32” x 36‑5/8” $600‑$900

334

334 American School (Second Half 20th Century) “Harbor Scene” oil on canvas signed “R. Fraser” lower right. Framed. 24” x 20”, framed 29‑3/4” x 25‑3/4”

335

$500‑$800

336 Fernand Toussaint (French, 1873‑1956) “Paysage Tranquille” oil on canvas board signed lower right. Framed. 17‑3/4” x 21‑1/2”, framed 28” x 31‑3/4” $800‑$1,200

336

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337 338

337 Fred Stauffer (Swiss, 1892‑1980) “Harbor Scene” oil on canvas signed lower right. Framed. 19‑1/4” x 39”, framed 26‑1/4” x 47” $600‑$900

338 Andre Gisson (American/French, 1921‑2003) “Resting by the Lake” oil on canvas signed lower left. Framed. 12” x 16”, framed 19‑1/4” x 23‑1/4” Provenance: Estate of Henry F. LeMieux, Houston, Texas. $1,000‑$1,500

340 French School (20th Century)

339

“Au Bord de la Riviere” oil on canvas monogramed lower right “GCM”. Framed. 20” x 23‑1/2”, framed 26‑1/4” x 29‑3/4” $800‑$1,200

339 John Clymer (American/French, b. 1932) “Coastal Landscape” oil on canvas signed lower left. Framed. 24” x 36”, framed 31‑3/8” x 43” $700‑$1,000

340

91


344

341

343 342

341 French Belle Epoque Painted Pier Mirror ca. 1900, the pierced crest decorated with a cartouche and bellflowers, set with a beveled mirror plate. h. 76‑1/2”, w. 45” $700‑$1,000 342 Henri II-Style Polychrome Buffet a Deux Corps

343 Louis XV-Style Fruitwood Settee mid-19th century, of box form, the floral-carved crest above a padded back and sides, the cushioned seat raised above a shaped foliate-carved apron on scrolled toes, with conforming pillows and bolsters, all upholstered in damask. h. 34”, w. 78”, d. 34”

early 20th century, the molded and domed cornice surmounted by a shell crest and over a central glazed cabinet flanked to either side by a lower paneled cupboard, joined by a paneled and galleried back and turned uprights to a lower section fitted with three drawers over three recessed cupboard doors, flanked and divided by fluted and ribbed uprights, raised on bun feet, the whole accented with scrolling foliate accents. h. 106”, w. 70‑1/2”, d. 23‑1/2”

$800‑$1,200

$700‑$1,000

$400‑$700

92

344 Meissen-Style Porcelain Jardiniere first quarter 20th century, German, depicting a courting couple at a wishing well, with a spurious “Ducal Real Porcelain” mark. h. 10”, w. 12”


345 Louis XV-Style Polychrome Marble-Top Table mid-20th century, the circular inset marble over a frame with a molded edge and carved aprons, raised on cabriole legs ending in carved, scrolled toes. h. 32‑1/2”, dia. 43” $700‑$1,000 346 Louis XV-Style Polychrome, Parcel-Gilt and Onyx-Top Table early 20th century, the shaped onyx top with a molded edge, over the conforming shaped table frame with shell-carved motifs. h. 28‑1/2”, w. 27‑1/2”, d. 22” $700‑$1,000

347

347 Continental Balloon-Form Chandelier second half 20th century, the wire chandelier set with six lights. h. 21‑1/2”, dia. 23” $400‑$700 348 Meissen-Style Hand-Painted Centerpiece Bowl fourth quarter 19th century, German, the oval pierced bowl decorated on the outside with gilt swags held with bowknots and lion’s heads, the interior with hand-painted flowers, an unidentified crowned shield mark on the bottom. h. 4‑3/4”, w. 17”, d. 11” $300‑$500 Illustrated Online 349 Petite Louis XV-Style Giltwood Settee

345

the serpentine back centered by a carved cartouche, with closed scroll arms, scalloped apron and cabriole legs. h. 29‑1/4”, w. 48”, d. 17” $500‑$800

349

346

93


353 French-Style Polychrome Tall Chest mid-20th century, in the provincial Louis XV taste, the shaped and molded top above five conforming long drawers, raised on cabriole legs ending in scrolled toes. h. 50”, w. 34‑1/2”, d. 21‑1/2” $400‑$700 354 Suite of Six French Gilt-Bronze Sconces

350

early 20th century, in the Louis XV taste, each sconce with a rocaille-molded backplate set with two scrolled and leafmolded arms with matching candle cups and bobeches. h. 17”, w. 11‑1/2”, d. 4” $700‑$1,000

354

350 Pair of French Gilt-Bronze Sconces 20th century, in the Louis XV taste, with rocaille backplates, scrolled and leaf-molded arms, matching candle cups and bobeches. h. 16”, w. 13”, d. 10”

353

$400‑$700 351 Louis XV-Style Polychrome and Marble-Top Console Table the shaped marble top above a conforming shaped frieze centered by a foliate shield and floral-carved panels, raised on scrolled legs joined by a stretcher and ending in foliate scrolled toes. h. 37”, w. 50”, d. 20” $400‑$700 352 Two White-Painted Tables comprised of a desk/dressing table of kidney form, early 20th century, h. 30‑3/4”, w. 47‑1/2”, d. 24”, and a Regency-style washstand of like date, with a scagliola top fitted with a pair of cylindrical tole bins, raised on turned columns, joined by galleried shelves, h. 31”, w. 18”, d. 18”. $400‑$700 Illustrated Online

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351


355 Three Pairs of Pierced Brass Chenets and a Fire Fender first quarter 20th century, French, the chenets ranging in size, h. 12” to 15‑1/2”, w. 9‑1/2” to 13”, and the fender, h. 4‑3/4”, w. 14‑1/4”. $400‑$700 356 Pair of Louis XV-Style Polychrome Fauteuils

355

early 20th century, each with a shaped and padded back surmounted by a foliate crest, joined by molded and padded arms to the padded seat, raised on cabriole legs headed by floral carving and ending in scrolled toes. h. 38‑1/2” $500‑$800 357 Two Painted Tables including an Italian provincial side table in the rococo style, with a shaped top, center drawer and cabriole legs, h. 29‑3/4”, w. 31”, d. 19‑1/4”, and a Louis XVI-style ormolu-mounted low table with a marble top, swag-mounted apron and fluted legs, h. 16‑3/4”, w. 20”, d. 20”. $400‑$700 Illustrated Online

359 358

358 French Provincial Polychrome Low Server the rectangular top above a frieze fitted with three drawers above a shaped apron, raised on shaped legs. h. 29”, w. 63”, d. 19” $400‑$700 359 Classical-Style Verdigris Marble Pedestal ca. 1900, the turned standard with a rectangular marble top and an octagonal base. h. 42”, w. 16”, d. 8” $300‑$500 356

95


360 Empire-Style Parcel-Gilt Trumeau Mirror first quarter 20th century, French, with a fluted giltwood surround, the upper oil on canvas depicting a woman in an Empire dress picking a basket of flowers, a chateau in the background. h. 51‑1/2”, w. 28‑1/2” $500‑$800 361 Empire-Style Ormolu-Mounted Armchair Empire-style chair with a padded rectangular back joined by padded arms and ormolu griffin uprights to the padded seat, raised on tapering square legs ending in brass caps, h. 40‑1/2”. $400‑$700 362 Empire-Style Ormolu-Mounted Mahogany Desk

363

20th century, with a rectangular top with an inset leather writing surface, above a conforming frieze fitted with two central drawers flanked to either side by an open shelf and ormolu griffin uprights, raised on paneled tapering square legs ending in brass caps, h. 32‑1/2”, w. 60”, d. 30‑1/2” $800‑$1,200 363 French Empire-Style Gilt-Bronze Mounted Tole Eight-Light Chandelier the anthemion-crowned canopy suspended over the tole bowl with a flame finial and pine cone bottom ball, centered by a foliate band and conforming scrolled arms. h. 36”, dia. 27” $800‑$1,200 364 Empire-Style Mahogany and Marble-Top Gueridon

364

360

fourth quarter 19th century, the circular marble top above a conforming frieze, raised on tapering square supports headed by ebonized maiden’s-head capitals and ending in ebonized feet on a concave square base on casters. h. 30‑1/2”, dia. 23‑1/2” $800‑$1,200

362

96

361


365 Pair of French Marble and Bronze Urn-Form Lamps mid-20th century. h. 18‑1/2”, w. 4‑1/4” $400‑$700 366 Pair of Napoleon III Bronze and Marble SixLight Candelabra second quarter 19th century, the columnar Siena marble standards mounted with Egyptian lotus leaves, issuing conforming foliate arms and candle cups, on scrolled tripartite bases, now mounted as lamps with shades. overall h. 43”, dia. 11‑1/2”

365

366

$600‑$900 367 Empire-Style Gilt-Bronze-Mounted Mahogany and Marble-Top Server

368 Suite of Eight Empire-Style Gilt-Bronze-Mounted Mahogany Chairs

fourth quarter 19th century, the rectangular marble top above a conforming case fitted with a leather-inset slide over two central Pacific clothlined cutlery drawers, over two grilled paneled cupboard doors, flanked to either side by four graduated short drawers, flanked and divided by ormolu-mounted columnar uprights, raised on a plinth base, the whole accented with ormolu mounts in the Empire taste. h. 39‑1/2”, w. 92”, d. 21”

each with foliate and ribbon mounts, full-figured Sphinxes at the hips, and parcel-gilt moldings. h. 35‑3/4” $1,500‑$2,500

Provenance: Manheim Galleries, New Orleans, Louisiana, 1980s; Estate of Cheryl Barousse Frischhertz, New Orleans, Louisiana. $1,000‑$1,500

367

368

368 detail

97


370 372 369

371

369 French Classical-Style Bronze Figural Sconce

371 Handsome Neo-Grec Bronze Chenets with Integral Fender

fourth quarter 19th century, cast as winged-victory atop an eagle, surmounted by a leaf-molded urn set with a lamp rod, signed “J. Wipff”, for Jerome Wipff (French, 1831‑1902). h. 20”, w. 11”, d. 6‑3/4”

third quarter 19th century, French, the chenets molded with columns mounted with classical oil lamps wound molded serpents, with an integral fender and pierced brackets on either side. h. 21‑1/2”, w. 43”, d. 4‑1/2”

$500‑$800 370 French Empire-Style Gilt-Brass and Glass Vase first quarter 20th century, on paw feet, the pierced brass frame decorated with various carefully detailed neoclassical scenes, with molded handles terminating in swan’s heads, the blown glass vase with a ground pontil and a cracked-ice surface. h. 11”, w. 8‑1/2”, d. 4‑1/2” $500‑$800

988

$500‑$800 372 Empire-Style Mahogany Jardiniere 19th century, of circular form, the open top fitted with a conforming metal liner, the body paneled and with ormolu handles and mounts, raised on horse-form legs ending in ormolu hoof feet. h. 29”, dia. 23‑3/4” $2,000‑$4,000


373

374

376

375 one of three

373 Pair of Empire-Style Gilt-Bronze Sconces

375 Suite of Three French Hand-Colored Engravings

20th century, French, the two-light sconces with caryatidmolded backplates terminating in molded acanthus leaves, supporting leaf-molded candle arms, set with melon-molded candle cups and leaf-molded drip pans. h. 17”, w. 13”, d. 6‑1/4”

19th century, including “Prince Grand Dignitaire”, “Premier President”, and “Princesse”. Attractively matted, glazed and framed alike. each sight 19‑1/2” x 12”, framed 31” x 23‑1/4”

$800‑$1,200 374 Pair of Empire-Style Mahogany Bergeres early 20th century, each with a paneled and turreted crest over a padded back, joined by downswept arms to the cushioned seat, raised on ring-turned circular legs, the whole with ormolu mounts. h. 37” $500‑$800

$500‑$800 376 Empire-Style Mahogany Settee mid-19th century, the padded rectangular back surmounted by a paneled crest and urn-form finials to each end, joined by paneled arms and polychrome swan uprights to the cushioned seat, raised above a paneled apron on block feet. h. 47”, w. 76”, d. 32” $800‑$1,200

99


377 Niermann Weeks Iron, Crystal and Metal Chandelier bearing a metal tag "NW" in the crown for Niermann Weeks, the twelve-light chandelier with two tiers of six lights each and outfitted with crystal beaded chains and wax honeycomb candle sleeves. h. 52”, dia. 41” $800‑$1,200 378 Pair of Large Empire-Style Faux Marble Tazzas 20th century, the composition tazzas depicting rouge and black marble with angel-molded standards and “mounts” on the bases. h. 31”, dia. 13‑1/2” $800‑$1,200 379 Pair of Napoleon III Bronze Candlesticks 381

third quarter 19th century, French, in the Egyptian Revival taste, mounted as two-light lamps, with leaf-molded bases and maiden-form standards, the candle cups molded to match the bases. h. 22‑1/2”, dia. 4‑3/4”

377

$300‑$500 380 Suite of Six Restauration Mahogany Chairs early 19th century, consisting of a pair of bergeres and four fauteuils, each with a padded square back surmounted by a triangular scrolling crest, joined by downswept arms on foliate-carved uprights to the padded seat, raised on turned bulbous legs to peg feet. h. 37‑1/2” $1,500‑$2,500 381 French Neoclassical-Style Brass Garniture Vase ca. 1900, hand-painted with classical elements on a red ground. h. 14”, dia. 4‑1/2”

378

$400‑$700

380

100

379


383 one of a two

385

382

386

384

382 Louis XVI Parcel-Gilt Trumeau Mirror ca. 1800, with a beaded, cove-molded and giltwood surround, the upper panel set with an oil on canvas depicting Cupid and Venus being drawn about a formal garden in a cart. h. 59‑1/2”, w. 31” $600‑$900 383 Pair of Biscuit Porcelain Plaques

384 Pair of Paris Porcelain-Style Urns in the neoclassical taste, the black and gilt urns with grisaille scenes and winged caryatid handles, now mounted as lamps. h. 28‑1/2”, w. 6‑1/4” $400‑$700 385 Pair of Bronze Dore et Patine Ewer-Form Garnitures third quarter 19th century, French, with elongated griffin-form handles. h. 19‑1/4”, w. 8”, d. 4” $600‑$900

ca. 1853‑1894, Danish, after Bertel Thorvaldsen, the plaques depicting “Night” and “Day”, the “Night” plaque with angels carrying a sleeping child and the “Day” plaque with a child who is awake, marked “B&G, Eneret”, the earliest Bing and Grondahl mark, self-framed with holes in the rear for hanging, mounted in later giltwood frames. plaque dia. 14‑1/2”

386 Five Continental Porcelain Cups and Saucers

$300‑$500

$700‑$1,000

first half 19th century, including a signed “Nast” tasse litron et soucoupe, two German footed cups and saucers, and a cup and saucer with hand-painted architectural views. h. 2” to 4”, dia. 5” to 5‑1/2”

101


387 Empire-Style Mahogany and Marble-Top Occasional Table early 20th century, the circular marble top above a conforming frieze, raised on graduated columnar supports headed by ormolu capitals, joined by a tripartite stretcher and raised on ball feet. h. 25”, dia. 20” 391

$500‑$800 388 Restauration-Style Mahogany Bergere late 19th century, the stiles with scroll tops, the arms ending in carved rosettes on shaped supports extending to carved paw feet. h. 36” $300‑$500

390

389 Restauration Polished Bronze and Crystal Lyre-Form Mantel Clock

389 387

second quarter 19th century, French, with a cut glass base, probably Baccarat, and a bronze wreath mount, the bronze lyre mounted with clockworks and terminating in swan’s heads holding a swag of flowers and flanking a masque of the sun god Helios. h. 19‑1/2”, w. 7”, d. 4‑1/4” $1,800‑$2,500 390 Directoire-Style Stained Mahogany Settee 20th century, the double chairback-form settee with a turned crest rail above a carved horizontal panel and plume-carved splat, raised on turned and carved legs. h. 33”, w. 49”, d. 20” $500‑$800 391 Pair of Louis-Philippe Giltwood Brackets mid-19th century, in the Rococo Revival taste, the pierced supports decorated with shells, leaves and medallions, the rounded shelves velvet-lined and outlined with molded decorations. h. 14”, w. 10‑1/2”, d. 7‑1/4”

388

102

$400‑$700


392 French Restauration Mirror

395 Directoire-Style Mahogany and Marble-Top Sideboard

second quarter 19th century, painted white with parcel-gilt decoration, set with an antique mirror plate. h. 35”, w. 26‑1/2”

early 20th century, the shaped and conforming marble top above a row of four drawers and tambour-style cabinet doors below. h. 40”, w. 71”, d. 21”

$500‑$800 393 Molded Terrazzo Figure of “The Three Graces” after Antonio Canova (Italian, 1757‑1822), the statue depicting the three charities, daughters of Zeus, Euphrosyne, representing mirth, Aglaea, representing elegance, and Thalia, representing youth and beauty. h. 33‑1/2”, w. 20‑1/4”, d. 11” $500‑$800

$400‑$700 396 Set of Eight Meissen Dinner Plates ca. 1862‑1924, German, the hand-painted plates with a cobalt and floral border, and a gilt and floral center medallion, with an underglazed blue crossed swords mark with pommel ends. dia. 9‑1/2” $400‑$700

394 French Three-Panel Wallpaper Screen in the Rococo Taste ca. 1900, each panel decorated with putti-form planters on neoclassical bases with lush arrangements of pink flowers and trailing ivy, on a blond grained ground, framed with an anthemia-decorated border and marbleized bases. overall h. 84‑3/4”, w. 66‑3/4” 396

$1,400‑$1,800

393

392

394 395

103


397 Pair of French Bronze-Mounted Porcelain Lamps

399 Painted and Parcel-Gilt Shelf of Directoire Inspiration

first quarter 20th century, in the Louis XV style, the cobalt urnform lamps on fluted bases, with bronze fittings and set with ram’s head handles. h. 30”, w. 11‑1/4”

first quarter 20th century, French, with double shelves and scrolled dividers, the splash decorated with a gilt masque and scrollwork on a Prussian blue ground, the panel against a lighter blue field, the lower shelf with scrolled brackets carved with medallions. h. 32‑1/2”, w. 37‑3/4”, d. 9”

$500‑$800 398 Rare Sevres Porcelain and Bronze Vase ca. 1812, probably from the “Service Iconographique Grec”, dated under the foot, with a double “L” mark, and a gilder’s or decorator’s mark. h. 15‑1/2”, dia. 4‑1/2” $700‑$1,000

$700‑$1,000 400 Carved Wooden Plaque of Medusa 20th century, in a faux painted frame. dia. 12‑1/4” $300‑$500 401 Pair of Bronze Sconces in the Directoire Style mid-20th century, the five-light sconces on tassel-molded backplates with bellflower chains, set with leaf-molded candle arms terminating in leaf-molded candle cups and drip pans on two levels. h. 32”, w. 17”, d. 11” $500‑$800

401

399

400

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397

398


402 Louis-Philippe Walnut Commode mid-19th century, the overhanging wood top above an ogeeform drawer concealed in the frieze, above three additional long drawers, raised on bracket feet. h. 36”, w. 43‑1/2”, d. 21” $400‑$700 403 Provincial Directoire Mahogany and Marble-Top Rafraichissoir

406 Near Pair of Louis-Philippe Mahogany and Marble-Top Center Tables mid-19th century, each with a circular marble top with a molded edge, above a plain frieze, raised on a ribbed urn-form standard to three splayed legs, each headed by foliate carving and ending in paw feet on casters. h. 29”, dia. 38‑1/2” and 38‑1/4” $1,800‑$2,500

19th century, with a stepped top, the back portion fitted with two bottles, the front with a gray marble work surface, raised on turned legs. h. 28”, w. 23”, d. 19” $400‑$700 404 French Tole, Bronze and Marble Bouillotte Lamp first quarter 20th century. h. 19‑1/4”, w. 12”, d. 7‑1/2”

405

404

$400‑$700 405 Pair of Bronze Dore et Patine Candlesticks second quarter 19th century, French, with acanthus-molded bases and tapered column-form standards. h. 9‑1/4”, dia. 4” $400‑$700 406

402

403

105


407 Near Pair of Restauration Mahogany Fauteuils first quarter 19th century, each with a rounded crest over a plain frieze and padded back, joined by ribbed downswept arms to the padded seat, raised on sabre legs headed by palmetto carving. h. 35” and 36‑1/4” $500‑$800 408 Pair of Louis-Philippe Gilt-Bronze Candelabra mid-19th century, French, now mounted as two-light lamps. h. 28‑1/2”, dia. 6‑3/4” $400‑$700 Ilustrated Online 409 Louis-Philippe-Style Mahogany Pedestal ca. 1900, of columnar form with a turned base and molded edge at the top. h. 47”, top dia. 14” $400‑$700

410

411 Continental School (First Quarter 20th Century) “Blooming Chrysanthemums” oil on canvas monogrammed “CL” lower right. Framed. 19” x 15‑7/8”, framed 23‑1/2” x 20‑3/4” $800‑$1,200

407

410 British School (19th Century) “Classical Beauties in a Garden” oil on canvas inscribed lower left “Painted by Flaie (?), 1890”. Framed. 48” x 28”, framed 52” x 32” $500‑$800

411

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409


412 Italian School (Second Half 19th Century) “Still Life with Flowers and Fountains” oil on canvas unsigned. Framed. 29‑1/4” x 39‑1/4”, framed 31‑3/4” x 42” $1,000‑$1,500 413 French Patinated Bronze Figural Grouping of the Allegory of War 20th century, modeled as three putti engaged in a mock battle, cast inscription “Philippe Benezech” at self-base. h. 15‑1/2”, w. 11‑3/4”, d. 6” 412

$400‑$700 414 After Johann Heinrich von Dannecker (German, 1758‑1841) patinated bronze “Ariadne and the Panther”, fourth quarter 19th century h. 6‑3/4”, w. 6‑1/4”, d. 3‑1/4” $700‑$1,000

413

415 416 415 Continental Grand Tour Patinated Bronze of a Water Carrier

ca. 1900, the classically draped figure balancing an urn on one shoulder. h. 27‑1/4”, w. 10”, d. 10” $400‑$700 416 Continental Patinated Bronze Roundel of the Inebriated Silenus 19th century, the tutor to Dionysus precariously perched on a donkey and attended by young satyrs. dia. 7‑1/4” $500‑$800

414

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417 Continental School (20th Century) “Still Life with Fruit and Wine”, 1916 oil on burlap illegibly signed and dated lower right. Framed. 29” x 19”, framed 34‑1/2” x 24‑3/4” $1,000‑$1,500

418 Continental School (First Quarter 20th Century) “Two Still Lifes” pair of oils on canvas both unsigned. Both framed alike. each 23‑3/4” x 32‑1/8”, framed 29‑1/2” x 37‑3/4”

419

417

$700‑$1,000

419 British School (Fourth Quarter 19th Century) “The Visitation” oil on wood panel signed “C. Moran” lower right, verso with a period “Winsor & Newton” label and Dutch “Decc” inventory label. Framed. sight 10-1/2" x 8", framed 14" x 12" Provenance: Leslie Hindman, Chicago, January 22, 2012, lot 1203.

418 one of two

$600‑$900

420 Italian School (19th Century) “Classical Landscape with Figures” oil on canvas monogrammed lower right “H.Z.”. Framed. 23‑3/4” x 45”, framed 30” x 51‑1/2” $700‑$1,000

420

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423 Italian School (19th Century) “Classical Landscape with Cattle Herders” oil on canvas Framed. 28” x 49‑1/2”, framed 31‑1/2” x 51‑1/2” $800‑$1,200 424 Rococo-Style Giltwood Mirror mid-20th century, probably Italian. h. 31”, w. 18‑1/2” $400‑$700 421

421 Follower of Francois Boucher (French, 1703‑1770) “The Bird Catcher” oil on canvas unsigned. Framed. 32” x 35‑3/4”, framed 38‑1/2” x 43” $800‑$1,200 422 Pair of Charming Louis XV-Style Giltwood and Gesso Frames first quarter 20th century, fitted with pastels depicting allegorical scenes. overall 17” x 15”

423

$500‑$800

422

424

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425 German Mahogany Musical Side Chair mid-19th century, in the Black Forest taste, the shaped back with pierced foliate accents surrounding a deer-inlaid shield-form panel, the shaped wooden seat with like ram inlay and opening to reveal a small cylinder music box, raised on cabriole legs headed by foliate carving and ending in scrolled toes. h. 39” $500‑$800

427

426 Swiss Cylinder Music Box fourth quarter 19th century, the rosewood-veneered case with walnut crossbanding, inlaid with flowers on the front and cover, trimmed with ebonizing, the tube mounted beneath an interior glass cover. h. 10‑1/4”, w. 18”, d. 11” $400‑$700 427 Tortoiseshell and Wood Box in the Dutch/Flemish Style

426

early 20th century, with rococo-style metal fittings and carved ribbon molding. h. 9”, w. 14‑1/2”, d. 12‑1/4” $600‑$900

425

428 Italian Giltwood Mirror in the Rococo Taste

428

110

late 20th century, the frame with grapevine-carved sides inset with mirrors and surmounted by a basket-carved crest also with mirrors, ending in scrolled feet. h. 49‑1/2”, w. 28” $800‑$1,200


433

432

431 430

429 Three-Piece Collection of Terracotta Figures fourth quarter 19th century, including a large bust after Hector Joseph Lemaire (French, 1846‑1933), depicting an 18th-century child wearing an adult hat, h. 22‑1/4”, a figure of a seated girl holding a lute, inscribed Mignon, h. 17‑1/2”, and a painted figure of a putti holding a heart pierced by an arrow, h. 11‑1/2”. $600‑$900 Illustrated Online 430 Unusual Continental Fruitwood Bar Cart 20th century, the rectangular top with corner accents and a central inlaid diamond pattern, above a case fitted with a central cupboard, with a door to either side featuring carved landscape scenes, the interior lined with metal panels, the cupboard flanked to either side by a shaped shelf and carved figural supports, raised on casters. h. 28‑1/4”, w. 30‑1/4”, d. 17‑3/4” $500‑$800

431 Flemish-Style Fruitwood Settee fourth quarter 19th century, the triple-domed and padded back joined by reeded, downswept, acanthine-carved arms to the padded seat, raised on S-scroll legs joined by an undulating stretcher and ending in in-scrolled acanthine toes, the front and back both with a tasseled fabric swag with four custom coordinating pillows, all in Coraggio silk damasks. h. 49”, w. 75”, d. 29” $700‑$1,000 432 Dutch Walnut Bombe Commode late 18th century, the shaped top banded and quarterveneered, above a bombe case fitted with three graduated long drawers, raised on large ball-and-claw feet. h. 33‑1/2”, w. 45”, d. 22‑1/2” $800‑$1,200 433 Pair of Italian-Style Fruitwood and Marble-Top Commodes each with a shaped marble top above a slightly bowed case fitted with three drawers, all banded and with parquetry veneers, raised on rounded feet ending in sabots, the whole with ebonized accents. h. 25‑1/2”, w. 22‑1/2”, d. 13” $400‑$700

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434 Continental Louis XV-Style Writing Table the shaped rectangular top banded and centered by a circular panel with scrolling foliate, floral and avian inlays, above a conforming frieze fitted with a single drawer, raised on cabriole legs headed by bellflower carving and ending in in-scrolled toes. h. 29‑1/2”, w. 48”, d. 30” $800‑$1,200 435 Dutch Marquetry-Inlaid Bombe Commode

434

mid-19th century, in the rococo taste, the serpentine-inlaid top over a case with like inlay and a bank of four drawers flanked by serpentine-inlaid columns, raised on carved ball-and-claw feet. h. 36”, w. 46‑1/2”, d. 22” $700‑$1,000 436 Pair of Baroque-Style Oak Fauteuils each with a tall padded and domed back joined by outswept scrolling arms to the padded seat, raised on cabriole legs headed by foliate carving joined by a shaped stretcher and ending in hoof feet. h. 50” $500‑$800 437 Dutch Mahogany and Marquetry Bookcase

435

late 19th century, in the Georgian taste, the molded cornice with projecting corners, above a conforming frieze and two astragalglazed doors, the lower section fitted with a single drawer over two paneled cupboard doors, raised on tapering square legs joined by a shaped X-form stretcher and ending in bun feet, the whole richly inlaid in scrolling foliate, floral and avian patterns. h. 88”, w. 32‑1/2”, d. 17” $700‑$1,000

