MVFF45 Program

LAND ACKNOWLEDGEMENT

The California Film Institute and Mill Valley Film Festival are located in Marin County, California, on the traditional, ancestral, and contemporary homelands of the Coast Miwok, Pomo, and Wappo peoples. This includes the Southern Pomo and Graton Rancheria Tribes. These tribes were removed or displaced from their lands. We recognize this history and the harm to present-day Coast Miwok, Pomo, and Wappo peoples and to their ancestors. The California Film Institute commits to moving forward from a place of authenticity and working with present-day tribes to elevate their stories, history, and present-day legacy through film.

COVID 19 AND SAFETY

We strongly advise all festival goers to exercise caution between now and the end of festival dates. The success of our festival is determined by our collective actions and considerations. Masks will be required for all indoor events and screenings except when actively eating or drinking. Proof of vaccination is not required. Visit mvff.com/covid for more in-depth information.

ACCESSIBILITY

CAFILM and MVFF are committed to only using venues that have accessibility and mobility accommodations. Submit a specific accessibility or mobility request by filling out this form, or speak with one of our onsite venue managers during the festival to assist you. If you require an ASL interpreter, please contact accessibility@cafilm.org directly at least 10 days prior to the event you require ASL assistance. Visit mvff.com/accessibility for more in-depth information about our venues and their accommodations.

CONSENT TO BE PHOTOGRAPHED

California Film Institute (CAFILM) and its representatives may photograph, film, and/or otherwise record attendees at all festival activities. By attending, you consent to such photography, filming, and/or recording and to any use in any and all media throughout the universe in perpetuity and without compensation for the use of your appearance, voice, and name for promotional and/or advertising, or any other purpose by CAFILM and its affiliates and representatives.

FROM THE DIRECTOR

We’re back. After an almost completely streamed 2020 Mill Valley Film Festival and a smaller theatrical footprint with our hybrid festival in 2021, our world is getting back to normal. It feels great to be back and to be going big with a festival that balances anticipated award releases with sublime discoveries, pure entertainment with films that will make you think, domestic gems and international fare, and indelible narratives and gripping documentaries.

We will welcome festival-goers not just at our home bases at the Smith Rafael Film Center and the Sequoia Theatre but we are also returning to the Lark in Larkspur and adding shows at Berkeley’s BAMPFA and San Francisco’s Roxie Theater along with an online component. We will host live shows at Mill Valley’s Sweetwater Music Hall, and our signature parties

return, each with an outdoor element.

Speaking of outdoors, 2022 marks the Festival’s return to Mill Valley’s Outdoor Art Club.

We have so many returning filmmakers this year that it almost feels like we are mounting a class reunion. Among them, local auteur Rob Nilsson, a festival favorite since year two of MVFF, finishes his Nomad Trilogy with Faultline. Martin McDonagh—last here with Three Billboards Outside Ebbing, Missouri — reunites In Bruges stars Colin Farrell and Brendan Gleeson in the Aran Islands beloved of his plays for The Banshees of Inisherin. When last here, Noah Baumbach charted the dissolution of a relationship with Marriage Story (MVFF42). Now, he focuses on the whole family while sending up academia and consumer culture with his adaptation of

Don Delillo’s White Noise. (And you will never look at a supermarket the same way again after witnessing Adam Driver, Greta Gerwig, and their movie family on their shopping forays.)

We have returning directors that are really stretching the boundaries of what cinema can do. Not to give any of their movie magic away but required viewing not just for their content but for their innovations are Alejandro González Iñárritu’s (Biutiful, MVFF33) Bardo, which employs special effects in ways we haven’t seen before, and Darren Aronofsky’s (Variety Contenders, MVFF37) The Whale, which transforms actor Brendan Fraser—the recipient of MVFF 2022 acting honors-into a 600-pound man.

