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Nlini Interior Ltd. 2. Mariners House Upper Floor Copse Lane, Hamble Southampton Hampshire SO31 4QH United Kingdom info@nlini.com

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NO LIMITS IN NEW IDEAS

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REPLICA Design

Design furniture replica

The experience is original

Design furniture replica

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REPLICA Design Nlini Interior Ltd. 2. Mariners House Upper Floor Copse Lane, Hamble Southampton Hampshire SO31 4QH United Kingdom info@nlini.com

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Intro Leather / Wool Samples

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No limit in new ideas

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Sori Yanagi

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Verner PantON

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Warren Platner

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Lighting

FURNITURE

Arne jacobsen

Arne jacobsen

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Børge mogensen

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Le Corbusier

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Eero Aarnio

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Eero Saarinen

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Nlini Interior

Eileen Gray

64

selected

erik buck

67

Finn Juhl

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Florence Knoll

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George Nelson

80

Grant Featherston

87

Hans Jørgen Wegner

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Harry Bertoia

105

ib kofoed-larsen

109

Josef Hoffman

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Ludwig Mies Van Der Rohe

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Marcel Breuer

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Norman Cherner

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Pierre Paulin

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Poul Kjærholm

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Poul Volther

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Poul Henningsen

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Verner PantON 152

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About What is Replica

168

Is it legal?

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What about quality

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you can get a Discount

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Leather & Wool qualities

172

Caring for Leather & Wool

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Placing Orders

176

Delivery 177 About Nlini

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Company Accounts

180

news 181

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Luxury

you can afford

4 | Luxury you can afford

| Luxury you can afford


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The experience is original

6 | Luxury you can afford

| The experience is original


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unique design is the ultimate luxury

8 | Luxury you can afford

| Unique design is the ultimate luxury


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It is all in the details

10 | Luxury you can afford

| It is all in the details


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Leather / Wool Samples

Please do not hesitate ordering our catalogue & samples. On our website www.nlini.com, you can order our leather and wool samples. They will be sent to your address free of charge and you will receive them within a week of ordering them on our website.

12 | Leather and wool samples

| www.nlini.com


no limit in new ideas ”To bring to you the timeless designs of some of the greatest furniture designers of all time.” ”On how to use todays manufacturing techniques to replicate the quality and styles of originals.” ”To match the desires of the present with the glory of the past.” ”In how to create the best of modernism and art deco into our collections today.”

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Arne jacobsen Arne Jacobsen 1902-1971. Danish architect and designer. Arne Jacobsen is known for his untiring search and brilliant conceptions, which manifested into many awards and victories both in domestic and international competitions. Arne Jacobsen was trained as a bricklayer and graduated from the Danish Technical Society School in 1924. He went on to achieve a gold medal in 1927 from the Art Academy, and in 1928 he received another prestigious academy gold medal. It was as a 23-year-old when he was at the World Exhibition in Paris he was awarded a silver medal. In 1930 he established his own studio specializing in the architecture of interior furniture and textile design. He taught as a professor of architecture at the Royal Danish Academy, Copenhagen from 1956-65. Some of his major work was with St. Catherine’s College Oxford in England, and Aarhus Denmark in the National Bank and City Hall. Also in Aarhus, you will find the famous SAS hotel where Arne Jacobsen not only designed the furniture, but also lighting, textiles, cutlery, glassware and door fittings. He is probably best known world wide for his Danish chair designs such as ”Ant”, ”Swan”, ”Egg” and ”Sevens”. Arne Jacobsen outlined above the designs, which were generally modelled in plaster or cardboard in full size. He continued until his revolutionary ideas were transformed into the perfect finished article. Please note that all products sold on www.nlini.com are reproductions of the very highest quality.

14 | Arne Jacobsen

| chairs | stools | sofas | lighting |


The egg REPLICA Arne Jacobsen Egg chair is so synonymous with Danish furniture design and known worldwide. An emperor and a classic of design. Arne Jacobsen Egg chair is known and loved by all. Its stunning fluid and sculptural form is un­d oubtedly the most beautiful and harmonious of all the armchairs. Our replica Egg chair’s shell is synthetic with glass fibre rein­ forcement, light padded and upholstered with your choice of either wool or leather. The shell is mounted on a frame consisting of a polished steel tube and a 4-star swivel base in aluminum. Leg ferrules are in black-gray plastic. The unique shape provides a bit of privacy in public spaces, an egg - is ideal for lounge and other areas in the home de­s tined to be the throne of all places. All Arne Jacobsen Egg chair (replicas) from Nlini comes with tilt and tension sup­p ort. Anilin leather has no stitching inside. Design year: 1958 Dimensions: 107x86x79 cm / Dimensions stool: 45x57x44 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

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The golden egg REPLICA 50-year anniversary model. In 2008, it was Arne Jacobsen’s masterpiece Egg 50th year anniversary, and on this occasion was created this golden version of the classic. The golden egg has only created 999 original copies, but now we have done homage to the chair’s design by making a replica. All Arne Jacobsen Egg chair (replica) from Nlini comes with tilt and tension. Design year: 1958 Dimensions : 107x86x79 cm / Profile Egg Chair Stool: 45x57x44 cm

colours Anilin leather

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Arne Jacobsen


the Swan Chair REPLICA The Arne Jacobsen Swan chair is both unique and outstanding in its famous design. Our replica of the Swan chair is organic in shape which makes it beautiful and inviting. The curves are moulded in a rigid form, padded with foam and upholstered in fabric or leather. Chassis / swivel stand and star base is made of cast aluminium with leg ferrules in plastic. Since the ”Swan” is one of the most beautiful birds, following the design makes just beautiful chairs; this chair is a real Princess in furniture design. Design year: 1957 / Profile: 74x68x77 cm

The Swan Sofa REPLICA The Arne Jacobsen Swan sofa is a unique sculptural design with beautiful flowing lines shown in a seamless organic form. The Arne Jacobsen Swan sofa was first shown publicly in Paris in 1958. The Swan like sofa is well known for its showing at the SAS hotel in Copenhagen. Arne Jacobsen Swan sofa’s organic shape is achieved by means of a rigid plastic shell that is covered with either wool or leather. The base is of cast aluminum. Swan and Egg will live long with their own unique heritage.

colours Anilin leather

Semi anilin leather

Cashmere wool

Design year: 1958 / Profile: 143x82x70 cm 17


the Suite 7-Chair REPLICA The famous 7 chair has sold in millions all over the world, made in pressed plywood with metal legs. Our stunning replica is tailored with excellent comfort in mind and comes with choice of armrests. This classic chair has gained iconic status over generations not only for its comfort but also because of Arne Jacobsen’s well known touch of simplicity. Suite 7 are perfect all round chairs being lightweight that can be stacked together. Suitable for canteens, cafes, restaurants, conference rooms and of course home use.

PLYWOOD

Walnut Oak

White

Black

Ash

Design year: 1957 Dimensions: Width 49,5 cm, depth 51,5 cm, height 78,5 cm, seat height 44 cm Dimensions armchair: Width 60 cm, depth 55,5 cm, height 75,5 cm, seat height 42 cm

The Ant-chair REPLICA

Another icon designed by Arne Jacobsen is the Ant chair, made in pressed plywood with metal legs. Our stunning replica is tailored with excellent comfort in mind. The Ant is a perfect all round chair being lightweight that can be stacked together. Suitable for canteens, cafes, restaurants, conference rooms and of course home use.

18 | Arne Jacobsen

Design year: 1952 Dimensions: Width 52 cm, depth 52,5 cm, height 77 cm, seat height 43 cm


The Swan chair table REPLICA This circular coffee table goes very well with the Egg or the Swan chair. Arne Jacobsen works are classics that stand for eternalness and perfection. They radiate grace and elegance and are often considered as art and not as furniture. Bring elegance, style and a glim of finesse into your own room! The table has solid plywood top, with choice of walnut, cherry, rosewood, black or white finishes. Four star, die cast aluminium base. Design year: 1968 Dimensions: Diameter 75 cm, heigh 48 cm

PLYWOOD

Walnut Cherry Rosewood

White

Black

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AJ Lamps REPLICA Wall Profile: 18 x 33.5 cm

Our replica Arne Jacobsen lamps have an adjustable tilting head for convenience with a characteristic asymmetric shape, which completes this classic. Part of the unique design is the circular hole in the base, although this was originally intended to house an ashtray. Design year: 1956 Materials: Shade: Steel. Foot: Cast zinc. Stand: Steel

Table

colours

Profile: 21.5 x 56 cm White

Floor Profile: 27.5 x 130 cm

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Black


Børge mogensen Børge Mogensen 1914-1972 Børge Mogensen is known for creating furniture for everyday use. Børge Mogensen used his own home for a laboratory, on the philosophy that one’s own home was the best place to test the design and functionality. Børge Mogensen drew inspiration from all his surroundings in his artistic pursuits. Sudden ideas were pencilled down anywhere. Even an everyday plant could become a victim of his spontaneity. His famous hunting chair, for instance, started its life late one night on a matchbox. Børge Mogensen started his career as a cabinet maker in 1934 and then in 1936-42, was further trained at the Danish design school of Furniture. In 1942, Børge became a designer for FDB (Danish Co), and was a teacher at the School of Furniture from 194547. In 1950 he founded his own office where he developed a close association with his former mentor Kaare Klint, and later adopted Klint’s approach to simple and functional furniture design. His furniture is intended not to be influenced by aesthetic abstractions or imaginative forms, just for practical needs and purity. J39 is Børge Mogensen’s most successful piece of design; an American shaker style inspired by his former teacher Kaare Klintland’s The Spanish Chair is Børge Mogensen’s masterful interpretation of a traditional chair type you could encounter everywhere in the ancient Islamic cultural areas - from Andalusia to northern India. Please note that all products sold on www.nlini.com are reproductions of the very highest quality.

| chairs | stools | sofas |

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2211 - 2212 - 2213 REPLICA

Børge Mogensen 2211 is a simple and yet beautiful armchair. This is yet another fine example of the artist’s simple yet functional ideology and design. The collection is a proven, timeless and understated piece of design artwork. The 2211 collection was originally designed for Mogensen’s own home and since then used both in many homes and large important offices, government buildings and worldwide embassies. The back, sides and cushions are made of sumptuous leather, whilst the frame and legs are made of wood. Design year: 1963 Dimensions: 2211 Armchair 92.5x85x84 cm Dimensions: 2212 Sofa 2 Seater 158x85x84 cm Dimensions: 2213 Sofa 3 Seater 204x85x84 cm

colours Anilin leather

Semi anilin leather

Wood

Maple 22 | Børge Mogensen

Dark Walnut


2331 - 2332 - 2333 REPLICA

Børge Mogensen 2331 is a simple and yet beautiful collection. This is yet another fine example of the artist’s simple yet functional ideology and design. The sofa is a proven, timeless and understated piece of design artwork. The 2331 collection was originally designed for Mogensen’s own home and since then used both in many homes and large important offices, government buildings and worldwide embassies. The back, sides and cushions are made of sumptuous leather, whilst the frame and legs are made of wood. Design year: 1962 Dimensions 2331 Armchair: 93x85x82 cm Dimensions 2332 Sofa 2 Seater: 157x85x82 cm Dimensions 2333 Sofa 3 Seater: Width 204x85x82 cm

colours Anilin leather

Semi anilin leather

Wood

Maple

Dark Walnut 23


Wing back chair REPLICA The Wing Back chair is perhaps his most recognized of Børge Mogensens design. The form and curve of the armrest and the arch of the back is special. An elegant high-backed wingstyle chair. This is a fine example of the artist’s simple yet functional ideology. The Wing chair is a classic, both firm and cozy. The back, sides and cushions are made of leather, the frame and legs are made of wood. Design year: 1963 Dimensions: Width 72 cm, height 109 cm, depth 92 cm

colours Anilin leather

Semi anilin leather

Wood

Maple 24 | Børge Mogensen

Dark Walnut


Wing back suite REPLICA

The popular term for this model is a ’compartment sofa’ because it fits snugly round its occupant like the comfortable seats in a first-class train compartment, making a nice room for meetings and conversation. The sofa is available in twoand three-seater version. Design year: 1971 Dimensionstwo seater sofa: Width 152 cm, height 109 cm, depth 92 cm Dimensions three seater sofa: Width 220 cm, height 109 cm, depth 92 cm

colours Anilin leather

Semi anilin leather

Wood

Maple

Dark Walnut 25


The J39 Chair REPLICA This replica of Børge Mogensen’s famous J39 chair is suitable for any kitchen whether it is contemporary or more traditional. The design of the chair is simple yet also very elegant and beautiful. The chair was nicknamed ”The People’s Chair” because it appeals to everyone and everywhere regardless of style - therefore, the chair is used in canteens, conference rooms, private home, schools, churches and large offices. Nlini’s replica of this Børge Mogensen classic chair is manufactured in high quality naturel plait and solid wood in either ash, black ash, oak, walnut or birch. Design year: 1947 Dimensions: Height 75,5 cm, width 48,5 cm, depth 44 cm Seatheight: 44 cm

Paper Cord Natural

WOOD

26 | Børge Mogensen

Ash

Black ash

Walnut

Birch

Oak


Charles & Ray Eames 1907-1978 American architects designers and filmmakers. Charles Eames is famous for being first with the use of new materials in furniture design. It was in early 19th century, he won a scholarship to enter the University of Washington, after only a very brief stay the young Eames was thrown out because he stubbornly defended the controversial architect Frank Lloyd Wright. Charles Eames then began work in a studio, before he started his own architectural firm. He quickly gained international success and has since been named the most influential designer in 20th century. Charles Eames designs are exciting, using organic design language and new materials. His colleagues were Harry Bertoia, Eero Saarinen, Florence Knoll and Ray Kaiser, whom he later married in 1941. Charles and Ray’s interest in new techniques led them to experiment with fibreglass reinforced with plastic used in the seamless fibreglass shell chair which of course has always been much admired. Please note that all products sold on www.nlini.com are reproductions of the very highest quality.

Charles & Ray Eames

| chairs | stools | tabels | bookcaces | lounge |

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Eiffel Chair REPLICA dsR

Charles & Ray Eames Eiffel Chair DSR chair with curved seat in sharp contrast with the angular back, creates an incredibly striking design. Eiffel chairs are unique and one of the world’s first mass-produced fibre glass pieces of furniture which helped to emphasize the material’s future as one of the most widely used in industry. Our replica Charles & Ray Eames Eiffel Chair DSR Chair’s simple anatomical forms have been designed to fit the contours of your body. This chair adds style to the dining or any other room in your home. Legs in polished stainless steel or black powder coated (DSR) Legs in wood (DSW). Design year: 1948 Dimensions: Width 46.5 cm, depth 55 cm, height 81 cm

dsw colours Fibre glass, matt or high gloss

Steel

WOOD

Walnut 28 | Charles & Ray Eames

Maple


Eiffel Chair REPLICA

dAR

An icon that is even more popular than ever. Rated as a full classic - expressing style and creativity. The materials contrast – from the ”hot” high gloss fibre glass to the ”cold” steel legs. The moulding of the chair’s beautiful shaped and rounded seat is in sharp contrast to the square leg framework which creates a striking perfection in design art. The chair is unique and one of the world’s first mass-produced fibre glass pieces of furniture and thus helped to emphasize the material’s future as one of the most widely used in industry. You can feel the ergonomic comfort from the flow of the moulded seat into the armrest. Our replica Charles & Ray Eames Eiffel Chair DAR Chair will add style to the dining or any room in your home. Legs in polished stainless steel or black powder coated (DSR) Legs in wood (DSW).

dAw

Design year: 1948 Dimensions: Height 79.5 cm, width 62.5 cm, depth 60 cm

colours Fibre glass, matt or high gloss

Steel

WOOD

Walnut

Maple 29


Rocking Chair REPLICA Our replica Charles & Ray Eames RAR Rocking Chair consists of a hard shell which is today the cast of an environmentally friendly high gloss fibre glass, it was one of the first fibre glass chairs that was mass produced. The RAR rocking chair’s clean simple organic and sculptural form is shaped to fit the body. Supporting the body is a frame made of crossed steel legs set on runners of maple. Such a “fun” item this Rocking chair is hotter than ever.