436 437

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440 After Pierre-Joseph Redoute (French, 1759‑1840) “A Lily and a Tulip” pair of color lithographs published by Collins, Ltd. in London, 1954. Matted, glazed and framed alike. each sight 20” x 13”, framed 31” x 24” $600‑$900

440 one of two

441 one of four

441 John Gould (British, 1804‑1881) and H. C. Richter (British, 1821‑1902) suite of four hand-colored ornithological lithographs, including “Calypte Annae”, “Spathura Melanthera”, “Gouldia Letitle” and “Thalurania Furcata”, published by C. Hullmandel and Walton. Each matted, glazed and framed alike. each sight 19” x 11‑1/2”, framed 28” x 20” $600‑$900

438

438 Pair of Five-Light Bronze Sconces in the French Baroque Taste second quarter 20th century, the berriboned backplates festooned in fruit set with tiered candle arms decorated with scrollwork and reeded bobeches, electrified. h. 37”, w. 16‑1/4”, d. 10” $1,200‑$1,800 439 Continental Giltwood Mirror in the Baroque Taste fourth quarter 19th century, with an egg-and-dart surround, the frame with inset mirrors and pierced, carved corner ornaments and a carved inner frame, the crest scrollwork carved and pierced, with a central cabochon beneath a spray of leaves. h. 73”, w. 41” $1,400‑$1,800

439

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442 one of two

444 one of seven

443 one of two

442 After Pierre-Joseph Redoute (French, 1759‑1840) “Two Varieties of Irises” pair of color lithographs published by Collins, Ltd. in London, 1954. Matted, glazed and framed alike. each sight 20” x 13”, framed 31” x 24” $600‑$900 443 After Pierre-Joseph Redoute (French, 1759‑1840) “Two Varieties of Amaryllis” pair of color lithographs published by Collins, Ltd. in London, 1954. Matted, glazed and framed alike. each sight 20” x 13”, framed 31” x 24” $600‑$900

445

444 Suite of Seven Color Lithographs of Sevres Porcelain Designs

445 French Baroque-Style Gilt-Bronze Eight-Light Chandelier

produced for La Porcelaine Tendre de Sevres by Edouard Garnier, the designs heightened with gold leaf by Charles Gillot, published by Maison Quantin in Paris, ca. 1890‑1891. Matted, glazed and framed alike. each sight 13” x 9‑1/2”, framed 24‑3/4” x 21‑3/4”

second quarter 20th century, the baluster-form standard with female masques and a pine cone drop, supporting a baluster mounted with pierced scrolls and winged angel heads, the paneled and scrolled arms set with beaded drip pans. h. 31”, dia. 31‑1/2”

$800‑$1,200

$600‑$900

114


446 Pair of Impressive Louis XIV-Style Gilt-Bronze Three-Light Sconces fourth quarter 19th century, with anthemion finials over pierced torchere backplates decorated with male and female masques, flanked by laurel and leaf-molded arms terminating in reeded bobeches h. 16‑3/4”, w. 13‑1/2”, d. 9” $600‑$900 447 French Gilt-Bronze and Marble Finial fourth quarter 19th century, in the Louis XIV style, the gilded finial mounted on a marble base. h. 12”, dia. 4‑1/2”

447

$400‑$700 448 Flemish Hand-Woven Tapestry of a Shepherd and Shepherdess 19th century, with figures in a bucolic setting. 4’ 6” x 8’ 6” $1,400‑$1,800 449 Style of Pierre-Antoine Baudouin (French, 1723‑1769) “Toilette”, 19th century watercolor and gouache on paper pencil inscribed “in der Art der Galantine feure...Pierre Antoine Baudouin” en verso frame. Matted, glazed and framed. sight 9‑1/4” x 7”, framed 13‑1/4” x 10‑7/8” $700‑$1,000

448

446 449

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450 Group of Four Continental Engravings

452 French Rococo-Style Giltwood Mirror

19th century, including “Le Billet Doux”, “Le Couche de la Mariee”, “Vedute del Canale”, and “La Fontaine de l’Etoile”. Three matted, glazed and framed, one glazed and framed. first two sight 18‑1/4” x 13‑1/2”, framed 26” x 21”, third sight 10‑1/4” x 13‑1/4”, framed 14‑1/4” x 17‑1/4”, fourth sight 9” x 12‑1/2”, framed 16‑1/2” x 19‑3/4”

mid-20th century, with a roundel-form crest decorated with roses, and serpentine scroll-carved sides, all pierced and backed with mirror plate. h. 47‑1/2”, w. 31”

$400‑$700

453 Louis XV-Style Kingwood and Marble-Top Console Table

451 Pair of Louis XV-Style Giltwood Fauteuils late 19th century, each with a shaped caned back within a molded frame and with a partial fabric overlay, joined by outscrolled arms to the caned seat, raised on cabriole legs ending in scrolled toes. h. 42‑1/4”

$600‑$900

early 19th century, the shaped marble top above a conforming frieze with lattice-incised panels and centered by a foliate shield, raised on scrolling legs headed by foliate carving and ending in scrolled toes. h. 35”, w. 52‑1/2”, d. 22” $500‑$800

$400‑$700

453

450 one of four

451

116

452


457

455

454

456

454 Sevres-Style Porcelain and Bronze Garniture Urn 458

ca. 1900, French, on a bronze base, the urn hand-painted with a courting scene, the couple dressed in 18th-century costume, the body with cobalt-ground porcelain with raised gilt scrollwork, unsigned. h. 30‑1/2”, w. 6‑1/4”, d. 6‑1/4” $400‑$700 455 Sevres Porcelain Centerpiece ca. 1886‑1888, French, the cobalt centerpiece on a tapered base with gilt scrollwork flourishes, the bowl decorated with gilt “fleurs jette” and the outside edge with scrollwork, with the green underglaze blank mark for 1886, and an overglaze brown decorator’s mark for 1888. h. 10”, dia. 12‑1/2” $700‑$1,000 456 Unusual Porcelain and Bronze Double Wine Cistern fourth quarter 19th century, Continental, the barrel-form cistern with taps at each end, supported by a pair of bronze cupids holding wine cups and riding dolphins, all above a porcelain base fitting into molded bronze trim. h. 8”, w. 5”, d. 9” $1,200‑$1,800

457 Atelier Le Tallec Porcelain Covered Sauce Tureen and Stand ca. 1971, Limoges, after a Sevres Louis XV example, richly decorated with raised gilt, hand-painted flowers and bleu-deroi borders with gilt vines, with a Le Tallec hand-painted mark, a “1971” date mark and painter’s initials, “SHF”. h. 9‑1/2”, w. 13‑1/2”, d. 8‑3/4” $500‑$800 458 Louis XV/XVI-Style Kingwood and Marble-Top Commode 20th century, the bowed breche d’Alep marble top above a conforming case fitted with two short drawers over two long drawers, all banded and quarter-veneered and with scroll inlay, the sides veneered en suite, raised on cabriole legs ending in sabots. h. 33”, w. 51”, d. 25” $400‑$700

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461

462

459 460

459 Louis XV-Style Kingwood, Mahogany and Marble-Top Occasional Table

461 Louis XV-Style Fruitwood Bureau Plat

late 19th century, the inset shaped rectangular marble top within a full brass banding, above a conforming frieze fitted with a single end drawer, joined to a concave lower shelf by cabriole supports continuing to sabots. h. 25”, w. 23”, d. 14”

20th century, the shaped rectangular top with an inset gilttooled leather surface and within an ormolu band with corner accents, above a conforming frieze fitted with three faux drawers to either side, raised on cabriole legs ending in sabots. h. 29”, w. 54”, d. 30”

$500‑$800

$500‑$800

460 Danish Rosewood and Marble-Top Commode

462 French Gilt-Bronze Encrier

18th century, the serpentine marble top above a conforming case fitted with three long drawers, all with gilt banding, raised above a pendant-shaped shell-carved apron on cabriole legs ending in scrolled toes. h. 32”, w. 50”, d. 24”

ca. 1900, in the rococo taste, with a large molded shell and a pair of covered inkpots, signed “A. Marionnet”. h. 3‑1/4”, w. 11”, d. 9”

$1,400‑$1,800

118

$300‑$500


463 Pair of French Gilt-Bronze and Marble Candelabra ca. 1900, in the Louis XVI taste, each with a fluted and tapered marble standard and molded bronze fittings. h. 32‑1/2”, dia. 18” $400‑$700 464 Two Pairs of French Brass Candlesticks including a pair of single-light sticks in the Louis XVI style, 20th century, h. 11”, dia. 5‑1/4”, and a pair of two-light sticks in the Louis XV style, ca. 1900, h. 7”, w. 7‑1/4”, d. 4”. $300‑$500 Illustrated Online 465 Sophie Von Pir (Belgian/British, 1858‑1936)

465

“Still Life with Chrysanthemums” oil on canvas signed lower right. Framed. 25‑5/8” x 31‑3/4”, framed 35‑1/2” x 42” $600‑$900

467

463

466 Louis XV-Style Kingwood Games Table late 19th century, the banded and shaped rectangular top quarter-veneered and within an ormolu edging, hinged and opening to a baize-lined interior, raised above a shaped apron on cabriole legs ending in sabots. h. 30‑1/2”, w. 44”, closed d. 23‑1/2” $500‑$800 467 Louis XV-Style Kingwood Commode early 20th century, the shaped rectangular top banded and quarter-veneered, and with an inlaid floral spray, above a conforming bombe case fitted with three drawers, raised on cabriole legs. h. 27”, w. 19‑1/2”, d. 13‑1/2”

466

$700‑$1,000

119


468 Louis XV Fruitwood Bergere

471 Meissen Porcelain Cream Jug

late 18th century, the shaped and padded back surmounted by a foliate shell crest and joined by padded arms to the cushioned seat, raised on molded cabriole legs headed by floral carving and ending in scrolled toes. h. 40”

ca. 1817‑1824, German, decorated with tooled gilt and a charming painting of children, a little girl on the front with a drum, and a boy on the back, with an underglaze blue crossed swords mark with the Roman numeral “1”. h. 3‑3/4”, w. 4”, d. 2‑1/2”

$400‑$700

$700‑$1,000

469 Pair of Meissen Porcelain Tea Bowls and Saucers

472 Meissen Porcelain Figure of a Baby on a Pillow

second quarter 19th century, richly decorated with gilt scrollwork framing hand-painted bucolic scenes, with underglazed crossed swords mark. bowl h. 1‑3/4”, saucer dia. 5”

ca. 1861‑1924, German, with an unglazed blue crossed swords mark with pommel ends. h. 6”, w. 4‑3/4”

$1,500‑$2,500

$400‑$700 Illustrated Online

470 Meissen Porcelain Covered Coffee Pot

473 Collection of Four Porcelain Figures

second quarter 18th century, German, with hand-painted harbor scenes framed in richly painted scrollwork. h. 4‑3/4”, w. 4‑1/4”, d. 3‑1/4”

19th century, German, three with “KPM” underglaze blue scepter marks, and one with a spurious crown mark. h. 3‑1/2” to 4‑3/4”, w. 1‑3/4” to 2”

$700‑$1,000

$400‑$700 Illustrated Online

469

468 470

120

471


474 Assembled Louis XV-Style Writing Desk and Armchair early 20th century, the inlaid kingwood desk with ormolu mounts and cabriole legs, h. 29‑1/2”, w. 40”, d. 24”, and the provincial-style walnut armchair with cabriole legs and needlepoint upholstery, h. 39”. $400‑$700 475 French Tapestry of a Bucolic Pastoral Scene first half 20th century, machine-made, depicting two shepherdesses resting by a fountain, a goat at their feet and an admirer hiding in the background, with an all-over border. h. 79”, w. 58” $500‑$800 476 Regence-Style Fruitwood and Marble-Top Commode 19th century, the shaped marble top above a conforming bombe case fitted with two short drawers over two long drawers, all banded and with decorative panels and hardware, raised on bracket feet ending in sabots. h. 33‑1/2”, w. 47‑1/2”, d. 22‑1/2”

475

$1,500‑$2,500 477 Ormolu-Mounted and Marquetry-Inlaid Kingwood and Marble-Top Commode early 20th century, in the Louis XV style, with three conforming curved drawers, cast brass hardware and shaped legs. h. 34”, w. 31”, d. 15” $400‑$700

476

474 477

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478 French Bronze Gasolier fourth quarter 19th century, the twelve-light chandelier with a standard decorated with applied flowers, the lower urn-shaped portion pierced with scrollwork, with pierced “key”-form supports holding leaf-molded and scrolled arms terminating in fluted drip pans and flower-molded candle cups, hung with various crystal prisms and swags of drops. h. 32”, dia. 27” $400‑$700 479 Provincial Louis XV-Style Mahogany and Marble-Top Center Table

480

early 20th century, the shaped rectangular marble top above a conforming shaped and foliate-carved frieze, raised on cabriole legs headed by foliate carving, joined by an X-form stretcher and ending in scrolled toes. h. 30”, w. 48”, d. 32‑1/2” $400‑$700 478

480 French Bronze Boudoir Mirror ca. 1900, in the Louis XV style, the crest decorated with a dragon, on an easel support. h. 29”, w. 18‑1/4” $500‑$800 481 Continental Kingwood Desk mid-19th century, the shaped rectangular top triple-banded and with an inset leather writing surface, all within an ormolu gadroon edging, above a conforming frieze fitted with a central drawer flanked to either side by a short drawer over a deeper drawer, all with scrolling foliate inlay, raised on cabriole legs. h. 30”, w. 46‑1/2”, d. 25‑3/4”

479

$1,000‑$1,500 482 Louis XV-Style Kingwood Vitrine Table early 20th century, the square top with projecting canted corners and an inset beveled glazed panel, hinged and opening to a fabric-lined interior, above a brass-inlaid frieze, raised on slender cabriole legs ending in sabots. h. 30”, w. 15‑1/2”, d. 15‑1/2” $400‑$700

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481 482


483 Louis XV-Style Fruitwood Settee 20th century, the domed and padded back surmounted by a shell and foliate crest, joined by padded scrolling arms to the tri-cushioned seat, raised on molded cabriole legs headed by bellflower carving and ending in scrolled toes. h. 44‑1/2”, w. 69”, d. 28” $400‑$700 484 Near Pair of Louis XVI Fruitwood Fauteuils 18th century, each with a domed and padded back within a molded frame, joined by padded arms to the like seat, one raised on fluted tapering circular legs headed by floral capitals and ending in toupie feet, the other raised on molded cabriole legs. h. 36‑1/4”

484

$400‑$700 485 Napoleon III Mahogany Games Table late 19th century, the shaped rectangular top centered by an inlaid floral spray, hinged and opening to a baize-lined surface, above a conforming frieze with like inlays, raised on cabriole legs headed by espagnolettes and ending in sabots. h. 30‑1/2”, w. 35”, d. 17” $400‑$700 486 Louis XV-Style Fruitwood and Kingwood Side Table 20th century, the shaped rectangular top banded and with an elaborate central floral inlay, above a conforming shaped frieze fitted with a single drawer, raised on cabriole legs ending in sabots. h. 29‑1/4”, w. 40”, d. 24”

486

$400‑$700

485 483

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490

487

487 French Giltwood Mirror

489

fourth quarter 19th century, the arched top with a molded cartouche flanked by laurel branches, the outer surround decorated with ribbon-bound reeding and the inner surround lined with beading, the corners with elaborate pierced scrollwork, terminating in scrolled feet. h. 72”, w. 47” $1,000‑$1,500 488 Dutch Kingwood, Marquetry and Marble-Top Commode late 19th century, in the Louis XV taste, the shaped marble top above a conforming bombe case fitted with three long drawers, raised on splayed legs ending in sabots, the whole richly inlaid in scrolling foliate and floral marquetry patterns. h. 37”, w. 39”, d. 19” $400‑$700

488

489 Louis XV-Style Kingwood Coiffeuse late 18th century, the shaped rectangular top trisected and with musical and floral urn inlay, the center opening to a mirrored interior, the sides opening to lidded compartments, one a storage space, the other fitted, over a conforming frieze fitted with a central slide-over drawer, flanked to either side by two faux drawers over a short drawer, raised on cabriole legs ending in sabots on casters. h. 29‑1/2”, w. 33‑1/2”, d. 18‑1/2”

490 Hand-Painted Limoges Porcelain Plaque

$400‑$700

$400‑$700

124

ca. 1892‑1907, French, depicting a fin-de-siecle beauty, wearing a sash of flowers and carrying a small bouquet, marked “T&V”, “Limoges, France”, the giltwood coved and leaf-molded frame probably original to the plaque. plaque h. 9‑3/4”, w. 6‑7/8”, overall h. 12‑1/2”, w. 10‑1/2”


491 Pair of Sevres-Style Porcelain and Bronze Covered Garniture Urns first quarter 20th century, French, the framboise-ground urns decorated with panels of hand-painted swags of flowers and trimmed with raised gilt, on gilt-bronze bases and mounted with leaf-molded bronze handles and cover fittings. h. 26”, w. 12‑3/4”, d. 7” $600‑$900 492 Set of Ten Copeland Spode HandPainted Dinner Plates

492

491

ca. 1891‑1900, English, decorated with rose bouquets and raised gilt edges, marked “Spode Copeland’s China England”, along with the retailer, “Richard Briggs Co., Boston” and impressed and painted decorator’s marks. dia. 10‑1/2” $400‑$700 493 Antique Tapestry 3’ 10” x 8’ 7” $1,200‑$1,800

494

494 Louis XV-Style Mahogany Armoire early 20th century, the foliate-carved crest over a pair of beveled mirrored doors, raised on cabriole legs, the interior fitted with three shelves and a long drawer. h. 97”, w. 56”, d. 21” $600‑$900 493

125


495 Continental Kingwood Writing Table early 20th century, the banded rectangular top with decorative quarter veneering, above a conforming frieze fitted with a pull-out writing slide, raised on cabriole legs. h. 31‑1/2”, w. 44”, d. 24‑1/2” $600‑$900 496 Etienne-Prosper Berne-Bellecour (French, 1838‑1910)

495

“Un Dragon Devant un Portrail”, 1895 oil on cradled wood panel signed and dated lower left. In a handsome, period frame. 19‑5/8” x 10‑1/4”, framed 27” x 23” Provenance: Christie’s, Paris, June 22, 2006, lot 128. $1,500‑$2,500 497 Enrico Henri Coleman (American/Italian, 1846‑1911) “Bringing In Horses from the Campagna” oil on canvas signed and further inscribed “Roma” lower right, verso with a hand-inscribed label. Presented in a giltwood frame affixed with artist plaque. 14‑1/8” x 22‑1/8”, framed 20‑1/2” x 28‑3/8”

496

499

$3,000‑$5,000 498 Joseph G. Beitl (American/New Jersey, 1841‑1929) “Landscape with a Hunter and His Dog” oil on canvas signed and dated “1892” lower left. Framed. 15" x 30", framed 19-3/4" x 34-3/4"

497

$700‑$1,000 499 Henry Louis Dupray (French, 1841‑1909) “French Soldier with His Horse” oil on canvas signed lower right. Framed. 19‑5/8” x 13”, framed 23” x 16‑3/4” $1,500‑$2,500 498

126


503 Louis XVI-Style Mahogany and Marble-Top Server late 20th century, the demi-lune marble top within a threequarter pierced brass gallery, above a conforming frieze fitted with a single central drawer and two faux end drawers, joined to two like-shaped open shelves by fluted bulbous uprights, raised on turned toupie feet. h. 38‑1/2”, w. 53‑1/2”, d. 18” $900‑$1,200

500

504 Louis XVI Biscuit Porcelain Mantel Clock fourth quarter 18th century, the case molded entirely of porcelain and depicting Venus and Cupid, decorated with bronze dore mounts depicting anthemia and a central basket of flowers and birds, the silk-string suspension movement mounted with an enameled chapter ring, with gilt Roman numerals and an engine-turned bezel. h. 20”, w. 18”, d. 7‑3/4” $3,000‑$5,000

501

500 Pierre Petit-Gerard (French, 1852‑1933) “French Soldiers on Horseback” oil on board signed lower right. Framed. 9‑1/2” x 12‑3/4”, framed 15” x 17‑3/4” $1,500‑$2,500

504

502

501 Paul Emile Leon Perboyre (French, 1851‑1929) “Soldiers on the Battlefield” oil on panel signed lower left. Framed. 11‑1/2” x 19‑3/4”, framed 17‑1/4” x 25‑5/8” $1,500‑$2,500 502 Louis XV/XVI-Style Gilt-Bronze Hall Lantern 20th century, the open scrollwork frame inset in the center with tapered glass panels h. 33”, dia. 16” $600‑$900

503

127


505 Pair of French Bronze Sconces 20th century, each with a bowknot backplate supporting three leaf-molded arms, candle cups and drip pans, the lower portion molded as a bracket with a leaf-molded pendant finial. h. 23”, w. 19” $1,000‑$1,500 506 Pair of French Bronze Sconces 20th century, each with a bowknot backplate supporting three leaf-molded arms, candle cups and drip pans, the lower portion molded as a bracket with a leaf-molded pendant finial. h. 23”, w. 19” $1,000‑$1,500 508

505

507

507 Louis XVI Mahogany and Marble-Top Side Table late 18th century, branded “F. SCHEY”, the demi-lune marble top with projecting corners, above a conforming frieze fitted with a single central drawer, joined by fluted bulbous uprights to a like-shaped lower shelf, raised on fluted tapering circular legs ending in toupie feet. h. 35”, w. 46”, d. 19‑1/2” $1,500‑$2,500 508 Continental Biscuit Figure of Cupid 506

19th century, poised with a quiver of arrows around his neck, with an unidentified incised mark. h. 18‑1/2”, w. 8‑1/2”, d. 5‑1/4” $700‑$1,000

128


509 Louis XVI-Style Mahogany and Marble-Top Center Table

511 Two French Tables

early 20th century, the circular marble top within an ormolu edging, above a conforming paneled frieze, raised on fluted tapering circular legs ending in brass caps. h. 30”, dia. 38”

both early 20th century, including a transitional Louis XV/ XVI-style mahogany tiered table, the top tier banded and with parquetry veneers, joined by shaped supports to a like larger lower shelf, raised on cabriole legs, h. 32‑1/2”, w. 27”, d. 17‑3/4”, and a Louis XVI-style mahogany and marble-top occasional table with a shaped rectangular marble top within a three-quarter pierced brass gallery, above a conforming frieze fitted with a single drawer, joined to a lower shelf by tapering square legs ending in peg feet, h. 28‑1/2”, w. 24”, d. 14‑1/4”.

$400‑$700 510 Louis XVI-Style Mahogany Vitrine 20th century, the molded demi-lune cornice above a conforming case fitted with an ormolu undulate-patterned frieze over a single glazed door, the slides glazed en suite, raised on tall toupie feet. h. 65”, w. 40‑1/2”, d. 18”

$400‑$700 Illustrated Online

$500‑$800

late 19th century, the rectangular marble top within a full pierced brass gallery and molded edge, above a conforming ormolu-mounted frieze, raised on ribbed tapering circular legs ending in toupie feet. h. 33”, w. 36‑1/4”, d. 18”

512 Louis XVI-Style Mahogany and Marble-Top Side Table

$1,000‑$1,500

509

510 512

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516 515

513 514

513 Louis XVI-Style Kingwood and Mixed Woods Inlaid Sideboard

515 Pair of Gilt-Bronze and Marble Urn-Form Garnitures

late 20th century, with a bowed front and curved ends, profusely inlaid with classical motifs and floral sprays. h. 39”, w. 68”, d. 23”

on molded white marble bases, the marble urns set into bronze laurel leaves, with delicately leaf-molded handles framing the beaded and leaf-molded bronze necks. h. 11”, w. 5‑1/4”, d. 4”

$700‑$1,000

$2,000‑$4,000

514 Louis XVI-Style Giltwood and Composition Beveled Mirror

516 Suite of Six Louis XVI-Style Fruitwood Armchairs

late 20th century, the deeply molded frame with twisted ribbon decor wrapping around a vine with berries. h. 42”, w. 29”

each with a padded medallion back within a molded frame, joined by molded scrolling arms to the padded seat, raised on paneled tapering square legs headed by floral block capitals and ending in pad feet. h. 40‑1/2”

$500‑$800

$600‑$900

130


517 Louis XVI-Style Mahogany and Marble-Top Server 20th century, the D-form marble top above a conforming case fitted with four frieze drawers over two cupboard doors with ribbed fronts, flanked to either side by two open marble-inset shelves with galleries, raised on tapering circular legs. h. 40”, w. 75”, d. 22”

519 Two Similar Louis XVI-Style Giltwood and Marble-Top Side Tables early 20th century, each with a circular inset marble top, one white with gray veins and the other mottled gray and rouge, turned legs with narrow fluting and a caned stretcher. h. 27‑1/2”, dia. 16‑1/2” and 17” $500‑$800 Illustrated Online

$500‑$800 518 Pair of Napoleon III Marble and Bronze Candle Holders third/fourth quarter 19th century, in the form of cornucopias held by putt in opposing stances, on cruciform marble pedestals with dolphins and shaped feet, now mounted as lamps with shades. h. 29‑3/4”, dia. 13‑3/4” $400‑$700

520 Louis XVI-Style Mahogany and Marble-Top Bouillotte Table 20th century, of large size, the top with a brass-bound edge, the frieze fitted with two drawers and two pull-out candle slides, raised on fluted tapering circular legs ending in brass toes. h. 28‑1/2”, dia. 32” $500‑$800 521 Louis XVI-Style Parcel-Gilt and Painted Bergere ca. 1900, the back extending to closed arms on leaf-carved supports, bowed seat and stop-fluted turned legs, now in ivory damask h. 38‑1/2” $300‑$500

520

518

521

517

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522 French Belle Epoque Giltwood Oval Mirror

525 Louis XVI-Style Mahogany Desk

fourth quarter 19th century, with a laurel-molded surround, the pierced crest decorated with crossed torches and a quiver, flanked by sprays of roses. h. 35‑1/2”, w. 25‑1/2”

20th century, the rectangular top with an inset leather surface, above a conforming frieze fitted with a central drawer flanked to either side by two small drawers, raised on dramatically tapering square legs to brass pegs. h. 30”, w. 51”, d. 27”

$600‑$900 523 Louis XVI-Style Mahogany, Kingwood and Marble-Top Commode early 20th century, the demi-lune marble top above a conforming case fitted with three graduated drawers, all banded and with chevron veneers, raised on tapering square legs ending in cap feet. h. 33‑1/4”, w. 33‑1/2”, d. 17” $600‑$900

$400‑$700 526 Two Lamps 19th/20th century, including an Elizabethan-style brass candlestick lamp, h. 26‑1/2”, w. 5‑3/4”, and a French bronze urn-form garniture lamp on a marble and bronze incised base, h. 20”, w. 5‑1/2”. $400‑$700 Illustrated Online

524 Group of Two French Tables including a Louis XV/XVI-style occasional table, early 20th century, the shaped circular marble top within a brass banding and above a conforming frieze, joined to a lower like-shaped shelf by slender cabriole legs ending in sabots, h. 25‑1/2”, dia. 16‑1/2”, together with an Empire mahogany commode, early 19th century, the rectangular marble top above a conforming case fitted with a frieze drawer over two recessed drawers, joined to a lower concave shelf by shaped supports, raised on rounded feet, h. 26‑1/2”, w. 18”, d. 11‑3/4”. $300‑$500 Illustrated Online

523

525

522

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530 528

527 529

527 Pair of Gilt-Metal and Marble Covered Garniture Urns ca. 1900, French, on marble bases, the urns decorated with molded swags and ram’s-head handles, the fluted covers with cone-form knops on marble rims. h. 15”, w. 6‑1/2”, d. 4‑1/2” $500‑$800 528 Marble and Gilt-Bronze Centerpiece first quarter 20th century, French, the verde antique marble set with goat’s-head handles and bronze piercing. h. 11‑1/2”, w. 14‑1/2”, d. 8‑3/4” $400‑$700

529 Louis XVI-Style Inlaid and Ormolu-Mounted Granite-Top Vanity late 20th century, the top with an oval hole to accommodate a sink, the front with a faux drawer flanked by a working drawer to each side and above three cabinets, profusely floral-inlaid throughout. h. 36”, w. 54”, d. 24” $500‑$800 530 Pair of Louis XVI-Style Gilt-Bronze Three-Light Sconces second quarter 20th century, French, the fluted, columnar backplates crowned with urn finials and set with scrolled candle arms with molded oak leaves and acorns h. 20”, w. 14‑3/4”, d. 10” $600‑$900

