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New Orleans Auction galleries

Estates Auction: December 11-12, 2021



Estates Auction D E C E M B E R 1 1 -1 2 , 2 0 2 1

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 LA Auction License AB-363, Steinkamp #1265, Eichenwald #1922 | 25% Buyer’s Premium Pictured Left: Lot 752 Front Cover: The Brooklyn Heights Home of Adam Lippes (© Stephen Kent Johnson/OTTO) Back Cover: Photography: Jason Kruppa | Model: Ashley Abrusely | Makeup: Midori Tajiri-Byrd


Estates Auction December 11-12, 2021

Featured: The Collection of Adam Lippes New York & Massachusetts The Estate of Inez Winston Reymond Houston, Texas The Collection of Ronnie Brenner New Orleans, Louisiana

Lot Schedule: Please note that times are approximate

Satuday, December 11, 2021 10:00 a.m CST

10:00

-

11:00

1

-

80

11:00

-

12:00

81

-

160

1:00

161

-

24 0

12:00

-

1:00

-

2:00

241

-

320

2:00

-

3:00

32 1

-

400

3:00

-

3 : 45

4 01

-

468

Sunday, December 12, 2021 10:00 a.m CST

10:00

-

11:00

469

-

5 49

11:00

-

12:00

55 0

-

630

1:00

631

-

711

12:00

-

1:00

-

2:00

712

-

7 92

2:00

-

3:00

7 93

-

8 73

3:00

-

3 : 45

8 74

-

926

Exhibition: November 29 - December 10 Monday - Friday 9:00 a.m. - 5:00 p.m. Saturday, December 4 10:00 a.m. - 4:00 p.m

Bidding: Bidding is available in person, by telephone, absentee and live online with LiveAuctioneers and Invaluable.

Telephone

Absentee

Live Online

PICTURED: LOT 880

In-Person


A Letter From the

Assistant Director At the beginning of each month, I eagerly await the arrival of the latest issues of my favorite design magazines. While I typically take a cursory glance and save the more in-depth reading for a leisurely Sunday morning, one particular issue stopped me in my tracks and has stuck with me ever since. When I opened the July/August 2019 issue of Architectural Digest, featuring the Brooklyn Heights home of fashion designer Adam Lippes, my jaw dropped. I let out an audible gasp as I flipped to the page with Adam’s nowiconic “opium den” dripping in Richard Smith fabric (read more about this iconic space on page 239). For me and countless others, it was a true design moment. I first met Adam in 2018, when NOAG hosted a trunk show for his eponymous fashion brand, but I’ve long admired his interiors for their sophisticated eclecticism steeped in historical references. Reflective of his passion for art, architecture and design, the spaces he creates are as much about his love for collecting as they are a reverence for the past. So, when Adam reached out to us about selling pieces from his collection, I was thrilled by the opportunity to work with him, but I never imagined that I would have the privilege of offering that very room f rom the pages of Architectural Digest at auction – let alone having the honor of using Stephen Kent Johnson’s stunning photo on our catalogue cover. When the truck arrived at our gallery, I eagerly awaited as it was unloaded. I watched with goosebumps as the first luxuriously proportioned sofa came off the truck. Seeing that jaw-dropping page come to life in front of my eyes was an experience that I will remember for years to come.

I invite you to read more about Adam and his collection in the pages that follow. I hope you enjoy browsing this catalogue as much as we’ve enjoyed curating it. And if you haven’t had the chance to see Adam’s interiors, we are honored to include photos by William Waldron and Stephen Kent Johnson, originally published in Vogue and Architectural Digest, f rom Adam’s Brooklyn Heights and Berkshires homes alongside the items included in this sale. In addition to The Collection of Adam Lippes, our December 11-12 Estates Auction includes a dazzling display of fine jewelry, just in time for the holidays, and an important double portrait by José Francisco Xavier de Salazar y Mendoza (pictured on our inside cover and on pages 298-301) steeped in Louisiana history, as well as many other interesting and unique items. The gallery will be open for exhibition Monday-Friday, f rom 9 a.m. to 5 p.m., beginning Nov. 29. The gallery will also be open for exhibition on Saturday, Dec. 4, which coincides with our Single-Owner Fine Jewelry Auction. We are delighted to welcome you all back into the gallery for in-person bidding and look forward to seeing you. Lastly, all of us at NOAG thank you for your continued business throughout this challenging year. We wish you and yours a very happy holiday season! Best,

I want to take a moment to thank Adam for trusting NOAG with presenting his unique and diverse collection. It has been a joy working with him in the months and weeks leading up to this sale, and I’ll be forever thankful for this opportunity.

Taylor Eichenwald Assistant Director


3.

7.

10.

© Stephen Kent Johnson/OTTO


THE COLLECTION OF

ADAM LIPPES FURNITURE, DECORATIVE OBJECTS, FINE ART & MORE

"Collecting has long been a passion of mine. The search across eras and areas often leads to the people and stories which inspire the clothing I design. Part of the fun of collecting is that it gives you the ability to change your spaces." – ADAM LIPPES


“In a world of “fast” everything, tastefulness seems to be often forgotten. I believe good taste is something you’re born with, regardless of social status. Taste is also acquired and refined through the years – by traveling, learning and cultivating oneself. And Adam's got taste. I love Adam’s European sensibility for collecting furniture from different periods and pulling together an effortless style that doesn’t seem staged. His eye for beauty is apparent in everything he does. From his fashion designs to every piece that enters his home, everything is tasteful and beautiful. My favorite room in Adam’s Brooklyn apartment is the tented room (which he refers to as his “opium den”). It’s so chic, yet so cozy and inviting. Every house should have a tented room! Each piece in Adam’s collection is a well curated purchase that will enlighten and beautify your life.” – CARLOS MOTA

Adam grew up in Buffalo, New York, the youngest of three

before beginning his career in fashion. Starting at Ralph

children born to Sandra (Franger) and Gerald S. Lippes.

Lauren in 1995, he made the move to Oscar de la Renta in

His late mother was a nurse and interior designer, and

1996 and quickly rose through the ranks to become Global

his father is a lawyer and self-taught art expert who sits

Creative Director – one of the youngest to hold that position

on the board of the Albright-Knox Art Gallery, one of

at any luxury fashion brand.

America's oldest public art institutions. Adam worked closely with Oscar throughout his tenure, About collecting, Adam shares:

crediting him with developing his eye for color and construction, as well as teaching him invaluable lessons

My father is a consummate collector and has been

about the fashion business. With Oscar’s support and

since I was very little, so I really grew up around it.

encouragement, Adam started his own fashion collection

My f irst bedroom that I decorated when I was a kid, probably around age 10, was f illed with antiques that I found, so it’s very much in my blood. It’s something I really like to do, not only to collect and own, but I also enjoy the process of collecting, which involves lots of looking. For me, especially in the fashion industry, it expands my mind. I see patterns,

in 2004 before launching the Adam Lippes brand in 2013. The eponymous Adam Lippes fashion label has been worn by countless celebrities, including Sandra Bullock, Zendaya, Helen Mirren, Gwyneth Paltrow, Jada Pinkett Smith and Kris Jenner. The brand is also a favorite of First Lady Dr.

colors, and shapes put together in ways I hadn’t

Jill Biden, a proud champion of independent American

thought about. So that’s how collecting is really… It’s

designers, who selected an elegant Adam Lippes-

one of my main hobbies. (As told to Chairish, 2021)

designed powder-blue blazer and matching sheath dress to meet with Queen Elizabeth (June 2021) and a stunning

After graduating from Cornell with a degree in Psychology,

textured navy sheath dress with a matching blazer for

Adam worked as an investment banker at Bear Stearns

her visit with Pope Francis (October 2021). READ MORE


© Stephen Kent Johnson/OTTO


"Adam is a not only a great fashion designer, but a seasoned collector. He searches far and wide to find the perfect piece, acquiring beautiful furniture and artwork that adorn his homes. It’s a true passion in which he finds so much joy! " – ALLISON SAROFIM

Adam’s homes have been featured in the pages Architectural Digest, Elle and Vogue, but his country retreat in the Berkshires (affectionately named Casa Sandra after his late mother) and his Brooklyn Heights residence are perhaps his most celebrated projects to date. A true collector, Adam has never been one to shy away f rom change. He explains: I actually enjoy the process of moving — most people hate it, but I love it because it gives you the freedom to move on and design a new space. Therefore, even though I may love something, it may not be right for my space at this time. One thing I’ve learned as a collector, and that my father always said, is “there’s always more.” So in that way, there is always more. Part of the search is the fun of placing that furniture or object in your home. I think the most fun part about decorating is that you can just try. And if it doesn’t work, it doesn’t work. There’s always more. (As told to Chairish, 2021) New Orleans Auction Galleries is proud to play a role in this creative process of collecting, f inding and designing – and honored to present furniture, f ine art, silver and decorative objects f rom The Collection of Adam Lippes in our December 11-12 Estates Auction. Ranging f rom Russian neoclassical to Danish modern, the pieces offered in this sale represent Adam’s eye for beauty, reverence for history and passion for collecting. We hope these items intentionally and beautifully f ind their new home in yours. © William Waldron/OTTO


© Stephen Kent Johnson/OTTO


THE ESTATE OF

INEZ WINSTON REYMOND Houston, Texas Inez O’Toole Winston Reymond was born Snow O’Toole. Inez graduated with honors Department at Texas Commerce bank for ranks of the bank to become one of

in 1925 to Edward D. O’Toole and Constantina “Gussie” f rom the University of Houston, and worked in the Trust many years. Her aptitude and skills led her through the the f irst women to hold the title of Vice President.

She enjoyed her time serving as a member of the Central Presbyterian Church, the Houston Junior Forum, the Ladies Reading Club and the Prints and Drawings Committee of the Museum of Fine Arts Houston. She also served on the Board of Trustees of the Isla Carroll Turner Friendship Trust for many years. An avid collector of mystery books, items relating to Jane Austen and Early American Pattern glass, she was known for her collection of antiques that she acquired while travelling the back roads of Texas. Inez was also a devoted dog lover with a fondness for Cavalier King Charles Spaniels. She served as a breeder, owner and “mother” to countless litters of puppies, raising several champions along the way.

New Orleans Auction Galleries is pleased to offer f ine art and silver f rom the Estate of Inez Winston Reymond.


Session I

Saturday, December 11

Lots 1-468 PICTURED: LOT 136


1

Silver-Gilt Mirror in the Italian Rococo Taste mid-20th century, the pierced crest carved with branches, leaves and rocaille work, the surround decorated with carved scrollwork and rocaille work, the corners with carved leaves. h. 55-1/2”, w. 31-1/4” $1,400-$1,800

2

Pair of Gilt-Metal and Glass Chandeliers in the Continental taste, each six-light chandelier with a metal frame set with scrolled candle branches decorated with gilt-metal leaves, with a circular bubble-glass shade divided into panels with arched crests, decorated with metal flowers and leaves. h. 21”, dia. 17-1/2” $1,000-$1,500

1

2

2

3

3

Pair of Gilt-Metal and Glass Chandeliers in the Continental taste, each six-light chandelier with a metal frame set with scrolled candle branches decorated with gilt-metal leaves, with a circular bubble-glass shade divided into panels with arched crests, decorated with metal flowers and leaves. h. 20”, dia. 19” $1,000-$1,500

2

3


4

Pair of Large Baroque-Style Carved, Painted and Pierced Appliques 20th century, with trailing flowers tied with bowknots supporting the shield-shaped backplates, carved with lion’s heads grasping laurel wreaths and framed with swags of leaves, set with a pair of leaf-carved candle arms terminating in pineapple-carved sockets. h. 48”, w. 11-1/2”, d. 7-1/4” $1,000-$1,500

5

Pair of Italian Silver-Giltwood Urns 20th century, now mounted as lamps, set with bird-form handles and resting on chamfered bases, mounted with candle-form standards and tin drip pans. h. 21-1/2”, w. 8-3/4”, d. 5-1/2” $1,000-$1,500

4

5

6

Latin American Santos Figure of Salvator Mundi 18th century, set with glass eyes, and retaining remnants of the original painted surface, on a chamfered base. h. 19-1/2”, w. 7”, d. 7-1/4” $1,000-$1,500

6

3


7

7

8

7

Pair of Unusual Silver-Gilt Mirrors in the Continental Baroque Style

Spanish Oak Guard Room Table late 19th century, the rectangular top raised on shaped, angled lyre-form supports, joined to the top by scrolling iron stretchers. h. 30”, w. 86”, d. 32”

20th century, the mirror plates lined with leaf-carved ogee molding, with a reed-carved outer edge, the corners with conforming carved leaves. h. 52”, w. 45”

$1,800-$2,500

$1,000-$1,500

8

4


9

Pair of Italian Giltwood and Metal Sconces composed of antique elements, the backplates carved with boughs of fruit and flowers, and set with scrolled metal candle arms with giltwood candle sockets and spherical ornaments. h. 19”, w. 17-1/2”, d. 13” $1,000-$1,500

9

10

Large Italian Walnut and Wrought Iron Cabinet 18th century, in two parts, the upper case with an overhanging molded and dentillated cornice above six framed doors with wrought iron grillwork, set on a protruding base with a row of four drawers above four framed and paneled doors. h. 72-1/2”, w. 118”, d. 24” $8,000-$12,000

9

10 5


11

11

Continental Walnut Lift-Lid Bench composed of antique elements, the tall, scalloped back joined to a case with a plank seat and loose cushion, lifting to reveal a large storage well. h. 56-1/2”, w. 78-3/4”, d. 18” $1,500-$2,500

12

Pair of Italian Baroque Giltwood and Brass Mirrored Sconces ca. 1800 and later, set with oval mirror plates, framed with bold pierced scrollwork, the scrolled brass candle branches set with turned candle sockets and round drip pans. h. 20-1/4”, w. 15-1/4”, d. 11”

12

$1,200-$1,800

13

Set of Three Italian Sconces in the Baroque Taste second quarter 20th century, the leaf-carved backplates and matching scrolled arms set with bold drip pans, fitted with three sockets and mounted with shades. h. 19”, w. 11-1/4”, d. 18” $1,000-$1,500

13

6


16

14

14

Pair of Italian Baroque Columnar Architectural Fragments fourth quarter 17th century and later, painted and parcel-gilt, the spiral-molded columns with gilt composite capitals, on bases decorated with painted faux marbre panels, the upper portion painted and cove molded. h. 38”, w. 8-1/2”, d. 6-1/4” $1,500-$2,500

15

Pair of Continental Patinated and Parcel-Gilt Metal Torcheres second quarter 20th century, set with central, delicately molded metal flower and leaf finials flanked by candle sockets with leaf-molded drip pans, resting on cabriole legs terminating in scrolled feet, ornamented with molded gilt leaves. h. 73”, dia. 15” $1,200-$1,800

16

Pair of Continental Enameled Metal and Brass Sconces second quarter 20th century, the backplates supporting metal pots of flowers, set with scrolled arms terminating in key piercing, set with leaf-molded brass drip pans, and decorated with delicate molded swags of peonies and leaves, the bases with brass leaves and berries. h. 25-1/4”, w. 11”, d. 9” $1,500-$2,500 15 7


17

17

Parcel-Gilt Wrought Iron and Mirrored Coffee Table mid-20th century, the top with an inset smoky plate glass mirror set within a gilt-metal frame and mounted to a trestleform wrought iron base. h. 20-1/2”, w. 59-1/2”, d. 24-1/2” $1,000-$1,500

18

Pair of Continental Patinated Iron and Metal Andirons first quarter 20th century, in the Renaissance taste, with ropetwist standards ornamented with applied leaves, the spherical finials with mid-rib rope-twist decoration, on arched legs, the feet with articulated toes, set with cast iron billet bars. h. 29-1/2”, w. 16”, d. 22-1/2” $1,000-$1,500

19

19

Continental Mahogany and Marble-Top Occasional Table 19th century, the circular specimen marble top with an ebonized banding and band of various marbles, raised on a fluted standard to three shaped legs ending in hoof feet. h. 27”, dia. 19-1/2” $1,500-$2,500

18

88


20

Suite of Six Louis XIII-Style Fruitwood Side Chairs 18th century, each with a padded domed rectangular back above the padded seat, raised on shaped legs joined by an H-form stretcher and ending in scrolled toes, all upholstered in tapestry and with fringe. h. 42-1/2” $1,200-$1,800

21

Continental School (Mid-18th Century) “Italianate Capriccio” oil on canvas laid down on masonite indistinctly inscribed lower right, MGM and film notations inscribed en verso. Framed. 34-3/8” x 44-3/4”, framed 55-1/4” x 56-1/2” 20

$4,000-$7,000

21 9


22

22

Follower of Adrien Manglard (French/Rome, 1695-1760) “Harbor Scene” oil on canvas laid down on masonite unsigned. Framed. 38-1/4” x 81-1/2”, framed 41-1/4” x 89-1/2” Provenance: Christie’s, New York, New York, January 30, 2014, lot 240. $3,000-$5,000

23

Continental Fruitwood Commode 19th century, the rectangular top banded and above a dentillated frieze and conforming case fitted with two long paneled drawers, raised on vasiform legs joined by an X-form stretcher and ending in ball feet. h. 35-1/2”, w. 36”, d. 14-1/2” $1,500-$2,500 23

10


24

Lx Rossi Tavolo Trastevere Wave Leaves Walnut Dining Table the rotating top opening in a kaleidoscope fashion to accommodate six shaped leaves, raised on large shaped and paneled legs joined by an undulating stretcher, ending in acanthine-carved and scrolled toes, branded “3915 A23 Lx Rossi”. h. 29-1/2”, dia. 64”, ext. dia. 88” $2,000-$4,000

25

24

Rose Tarlow for Melrose House Parcel-Gilt Mahogany Console Table probably early 1990s, with a rectilinear faux marble top over a fluted apron, raised on shaped legs with scrolland volute-carved tops and molded edges, joined by serpentine stretchers centered by a finial with metal tag reading: “Rose Tarlow - Melrose House / Los Angeles, CA”. h. 33”, w. 54”, d. 26” $1,000-$1,500 Notes: According to the manufacturer, the present model of console table is the #113 Ottone console (now discontinued).

24 detail

25

11


26

26

Rose Tarlow for Melrose House Parcel-Gilt Mahogany Console Table probably early 1990s, with a rectilinear faux marble top over a fluted apron, raised on shaped legs with scroll- and volutecarved tops and molded edges, joined by serpentine stretchers centered by a finial with metal tag reading: “Rose Tarlow Melrose House / Los Angeles, CA”. h. 33”, w. 54”, d. 26” $1,000-$1,500 Notes: According to the manufacturer, the present model of console table is the #113 Ottone console (now discontinued).

27

Jan van Doust (Dutch, 1794-1846) “Still Life of Flowers on a Stone Ledge” oil on canvas signed lower right. Giltwood frame. 24” x 20”, framed 30” x 26” $2,000-$4,000 27

12


28

28

29

second quarter 20th century, in the Baroque taste, on quiver-form backplates, set with basket-of-flowers finials with enameled decoration, the giltwood arms carved with bellflowers and set with leaf-carved tulip-form candle sockets. h. 17-1/2”, w. 12-1/2”, d. 6-1/2”

fourth quarter 18th/first quarter 19th century, each with a concave back with a turned spindle splat, the beaded front seat rail with roundels at each end, raised on tapering turned legs, of pegged construction throughout and retaining hand-wrought rose-head nails. h. 33-1/2”

Set of Four Continental Giltwood and Painted Sconces

Suite of Six Continental Neoclassical Walnut Side Chairs

$1,000-$1,500 $1,500-$2,500

29

13


30

Continental Mahogany and Fruitwood Breakfront 19th century, the egg-and-dart-molded cornice above a panelapplied frieze, over a center section fitted with a tri-arched gallery opening over two glazed cupboard doors, flanked to either side by two long glazed doors, all separated by engaged Corinthian pilasters, the lower section fitted with three pairs of cupboard doors, divided en suite, the whole raised on a plinth base. h. 106”, w. 123”, d. 20” Provenance: Villa Melrose Antiques, Los Angeles, California. $3,000-$5,000

31

Continental Brass, Marble and Walnut Center Table third quarter 19th century, in the rococo taste, the octagonal top of alternating Carrara and dark figured marble, set in a brass frame, surrounded by leaf and vine carving, raised on cabriole legs joined by a leaf- and scroll-carved stretcher. h. 30”, w. 35”, d. 35” Provenance: Villa Melrose Antiques, Los Angeles, California.

31

$1,500-$2,500

14

30


32

Large Italian Giltwood and Marble-Top Dining Table ca. 1900, of rectangular form, the marble top with shaped corners, the giltwood base with carved scroll-form legs. h. 32”, w. 35”, l. 81” $1,200-$1,800

33

Pair of Italian Painted and Parcel-Gilt Mirrors fourth quarter 20th century, in the Venetian Rococo taste, with scroll-carved rococo surrounds, the upper tablets decorated with hand-painted figures in landscapes en grisaille, marked “Made in Italy”. h. 49-1/2”, w. 23”

32

$1,000-$1,500

33 15


34

Italian Neoclassical Polychromed Cabinet 19th century and later, the bowed top above a conforming case fitted with a single cupboard, raised on a molded plinth base, the whole with polychrome foliate designs. h. 41-1/4”, w. 49”, d. 25” $1,500-$2,500

35

Four Handsome Neoclassical-Style Giltwood Corbels mid-19th century, the edges carved with acanthus leaves, the sides decorated with raised scrollwork, carved acanthus leaves and carved bellflowers, the top with a leaf-carved ogee molding lined with beading. h. 29”, w. 4-3/4”, d. 21” $1,000-$1,500

34

35

36

Continental Decorative Painting en Grisaille depicting “Putti Frolicking Amidst the Sea”, oil on canvas, first quarter 20th century. Presented in a giltwood frame. 22” x 36”, framed 28” x 42-3/4” $2,000-$4,000

36

16


37

Continental Baroque-Style Giltwood Mirror second quarter 20th century, decorated with bold, pierced scrollwork and acanthus leaves, the crest with a bust of Icarus with wings. h. 41-1/4”, w. 33-1/2” $1,000-$1,500

38

38

Pair of Italian Giltwood Figures of Putti ca. 1900, poised contrapposto, the draped figures raised on cove-molded bases. h. 15”, w. 6”, d. 6” $1,000-$1,500

39

Pair of Italian Pine and Parcel-Gilt Step Tables composed of antique elements, each formed of two graduated steps, fronted by a panel with a carved giltwood scrolling foliate pattern, raised on a molded base. h. 27”, w. 24”, d. 18-1/4” 37

$1,000-$1,500

39

17


40

40

Continental Oak Farmhouse Table 20th century, the rectangular top above a conforming carved frieze, raised on paneled legs joined by a box stretcher and ending in block feet. h. 30”, w. 69”, d. 28” $1,200-$1,800

41

Assembled Collection of Twelve Deruta Majolica Plates first quarter 20th century, in the Renaissance taste, decorated with portraits in a cobalt and yellow palette, eleven of the twelve plates marked, including “Deruta”, “Deruta Italy” and “Deruta Made in Italy”. dia. 9-1/2” $1,000-$1,500

42

Large Italian Baroque-Style Parcel-Gilt and Faux Marbre Jardiniere ca. 1900, the serpentine body painted with gray faux marbre with a central roundel framed with a laurel swag, and supported on a cove-molded base with carved giltwood leaves, fitted with a metal insert. h. 31-1/2”, w. 31-1/2”, d. 11-1/2”

42

$2,500-$4,000

41

18


43

Venetian Polychromed Secretary Bookcase 19th century, exuberantly modeled and carved in the traditional style, the upper case with an arched and floralcarved crest facade above a conforming door opening to three shelves, the base with a slant lid opening to a silk-lined interior, raised on carved cabriole legs. h. 94”, w. 42”, d. 21” $3,000-$5,000

44

43

44

Colorful Majolica Centerpiece ca. 1900, Bohemian or Czech, the oblong bowl set with birdform handles, decorated with a mottled pink and cobalt glaze, the similarly glazed standard with pierced cobras, above a raised base with cabochons and molded shells. h. 16-1/4”, w. 18-1/4”, d. 8” $1,000-$1,500

45

Pair of Italian Baroque-Style Painted Pier Mirrors 20th century, the upper tablets with pierced frames with scrollwork and a gadrooned crest with carved drapery, the mirror plates framed with turned pilasters, on bracketed bases carved with flowers. h. 68”, w. 41-3/4” $1,200-$1,800 45 one of a pair

19


46

Dutch Rococo-Style Painted Cabinet early 20th century, in two parts, the upper section with an arched and molded cornice over a central glass door with mullions, flanked by canted glazed panels, the conforming base with a pair of doors, each with arched and raised panels, flanked by like fixed panels. h. 78-1/2”, w. 57”, d. 14-1/2” $1,000-$1,500

47

Pair of Baroque-Style Silver-Giltwood and Metal Candelabra 20th century, each modeled with an angel on a rococo base, holding aloft a three-light metal candle branch decorated with gilt leaves and floriform drip pans. h. 29-1/2”, w. 15-1/2”, d. 6-3/4” $1,000-$1,500

46

48

Gustavian Neoclassical Creme-Peinte and Parcel-Gilt Settee 19th century, in the manner of Ephraim Stahl, the padded rectangular back joined by downswept arms and gilt griffin supports to the padded seat, raised on tapering circular legs headed by lotus capitals and ending in ball feet. h. 34”, w. 82”, d. 29-1/2” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. 47

$1,000-$1,500

48

20


49

Pair of Large, Bold Italian Giltwood Sconces mid-20th century, supported on pierced bowknots and decorated with trophies personifying art, drama, music and astronomy, the scrolled candle branches decorated with carved leaves and medallions, and set with turned candle cups and carved drip pans. h. 52-1/2”, w. 21”, d. 10” $2,500-$4,000

50

Pair of Italian Empire-Style Giltwood Lamps mid-20th century, with fluted and tapered column-form standards, the bottoms set into carved acanthus leaves, on tripartite bases, set with lotus leaf capitals and carved drip pans. h. 29-1/2”, dia. 6” $1,000-$1,500

49

50

51

Painted and Parcel-Gilt Tabernacle Mirror ca. 1900, in the neoclassical taste, set with a tablet depicting Eros riding a dolphin on a blue ground, the white-painted surround with gilt trim, the panel beneath the beveled mirror plate decorated with carved giltwood medallions. h. 57-1/2”, w. 28” $1,200-$1,800

51

21


52

Italian Neoclassical Walnut Commode 19th century, the banded rectangular top centered by a circular medallion, above a conforming case fitted with a palmettoinlaid frieze drawer over three drawers, quarter-veneered and centered by an inlaid medallion, raised on tapering square legs. h. 32-1/2”, w. 29”, d. 18-1/2” $2,500-$4,000

53

Italian Neoclassical Walnut Commode 19th century, the banded rectangular top centered by a circular medallion, above a conforming case fitted with a palmettoinlaid frieze drawer over three drawers, quarter-veneered and centered by an inlaid medallion, raised on tapering square legs. h. 32-1/2”, w. 29”, d. 18-1/2” $2,500-$4,000

52

54

Italian Neoclassical Walnut, Fruitwood and Marble-Top Commode early 19th century, the rectangular marble top above a case fitted with three long drawers, the bottom two centered by an inlaid classical figural medallion, raised on tapering square legs. h. 34-1/2”, w. 47”, d. 21-1/2” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,200-$1,800

53

54

55

Pair of Neoclassical-Style Bronze and Marble Urns 20th century, the campana-form marble urns set with patinated bronze angel-form handles, standing on lion’s heads, their arms resting on reeded rims, set on leaf-molded bronzetrimmed bases. h. 27”, w. 22”, dia. 14-1/2” $1,500-$2,500

22

55


56

Patinated Bronze Equestrian Sculpture of Marcus Aurelius 20th century, cast signature “B. C. Zheng” along edge, after the ca. 2nd century CE sculpture now conserved at the Musei Capitolini, Roma. h. 19”, w. 17-1/2”, d. 6-1/2” $1,000-$1,500

56

57

Pair of Patinated Bronze Figural Andirons fourth quarter 19th century, in the Renaissance taste, with finials depicting Neptune and Aphrodite, the figures on scrolled supports mounted on dolphin-form feet, with cast iron billet bars. h. 28”, w. 15-1/2”, d. 20-1/2” $1,500-$2,500

58

58

Patinated Bronze of “Venus de Milo” first quarter 20th century, retailed by Tiffany & Co. and stamped “Tiffany & Co. /Bronze” along proper right side of self-base, after the ca. 130-100 BCE marble excavated on the island of Melos in 1820 and believed to be by Alexandros of Antioch, now conserved at the Musee du Louvre, Paris. h. 22-1/2”, w. 6-1/2”, d. 6” $1,000-$1,500

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59

59

Monumental Italian Neoclassical Inlaid Olivewood Breakfront early 20th century, the center section with an arched and molded cornice above an inlaid door depicting the allegory of Blind Justice, with small drawers below and a slant-lid writing deck, the side cabinets with allegorical depictions of Strength (in the guise of Hercules) and Wisdom (in the guise of a philosopher), with deep banks of drawers below, each side section with a secret springloaded drawer concealed at each end, raised on turned bun feet. h. 111-1/2”, w. 139-1/2”, d. 36-1/2” $3,000-$5,000

59 details

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61

Venetian-Style Polychromed Commode in the Neoclassical Taste decorated throughout with painted flowers, vines, genre scenes and faux marble, the case with three drawers with molded perimeter edges and tapering legs. h. 34-1/2”, w. 41-1/4”, d. 18-1/4” $1,800-$2,500

62

Pair of Italian Giltwood Sconces in the Neoclassical Taste mid-20th century, the backplates carved with crossed quivers and coronets tied with wreaths, supported by pierced bowknots and set with leaf-carved scrolled candle branches, set with carved candle sockets, the lower portion with fringed tassels. h. 32”, w. 8-3/4”, d. 6-1/4”

60

$1,500-$2,500

60

Pair of Italian Giltwood and Etched Glass Venetian Mirrors second quarter 20th century, the mirror plates decorated with images of Zeus framed with diapered panels and flowerheads, the molded frame decorated with pierced giltwood scrollwork and flowerheads, the lower edges with satyr masques. h. 33-3/4”, w. 18-1/4” $1,400-$1,800

62

61

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63

63

64

18th century, the serpentine top with a molded edge, over a conforming bank of two drawers and a shaped apron, raised on cabriole legs. h. 34-1/2”, w. 51”, d. 28-1/4”

late 18th century, in the neoclassical taste, the rounded rectangular top above a conforming bombe case fitted with three long drawers, raised on splayed foliate-carved feet ending in scrolled toes. h. 32-1/2”, w. 50”, d. 24-1/2”

Italian Walnut Commode in the Rococo Taste

Italian Walnut Commode

$2,000-$4,000 $2,500-$4,000

64

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65

Large Latin American Carved and Parcel-Gilt Santos Figure late 18th/early 19th century, probably depicting a youthful Jesus, with a painted face and boots, and a gilded, cinched robe, the leaf-carved base of a later date. h. 33-1/2”, w. 11-3/4”, d. 9-1/4” $1,200-$1,800

65

67

Pair of Handsome Baroque-Style Carved Giltwood and Faux Marbre Garnitures 19th century and later, Italian, the urns with pineapple knops, scrolled handles and guilloche carving set with flowerheads, on scroll-carved brackets raised on black, pink and gray mottled faux marbre plinths. h. 20-3/4”, w. 7-1/4”, d. 4-3/4” $1,200-$1,800

66

66

Italian Baroque Giltwood Torchere fourth quarter 18th century, mounted as a floor lamp, carved with acanthus leaves and flowerheads, on a tripartite base carved with winged angel heads supported on scrolls, mounted with a shade. h. 73-1/2”, dia. 20” $1,000-$1,500

67 27


68

Venetian Polychromed and Scenic-Decorated Cabinet early 20th century, the upper frieze fitted with a drawer above a pair of shaped doors with painted floral sprays in each corner, centered by a European seascape, raised on tall cabriole legs. h. 60”, w. 30”, d. 15-1/2” $1,000-$1,500

69

Follower of Guido Reni (Italian, 1575-1642) “Virgin in Prayer”, 18th century oil on canvas laid on wood panel inscribed en verso. Presented in a rococo elaborately carved giltwood frame. 16-1/2” x 11-3/4”, framed 33” x 20” $5,000-$8,000

68

69

70

Venetian Carved, Painted and Gilt-Decorated Blackamoor late 19th century, modeled as a female figure poised on a draped pedestal, painted in a typically colorful, fringed costume, and supporting a plateau in each hand, the higher one on a cornucopia-form standard. h. 47-1/4”, w. 13”, d. 12” $1,500-$2,500

70

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71

71

72

each pedestal in the form of a gondolier dressed in polychrome embroidered breeches, kneeling on a pillow, ca. 1900, and supporting a later giltwood table top with bronze corner tassels. h. 22”, w. 22”, d. 16”

“Landscape”

Pair of Carved Venetian Blackamoor-Form Tabourets

Attilio Pratella (Italian, 1856-1949)

oil on wood panel signed lower left. Framed. 8-1/2” x 13-3/4”, framed 12” x 17”

$1,500-$2,500 $2,000-$4,000

72 29


73

74

73

Andrew F. Bunner (American, 1841-1897)

Italian Walnut and Fruitwood Commode 19th century, the rectangular top above a conforming case fitted with three paneled drawers, all with seaweed marquetry panels, raised on block feet with applied scrolls. h. 39”, w. 54-1/2”, d. 20-1/2”

“Venetian Canal Scene with View of St. Mark’s Basilica”, 1880 oil on canvas signed and dated lower left. Framed. 48” x 72”, framed 54” x 77”

$2,000-$4,000

Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $2,000-$4,000

74

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75

Continental Polished Brass Torchere ca. 1900, the tapered standard resting on dolphin-form feet, with smaller dolphins supporting the hexagonal carriagetype lamp mounted on the top, set with a vented cap and a scalloped “roof”, electrified. h. 77-1/2”, dia. 15-1/2” $1,000-$1,500

76

76

Manner of Palma Giovane (Italian/Venice, 1544-1628) “Resurrection of Christ” oil on canvas unsigned. Framed. 15-1/2” x 18-1/2”, framed 22” x 25” $1,200-$1,800

77

Pair of Italian Giltwood Window Benches 20th century, of curule form with turned armrests and padded seat cushion, raised on reeded curved legs ending in paw feet. h. 24-1/2”, w. 27”, d. 21” $1,000-$1,500

75

77

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79

79 detail

78

78

Continental Mahogany Tripod Table 19th century, the tilting, concave hexagonal top raised on a foliate-carved and pierced standard and three splayed legs with foliate carving and ending in scrolled toes. h. 26”, dia. 21-1/2” $1,000-$1,500

79

Joseph II Diploma of Nobility

79 detail

dated April 29, 1785, eight vellum calligraphic leaves, one with gilt and tempera rendition of the arms as presented to Karl Koerber, thenceforth Karl von Koerber (1754-1826), an Imperial official in Lezno, Poland, presented in velvet-covered folio boards with silk ribbon and rope holding a large brass seal case engraved with the abbreviated arms of Holy Roman Emperor Joseph II and containing a red wax seal of the full Imperial arms. 14-3/4” x 10-1/2”, seal case dia. 5-3/4” $1,000-$1,500

80

Continental Mahogany Bombe Commode 18th century, the shaped, slightly bowed top with canted corners, above a conforming bombe case fitted with three long drawers, raised on foliate-carved splayed legs. h. 34-1/2”, w. 52”, d. 27” $2,500-$4,000

80

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81

Unusual Continental Chinoiserie-Decorated Butler’s Trunk on Stand 19th century, the trunk lid opening to a stepped fitted interior with small drawers, the front lid folding down to create a writing surface, raised on slender cabriole legs. h. 41”, w. 37-1/2”, d. 25” $1,200-$1,800

82

Manner of Melchior de Hondecoeter (Dutch, 1636-1695) “Spoils of the Hunt”, 19th century oil on canvas unsigned. Framed. 47-1/4” x 40”, framed 53-1/2” x 44” $5,000-$8,000

82

83

Continental Well-Carved Mahogany Center Table 19th century, the rounded rectangular top with a molded edge, above a deep shaped frieze fitted with a drawer and with scrolling foliate patterns centering a shell, raised on large cabriole legs ending in hoof feet. h. 30”, w. 60”, d. 30-1/2” $2,000-$4,000

81

83

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84

Carved and Pierced Giltwood Mirror in the Baroque Taste fourth quarter 19th century, Italian or Spanish, the bold ogeeform surround carved with scrollwork, leaves and piercing, set with a beveled mirror plate. h. 53-1/2”, w. 42-1/2” $1,000-$1,500

85

Continental Leather Three-Panel Screen second quarter 20th century, with arched crests and painted with a cottage and a bridge over a stream in a forest. h. 70-1/2”, w. 63” $1,000-$1,500

84

86

86

Four-Piece Set of Patinated Metal Fire Tools second quarter 20th century, in the Baronial taste, decorated with rope-twist and scrollwork, the set comprised of a shovel, tongs, log hook and fork. h. 44” to 49-1/4”, d. 4-1/2” to 10-1/4” $1,000-$1,500

85

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88

88

Pair of Brass and Wrought Iron Andirons 17th century, the brass fluted vasiform standards secured at the top with masque-molded finials, supported on scrolled feet ornamented with scrollwork, laid iron billet bars projecting from the rear. h. 26-1/2”, w. 16”, d. 23” $1,500-$2,500 87

89

Jan van de Velde (Dutch, 1593-1641)

87

Continental Mahogany Fauteuil a la Reine early 20th century, the padded needlework back surmounted by a pierced scrolling foliate crest, joined by downswept acanthine-carved arms to the padded seat, raised on turned and block legs joined by a pierced scrolling foliate stretcher and ending in Flemish feet. h. 52-1/2” $1,000-$1,500

“Inn at the Square Tower” and “Shepherd at a Tower with a Well” two etchings on laid paper from “Amenissimae Aliquot Regiunculae” 1616 second state (Holstein 243). Both matted, glazed and framed. sight 5-1/2” x 8”, framed 13” x 15-1/2” x 8”, framed 13” x 15-1/2” $1,000-$1,500

89

89

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91

91

Italian Oak Cabinet 18th century, the rectangular top above a case fitted with two drawers and two cupboard doors, all divided and flanked by acanthine and lion-masque pilasters, raised on paw feet. h. 46”, w. 51”, d. 17-1/2” $1,500-$2,500

90

92

Suite of Ten Flemish-Style Fruitwood Dining Chairs

90

Pair of Bronze-Trimmed Patinated Metal Torcheres

consisting of two armchairs and eight side chairs, each with a padded tall, domed back, the padded seat raised on cup-andcover legs joined by an H-form stretcher and ending in bun feet. h. 48”

first quarter 20th century, set with scalloped drip pans supported on metal leaves, the rope-twist standards with molded bronze trim and raised on scrolled tripod bases decorated with metal leaves. h. 67”, dia. 20”

$2,500-$4,000

$1,200-$1,800

36

92


93

93

Pair of Neoclassical-Style Faux Stone Garden Side Tables each with a narrow rectangular top with a slightly bowed center section, raised on two large baluster-form supports to a socle base. h. 31”, w. 48”, d. 14” $1,000-$1,500

94

Carved and Painted Architectural Fragment 20th century, now mounted as a lamp, the pierced and carved fragment decorated with honeysuckle and acanthus leaves, mounted on a wooden base painted to match. h. 33-1/4”, w. 17”, d. 4-1/2” $1,200-$1,800

95

Pair of Distressed Metal and Zinc Tree Tubs in the neoclassical style, the metal frames with lattice sides and spherical corner finials, set with zinc liners. h. 18-1/2”, w. 18-1/4”, d. 18-1/4”

94

$1,000-$1,500

95 37


96

96

Venetian Fruitwood Canape early 19th century, the shaped, domed and padded back surmounted by a foliate shell-carved crest, joined by padded outswept arms to the shaped cushioned seat, raised above a shell-carved apron on cabriole legs ending in foliate scrolled toes. h. 42”, w. 77”, d. 27” $1,500-$2,500

97

Italian Mixed Fruitwood Commode

97

the rectangular top above a slightly bombe case fitted with two long drawers, raised on cabriole legs. h. 31-1/2”, w. 45”, d. 19” $1,500-$2,500

98

Italian Mixed Fruitwood Commode the rectangular top above a slightly bombe case fitted with two long drawers, raised on cabriole legs. h. 31-1/2”, w. 45”, d. 19” $1,500-$2,500

98

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99

99

Pair of Italian Giltwood and Metal Sconces second half 19th century, in the neoclassical taste, the threelight sconces with pierced giltwood backplates carved with acanthus and laurel leaves, supporting scrollwork terminating in carved medallions, the upper portion with plume-form finials, set with leaf-molded scrolled candle arms with candle cups and drip pans. h. 26-1/4”, w. 16-1/2”, d. 11-1/4”

100

Provenance: Collection of Sue Trammell Whitfield, Houston, Texas.