RAR

Design year: 1948 Dimensions: Width 46 cm, depth 58 cm, height 66 cm

colours Fibre glass, matt or high gloss

WOOD

La Chaise REPLICA A modern chaise longue and its sculptural look - an icon of Organic Design. The ergonomic shape provides comfort in more recumbent or sitting positions. An expressive piece of furniture that gives any decor character. Technical description, two fibreglass shells, fixed together and painted, with a base in maple. Design year: 1927 Dimensions: Width 170 cm, height 84 cm, depth 80 cm

30 | Charles & Ray Eames

Walnut

Maple


Dss Chair REPLICA Replica of the Charles & Ray Eames DSS Chair. This chair is executed in the same style and quality as many other designs by Charles & Ray Eames and is both practical and beautiful. The original chair was designed in the 1950’s as a contribution for a competition for low priced furniture at the New York Museum of Modern Art. The chair is very comfortable and is extremely practical because you can pile several chairs on top of each other. The legs are manufactured in polished steel with a lovely fibreglass seat in either mat or high gloss in 13 different colours. Design year: 1956 Dimensions: Height 85,5 cm, width 56 cm, depth 53,5 cm Seat height: 45 cm

colours Fibre glass, matt or high gloss

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Lounge Chair REPLICA Charles Eames armchairs are among the most coveted furniture. Very masculine luxury in classic and aesthetic lounge atmosphere. The skull is in seven layers plywood veneer. Its plush cushions are individually upholstered and removable cushions are upholstered in leather. The frame is heavy cast aluminium. Eames chair is permanently reclined to 15 degrees so that body weight is distributed to the back of the chair to give the best possible relaxation and comfort. Design year: 1956 Dimensions: Height 82 cm, width 84 cm, depth 80 cm Choose from the following • Black alu. undercarriage and Back bracket. • Polished aluminium. undercarriage and Back bracket.

colours Anilin leather

Semi anilin leather

PLYWOOD

Walnut

Rosewood

PONY LEATHER

32 | Charles & Ray Eames

Black ash

Light oak


DCM Dining Chair REPLICA Made from 7-layered plywood. Lightweight, minimalistic chair. Suitable as a dining chair. Seat and back in pressed plywood with a lightweight steel frame. The Eames couple were the first ones to develop the technique of pressing wood, which was revolutionary for furniture design. Comes in different wood types. Design year: 1946 Dimensions: Width 55 cm, depth 55 cm, height 76 cm, seat height 46 cm

LCm Chair REPLICA Made from 7-layered plywood. Lightweight, minimalistic lounge chair. The first chair to be mass produced with pressed plywood. Seat and back in pressed plywood with a lightweight steel frame. The Eames couple were the first ones to develop the technique of pressing wood, which was revolutionary for furniture design. Comes in different types of wood and also with pony skin. Also available with wooden legs (LCW). Elegant together with the Charles & Ray Eames coffee table. Design year: 1946 Dimensions: Width 55 cm, depth 62 cm, height 65 cm, seat height 44,5 cm

PLYWOOD

Walnut

Oak

Black ash

PONY LEATHER

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LCW Lounge Chair REPLICA Made of 7 layers of plywood with a pony skin. It was the first chair that was mass produced from molded plywood. Seat and back are made in molded plywood. The Eames couple developed the technique of molded wood which opened up more revolutionary possibilities in furniture design. Cool for use with the Charles & Ray Eames coffee tables. Design year: 1946 Dimensions: Width 55 cm, height 70 cm, depth 58 cm

PLYWOOD

Walnut

Black ash

PONY LEATHER

Coffee Table REPLICA Charles & Ray Eames created this original coffee table in 1946 after developing and pioneering methods in plywood and veneer molding art. Our replica Charles & Ray Eames Coffee Table is made of moulded plywood; the legs provide an elegant curve and supporting a slim tabletop. The table top is shaped with a beautifully designed recess. A warm and unique coffee table that can adorn any decor. Design year: 1946 Dimensions: Diameter 87 cm, height 40 cm 34 | Charles & Ray Eames


Bookcase REPLICA This Charles & Ray Eames Bookcase is a true classic and can be used both in the office as well as the bedroom/livingroom. The bookcase was originally designed in 1949 and has become very popular due to the classic design by Charles & Ray Eames as well as its functionality. Nlini’s replica of this unique storage unit is manufactured in high quality and is delivered fully built - though the doors can be adjusted as one wishes. This bookcase is delivered in either walnut or maple. Design year: 1949 Dimensions: Height 148 cm, width 120 cm, depth 43 cm

WOOD

Walnut

Maple

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EA 208 Soft Pad Chair REPLICA

A clear language of form is emphasized by the lightweight aluminium construction. The slim profile of the seat / backrest gives the chair a light and elegant look. Our replica Charles Eames Soft Pad chair has an adjustable tilt and swivel mechanism, mounted on a 4-star aluminium base. The Soft Pad chair has thick cushion padding, which results in a very comfortable seating comfort without losing the slim and elegant design line. Charles and Ray Eames functionalist approach has been the reason for their success, of course aided by the stunning designs. The Soft Pad chair has a low back making it suitable as a conference, office or dining chair.

colours

Design year: 1958 / Dimensions: Width 53 cm, depth 60 cm, height 84 cm

Semi anilin leather

EA 217 Soft Pad Office Chair REPLICA Our replica Charles Eames Soft Pad office chair has an adjustable tilt and swivel mechanism, mounted on 5-star height adjustable aluminium feet. The slim profile of the seat / backrest gives the chair a light and elegant look. The Soft Pad office chair has a low back perfect for today’s modern office. Design year: 1958 / Dimensions: Width 58.5 cm, depth 60 cm, height 78 cm

36 | Charles & Ray Eames


EA 219 Soft Pad ”Office Chair - High back REPLICA Our replica Charles Eames Soft Pad high office chair has an adjustable tilt and swivel mechanism, mounted on 5-star height adjustable aluminium feet. The slim profile of the seat / backrest gives the chair a light and elegant look. The upholstery is stretched between the chair’s side profiles, and just moulds to your body when seated. This office chair has a high back perfect for the executive in today’s modern office. Design year: 1958 / Dimensions: Width 58.5 cm, depth 60 cm, height 84-96 cm

colours Semi anilin leather

EA 222 / EA 223 Soft Pad loungechair - Armchair & Footstool REPLICA 4-star aluminum swivel base. Both tilt and height are adjustable. The selected sumptuous leather or fabric padding is tightly stretched and flows from back to seat in one complete unit. Available in a large choice of leather or fabrics. Design year: 1958 Profile: Width 62 cm, depth 78 cm, height 101 cm Footstool, profile: Width 52 cm, depth 58 cm 37


EA 108 Ribbed Chair REPLICA

Trust the clear language of form that is emphasized by the lightweight aluminium construction. The slim profile of the seat / backrest gives the chair a light and elegant look. The upholstery is stretched between the chair’s side profiles, and molds to your body when seated. Our replica Charles Eames Ribbed chair has an adjustable tilt and swivel mechanism, mounted on a 4-star aluminium base. Charles and Ray Eames functionalist approach has been the reason for their success, of course aided by the stunning designs. The Ribbed chair has a low back making it suitable as a conference, office or dining chair.

colours

Design year: 1958 / Dimensions: Width 53 cm, depth 60 cm, height 84 cm

Semi anilin leather

EA 117 Ribbed Office Chair REPLICA Our replica Charles Eames Ribbed Office Chair has an adjustable tilt and swivel mechanism, mounted on a 5-star height adjustable aluminium feet. Seat and back are in one whole section with foam-padded seat contours, offering superb comfort. Charles and Ray Eames functionalist approach has been the reason for their success. This Ribbed office chair has a low back making it suitable as a conference, office or dining chair. Design year: 1958 Dimensions: Width 53 cm, depth 60 cm, height 84 cm

38 | Charles & Ray Eames


EA 119 Ribbed Executive Office Chair - High Back REPLICA Our replica Charles Eames Ribbed Executive High Office Chair has an adjustable tilt and swivel mechanism, mounted on a 5-star height adjustable aluminium feet. Seat and back are in one whole section with foam-padded seat contours, offering superb comfort. Design year: 1958 / Dimensions: Width 58.5 cm, depth 60 cm, height 107 cm. Adjustable seat height of 43-52 cm

colours Semi anilin leather

EA 124 / EA 125 Waved Armchair & Footstool REPLICA 4-star aluminium swivel base. Both tilt and height are adjustable. The selected sumptuous leather or fabric padding is tightly stretched and flows from back to seat in one complete unit. Available in a large choice of leather or fabrics. Design year: 1958 Dimensions: Width 62 cm, depth 78 cm, height 101 cm Footstool, dimensions: Width 52 cm, depth 58 cm 39


Lobby Chair ES 105 REPLICA Replica of Charles & Ray Eames ES 105 Lobby Chair. A very elegant and comfortable chair, which can be used as an office chair or at the conference table. The chair was original designed in 1960 for the lobby of the Rockefeller Centre in New York and since then it has been sold to many public offices worldwide. The ergonomic form of the chair guarantee you the ultimate seating comfort. Nlini’s replica of this chair is executed in high quality of either aniline or semi-aniline leather. The chair is hand sewn and the base is manufactured in polished steel. Design year: 1960 Dimensions: Width 66 cm, depth 68 cm, height 86 cm Seat height: 45 cm

colours Anilin leather

Semi anilin leather

40 | Charles & Ray Eames


”PACC” office Chair REPLICA PACC is a variant of the DAR chair. It is a swivel chair with five feet on wheels. This world famous and most successful of the Eames’ chairs was made in 1948 and presented at the New York Museum of Modern Art. The seat is made from fibre glass (white), providing amazing comfort and strength. The PACC Chair is suitable as an office, meeting or conference chair or as a flexible dining chair. Design year: 1948 Dimensions: Width 62,5 cm, depth 60 cm, height 80-89 cm, seat height 42-51 cm

colours Semi anilin leather

Cashmere wool

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stool replica Charles & Ray Eames Ash stool: 1 wave, 2 waves, 3 waves This unique stool was designed for the Rockefeller Center in New York. Flexible but still solid ash stools, designed by Charles & Ray Eames. Can also be used as small tables, for plants, art etc. Suitable all over – even in an entrance or bathroom. Comes in three different shapes. Choose your favourite, or mix them. Design year: 1960 Dimensions: Diameter 33,5 cm, height 38,5 cm

WOOD

Ash

42 | Charles & Ray Eames

Walnut


ETR ”Surfboard” REPLICA Charles & Ray Eames ETR elliptical coffee table, also known as ”Surfboard Table” is a low elliptical table with the top made of laminated maple plywood. This designer table is supported by a frame made of chromed steel formed with bars welded together in an elegant cross. The table’s vibrant and light expression will create momentum and excitement in any decor. Design year: 1951 Dimensions: Width 75 cm, length 226 cm, height 26 cm

Top colours

White

Black

LTR Corner Table REPLICA Suitable for corner or side table locations our replica Charles & Ray Eames LTR Corner Table is a versatile piece of furniture that fits perfectly in any decor. Charles & Ray Eames LTR table consists of a chromed steel frame with metal bars across the base, a laminated top plate with a slanted edge of maple plywood. Elegance and simplicity in its use of materials. The laminated top plate is available in either black or white finish. Design year: 1951 Dimensions: Width 39.5 cm, depth 33.5 cm, height 26 cm

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Round Meeting Table REPLICA Charles Eames’s circular table is a very sophisticated piece of minimalist design. The table top is durable Formica with a matt finish, the black powder coated base and polished stainless steel feet with black protective plastic glides completes the design. Charles Eames expressive and simple table is the perfect business conference table, also fits well in many modern private homes.

Top colours

White oak

Marley venge

meeting & dining Table REPLICA This quality reproduction is reproduced in the style of the original design by Charles Eames and is designed to compliment our Charles Eames chairs. The 25 mm thick table top has a beautiful finish and rests on a cast, chrome plated aluminium frame, which gives it a sleek and modern look. The legs are adjustable up to 15mm, so they can be adapted to uneven floors. Design year: 1964 Dimensions: Length 214 cm, width 91.5 cm, height 73.5 cm

44 | Charles & Ray Eames

Design year: 1964 Dimensions: Diameter 110 cm, height 72 cm


Le Corbusier Le Corbusier 1887-1965 Charles-Edouard Janneret, French architect, painter, sculptor and writer. Le Corbusier is known for designing furniture based on functionality and rationality, using logistical design. As a young student Le Corbusier had no formal higher education. After independently studying urban and industrialized construction he took several study tours around Europe, before settling down in 1917 in Paris. Le Corbusier was a certain gentleman who was known to go his own way; this was also true in regards to his designs. Always with a strong focus on tight and clean lines Corbusier worked and wrote with a unique perspective, energy and clarity has made him one of the most influential and pioneering personalities in international design. Please note that all products sold on www.nlini.com are reproductions of the very highest quality.

| chairs | sofas |

tables | chaise lounge |

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LC2 Grande REPLICA LC2 Grande series was designed by Swiss-born architect, writer and visionary Charles-Edouard Jeanneret, known as Le Corbusier. The series was inspired by simple, modernist design. Originally made for the Salon d’Automne in Paris. The LC2 chair is cubist and thus has an angular and somewhat taut look. The LC2 series is especially famous for its comfortable style with leather cushions and the visible stylish polished steel frame. LC2 Grande series is the ultimate in luxury. Design year: 1929 Dimensions:: Width 99 cm, height 65 cm, depth 72 Dimensions 2 seater sofa: Width 168 cm, height 65 cm, depth 72 cm Dimensions 3 seater sofa: Width 240 cm, height 65 cm, depth 72 cm Dimensions ottoman: Wide 75 cm x heigt 38 cm x depth 58 cm

colours Anilin leather

Semi anilin leather

46 | Charles Le Corbusier


LC2 Petite REPLICA Le Corbusier Petit armchair resembles the Le Corbusier LC2 Petit Suite from 1929, which was originally created for the Salon d’Automne in Paris. Petite Suite is a smaller padded version of LC2 Grande. Petit achieves a firmer slimmer shape. Petite suite is cubist and thus has somewhat angular and taut look. Petite suite is particularly known for the distinctive style that Coubusier was famous for the visible stylish polished steel frame. This Petit chair is a truly luxurious armchair Design year: 1929 Dimensions Dimensions Dimensions Dimensions

chair: Width 76 cm, height 68 cm, depth 72 cm 2 seater sofa: Width 130 cm, height 68 cm, depth 72 cm 3 seater sofa: Width 180 cm, height 68 cm, depth 72 cm ottoman. 56 x 55 x 45 cm

colours Anilin leather

Semi anilin leather

47


Petit Corner LC2replica Petit Corner is part of the LC2 suite. The strict and cubistic style of Charles Le Corbusier is clearly visible – the structural elegance and the familiar, visible steel frame. Petit Corner is suitable for todays open solutions and is guaranteed to be of excellent quality. Design year: 1928 Dimensions: Width 208x208 cm, depth 72 cm, height 68 cm, seat height 48 cm

colours Anilin leather

Semi anilin leather

LC5 Sofa replica Exquisite 3 person sofa by Le Corbusier. Can easily be transformed into a bed. The sofa is the most important piece of furniture in the living room, where everyone should be able to sit comfortably together. The Le Corbusier LC5 is stringent and beautiful, suitable for a nap, in a comfortable home office or as a guest bed. Matches the other suites by Le Corbusier. Design year: 1928 Dimensions: Width 206 cm, depth 73 cm, height 76 cm, seat height 38 cm

48 | Charles Le Corbusier


chaise longue REPLICA

Another of Le Corbusier’s most famous and successful designs, Le Corbusier Chaise Longue. A modern classic, some great lines and form clearly express the functionality - ”Relax Machine ”, as this chaise longue is also known, describes the seating perfectly. This Chaise Longue is both a beautiful and decorative sculptural piece of furniture that will look good anywhere, it gives you energy and joy in its presence alone. Chaise Longue frame is made of polished chromed steel and is adjustable. Cushion and headrest in leather or pony skin. Design year: 1928 Dimensions: Width 58 cm, height 52 cm, length 157 cm

PONY LEATHER

colours Anilin leather

Semi anilin leather 49


LC1 Basculante Sling chair REPLICA Le Corbusier LC1 Sling Chair Basculante - is inspired by 18th century folding wooden picnic furniture. Super light and airy in contrasting materials this chair is constructed on a polished chrome stainless steel frame. The arm and backrests are set in a range of adjustable slings which provide great comfort. Quite simply momentum and energy in design with ultimate luxury and quality. Design year: 1928 Dimensions: Width 62 cm, depth 61 cm, height 78 cm.