133


531 Louis XVI-Style Fruitwood Secretaire 19th century, the paneled slant front opening to a variety of drawers surrounding a central cupboard, opening to small drawers, all retaining paper labels, over three long drawers, all paneled and with floral carving, above a guilloche-carved apron, raised on ribbed tapering square feet. h. 48”, w. 51”, d. 25” $1,000‑$1,500

532

532 Pair of French Restauration Tole-Peinte Vases second quarter 19th century, of flaring form, on molded paw feet mounted on rectangular bases, decorated with colored decoupaged figures, scenes of a boar hunt and a harbor scene. h. 9‑1/4”, w. 5‑1/2”, d. 5‑1/2” $500‑$800

533 Continental School (First Quarter 20th Century) “Fete Galante” oil on canvas unsigned. Framed. 73” x 59”

531

Notes: This fine panel recalls 18th-century vogue for Chinese-inspired works that flourished well into the early 1900s. Europeans were fascinated with the exoticism of the “Orient”, with the fine porcelain, silk, textiles and spices that flooded ports with the expansion of trade in the East in the late 17th/ early 18th century through the Swedish East India Companies. China, in the imagination of Europeans, was combined with Turkey, Japan and India, a collective primitive other that dazzled and afforded a fantastic reprieve from the mores and strictures of the West. The influx of Chinese goods coalesced with the Rococo style, characterized by exuberant scrollwork and stylized sea-shell decoration couched in scenes of leisure and pleasure with gardens and courting couples (called fete-galantes) its archetypical subject. Marvels from the orient fueled the imaginative decadence of the genre that also flourished in the decorative arts and interior design, creating an abundant demand for Chinoiserie wallpaper, panels and screens, similar to the example offered here. $2,000‑$4,000

533

134


534 Pair of Chinoisserie-Style Mirror Glass and Gilt Bronze Two-Light Candelabra second quarter 20th century, the standards with pagoda finials over mirrors etched with phoenixes, issuing arms with prism hung bobeches, on gadrooned rectangular stem feet h. 14‑3/4”, w. 11”, d. 2‑1/4” $500‑$800

536 Rock Crystal and GiltBronze Elephant-Form Candlestick mid-20th century, French, the bronze “jeweled” elephant of Indian inspiration, carrying alternating rock crystal and leaf-molded gilt-bronze elements, terminating in a tulip-form candle cup. h. 14‑1/4”, w. 7‑1/2”, d. 3‑3/4” $1,400‑$1,800 536

534

535 Pair of Bronze-Mounted Porcelain Garniture Vases fourth quarter 19th century, Continental, on scroll-molded bronze bases, the vases hand-painted with birds in trees and scattered flowers, the matching covers set with molded dogform finials. h. 18”, w. 6”, d. 5‑1/2” $1,200‑$1,800

537

537 Chinese Rosewood Vitrine second half 19th century, the upper section cabinet with a conforming frame carved to represent bamboo, with glazed front and sides revealing a two-shelf interior, surmounted by a carved and pierced foliate cornice, the lower section with asymmetrical shelves, raised on four neat hoof feet. h. 75”, w. 26”, d. 12‑1/4” 535

$400‑$700

135


541

540

538

539

542

540 Chinese Canton Export Mother-of-Pearl Box and Cover first quarter 20th century, the rectangular cover fitting over a conforming case, the exterior decorated all over with a sectional carved and pierced design in mother-of-pearl, the interior with a lacquer finish. h. 3‑1/2”, w. 6‑1/2”, d. 3‑1/2”

538 Japanese Bronze Figure 20th century, modeled as an older man carrying a box, standing at the water’s edge looking at a turtle emerging onto shore, unmarked, with fitted hardwood stand. h. 11‑1/2”, w. 11‑1/2”, d. 8‑3/4” (including stand) $400‑$700 539 Pair of Chinese Hardwood and Mother-of-Pearl Inlay Vases 20th century, each of eight-sided form on a pedestal base, with qilin-form loop handles, a representation of the deity Shoulao to the front and an eight-character inscription to the reverse. h. 16‑3/4”, w. 8”, d. 4‑1/4” $500‑$800

$700‑$1,000 541 Chinese White Hardstone Tripod Incense Burner and Cover likely 20th century, the body of compressed globular form, flanked by qilin-form loop handles, the domed cover with liondog finial, the whole raised on three short legs. h. 6‑1/2”, w. 7‑1/2”, d. 8‑1/2” $400‑$700 542 Chinese-Style Hardwood Altar Table 20th century, having a rectangular top set within a thick conforming frame over a carved and pierced frieze depicting stylized clouds, raised on four legs terminating in scroll feet. h. 33”, w. 49‑1/2”, d. 19‑1/4” $600‑$900

136


543 Chinese Celadon Glaze Bowl in the Song style, but later, with raised foot rim and slightly flared lip, decorated to the exterior with a geometric scroll design interspersed with taotie mask motifs, with a hardwood stand. h. 3‑3/4”, dia. 10‑1/2” $400‑$700 544 Chinese Celadon Ribbed Dish with Foliate Rim

543

in the Song style, but later, decorated with a central flowerhead motif within multiple geometric scroll pattern borders, with a hardwood stand. dia. 11‑1/2” $400‑$700 545 Associated Pair of Chinese Cadogan Teapots one late 19th century, the other 20th century, each decorated all over with a soft celadon glaze with purple tone areas, the earlier example with molded floral detail to the handle and spout. the tallest h. 6‑1/4”, w. 8” $500‑$800

546

546 Pair of Chinese Jade-Stem Goblets 20th century, each white-metal cup with a flared lip and raised on a slender mottled green jade stem carved with a stylized floral design. h. 6”, dia. 3‑3/4” $500‑$800

545 544

137


547 Two Chinese Porcelain Plaques

550 Two Chinese Silk Embroidery Pieces

20th century, each depicting a figural scene, with fourcharacter seal mark to top right-hand corner, mounted in thick wooden frames. h. 11‑1/2”, w. 8‑3/4”, framed h. 19‑1/2”, w. 14‑1/2”

probably second half 19th century, one example a robe sash, the design in threads of blues and browns, worked to depict the head of a qilin amid a stylized scrolling cloud design, overall h. 43‑1/2”, w. 11‑1/2”, the other example an embroidered panel depicting figures on terraces, overall h. 27”, w. 10‑1/2”, both later framed.

$500‑$800 548 Chinese Wucai Porcelain Bowl

$600‑$900

second half 19th century, having a raised foot rim and slightly flared lip, decorated to the exterior with a continuous figural scene, the interior with a blue and white medallion depicting two figures in a mountainous setting, the base with an apocryphal six-character Hongzhi mark in underglaze blue. h. 4‑1/4”, dia. 9‑1/2” $400‑$700 549 Chinese Peking Glass Vase first quarter 20th century, of bottle form, raised on a splayed foot, in a translucent cobalt blue glass overlaid with a scrolling zoomorphic design in opaque yellow glass with pale pink accents. h. 6”, dia. 2‑3/4”

549

$700‑$1,000

548

550

138

547 one of two


551 Semi-Antique Hamadan Runner 2’ 3” x 14’ 4” $400‑$700 552 Moud Carpet 3’ 3” x 4’ 10” $300‑$500 553 Shiraz Carpet 3’ 8” x 5’ 11” $400‑$700 Illustrated Online 554 Fine Agra Serapi Carpet 8’ 9” x 11’ 10” $1,200‑$1,800 555 Antique Kerman Carpet 7’ x 9’ 7” 552

$2,000‑$4,000

554

551

555

139


556 Antique Tabriz Carpet 8’ x 11’ $4,500‑$7,000 557 Semi-Antique Amritzar Carpet 8’ 10” x 11’ $2,500‑$4,000 558 Semi-Antique Shirvan Carpet 3’ 6” x 6’ 3” $300‑$500 559 Antique Kerman Carpet 9’ 8” x 14’

558

$500‑$800 Illustrated Online

557

560 Antique Tabriz Carpet 8’ 3” x 11’ 8” $3,500‑$5,000

556

140

560


561 Semi-Antique Tabriz Carpet 8’ 11” x 11’ 10” $600‑$900 562 Heriz Carpet 8’ 2” x 11’ 4” $700‑$1,000 563 Antique Sultanabad Carpet 7’ x 10’ $3,000‑$5,000 564 Semi-Antique Persian Heriz Carpet 10’ x 12’ 10” $1,800‑$2,500

562

561

563

564

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Session II: Sunday, January 28, 2018 | Lots 565-1072

565

565 details

565 Large Costume Jewelry Collection in Case the impressive collection of brooches, earrings and belt buckles, including pieces celebrating Mardi Gras and a variety of other themed pieces, in a faux grained mahogany display case with three removable trays and a lift-up glass top. overall h. 11‑1/4”, w. 23”, d. 18‑1/2”

568 Native American Turquoise Squash Blossom Necklace sterling silver, the hand-fabricated necklace with large handstamped bead, set with an irregular turquoise cabochon measuring 20.0 mm x 35.0 mm. l. 28‑1/2”, total weight 265.0 grams

$1,000‑$1,200

$500‑$800

566 Native American Crazy Lace Agate Jewelry Suite sterling silver, the hand-fabricated suite composed of a squash blossom necklace with crazy lace agate cabochons, l. 25‑1/2”, and a matching pair of pendant earrings, l. 1‑1/2”, a ring, size 9‑1/4, and a cuff bracelet, inside circumference 6”. total weight 354.0 grams

569 Calvin Martinez Native American Turquoise Concho Belt sterling silver, the belt with sixteen silver conchos measuring 1‑7/8” x 1‑1/2”, each set with turquoise cabochons, the buckle measuring approximately 2‑7/8” x 2‑1/4” and set with turquoise cabochons, stamped “C. MTZ” inside an arrowhead and “sterling”. l. from tongue to first hole in belt 38”, total weight 513.0 grams

$600‑$900 567 Masha Archer Necklace with Bracelets and Earrings sterling silver, the multi-strand heishi bead necklace with a large carved black basalt pendant of two black panthers, with a hang tag stamped “Masha Archer, San Francisco”, l. 25”, together with two hand-fabricated silver bracelets of tribal inspiration, inside circumference 6‑1/8”, and a pair of dangling pendant earrings, l. 1”. total weight 547.1 grams $600‑$900

142

$400‑$700 570 Turquoise and Pearl Earrings 14k yellow gold, each earring set with a 19.4 mm x 19.4 mm turquoise cabochon, surrounded by a row of freshwater seed pearls. l. 7/8”, total weight 3.6 grams $400‑$700


567 568

569

570

566

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583

581

575

579

576

582

577

573 580

578

571

144

574

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571 Aquamarine Ring 18k white gold, the ring mounted with a large round faceted aquamarine weighing approximately 10.85 carats. size 4‑1/2, total weight 8.5 grams $800‑$1,200 572 Aquamarine, Tanzanite and Diamond Ring 14k white gold, the ring mounted with a central cushion-cut aquamarine weighing approximately 2.27 carats, flanked on either side by a cushion-cut tanzanite weighing approximately 2.98 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.50 carats in total. size 7‑1/4, total weight 6.2 grams $1,400‑$1,800 573 Tanzanite and Diamond Earrings sterling silver, each movable earring composed of two pieces shaped like branches with leaves, meant to be worn with one branch on the front of the ear and the other on the back, the earrings mounted with navette-shaped tanzanites weighing approximately 5.50 carats in total, accented by rose-cut diamonds weighing approximately 0.75 carats in total. l. 1‑3/4”, total weight 7.6 grams $400‑$700 574 Tanzanite, Moonstone and Diamond Bracelet sterling silver, the flexible bracelet mounted with approximately 9.00 carats of oval-cut tanzanites, 54.00 carats of oval-, pear-, and round-cut moonstones and 1.00 carat of rose-cut diamonds. l. 7‑1/2”, total weight 51.7 grams $450‑$700 575 Diamond Earrings sterling silver, the earrings in a sunburst design, each set with a central slab-cut diamond surrounded by baguette-cut diamonds, with an approximate total weight of 1.00 carat. dia. 1/2”, total weight 3.8 grams $300‑$500 576 Diamond Ring 14k white gold, the Art Deco-style ring mounted with a central round brilliant-cut diamond weighing approximately 0.66 carats in total, approximate color J and clarity I1, and accented on the band with round brilliant-cut diamonds weighing approximately 0.44 carats in total. size 4‑1/2, total weight 5.0 grams $700‑$1,000 577 Diamond Inside/Outside Hoop Earrings 18k white gold, the hinged earrings set with baguette- and round brilliant-cut diamonds weighing approximately 3.97 carats in total. dia. 1‑1/4”, total weight 8.7 grams

578 Three-Stone Diamond Ring 14k white gold, the ring mounted with a central old mine-cut diamond weighing approximately 1.22 carats, approximate color G and clarity SI1, flanked on either side by an old minecut diamond, one weighing approximately 0.61 carats and the other 0.66 carats, approximate color H-I and clarity SI2, further accented on the ring shank with round brilliant-cut diamonds weighing approximately 0.23 carats in total. size 8‑1/2, total weight 5.0 grams $3,000‑$5,000 579 David Yurman “Stax” Diamond Cuff Bracelet 18k yellow gold/sterling silver, the bracelet with two gold rows and eight silver rows, set with round brilliant-cut diamonds weighing approximately 1.06 carats in total, stamped “D.Y. 925, 750”. w. 15/16”, inside circumference 5‑3/4”, total weight 74.0 grams $1,200‑$1,800 580 Unusual Diamond Snake Earrings sterling silver, the earrings mounted with rose-cut diamonds weighing approximately 2.00 carats in total. l. 3‑1/8”, total weight 16.4 grams $300‑$500 581 Barbara Bixby Jewelry Suite sterling silver/18k yellow gold, including a ring mounted with square-cut pink tourmalines weighing approximately 2.50 carats in total, a “Bixby” flower applied to the band and set with a round brilliant-cut diamond weighing approximately 0.02 carats, size 7, and a cross pendant mounted with a round brilliant-cut diamond weighing approximately 0.02 carats, l. 1‑1/4”, suspended from a 16” rope chain. total weight 18.2 grams $400‑$700 582 Rubellite and Diamond Ring 14k yellow gold, the ring mounted with a central oval-cut rubellite weighing approximately 1.29 carats, accented by round brilliant-cut diamonds weighing approximately 0.39 carats in total. size 7‑1/4, total weight 5.0 grams $700‑$1,000 583 Tourmaline and Diamond Ring 18k white gold, the ring mounted with a central emerald-cut green tourmaline weighing approximately 5.71 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.63 carats in total. size 7‑1/4, total weight 7.8 grams $1,800‑$2,500

$1,800‑$2,500

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584 Tourmaline and Amethyst Ear Clips 18k yellow gold, the heavy ear clips each set with an oval green tourmaline cabochon with an approximate total weight of 7.00 carats, accented with round amethyst cabochons and amethyst baguettes, with an approximate total weight of 1.50 carats. l. 1”, total weight 27.8 grams $1,200‑$1,800 585 Amethyst Ring 14k yellow gold, the ring mounted with a large oval faceted amethyst weighing approximately 22.35 carats. size 7, total weight 14.2 grams $400‑$700 586 Ametrine and Diamond Pendant with Chain 14k yellow gold, the pendant mounted with an emerald-cut ametrine weighing approximately 12.15 carats, accented by round brilliant-cut diamonds weighing approximately 0.52 carats in total, l. 1‑3/8”, suspended from an 18” box-link chain. total weight 6.3 grams $800‑$1,200 587 Kunzite and Diamond Ring 14k white gold, the ring mounted with a large cushion-cut kunzite weighing approximately 21.55 carats, accented by round brilliant-cut diamonds weighing approximately 0.10 carats in total. size 7‑1/4, total weight 9.6 grams $1,000‑$1,500 588 Kunzite and Diamond Pendant with Chain 14k white gold, the pendant mounted with a large pear-cut kunzite weighing approximately 20.23 carats, accented by round brilliant-cut diamonds weighing approximately 0.08 carats in total, l. 1‑3/8”, suspended from an 18” box-link chain. total weight 7.6 grams $2,000‑$4,000 589 Ruby and Diamond Ring 14k white gold, the ring mounted with baguette-cut treated rubies weighing approximately 2.00 carats in total, and round brilliant-cut diamonds weighing approximately 0.09 carats in total. size 7, total weight 3.3 grams $600‑$900 590 Whimsical Ruby and Diamond Hoop Earrings sterling silver, the earrings mounted with pear-cut treated rubies in the shape of flowers and weighing approximately 2.00 carats in total, accented by rose-cut diamonds weighing approximately 2.00 carats in total. dia. 2‑1/4”, total weight 17.8 grams $400‑$700

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591 Opal, Ruby and Diamond Cuff Bracelet sterling silver, the cuff bracelet mounted with oval-cut opals weighing approximately 30.1 carats in total, round-cut treated rubies weighing approximately 0.50 carats in total and bordered on the top and bottom by a row of rose-cut diamonds weighing approximately 1.60 carats in total. w. 1‑1/4”, inside circumference 6‑3/4”, total weight 37.7 grams $400‑$700 592 Coral, Onyx and Diamond Ring 18k yellow gold, the ring mounted with a central cushionshaped red coral cabochon weighing approximately 2.50 carats, surrounded by four calibre-cut pink onyx cabochons weighing approximately 4.90 carats in total and round brilliantcut diamonds weighing approximately 0.15 carats in total. size 7, total weight 10.2 grams $900‑$1,200 593 Coral and Diamond Ring 18k yellow gold, the ring mounted with a central oval red coral cabochon weighing approximately 4.00 carats, accented by round brilliant-cut diamonds weighing approximately 0.27 carats in total. size 7, total weight 5.8 grams $800‑$1,200 594 Opal and Diamond Bracelet sterling silver, the hinged bracelet mounted with oval opal cabochons weighing approximately 16.00 carats in total, accented with rose-cut diamonds weighing approximately 1.65 carats in total. w. 1/2”, inside circumference 6‑7/8”, total weight 58.8 grams $400‑$700 595 Fire Opal and Diamond Ring 14k yellow gold, the ring mounted with a central cushioncut fire opal weighing approximately 1.90 carats, accented by round brilliant-cut white and brown diamonds weighing approximately 0.39 carats in total. size 7, total weight 3.3 grams $900‑$1,200 596 Mandarin Garnet and Diamond Ring 14k yellow gold, the ring mounted with a central oval-cut Mandarin garnet weighing approximately 2.18 carats, accented by round brilliant- and marquise-cut diamonds weighing approximately 0.50 carats in total. size 7, total weight 3.6 grams $1,000‑$1,500


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597 Multi-Stone Bracelet and Earrings the 18k yellow gold hinged bracelet with a stylized foliage design and mounted with round-cut treated sapphires, emeralds, and rubies weighing approximately 1.45 carats in total and brilliant-cut diamonds weighing approximately 0.45 carats in total, inside circumference 6‑1/4”, and the pair of 14k yellow gold clip earrings with a stylized pinecone design and mounted with round-cut treated sapphires, emeralds, turquoises and rubies weighing approximately 1.48 carats in total and single-cut diamonds weighing approximately .08 carats in total, l. 1”. total weight 85.0 grams $2,500‑$4,000 598 Diamond and Ruby Ring 14k rose gold, the ring mounted with a European-cut and single-cut diamonds weighing approximately 0.14 carats in total, and round-cut treated rubies weighing approximately 0.35 carats in total. size 6, total weight 3.8 grams $400‑$700 599 Star Ruby and Diamond Ring 18k yellow gold, the ring mounted with an oval star ruby cabochon weighing approximately 2.60 carats, accented by round brilliant-cut diamonds weighing approximately 0.75 carats in total. size 7‑1/4, total weight 5.3 grams $3,000‑$5,000 600 Ruby and Diamond Ring 14k yellow gold, the ring mounted with four rows of table-cut treated rubies weighing approximately 2.60 carats in total and round brilliant-cut diamonds weighing approximately 0.65 carats in total. size 7‑1/2, total weight 8.0 grams $1,400‑$1,800 601 Three-Strand Diamond Bracelet 14k yellow gold, the flexible link bracelet set with approximately 2.75 carats of round brilliant-cut diamonds. l. 7‑1/8”, total weight 28.0 grams $1,800‑$2,500

602 Yellow and White Diamond Ring 18k white gold, the ring mounted with a central cushion-cut fancy yellow diamond weighing approximately 0.38 carats, accented by round brilliant-cut white and yellow diamonds weighing approximately 0.86 carats in total. size 7‑1/4, total weight 6.2 grams $2,000‑$4,000 603 Yellow and White Diamond Earrings 14k white gold, each earring mounted with a central fancy yellow diamond weighing approximately 0.20 carats each, surrounded by a halo of round brilliant-cut yellow diamonds and white diamonds, weighing approximately 1.00 carat in total. l. 3/8”, total weight 3.8 grams $1,400‑$1,800 604 Large Diamond Ring 18k yellow gold, the large undulating multi-row ring set with round brilliant-cut diamonds weighing approximately 1.30 carats in total. size 8‑1/4, total weight 15.4 grams $1,800‑$2,500 605 Diamond Pendant on Chain 14k yellow gold, the pendant mounted with three round brilliant-cut diamonds weighing approximately 0.50 carats in total, l. 3/4”, suspended from a 15‑1/2” box link chain. total weight 6.1 grams $400‑$700 606 Le Vian Diamond Ring 14k yellow gold, the ring in a woven pattern and mounted with round brilliant-cut diamonds weighing approximately 0.70 carats in total. size 7‑1/4, total weight 7.0 grams $500‑$800 607 Diamond Ring 14k yellow gold, the ring mounted with a white gold illusion top and set with a European-cut diamond weighing approximately 0.33 carats. size 6, total weight 2.2 grams $400‑$700 608 Diamond Earrings 14k yellow gold, each stud earring set with a round brilliantcut diamond weighing approximately 0.50 carats each, approximate color I-J and clarity SI2‑I1. total weight 1.2 grams $500‑$800

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609 Diamond Necklace 14k yellow gold, the graduated buttercup-designed mountings set with round brilliant-cut diamonds weighing approximately 3.25 carats in total, approximate color L-N and clarity VS2‑SI2. l. 18”, total weight 24.4 grams $1,800‑$2,500 610 Diamond Ear Clips in the Buccellati Style 18k yellow gold, the button-shaped ear clips with retractable posts, set with round brilliant-cut diamonds weighing approximately 1.25 carats in total. dia. 15/16”, total weight 17.2 grams $1,500‑$2,500 611 Diamond Bracelet and Earring Suite 14k yellow/white gold, the link bracelet and earrings set with single-cut diamonds weighing approximately 2.00 carats in total. bracelet l. 7‑1/4”, earrings l. 1”, total weight 25.6 grams $600‑$900 612 Thomas Michaels Diamond Earrings 14k yellow gold, the earrings flush set with round brilliantcut diamonds weighing approximately 0.50 carats in total, stamped “Thomas Michaels, 14k”. dia. 7/8”, total weight 9.8 grams

618

$400‑$700 613 Gold and Diamond Pendant Earrings 14k yellow gold, each antique button earring set with three mine-cut diamonds weighing approximately 0.60 carats in total. l. 7/8”, total weight 4.9 grams $400‑$700 614 Victorian Bar Pin 14k yellow gold, fourth quarter 19th century, the narrow rectangular pin set with five old mine-cut diamonds dangling in a conforming surround, weighing approximately 1.25 carats in total, approximate color E-G and clarity SI1‑SI2, on a black taille d’epargne enamel ground and bordered with a “knifeedge” openwork gallery with scrolled ends, the reverse with open barrel pin catch and fitted with the original safety chain with pin and clutch. w. 2‑3/8”, total weight 10.6 grams

616 Victorian Coral and Diamond Bar Pin 18k yellow gold, fourth quarter 19th century, the narrow rectangular galleried bar set with a central angel skin coral cabochon measuring 8 mm and surrounded by a halo of old mine-cut diamonds and accented on the bar with rose-cut diamonds, with an approximate total diamond weight of 1.53 carats, approximate color E-F color and clarity SI1‑SI2, the pin with rollover safety catch. l. 2”, total weight 8.0 grams $500‑$800 617 Two Gold Bangle Bracelets 14k yellow gold, including a hinged bracelet hand-engraved with a Florentine finish, inside circumference 6‑3/8”, and a hinged bracelet set with 2.9 mm round cultured pearls, inside circumference 6‑3/4”. total weight 35.8 grams

$1,200‑$1,800

$400‑$700

615 Victorian Diamond and Ruby Bracelet 18k yellow gold, the hinged bracelet with a blossom design set with rose-cut diamonds and mine-cut diamonds weighing approximately 0.50 carats in total, and round-cut treated rubies weighing approximately 0.27 carats in total. w. 15/16”, inside circumference 6‑1/2”, total weight 26.0 grams

618 Ruby and Pearl Necklace 14k yellow gold, the necklace with a ribbon design and set with mabe pearls ranging from 1.00 mm to 2.0 mm in size and a round-cut fish-eye ruby with an approximate weight of 0.18 carats. l. 20‑1/4”, total weight 8.6 grams

$600‑$900

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619 Gold Bangle Bracelet 14k yellow gold, the wide hinged bracelet hand-engraved with foliage. w. 13/16”, inside circumference 6‑3/4”, total weight 33.6 grams $500‑$800 620 Victorian Onyx, Pearl and Pink Sapphire Locket fourth quarter 19th century, the oval open-back locket carved of a single piece of onyx and set with a central button pearl measuring 8 mm x 6.5 mm, flanked by a pair of oval rose-cut diamonds, surrounded by twelve treated pink sapphires, with an outer silver starburst band set with twenty-four small rose-cut diamonds, with an approximate total diamond weight of 0.29 carats and an approximate total sapphire weight of 0.29 carats, the locket frame lacking. h. 1‑1/2”, w. 1‑1/4”, total weight 18.4 grams

625 Le Vian Sapphire and Diamond Cross on Chain 18k white gold, the cross set with round brilliant-cut diamonds weighing approximately 0.05 carats in total and round faceted treated sapphires weighing approximately 1.50 carats in total, stamped “Le Vian, 18k”, l. 1‑1/2”, suspended from a white gold chain, l. 18”. total weight 6.6 grams $500‑$800 626 Diamond and Faux Sapphire Bracelet 14k white gold, the Art Deco-style bracelet with a filigree design and set with eight diamond-shaped faux blue sapphire cabochons and seven mine-cut diamonds weighing approximately 1.25 carats in total. l. 6‑3/8”, total weight 13.0 grams $400‑$700

$400‑$700 621 Victorian Diamond and Cobalt Enamel Pendant Necklace 15k yellow gold, fourth quarter 19th century, English, converted from a brooch, the oval pendant with guilloche cobalt enamel and set with a central silver-top, gold-back diamond starburst set with a central old mine-cut diamond weighing approximately 0.39 carats, approximate color H and clarity SI1, the arms set with sixteen old mine-cut diamonds weighing approximately 1.15 carats in total, approximate color G-I and clarity VS2‑SI2, with a beaded edge and locket back, the pin removed and now fixed to a later 14K gold rope chain. pendant h. 1‑1/2”, w. 1‑3/4”, l. 18”, total weight 46 grams

629

$900‑$1,200 622 Diamond and Sapphire Brooch 14k yellow gold, the brooch in a stylized design and mounted with round-cut treated sapphires weighing approximately 1.33 carats in total, and round brilliant-cut diamonds weighing approximately 0.50 carats in total. size 1‑1/4” x 1‑3/4”, total weight 15.8 grams

627 Le Vian Multi-Stone Ring 14k white gold, the tapered, filigree mounting set with round brilliant-cut diamonds weighing approximately 0.10 carats in total and princess-cut treated blue, yellow, pink and green sapphires weighing approximately 0.60 carats in total, stamped “Le Vian, 14k”. size 7, total weight 6.7 grams

$600‑$900

$500‑$800

623 Sapphire and Diamond Necklace 14k yellow gold, the necklace set with pear- and emerald-cut treated sapphires weighing approximately 0.90 carats in total and round brilliant-cut diamonds weighing approximately 0.06 carats in total. l. 17”, total weight 6.4 grams

628 Emerald and Diamond Earrings 14k yellow gold, the dangling earrings mounted with emeraldcut treated emeralds weighing approximately 2.02 carats in total, each surrounded by a halo of round brilliant-cut diamonds weighing approximately 0.70 carats in total. l. 1”, total weight 2.5 grams