101

Suite of Six Neoclassical-Style Polychromed Side Chairs

$1,200-$1,800

20th century, each with an oval back and a pierced vasiform splat, the padded seat raised on tapering square legs ending in spade feet. h. 37-1/2”

100

Italian Giltwood Mirror in the Rococo Revival Taste fourth quarter 19th century, the delicate pierced surround having scrollwork punctuated with flowerheads, the crest decorated with a swan’s-neck pediment and rocaille work. h. 48-1/2”, w. 36”

$1,800-$2,500

$1,000-$1,500

101

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102

Giltwood Mirror in the Italian Baroque Taste with double shells in the center of each side, framed with bold pierced scrollwork, the beveled mirror plate lined with carved fluting. h. 48-3/4”, w. 37” $1,000-$1,500

103

103

Manner of Tiziano Vecellio (called “Titian”) (Venetian, 1488/90-1576) “Venus at Her Toilet”

102

oil on canvas unsigned. Framed. 48-3/4” x 36-1/4”, framed 60-1/2” x 48-1/4” Provenance: Villa Melrose Antiques, Los Angeles, California, 2012. $4,000-$7,000

104

Pair of Italian Neoclassical-Style Polychromed and Marble-Top Console Tables 20th century, each with a shaped marble top with a beveled edge, above a conforming base, the apron with a central carved plaque with a gilded urn flanked by vertical in-carved and gilded grooves, raised on tapering square legs. h. 35”, w. 49”, d. 21-1/2” $3,000-$5,000 104 one of a pair

40


105

Giltwood Overmantel Mirror early 20th century, the pierced surround decorated with laurel leaves and berries, the crest decorated with a tablet depicting a classical scene, the corners with carved medallions, set with a beveled mirror plate. h. 30-3/4”, w. 41-3/4” $1,200-$1,800

106

Charles Michel Maria Verlat (Belgian, 1824-1890) “Mother Teaching Her Daughter Her Letters”, 1866 oil on wood panel signed and dated lower right, partial red wax seal from Campo & Campo [auction] en verso. Framed. 22” x 17-1/8”, framed 27-3/4” x 23-1/2”

105

$1,400-$1,800

106

107

After Emil Teschendorff (German, 1833-1894) “Antigone and Ismene”, 1896 oil on canvas laid down on board titled, illegibly signed and dated lower left. Framed. 37” x 29-1/2”, framed 47-1/2” x 39” $1,500-$2,500 107

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108

Marquetry-Inlaid Mahogany Circular Dining Table late 19th century, the top with a floral- and foliate-inlaid banded edge in the Dutch style and opening to accommodate three 13-1/2” leaves, raised on tapering square legs with like inlay. h. 30-1/2”, dia. 54” $1,500-$2,500

109

Pair of Italian Creme-Peinte Fauteuils 20th century, each with an oval padded back, carved and molded frame, spiral-carved arm fronts and raised on tapering square legs. h. 37”, w. 24-1/2”, d. 22” $1,000-$1,500 108

109

110

Pair of Polychromed Fluted Half-Round Corinthian Columns 20th century, each of slightly tapered form, with carved capital and mounted to a half-round circular ring. h. 86”, w. 8-1/2”, d. 4” $1,000-$1,500

110

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111

Pair of Bronze and Crystal Sconces second quarter 20th century, in the Swedish/Russian taste, the bronze backplates molded with satyr heads and set with spearpoint glass finials terminating in a halo of prisms, with bronze scrolled arms terminating in molded drip pans and sockets, and sprays of drops on each side. h. 24-1/2”, w. 13”, d. 6-1/4” $1,800-$2,500

112

Italian Carved Giltwood Mirror in the Rococo Taste fourth quarter 18th century, the pierced scrollwork crest set with an urn-form finial and carved leaves trailing down each side, the lower section with carved mirror rests on each side. h. 54-1/4”, w. 27”

111

$1,000-$1,500

113

113

Italian Walnut and Fruitwood Commode 19th century, the breakfront top banded and with circular string inlays, above a conforming case fitted with three long drawers, all banded and with decorative panels, raised on shaped bracket feet. h. 30-1/2”, w. 45”, d. 22-1/2” $2,000-$4,000

112

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114

Continental Fruitwood Commode in the neoclassical taste, the rounded rectangular quarterveneered top centered by an oval panel, above a conforming case fitted with three long drawers, all with decorative banding and veneers, raised on ormolu paw feet. h. 33”, w. 40”, d. 20” $1,400-$1,800

114

115

After Hans Holbein the Elder (German, 1460-1526) “St. Barbara” and “St. Elizabeth of Hungary” from the left and right panels of the Triptych of the Martyrdom of St. Sebastian, 1516, ca. third/fourth quarter 19th century oils on canvas each unsigned, frame backing with “L. Della Marra, Roma” gallery label and illegible German custom(?) stamp. Presented together in an International Gothic-style giltwood frame. each panel 19-1/2” x 8”, frame 33” x 25-3/4” Provenance: Descended in the family of Alessandro VIII CenciBolognetti, Prince di Vicovaro, Marquess di Rocca Priora (18881966) and his American/Illinois wife Felicite Gilett Ogelsby (1879-1954), whose brother John Ogelsby served as a Governor of Illinois. $3,000-$5,000 Notes: Numerous copies of Holbein’s triptych were made in the 19th century, including a popular collotype in 1884 by Hans Leonhard Schaufelein. The triptych is conserved at Alte Pinakothek in Munich, Germany.

44

115


116

116

Suite of Six Dutch Mahogany Side Chairs early 20th century, each with a shaped crest above a vasiform splat featuring foliate and avian inlays, the padded seat raised on cabriole legs headed by ribbon inlay and ending in ball-andclaw feet. h. 44” $1,200-$1,800

117

Large Dutch Burl Walnut Bibliotheque 19th century, the molded triple-arched cornice with shellcarved cartouches, above a pair of conforming glazed doors opening to three scalloped shelves, the bombe-form base fitted with three graduated long drawers. h. 96”, w. 74”, d. 20” $6,000-$9,000

117

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118

Franco-Bohemian Cut and Frosted Crystal Chandelier third quarter 19th century and later, the six-light chandelier with a vasiform cut and frosted standard set with a tulip-form top and terminating in a dish-form cut and frosted matching pan, hung with spear-point drops and set with scrolled glass arms with prism rings, the bottom with a cut glass spherical drop, electrified. h. 35”, dia. 27” $1,000-$1,500

119

Contemporary Enrique Garcel Burlwood Commode in the Biedermeier taste, the figured top with an ebonized, molded edge, with a projecting drawer over a bank of three line-strung drawers, a cove-molded base in like decor and shaped feet, the back with a paper label reading “Enrique Garcel Hand Made in Columbia”, probably produced by Jimeco. h. 39-1/2”, w. 52”, d. 22” $1,000-$1,500

120

Pair of Giltwood Mirrored Sconces in the Swedish Neoclassical Taste

118

ca. 1900, the oval mirrors with egg-and-dart trim and pierced bowknot crests, set with scrolled brass candle branches framed with sprays of laurel leaves. h. 19-3/4”, w. 13”, d. 6” $1,200-$1,800

121

Biedermeier-Style Burlwood Center Table the circular top with inlaid decorative brass bands and a central medallion, above a conforming frieze fitted with a single drawer, raised on a graduated standard to a tripartite base to bun feet. h. 28”, dia. 30” $1,000-$1,500

119

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121

120


123

Burl Walnut Bookcase in the Neoclassical Taste late 19th century, the dentillated cornice above a patera-inlaid frieze over four glazed doors, the lower section fitted with a Greek-key-inlaid frieze over four paneled cupboard doors, raised on a plinth base. h. 95”, w. 100-1/2”, d. 17-1/2” $8,000-$12,000

124

Italian Polychromed, Parcel-Gilt and Marble-Top Center Table 122

122

Collection of Scandinavian Leather-Bound Books

19th century, the inset serpentine-shaped marble set within a molded and gilt frame, the apron friezes with female portraits and laurel swags, raised on turned and fluted legs. h. 32”, w. 49”, d. 41” $1,800-$2,500

Swedish or Norwegian text, all in quarter leather on marbled boards with gilt lettering and decoration, with partial sets and individual volumes including: Albert Engstrom, Works, 1942 (8) Magnus Jacob Crusenstolpe, House of Holstein-Gottorp in Sweden, 1916-1917 (5) August Blanche, Works, 1927 (9) Sigrid Onset, Jenny, 1928 (1) Gerhart Hauptmann, Atlantis, 1929 (1) August Strindberg, Plays and Novellas, 1928-1929 (6) Henrik Ibsen, Plays, 1922 (6) Jagerskiold & Pehrson, Natural History, 1928-1930 (4) Erikson & Wallin, Swedish Cultural Images, 1935-1938 (12) 52 books total the largest 11” x 8”, the smallest 7-1/2” x 5” $1,000-$1,500

124

123

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125

125

Semi-Antique Kerman Carpet 11’ 6” x 16’ 11” $3,000-$5,000

126

Antique Caucasian Sewan Kazak Carpet 5’ 10” x 10’ 2” Provenance: From a gentleman collector, New Orleans, Louisiana, and Denver, Colorado. $2,000-$4,000

126

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127

128

127

Antique Caucasian Seychour Kuba Carpet 4’ x 8’ 4” Provenance: From a gentleman collector, New Orleans, Louisiana, and Denver, Colorado. $2,000-$4,000

128

Turkish Angora Oushak Carpet 9’ 2” x 11’ 9” $1,200-$1,800

129

Semi-Antique Oushak Carpet 12’ 2” x 20’ 8” $6,000-$9,000

129

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130

Turkish Angora Oushak Runner 2’ 5” x 25’ 8” $1,000-$1,500

131

Turkish Angora Oushak Carpet 8’ 2” x 10’ $1,000-$1,500

132

Turkish Angora Oushak Carpet 131

8’ x 9’ 9” $1,000-$1,500

130

132

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133

Turkish Oushak Carpet 9’ 10” x 13’ 7” $1,200-$1,800

134

Turkish Angora Oushak Carpet 10’ 1” x 13’ 6” $1,500-$2,500

135

Persian Nain Runner 2’ 8” x 26’

133

$1,400-$1,800

135

134

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136

136

Studio of Sir Peter Lely, R.A. (British, 1618-1680) “Portrait of a Gentleman in Armour and Lace Cravat, Landscape in Background, Probably Sir Thomas Myddelton, 2nd Bt. (1651-1684)”

Provenance: Christie’s, London, June 8, 1995, lot 83; William R. Eubanks Interior Design, Inc., Palm Beach, Florida; Private collection.

oil on canvas unsigned, a partial “Belfast Free Public Library” exhibition label and various auction inscriptions and stencil en verso. Framed. 49” x 40-1/2”, framed 54” x 44”

Exhibited: Belfast Free Public Library, Belfast, Ireland, ca. 1900 (now the Ulster Museum).

$10,000-$15,000

52

Another version of this portrait is conserved at Chirk Castle, a Grade I listed castle in County Wrexham Borough, Wales.


137

British School (Fourth Quarter 18th Century) “In the Stable Yard” oil on canvas unsigned. Framed. 30” x 40”, framed 38” x 48-1/2” $1,500-$2,500

138

Asian Silvered Bronze-Mounted Porcelain Potpourri Urn 20th century, in the rococo taste, raised on scrolled feet, the center with arcaded piercing, the handles with applied flowerheads, with a scrolled and rocaille-molded knop. h. 14-1/2”, w. 10-3/4”, d. 7-3/4”

137

$1,500-$2,500

139

English Oak Dresser Base 19th century, the rectangular top above a case fitted with three drawers, each inset with two banded panels, raised on cabriole legs ending in pad feet. h. 30-1/2”, w. 72-1/2”, d. 17-1/2” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,000-$1,500

138

139

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140

William-and-Mary Walnut and Oak Highboy 18th century and later, the molded cornice above a case fitted with two short drawers over three graduated long drawers, the lower section fitted with three small drawers, all banded, raised on cup-and-cover legs joined by a shaped stretcher and ending in ball feet. h. 66-1/2”, w. 41”, d. 21” $2,000-$4,000

141

Suite of Eight Queen Anne-Style Fruitwood Dining Chairs 20th century, consisting of two armchairs and six side chairs, each with an earred crest above a shaped splat, the needlework seat raised on cabriole legs ending in pad feet. h. 40-1/2” Provenance: Estate of Mary Jane “Cookie” Grace Merrill, Baton Rouge, Louisiana. $1,200-$1,800

140

141

548


142

Regency Revival Gilt Composition Mirror first quarter 20th century, the oval mirror with a pierced surround decorated with molded leaves and set with an eagle in the crest, a pierced anthemion at the base, lined with ribbon-bound and molded reeding alternating with flowerheads. h. 53”, w. 32-1/2” $1,000-$1,500

143

Unusual Pair of Chinese Export Porcelain Armorial Temple Jars 20th century, with large armorials trimmed with black and gilt floral swags and scattered bouquets of flowers. h. 24”, dia. 12” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

144

George III Mahogany Chest late 18th century, the rectangular top with a molded edge, above a conforming case fitted with two short drawers over three graduated long drawers, flanked to either side by canted and fluted uprights, raised on shaped bracket feet. h. 38”, w. 41-1/2”, d. 20-1/2” $2,000-$4,000 142

143 144

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146

145

George II Japanned Tall Case Clock 18th century, the brass filigree dial signed “Wm Champ, London”, the hood with a sarcophagus-form top and turned finials, having a time-and-strike movement with a calendar dial. h. 98”, w. 20”, d. 10” $2,500-$4,000

145

146

American Chippendale-Style Giltwood Mirror 20th century, the rectangular mirror with a stork-form finial on a rocky outcropping, the pierced surround decorated with rocaille and scrollwork, the sides with trailing flowerheads, labeled by the Carvers’ Guild, Groton, Massachusetts. h. 57-1/2”, w. 28” $1,000-$1,500

147

Two Regency-Style Brass-Bound Mahogany Objects fourth quarter 19th century, including an umbrella stand and a jardiniere set with brass ring handles and raised on cabriole legs, each with a metal liner. h. 21-1/2” to 28”, w. 10-1/4” to 13” $1,000-$1,500 147

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148

George III Mahogany Cellarette late 18th century, the ovoid body hinged and opening to a blank interior, brass bound and with brass carrying handles, raised on a stand of cabriole legs ending in ball-and-claw feet. h. 29”, w. 22”, d. 17” $1,200-$1,800

149

Giltwood Mirror in the Chinese Chippendale Taste 20th century, in two parts, with a bridge dividing the sections, the pierced surround decorated with carved scrollwork and rocaille work trim, the pierced pagoda-form finial flanked by ho-ho birds, the sides decorated with trailing leaves. h. 68”, w. 34-1/2”

148

$1,000-$1,500

150

Chinese Export Rose Medallion Porcelain Vase fourth quarter 19th century, decorated with well-detailed panels of mandarin figures alternating with panels of ho-ho birds and peonies, against a ground of gilt and green scrollwork, set with gilt foo dog handles. h. 24”, dia. 7-3/4” $1,000-$1,500

150

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152

151

152

ca. 1800, the bowed top over a conforming case with a central drawer over a tambour door, flanked by a bank of two drawers, one with an interior fitted for bottles, the drawers with beaded perimeters, raised on tapering square legs with spade feet. h. 37-1/2”, w. 66”, d. 28”

19th century, the rounded rectangular top with two ovoid drop leaves, raised on pierced end supports to runner feet on casters. h. 28”, w. 58”, d. 18”, extended l. 55”

George III Mahogany Sideboard in the Hepplewhite Taste

English Mahogany Drop-Leaf Table

$1,000-$1,500

$1,000-$1,500

151

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153

George III Oak Tall Case Clock ca. 1800, the hood with a broken-arch pediment and brass eagle finial, the time-and-strike movement signed “I Rougr Kirriemuir”, and featuring a calendar dial. h. 82”, w. 18”, d. 9-1/2” $1,000-$1,500

154

Suite of Eight George III-Style Mahogany Armchairs labeled “Baker Furniture”, each with a shaped and earred foliate-carved crest above a pierced and interlacing splat, joined by shaped arms to the padded seat, raised on chamfered square legs joined by an H-form stretcher. h. 36” $2,000-$4,000

155

Twelve Derby “Japan” Pattern Porcelain Dinner Plates first quarter 19th century, richly decorated in the Imari palette with cobalt and orange peonies with gilt highlights, the rear with Derby’s hand-painted crown, crossed batons and “D” mark. dia. 10” Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. 155

$1,000-$1,500

153

154 59


156

156

157

Bench-Made Regency-Style Satinwood-Banded Mahogany Banquet Table

Suite of Eight George III-Style Mahogany Dining Chairs

Jacksonville, FL, the top with satinwood perimeter crossbanding, extending to accommodate two 24” leaves, all with a reeded edge, on a double-pedestal base, each with a vasiform pedestal, reeded legs and brass paw cup casters. ,with the impressed numbers 1328, and 12 85, the latter presumably the production date, and with two stenciles of the cabinet maker’s address. h. 32-1/4”, w. 47-3/4”, l. 72-1/2”, ext. l. 127” $1,000-$1,500

157

60

in the Chippendale taste, comprised of a pair of armchairs, h. 40”, and six side chairs, h. 38-1/2”, each with shaped leafcarved crests over a pierced splat, a slip seat upholstered in cream brocade and cabriole front legs ending in ball-andclaw feet, labeled. $1,000-$1,500


158

George III-Style Mahogany Sideboard the bowed superstructure fitted with a single drawer, over a like top, above a conforming case fitted with a central cutlery drawer flanked to one side by a drawer over a cupboard and to the other by a drawer over a deep drawer, raised on tapering square legs ending in spade feet. h. 40-1/2”, w. 78”, d. 28” Provenance: Estate of Mary Jane “Cookie” Grace Merrill, Baton Rouge, Louisiana. $1,000-$1,500

159

159

Partial Service of Baccarat “Colbert” Cut Crystal Stemware comprising eight champagne coupes, h. 4-3/4”, seven claret wines, h. 6”, seven champagne flutes, h. 7”, and sixteen tall goblets, h. 7-1/4”.

Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $1,200-$1,800

160

Pair of Anglo-Irish Cut Glass Decanters 18th/19th century, the decanters with cut glass mushroomform stoppers. h. 11” $1,000-$1,500 160

158

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161

Partial Service of Waterford “Curraghmore” Crystal Stemware and Decanter comprising ten cordials, h. 4-3/4”, ten hock wines, h. 7-1/2”, ten goblets/red wines, h. 7-5/8”, ten champagne flutes, h. 8”, ten clarets, h. 7”, ten champagne coupes, h. 5-1/2”, and a stoppered decanter, h. 14-1/2”. $1,200-$1,800

162

Pair of Anglo-Irish Cut Glass and Brass Hurricane Lamps with diamond-cut stands supported on petal-form bases, one standard is late 18th century, the other standard, fittings and shades are fourth quarter 19th century. h. 20-1/2”, dia. 5-3/4” $1,500-$2,500

163

Ten Tiffany-Retailed Royal Crown Derby “Traditional Imari” Dinner Plates

162

ca. 1897, decorated in orange and cobalt with gilt highlights, with the Derby mark using “England”, the 1897 symbol and “Tiffany & Co., New York”. dia. 10-1/4” Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $1,000-$1,500

163

161

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164

164

165

early 20th century, comprised of two armchairs and ten matching side chairs, each with a shaped and earred crest above a shaped splat, the inset saddle seat raised on cabriole legs ending in pad feet; together with two similar mahogany side chairs. h. 42”

20th century, in the manner of Gillows of Lancaster, the top with a molded edge and rounded ends, opening to accommodate four skirted leaves, supported by shaped and reeded legs on brass cap casters. h. 31-1/4”, w. 50-1/2”, l. 93”, ext. l. 165”

Suite of Fourteen Queen Anne-Style Walnut Dining Chairs

William IV-Style Mahogany Banquet Table

$2,500-$4,000 $2,500-$4,000

165

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166

William IV Mahogany Sideboard mid-19th century, the D-form top above a conforming case fitted with a central drawer over a recessed tambour cupboard, flanked to either side by a deep drawer faced as two drawers, raised on turned tapering circular legs ending in peg feet. h. 35-1/2”, w. 55”, d. 26” $1,000-$1,500

167

George II Giltwood Mirror 18th century, with a swan’s-neck pediment and crossetted corners, the upper tablet carved with flowerheads and sheaves of wheat, the edges lined with egg-and-dart molding. h. 46-1/2”, w. 26-3/4” $1,500-$2,500

168

Edwardian Parcel-Gilt Floor Lamp first quarter 20th century, in the Regency taste, the leafcarved and reeded standard decorated with Prince of Wales’s feathers at the top, the lower section set with ram’s heads and terminating in a tripartite base with paw-footed monopodia. h. 56-1/2”, dia. 16”

167

$1,000-$1,500

166

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168


169

Edwardian Giltwood Mirror in the George II Taste first quarter 20th century, with crossetted corners, the edges decorated with egg-and-dart carving, the corners with carved medallions. h. 55”, w. 40-1/4” $1,500-$2,500

169

171

Contemporary Queen Anne-Style Leather Wing Chair and Footstool the chair having a tufted back trimmed with brass tacks, both raised on cabriole legs ending in pad feet. chair h. 45”, w. 31”, d. 29”; stool h. 14-1/2”, w. 23”, d. 18” 171

$1,000-$1,500

170

George III-Style Mahogany Chest first half 19th century, the serpentine top with a molded edge, above a conforming case fitted with three graduated long drawers, raised on bracket feet. h. 34”, w. 55”, d. 28” $1,000-$1,500

170

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172

George III-Style Mahogany Partner’s Desk early 20th century, the rectangular top with an inset gilttooled leather top, above a frieze fitted with three drawers to either side, raised on two pedestals, each fitted with a paneled cupboard to one side and three graduated short drawers to the other, each raised on a plinth base on casters. h. 31”, w. 67”, d. 41-1/2” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500

173

British School (18th Century) 174

“The Country Estate” oil on canvas unsigned. Framed. 29” x 55-1/2”, framed 34-3/4” x 61” $1,500-$2,500

174

Edwin Henry Boddington (British, 1836-1905) “Fishing on Loch Kinardochy with Mt. Schiehallion, Scotland in the Distance” oil on canvas signed lower left. Framed. 24” x 36”, framed 30-1/2” x 42-3/8” $3,500-$5,000

173

174

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175

Edwin Ellis (British, 1842-1895) “The River Valley” oil on canvas signed lower left. Framed. 22” x 38-1/2”, framed 26” x 42” $1,500-$2,500

176

176

British School (Fourth Quarter 19th Century) “Highland Landscape with Cattle” oil on canvas unsigned. Framed. 23-3/4” x 36”, framed 28-1/2” x 41” $1,200-$1,800

175

177

Pair of Patinated Metal and Brass Andirons 20th century, the equestrian-themed andirons with horse-head standards mounted on brass pylonform bases pierced with coach wheels, the billet bars with brass horse-head log stops. h. 17”, w. 7-1/2”, d. 18-1/2” $1,000-$1,500

177

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178

Pair of William IV Mahogany Hall Chairs mid-19th century, each with a graduated rectangular back with a swag crest and a central polychrome heraldic lion panel, the round wooden seat raised on tapering square legs. h. 34” $1,200-$1,800

178

179

Rudolf Albert Becker-Heyer (German, 1862-1930) “Horses in the Paddock” oil on canvas signed lower right. Framed. 20” x 28-1/2”, framed 25-3/4” x 35” $1,500-$2,500

179

180

Charles H.D. Boland (Belgian, born ca. 1850) “On the Scent” oil on canvas signed lower right. Framed. 18” x 29”, framed 30” x 41” $2,500-$3,500

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181

George III Figured Mahogany Slant-Lid Desk late 18th century, the slant-lid with a banded edge and opening to a fitted interior, the lower case with a pair of side-by-side drawers above three graduated long drawers, raised on bracket feet. h. 44-1/2” w. 40” d. 21” $1,000-$1,500

182

George III Mahogany Chest-on-Chest 18th century, the upper case with a molded cornice and two-over-three graduated drawers, above a lower case with three graduated drawers and bracket feet. h. 65-3/4”, w. 43-1/2”, d. 21-3/4” $1,500-$2,500

183

George III-Style Mahogany and Leather Gainsborough Chair 20th century, upholstered in cream leather, the tall, padded shaped back joined by padded and richly carved inswept arms to the padded seat, raised on cabriole legs headed by elaborate floral shields and ending in hairy paw feet. h. 43” Provenance: Collection of Ruth and Michael Burke, Covington, Louisiana. $1,000-$1,500

182

181

183

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184

Pair of Opposing Carved Giltwood Mirrors 20th century, in the Chippendale taste, the asymmetrical rococo mirrors carved with scrollwork surrounds and accented with pierced flowerheads and rocaille work, the primary mirror panels decorated with impish figures seated on rocky outcroppings, the crests with carved ho-ho birds. h. 76-1/2”, w. 33” Provenance: Private collection, Galveston, Texas. $2,000-$4,000

186

185

Georgian-Style Mahogany and Leather-Top Partner’s Desk early 20th century, with an inset tooled brown leather writing surface, each side with a kneehole and a row of three drawers above a bank of three drawers to either side. h. 30-1/2”, w. 58-1/2”, d. 44” $1,000-$1,500

186

George III Mahogany Chest fourth quarter 18th century, the rectangular top with a molded edge, above a case fitted with two short drawers over three graduated long drawers, raised on shaped bracket feet. h. 42”, w. 43-1/2”, d. 21-1/2” 184

$1,000-$1,500

185

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187

188

187

Richard Henry Nibbs (British, 1816-1893) “Harbor Scene” oil on canvas signed lower left. Framed. 20” x 35-1/2”, framed 24-1/2” x 40-1/2” $4,000-$7,000

188

Collection of English and American Leather-Bound Books English text, in full or half leather on marbled boards, with gilt lettering, including: Dickens, Novels, 1873-1874 (9) Robert Browning, Works, 1874 (7) Samuel Pepys, Diary, 1899 (7) John Ruskin, Fors Clavigera, 1871-1877 (6) Robert Bulwer-Lytton, Novels, 1874-1875 (7) Samuel Smiles, Works, 1882-1883 (2) Washington Irving, Works, [n.d., ca. 1880] (2) Rafael Sabatini, Works, 1924 (11) Griesbach’s New Testament, 1830 (1) Thomas Macaulay, History of England, 1856 (1) Sir Walter Scott, The Monastery, [n.d., ca. 1890] (1) 54 books total the largest 8-1/2” x 5-3/4”, the smallest 7” x 5” $1,200-$1,800

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189

Pair of Henredon Leather Armchairs and Ottomans in the Victorian taste, the shaped back and seat joined to open arms on simulated burlwood supports, the trumpet legs with brass cup casters, the shaped ottomans with similar legs, labeled “Made by Henredon Furniture Industries, Morganton, N.C.”. chair h. 42-1/2”, ottoman h. 15-1/2”, w. 21-1/2”, d. 18” $1,000-$1,500

190

English Bronze and Mahogany Reading Lamp 20th century, in the Regency taste, the weighted bronze base supporting a square mahogany top with a brass arcaded gallery, and set with a reading lamp on an adjustable arm, mounted with a shade. h. 50-1/2”, w. 29-1/2” (fully extended), d. 13-1/2” $1,000-$1,500

191

English Bronze and Mahogany Reading Lamp 20th century, in the Regency taste, the weighted bronze base supporting a square mahogany top with a brass arcaded gallery, and set with a reading lamp on an adjustable arm, mounted with a shade. h. 50-1/2”, w. 29-1/2” (fully extended), d. 13-1/2”

191

$1,000-$1,500

190

189

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192

193

192

Georgian-Style Figured Mahogany Circular Writing Desk early 20th century, having an inset green tooled leather writing surface, one side with a kneehole opening and drawer above, and a framed and paneled door flanked to each side, the back side fitted with open bookshelves. h. 30”, dia. 40-1/2” $1,000-$1,500

193

Regency Mahogany, Paper and Bronze Celestial Globe

194

post-1830, on a turned mahogany Sheraton stand, with a bronze meridian, the paper-covered globe signed “Newton’s Celestial Globe... recalculated in the year 1830, Manufactured by J.J. Newton, 66 Chancery Lane”. h. 17”, dia. 18-1/2” $1,500-$2,500

194

Frederick Goodall (British, 1822-1904) “By the Banks of the Nile”, 1881 oil on wood panel monogrammed and dated lower left. Framed. 11-1/2” x 30-1/4”, framed 14” x 32-1/2” $1,000-$1,500

195

Georgian-Style Walnut Bibliotheque 19th century, having a stepped crown molding above three glazed doors, the ends with flat pilasters and carved capitals, raised on a plinth base. h. 90”, w. 87”, d. 19” $1,200-$1,800

195 73


196

Adam-Style Giltwood Mirror mid-20th century, the pierced crest set with an urn-form finial, scrollwork set with flowers and leaves, a central swag and side drapes, the lower edge with swags of leaves and carved fabric swags, now on a giltwood and gray fabric mounting. h. 55”, w. 36-1/2” $1,000-$1,500

197

William IV Rosewood and Marble-Top Center Table mid-19th century, the circular marble top inlaid in a star pattern with various specimen marble types and set into a ribbed and foliate brass-inlaid frieze, raised on a columnar standard to a concave rectangular base to massive ormolu paw feet. h. 29”, dia. 47-1/2” Provenance: Villa Melrose Antiques, Los Angeles, California. $5,000-$8,000

198

Regency-Style Ebonized and Parcel-Gilt Window Seat 19th century, the cushioned and caned seat flanked to either side by in-scrolled arms joined by a turned foliate-carved stretcher, raised on sloping molded legs ending in scrolled toes and joined by stretchers. h. 23”, w. 34-1/2”, d. 16-1/2” $1,500-$2,500

196

197

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199 200

199

Regency-Style Ebonized and Marble-Top Bookcase 19th century, the rectangular marble top within a brass edge, over a conforming case fitted with two banks of three open shelves, raised on a plinth base. h. 37”, w. 61-1/2”, d. 12” $2,000-$4,000

200

Adam Oval Giltwood Mirror fourth quarter 18th century, with a cove-molded surround lined with beading, the segmented mirror surrounding the oval center decorated to match. h. 26-1/2”, w. 20-1/2” $1,000-$1,500

201

Pair of Large Classical Revival Brass Andirons

201

ca. 1900, English, with Corinthian-column standards set with reeded ball finials, decorated with mounts of rampant lions, on cabriole legs with paw feet and set with cast iron billet bars. h. 33”, w. 12”, d. 22-3/4” $1,000-$1,500

202

George IV Mahogany and Tropical Hardwood Pylon-Form Clock second quarter 19th century, in the Egyptian Revival taste, with gilt-bronze mounts depicting griffins, musical trophies, a sunburst and Pegasus, the strike-only works mounted with an enamel dial in an engine-turned bezel, the top with a bronze covered urn finial. h. 52-1/4”, w. 26”, d. 9-1/4” $1,500-$2,500 202 75


203

203

Regency-Style Banded Mahogany Triple-Pedestal Dining Table 20th century, the tops with satinwood and rosewood banding and mounted to three pedestals with outstretched legs, accompanied by two 24” leaves. h. 30”, w. 52”, l. 132”, ext. l. 180” $3,000-$5,000

204

Suite of Ten Regency-Style Polychromed Dining Chairs 20th century, comprised of two armchairs and eight side chairs, each with a back-scrolled crest featuring a scene of classical figures gaming, the caned seat raised on saber legs, the whole with gilt accents. h. 33” $3,000-$5,000

205

Pair of Italian Regency-Style Giltwood and Gilt-Metal Sconces third quarter 20th century, mounted with eagles on a quiver-form backplate, supported on bowknot crests, with fronds of wheat overhanging the eagle, set with rope-twist branches terminating in leafcarved candle sockets and turned drip pans. h. 46-1/2”, w. 12”, d. 10-1/4” $1,000-$1,500

204

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206

Regency Mahogany and Parcel-Gilt Library Table early 19th century, the square top with canted corners and an inset tooled red leather writing surface, above an apron having two ends fitted with a drawer, and supported by gilded animal legs mounted to a shaped platform base with scrolled feet. h. 30”, w. 47”, d. 48” $2,000-$4,000

207

Pair of Regency-Style Kingwood and Marble-Top Cabinets 19th century, each with a rounded rectangular top with a threequarter pierced brass gallery, above a conforming case fitted with an ormolu-mounted frieze over two grilled paneled doors, raised on toupie feet. h. 39-1/2”, w. 33-1/2”, d. 14” 206

Provenance: Private collection, Houston, Texas. $1,500-$2,500

208

George III-Style Mahogany Dining Table the rounded rectangular top banded and raised on three pedestals, each with a turned vasiform standard to three splayed, ribbed legs ending in brass paws on casters, accompanied by two 18” leaves, the center section can be used alone and has removable banded satinwood edges. h. 28-1/2”, w. 47-1/2”, l. 96”, ext. l. 132” Provenance: Estate of Mary Jane “Cookie” Grace Merrill, Baton Rouge, Louisiana. $1,200-$1,800

207

208

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209

Edwardian Satinwood Cabinet late 19th century, the rectangular top centered by a Prince of Wales’s feathers medallion, and with a bowed center section, above a conforming case fitted with three drawers over three cupboards, the central one with a polychrome grisaille classical medallion and the outer two with floral bouquet panels, raised on tapering circular legs ending in foliate carving and pad feet. h. 33”, w. 39-1/2”, d. 18-1/4” $1,500-$2,500

210

210

Pair of Regency Bronze and Crystal Argand Lamps second quarter 19th century, set with fluted and molded urnform tanks, the arms with scrolled decoration over socle-form bases, set with cut and frosted glass shades and hung with prisms. h. 15-1/2”, w. 16-1/2”, d. 7” $1,000-$1,500

211

209

211

Regency Rosewood Games Table early 19th century, the rounded rectangular top with inlaid brass stringing, hinged and opening to a baize-lined interior, above a conforming frieze, raised on a gilt acanthine-carved standard to a concave base on rounded feet, the whole with decorative brass inlays. h. 28”, w. 35”, d. 17-1/2” (closed) $1,500-$2,500

212

Anglo-American Giltwood Girandole Mirror mid-19th century, with a displayed eagle flanked with pierced scrollwork, the laminated cove-molded surround decorated with giltwood spherules and a guilloche-carved border, the lower portion with a fan of reeding over a fan of rocaille work. h. 43”, w. 25-1/2” $1,800-$2,500

212

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213

Set of Ten Tiffany-Retailed Cauldon Ltd. Dinner Plates ca. 1904-1920, decorated with raised gilt on a cobalt border, the back marked “Cauldon, England” and “Tiffany & Co., New York”, along with a decorator’s mark. dia. 10-1/2” $1,000-$1,500

214

Suite of Ten Fruitwood Side Chairs in the Regency taste, each with a curved crest rail above a double X-form back, the padded seat raised on ring-turned tapering circular legs ending in toupie feet. h. 39”

213

$1,000-$1,500

215

Henri Houben (Belgian, 1858-1931) “Young Courtship by the Well” oil on linen signed lower right. Framed. 44-1/2” x 33-1/2”, framed 49-1/4” x 38-1/4” Provenance: Private collection, Rhenish Hesse, Germany. $3,000-$5,000

215

214

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216

Regency Mahogany Secretary Bookcase early 19th century, the upper section with glazed doors, above a protruding base fitted with a butler’s desk drawer over a pair of framed and paneled doors. h. 90”, w. 50-1/2”, d. 21-1/2” $1,000-$1,500

217

Pair of Meiji Period Satsuma Pottery Vases ca. 1900, now mounted as lamps, richly decorated with gilt robed figures in landscapes and mounted with carefully detailed dragonform handles. h. 20”, w. 7-3/4”, d. 4-3/4” $1,000-$1,500

218

George III Mahogany Fold-Over Games Table ca. 1800, of demi-lune form with string inlay, the top opening to reveal a tooled inset leather playing surface, raised on tapering square legs. h. 29”, w. 36-1/2”, d. 18” (closed) $1,000-$1,500

219

Set of Twelve Crown Staffordshire Dinner Plates ca. 1911-1930, decorated with central panels of floral bouquets framed with raised gilt and green scrollwork borders, each plate marked. dia. 10-1/4” $1,000-$1,500 216 219

217

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220

Edwardian Inlaid Mahogany Server late 19th century, the top with an applied molded edge, the front fitted with a row of three “ribbon and bellflower”-inlaid drawers, raised on tapering square legs ending in spade feet. h. 30”, w. 48-1/2”, d. 24-1/2” $1,200-$1,800

221

George Henry Boughton (British/American, 1833-1905) “Indifference” oil on canvas signed lower left. Framed. 18” x 36”, framed 25” x 43”

221

Provenance: James D. Julia, Fairfield, Maine, February 4, 2011, lot 1244; Private collection, Hilton Head, South Carolina; Shannon’s Fine Art Auctioneers, Milford, Connecticut, October 26, 2017, lot 154; Private collection, Georgia. $3,000-$5,000 Painting was titled on original brass artist plaque when it was sold in 2011 at James D. Julia with the accompanying poem: When my hair is gray, then shall I be wise then, thank heaven I shall not care for bronze brown eyes.”

222

British School (Third Quarter 19th Century) “Charity Starts at Home” oil on canvas unsigned. Framed. 25-1/2” x 29-1/4”, framed 29-1/2” x 34-1/2”

222

$1,000-$1,500

220

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223

Edwardian Satinwood Tilt-Top Center Table ca. 1900, the rounded rectangular top with a polychrome garland band centering a medallion of classical figures within a floral garland, raised on a bulbous standard to four splayed legs ending in brass caps and casters. h. 29”, w. 36”, d. 32” $1,000-$1,500

223

225 224

224

225

Edwardian Chandelier in the Regency Taste

English Tole Tray-on-Stand

first quarter 20th century, with a molded glass pan, the standard clad with a glass “vase” and rope-twist turning, supporting a prism ring with strands of drops leading to the molded glass drip pans, the pan concealing four light sockets. h. 30”, dia. 27-1/2”

19th century, the oval scarlet tray with a full gallery with pierced end handles, and featuring a central polychrome medallion of a dramatic figural scene, raised on a later stand of turned legs joined by an X-form stretcher, a tag on the underside of the tray reads “Ann & Gordon Getty Collection F.A. #99299”. h. 19”, w. 24-1/2”, d. 19”

Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

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$1,000-$1,500


226

George III-Style Ebonized Chinoiserie Bureau 19th century, the slant front opening to an interior fitted with an inset writing surface and a variety of drawers and cubbyholes surmounting a central cupboard over two small drawers and two long drawers, raised on cabriole legs ending in ball-andclaw feet, the whole richly ornamented with gilt and gesso figural scenes in the chinoiserie taste. h. 42”, w. 33”, d. 19” $1,000-$1,500

227

Rare Victorian Papier-Mache Reading Stand second quarter 19th century, English, now mounted as a floor lamp, the top decorated with delicate gilt chinoiserie gardens accented with mother-of-pearl, supported on a painted standard and scroll feet decorated with gilt penwork, the top with brass scrolled supports, the parcel-gilt lamp standard fitted with a silk shade. h. 59-1/4”, table w. 15”, d. 20” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas.