PONY LEATHER

colours Semi anilin leather

50 | Charles Le Corbusier


LC7-Swivel replica Le Corbusier LC7 swivel chair was made as part of the collection Living Equipment at Salon d’Automne in Paris 1929. Le Corbusier’s idea was to design chairs while keeping human proportions in mind. A beautiful, different swivel chair with covered back and armrest in one piece. The cushion also makes it a very comfortable chair. Polished steel frame like the other LC products. Also available as a stool. Design year: 1928 Dimensions: Width 61 cm, depth 57 cm, height 72 cm, seat height 50 cm

LC8 replica Le Corbusier LC8 swivel stool was made as part of the collection Living Equipment at Salon d’Automne in Paris 1929. Le Corbusier’s idea was to design chairs while keeping human proportions in mind. A beautiful, different swivel stool with a covered cushion – a very comfortable stool. Polished steel frame like the other LC products. Also available as a chair.

colours Anilin leather

Design year: 1928 Dimensions: Width 61 cm, depth 57 cm, height 72 cm, seat height 50 cm

Semi anilin leather 51


LC6 2 REPLICA This is a reproduction of high quality, in the style of Le Corbusier’s design of 1929. Originally designed for the Salon d’Automne in Paris and was part of a revolutionary collection of furniture. The 19 mm thick tempered glass top rests on a black lacquered steel frame - shaped pipes that are welded together into a seamless finish. Sculptural angles and smooth corners. LeCorbusier LC6 Dining Table 2 can comfortably accommodate 8 persons. Le Corbusier Dining Table LC6 2 is available in two well proportioned sizes: Option A: Width 180 cm, depth 80 cm, height 70 cm Option B: Width 225 cm, depth 85 cm, height 70 cm

base colour

Black

52 | Charles Le Corbusier


LC10 Dining tablereplica The Le Corbusier Coffee Table combines glass and frame in a pure look that will embellish any room. Refined and understated details. The timeless, simple design makes it suitable for modern as well as classic homes. LC10 is also suitable for reception- and lounge areas. 15 mm tempered glass. The base is polished steel. Design year: 1928 Dimensions: 2 variants: Width 120 cm, depth 80 cm, height 75 cm Width 140 cm, depth 140 cm, height 75 cm

LC10 coffe tablereplica The Le Corbusier Coffee Table combines glass and frame in a pure look that will embellish any room. Refined and understated details. The table goes well with the LC2 and LC3 suites, or as a solitary coffee table. The timeless, simple design makes it suitable for modern as well as classic homes. LC10 is also suitable for reception and lounge areas. 15 mm tempered glass. The base is polished steel. Design year: 1928 Dimensions: 3 variants: Width 70 cm, depth 70 cm, height 33 cm Width 120 cm, depth 80 cm, height 33 cm Width 140 cm, depth 140 cm, height 33 cm

53


Eero Aarnio

Eero Aarnio (1932) is a Finnish interior designer, well known for his innovative furniture designs in the 1960s, notably his plastic and fibreglass chairs. Aarnio studied at the Institute of Industrial Arts in Helsinki, and started his own office in 1962. The following year he introduced his Ball Chair, a hollow sphere on a stand, open on one side to allow a person to sit within. The similar Bubble Chair was clear and suspended from above. Other innovative designs included his floating Pastil Chair (similar to a solid inner tube), and Tomato Chair (more stable with a seat between three spheres). His Screw Table, as the name suggests, had the appearance of a flat head screw driven into the ground. he was awarded the American Industrial Design award in 1968. Aarnio’s designs were an important aspect of 1960s popular culture, and could often be seen as part of sets in period science-fiction films. Because his designs used very simple geometric forms, they were ideal for such productions. Aarnio’s later works replaced the use of fibreglass with plastic. He continues to create new designs, including toys and furniture for children. Please note that all pro­d ucts sold on www.nlini.com are re­p ro­ duc­t i­o ns of the very highest quality.

54 | Eero Aarnio

| chairs |


Globe Chair REPLICA Eero Aarnio Globe Chair is unconventional and impressive, pushing the boundaries of modern furniture design. The globe is a transparent acrylic shell with a half sphere shape, reinforced with a highly polished steel ring. Hung by a 80 cm hanging chain the chairs internal pads come in a variety of stunning colours. The Globe chair is actually an evolution of the ball chair, a fantastic soothing place to creep into. Design year: 1968 Dimensions: Height 105 cm, width 83 cm, depth 108 cm

colours Semi anilin leather

Cashmere wool

55


Cognac Cup REPLICA High quality reproduction of Aarnio inspired ’designs symbolise his unique and unconventional style. A design classic. The chair is made ​​of fibre glass in black or white, with a variety of internal leather colours. Suitable for dining room, bar or entertainment areas. Design year: 1962 Dimensions: Depth 63 cm x width 65 cm x height 66 cm

Fibre glass

colours Semi anilin leather

Wool

56 | Eero Aarnio


Ball Chair REPLICA Eero Aarnio Ball chair is constructed of a whitegel-coated fibre glass shell, standing on a matching fibre glass base. The result is quite impressive and can be described as creating a �space in a room�. Rigid fibre glass globe shell upholstered in cashmere wool. Fabric available in a variety of colours on swivel base. Design year: 1966 Dimensions: Diameter 103 cm, height 125 cm

colours Cashmere wool

57


Eero Saarinen Eero Saarinen 1910-1961 Finnish - American architect and designer. Eero Saarinen is known for his remarkable palet of materials and forms, innovative use of materials and uniquely sculptural shapes but always with a pragmatic focus upon function. He began his career as a student at Yale University. After having travelled and studied throughout Europe he returned to America and taught at Cranbrook, and worked subsequently on different projects with two of his former students, Charles Eames and Florence Knoll Schuster. Saarinen and Eames won first prize at an exhibition at the Museum of Modern Art in New York in 1940 entitled ”Competition of Organic Design and Furnishings”. It was organic furniture design, marked by natural sweeping lines, made possible through the use of new flexible materials such as plastic and plywood. Further attention came also while Saarinen was still working for his father, when he took first prize in the 1948 competition for the design of the Jefferson National Expansion Memorial, St. Louis. Eero Saarinen opened his own practice in Bloomfield Hills in 1950. He contributed a number of c l a s­s i c s from the 1940s on­­ wards; par­­ti­­cu­l­ar­­­ ly no­­ta­­ble is the tu­lip chair from 1956. Plea­ se note that all pro­ducts sold on www.nlini. com are re­pro­duc­ti­ons of the very highest quality.

58 | Eero Saarinen

| chairs | stools | tabels |


”Womb” chair REPLICA

The Eero Saarinen Womb chairs lap-like form is one of the most familiar examples of Eero Saarinen’s designs. The chair is created from a single piece, using the foam over a molded fibre glass shell. The result is a perfect example of single flowing comfort. The seat and back cushions can be reversed. The Eero Saarinen womb chair’s slender legs are polished steel. Design year: 1948 Dimensions: Height 92 cm, width 91 cm, depth 95 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

59


Executive Chair REPLICA

Eero Saarinen means reliable design. The Executive Chair has a beautiful, organic shape, radiant with harmony – and very comfortable. Made from die-cast fiberglass with foam and upholstery. Has a solid, comfortable cushion. Elegant stainless steel legs. Suitable in offices or at home as a dining chair. Comes with or without armrests. Design year: 1957 Dimensions: Width 60 cm, depth 58 cm, height 82 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

60 | Eero Saarinen


Organic Chair REPLICA

Charles Eames & Eero Saarinen Organic Chair. Organic Chair from 1940 is the result of a cooperation between Charles Eames and Eero Saarinen for a Museum of Modern Art contest. 65 years after this original and comfortable armchair was designed, it premiered in 2005. Its retro look makes it suitable for modern interiors. The ergonomic, natural shape provides excellent comfort. Design year: 1940 Dimensions: Width 73 cm, depth 71 cm, height 65,5 cm, seat height 43,5 cm

WOOD

Walnut

Oak

Ash

colours Semi anilin leather

Wool

61


Tulip chair REPLICA High quality reproduction inspired by Saarinen’s most recognized furniture line. In 1956 Eero Saarinen designed a line of tables and chairs for Knoll. He called this collection of ’tulip series’ because of the slim, elegant and organic stems that characterizes this design series. Saarinen experimented with the use of materials and minimalist forms to give his designs an air of space age aesthetics. This is a high quality version of Saarinen’s most recognized furniture line. Tulip chair is available in leather and mounted on an enameled cast aluminum base.

Fibre glass

Design year: 1956 Dimensions: Width 50 cm, depth 56 cm, height 80 cm

colours Semi anilin leather

Wool

Tulip armchair REPLICA Dimensions: Width 58 cm, depth 56cm, height 81 cm

62 | Eero Saarinen


Tulip Coffee Table REPLICA Hyper modernist lines and new thinking when it comes to choice of material – this puts the Tulip Suite with the real furniture classics. Eero Saarinen designed a number of tables and chairs that he named the Tulip Suite because of the slender, elegant and stalk-like, organic shape. His goal with this suite was to avoid under table ”leg trouble”. Saarinen experimented with choice of material and minimalist shapes to give this suite its own aesthetics. The Tulip table comes with a black or white marble top on a cast aluminum foot. Design year: 1956 Dimensions: Diameter 51 cm, height 49 cm

Tulip table REPLICA This is a high quality reproduction, inspired by Saarinen’s original classic design from 1956. Eero Saarinen designed a number of tables and chairs which he named the Tulip range, because of its slender, elegant stems-like, organic forms that characterize tulip design series. The design is created to avoid clash of legs under the table. Saarinen experimented with the use of materials and minimalist forms to give the series some space age aesthetics. The Tulip table is available with black or white marble counter top, and is mounted on a heavy cast aluminium frame. Both base section and table tops are treated with a clear protective coating to resist stains and scratches.

base

Top

Design year: 1956 Dimensions: Diameter 120 cm, height 75 cm Dimensions oval: Width 196, depth 122, height 72 cm White marble Black marble Walnut

Oak 63


Eileen Gray Eileen Gray Full name Kathleen Eileen Moray Gray 18781976 Irish architect and furniture designer. Work by Eileen Gray is known for its rational geometric shapes with clean lines and simple shapes. Eileen Gray was born into an aristocratic family in Enniscorthy, in the south of Ireland, where she spent her childhood. As a young girl she studied at the Slade School of Fine Arts in London to develop her artistic impulses - then moved to Paris where she spent most of here working life. With her works in lacquer Eileen managed to break into the world of furniture and interior design. Her creative genius combined with an innovative sense of form, whilst being sensitive to colours that were used in new and innovative ways, often to startling effect. In 1921 Eileen opened a shop which gave the public direct access to her designs and works. The store was a relative success despite the owner’s lack of commercial and marketing communication skills. She continued to refine her designs and built a growing reputation for excellent craftsmanship. E 1027 is undoubtedly the most famous furniture by Eileen Gray. Please note that all products sold on this website are reproductions of the very highest quality.

64 |

Eileen Gray

| chairs | tabels | daybed |


Bibendum chair REPLICA Originally designed in 1940 by Eileen Gray. This quality reproduction of Bibendum armchair is a wonderful example of Modernism and Art Deco’s influence on furniture design. The rounded curves and the generous, robust appearance, makes this classic design furniture an ideal focal point in any room, office, lobby or hotel. Recline chair cushions are upholstered in semi-aniline leather. The frame is polished chrome. With its sumptuous and flashy style, this is a design classic from a true artist. Design year: 1925 Dimensions: Width 93 cm, depth 84 cm, height 74 cm

colours Semi anilin leather

Coffee table REPLICA Classic side table with an adjustable hardened crystal glass top. Eileen Gray designed small table with polished chrome tube frame, with glass top. Rightly named classic for its individual beautiful design. Design year: 1927 Dimensions: Width 50 cm, depth 50 cm, height 62-100 cm

frame

Steel

Black

65


Daybed REPLICA This inviting and super elegant daybed was designed by Eileen Gray for Madame Mathieu-Levy’s Paris apartment in the 1920’s. Back then, the daybed was a luxury reserved for the upper class – today, the Eileen Gray Daybed is just beautiful design for all modern homes. Suitable for a nap, in a comfortable home office or as a guest bed. Eileen Gray’s Daybed is beautiful and stringent. Polished steel frame. Design year: 1919 Dimensions: Width 187 cm, depth 85 cm, height 62 cm

colours Anilin leather

Semi anilin leather

66 | Eileen Gray


erik buck Erik Buck (1923-1972) was a Danish interior and industrial designer. Denmark has a reputation for superior design within furniture and Erik Buck made several great contributions towards this. His most famous design is the barstool, which has become a classic within furniture design. The designs created by Erik Buck are very typical Scandinavian designs, with a combination of smooth wooden foundations with fabric and leather in an organic and functional design. His focus was mainly on the wooden bases of his furniture, as he wished for them to be iconic with an appearance varying depending where it is viewed from. His designs are well known for being both timeless and stylish.

| stools |

67


Barstool REPLICA

The barstool designed by Erik Buch is one of the most loved Danish classics within furniture design. Erik Buch wanted his barstool to be unique and he succeeded with this lovely stool, which is both timeless and stylish and is a perfect addition for the kitchen or the bar. The barstool comes in oak, walnut or maple with the seat in either aniline leather or Danish wool. The Bar comes in two different heights: 75,5 cm or 85,5 cm. Design year: 1965 Dimensions: Width: 40 cm, depth 45 cm, height 75,5 cm / 85,5 cm

WOOD

Oak

Walnut

colours Semi anilin leather

Wool

68 | Erik Buck

Maple


Finn Juhl Finn Juhl (1912 – 1989) was a Danish architect, interior and industrial designer, most known for his furniture design. He was one of the leading figures in the creation of ”Danish design” in the 1940s and he was the designer who introduced Danish Modern to America. Juhl made his debut in 1937 when he commenced a collaboration with cabinetmaker Niels Vodder which would continue until 1959 and exhibited at the Cabinetmakers’ Guild Exhibitions, the 11th of its kind. Therefore his early chairs were originally produced in small numbers, eighty at most, because the Guild-shows emphasized the work of the artisan over the burgeoning industry of mass production. However, they were almost all reissued later in his career. The Guild Exhibitions were an important venue for the young designers who sought to renew Danish design, turning their backs on the traditional historicist styles, heavy and with ornaments and plush, instead creating modern furniture which fitted the new trends in architecture. The projects was highly controversial and Juhl’s first work met much criticism. His Pelican chair, designed in 1939 and first produced in 1940, was described as a ”tired walrus” and ”aesthetics in the worst possible sense of the word”. In spite of the initial criticism, Juhl’s work began to have an impact on the style of homes abroad throughout the 40s. In Denmark, however, his popularity did not reach that of his peers, Børge Mogensen and Hans Wegner, who were less radical in their designs and relied more on Kaare Klint, leader of the furniture school at the Academy and the nestor of modern Danish furniture design. Please note that all products sold on www.nlini.com are reproductions of the ver y highest quality.

| chairs | stools | sofas | tabels |

69


the Pelican REPLICA The Pelican is an extraordinary piece of furniture which does not leave its observer unaffected. The organic shape is a good example of how strongly Finn Juhl was inspired by the modern free arts. The Pelican is unique and attention-demanding. Like fables, the shape of the chair has its base in a mix of animal and human. The back and the armrests are like a torso with arms or wings spread out to embrace the body that wants to rest in the chair. As is typical of Finn Juhl’s designs, the Pelican is very comfortable and made with the best craftsmanship. The cover is hand sewn. The Pelican comes in fabric or leather, with or without buttons. It is possible to get frame and seat in different colors. Legs come in walnut or maple. Design year: 1940 Dimensions: Height 68 cm, width 85 cm, depth 76 cm, seat height 37 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

Wood

Dark Walnut Maple 70 | Finn Juhl


the Poet REPLICA Inspired by the free arts, Finn Juhl drew the Poet for his own home in 1941. Today, the sofa represents part of Danish cultural history, while also being a modern piece of furniture with values that seem hard to find in the contemporary world. The Poet is manufactured in an amazing quality with a hand sewn cover in wool or leather. It is possible to have frame and seat in different colors. Legs come in walnut or maple. Design year: 1941 Dimensions: Height 87 cm, width 137 cm, depth 80 cm, seat height 38 cm

colours Cashmere wool

Wood

Dark Walnut Maple 71


Baker Sofa REPLICA A reproduction of the Finn Juhl Baker sofa from 1951, which was very popular in the 50’s - especially in the US. With this fantastic sofa, Finn Juhl is combining comfort with stylish design - allowing you to relax with style. This elegant sofa can stand alone but it can also be combined with our other replica furniture by Finn Juhl - such as the pelican. The frame of the sofa is a very sturdy wooden frame made from dark walnut and the divided seat is upholstered with high quality cashmere wool. Make the sofa suit your wishes in regards of colours - it can be made in one colour or several. If you wish to order this sofa in two or more colours, please contact our customer service team. Design year: 1951 Dimensions: Length: 197 cm * Width: 82 cm * Height: 101 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

72 | Finn Juhl


Model 45 REPLICA Finn Juhl was a pioneer in Danish design. He created this amazing chair where the seat and the back are liberated from the frame. The result is the light, elegant and tempting expression that characterized Finn Juhl and made him world famous. Comes in ash or walnut with leather or fabric cushions. Design year: 1945 Dimensions: Width 67,5 cm, depth 76 cm, height 83 cm, seat height 42 cm Dimensions 2 seater sofa: Width 119 cm, height 83 cm, depth 76 cm

colours Wool

Wood

Walnut Ash 73


Chief Chair REPLICA One of the most coveted collector’s items. Today, the Chief Chair is an icon in Danish furniture, especially because of the elegant shape of the cushions and armrests. The chair is full of symbols inspired by weapons and utilities from foreign cultures. An amazing piece of furniture with a solid wood frame (ash or walnut) and leather or fabric cushions. Design year: 1949 Dimensions: Width 100 cm, depth 89 cm, height 93 cm, seat height 35 cm (lowest)

The Spade Chair REPLICA The spade chair is yet another example of classic, Danish design. The beautiful, organic style is visible in the armrests, typical of Finn Juhl. With its flowing contours, this chair has an air of well-being. Solid wood frame (ash or walnut) and upholstered cushions in leather or fabric available in many colors. Design year: 1953 Dimensions: Width 74 cm, depth 79 cm, height 79,5 cm, seat height 39 cm

Wood

colours Semi anilin leather

Walnut Ash Wool

74 | Finn Juhl


Coffee Table REPLICA

Wood

Walnut Oak

Ash

Finn Juhl Coffee Table is a very beautiful coffee table with a solid frame of wood executed in the classic style of Finn Juhl. The design is both simple and elegant as well as being practical due to the shelf which can be used for magazines, newspapers etc. The table will look outstanding together with other designs by Finn Juhl - The Spade Chair, The Chief Chair, The Model 45 Chair, The Pelican. The Bakersofa and The Poet by Finn Juhl will also fit together with this coffee table. The coffee table comes in ash, oak and walnut. Dimensions: Height 44 cm, length 120 cm, width 50 cm

Coffee Table REPLICA

Modern and unique coffee table in wood along the same lines of Finn Juhl’s famous designs. A very simple, yet elegant coffee table which would go very well together with other designs by Finn Juhl, such as; Bakersofa, The Poet, The Pelican and so on. Nlini’s replica of this beautiful coffee table is manufactured in very high quality and is a very popular choice. The table top is crafted from hardened glass and the wooden frame comes in solid maple, oak or walnut.