$400‑$700 624 Multicolored Stone and Diamond Ring 18k rose gold, the ring mounted with an oval-cut treated ruby, and yellow, blue, violet and green treated sapphires, weighing approximately 0.95 carats in total, accented by round brilliantcut diamonds weighing approximately 0.60 carats in total. size 7‑1/4, total weight 6.2 grams $1,000‑$1,500

$700‑$1,000 629 Emerald and Diamond Necklace 14k yellow gold, the herringbone chain with an attached pendant set with navette-shaped emeralds weighing approximately 0.20 carats in total and round brilliant-cut diamonds weighing approximately 0.20 carats in total. l. 17‑1/2”, total weight 5.8 grams $400‑$700

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630 Emerald and Diamond Bracelet 18k yellow gold, the flexible link bracelet mounted with ovalcut treated emeralds weighing approximately 4.98 carats in total, accented by baguette-cut diamonds weighing approximately 1.52 carats in total. l. 7”, total weight 12.6 grams $2,500‑$4,000 631 Emerald and Diamond Ring 18k yellow gold, the ring mounted with an oval-cut treated emerald weighing approximately 1.25 carats, accented by round brilliant-cut diamonds weighing approximately 0.55 carats in total. size 7‑1/2, total weight 8.5 grams $1,500‑$2,500 632 Emerald Bangle Bracelet gold vermeil, the hinged, wide bangle bracelet bezel-set with round-cut treated emeralds weighing approximately 4.60 carats in total. w. 7/8”, inside circumference 7”, total weight 55.4 grams

637 Charles Krypell Diamond, Sapphire and Emerald Bracelet 18k yellow gold, the flexible link bracelet set with approximately 2.40 carats of round brilliant-cut diamonds, 1.20 carats of baguette-cut treated sapphires and 1.20 carats of baguette-cut treated emeralds. l. 6‑1/4”, total weight 33.4 grams $1,400‑$1,800 638 Gold Coin Pendant and Ear Clips 14k yellow gold, the dangling pendant set with a 1/10 troy ounce American Eagle coin and approximately 0.10 carats of round brilliant-cut diamonds, size 1‑1/8” x 1‑3/4”, and the ear clips with retractable posts, designed as an American Eagle coin, dia. 1‑1/8”. total weight 26.8 grams $500‑$800

$400‑$700 633 Emerald and Diamond Hoop Earrings 18k yellow gold, the large hoop earrings set with pear-cut treated emeralds weighing approximately 3.87 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.10 carats in total. dia. 2”, total weight 8.7 grams $1,400‑$1,800 634 Charles Krypell Diamond, Sapphire and Emerald Ear Clips 18k yellow gold, the ear clips with retractable posts and set with approximately 0.66 carats of round brilliant-cut diamonds, 2.00 carats of baguette-cut treated sapphires and 2.00 carats of baguette-cut treated emeralds. size 1/2” x 3/4”, total weight 17.2 grams $1,200‑$1,800 635 Charles Krypell Diamond, Emerald and Sapphire Ring 18k yellow gold, the ring with a fold-over design and mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total, baguette-cut treated sapphires weighing approximately 1.00 carat in total and baguette-cut treated emeralds weighing approximately 0.50 carats in total. size 5, total weight 13.4 grams

632

639 Gold Necklace 14k yellow gold, the triple-strand necklace with linearengraved oblong gold beads. l. 18” to 20”, total weight 19.0 grams $500‑$800 640 Tramedoro Jewelry Suite 18k yellow gold, including a necklace, l. 20‑1/2”, a pair of earrings, l. 2‑1/2”, and a bracelet, l. 8”, each composed of 18k yellow gold “silk leaves” of woven mesh gold, suspended from oval link chains. total weight 29.3 grams $1,500‑$2,500

$900‑$1,200 636 Charles Krypell Diamond, Sapphire and Emerald Pendant 18k yellow gold, the slide pendant set with approximately 1.00 carat of round brilliant-cut diamonds, 1.00 carat of baguettecut treated sapphires and 0.50 carats of baguette-cut treated emeralds. l. 1”, total weight 12.4 grams $900‑$1,200

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641 Multicolored Baroque Pearl Necklace and Earrings 14k yellow gold, the hand-knotted golden brown multicolored pearl necklace with a 14k gold clasp, l. 37”, together with a pair of matching dangle earrings, l. 1”. total weight 107.6 grams $500‑$800 642 Io Si Scavia Pearl and Diamond Pendant 18k white gold, the pendant set with approximately 2.00 carats of round brilliant-cut diamonds, a 15.0 mm round Tahitian pearl and an 11.5 mm round South Sea pearl. l. 2”, total weight 17.0 grams $1,200‑$1,800 643 Io Si Scavia Diamond and Pearl Ring 18k white gold, the wishbone-shaped ring mounted with an 11.0 mm round Tahitian pearl, a 15.0 mm round gray pearl and approximately 0.50 carats of round brilliant-cut diamonds. size 5, total weight 15.2 grams

648 Edwardian Platinum and Diamond Bar Pin first quarter 20th century, of long navette shape with openwork edges and scrolled ends, the center set with a row of eleven graduated Old European-cut diamonds and the ends each with three small diamonds (four later single-cut replacements), weighing approximately 0.90 carats in total, approximate color E-G and clarity VS1‑SI2, the reverse with a 14k white gold pin and lever safety catch. l. 2‑3/4”, total weight 7.6 grams $500‑$800 649 Movado Two-Tone Diamond Museum Watch stainless steel, the quartz watch set with sixteen round brilliantcut diamonds weighing approximately 0.08 carats in total, model #81 E4 1844 S, serial #8,007,XXX. inside circumference 6‑1/4”, total weight 56.5 grams $400‑$700

$800‑$1,200 644 Diamond Bracelet 14k yellow gold/stainless steel, the flexible link bracelet mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total. l. 6‑3/4”, total weight 34.8 grams $400‑$700 645 Diamond Pendant on Chain 14k white gold, the pendant designed with stars, mounted with round brilliant- and baguette-cut diamonds weighing approximately 0.40 carats in total, l. 3/4”, suspended from a box link chain, l. 16”. total weight 4.7 grams $400‑$700 646 Gold and Diamond Ring 18k white gold, the vintage filigree ring set with a central European-cut diamond weighing approximately 1.01 carats, approximate color G and clarity SI2, flanked on either side by a single-cut round diamond weighing approximately 0.02 carats in total. size 8‑1/4, total weight 2.0 grams $1,800‑$2,500 647 Diamond Pendant platinum, the Art Deco-style dress clips now converted to a pendant and set with round-, baguette- and marquise-cut diamonds weighing approximately 3.00 carats in total. size 1‑13/16” x 3/4”, total weight 7.7 grams $1,200‑$1,800

650

650 Black Fox-Trimmed Leopard-Printed Fur Vest size 4‑6, with one hook closure and chocolate brown satin interior, labeled: “Adrienne Landau”, l. 18”. $400‑$700

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650A Vintage Full-Length Mink and Fox Coat 1980s, size 10‑12, with fox-trimmed band collar and front opening, three hook closure and on-seam pockets, the bold bias-striped puff sleeves ending in band cuffs, the chocolate “silk”-lined interior with forward glove pocket, l. 50”. $500‑$800 651 Black Ranch Mink and Leather Jacket size 2‑4, with nappa leather snap collar and zipper closure, inset straight sleeves and on-seam pockets, the black satinlined interior with a deep forward glove pocket, labeled: “Henig Furs”, l. 21”. $400‑$700 652 Reversible White Kidskin and White Sheared Beaver Vest size 2‑4, both sides with notched lapels, angled pockets and zippered closure, labeled: “Bernini/Beverly Hills”, l. 21”. $400‑$700 653 Vintage Silver Fox Stroller 1980s, size 12, with shawl collar, three hook closure, deep on-seam pockets and dolman sleeves, the silver “silk”-lined interior monogrammed, l. 34”. $500‑$800

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654 Vintage Gentleman’s Black Natural Ranch Mink Coat 1980s, size 42, in a trench-inspired, double-breasted design, with notched collar and on-seam pockets, buttoning at the neck and inside the chest along with three rows of exterior buttons, with epaulettes and full raglan sleeves having half straps at the cuffs, the back with a deep yoke/”rain guard”, martingale and 26” buttoned slit, the black fabric-lined interior with a chest pocket, l. 52”, sweep: 62”. $1,000‑$1,500 The proceeds being donated anonymously to “Food for the Poor”, a nonprofit based in Coconut Creek, Florida, providing food, shelter and medicine to the poor in Latin America and the Caribbean.


657 Gold and Diamond Cufflinks 14k yellow gold, the stylized “X”-shaped cufflinks set with round brilliant-cut diamonds weighing approximately 0.55 carats in total. size 11/16” x 11/16”, total weight 8.9 grams $400‑$700

655

655 Diamond Cufflinks 14k/18k white gold, the cufflinks with a cushion-shaped sunburst set with round brilliant-cut diamonds in a pierced, quilted pattern and on the domed center, with an approximate total weight of 1.30 carats. size 7/8” x 7/8”, total weight 21.8 grams $1,500‑$1,800

658

658 Diamond Cufflinks 14k yellow/white gold, the cufflinks mounted with a round bezel-set brilliant-cut diamond weighing approximately 0.72 carats in total, approximate color E-G and clarity VS2‑SI1, and accented with round brilliant-cut diamonds weighing approximately 0.64 carats in total. l. 3/4”, total weight 11.0 grams $900‑$1,200 656

656 Gentleman’s Hematite Cufflinks 18k yellow gold, in the Tiffany & Co., Schlumberger style, each set with an 8.0 mm and a 9.0 mm round hematite bead. l. 1‑1/4”, total weight 17.6 grams $400‑$700

659

659 Gentleman’s Jade Cufflinks 14k yellow gold, each with a hinged spring-loaded locking mechanism and set with a carved Chinese lion holding the symbol for longevity. jade size 10.0 mm x 22.0 mm, total weight 14.0 grams 657

$400‑$700

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660 Clyde Connell (American/Louisiana, 1901‑1998) “Tower”, 1981 mixed media on wood signed and dated. h. 91”, w. 18”, d. 18” Provenance: Descended in the family of the artist. $1,000‑$1,500

661 Clyde Connell (American/Louisiana, 1901‑1998) “Red Clay Series II”, 1989 mixed media on wood titled and dated on reverse. h. 62”, w. 3”, d. 2” $800‑$1,200 Provenance: Descended in the family of the artist.

662 Louise Guidry (American/Louisiana, b. 1930)

661

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“As Time Goes By” encaustic on paper signed lower right. Matted, glazed and framed. sight 25‑1/4” x 19‑1/4”, framed 38‑3/4” x 29” $1,500‑$2,500

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663 Abigail Poplin (American/New Orleans, Contemporary) “The Pearl” oil on gallery-wrapped canvas signed lower right. 35” x 54” Provenance: Collection of the artist. $1,000‑$1,500 662

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664 George Bauer Dunbar (American/Louisiana, b. 1927) “Untitled” mixed media on board faint signature and partial date upper right. Framed. 6‑1/2” x 8”, framed 7‑1/4” x 8‑3/4” $700‑$1,000

664 665

665 George Bauer Dunbar (American/Louisiana, b. 1927) “#20”, 1978 mixed media on canvas signed and dated lower right, signed en verso, with a “Galerie Simonne Stern, New Orleans, Louisiana” label. Framed. 10” x 14”, framed 10‑1/2” x 14‑1/2” $800‑$1,200

666 Louise Guidry (American/Louisiana, b. 1930) “Lady in Red” collage and mixed media on paper signed lower right. Matted, glazed and framed. sight 18” x 8‑1/2”, framed 15” x 26‑1/2”

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$600‑$900

667 Will Hinds (American/Louisiana, 1936‑2014) “Lemon Peeler” oil on canvas board signed lower left, titled en verso. Framed. 11‑3/4” x 15”, framed 14‑3/4” x 17‑3/4” $800‑$1,200 667

161


668 Noel Rockmore (American/Louisiana, 1928‑1995) “Terre Haute”, 1964 oil on board signed and dated lower right, titled lower left. Framed. 18” x 24”, framed 21” x 27” $800‑$1,200 669 Louise Guidry (American/Louisiana, b. 1930)

668

670

“Out of the Blue” acrylic on gallery-wrapped canvas signed lower right. 36” x 36” $1,800‑$2,500 670 Robert Gordy (American/Louisiana, 1933‑1986) “Untitled” gouache and ink on paper unsigned. Matted and fitted for hanging. each image 10‑3/4” x 8”, framed 20” x 24” $600‑$900 671 Joan Miro (Spanish, 1893‑1983)

669

671

“L’Air” lithograph in colors unsigned. Framed. sheet 14” x 10‑1/8”, framed 23‑1/2” x 19” $500‑$800 672 Marc Chagall (Russian/French, 1887‑1985) “One Plate from Derriere le Miroir” “Le Joueur de Flute” two lithographs in colors Both framed. sights 14‑1/2” x 21‑1/2” and 9” x 15”, respectively, framed 23” x 29‑1/4” and 13‑1/2” x 19‑3/4”, respectively $800‑$1,200

162

672 one of two


673 J. Collazzi (Continental, 20th Century) “Musicians with Mandolin and Harp” graphite, watercolor and gouache on paper signed lower left. Matted, glazed and framed. 20-1/4" x 26-1/2", framed 27" x 33" $400‑$600 674 Sonia Gechtoff (American, b. 1926) “The Carousel” 673

oil on canvas signed lower right. Unframed. 33” x 48”

675 Continental School (Contemporary)

$1,000‑$1,500

unusual mixed media on board of Persian inspiration unsigned. Presented in a custom artist’s frame inscribed lower center “Francis”. 22‑1/2” x 26‑1/2”, framed 28” x 32” $600‑$900 676 French Poster for Je te Confie ma Femme second quarter 20th century, designed by Bernard Lancy (French, 1892‑1964), printed by Delattre, Paris for the 1933 movie directed by Rene Guissart (French, 1888‑1960). Glazed and framed. 62” x 93”, framed 64” x 94” $1,500‑$2,500 676

675

674

163


679 Alexander Weygers (American/California, 1901‑1989) “Janus-Faced Feline” celadon granite patinated bronze incised signature, copyright marked and numbered “2/100” on edge of self-base, a “Kersting Galleries” label on bottom, now on a wooden plinth. overall h. 13”, w. 6‑1/2”, d. 5” $500‑$800

679

678

680 After Joan Miro (Spanish, 1893‑1983) “A Toute Epreuve”, 1958 “Maravillas con Variaciones”, 1975 two lithographs in colors former printed by Fequet et Baudier, Paris, for Berggruen & Cie Exhibition, a “Bittan Fine Art” certificate en verso frame, pencil-signed lower right and numbered “11/75” lower left; latter signed in plate lower right. Each matted, glazed and framed. 20‑5/16” x 14‑3/8” and 19‑1/2” x 13‑3/4”, respectively, framed 27‑7/8” x 21‑3/4” and 28” x 21‑3/4”, respectively $500‑$800

677 one of two

677 two of two

677 Marc Chagall (Russian/French, 1887‑1985) “The Rat and the Elephant” “Derriere le Miroir” etching and a lithograph, respectively former edition of 200, verso with “Gerhard Wurzer Gallery, Houston, Texas”, both unsigned. Both framed. sights 14‑1/2” x 10‑1/2” and 11‑3/4” x 10”, respectively, framed 21” x 16‑1/4” and 19‑5/8” x 17‑1/8”, respectively $800‑$1,200 678 Alexander Weygers (American/California, 1901‑1989) “The Family” celadon granite patinated bronze cast signature, incised signature, copyright marked and numbered “2/250” along back edge, a “Kersting Galleries” label at bottom. h. 10‑1/2”, w. 3‑1/2”, d. 4” $500‑$800

164

680 one of two


682 684

681

683

681 Edgar Brandt-Style Cast Iron Floor Lamp 20th century, in the Art Deco manner, the tapered standard and shade holder with stylized leaves and set with a demi-lune alabaster shade, on a hexagonal base decorated with scrolls. h. 70‑1/2”, dia. 18” $400‑$700 682 French Art Deco Puiforcat “Etchea” Rosewood and Silverplate Tray the pattern designed in 1937 by Jean Elysee Puiforcat (1897‑1945), Paris, the rounded rectangular rosewood tray with fluted edge and mounted with silverplate handles, each decorated with three spheres. 27‑1/2” x 15‑3/4”

683 Mid-Century-Style Wing-Back Settee third quarter 20th century, the tall back with sweeping arms and padded seat, upholstered in off-white faux leather. h. 54”, w. 78”, d. 24” $500‑$800 684 Lalique Molded and Frosted Crystal “Bacchantes” Vase 20th century, French, signed on side of base rim. h. 9‑1/2”, dia. 7‑1/2” $700‑$1,000

$500‑$800

165


685 Daum Pate de Verre “Roses” Vase 20th century, French, shaded green to pink, in its original box. h. 12”, dia. 10” $500‑$800 686 D’Argyl “Faux Cameo” Enameled Art Glass Vase second quarter 20th century, French, decorated with flowering mauve fronds on a shaded lavender ground, signed in enamel. h. 12”, dia. 7‑1/4” $400‑$700 687 Venetian Millefiori Glass Epergne

686

685

first half 20th century, Italian, with ruffled edges, the base set with four vases. h. 16‑1/2”, dia. 11‑3/4” $500‑$800

687 688

688 Three Pieces of Signed Lalique Glass 20th century, French, including a “cactus” perfume bottle, h. 4‑1/4”, dia. 3”, an “Elizabeth” footed bowl, h. 5‑1/2”, dia. 4‑1/2”, and a square vase decorated with leaves, h. 11‑1/4”, w. 2‑3/4”. $500‑$800 689 Pair of Venetian Glass Swans 20th century, Italian, with red bodies and gilt-spangled wings and crests. h. 10‑1/2”, w. 5”, d. 6‑3/4” $300‑$500

689

166


690

690 Pair of Ralph Lauren Overstuffed Distressed Leather Club Chairs

691 Contemporary Brown Leather Chesterfield Settee the seat, back and arms diamond-tufted, raised on turned bun feet. h. 28”, w. 67”, d. 35”

each with a curved back with diamond tufting, cushion seat and leather pillow. h. 36”, w. 40”, d. 42”

$600‑$900

$1,000‑$1,500

691

167


692 Anglo-Indian-Style Teakwood Apothecary-Type Cabinet with three banks of three drawers, each with a heavy brass pull and backplate, raised on a molded base. h. 40”, w. 73”, d. 24” $400‑$700 693 Mahogany-Framed Convex Mirror 20th century, of Regency inspiration, bearing a Maitland-Smith label. dia. 35‑1/2” $300‑$500 694 Contemporary Circular Mirror 694

framed with “tiles” of faux tortoise and set with a beveled plate, labeled “Maitland Smith”. dia. 49” $300‑$500 695 Contemporary Teakwood and Marble-Top Server in the Renaissance taste, the top with an inset white marble work surface and gallery surround, above a row of two drawers over three long drawers. h. 35‑1/2”, w. 40”, d. 18” $500‑$800 696 Signed Mario Villa Marble, Copper and Glass Boudoir Lamp ca. 1996, with a marble base, mounted with a folded copper shade, decorated with applied glass cabochons. h. 24”, w. 4‑3/4”

695

168

693

696

$300‑$500

692


697 Pair of Gilded Composition Table Lamps 20th century, of baluster form, with parchment shades. h. 41‑1/2”, dia. 23‑3/4” $500‑$800 698 Mid-Century Modern-Style Faux Bois Dining Table late 20th century, the circular top mounted to a triangular pedestal with a shaped plinth base. h. 30”, dia. 50” $400‑$700 699 Unusual Gilt-Metal Chandelier 20th century, the nine-light, leaf-molded chandelier hung with smoked drops. h. 35‑1/2”, dia. 28”

699

$600‑$900

697

700 Large Cream-Painted Credenza with a lightly distressed surface, the case with three pairs of doors, each with a wire mesh panel. h. 28‑1/2”, w. 115‑1/2”, d. 16‑3/4” $500‑$800

698

700

169


703

701

702

701 Contemporary Inlaid Mixed Woods Games Table by Maitland-Smith the banded top with two removable inlaid tray-form panels, opening to reveal a reversible game board from checkers to backgammon. h. 25”, w. 42”, d. 42” $600‑$900

704

703 Neiman Marcus Chrome and Plate Glass Table/Desk the top resting on two A-frame standards which adjust for height. h. 26” to 30”, w. 59”, d. 33” $300‑$500

702 Art Nouveau Marquetry-Inlaid Mahogany Side Chair

704 Mid-Century-Style Chrome, Glass and Brass-Mounted Etagere

early 20th century, in the manner of Carlo Bugatti, the parquetry-inlaid crest rail over an inlaid circular splat, the stiles curving to join the shaped front legs, the stiles and seat rail adorned with inlaid scrolls. h. 40”, w. 13”, d. 14”

the chrome frame with brass corners and collars, brass finials, and five glass shelves, the top and bottom ends with X-form stretchers. h. 72”, w. 30”, d. 12”

$400‑$700

170

$600‑$900


705 Contemporary Brass and Glass Cocktail Table the square top with an inset beveled glass panel, raised on square tubular legs joined by a like box stretcher and ending in stepped feet. h. 16”, w. 36”, d. 36” $500‑$800 706 LeCoultre Atmos Clock mid-20th century, Swiss, in a dore and glass case, the Atmos perpetual motion clock runs on power obtained through atmospheric change, with no pendulum, winding or conventional movement. h. 9‑1/4”, w. 7‑1/2”, d. 6‑1/2”

705

$400‑$700 707 Contemporary Glass, Steel and Brass Table the glass top over a like display shelf, above a curule base adorned with polished brass elements. h. 28‑3/4”, w. 60”, d. 16‑3/4” $400‑$700 708 Danish Chrome and Blonde Rosewood Coffee Table designed by Arne Jacobsen, with a rectangular rosewood top mounted to a chrome frame, unsigned. h. 19”, w. 60”, d. 25‑1/2”

707

$700‑$1,000

708 706

171


709 Ruth Faktorowicz (Israeli, b. 1937) glazed, ceramic tile signed “J. Ruth” lower left. Glazed, mounted and framed “10” x 9‑5/8”, frame 21‑3/4” x 21‑1/4” $400‑$700 710 Pair of Contemporary Pottery Chargers

710

20th century, possibly Scandinavian, each signed “Gustufson” on the rear. dia. 20” $400‑$700

709 712

711 Allison Stewart (American/Louisiana, b. 1941) “Grotto”, 1990 mixed media on Arches paper signed lower right “Stewart”, verso with “Arthur Roger Gallery, New Orleans, Louisiana” label. Float-mounted, glazed and framed. 29‑1/4” x 22‑1/4”, framed 34” x 27” $800‑$1,200 712 Carylon Killebrew (American, b. 1948) “Untitled Abstract” mixed media on paper signed lower right. Float-mounted, glazed and framed. 42‑1/2” x 46‑1/2”, framed 50‑1/4” x 54‑3/4” 711

172

$800‑$1,200


715 Leonardo Nierman (Mexican, b. 1932) “Sensacion de Vuelo (Flight Sensation)” oil on canvas board signed lower left, titled en verso. Now mounted on a frame. framed 36‑1/4” x 43‑1/4” $1,500‑$2,500 716 American School (20th Century) 713

“Untitled Abstract” oil on canvas illegibly signed lower right. Unframed. 23‑7/8” x 36” $600‑$900

715

713 American School (20th Century) “Untitled Abstract” oil on canvas with decorative cut upper and lower borders unsigned. Framed. 41” x 52”, framed 42” x 53”

714

$700‑$1,000 714 Phil Vanderlei (American, Contemporary) “Mother and Calf” “Calf” pair of patinated bronzes former with cast signature and numbered “35/100” at base, latter with cast signature and numbered “3/150” along edge, each on a green marble plinth. former overall h. 13”, w. 17”, d. 13‑1/4”, latter overall h. 10‑1/2”, w. 9‑1/2”, d. 8‑1/4” $500‑$800

716

173


717 Christian Riese Lassen (American, b. 1956) “The Horse Race” print on canvas signed in print lower left and monogrammed and numbered lower right. Matted, glazed and framed. sight 30” x 19”, framed 45‑1/4” x 35‑1/2” $500‑$800

718 Michael Flohr (American, Contemporary, b. 1975) “Street Scene” mixed media on canvas signed lower right. Framed. 35‑1/4” x 47‑1/2”, framed 37‑1/4” x 49‑1/4”

717

$500‑$800

719 Einar Bergsten (Swedish, 1886‑1970) “Le Petit Journal” oil on board signed lower right. Framed. 25‑3/4” x 19‑3/4”, framed 29‑1/4” x 23‑1/4” $600‑$900 718

720 American School (20th Century) “Hotel Armbruster” oil on canvas signed and dated lower right “P. Hearsey ‘92”. Framed. 42” x 36”, framed 50‑1/2” x 44‑1/2” $600‑$900

719

174

720


721 Interesting Patinated Bronze, Polished Brass and Glass Cocktail Table the circular plate-glass top mounted to three bronze whippets seated on a triangular brass platform and on a raised ebonized base. h. 22”, dia. 24” $400‑$700 722 Pair of Wrought Iron and Brass Armchairs ca. 1970, of curule form, each with a brass back and arm supports joined to a square wrought iron frame and legs, upholstered in gold velvet, one loose seat retaining its “John Hauser Iron Works Ltd.” tag. h. 34” 721

$500‑$800 723 Unusual Pair of Bronze, Crystal and Marble Candelabra second quarter 20th century, Swedish or Russian, the threelight candelabra on mauve veined marble bases, the open fret-molded standards supporting arms hung with drops, electrified and mounted with shades. h. 27‑1/4”, w. 13”, d. 14” $700‑$1,000 724 Vienna Secessionist Brass and Glass Table Lamp first quarter 20th century, Austrian, the dome-form shade decorated with glass medallions and impressed designs. h. 18‑1/2”, dia. 9‑1/2”

722

723

$300‑$500

724

175


725 Leon Moran (American, 1864‑1941) “A Lady of Fashion”, 1899 watercolor on paper signed and dated lower right. Framed. 14‑3/4” x 8‑3/4”, framed 26‑1/4” x 20‑3/8” $600‑$900 726 Georges Goursat (SEM) (French, 1863‑1934) “Caricatures” group of eight lithographs several pencil-signed. Matted, glazed and framed alike. sights 12‑1/4” x 19” to 19” x 13”, framed two 22‑1/4” x 26‑1/2” and four 26‑1/2” x 22‑1/4”

726 one of eight

$1,000‑$1,500

727 two of two 725

727 George F. Schultz (American, 1869‑1934) “Landscape with a Cypress Tree” “Portrait of a Gypsy” two watercolors on paper both signed “Geo. F. Schultz”. Both matted, glazed and framed. sights 19” x 27” and 11” x 8”, framed 30‑1/8” x 38‑1/2” and 22” x 17‑1/2” $700‑$1,000 727 one of two

176


730 French School (20th Century) “Provencal Village” oil on canvas Framed. 46‑3/4” x 45‑1/2”, framed 49‑1/8” x 49” $800‑$1,200 731 Erte (Romain de Tirtoff, Russian/French, 1892‑1990) 728

“The Harvest” serigraph in colors pencil-signed lower right, pencil-numbered “CLI/CCL” under mat. Attractively matted, glazed and framed. sight 19” x 32”, framed 29” x 41‑3/4” $700‑$1,000

730

728 Jean Geraci (American/Louisiana, b. 1937) “Untitled: Floral Still Life” oil on canvas signed lower right. Unframed. 48” x 60”

729

$800‑$1,200 729 Walter (Walt) Gonske (American/New Mexico, b. 1942) “Late Summer - Taos” oil on canvas signed lower right, signed, titled and further inscribed en verso. Framed. 30” x 20”, framed 36” x 26‑1/2” $1,500‑$2,500

731

177


732 Erte (Romain de Tirtoff, Russian/French, 1892‑1990) “The Golden Pearls” gilt-embossed print pencil-signed lower right, numbered “141/300” lower left. Framed. 16‑3/8” x 19”, framed 26‑3/4” x 29” $500‑$800

732

733 Two Contemporary British Works on Paper including: David Hockney (British, b. 1937), “An Etching”, 1973, color collotype, Editions Alecto, signed and dated in plate lower right, pencil-numbered “117/2000” lower left; and Allen Jones (British, b. 1937), “A Fleet of Buses”, 1966, Editions Alecto, pencil-signed and dated lower right. Former matted, glazed and framed; latter matted and framed. sights 32‑3/4” x 22‑1/2” and 20” x 21‑1/2”, respectively, framed 46‑1/4” x 34‑1/2” and 21‑3/4” x 23‑1/2”, respectively $1,000‑$1,500

734 Salvador Dali (French/Spanish, 1904‑1989) “The Golden Age”

733 one of two

lithograph in colors signed lower right, numbered “51/300” lower left. Matted, glazed and framed. sight 28‑3/4” x 20”, framed 41‑3/4” x 32‑3/4” $600‑$900

735 Jean Cocteau (French, 1889‑1963) “Untitled” ink on paper signed lower right. Matted, glazed and framed. sight 10” x 8‑3/8”, framed 18” x 16‑1/4” $600‑$900

734 8 178

735


736 Parcel-Gilt Wrought Iron and Marble-Top Console Table in the Louis XV taste, the Siena marble top with canted corners, over a conforming frieze in shell and scroll decor, to shaped legs joined by a concave stretcher with a foliate finial. h. 29‑3/4”, w. 35”, d. 13” $500‑$800 737 Two Pairs of Table Lamps including a pair of Chapman brass candlestick lamps, 20th century, Massachusetts, with black shades, h. 28‑1/4”, dia. 10”, and a pair of contemporary giltmetal spiral-reeded lamps with scrolled feet, mounted with gilded parchment shades, h. 32”, dia. 16”.