226

$1,000-$1,500

228

Kikugawa Eizan (Japanese, 1787-1867) “Courtesan Meizan of Chojiya Teahouse”, 1815-1819 woodblock print signed, published by Izumiya Ichibei. Matted, glazed and framed. sight 15” x 9-3/4”, framed 21-3/4” x 15-3/4” Provenance: Joan B. Mirviss Ltd., New York, New York. $1,000-$1,500 228

229

Keisai Eisen (Japanese, 1790-1848) “Seated Beauty from Otsu Station”, ca. 1820 woodblock print from The travels of a courtesan compared to Sugoroku Game signed published by Tsutaya Kichizo. Matted, glazed and framed. sight 15” x 9”, framed 21-3/4” x 15-3/4” Provenance: Joan B. Mirviss Ltd., New York, New York. $1,000-$1,500

229

227

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230

Georgian-Style Mahogany Collector’s Cabinet 20th century, the rectangular top above a conforming case fitted with two doors, each inset with three panels carved in chinoiserie designs, opening to two banks of eight pullout trays, raised on a plinth base. h. 38-1/2”, w. 38-1/2”, d. 17” $2,500-$4,000

231

Pair of Chinese Celadon Vases 19th century, now mounted as lamps, the bodies decorated with peonies, the necks with storks, set with twig-carved handles, on turned giltwood bases. h. 18-3/4”, dia. 5-3/4” $1,000-$1,500

232

Chinese Celadon Vase 18th century, the cylindrical body with a wide lip, the neck with handles in the form of dolphins. h. 11”, dia. 3-3/4”

230

$1,000-$1,500

233

Chinese Peach Bloom Eggshell Porcelain Bowl 18th/19th century, with a delicately tinged glaze, the base with concentric rings and an underglaze blue mark. h. 2-1/4”, dia. 9” $1,000-$1,500

231

232

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234

235

234

Anglo-Indian Teakwood Adjustable Planter’s Chair 19th century, having a caned back and seat and swingout arm rests, of pegged construction throughout. h. 45”, w. 27-1/2”, d. 36” $1,500-$2,500

235

Southeast Asian Rosewood Center Table 20th century, the circular top with a gadrooned edge, above a conforming grapevine-carved frieze, raised on a fluted baluster support, with pendant scrolling and avian patterns, to a tripartite base on scrolled toes on fluted bun feet. h. 30”, dia. 22-1/2”

236

$1,000-$1,500

236

Oriental Brass Brazier Urn Mounted as a Coffee Table 19th century and later, the engraved brass bowl decorated in flora, vines and Moorish arches, supported by carved legs and fitted with a circular beveled glass top. h. 18-1/2”, dia. 47-1/2” $1,500-$2,500

237

Anglo-Indian Hardwood Server late 19th century, the shaped backpiece above a galleried top, joined by turned supports to a lower shelf with two short drawers and two cabinets below, raised on bulbous feet, the whole elaborately carved in foliate and floral scrolling patterns. h. 58”, w. 48”, d. 20-1/2” $2,000-$4,000 237 85


238

Pair of Anglo-Indian Pierce-Carved Rosewood Side Chairs 19th century, each with a pierced and foliate-carved back, the seat frame deeply relief-carved with like motifs, raised on cabriole legs ending in scrolled toes with a central acanthus leaf. h. 37”, w. 21”, d. 21” $1,000-$1,500

238

239

Large Pair of Bronze Figures of Trumpeting Elephants 20th century, poised with their trunks and tusks up and their ears back. h. 50-1/2”, w. 21-1/2”, d. 39” $3,000-$5,000

239

240

Two Chinese Carved and Painted Figures of Guanyin 19th century, now mounted as lamps, each standing, one holding a water bottle and the other holding her hands, symbolizing compassion, each retaining remnants of early paint, on plexiglass bases. h. 29”, w. 7-1/2”, d. 6-1/2” $1,200-$1,800

240

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241

Chinese Famille Vert Porcelain Saucer Dish ca. 1573-1619, decorated with two children playing, the border with double gourd decoration, with a Wan Li mark to the rear. dia. 6” $1,000-$1,500

241

242

Chinese Child’s Vest, Qing Dynasty (1644-1911) richly colored silk threads on a cream and blue silk ground, stitches including satin, long-and-short, and French knots, outlines and accents in gold-wrapped thread, all bordered in needle-lace ribbons of mint green and gold, lining of peach silk, front and back with a central motif of a man riding a dragon surrounded by various flora and fauna, frog closures on each side, h. 14-1/2”, w. 18” $1,000-$1,500

242

243

Three Large Chinese Porcelain Figures of Immortals second half 20th century, one carrying the peach of immortality, one representing children and the other carrying the mushroom of immortality, with a pale celadon glaze and unglazed beards and hands, the bases with impressed character marks. h. 26” to 28-1/2”, w. 13-1/2” to 15”, d. 6-3/4” to 7-1/4” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,200-$1,800

243

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244

Chinese Porcelain Gu-Form Vase ca. 1700, from the transitional period, decorated with underglaze blue mandarin figures in a landscape. h. 11-3/4”, dia. 8-1/2” $1,000-$1,500

245

Chinese Chinoiserie-Decorated Ebonized Altar Table 20th century, the rectilinear top with a chinoiserie genre scene, the shaped apron and square legs with gilt decoration. h. 30”, w. 50”, d. 17-1/2” $1,200-$1,800

246

Chinese Painted Gray Pottery Jar Han Dynasty (206 B.C.-220 A.D.), of cylindrical form with two rows of scrolling arabesques in white, gray and pale green pigments on a red ground between white line borders, having pale green and white foliate meander below and above as well as on the shoulder, the base of the short neck encircled by a dog-tooth border in red and white. h. 7-7/8”, dia. 4-1/2”

244

Provenance: Christie’s, New York, June 4, 1992, lot 199. $1,500-$2,500

245

246

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247

Chinese Lacquer and Gilt-Decorated Storage Cabinet ca. 1900, decorated throughout with polychrome and genre scenes, with a pair of doors on heavy brass hinges, opening to reveal an interior with a medial belt of drawers. h. 74-1/4”, w. 58”, d. 22-1/4” $1,000-$1,500

247

248

Chinese Polychromed Cabinet 19th century, fitted with two central bi-fold cupboard doors, all paneled and retaining remnants of polychromed figural scenes, surrounded by small foliate- and floral-carved panels, raised on shaped and incised feet. h. 65”, w. 62”, d. 16-1/4” $800-$1,200

248

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249

249

Good Pair of William IV Paul Storr Sterling Silver Entree Dishes hallmarked London, 1836-1837, each of rounded rectangular form with lobe-canted corners, with robust rocaille handles and molded acanthus scroll rim, the conforming domed lid with detachable twined acanthus scroll ring handle, engraved on one side of the lid with the arms of Noel impaling Allett and on the other and the base with the crest of Noel. h. 5-1/4”, l. 14-3/4”, w. 9-1/2”; 133.58 total t. oz. Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $2,500-$4,000 A tureen from this service was sold at Sotheby’s New York on April 16, 2019, sale N10049, lot 276. 249 detail

249 detail

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249 detail


250

Fine Pair of Louis XVI Silver Candlesticks Paris, 1779-1780, by Antoine Boullier (1749-1835, M.O. 1775), old standard (.958) silver, each of fluted and waisted baluster form with rais-de-coeur calyx and ribbon-and-laurel festooned capital, surmounted by a vasiform nozzle with gadrooned base and trisected by acanthus fronds, with gadrooned rim and fitted with a detachable bobeche en suite, all above a waisted domed fluted base with laurel banding; engraved on the nozzle with the arms of Combles de Naves impaling another (gueules aux croix enhendee d’or). h. 10-1/2”, dia. 5-3/4”; 43.18 total t. oz. $4,000-$7,000 Antoine Boullier was born on January 30, 1749 in Chateauroux, the son of goldsmith Joseph Bouiller, with whom he was apprenticed. He finished his studies in Paris attending the Ecole Royale Gartuite de Dessin, where he won the Grand Prize in 1774; he was received as a master in the Paris guild the following year, on December 16, 1775. He established his workshop on the Place de Victoires, and quickly became a supplier to the heights of aristocracy; his clients included the Duc d’Orleans, the Court of St. Petersburg, George III of England and Thomas Jefferson (whose vegetable dishes purchased from Boullier during his years in France are still conserved at Monticello). He retired during the Revolution to become a farmer, but returned to his workshop during the Consulate, resuming his status as premier silversmith, suppling a tea set with Martin Guillaume Biennais for Napoleon I. He retired again around 1818, and died in Paris on January 19, 1835.

250 detail

250

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251

251

Twelve French Silver Service Plates ca. 1900, by Gustave Keller, Paris, First Standard (.950) silver, each of quarter-lobed circular form, the rim with incised, threaded laurel-scroll panels, the reeded edge quartered by acanthus leaves, monogrammed on the rim “MBS” (conjoined). dia. 10-1/4”; 227.42 total t. oz. Provenance: Private collection, New Orleans, Louisiana. $5,000-$8,000

252

Buccellati Sterling Silver Tea Set second half 20th century, Milan, Italy, in the Ottocento taste, including: a teapot, h. 10-1/2”, l. 10-1/2”; a hot water/coffee pot, h. 11-3/4”, l. 10”; a covered sugar urn, h. 7-1/2”, w. 5-1/2”; and a cream jug, h. 9-3/4”, l. 6-1/2”; each with a serpentine-lobed pear-shaped body, with treble “C”-scroll handles, “gooseneck” spouts and domed lids, decorated with acanthus crests, mounts and finials, each above a domed foot en suite. 116.90 total t. oz.

251 detail

Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $3,500-$5,000

252

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253

253

Mario Poli Sterling Silver Tray third quarter 20th century, Milan, Italy, of quarter-notched oval form, with beaded ropeand-ribbon border and addorsed acanthus baluster handles supported by acanthus scrolls. 26” x 16-1/4”; 105.13 t. oz. Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $2,500-$4,000

254

Buccellati Sterling Silver Menorah mid-20th century, Milan, Italy, in the form of a Corinthian column above an oval gadrooned base, surmounted by a central detachable stem with eight flanking ones scrolling around floral paterae, each terminating in a cannonform candlesocket. h. 18-1/4”, w. 15-1/2”, d. 5-3/4”; 65.81 t. oz. Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $3,000-$5,000

254

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255

Four German Silver Figural Candlesticks ca. 1900, probably Wolf & Knell, Hanau, .800 silver, each with a figural standard representing a Roman deity - Bacchus, Hercules, Flora and Juno - above a waisted and molded base decorated with embossed mascarons, flowers and human figures, and surmounted by a tapered nozzle with relief cartouches of additional deities separated by ram’s heads, presented on a circular marble base. overall h. 10-1/2”, dia. 5” 255

$1,200-$1,800

256

German Silver Flower Basket first quarter 20th century, by Georg Roth, Hanau, .800 silver, of cylindrical form with deeply everted and shaped navette rim, decorated with embossed cartouches of putti on a pierced laurel-lattice ground, the rim, foot and swing handle decorated en suite, fitted with a conforming glass liner. h. 7” (13-1/2” with handle), l. 11-1/2”, w. 10-3/4”; 24.14 t. oz. (excluding liner) $1,000-$1,500

256

257

German Novelty “Owl” Sterling Silver Cocktail Shaker contemporary, Ludwig Neresheimer Co., Hanau, in the form of a realistically detailed owl, its beak a faux spout fitted with a chained “stopper” with a frog on a lily pad, the head fitted with glass eyes and removing to reveal the detachable strainer. h. 7-3/4”, w. 4-1/4”, d. 5”; 29.51 t. oz. $4,000-$7,000

257

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258

German Novelty “Bear” Sterling Silver Cocktail Shaker contemporary, Ludwig Neresheimer Co., Hanau, in the form of a realistically detailed standing bear, holding a fishing pole with dangling fish, its mouth a faux spout fitted with a chained “stopper” of a half-swallowed fish, the head fitted with glass eyes and removing to reveal the detachable strainer. h. 9-3/4”, w. 2-3/4”, l. 4-1/2”; 26.28 t. oz. $4,000-$7,000

258

259

Judith Leiber Sterling Silver Shell Desk Box

259

dated 1993, limited edition, manufactured for Judith Leiber by Fulvio Casamonti, Impruneta, Italy, hinged and opening to a gilt interior, the underside bearing an oval disc stamped “Judith Leiber/Sterling”, the interior edge engraved “JLO-935-19-1993”, presented on a conforming stepped wood stand. h. 2-1/4”, w. 5”, d. 4”; 8.72 t. oz. (all excluding stand) $1,200-$1,800

260

Judith Leiber Sterling Silver Grouse Desk Box dated 1993, limited edition, manufactured for Judith Leiber by Fulvio Casamonti, Impruneta, Italy, with cabochon ruby eyes, hinged and opening to a gilt interior, the underside bearing an oval disc stamped “Judith Leiber/Sterling”, the interior edge engraved “JLO-933R-2-1993”, presented on a conforming stepped wood stand. h. 4-1/2”, w. 4-3/4”, d. 3-1/2”; 5.65 t. oz. (all excluding stand) $1,200-$1,800

260

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261

Camille Pissarro (French, 1830-1903) “Eglise et ferme d’Eragny”, 1890 etching signed and annotated in pencil lower right, titled and inscribed “2e etat No..” lower left. (Delteil 96: II/VI) Matted, glazed and framed. sight 7-1/2” x 10”, framed 17” x 19” Provenance: Hill-Stone, New York, New York. $10,000-$15,000

261

262

James Abbott McNeill Whistler (American/British, 1834-1903) “Study”, 1878 lithograph on cream Japan paper stone destroyed by 1894 with “Jules Gerbeau” stamp lower right. (Lugt 1166) Matted, glazed and framed. sight 14-1/4” x 11”, framed 25” x 21” Provenance: Jules Gerbeau, Paris 1908; Paul McCarron Fine Prints and Drawings, New York, New York, 1997. $10,000-$15,000

262

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263

263

Childe Hassam (American, 1859-1935) “Marie at the Window” etching on wove paper signed in pencil with cypher and inscribed “Imp” lower right. (Cortissoz/Clayton 230). Matted, glazed and framed. sight 11-1/4” x 7-1/4”, framed 21-1/2” x 17” Provenance: Craig F. Starr Associates, Inc., New York, New York. $15,000-$25,000

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264

Mary Cassatt (American, 1844-1926) “Tea”, 1889-1890 drypoint etching in brown ink on laid paper verso with “Meredith Long & Company, Houston, Texas” gallery label. (Breeskin 133) Matted, glazed and framed. sight 8-1/2” x 7-1/2”, framed 16-1/2” x 15” Provenance: Meredith Long & Company, Houston, Texas. $8,000-$12,000

265

Jean-Baptiste-Camille Corot (French, 1796-1875) “Dante et Virgile”, 1858 point-drawn cliche-verre signed lower right. Float-mounted, glazed and framed. sheet 8-1/2” x 6-3/4”, framed 16” x 13-3/4”

264

Provenance: Paul McCarron Fine Prints and Drawings, New York, New York. $3,000-$5,000

266

French Patinated Bronze of Venus and Cupid ca. 1900, now on an integral metal presentation stand. h. 15”, w. 28”, d. 7” $1,000-$1,500

266

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265


267

268

Italian Polychromed Demi-lune Console Table

267

Pair of Louis XVI-Style Polychromed Fauteuils early 20th century, each with a padded oval back surmounted by a floral crest, joined to the padded seat by like arms, raised on stop-fluted tapering circular legs ending in toupie feet. h. 37-1/2” $1,000-$1,500

19th century and later, the demi-lune top with elaborate polychromed scrolling foliate designs, above a conforming frieze fitted with a single drawer, joined to a like elongated lower shelf by tapering square legs. h. 32”, w. 51”, d. 19-1/2” $1,000-$1,500

269

French Terracotta Bust of a Young Girl first quarter 19th century, modeled with a floral wreath in her hair, on an integral gray stone socle base. overall h. 20”, w. 11”, d. 6-1/2” $2,000-$4,000

269 268

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270

Silver-Gilt Mirror of Louis XV Inspiration the pierced surround decorated with rocaille and scrollwork, the rectangular plate framed in raised silver-gilt-mounted side segments. h. 34-1/4”, w. 17-1/2” $1,000-$1,500

271

Suite of Six Louis XV-Style Silvered Side Chairs 20th century, each with a rounded and padded back within a ribbon-bound ribbed frame, the padded seat raised on ribbed cabriole legs. h. 36” $2,000-$4,000

270

271

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273

273

272

Pair of Louis XV-Style Creme-Peinte Bar Stools each with a floral crest above a caned back and sides, the rotating padded seat raised on tall cabriole legs ending in scrolled toes. h. 35”

272

$1,000-$1,500

French Provincial Polychromed Buffet

274

19th century and later, the rectangular top above a conforming case fitted with two cupboard doors, each inset with a shaped panel, raised above a scalloped apron on square feet. h. 44”, w. 45”, d. 19-1/2”

Louis XV-Style Polychromed Window Seat the cushioned seat flanked to either end by a padded upright with a floral crest, raised on cabriole legs headed by floral carving and ending in peg feet. h. 35”, w. 47”, d. 21-1/2”

$1,000-$1,500

$1,000-$1,500

274 101


275

French Mounted and Framed Wallpaper Panel probably early 19th century, the polychrome panel depicting a young woman carrying a bough, flanked by a young man watering, and another pushing a wheelbarrow, in a giltwood frame. h. 27-1/2”, w. 33-3/4” $1,500-$2,500

276

Pair of Louis XVI-Style Beechwood Bergeres each with a padded square back within a molded frame, joined to the cushioned seat by padded arms, raised on fluted tapering circular legs headed by floral block capitals and ending in toupie feet. h. 37-3/4”

276

$1,500-$2,500

277

Monumental Painted Mirror in the French Neoclassical Taste the outer edge lined with carved acanthus leaves and the corners with carved medallions, the mirror plate lined with a reed-turned edge. h. 95”, w. 52-1/2” $1,000-$1,500

275

277

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278

Louis XV-Style Creme-Peinte and Parcel-Gilt Stool 18th/19th century, the rectangular cushioned seat above a floral-carved frieze, raised on molded cabriole legs headed by floral carving and ending in foliate toes. h. 20”, w. 20-1/2”, d. 15” $1,000-$1,500

278

279

Pair of Louis XV-Style Polychromed Bergeres avec Oreilles 20th century, each with a padded and domed back surmounted by a foliate shell crest, joined by shaped sides and outscrolled arms to the padded seat, raised above a foliate apron on cabriole legs headed by a foliate shield and ending in scrolled toes. h. 41-1/2” $2,000-$4,000

279

280

Pair of Louis XV-Style Polychromed Bergeres avec Oreilles 20th century, each with a padded and domed back surmounted by a foliate shell crest, joined by shaped sides and outscrolled arms to the padded seat, raised above a foliate apron on cabriole legs headed by a foliate shield and ending in scrolled toes. h. 41-1/2” $2,000-$4,000

280

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281

Royal Copenhagen “Flora Danica” Porcelain Ice Dome and Stand 1960s, shape no. 3538, pattern no. 20, the pierced cover with a tulip finial, parcel-gilt pierced body and four oval botanical medallions depicting “Viola Muhlenbergiana B minor Hook.”, “Cucubalus acaulis L.”, “Coptis trifolia Salisb.” and “Antennaria alpina Gartn.”, the dome and stand fully marked. dome h. 10-3/4”, dia. 8-3/4”, stand dia. 13” Provenance: Private collection, Houston, Texas. $4,000-$7,000

282

Large Royal Copenhagen “Flora Danica” Oval Porcelain Platter 20th century, model no. 3520, depicting “Lavatera thuringiaca L.”, the underside fully marked. w. 18-1/2”, d. 14-1/4” Provenance: Private collection, New Orleans, Louisiana. $1,500-$2,500

283

Royal Copenhagen “Flora Danica” Oval Porcelain Platter

281

1962, model no. 3518, depicting “Crataegus monogyna Jacq.”, the underside fully marked. w. 15”, d. 12-1/2” Provenance: Private collection, New Orleans, Louisiana. $1,500-$2,500

283

104

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285

284

Continental Neoclassical-Style Painted and Parcel-Gilt Pier Mirror second quarter 20th century, the rectangular mirror plate framed in giltwood and decorated with dents de loup and beading, the notched corners set with giltwood medallions, with a green floral-painted outer edge. h. 54-3/4”, w. 21-1/2” $1,000-$1,500

284

285

Louis XV-Style Polychromed Bergere avec Oreilles early 20th century, the domed cornice surmounted by a shell and floral crest, joined by padded and shaped sides to the cushioned seat, raised above a shaped apron on cabriole legs headed by floral carving and ending in scrolled toes. h. 39” $1,000-$1,500

286

Italian Polychromed Bureau early 20th century, the bombe-form case fitted with a fall front, opening to various drawers and cubbyholes, above a central drawer and a small drawer to either side, raised on cabriole legs ending in pad feet, the whole decorated with floral and foliate patterns. h. 38-1/2”, w. 35-1/2”, d. 18” $1,000-$1,500 286

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287

Giltwood, Metal and Glass Chandelier in the Provincial Taste the six-light chandelier with a giltwood carved quiver-form standard, set with six scrolled arms and three graduated sprays of giltwood tassels, hung with swags of glass beads. h. 60”, dia. 35-1/4” $1,200-$1,800

288

French Provincial Creme-Peinte Buffet 19th century, the rectangular top with canted corners, above a conforming case fitted with two cupboard doors, each inset with an arched panel, raised above a shaped apron on cabriole legs. h. 36”, w. 56”, d. 24-1/2” $1,000-$1,500

289

Pair of French Painted and Parcel-Gilt Torchere Stands first quarter 19th century, the circular tops with parcel-gilt leaf carving, the urn-form standards carved with reeding and swagging, and raised on tripartite bases with gilt medallions and paw feet. h. 35”, dia. 13” $1,500-$2,500

287

288 289

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290

290

Petite Louis XVI-Style Polychromed and Parcel-Gilt Bench 20th century, having rolled and padded arm rests, a cushion seat, a paneled and beaded seat frame, and raised on turned and fluted legs, upholstered in Fortuny fabric. h. 22”, w. 24-1/2”, d. 14-1/2” $1,000-$1,500

291

Painted and Parcel-Gilt Trumeau Mirror 20th century, in the French Empire taste, with an antique whitepainted surround, the upper tablet decorated with giltwood trophies framed in giltwood beading, the mirror plate with a painted black liner. h. 72-1/4”, w. 38” $1,000-$1,500

292

Pair of Transitional Louis XV/XVI-Style Creme-Peinte Bergeres each with a padded and domed back surmounted by a rose crest, joined to the cushioned seat by padded arms, raised on stop-fluted tapering circular legs ending in toupie feet. h. 39”

291

$2,000-$4,000

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293

293

294

19th century, with a carved and molded frame, curved back and raised on turned and fluted legs, of pegged construction and covered in cut velvet upholstery. h. 38”, w. 74”, d. 32”

fourth quarter 19th century, the porcelain vasiform clock body set with signed Mougin works, the dial signed by Parisian retailer Lambert-Vormus, the sides set with bronze lion-head ring pulls, the bronze base decorated with swags of flowers, h. 20-1/2”, w. 10-1/4”, d. 9-1/4”, and the matching five-light candelabra set with scrolled branches with molded candle cups and drip pans, h. 21-1/2”, w. 9”, d. 7-1/2”.

Louis XVI-Style Painted Sofa

French Porcelain and Gilt-Bronze Clock Set

$1,500-$2,500

$1,200-$1,800

294

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295

Alexander Koester (German, 1864-1932) “The Duck Pond” oil on canvas signed lower left. Framed. 24” x 35-3/4”, framed 33-1/4” x 45” $10,000-$15,000

295

296

Charles Euphrasie Kuwasseg (French, 1833-1904) “Fishermen on the Beach” oil on wood panel signed and dated “1865” lower right. Framed. 9” x 16”, framed 16” x 23” $2,000-$4,000

296

297

Pair of Louis XVI-Style Polychromed Side Chairs early 20th century, each with a padded rectangular back above a like seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 37” $1,200-$1,800

297

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298

298

Suite of Six Louis XVI-Style Creme-Peinte Dining Chairs 20th century, consisting of two armchairs and four side chairs, each with a padded rectangular back within a molded frame, the padded seat raised on fluted tapering circular legs ending in toupie feet. h. 34” $1,200-$1,800

299

Jan & Frans Portielje & Lebret (Belgian/Dutch, 1829-1908; 1820-1909) “Shepherdess”

299

oil on canvas signed lower right. Framed. 22” x 29”, framed 34-3/4” x 41-3/4” $5,000-$7,000

300

Near Pair of Louis XVI-Style Polychromed and Marble-Top Nightstands 20th century, each with a rectangular figured marble top, one with a frieze drawer and raised on tapering foliate-carved columns joined to a low shelf, and the other with a like drawer and columns, and an enamel-lined pot cupboard below. h. 33”, w. 19-3/8”, d. 13-1/2” $1,000-$1,500

110

300


301

301

Louis XVI-Style Creme-Peinte Settee early 20th century, the slightly domed and padded back joined by outscrolled arms to the cushioned seat, raised on fluted tapering circular legs headed by floral block capitals and ending in toupie feet. h. 34”, w. 70”, d. 32” $1,000-$1,500

302

Trompe-L’oeil Painted Canvas Mirror depicting neoclassical boiserie of a pair of Ionic pilasters flanking an oval mirror framed with scrollwork, set with oval mirror glass. h. 48”, w. 39” $1,000-$1,500

302

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303

Jacques Chapiro (Latvian/French, 1887-1972) “Paysage de l’Auvergne” oil on canvas Framed. 22” x 26”, framed 32” x 36” Provenance: Artcurial, Paris, France, April 2, 2015, lot 187. $1,200-$1,800

304

Jules Rene Herve (French/American, 1887-1981) “In the Forest” oil on canvas signed lower right. Framed. 39-1/2” x 32”, framed 48” x 39” 305

$4,000-$7,000

305

Eugene Henri Alexandre Chigot (French, 1860-1923) “Landscape with Shepherd and His Herd” oil on canvas signed lower right. Framed. 31-3/4” x 43”, framed 36-1/2” x 49” $1,000-$1,500

303

112

304


306

306

Pair of Neoclassical-Style Polychromed Fauteuils each with a padded back surmounted by a backswept foliate-urn-carved crest, joined by padded arms to the like seat, raised on ring-turned tapering circular legs ending in peg feet. h. 40” $1,000-$1,500

307

Swedish Gustavian Painted and Parcel-Gilt Pier MIrror

307

ca. 1800, in the neoclassical taste, the rounded crest decorated with a giltwood “sun”, flanked by giltwood urn-form finials, the upper tablet decorated with ribbon-bound giltwood wreaths, the sides with giltwood mummy-headed termes, the lower portion with medallions over tapered legs and carved giltwood paw feet. h. 71”, w. 28-1/2” $2,500-$4,000

308

Continental Bronze Chandelier second quarter 20th century, the four-light chandelier with a circular scrolled frame supported on leaf-molded standards, the two outer lights set with gold Aurene art glass shades, decorated with flying dragons perched on the top, the frame set with amber glass and decorated with oval enamel neoclassical medallions, electrified. h. 33-1/2”, w. 32”, d. 16” $1,200-$1,800

308

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310 309

309

Alex de Andreis (French/Belgian, 1880-1929) “The Entreaty” oil on canvas signed lower left. Frame with artist plaque.

311

French Provincial Fruitwood Night Stand early 19th century, the rounded rectangular top with inlaid stringing and a raised edge, above a conforming case fitted with three drawers, all with decorative banding, raised on cabriole legs. h. 27”, w. 16”, d. 11-1/2” $1,000-$1,500

25-1/2” x 32”, framed 37” x 43” Provenance: Keil’s Antiques, New Orleans, Louisiana. $2,000-$4,000

310

Ferdinand Victor Leon Roybet (French, 1840-1920) “Le Fumeaux” oil on wood panel signed lower left, title and artist name inscribed on label en verso. Framed. 22” x 16”, framed 33” x 26” Provenance: Keil’s Antiques, New Orleans, Louisiana. $1,000-$1,500

114

311


312 detail

312

312

Louis XV-Style Parquetry-Inlaid Fruitwood Dressing Table late 19th century, the top opening to reveal a looking glass on its bottom side, and a marble slab work surface, over a case with a drawer flanked by two drawers, raised on cabriole legs, the sides with pull-out work slides and a scalloped apron. h. 31”, w. 40-1/4”, d. 22” $1,200-$1,800

313

Louis XV-Style Walnut Bergere late 19th century, of generous proportions, the frame with carved and molded details, raised on short cabriole legs, with a reversible down-filled cushion and covered in a gold/sage green silk damask. h. 40”, w. 35”, d. 36”

313

$1,200-$1,800

314

Continental School (Mid-19th Century) “Putti Frolicking in the Clouds” oil on canvas laid down on shaped wood indistinctly signed lower right. Presented in a conforming fan-shaped giltwood frame. 16-1/2” x 35-1/2”, framed 19” x 37-1/2” $1,000-$1,500 314

115


315

Dresden Porcelain Chandelier second quarter 20th century, unmarked, German, in the rococo taste, shaded pink and green, with gilt-edged scrollwork, the lower arms with putti playing instruments, the upper arms hung with encrusted flower drops alternating with porcelain scrolls, decorated overall with encrusted flowers, the lights with unusual porcelain candle sleeves painted with flowers. h. 34-3/4”, dia. 30-1/4” $1,200-$1,800

316

Transitional Louis XV/XVI-Style Kingwood and Marble-Top Semainier early 20th century, the rounded rectangular marble top above a conforming case fitted with seven drawers, all banded and with herringbone veneers, raised on cabriole feet ending in sabots. h. 49”, w. 20”, d. 13-3/4” $1,500-$2,500

317

Transitional Louis XV/XVI-Style Kingwood and Marble-Top Semainier early 20th century, the rounded rectangular marble top above a conforming case fitted with seven drawers, all banded and with herringbone veneers, raised on cabriole feet ending in sabots. h. 49”, w. 20”, d. 13-3/4”

315

$1,500-$2,500

316

116

317


318

319

318

Pair of Large Louis XIV-Style Giltwood and Patinated Metal Sconces 20th century, the scrolled branches set with scalloped drip pans, set into leaf-carved backplates hung with bold laurel swags supported on scrollwork, and set with reeded urnform finials decorated with bas-relief leaves and pierced handles. h. 26-3/4”, w. 11-1/2”, d. 12-3/4” $1,000-$1,500

319

Pair of Large Louis XIV-Style Giltwood and Patinated Metal Sconces 20th century, the scrolled branches set with scalloped drip pans, set into leaf-carved backplates hung with bold laurel swags supported on scrollwork, and set with reeded urnform finials decorated with bas-relief leaves and pierced handles. h. 26-3/4”, w. 11-1/2”, d. 12-3/4” $1,000-$1,500

320

320

Pair of Louis XIV-Style Fauteuils a la Reine 19th century, each with a tall, domed and padded back joined to the padded seat by bellflower-carved arms, raised above a pierced shell-carved stretcher on cabriole legs, headed by a shield, joined by a shaped X-form stretcher and ending in foliate scrolled toes. h. 48” $2,000-$4,000

321

Louis XV-Style Ebonized, Parcel-Gilt and Marble-Top Coffee Table 20th century, the shaped breche marble top above a conforming frame with shell-carved aprons and shell corners, raised on cabriole legs ending in scrolled toes h. 17-1/2”, w. 30-1/2”, d. 23-1/2”

321

$1,000-$1,500

117


323

322

322

French Tortoiseshell and Gilt-Bronze Clock post-1914, in the Louis XV style, the tortoiseshell-veneered case trimmed in gilt-bronze scrollwork, with cabriole feet and a finial of two amorini supporting a cartouche, the dial signed by the retailer “B. Starr, New York, Made in France”. h. 18-1/4”, w. 8-1/2”, d. 5-3/4” $1,000-$1,500

323

Regence Mahogany, Mixed Woods and Marble-Top Commode 18th century, the slightly bowed marble top with a molded edge, above a conforming case fitted with two short drawers over a long drawer, all banded and with quarter-veneering, raised on slender cabriole legs. h. 33”, w. 51”, d. 24” $2,000-$4,000

324

French Trumeau Mirror in the Louis XVl Taste third quarter 19th century, the giltwood surround decorated with scrollwork on a stippled ground, with an upper tablet depicting a carriage and horse with a rider in a landscape with buildings, set with an antique mirror plate. h. 46”, w. 22-1/2” $1,000-$1,500

325

Transitional Louis XV/XVI-Style Mahogany Semainier early 20th century, the shaped marble top above a conforming case fitted with seven drawers, all banded and quarter-veneered, raised on cabriole feet to sabots, the whole accented with ormolu mounts and millwork. h. 51”, w. 22”, d. 15-1/2”

325

Provenance: Private collection, Galveston, Texas. $1,000-$1,500 324

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326 327

326

Louis XVI-Style Mahogany, Marble-Top and Parcel-Gilt Console Table

328

the D-form marble top above a conforming foliate-pierced frame centered by a female masque and with pendant floral garlands, raised on large, fluted circular legs intertwined with gilt floral garlands and ending in shaped feet. h. 36”, w. 70”, d. 25”

Attributed to Julius LeBlanc Stewart (American/French, 1855-1919) “Reclining Nude in Verdant Landscape” oil on canvas unsigned. Framed. 18” x 24”, framed 28” x 34”

$2,500-$4,000

327

Large Vienna-Style Porcelain Potpourri Urn

Provenance: Private collection, Georgia.

20th century, decorated with a rendition of “Putti Carrying a Garland of Fruit in a Landscape”, after Peter Paul Rubens (Dutch, 1577-1640), set with gilt rope-twist handles and an associated pierced cover, unmarked. h. 25-3/4”, w. 10-1/4”, d. 9”

$3,000-$5,000

$1,000-$1,500

328 119


330

329

Plaster and Marble Bust of Marie Antoinette fourth quarter 19th century, the bust painted to resemble terracotta, depicting the queen with flowers in her hair, mounted on a turned marble socle. h. 28”, w. 13-1/2”, d. 8” $1,000-$1,500

330

Suite of Four Louis XV-Style Polychromed Side Chairs each with a padded and rounded back surrounded by a molded frame, the padded seat raised on cabriole legs headed by floral carving and ending in scrolled toes. h. 38” $1,000-$1,500

329

331

Robert de Chatelenne (American, 20th/21st Century) “Paris Street Scene” oil on canvas signed lower right. Framed. 13” x 18”, framed 23-3/4” x 29” $1,800-$2,500

331

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332

Pair of French Belle Epoque Marble and Bronze Urns fourth quarter 19th century, now mounted as lamps, the Louis XV-style mottled gray and tan Breche Orientale de Baixas marble urns mounted with bronze ram’s-head handles supporting swags of flowers, the bases with bronze leafmolded trim. h. 28-1/4”, w. 8”, d. 5-1/2” $1,000-$1,500

333

Louis XV Fruitwood Console Table

332

18th century, the slightly bowed and rectangular top above a conforming frieze with foliate shell patterns, raised on molded C-scroll legs joined by a shell stretcher and ending in scrolled toes, bearing a metal plaque to the apron reverse reading “meubles/objets d’art/anciens et modernes/cassard et cie/paris 61. Av. Philippe Auguste/new-york/The cassard-romano Co. Inc. /234 East 59. th St”. h. 31”, w. 30-1/2”, d. 16” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500

334

Louis XVI-Style Oak and Marble-Top Table 19th century, the rectangular top above a conforming frieze with carved scrolling patterns, raised on fluted tapering circular legs ending in toupie feet. h. 29-1/4”, w. 48-1/2”, d. 23” 333

$1,500-$2,500

334

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336

335

335

Louis XV-Style Fruitwood Bergere early 20th century, the domed and padded back within a molded frame, joined by padded arms to the cushioned seat, raised on cabriole legs ending in scrolled toes. h. 37-1/2” $1,000-$1,500

336

Louis XV Fruitwood and Marble-Top Side Table 18th century, the thick, shaped marble top above a conforming shaped frieze centered by a foliate shield, raised on cabriole legs headed by shell carving and ending in hoof feet. h. 33”, w. 57”, d. 24-1/2” $1,800-$2,500

337

Semi-Antique Needlepoint Carpet 11’ 7” x 14’ 10” $1,000-$1,500

337

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338

Pair of Large French Bronze Sconces in the Neoclassical Taste third quarter 20th century, the scrolled candle arms with leaf and rocaille decoration, supporting reeded candle sockets set into acanthus-molded drip pans. h. 26-1/2”, w. 18”, d. 10-1/4” $1,000-$1,500

339

John Califano (American/Italian, 1862/64-1946) 338

“Melancholy” oil on canvas signed lower right. Framed. 13” x 19”, framed 17-1/2” x 23-1/2” $1,500-$2,500

339

340

Louis XVI-Style Giltwood Fauteuil 20th century, the padded domed back surmounted by a wreath-and-torchere crest, joined by padded arms to the like seat, raised on fluted tapering circular legs headed by foliate capitals and ending in casters. h. 44” $1,500-$2,500

340

123


341

341

Regence Walnut, Mixed Woods and Marble-Top Commode 18th century, the shaped marble top above a conforming case fitted with two short drawers over two long drawers, all with herringbone veneers and inlaid scrolling foliate and floral garlands, the sides en suite, raised on block feet. h. 33”, w. 47”, d. 26” $2,500-$4,000

342

Continental School (Fourth Quarter 19th Century) “Floral Still Life in a Basket” oil on canvas unsigned. Framed. 36-3/4” x 29”, framed 46” x 39”

342

343

Pair of Transitional Louis XV/XVI-Style Fruitwood Bergeres early 20th century, each with a padded back surmounted by a shell crest and joined by padded shaped sides to the cushioned seat, raised on cabriole legs headed by foliate carving and ending in scrolled toes, covered in a fine silk floral-embroidered fabric. h. 46” $2,000-$4,000

$2,000-$4,000

343

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346

346

Pair of French Bronze-Mounted Potpourri Urns

344

344

Regence-Style Fruitwood and Marble-Top Commode early 19th century, the rounded rectangular marble top with a molded edge, above a bombe case fitted with two long drawers, raised on cabriole legs ending in sabots. h. 31”, w. 39”, d. 22”

ca. 1900, in the Sevres style, the rococo-style urns with a pink ground and piercings framed in gilt scrollwork, decorated with flowers and gilding, with bronze guilloche-molded bases, the necks set with pierced bronze scrollwork, the covers with molded bronze knops. h. 11-1/4”, dia. 4-1/4” Provenance: Alexander’s Antiques, New York, New York. $1,000-$1,500

347

$2,000-$4,000

Louis XVI-Style Stained Fruitwood Metamorphic Chair

345

Louis XVI-Style Mahogany and Marble-Top Bouillotte Table late 19th century, the circular marble top within a full pierced brass gallery, above a conforming case fitted with a single drawer and candle slide, raised on fluted tapering circular legs ending in brass caps. h. 30”, dia. 22-3/4”

19th century, having a curved back with wrought iron latches on each side to adjust the tilt, raised on turned and stop-fluted legs. h. 47”, w. 27”, d. 27” $1,000-$1,500

$1,000-$1,500

345

347

125


348

348

Rare Restauration Gilt-Bronze Sur la Table second quarter 19th century, in two parts, with joined ends, supported on paw feet on four sides, with bronze baskets of flowers trimmed with anthemia, alternating with molded pineapples, all supported on a latticed border with molded medallions, set with antique mirror glass. h. 7”, w. 26”, l. 51-1/2” $7,000-$10,000