Wood

Dimensions: Height 50 cm, depth 50 cm, width 112 cm Walnut Oak

Ash 75


Florence Knoll Florence Knoll Born 1917 Architect and Designer. Florence Knoll is known for minimalist and rationalist designs. Florence was born in Michigan and trained as an architect at Cranbrook Academy of Art, the Architectural Association in London and also at the Illinois Institute of Technology, where she was a student of Mies van der Rohe. In 1946 she married Hans Knoll and worked by his side in his activity as a space planner and designer. The Knoll Associates firm focused specifically on modern design and adhered to the Bauhaus philosophy, only producing products that featured high levels of design quality and technological innovation, while also able to be mass produced. Please note that all products sold on www.nlini.com are re足p ro足d uc足tions of the very highest quality.

76 | Florence Knoll

| chairs | sofas | benches | tabels |


suite REPLICA Beautiful straight lines, sheer simplicity and high quality gives character to the Florence Knoll armchair and sofa, created for any residential or office environment. Florence Knoll armchair and sofa is made from an inner frame of wood, with polished stainless steel frame and legs. The armrests, seat and back cushions are foam filled and upholstered in fabric or leather. The fitted seat and back cushions give beautiful design expression whilst at the same time retaining great comfort. Design year: 1954 Dimensions armchair: Width 79 cm, height 80 cm, depth 81 cm Dimensions sofa 2 seater: Width 155 cm, height 80 cm, depth 81 cm Dimensions sofa 3 seater: Width 224 cm, height 80 cm, depth 81 cm Dimensions ottoman: 62 x 62 x 43 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

77


corner sofa REPLICA Beautiful straight lines, sheer simplicity and high quality give character to the Florence Knoll Corner Sofa, created for any residential or office environment. Florence Knoll sofas are made from an inner frame of wood, with polished stainless steel frame and legs. The armrests, seat and back cushions are foam filled and upholstered in fabric or leather. The fitted seat and back cushions give beautiful design expression whilst at the same time retaining great comfort. Design year: 1954 Dimensions: Width 225 cm, depth 177 cm, height 82 cm Height of seat 44 cm, height of armrest 64 cm

benches REPLICA Florence Knoll 2 and 3 seater bench consists of a rectangular padded pillow attached to the frame made of polished stainless steel, this beautiful classic design will enhance any stylish living room, bedroom, or office. Design year: 1954 Dimensions: Width 96 cm, depth 52 cm, height 44 cm Dimensions: Width 153 cm, depth 52 cm, height 44 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

78 | Florence Knoll


Coffee Table REPLICA

This coffee table is a reproduction influenced by Florence Knoll’s original design, from her 1961 collection. Rectangular polished stainless steel frame, tabletop in tempered glass. Perfect complement to any living room, hallway or lobby. Design year: 1954 Dimensions: Width 120 cm, depth 60 cm, height 40 cm

Top

Glass

White marble Black marble

79


George Nelson George Nelson 1908-1986 George Nelson is known for being the front man of American modernism; he was an important modernist whose work cut across the borders of interior, industrial and exhibition design. George Nelson studied architecture at Yale University in 1920. He then obtained a great reputation as a design writer for Architectural Forum, Interior and Fortune. He was one of the driving forces behind the development of aesthetic American design. As a thinker, writer, organizer and designer, George Nelson held a number of influential positions and developed an extensive and lucid review of how the furniture was marketed. Well known for his Coconut Chair (1955), Marshmallow Sofa (1954) and countless funny wall clocks such as his Ball Clock (1947). Please note that all products sold on www.nlini.com are reproductions of the very highest quality.

80 | George Nelson

| chairs | benches | sofas | tabels |


Desk REPLICA This wonderful desk designed by George Nilson is both elegant and smart. The table is perfect for use in the home office or if you only need a smaller workspace. The table also benefits from built-in storage functions. If you refuse to compromise with the style, then this table is the perfect solution with its modern design and elegant slim legs in chrome. The table top is white while the actual table is manufactured in high quality walnut. Design year: 1956 Dimensions: Height 87,5 cm, width 99 cm, depth 72,5 cm

Wood

Walnut

81


Coconut Chair REPLICA Minimalist design in the shape of a section of a coconut. Shell made of fibre glass with thick padding and leather. Stainless steel legs. The white fibreglass shell is mounted on stainless steel legs, and made extremely comfortable by its covering of choice of leathers. Design year: 1955 Dimensions: Width 101 cm, depth 82 cm, height 93 cm

colours Anilin leather

Semi anilin leather

82 | George Nelson


Marshmallow Sofa REPLICA The fun ’Marshmallow Sofa’ is the hallmark of modern design that still creates awareness and inspires smiles. The sofa consists of round comfortable pillows - to look like 18 giant ”marshmallows”- the pads are assembled on frames of brushed steel and the couch has complementing black legs. The pads can be ordered all in the same colour or different colours. George Nelsons Marshmallow sofa fits anywhere, especially where there is need to create a little surprise. The marshmallow sofa brings smiles to the living room, office, lobby or lounge, longue. Plus, it’s always a major talking point! Design year: 1956 Dimensions: Width 131 cm, height 86 cm, depth 70 cm

colours Semi anilin leather

83


Georg Nelson Bench REPLICA This bench’s clear, straightforward lines reflect Nelson’s architectural background. Like many design classics it can be used flexibly as either a bench or an occasional table. Base in black lacquered beech. Design year: 1946 Dimensions: Lenght 122 cm, width 47 cm, height 34 cm Dimensions: Lenght 152 cm, width 47 cm, height 34 cm Dimensions: Lenght 182 cm, width 47 cm, height 36 cm

WOOD

Walnut

84 | George Nelson

Maple


NINE DRAWER CHEST REPLICA After his first trip to Japan in 1951, George Nelson developed an incredible interest in Japanese design saying that it celebrated “a sense of fitness in the relationship between hand, material, use, and shape.” George Nelson’s nine Drawer Miniature Chest nods to this efficiency in Japanese design and is reminiscent of Tansu cabinets with multiple small drawers. Available in teak or walnut with striking white tulip legs, our replica offers a versatile and clean unit for efficiently storing many small items that create clutter your home. The compact width of 26cm means that this unit can fit into small areas and still provide storage for a large amount of little things. Materials: American walnut or teak veneer; white gloss powder coated base; soft closing runners. Design year: 1951 Dimensions: Heigh 110 cm, width 26 cm, depth 33 cm

SIX DRAWER CHEST REPLICA

WOOD

Walnut Teak

After his first trip to Japan in 1951, George Nelson developed an incredible interest in Japanese design saying that it celebrated “a sense of fitness in the relationship between hand, material, use, and shape.” George Nelson’s Six Drawer Miniature Chest nods to this efficiency in Japanese design and is reminiscent of Tansu cabinets with multiple small drawers. Available in teak or walnut with striking white tulip legs, our replica offers a versatile and clean unit for efficiently storing many small items that create clutter your home. The versatile height means that it also functions perfectly as a table to drop your mail and keys by the front door or even as a display unit. Design year: 1951 Dimensions: Heigh 67 cm, width 76 cm, depth 33 cm 85


Georg Nelson Sofa/End table REPLICA

George Nelson’s Sofa/End Table series was designed in 1954, and its clean lines have marked it a timeless and versatile classic. Our replica Sofa/End Table’s bright white tulip pedestals are both striking and sturdy, and the further choice of table width and height offer even more varieties for its use. It’s manufactured identically to the original, with powder coated aluminium. Design year: 1954 Dimensions: Diameter 43 cm, height 56 cm Dimensions: Diameter 72 cm, height 42 cm Dimensions: Diameter 72 cm, height 56 cm

Top

White

86 | George Nelson

Walnut

Oak


Grant Featherston Grant Featherston (1922-1995) was born in Geelong Victoria. Selftaught, he designed lighting and glass panels before serving in the army from 1940-1944. Returning to Melbourne he produced the first of his famous plywood shell Contour chairs in 1951. Featherston Contract Interiors furniture showroom opened in 1956, and in 1957 he became a consultant to Aristoc Industries for 13 years. His design partnership with his wife Mary was formed in 1966 and they worked on major projects in the ensuing years, including the Expo 67 Talking Chair and the Numero range for Uniroyal. Grant was a foundation member of the Society of Designers for Industry, the forerunner to the Design Institute of Australia. Please note that all products sold on www.nlini.com are reproductions of the ver y highest quality.

|| chairs chairs || stools stools || sofas | lighting |

87


R160 Contour REPLICA

Grant Featherston’s R160 Contour Armchair and foot stool. R160 Contour Chair has a beautiful, organic shape which gives the chair sculptural character. Designed by Australian Grant Featherston, it is an icon for Australian furniture design. An amazingly comfortable, beautiful and natural piece of furniture for any home, Grant Feartherston’s armchair is the perfect longue, TV or reading chair, preferably with the stool. Comes in ash, oak, or walnut with leather or fabric. Design year: 1951 Dimensions: Width 74 cm, depth 80 cm, height 90 cm, seat height 38 cm

colours Wool

WOOD

Walnut Oak

88 | Grant Featherston

Ash


Dining Chair REPLICA Replica of the modern dining chair designed by Grant Featherston. This is a really beautiful chair that is also elegant, sturdy and comfortable. The chair is designed using the same style as the very popular R160 Contour Armchair also designed by Grant Featherston. This dining chair comes in either semi-aniline leather or high quality Danish wool. Choose the material of the legs from either of the following types of wood: ash, oak or walnut. Design year: 1951 Dimensions: Width 51 cm, depth 55,5 cm, height 81,5 cm Seat height: 45,5 cm

colours Semi anilin leather

Wool

WOOD

Walnut Oak

Ash

89


Hans Jørgen Wegner Hans Jørgen Wegner 1914-2007 Danish architect and furniture designer. Hans J Wegner trained as a carpenter before he star ted at the Copenhagen School of Craf ts, where he also later taught from 1946 until 1953. In the years 1938 to 1942 he worked as a furniture designer in Arne Jacobsen and Erik Moller’s of fice. In 1943 he founded his own of fice in Gentof te and worked closely with Borge Mogensen in the design of an apar tment that in 1946 was shown at the Cabinetmakers’ Autumn Exhibition in Copenhagen. The Royal Society of Ar ts, London, appointed him to the Royal Honorar y Doctorate in industrial ar ts in 1959. Wegner is mainly known for his chairs, such as China chair from 1944, Peacock chair from 1947, the Round chair from 1949 - which became world famous when it was used in a T V debate in 1960 in the U.S. between Kennedy and Nixon - Flag Halyard chair from 1950, Y-chair of 1950, jacket rest of 1953, Ox from 1960 Pøllestolen from 1960 and from 1965 the Y-chair. The Y-chair has just celebrated its 60th anniversar y and now features a number of new unique colours. Please note that all products sold on www.nlini.com are reproductions of the ver y highest quality.

”To Wegner, a chair isn't just a piece of furniture, but a work of art made to support the human form.”

90 | Hans Jørgen Wegner

| chairs | stools |

benches | tabels |


Elbow Chair REPLICA This is an elegant example of how Hans J. Wegner understood and used the possibilities and limitations of wood. A beautiful, classic and modern chair with excellent comfort. Can be stacked. The chair is perfect as both dining chair and desk chair – beautiful on its own as well as in a row. Upholstered seat in fabric or leather, or choose a solid wooden seat. Design year: 1956 Dimensions: Width 55 cm, depth 51 cm, height 74,5 cm

colours Semi anilin leather

WOOD

Walnut

Black ash

Oak

Ash

WOOD

Ash 91


”DSB” chair REPLICA Simplicity, durability and functionality are the keywords for this piece of furniture – and it does not pretend to be anything but what it is: a chair. This is Wegner’s last designed dining chair, which makes it the result of a whole life’s experience in chair design. The DSB chair comes with an upholstered or woven seat. Either one is very comfortable and suitable for a long, pleasant evening around the dining table. The armrest especially supports the elbows and is shaped so that the chair can be partly pushed under the dining table. Design year: 1987 Dimensions: Width 58 cm, depth 50 cm, height 72 cm

colours Anilin leather

Paper Cord Natural

WOOD

Ash

92 | Hans Jørgen Wegner


Y Chair REPLICA Hans J. Wegner CH24 Y chair is a wonderful high quality chair. Hans J. Wegner has helped establish Denmark as an international leader in contemporary furniture design; the Y chair is Wegner’s greatest classic and a testament to the high level in design. Y chair is also known as the “Wishbone Chair’. The combination of materials, wood and cord, together with the curved shape and body lines was a big contrast in a time with a focus on minimalism, but the Y chair won from the first day great admiration and quickly became known worldwide. Beautiful to behold and wonderful to sit in our replica Y chair is suitable as a dining chair for any modern kitchen or dining room. Today the Y chair is also used in Danish offices churches and other public spaces. Design year: 1949 Dimensions: Height 74 cm, width 55 cm, depth 51 cm

Paper Cord Natural

WOOD

Walnut

Ash

Oak

Soap Wash Oak

Colours 93


cushions for y-chair REPLICA colours Anilin leather For better comfort and protection. Reversible leather cushions for Y-chair. Semi anilin leather

Bar Bench replica The Bar Bench is meant to be a piece of furniture that fits naturally and practically in a home. Suitable to sit on or to keep books, newspapers, magazines or even clothes on – be open-minded. Very popular piece of furniture for modern homes as well as public places such as museums. Wood is here to stay. Design year: 1953 Dimensions: Width 162 cm, depth 52 cm, height 40 cm

WOOD

Ash 94 | Hans Jørgen Wegner


Circular Chair REPLICA Like the Flag Rope Chair, the Circular Chair has no predecessor, neither in history nor in Wegner’s own production. The Circular Chair is unique. It shows Wegner’s ability to continue being creative, even after a long career. It also shows his certainty of style. Braided flag rope on ash (Wegner’s favorite) or walnut with fabric or leather. Design year: 1985 Dimensions: Width 112 cm, depth 94 cm, height 97 cm, seat height 42 cm

colours Semi anilin leather

Wool

WOOD

Walnut Oak

Ash 95


Peacock Chair REPLICA This was the chair that first made Hans J. Wegner popular. First introduced in 1947, the Wegner Style Peacock Chair’s back resembles the feathers of a peacock. The Peacock Chair has a distinct post modern look. The Peacock Chair features a woven cord seat and a solid wood frame. It works well in any room of your home, offering both a comfortable seat and a widely admired design. Design year: 1947 Dimensions: Height 103 cm, depth 77 cm

Paper Cord Natural

WOOD

Walnut Oak

96 | Hans Jørgen Wegner

Ash


Flag Line Chair REPLICA The flag line chair is proof that Wegner also commanded steel design. The surfaces of the chair are made out of braided flag line. It comes with a long haired sheep skin, which softens the industrial look and makes the chair more comfortable. The neck pillow comes in wool or leather. The frame with its slanting legs is a solid base for the 240 meters of braided flax flag line. The ends of the rope are attached to a bar under the seat. Stainless steel frame and white underframe. Wegner got the idea for the shape of the seat on a beach holiday in Aarhus, experimenting in the sand to find the right shape. It is said about Wegner that he was always working and this shows that playing was a central part of his work. An amazing chair. Design year: 1950 Dimensions: Height 80 cm, width 105 cm, depth 115 cm, seat height 32 cm

colours Anilin leather

Cashmere wool

UNDER frame

White

Stainless steel 97


the OX Chair REPLICA The Ox Chair was considered ahead of its time when it was manufactured in 1960. Wegner was a genius when it came to combining exciting form and functionality, and created some of the most famous and beloved furniture. The Ox Chair is no different, it makes use of Wegner’s superior skills in craftsmanship and his eye for beautiful design. The Ox Chair is raised from the floor with four chrome-plated, stainless steel legs. Its filling is covered with leather. A king of all, a majestic look in masculine, voluminous and simple form, definitely a design icon from Wegner. Design year: 1960 Dimensions: Width 104 cm, depth 99 cm, height 100 cm Dimensions: Width 62 cm, depth 55 cm, height 36 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