Many of the films I’ve just discussed will be in the MVFF spotlight as Big Nights. We are still finalizing guests as I write

this, but among the Big Nights are ones dedicated to Rian Johnson’s sequel to Knives Out (MVFF42), James Gray’s hotly anticipated Armageddon Time, Laure de Clermont-Tonnerre’s elegant and erotic Lady Chatterley’s Lover, and Tobias Lindholm’s The Good Nurse, starring two festival favorites, Jessica Chastain (The Debt, MVFF33) and Eddie Redmayne, feted for his performance in The Theory of Everything at MVFF37.

Two other films tapped for Big Nights are examples of how MVFF brings the world and its concerns to you. Both, in their very different ways, concern race. Chinonye Chukwu’s (Clemency, MVFF42) Till relates the story of Emmett Till through the eyes of his mother, Mamie Till Mobley, while Nanny —director Nikyatu Jusu is the recipient of the MVFF Award for Feature Debut—looks at race, immigration, and class through the lens of a psychological thriller. The festival adds to the debate over reproductive freedom with Phyllis Nagy’s drama Call Jane. Diane Robinson’s documentary The Young Vote looks at youth-led initiatives aiming to get their

peers to the polls. Women in an isolated community respond to domestic abuse in Sarah Polley’s riveting Women Talking. Documentarian Evgeny Afineevsky immerses us in Ukrainian in battleground in Freedom on Fire: Ukraine’s Fight for Freedom.

We continue to program the best of international fare. Two of my favorites this year are Maryam Touzani’s The Blue Caftan, a romantic drama from Morocco, and The Swimmers, Sally El Hosaini’s fictional rendering of swimmer Yusra Mardini’s incredible story as a Syrian refugee with Olympic dreams. And though we have retired the 5@5 moniker, the festival is still offering a wealth of shorts programs for your enjoyment. We continue to offer education programs to Bay Area youth, showcase the work of Latinx filmmakers with ¡Viva el cine!, celebrate women filmmakers with our Mind the Gap panels and activities, and amuse parents and kids alike with our family films.

I’ve always believed that films that are made well—be they drama, comedy,

documentary—that are entertaining, that are relevant to our lives, that fearlessly tackle difficult subjects or merely make us giggle will draw in an audience. It has been a tough two-and-a-half years where it sometimes felt like we would never see full theaters again. I am happy to see that fading into our collective rearview mirror and to be able to bring you the best of what Hollywood and international and independent communities have to offer once more in a big way with a festival that aims to dazzle.

Mark Fishkin

Executive Director | Founder

California Film Institute

OPENING NIGHT

GLASS ONION: A KNIVES OUT MYSTERY

Let’s just say that Rian Johnson has outdone himself in his wonderful new Knives Out (MVFF42) romp, bringing together a to-die-for ensemble of actors who portray a group of sometime friends—disruptors all—summoned to an exotic, futuristic island hideaway. Their mega-rich one-time leader and eccentric-genius comrade Miles (Edward Norton) has a game set up: to solve the mystery of his murder. Of course each guest has a motive, and all know each other well enough to glean what those murky motives might be. It’s looking like a weekend of fun, luxury, and designer cocktails. But curiously, Benoit Blanc (Daniel Craig), the best detective ever, has somehow landed an invitation, too. And where Benoit goes, murder is likely to follow. Buckle up as this amazing cast takes us on a riotous ride leading to a smashing climax. Irreverence abounds, hilarity ensues, one-liners are delivered with aplomb (Kate Hudson!), the uber-cool reigns (Leslie Odom Jr.), and the question remains: Whodunnit?? —Zoë Elton

DIRECTOR Rian Johnson US 2022 139 min IN PERSON Rian Johnson Kathryn Hahn Leslie Odom Jr. Kate Hudson SECTION