349

349

Louis XVI-Style Giltwood and Marble-Top Center Table early 20th century, the shaped white marble top over a conforming frame with pierced and carved aprons and floral swags, raised on turned legs joined by curved stretchers centered by an urn finial. h. 30”, w. 40”, d. 24” $1,000-$1,500

350

French Giltwood Mirror 19th century, with a floral wreath-form crest and floral sprays with a central ribbon bowknot, the outer frame deeply molded with leaf and acorn motifs and set with a beveled plate glass mirror. h. 40”, w. 28” $1,200-$1,800

350

126


351

351

352

early 20th century, each with a low padded back surmounted by a floral crest, joined by downswept sides to the cushioned seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 31-1/2”

early 20th century, each with a caned oval back within a molded frame, joined by padded arms to the like seat, raised on stopfluted tapering circular legs ending in toupie feet. h. 38”

Pair of Louis XVI-Style Giltwood Low Bergeres

Pair of Louis XVI-Style Polychromed Fauteuils

$1,000-$1,500 $1,400-$1,800

352

127


353

French Mahogany, Parquetry Inlaid and Ormolu-Mounted Side Table early 20th century, of circular form, the top with a bronzebanded edge, the apron fitted with a single drawer, raised on turned and fluted legs joined by a circular shelf of like form as the top. h. 30”, dia. 23-1/2” $1,000-$1,500

354

Louis XVI-Style Giltwood Urn-Form Lamp 20th century, decorated with carved leaves and scrollwork, the sides set with ram’s-head handles, the neck with a meandering vine, the fluted socle set into a square base with carved leaves. h. 23-3/4”, w. 8”, d. 8” $1,000-$1,500

355

Set of Ten French Jean Boyer Raised Gilt Dinner Plates

353

first quarter 20th century, with raised gilt edges and sprigs of roses, with the “JB France” green mark and an unidentified retailer’s or painter’s mark. dia. 10-1/2” 354

$1,000-$1,500

356

Louis XVI-Style Giltwood Wing Chair early 20th century, with a carved frame and acanthus leaf details to the arms, raised on stop-fluted tapering circular legs, covered in dark teal green cut velvet upholstery. h. 48”, w. 28”, d. 24” $1,200-$1,800

356

355

128


357 359

357

Louis XVI-Style Mahogany Demi-lune Commode early 20th century, the demi-lune top banded and above a conforming case fitted with two central quarter-veneered drawers, flanked to either side by a floral-inlaid panel, raised on tapering, bellflower-carved legs ending in banded feet. dia. 34-1/2”, w. 44”, d. 20” $1,000-$1,500

358

Pair of Louis XVI-Style Giltwood Fauteuils 19th century, each with a padded medallion back joined by padded bellflower-carved arms to the like seat, raised on fluted tapering circular legs ending in toupie feet, upholstered in period tapestry. h. 33”

359

Pair of Sevres-Style Bronze-Mounted Urns 20th century, with panels decorated with figures in 18th-century costume on the obverse and views of castles on the reverse, each framed in raised gilt scrollwork on a cobalt ground, the sides set with leaf-molded bronze handles with masque terminals, the covers with cone-form bronze knops, on bronze bases decorated with medallions. h. 27-1/2”, w. 8”, d. 6-1/2” $1,000-$1,500

$1,000-$1,500

358 129


360

Louis XVI-Style Ormolu-Mounted Mahogany and MarbleTop Occasional Table 20th century, the inset circular marble top with a molded edge, over a frieze with ormolu garlands, raised on fluted legs with bronze capitals and feet. h. 30”, dia. 20” $1,000-$1,500

361

Louis XVI-Style Walnut Bergere early 20th century, the domed and padded back joined by padded, scrolling arms to the cushioned seat, raised on stop-fluted tapering circular legs headed by a floral block capital and ending in toupie feet. h. 38-1/2” 360

$1,200-$1,800

362

Pair of Patinated Bronze Jugendstil Plaques first quarter 20th century, each decorated with maidens en deshabille, perched on shells under grape arbors, the sides decorated with stylized roses and leaves. h. 22-1/4”, w. 6-1/4” $1,000-$1,500

363

Pair of French Marble and Bronze Potpourri Urns 361

first quarter 20th century, the dark green marble urns decorated with bronze satyr-head handles supporting swags of grapes, and having pierced bronze necks and artichokemolded knops. h. 18-1/4”, w. 6-3/4”, d. 4-1/2” $1,500-$2,500

363 362

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364

Pair of Napoleon III Fruitwood Fauteuils early 20th century, each with a padded and rounded back within a guilloche- and floralcarved frame, joined to the padded seat by like arms, raised above a guilloche-carved apron on cabriole legs ending in scrolled toes, covered in silk damask. h. 40” $1,800-$2,500

365

Exceptional French Engraved Glass and Giltwood Casket fourth quarter 19th century, the rocococarved giltwood surround set with engraved glass panels depicting classical figures framed with trees, the interior with a mirrored proscenium and a stage delineated with giltwood columns, decorated with a checked floor and mirrored walls, the central one engraved. h. 15-1/2”, w. 14”, d. 14”

364

$1,000-$1,500

366

Louis XVI-Style Fruitwood Chaise, Branded Pillot 18th/19th century, the carved and molded frame with curved ends, each with a floral-and-ribbon crest, and raised on stopfluted tapering square legs, bearing the branded label “Pillot” under the seat rail, for Pierre Nicolas Pillot, Nimes, France. h. 39”, w. 80”, d. 27” $1,800-$2,500 365

366

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368

367

367

Transitional Louis XV/XVI-Style Kingwood Secretaire a Abattant early 20th century, the rectangular marble top with canted corners, above a conforming case fitted with a faux drawer over a panel, centered by a porcelain plaque of a cherub, and opening to an interior fitted with an inset leather writing surface and a variety of drawers and cubbyholes, over two cupboard doors, each quarter-veneered, raised on shaped feet. h. 52”, w. 29”, d. 13-1/2” $2,000-$4,000

368

French Fin-de-Siecle Gilt-Bronze Firescreen fourth quarter 19th century, the reverse pear-shaped screen with a reeded surround decorated with scrollwork and flowerheads, the cabriole legs with pierced fronds, the central portion of the screen covered in gold damask. h. 39”, w. 25-1/4”, d. 13” $1,000-$1,500

369

Polished Bronze and Beveled Glass Hall Lantern fourth quarter 19th century, possibly French, the tapered lantern framed with pierced scrollwork and matching crests, supported both above and below with leaf-molded scrollwork, now with three interior light sockets. h. 44-1/2”, w. 12”, d. 12” $1,000-$1,500

132

369


370

Large Giltwood and Onyx-Top Center Table late 19th century, in the Louis XV taste, the inset shaped onyx top above a conforming gadrooned frame with shell-carved aprons with floral motifs, raised on bold cabriole legs. h. 35-1/2”, w. 62”, d. 39” Provenance: Private collection, Houston, Texas. $1,800-$2,500

371

Pair of Napoleon III Mahogany Fauteuils

370

mid-19th century, in the Louis XVI style, each with a domed and padded back surmounted by a ribbon and foliate crest, joined by acanthine-carved padded arms to the padded seat, raised on fluted circular legs ending in toupie feet. h. 42”, w. 25”, d. 21”; seat h. 17”, d. 19”, w. 21”. Provenance: Villa Melrose Antiques, Los Angeles, California. $1,200-$1,800

372

Three French Cut Glass and Gilt-Bronze Jewel Caskets first half 20th century, probably Baccarat, including a dome-top oblong casket with diamond cutting and a bronze handle, an oval example cut with reeds alternating with diamond-cut panels, with a gilt-bronze roseform knop, and an oval example cut in the “Russian” pattern. h. 4-1/2” to 5-1/2”, w. 5-1/2” to 8-1/2”, d. 3-1/2” to 4-1/4” Provenance: Private collection, Houston, Texas. 371

$1,000-$1,500

372

133


373

373

Unusual Giltwood Overmantel Mirror first quarter 20th century, probably French, of rococo inspiration, with a leaf-carved surround, the crest carved with a crown and scrollwork, the lower section decorated with an arch delineated with carved morning glory vines, the mirror segmented with carved rocaille, scrollwork and lotus blossoms. h. 67-1/4”, w. 87” Provenance: Property Descended in the Livaudais-Walshe Family, New Orleans, Louisiana. $1,200-$1,800

374

Collection of Five French Gilt-Bronze Boudoir Frames

ca. 1900, of various shapes and designs, including reeded or leafmolded surrounds, three with pierced bowknot crests, one with a mauve liner mounted with a watercolor of Princess Henriette of France, after Jean Marc Nattier, and another with a green velvet liner, mounted with a watercolor of “Fountainbleu Sousle, 1st Empire”, after Adrien Moreau. smallest h. 6-7/8”, w. 4-1/2”; largest h. 16-1/2”, w. 13-1/4” Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $1,000-$1,500

134

374


376

375

375

Exceptional Continental Porcelain Plaque Decorated en Grisaille fourth quarter 19th century, after William-Adolphe Bouguereau (French, 1825-1905), “La Vierge, L’Enfant Jesus et Saint John Baptiste”, hand-painted en grisaille with a gilt halo, signed indistinctly and mounted in an ebonized oak Gothic Revival frame. plaque h. 12-1/2”, w. 8”; frame h. 22-3/4”, w. 13-1/4”; overall h. 25-1/2”, w. 14-1/2” $1,500-$2,500

376

Napoleon III Gilt-Bronze and Ebonized Wood Jardiniere third quarter 19th century, the oval body set with a pierced gallery around the cover, the facade with a basrelief bronze mount of Eros, the bronze feet and knop molded with lovebirds, set with bronze leaf-molded handles, the sides outlined with bronze trim, with a removable metal insert. h. 9-1/4”, w. 17-3/4”, d. 10-1/4” $1,000-$1,500

377

French Giltwood and Mirror Glass Three-Panel Dressing Screen first quarter 20th century, in the Louis XVI taste, with a ribbon-bound reeded surround, the central top panel set with an oval beveled mirror decorated with carved swags of flowers, the side panels divided into quadrants set with giltwood-lined beveled mirror glass, the lower panels with mauve leather insets. h. 64-1/2”, w. 50” $1,200-$1,800 377

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378

379

Constant Aime-Marie Cap (Belgian, 1842-1915)

378

French Stained Pine and Faux Bamboo Bedstead

“Jeune Femme Contemplant un Tableau”, 1872

late 19th century, the paneled headboard, footboard and rails trimmed in faux bamboo turnings, the posts with turned finials. h. 47”, inside w. 52”, l. 72”, outside w. 56”, l. 76”

oil on wood panel signed and dated lower right. Framed. 18-1/4” x 13-1/2”, framed 22-1/2” x 18”

$1,000-$1,500

$1,500-$2,500

379

136


380

Attributed to Jean-Jacques Henner (French, 1829-1905) “Portrait of a Girl in Red” oil on canvas unsigned. Framed. 16” x 12”, framed 22-5/8” x 18-3/4” Provenance: Private collection, Georgia. $1,000-$1,500

380

381

Style of Alfred de Dreux (French, 1810-1860) “Promenade” oil on canvas indistinctly monogrammed and dated lower right, “Adolphe Perrot” stencil label on canvas. Framed. 10-1/2” x 13-3/4”, framed 16-1/2” x 20” Provenance: Private collection, Georgia. $1,000-$1,500

381

137


384

382

382

Antique Khotan Carpet 5’ x 10’ 8” $7,000-$10,000

383

Antique Tekke Turkmen Tribal Tent Carpet 3’ 10” x 5’ 4” Provenance: From a gentleman collector, New Orleans, Louisiana, and Denver, Colorado. $1,200-$1,800

384

Antique Caucasian Lori-Pambak Kazak Carpet 6’ 8” x 7’ 4” Provenance: From a gentleman collector, New Orleans, Louisiana, and Denver, Colorado. $2,500-$4,000

383

138


386 385

385

Antique Mahal Carpet 6’ 9” x 10’ 1” $1,000-$1,500

386

Antique Persian Tabriz Carpet 6’ 2” x 9’ 5” $1,000-$1,500

387

Turkish Angora Oushak Carpet 9’ 2” x 11’ 9” $1,200-$1,800

387

139


389

388

388

Agra Sultanabad Carpet 10’ 2” x 13’ 10” $1,800-$2,500

389

Peshawar Hotan Carpet 6’ 1” x 8’ 8” $1,000-$1,500

390

Turkish Angora Oushak Carpet 9’ 1” x 11’ 10” $1,200-$1,800

390

140


391

Semi-Antique Donegal Carpet 13’ 5” x 14’ $2,000-$4,000

391

392

Savonnerie Carpet 11’ 8” x 15’ 6” $2,000-$4,000

392 141


395

394

Directoire-Style Mahogany Recamier

393

early 20th century, the long cushioned seat flanked to one end by a tall padded outscrolled side and to the other end with a shorter paneled side, raised above a foliate-carved frieze on ring-turned tapering circular legs ending in casters. h. 37-1/2”, w. 26”, l. 66”

393

Empire-Style Mahogany and Marble-Top Dressing Table 19th century, the ovoid mirror within a plain frame and supported by two pyramidal supports, the rectangular marble top above a frame fitted with a single drawer, joined to a lower concave shelf by ormolu-mounted columnar supports ending in ball feet. h. 59”, w. 42”, d. 23-1/2”

$1,000-$1,500

395

French Restauration Gilt-Bronze Figural Mantel Clock second quarter 19th century, decorated with a lute player in a chair, a dog at her feet, a music stand in front, the dial marked “Couchols a Paris”, set with a silk-string suspension movement, with a bas-relief panel of a classical maiden to one side, the base decorated with ogee molding ornamented with molded anthemia, raised on engine-turned feet. h. 15-1/4”, w. 10-3/4”, d. 4-3/4”

$1,500-$2,500

$1,000-$1,500

394

142


396

397

396

Pair of Continental Gilt-Decorated Opaline Glass Lamps third quarter 20th century, the vasiform standards decorated with delicately detailed scrollwork and flowers, the necks with grapes and grape leaves, on giltwood bases, mounted with shades. h. 30”, dia. 17-1/2” $1,000-$1,500

397

Directoire-Style Mahogany and Marble-Top Credenza, Stamped Jansen 20th century, the marble top above a case with framed and paneled ends and doors, and carved and shaped corners, the doors with brass rosettes at the corners and opening to an interior fitted with two drawers and two shelves, the back stamped “75059 Jansen”. h. 36”, w. 51-1/2”, d. 19-1/2” $2,500-$4,000

398

Louis-Philippe Giltwood Overmantel Mirror mid-19th century, in the rococo taste, the ogee surround decorated with scroll-, shell- and strapwork, the molded liner with a sanded border, the corners with molded cabochons framed in scrollwork. h. 69”, w. 47-1/2” $1,000-$1,500

398

143


399

401

399

Empire-Style Mahogany and Marble-Top Commode late 19th century, the rectangular marble top above a conforming case fitted with a frieze drawer over three recessed long drawers, flanked to either side by an engaged columnar upright, raised on block legs to rounded feet, the whole richly ornamented with ormolu millwork and mounts. h. 23”, w. 44-1/2”, d. 35-1/2”

401

Empire-Style Mahogany and Marble-Top Gueridon late 19th century, the circular marble top above a conforming ormolu-mounted frieze joined by three columnar supports to a concave tripartite base centered by an ormolu urn. h. 27-1/2”, dia. 30-1/2” $1,500-$2,500

$1,500-$2,500

402

400

Pair of French Bronze and Marble Urns mid-20th century, of Louis XV inspiration, the inverted pearform marble bodies set with anthemia- and leaf-molded bronze necks and covers, set with cone-form knops, the handles wrapped with serpents, supported on leaf-molded bronze bases. h. 29”, w. 13”, d. 10-1/2”

Empire-Style Mahogany and Parcel-Gilt Console Table 19th century, the D-form top above an ogee-molded frieze fitted with a single drawer, joined by a paneled back and gilt winged mermaid supports to a lower shelf, raised on squat bun feet. h. 32-1/2”, w. 54”, d. 15” $2,000-$4,000

$1,200-$1,800

400 402

144


403

French Empire-Style Marble and Gilt-Bronze Encrier fourth quarter 19th century, set with a pair of inkpots decorated with bronze griffin mounts and pierced and hinged covers, the base with a carved pen tray, the lower edge with a medallion mount framed with anthemia, raised on paw feet. h. 6-3/4”, w. 14-3/4”, d. 8-3/4” $1,000-$1,500

403

404

Empire-Style Walnut Partner’s Desk the rectangular top with shaped corners and inset with three leather writing surfaces, above a frieze fitted with three drawers to each side, raised on two pedestals, fitted to one side with three graduated drawers and to the other side with a drawer over a deep file drawer, raised on plinth bases, the whole with gilt accents. h. 31”, w. 83”, d. 40” $1,500-$2,500

405

Circle of Jacques-Louis David (French, 1748-1825) “Portrait of a Young Artist” oil on canvas unsigned. Framed. 47” x 36-1/2”, framed 53-1/2” x 45-1/8” Provenance: Christie’s, London, England, April 10, 2019, lot 142. $3,000-$5,000 405

404

145


406

Pair of Neoclassical-Style Lamps mid-20th century, attributed to Maison Jansen, based on 19th-century French firefighter’s helmets, the gilt-plaster helmets decorated with molded neoclassical ornament and a standing crest, on oval ebonized bases. h. 22-1/4”, w. 7-1/2”, d. 11” $1,000-$1,500

407

Pair of Directoire-Style Brass, Iron and Glass Gueridons each with a circular smoked glass top with a molded edge, above a pierced brass frieze, the tubular legs joined by pairs of crossed arrows, raised on brass-capped ball-and-claw feet. h. 25-1/4”, dia. 22” $1,000-$1,500

406

408

Fine French Bronze and Patinated Bronze-Mounted Burr Amboyna Wood and Marble-Top Center Table ca. 1900, possibly by Theodore Millet or Zwiener Jansen Successeur, after a design by Adam Weisweiler and PierrePhilippe Thomire, the circular inset Vert Patricia marble within an anthemion cast bronze rim, raised on four cast bronze legs headed with winged sirens and terminating in paw feet, mounted to a shaped amboyna-veneered base and centered with an ormolu-mounted marble urn, the back side of the siren mounts marked “3271 CF”. h. 31”, dia. 37-3/4” Literature: D. Ledoux-Lebard, Le Mobilier Francais du XIX Siecle: 1795-1889, (Paris, 1989), p. 484; C. Payne, Francois Linke: 1855-1946, The Belle Epoque of French Furniture (Woodbridge, 2003), p. 208. 407

$3,000-$5,000 The original model for this table was commissioned for the Palace of Fontainebleau in 1810. Later versions were manufactured by Theodore Millet, Francois Linke and Zwiener Jansen Successeur.

146

408

408 detail


411

410

Pair of Empire-Style Parcel-Gilt and Ormolu-Mounted Bergeres

409

each with a concave crest rail with gilt ormolu mounts, joined to stiles extending to closed arms with foliate-carved ends and columnar supports with capitals in like carving, bowed seat and turned legs, upholstered in gold brocade with salmon and claret stripes. h. 36-3/4”

409

French Belle Epoque Gilt-Bronze Dressing Mirror ca. 1900, with a figure of Psyche with butterfly wings supporting a leaf-molded frame set with a circular mirror, with a molded bronze bezel, the circular platform base trimmed with engine turning, and sitting on a square platform. h. 19-1/4”, w. 8-1/2”, d. 4-1/4” $1,000-$1,500

$1,000-$1,500

411

Directoire Gilt-Bronze Figural Clock ca. 1800, depicting the myth of Alectryon, set with an enamel dial in an engine-turned bezel, the base set with bas-relief plaques depicting learned muses, set with a silk-string suspension movement. h. 13-1/2”, w. 10-3/4”, d. 4” $1,200-$1,800

410

147


412

412

French School (Fourth Quarter 18th Century)

413

Directoire-Style Fruitwood Settee

“Sappho Singing Her Verses” oil on canvas unsigned. Framed. 30-5/8” x 42-5/8”, framed 36-1/4” x 48-1/4”

the rounded crest above four crossover splats, each centered by a gilt star panel, joined by rounded arms to the cushioned seat, raised on sabre legs. h. 36”, w. 69”, d. 20”

Provenance: Christie’s, New York, New York, January 30, 2014, lot 307.

$2,000-$4,000

$10,000-$15,000

413

148


415

416 414

414

Louis-Philippe Giltwood Pier Mirror in the Rococo Revival Taste mid-19th century, French, the pierced crest decorated with scrollwork and trailing flowers on an ogee-molded surround with a beaded liner, the frame decorated with carved giltwood sprigs of flowers. h. 82-1/4”, w. 43-1/4” $1,200-$1,800

415

Louis-Philippe Mahogany and Marble-Top Commode mid-19th century, the rounded rectangular marble top above a conforming case fitted with an ogee-molded frieze drawer over three long drawers, raised on turned bun feet. h. 37”, w. 51”, d. 22-1/2”

416

Pair of French Fin-de-Siecle Bronze Dore et Patine Sconces fourth quarter 19th century, the backplates with bold, grinning patinated satyr heads, the “horns” scrolled and leaf-molded and set with candle sockets decorated with delicately molded laurel leaves and berries, set with beaded bobeches and leaf-molded drip pans. h. 13-3/4”, w. 12-1/2”, d. 4” $1,800-$2,500

$1,000-$1,500

149


417

417

Pair of French Bronze-Mounted Marble Garnitures ca. 1900, now mounted as lamps, the brazier-form garnitures supported on bronze monopodia and on mauve and black mottled bases. h. 19-1/4”, dia. 4-3/4” $1,000-$1,500

417A

Napoleon III Mahogany and Ormolu-Mounted Vitrine third quarter 19th century, the top with a three-quarter pierced brass gallery above a pair of glazed doors with bronze corner rosettes, raised on turned legs. h. 58-1/2”, w. 38”, d. 14-1/2”

417A

418

Belle Epoque Patinated Bronze Plaque ca. 1900, depicting frolicking angels floating in the sky and strewing flowers, framed with a border of pierced and molded scrollwork. h. 14-3/4”, w. 41-3/4” $2,000-$4,000

$1,500-$2,500

418

150


419

French Polished Steel Figure of a Putto fourth quarter 19th century, the Renaissance-style figure holding a flower and supported on a circular platform. h. 38”, w. 17”, d. 14” $1,000-$1,500

420

Patinated Brass Hall Lantern in the Neoclassical Taste 20th century, the cylindrical lantern set with pierced anthemion-form crests, set with six interior lights, supported on scrolled upper supports. h. 41”, dia. 20-1/2”

419

$1,000-$1,500

420

421

Louis XVI-Style Polychromed Bergere avec Oreilles early 20th century, the padded back surmounted by a floral crest and joined by padded downswept sides to the cushioned seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 41” $1,200-$1,800

421

151


423

422

424

425

422

424

“Arbres Pres d’une Riviere”

“Family at Mealtime”

oil on canvas signed lower left. Framed. 25-1/2” x 31-1/2”, framed 37” x 43”

oil on canvas signed lower left. Framed. 21-1/2” x 25-1/2”, framed 27” x 29-3/4”

$4,000-$7,000

$1,200-$1,600

423

425

“The Windmill”

“Landscape”

oil on canvas signed lower right. Framed. 20” x 23-3/4”, framed 29-1/2” x 33”

oil on canvas signed and inscribed “Paris” lower right. Framed. 18-1/4” x 24-1/4”, framed 25-1/2” x 31-1/4”

$1,200-$1,800

$2,000-$4,000

Henri-Joseph Harpignies (French, 1819-1916)

Gerardus Johannes Delfgaauw (Dutch, 1882-1947)

152

Hendrik Heyligers (Dutch, 1877-1967)

Joseph Antonio Hekking (Dutch/New York, 1830-1903)


428 426

428 426

Henri van der Hecht (Belgian, 1841-1901) “Cows in a Meadow with Windmills in the Background” oil on canvas signed lower right. Framed. 38-1/2” x 31”, framed 45-1/4” x 37-1/2”

Italian School (19th Century) “Grain Harvest” oil on canvas indistinctly signed lower right. Presented in a giltwood frame. 26” x 35”, framed 32” x 42” $2,000-$4,000

$2,000-$4,000

427

F. J. Dierckxsen (Dutch, 19th Century) “Cattle Grazing in a Meadow”, 1858 oil on wood panel unsigned, old handwritten label with artist and date en verso. Framed. 24” x 34”, framed 32-1/2” x 41-1/2” $2,000-$4,000

427

153


429

429

French Provincial Fruitwood Panetiere 19th century, of traditional form, the open galleried sides and front centered by a single paneled door, raised above a shaped apron on cabriole legs ending in scrolled toes on pegs. h. 34”, w. 36-1/2”, d. 19” $1,200-$1,800

430

French Provincial Oak Cabinet Dresser 19th century, the top fitted with two grilled cupboard doors over a foliate shell-carved apron, with two open plate racks below, the bottom section fitted with a single central drawer, joined by cabriole supports to a plinth shelf. h. 88”, w. 43-1/2”, d. 16” 430

$1,800-$2,500

431

Pair of Patinated Bronze and Crystal Nine-Light Appliques second quarter 20th century, attributed to Baccarat, the molded backplates set with three tiers of graduated scrolled candle arms, hung with lush cut crystal drops, the top decorated with a spray of drops. h. 26-3/4”, w. 17-3/4”, d. 9-1/2” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500

431

154


433

432

French Hand-Woven Verdure Tapestry 19th century, densely wooded landscape with poacher and his dog in the foreground, later ribbon border, backed in cream fabric. 67” x 37” $1,200-$1,800

433

432

Regence-Style Fruitwood Fauteuil 19th century, the padded back surmounted by a foliate shell crest, joined by padded arms to the like seat, raised above a shaped apron on cabriole legs ending in scrolled toes. h. 41-1/2”, w. 27”, d. 23” $1,000-$1,500

434

Louis Pierre Verwee (Belgian, 1807-1877) “Landscape with Figures and Animals” oil on canvas signed lower right. Framed. 28” x 32”, framed 33” x 39” $6,000-$8,000 434

155


435

French Carved Oak Sideboard early 20th century, in the Louis XV taste, the shaped parquetry-inlaid top above a row of three carved drawers and conforming formed and paneled doors below, raised on short cabriole legs ending in scrolled toes. h. 42-1/2”, w. 85”, d. 22” $1,000-$1,500

436

Two Terracotta Garden Figures of Pigs

435

Scottish, presented as a couple, she in a jumper and long skirt and he in his driving cap, with pleasant expressions on their faces. h. 24”, w. 8-1/2”, d. 7-1/2” $1,000-$1,500

437

French Provincial Walnut Armoire late 18th century, with an arched top and conforming molded cornice above a pair of shaped and paneled doors, opening to an interior with three shelves, raised on short cabriole legs ending in scrolled toes. h. 100”, w. 60”, d. 27” $1,500-$2,500

436

437

156


438

French Provincial Walnut Fauteuil a la Reine 18th century, with an arched back crest, downswept arms and raised on cabriole legs ending in hoof feet, of pegged construction. h. 44-1/2”, w. 25-1/2”, d. 29” $1,000-$1,500

439

French Provincial Fruitwood Farmhouse Table 19th century, the rectangular top above a conforming frieze fitted with a drawer at each end, raised above a shaped apron on cabriole legs. h. 29-1/2”, w. 79”, d. 29-1/4” $1,500-$2,500 438

440

Suite of Ten EJ Victor Oak Dining Chairs in the Louis XV style, each with a backscrolled, floral-carved crest above the padded back, the padded seat raised on cabriole legs headed by bellflower carving and ending in scrolled toes, each bearing the “EJ Victor Premier Furniture Crafters” label under the seat frame. h. 39” $1,500-$2,500

439

440 157


442

442 441

441

French School (Fourth Quarter 17th/First Quarter 18th Century) “Saint Louis (IX) Receiving from Christ the Standard with Arms of Jerusalem” oil on canvas verso inscribed “Pour Madame Roux. Rte de l’Annonciade. A Fargues. A Alby”. Framed. 27-1/2” x 18-3/4”, framed 31” x 22-1/2” Provenance: Private collection, Toulouse, France. $1,000-$1,500 The Convent of Annonciade de Fargues at Albi closed in 1789 during the French Revolution.

Louis XV Fruitwood Commode 18th century, the rectangular top with a slightly bowed front, above a conforming case fitted with two drawers, each bi-paneled, raised on cabriole legs ending in block feet. h. 34”, w. 41”, d. 22” $2,000-$4,000

443

Pair of French Provincial-Style Walnut and Leather-Upholstered Armchairs 20th century, each with a padded and tufted domed back within a molded frame, joined by shaped sides and carved scrolling padded arms to the tufted seat, raised above a shaped apron on molded cabriole legs to peg feet. h. 39”, w. 31”, d. 27”, seat h. 17”. Provenance: Villa Melrose Antiques, Los Angeles, California. $2,000-$4,000

443

158


444

French Provincial Oak Armoire mid-19th century, the molded, rounded rectangular cornice above a fruit basket and foliate-carved frieze, over two long bi-paneled doors with foliate accents, raised on a plinth base. h. 89”, w. 60”, d. 23” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500

445

French Provincial Oak Buffet late 18th century, the rounded rectangular top above a conforming case fitted with two cupboard doors, each inset with a shaped panel, raised above a shaped apron on cabriole feet. h. 40”, w. 52”, d. 20-1/2” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $1,000-$1,500 444

445 159


446

French Hand-Woven Tapestry of the Angel of the Lord Appearing Before King David 18th century, green fabric border, now lined in cream fabric, with a metal bar for display. 68” x 101” $3,000-$5,000

446

447

Pair of French Wrought Iron Gates 19th century, of scrolled design with branches of flowers and leaves, having a hook and latch where they overlap. overall h. 63”, w. 60” $1,000-$1,500

447

160


448

449

448

French Provincial-Style Stained Maple Refectory Table

Suite of Ten Louis XV-Style Fruitwood Side Chairs 20th century, the plank top with breadboard ends and pullout leaves at each end, having scalloped aprons and raised on cabriole legs. h. 31”, w. 42. l. 70”, ext. l. 130”

early 20th century, each with a padded back surmounted by a foliate masque crest, the padded seat raised on cabriole legs ending in foliate toes. h. 33”

$1,000-$1,500 $1,200-$1,800

449

161


451

450

Provincial Louis XV Walnut Armoire 18th century, the molded cornice above a paneled and carved frieze, the front fitted with a pair of shaped framed and paneled doors, raised on scrolled legs. h. 89”, w. 56”, d. 25” $1,500-$2,500

451

Provincial Louis XV-Style Oak Writing Table 19th century, the rectangular top with a molded edge, above a conforming frieze fitted with a single side drawer, raised on cabriole legs ending in pad feet. h. 28”, w. 42”, d. 26-1/4” 450

$1,200-$1,800

452

Near Pair of Louis XV-Style Fruitwood Fauteuils early 20th century, each with a caned back surmounted by a shell and foliate crest, joined by downswept arms to the cushioned caned seat, raised on shaped legs joined by an X-form stretcher and ending in in-scrolled toes. h. 36-1/2” $1,000-$1,500

452

162


453

453

French Provincial Oak Writing Desk 19th century, the rectangular top with an inset leather writing surface, above a frieze fitted with a drawer to either end, raised on cabriole legs. h. 28”, w. 52”, d. 31-1/2” $1,000-$1,500

454

French Fruitwood Buffet a Deux Corps 19th century, in the Directoire taste, with a molded cornice above a pair of glazed doors with arrowcarved grills, the base with a pair of side-by-side drawers over two carved and paneled doors. h. 85-1/2”, w. 53”, d. 21” $1,800-$2,500

454

163


455

455

Large French Provincial Walnut Drop-Leaf Extension Dining Table 20th century, of circular form and raised on eight tapering square legs, opening to accommodate 141” of leaves (leaves lacking). h. 30”, dia. 77” $1,800-$2,500

455 detail

456

Provincial Louis XVI Fruitwood Fauteuil 18th century, the carved and molded frame with a central rose above a lyre-form splat, raised on tapering square legs ending in toupie feet. h. 36-1/2”, w. 22”, d. 19” $1,000-$1,500

456

164


458 457

457

458

Antique Caucasian Kasim Ushag Karabagh Carpet

Khotan Carpet 5’ 3” x 7’ 8” 6’ 11” x 13’ 2” $3,000-$5,000

Provenance: From a gentleman collector, New Orleans, Louisiana, and Denver, Colorado. $2,500-$4,000

165


459

460

459

Semi-Antique Persian Heriz Carpet 8’ x 10’ 7” $1,000-$1,500

460

Mashad Carpet 9’ 7” x 12’ 7” $1,200-$1,800

461

Antique Caucasian Shirvan Baku Carpet 4’ 11” x 10’ 10” Provenance: From a gentleman collector, New Orleans, Louisiana, and Denver, Colorado. $3,000-$5,000

166

461


462

Heriz Carpet 9’ 2” x 13’ 3” $3,000-$5,000

462

463

Peshawar Suzanne Carpet 6’ x 8’ 10” $1,000-$1,500

463 167


464

465

466

464

465

466

8’ 10” x 11’ 5”

2’ 7” x 26’

9’ 10” x 13’ 10”

$1,200-$1,800

$1,000-$1,500

$1,000-$1,500

Turkish Angora Oushak Carpet

168

Turkish Angora Oushak Runner

Peshawar Sultanabad Carpet


467

Agra Serapi Carpet 11’ x 20’ $3,000-$5,000

467

468

Oushak Carpet 14’ 7” x 17’ 7” $7,000-$10,000

468 169


Session II Sunday, December 12 Lots 469 - 926 FEATURING THE COLLECTION OF ADAM LIPPES Photo: © Stephen Kent Johnson/OTTO



469 471

470 472

473

172

474


475

476

469

473

$1,500-$2,500

$1,500-$2,500

470

474

Diamond Pendant/Brooch on Chain the 18k white gold pendant/brooch with a collapsible bail, mounted with round brilliant-cut diamonds weighing approximately 1.82 carats in total, l. 1-3/4”, suspended from a 14k adjustable white gold chain, l. 15” to 22”. total weight 17.5 grams

Diamond Bangle Bracelet 14k white/yellow gold, the hinged bracelet with a floral motif, mounted with single-cut diamonds weighing approximately 0.92 carats in total. inside circumference 6-1/2”, total weight 29.0 grams

Pair of Diamond and Black Onyx Earrings 14k yellow gold/sterling silver, the articulated tassel-shaped black onyx earrings mounted with single-cut diamonds weighing approximately 1.70 carats in total. l. 2-1/2”, total weight 29.2 grams

Effy Black and White Diamond Ring 14k white gold, the ring mounted with round-cut black and white diamonds weighing approximately 1.22 carats in total. size 7, total weight 8.0 grams $1,000-$1,500

$1,500-$2,500

471

Diamond and Rock Crystal Pendant with Chain 18k white gold, the fan-form pendant mounted with a carved rock crystal center, accented by round brilliant-cut diamonds weighing approximately 0.84 carats in total, l. 1-1/2”, suspended from an 18k white gold chain, l. 17”. total weight 16.0 grams $1,500-$2,500

475

Pair of Art Deco-Style Diamond and Enamel Earrings 14k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.62 carats in total, accented throughout with black enamel. l. 2-3/4”, total weight 9.5 grams $1,500-$2,500

476

Black and White Diamond Ring 14k white gold, the ring mounted with round-cut black and white diamonds weighing approximately 1.57 carats in total. size 5, total weight 15.6 grams

Henry Dunay Diamond Watch 18k white gold, the quartz watch with a round brilliant-cut diamond face and bezel, with an approximate total weight of 2.85 carats, the back of the case marked “Henry Dunay A-01455 18k”, with a black leather band and a white gold deployant clasp. l. 7”, total weight 51.9 grams

$1,000-$1,500

$6,000-$9,000

472

173


483

481

480 477

Tiffany & Co. Diamond Engagement Ring platinum, the solitaire ring mounted with a round brilliantcut diamond weighing 0.86 carats, color F and clarity VVS1, together with the original box and papers, stamped “Tiffany & Co PT950”. size 5, total weight 5.4 grams $2,000-$4,000

478

Pair of Diamond Stud Earrings 14k white gold, the post-back pierced earrings each mounted with a round brilliant-cut diamond, each weighing 0.60 carats, color G and clarity VS2, GIA report #3225057724 and #3225057939. total weight 1.3 grams $2,000-$4,000

479

Diamond Tennis Bracelet 14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 9.50 carats in total. l. 7”, total weight 13.3 grams $7,000-$10,000

Diamond Tennis Necklace 14k white gold, the line necklace mounted with round brilliantcut diamonds weighing approximately 4.90 carats in total. l. 16”, total weight 14.8 grams $3,000-$5,000

481

Diamond Bow Pendant with Chain 18k white gold, the bow-shaped pendant with gold drops, mounted with round brilliant-cut diamonds weighing approximately 1.10 carats in total, l. 3-1/2”, suspended from a two-strand 18k white gold chain, l. 16”. total weight 17.4 grams $1,200-$1,800

482

Pair of Diamond Earrings 18k white gold, the earrings mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 0.88 carats in total. l. 1-1/4”, total weight 4.1 grams $1,400-$1,800

483

Pair of Diamond Earrings 14k white gold, the earrings mounted with a cluster of round brilliant-cut and marquise-cut diamonds weighing approximately 3.00 carats in total. l. 7/8”, total weight 9.6 grams $3,000-$5,000

174


480

477 482

478

479

175


484

486

485

176


487

488

484

487

$6,000-$9,000

$1,000-$1,500

485

488

$50,000-$80,000

$1,400-$1,800

Beautiful Diamond Necklace 18k white/rose gold, the necklace mounted with round brilliantcut diamonds weighing approximately 7.55 carats in total. l. 16”, total weight 27.7 grams

Spectacular Diamond Bracelet 18k rose gold, the bracelet in the form of interlocking loops, mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 31.33 carats in total. w. 1”, l. 7-1/4”, total weight 73.7 grams

Kunzite and Pearl Pendant 14k rose gold, the pendant mounted with cabochon-cut and oval-cut kunzites weighing approximately 16.75 carats in total, accented by seed pearls. size 1” x 1-1/2”, total weight 19.0 grams

Morganite and Diamond Ring 14k yellow gold, the ring mounted with a pear-cut morganite weighing approximately 9.17 carats, accented by round brilliant-cut diamonds weighing approximately 0.50 carats in total. size 7-1/4, total weight 8.2 grams

486

Freeform Diamond Ring 18k rose gold, the ring mounted with round brilliant-cut diamonds weighing approximately 1.19 carats in total. size 7, total weight 16.1 grams $1,400-$1,800

177


489

492

$1,400-$1,800

$6,000-$9,000

490

493

$1,200-$1,800

$1,500-$2,500

491

494

Ruby and Diamond Ring 18k yellow gold, the ring mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 1.33 carats in total, accented by square-cut and calibre-cut treated rubies weighing approximately 0.79 carats in total. size 7, total weight 7.6 grams

Ruby and Diamond Ring 14k yellow gold, the ring mounted with square-cut treated rubies weighing approximately 1.37 carats in total and round brilliant-cut diamonds weighing approximately 0.48 carats in total. size 3-3/4, total weight 6.4 grams

Diamond and Ruby Ring 14k rose gold, the ring mounted with a European-cut diamond weighing approximately 0.15 carats, accented by baguette-cut treated rubies weighing approximately 0.12 carats in total. size 6-1/4, total weight 4.6 grams

Beautiful Ruby and Diamond Heart Brooch 14k yellow gold, the brooch mounted with a pear-cut treated ruby weighing approximately 2.26 carats, accented by European-cut diamonds weighing approximately 5.05 carats in total, approximate color G-I and clarity VS1-SI2. l. 1-3/4”, total weight 17.0 grams

Pair of Ruby and Diamond Earrings 14k yellow gold, the earrings in the form of flowers, mounted with pear-cut treated rubies weighing approximately 3.05 carats in total and round brilliant-cut diamonds weighing approximately 1.52 carats in total. dia. 1”, total weight 13.6 grams

Ruby and Diamond Ring platinum, the ring mounted with a central oval-cut ruby weighing approximately 1.87 carats, accented by round brilliant-cut diamonds weighing approximately 1.01 carats in total and round-cut rubies weighing approximately 0.30 carats in total. size 6-1/4, total weight 6.1 grams

$1,000-$1,500 $10,000-$15,000

8 178


490

489

491

492

493

494

179


497

496

495

498

180


499 501

502

500

495

499

$1,400-$1,800

$1,000-$1,500

496

500

$1,000-$1,500

$1,400-$1,800

497

501

Pink Sapphire and Diamond Brooch platinum, the brooch in the form of a bouquet of flowers, mounted with cushion-cut pink sapphires weighing approximately 10.50 carats in total, accented with round-cut diamonds weighing approximately 1.50 carats in total. l. 1-7/8”, total weight 13.3 grams

Diamond, Sapphire and Ruby Pendant with Chain 14k white gold, the circular pendant mounted with round brilliant-cut diamonds weighing approximately 0.30 carats in total, accented by round-cut treated rubies and sapphires weighing approximately 0.37 carats in total, l. 1”, suspended from a 14k white gold chain, l. 18”. total weight 4.7 grams

Diamond, Ruby and Sapphire Ring platinum, the ring mounted with European-cut and single-cut diamonds weighing approximately 0.59 carats in total, accented by cushion-cut treated rubies weighing approximately 1.50 carats in total and cushion-cut treated sapphires weighing approximately 1.83 carats in total. size 7-3/4, total weight 16.0 grams

Citrine and Sapphire Ring 18k yellow gold/sterling silver, the ring mounted with a pearcut citrine weighing approximately 0.65 carats, accented by round-cut treated light-green sapphires transitioning to treated brownish-orange sapphires, with an approximate total sapphire weight of 1.19 carats. size 7-1/4, total weight 10.1 grams

Bellarri Gem-Set Ring 18k yellow gold, the ring mounted with square-cut amethysts, citrines, peridots and tourmalines weighing approximately 1.50 carats in total, overlapped by “windows” mounted with round brilliant-cut diamonds weighing approximately 0.35 carats in total. size 7-1/4, total weight 12.0 grams

Gem-Set and Diamond Ring 14k yellow gold, the ring mounted with round-cut and oval-cut tourmalines, citrines and peridots weighing approximately 2.60 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.13 carats in total. size 5, total weight 10.0 grams $1,000-$1,500

$1,000-$1,500

498

Sapphire and Diamond Necklace 18k yellow gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 4.75 carats in total and pink, yellow and blue oval-cut sapphires weighing approximately 79.09 carats in total. l. 17-1/4”, total weight 65.0 grams

502

Multi-Colored Sapphire Ring sterling silver, the ring mounted with round-, oval- and marquise-cut treated orange, yellow, light-green and reddishorange sapphires weighing approximately 3.08 carats in total. size 6-3/4, total weight 7.0 grams $1,000-$1,500

$60,000-$90,000

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503

504

503

Etruscan Ruby, Emerald, Sapphire and Diamond Necklace 18k yellow gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 0.24 carats in total, and round-cut, pear-cut and oval-cut emeralds, sapphires and rubies weighing approximately 5.60 carats in total. l. 16”, total weight 131.3 grams $10,000-$15,000

504

Pair of Etruscan Diamond and Gem-Set Earrings 18k yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 0.08 carats in total and round-cut, oval-cut and square-cut sapphires, emeralds and rubies weighing approximately 0.64 carats in total. l. 1”, total weight 10.0 grams $1,800-$2,500

182

505

505

Etruscan Ruby and Sapphire Bracelet 18k yellow gold, the wide bracelet mounted with round-cut rubies and sapphires weighing approximately 2.52 carats in total. w. 1”, l. 7-1/4”, total weight 79.7 grams $8,000-$12,000


507

506

508

509

506

Italian Gold Necklace 14k yellow gold, the graduated Cuban link necklace stamped “14K ITALY”. l. 17-1/4”, total weight 58.7 grams

508

Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana.