98 | Hans Jørgen Wegner


The Wing Chair REPLICA

Hans J. Wegner’s CH445 Wing Chair has a timeless appeal. Wegner was a genius in the art of fusing form and function. With its proportioned clean and inviting lines, it is easy to see why The CH445 Wingchair is one of Wegner’s most recognized and famous designs. Hans J. Wegner’s CH445 Wing Chair has won the Innovation Award at the IMM Cologne exhibition. Our Hans J. Wegner’s CH445 Replica Wing Chair is a really nice ergonomic chair suitable for many locations. Design year: 1960 Dimensions: Width 90 cm, depth 97 cm, height 107 cm Dimensions: Width 48 cm, depth 60 cm, height 38 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

99


Teddy Bear Chair REPLICA Like many other Wegner chairs, The Teddy Bear Chair seems to refer to the animal kingdom with its characteristically play­f ul and organic design. The chair received its name after a critic had referred to its armrests as ‘great bear paws em­b racing you from behind’. In the later years, The Teddy Bear Chair has been one of the most popular Wegner designs of all. Hans J. Wegner also designed a foot-rest for The Teddy Bear Chair. Wood is walnut. Design year: 1950 Dimensions: Width 90 cm, depth 94 cm, height 103 cm Dimensions stool: Width 65 cm, depth 40 cm, height 43 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

100 | Hans Jørgen Wegner


Floating Dining Tablereplica CH 327 is a long table, easily recognized by its floating table top. Elegant with stylish deatils, surely Wegner’s most beautiful table. Suitable as a dining table but also as a desk or conference table. The table top is made from poles the same length as the table, creating a harmonious surface. This table will only grow more beautiful with time. The CH 327 is often presented alongside the Y chair – they are a great match. Design year: 1962 Dimensions: Width 190/248 cm, depth 95 cm, height 75 cm 190 cm = seats 6 people; 248 cm = seats 8 people

WOOD

Walnut

Ash

Oak

Soap Wash Oak

101


Round Coffee tablereplica A beautiful, simple and elegant, round coffee table by Hans J. Wegner. Its simplicity and purity shows Wegner’s unique understanding of the possibilities of wood and the art of design. A visual lightness balancing on three legs, all solid wood. Suitable as coffee table or side table. Design year: 1954 Dimensions: Diameter 80 cm / 100 cm, height 48 cm

WOOD

Walnut

102 | Hans Jørgen Wegner

Ash

Oak

Soap Wash Oak


”Plank” suite replica Armchair and 2 and 3 person sofa from the ”Plank”-suite. This suite has strong, clean lines with an air of elegance. The chair has a low back, wooden frame and comfortable, upholstered cushions. Comes in ash with fabric or leather cushions. Design year: 1953 Dimensions: Width 76/130/184 cm, depth 71 cm, height 77 cm, seat height 41,5 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

WOOD

Ash 103


”CH07” replica The model CH07 is a very cool, yet beautiful chair. A lovely, sculptural lounge chair in laminated wood, plywood and with upholstered seat and back. The front legs are made from one piece. Design year: 1963 Dimensions: Width 95 cm, depth 80 cm, height 78 cm

colours Semi anilin leather

Wool

WOOD

Walnut 104 | Hans Jørgen Wegner

Black ash

Oak


Harry Bertoia Harry Bertoia 1915-1978 Italian/American sculptor and furniture designer. Bertoia is well known for introducing wire into furniture design. He was an Italian sculptor, university lecturer and furniture designer. Bertoia emigrated to America in 1930 where he studied at the Cass Technical High School in Detroit and was educated on a scholarship at the Cranbrook Academy of Art, in Michigan. From 1939 to 1943, he had a metal workshop and began to teach jewellery and metal processing. In the 1940s, Bertoia worked with designers Charles and Ray Eames in California for the Evans Product Company, where they experimented with seats in molded plywood. For Knoll Associates in New York he worked with furniture and in 1952 made the famous Diamond chair (Bertoiastolen), a sculptural chair crafted from a metal grid. During his introduction of new materials, he introduced wire tohis design. His chair acclaimed immediate world success. The Royalties earned from those chairs in the 50s enabled him to devote himself to his career as a sculptor. As well as the Wire Chair (1952), Bertoia is famous for several monumental sculptures, including Earth seen from space at Dulles International Airport, Washington DC. Please note that all products sold on www.nlini.com are reproductions of the very highest quality.

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105


Diamond Chair REPLICA Harry Bertoia was much more than a furniture designer, he also worked with jewelry and metal. Harry Bertoia created this design gem as a tribute to the most beautiful of gemstones on earth, the diamond. There is no doubt about the origin of the design, shown in the back and the almost perfect manufacturing is the reason for the chairs charisma. The airy metal structure gives this chair a single and eternal light expression. Our replica Harry Bertoia Diamond Chair is a true diamond that belongs in every home with a taste for quality and design. Design year: 1951 Dimensions: Height: 85 cm, depth 66 cm, width 84 cm

colours Semi anilin leather

106 | Harry Bertoia


Wire Chair REPLICA Harry Bertoia was far beyond just a furniture designer, he also worked as a jewelry and metal designer. In creating this unique work there is no doubt about the origin of the design, in the lattice work on the back which shouts of character and gives off a beautiful radiance. The airy metal structure is very strong yet gives of a very lightweight look. Our replica high quality Harry Bertoia Wire Chair deserves its place in high quality surroundings. Design year: 1950 Dimensions: Height 77 cm, depth 55 cm, width 55 cm

colours Semi anilin leather

107


Lattice Bar chair REPLICA Harry Bertoia was beyond a furniture designer, he also worked with jewelry and in metal design. In creating this unique design there is no doubt about the origin of the design in the contoured back. Our replica Lattice chair is full of character. The airy metal structure gives this barstool a strong yet light expression. The welded mesh contours and the leather upholstered seat gives maximum comfort. Just perfect for todays modern bars and kitchens. Design year: 1950 Dimensions: Height 102 cm, depth 58 cm, width 55 cm

colours Semi anilin leather

108 | Harry Bertoia


ib kofoed-larsen Ib Kofod-Larsen (1921–2003) was a Danish furniture designer and his furniture from the 1950’s and 60’s are today more desirable than ever before. Danish Kofod-Larsen designed storage and seating for the Swedish market in the 60’s but did not really reach any commercial success. Maybe his organic design was too extreme for Swedish taste at the time. In Denmark, on the contrary, his sideboards produced by Faarup won immediate recognition. Today his creations are sold at higher and higher prices, as his clean designs, often in beautiful rosewood or palisander, have become highly appreciated by a global community of design enthusiasts.

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109


Ib KofodLarsen Armchair REPLICA Replica of the famous armchair by Danish designer Ib KofodLarsen. The chair was designed in the 1950’s and has become an enduring classic loved by many people. The chair is unique and beautiful as well as comfortable. Place the chair on its own, in a set of two with a smaller coffee table or as a set of four around a large coffee table. Nlini’s replica of this lovely chair comes in ash, walnut or maple. The seat comes in semianiline leather or Danish wool. Design year: 1950 Dimensions: Height: 76 cm * Width: 76 cm * Depth: 67 cm Seat height: 40 cm

colours Semi anilin leather

Wool

WOOD

Walnut Ash 110 | Ib Kofoed-Larsen

Maple


Isamu

Noguchi Isa mu No gu ch i 19 04 - 19 88 Ja pa ne se /A me ri­ c an art ist an d sc ulp ­ tor. Isa mu No gu ch i is kn ow n to us e his sk ill in art an d es pe cia lly as a pa rt of fur nitur e de sig n. Th e US -Ja pa ne se sc ulptor ha s throu gh ou t his life str ug gle d to rec on cil e his U.S. in­ f lue nc e wi th his Ja pane se roots. It wa s ha rd for him to be ac ce pte d, an d he (es pe cia lly fro m the Ja pa ne se sid e) wa s re­g ard ed as an un for tun ate mi x­t ure be twee n tw o dir ec tly inco mp ati ble cu ltu res . Even ­ t ua lly his tal en t an d ge niu s for cre ati ng de sig n wo n the day, an d the re is no do ubt tod ay ab ou t his poten tia l as he ha s go ne down in histo ry as on e of the gre ate st de sig ne rs ever. Be sid es sc ulptur es he als o cre ate d se t de sig ns, fur nit ure, lam ps, interi or, an d ex ter ior ga rde ns. Th e go al wa s tha t his art sh ou ld have a pra ctic al an d so cia l fun cti on. Isa mu No gu ch i’s sc ulp tur al sty le ha d a las tin g inf lue nc e on the org an ic de sig n idi om of the 19 50 s an d is sti ll tru e up un ­t il tod ay. Ple as e no te tha t all pro du cts so ld on ww w. nli ni.co m are rep rod uc tio ns of the ve ry hig he st qu ali ty.

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tabels |

111


Cyclone Table REPLICA Isamu Noguchi’s Cyclone table is regarded as one of the most modern and most successful design from the 50s. The table top is built with 12 layers of ply veneers, with either a white or black laminate top. The sculptural cyclone-shaped frame consisting of a series of V-shaped, chromed bars which are connected to a cast iron plate. Design year: 1953 Dimensions: Diameter 105 cm, height 72 cm

colours laminate top

White

112 | Isamu Noguchi

Black


Coffee Table REPLICA

Reproduced in the style of Isamu Noguchi’s 1944 original design. Noguchi coffee table combines wood and glass in an exemplary fashion. The result is exciting and original furniture. Noguchi coffee table consists of a 19 mm toughened clear glass top, resting on a solid wood that is shaped into a lock, forming a tripod. 19 mm tempered glass Design year 1944 Dimensions: Width 130 cm, depth 90 cm, height 41 cm

WOOD/colours

Walnut

Dark Walnut Black

White

Oak Ash Maple

113


Josef Hoffman Josef Hoffmann (1870-1956), architect and designer of consumer goods. 1892-1895 studied at the Academy of Fine Arts in Vienna under Baron C. Hasenauer and O. Wagner; it was in Wagner’s studio that Hoffman started his career (assisted in the work on the Vienna city railway). The square is a commonly recurring motif in his work. Hoffmann was the pioneer of Viennese art nouveau. During the early years of the century he produced radical forms reminiscent of the abstract Cubist style, later changing to more moderate forms and finally he used classical elements as was typical for his generation (Villa Skywa-Primavesi, 1913-1915). He also introduced some elements of art deco. He was awarded the Grand Austrian State Prize in 1950. Some of Hoffmann’s domestic designs can still be found in production today, such as the Rundes Modell cutlery set that is manufactured by Alessi. Originally produced in silver the range is now produced in high quality stainless steel. Another example of Hoffmann’s strict geometrical lines and the quadratic theme is the iconic Kubus Armchair. Designed in 1910, it was presented at the International Exhibition held in Buenos Aires on the centennial of Argentinean Independence known as May Revolution. Hoffmann’s constant use of squares and cubes earned him the nickname ”Quadratl-Hoffmann”. Please note that all products sold on www.nlini.com are reproductions of the ver y highest quality.

114 | Josef Hoffmann

| chairs | stools | sofas |


Kubus Suite REPLICA Josef Hoffman Kubus Suite armchair and 2 and 3 person sofa and 1 person ottoman. Josef Hoffmann is known for his geometrical and mathematical design themes. His favorite is the Kubus Suite, which is radiant with Hoffman design. This is an extravagant and seducing suite, consisting of armchair, 2 and 3 person sofas and 1 and 2 person ottomans. The details in the design are the individual, precision-sewn panels with its clean lines. Definietly a modern touch to your home. Design year: 1910 Dimensions: Width 90/150/200 cm, depth 73 cm, height 77 cm, seat height 42 cm Dimensions ottoman: Width 66 cm, depth 48 cm, height 45 cm

colours Anilin leather

Semi anilin leather

115


Ludwig Mies Van Der Rohe

‘less is more’

116 | Ludwig Mies van der Rohe

Ludwig Mies van der Rohe 1886-1969 German architect. Ludwig Mies van der Rohe is known for creating chic and minimalist designs with attention to detail. Born in Germany and educated in the family stone masonry. As a member of ’November Group’, an organization which was keen to expand the scope and impact of modernism, Mies spent the first part of 1920 designing the buildings in this style. Mies van der Rohe was in many ways a pioneer in a number of architectural styles. Mies van der Rohe is best known as one of the pioneers of the minimalist genre and one of those who said the now famous words, ”less is more”. There is no doubt that his work was exceptionally good while using a simple design. In 1927 he received a patent for his tubular steel cantilever chairs. This brought him into the international spotlight. His famous design is the ’Barcelona Chair’ which replaced the cozy qualities of a large upholstered armchair with a smaller and more stylized chair. Please note that all products sold on www.nlini.com are reproductions of the very highest quality.

| chairs | stools | sofas | benches | tabels |


Brno Chair REPLICA Brno Chair - designed by Ludwig Mies van der Rohe is a modern furniture classic. Ludwig Mies van der Rohe aimed for extreme clarity and simplicity in the design. Our replica Ludwig Mies Van Der Rohe Brno Chair’s clean and elegant lines are cleverly created by a single, polished tubular stainless steel frame with hardwood seat padded with down and expanded foam then upholstered in leather. The Brno’s elegant, simple, ergonomic shape is the best in ”Steel and style”. Design year: 1930 Dimensions: Height 80 cm, width 58 cm, depth 58 cm

colours Anilin leather

Semi anilin leather

117


Barcelona REPLICA Barcelona chair and bench is one of the most famous design icons from the 20th century. Mies van der Rohe designed the chair for the German pavilion at Expo 1929 in Barcelona, inspired by modernism and the folding chairs of ancient Egypt, along with the Bauhaus principle - ”less is more”. A beautiful classic in leather and steel. The Barcelona suite is perfect for many modern lounges of today. The Leather cushion is divided into squares with buttons. – A full 7 cm deep – the Barcelona chair frame is made of welded polished stainless steel, banded with leather straps. Design year: 1929 Dimensions chair: Width 75 cm, height 76 cm, depth 75 cm Dimensions 2 seater: Width 130 cm, height 76 cm, depth 75 cm Dimensions 3 seater: Width 180 cm, height 76 cm, depth 75 cm Dimensions bench: Width 56,5 cm, height 41 cm, depth 118,5 cm Dimensions stool: Width 60 cm, height 40 cm, depth 55 cm

colours Anilin leather

Semi anilin leather

118 | Ludwig Mies van der Rohe


Barcelona Round Table REPLICA Ludwig Mies van der Rohe’s 1927-29 MR collection elevated industrial materials to art. The frame and legs are tubular and rectangular stainless steel, buffed to a mirror finish. The table top is 19 mm thick clear polished plate glass. Design year: 1927 Dimensions: Diameter 70 c m, height 52 cm

Barcelona Coffee Table REPLICA The Classic Coffee Table!. This was originally called the ”Dessau table” - this piece first appeared alongside the Brno chair at the Tugendhat House in Brno, Czechoslovakia but is now called the ”Barcelona Table”. Fresh and simple, irresistibly clean - a statement of modern design. 12 mm thick stainless polished steel frame. Design year: 1930 Dimensions: 100 cm x 100 cm, height 45 cm

119


Barcelona Daybed REPLICA Perhaps one of the best-known forms from the 20th century, the Barcelona Daybed was specifically designed by Mies as part of a collection for the Barcelona Pavilion in 1929. Knoll acquired the exclusive rights to produce this collection to Mies’ exacting standards. The Barcelona Daybed features an solid wood frame on stainless steel legs hand-buffed to a mirror finish. With the various leather upholstery choices, all pieces to create the daybed are from a single cowhide and each is hand-welted and hand-tufted. Design year: 1929 Dimensions bed: Height 42 cm, depth 97 cm, length 196 cm

colours Anilin leather

Semi anilin leather

WOOD

Dark Walnut Black ash 120 | Ludwig Mies van der Rohe

Maple


Barcelona Bench REPLICA Our replica of Ludwig Mies van der Rohe Barcelona Bench is simply one of the most beautiful designs in modern furniture. The framework is of solid wood which stands on polished stainless steel tubular legs. Designed following Bauhaus principles - �Less is more�. The bench is a classic mix of wood leather and steel, just full of character. A Perfect fit for many locations, in bars, offices and various rooms in the modern homes of today. Design year: 1929 Dimensions: Height 42 cm, depth 50 cm, length 132 cm Dimensions large: Height 42 cm, depth 50 cm, length 198 cm

colours Anilin leather

Semi anilin leather

WOOD

Dark Walnut Black ash

Maple 121


Marcel Breuer Marcel Breuer 1902-1981 Hungarian-American architect. Marcel Breuer’s designs are famous for his bold departure from traditional wooden furniture and his ”radical” idea with a polished and curved metal tube as floating lines in space. Marcel Breuer spent 1920-28 at the Bauhaus furniture school, where he designed the first furniture in steel tubes. He taught at the Bauhaus from 1924, later as professor 1938-47 at Harvard University with Walter Gropius. Marcel Breuer modernist design satisfied his demand for industrial based designs and architecture. His smaller buildings are characterized by low horizontal forms that stretch out into the countryside. Marcel Breuer larger buildings in concrete built in 1950 show a more expressive and brutal expressions as shown in St. John’s Abbey and University (1961) in Minnesota and the Whitney Museum of American Art (1963-66) in New York. Breuer’s brilliant insight was to use non-reinforced tubular steel, creating a ”floating” chair that approached his ideal of ”sitting on columns of air.” The cantilevered chair was his greatest commercial success and its design continued to evolve: the frame became lighter, seat and back more flexible with softer lines. Please note that all products sold on www.nlini.com are reproductions of the very highest quality.