736

$200‑$400 Illustrated Online 738 Contemporary Marble Pedestal-Form Coffee Table the square top with canted corners and inset brass edging, and mounted to a column base of similar form. h. 16”, w. 43‑1/2”, d. 43‑1/2” $600‑$900 739 Pair of Indian Brass Incense Burners with water buffalo bases and tulip-form closing tops. h. 14‑1/2” and 16”, w. 7” 738

$800‑$1,200 740 Marble, Bronze and Acrylic Inclined Plane Clock ca. 1975, the bronze and marble frame holding the circular acrylic clock, set with a bronze chapter ring, with a brass presentation plaque on the front reading “George Dornis 1975 No. 10”. h. 10‑1/2”, w. 22”, d. 5‑1/4” $400‑$700

740

739

179


741

741 Pair of Neoclassically-Inspired Painted and Parcel-Gilt Armchairs 20th century, the overstuffed armchairs each with a shaped back extending to closed arms of scroll- and foliate-carved supports and scroll feet, the gold and beige upholstery by Scalamandre. h. 34” $800‑$1,200

744 Painted Wood and Wrought Iron Low Table 19th century and later, the framed wrought iron grille on a later iron stand, fitted with a glass top. h. 23‑3/4”, w. 47”, d. 21‑1/2” $500‑$800 745 Porcelain and Stone Figure of a Tiger on a Rock

742 Collection of Four Porcelain Table Lamps 20th century, including one with Japanese-style gilt on black decoration, one in the armorial Chinese export style, one a yellow and black vase with Neo-Grec decoration and brass mounts, and one with a cobalt-ground base. h. 20” to 34” $400‑$700 Illustrated Online 743 Royal Dux Art Nouveau Porcelain Vase pre-1914, Bohemian, depicting a sea nymph on a shell, executed in typical ivory, green and brown colors, with flourishes of gold, with the Royal Dux mark, including the matte pink triangle impressed “E”. h. 13”, w. 12‑1/2”, d. 6‑1/4”

late 19th/early 20th century, probably Continental. h. 10”, w. 8‑3/4”, d. 4‑1/2” $400‑$700 746 Two Contemporary Table Lamps including a candlestick-style lamp with a pierced scrolled base, and a lamp with a Blackamoor-style card receiver on a molded black and gilt base. h. 31‑1/2” and 31”, dia. 14‑1/2” and 6‑1/4” $200‑$400 Illustrated Online

$300‑$500 Illustrated Online

744

180

745


747 Pair of Contemporary Polychromed Stamped Metal Low Tables each fitted with a plate glass top and decorative stamped metal aprons, on a curule-form base. h. 22”, w. 24”, d. 22” $400‑$700 747

748 Four-Piece Danish Modern Oak Suite designed by H. Brockmann-Petersen, comprised of a sofa, h. 29”, w. 84”, d. 30”, a pair of easy chairs, h. 29”, and a coffee table, h. 20‑1/2”, w. 59”, d. 23”. $1,000‑$1,500

748

749 Danish Modern-Style Walnut Desk and Chair bearing the label of Dillingham Furniture, the desk with a small molded gallery, above a kneehole on the right with a single drawer above, and two drawers to the left, h. 30”, w. 48”, d. 23”, and the chair with a padded back and seat on tapered legs, h. 37”. $500‑$800 749

181


750 Danish Modern-Style Walnut Credenza bearing the label of Dillingham Furniture, the top with a small molding gallery and ebonized work surface, above a row of two drawers over three cabinets. h. 31”, w. 52”, d. 18‑1/2” $400‑$700 751 Austrian Art Deco Dining Table third quarter 19th century, the aluminum-banded, ebonized and burlwood table with a projecting fold-over top raised on a pedestal with a central burled panel, edged by metal bands and with ebonized ends, on a platform base in like decor, the pedestal finished on all sides. h. 30”, w. 52”, l. 26‑1/4”, extended l. 52‑1/2”

750

$700‑$1,000 752 Mid-Century Modern-Style Laminated Walnut Lounge Chair and Ottoman after the iconic design by Charles and Ray Eames, with tufted headrest, back and seat on a frame with chromed steel legs. chair h. 36‑1/4”, ottoman h. 16‑1/4” $500‑$800 753 French Art Deco Parcel-Gilt and Mahogany Vitrine Cabinet mid-20th century, the Portoro marble top on a case with a central beveled glazed door flanked by wooden doors, raised on a shaped plinth. h. 40”, w. 51”, d. 17‑1/4”

751

$700‑$1,000

753

182

752


754 Pair of Contemporary Silvered Brass and Marble-Top Terrestrial Globe Tables each with a circular marble top over a stand with a 12” spherical globe. h. 26‑1/2”, dia. 20‑1/2” $700‑$1,000 754

755 French Patinated Bronze of Pierrot ca. 1900, the figure with partially reticulated arms. h. 9‑1/4”, w. 4‑1/8”, d. 5‑1/2” $400‑$700

755

756 Bruno Lucchesi (Italian/New York, b. 1926) “Mother and Child” and “Father and Son”, 1976 pair of patinated bronzes each with cast signature along self-base. As identified: www.brunolucchesi.com/commissions former h. 9‑1/4”, w. 5”, d. 5‑1/2”, latter h. 8”, w. 6‑1/4”, d. 5” $400‑$700

756

183


757 Brass-Mounted Mahogany Folding Ladder 20th century, each side with four rungs, with brass caps, the sections joined by brass hinges. extended h. 33”, w. 33‑1/2”, d. 16”, folded h. 37”, w. 6‑1/2”, d. 16” $400‑$700

757 758

759 Large Metal-Clad Chest

758 Mahogany Tri-Fold Room Divider

with three banks of five drawers, with a Restoration Hardware paper label. h. 50‑3/4”, w. 68‑1/4”, d. 19‑3/4”

early 20th century, each section framed with two glazed windows, fitted with brass hinges. h. 79”, w. 91‑1/2”

$500‑$800

$500‑$800

759

184


761 760

762

763

760 Carlos Jose Ledda (Argentinian, b. 1932)

762 Carlos Jose Ledda (Argentinian, b. 1932)

“Cordoba Trio”, 2005

“The Dance”, 2004

oil on canvas signed and dated “MMV” lower left. Framed. 31‑3/4” x 27‑1/2”, framed 37‑1/4” x 33”

oil on canvas signed and dated “MMIV” lower left, a “Bryant Galleries/New Orleans” card en verso. Framed. 11‑3/4” x 9‑5/8”, framed 16‑1/2” x 14‑1/2”

$1,500‑$2,500 761 Carlos Jose Ledda (Argentinian, b. 1932) “The Colorful Duet” oil on canvas signed lower left. Framed. 17‑5/8” x 14‑3/4”, framed 20” x 17” $1,500‑$2,500

$1,500‑$2,500 763 Carlos Jose Ledda (Argentinian, b. 1932) “Adagio II”, 2004 oil on canvas signed and dated “MMIV” lower right. Framed. 12” x 9‑1/2”, framed 15” x 12‑1/2” $1,500‑$2,500

185


765

764

767

766

764 Carlos Jose Ledda (Argentinian, b. 1932) “El Portico”, 2004 oil on canvas signed and dated “MMIV” lower left. Framed. 15‑3/4” x 12”, framed 20‑3/4” x 16‑11/16” $1,500‑$2,500 765 Carlos Jose Ledda (Argentinian, b. 1932) “La Posta”, 2004 oil on canvas signed and dated “MMIV” lower left. Framed. 11‑3/4” x 19‑1/2”, framed 17” x 24‑3/4” $1,200‑$1,800

186

766 Carlos Jose Ledda (Argentinian, b. 1932) “The Bubble”, 2004 oil on canvas signed and dated “MMIV” lower left, a “Bryant Galleries/New Orleans” label en verso. Framed. 15‑1/2” x 11‑3/4”, framed 19‑3/8” x 15‑1/4” $1,200‑$1,800 767 Carlos Jose Ledda (Argentinian, b. 1932) “El Vuelo”, 2004 oil on canvas signed and dated “MMIV” lower left, a “Bryant Galleries/New Orleans” label en verso. Framed. 12” x 19‑1/2”, framed 15‑1/2” x 23‑3/16” $1,200‑$1,800


768 P. Guillaud (French, 20th Century) “Photo Famille” oil on canvas signed lower left, titled lower right. Framed. 13” x 16”, framed 20‑5/8” x 23‑5/8” $600‑$900

768

769 Charles Fazzino (American/New York, b. 1955) “New York City” 3‑D embellished silkscreen in colors signed lower right, titled lower center, numbered lower left “80AP”. Glazed and framed. sheet 8‑1/2” x 6‑1/4”, framed 15‑3/8” x 13‑3/8” $800‑$1,200

769

770 Charles Cobelle (French, 1902‑1994) “Summertime in Provence” lithograph in colors pencil-signed and numbered “113/360” lower right. Matted, glazed and framed. sight 20‑3/4” x 28‑1/4”, framed 32‑1/4” x 39‑1/2” $500‑$800

770

187


771 772

774

773

771 Continental School (20th Century) “Indonesian Dancers” oil on canvas signed “Soereno” lower left. Framed. 12” x 22‑1/4”, framed 16‑3/4” x 26‑3/4” $1,000‑$1,500 772 L. Florquin (French, 20th Century) “St. Clair sur Epte”, 1948 oil on canvas signed and dated lower right, titled and further inscribed en verso. Framed. 18” x 24”, framed 27” x 33” $800‑$1,200

188

773 Reynolds Beal (American, 1866‑1951) “Circus Scene”, 1934 watercolor and colored pencil on paper signed and titled lower right. Matted, glazed and framed. sight 14‑1/2” x 18‑1/2”, framed 26” x 30” $800‑$1,200 774 P. Guillaud (French, 20th Century) “The Busy Village Square” oil on canvas signed lower right. Framed. 18” x 24”, framed 26‑1/4” x 32‑1/4” $800‑$1,200


778 777

776

775 Semi-Antique Turkoman Carpet 4’ 1” x 5’ 11” $600‑$900 Illustrated Online 776 Heriz Runner 3’ 2” x 14’ 4” $500‑$800

778 Bakhtiari Carpet 4’ 8” x 7’ 2” $350‑$500

777 Heriz Carpet

779 Turkish Angora Oushak Carpet

5’ 8” x 9’ 5”

9’ 1” x 11’ 10”

$1,000‑$1,500

$800‑$1,200

779

189


782

781

780 Turkish Angora Oushak Runner 2’ 6” x 19’ 10” $500‑$800 781 Antique Lavar Kerman Carpet 9’ x 12’ $300‑$500 782 Antique Mahal Carpet 8’ 10” x 11’ 5” $2,000‑$4,000

780

783

783 Antique Sultanabad Carpet 10” x 13’ 2” $2,500‑$4,000

190


784

786

784 Antique Sultanabad Carpet 9’ 4” x 10’ 5” $2,000‑$4,000 785 Baluch Carpet 3’ 1” x 5’ 1” $300‑$500 Illustrated Online 786 Semi-Antique Mashad Carpet 9’ 2” x 12’ 1” $600‑$900 787 Semi-Antique Kashan Carpet 7’ 9” x 11’ 3” $500‑$800 Illustrated Online 788 Heriz Carpet

788

6’ 10” x 8’ 8” $900‑$1,200

191


790

789

789 Sheraton-Style Inlaid Mahogany Four-Post Canopy Bed early 20th century, with a shaped headboard with a central inlaid urn, ribbon and bellflower swags and string-lined border, the foot posts reeded with vertical string inlay, the head posts faceted with string inlay, supporting the inlaid canopy. h. 87”, inside w. 56”, l. 80”, outside w. 65”, l. 87” $700‑$1,000 790 Early American-Style Cut Glass Hall Lantern early 20th century, the wheel-cut dome decorated with stars and suspended from three brass chains, with a large glass smoke bell above. h. 25”, dia. 11”

791 Two American Federal Mahogany Card Tables one of serpentine form, ca. 1900, with a fold-over top, the frieze with shell inlay and checkerboard stringing, on bellflowerinlaid Hepplewhite legs, h. 29‑1/4”, w. 36‑1/4”, l. 17‑1/2”, ext. l. 35”, and the other, ca. 1800, with a fold-over top with canted corners, the conforming apron with oval panels, h. 29‑3/8”, w. 35‑3/4”, l. 17”, ext. l. 34”. $400‑$700 792 American Federal Poplar Chest in the Hepplewhite Taste ca. 1800, with four graduated banded drawers flanked by mahogany-inlaid supports, a scalloped apron and flare feet. h. 39‑1/2”, w. 40‑1/2”, d. 20” $400‑$700

$400‑$700

791

192

792


793 American Late Classical Cherry and Mahogany Dining Table second quarter 19th century, in two parts, each with a fold-over top supported by a fly leg, ogee-molded apron and tapering square legs. h. 30‑1/2”, w. 43‑1/2”, each side l. 19”, ext. l. 38” $600‑$900

793

794 American Mahogany and Verre Eglomise Shelf Clock 20th century, in the Aaron Willard style, with eglomise panels around the dial and in the lower case, sitting on brass paw feet, with a swan’s neck pediment and period-style weightdriven movement. h. 36‑1/2”, w. 12‑1/2”, d. 6” $900‑$1,200

795 794

795 Molded Bronze Eagle on Stand 20th century, the eagle displayed on a polished marble base. h. 10‑1/2”, w. 5‑1/2” $400‑$700

796 American Chippendale-Style Mahogany High Chest 18th century and later, in the Philadelphia style, in two parts, the upper section with a bonnet top over shell and foliate carving, the base with a scalloped shell-carved apron, on cabriole legs with ball-and-claw feet. h. 90‑1/2”, w. 41”, d. 26” 796

$700‑$1,000

193


797

797 American Chippendale Cherrywood Slant-Lid Desk third quarter 18th century, the fan-carved lid opening to an interior fitted with drawers and cubbyholes, the case with four graduated long drawers and raised on carved bracket feet. h. 44”, w. 42”, d. 21” $700‑$1,000

798

798 American Late Classical Mahogany Armoire second quarter 19th century, the coved cornice over a pair of paneled doors with Gothic arches, flanked by columnar pilasters with foliate-carved capitals on square supports, on tapering square legs, the partitioned interior bisected with shelves and drawers on one side and hanging compartment on the other. h. 86‑1/2”, w. 59‑1/2”, d. 25‑3/8” $500‑$900 799 Collection of Five Colored Glass Decanters 19th/20th century, Continental, including an amber-plated Brilliant-style decanter, h. 11”, dia. 4‑1/2”, a green-plated decanter engraved with grapes, h. 15‑1/2”, dia. 4”, a cobaltflashed Brilliant Period decanter, h. 13‑1/2”, dia. 4‑1/2”, a Bohemian Gothic ruby-flashed and engraved scent bottle, h. 10‑3/4”, dia. 3‑3/4”, and an unusual ruby-plated over green opaline decanter decorated with flower engravings, h. 13‑3/4”, dia. 3‑1/2”.

799

$500‑$800 800 Thirty-Six Assorted Bohemian Cut-to-Clear Wine Stems late 20th century, including nineteen amethyst/purple, ten blue, four cranberry and three green wine stems. h. 7‑1/2” to 8‑1/2” $600‑$900

194

800 eight of thirty-six


801

802

801 Pair of Franco-Bohemian Porcelain Scent Bottles

803 American Chippendale Birch Tall Chest

fourth quarter 19th century, hand-painted with flowers on a biscuit ground, with matching stoppers. h. 11”, dia. 3‑3/4”

ca. 1800, with a bank of six graduated drawers, on bracket feet. h. 54”, w. 38‑1/2”, d. 20”

$400‑$700

$500‑$800

802 Pair of Enameled Glass Vases

804 Early American Maple Swing-Leg Drop-Leaf Table

first quarter 20th century, Continental, possibly Moser, the faceted vases marked with gilt numbers. h. 9‑1/4”, w. 2‑1/2”

third quarter 18th century, the single-board top and leaves supported by swing-out Marlborough-form legs. h. 27‑1/2”, w. 47”, l. 16‑1/2”, ext. l. 43‑1/2”

$400‑$700

$500‑$800

804

803

195


805

806

805 Two American Windsor Comb-Back Armchairs one ca. 1800, each of mixed woods, with dished seats and turned legs joined by H-form stretchers, the larger example signed beneath the seat: “C O Hadley Reading PA 1930” h. 41‑3/4” and 44‑1/4” $500‑$800 806 Wrought Metal Chandelier in the Early American Taste 20th century, the twelve-light chandelier set with arched arms on two levels, and ring holders on the standard for lowering. h. 34‑1/2”, dia. 27” $500‑$800 807 Vernacular American Walnut “Plantation” Desk

807

third quarter 19th century, the kneehole opening flanked by a pair of drawers, raised on turned legs with bun feet. h. 28‑3/4”, w. 31‑1/2”, d. 54” Provenance: Descended in the Dymond family of Plaquemines Parish and New Orleans. $300‑$500 808 American Vernacular Pine Drop-Leaf Table in the Sheraton Taste first quarter 19th century, the top with single-board drop leaves, one end fitted with a drawer and supported by turned legs. h. 29”, w. 20‑1/2”, d. 45‑1/2”, ext. l. 58” Provenance: Descended in the John Dymond family of Plaquemines Parish and New Orleans. $400‑$700

196

808


809 Collection of Brass and Metal Fireplace Equipment late 19th/early 20th century, including a Federal-style serpentine wirework fender on paw feet with brass trim, h. 15‑1/2”, w. 49‑1/4”, d. 12‑1/2”, a Regency-style pierced brass fender, h. 8”, w. 53”, d. 14”, a late Victorian turned fender, h. 13”, w. 41”, d. 11‑1/2”, a pair of Colonial Revival andirons with faceted urn finials and scrolled feet, h. 27”, w. 12”, d. 22‑1/2”, a pair of Louis XVI-style chenets set with panels of ribbon-bound lightning bolts and fire, and mounted with pinecone finials, h. 7”, w. 9”, d. 4”, a pair of English winged lion andirons, h. 10”, w. 9”, d. 9”, and an English Victorian pierced trivet, h. 9”, w. 23‑1/2”, d. 9”. $500‑$800 Illustrated Online 811 Open Lot 810 Two Important Mid-19th-Century Maps Detailing the Steamboat Routes and Waterways in New Orleans and Louisiana including “A New Map of Louisiana”, from Tanner’s Universal Atlas, hand-colored engraving by Henry Schenck Tanner, 1833, published Philadelphia,1841; and “General Sketch of Approaches to New Orleans from the Charts of the U.S. Coast Guard” from A Letter of the Secretary of the Navy... the Recent Engagements on the Mississippi River, which Resulted in the Capture of Forts Jackson...,” lithograph, published, 1862. Each matted, glazed and framed. sights 11‑1/2” x 14‑1/2” and 15‑3/4” x 11‑3/4”, respectively, framed 15‑3/4” x 18” and 20‑1/2” x 8‑3/4”

810 one of two

812 Two Fine Civil War Era Maps by Samuel Augustus Mitchell, Jr., including “Plan of New Orleans” and “County Map of Louisiana, Mississippi and Arkansas”, each hand-colored engraving published Philadelphia, ca. 1862‑1864. Each glazed in matching float-mount frames. sheet size 12‑1/4” x 15‑1/4” and 15‑1/2” x 12‑3/4”, respectively, framed 23‑5/8” x 21” $400‑$700

$500‑$800

812 one of two

812 two of two

197


813 Four Maps of Louisiana, New Orleans and the Gulf Coast including a “Map of Louisiana”, from a Universal Illustrated Atlas, by Thomas Bradford, engr. William Boynton, handcolored engraving, 1838; “Plan de la Nouvelle Orleans”, sepia facsimile, published ca. 1971; “Gulf of Mexico”, lithograph from Harper’s Weekly, Mar. 30, 1861; and a small map of the “Vicinity of New Orleans”, by Samuel Augustus Mitchell, handcolored lithograph, 1842. The first matted, all four unframed. sheet sizes 13‑3/4” x 17‑3/4”, 16” x 17‑1/2”, 15‑1/4” x 10‑3/4” and 4‑1/4” x 4‑1/4”, respectively Provenance: The last map was purchased from G. Robinson, Old Maps and Prints, Taos, New Mexico, 1987. $500‑$800

813

814 Group of Three Hand-Colored Engraved Maps of the Mouth of the Mississippi River from Pierre-Francois Xavier Charlevoix’s Histoire et Description Generale de la Nouvelle France by Jacques-Nicolas Bellin (French, 1703‑1772), Official Hydrographer to the French King, including two of the same chart showing the course of the River and Fort de la Balise, all three illustrate the course of the River into the Gulf of Mexico, published Paris, ca. 1744. Two are matted in varying sizes, all three are unframed. the first two plates 8‑1/4” x 11‑1/2”, sheets 9” to 9‑1/4” x 12‑1/4” to 12‑1/2”; the third plate 9” x 7‑1/4”, sheet 11‑1/2” x 8‑3/4” Provenance: Two of the maps were purchased from Jonathan Potter Ltd., London, October, 1982; Private collection of Hugo Wedemeyer, New Orleans, Louisiana. $500‑$800

814

815 Two Fine British Hand-Colored Engraved Maps including “Twenty-Five Miles Round London”, handcolored engraving by William Faden, published by Scatchard & Co. Avemaria Lane, London, July 14, 1819; and “British North AmericaÖ”, by J. and C. Walker, published London, 1834. The first matted, both unframed. 815

sheets 12” x 12‑1/8” and 13‑1/2” x 16‑1/4”, respectively $500‑$800

198


816

817

818

816 Johann Berthelsen (American, 1883‑1972) “Washington Square, New York” oil on canvas signed lower right. Framed. 12” x 16”, framed 15‑3/8” x 19‑3/8”

819

818 Yeend King (Continental, First Quarter 20th Century) “Landscape with a Maid Holding a Pail of Water”

Provenance: Swann Galleries, September 18, 2008, lot 243.

oil on canvas signed lower left. Framed. 16” x 24”, framed 21‑2/2” x 29‑3/8”

$5,000‑$8,000

$600‑$900

817 American School (First Half 20th Century)

819 Norman Badgley Wilson (American, b. 1906)

“Landscape with Creek Bed”

“Mountainous Landscape with Cattle Watering”

oil on canvas monogrammed “WGW” lower left. Framed. 20” x 30”, framed 37” x 36‑1/2”

oil on canvas signed lower left. Framed. 28” x 36”, framed 36” x 43”

$800‑$1,200

$600‑$900

199


820 August Jacobsen (Norwegian, 1868‑1955) “Autumn Woods” oil on canvas signed lower right. Presented in a handsome giltwood and gesso exhibition frame affixed with artist plaque. 40‑1/2” x 30”, framed 50‑1/4” x 41” $1,000‑$1,500

820

821 Steve Watson (American/Contemporary) “Landscape with Pines” oil on wood panel signed lower right. Framed. 42‑1/4” x 78‑1/2”, framed 47‑1/2” x 83” $800‑$1,200

821

822 Steve Watson (American/Contemporary) “Rural Landscape” oil on canvas signed lower right, a “Crutchfield’s Live Oak Gallery/Lafayette, Louisiana” label en verso. Framed. 14‑1/4” x 18”, framed 18” x 22” $1,000‑$1,500

200

822


823 Attributed to August Jacobsen (Norwegian, 1868‑1955) “The Wooded Path” oil on canvas unsigned. Framed. 36‑3/4” x 24‑1/2”, framed 45” x 42‑1/2” $1,000‑$1,500

823

824 Charles Stuart Forbes (American, 1856‑1926) “Wooded Landscape with a Lake” oil on canvas signed lower right. Framed. 15‑3/4” x 26”, framed 22‑3/8” x 32” $800‑$1,200

824

825 J. Franke (American, 20th Century) “Winter Landscape” oil on canvas signed lower right. Framed. 25‑3/4” x 34”, framed 33” x 41‑3/8” $500‑$800

825

201


826 American Classical Revival Mahogany Nine-Tube Chiming Case Clock ca. 1900, with an arched cornice, the beveled and glazed door flanked by columns, on scroll feet, the movement by J. J. Elliot, London, and the face so marked. h. 92‑1/2”, w. 25‑1/2”, d. 18” $700‑$1,000 827 American Late Classical Mahogany Secretary Abattant second half 19th century, with a projecting banded drawer over a fall front, opening to reveal an interior fitted with column drawers and niches, and a bank of drawers below, flanked by columns and raised on scroll feet, the lid lock marked “C. A. Stock, New York”. h. 56‑1/4”, w. 39”, d. 19‑3/4” Notes: Stock locks appear on the work of fine New York City cabinetmakers, including Herter Brothers. $700‑$1,000 828 Pair of American Late Classical Mahogany Stools second quarter 19th century, each with an upholstered seat in a cyma-molded frame, raised on ogee bracket feet. h. 15‑1/8”, w. 20”, d. 18‑1/2” $500‑$800 829 American Classical Mahogany Stool and Classical Revival Dressing Table both with curule bases, the stool, second quarter 19th century, with an upholstered cushion over a molded apron, h. 15‑3/4”, w. 27‑1/4”, d. 18‑3/4”, and the dressing table with a single drawer and brass cup casters, h. 29‑1/2”, w. 31”, d. 22”.

826

$500‑$800 Illustrated Online

828 827

202


830 New York School Possibly Charles W. Burton (act. 1822‑1850) “Saratoga Lake”, ca. 1848, after a lithographic view by Augustus Kollner (German/American, 1813‑1906) watercolor, gouache, pencil and gum arabic on paper unsigned, titled lower center, frame backing inscribed “re-framed by Jas. B. Goddard/30 Huntington, Boston/ June 1919”. Matted, glazed and framed. 8‑3/8” x 12‑1/2”, framed 9‑1/4” x 13‑5/8” Notes: This charming view of Saratoga Lake was painted after one of Augustus Kollner’s famous “Views of America” which were printed in a book of lithographs by Goupil, Vibert & Co. in 1848. Kollner, a Germanborn artist, immigrated to the U.S. in 1839 and settled in Washington, D.C., as a professional draftsman and engraver. Charles W. Burton (act. 1822‑1850), a New York engraver and draftsman, was an autodidact, who did not have the formal training that Kollner had, established himself as a draftsman of diminutive ink and watercolor drawings designed for engraved publications. Burton was familiar with Saratoga Springs, a popular weekend resort in the mid-19th century that attracted thousands of tourists, as he was commissioned to illustrate the Piazza of Congress Hall for the city, which was engraved by Thomas Illman in 1848. Other notable commissions were New York City Hall and the U.S. Capital Building. The latter, now conserved at the Metropolitan Museum, typifies Burton’s style, which is strikingly similar in its medium, scale and execution to this one. Both exude extraordinary precision to detail. In both, the figures are dwarfed by their surroundings as they are executed with a naive use of perspective. The scale of the figures in the fore and backgrounds are confounded and are not relative in size to their environment, creating a multitude of vignettes within the work. Most striking of all is Burton’s unusual use of concentrated gum arabic (the binder in watercolors) as a shading device to create greater tonal depth within the tree foliage in Saratoga Lake. The “View of the Capital Building” employs the same technique along the tree-lined avenue, and it would appear by the print that the ivywrapped columns in the “Piazza of Congress Hall” possessed the same application of gum arabic.