Pair of Diamond Earrings 14k yellow gold, the matte gold earrings mounted with round brilliant-cut diamonds weighing approximately 0.80 carats in total. l. 1-1/2”, total weight 13.6 grams

$1,500-$2,500

$1,000-$1,500

507

509

Tiffany & Co. Torque Gold Ring 18k yellow gold, from the Gehry collection, stamped “T & Co. Gehry 750”. size 4-1/2, total weight 20.3 grams

Gold Omega Necklace 14k yellow gold, the polished omega necklace measuring 5.9 mm in width. l. 16-3/4”, total weight 41.3 grams

$1,000-$1,500

$1,000-$1,500

183


510

511

512

513

514

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512 510

Effy Diamond Ring 14k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.97 carats in total. size 7, total weight 8.1 grams $1,400-$1,800

511

Pair of Diamond Dangle Earrings 14k yellow gold, the earrings composed of cupped flowers, accented by round brilliant-cut diamonds weighing approximately 0.90 carats in total. l. 1-3/4”, total weight 4.9 grams $1,000-$1,500

Diamond Ring 14k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.80 carats in total. size 7-1/4, total weight 7.3 grams $1,000-$1,500

513

Diamond Ring 18k yellow/white gold, the ring mounted with round brilliantcut diamonds weighing approximately 2.32 carats in total. size 7, total weight 14.5 grams $1,800-$2,500

514

Champagne and White Diamond Ring 14k yellow gold, the ring mounted with round brilliant-cut champagne and white diamonds weighing approximately 1.29 carats in total. size 7-1/4, total weight 8.4 grams $1,000-$1,500

185


515

515

517

Italian Black Onyx and Gold Necklace 18k yellow gold, the necklace composed of polished black onyx round beads measuring approximately 21.00 mm in diameter, accented by gold caps. l. 18-1/2”, total weight 206.7 grams Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $1,400-$1,800

516

Beautiful Turquoise, Diamond, Sapphire and Onyx Pendant Necklace 14k yellow gold/sterling silver, the pendant mounted with a round cabochon-cut turquoise, accented with square-cut treated sapphires weighing approximately 3.60 carats in total, l. 2-3/4”, the pendant suspended from a segmented necklace composed of onyx cylinders, the pendant and necklace accented throughout with round-cut diamonds weighing approximately 9.60 carats in total, l. 20” to 21”. total weight 33.7 grams $4,500-$7,000

517

Turquoise, Diamond and Onyx Ring 14k yellow gold/sterling silver, the ring mounted with a pearshaped turquoise weighing approximately 10.62 carats, accented by single-cut diamonds weighing approximately 0.78 carats in total and an outer border of black onyx. size 7-1/4, total weight 7.6 grams $1,000-$1,500

518

Pair of Diamond, Emerald and Enamel Earrings 14k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.35 carats in total and round-cut emeralds weighing approximately 0.20 carats in total, accented throughout with black and turquoise enamel. l. 2-1/4”, total weight 9.2 grams $1,800-$2,500

186

519

Turquoise and Diamond Ring 14k yellow gold, the ring mounted with an elongated turquoise weighing approximately 21.41 carats, accented by single-cut diamonds weighing approximately 1.97 carats in total. size 7, total weight 14.0 grams $1,400-$1,800

520

Turquoise and Diamond Ring 14k white gold, the ring mounted with an oval-cut turquoise weighing approximately 2.90 carats, accented by round-cut diamonds weighing approximately 0.55 carats in total. size 3-3/4, total weight 9.0 grams $1,500-$2,500

521

Turquoise and Diamond Bracelet 14k yellow gold, the bracelet mounted with round-cut turquoise cabochons accented with round brilliant-cut diamonds weighing approximately 0.56 carats in total. l. 7”, total weight 7.9 grams $1,800-$2,500

522

Turquoise and White Sapphire Earring and Ring Suite 18k yellow gold, the suite mounted with turquoise nuggets surrounded by round-cut white sapphires weighing approximately 2.13 carats in total. earring l. 1-1/8”, ring size 9, total weight 66.9 grams Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $2,000-$4,000


513 518

521 516

519

522

520

187


523

524

525

526

523

Turquoise, Amethyst and Diamond Bracelet 14k yellow gold/sterling silver, the wide bracelet mounted with oval cabochon-cut turquoise, set in a field of oval-cut amethysts weighing approximately 69.52 carats in total, accented throughout with round-cut diamonds weighing approximately 3.87 carats in total. w. 1-1/4”, l. 7-1/4”, total weight 68.0 grams

525

Amethyst and Diamond Ring 18k yellow gold, the ring mounted with a pear-cut amethyst weighing approximately 1.20 carats, accented by round brilliant-cut diamonds weighing approximately 0.24 carats in total. size 5-3/4, total weight 10.6 grams $1,200-$1,800

$3,000-$5,000

524

Amethyst and Sapphire Ring sterling silver, the ring mounted with a pear-cut amethyst weighing approximately 12.16 carats, accented by blue, yellow, pink and orange treated sapphires and and treated rubies weighing approximately 4.74 carats in total. size 6-1/2, total weight 15.0 grams

526

Pair of Amethyst and Diamond Earrings 14k yellow gold, the earrings mounted with cushion-cut amethysts weighing approximately 12.52 carats in total, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 3.32 carats in total. l. 1-3/8”, total weight 16.4 grams $1,500-$2,500

$1,000-$1,500

188


528

527

527

528

size 8, with shawl collar, three hook closure and on-seam pockets, the in-set sleeves with self-banded cuffs, the chocolate brown silk-lined interior with a self tie, labeled “Sakowitz”, monogrammed. back l. 55”

including “Jeux d’Ombres”, in claret, by Loic Dubigeon, first introduced in 2004 and “Le Songe de la Licorne”, in teal, by Annie Faivre, first introduced in 2013. each scarf 55” x 55”

Sakowitz Floor-Length Chestnut Brown Mink Coat

Two Large Hermes, Paris, Cashmere and Silk Scarves

Provenance: Private collection, Mobile, Alabama. Provenance: Collection of Sue Simpson Schwartz, Houston, Texas.

$1,000-$1,500

$1,200-$1,800

189


530

Black Reversible Sheared Beaver, Mink and Fabric AnkleLength Coat size 10, with mink-trimmed collar and cuffs, one side in sheared beaver, the other in a silk-like fabric, both sides with vertical pockets and four identical loop-held buttons, the sleeves in-set, unlabeled. back l. 51-1/2” Provenance: Collection of Sue Simpson Schwartz, Houston, Texas. $1,000-$1,500

529

529

Chic Donald Brooks Chocolate Brown Mink Jacket size 8, with a silk-inset button at the portrait collar and two front hook closures, straight raglan sleeves and on-seam pockets below a 1-1/2” opening to accommodate a tie, the chocolate silk-lined interior labeled “Donald Brooks” and “Holmes/Fine Fashions/Since 1842”, monogrammed. back l. 29-1/2” $1,000-$1,500

530

190


531

Two Large Hermes, Paris, Cashmere and Silk Scarves including “Early America”, with squirrel center, in green, by Francoise de la Perriere, first issued in 1970 and “Au Fil du Carre”, in off-white, by Annie Faivre, first issued in 2011. each scarf 55” x 55” Provenance: Private collection, Mobile, Alabama. $1,000-$1,500

532

Luxurious Sable Swing Jacket size L, with bold shawl collar to a petal front hem, 10” side slits and downswept back, the generous set-in straight sleeves with notched roll cuffs, on-seam pockets, the taupe silk-lined interior with a forward glove pocket. front l. 36”, back l. 38”

531

$1,500-$2,500

533

Black Diamond Full-Length Mink Coat size 10, with notched collar, one hook closure, on-seam pockets and set-in bracelet-length sleeves, the black silk-lined interior with forward glove pocket, labeled at the side seam “Saks/Fifth/ Avenue”, the “Black Diamond Mink” label no longer attached but present, monogrammed. back l. 46” $1,000-$1,500

532

533

191


534

536

including “Neige d’Antan”, in orange, by Caty Latham, first issued in 1989, “Les Quatre Saisons”, in dark green, by Robert Dallet, first issued in 1994 and “La Vie du Grand Nord”, in ice blue, by Aline Honore, first issued in 2004. each scarf 35” x 35”

size 8-10, with shawl collar, four hook closure and on-seam pockets, the inset full sleeves with self-banded cuffs, the black satin-lined interior with self tie and forward glove pocket., monogrammed. l. 48”

Provenance: Private collection, Mobile, Alabama.

$800-$1,200

Collection of Three Hermes, Paris, Silk Scarves

Ankle-Length Chocolate Brown Mink Coat

$800-$1,200

535

Elegant Princess-Cut Ankle-Length Chocolate Brown Mink Coat size 6-8, with fox notched collar, four hook closure, set-in flared sleeves and on-seam pockets, the chocolate silk-lined interior with self tie, the lower front corners embroidered and velvettrimmed, labeled “Furlan-Spritzer/furriers exclusively for/Isabell Gerhart/Houston”, monogrammed. back l. 48” Provenance: Collection of Sue Simpson Schwartz, Houston, Texas.

534

$1,000-$1,500

535

192

536


537

Collection of Three Hermes, Paris, Silk Scarves including “Parures des Sables”, in cobalt, by Laurence Bourthoumieux, first issued in 1988, “L’Or des Chefs”, in navy, by Joachim Metz, first issued in 1997, and “Qalamdan”, in coral , by Catherine Baschet, first issued in 1990, each example includes an Hermes scarf box. each scarf 35” x 35” $800-$1,200

537

538

Blackglama Full-Length Chocolate Brown Ranch Mink Coat size 10-12, with notched collar and on-seam pockets, a button at the neck and two hook closure, with full raglan sleeves ending in rolled cuffs, the black patterned silk-lined interior with self tie and forward glove pocket, monogramed, labeled: “Traeger Furs” and “Blackglama” stamped with a serial number. back l. 48” $1,000-$1,500

538 193


539 544

540

542

541

543

194


539

Tahitian Pearl and Diamond Earrings and Pendant on Omega Necklace the 14k yellow gold earrings mounted with 13.0 mm Tahitian pearls with an excellent luster, accented by removable earring jackets mounted with round brilliant-cut diamonds weighing approximately 0.36 carats in total, l. 5/8”, and the 18k yellow gold pendant mounted with a 14.0 mm Tahitian pearl with an excellent luster, accented on the bail by round brilliant-cut diamonds weighing approximately 0.24 carats in total, l. 1”, suspended from a 14k yellow gold Omega necklace, l. 16-1/2”. total weight 38.3 grams $1,000-$1,500

540

Tahitian Pearl and Diamond Ring 18k yellow gold, the ring mounted with a 10.00 mm Tahitian pearl with a good luster, accented by round brilliant-cut diamonds weighing approximately 0.42 carats in total. size 7, total weight 12.3 grams

542

Pearl, Emerald and Diamond Bracelet 18k white gold, the bracelet composed of three rows of creamcolored cultured pearls with a good luster and measuring approximately 8.00 mm in diameter, finished with a jeweled clasp mounted with an emerald-cut emerald weighing approximately 1.90 carats, accented by round brilliant-cut diamonds weighing approximately 0.80 carats in total. w. 1”, l. 7-1/2”, total weight 53.1 grams $2,000-$4,000

543

Pair of South Sea Pearl, Emerald and Diamond Earrings 14k yellow gold, the earrings mounted with white South Sea pearls measuring approximately 14.8 mm, with a good luster, surrounded by a spray of round brilliant-cut diamonds weighing approximately 1.40 carats in total and round-cut treated emeralds weighing approximately 0.80 carats in total. l. 7/8”, total weight 26.0 grams $2,000-$4,000

$1,400-$1,800

541

Pearl and Diamond Ring platinum, the ring mounted with a white/cream cultured pearl with a good luster and measuring approximately 8.00 mm in diameter, accented by single-cut diamonds weighing approximately 0.72 carats in total. size 5-1/2, total weight 8.1 grams

544

Emerald and Diamond Ring 14k white gold, the ring mounted with an emerald-cut treated emerald weighing approximately 0.60 carats, accented by single-cut diamonds weighing approximately 0.38 carats in total. size 7-3/4, total weight 4.7 grams $1,000-$1,500

$1,000-$1,500

195


547

545 548

549

546

545

Emerald and Diamond Ring platinum, the ring mounted with a square-cut treated emerald weighing approximately 0.40 carats, accented by round brilliant-cut diamonds weighing approximately 0.24 carats in total. size 7-3/4, total weight 6.8 grams $1,000-$1,500

546

Effy Emerald and Diamond Ring 14k yellow gold, the ring mounted with round-cut treated emeralds weighing approximately 0.41 carats in total, and round brilliant-cut diamonds weighing approximately 0.60 carats in total. size 7, total weight 5.6 grams $1,000-$1,500

547

Emerald and Diamond Necklace 14k white gold, the necklace mounted with round-cut treated emeralds weighing approximately 11.60 carats in total, and round brilliant-cut diamonds weighing approximately 1.60 carats in total. l. 16”, total weight 20.8 grams $3,000-$5,000

196

548

Emerald and Diamond Ring 18k white gold, the ring mounted with an emerald-cut treated emerald weighing approximately 1.00 carat, accented by baguette-cut and round brilliant-cut diamonds weighing approximately 0.44 carats in total. size 6, total weight 3.1 grams $1,500-$2,500

549

Emerald and Diamond Ring 18k white gold, the ring mounted with an emerald-cut treated emerald weighing approximately 1.50 carats, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 0.62 carats in total. size 6-1/2, total weight 4.4 grams $1,800-$2,500


550

551

552

553

550

Gem-Set and Diamond Brooch 18k yellow gold, the brooch in the form of an urn with flowers, mounted with single-cut diamonds weighing approximately 0.92 carats in total and accented with round-cut rubies, sapphires and emeralds weighing approximately 0.32 carats in total. size 2” x 1-1/2”, total weight 19.5 grams

552

Pair of Spectacular Natural Emerald and Yellow Diamond Earrings 18k yellow gold, the earrings mounted with round-cut emeralds weighing 9.52 carats in total, GIA report #2201793578, accented by round brilliant-cut yellow diamonds weighing approximately 2.60 carats in total. dia. 5/8”, total weight 16.4 grams

$1,200-$1,800

551

Diamond and Emerald Pendant Necklace 18k yellow gold, the fixed pendant mounted with a pear-cut emerald weighing approximately 1.00 carat, accented by round brilliant-cut diamonds weighing approximately 2.50 carats in total, suspended by a polished heavy gold segmented chain. l. 17”, total weight 53.9 grams $5,000-$8,000

$120,000-$180,000

553

Pair of Ruby, Tourmaline and Diamond Earrings 18k yellow gold, the earrings mounted with teardrop-shaped green glass pendants, suspended from mountings set with round brilliant-cut diamonds weighing approximately 0.38 carats in total, round-cut tourmalines weighing approximately 3.00 carats in total, and cabochon-cut and triangle-cut treated rubies weighing approximately 0.52 carats in total. l. 2-1/4”, total weight 47.2 grams $1,000-$1,500

197


554

555

556

557

198


554

Yellow and White Diamond Necklace 18k white/yellow gold, composed of white round brilliant-cut diamonds, approximate color E-G and clarity SI1, alternating with treated faint yellow round brilliant-cut diamonds, approximate clarity VS2-SI2, with an approximate total diamond weight of 9.36 carats. l. 18-1/2”, total weight 23.6 grams $4,000-$7,000

555

Diamond Engagement Ring 14k yellow gold, the Finger Mate ring mounted with a round brilliant-cut diamond weighing approximately 3.55 carats, approximate color G-H-I and clarity SI1. size 8-1/4, total weight 4.7 grams $30,000-$50,000

556

Diamond Ring 14k yellow gold, the ring mounted with a central marquise-cut diamond weighing approximately 3.00 carats, approximate color E-F-G and clarity I1, flanked on either side by a trianglecut diamond weighing approximately 1.24 carats in total, approximate color E-F-G and clarity SI1. size 7, total weight 7.0 grams

557

Impressive Antique Pearl and Diamond Bracelet 19th century, 14k yellow gold, set with a large old mine-cut diamond weighing approximately 5.20 carats, approximate color M-N and clarity SI2, set in diamond-tipped prongs, and a large pearl, set side-by-side and separated by a single small diamond, with an approximate total weight of 1.15 carats, in textured rope-coil mounts to a “lover’s knot” textured link band. l. 6-1/4”, total weight 73.7 grams Provenance: (By repute) Tzar Alexander II (1813-1881), presented as a wedding present to Princess Alexandra Friederike Henriette von Saze-Altenburg (1848), to her son Grand Duke Constantine Contantinovitch (1858-1911), to his daugher Princess Tatiana Constantinova Romanoff (1890-1979), sold 1945 to a Private Collector, consigned late 1980s to Sotheby’s Geneva, purchased by Fred Leighton, sold early 1990s to a private collector. $120,000-$180,000

$14,000-$18,000

199


559

558

Van Cleef & Arpels Alhambra Black Onyx Necklace 18k yellow gold, the ten-motif necklace stamped “VCA NY” and “4k304”. l. 18”, total weight 22.0 grams $4,500-$7,000

559

Pair of Van Cleef & Arpels Alhambra Black Onyx Earrings 18k yellow gold, the earrings stamped “VCA NY 18K” and “3K16946”, together with the original box. l. 5/8”, total weight 5.7 grams $2,000-$4,000

200

558


560

561

560

Verdura Gold Bracelet 18k yellow gold, the bracelet with a knotted rope design and stamped “VERDURA 750”. w. 1-1/8”, l. 7-3/4”, total weight 99.7 grams $9,000-$12,000

561

Cartier Santos Demoiselle Diamond Watch 18k yellow gold, the quartz watch with an unusual black mother-of-pearl face, the double bezel and band set with round brilliant-cut diamonds weighing approximately 3.00 carats in total, the back of the watched marked “Cartier Quartz 18k Swiss Made 128 00M 00C 956”, with a deployant clasp marked “Cartier 18k 750 Swiss Made”. inside circumference 6-1/4”, total weight 66.5 grams

562

562

Van Cleef & Arpels Desk Clock 18k yellow gold, the 35.00 mm face marked “Van Cleef & Arpels Universal Geneve”, and the back marked “89670”, with a rope border that swings around to create a stand. total weight 56.7 grams $4,500-$7,000

$30,000-$50,000

201


563

563 detail

563

Hermes Georges L’Enfant Chain D’Ancre 18k yellow gold, the large chain-link bracelet finished with a toggle clasp, stamped “Hermes 750 284117”, together with the original box. l. 9” $6,000-$9,000

564

Franck Muller Cintree Curvex Gold and Diamond Watch 18k yellow gold, the quartz watch with a bezel mounted with round brilliant-cut diamonds weighing approximately 1.51 carats in total, the face marked “Franck Muller Geneve Curvex”, the back of the case stamped “Franck Muller Geneve, No 54, 1752 QZ D”, with a deployant clasp, together with the original inner and outer box, papers and extra links. inside circumference 6-1/4”, total weight 94.8 grams $6,000-$9,000

564

202


567

568

566 565

565

Patek Philippe Pendant Watch 18k yellow gold, the open-face watch with a white porcelain dial marked “Patek Philippe & Cie Geneve”, with gold hands and enamel chapters, the back of the case stamped “No136569 Patek Philippe & Co. Geneva” and the inside back cover stamped “239124 P.P. Co. 18Kts.”, the reverse monogrammed “M” with rosette mantling, together with the original fitted case. dia. 27.00 mm, total weight 22.2 grams $1,800-$2,500

567

Alisa Diamond Jewelry Suite 18k yellow gold/sterling silver, the suite including a hinged bracelet, inside circumference 6-3/4”, a pair of hoop earrings, l. 3/4”, and a ring, size 7, all accented with round brilliant-cut diamonds weighing approximately 0.15 carats in total and all stamped “Alisa”. total weight 45.3 grams $1,000-$1,500

568

Three Tri-Colored Gold and Diamond Bands 14k white/yellow/rose gold, the stacking, wavy bands mounted with round brilliant-cut diamonds weighing approximately 0.75 carats in total. size 7-1/4, total weight 15.0 grams

Tourmaline and Diamond Ring 14k white gold, the ring mounted with a central emeraldcut brown tourmaline weighing approximately 1.15 carats, accented by round brilliant-cut diamonds weighing approximately 0.92 carats in total. size 6-3/4, total weight 13.0 grams

$1,400-$1,800

$1,200-$1,800

566

203


569

572

573 570

571

204


574

569

Victorian Diamond and Enamel Brooch/Pendant ca. 1875, 18k yellow gold, the floriform brooch set with one central and six surrounding buttercup-set diamonds (the central diamond a later replacement), the petal tips accented with blue and black enamel, with buttercup-set diamond bail and three tassels, all detachable, as is the brooch fitting, with an approximate total diamond weight of 1.04 carats, presented in a fitted box of later date as retailed by Collingwood, London. l. 2-3/4”, w. 1-3/8”, total weight 17.2 grams $1,800-$2,500

570

French Belle Epoque Diamond Snake Boutonniere Holder fourth quarter 19th century, silver top, 18k yellow gold back, in the form of a coiled serpent set with old European-cut diamonds weighing approximately 0.46 carats in total and round-cut ruby eyes weighing approximately 0.01 carats in total, opening to fit a boutonniere or aigrette, the pin detaching to permit the piece to be worn as a watch chain slide. l. 1-5/8”, total weight 7.2 grams $1,000-$1,500

571

Pair of Plique-a-Jour Enamel “Butterfly” Dress Pins 18K yellow gold, the wings with plique-a-jour enamel in shades of pink and yellow, accented with single-cut diamonds weighing approximately 0.96 carats in total, and a round-cut ruby thorax, weighing approximately 0.04 carats in total. w. 1-1/2”, total weight 12.1 grams $1,800-$2,500

572

Diamond, Emerald, Ruby and Sapphire Necklace gold vermeil, the necklace composed of peacocks, mounted with rose-cut diamonds weighing approximately 3.00 carats in total, accented by marquise-cut and round-cut treated emeralds, rubies and sapphires weighing approximately 3.16 carats in total. l. 17”, total weight 45.0 grams $1,000-$1,500

575

573

Pair of Unusual Gem-Set Earrings gold vermeil, the earrings in the form of a parrot on a perch, mounted with dangling freshwater pearls suspended from the perch and tail, the whole mounted with rose-cut and polki diamonds weighing approximately 2.30 carats in total, accented with calibre-cut and round-cut treated rubies, sapphires and emeralds weighing approximately 1.60 carats in total. l. 3”, total weight 30.7 grams $1,000-$1,500

574

Opal and Gem-Set “Beetle” Ring 14k rose gold, the body of the ring mounted with an oval cabochon-cut opal weighing approximately 1.50 carats, accented on the head with a pear-shaped treated ruby weighing approximately 0.15 carats, accented throughout with round-cut spinel and diamonds weighing approximately 2.06 carats in total. size 7-1/4, total weight 9.5 grams $1,500-$2,500

575

Turquoise, Diamond, Ruby and Sapphire “Beetle” Brooch 14k yellow gold/sterling silver, the body mounted with a pear-shaped turquoise weighing approximately 18.00 carats, accented by single-cut diamonds weighing approximately 1.07 carats in total, square-cut treated sapphires and round-cut treated rubies weighing approximately 0.34 carats in total. size 1-5/8” x 2”, total weight 10.8 grams $1,200-$1,800

205


578

577

576

579

576

Gem-Set “Parrot” Brooch 14k yellow gold/sterling silver, the body of the parrot mounted with an oval cabochon-cut treated emerald weighing approximately 2.58 carats, accented by round-cut treated sapphires weighing approximately 0.88 carats in total and single-cut diamonds weighing approximately 0.13 carats in total, resting on a black onyx perch. l. 1-5/8”, total weight 4.5 grams $1,000-$1,500

577

Gem-Set “Beetle” Brooch 14k yellow gold/sterling silver, the body mounted with an oval-cut amethyst weighing approximately 10.78 carats, accented by round-cut treated rubies and emeralds weighing approximately 0.14 carats in total and round brilliant-cut and rose-cut diamonds weighing approximately 0.61 carats in total. size 1-1/2” x 3/4”, total weight 7.4 grams

578

Mabe Pearl and Diamond “Beetle” Ring 14k yellow gold/sterling silver, the ring mounted with a mabe pearl measuring approximately 14.5 mm, accented by singlecut diamonds weighing approximately 0.62 carats in total and round-cut treated rubies for the eyes weighing approximately 0.05 carats in total. size 7, total weight 11.0 grams $1,000-$1,500

579

Baroque Pearl, Emerald, Diamond and Ruby “Dragonfly” Brooch 14k yellow gold/sterling silver, the wings of the dragonfly mounted with white baroque pearls, the head mounted with an oval-cut treated emerald weighing approximately 1.00 carat, the eyes accented by round-cut treated rubies weighing approximately 0.04 carats in total and accented throughout by round brilliant-cut and single-cut diamonds weighing approximately 1.47 carats in total. size 1-7/8” x 2”, total weight 29.2 grams

$1,000-$1,500 $1,400-$1,800

206


581

580

582

580

Tourmaline and Diamond “Butterfly” Brooch 14k yellow gold/sterling silver, the wings mounted with carved mottled tourmaline plaques weighing approximately 35.86 carats in total, accented on the eyes and antennae with roundcut treated rubies weighing approximately 0.22 carats in total, and accented throughout with round-cut diamonds weighing approximately 2.08 carats in total. size 2-1/8” x 1-3/4”, total weight 18.7 grams

582

$1,800-$2,500

Tanzanite, Diamond and Sapphire “Crab” Brooch sterling silver, the brooch with enamel accents, mounted with an oval cabochon-cut tanzanite weighing approximately 19.00 carats, accented by round-cut yellow sapphires and marquisecut blue sapphires weighing approximately 1.12 carats in total, and single-cut diamonds weighing approximately 4.48 carats in total. size 2-5/8” x 2-3/8”, total weight 27.6 grams

581

$1,200-$1,800

Diamond and Pearl Brooch 14k yellow gold/sterling silver, the brooch in the form of a bird in a nest, the nest holding a cultured white pearl “egg”, the whole accented by single-cut diamonds weighing approximately 3.84 carats in total, and round-cut treated rubies weighing approximately 0.02 carats in total. size 2” x 1-1/4”, total weight 12.4 grams $1,200-$1,800

207


585

583

586

584

588

587

208


589

583

Beautiful Tanzanite and Diamond Ring 18k yellow gold, the ring mounted with an emerald-cut tanzanite weighing approximately 12.25 carats, accented by a border of round brilliant-cut diamonds weighing approximately 2.10 carats in total. size 6-3/4, total weight 35.5 grams

590

587

Sapphire and Diamond Band 18k white gold, the band mounted with round brilliant-cut diamonds weighing approximately 0.97 carats in total, alternating with square-cut sapphires weighing approximately 1.80 carats in total. size 7, total weight 4.8 grams $1,800-$2,500

$8,000-$12,000

584

Tanzanite and Diamond Ring 18k white gold, the ring mounted with a central cushion-cut tanzanite weighing approximately 2.91 carats, accented by princess-cut and round brilliant-cut diamonds weighing approximately 1.39 carats in total. size 9-3/4, total weight 15.0 grams

588

Sapphire and Diamond Ring 14k white gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.37 carats in total, and square- and triangular-cut treated sapphires weighing approximately 0.53 carats in total. size 7-1/2, total weight 7.8 grams $1,000-$1,500

$2,000-$4,000

585

Diamond and Sapphire Necklace 14k white gold, the necklace mounted with round brilliantcut diamonds weighing approximately 2.50 carats in total, accented with emerald-cut treated sapphire drops weighing approximately 2.10 carats in total. adjustable l. 16” to 18”, total weight 8.5 grams $2,500-$4,000

586

Sapphire and Diamond Buckle Bracelet 14k white gold, the bracelet in the form of a buckle, mounted with round-cut treated sapphires weighing approximately 41.05 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.00 carat in total. w. 5/8”, l. 6-3/4”, total weight 54.7 grams

589

Star Sapphire Ring 14k yellow gold, the ring mounted with a cabochon-cut star sapphire weighing approximately 6.31 carats, with an offcenter, well-defined six-ray star. size 7, total weight 12.0 grams $1,000-$1,500

590

Sapphire and Diamond Ring 14k white gold, the ring mounted with a cabochon-cut sapphire weighing approximately 25.02 carats, accented by round brilliant-cut diamonds weighing approximately 1.33 carats in total. size 6-1/2, total weight 19.0 grams $1,000-$1,500

$6,000-$9,000

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598

597

591

Beautiful Diamond Bracelet platinum, the bracelet mounted with European-, transitionaland single-cut diamonds weighing approximately 24.20 carats in total, approximate color G-H and clarity VS1-SI2. w. 1”, l. 6-1/2”, total weight 45.0 grams

595

Wide Diamond Band platinum, the band mounted with baguette- and single-cut diamonds weighing approximately 7.89 carats in total. size 4-1/2, total weight 18.0 grams $6,000-$9,000

$3,500-$5,000

592

Carved Rock Crystal and Diamond Ring 18k yellow gold, the ring mounted with a 25.0 mm x 20.0 mm carved rock crystal, accented on four sides by round brilliantcut diamonds weighing approximately 0.50 carats in total. size 5-1/4, total weight 27.7 grams $4,500-$7,000

593

Spectacular Diamond Bracelet platinum, the bracelet mounted with graduated Asscher-cut diamonds weighing 40.06 carats in total, color D-G and clarity IF to SI1, GIA certificates available upon request. l. 7-1/2”, total weight 36.5 grams $500,000-$800,000

594

Diamond Ring platinum, the ring mounted with emerald-cut diamonds weighing approximately 3.25 carats in total, approximate color G and clarity VS1-VS2. size 7, total weight 8.7 grams $14,000-$18,000

210

596

Diamond Necklace 18k white gold, the necklace mounted with baguette-, pearand round brilliant-cut diamonds weighing approximately 3.40 carats in total. l. 16”, total weight 19.2 grams $4,500-$7,000

597

Spectacular Diamond Tennis Bracelet 14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 20.10 carats in total. l. 6-3/4”, total weight 19.9 grams $25,000-$40,000

598

Diamond Ring 18k white gold, the wide ring mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. size 6-1/2, total weight 8.7 grams $1,000-$1,500


596

592

591

593

595

594

211


600

602

599

601

599

601

$1,400-$1,800

$12,000-$18,000

600

602

$3,500-$5,000

$3,000-$5,000

Pair of Three-Stone Diamond Earrings 14k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. l. 7/16”, total weight 4.10 grams

Diamond Necklace 14k white gold, the necklace mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 4.43 carats in total. l. 15”, total weight 15.3 grams

212

Diamond Band 18k white gold, the band mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 7.50 carats in total. size 9-1/4, total weight 13.8 grams

Diamond Bracelet 18k white gold, the bracelet mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 2.82 carats in total. l. 7”, total weight 10.0 grams


605

604

603

606

603

Diamond Ring platinum, the ring mounted with a central emerald-cut diamond weighing approximately 0.50 carats, accented by baguette-cut and round brilliant-cut diamonds weighing approximately 1.92 carats in total. size 5-3/4, total weight 11.1 grams $1,800-$2,500

604

Diamond Necklace 14k white gold, the necklace mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 3.17 carats in total. l. 15” to 17”, total weight 13.4 grams

605

Pair of Diamond Stud Earrings 14k white gold, the earrings mounted with round brilliantcut diamonds weighing approximately 1.62 carats in total, approximate color E-F and clarity SI1-SI2. total weight 1.0 gram $2,500-$4,000

606

Diamond Bracelet 14k white gold, the bracelet mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 3.63 carats in total. l. 7”, total weight 15.8 grams $3,500-$5,000

$2,500-$4,000

213


607

610

609

607

Cartier Maillon Panthere Diamond Band 18k white gold, the three-row ring mounted with round brilliant-cut diamonds weighing approximately 0.91 carats in total, stamped “Cartier 750” and “NU2224 53”, together with the original inner and outer boxes. size 6-1/2, total weight 8.5 grams $1,500-$2,500

608

Patek Philippe La Flamme Diamond Watch 18k white gold, the quartz watch with a mother-of-pearl face, the markers, bezel and top of the band mounted with round brilliant-cut diamonds weighing approximately 1.10 carats in total, the face marked “Patek Philippe Geneve Swiss”. l. 7”, total weight 80.6 grams $10,000-$15,000

609

Diamond Brooch platinum, the brooch mounted with round brilliant-cut diamonds weighing approximately 1.43 carats in total, and accented with a round-cut treated ruby for the eye, weighing approximately 0.01 carat in total. size 3/8” x 1-1-/4”, total weight 8.0 grams This brooch was commissioned by Alfred Blake Dick, Jr. (18941954) of Lake Forest, Illinois for his wife, Helen Aldrich Dick (1895-1987). Dick was the president of A.B. Dick Co., the largest manufacturer of mimeograph machines in the world which had been founded by his father. He met his wife when she was a child and would ride her pony by Westmoreland, the Dick estate. Their mutual love of horses would blossom at their Dicksfield Farms in Gurnee, Illinois, where they raised hackney ponies and dairy cows, winning numerous awards for both. This brooch is reportedly in the image of their pony “Pride of the Plains”, a champion sire. $1,800-$2,500

214

608

610

Gem-Set Dress Clips platinum, the dress clips mounted in a frame, allowing them to be worn together as a brooch, mounted with round brilliantcut and baguette-cut diamonds weighing approximately 2.59 carats in total, accented with carved and cabochon-cut emeralds and rubies weighing approximately 3.25 carats in total. size 2-1/4” x 3/4”, total weight 22.6 grams $2,500-$4,000


612

613 611

612

611

Pearl, Ruby, Sapphire and Diamond Tassel Necklace 14k yellow gold, the lion’s-head tassel mounted with round brilliant-cut diamonds weighing approximately 1.18 carats in total, accented by round-cut and marquise-cut treated rubies weighing approximately 2.59 carats in total and round-cut treated sapphires weighing approximately 1.11 carats in total, l. 4”, suspended from a two-strand necklace composed of creamcolored pearls with a good luster and measuring approximately 8.30 mm in diameter, l. 34”. total weight 216.7 grams $3,000-$5,000

Pair of Mabe Pearl, Ruby and Diamond Earrings 18k yellow gold, the earrings mounted with mabe pearls measuring approximately 5.4 mm in diameter, accented by round brilliant-cut diamonds weighing approximately 0.18 carats in total and oval cabochon-cut treated rubies weighing approximately 0.30 carats in total. l. 1”, total weight 12.0 grams $1,000-$1,500

613

Pair of Mabe Pearl and Gold Ear Clips 18k yellow gold, the large ear clips mounted with a white mabe pearl measuring approximately 16.6 mm in diameter. l. 1-3/8”, total weight 25.8 grams Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $1,000-$1,500

215


617 616

615

619

216

618


614

614

Flameball Pearl Necklace 14k yellow gold, the necklace composed of graduated white flameball pearls with a good luster, separated by polished gold round beads, finished with a toggle clasp. l. 18-1/2”, total weight 168.2 grams

617

South Sea Pearl Necklace 18k yellow gold, the necklace featuring a white South Sea baroque pearl with a very good luster, suspended from an 18k yellow gold chain. l. 18”, total weight 9.4 grams $1,200-$1,800

$1,200-$1,800

615

Pearl and Diamond Bracelet 18k yellow gold, the spring-action bracelet mounted with cultured white pearls measuring approximately 11.8 mm in diameter, accented by round brilliant-cut diamonds weighing approximately 1.60 carats in total, stamped “18L IPS”. inside circumference 6-1/2”, total weight 84.0 grams

618

Pearl and Diamond Ring 18k yellow gold, the ring mounted with a white cultured pearl with a good luster and measuring approximately 8.60 mm in diameter, accented by round brilliant-cut diamonds weighing approximately 0.99 carats in total. size 7-1/4, total weight 6.8 grams $1,000-$1,500

$2,500-$4,000

616

South Sea Pearl and Diamond Ring 18k yellow gold, the ring in the form of a flower, the center mounted with a white South Sea pearl with a good luster, measuring approximately 14.8 mm in diameter, accented by round brilliant-cut diamonds weighing approximately 0.90 carats in total. size 6-1/4, total weight 12.4 grams

619

Pearl and Diamond Brooch and Earring Suite 18k yellow gold, the suite in the form of grape clusters, the clusters mounted with pearls and accented throughout with round brilliant-cut diamonds weighing approximately 0.28 carats in total. earring l. 5/8”, brooch size 1-7/8” x 2-1/4”, total weight 19.0 grams $1,400-$1,800

$1,400-$1,800

217


622

620

621

624

625

218

623


620

Jadeite Pendant with Chain 14k yellow gold, the circular disc jadeite pendant mounted in a gold frame and suspended from a 14k yellow gold chain. pendant dia. 2”, chain l. 30”, total weight 76.0 grams

623

Opal and Diamond Ring 14k yellow gold, the ring mounted with a pear-shaped opal weighing approximately 5.65 carats, accented by round brilliant-cut diamonds weighing approximately 0.07 carats in total. size 5-1/2, total weight 14.0 grams

$1,000-$1,500

621

Carved Jadeite Ring

$1,000-$1,500

624

$1,000-$1,500

Opal and Diamond Ring 14k yellow gold, the ring in the form of a flower, the “petals” mounted with oval- and marquise-shaped opals weighing approximately 1.68 carats in total, accented by round brilliantcut diamonds weighing approximately 0.07 carats in total. size 7-3/4, total weight 5.0 grams

622

$1,000-$1,500

14k yellow gold, the ring with a large jadeite carving set in an elaborate gold mounting. size 5-1/4, total weight 22.4 grams

Coral, Lapis and Diamond Ring 18k yellow gold, the ring mounted with a central angel skin coral cabochon weighing approximately 4.50 carats, accented with lapis and coral cabochons weighing approximately 2.50 carats in total and accented throughout with round brilliantcut diamonds weighing approximately 0.80 carats in total. size 6-1/4, total weight 15.1 grams Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana.