122 | Marcel Breuer

| chairs |


Wassily Chair REPLICA Back in 1925 Marcel Breuer combined tubular steel and leather to create this Bauhaus icon of a chair. Breuer was the first to incorporate leather with steel - a concept now synonymous with modernism. Our replica of Marcel Breuer Wassily Chair is first class, maybe enjoy it as a refined reading chair, relaxed and ergonomically correct. A dynamic chair with such a light and airy look in its geometric shapes. The base is available in polished steel. Design year: 1925 Dimensions: Width 80 cm, depth 73 cm, height 75 cm

colours Core leather

PONY LEATHER

123


Norman Cherner Although best known for his furniture design, Norman Cherner’s work included almost all aspects of design: from graphics, glassware and lighting, to his pioneering work in prefabricated housing. Educated in the Bauhaus tradition of interdisciplinary design, he became interested in housing as industrial design. His first houses were built in 1948 for a cooperative housing development in Ramapo, NY. These homes were examples of this total design concept and included affordable furniture designed specifically for these low-cost modular dwellings. One of the first pre-fabricated houses in the United States was Cherner’s ”Pre-built”. It was designed, produced and assembled in 1957 for the U.S. Department of Housing. After being exhibited in Vienna it was shipped back to Connecticut to become his first home and studio outside of New York City. Please note that all products sold on www.nlini.com are reproductions of the ver y highest quality.

124 | Norman Cherner

| chairs |


Cherner chair REPLICA Cherner Chair beams with lovely drama, and at the same time it has a light, harmonious beauty because of the sculptural shape. Made from pressed plywood, showing the beauty of the wood. The technique of pressing wood was new in the 1950’s and brought with it amazing opportunities within furniture design. Design year: 1958 Dimensions: Width 44 cm, depth 52 cm, height 81,5 cm, seat height 44,5 cm

WOOD

Walnut

Oak

Ach

125


Pierre Paulin

”from nature”

126 | Pierre Paulin

Pierre Paulin 1927-2009 French Designer. Pierre Paulin’s designs in furniture are known for organic shapes and curved lines. Pierre Paulin was one of the main French designers from the mid 20th century. He was invited by Kho Liang - one of the style-breaking designers from Artifort – to present his prototypes at an international furniture exhibition. This was the beginning of an on going partnership that created his modern and innovative classics such as the Legendary Mushroom and Orange Slice chair, also the Butterfly and Flower are among some of Pierre Paulin unique chairs. Please note that all products sold on www. nlini.com are reproductions of the very highest quality.

| chairs |


The Orange Slice Chair REPLICA The Orange Slice chair is formed from two identical shells in plywood, foam padding for optimal comfort and upholstery, to be maintained over a four-legged stainless steel frame. Pierre Paulin’s Orange Slice Chair has a beautiful, fresh and playful, organic form, and is anything but ordinary and remains beloved amongst fans of modern furniture worldwide. The chair will be beautiful everywhere, light, feminine and inviting. Design year: 1960 Dimensions: Width 81 cm, depth 76 cm, height 76 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

127


Poul Henningsen Poul Henningsen - PH - 1894-1967 Architect and designer. Poul Henningsen’s been known to transmit the soft glow of candlelight and recreate it in electric lights. Poul Henningsen grew up in the glow of kerosene lamps. This cozy and soft light gave Poul inspiration for his lifelong work with experimenting electric light trying to achieve perfect electric harmony. His most valuable invention was the classic PH lamp (designed in 1926); this was a simple lamp, designed on the principle of a reflecting multi-shade system, based on a logarithmic spiral, the light source focal point placed in the spiral centre. The pendant sends a diffused and glare-free light. The design created quite simply an economic foundation for his further work, as his countless variations of lamps, PH 5-lamp (1958), PH-piano (1931), Artichoke (1958). The PH 50-lamp being a special anniversary edition of PH 5-lamp in new unique colours. Please note that all products sold on www.nlini.com are reproductions of the very highest quality.

128 | Poul Henningsen

128 | Poul Henningsen

| lighting |


Artichoke REPLICA This design classic sits around a 360-degree glare-free light created by leaves, with inspiration from nature (resembles a cone). The light source cannot be seen directly. Our replica Artichoke pendant consists of 12 layers of 6 sheets which direct light in a uniform way to the fixture itself which emits a unique 100% glare-free light. The light is projected and reflected on the leaves, so the whole Artichoke lights up. This pendant is just the perfect complement to retro or modern lounge, hall, staircase, dining room or reception area. Design year: 1958 Dimensions: 45 cm Artichoke, 45 cm in diameter and 41 cm high 56 cm Artichoke, 56 cm in diameter and 51 cm high 72 cm Artichoke, 72 cm in diameter and 66 cm high 92 cm Artichoke, 92 cm in diameter and 88 cm high

colours

Copper

Aluminium White

129


Snowball Ceiling Lamp REPLICA Our replica of Poul Henningsen Snowball Ceiling Lamp’s geometry is designed to ensure that all the illuminated surfaces struck by light rays are at the same angle creating a uniform illumination. PH Snowball is seen as a smaller version of the classic design PH Louvre. The location of the fixture of eight screens and their curvature gives a special character of its very own, emitting diffused and glare-free light. Screens: aluminum Design year: 1924 Dimensions: Height 40 cm, width 39 cm, depth 39 cm

colours

130 | Poul Henningsen


PH5 pendant lamp REPLICA Our replica of Poul Henningsen PH5 pendant lamp consists of three white screens and a cone mounted on three legs – The two small screens increase the share of the light spectrum that is least sensitive to the eye. The PH 5 is designed on the principle of a reflecting multi-shade system based on a logarithmic spiral, the light source focal point placed in the spiral center. The pendant gives off a diffused and glare-free light. The pendant is designed to hang over any table you want to light to create a mood as it sends a moderate light to the surroundings. Screens: aluminium Design year: 1927 Dimensions: Diameter 50 cm, height 28.5 cm

colours

131


PH 3/5 Academy REPLICA Our replica Poul Henningsen PH 3.5 Academy Glass Pendant is designed on the principle of a reflecting multi-shade system based on a logarithmic spiral, the light source focal point placed in the spiral centre. The three-layer blown opal glass, which is shiny on the outside and sandblasted inside, emits a soft, diffused light. PH 3.5 Academy Glass pendant has a unique 3-screen design made of opal glass and is designed to reduce glare without sacrificing the intensity of light. Each display is held in place by a stylish chrome-plated brass arm which in turn isattached to a chrome center-bar. Perfect over large tables and meeting locations in larger spaces such as general illumination. Design year: 1927 - Diameter: 30 cm (screen)

colours

Silver chrome

ph 3/2 wall REPLICA Henningsen achieved worldwide fame, after first having presented his PH Series in 1925 at the Exposition Internationale des Arts DĂŠcoratifs Industriels Modernes in Paris. Poul Henningsen PH 3/2 Wall unique 3 screen feature is designed to reduce glare without sacrificing illumination. It is made of white opal glass. The screen is supported by an elegant, simple chrome plated arm and wall panel. The lamp can be used as a bedside lamp, or maybe in the hallway or the bathroom -In larger rooms for general lighting or orientation light. Design Year: 1925 Series - Diameter: 30 cm (screen)

colours

Silver chrome Black chrome Gold chrome 132 | Poul Henningsen


PH 2/1 Pendant REPLICA The combination of diffused reflection and a logarithmic display curve gave PH the opportunity to manage a fixed glare and shadow. Each display would evenly decrease the amount of light in proportion to their distance from the light source. PH lamps were designed as a rational system of lights, where the size of the screen, its material and its surfaces can be combined. PH3-shade system started out as a pendant solution but very quickly developed into other kinds of plants, table lamps and chandeliers. Design year: 1925-26 Diameter: 20 cm (screen)

PH 3/2 Pendant REPLICA Diameter: 30 cm (screen)

PH 4½/3½ Pendant Diameter: 45 cm (screen)

colours

Silver chrome Black chrome Gold chrome 133


PH 2/1 table REPLICA The three-layer blown opal glass, which is shiny on the outside and sandblasted inside, emitting a soft, diffused light. PH 1/2 table is designed on the principle of a reflecting multi-shade system, which is based on a logarithmic spiral, the light source focal point placed in the spiral center andcreates a glare-free light. The screens behaves like 3:2:1 and that each screen reducesuniform amount of light. Design year: 1964 Height: 37. Diameter: 20 cm (screen)

PH 3/2 table REPLICA Height: 45,5 cm. Diameter: 30 cm (screen)

PH 4½/3½ table REPLICA Height: 65 cm. Diameter: 45 cm (screen)

colours

Silver chrome Black chrome Gold chrome 134 | Poul Henningsen


PH 3/2 Floor REPLICA Poul Henningsen PH 3/2 Floor lamp is designed on the principle of a reflecting multi-shade system, which is based on a logarithmic spiral, the light source focal point placed in the spiral center. The triple layer opal glass which is shiny on the outside and sandblasted on the inside, emitting a soft, diffused light. PHs screen system began as a pendant, but has developed very rapidly to other types of lamps and chandeliers. A beautiful design that is perfect as a reading lamp on every couch and chair in the living room or in the waiting room and accommodation. Height 131 cm. Diameter 30 cm (screen)

PH 4½-3½ Floor REPLICA Height 125 cm. Diameter 45 cm (screen)

colours

Silver chrome Black chrome Gold chrome 135


Poul Kjærholm Poul Kjærholm 1929-1980. Danish architect. Poul Kjærholm is known to combine form and function in an uncompromising design. He was formally trained as a cabinetmaker in 1949, he maintained a close association with the physical craftsmanship in wood and traditional processes, but his work was geared more towards mass production and the modern movement’s energy. Poul Kjærholm was a gentleman who was not afraid to speak his mind. Noted for his saying ”You can sit on a cardboard box - the problem is just that you get sore eyes from looking at it”. Kjærholm had a unique ability to combine the classical with the modern functional furniture he designed and was recognized for his understated elegance and clean lines. He studied at the Institute of Crafts in Copenhagen where he would later teach. Poul Kjærholm is especially known for recliner PK22 (1957), stool PK33 (1959), folding chair (1961) and couch PK31 (1964). Poul Kjærholm was awarded the prestigious Lunningprisen in 1958 after which he worked as an exhibition designer in Denmark and abroad. Please note that all products sold on www.nlini.com are reproductions of the very highest quality.

136 | Poul Kjærholm

| chairs | stools | sofas | benches | tabels |


PK9 dining chair REPLICA The PK9 chair is also known as ”Tulip Chair” - a Danish design classic. The seat shell is made of press moulded fibre reinforced polyester. The shell is covered with leather that is fixed on the back, but loose on the front, therefore reinforcing the seat giving comfort and at the same time making the chair less formal. ”Tulip chair” PK9 Dining Chair is a tripod dining chair. The base is available in polished steel and brushed steel. Design year: 1961 Dimensions: Height 56 cm, width 60 cm, depth 76 cm

PK8 dining chair REPLICA colours Anilin leather

Semi anilin leather

Polished steel Brushed steel

For many years, The PK8 existed only as a prototype in the home of Hanne Kjærholm, the wife of Poul Kjærholm. The PK8 was put into production in close collaboration with Hanne Kjærholm. The special form of the chair, with its composition of sinuous curves resembles Kjærholm’s cantilevered chair from 1953, but the three legs, which shape compliments the seating element, give the chair an outstanding expression of its own. The chair is well suited as a dining chair together with the PK58 table. The base is available in polished steel and brushed steel - combined with a fibre glass shell, foamed and surround with leather. Design year: 1978 Dimensions: Length 58,5 cm, width 52,5 cm, height 77 cm 137


PK11 chair REPLICA The light, strong steel is used for the frame construction. The warm, organic materials - wood and leather are used for those parts of the chair in direct contact with the user. The base is available in brushed steel. Armrest: Oak Design year: 1957 Dimensions: Length 64 cm, width 44 cm, height 69 cm, seat height 43/44 cm.

seat colours Anilin leather

Semi anilin leather

Brushed steel 138 | Poul KjĂŚrholm


PK58 table REPLICA This table is inspired by and based on Poul Kjærholm’s table from 1963, PK54. However, the PK58 has never been produced before as the design differs in height and choice of materials. The white, smooth painted wooden worktop, sits on a sturdy, stainless steel base and is attached firmly together. This versatile dining table is suitable for any environment, from lounges and waiting rooms for private homes. PK58 can easily be used with a wide variety of chairs, but matched best with PK9 - the chair, also sold by Nlini. The base is available in brushed steel.

Top

Design year: 1963 Dimensions: Diameter 120 cm, height 73 cm

White Walnut

pk 55 REPLICA Rectangular desk with veneer table top. Matte steel frame in four connected pieces. An amazing mix of rustic materials – raw and elegant in contrast: the strong steel legs and the floating table top. The base is available in brushed steel. Goes with the PK11 chair. Design year: 1957 Dimensions: Width 180 cm, depth 90 cm, height 72 cm

top

White

Base

Brushed steel 139


PK25 chair REPLICA Simple elegance, a typical Kjærholm design - a successful combination of steel with braided flag halyard making up the seat and backrest- in an exclusive and minimalist design. The discrete and elegant PK25 easy chair is a superb example of Poul Kjærholm’s work and would compliment any seating area. The base is available in brushed steel. Design year: 1951 Dimensions: Length 69 cm, width 73 cm, height 73 cm

halyard colours

140 | Poul Kjærholm


PK22 Chair REPLICA PK22 - Poul Kjærholm’s first and most famous lounge chair. Stylish, with an attitude that reeks of uncompromising functionality and simplicity in design. Its flexible stainless steel frame is fully fitted with leather. Beautifully shaped base in polished stainless steel. Without doubt a chair that both fits and suits any decor. Poul Kjærholm’s furniture fits interrelated, but also together with other widely diverse furniture design. The base is available in polished steel and brushed steel. Design year: 1960 Dimensions: Height 70cm, depth 65 cm, width 64 cm

colours Natural rattan

Semi anilin leather

Base Polished steel Brushed steel 141


PK24 chaise longue REPLICA

Poul KjĂŚrholm, chaise longue PK 24 is a simple, elegant, and impeccable masterpiece. It has an adjustable ergonomic design with a stainless steel frame, seating is sumptuous leather stretched over a curved stainless steel frame. The chaise longue has a removable cushion that is also upholstered in leather and held in place with an elegant overhang system. The base is available in polished steel and brushed steel. Design year: 1965 Dimensions: Height 87 cm, width 68 cm, lenght 158 cm

colours Semi anilin leather

Base Polished steel Brushed steel

142 |

Poul KjĂŚrholm


PK20 easy chair REPLICA The elegant PK20’s laid back chair is Poul KjÌrholms masterpiece of Nordic design. Mixed leather and comfort still setting new standards. The curved leather upholstery wraps itself like a half upright hammock for the lucky owner. The rolled headrest adds to this classic which base comes in a choice of polished or brushed steel. Design year: 1968 Dimensions: Height 89.5 cm, width 61 cm, depth 88 cm

colours Anilin leather

Semi anilin leather

Natural rattan

Base Polished steel Brushed steel

143


PK31 REPLICA PK31 by Poul KjĂŚrholm is one of his most notable and famous designs. Artistic as well as being timeless. PK31 is cool in its proportions and angles, a contrast between soft, light and heavy. PK31 is a highly ergonomic and comfortable chair. PK31s back, sides and arms are fully upholstered in sumptuous leather. The cushions are feather filled with pads that are designed with a special pocket system that hold the filling in place to maintain form and shape. The frame is available in polished steel and brushed steel. Design year: 1958 Dimensions armchair: Width 76 cm, height 71 cm, depth 79 cm Dimensions 2 seater: Width 139 cm, height 71 cm, depth 79 cm Dimensions 3 seater: Width 199 cm, height 71 cm, depth 79 cm

colours Anilin leather

Semi anilin leather

Base

144 | Poul KjĂŚrholm

Polished steel Brushed steel


PK33 Stool REPLICA Our replica of Poul Kjærholm PK33 Stool is consistent with Kjærholm style, made of stainless steel and leather. Stool has a fibre glass pad platform. A beautiful luxurious stool that is both functional and flexible in all places - beautiful in the lounge, hallway, bedroom or living room. The base is available in polished or brushed steel.