PROGRAM + GALA

US SPONSOR Vickie Soulier

SIMULCAST

TRIBUTE: JAMES GRAY ARMAGEDDON TIME

Acclaimed writer-director James Gray fashions his own family memories into a wistful, exquisitely performed character study, taking on race, class, and the American Dream. Banks Repeta stars as Paul, a white kid living in Queens in the early 1980s, hoping to break free of his parents’ working-class suburban life and become an artist. But when he befriends Black classmate Johnny (Jaylin Webb), Paul gets a very different education. The filmmaker behind devastatingly intimate dramas such as Two Lovers works with perhaps his finest ensemble—Anne Hathaway and Jeremy Strong play Paul’s weary parents, with Anthony Hopkins as his affable grandfather—to excavate our current affairs. Many directors look back at their childhoods with honeyed nostalgia; Gray spits in the eye of such rose-tinged reminiscences, exploring our shared culpability in cre ating a nation whose dreams of a better tomorrow seem to drift ever out of reach. —Tim Grierson

Gray

P. and Richard K. Robbins

Foundation

MIND THE GAP ENSEMBLE AWARD WOMEN TALKING

Powerful, committed performances by an extraordinary ensemble—including Frances McDormand, Judith Ivey, Rooney Mara, Claire Foy, Jessie Buckley, and Ben Whishaw—take us deep into the lives of a group of women as they confront a life-and-death decision: To remain in silence, or to leave in exile. Much of the action occurs in the confined setting of a village barn in their isolated Mennonite colony—located somewhere both far from our modern world and too painfully close for comfort— where the women gather secretly to determine a course of action in the wake of an urgent crisis that has affected all of their lives. In the supremely capable hands of director Sarah Polley ( Away from Her , Stories We Tell ), Miriam Toews’ best-selling novel unfolds as a deeply human drama driven by extraordinary performances in this profound, moving film. Based on true events, Women Talking is an exhilarating paragon of collective organizing and female agency that may well be the prescient wake-up call for our times. —KD Davis

PROGRAM + RECEPTION: $65 Member / $70 General PROGRAM ONLY: $35 Member / $40 General

DIRECTOR

Sarah Polley

US 2022 104 min IN PERSON

Frances McDormand SECTION

US Cinema INITIATIVE

Mind the Gap

SPONSOR

Marin Community Foundation

CENTERPIECE TILL

Visually striking and moving, Till centers the story of Emmett Till through the experience of his mother, Mamie Till Mobley. It’s a powerful choice, revealing the journey of a mother for whom grief becomes action—and whose action changes history. Danielle Deadwyler as Till Mobley is brilliant, and leads a terrific cast, including Jalyn Hall, who exudes a confi dent charisma as Emmett, Whoopi Goldberg, and Frankie Faison. It feels as though director-screenwriter Chinonye Chukwu ( Clemency , MVFF42) empowered her cast to go deep in an incredibly truthful way, creating a breathtaking drama that confirms all the promise of her earlier work with sure-handed artistry and insight. The emotional integrity of the cast is a great counterpoint to the wonderfully cinematic experience that she creates, with a confidence and style that recalls classic American film. This is a story both timeless and timely, as full of love as it is of grief. —Zoë Elton

DIRECTOR

Chinonye Chukwu

US 2022 85 min IN PERSON Chinonye Chukwu SECTION

US Cinema INITIATIVE

Mind the Gap

SPONSOR

Marin Community Foundation

DIRECTORS NIGHT

OUR BROTHERS + THE WONDER

OUR BROTHERS

Police will stop at nothing to hide their misconduct in this look back with anger at the murders of Abdel Benyahia and Malik Oussekine in 1986 Paris. French director Rachid Bouchareb ( Days of Glory , MVFF29) infuses this true story with the solemn air of a procedural, delivering a drama of cleansing fury.

OUR BROTHERS

DIRECTOR

Rachid Bouchareb

2022

min NORTH AMERICAN PREMIERE IN PERSON

Bouchareb

THE WONDER

Florence Pugh ( Little Women ) is pitch-perfect as an English nurse in 19th-century Ireland engaged to watch over an Irish “fasting girl” claiming to subsist solely on “manna from above.” Beset by her own demons, the nurse’s fate becomes tied to that of the girl, whose potential saintliness is valued far over her own life.