625

Opal and Pearl Ring and Earrings 14k yellow gold, the contemporary ring mounted with a golden cultured pearl measuring approximately 10.5 mm in diameter, accented by a black opal insert, size 7-1/2, and the earrings mounted with teardrop-shaped white cultured pearls measuring approximately 8.30 mm x 9.80 mm, accented by black opal inserts, l. 1-1/4”. total weight 18.8 grams $1,500-$2,500

$1,400-$1,800

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626 627

629

628

626

628

$1,200-$1,800

$5,000-$8,000

627

629

Carved Aquamarine, Diamond and Onyx Ring 14k yellow gold/sterling silver, the ring mounted with an oval carved aquamarine weighing approximately 23.76 carats, accented by a halo of single-cut diamonds weighing approximately 0.71 carats in total and an outer halo of black onyx. size 6-3/4, total weight 10.1 grams

Pair of Aquamarine, Diamond and Onyx Earrings 14k yellow gold/sterling silver, the earrings composed of black onyx rings, suspended from oval cabochon-cut aquamarines weighing approximately 2.63 carats in total, and accented by single-cut diamonds weighing approximately 0.73 carats in total. l. 1-3/8”, total weight 5.9 grams

Beautiful Aquamarine and Diamond Dress Clips 18k white gold, the clips mounted with emerald-cut aquamarines weighing approximately 38.41 carats in total, accented by baguette-, European- and round-cut diamonds weighing approximately 6.09 carats in total. each l. 1-3/4”, total weight 39.0 grams

Blue Topaz and Diamond Brooch 18k yellow/white gold, the brooch mounted with a cushion-cut blue topaz weighing approximately 68.63 carats, accented by round brilliant-cut diamonds weighing approximately 4.80 carats in total. size 1-1/4” x 1-1/2”, total weight 38.0 grams $1,200-$1,800

$1,000-$1,500

220


630

631 632

630

Diamond Necklace 18k white/yellow gold, the necklace composed of interlocking links mounted with round brilliant-cut diamonds weighing approximately 11.22 carats in total. l. 17-1/2”, total weight 76.7 grams $15,000-$25,000

631

Pair of Large Diamond Heart Ear Clips 14k yellow gold, the large clip-back earrings mounted with pear-, marquise- and round brilliant-cut diamonds weighing approximately 4.72 carats in total. size 1-1/4” x 1-3/8”, total weight 40.2 grams

632

Pair of Diamond Star Earrings 14k yellow gold, the dangling stars mounted with round brilliant-cut diamonds weighing approximately 1.08 carats in total. l. 1-1/2”, total weight 4.2 grams $1,200-$1,800

Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $2,000-$4,000

221


633

634

636

638

222

635


637

633

Diamond Necklace 18k yellow gold, the graduated gold necklace mounted with a fixed pendant of interlocking rings, set with round brilliant-cut diamonds weighing approximately 2.80 carats in total. l. 16””, total weight 94.8 grams Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $2,500-$4,000

634

Pair of Diamond Hoop Earrings 14k yellow gold, the inside/outside earrings mounted with round brilliant-cut diamonds weighing approximately 3.90 carats in total. l. 1-1/8”, total weight 9.9 grams $2,500-$4,000

635

Audemars Piguet Diamond Watch 18k yellow gold, the manual-wind watch with a bezel set with round single-cut diamonds weighing approximately 0.20 carats in total, the back of the case stamped “Audemars Piguet Swiss 33700”, the clasp accented with a cabochon-cut emeralds weighing approximately 0.10 carats. l. 6-1/2”, total weight 28.2 grams

636

Wide Diamond Bracelet 18k yellow gold, the polished gold bracelet in a honeycomb design, mounted with stations of single-cut diamond clusters weighing approximately 1.28 carats in total. w. 1”, l. 7-1/4”, total weight 108.0 grams $3,000-$5,000

637

Rock Crystal Necklace 14k yellow gold, the necklace composed of free-form rock crystal slabs, finished with a gold toggle clasp. l. 17-1/2”, total weight 212.4 grams $1,000-$1,500

638

Two Diamond Bangle Bracelets 14k yellow gold, the flexible bracelets mounted with round brilliant-cut diamonds weighing approximately 0.40 carats in total. inside circumference 6-3/4”, total weight 8.4 grams $1,200-$1,800

$1,000-$1,500

223


639

639

Diamond Crescent Pendant with Chain 14k yellow gold, the pendant mounted with rose-cut diamonds weighing approximately 2.80 carats in total, l. 1-1/4”, suspended from a 14k yellow gold chain, l. 18”. total weight 9.4 grams $1,800-$2,500

640

Yuri Ichihashi Diamond Tassel Necklace 18k yellow gold, the gold necklace with tasseled ends, each tassel suspended from a cap mounted with round brilliantcut diamonds weighing approximately 0.42 carats in total, stamped “18k” and “YURI”. l. 39-1/2”, total weight 25.7 grams $1,800-$2,500

224

640


642

641

641

642

$3,000-$5,000

$1,000-$1,500

Diamond Pendant with Chain the 14k white gold pendant mounted with a marquise-cut diamond weighing approximately 2.45 carats, approximate color G and clarity I1, suspended from an 18k yellow gold chain, l. 25”. total weight 6.0 grams

Diamond Heart Pendant with Chain 14k yellow gold, the pendant mounted with round brilliantcut diamonds weighing approximately 1.75 carats in total, l. 1”, suspended from a 14k yellow gold chain, l. 16”. total weight 7.0 grams

225


644

643

643

Diamond Pendant with Chain 14k yellow gold, the pendant mounted with round brilliant-cut diamonds weighing approximately 0.23 carats in total, l. 1-5/8”, suspended from a 14k yellow gold chain, l. 18”. total weight 7.0 grams $1,000-$1,500

646

Wide Gold Bracelet 18k yellow gold, the bracelet composed of two rows of twisted rope chains, forming a herringbone pattern. w. 3/4”, l. 7-1/4”, total weight 68.6 grams $4,000-$7,000

647

Gold Wire Necklace with Cross Pendant 14k yellow gold, the polished gold cross pendant suspended from a hammered gold wire necklace. pendant l. 1-3/4”, necklace l. 17”, total weight 42.3 grams

Emerald and Diamond Cufflinks 18k yellow gold, the cufflinks mounted with cabochon-cut treated emeralds weighing approximately 1.06 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.84 carats in total. dia. 1/2”, total weight 8.7 grams

$1,000-$1,500

$1,500-$2,500

645

648

644

Four Peruvian Gold Gentleman’s Accessories mid-20th century, 18k yellow gold, including a Arte Orfebre “Shadowbox” Inca court scene belt buckle and tie bar set, an Arte Orfebre tie bar with Viracocha, and an unmarked tie bar with Inca processional scene. buckle 1-1/8” x 2”, tie bars l. 1-3/4”, total weight 55.6 grams $1,400-$1,800

226

Diamond Cufflinks sterling silver, the cufflinks mounted with round brilliant-cut diamonds weighing approximately 1.12 carats in total, stamped “SA” on the backs. l. 5/8”, total weight 12.6 grams $1,000-$1,500


645

647

648

646

227


THE COLLECTION OF

ADAM LIPPES LOTS 649 - 738

228


649

649

Pair of Austrian Biedermeier Ebonized Cabinets 19th century, each with a rectangular top with figural mounts, above a conforming case fitted with a frieze drawer over a single recessed glazed door backed by a fabric panel, flanked to either side by an engaged pilaster, above an ormolu-mounted apron, raised on torpedo feet. h. 68”, w. 34-1/2”, d. 17” Provenance: Ritter-Antik, Inc., New York; The Collection of Adam Lippes. $5,000-$8,000

© Stephen Kent Johnson/OTTO

229


651

650

Pair of Natural Horn "Elements Decoratifs" Attributed to Karl Springer (German/New York, 1931-1991) ca. 1970s, the polished mottled black and white cow horns mounted on acrylic plinths. h. 18-3/4”, w. 11-3/4”, d. 7-3/4” Provenance: The Collection of Adam Lippes.

650

$800-$1,200

651

Danish White-Lacquered and Marble-Top Commode 20th century, the rectangular stone top above a conforming case fitted with two short drawers over two long drawers, raised on tapering square legs ending in caps. h. 32”, w. 39-1/2”, d. 23-1/2” Provenance: The Collection of Adam Lippes. $1,500-$2,500

652

Swedish Louis XVI-Inspired Polychromed Desk 20th century, the breakfront galleried superstructure above a rectangular top over a frieze fitted with two drawers, raised on tapering square legs. h. 42”, w. 39-1/2”, d. 21-1/2” Provenance: The Collection of Adam Lippes. $1,500-$2,500 652

230


663

653

Austrian Neoclassical Fruitwood and Marble-Top Console Table 19th century, the rectangular marble top above a conforming lion’s-masque-carved frieze with pendant shell and patera carving, joined by fluted and foliate-carved vasiform legs to a shaped stretcher shelf centered by a pair of carved intertwining dolphins, raised on shell-form feet. h. 36-1/4”, w. 55-1/2”, d. 28” Provenance: The Collection of Adam Lippes. $3,000-$5,000 663 detail

231


654

Pair of Italian Alabaster and Marble Busts of the Renaissance Poets Ludovico Ariosto and Torquato Tasso ca. 1900, busts mounted on green marble socles, the bases engraved “Tasso” and “Ariosto”. h. 8-3/4”, w. 4-3/4”, d. 2-1/2” Provenance: The Collection of Adam Lippes. $1,000-$1,500

655

Louis XVI-Style Ebonized and Marble-Top Secretaire a Abattant late 19th century, in the chinoiserie taste, the rectangular marble top with canted and projecting corners, above a conforming case fitted with a single drawer over a drop-front, opening to an inset leather writing surface and a variety of drawers and cubbyholes, over two paneled cupboard doors, raised on canted block feet, the whole with gilt and polychrome scenes in the chinoiserie taste and with ormolu mounts and millwork. h. 61-1/2”, w. 45-1/4”, d. 16-1/2” Provenance: The Collection of Adam Lippes.

654

$5,000-$8,000

655

232

655 detail


656

656

Japanese Six-Panel Screen of Noh Performers Meiji Period (1868-1912), paper, ebonized wood, silk and cotton fabric, dancers upon an open stage set within a mountainous landscape, the gilt sky trimmed in silk ribbon, set into a brass-mounted ebonized wood frame. h. 66”, w. 121” Provenance: The Collection of Adam Lippes. Literature: Brad Goldfarb, "Home Again", Architectural Digest, September 2014, illustrated p. 172-173. $3,000-$5,000

DETAIL : Pictured in the Brooklyn Heights home of Adam Lippes during New

York Fashion Week as a backdrop to his Fall 2016 collection. Flowers by Putnum & Putnam

DETAIL : New York Fashion Week - Adam Lippes Fall 2016 Collection.

233


657

Handsome Japanese Parquetry Cabinet late 19th/early 20th century, set with an asymmetrical arrangement of shelves, drawers and sliding doors, each inlaid with various hardwoods in geometric patterns, on a bracket-footed base, the top with pagoda-style trim. h. 30-1/4”, w. 16”, d. 8” Provenance: The Collection of Adam Lippes. $1,200-$1,800

658

Antique Oushak Carpet 10’ x 15’ Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 100; Emily Holt, "Inside Adam Lippes's Berkshires Home", Vogue, February 2015 (illustrated) 657

$4,000-$7,000

658

234


659

Syrian Marquetry and Mother-of-Pearl-Inlaid Handkerchief Table early 20th century, elaborately inlaid throughout, the top with faux wedge-shaped sections folding out to create a larger square top, the base with carved brackets, arches and a spindle gallery. h. 29-1/2”, w. 23-1/2”, d. 23-1/2”, extended size 47-1/4” x 47-1/4” Provenance: The Collection of Adam Lippes. $1,500-$2,500

659

659

660

North African Hardwood Savonarola Chair 19th century, the domed back above a spindle wheel splat, joined by scrolled arms to the wooden seat, raised on an intersecting slatted base to runner feet, the whole intricately carved in geometric patterns and having mother-of-pearl inlay. h. 35” $800-$1,200 660

235


661

German Mahogany and Hardwoods Cabinet 19th century, the hinged top opening to a paneled storage area, the front with two doors opening to an interior fitted with an arrangement of four faux drawers above eleven working drawers surrounding two central cupboards, the whole with elaborate figural and scrolling foliate inlay, raised on paneled square legs to block feet. h. 39-1/2”, w. 31-3/4”, d. 16-1/2” Provenance: The Collection of Adam Lippes. Literature: Brad Goldfarb, "Home Again", Architectural Digest, September 2014, illustrated p. 172-173. $5,000-$8,000

661

661 detail

236


661 detail

662

Pair of Chinese Hardwood Armchairs ca. 1900, of through-tenoned and pegged construction, the shaped top rail over a carved splat, the back joined to open arms, on square legs joined by box stretchers. h. 38” Provenance: The Collection of Adam Lippes. $1,000-$1,500

662

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"My favorite room in Adam's Brooklyn apartment is the tented room. So chic, yet so cozy and inviting. Every house should have one!" – Carlos Mota

AN ICONIC ROOM This sumptuous room, f ittingly referred to as "The Opium Den" by Adam Lippes and partner Alexander Farnsworth, is one of the most iconic and unforgettable spaces to grace the pages of Architectural Digest in recent memory. Beautifully captured by Stephen Kent Johnson, it made its debut in the July 2019 issue, but has since been referenced and shared by countless other print and online publications, as well as by design enthusiasts across social media. Seductive and sophisticated, Lippes transformed the small space using a lush linen-cotton fabric by Richard Smith that was inspired by Japanese lacquerware. The layers of patterned fabric and antique decoration evoke an old world mystique while the color palette makes the room burst with modern flair. From the walls to a pair of luxuriously proportioned sofas, nearly every square inch was thoughtfully appointed to create a maximalist symphony that delights and inspires.

“I like that there are all these different areas for people to congregate when we entertain. Someone’s over there chatting, and another group is over here; people are sitting in the bedroom talking.” Or they’re sprawled on the banquettes that ring a tented space that the couple calls the opium den. “Everybody hangs out here,” says Lippes. –ADAM LIPPES Architectural Digest, July/August 2019

Steeped in historical references, tented rooms have been used across cultures for centuries. but they became widely popular as luxurious retreats amongst decorators and the worldly elite in the twentieth century. French decorating legend Madeleine Castaing, an endless source of inspiration for Lippes, incorporated tented rooms and hallways with vibrant, colorful patterns in her interiors to create intimate, chic spaces. One of Castaing's most celebrated "tented" creations was her winter dressing room at her country house in Leves, France in which her neoclassical design resembles that of Napoleon's famous tented rooms. Others have taken a bolder approach to this technique. Renzo Mongiardino famously designed a Turkish-inspired drawing room for Lee Radziwill in the 1960s; Mario Buatta, "The Prince of Chintz" and never one to shy away f rom competing colors and patterns, used them f requently in his projects; and they were a favorite technique of the legendary Billy Baldwin. Gloria Vanderbilt even used traditional American quilts to create one in her New York apartment. In recent years, tented rooms have seen a resurgence in popularity (see Cara Delevingne and Nicolo Bini's tented game room in the July 2021 issue of Architectural Digest), but Adam Lippes' Brooklyn Heights "Opium Den" is undoubtedly one of the most memorable and reflects his keen eye for design.

Adam's labradoodles Lola and Kiko lounge in the iconic "Opium Den" in Brooklyn Heights. Originally published in the July/August issue of Architectural Digest © Stephen Kent Johnson/OTTO

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664

upholstered in Madeaux by Richard Smith “Aviary 03 Midnight Forest” linen-cotton chintz fabric, with a padded back joined to the cushioned seat by padded arms, above the skirted base. h. 38”, w. 77”, d. 37”

upholstered in Madeaux by Richard Smith “Aviary 03 Midnight Forest” linen-cotton chintz fabric, with a padded back joined to the cushioned seat by padded arms, above the skirted base. h. 38”, w. 77”, d. 37”

Provenance: The Collection of Adam Lippes.

Provenance: The Collection of Adam Lippes.

Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 103.

Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 103.

$1,500-$2,500

$1,500-$2,500

Contemporary Sofa

Contemporary Sofa

664

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665

Steel and Cast Iron Center Table draped with Madeaux by Richard Smith linencotton chintz fabric, in the “Aviary 03 Midnight Forest”, covering a circular table with an iron column and a flare base. h. 29”, dia. 36” Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 103. $1,000-$1,500

665

666

Pair of Madeaux by Richard Smith Drapery Panels in the “Aviary 03 Midnight Forest” pattern, the linen-cotton chintz fabric with an applied black edge on two sides, lined. each panel h. 126”, w. 82” Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 103. $1,000-$1,500

666 details 241


667

© Stephen Kent Johnson/OTTO

667

Italian Carved Marble and Alabaster Bust of a Bedouin Woman 19th century, on a socle base. sculpture h. 21”, w. 22”, d. 8-1/2” Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 103. $2,000-$4,000

668

Neoclassical-Style Marble Pedestal the square top with a molded edge and supported by a column joined to a stepped base. h. 27-1/2”, w. 15-1/4”, d. 15-1/4” Provenance: The Collection of Adam Lippes. $800-$1,200 668

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669

669

Long Vernacular Oak Bench 18th/19th century, of through-tenon construction, the plank seat with rounded ends, on shaped supports with plinth feet, the underside stamped “L’ETEINTURIER”. h. 19”, w. 78-3/4”, d. 8” Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 103. $1,500-$2,500

670

Semi-Antique Oushak Carpet 10’ x 13’ Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 103; Brad Goldfarb, "Home Again", Architectural Digest, September 2014, illustrated p. 175-176. $3,000-$5,000

670 243


A COLLECTION OF

SILVER BOXES LOTS 67 1 - 675

"Collecting is not about having something for a space. Collecting is just about collecting." -Adam Lippes

A consummate collector with a keen eye for all things chic, Adam Lippes doesn't limit himself to a specif ic era or style when acquiring pieces to add to his diverse and ever-growing collection, but rather buys what he loves. Purchased by Lippes over the years, this charming selection of silver boxes includes pieces by Tiffany and Cartier, as well as by Danish and Swedish makers. These versatile and elegant pieces can each stand on their own, or be displayed together to create a delightful sea of stylish shapes and eye-catching lines.

671

671

Two Cartier Sterling Silver Boxes 20th century, each of rectangular form, with hinged lid, including: one by Andrew Taylor, Newark, New Jersey, for Cartier, 1-1/2” x 6-3/8” x 5-1/4”; and one monogrammed “JWL” and with cedar interior, 1-3/4” x 4-7/8” x 3-1/2”. 13.76 t. oz. (unlined example only) Provenance: The Collection of Adam Lippes. $1,000-$1,500

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672

672

673

1950s, all rectangular with hinged lid and cedar interior, with finely threaded or guilloche decoration, including: one by Hugo Grun, Copenhagen, Denmark, .830 silver, 2-1/4” x 8-5/8” x 5”; one by Jorgen Frandsen, Vejle, Denmark, sterling silver, monogrammed and dated “KWL / 27 Juni 1959”, 1-1/8” x 9-1/4” x 5-1/8”; and one hallmarked Birmingham, England, 1952-1953, by Henry Pidduck & Sons, sterling silver, 2-1/4” x 6-1/2” x 5-3/4”.

20th century, all rectangular with hinged lid and cedar interior, including: one hallmarked 1911, Stockholm, Sweden, by C. G. Hallberg, .830 silver, with brushed finish applied gold-mounted cabochon garnet thumb latch and conjoined monogram “BO”, 2” x 5-3/4” x 3-3/4”; one hallmarked 1953-1954, Birmingham, England, by W. H. Manton, Ltd., sterling silver, with guilloche decoration and fluted feet and thumb latch, 1-3/4” x 5” x 3-3/4”; and one hallmarked 1959, Stockholm, Sweden, by B. H. Edlunds., .830 silver, with molded rim and block feet, 1-1/4” x 6-1/4” x 4-3/8”.

Provenance: The Collection of Adam Lippes.

Provenance: The Collection of Adam Lippes.

$1,000-$1,500

$1,000-$1,500

Three Danish and English Silver Boxes

Three Swedish and English Silver Boxes

673

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674

676

674

675

first half 20th century, all rectangular with hinged lid and cedar-lined interior, including: one ca. 1920, Prague, Czechoslovakia, .800 silver with domed top and gadrooned sides, 2” x 7-1/4” x 4-3/4”; one marked 1936, Helsinki, Finland, by Hugo Grun, .833 silver, with molded side, the lid monogrammed “LH”, 2-1/4” x 8-5/8” x 5-1/2”; and one ca. 1950, with Swedish import marks but otherwise unmarked, .830 silver, with molded side, 2” x 8” x 5-1/2”.

the pattern introduced in 1950, each of rectangular form with flat, extended and hinged lid and cedar-lined interior, including: one Italy, 1-3/4” x 4-3/8” x 3-3/4”; and one New York, initialed WAF and with interior presentation inscription to William A. Farrell, 1925-1955, “Thirty Years Loyal and Faithful Service”, 1-3/4” x 7-3/4” x 3-1/2”.

Three Continental Silver Boxes

Two Tiffany & Co. Sterling Silver Boxes

Provenance: The Collection of Adam Lippes. $800-$1,200

Provenance: The Collection of Adam Lippes. $1,000-$1,500

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William A. Farrell (1893-1956) served as New York City Magistrate and later Special Sessions Justice from 1925 until his retirement in 1955.


676

German Jugendstil Silverplate Coffee Service ca. 1910, including: a coffeepot, h. 13-3/4”, l. 9”; a covered sugar bowl, h. 5-3/4”, l. 5-1/2”; a cream jug, h. 4-3/4”, l. 4-1/2”; and a tray, 22-1/2” x 12”; the hollowware of tapering elongated hexagonal section, the panels decorated with stepped rectangles, with hinged domed lids, the tray en suite with inset wooden plateau.

Provenance: The Collection of Adam Lippes. $1,000-$1,500

676

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677

Gustavian Neoclassical Gilt-Brass and Crystal Chandelier ca. 1800, Swedish, the basket-form chandelier with a central frame set with six short candle branches terminating in molded masques, the upper portion decorated with sprays of drops overhanging an umbrella-form canopy hung with swags of crystal, the frame strung with strands of drops. h. 40”, dia. 31-1/2” Provenance: Adam Calvert Bentley, London; The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 97. $3,000-$5,000

678

Pair of Large Italian Giltwood Girandole Mirrors ca. 1800, the mirrored portions with pierced laurel wreath crests and central vertical mirrors framed with segmented mirror surrounds, decorated with swags of carved giltwood laurel leaves, the bases mounted with scrolled gilt-metal candle arms framed with carved swagging and terminating in turned giltwood candle sockets and drip pans. h. 50-1/2”, w. 21-1/2”, d. 15” Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 97. $4,000-$7,000 677

678

© Stephen Kent Johnson/OTTO

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679

Fine Biedermeier Walnut Center Table ca. 1820s, the tilting circular top with starburst inlays, raised on a stepped, paneled circular standard to an octagonal base. h. 33”, dia. 47-1/2” Provenance: Biedermeier-Vienna, Vienna, Austria; The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 97. $5,000-$8,000

679 detail

679

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680

681 680

Four Russian Neoclassical Mahogany Armchairs 19th century, each with a rounded, shaped back joined to the padded seat by scrolling arms, raised on saber legs headed by gilt foliate accents. h. 36” Provenance: The Collection of Adam Lippes. $3,000-$5,000

Pair of Altona Louis XVI Mahogany Commodes late 18th century, German, each with a rectangular top with turreted corners, above a conforming case fitted with three drawers, flanked to either side by fluted uprights, raised on canted block feet. h. 30-1/2”, w. 28”, d. 17-1/2” Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 97. $3,000-$5,000 The German town of Altona was known for producing fine furniture in the late 18th century.

681

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Louis XVI Giltwood and Faux Marbre Side Table late 18th century, the rectangular faux marbre top above a conforming frieze centered by a single paneled urn- and garland-carved drawer, raised on fluted tapering square legs ending in block feet. h. 30-1/2”, w. 31-1/4”, d. 20-1/2” Provenance: The Collection of Adam Lippes. $1,500-$2,500 682

683

Swedish Gustavian Giltwood Pier Mirror 18th century, set with pierced panels decorated with scrollwork and flowers, both above and below the mirror plate, the upper tablet decorated with a painted roundel depicting a classical figure, set with a bowknot crest on an egg-and-dart-carved upper molding. h. 55-1/2”, w. 23” Provenance: The Collection of Adam Lippes. $2,000-$4,000

684

Swedish Gustavian Giltwood Pier MIrror ca. 1800, the pierced tablet decorated with carved scrollwork and flowerheads framing a neoclassical roundel with blue-and-white decoration, the egg-anddart-carved cornice set with a pierced bowknot crest, the mirror with a ribbon-bound and reeded surround, the bottom with a panel matching the top. h. 56-1/4”, w. 22-3/4” Provenance: The Collection of Adam Lippes. $2,000-$4,000 683

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685

685

Semi-Antique Oushak Carpet 12’ x 15’ Provenance: The Collection of Adam Lippes. $4,000-$7,000

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687

686

687

second quarter 20th century, each with a hoop back, curved splat and stiles, and shaped seat retaining its period woven rattan slip seat, on tapered legs. h. 33”

ca. 1900, probably French, the dished brescia marble top on an iron trestle-form base, the uprights with sloped brackets and the legs joined by a twist-fluted column. h. 30”, w. 49-1/4”, d. 21-3/4”

Provenance: The Collection of Adam Lippes.

Provenance: The Collection of Adam Lippes.

Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 94.

Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 94.

$700-$1,000

$1,000-$1,500

Suite of Six French Steel Bistro Chairs

Cast Iron and Marble-Top Table

686

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Lots 685 and 686 pictured on the porch of Adam Lippes's Brooklyn home. Originally published in the July/August 2019 issue of Architectural Digest. © Stephen Kent Johnson/OTTO

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688

688

Semi-Antique Portuguese Needlepoint Carpet 12’ x 18’ Provenance: Doris Leslie Blau, New York, New York; The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 98-99; p. 102. $20,000-$40,000

(Facing Page and Previous Spread): The Brooklyn Heights home of Adam Lippes. Originally published in the July/August issue of Architectural Digest. © Stephen Kent Johnson/OTTO

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688 detail


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689 detail

689

Russian Neoclassical Mahogany Secretaire a Abattant 19th century, the stepped cornice fitted with a small drawer, over a case fitted with a frieze drawer over a drop front, opening to an interior fitted with an inset baize-lined surface and a variety of drawers and cubbyholes around a central cupboard, over three long drawers, raised on bracket feet, the whole with inset brass banding. h. 62”, w. 36-1/4”, d. 17” Provenance: The Collection of Adam Lippes. $5,000-$8,000

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690

690

Pair of Russian Neoclassical Rosewood Console Tables 19th century, each with a rectangular top above a plain frieze, joined by a mirrored back and marble columns to a plinth shelf. h. 31-1/4”, w. 33-1/2”, d. 12-1/2” Provenance: Property From a Robert Metzger-Designed Interior, Maryland; The Collection of Adam Lippes. $5,000-$8,000

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691

Impressive Russian Brass-Mounted Mahogany Breakfront Bookcase late 19th/early 20th century, the projecting center with an arched pediment, over a pair of glazed doors with brass mullions and flanked by doors in like decor, on a conforming base with paneled and brass line-inlaid cupboard doors, raised on bracket feet, decorated throughout with applied brass moldings and roundels. h. 102-3/4”, w. 109-3/4”, d. 24-1/2” Provenance: Property from a private collection formed for the Crespi Estate, Dallas, Texas; Christie’s, New York, August 22, 2017; The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 99. $6,000-$9,000

691

262

Oppostite: The Brooklyn Heights home of Adam Lippes. Originally Published in the July/August 2019 issue of Architectural Digest © Stephen Kent Johnson/OTTO


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692

692

Custom Victorian-Style Borne Settee, Designed by Adam Lippes covered in linen and trimmed with Samuel & Sons fringe and antique ribbon from the collection of Bill Blass. h. 32-1/2”, dia. 61” Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 98-99. $2,000-$4,000

Designed by Adam Lippes, this stylish nod to the opulent salons of the Victorian era was the centerpiece of Adam’s Brooklyn Heights living room. Lippes, whose eye for proportion and design is evident in his clothing and elegant interior decoration, had the piece custom-made in New York. The borne settee, also referred to as a “divan de milieu” or “conversation chair”, was first popularized in 19th-century France. The form was popularized again in the mid-20th century by the late French decorator and tastemaker Madeleine Castaing, whose grand salon at her country house in Leves, France featured a similarly designed piece. Castaing, a source of endless inspiration for Lippes, famously created spaces that were fanciful, yet livable and comfortable. This settee has been featured in numerous print and online articles on Lippes’ iconic Brooklyn Heights residence, including Architectural Digest, and also in seen in the background of his fashion shows held at his home.

Oppostite: The Brooklyn Heights home of Adam Lippes. Originally Published in the July/August 2019 issue of Architectural Digest © Stephen Kent Johnson/OTTO

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693

Austrian Biedermeier Walnut and Marble-Top Commode 19th century, the rectangular marble top above a conforming case fitted with three long drawers, raised on tapering square legs. h. 33”, w. 41”, d. 21-1/4” Provenance: The Collection of Adam Lippes. $1,500-$2,500

694

French Bronze Firescreen of Louis XVI Inspiration ca. 1900, the screen decorated with pierced mounts of crossed quivers of arrows and torches, and laurel wreaths with bowknots, the frame decorated with bellflowers, set with a scroll handle and supported on scroll-molded feet. h. 30-1/2”, w. 28”, d. 7” Provenance: The Collection of Adam Lippes. $1,000-$1,500

694

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695

695

Biedermeier Walnut, Parcel-Gilt and Ebonized Wood Overmantel Mirror first quarter 19th century, German or Austrian, the three-part mirror divided with ebonized columns set with leaf-carved giltwood capitals, supporting a walnutveneered frieze terminating in an ebonized crest, set with an antique mirror plate. h. 36-3/4”, w. 55-1/4” Provenance: The Collection of Adam Lippes. $1,800-$2,500

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696

696

Swedish Neoclassical Settee 19th century, upholstered in Belgian linen with inset early 20th century silk ribbon, the cushioned back joined by pierced, galleried angled sides to the padded seat, raised on tapering square legs ending in spade feet, the whole with gilt foliate accents. h. 32”, w. 67”, d. 29” Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 102. $3,000-$5,000

697

Art Nouveau Brass Firescreen ca. 1900, decorated with an oval medallion of three Art Nouveau maidens on a hammered panel, the pierced surround decorated with fleurs-de-lis set into Greek keys, with arched feet and handle. h. 28-1/2”, w. 19-3/4”, d. 7” $800-$1,200 Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 102.

The Brooklyn Heights home of Adam Lippes. Originally published in the July/August 2019 issue of Architectural Digest. © Stephen Kent Johnson/OTTO

697

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698

Johan Severin Nilson (Swedish, 1846-1918) “Study of an Arm” oil on board signed lower right, remnant of old label en verso. Framed. 16-1/4” x 13”, framed 19” x 16” Provenance: The Collection of Adam Lippes. $800-$1,200

699

Pair of Neoclassical-Style Commodes 20th century, each with a canted rectangular top with a molded edge, above a conforming case fitted with two drawers, each raised on canted tapering square legs, the whole with polychrome accents in the neoclassical taste. h. 30-1/2”, w. 23-1/2”, d. 14-1/2” Provenance: The Collection of Adam Lippes. 698

$1,000-$1,500

699

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700

Biedermeier Ash Occasional Table early 19th century, the rectilinear top with an applied edge, the apron with a single frieze drawer, raised on tapering square legs with brass caps. h. 29”, w. 23-1/2”, d. 15-3/4” Provenance: The Collection of Adam Lippes. $800-$1,200

701

Swedish Neoclassical Fruitwood and Birch Table ca. 1825, the oval top over a conforming frieze fitted with swing-out drawers, on tapering legs joined by a shaped X-form stretcher. h. 30”, w. 55-1/2”, d. 42” Provenance: The Collection of Adam Lippes. $2,000-$4,000 700

701

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702

Signed Birger Ekman Swedish Grace Movement Sewing Table dated 1938 and signed in script, the mahogany case with a lift-top opening to reveal pivot-out bins with a well below, the face with figural inlay in wood and metal, on a tapering birch column joined to a plinth base. h. 24-1/2”, w. 15-3/4”, d. 12” Provenance: The Collection of Adam Lippes. Literature: Emily Holt, "Inside Adam Lippes's Berkshires Home", Vogue, February 2015, (illustrated) $1,200-$1,800

702

702 detail

703

Swedish Grace Movement Slant-Lid Desk early 20th century, attributed to Mjolby Intarsia, of mixed woods, the slant lid with marquetry inlay depicting a figure playing a lyre, opening to reveal an interior with a suspended bank of drawers supporting figured columns, a frieze drawer below, raised on tapering square legs. h. 40-1/2”, w. 33-5/8”, d. 16” Provenance: The Collection of Adam Lippes. $1,800-$2,500

703

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703 detail


704

Art Deco Calamander and Mahogany Cabinet second quarter 20th century, the tripartite case with three glazed doors, the center door with carved and geometric tracery, the sides decorated in three sections, raised on block feet. h. 53-1/4”, w. 67-3/4”, d. 14-3/4” Provenance: The Collection of Adam Lippes. $4,000-$7,000

705

Vintage French Art Deco Silverplate Flatware Set second quarter 20th century, by S.A. Argental, Paris, the spatulate handle with stepped edges, including a dozen seven-piece place settings (eight pieces lacking) complete for nine persons. 76 pieces total

Provenance: The Collection of Adam Lippes. $1,000-$1,500

705

Detailed list of pieces available on request

704

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706

706

French Art Deco Silverplate Tea Set ca. 1925, by Saglier Freres, Paris, including: a teapot, h. 6”, l. 9-1/2”; a coffeepot, h. 7-1/4”, l. 8-3/4”; a covered sugar bowl, h. 4-3/8”, w. 6-3/4”; a cream jug, h. 3-3/4”, l. 6”; and a tray, 22-3/4” x 14-3/8”; the hollowware with a tapering body of ovoid section, decorated with stepped geometric shoulders, with rosewood inlaid finials and rosewood handles, all monogrammed “RM”, conjoined, the tray en suite. Provenance: The Collection of Adam Lippes. $1,000-$1,500

707

707

Cased Cartier Sterling Silver and Glass Necessaire de Voyage first quarter 20th century, manufactured by William B. Kerr, Providence, Rhode Island, for Cartier, including two cosmetic jars, two cologne bottles, a soap box, a talc bottle, a toothbrush case, a toothpaste case, a cosmetic tube, a hair brush, a clothes brush, a nail file and a buttonhook, each decorated with finely engraved threading and monogrammed “FMT”, presented in the original black leather case gilt-stamped “Cartier / New York - Paris - London”. 11.58 total t. oz. (weighable silver); case 4” x 11-3/4” x 8-1/2” Provenance: The Collection of Adam Lippes. $1,200-$1,800

707 detail

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708

Fine French Gentleman’s Cased Silver, Glass and Mahogany Necessaire de Voyage second quarter 20th century, Paris, by Andre & Lucien TissotDupont, first standard (.950) silver, including a talc bottle, a toothbrush case, two cologne bottles, a pomade jar, a deodorant tube, a toothpaste tube, three mahogany brushes, and a bookfold case fitted with mahogany-handled shoehorn, cuticle pusher, nail file and buttonhook, and leather-handled corkscrew and two comb cases, the glass elements with engraved threaded panels, the lids with engraved, the wooden elements with inlaid monogram “EU”, all presented in a drop-front brown pigskin fitted case with three trinkets boxes and a razor case, complete with the original canvas cover with embossed leather panel monogrammed “EU”. case h. 8-1/2”, w. 13-1/2”, d. 4-1/2”; 9.25 total t. oz. (weighable silver)

708 detail

Provenance: The Collection of Adam Lippes. $1,500-$2,500

708

708 detail

Simon Tissot-Dupont founded his leather case workshop in 1872, after his earlier carriagemaking enterprise was destroyed in a fire. His briefcases were the favorites of businessmen and diplomats, and in 1884 he became a supplier for the famous Grands Magasins du Louvre. He retired in 1919 and was succeeded by his sons Andre and Lucien Tissot-Dupont. They oversaw a staff of over 250 leather workers, silversmiths, woodworkers, engravers, lacquerers, glass makers and locksmiths to produce trunks, luggage and travel cases for the wealthy elite. In 1929, Lucien Tissot-Dupont traveled to New York, where he was engaged by Cartier to supply cases for their 5th Avenue shop. His visit was marred by the stock market crash and the advent of the Great Depression. Undeterred - and quite boldly - Lucien decided to move farther upscale and cater exclusively to those unaffected by the crash. (He is quoted as saying: “Make it more beautiful. Make it expensive. Make it innovative.”) Clientele of Les Fils de S.T. Dupont included the Princess (later Queen) Elizabeth, Aga Khan III, Humphrey Bogart and Audrey Hepburn. In 1941, he designed a pocket petrol lighter for a travel case for the Maharajah of Patiala, which was perfected and patented in 1952: the Ligne 1 was a spectacular success, supplied to Dunhill, Cartier, Hermes and others. Their famous luxury pen was designed specifically for Jackie Kennedy to accompany their Ligne 1 lighter. The company, still a premier producer of leather goods, lighters and pens, will celebrate their 150th anniversary in 2022.