colours

Design year: 1959 Dimensions: Height 36 cm, width 52 cm

Anilin leather

Semi anilin leather

Polished steel Brushed steel

PK91 Stool REPLICA Our replica of Poul Kjærholm PK91 Stool is stylish with an attitude. The stool is a sample of uncompromising functionality and simplicity in design. Following the Kjærholm style, this PK91 model is constructed of polished or brushed stainless steel and leather.

colors Semi anilin leather

Design year: 1960 Dimensions: Width 57 cm, depth 44 cm, height 40 cm Polished steel Brushed steel

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PK80 Daybed REPLICA Rectangular logic at knee height is easy to understand for most people, but for those who need a little help they could get an understanding by simply lying down on this daybed. Once you have done this it takes will power to find a reason to get up again. Stay down and enjoy life. The PK80 was designed back in 1957 when couches were often used for longer periods than the power napping of today. Height is important in this design which was definitely ahead of its time creating a lounge like approach in a combination of sofa and bench. The mattress is soft and airy designed for comfort, the quality is high so what are you waiting for? The base is available in polished or brushed steel. Design year: 1957 Dimensions: Height 31 cm, width 84 cm, depth 190 cm

colours Anilin leather

Semi anilin leather

Base

146 | Poul KjĂŚrholm

Polished steel Brushed steel


PK61 table REPLICA The table’s stylish linear frame is made of stainless steel and is completed with a 19 mm toughened glass top. At the same time stylish, our replica Poul Kjærholm PK61 table in itself is simple yet very functional in design. The see through top reveals the PK61 frame which is ingenious in itself because the legs seem not to get in your way. Poul Kjærholm furniture fits naturally well together but also matches other widely diverse furniture designer products. The base is available in polished steel and brushed steel. Top: 19 mm glass Design year: 1956 Dimensions: Height 35 cm, width 82.5 cm, depth 82.5 cm

PK63 table REPLICA Originally designed as a coffee table to Poul Kjærholm’s sofa PK 31. Top in marble. Base is brushed stainless steel. Design year: 1968 Dimensions: Height 30,5 cm, width 60 cm, length 120 cm

top

White marble Black marble

147


Poul Volther Poul M. Volther 1923-2001 Danish architect. Poul Volther was known to focus as much on the design process as the final product, he belonged to a generation of architects with roots in craftsmanship. As an exponent of functionalism, he was opposed to fads and the aesthetic smartness loving the simple manufacture of fine materials. Poul M. Volther was a cabinet maker and later trained at the Artcrafts school. He was a teacher at what is now known as Denmark’s Design School, and left his mark on hundreds of young furniture designers with his sense of craftsmanship and quality. From the beginning it was clear to everyone that this Danish designer had a great future. His designs were something that had never been seen before.. The Volther Corona chair that was designed in 1961 was not introduced to a wider audience until 1964, when it received much attention and recognition. Please note that all products sold on www.nlini.com are reproductions of the very highest quality.

148 | Poul Volther

| chairs |


Corona Chair REPLICA Poul M Volther’s Corona Chair is well know today, but it actually took 30 years before the Corona Chair gained wide recognition and started its cult status worldwide. The starting point was that the designer Poul Volther would break all the traditions of the chair’s design. The chair was created by four elliptical shapes that combine to create a wonderfully comfortable seating position. The form came to him when he considered the elliptical shape of a solar eclipse. The Poul M. Volther Corona Chair is a freestanding sculpture which gives energy and life in most locations. The base is available in polished steel and brushed steel. Design year: 1962 Dimensions: Width 89 cm, depth 92 cm, height 97 cm Dimensions stool: Width 64 cm, depth 48 cm, height 43 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

Base Polished steel Brushed steel

149


Sori Yanagi Sori Yanagi, Tokyo (1915- 2011), attended art school in the city and worked from 1940 to 1942 in the office of the designer Charlotte Perriand. In 1952, he founded the Yanagi Industrial Design Institute, which created a prolific number of articles of daily use and furnishings. Sori Yanagi’s organic forms combine western industrial designs with Japan’s native artisanal traditions. This successful synthesis made Sori Yanagi one of the most significant Japanese designers of the post-war era. In addition to furniture, he also designed lighting, glass objects, cutlery, children’s toys, metro stations, cars and motorcycles. Sori Yanagi was known for his unique forms, which brought simplicity and unexpected practicality into everyday homes through his industrial designs in everything from kitchenware and furniture to toys and even bridges. Yanagi never lost sight of aesthetic and artistic ideals. Yet his work was functional and practical, demonstrated by usage in the the everyday household dayin and day-out. In 1977, Sori Yanagi was named director of the Japanese Folk Art Museum in Tokyo. Please note that all products sold on www.nlini.com are reproductions of the ver y highest quality.

150 | Sori Yanagi

| stools |


The Butterfly Stool REPLICA In a totally unique way, the Butterfly Stool blends Eastern shapes with the technique developed by Charles and Ray Eames of shaping plywood. The gently curved silhouette is reminiscent of the wings of a butterfly. Design year: 1954 Dimensions: Width 39 cm, depth 31 cm, height 42 cm

PlyWOOD

Walnut Oak

Ash

151


Verner PantON Verner Panton 1926-1998 Danish architect and designer. Verner Panton is known to create designs that break with tradition. Panton was trained at the School of Architecture and graduated in 1951. In the first two years of his career 1950-1952, he worked with Arne Jacobsen, the very famous Danish architect and furniture designer, before starting his own design studio. He was well known for his innovative architectural proposals which included a collapsible house (1955), Cardboard House and the Plastic House (1960). In the late 1950s, his chair designs became more and more unconventional, with no legs or visible back. In 1960, Panton designed the very first moulded plastic chair. The Panton chair (also called Side Chair), was his most famous and mass produced design, being a revolutionary technique at the time. Verner Panton lamps as Flower Pot (1968), Fun Lamp (1964), Ball Pendant (1970), and The Pendant (1977) are also examples of his innovative and futuristic designs in unusual combinations - in his beloved and colourful universe. Please note that all products sold on www.nlini.com are reproductions of the very highest quality.

152 | Verner Panton

| chairs | lighting |


the Side Chair REPLICA

The Verner Panton Side Chair was one of the first chairs to be crafted in a single piece of high gloss fibreglass. Comes in many exciting colours to ligthen up your home. The chair is very stylish yet spectacular in its simplicity. Design year: 1960 Profile: Height 47 cm, width 58 cm, depth 84 cm

colours High gloss fibre glass


the Heart chair REPLICA This is a variant of Verner Panton’s Cone Chair and has, as the name implies, the shape of a heart. Clever and with a special character it is suitable in rooms with high ceilings, foyers, bars or as a prominent piece of furniture at home. The wing shape gives excellent comfort. Upholstered armchair on a fibreglass core and stainless steel base. Design year: 1959 Dimensions: Width 103 cm, depth 62,5 cm, height 89 cm, seat height 50 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

154 | Verner Panton


the Cone chair REPLICA In the mid 1950’s, Verner Panton realised many of his unconventional ideas. One of these was The Cone, challenging gravity. Futuristic and delightfully shocking, it is suitable in rooms with high ceilings, foyers, bars or as a prominent piece of furniture at home. Upholstered armchair on a fibreglass core and stainless steel base. Design year: 1959 Dimensions: Width 70 cm, depth 71 cm, height 80 cm

colours Anilin leather

Semi anilin leather

Cashmere wool

155


The Pearl Pendant REPLICA The Pearl 1STM pendant Lamp designed by Verner Panton is a design classic from one of the best Danish design icons. Our replica of the Pearl Pendant Lamp is made of round shells with mother of pearl finish which is attached in 3 levels with 3 metal rings. The shells give off a melodic and soothing sound in a light breeze, and the sun can reflect a fantastic decorative and playful work of art, a fine complement to any room, hallway, restaurant, shop or office. Design year: 1964 Dimensions: Diameter 40 cm, height 60 cm

156 | Verner Panton


the Pearl Table Lamp REPLICA The Pearl Table Lamp designed by Verner Panton is a design classic from one of the best Danish design icons. Our replica of the Pearl table Lamp is made of round shells with mother of pearl finish which is attached in 2 levels with 2 metal rings. The shells give off a melodic and soothing sound in a light breeze, and the sun can reflect a fantastic decorative and playful work of art, a fine complement to any room, hallway or office. Design year: 1964 Dimensions: Diameter 38 cm, height 43 cm

The Pearl Floor Lamp REPLICA The Pearl Table Lamp designed by Verner Panton is a design classic from one of the best Danish design icons. Our replica of the Pearl table Lamp is made of round shells with mother of pearl finish which is attached in 2 levels with 2 metal rings. The shells give off a melodic and soothing sound in a light breeze, and the sun can reflect a fantastic decorative and playful work of art, a fine complement to any room, hallway or office. Design year: 1964 Dimensions: Diameter 38 cm, height 43 cm

157


Warren Platner Architect and designer Warren Platner (1919-2006) was born in Baltimore and graduated from the Cornell University School of Architecture in 1941. He got his professional start working in some of the most prominent and interesting architecture practices in the country. Between 1945 and 1950 he worked for Raymond Loewy and I.M. Pei. He was a part of Eero Saarinen’s office from 1960-65, participating in the designs for the Dulles International Airport in Washington D.C., the Repertory Theater at Lincoln Center and several dormitories at Yale University. It was after this extensive exposure to many innovative modern designers of the period, and having gathered a great deal of experience, that Platner opened his own office, Platner Associates, in Connecticut in 1967. Please note that all products sold on www.nlini.com are reproductions of the ver y highest quality.

158 | Warren Plantner

| chairs | stools | tabels |


The Wire stool REPLICA American Warren Platner transformed steel bars into sculptural shapes, creating a whole suite with a very particular design. The unique, harmonious shapes and the way the wire is built create an elegant expression and a moirĂŠ effect. The frame is a construction of bent steel bars welded with rings. The bottom is one ring which ensures a smooth underside. There is a matching chair and tables. Design year: 1966 Dimensions: Diameter 42 cm, height 48 cm

The Wire chair REPLICA American Warren Platner transformed steel bars into sculptural shapes, creating a whole suite with a very particular design. The unique, harmonious shapes and the way the wire is built create an elegant expression and a moirĂŠ effect. The frame is a construction of bent steel bars welded with rings. The bottom is one ring which ensures a smooth underside. Upholstered seat. There is also a matching stool. Design year: 1966 Dimensions: Width 72 cm, depth 59 cm, height 70 cm, seat height 45 cm

colours Anilin leather

Semi anilin leather


The coffee table REPLICA American Warren Platner transformed steel bars into sculptural shapes, creating a whole suite with a very particular design. The unique, harmonious shapes and the way the wire is built create an elegant expression and a moirĂŠ effect. The frame is a construction of bent steel bars welded with rings. The bottom is one ring which ensures a smooth underside. The transparent glass table top is 12 mm. Design year: 1966 Dimensions: Diameter 92 cm, height 39 cm

The Dining table REPLICA American Warren Platner transformed steel bars into sculptural shapes, creating a whole suite with a very particular design. The unique, harmonious shapes and the way the wire is built create an elegant expression and a moirĂŠ effect. The frame is a construction of bent steel bars welded with rings. The bottom is one ring which ensures a smooth underside. The transparent glass table top is 9 mm. Design year: 1966 Profile: Diameter 137 cm, height 73 cm

160 | Warren Platner


The Wire Chair REPLICA American Warren Platner transformed steel bars into sculptural shapes, creating a whole suite with a very particular design. The unique, harmonious shapes and the way the wire is built create an elegant expression and a moirĂŠ effect. The frame is a construction of bent steel bars welded with rings. The bottom is one ring which ensures a smooth underside. Upholstered seat and back. There is also a matching stool. Design year: 1966 Dimensions: Width 72 cm, depth 59 cm, height 70 cm, seat height 45 cm

colours Anilin leather

Semi anilin leather

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Nlini Interior selected No limits to new ideas. At Nlini we love furniture design and we have found many beautiful designs that we wish to share with our customers. These products are not replicas, but they are manufactures in a specific style which suit several of our replica furniture. We wish to have a wide selection of high quality furniture to offer our customers, and therefore we have selected the best of these furniture - we call them Nlini Interior Selected.

162 | Nlini Interior Selected


The x dining table The X Dining Table is a fantastic elegant dining table, which can be used in both the traditional and modern home. The dining table stands out due to the very unique design. The table consists of an elegant tabletop in American walnut resting on a solid frame of legs in ash. The table has a good size and is ideal for seating 6 people. Dimensions: Length 165 cm, width 85 cm, height 75 cm

WOOD

Walnut

Goes well with Hans J. Wegner, Elbow chair or Y chair. 163


The magazine stand Modern and stylish. The Magazine Stand is very unusual with its curves and it will suit the modern home. Furthermore, the table has a lot of function in everyday life; whether you wish to use it for breakfast in bed or next to your favourite chair where it can hold your newspaper or favourite magazine. The magazin stand comes in either black ash, oak or walnut. Dimensions: Height 40,5 cm, width 69 cm, depth 35,5 cm

WOOD

Walnut

164 | Nlini Interior Selected

Oak

Black ach


The Coffee table The Coffee table is both practical, modern and stylish. The coffee table is very unusual with its curves and it will suit the modern home. Furthermore, the table has a lot of function in everyday life; whether you wish to use it for breakfast in bed or next to your favourite chair where it can hold your newspaper or favourite magazine. The Coffee table comes in either black ashe, oak, or walnut. Dimensions: Height 20,5 cm, width 77,5 cm, depth 38 cm

WOOD

Walnut

Oak

Black ach

165


The Steel bench The Stainless Steel Bench is shining with modern elegance. The Bench is manufactured in stainless steel, which makes it both elegant and simple. The exceptional design makes the bench both unique and eye-catching - especially the �invisible� joints which makes you think the bench was manufactured out of the same piece of steel. The bench is handcrafted in high quality stainless steel. Dimensions: Width 152 cm, depth 40 cm, height 47 cm

166 | Nlini Interior Selected


the Shell Dining chair Extremely modern and stylish chair which stands out in your dining room. This unusual chair is comfortable, is well suited together with a modern dining table and is unique in the modern home. The white shell chairis manufactured from fibreglass and the legs are in rustproof polished steel. The seat is upholstered in high quality Italian leather and can be manufactured with either aniline or semi-aniline leather. Dimensions: Width 60 cm, depth 64 cm, height 79 cm

colours Anilin leather

Semi anilin leather

167


What is a Replica What is a replica and how does it compare with the original?

What you should be aware of when you buy copy furniture

As the word suggests, a replica is a copy of an original design. At Nlini, we try to follow the specifications of the original design classics wherever possible and endeavour to use the same exclusive materials and recreate the expert craftsmanship employed in creating the originals. Our aim is to produce replica furniture that is not significantly indistinguishable from the original product, including all the fine details. Nlini has chosen to focus on quality rather than price and we refuse to compromise if it involves any decrease in quality.

Should we be sceptical of replicas? Many will be sceptical of replica products and one might think it is odd that one can manufacture replica furniture at a lower price when the quality and design closely matches that of the original. The only difference is that the furniture is not produced by the original manufacturer, such as Fritz Hansen. However, it is not important where the furniture is manufactured as long as the design, material and quality are all of a high standard. So why not buy your new designer furniture a great deal cheaper at Nlini?

168 | What is a replica

There are manufacturers in this niche industry that focus solely on price, which will ultimately affect the quality of the product and lead to a disappointing result. At Nlini, we chose to focus instead on quality so that our customers receive only products of the highest standard. We individually quality check all units produced at Nlini’s Quality Department within the factory, so as to ensure that all of our furniture is properly constructed and meets Nlini’s high standards of craftsmanship. As an example, some replicas of the Arne Jacobsen Egg chair have their seams glued together or sewn by a machine in order to save on production costs. When manufacturing products in The Egg furniture range at Nlini, the finest care is taken in joinery as all the seams are hand sewn, as is the case with the original model.

| www.nlini.com | info@nlini.com


Is it legal? Let us make it clear once and for all. It is 100% legal to buy replica furniture in England and have them transported to other countries within the EU Therefore, you can safely buy replica furniture from England on the internet since the copyright laws in this country are less restrictive than in many other countries. In England it is legal to reproduce and sell copies of furniture 25 years after the original design has been patented (as is the case with all the furniture we sell) When trading takes place within the EU, all furniture is sold from our British company Nlini UK Ltd. and shipped to other countries perfectly in line with EU rules on free movement of goods within the EU. As an example, this means that it is completely legal for Danes to buy replica furniture from our English company even though a furniture design is protected until 70 years after the designer death by Danish law.