THE WONDER DIRECTOR Sebastián Lelio

US, UK, Ireland 2022 102 min

WEST COAST

IN PERSON Sebastián Lelio

OUR BROTHERS: Wednesday

THE WONDER: Wednesday

October 12

October 12

7:00pm

7:00pm

Rafael

Sequoia

TRIBUTE: BRENDAN FRASER THE WHALE

Hinging on a career-defining performance from Brendan Fraser, The Whale is an emotionally resonant tour de force, by turns funny and devastating. Fraser plays Charlie, a 600-pound online writing teacher and fragile gay man stricken by grief. Confined to his dead-end Idaho apartment, Charlie ticks off his days binging on pizzas as visitors cycle in and out: an enabling caregiver (Hong Chau), a wayward missionary (Ty Simpkins), an angry-as-hell daughter (Sadie Sink), and an alcoholic ex-wife (Samantha Morton). Samuel D. Hunter brilliantly adapts his award-winning 2012 play, plumbing the complex nooks and crannies of religion, loss, sexuality, and literature. Ever sensitive to Fraser’s vulnerable and commanding performance, visionary director Darren Aronofsky (Variety Contenders, MVFF37) proves an ideal match for the material, giving it edge, humor, and unsentimental heft. —Randy Myers

DIRECTOR

Darren Aronofsky

US 2022 117 min

WEST COAST

PREMIERE IN PERSON

Brendan Fraser SECTION

US Cinema

STRAND Spirit

SPONSOR

Jennifer Coslett MacCready

SPOTLIGHT: DANIEL GIMÉNEZ CACHO BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS

Named for the Buddhist concept of a transitional state between death and rebirth, and subtitled “False Chronicle of a Handful of Truths,” this witty epic from multiple-Oscar ®-winning director Alejandro G. Iñárritu ( Biutiful , MVFF33; The Revenant ) centers on Silverio (Daniel Giménez Ca cho), a renowned journalist and documentary filmmaker who returns to Mexico after a successful sojourn in the US. It appears that our hero is undergoing a midlife crisis of Felliniesque proportions, as he grapples with his identity, childhood memories, familial relationships, and even his two countries’ histories, in progressively surreal and outrageous vignettes. In Silverio’s world, imagination consistently subverts reality, and Iñárritu and his collaborators, including cinematographer Darius Khondji, make the transitions appear fluid and seamless. Iñárritu’s first production in his native Mexico since his celebrated feature debut Amores perros in 2000, Bardo resonates as a personal statement about the world and the artist’s place in it. —Richard Peterson

Alejandro González Iñárritu

Mexico 2022

161 min

IN PERSON

Daniel Giménez

Cacho

SECTION

World Cinema INITIATIVE

İViva el cine!

PROGRAM + RECEPTION: $65 Member / $70 General PROGRAM ONLY: $35 Member / $40 General

SPONSOR

Daniel Kenyon and Michelle Marchetta

DIRECTOR

SPOTLIGHT: NOAH BAUMBACH WHITE NOISE

Writer-director Noah Baumbach dazzles in his first film since his acclaimed Marriage Story (MVFF42 Ensemble Award) with this exquisite, epic adaptation of Don DeLillo’s 1985 National Book Award-winning novel. It is a towering achievement that folds satires of academia, consumerism, and fear of death into an exploration of the family, a theme Baumbach has so brilliantly mined throughout his career in such films as The Squid and the Whale (MVFF28) and Margot at the Wedding (MVFF30). At a Midwestern college, middle-aged Jack (Adam Driver) is a superstar professor who pioneered the field of Hitler studies. He and his fourth wife Babette (Greta Gerwig) share brainy, verbal children from their various marriages in a happy household but one threatened by both internal and external forces. Don Cheadle adds a striking supporting turn as Murray, a professor starting a new field of Elvis studies with whom Jack shares kinship and friendly rivalry. —Pam Grady

+ RECEPTION

$70

ONLY: $40

HOUSE:

DIRECTOR

Noah Baumbach US 2022 136 min IN PERSON

Noah Baumbach

Recipient of the MVFF Award for Screenwriting SECTION

US Cinema

STRAND Grow

SPONSOR

Kaiser Permanente

SPOTLIGHT: NIKYATU JUSU NANNY

Nikyatu Jusu’s evocative debut feature is an immersive encounter with the duality of the immigrant experience. Anna Diop plays Aisha, a recent Senegalese immigrant who spends her days caring for the child of a wealthy New York couple while making plans to bring her young son to the United States. As she navigates her increasingly strenuous work envi ronment, the West African water deity Mami Wata and Anansi the Spider begin to haunt her. Jusu’s deft exploration of the spiritual and emotional implications for a woman struggling to find the balance between two worlds comes to life in Diop’s stunning performance and DP Rina Yang’s dynamic cinematography. The film beautifully incorporates West African spirituality and femininity into the contemporary horror genre, creating a unique portrait that unites the ancient with the new. —Osinachi Ibe

DIRECTOR

Nikyatu Jusu

US 2022 97 min IN PERSON Nikyatu Jusu Anna Diop

SECTION US Cinema INITIATIVE

Mind the Gap

RECEPTION

$65

: $35

General

Fund

CLOSING NIGHT

THE GOOD NURSE

Based on a true story, Tobias Lindholm’s multi-faceted feature is a dazzling shapeshifter that successfully operates on a variety of levels: as a psychological thriller, as a damning indictment of health-care bureaucracy, and as a showcase for two of our finest actors, Jessica Chastain and Eddie Redmayne. As mild-mannered, socially awkward new-hire nurse Charles Cullen, Redmayne’s ambidextrous performance is an astonishing feat, a perfectly calibrated portrait that’s shattering to behold. Counterbalancing that is Chastain’s nuanced, committed turn as his principled and hardworking fellow nurse, Amy Loughren, a single mom suffering from her own health crisis. Jody Lee Lipes’ somber cinematography further ex pands on The Good Nurse ’s sobering themes, illustrating the shadows that can haunt the psyches of those around us. —Randy Myers

Tobias Lindholm US 2022 121 min

IN PERSON

Tobias Lindholm Eddie Redmayne Nnamdi Asomugha

Cinema

DIRECTOR

TICKETS + NAVIGATING MVFF45

VENUES

SMITH RAFAEL FILM CENTER

1118 Fourth St. San Rafael

CINÉARTS SEQUOIA

25 Throckmorton Ave, Mill Valley

OUTDOOR ART CLUB

1 W Blithedale Ave, Mill Valley

SWEETWATER MUSIC HALL

19 Corte Madera Ave, Mill Valley

LARK THEATER

549 Magnolia Ave, Larkspur

ROXIE THEATER

3117 16th St, San Francisco

BAMPFA

2155 Center St, Berkeley

MISSION CULTURAL CENTER

for LATINO ARTS

2868 Mission St, San Francisco

GUIDELINES + RULES

To ensure the best experience possible and guarantee your admittance, please arrive and be in line at least 30 minutes prior for all of your scheduled screenings and events. Seat saving is not allowed. All programs

except those at BAMPFA, Roxie Theater, and Sweetwater Music Hall have a priority seating in the following order:

A B C RUSH

Outside food and beverage is not permitted in any of our venues. BAMPFA has a zero food and beverage policy.

Cell phones and other notification devices should be turned completely off while attending screenings or events.

The use of cameras or recording devices is strictly prohibited during screenings.

Oversized bags, with the exception of medical equipment and childcare bags, will not be allowed inside of any of our venues.

All bags 12” x 12” x 6” and smaller will be permitted in. Please plan appropriately.

Reserved Seats: Please DO NOT sit in a reserved seat unless it has been arranged for you by name, badge type, or specific indication on your ticket. Please DO NOT stand next to a reserved seat in hopes of them being released. For venue safety and fire code, all aisles must be clear unless actively walking to or from your seat.

BOX OFFICES

Physical Festival Box Office locations will be available during the Festival dates only and are open 1 hour prior to the first screening start time of the day and close 15 minutes post the last screening start time of the day, at each respective venue while screenings are scheduled.