275


709

Pair of Mid-Century Reverse-Painted Octagonal Mirrors 20th century, in the Italian taste, the segmented mirrored surrounds decorated with sprigs of prunus and figures in landscapes, the surround lined on each side with blond wood molding. h. 29-3/4”, w. 37-1/2” Provenance: The Collection of Adam Lippes. $1,000-$1,500

709

710

710

Reed & Barton “Denmark” Silverplate Tea Set the pattern designed in 1958 by John Axel Prip (1922-2009), Taunton, Massachusetts, including: a coffeepot, h. 9-1/2”, dia. 4-3/4”, l. 8”; a teapot, h. 6-1/2”, dia. 6-1/4”, l. 9-1/4”; a cream jug, h. 4-3/8”, dia. 3”, l. 4-1/4”; and a covered sugar bowl, h. 3-3/4”, dia. 3-3/4”; the pots with wrapped vinyl insulation. Provenance: The Collection of Adam Lippes. $1,000-$1,500

711

Chic Aldo Tura (Italian, 1909-1963), Lacquered Goatskin and Brass Bar Cart mid-20th century, the brown-lacquered shelves with brass galleries and joined by fluted brass columns, raised on sleek brass-enclosed casters, retaining the original manufacturer’s label “Tura Milano Italia” to the top shelf underside. h. 28”, w. 21-3/4”, d. 21-3/4” Provenance: The Collection of Adam Lippes. $1,500-$2,500 711

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712

Stylish Italian Mid-Century Sideboard by Silvio Cavatorta ca. 1960s, with a horizontal looking glass in a molded frame, supported by extending brass legs, the case with figured teak and contrasting dark wood molding, and a bank of six drawers, all with bronze pulls, supported by brass legs. h. 46-1/2”, w. 62-1/2”, d. 19” Provenance: Bernd Goekler, New York; The Collection of Adam Lippes. Literature: Similar examples illustrated in Il Mobile Italiano degli anni, Guttry, p. 136-137; Modern Furniture Classics: Postwar to Post-Modernism, Fiell, p. 64, 76 $6,000-$9,000

712

713

Adam Fuss (American/British, b. 1961) “Untitled”, 1994-2002 photogram signed, dated and numbered “22/30” en verso. Float-mounted, glazed and framed. sheet 14” x 10-3/8”, framed 17” x 13-1/2” Provenance: The Collection of Adam Lippes. Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 96. $2,000-$4,000

714

Paul McCobb (1917-1969) Vitrolite Glass and Brass Cocktail Table ca. 1960s, the mid-century modern table with an inset glass top on a brass frame supported by square legs joined by box stretchers. h. 16”, w. 60”, d. 21” 713

Provenance: The Collection of Adam Lippes. $1,500-$2,500

714

277


715

715

Handsome Louis XVI Provencal Canape 18th century, attributed to Pierre Nicolas Pillot (1748-1822), Nimes, France, the carved and molded polychromed frame with a central floral spray, acanthus-carved arm fronts, floral aprons, and raised on tapering square legs, upholstered in tobacco leather with nailhead trim. h. 40-1/2”, w. 80”, d. 29” Provenance: The Collection of Adam Lippes. $4,000-$7,000

716

716

Pair of Louis XVI-Style Bergeres 19th century, each with a padded back and sides within a molded and polychromed frame, joined by padded arms to the cushioned seat, raised on fluted tapering circular legs ending in toupie feet. h. 36-1/2” Provenance: The Collection of Adam Lippes. $1,500-$2,500

717

Unusual French Directoire Petite Trumeau Mirror ca. 1800, decorated with beaded giltwood surrounds on a painted ground, set with an oval landscape painting over a vertical mirror plate. h. 33-3/4”, w. 17-1/4” Provenance: The Collection of Adam Lippes. $1,200-$1,800 717

278

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279


718

English Pollard Oak and Mahogany Tall Case Clock early 19th century, in the Biedermeier taste, the hood with a stepped crown and turned ball finial, the circular dial labeled “Jas Davis, Leominster”, with a time-and-strike movement along with a calendar dial, the case with an inlaid panel above the pendulum door and having a rusticated base inset with an inlaid recumbent lion. h. 95”, w. 20”, d. 12” Provenance: The Collection of Adam Lippes. $2,000-$4,000

719

Austrian Neoclassical Walnut and Marble-Top Console Table 19th century, the rectangular marble top above a conforming frieze fitted with a single drawer, joined by double ormolu-mounted columnar supports to a concave lower shelf, raised on bun feet. h. 39-1/2”, w. 50-1/4”, d. 25-3/4” Provenance: The Collection of Adam Lippes. Literature: Emily Holt, "Inside Adam Lippes's Berkshires Home", Vogue, February 2015 (illustrated) $3,000-$5,000

719

718

The Berkshires Home of Adam Lippes

280

© William Waldron/OTTO


281


282


720

Georgian Walnut-Veneered and Giltwood Mirror third quarter 18th century, the scroll-sawn walnut-veneered surround with a carved and gilded Prince-of-Wales’s feathers crest, and a carved giltwood liner, set with a beveled mirror plate. h. 39-3/4”, w. 21” Provenance: The Collection of Adam Lippes. $1,000-$1,500

721

Gustavian-Style Fruitwood Writing Table 19th century, probably Swedish, the rectangular top banded and brass bound, above a conforming frieze fitted with two drawers, raised on tapering square legs ending in caps. h. 31”, w. 41-1/2”, d. 22” Provenance: The Collection of Adam Lippes. $1,500-$2,500

722

American School (Mid-20th Century) “Deborea”, 1946 watercolor on paper illegibly signed, titled en verso, initialed “C.F.” and dated lower left. Framed. sheet 18” x 14-1/4”, framed 21-3/4” x 18” Provenance: The Collection of Adam Lippes.

720

$800-$1,200

722

721

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283


723 detail

723

Italian Neo-Rococo Faux Porphyry and Giltwood Occasional Table ca. 1900, the circular faux porphyry top over a carved apron, raised on a vasiform pedestal joined at carved masques to tripodal legs with leaf and scroll carving. h. 31”, dia. 30-1/2” Provenance: The Collection of Adam Lippes. $1,500-$2,500

723

724

Napoleon III Neo-Grec Bronze Gasolier third quarter 19th century, the nine-light gasolier with a fluted column-form standard supporting three arms decorated with pierced scrolls and molded with leaves, each set with three gas arms with molded candle sockets and drip pans and set with Greek-key-patterned gas keys, on rod-form reeded “chains”, supported on a Greek-keydecorated canopy and mounted with shades. h. 43”, dia. 30” $800-$1,200

724

284


725

725

726

ca. 1949-1980, in the Chinese export taste, decorated in the famille rose palette, with various armorial shields in the center of each plate, with matching borders decorated with mazarin blue trim, the backs with various pseudo-Chinese rouge-de-fer marks. dia. 9-1/4”

19th century and later, the rectangular top banded and with canted corners, above a conforming case fitted with three long drawers, all with three fruit-painted panels, raised on tapering square legs. h. 36”, w. 48”, d. 23-1/2”

Provenance: The Collection of Adam Lippes.

Provenance: The Collection of Adam Lippes.

$1,500-$2,500

$2,000-$4,000

Eighteen French Porcelaine de Paris Armorial Cabinet Plates

Swedish Polychromed Commode

726

285


286


727

727

728

19th century, consisting of two armchairs and six side chairs, each with a paneled flat crest above four tapering ladderbacks, the rush seats raised on tapering circular legs ending in pad feet on balls. h. 42”

19th century, the plank top over a conforming apron f itted with a f rieze drawer, raised on tapering legs, of pegged construction. h. 30”, w. 88”, d. 31”

Provenance: The Collection of Adam Lippes.

Provenance: The Collection of Adam Lippes.

Literature: Emily Holt, "Inside Adam Lippes's Berkshires Home", Vogue, February 2015 (illustrated).

Literature: Emily Holt, "Inside Adam Lippes's Berkshires Home", Vogue, February 2015 (illustrated).

$1,000-$1,500

$1,000-$1,500

Suite of Eight English Oak Ladderback Dining Chairs

Fruitwood Farmhouse Table

728

The Berkshires Home of Adam Lippes © William Waldron/OTTO

287


729

729 detail

729

Queen Anne-Style Chinoiserie Slant-Lid Desk 19th century, the fall front opening to reveal a segmented interior with a central chapter door, over a pair of drawers and scalloped apron, raised on cabriole legs with pad feet. h. 39-3/4”, w. 26”, d. 18-1/4” Provenance: The Collection of Adam Lippes. $1,000-$1,500

730

Large American Hooked Rug early 20th-Century, of traditional floral posy and leaf motif 8’ x 11’ Provenance: The Collection of Adam Lippes. $1,000-$1,500

730

288


731

731

732

20th century, by Frederick P. Victoria & Sons, Inc., New York, the dished, square salmon marble top over a frieze with carved shells, baskets and scrolls, raised on cabriole legs, stamped “FREDERICK P. VICTORIA”. h. 29”, w. 33”, d. 33”

19th century, each with a padded domed back surmounted by a carved crest and foliate ears, joined by padded arms to the like seat, raised on stop-fluted tapering circular legs headed by foliate capitals and ending in toupie feet. h. 41”

Provenance: The Collection of Adam Lippes.

Provenance: The Collection of Adam Lippes.

$1,500-$2,500

$800-$1,200

Louis XV-Style Creme-Peinte and Parcel-Gilt Center Table

Pair of Louis XVI-Style Giltwood Fauteuils

732

289


733

733

Victorian Iron Twin Bed ca. 1900, now painted black, the head- and footboard with rods joined by balls. h. 39”, inside w. 25-3/4”, l. 75-1/4”, outside w. 29-3/4”, l. 79-1/4”

734

Art Deco Iron Twin Bed early 20th century, with an arched headboard and footboard with parallel slats centered by a shaped splat. h. 41”, inside w. 32-1/4”, l. 75”, outside w. 36-3/4”, l. 78”

Provenance: The Collection of Adam Lippes. Literature: Emily Holt, "Inside Adam Lippes's Berkshires Home", Vogue, February 2015, (illustrated).

Provenance: The Collection of Adam Lippes.

$800-$1,200

$1,000-$1,500

734

290

The Berkshires home of Adam Lippes. Originally published in the February 2015 issue of Vogue. © William Waldron/OTTO


291


735

Industrial-Designed Steel Trolley 20th century, the square top raised on legs joined by three slatted shelves, raised on casters. h. 37-1/2”, w. 30”, d. 30” Provenance: The Collection of Adam Lippes. $800-$1,200

735

736

Ebonized Bentwood Settee early 20th century, by Fischel, Czechoslovakia, the double back featuring open scrolling patterns, joined by scrolled arms to the caned seat, raised on sabre legs joined by a box stretcher. h. 38”, w. 44”, d. 20” Provenance: The Collection of Adam Lippes. $1,000-$1,500

736

292


737

Bronze and Crystal Hall Chandelier first quarter 20th century, the molded canopy supporting the cove-molded bezel on square chains, hung with prisms. h. 17-1/2”, dia. 7-1/2” Provenance: The Collection of Adam Lippes. $800-$1,200

738

Eagle-Carved Mahogany and Fruitwood Occasional Table partially composed of antique elements, the rectilinear Portoro marble top on a trestle base with eagle-carved supports. h. 22-7/8”, w. 27-1/4”, d. 22” Provenance: The Collection of Adam Lippes. $1,000-$1,500

737

738

293


745 739

739

Oushak Carpet 10’ 2” x 13’ $5,000-$8,000

740

Agra Serapi Carpet 10’ x 13’ 9” $2,000-$4,000

741

Turkish Angora Oushak Carpet 9’ 2” x 11’ 10” $1,200-$1,800

740

294


742

Turkish Angora Oushak Carpet 9’ 3” x 12’ $1,200-$1,800

743

Semi-Antique Persian Heriz Carpet 7’ 8” x 11’ 7” $1,500-$2,500

744

Turkish Oushak Carpet 9’ 9” x 14’ 8” $2,000-$4,000

744

742

743

295


745

Turkish Angora Oushak Carpet 8’ x 10’ $1,000-$1,500

746

Serapi Carpet 9’ 11” x 15’ 9” $4,000-$7,000

747

Turkish Angora Oushak Carpet 9’ 9” x 14’ $2,000-$4,000

746

748 747

296


748

Khotan Carpet 5’ 6” x 11’ 8” $3,000-$5,000

749

Antique Caucasian Bordjalu Kazak Wedding Rug dated 1885. 3’ 1” x 5’ 4” Provenance: From a gentleman collector, New Orleans, Louisiana and Denver, Colorado. $2,500-$4,000

750

Antique Pomegranate Khotan Carpet 6’ 2” x 12’ 3” 749

$12,000-$18,000

748

750

750 detail 297


751

751

Jose Francisco Xavier de Salazar y Mendoza (Mexican/New Orleans, 1750-1802) “Portrait of Marie Cesaire Dreux de Gentilly (1781-1826) and Her Step-Mother, Genevieve Felicite Trudeau de Longueuil Dreux (1770-1802)”, ca. 1787-1789 oil on canvas faintly signed lower left. Framed. 36-1/4” x 30”, framed 46-1/4” x 39” $70,000-$100,000 Provenance: With the sitter Marie Cesaire Dreux de Gentilly Verret, thence by descent; her son (Theodule) Jules Verret (18171896); his son Honore A. Verret (1861-1952); his daughter Azelie Verret Bechac (1907-1978); her daughter (the Estate of ) Eulalie Jeanne Bechac Fabacher (1930-2020), River Ridge, Louisiana.

298

LITERATURE:

Grace King, Creole Families of New Orleans, (New York: The Macmillan Company, 1921); Josh Foreman and Ryan Starrett, Hidden History of New Orleans, (Charleston, South Carolina: The History Press, 2020); Henry P. Dart, ed., The Louisiana Historical Quarterly, Volume 6, No. 1, (Baton Rouge, Louisiana: Jones Printing Company, 1924); Various, Illustrated Guide and Sketchbook to New Orleans, (New York: Will. H. Coleman, 1885); Cybele Gontar, ed., Salazar, (New Orleans: Ogden Museum of Southern Art/University of New Orleans Press, nd); Mrs. T.N.C. Bruns, Louisiana Portraits, (New Orleans: National Society of the Colonial Dames of America, 1975); John Burton Harter and Mary Louise Tucker, The Louisiana Portrait Gallery Volume I to 1870, (New Orleans: The Louisiana State Museum, 1979).


Jose Francisco Xavier de Salazar y Mendoza (MEXICAN/NEW ORLEANS , 1750-1802)

“Portrait of Marie Cesaire Dreux de Gentilly (1781-1826) and Her Step-Mother, Genevieve Felicite Trudeau de Longueuil Dreux (1770-1802)” This impressive double portrait of Marie-Cesaire Dreux de

recent scholarship suggests it was initially Chantilly for the

Gentilly and her stepmother Genevieve Felicite Trudeau

Duke of Bourbon’s Chateau du Chantilly); they soon became

de Longueuil Dreux by Jose Francisco Xavier de Salazar

known as the Sieurs de Gentilly and in virtually all subsequent

was commissioned by Guy Dreux de Gentilly around

documents and contracts they are referred to as such.

the time of his 1787 marriage (or very shortly thereafter) to Genevieve and is a stunning visual representation of

After the two brothers wed - Mathurin to Claudine Francoise

the joining of his two families and testament to his high

Hugot and Pierre to Anne Corbin Bachemin, the two

regard for both his young daughter and his new wife.

families resided together on the Dreux Gentilly Plantation. The Plantation was to remain in the family until 1816. The

Salazar was the f irst identif ied portraitist working in the

brothers were involved in numerous prof itable businesses

city, and his portraits of the most prominent members of

including brick-making, timber harvesting and cattle raising.

Louisiana society - social, military and religious - serve as

Mathurin’s son, (Louis) Guy (Guido) Charles Dreux de Gentilly,

signif icant historical records. This portrait reveals numerous

was born in 1757. In 1777 he wed Pelagia Toutant-Beauregard

stylistic qualities of the artist; it is rendered in deep, rich

with whom he had three children, of whom the child of this

tones, with the three-quarter-length f igures against a vague

portrait was their only daughter. Pelagia was the daughter of

dark background and encircled in a phantom tondo. All the

Jacques Santiago Toutant-Beauregard and Marie Magdeline

expected accoutrements of wealth and prestige are evident:

Cartier de Castanedo, and the maternal aunt of General

the layers of intricate handmade lace, the sumptuous fabrics,

Pierre Gustave Toutant-Beauregard. Both the Dreux de

and the matching delicate coral and gold jewelry. In the upper

Gentilly and Toutant-Beauregard families were known for

right corner is an unexpected element: the faint shadow of two

socially advantageous marriages, and through her parents’

f ine tassels hanging f rom the draperies. The two f igures gaze

siblings Marie-Cesaire had familial connections with nearly

directly at the viewer with half smiles, but their bodies are turned

every prominent New Orleans family including: Livaudais,

slightly towards each other creating a sense of intimacy and

Bouligny, Villere, Foucher, Soniat (initially Saunhac),

affection. The young girl has a bird perched on her f inger, and

d’Estrehan, de Villiers, Fortier, Charbonnet, among others.

both she and her stepmother touch hands as the older woman holds a rounded f ruit, a symbol of fecundity and f ruitfulness.

Pelagia died shortly after the birth of her third child, and several years later Guy wed Genevieve Felicite Trudeau de

On her father’s side, Marie Cesaire was a direct descendant of

Longueuil, the daughter of Jean-Louis Marie Trudeau de

the founders of New Orleans; her grandfather was Mathurin

Longueuil and Jeanne-Felicite Dubreuil De Villars and the

Dreux who sailed f rom the Port of La Rochelle, France to

niece of Charles Trudeau dit Laveau (whose portrait and

Nouvelle Orleans in 1719 with the Concession of Sieur Mazy

that of his wife Charlotte Perraud Trudeau by Salazar are

to join his brother Pierre who was already in the new city

in the collection of the Newcomb Art Museum of Tulane

and is probably the Dreux mentioned in early documents as

University). Through her stepmother, Marie-Cesaire had

being with Jean-Baptiste Le Moyne de Bienville (the several

connections to the Le Moyne, Iberville and Bienville families.

times Governor of French Louisiana) at the founding of the city in 1718. In recognition for their crucial role in the early

In 1804, Marie-Cesaire wed Dr. Edouard Verret, descendant of

formation of the city, in 1725 the two Dreux brothers were

Nicolas Verret who was a prominent businessman and one of the

ceded their choice of land; they astutely, and somewhat

founders of St. James Parish (then known as Saint-Jacques de

surprisingly, chose land adjacent to the natural levee of

Cabonocee). The couple were to have ten children who survived

Bayou St. John. They had seen f irsthand the devastation of

infancy. This portrait descended in the Verret family to her son

the Vieux Carre by a hurricane in 1722 and wisely wanted to

Theodule Jules Verret, who served as Mayor of Mandeville; his

settle on higher ground. For reasons never clearly determined,

son Honore Armadle Verret; his daughter Azelie Verret Bechac;

the brothers referred to the area as Gentilly (though some

and her daughter Eulalie Jeanne Bechac Fabacher.

VIEW A FAMILY TREE ON THE FOLLOWING PAGE

▶ 299 73


LOT 751 (CONTINUED)

Jose Francisco Xavier de Salazar y Mendoza (MEXICAN/NEW ORLEANS , 1750-1802)

“Portrait of Marie Cesaire Dreux de Gentilly (1781-1826) and Her Step-Mother, Genevieve Felicite Trudeau de Longueuil Dreux (1770-1802)”

300


301


752

Cherrywood and Mahogany Campeche Chair 20th century, the tablet back joined to scroll arms on cabriole supports, the curule legs joined by turned stretchers, of partially pegged construction. h. 35-1/2” Literature: A boutaque chair of nearly identical form to the present chair is illustrated in Holden, Bacot, Gontar et al. Furnishing Louisiana: Creole and Acadian Furniture, 1735-1835, p. 349, item 5. $1,000-$1,500

753

Art Nouveau Lead Garden Statue of a Dancing Putto ca. 1900, English or Continental, the spritely figure poised on one foot, with a diaphanous drape, on a molded base. h. 43-1/2”, w. 20-3/4”, d. 14” $2,000-$4,000

752

754

754

Pair of American Cast Stone Baskets of Fruit and Flowers second quarter 20th century, the “wicker” baskets with various fruits and large flowers. h. 14”, w. 12”, d. 11” $1,000-$1,500

753

302


755

757 756

755

Pair of American Cast Stone Urns of Fruits and Flowers second quarter 20th century, the campana-form urns with a bounty of fruit accented with flowers and molded handles. h. 25”, dia. 16-1/2” $1,000-$1,500

756

Bronze Garden Fountain of the God Pan 20th century, wearing a wreath of flowers on his head and perched on a conch shell, the god blowing his pipe, which is plumbed for water. h. 53-1/2”, w. 20”, d. 17”

757

Pair of American Cast Stone Baskets of Flowers second quarter 20th century, the molded baskets with a profusion of roses, daisies, periwinkles and other flowers. h. 19”, w. 15”, d. 13” $1,000-$1,500

$2,000-$4,000

303


758

Handsome American Classical Tabernacle-Form Pier Mirror second quarter 19th century, with turned pilasters set with spiral reeding, the upper corners with acorn-form drops supported by an entablature with a central shell and corner medallions. h. 62-1/4”, w. 36” $1,000-$1,500

759

American Classical Brass-Inlaid Mahogany Drop-Leaf Table ca. 1820, attributed to Duncan Phyfe or a competitor of equal rank, the single-board top flanked by like drop leaves with canted corners, the frieze fitted with a single drawer, the lower edge with an ebony band with inlaid paired brass line stringing, supported by turned baluster-form and foliate-carved columns on a concave base, raised on acanthus-carved and gilt paw feet. h. 29-1/4”, w. 24-3/4”, d. 36”, ext. w. 47” $1,000-$1,500

760

Monumental American Late Classical Mahogany and Parcel-Gilt Overmantel Mirror

759

second quarter 19th century, with a mahogany-veneered ground framed with a giltwood molding, set with a beveled mirror plate. h. 59-3/4”, w. 47-1/4” $1,500-$2,500

760

304

758


761

761

Pair of American Late Classical Mahogany Stools second quarter 19th century, with scrolled X-form ends joined by a turned stretcher and fitted with a padded cushion seat. h. 18-1/2”, w. 19”, d. 16-1/2” $1,000-$1,500

762

Pair of Patinated Bronze Argand Lamps, Attributed to Cornelius second quarter 19th century, Philadelphia, with Gothic paneled bases and urn-form fonts with cone-form finials, the arms with pierced scrollwork crests, set with cut and frosted glass shades of a later date. h. 19-1/4”, w. 11”, d. 5” $1,000-$1,500

763

763

Charles-Jean-Baptiste Colson (French/American, active 1810-1851) “Portrait of a Gentleman, Possibly P.G.T. Beauregard”, 1839 oil on canvas signed, dated and localized “New York” upper right. Framed. 36” x 26”, framed 45” x 37-1/2” 762

$3,000-$5,000

305


764

American Late Classical Mahogany Bookcase second quarter 19th century, the projecting cornice over an arched, recessed frieze, the pair of doors with a pair of glazed windows over a figured recessed panel, the doors with 45-degree miters at the cornices, with brass astragal and embossed brass escutcheon plates, and flanked by columnar pilasters with carved capitals, on a conforming base with ribbed melon-form legs and brass ball feet with straight ferrules. h. 100-3/4”, w. 71-1/2”, d. 23” Provenance: The Claiborne-Humphreys Mansion, Esplanade Avenue, New Orleans, Louisiana. $2,000-$4,000

764

765

765

Pair of American Empire Revival Silvered Metal Andirons ca. 1900, decorated with faceted urn standards supported on pierced scroll bases supported on ball feet, with matching log stops. h. 25-1/2”, w. 12”, d. 11” $1,200-$1,800

766

American Late Classical Mahogany FourPost Bed second quarter 19th century, the scrolled headboard joined by carved posts with spiraling acanthus leaves, woven baskets and pineapple finials, the rails lengthened to accommodate a queen-size mattress. h. 95”, inside w. 53-1/2”, l. 81”, outside w. 60”, l. 89” $1,500-$2,500 766

306


767

767

American Classical-Style Mahogany Dining Table bearing a brass plaque reading “Ralph Lauren, Fine Quality Goods, 867 Madison Avenue, New York, of traditional form, the top with a reeded edge and opening to accommodate two 25” leaves, raised on turned spiral-twist legs. h. 30”, w. 52”, l. 76”, ext. l. 126” $2,500-$4,000

768

Rare French “Milestone”-Form Paris Porcelain Clock ca. 1832, attributed jointly to Schoelcher and Jacob Petit, decorated in the chinoiserie taste with gilt-trimmed cobalt. h. 15-1/2”, w. 9”, d. 5-1/2” Literature: A bulb pot with similar decoration is illustrated in Porcelain of Paris, 1770-1850, by Regine de Plinval de Guillebon, p. 61. $1,500-$2,500

769

769

Giltwood Mirror in the Louis-Philippe Style with cut corners, the molded surround with a pierced central leaf framed with scrollwork and pierced carved leaves on the upper and lower corners. h. 56-1/2”, w. 32-1/4” $1,000-$1,500

768 307


770

Pair of American Rococo Revival Bronze Sconces mid-19th century, with scroll-molded and pierced backplates decorated with standing, opposing putti, the adjustable arms decorated with grapes, grape leaves and scallop shells, set with frosted cut glass shades, electrified. h. 14”, adjustable w. 26”, d. 18-3/4” $1,500-$2,500

771

770

771

Joseph Rusling Meeker (American, 1827-1887) “Fishing on Scajaquada Creek [Erie County, New York]”, 1851 oil on canvas signed. Framed. 24” x 19”, framed 34” x 28” Provenance: The Chicago Art Auction, December 9, 2007, lot 233. $7,000-$10,000

772

Cornelius & Baker Brass Gasolier in the Rococo Taste ca. 1848-1858, Philadelphia, the standard mounted with lion’s heads supporting shields marked “Cornelius & Baker”, hanging below a canopy hung with tasseled chains, the rococo-molded body supporting six gas arms decorated with elephant heads and set with gas keys marked “Cornelius & Baker” and set with a rococo-molded lower finial and ruffled molded glass shades, electrified. h. 55”, dia. 33” $2,000-$4,000

772

308


773

Labeled William McCracken, New Orleans, Walnut Center Table third quarter 19th century, in the Rococo Revival style, the tortoise-form marble top over a conforming shaped apron with a cabochon-centered carved cartouche, the inside of the apron retaining two McCracken paper labels, raised on cabriole legs joined by serpentine stretchers with a carved finial, the label reading, “Manufactured by William McCracken No. 45 Royal Street New Orleans”. h. 29-3/4”, w. 43-1/2”, d. 29” $1,200-$1,800 William McCracken was among the premier furniture manufacturers and retailers in mid-19th-century New Orleans. Active from about 1832 until his death in 1872, at various times his brother John, and later his younger brother James, joined him in the firm. The firm remained in business for a number of years after his death. A Rococo Revival table with a paper label with the same address is conserved by The Historic New Orleans Collection. That table is believed to have been manufactured by J. & J. W. Meeks, New York.

773

774

Labeled William McCracken, New Orleans, Mahogany Half-Tester Bed third quarter 19th century, bearing a paper label on the inside of one rail, the beaded and arched tester supported by tapering columnar supports and joined with shaped scroll brackets, the post supporting an arched headboard with characteristic oval convex panel. h. 111”, w. 56-1/2”, l. 84”, inside w. 49”, l. 76-1/2” $2,500-$4,000

774

309


775

OPEN

776

Suite of Four Victorian-Style Cast Iron “Four Seasons” Garden Chairs in the manner of the W. Roberts Iron Foundry, England, each Rococo Revival chair with an allegorical, circular back panel depicting the four seasons, labeled spring, fall, summer and winter, respectively, open arms, pierced seat and cabriole legs. h. 37-1/2” $1,200-$1,800

777

Cast Iron and Granite-Top “Four Seasons” Pattern Garden Table in the Rococo Revival taste, the granite top with a molded edge, over a frieze with molded roundels and a pierced figural apron, the legs capped by allegorical masques and joined by shaped stretchers. h. 29”, w. 35-1/2”, d. 20-3/4” 777

$1,000-$1,500

776

310


778

778

Pair of American Rococo Revival Walnut Console Tables second half 19th century, each with a serpentine top over a conforming frieze with a cabochonand leaf-carved cartouche, on cabriole legs joined by stretchers with a carved finial. h. 24-1/2”, w. 39-1/4”, d. 16-1/2” Provenance: Property descended in the Livaudais-Walshe Family, New Orleans, Louisiana. $1,000-$1,500

311


779

Samson Polychrome Porcelain Figures of a Shepherd and Shepherdess fourth quarter 19th century, in the Chelsea style, each dressed in 18th-century costume with lambs and dogs, decorated with encrusted flowers, on gilt-decorated rococo bases with a gilt anchor mark and a crossed “S” Samson mark. h. 11-1/4”, w. 6”, d. 3-3/4” $1,000-$1,500

780

Niek van der Plas (Dutch, b. 1954) 779

“Jackson Square, French Quarter, New Orleans” oil on wood panel signed lower right. Framed. 18-1/2” x 21-1/2”, framed 25-1/2” x 27-1/2” $2,000-$4,000

781

American Rococo Revival Rosewood and Marble-Top Center Table third quarter 19th century, attributed to Charles Baudouine, New York, the shaped top with a conforming white marble top above a paneled and carved frame, supported by four carved in-curved legs joined by a turned central finial and terminating in stylized dolphin feet. h. 31”, w. 48”, d. 33” $2,500-$4,000

780

781

312


782

Kranich & Bach, New York, Rosewood Parlor Grand Piano mid-19th century, in the rococo taste, the rectilinear case with a scalloped apron, on cabriole legs with a leaf- and fruit-carved cartouche at the knees and scroll toes, the pedal mechanism of lyre form, h. 41”, w. 99-3/4”, d. 40”, together with a late 19th-/early 20th-century walnut and iron stool with a rotating and extending serpentine cushion on a tripodal base, h. 20-3/4”. $800-$1,200

783

Southern Market Rosewood Tester Bed third quarter 19th century, signed “C. Lee”, for the Manchester, New Hampshire, shop of Charles Lee, the cyma-molded tester supported by tapering fluted posts joined to a paneled headboard with a shell-, cabochon- and fruit-carved crest, the scalloped rails with a central carved cartouche. h. 114”, inside w. 65”, l. 75”, outside w. 72”, l. 83” $3,000-$5,000

783

782

313


784

American Rococo Revival Laminated Rosewood Armchair third quarter 19th century, attributed to John Henry Belter, New York, the back with corset-form upholstery set in a pierced and carved foliate frame, supporting an applied rose-, leaf- and acorn-carved crest, the closed arms with scroll ends, with serpentine front seat rail and cabriole legs ending in French toes, now upholstered in claret velvet. h. 45-3/4” $1,000-$1,500

785

Henry Schouten (Belgian, 1864/7-1927) “Still Life with Flowers” oil on canvas signed with pseudonym “Jos. Klaas” lower right. Framed. 31-1/2” x 39-1/2”, framed 43” x 50-1/2” $2,500-$4,000

785

786

Pair of American Rococo Revival Walnut Side Chairs third quarter 19th century, each with a pierced foliate- and scroll-carved back, serpentine seat and cabriole legs, the seats now upholstered in burgundy velvet. h. 41” $700-$1,000

784

786

314


787

Set of St. Louis Cranberry-Overlay Cut Crystal mid-20th century, unsigned, the set including three decanters in the Regency taste with diamond-point and panel cutting, with cut mushroom-form stoppers, h. 11-1/4”, dia. 4-1/4”, and seven matching highball glasses, h. 4-1/2”, dia. 3”. $1,000-$1,500

788

American Rococo Revival Mahogany Sideboard third quarter 19th century, the upper section with a fruit-carved crest over a pair of stepped shelves on scroll bracket supports with like carving, on a base with curved sides, retaining its period marble top, with a pair of central drawers over doors, the doors with applied fruit carving and flanked by curved paneled doors. h. 87-1/2”, w. 72”, d. 22”

787

Provenance: The Claiborne-Humphreys Mansion, Esplanade Avenue, New Orleans, Louisiana. $1,000-$1,500

788

315


789

789

790

attributed to J. & J. W. Meeks, New York, in the “Hawkins” pattern, with an open carved crest centered by a floralcarved crest flanked by grapes and arabesques, closed arms, serpentine seat and cabriole legs. h. 47-1/2”, w. 64”, d. 30”

ca. 2000, decorated with various songbirds perched in conifers, each piece with holly-decorated borders, the set including twentyfour dinner plates, dia. 10”, twenty-eight soup plates, dia. 8-1/4”, four salad plates, dia. 8-1/4”, twenty-five bread-and-butter plates, dia. 6-3/4”, twenty-one coffee cups, h. 3”, and thirteen saucers, dia. 6”, each piece marked.

American Rococo Revival Laminated Rosewood Settee

Partial Service of Gibson “Songbirds” Holiday Porcelain

$1,200-$1,800 $800-$1,200

790 detail

790 detail

790

316

790 detail


791

791

Nathaniel Hawthorne (1804-1864) Works Boston and New York: Houghton, Mifflin and Company, Riverside Press, 1882, Standard Library Edition, complete in 15 volumes, illustrated with steel engravings and etchings, half red morocco boards with gilt design, tooled leather spines with gilt design and lettering, marbled end papers. each 8-1/2” x 5-1/2” $1,000-$1,500 792

792

A. A. Turner, “Villas on the Hudson” “A Collection of Photo-Lithographs of Thirty-One Country Residences” (New York: Appleton, 1860), thirty-one lithographic plates with gold-printed frames and legend, some with one- or two-color stencil tinting, with additional plates of floor plans, in black half morocco on green buckram, the front board with fancy gilt-stamped title and author, the preliminary blank leaf with penciled owner’s signature “Gallier”. plates 13-1/4” x 18-1/4”; overall 19-1/4” x 13-1/2” Provenance: Ex libris: James Gallier, Jr. (1827-1868), New Orleans, Louisiana.

792 detail

$1,500-$2,500 This record of the country homes of New York’s elite on the eve of the Civil War was taken by photographer Austin Augustus [born Abijah Austin] Turner (ca. 1831-1866) in the late 1850s. It is widely regarded as the first major work published featuring the new technology of photolithography. It is not surprising, then, that a copy would find its way into the library of the noted New Orleans architect James Gallier, Jr.

792 detail 317


793 detail

793

After John James Audubon (1785-1851) The Birds of America Abbeville Press Facsimile, New York: Abbeville Press for the National Audubon Society, 1985, four atlas portfolio volumes with 435 elephant folio plates and seven octavo volumes of text/commentary, from an unmarked edition of 350, all volumes in full green leather with gilt lettering and design, all with marbled end-papers, together with the original wood and glass display case. 40” x 27” and 10-3/4” x 7-1/2”, case h. 30-1/2”

793 detail

$20,000-$40,000

793

318


793 details

319


794

Clementine Hunter (American/Louisiana, 1886/87-1988) “Hauling Cotton to the Gin”, ca. 1945-1955 oil on board monogrammed lower left. Framed. 18” x 24”, framed 25” x 31” Provenance: Purchased directly from the artist; Estate of Mary Jane “Cookie” Grace Merrill, Baton Rouge, Louisiana. Notes: This painting has been examined and authenticated by Mr. Thomas N. Whitehead, Nachitoches, Louisiana. $7,000-$10,000

794

795

Clementine Hunter (American/Louisiana, 1886/87-1988) “Uncle Tom’s Cabin”, ca. 1945-1955 oil on board monogrammed mid-right. Framed. 18” x 24”, framed 24” x 31” Provenance: Purchased directly from the artist; Estate of Mary Jane “Cookie” Grace Merrill, Baton Rouge, Louisiana. Notes: This painting has been examined and authenticated by Mr. Thomas N. Whitehead, Nachitoches, Louisiana. $12,000-$18,000

795

796

Clementine Hunter (American/Louisiana, 1886/87-1988) ‘Wedding”, 1967 oil on board monogrammed mid-right. Framed. 18” x 24”, framed 25” x 31” Provenance: Gifted to Mr. and Mrs. Merrill by Ann and Jack Brittain in 1967 as a wedding present; by descent Estate of Mary Jane “Cookie” Grace Merrill, Baton Rouge, Louisiana. Notes: This painting has been examined and authenticated by Mr. Thomas N. Whitehead, Nachitoches, Louisiana. $5,500-$8,000 796

320


797

797

Pair of Molded Terracotta Planters in the Neoclassical Taste second quarter 20th century, American or English, with eggand-dart-molded rims, the bolection-form sides molded with reeding, the corners with molded acanthus leaves set with metal liners. h. 13”, w. 24-3/4”, d. 15-3/4” $1,000-$1,500

798

Painted Terracotta Garden Figure of a Muse ca. 1900, the figure modeled clutching a scroll in one hand and a bough of leaves in the other, one foot raised on an Ionic capital. h. 49-1/2”, w. 18”, d. 20” $1,000-$1,500

799

799

Cast Iron Urn in the Arts and Crafts Taste first quarter 20th century, the sides decorated with lion’s heads and panels of geometric roundels, raised on a pylon-form base. h. 30-1/2”, dia. 31-1/2” $1,000-$1,500

798

321


800

Pair of Cast Iron Gates in the Adam Taste first quarter 20th century, American or English, decorated with oval outlined central panels supported on molded medallions, the crests decorated with framed leaf-molded urns, the corners with spherical finials. h. 60-1/2”, w. 50-1/2” $1,500-$2,500

800

801

801

After Jules Moigniez (French, 1835-1894) “L’Aigle”, 20th century patinated bronze cast signature along edge of self-base, on a round marble base. h. 29”, w. 23”, d. 16” $1,500-$ 2,500

802

After Hippolyte Francois Moreau (French, 1832-1927) “Les Jeunes Pecheuses” verdigris-patinated bronze ca. 1900, cast signature along edge of self-base. h. 29”, w. 16”, d. 15” $2,000-$4,000

802

322


803

American School (Fourth Quarter 19th/First Quarter 20th Century) “Sunset Over the Marsh” oil on canvas unsigned, a “Waite’s Art Store/Brooklyn, N.Y.” label on stretcher. Glazed and framed. 10” x 14”, framed 18” x 22” Provenance: Waite’s Art Store, Brooklyn, New York; Private collection. $1,500-$2,500

803

804

Pair of Patinated Cast Iron Nautical-Themed Lamps first quarter 20th century, probably American, modeled as anchors with crests of pierced sailing ships, on rectangular bases. h. 23-3/4”, w. 73-3/4”, w. 4” $1,000-$1,500

804

805

Clarence Millet (American/Louisiana, 1897-1959) “Cloud Shadows on the Mississippi” oil on canvas signed lower left, signed and titled en verso. Framed. 28” x 38”, framed 33” x 42” $5,000-$8,000

805

323


806

Clarence Millet (American/Louisiana, 1897-1959) “Nocturnal Scene” oil on canvas panel signed lower right, verso stenciled “Canvas Panel Gimbel’s Art Supply Department”. Framed. 12” x 16”, framed 19” x 23” $1,400-$1,800

807

American Late Victorian Mahogany Vitrine fourth quarter 19th century, attributed to R. J. Horner, New York, of bowfront form with a carved egg-and-dart molding above a pair of curved and beveled glass doors, and a heavily carved frieze, flanked by tall pilasters with lion’s masques above acanthine scrolled supports. h. 72”, w. 59”, d. 17-1/2”

806

$1,500-$2,500

808

808

Empire-Style Gilt-Bronze and Marble-Top Center Table late 19th century, the circular marble top over a conforming laurel leaf- and ribbon-modeled apron draped with laurel and berry swags, raised on cabriole legs joined by a leaf-mounted stretcher centered by a finial, the legs ending in bellflowers and French toes, in the manner of Tiffany Studios. h. 29-1/4”, dia. 32-1/2” $3,000-$5,000 807

324


809

810

809

Attributed to Garnet Ruskin Wolseley (British, 1884-1967) “Story Time by the Garden Window” oil on canvas unsigned. Presented in a giltwood frame.