830

831 American Late Classical Revival Mahogany Dining Table late 19th century, the circular top with a gadrooned edge and opening to accommodate the seven 12” leaves, with an acanthus-carved split pedestal with four outstretched legs ending in carved paw feet. h. 29‑1/2”, dia. 60”, ext. l. 161‑1/2” $1,200‑$1,800 832 American Classical Mahogany Games Table second quarter 19th century, the shaped fold-over singleboard top above a conforming apron with crossbanding at its lower edge, raised on foliate spiral-carved legs ending in brass ball feet, of the sort associated with Louisiana furniture. h. 30‑1/2”, w. 35‑3/4”, d. 18”, ext. l. 36” $400‑$700

$700‑$1,000

831

832

203


833 American Classical Mahogany Drop-Leaf Table ca. 1825, the single-board top flanked by like-shaped leaves, fitted with a frieze drawer and supported by a trestle base with ring-turned columns on carved foliate and hairy paw feet. h. 29”, w. 34”, l. 25‑3/4”, ext. l. 50‑1/2” $400‑$700 834 American Classical Revival Mahogany Banquet Table second half 19th century, the circular top with a gadrooned edge and supported by a split pedestal with foliate-carved legs ending in paw feet, together with a rack of six leaves. h. 29”, dia. 56”, ext. l. 143”

833

$1,000‑$1,500 835 Lenox “Westchester” Partial Dinner Service ca. 1915 to present, American, the service including twelve dinner plates, dia. 10‑1/2”, twelve cereal bowls, dia. 8‑1/2”, twelve salad plates, dia. 8‑1/4”, twelve bread-and-butter plates, dia. 6‑1/4”, twelve demitasse cups, h. 2‑1/4”, and twelve saucers, dia. 4‑3/4”, twelve footed cups, h. 2”, and twelve saucers, dia. 5‑1/2”, a round covered vegetable dish, h. 6”, w. 11”, a round open vegetable dish, h. 3”, dia. 9‑3/4”, a pair of oval open vegetable dishes, h. 2”, w. 9‑3/4”, an oval platter, w. 16”, d. 11‑1/2”, a round chop plate, dia. 12‑3/4”, four salt and pepper shakers, h. 4”, a butter dish, w. 9”, d. 3”, a gravy boat, h. 4‑1/4”, w. 7‑1/2”, a cream jug, h. 3‑1/2”, w. 4‑3/4”, and a covered sugar bowl, h. 5”, w. 6”.

834

$700‑$1,000 836 Two Pieces of Continental Porcelain first quarter 20th century, including a German hand-painted and bronze-mounted urn-form table lamp, h. 27”, and a French hand-painted urn in the Paris style, h. 18”, w. 8‑1/2”. $400‑$700 Illustrated Online

835 detail

835

204


838

837

839

837 Pair of Franco-Bohemian Porcelain Covered Urns mid-19th century, on drum-form bases, the handled urns gilt-trimmed on a cobalt ground, with grisaille neoclassical portraits on a terracotta ground decorating the obverse and snakes encircling palm trees on the reverse. h. 25”, w. 14‑1/2”, d. 7‑1/2” $700‑$1,000 838 Cast Iron Scale Model of a Cannon 19th century, with a sled-form rear, pierced with openings, retaining remnants of green paint. h. 28‑1/2”, w. 14”, l. 62”

840

$400‑$700 839 Pair of Wrought Metal Candelabra in the Manner of Samuel Yellin second quarter 20th century, possibly American, of trestle form on scrolled feet, decorated with scrollwork and incised masques. h. 10”, w. 17‑1/2”, d. 8‑1/4”

840 American Patinated Bronze Garden Sculpture of a Young Boy Reading 20th century. h. 41”, w. 17‑1/2”, d. 14” $500‑$800

$400‑$700

205


842 American School (First Half 20th Century) “Bad Habits Start Young” canvas laid on paperboard signed lower right “Branson” Framed. 21‑1/4” x 16‑1/4” $800‑$1,200

841

841 American School (Second Quarter 19th Century) “Folk Art Portrait of Two Children in a Domestic Interior” oil on canvas unsigned. Framed. 52‑1/2” x 38‑1/2”, framed 59” x 46” $700‑$1,000

842

843 American Rococo Revival Rosewood Bed third quarter 19th century, New York or New Jersey, the headboard with an arched panel with a pierced broken-arch-carved crest, flanked by finials, joined by rails with generous headboard brackets to an arched wrap footboard, the rear of the headboard with an inscribed “Jelliff 1875”, probably spurious. h. 70‑1/4”, inside w. 59”, l. 78‑1/4”, outside w. 65”, l. 85” $1,000‑$1,500 843

206


844 American Rococo Revival Rosewood and Faux Grained Rosewood Dresser third quarter 19th century, the hourglass-shaped mirror supported by pierced and carved harps, the base fitted with three long drawers. h. 80‑1/2”, w. 42”, d. 19” $400‑$700 845 American Rococo Revival Walnut and Marble-Top Center Table third quarter 19th century, the oval rouge marble top above a conforming frame with carved aprons, the molded legs joined by pierced stretchers and a carved finial. h. 28”, w. 37”, d. 25” $500‑$800 846 American Rococo Revival Walnut and Marble-Top Washstand third quarter 19th century, the marble top with a shaped backsplash and candle shelves, above the cabinet fitted with a long drawer over a pair of cabinet doors. h. 44”, w. 34‑1/2”, d. 16‑1/2” 844

$400‑$700

846 847

847 Two American Rococo Revival Walnut Slipper Chairs third quarter 19th century, one with a floral-carved crest and spiral-twist back posts and legs, h. 44‑1/2”, and the other with a fruit-carved crest, turned back posts and scroll-carved hip rests, h. 41”. $500‑$800 845

207


849

848

848 Collection of Eight John Rogers Plaster Groups of Genre Scenes

849 Pair of Franco-Bohemian Porcelain Garniture Vases

ca. 1859‑1892, New York, including a cast of “Taking the Oath and Drawing Rations”. h. 13” to 23”, w. 13‑1/2” to 16”

mid-19th century, decorated with portraits of belles holding flower wreaths, standing in a garden, with flared rims, the pierced handles set with gilt swags of flowers. h. 14”, w. 10”

Notes: A similar casting is in the collection of the Smithsonian Institution, Washington, D.C. $700‑$1,000

$400‑$700 850 American Late Classical Mahogany Secretary Bookcase mid-19th century, the projecting molded cornice over a pair of glazed doors and a fall-front panel opening to create a writing surface, the lower doors with figured arched panels, on bracket feet. h. 90‑1/2”, w. 42‑3/4”, d. 20‑1/4” $600‑$900 851 American Rococo Revival Walnut and Marble-Top Center Table third quarter 19th century, the tortoise-form white marble top above a conforming frame with carved aprons, raised on foliate-carved legs joined by carved stretchers and a turned finial. h. 29”, w. 38”, d. 27” $500‑$800

850

208

851


854 one of two 852

852 American Late Classical Mahogany Sleigh Bed mid-19th century, the head- and footboard gently arched and flanked by foliate-carved finials on scrolled and paneled posts, the interior width may accommodate a contemporary queen mattress, the length just short of that. h. 61‑1/2”, inside w. 60‑1/2”, l. 78‑1/2”, outside w. 65”, l. 80‑1/2” $600‑$900

853 American Rococo Revival Mahogany Dressing Bureau third quarter 19th century, for the antebellum New Orleans market, the arched mirror in a cyma-molded frame on carved brackets, the marble top with projecting ovolo corners over a case with three drawers over a slipper drawer, the upper drawers flanked by spiral-turned pilasters. h. 87‑1/2”, w. 47”, d. 23” $500‑$800 854 Pair of Brass and Patinated Metal Four-Light Gasoliers mid-19th century, probably Philadelphia,, the vasiform standards issuing perpendicular fluted arms, with Archer Warner-style brass keys and scalloped glass shades h. 52”, dia. 31” $500‑$800 855 American Classical Revival Mahogany Banquet Table ca. 1900, the circular top on a columnar pedestal joined by foliate-carved brackets to a concave base on paw feet. h. 29‑1/2”, dia. 66”, ext. l. 121” $600‑$900

853

855

209


856 one of three

856 three of three

856 two of three

856 Joe Wilhelm (American/Louisiana, 1923‑2003) “S.S. Homeric” “S.S. Zacapa” “U.S.S. Denver” three oils on board each signed lower right. Framed alike. each sight 4‑3/4” x 6‑3/4”, framed 12‑3/4” x 14‑3/4” $1,200‑$1,800

857 James L. Kendrick III (American/Louisiana, 1946‑2013) “Louisiana Getty” oil on canvas signed lower right. Framed. 24” x 30”, framed 29” x 35‑1/4”

857

$700‑$1,000

858 Suite of Four Italian Hand-Colored Lithographs of various ships, after Giacomo Tagliagambe (Italian, 19th century). Each framed alike. sights from 16‑1/4” x 24‑1/4” to 17” x 24‑1/2”, framed from 23‑3/4” x 32” to 25‑3/4” x 31” $600‑$900

858 one of four

210


859

861

861 Vilhelm Victor Bille (Danish, 1864‑1908) “Ship at Sea” oil on canvas signed lower right. Framed. 16” x 21‑1/2”, framed 21‑3/4” x 27‑3/4” $700‑$1,000 860

862 George Sumner Colman (American, 1881‑1934)

859 Continental School (Fourth Quarter 19th Century)

“Boat at Dock” “High Seas”

“Ships Pulling into Harbor”

pair of oils on board each signed lower right. Framed alike. 10‑1/4” x 8‑1/4” and 8‑1/4” x 10‑1/4”, respectively, framed 13‑3/4” x 11‑1/2” and 11‑3/4” x 13‑3/4”, respectively

oil on canvas unsigned. Framed. 24‑3/4” x 41‑3/4”, framed 31‑1/2” x 47” $1,000‑$1,500

$800‑$1,200

860 Dutch School (Contemporary) “Fishing Boats on the Beach” oil on canvas unsigned. Framed. 12” x 24”, framed 20‑1/4” x 32‑1/2” $300‑$500

862 one of two

862 two of two

211


863 Seymour Mann “Olde Nantucket” Assembled Partial Dinner Service mid-20th century and later, West Germany and Poland, the service including a covered tureen, h. 7‑1/2”, w. 12”, with a later ladle, a chop plate, dia. 13”, a souffle dish, h. 3‑3/4”, dia. 8‑1/4”, twelve dinner plates, dia. 10‑1/4”, twelve soup plates, dia. 9‑1/2”, eighteen crescent salad plates with molded rims, w. 8‑1/4”, d. 4”, twelve salad/dessert plates, including two with molded rims, dia. 7‑1/2”, and two oval platters, including one with a molded rim, w. 14‑3/4”, d. 9‑3/4” and 10‑3/4”. $500‑$800

863 detail

863

864 Three Blown Glass Apothecary/Storage Jars third quarter 19th century, possibly American, with blown and cut knops, the pedestal bases with ground pontils. h. 16‑1/4”, dia. 7‑1/4” $500‑$800

864

865 Collection of Molded Glass Barware in the Waterford Style 20th century, including five decanters in various shapes, the tallest h. 13‑1/4”, and eight double old-fashioned glasses, h. 3‑1/2”. $500‑$800 865

212


867 866

866 Seven Volumes of Louisiana Interest including History of Louisiana from 1512‑1904, Alcee Fortier, Paris: Goupil and Co., 1904, complete in four volumes, Edition de Luxe, this numbered 948/1000, red cloth boards; A Mystery of New Orleans, W. H. Holcombe, Philadelphia: J. B. Lippincott Company, 1892, black cloth boards; A History of the Boston Club, Stuart O. Landry, New Orleans: Pelican Publishing Company, 1938, first edition, this unnumbered out of 650, cream cloth boards; New Orleans in 1805, Charles L. Thompson, New Orleans: the Pelican Gallery, Inc., 1936, limited edition of 99, plain paper-covered soft boards. 10‑1/4” x 7‑3/4”, 7‑1/4” x 4‑7/8”, 10‑1/2” x 7‑1/2”, and 10‑1/4” x 8‑1/4”, respectively

868

$400‑$700 867 Eleven Volumes of New Orleans Interest including four volumes of New Orleans Masquerade, Arthur Burton La Cour, New Orleans: Pelican Publishing Co., 1952 and 1957; The Mistick Krewe, Perry Young, New Orleans: Carnival Press, 1931; the 1926, 1930, 1941 and 1952 New Orleans Social Directories; New Orleans in 1950, J. H. Whyte, New Orleans: A. W. Hyatt, Co., 1950; Mardi Gras Day, Ralph Wickiser, with illustrations by John McCrady and Caroline Durieux, New York: Henry Holt and Co., 1948, signed by all three; a New St. Charles Hotel guidebook; Legend of the Grave at Spanish Fort booklet; an offset lithographed 1928 map of New Orleans. various dimensions $400‑$700 868 Group of Books, Pamphlets and Ephemera of Louisiana Interest

869

including The Kingfish - Huey P. Long, Dictator, Thomas O. Harris, New Orleans: Pelican Publishing Co., 1938; Kidnapped by the Kingfish, Sam Irby, New Orleans: Orleans Publishing Company, 1932; Dining in New Orleans, Scoop Kennedy, New Orleans: Bourbon House, 1945; The Bachelor in New Orleans, Robert Kinney, New Orleans: Bob Riley Studios Inc., 1942; several guidebooks, magazines, and a Louisianian ABCs set of lithographs. various dimensions

869 Copper-Plated Red Toile Fabric

$400‑$700

$800‑$1,200

late 18th century, probably French, depicting William Penn’s treaty with the Indians, in a classical-style wooden frame. h. 27‑1/2”, w. 35‑3/4” Notes: At least three versions existed, according to Winterthur Museum curator Florence Montgomery in Printed Textiles.

213


871

873 870

870 “Louisiana and Mississippi” from a New American Atlas by Henry Schenck Tanner (American, 1786‑1858), handcolored engraving, published Philadelphia, 1820. Unframed. plate 29” x 22‑1/4”, sheet 31” x 22‑3/4” Provenance: Private collection of Hugo Wedemeyer, New Orleans, Louisiana. $1,500‑$2,500

871 “Map of Louisiana from D’Anville’s Atlas”

872 Three 18th-/19th-Century Hand-Colored Engraved Maps of the Mississippi River and Gulf Coast including “Les Costes Aux Environs De La Riviere De Misisipi [sic] Decouvertes par Mr. De la Salle en 1683... (The Coasts Surroundings the Mississippi River Discovered by Mr. De la Salle in 1683)”, by Nicolas de Fer (French, 1646‑1720), geographer to Louis XIV and Philip V, published Paris, 1705; “A New Map of the River Mississippi from the Sea to Bayagoulas”, published in the London Magazine, 1778; and a “Map of Louisiana...”, by T. S. Hardee, prepared for Joseph Jones, MD, published New Orleans, 1879. All unframed. sheet sizes 11” x 15‑1/2”, 8‑1/4” x 10‑1/4” and 15‑1/2” x 17‑1/4”, respectively

by John Harrison and Thomas Bowen, hand-colored engraving, published London, 1788. Unframed. plate 12‑7/8” x 20‑38”, sheet 16‑3/4” x 21‑1/4””

Provenance: The Hardee/Jones map was purchased at J. Raymond Samuel (Gallery), New Orleans, Louisiana, March 1983; all three are from the private collection of Hugo Wedemeyer, New Orleans, Louisiana.

Provenance: Private collection of Hugo Wedemeyer, New Orleans, Louisiana.

$600‑$900

$500‑$800

873 “Louisiana”, Charted After the Antoine Soulard Map by Samuel Lewis (British, 1782‑1865) and Aaron Arrowsmith (British, 1750‑1823), hand-colored engraving, published Boston, ca. 1804‑1812. Unframed. sheet 10‑5/8” x 9” Provenance: Private collection of Hugo Wedemeyer, New Orleans, Louisiana.

872

Notes: American map maker Samuel Lewis partnered with Aaron Arrowsmith, English hydrographer to the King, to created better articulated maps for atlases of the new Louisiana Purchase territory. Based on an earlier map by Antoine Soulard, this fine map, which depicts the region west of Mississippi explored by Lewis and Clark, became the primary map of the new territory and its surroundings, as it was easy to navigate with its clean lines and attractive coloring. $600‑$900

214


875 874

874 “Carte d’une Partie des Cotes de La Floride et de La LouisianeÖ (Map of Part of the Coasts of Florida and Louisiana...)” by Antoine Sartine (French, 1729‑1801), engraved map, published Paris, 1778. Unframed. plate 14‑1/4” x 24”, sheet 18‑3/4” x 25‑1/2” Provenance: Private collection of Hugo Wedemeyer, New Orleans, Louisiana. $800‑$1,200 875 “Florida Called by Ye French Louisiana” by Herman Moll (British, ca. 1654‑1732), hand-colored engraving, published London, ca. 1732‑1736. Unframed. plate 8‑1/4” x 11‑1/4”, sheet 9‑5/8” x 14” Provenance: Baynton-Williams, Old Maps, Prints and Books, London, U.K.; Private collection of Hugo Wedemeyer, New Orleans, Louisiana. $500‑$800

876 Group of Eight Atlas Page Maps color lithographs and engraving, ca. 1890‑1940, including two Rand McNally maps of New Orleans; two People’s Publishing maps of New Orleans; a double-sided Army Corps of Engineers Map of New Orleans and Birmingham; a map of Louisiana with text of geographical and statistical data; two folios of the “Alluvial Valley of the Mississippi RiverÖ”, Department of War Ministry, 1939; and “Neueste Karte von LouisianaÖ” from Meyer’s Grosser Zeitungs-Atlas, after an earlier map by Tanner. All unframed. sheet sizes 14” x 11” to 59” x 42” $700‑$1,000 877 Collection of Six Late 19th/20th-Century Prints and Maps of Historic New Orleans and the Mississippi including “View of New Orleans from Algiers Point”, color print lithograph after Th. Mueller’s 1851 painting, published Historic Urban Plans, Ithaca, 1970; a limited edition facsimile of Jacques-Nicolas Bellin’s “Plan de la Nouvelle Orleans”, published Historic Urban Plans, Ithaca, 1964; “New Orleans - the Crescent City - Lake PontchartrainÖ” engraving after Charles Graham’s drawing, published Harper’s Weekly Supplement, Dec. 13, 1884; “Fort Pike and Lighthouses on Lakes Pontchartrain and Borgne”, engraving, published Harper’s Weekly, May 10, 1862; “Bird’s Eye View of New Orleans”, hand-colored engraving, published Illustrated London News, Sept. 24, 1853, matted; and “A New Map of Louisiana”, by Samuel Augustus Mitchell, hand-colored engraving, published 1841. All unframed. 6‑1/2” x 14” to 20” x 26” $500‑$800

876 877

215


878

878 American Patinated Bronze of a “Warrior” 20th century, after Frederic Sackrider Remington (American, 1861‑1909), cast inscription “inspired by Frederic Remington” along edge of self-base, on a green marble plinth. overall h. 20”, w. 23‑1/4”, d. 10”

879

$500‑$800 879 After Frederic Sackrider Remington (American, 1861‑1909) “Wooly Chaps” patinated bronze cast signature on self-base, titled on artist plaque, on a green marble base. overall h. 21‑1/2”, w. 18”, d. 13‑1/4” $700‑$1,000 880 Bill Girard (American/New Mexico, b. 1936)

880

“Prairie Thunder” patinated bronze cast signature and numbered “1/30” along edge of self-base, on a carved wood plinth. overall h. 6”, w. 9‑1/2”, d. 5” $500‑$800 881 Mike Capser (American, b. 1952) “The End and The Beginning”, 1981 patinated bronze signed, dated, copyright-marked and numbered “54/75” on self-base, on a carved wood base. overall h. 9‑1/4”, w. 12‑1/4”, d. 8‑1/2” Provenance: Estate of Laurance S. Rockefeller: October 11, 2005 as lot 353; Private collection. $400‑$700

216

881


882

882 James P. (Jim) Regimbal (American/California, b. 1949)

883

“Sire of The Herd”, 1978 patinated bronze cast signature, dated, copyright-marked and titled along edge of self-base, on a carved wood plinth. overall h. 8‑3/4”, w. 12”, d. 6‑1/2”

884 Henry Schouten (Belgian, 1864/67‑1927) “Resting by a Fence”

$400‑$700 883 Two American Patinated Bronzes 20th century, including “Horse and Rider”, h. 21‑1/2”, w. 23‑1/2”, d. 6‑1/4”, and “Rearing Horse”, h. 15”, w. 10”, d. 5‑1/4”.

oil on canvas signed lower right. Framed. 33‑3/4” x 24”, framed 41‑1/2” x 31‑1/2” $800‑$1,200 885 American Ruffed Grouse Society Patinated Bronze of “First Flush”

$600‑$900

1990, inscribed “RGS” and dated at edge of self-base, numbered “24/250” on plaque, on a round wood base. overall h. 17”, w. 12”, d. 11” $500‑$800

885 884

217


886 Pal Fried (American/Hungarian, 1893‑1976) “The Lasso” oil on canvas signed lower right. Framed. 24” x 30”, framed 32‑1/2” x 38” $700‑$1,000

886

887 Pal Fried (American/Hungarian, 1893‑1976) “Warrior” oil on canvas signed lower left, titled en verso. Framed. 30” x 24”, framed 37” x 31” $700‑$1,000

887

888 Pal Fried (American/Hungarian, 1893‑1976) “Rodeo” oil on canvas signed lower left. Framed. 24” x 30”, framed 30” x 35‑3/4” $700‑$1,000

888

218


889 Pair of American Giltwood Oval Mirrors fourth quarter 19th century, the frames decorated with roses. h. 24‑1/2”, w. 21” $500‑$800

890 American Renaissance Revival Marquetry-Inlaid Walnut Pedestal

889

third quarter 19th century, the square top over a tapering column with an inlaid trophy panel, the sides with Sevresstyle porcelain mounts and incised panels on a stepped base. h. 39‑1/4”, w. 14”, d. 14” $500‑$800

891 American Renaissance Revival Walnut Secretary Bookcase third quarter 19th century, in two parts, the upper section with a molded cornice over a pair of glazed doors, with a band of drawers below, on a base with a slant lid over three graduated drawers with “racetrack” molding. h. 84‑1/2”, w. 41‑1/2”, d. 19‑1/2” $600‑$900

891

890

219


892 Pair of Bohemian Ruby Cut-to-Clear Glass Lidded Pokals with three scenic reserves, including castle gates, a bird on a branch, and a stag in the woods. h. 18”, dia. 5‑1/2” $600‑$900 893 Bohemian Ruby Overlay Glass Trumpet Vase second quarter 20th century, with cut and engraved stags, castles and rococo cartouches. h. 10‑3/4”, dia. 8‑1/2” $400‑$700 894 Two Oil Lamps now electrified, including a brass column-form moderator lamp set with a Neo-Grec cut and frosted glass shade, second quarter 19th century, h. 25”, w. 4‑1/4”, and a ruby and cranberry overlay glass lamp set with an American cut and frosted glass shade, mid-19th century, h. 33‑1/4”, w. 9”. $500‑$800 Illustrated Online 895 American Aesthetic Movement Stained Cherry Parlor Suite

892

893

896 Stained Glass Lamp, Attributed to J. A. Whaley & Co., New York first quarter 20th century, set with two lights and a patinated metal base, the stained glass shade decorated with a ring of poinsettias h. 18‑1/4”, dia. 14” $500‑$800

fourth quarter 19th century, comprised of a settee, h. 33”, w. 58‑3/4”, d. 22‑1/2”, a pair of armchairs, h. 39”, and a pair of side chairs, h. 36‑1/2”, each with a crest rail with a carved masque, the stiles capped by carved children’s heads. Notes: Similar carved heads sit atop the stiles of a side chair by George Schastey, New York, as well as dressing room furniture in the Metropolitan Museum of Art, New York. In later years, Schastey also managed a factory making production furniture. $500‑$800 896

895

220


898

897

897 American Brass Table Lamp first quarter 20th century, mounted with a red satin glass mushroom shade, decorated with gilt-lined scrollwork, possibly by Bradley and Hubbard, the lamp base impressed “240”. h. 19‑3/4”, dia. 11‑1/2” $500‑$800 898 Tiffany Studios Patinated Bronze “Zodiac” Inkwell first quarter 20th century, New York, with a rich surface, marked “Tiffany Studios, New York, 1072”, a molded glass inkpot in the interior. h. 4”, dia. 6‑1/2” $300‑$500 899 American Aesthetic Period Dresser fourth quarter 19th century, in two parts, the mirror frame with a carved crest and supporting a looking glass of fan form, on a Tennessee brown marble-top base with threeover-two drawers. h. 83”, w. 46”, d. 20‑1/2” $400‑$700

899

221


900

900 Polished Brass Twelve-Light Gasolier/Electrolier ca. 1900, possibly Continental, the baluster-form standard decorated with floral mounts terminating in a pierced, scrolled drop, set with conforming arms, each with oneupturned gas light and one downturned electric socket, with frosted and foliate etched shades. h. 37”, dia. 25”

901

$500‑$800 901 Pair of Signed Brass and Cast Iron Floor Lamp Standards fourth quarter 19th century, Boston, now mounted as electric lamps, the painted brass-trimmed bases with scrolled feet, and brass extensions signed “R. Hollings and Co., Boston, USA”. h. 56”, w. 16‑1/2” $400‑$700 902 American Aesthetic Movement Mahogany Center Table

902

ca. 1875‑1885, the shaped top over a conforming frieze centered by a carved owl’s head flanked by japonesque fretwork, the legs capped by a carved foo dog masque and joined by stretchers with central geometric fretwork. h. 29”, w. 48”, d. 33‑1/2” Notes: Tables of this form have traditionally been attributed to the New York firm of Kimbel and Cabus, though no similar tables are illustrated in their 1870s catalogue. $1,200‑$1,800 903 Pair of American Aesthetic Brass Candelabra ca. 1890, each with five cantilevered arms with trefoil scrollwork mounted with cabochons and supporting graduated and reticulated bobeches with conforming decoration, on molded stem feet. h. 18‑1/2”, w. 24” $500‑$800

222

903


906 Two American Arts and Crafts Quarter-Sawn Oak Chairs early 20th century, one a Gustav Stickley rocking chair with three vertical slats and flat arms, bearing the “Als ik kan” red decal label, h. 41‑1/2”, w. 28”, d. 29‑1/2”, and the other an unsigned “even-arm” armchair, the arm front with three graduated circular holes, padded back and seat, h. 30”, w. 30”, d. 34”. Provenance: The Graham’s Mansion, Washington, Indiana. 904

904 Pair of American Late Victorian Mahogany Revolving Book Mills

907

$300‑$500 Illustrated Online

907 American Arts and Crafts Hanging Lantern

fourth quarter 19th century, each with a square molded top above two tiers of open shelves and mounted to a base with four outstretched feet. h. 33‑1/2”, w. 18”, d. 18”

first quarter 20th century, the tapered case retaining an old dry surface, suspended from a pierced oak “chain”, the sides set with leaded panels of caramel slag, ruby and textured colorless glass. h. 22‑3/4”, w. 9‑1/2”, d. 9‑1/2”

$800‑$1,200

Provenance: The Graham’s Mansion, Washington, Indiana. $300‑$500

905 Gustav Stickley Quarter-Sawn Oak Daybed

908 Oak “Campaign”-Style Silver Chest

early 20th century, model #220, knock-down form with six vertical slats on each end, bearing the red “Als ik kan” decal signature, 1905‑1912. h. 36”, w. 36”, l. 84”

first quarter 20th century, retailed by John Wanamaker, Philadelphia and New York, with lift-top and three drawers, no fittings, lined with blue velvet, with brass fittings and later casters. h. 17”, w. 28”, d. 21”

Provenance: The Graham’s Mansion, Washington, Indiana. $500‑$800

$500‑$700

905 908

223


911

909

910 912

909 James Michalopoulos (American/Louisiana, b. 1951)

911 George Rodrigue (American/Louisiana, 1944‑2013)

“Spring Row”

“Mardi Gras Blue Dog”

oil on canvas signed lower left “Michalopoulos”, titled en verso. Framed. 30” x 40”, framed 36” x 45‑1/2”

silkscreen in colors signed and numbered “161/225” lower left. Matted, glazed and framed. sight 24‑3/4” x 29‑3/4”, framed 38‑1/4” x 43‑1/4”