Can I buy replica furniture from a non EU country? Yes, it is possible to purchase replica furniture from Nlini UK. Ltd. and have it sent to a non EU country. However, there are different rules with regards to VAT and duty depending on which country is in question. Please contact our customer service for more information: info@nlini.com

169


What about quality Quality is a matter of importance at Nlini because we are talking about the world’s finest furniture designs. While we produce replicas, they must be as true to the original as possible with regards to materials, craftsmanship, quality and design. Therefore, Nlini has chosen to focus on quality rather than price and we refuse to compromise if it involves any decrease in quality. This means that we are manufacturing our furniture exactly as the originals. Nlini guarantees you only products of the highest quality. We quality check all items one by one so that all our furniture meets the highest of standards. If a product does not pass quality control at Nlini’s own Quality Department within the factory, it will be discarded and a new product will be put into production. This way, we ensure that you receive perfectly designed furniture. Product quality is ensured in the following ways:

170 | What about quality

Products are manufactured using the same craftsmanship and techniques as the originals;

 nly the finest materials are used, the same as the O original design;

 rafted by trained professionals, such as saddlers C and cabinetmakers;

 e individually quality check all units produced at W Nlini’s Quality Department within the factory, so as to ensure that all of our furniture is properly constructed and meets Nlini’s high standards of craftsmanship.

| www.nlini.com | info@nlini.com


you can get a discount At Nlini you can achieve fantastic discounts up to 15%! We work in international currencies at Nlini and automatic discounts are applied as you reach certain levels of spend. No discounts codes are required; you can see details of saving in your shopping basket as you add each item. For some examples see below different levels that are automatically applied to your order

DISCOUNT

AMOUNT

AMOUNT

Beløb

BelØP

BelOPP

BeTRAG

5,00%

+ 1.350 €

+ 1.250 £

+ 10.000 DKK

+ 11.000 NOK

+ 12.500 SEK

+ 1.350 €

7,50%

+ 2.700 €

+ 2.500 £

+ 20.000 DKK

+ 21.500 NOK

+ 23.800 SEK

+ 2.700 €

10,00%

+ 4.050 €

+ 3.500 £

+ 30.000 DKK

+ 32.500 NOK

+ 35.500 SEK

+ 4.050 €

12,50%

+ 6.750 €

+ 6.000 £

+ 50.000 DKK

+ 54.000 NOK

+ 60.000 SEK

+ 6.750 €

15,00%

+ 10.100 €

+ 9.000 £

+ 75.000 DKK

+ 82.000 NOK

+ 90.000 SEK

+ 10.100 €

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Leather & Wool qualities Cashmere and wool blend Wool from Tibetan cashmere mountain goats is famous for its softness and very thin wool fibres, which makes the wool feel extremely soft. This type of wool is very fine and long as well as expensive because it can only be produced under specific climatic conditions. The wool is combed from the underside of the neck and chest of the coat before the first shearing. The fine cashmere wool is blended with stronger wool so the fabric can withstand the wear and tear that would naturally occur within furniture.

Danish Wool

Aniline leather

While the cashmere blend is extremely fine and soft, the Danish wool is manufactured with a coarser weaving making the texture visible and the quality of the wool is extremely strong. The blend consists of 85% wool and 15% nylon.

General information about leather Leather furniture is a good investment that is definitely worth protecting. This product information tells about real leather properties and proper maintenance.

172 | Leather & wool qualities

For most leather furniture Ox hide is used, however it undergoes various treatments before it is suitable for furniture production. The raw hides are salted and sent to the tannery where they are first softened, cleansed of salt and blood residue, scraped clean and drained of water. The hides are then divided into grain leather and split leather. Split leather is used for suede products, while the grain is used for furniture production. In the further process the selected grain leather is stained and the hides are dyed, tanned and softened in one process. When they are dried they receive a final softening and coating. It is largely this final coating that is essential for leather and how it must subsequently be maintained.

Aniline leather (also called natural leather) is coloured and has had a light coating so that it can resist dirt. Unfortunately, many consumers are not familiar with aniline dyed leather and believe that it is the best leather available. However, what is so characteristic about aniline leather is that it is dyed in the same colour throughout and therefore both the front and backside of the leather is of the same colour. Pure aniline leather has other features that may not meet the consumers needs, such as the fact that the leather can breathe and is therefore very receptive to stains. Furniture made of aniline leather is very beautiful and comfortable and will give years of use if maintained properly. It retains

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its natural structure but insect bites in the leather can be evident. Aniline leather is dyed in vats of aniline dyes, which penetrate all the way through the skin. However, there is no surface pigments nor a protective coating applied - only a slight coating. A manual antique finish can be applied. Because pure aniline leather does not have a pigment applied to its surface, there will be variations in the colours of the entire skin surface. Also the lack of a protective layer makes this leather more susceptible to stains, dirt and fading.

Semi-aniline leather The term ”semi” is actually misleading as semi is another world for ’half’ and a more appropriate name for the semi-aniline leather could be aniline-plus pigment. Semi-aniline leather is dyed and therefore gets a slight tint of colour pigments and a light coating that helps protect the leather from stains and dirt, making it easier to clean. It does not give quite the same patina as aniline leather, but it is also soft and retains its natural structure.

used on the surface to ensure a uniform colour on the upper surface of the skin. Finally, a clear protective layer is used to make the leather stain and soil resistant.

Generally It is important to understand the differences between semi-aniline leather and pure aniline leather. It is also important to understand that one type of leather is more desirable than the other, depending on your needs and wishes because each type of leather has its individual appeal. When choosing the right leather for you and your lifestyle, you need to consider what the furniture will be used for and what it is likely to be subject to. In general, softness and durability are both to be considered. While pure aniline leather is softer and more silky, it is also scratched easier as well as susceptible to fading and staining. Semi-aniline leather has a harder and firmer surface because of its additional treatments. These hides are the easiest to maintain and keep clean, but are usually not as soft.

Semi-aniline leather is also dyed in vats of aniline dyes, which penetrate all the way through the skin but the treatment of semi-aniline leather goes a few steps further. After the leather is aniline dyed, a pigment is

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Caring for Leather & Wool Leather

Cleaning

Our leather requires little maintenance because all our leather furniture is treated with surface protection, both aniline leather and semi aniline leather are easy to clean and maintain. Light cleaning should take place at least once or twice a year to ensure a long life. Be aware that the bright natural colours on Aniline leather may be more sensitive to grease and dirt.

For a thorough cleaning, use demineralised water, which can be purchased in most supermarkets and mild natural soap flakes of good quality (1 / 2 cup soap flakes to 1 litre of water). Whisk soap in the warm water and use the foam (when the water has dropped to room temperature). Apply the foam across the furniture with a soft cloth without soaking the leather. When furniture is dry, dry thoroughly and polish with a dry soft cotton cloth. The leather may eventually need nourishment in the form of leather supplement. Note: Suede may only be cleaned with a vacuum cleaner and not with water or soap flakes.

Location Never place leather furniture in direct sunlight or very close to a radiator. The colour can fade, and the leather can dry out. Avoid using cleaners other than specially recommended products. Use various grooming products at your own risk. Avoid sharp objects.

Vacuuming Daily maintenance of leather furniture is done by vacuum cleaner with soft brush nozzle, thus keeping the leather surface clean and free of dirt. Remember that leather is a natural product which should be dealt with sensitively.

174 | Caring for leather & wool

Wool Our upholstered furniture is manufactured in cashmere and Wool blending, this mixture is advantageous in that it is incredibly dirt repellent, thus easy to maintain. Moreover, the material is very durable. Vacuuming: Upholstered furniture requires higher cleanliness than leather furniture. Therefore, you should vacuum your furniture regularly with a smooth faced attachment, even if soiling is not clearly evident. Especially in homes where there are people in the house most of the day, you should be aware that there is always some falling dust on furniture. This dust “settles� in the yarns and, in

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time can give a greyish tinge, however with light regular cleaning; you can ensure that fabrics continue to appear attractive and presentable.

Cleaning If you are unfortunate to soil material, stains should be removed immediately by absorbing with white towel several times until stain is not visible. For dried stains, try to dissolve in lukewarm water. Spread the moisture over and around stain making the whole area moist. Continue to soak with paper towels and wash with lukewarm water. Depending on stain you may wish to use some mild detergent in water. (1 Tablespoon. to 1 litre). Dab off with dry towel. For grease stains on the furniture, you should use a kind of chemical cleaner fit for this purpose, remember always follow the instructions with the recommended product.

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Placing Orders Dispatch At Nlini all products can be delivered to your door, or you can choose to pick up from our warehouse. Nlini cooperates with two delivery companies: DSV and BRING – if you choose one of these for delivery, your products will be insured during transportation. If you wish to use another company for transportation just contact us at info@nlini.com

Prices and payment All prices shown on our website are inclusive of VAT. Prices exclude further transportation as detailed on our website, payment of the price plus any applicable VAT and delivery charges must be made in full before any goods are dispatched. Payment can be made by credit/debit card or bank transfer.

Credit/debit card If you wish to pay by credit/debit card, please choose ”credit card payment” and you will continue on to make a choice of credit/debit card and fill out your information, upon which you will receive an order confirmation on email.

177 | Placing orders

We accept Visa, MasterCard and Maestro. Please note that your credit/debit card may have a limit for how much you can withdraw in one go. You should also be aware that you pay immediately after you have placed an order. Since we are an English company we go by English law, which allows for us to request payment as soon as the order is placed, rather than at delivery.

Bank transfer If you wish to pay by bank transfer, please choose ”order/ invoice by bank transfer” and confirm your purchase, upon which you will receive an order confirmation and an invoice to be paid within 7 days. If we have not received your payment within 7 days, your order will be cancelled. To pay your invoice you need only make a regular bank transfer. This can be done from your computer (home banking) or at your bank. You will need the below information, which can also be found at the top of your invoice: IBAN: GB97DABA30128135006400 SWFT- BIC: DABAGB2L For further details, please contact our customer service at info@nlini.com.

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Delivery Under each product we show our estimated delivery time. We mainly produce product for individual special orders, but also carry stock of some standard products, therefore delivery times may vary. When you make your selection, it will be the item with the longest lead time on your total order that will deter­m ine delivery time. All products are bundled together to minimize shipping costs. However, you can choose to receive ordered goods at different intervals, by simply creating separate orders, one with items from stock, and one with special to order product. If you have booked it all on a single order and wish to change delivery times, we can split your order if you contact Nlini’s customer service department on info@nlini. com After initial delivery to our UK warehouse your products can be collected from there or delivered to your nominated delivery address via a choice off carriers. If you choose DSV or Bring please note that the delivery is to the your front door / entrance door. This means that if you live in an apartment, please make suitable arrangements to transmit the goods from front door to final destination. Goods sent are well packed to avoid transit damage. A few days before delivery, you will be contacted directly by the nominated carrier who will arrange a final delivery date.

Our Products All products and goods supplied by Nlini Ltd are ex­c el­ lent re­p roductions of popular designs originally designed

in the mid 20th century. Our products do not carry original license certificates, but are based on the original models in style, size and material. All furniture is of the highest quality and reflects the essence of the original designs. All our products are replicas produced in Italy or Asia. Designers and retailers should please note that our furniture should not be sold on as original designs.

Product Information All product specifications, images and other information in our published material and posted on our website have either been made accessible by suppliers, manu­f acturers, publications, publicists, or been gathered from the public domain. Our intention is that all information provided on our website is as accurate and as current as possible.

Warranty cover Nlini provide an extended five year warranty on all our products. If there is something wrong with your product within the warranty period, please contact customer services at info@nlini.com and describe the fault / damage to products, preferably with some photos that show the problem in detail. The claim will then be promptly considered and action will be taken to settle the problem. The warranty does not apply to damages caused by normal wear, moisture damage, heat damage, misuse, or surface imperfections. Remember that many of our products are handmade and therefore over a period of time there will be natural wear which cannot be considered as a warranty complaint. For full details of our terms and conditions please visit our website www.nlini.com 177


About Nlini Nlini Interiors Ltd is a UK based company headed by CEO/Managing Director Keith Robinson. Keith is well known within the European furniture community, with many years of experience working with furniture products of the highest quality. He started Nlini because of his passion for the furniture designed in the 20th century. Realising that the legislation of replicas in Europe made it hard for many people to buy the otherwise expensive designer furniture due to patents, the company is now based in Southampton, England. Keith has called on his many contacts especially from Denmark, and with the help of a family of professional cabinet makers he has made sure his collection of replicas is second to none. Only the most suitable materials have been sourced such as beautiful cashmere wool, Aniline and semi Aniline Leathers, which are used on the finest reproductions of works by famous designers such as Charles & Ray Eames, Arne Jacobsen, Le Corbusier, Wegner, Poul Kjaerholm and many more. Most of our products are made to order and as a service to you, we provide free samples of various colours of leather and wool materials, as well as our free catalogue in which you can see all of our product in detail along with reading about the designers behind them. Nlini Interior Ltd. delivers all products to DSV West Dock Road, Parkeston, Harwich, Essex CO12 4QW, United Kingdom (this address is deemed as the delivery

178 | About Nlini

address on all orders). Customers can collect their products at the warehouse or have them delivered by a third party. Once collected at the warehouse, customers are responsible for the products. Nlini cooperates with following delivery companies: DSV, BRING ore DHL – if you choose one of these for delivery, your products will be insured during transportation. All customers wishing to use another company for further transportation should contact us at info@nlini.com giving full details. When you place an order, delivery time is shown by each product. To better meet customer needs, Nlini mainly produces on demand, i.e. after an order is placed. However, we also keep some products in stock. Because of this, delivery times may vary. The whole order will be sent at once to keep delivery costs at a minimum. Thus an order will be sent only when all products are in stock. If you want to avoid possible waiting time, you are able to place different orders for products in stock and products made on demand. If you have already placed an order and would like for it to be split, please contact our customer service at info@ nlini.com. Nlini Interior Ltd endeavours to keep to expected delivery times. Should we be unable to deliver within the set date, we will naturally inform the customer and decide on a new delivery date. Nlini Interior Ltd is never responsible for any losses, costs, damages or expenses that the customer or delivery company takes on as a direct or indirect consequence of us not being able to deliver on time.

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The rights are passed on to the customer when the full price for a product has been paid. Sales and transfer of products takes place in England. All risks are passed on to the customer at delivery. If you wish to contact Keith or one of the Nlini customer service agents based in our offices in Hampshire, e-mail us on info@nlini.com or Keith direct ker@nlini.com At Nlini, we wish to share our excitement for modern and classic interior design by offering world class designer furniture at fair prices. These are created by world famous designers such as Arne Jacobsen, Hans J. Wegner, Le Corbusier, Charles & Ray Eames, Florence Knoll etc.. We believe that the most important part of the designs lie in the details and we love and respect the classic and unique furniture design of the 20th century; making these into poor replicas would be a crime. Therefore, our aim is to produce replica furniture that is not significantly indistinguishable from the original product including all the fine details, and we guarantee you only the finest quality in our replicas. So why not buy your new designer furniture a great deal cheaper at Nlini?

Customer service team Please contact our customer service team info@nlini.com Nlini Interiors ltd is registered in England No 7514868. Registered office 12-14 Carlton Place, Southampton SO15 2EA Vat registration number 109 6501 25

Bank details Danske Bank London branch 75 King William Street London EC4N 7DT United Kingdom Account number: 35006400 IBAN: GB97DABA30128135006400 SWIFT-BIC: DABAGB2L Barclays Bank PLC

Nlini Interior Ltd.

Fareham area branch

2. Mariners House Upper Floor

Portsmouth Hampshire PO6

Copse Lane, Hamble

United Kingdom

Southampton Hampshire SO31 4QH

Account number: 13898709

United Kingdom

IBAN: GB95BARC20308913898709 SWIFT-BIC: BARCGB22

179


Company Accounts Contact us to discuss a tailor made agreement and volume discount structure for your business. For instance we can invoice your company and deliver direct to any location. Whether you are a hotel, office, interior designer or architect - our trade department has the answer for you. Why not reward your executive employees with an Nlini product and enjoy group discount when becoming a European business partner with Nlini.com? All VAT free for VAT registered companies.

Business Tax-free sales to business customers: As a corporate customer with address outside the UK you can trade tax-free here at Nlini. This means that your company can buy our full range and be invoiced directly without VAT. All we require is your company’s VAT number. The company may choose to pay immediately via credit card or company can create an account with Nlini and receive a normal invoice. Business Accounts Nlini Ltd is offered to architects, interior designers, and individual companies who merely wish to furnish their cafes, reception areas, offices or conference rooms.

Cannot find what you are looking for? Just let us know your requirements and using Nlini’s worldwide contact’s we will do our best to source it for you, or suggest a suitable alternative.

Attractive staff benefits With an enterprise agreement your employee can take advantage of quantity discounts. Invoicing will be made directly to the company who will enjoy volume discounts; we just arrange to have products sent directly to the employees. For further details of enterprise agreements, please contact our customer service at info@nlini. com.

180 | Company accounts

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news Newslettter We at Nlini wish to keep our customers up to date with offers and latest in additions to our range of designer products. Please register on our website www.nlini.com to receive regular newsletter.

Facebook You are also welcome to follow us at facebook. www.facebook.com/nliniinteriors

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REPLICA Design Nlini Interior Ltd. 2. Mariners House Upper Floor Copse Lane, Hamble Southampton Hampshire SO31 4QH United Kingdom info@nlini.com

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Nlini Interior Ltd. 2. Mariners House Upper Floor Copse Lane, Hamble Southampton Hampshire SO31 4QH United Kingdom info@nlini.com

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NO LIMITS IN NEW IDEAS

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