810

Carved Cornice in the Moroccan Taste 20th century, the ogee-form cornice with projecting center and ends, decorated in the Islamic taste with carved leaves and scrollwork. h. 8-1/2”, w. 86”, d. 7” $1,000-$1,500

42” x 52”, framed 54” x 62-1/2” Provenance: Sold in these rooms, May 20, 2006, lot 164. $3,000-$5,000

325


811

812

811

Set of Five E. F. Caldwell & Co. Silverplate Sconces

John Singer Sargent (American, 1856-1925)

second quarter 20th century, New York, in the baroque taste, with urn-form backplates terminating in molded tassels, the scrolled arms set with hexagonal drip pans and matching candle cups, engraved with baroque-style strapwork and scrollwork, the backs with lozenge-form metal tags marked “C”. h. 15-1/4”, w. 10-1/2”, d. 5”

“Fortress, Road and Rocks”, ca. 1905/6 watercolor, gouache and charcoal on paper laid down on board unsigned. Matted, glazed and framed. sight 11-1/2” x 17”, framed 19-3/4” x 25-1/2”

$2,000-$4,000 Provenance: The artist; thence by descent to the artist’s sisters Emily and Violet Sargent; Sir Alec Martin, London, England, gift from above ca. 1925; by descent to Mary Martin (Lady Flett); Private collection; Christie’s online sale May 2017, lot 133; Private collection, Birmingham, Alabama. $20,000-$40,000

812

326


813

George Henry Clements (American/Louisiana, 1854-1935) “By the Lake”, 1899 graphite and watercolor on paper signed and dated lower right. Glazed and framed. 8-1/2” x 14-1/2”, framed 15” x 20-3/4” $1,000-$1,500

813

814

Doulton Lambeth Faience Jardiniere on Stand ca. 1873-1880, in the Neo-Grec taste, the reeded jardiniere decorated with square medallions, fitted with leafmolded handles, and resting on winged dragon feet, atop a matching Ionic column pedestal decorated with leaf molding, impressed “Doulton Lambeth” on the rim. h. 52-1/4”, w. 27-3/4”, d. 23-3/4” $1,800-$2,500

814

815

David Hagerbaumer (American/California, 1921-2014) “Wild Turkeys”, 1968 watercolor on paper signed and dated lower right. Matted, glazed and framed. sight 16” x 22”, framed 27-3/4” x 32-1/2” $2,000-$4,000

815 327


816

Tony Green (American/Louisiana, b. 1954) “Tony’s View”, 2014 oil on canvas signed and dated lower right, titled and dated en verso. Framed. 39” x 47”, framed 46” x 54” $4,000-$7,000

817

James Michalopoulos (American/Louisiana, b. 1951) “Lilt Persnickety”, 1994 oil on canvas signed lower left, signed, titled and dated en verso. Framed. 40” x 30”, framed 43-3/4” x 33-3/4”

816

$5,000-$8,000

818

818

Hardie Gramatky, N.A. (American/California, 1907-1979) “Babe’s Lobster Shack” watercolor on paper signed lower right. Matted, glazed and framed. sight 20” x 26”, framed 28-1/2” x 34-1/2” $1,000-$1,500 817

328


819

Robert Charles Gruppe (American, b. 1944) “Seascape with Sailboats” oil on canvas signed lower right. Framed. 30” x 36”, framed 34-1/4” x 40-1/4” $1,500-$2,500

819

820

David Damm (American/California, 20th Century) “Marina Light” oil on canvas board signed lower right. Framed. 15” x 20”, framed 21-1/2” x 26-3/4” Provenance: Villa Melrose Antiques, Los Angeles, California, April 20, 2011. $1,000-$1,500

820

821

Dana Bartlett (American/California, 1882-1957) “Coastal Scene with Yellow Rocks, Possibly Morro Bay” oil on canvas signed lower right, “George Stern Fine Arts” label on frame backing. Framed. 16” x 20”, framed 23-1/2” x 27-1/2” Provenance: George Stern Fine Arts, Hollywood, California; Villa Melrose Antiques, Los Angeles, California, April, 21, 2011. $2,000-$4,000

821

329


822

Dana Bartlett (American/California, 1882-1957) “California Landscape with a Mission” oil on artist board signed lower right. Framed. 15” x 14”, framed 21” x 20” Provenance: George Stern Fine Arts, Hollywood, California; Villa Melrose Antiques, Los Angeles, California, April, 21, 2011. $1,500-$2,500

823

Wolf Kahn (German/New York, 1927-2020) “Vine on the Summer House”, 1979 oil on canvas signed lower right, numbered “#85” and dated en verso canvas, inscribed in pen with title on stretcher, with “Mun Galeria De Arte, Bilbao”, “Ollendorff Fine Arts, New York, New York”, and “Grace Borgenicht Gallery, New York, New York” gallery labels. Framed. 34” x 43”, framed 39-5/8” x 46-1/4”

822

Provenance: Mun Galeria De Arte, Bilbao, Spain; Ollendorff Fine Arts, New York, New York; Grace Borgenicht Gallery, New York, New York; private collection. $20,000-$40,000

823

330


824

824

Large Set of International Silver “Wedgwood” Sterling Silver Tableware

the pattern designed in 1923 by Alfred Grover Kintz (1885-1963), Meriden, Connecticut, including: a teapot, h. 11”, l. 10-3/4”; dia. 5-1/2”; a coffeepot, h. 11-3/4”, l. 10-1/2”, dia. 5-1/2”; a covered sugar bowl, h. 8”, w. 6-3/4”, dia. 4-1/2”; a cream jug, h. 6”, l. 5-1/4”, dia. 3-1/2”; a waste bowl, h. 4-1/4”, dia. 4”; an oblong tray, 29” x 11-3/4”; a water pitcher, h. 10-1/2”, l. 9-3/4”, dia. 6-1/2”; a pair of candlesticks, 10”, dia. 4-3/8”; a sandwich plate, dia. 10”; and a pair of service plates, dia. 11-5/8”; variously monogrammed. 239.65 total t. oz. (excluding weighted candlesticks) Provenance: Private collection, Houston, Texas. $6,000-$9,000

825

825

Tiffany & Co. “Japanese/Audubon” Sterling Silver Flatware the pattern designed in 1871 by Edward C. Moore (18271891), New York, New York, including a dozen eight-piece place settings (two pieces lacking) with an additional dozen teaspoons and three serving pieces, monogrammed “R”, presented in a Kenzied cloth-lined case with two lift-out knife trays and zippered canvas top, 3-1/2” x 23” x 13”. 109 pieces total plus case 119.72 total t. oz. weighable silver Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $6,000-$9,000 Notes: This multi-motif pattern was the pinnacle of Moore’s infatuation with the Japanese aesthetic and remained popular through the 19th century; changing tastes in the 20th century, however, led to the design being dropped from regular production in 1904. Popular demand led to its revival in August 1956, when it was inexplicably renamed “Plantation” before being changed two months later to the more suitable “Audubon”. It remains in production today, though in somewhat altered form: modern pieces do not have the slightly protruding knobs on the sides of the handle and, most noticeably, lack the finely detailed engraving on the birds, enhanced by a matte finish ground as evidenced in the present lot.

825 detail

331


826

826

Impressive Tiffany & Co. “Wave Edge” Sterling Silver Flatware Set the pattern designed in 1884 by Charles T. Grosjean (18411888), New York, New York, the assembled set comprising a dozen thirteen-piece place settings, with an additional twenty-four place pieces and twelve serving pieces, variously monogrammed. 192 pieces total 204.2 total t. oz. (weighable silver) $12,000-$18,000

826 detail

826 detail

332


827

827

Tiffany & Co. “Chrysanthemum” Sterling Silver Flatware Set the pattern designed in 1880 by Charles T. Grosjean (1841-1888), New York, New York, including eight nine-piece place settings (four pieces lacking) with an additional twenty-two place pieces and three serving pieces, no monograms, presented in a Kenzied cloth-lined case with two lift-out knife trays and zippered canvas top, 3-1/2” x 23” x 13”. 93 pieces plus case 136.99 total t. oz. (weighable silver) Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $5,000-$8,000

827 detail

827 333


828

Gorham Sterling Silver Platter 1899, Providence, Rhode Island, model A587, of shaped navette form, the rim decorated with C-scroll cartouches and rose bouquets, with rococo-scroll edge. 21-3/4” x 15-1/4”; 58.62 t. oz. Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $1,400-$1,800

828

830

Two Silver Picture Frames the first hallmarked London, 1896-1897, by William Comyns & Sons, sterling silver gilt, the openwork frame embossed with rococo scroll decoration with birds and masques and cresting cartouche, 15” x 9-3/4”; the second unmarked, first quarter 20th century, Central or South American, embossed in the Spanish Colonial taste with roses and nalca on a matte ground, 14-3/4” x 11-1/4”; both glazed and with easel backs. Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $1,000-$1,500

829

829

Twelve Gorham Sterling Silver Bread-and-Butter Plates 1907, Providence, Rhode Island, model A5690, circular with embossed rose-and-ribbon swag rim with reeded edge, monogrammed “LCL”. dia. 6-1/4”; 41.19 total t. oz. Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $1,000-$1,500

830

334


831

Spanish Colonial Silver Dish late 18th or early 19th century, probably Peru, unmarked, the shallow dish of oval form, the flat rim with punchwork border and raised edge, the narrow ends with hinged stirrup handles centering a lion’s masque and with engraved scrolls. 16-3/4” (21-3/4” with handles) x 12”; 35.05 t. oz. Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $1,000-$1,500

832

Seven Pieces of Camusso “Astoria” Sterling Silver Tableware contemporary, Lima, Peru, including: six service plates, dia. 12-1/4”; and a sauceboat-on-stand, h. 5-1/4”, l. 9-1/4”, w. 6”. 110.23 total t. oz.

831

Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $2,000-$4,000

833

Twelve Sterling Silver Footed Beakers second quarter 20th century, each of waisted form with gadrooned calyx above a domed foot, monogrammed “CEO”, together with six of the original felt storage pouches from A. Schmidt & Son of Los Angeles. h. 6”, dia. 3-1/4”; 135.35 total t. oz. Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $2,500-$4,000

832

833

335


834

Two Large Clemens Friedell (1872-1963) Arts & Crafts Sterling Silver Frames mid-20th Century, Pasadena, California, each rectangular with a hammered finish and peaked lower left corner with repousse monogram “JD”, each marked on the reverse “Clemens Friedell / Pasadena / Sterling / Hand Wrought”, one glazed, both with velvet-covered easel back. 19” x 15” and 19-3/4” x 15-3/4”; 51.85 total t. oz. (weighable silver) Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $1,200-$1,800 Notes: Clemens Friedell was born in New Orleans on December 19, 1872, the son of Slovakian immigrants Ferdinand and Marie (Halbedl) Friedel, who had arrived in the U.S. less than two years earlier. They soon returned to Europe, settling in Vienna, where Clemens was trained as a silversmith. His family returned to the U.S. in 1889, settling in Galveston, Texas. Clemens began working as a craftsman at Gorham in Providence, Rhode Island in 1901, where he worked for seven years producing pieces for their prestigious Martele line. In 1911 he settled in Pasadena, California, securing his fame as a master craftsman by producing the 107-piece “Orange Blossom” dinner service for brewer Edward R. Maier. His shop was noted for its sporting and equestrian trophies. He retired briefly to Texas in the 1920s, but returned to Pasadena by the end of the decade and re-established his shop, producing handsome everyday silver items until his death on October 21, 1963.

834

835

Set of Sterling Silver Finger Bowls and Underplates 1911, by the Whiting Mfg. Co., Providence, Rhode Island, model 278/279, twelve each, of plain circular form with plain edge, monogrammed “ALF”. bowls h. 2”, dia. 4-3/8”; plates dia. 5-3/4”; 68.23 total t. oz. Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana.

835

$1,200-$1,800

836

Six S. Kirk & Son Sterling Silver Julep Cups third quarter 20th century, Baltimore, Maryland, of traditional tapering cylindrical form with molded rims. h. 3-5/8”, dia. 3-1/4”; 23.49 total t. oz. Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $1,000-$1,500

836

336


837 838

837

Large Pair of Sterling Silver Candlesticks ca. 1925, retailed by John Wanamaker & Co., Philadelphia, Pennsylvania, of tapering octagonal section, the panels engraved with Greek-key threading and laurel festoons and cartouches, above a conforming base and surmounted by an urn-form nozzle with large, flat detachable bobeche. h. 21”, base dia. 6-1/4”; weighted $1,000-$1,500

838

Wallace “Grand Baroque” Sterling Silver Flatware Set the pattern designed in 1941 by William S. Warren (18881965), Wallingford, Connecticut, including a dozen ninepiece place settings (one soup spoon lacking) and twelve serving pieces, no monograms, presented in a fitted, Pacific cloth-lined case with lift-top and single drawer, 5-1/4” x 14-1/2” x 11”. 119 pieces total + case 130.16 total t. oz. (weighable silver) $2,500-$4,000

838 detail

337


839

839

Twelve Sterling Silver Water Goblets mid-20th century, including six Gorham pattern 272 and six Watrous pattern 193, with inverted bell-form body and waisted stem with trumpeting foot, no monograms. h. 6-1/8", dia. 3-3/8"; 60.82 total t. oz. Provenance: Estate of Mary Jane "Cookie" Grace Merrill, Baton Rouge, Louisiana. $1,200-$1,800

840

840

International “Royal Danish” Sterling Silver Flatware Set the pattern designed in 1939 by Alfred Grover Kintz (18851963), Meriden, Connecticut, including ten eleven-piece place settings (one piece lacking) with an additional twenty-five place pieces, twenty-four serving pieces and three child/infant pieces, no monograms. 161 pieces total 165.53 total t. oz. Provenance: Estate of Mary Jane “Cookie” Grace Merrill, Baton Rouge, Louisiana.

840 detail

Notes: Detailed list of pieces available on request $2,000-$4,000

338

840 detail


841

842

of Art Deco/classical inspiration, the bronze-finished metal frame decorated with latticework and set with lobed glass shades with tortoiseshell decoration. h. 44”, dia. 15”

of Art Deco/classical inspiration, the bronze-finished metal frame decorated with latticework and set with lobed glass shades with tortoiseshell decoration. h. 44”, dia. 15”

$1,000-$1,500

$1,000-$1,500

“Fine Art” Hall Lantern

“Fine Art” Hall Lantern

843

Seven-Piece Italian Mid-Century Modern Dining Suite by Palladio ca. 1964, comprised of two armchairs, four side chairs, and a double-pedestal metal and glass-top dining table stamped “Palladio Copyright 1963”, the gilt-lacquered metal chairs of klismos form, with a concave top rail with a diamond cut-out, the stiles joined to curved open arms with stitched vinyl slip seats, probably original, and raised on saber legs, and the table with an oval glass top supported by two foliate-cast tripodal pedestals, now repainted. table h. 29-1/2”, w. 56-1/2”, d. 31-3/4”, armchair h. 34”, side chair h. 33-1/2” $1,400-$1,800 Notes: The present suite reputedly is among the original furnishings of a mid-century modern waterfront house erected in Boca Raton, Florida in 1964. Their furniture has remained there from its construction until the present.

841

843

842

843 339


844

844

Pair of Rare Gilt-Bronze and Cut Glass Gilded Age Mirrored Sconces ca. 1900, probably Baccarat, the beveled and tilting oval mirrors set into beaded gilt-bronze bezels, framed in reeded cut glass and set with scrolled gilt-bronze crests and four matching giltbronze candle branches. h. 15-1/4”, w. 12”, d. 4-1/2” Provenance: Keil’s Antiques, New Orleans, Louisiana. $1,000-$1,500

845

Contemporary Silver-Leaf Mirror and Console in two parts, the oval mirror on a gadrooned frame, “tied” to form its base, resting n a demilune wall-mounted console table, with a marble top over a swag-carved apron, raised on legs “tied” at the base. h. 79-1/4”, w. 26-3/4’, d. 11-1/2” $1,000-$1,500

845

340


846

846

847

each with an inset mirrored top within a full pierced gallery, raised on tapering square legs. h. 18”, w. 30”, d. 18”

third quarter 20th century, the backplates with molded pineapples supported on stems, the scrolled candle arms set with floriform drip pans and cylindrical candle sockets. h. 23-1/2”, w. 21-1/2”, d. 6-3/4”

Pair of Stylish Contemporary Gilt-Metal Cocktail Tables

Pair of Gilt-Metal Pineapple-Form Sconces

$1,000-$1,500 $1,000-$1,500

848

Pair of Empire-Style Glass, Brass and Acrylic Table Lamps with molded standards in the “Strawberry” pattern, set with engine-turned brass capitals and feet, on acrylic bases. h. 21-1/2”, dia. 4-1/2” $1,000-$1,500

847

847

848

341


849

849

Modern Silk and Wool Carpet 14’ 9” x 15’ 10” $1,200-$1,800

850

Crystal-Beaded and Brass-Plated Hall Lantern second quarter 20th century, probably French, the scrolled cap hung with two tiers of faceted glass beads terminating in large spherical beads. h. 12”, dia. 9-1/4” $1,000-$1,500

850

342


851

851

Giltwood, Crystal and Glass Chandelier the twelve-light chandelier with a scrolled pan lined with glass beads, concealing six inner sockets, and six reeded giltwood candle sockets around the perimeter, the standard set with cut crystal spires terminating in a crystal and gilt-metal pineappleform finial. h. 32-1/2”, dia. 26” $1,000-$1,500

852

852

Contemporary Steel and Plate Glass Etagere of neoclassical inspiration, the ends with steel hooked rods suspended by a central round steel ring, the interior fitted with five plate glass shelves. h. 80”, w. 32”, d. 17” $1,000-$1,500

853

“Fine Art” Glass and Metal Chandelier in the Continental taste, the four-light chandelier with a bellform mottled silver and bronze frame strung with strands of cut crystals and decorated with three large leaf-decorated scrolls with glass medallion leaves, set with cut crystal buds. h. 64”, dia. 32-1/2” $2,500-$4,000

853

343


854

Steel, Glass, Silver-Leaf and Marble-Top Console Table late 20th century, the demi-lune marble top over a scrolled metalwork frame with inset glass rosettes, supported by three curved legs with a metal bow and ribbon and a glass bird perched on each side. h. 33”, w. 36”, d. 16” $1,000-$1,500

855

Pair of Swarovski Crystal and Silvered-Metal Hall Lanterns the inverted bell-form lanterns set with leaf-molded, silvered metal trim and hung with swags of drops. h. 24”, dia. 11”

854

$1,000-$1,500

855

856

Robert Rauschenberg (American, 1925-2008) “Arrow”, 1983 color lithograph pencil-signed, dated and inscribed “PP” for printer’s proof lower left, from a numbered edition of 90. Float-mounted, glazed and framed. 23” x 18-3/4”, framed 27” x 22-1/2” $1,000-$1,500 856

344


857

857

Jim Dine (American, b. 1935) “Two Hearts at Sunset”, 2005 lithograph in colors signed and dated lower left, numbered “129/200” lower right. Float-mounted, matted, glazed and framed. sheet 20” x 26”, framed 42” x 48” $3,000-$5,000

858

Mid-Century Modern Steel, Brass and Glass-Top Gueridon of circular form with a plate glass top, the curved legs with brass ram’s heads and paw feet, joined by a circular ring. h. 24”, dia. 22” $1,200-$1,800

858

345


859

Contemporary Lucite Cocktail Table of rectangular form, the thick top mounted to four straight square legs. h. 17-1/2”, w. 36”, d. 30” $1,000-$1,500

860

Chrome and Glass Cube-Form Etagere probably third quarter 20th century, in the style of Milo Baughman, modeled at each end by a trio of cubes on square supports and joined by a pair of rectilinear shelves. h. 66-3/4”, w. 58-1/2”, d. 17-3/4” $1,000-$1,500 859

860

346


861

862

Serge Henri Moreau (French, 1892-1963)

861

Pair of Contemporary Leather Faux Crocodile Club Chairs

“Jeune Femme Endorme”, 1924

each with an upholstered back joined to closed arms, the seat with a loose cushion, on ebonized plinth feet. h. 31-3/4”, w. 36”, d. 32”

oil on canvas signed and dated lower left. Framed. 24” x 36”, framed 28” x 41”

$1,000-$1,500

Provenance: Sold in these Galleries October 11, 2013, lot 866; Private collection, New Orleans, Louisiana. $2,500-$4,000

862

347


863

Pair of Porcelain Cranes 20th century, the white-glazed birds with molded feathers and brown accents, poised standing on a rocky outcropping. h. 21-1/4”, w. 5-1/4”, d. 10” $1,000-$1,500

863

864

Parcel-Gilt Mahogany Mirror in the Art Nouveau Taste the sinuous pierced surround carved with parcel-gilt banana leaves and trumpet-form flowers, set with a beveled mirror plate. h. 54-1/2”, w. 40-1/2” $1,000-$1,500

864

865

Parcel-Gilt and Mirrored Fruitwood Chest by EJ Victor the top with an inset mirror in a gilt carved and molded mahogany frame, over a bank of three drawers in like decor, flanked by fluted pilasters and with a fluted apron and legs, the drawer with an engraved plate reading “Premier Furniture Crafters EJ Victor”. h. 35-1/2”, w. 38-1/2”, d. 19” $1,000-$1,500

865

348


866

French Petit Hemispherical Gilt-Bronze and Crystal Chandelier second quarter 20th century, the two-light chandelier in the neoclassical taste, with beaded bronze fittings set with cut glass prisms and terminating in a leaf-molded gilt-bronze frame. h. 5-1/2”, dia. 9-1/4” $1,000-$1,500

866

867

Carved and Pierced Giltwood and Silver-Gilt Mirror the surround decorated with interlocking pierced lozenges and ovals, ornamented with leaf carving, set with a beveled mirror plate. h. 58-1/4”, w. 40-1/2” $1,000-$1,500

868

Sawasdi Tantisuk (Thai, 1925-2009) “Figures on the River” oil on board signed lower left. Framed. 16” x 24”, framed 20” x 28” $1,800-$2,500

867

868

349


869

869

Set of Three Mid-Century French Bronze and Glass-Top Nesting Tables in the manner of Maison Jansen, each of rectangular form and graduated, having inset plate glass tops and fluted square legs. largest h. 18”, w. 24”, d. 14” $1,200-$1,800

870

Mid-Century Modern Polished Steel and Brass Circular Gueridon in the manner of Maison Jansen, having a pierced brass gallery with an inset black glass top, supported by three curved steel legs joined by a circular brass ring. h. 23”, dia. 23-1/2” $1,200-$1,800

871

Pair of Rodolfo Dordoni for Minotti “Blake Soft” Lounge Chairs and Ottoman 870

labeled, each chair with an upholstered back roll over a seat curving up to closed arms, with a loose seat cushion and raised on chromed steel legs, the ottoman with an upholstered cushion and like legs. chair h. 35”, w. 36-1/2”, d. 38”, ottoman h. 15”, w. 24”, d. 29” $2,000-$4,000

350

871


872

873

872

Partial Service of Murano Latticino Blown Glass Stemware 20th century, Venetian, possibly Salviati or Zanfirico, each decorated with latticino panels alternating with black panels, the lobed stems gold-flecked, the service with eleven wine goblets, h. 8-1/2”, and eleven champagne coups, h. 6-3/4”.

872

Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $1,200-$1,800

873

Murano Glass Chandelier 20th century, Venetian, the twelve-light chandelier composed of ruby-trimmed gilt-spangled glass, the cone-form body set with a central glass standard and scroll arms, ornamented with glass scrolls on three levels, the arms terminating in flared, matching glass shades. h. 42”, dia. 46-1/2” $1,000-$1,500

874

Christopher Guy Tordu Mirrored Wall Sculpture/Mirror late 20th/early 21st century, labeled, comprised of joined ovals, circles and kites, with mirror plates throughout, in a silver lacquer finish. h. 73-1/2”, w. 44”, d. 2-1/2” $1,200-$1,800

874

351


875

875

876

labeled, the stained mahogany top with a stepped edge, on argente spheres, joined to wrought iron supports with scroll ends and like sphere bases. h. 35”, w. 69”, d. 16”

labeled, each with an oval back joined to open arms with curled scroll ends, a wide serpentine seat and saber legs, the verso of the backside with a vertical crease, the perimeters adorned with silver tacks. h. 37-3/4”

Christopher Guy Wrought Iron and Mahogany “Duchamp” Console

Pair of Christopher Guy Leather and Black Lacquer “Villepin” Armchairs

$1,000-$1,500 $1,200-$1,800

876

352


877

877

878

Pair of Christopher Guy “Haute Montana” Occasional Chairs

Christopher Guy “Constellation” Console Table

labeled, each in dark-stained mahogany, the tall oval back joined to a shaped seat, raised on cabriole front legs, upholstered in Dupioni-style fabric. h. 57”, w. 33”, d. 23”

labeled, the stained mahogany top supported by a pair of crossed tusk-form front legs, the single rear legs of like form, joined by gilt mesh with stars. h. 35”, w. 75”, d. 20”

$1,000-$1,500

$1,000-$1,500

878

353


879

879

Christopher Guy Mirrored Glass and Tessellated Granite Sideboard/Cabinet labeled, of breakfront form, the projecting center with a bank of three mirrored drawers and flanked by like pilasters and a similar door on each side, raised on tapering legs, the inset top with black granite in a stained mahogany frame. h. 34”, w. 88-1/2”, d. 22” $1,200-$1,800

880

Robert Marc (Swiss/French, 1943-1993) “Composition Cubiste”, ca. 1975 oil on masonite signed lower left. Framed. 34-3/4” x 29”, framed 43-1/2” x 38” Provenance: Vente Marchaut, France, March 23, 1996, No. 19.

880

Accompanied by a Certificate of Authenticity issued by Annie Fromentin-Sangnier. $15,000-$25,000

881

Christopher Guy “Odeon” Commode/Occasional Table of oval form, the case with a work slide over a pair of drawers, raised on hand-carved scroll legs, finished all around, in deeply stained mahogany. h. 28”, w. 26”, d. 20” $1,000-$1,500

881

354


882

Pair of Christopher Guy “Narissa” Occasional Chairs labeled, each slipper chair in a 21st-century silver-leaf finish, the pierced back in the form of joined ovals and scrolls, the broad seat in pale mauve plush upholstery. h. 40” $1,000-$1,500

883

Brian Huber (American/New Orleans, Contemporary) “Calliope-Circle Back”, 2015 882

acrylic on canvas-wrapped panel signed, dated and titled en verso. dia. 22-1/2” $1,000-$1,500

883

884

Metal-Clad and Pierced Four-Panel Screen 20th century, in the Moroccan taste, the pierced panels framed in Islamic patterns of scrolling flowers, the arched crests with pierced flower roundels. h. 72-1/2”, w. 70” $1,000-$1,500

884 355


885

William Sylvester Carter (American, 1909-1996) “The Family”, 1956 oil on canvas board signed and dated lower right. Framed. 20” x 24”, framed 21” x 25-1/4” $1,500-$2,500

885

886

Budd Hopkins (American, 1931-2011) “Untitled - Abstract”, 1961 oil on canvas signed and dated lower right. Framed. 13” x 16”, framed 19-1/2” x 23” $1,000-$1,500

886

356


887

Gustav Klutsis (Kluzis) (Latvian/Russian, 1895-1938) “Memorial to Fallen Leaders”, ca. 1928 lithograph in colors dust jacket published by Moskovskii Rabochii (Moscow Worker), Moscow. Glazed and framed. sheet 15” x 23”, framed 20-1/4” x 28-1/2” Provenance: Sotheby’s, Sale #6529, March 10, 1994, lot 225B. $1,000-$1,500 887

888

888

Nikolai Andreevic Dolgorukov (Russian, 1902-1980) “The Soviet Power is Now the Most Solid Power in the World”, 1932 lithograph and offset lithograph printed in colors Unframed. sheet 27-1/2” x 40” Provenance: Sotheby’s, Sale #6529, March 10, 1994, lot 211. $1,000-$1,500 357


889

Pair of Impressive Portuguese Majolica Sunflower Brackets ca. 1900, decorated with vigorously molded brown flowers and green leaves, the rear corner of one with the impressed mark “Jose A Cunha, Successor, Caldas”. h. 22-1/2”, w. 16-1/2”, d. 10” $1,500-$2,500

889

890

Pierced Giltwood Mirror decorated with leaves and flowers, with square corner blocks carved with flowers, the sides carved with running frets of pointed and pierced leaves. h. 52-1/4”, w. 37” $1,000-$1,500

891

Contemporary Louis XV-Style Creme-Peinte Bench of rectangular form with a padded seat, raised on a serpentine frame with six cabriole legs joined by curved stretchers. h. 20-1/2”, w. 52”, d. 20” $1,000-$1,500 890

891

358


892

Pair of Italian Polychromed Fauteuils early 20th century, each with an ovoid back centered by a pierced vasiform splat, joined to the padded seat by like arms, raised on fluted tapering square legs ending in peg feet. h. 37” $1,000-$1,500

892

893

893

Set of Four Regency-Style Limed Hardwood Brackets fourth quarter 20th century, Italian, the backplates carved with Prince-of-Wales’s feathers and set with rounded shelves, marked “Made in Italy” on the back. h. 15-1/2”, w. 16-1/2”, d. 7-1/4” $1,000-$1,500

894

EJ Victor “Newport Collection” Polychromed Cabinet in the Italian neoclassical taste, in two parts, the upper section with a dentillated cornice and foliate-, floral- and swag-carved frieze, over the glazed doors, each flanked by fluted pilasters with leaf-carved capitals and bases, the concave sides with conforming glazed panels, on a like-shaped base with similar modeling, the china cabinet interior lighted. h. 91-3/4”, w. 86”, d. 19-1-/2” $1,000-$1,500

894 359


895

Pair of Japanese-Style Gilt and Black Vases now mounted as lamps, of baluster form and decorated with gilt spheres, peonies and sprigging on a black ground, mounted on clear acrylic bases. h. 26”, dia. 8-1/2” $1,000-$1,500

896

Contemporary Polychromed and Parcel-Gilt Desk and Chair of Louis XVI inspiration, the kidney-form desk with a floralpainted top and sides, and raised on fluted tapering circular legs, h. 31”, w. 46”, d. 22”, and the klismos-form chair with like decoration, h. 37-1/2”, w. 23”, d. 19”. $1,000-$1,500

895

896

360


897

897 detail

897

Contemporary Ebonized and Parcel-Gilt Secretary Bookcase labeled “Minton-Spidell”, the upper case with a molded crown above a pair of framed doors with wirework panels, the lower section with a slant-lid writing surface opening to a fitted interior, raised on cabriole legs. h. 88-1/2”, w. 56”, d. 25-1/2” $1,200-$1,800

898

Pair of Large Terracotta Planters of Iznik Inspiration 20th century, decorated with swirling poppies and leaves on a black ground, the shoulders with black meandering vines. h. 30”, dia. 12-1/2” $2,000-$4,000

898

361


899

Neoclassical-Style Polychromed and Ebonized Pedestal early 20th century, the circular top with a guilloche-decorated edge and raised on three tapering columns with scroll feet, on a low concave shelf, adorned throughout with gilt and stenciled decor. h. 31”, w. 20-1/2”, d. 20-1/2” $1,000-$1,500

900

Large Pair of Contemporary Wirework Planters on Stands of traditional campana form with flared rims and threaded mounts for stability. h. 52”, dia. 23-1/2” $1,000-$1,500

899

900

362


901

901

901

902

20th century, having conforming serpentine white marble tops, the iron bases with a single front leg and applied stamped metal leaf decor. h. 37”, w. 28”, d. 13”

the pattern in production from 1958-2016, of neoclassical inspiration, each aluminum chair with a back with an oval latticework panel amongst scrolling foliage, open arms, slat seat and curved legs with foliate brackets. h. 32”

Pair of French Wrought Iron and Stamped Metal Marble-Top Wall Consoles

Suite of Ten Brown Jordan “Elegance” Pattern Garden Armchairs

$1,200-$1,800 $1,000-$1,500

902 363


903

Suite of Four McKinnon and Harris “McNeill” Side Chairs Richmond, Virginia, each aluminum garden chair with a shaped crest rail over curved parallel slats extending to the front seat rail, the shaped legs joined by a U-form stretcher, each marked with a plate engraved “McKinnon Harris Inc. / Handmade in Richmond Virginia Since 1991”. h. 39” $1,500-$2,500

903

904

Suite of Four McKinnon and Harris “McNeill” Side Chairs Richmond, Virginia, each aluminum garden chair with a shaped crest rail over curved parallel slats extending to the front seat rail, the shaped legs joined by a U-form stretcher, each marked with a plate engraved “McKinnon Harris Inc. / Handmade in Richmond Virginia Since 1991””. h. 39” $1,500-$2,500 904

905

Pair of Chinese American Cast Stone Dragons second quarter 20th century, presented on rectangular plinths with their mouths open and their tails in the air. h. 16”, w. 7”, d. 23-1/4” $1,000-$1,500

905

364


906

906

Monumental Chinese Bronze Garden Urn 20th century, the scalloped rim over a bowl with cartouche and lotus blossoming over a band of dragons, on an integral base with three-dimensional Foo Dogs in niches. h. 51-1/2”, dia. 67” $2,000-$4,000

907

Modern Carpet 9’ 11” x 14’ $2,000-$4,000

907 365


908

Interesting Wrought Iron and Quarter-Sawn Oak Horseshoe Wine-Tasting Table early 20th century, the U-form top with drop leaves and mounted to a wrought iron base with a curved stretcher. h. 28”, w. 63”, d. 32”, ext. d. 45” $1,200-$1,800

909

Marc Chagall (Russian/French, 1887-1985) “Painter at the Eiffel Tower”, 1979 lithograph in colors on Japon nacre paper pencil-signed lower right and numbered “7/50” lower left, published by Maeght, Paris. Matted, glazed and framed. sight 15-1/2” x 12-1/4”, image 13” x 10”, framed 28-1/2” x 24-1/4” Provenance: Kaminski & Co., Beverly, Massachusetts, July, 27, 2021, lot 1406; Private collection. $2,500-$4,000 909

908

366


910

910

Pair of Contemporary Leather Club Chairs in the Edwardian Taste each in deep brown leather with a tall back joined to closed bolster-form arms, a loose seat cushion and shaped wood legs. h. 43”, w. 34-3/4”, d. 33” $1,000-$1,500

911

Galle Cameo Glass Art Nouveau Vase ca. 1900, decorated with burgundy lilies on a shaded chartreuse ground, with a “Galle” cameo signature, the bottom with a ground pontil. h. 10”, dia. 4” Provenance: Christie’s, September 12, 1997, lot 146. $1,200-$1,500

911

367


912

French Art Deco Bronze Chandelier second quarter 20th century, with three outside arms, and a reeded standard wound with molded flower supports, the circular prism ring molded with baskets of flowers, framed with swagging and set with arched arms mounted with floriform frosted shades, hung with long teardrop-form prisms, the inner ring set with an additional floriform shade, electrified. h. 39”, dia. 20” $1,000-$1,500

913

Art Deco Period Giltwood Overmantel Mirror second quarter 20th century, decorated with Egyptian motifs, the flower- and cabochon-molded surround set with a pierced crest and corner block ornaments with lotus flowers and scrollwork. h. 44”, w. 55-1/2” $1,000-$1,500

914

Art Deco Pottery Vase, Attributed to Boch Freres Keramis

914

ca. 1924, designed by Charles Catteau (French, 1880-1966), now mounted as a lamp, the vase decorated with a frieze of antelope grazing, with geometric borders above and below, in shades of sapphire blue, turquoise, blue-green and black on an ivory crackle ground, mounted with a shade. h. 26”, dia. 16” Notes: From the line exhibited at the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes in Paris. $1,000-$1,500

368

912

913


915

Nine-Piece Bamboo Dining Suite late 20th century, probably by McGuire, comprised of eight armchairs and a glass-top table, each chair in the Brighton Pavilion style with geometrically modeled splat, open arms, slip seat and legs joined by an X-form stretcher, h. 39”, the table with a hexagonal glass top on a base with clustered bamboo legs joined by a like stretcher, h. 29-1/4”, w. 55-1/4”, d. 55-1/4”. $1,000-$1,500

915

915

369


916

916

917

second quarter 20th century, the rectangular surrounds set with bold and pierced bowknot-form crests. h. 33-1/4”, w. 23”

the rectangular top with an inset black plate glass, supported by carved and reeded U-form standards, mounted to a downcurved platform base. h. 29”, w. 45”, d. 24”

Pair of Giltwood Mirrors of Neoclassical Inspiration

Hollywood Regency Maple and Plate Glass Center Table

$1,000-$1,500 $1,000-$1,500

917

370


918

Michael Vanderbyl for Baker, Pair of Oval Nightstands each executed in satinwood, the ovoid top over a conforming case finished around the front and back, with a pull-out work slide over a drawer and cupboard door below, each with an engraved metal “Baker Furniture” plate. h. 28”, w. 24”, d. 18-1/2” $1,000-$1,500

918

919

Brass Cheval Mirror 20th century, with a rope-twist surround, frame and legs, the brushed brass mirror with a mahogany back. h. 61-1/4”, w. 15-1/4”, d. 11-1/2” $1,000-$1,500

920

Pair of Contemporary Swivel Lounge Chairs by Old Hickory Tannery, of Southwestern inspiration, each closed-arm chair upholstered in brocade and leather, accented by large nails, with loose seat and back cushions and a fringe skirt, together with matching pillows. h. 32-1/4” $1,200-$1,800

919

920 371


921

921

923

Unique Suite of Four Gilt-Metal and Bronze-Mounted “Gaming” Chairs

Suite of Four Mario Villa (Nicaraguan/Louisiana, 1953-2021) “Palm Frond” Bar Stools

early 20th century, in the neoclassical taste, having scrolled metal backs depicting diamonds, spades, hearts and clubs, each with different stylized cast bronze chess figure finials, grillwork seats and sabre legs. h. 38”, w. 16”, d. 21”

20th century, of mixed metal, two upholstered in gray fabric, two upholstered in gold fabric. each h. 46” $1,500-$2,500

$1,000-$1,500

922

Directoire-Style Gilt-Bronze and Marble-Top Occasional Table in the manner of Jansen, the square marble top with a molded edge, above a conforming X-patterned frieze, raised on tubular legs joined by an X-form stretcher. h. 22”, w. 21-1/2”, d. 21-1/2” $1,000-$1,500

922

372

923


925

926

Weathered Bronze Sculptural Group of Two Cranes on Stand 20th century, in the Japanese style, resting on a steel and brass gueridon. cranes h. 31”, w. 21”, d. 11”, stand h. 24”, dia. 18” $1,000-$1,500

924

924

Continental Giltwood Sunburst Mirror 20th century, the convex mirror plate framed with carved leaves and set with two concentric rings, a larger outside ring and an inner smaller ring. dia. 28-1/2” $1,000-$1,500

925

Mid-Century Modern-Style Iron and Glass Equestrian Coffee Table after a design by Jacques Adnet (1901-1984), for Hermes, the beveled glass top on a faux leather strapwork base, modeled as belts joined by bits and rivets. h. 17-3/4”, w. 50”, d. 32” $1,000-$1,500

926

373


Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows:

• An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17


(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17


(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17


(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17


New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Note that there is no discount for LiveAuctioneers and Invaluable bidders. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com


Susan D. Sarofim CEO

Jelena Restovic James Director of Fine Art

Tessa Steinkamp Director of Auctions

Ireys Bowman General Consignments

Michele Carolla Fine Art Specialist

Burke Designer

AUCTIONEERS Tessa Steinkamp, #1265 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

CONSULTANTS

Taylor Eichenwald Assistant Director of Auctions

Greg S. Kowles General Consignments

Charles C. Cage Silver Specialist & Office Manager

Sarah Agnew Client Services & Administrative Assistant

ADMINISTRATION

Ellen McKenzie English & Continental Furniture

Denise Haik Office Administration

Ira Savoie Independent Certified Gemologist Appraiser

Gary Michael Gittelson Photographer

Kim Lemon Director of Fine Jewelry

Thomas Halverson American Furniture Specialist

Grace Connors Manager of Online Auctions

GRAPHICS Bettina Bausa Graphic Designer Photography: Christa Ougel Jason Kruppa

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Theadrow Mark