$5,000‑$8,000

$1,500‑$2,500

910 James Michalopoulos (American/Louisiana, b. 1951) “Wendy’s View” oil on canvas signed lower left, titled on stretcher. Framed. 22” x 28”, framed 23” x 29” $3,000‑$5,000

224

912 George Rodrigue (American/Louisiana, 1944‑2013) “The 53rd Presidential Inaugural”, 1997 artist proof serigraph signed lower right, bearing signatures of Bill Clinton and Al Gore lower margins, numbered “15/100”, verso with a certificate of authenticity by ProCreations Publishing. Matted, glazed and framed. sight 36‑1/2” x 23‑1/2”, framed 51‑1/2” x 37” $1,000‑$1,500


913 915

916 914

913 Mickey Demoruelle (American, 1932‑2006), Mardi Gras in New Orleans and New Orleans Like It Is!

915 George Schmidt (American/Louisiana, b. 1944) “The Body of Dr. Weiss”

pair of photographic collections, both self-published, former dated 1970, signed on first page, latter dated 1971, signed on inside back cover. former 8‑1/2” x 8‑1/2”, latter 10” x 8”

oil on canvas signed lower left, titled en verso canvas. Framed. 12” x 18”, framed 15‑1/2” x 21‑1/2”

$600‑$900

$1,000‑$1,500

914 Jefferson Tester (American/Tennessee, 1900‑1972)

916 Martin B. Leisser (American, 1846‑1940)

“The Banjo Player”

“The Chimneys of Stafford Plantation, Cumberland Island, Georgia”, 1907

oil on board signed lower right. Framed. 18‑1/2” x 14”, framed 24‑3/4” x 20‑1/4”

oil on canvas signed and dated lower right. Framed. 13” x 19‑1/2”, framed, 14” x 20‑3/4”

$800‑$1,200

$700‑$1,000

225


917 William R. Hollingsworth, Jr. (American/Mississippi, 1910‑1944) “Still Life with a Basket, Lemons and a Bottle of Wine” “Still Life with a Pottery Jug and a Bowl of Lemons” two watercolors on paper both signed lower right, former dated “1942”. Both matted, glazed and framed. sights: former 7‑1/4” x 9”, latter 4‑3/4” x 6‑1/8” $600‑$900

917 one of two

918 Newton Howard (American/Louisiana, 1912‑1984) “Naval Ship at Sea in the South Pacific”, 1942 watercolor signed and dated lower margin. Matted, glazed and framed. sight 9-1/2" x 14-1/2", framed 15-1/2" x 20-3/4" $700‑$1,000 918

919 Ellsworth Woodward (American/New Orleans, 1861‑1939) “Arched Doorway, French Quarter, New Orleans” “Chartres and Ursuline Sts., N.O.” former ink on paper latter etching on paper former signed lower left, latter pencil-signed and initialed and dated “31” in plate lower right, titled lower left. Each matted, glazed and framed. sights 10” x 13‑1/4” and 8‑1/2” x 10‑3/4”, respectively, framed 17‑1/4” x 20” and 15‑3/4” x 19‑3/4”, respectively $800‑$1,200

919 one of two

226


920 Doris Ulmann (American, 1882‑1934) “Gates of Columbia University” platinum print partially laid down. Matted. 8” x 6” $600‑$900

920

921 John McCrady (American/Louisiana, 1911‑1968) “Standard Oil” lithograph on paper initialed in plate lower left. Matted, glazed and framed. sight 15‑1/4” x 12”, framed 20” x 16” $500‑$800

922 Si Lewen (Polish/American, 1918‑2016) “Farmers at Rest” oil on masonite signed lower left. Framed. 30” x 22”, framed 37” x 27” 921

$500‑$800

923 Walter Inglis Anderson (American/Mississippi, 1903‑1965) “Wood Lily” color woodblock on wallpaper unsigned. Matted, glazed and framed. sight 18” x 7‑1/2”, framed 26” x 15‑1/4” Literature: Illustrated in color in Mary Anderson Picard and Patricia Pinson. Form and Fantasy: The Block Prints of Walter Anderson. Jackson: University of Mississippi Press, 2007. $500‑$800

922

923

227


924

924 American Late Victorian Maple and Marble-Top Washstand ca. 1900, with a single long drawer above a pair of cabinet doors. h. 28”, w. 28”, d. 16” $400‑$700

925

925 American Renaissance Revival Silver-Painted ThreeDrawer Chest third quarter 19th century, the drawers with raised paneled fronts and exhibiting a later silver-painted surface. h. 31‑1/2”, w. 40”, d. 17” $400‑$700 926 American Mid-Atlantic Coin Silver Porringer second quarter 19th century, by Robert & William Wilson, Philadelphia, Pennsylvania, with a deep bulbous bowl, “rope” rim and elaborate palmette and eagle’s heads openwork handle, engraved “Caroline Allen from her Grandfather R. W. Pomeroy”. h. 2‑1/4”, l. 7‑7/8”, dia. 5”; 8.35 t. oz.

926

Notes: The inscription here refers to Caroline P. Allen (1837‑1863), granddaughter of prominent Philadelphia bookbinder and publisher Ralph Wheelock Pomeroy (1793‑1844). $400‑$700 927 Collection of Fin-de-Siecle New Orleans-Retailed and Other Silver Flatware including pieces retailed by A. B. Griswold & Co., Frantz & Opitz, and T. Hausmann & Sons, all New Orleans, with thirty-two pieces of Gorham’s “Regent” pattern, a Gorham “Cambridge” salad serving set, a Gorham “Old Colony” punch ladle, and two Wallace “Violet” spoons, eight pieces variously monogrammed. 37 Pieces 60.19 total t. oz. Notes: Detailed list of pieces available on request. $600‑$900

927

228


928

928 Ten Pieces of American and Other “Aesthetic” Silverplate Tableware second half 19th century, including a Middletown Plate syrup jug with figurehead finial, h. 8‑1/4”, a short Middletown Plate syrup jug, h. 6”, a West Silver Co. covered sugar urn, h. 6‑1/4”, a Reed & Barton cream jug, h. 5‑1/4”, a Simpson, Hall & Miller covered sugar urn with floriform finial, h. 9‑1/4”, a Rogers & Brother spoon holder with “twist” handles, h. 5‑1/2”, a Meriden Britannia Company jam jar, h. 9”, a Middletown Plate fruit basket with sunflower decoration and red glass bowl, h. 13‑3/4”, a Reed & Barton revolving dinner castor, h. 17‑1/4”, and a Walker & Hall kettle-on-stand, h. 13”. $700‑$1,000

929 Five Pieces of American and Other Silverplate including 19th-century pieces: a good Meriden Britannia Co. Aesthetic tilting ice water pitcher, h. 19‑1/4”, and a Simpson, Hall & Miller butter cooler, h. 6‑1/2”; and unmarked pieces: an epergne with palmette banding and green man feet, h. 16‑3/4”, a hot water urn with floral and lion’s masque decoration, h. 16”, and a rococo-style serving tray, l. 26”. $700‑$1,000

930

930 Set of Six New Orleans-Retailed Glass and Sterling Silver Sorbet Dishes first quarter 20th century, retailed by Hausmann/A. B. Griswold, New Orleans, Louisiana, the silver holders with hemispherical bowl and ogee-domed foot, decorated with embossed Vitruvian scroll decoration, fitted with colorless glass liners with gilt-banded rim en suite, presented in a fitted, blue velvet- and satin-lined case with retailer’s ribbon, 4‑1/2” x 14” x 9‑3/4”. overall h. 3‑1/2”, dia. 3‑5/8”; 5.04 total t. oz. (excluding liners) Notes: The retailer’s ribbon, with the names of both Hausmann, Inc. and A. B. Griswold & Co. , indicated a date very near 1924, when Hausmann acquired the Griswold company. $300‑$500

929

229


931 Cased Set of Twelve Sterling Silver and Glass Coasters first quarter 20th century, by James E. Blake Co., Attleboro, Massachusetts, each circular with starburst-cut glass base and reticulated silver gallery frame, dia. 3”, presented in the original fitted green satin- and velvet-lined moire case, 14” x 11‑1/4”. $300‑$500 932 Three-Piece Empire-Style Silverplate and Glass Garniture contemporary, India, including a tazza, h. 13‑1/2”, dia. 12‑1/2”, and two vases, h. 17”, dia. 6”, each with a canted cavetto triangular plinth base with three imbricate and acanthus pilasters with chained swan capitals, the tazza with a circular molded glass bowl, the vases with conical silverplate inserts.

931

$600‑$900 933 Set of Five Glass Decanters with Silverplate Tickets contemporary, Corbell & Co., Scottsdale, Arizona, the decanters of oval section with molded and cut oculus mitered decoration, with conforming stopper en suite, with seven pressed silverplate grape leaf bottle tickets: “Bourbon”, Vodka”, “Gin”, “Scotch”, “Port”, “Sherry” and “Brandy”. h. 9‑1/2” h. 9‑1/2”, w. 6” $300‑$500 934 Extensive Collection of Corbell & Co. Silverplate Tableware

932

contemporary, Scottsdale, Arizona, in the rococo taste, comprising six wine goblets, h. 6‑1/2”, twelve water goblets, h. 6‑1/4”, twelve after-dinner goblets, h. 5”, six champagne goblets, h. 4”, fourteen cordials, h. 3‑1/2”, a pair of candlesticks, h. 6”, a sauceboat, l. 8‑3/4”, a small claret jug, h. 7‑1/8”, and a bud vase, h. 4‑1/2”. 55 pieces total $900‑$1,200 933

934

230


935 Collection of Eight Silverplate and Glass Claret Jugs contemporary, including examples by Leonard, Corbell & Co. and Raimond et al., each with a molded or cut glass body and silverplate collar, lid and handles, the two largest with original detachable plastic ice chamber. the largest h. 13‑3/4”, the smallest h. 10” $400‑$700

935

936 International Sterling Silver Presentation “Revere” Bowl dated 1947, Meriden, Connecticut, of traditional form, engraved with a band of names. h. 5‑1/4”, dia. 10‑1/4”; 39.15 t. oz. $600‑$900 937 Three Pieces of Tiffany & Co. Sterling Silver Smallware 936

including a “921” pattern bonbon spoon, applied monogram “S”, l. 4‑1/2”, a tea strainer with pyr finial, l. 5‑1/4”, and an Elsa Peretti “Padova” candle snuffer, l. 16‑3/4”. 5.55 total t. oz $600‑$900 938 Set of Six Tiffany & Co. Sterling Silver Salt and Pepper Casters the pattern introduced in 1896, New York, New York, each of lobed baluster form with applied flowers and scrolls, with ballfinial bun caps, monogrammed “JHP”. h. 3‑5/8”, dia. 1‑1/2”; 13.63 total t. oz.

937

$500‑$800 939 Five Pieces of American Sterling Silver Tableware first half 20th century, including a George A. Henckel reticulated tazza frame, h. 4‑1/2”, an unmarked reticulated swing handle cake basket, l. 10”, a Wallace rococo-style bread tray, monogrammed “R”, l. 12‑3/4”, a Meriden Britannia reticulated tazza stand, dia. 9‑5/8”, and an International “Prelude” sandwich plate, dia. 10‑1/2”. 44.76 total t. oz.

938

$600‑$900

939

231


941 940

940 Nine Pieces of English and American Sterling Silver Tableware mid-20th century, including a set of four Hanoverian-style trencher salts, hallmarked London, 1946‑1947, by W. Comyns & Son, l. 2‑3/4”, a Whiting “Louis XV” cold meat fork, and four reticulated flower baskets: one Wilcox & Wagoner, circular with swing handle, dia. 7‑1/2”, one Bailey, Banks & Biddle, oval with fixed reed-andribbon handle, l. 8‑3/8”, and an Unger Brothers graduated pair, oval with swing handles, l. 7‑3/4” and 5”. 47.15 total t. oz. $700‑$1,000 941 Three American Cut Glass and Sterling Silver Dresser Articles second quarter 20th century, including an R. Wallace powder jar with cane-cut glass body and annulated silver lid monogrammed “JME”, dia. 3‑3/4”, and a pair of Foster & Brother cologne bottles with hobstar-cut bodies and silver-clad stoppers monogrammed “AGS”, h. 4‑1/4”. 2.32 t. oz. (weighable silver)

943

$400‑$700 942 Twelve Pieces of Assorted Sterling and Silverplate Smallware

943 Six “Vintage” Silverplate Platters and Dishes

including sterling pieces: an S. Kirk & Son compote, h. 3‑1/4”, dia. 7‑1/2”, a Gorham silver-clad yo-yo, dia. 2‑3/8”, and four Gorham “Chantilly” seafood/cocktail forks, l. 5‑3/8”; and silverplate items: a Gorham talc caster, h. 3‑1/8”, a J. J. Peters bougie box, h. 3‑3/4”, a table bell, h. 4‑3/4”, a pair of Victorian turned fruitwood wine coasters, dia. 6‑1/2”, and a small condiment frame, h. 4‑3/4”. 11.00 total t. oz. (weighable silver)

mid-20th century, with applied grapevine border, including an unmarked oval tea tray, l. 25‑1/2”, an E. G. Webster circular charger, dia. 15‑3/4”, a Barbour circular platter, l. 16‑3/4”, an E. G. Webster rectangular waiter monogrammed “EFH”, l. 13”, and an Ellis-Barker and an E. G. Webster oval vegetable dish, each l. 11‑3/4”. $500‑$800

$500‑$800

232

942


944 Five-Piece Reed & Barton “Renaissance” Silverplate Coffee & Tea Set mid-20th century, Taunton, Massachusetts, including a coffeepot, h. 11‑1/2”, a teapot, h. 8‑1/2”, a covered sugar bowl, h. 6‑1/2”, a cream jug, h. 5‑5/8”, and a tray, 27‑1/2” x 18”, no monograms. $700‑$1,000 944

945 Sanborn’s Sterling Silver Water Pitcher mid-20th century, Mexico City, the pear-shaped body with integral spout and “blossom”-crested scroll handle. h. 7‑3/4”, dia. 5‑3/4”; 31.66 t. oz. $500‑$800

945

946 Two Pieces of Sanborn’s Sterling Silver Hollowware mid-20th century, Mexico City, including a Spanish Colonialstyle lobed basin, dia. 12”, and a silent butler with turned wooden handle, monogrammed “C”, dia. 6”, l. 11”. 47.60 total t. oz. (including wooden handle) $800‑$1,200

947 Set of Eight South American Sterling Silver Bowls

946

mid-20th century, hemispherical with serpentine-lobed edge and applied rim. h. 2‑1/4”, dia. 4”; 37.04 total t. oz. $600‑$900

947

233


949

948

948 Chinese-Style Hardwood Cabinet 20th century, the rectangular top over a conforming frame with all-over red lacquer finish, having twin doors decorated with multiple figural panels in gilt and black. h. 70”, w. 38‑1/2”, d. 21” $300‑$500 949 Two Chinese Hardwood Tables 20th century, the larger example with a carved and pierced frieze above a conforming second tier, the smaller example of globular form with pierced sides, the top with a porcelain plaque decorated with a dragon chasing the flaming pearl. the largest h. 29‑1/2”, w. 16‑1/4”, d. 11‑3/4”

950

$500‑$800 950 Large Chinese Famille Rose Porcelain Fish Bowl with Stand 20th century, of globular form with flattened rim, decorated to the exterior with butterflies amid floral sprays, the interior painted with fish and marine plant life. h. 19‑1/4” (excluding stand), dia. 21‑1/2” $700‑$1,000 951 Group of Four Chinese Porcelain Plaques 20th century, two depicting scenes of figures battling on horseback, the remaining two of the same design, showing figures on horseback charging into battle through a mountainous landscape, each with inscription and seal mark. h. 13‑3/4”, w. 9‑1/2”, framed h. 21”, w. 15‑3/4” $800‑$1,200

234

951 one of four


952 Chinese Famille Rose Porcelain Garden Stool 20th century, decorated with figural panels, with auspicious objects and flowerheads amid a scrolling foliate design between molded stud borders. h. 19”, dia. 13” $400‑$700

953 Group of Three Chinese Porcelain Figures Republic period (1912‑1949), each modeled as a woman seated, dressed in traditional floral robes, two with scrolls, the other with a ruyi scepter, all decorated in the famille rose palette, the larger example with an impressed manufacturer’s mark to the base. h. 9‑1/2” to 13” $300‑$500

952

955 Impressive Pair of Chinese Famille Rose Porcelain Chargers

953

954 Group of Two Chinese Famille Rose Porcelain Figures

20th century, each of circular form with slightly flared lip, having a central medallion depicting a phoenix standing on rockwork with foliage and birds in the surround, with pomegranate and fan-form cartouches containing fish, crabs, ducks and trees, all on a blue and white geometric ground, within lappet borders containing flowerheads and auspicious objects, the reverse with four individual outlines of auspicious motifs, the base with a six-character Yongzheng mark in underglaze blue. dia. 21” $500‑$800

20th century, one modeled as a seated Budai, with impressed manufacturer’s marks to the base, the other as a female attendant pouring tea for a seated noble. the largest h. 8‑1/2”, w. 6‑1/2”, d. 4‑1/2 $400‑$700

955

954

235


956 Two Chinese Famille Rose Porcelain Jars and Covers Republic period (1912‑1949), the first example of ovoid form, decorated with a blossoming tree sprouting from rockwork, the reverse with an inscription, the base with a six-character manufacturer’s mark, with hardwood stand, the second example of globular form with wooden cover, decorated to the exterior with a figural scene. the largest h. 13”, dia. 8” $400‑$700 956

957 Chinese-Style Hardwood Stand second half 20th century, the upper section having a cartouche-form top over a pierced frieze, supported by a larger, conforming base raised on four slender scroll-form legs. h. 30‑1/4”, w. 17‑1/2”, d. 15‑1/2” $500‑$800 958 Group of Four Arabic Goldwork Embroideries fourth quarter 19th century, including a taqiyah, dia. 6”, a small pouch, 3” x 5‑1/4”, and a pair of epaulettes, 6” x 7‑3/4”, all finely and densely stitched in couched gold thread, gold braid and silk. $300‑$500 959 Two Chinese Still-Life Paintings on Silk second half 20th century, each depicting a composition of flowers in and around archaic-style bronze vessels, with threecharacter mark and two seal marks. Framed alike. h. 29‑12”, w. 14‑1/2” (excluding frames)

957

$800‑$1,200

958

236

959 one of two


960 Pair of Chinese Famille Rose Porcelain Double Gourd Vases 20th century, each decorated in the famille rose palette with a scrolling flowerhead design over a delicately incised pale green ground, with key, leaf and lappet borders, the base with an apocryphal six-character Qianlong mark in copper red. h. 15”, dia. 8‑1/4” $1,000‑$1,500 961 Pair of Chinese Porcelain Bowls

960

20th century, each having a raised foot rim and flared lip, decorated to the exterior with puce camaieu panels on a yellow ground, the base with apocryphal four-character Qianlong mark. h. 3”, dia. 6‑3/4” $600‑$900 961

962 Chinese Four-Panel Floor Screen 20th century, decorated with a design of multiple cranes in a mountainous setting, the reverse with birds hovering over floral sprays. h. 72”, w. 64” $500‑$800

963

963 Japanese Cloisonne Vase first quarter 20th century, of baluster form, decorated with a continuous design of geese over water, interspersed with blossoming hawthorn plants. h. 10”, dia. 4” $600‑$900

962

237


964 Framed Chinese Painting on Silk second half 20th century, ink and color on silk, depicting a bird of prey perched on rockwork amid blossoming flowers, with a three-character inscription to the lower right. h. 50”, w. 19”, framed h. 52‑1/4”, w. 21” $500‑$800

965 Pair of Chinese-Style Porcelain Phoenixes 20th century, each of the mirrored pair modeled standing on rockwork, with plumage depicted in blue, yellow, purple and orange enamels. h. 20‑3/4”, w. 4‑3/4”, d. 5‑1/2” h. 20‑3/4”, w. 4”, d. 5‑3/4” $500‑$800

965

964

966 Chinese Export Porcelain Bowl second half 19th century, the exterior decorated in the famille rose palette with entwined floral and foliate strands, the interior centered by a floral motif, all below stylized flowerhead borders. h. 5‑3/4”, dia. 11‑3/4” $700‑$1,000

966

967 Chinoiserie Polychrome Cabinet the gabled cornice above a case fitted with two paneled cupboard doors, the lower section fitted with a single paneled drop front, the whole with gilt accents in the chinoiserie manner, raised on a plinth base. h. 81‑1/2”, w. 43‑1/2”, d. 23‑3/4” $1,800‑$2,500

238

967


969

968 Chinese-Style Hardwood Wedding Cabinet 20th century, having a red lacquer finish and brass mounts, with twin doors over a single long drawer, the whole raised on shaped legs. h. 68”, w. 42‑1/2”, d. 24” 968

$500‑$800

969 Pair of Chinese Turquoise Glaze Porcelain Qilins 20th century, the mirrored pair modeled standing, each with head raised and mouth open as if roaring, with fitted hardwood stands. h. 7”, w. 6‑3/4”, d. 3” $500‑$800

970

970 Pair of Chinese Opaque Blue Peking Glass Bottle Vases first quarter 20th century, each with compressed globular body supporting a slender neck. h. 7”, dia. 3‑1/2” $800‑$1,200

971 Chinese Turquoise Glaze Porcelain Jar and Cover 20th century, the body of ovoid form, having a domed cover with stem finial, decorated throughout with a molded design of auspicious objects on a foliate ground, with a hardwood stand. h. 14‑1/2”, dia. 8” $500‑$800

971

239


972

973

972 Victorian-Style Ebonized and Gilt-Stenciled Tray Table the shaped tray fitted to a custom stand with turned legs joined by a stretcher. h. 20”, w. 38”, d. 28” $600‑$900 973 English Victorian-Style Ebonized and Parcel-Gilt Tray Table of traditional form, the shaped tray mounted within a conforming frame and raised on turned out-curved legs joined by an X-form stretcher. h. 19‑1/2”, w. 37”, d. 28” $400‑$700

974

974 Victorian Ebonized Papier-Mache Occasional Table third quarter 19th century, the tilting oval top featuring a mother-of-pearl-inlaid border, raised on a paneled and turned standard to a molded tripartite base to scrolled toes. h. 26‑1/2”, w. 28‑1/2”, d. 23‑1/2” $200‑$400

974 detail

975 Chinese Canton Export Lacquer Sewing Box second half 19th century, of eight-sided form, decorated to the exterior with panels containing figural scenes, with scrolling floral designs in the surround, the hinged cover opening to reveal a compartmentalized interior, over a single drawer, the whole raised on four claw feet. h. $400‑$700 976 Two Similar Chinoiserie-Style Brass-Mounted Table Lamps each in the famille noir palette. h. 32” $500‑$800

975

240

976


977

977 Pair of Regency Molded Lead “Nodders” 978

second quarter 19th century, English, in the form of chinoiserie figures seated on pillows, mounted with interior weights. h. 6”, w. 3‑1/4” $400‑$700

978 Collection of Four Wooden Boxes including a William IV chinoiserie-decorated work box with a lift-top and a fitted interior with pink paper and fabric lining, the doors opening to reveal three drawers, a Georgian red-painted knife box with later painted chinoiserie decoration, an English marquetry-inlaid rosewood jewelry box, fourth quarter 19th century, and a mahogany humidor with silverplate mounts. h. 4” to 15‑1/2”, w. 9” to 11”, d. 5‑1/2” to 14‑3/4” $700‑$1,000

979

979 Anglo-Colonial Mahogany Server mid-19th century, the long rectangular top with a gadroon edge, above a conforming case fitted with two small central drawers flanked to one side by a deep drawer and to the other by a cupboard, raised on turned and spiral-ribbed legs ending in bun feet. h. 36‑1/2”, w. 66”, d. 22‑1/2” $500‑$800

980 Set of Ten Royal Doulton Porcelain Dinner Plates ca. 1923‑1927, English, the plates with cobalt borders, decorated with raised gilt and punctuated with panels of flowers and raised gilt, the undersides marked “Royal Doulton/Made in England”. dia. 10‑1/4”

980

$400‑$700

241


981 British School Watercolor Portrait Miniature third quarter 19th century, of a maiden in a white gown, unsigned. Presented float-mounted in a giltwood frame. sight 4‑1/2” x 3‑1/4”, framed 8” x 6‑3/4” $400‑$700 982 English Porcelain and Sterling Silver Coffee Set ca. 1898‑1904, in a presentation case marked “James Ramsay, Dundee”, the set comprised of six hand-painted Royal Worcester coffee cups decorated with cranes, the blanks with printed marks for 1898, with six matching saucers, the six sterling gold-washed coffee spoons marked by Henry James Hulbert, London, 1903‑1904. cups h. 2”, saucers dia. 3‑3/4”, spoons l. 4”

981

$400‑$700 983 Collection of Seven Staffordshire Spaniels fourth quarter 19th century, English, including two pairs, h. 12‑1/4” to 12‑1/2”, w. 10‑1/4” to 10‑1/2”, and three singles, h. 9” to 10‑3/4”, w. 5‑3/4” to 6‑1/2”. $800‑$1,200

982

986 Assembled Pair of Edwardian Mahogany Planters

983

first quarter 20th century, in the Regency taste, on splayed legs with “fenced” sides, one with a copper insert, the other with a brass insert. h. 25”, dia. 13” and h. 27”, dia. 13‑1/2” $250‑$400

984 Two Edwardian Satinwood and Paint-Decorated Tables ca. 1900, including an oval side table with tapered legs and spade feet, h. 29”, w. 29‑1/2”, d. 19‑1/2”, and a petite flip-andturn-top side table with tapered legs, h. 28”, w. 20”, d. 14”. $400‑$700 Illustrated Online 985 Two Walnut “Sunderland” Drop-Leaf Tables fourth quarter 19th century, one in the Eastlake taste with reeded details, h. 28‑1/2”, w. 48”, d. 30”, and the other in the Victorian Rococo Revival style with carved legs, h. 26‑1/2”, w. 37”, d. 33”. $400‑$700 Illustrated Online

242

986


987 Edwardian Mahogany Armoire ca. 1900, with an overhanging cornice molding above two paneled doors and a pair of drawers in the base. h. 78”, w. 47”, d. 23” $600‑$900

988 Victorian Mahogany Cheval Mirror late 19th century, the arched looking glass on a scroll support, on a serpentine base on scroll feet. h. 62‑1/2”, w. 35‑1/4”, d. 24” 988

$400‑$700

989 Victorian Walnut Side Table third quarter 19th century, the rectangular top quarterveneered and with shaped corners, above a shaped shell and foliate frieze, fitted with a single side drawer, raised on cabriole legs ending in peg feet. h. 31‑1/2”, w. 36‑1/2”, d. 18‑1/4” $400‑$700

987

991 William IV Giltwood Pier Mirror

second quarter 19th century, the ogee-molded surround decorated with applied scrollwork and pierced acanthus leaves, a narrow band of “sanded” decoration defining the mirror opening, set with two plates of antique glass, likely original. h. 78”, w. 48‑1/4” $1,000‑$1,500

989

990 White Metal Fire Fender fourth quarter 19th century, English, the serpentine front pierced with scrollwork framing an angel in the center. h. 10‑1/2”, w. 28‑1/2”, d. 10‑1/2” $300‑$500 Illustrated Online 991

243


992

992 Victorian Walnut Credenza third quarter 19th century, the shaped and banded top above a conforming case fitted with two glazed cupboard doors flanked to either side by three open shelves, raised on a plinth base. h. 40”, w. 90”, d. 18‑1/2” $1,000‑$1,500

994 Pair of Victorian Mahogany Pedestal Tables late 19th century, in the Chippendale taste, each with a hexagonal top with a full pierced gallery, joined by doublecolumn supports to two lower triangular stretcher shelves, the supports with foliate and scroll pendants, raised on splayed legs to in-scrolled feet. h. 36‑1/2”, dia. 16‑1/2” $900‑$1,200

993 Anglo-Irish Cut Glass Centerpiece third quarter 19th century, in two parts. h. 9”, dia. 11‑1/4” $400‑$700

995 Two English Porcelain Chambersticks first quarter 19th century, one example with encrusted flowers, marked “CD” in underglaze blue, for Coalbrookdale, the other hand-painted with flowers on a biscuit ground. h. 2‑1/2”, w. 5‑1/2” and h. 3”, w. 6” $400‑$700 Illustrated Online

993 994

244


996 Victorian Parcel-Gilt Mahogany Server/Side Cabinet fourth quarter 19th century, the stepback upper shelf over beveled mirrors and turned columns, the lower section with a spindle gallery and embossed panels. h. 41‑3/4”, w. 59‑1/2”, d. 16‑1/2” $400‑$700 997 Victorian Mahogany Canterbury Table late 19th century, the rectangular top with a three-quarter pierced brass gallery above a single frieze drawer over a slotted canterbury section, raised on shaped toes. h. 25”, w. 18”, d. 15” $200‑$400

996

998 Pair of Gilt-Bronze Ecclesiastical Candelabra fourth quarter 19th century, English, the ten-light candelabra with Gothic-style bases decorated with pierced leaves. h. 31‑1/2”, dia. 20‑1/4” $300‑$500 999 Victorian Modern Gothic Oak Armchair

1000 Moore Brothers Porcelain Pine Cone Vase ca. 1880‑1891, English, the vase in a gilt stand with molded pine trees and cones, with the Moore globe mark on the base. h. 6‑1/4”, dia. 4‑1/4” $400‑$700 Illustrated Online

ca. 1875, the back with trefoil and quatrefoil carving, supported by chamfered stiles and legs joined by a box stretcher. h. 34” $400‑$700 Illustrated Online

997

998

245


1001 Group of Three J. T. Bowen, Philadelphia, Lithographs of Birds After John James Audubon including “Maria’s Woodpecker”, “Common Crossbill”, and “Great American Shrike”. All attractively matted, glazed and framed. each sight 9” x 6”, framed from 20‑1/4” x 16‑1/2” to 21” x 17‑3/4” $600‑$900 1001 one of three

1002 John Gould (British, 1804‑1881) and H. C. Richter (British, 1821‑1902) three hand-colored ornithological lithographs, including “Erythronota Sophiae”, “Calothorax Micrurus” and “Trogon Atricollis”, the first two printed by C. Hullmandel and Walton, 1849‑1861, each sight 19” x 14”, the third printed by Hullmandel, 1832‑1837, sight 18” x 13”. Each matted, glazed and framed. framed 26‑1/4” to 27‑1/4” x 20‑1/2” to 20‑1/4” $500‑$800

1002 one of three

1003 Suite of Four Simian Natural History Prints all handsomely matted and presented in matching faux bamboo giltwood frames. each sight 4” x 3‑1/4”, framed 14” x 12” $600‑$900

1003 one of four

246


1004 one of four 1005 one of two

1006A 1006

1004 Suite of Four Continental Hand-Colored Natural History Engravings of Birds

1006 Continental School (20th Century) “Beloved”

19th century. Matted, glazed and framed alike. each sight 15” x 12‑1/4”, framed from 20‑3/4” x 17‑1/2” to 21‑1/2” x 18‑3/4”

oil on wood panel initialed “F. C.” lower left. Framed. 8‑3/4” x 6‑1/4”, framed 17‑1/2” x 14‑1/4”

$500‑$800

$500‑$800

1005 Pair of Continental Decorative Lithographs

1006A British School (Fourth Quarter 19th Century)

depicting “Natures Mortes”. Both glazed and presented in handsome, matching contemporary frames. each sight 32‑1/2” x 22‑1/2”, framed 38” x 28‑3/8” $600‑$900

“Fishing Boats on the Beach of Leith Harbor, Edinburgh, Scotland” oil on panel Presented in a period giltwood and gesso frame. 11” x 17”, framed 13‑1/2” x 19‑1/2” $700‑$1,000

247


1008

1007

1007 Andreas Betz (German, 1910‑1963)

1009

“Shepherd and His Flock on a Wooded Path” oil on canvas signed and further inscribed “Munchen” lower left. Framed. 23‑1/2” x 31‑1/2”, framed 31” x 39” $500‑$800

1008 Continental School (Fourth Quarter 19th Century) “Sheep and Hens Feeding in the Barn” oil on canvas signed “L. Camuset” lower right. Framed and affixed with brass artist plaque. 16” x 23‑3/4”, framed 24‑1/4” x 32‑1/4” $500‑$800

248

1010

1009 Edward Charles Williams (British, 1807‑1881) “A Norfolk Hamlet, Near Norwich” oil on canvas unsigned, partial label en verso. Presented in a period giltwood and gesso frame affixed with artist plaque. 24‑3/4” x 30”, framed 31‑3/4” x 37” $1,500‑$2,500 1010 Henry Schouten (Belgian, 1864/67‑1927) “Tilling” oil on canvas signed lower right. Framed. 25‑3/4” x 20”, framed 36‑1/2” x 30‑3/4” $2,000‑$4,000


1011 Thomas Faed (Scottish, 1826‑1900) “Gleaner Resting” oil on millboard signed lower right, titled en verso with “Winsor & Newton” art supply label. In a giltwood frame with an effaced brass artist plaque. 11‑3/4” x 10‑1/4”, framed 17‑1/4” x 15‑1/2” $600‑$900

1012 Collection of Four Continental and English Engravings and Etchings including “Adam and Eve” after Caspar Luyken (Dutch, 1672‑1708), “Ceyx and Alcyone” after Richard Wilson (British, 1714‑1782), “Landscape” after Hans Sebald Lautensack (German, 1524‑ca. 1560), and “Cattle in an Italian Landscape” after Karel Dujardin (Dutch, 1622‑1678 Venice). sights from 4‑3/8” x 6‑1/2” to 17” x 21”, framed 11” x 10” to 23‑1/2” x 27”

1011

$600‑$900

1013 British School (19th Century), “Tomb of Caecilia Metella, Via Appia”

1013

oil on canvas laid down on board unsigned, old handwritten inscription en verso board from Lord Byron’s (1788‑1824) epic poem Childe Harold’s Pilgrimage (canto IV, stanzas 99‑103) of the narrative of Cecilia. Framed. 9‑1/2” x 14”, framed 14‑1/8” x 19” $600‑$900

1014 Dutch School (First Quarter 20th Century) “Two Street Scenes” pair of oils on canvas each illegibly signed. Framed alike. each 17‑1/2” x 14”, framed 21” x 17‑1/2” $600‑$900 1014 one of two

1012 one of four

249


1016

1015

1017 1018

1015 Pair of French Bronze Candelabra

1017 Miniature Portraits of Napoleon and Marie Antoinette

fourth quarter 19th century, in the Baroque taste, now mounted as lamps, on scroll-footed bases, the standards decorated with pierced griffin monopodia, supporting scrolled candle arms set with scalloped drip pans and pierced candle cups, electrified. overall h. 36”, w. 13”, d. 9”

first quarter 20th century, after Francois Gerard (French, 1770‑1837), in cloisonne enamel frames. each h. 5‑3/4”, w. 5” $500‑$800

$350‑$500 1016 Napoleon III Rosewood and Marble-Top Center Table third quarter 19th century, in the Rococo Revival taste, the tortoise-form white marble top above the conforming frame, each long side fitted with a drawer, raised on foliate-carved cabriole legs joined by shaped stretchers and a central carved flower basket finial. h. 29‑1/2”, w. 51”, d. 33” $700‑$1,000

250

1018 Pair of Gilt-Bronze and Champleve Enamel Candelabra ca. 1900, French, with putti-form standards supporting the candle branches on their heads. h. 19”, w. 8‑3/4”, d. 7‑1/2” $400‑$700


1019 Pair of Chinoiserie-Style Bronze and Porcelain Moderator Lamps fourth quarter 19th century, French, mounted with castbronze chinoiserie fittings, on turquoise porcelain vases in the Chinese style, previously electrified. h. 23”, w. 7‑3/4” $500‑$800 1020 Pair of Porcelain and Bronze Jars fourth quarter 19th century, French, the jars with a cobalt ground, in the chinoiserie style. h. 7‑1/2”, dia. 4‑1/4” $400‑$700 1021 Molded Opaline Glass Jewel Casket

1019

fourth quarter 19th century, French, with molded brass bezel, possibly Baccarat. h. 4‑1/4”, w. 5‑1/4”, d. 3‑1/2” $300‑$500 Illustrated Online 1022 Three French Brass-Mounted Glass Boxes second half 19th century, including a colorless jewel casket, possibly Baccarat, h. 6”, w. 7‑1/4”, a blue opaline jewel casket, h. 3”, w. 6”, and a circular blue opaline dresser jar, h. 3”, dia. 5”. $400‑$700 Illustrated Online

1020

1023 Napoleon III Mahogany Dressing Table third quarter 19th century, the rectangular top centered by an inlaid brass musical trophee and with turreted corners, hinged and opening to a mirrored interior, above a conforming frieze fitted with a single compartmented drawer, raised on fluted tapering circular legs joined by an urn-centered X-form stretcher and ending in squat bun feet. h. 25‑1/2”, w. 24‑1/2”, d. 16” $400‑$700 1024 Two Occasional Tables including an interesting Napoleon III rosewood table, third quarter 19th century, the removable dished circular top centered by a scrolling foliate brass inlay, above a convex cage-form open frieze, raised on three barley-twist supports to a circular stretcher on three splayed and shaped legs, h. 31”, dia. 14”, and a small chairside table, 19th century, the oval top with an elaborate painted foliate pattern, raised on a turned bulbous standard to a concave tripartite base to rounded toes, h. 17”, w. 14”, d. 10‑1/2”.

1023

$500‑$800 Illustrated Online

251


1025

1025 French Marble and Bronze Covered Urn

1027

ca. 1900, of cylindrical form, the verde antique marble urn decorated with bronze satyr heads supporting swags of flowers, on a fluted marble base, the pierced-bronze bezel supporting the dome-shaped cover. h. 17‑1/2”, w. 4‑1/2”, d. 4‑1/2” $200‑$400

1026 Napoleon III-Style Ebonized and Inlaid Cabinet late 20th century, the top, front and sides with floral inlay of mixed woods and mother-of-pearl, with ormolu mounts and trim throughout, a single drawer above a paneled door. h. 40‑1/2”, w. 42”, d. 16‑1/2” $600‑$900

1027 Unusual Gilt and Black Metal Chandelier the nine-light chandelier hung with sprays of black glass drops and a central glass spear. h. 37”, dia. 19‑1/2” $400‑$700 1026

252


1029

1030

1028

1028 Aubusson-Style Hand-Woven Tapestry ca. 1900, depicting a sylvan landscape with a hunt scene in the foreground, surrounded by a paterae border. 70‑1/4” x 39‑1/4” $500‑$800

1029 Pair of French Bronze and Cut Glass Centerpiece Bowls first quarter 20th century, in the Empire style, possibly Baccarat. h. 4‑1/4”, dia. 7‑1/2” $400‑$700 1030 French Gilt-Bronze and Crystal Jardiniere first quarter 20th century, of lozenge form, the pierced neoclassical-style holder with a crystal insert. h. 4‑1/2”, w. 9‑3/4”, d. 5‑1/2” $400‑$700

253


1032

1031

1033

1031 Savonnerie Carpet 11’ x 18’ $500‑$800 1032 Peshawar Sultanabad Carpet 7’ 11” x 9’ 10” $500‑$800

254

1035

1034

1033 Antique Heriz Carpet

1035 Antique Mahal Carpet

7’ 10” x 11’

7’ 6” x 11’ 7”

$1,500‑$2,500

$1,500‑$2,500

1034 Antique Sultanabad Carpet 8’ 3” x 11’ 10” $5,000‑$8,000


1036 Tabriz Carpet 8’ 2” x 11’ $500‑$800 Illustrated Online

1037 Turkish Angora Oushak Carpet 8’ x 10’ 3” $600‑$900

1038 Heriz Carpet

1038

1037

4’ 1” x 5’ 4” $400‑$700

1039 Bijar Carpet 4’ 3” x 8’ 7” $400‑$700

1040 Agra Carpet 9’ x 12’ $800‑$1,200 Illustrated Online 1039

1041 Semi-Antique Moroccan Carpet

1042 Semi-Antique Soumak Runner

2’ 10” x 5’

3’ 10” x 13’ 7”

$400‑$700 Illustrated Online

$500‑$800 1042

255


1043

1043 Pair of Marble Spheres on Asian-Style Wooden Stands

1044

the mottled gray spheres on carved, ebonized wooden display stands. h. 6‑3/4”, dia. 5‑3/4” $500‑$800

1044 Chinese Marble-Top Jardiniere Stand fourth quarter 19th/first quarter 20th century, the quatrefoilform rouge marble top set within an ornately carved frame with a beaded edge, over a carved and pierced foliate frieze and skirt, raised on four slender legs terminating in scroll feet. h. 27‑3/4”, w. 16‑3/4”, d. 16‑1/2” $500‑$800 1045

1045 Pair of Japanese Cloisonne Vases late 19th/early 20th century, each of ovoid form, decorated with alternating lappets containing dragon and phoenix designs below a broad scrolling foliate border, signed Daikichi to the base. h. 7‑1/4”, dia. 3‑1/2” $600‑$900

1046 Japanese Patinated Metal Vase first half 20th century, of sectional baluster form, with applied phoenix-form handles, the lobed body decorated with figural designs. h. 21‑1/2”, dia. 7‑1/2” $400‑$700

256

1046


1048

1047

1047 Middle Eastern Painted and Parcel-Gilt Mirror the gilt-outlined frame painted with tigers chasing deer on a black ground, set with a beveled mirror plate. h. 20”, w. 16‑1/4”

1048 Chinese Brown Crackle Glaze Ceramic Planter first half 20th century, of globular form with flattened rim, decorated to the exterior with continuous scenes of battle in the famille verte palette, within incised brown glaze borders. h. 12‑1/4”, dia. 14‑1/4” $400‑$700 1049 Chinese Four-Panel Coromandel Screen

$500‑$800

20th century, one side with scenes of figures at leisure on terraces, the other with multiple birds amid foliage and rockwork. h. 72”, w. 65” $400‑$700 1050 Large Japanese Lacquer Tray first quarter 20th century, of rectangular form with slightly everted edges, decorated in gold and brown tones with a design of ducks and birds on and near a river, all within floral borders, the reverse faintly stamped with the initials K.M.E. h. 19”, w. 26‑1/2”’ $600‑$800

1050 1049

257


1051 Group of Three Chinese Porcelain Fish Bowls second half 20th century, each of globular form with flattened rim, variously decorated to the exterior with flowers, fruit, insects and birds, the interiors with similar motifs. the largest h. 15‑1/2”, dia. 19” $400‑$700

1051

1052 Pair of Chinoiserie-Style Eglomise Jars and Covers late 19th/early 20th century, each of compressed ovoid form with domed cover, decorated with a figural panel to the front and floral and figural designs in the surround. h. 16”, dia. 8‑1/4” $600‑$800

1052

1053 Chinese Lacquered Cabinet early 20th century, with two doors over two smaller doors, and eight convex panels with figures in palace scenes in gold lacquer on a black ground, with a floral-carved crest. h. 88”, w. 34‑1/2”, d. 19”

1055

$600‑$900 1054 Chinese Canton Export Lacquer Vanity Cabinet and a Later Travel Chest the lacquer cabinet, second half 19th century, decorated on the exterior in gilt with figural scenes within floral borders, and having twin doors opening to reveal five drawers painted with floral sprays, h. 13‑3/4”, w. 11”, d. 7‑1/4”, and the travel chest, 20th century, decorated with birds and flowers on a green ground, h. 13‑1/4”, w. 27‑1/4”, d. 18‑1/4”. $400‑$700 Illustrated Online 1055 Chinese Famille Noire Porcelain Vase 20th century, of baluster form with trumpet neck, decorated to the exterior with various panels and cartouches depicting mythical creatures, with hawthorn blossoms in the surround. h. 22‑1/2” $400‑$700 1053

258


1056 Group of Three Chinese Porcelain Fish Bowls late 20th century, comprising two famille noire examples, the larger decorated with figures amid fruit and flowers, the smaller with a floral design, and a further blue-ground example decorated with tassel motifs. the largest h. 18”, dia. 20‑3/4” $400‑$700 1056

1057 Chinese Carved Wood Altar Table second half 20th century, with a carved and pierced floral frieze to the front, and panels to the side. h. 36‑1/2”, w. 86‑1/2”, d. 14” $500‑$800 1058 Chinese Wood Carving of Guanyin 20th century, modeled seated peacefully upon a lion-dog guardian, wearing traditional robes. h. 18‑1/2”, w. 15”, d. 9” $400‑$700

1058

1059 Small Chinese Ying-Ching-Style Bowl possibly Yuan Dynasty (1279‑1368), of circular form with steep, slightly flared sides, the exterior with a geometric design, partially covered with a white glaze, with presentation box. h. 1‑1/4”, dia. 4‑1/2” $400‑$700

1059

1057

259


1062

1060

1060 Chinese Ge Ware-Style White Crackle Glaze Vase

1061

probably second half 19th century, of ovoid form narrowing to a flared lip, the exterior with a single geometric scroll band interrupted by two molded stylized lion’s head handles. h. 11”, dia. 4‑1/2” $600‑$900

1063

1061 Chinese Celadon-Glazed Double-Dragon Amphora

1063 Chinese Bronze Dagger Axe

in the Tang style, but later, having an elegant balusterform body with narrow neck encircled with three concentric bands, flanked by two slender dragon-form handles, the celadon glaze with gray hues, the lower body and base unglazed. h. 16”, w. 7”

in the Shang style, having a straight, slightly tapering blade, and decorative tang with taotie mask design to both sides, complete with perspex presentation case. overall l. 1‑1/4”, w. 10”, case h. 17‑1/4”, w. 13‑1/2”, d. 8‑3/4”

$1,000‑$1,500

Provenance: Reputedly from the private collection of Nicolas M. Salgo, Ambassador to Hungary.

1062 Chinese Flambe Glaze Vase

$1,800‑$2,500

probably 20th century, of baluster form with molded loop handles, having distinctive all-over flambe glaze in purples, blues and grays. h. 6‑1/2”, dia. 4‑1/4”

1064 Tang Dynasty Painted Pottery Figure

$500‑$800

of a standing soldier wearing chest and shoulder armor over a belted tunic, traces of white pigment on a reddish pottery. h. 13”, w. 3”, d. 3‑1/2” $400‑$700

1064

260


1065 1066

1065 Chinese-Style Teakwood Chow Table 20th century, the square top set within a thick outer frame, with simply pierced frieze and shaped skirt, raised on four legs, joined by hump stretchers and terminating in scroll feet. h. 18‑1/2”, w. 36‑1/2”, d. 36‑1/2” $400‑$700 1066 Chinese Yellow and Green Glaze Terracotta Buddha

1067

in the Ming style, but later, the figure modeled seated on a lotus throne, having all-over mustard yellow glaze, and hair depicted in green, with scroll-form hardwood stand. h. 8”, w. 5”, d. 4” $400‑$700 1067 Pair of Chinese Sancai Wall Vases 20th century, each of phoenix form, with tail feathers creating a trumpet neck, decorated in yellow, green, brown and white glaze, complete with hardwood presentation stands from the Hong Kong Bookstore. h. 9”, w. 4‑3/4”, d. 5‑1/2” (excluding stands) $400‑$700 1068 Pair of Chinese Green, Ochre and Aubergine-Glazed Figural Joss Stick Holders Kangxi period, ca. 1700, in the form of guardian dogs, each having the incense holder rising from its back, and resting on a bracket-form base. h. 8”, w. 3‑1/4”, d. 2” $800‑$1,200

1068

261


1069 Japanese Cloisonne Vase first quarter 20th century, of globular form, decorated with floral sprays on a pale green ground, the base signed “Daikichi”. h. 5”, dia. 4‑1/2” $600‑$900 1070 Chinese Celadon Porcelain Tripod Planter first half 20th century, decorated in pinks, blues, greens and whites with a design of birds amid blossoming branches, all on a celadon ground, the base and interior unglazed. h. 11”, dia. 15”

1069

$400‑$700 1071 Two Chinese Hardwood Jardiniere Stands first half 20th century, one example with a simple geometric scroll design carved to the frieze, h. 33”, w. 15‑1/2”, d. 15‑1/2”, and the other with a stylized carved and pierced frieze, h. 35‑1/2”, w. 14”, d. 14”. $400‑$700 1072 Associated Pair of Japanese Kutani Porcelain Vases first quarter 20th century, each of baluster form with flared lip and splayed foot, decorated with figural and floral designs in purple tones on a yellow ground, the base with a Kutani mark in a square reserve, both drilled. the tallest h. 17‑1/2”, dia. 8”

1070

$500‑$600

1071

262

1072


Artist Index | January 27-28, 2018

American School 127, 187, 233, 332, 334, 713, 716, 720, 817,

Erte 731, 732

841, 842

Faed, Thomas 1011

Anderson, Walter Inglis 923

Faktorowicz, Ruth 709

Anfrie, Charles (after) 94

Fazzino, Charles 769

Baudouin, Pierre-Antoine (style of) 449

Florquin, L. 772

Beal, Reynolds 773

Forbes, Charles Stuart 824

Beitl, Joseph G. 498

Franke, J. 825

Bergsten, Einar 719

French School 169, 231, 340, 730

Berne-Bellecour, Etienne-Prosper 496

Fried, Pal 886-888

Bernini, Gian Lorenzo (after) 182

Gechtoff, Sonia 674

Betz, Andreas 1007

Geraci, Jean 728

Bevort, Jan 38

Gerard, Theodore 85

Bille, Sigfridde 325

Girard, Bill 880

Bille, Vilhelm Victor 861

Gisson, Andre 338

Bingham, N. Henry 234

Gordy, Robert 670

Bohrod, Aaron 128

Gould, John 441, 1002

Boucher, Francois (follower of) 421

Goursat (SEM), Georges 726

Bounieu, Michel-Honore (attributed to) 171

Guidry, Louise 662, 666, 669

Breitner, George Hendrik 42

Guillaud, P. 768, 774

British School 78, 88, 90, 232, 326, 410, 419, 1006A, 1013

Guillaume, Pierre 35

Brull, Aladar 86

Haddon, Trevor 130

Capser, Mike 881

Haines, E. 36

Chagall, Marc 672, 677

Haymson, John 44

Chaleye, Jean 189

Herbert, Sydney 129

Clodion (after) 178

Heytman, Willem 32-34

Clymer, John 339

Hinds, Will 667

Cobelle, Charles 770

Hockney, David 733

Cocteau, Jean 735

Hollingsworth, William R. 917

Coleman, Enrico Henri 497

Houdon, Jean-Antoine (after) 95

Collazzi, J. 673

Howard, Newton 918

Colman, George Sumner 862

Italian School 132, 133, 170, 412, 420, 423

Continental School 80, 81, 165, 167, 168, 191, 230, 333, 335,

Jacobsen, August 820

411, 417, 418, 533,

Jacobsen, August (attributed to) 823

675, 771, 859, 1006, 1008

Jones, Allen 733

Continental School, Probably German 327

Kendrick III, James L. 857

Corbino, Jon 330

Killebrew, Carylon 712

Cramer, Carl Cesar Adelbert 192

King, Yeend 818

Dali, Salvador 734

Kinzel, Liesl 87

de Blaas, Eugene (after) 131

Lassen, Christian Riese 717

De Roncourt, Jean (after) 176

Ledda, Carlos Jose 760-767

Diey, Yves 193

Lefort, Jean 31, 37

Dunbar, George Bauer 664, 665

Leisser, Martin B. 916

Dupray, Henry Louis 499

Leitzmann, J. M. 89

Dutch School 79, 860, 1014

Leroy, Bart Schouten 40


Artist Index | January 27-28, 2018

Lewen, Si 922

Toussaint, Fernand 336

Lohr, Michael 718

Ulmann, Doris 920

Lucchesi, Bruno 756

van der Plas, Niek 30

Marangoni, Aldo 41

Vanderlei, Phil 714

McCrady, John 921

von Dannecker, Johann Heinrich (after) 414

Michalopoulos, James 909, 910

Von Pir, Sophie 465

Miro, Joan 671

Watson, Steve 821, 822

Miro, Joan (after) 680

Weygers, Alexander 678, 679

Moller, Andreas (attributed to) 82

Wilhelm, Joe 856

Montesi, Carlo Antonio 126

Williams, Edward Charles 1009

Moran, Leon 725

Wilson, Norman Badgley 819

Morch, Aksel 328

Woodward, Ellsworth 919

Munsterfeld, F. 324 Murillo, Bartolome Esteban (after) 83 New York School 830 Nierman, Leonardo 715 Perboyre, Paul Emile Leon 501 Petit-Gerard, Pierre 500 Petitjean, Edmond 194 Philipp, Robert 188 Piranesi, Giovanni Battista (after) 173 Poplin, Abigail 663 Rambert, Rene 39 Redoute, Pierre-Joseph (after) 440, 442, 443 Regimbal, Jame P. (Jim) 882 Remington, Frederic Sackrider (after) 878, 879 Renard, Paul 43 Reni, Guido (after) 84 Rideout, Philip Henry 91

New Orleans Auction Galleries does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere.

Rockmore, Noel 668

The Artist’s Name: In our qualified opinion, a work by the artist.

Richter, H. C. 441, 1002

Rodrigue, George 911, 912 Rowlandson. Thomas (attributed) 239

Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist.

Schmidt, George 915

School of: In our qualified opinion, a work by a follower of the artist.

Schmidt-Hofer, Otto 177

Circle of: In our qualified opinion, a work of the period of the artist and showing his/her influence.

Schouten, Henry 884, 1010 Schultz, George F. 727

Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.

Scmidt-Felling, Julius 183

After: In our qualified opinion, a copy of a known work by the artist.

Seradour, Guy 190

Signed: In our qualified opinion, has the signature which is that of the artist.

Skjelborg, Axel 329 Stauffer, Fred 337 Steelink II, Willem 323 Swyncop, Philippe 186 Tester, Jefferson 914

Bears Signature: In our qualified opinion, has a signature which may be the signature of the artist. Dated: In our qualified opinion, is so dated and was executed on or around that date. Bears Date: In our qualified opinion, is so dated and may have been executed at about that date.


Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17


(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17


(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17


(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17


New Orleans Auction Galleries

333 Saint Joseph St., New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | Info@NewOrleansAuction.com

Absentee / Telephone Bid Form Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com 


New Orleans Auction Galleries 333 Saint Joseph St., New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | Info@NewOrleansAuction.com

REQUEST FOR CONDITION REPORTS Condition reports are completed in the order in which they are received. Please allow ample time for large requests. Condition reports will not be given verbally. Name (Please Print): ________________________________________________________ Date: ____________ Email Address: ___________________________________________ Phone: (_______)______________ Fax: (_______)______________________________

Please submit this form by 5:00 p.m. two days prior to the first day of the auction.

Lot #

Description

Special Requests

________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________

_____________________________________________________________________________________ _____________________________________________________________________________________ ________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________


New Orleans Auction Galleries Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Ashton Thomas President

consignments FINE ART:

DECORATIVE ARTS:

SILVER:

Jelena Restovic James

Ireys Bowman

Charles C. Cage

Nicole Casi, PhD

BOOKS, MANUSCRIPTS & EPHEMERA:

Director of Fine Art; Continental and American

Michele M. Carolla

Continental and English

American and Continental

British and American; Sculpture

Nicole Casi, PhD Continental and American; Prints and Maps

FURNITURE: Ireys Bowman

Charles C. Cage Jewelry:

Continental and English

Kim Lemon

Greg S. Kowles

FINE CARPETS & TEXTILES:

Asian Arts:

American, Continental and English

Rebecca Moss

Thomas Halverson

Sean Ranson

American

a d m ini s t r at ion Charles C. Cage

Burke

Taylor Eichenwald

Colleen Ryan

Grace Connors

Christa Ougel

Nicole Casi, PhD

Bettina Bausa

Office Manager

Director of Human Resources

Denise Haik

Office Administration

Designer

Manager of Cakebread Auctions Research

Marketing & Public Relations

Graphic Designer

Graphic Designer

Gary Michael Gittelson Photographer

auctioneers

consultants

ope r at ion s

Tessa Steinkamp #1265

Ellen McKenzie English and Continental Furniture

Cedric Roberts | Sean Ranson

Ira Savoie Independent Certified Gemologist Appraiser

Emmitt Kendrick, Jr.

James Callahan Asian Arts

Sol Carter | Thomas Johnson

Ashton Thomas #1833 Taylor Eichenwald #1922 Michael DeGeorge #1774

Bennie Amos | Eddie Daigrepont

Gerald Hampton | Juanita Bazile

David Abney | James Collins


Cakebread Decorative Arts & Design: Jan 27-28, 2018  
Cakebread Decorative Arts & Design: Jan 27-28, 2018  

Our Cakebread Decorative Arts and Design sale offers bidders a little bit of everything, from mid-century modern furniture to 18th-century H...