SMITH RAFAEL FILM CENTER

1118 Fourth St. San Rafael

OUTDOOR ART CLUB

1 W Blithedale Ave, Mill Valley

LARK THEATER

549 Magnolia Ave, Larkspur

ROXIE THEATER

3117 16th St, San Francisco

BAMPFA

2155 Center St, Berkeley

CAFILM MEMBER TICKET SALES

Purchase tickets anytime at mvff.com/tickets

PREMIER PATRON + ABOVE

Sept 9 12:00pm

DIRECTOR’S CIRCLE + ABOVE

Sept 10 12:00pm

ALL CAFILM MEMBERS

Sept 11 12:00pm

GENERAL PUBLIC

Sept 13 12:00pm

TICKET PRICES

General $16.50

CAFILM Members $14.00

Seniors (65+) $15.00

Students $8.00 (student ID required)

Shorts Programs $10.00

Youth (12 and under) $8.00

Special events will have pricing specific to each event

ONLINE PROGRAM

Stream our online program on your computer, laptop, iPad, tablet, or mobile device at watch.cafilm.org or download the CAFilm App on your Roku, AppleTV, or Amazon Firestick.

MVFF45 ONLINE PASS

CAFILM Streaming Room open to California residents only

ONLINE PASS General $145 CAFILM Members $105

The MVFF45 Online Pass offers access to the festival’s online program of 20+ films, filmmaker conversations, and Q&As. Act

fast! Some films may have limited capacity and therefore have the potential to sell out.

Premier Patron, Cinema Benefactor, and Donor Circle receive a complimentary Online Pass.

Single film online admission:

General $8 | CAFILM Members $6

BADGE PICKUP

Oct 1 - 5 11:00am - 5:00pm

Smith Rafael Film Center

Oct 7 - 15 10:00am - 8:00pm

Oct 16 10:00am - 5:00pm Outdoor Art Club

Badge Pickup will not be available Opening Night, Oct 6

FILMMAKER LOUNGES

OUTDOOR ART CLUB

Oct 7-15 10:00am - 9:00pm

Oct 16 10:00am - 5:00pm

MARK FISHKIN ROOM

@ SMITH RAFAEL

Oct 7-15 10:00am - 9:00pm

Oct 16 10:00am - 5:00 pm

ACCESS TO LOUNGES:

All MVFF45 badges, tickets, and CAFILM Day Passes with an L enjoy access

ENTRY REQUIREMENTS

Masks will be required for all indoor MVFF45 events, unless actively eating or drinking. Masks are strongly encouraged for outdoor events.

RUSH TICKETS

When we run out of advance tickets for an in-theater program, tickets will no longer be available for purchase ahead of time and “At Rush!” will appear on the online ticketing page — but this doesn’t necessarily mean we are sold out. Sometimes we can release a limited number of tickets on the day of the program online at noon and/or at the theater 15 minutes before showtime. For the latter option, we recommend joining the rush line 45 minutes before showtime. At the venue, rush tickets are available on a first-come, first-served basis.

REFUND POLICY

All ticket orders are final. No refunds, exchanges, substitutions, or reprints. MVFF is not responsible for lost, stolen, forgotten, or damaged tickets. We will refund your ticket(s) if you are unable to attend a screening due to your (or anyone in your household) COVID exposure, or due to community conditions that require a screening or event cancellation. Please contact help@cafilm.org to request a refund.

CONTENT ADVISORY

Please bear in mind that our films are making their first entrances into the world before public audiences. Note that, unlike commercial cinema, the majority of our films are not yet rated. We thank you for bearing that in mind as you make your choices.

CAFILM MEMBERSHIP

With membership to the California Film Institute every night is an Occasion

The California Film Institute relies on the support of our wonderful members to run the Mill Valley Film Festival, show amazing films year-round at the Christopher B. Smith Rafael Film Center, and promote exceptional independent filmmakers in our community. Become a CAFILM member to keep the magic going all year long with free screenings of upcoming films, access to exclusive member events, and our lowest ticket prices on films and events!

ASSOCIATE

Perfect for the solo film lover, who loves watching films at the Smith Rafael Film Center or online, and receiving invita tions to our exclusive member screenings. $80

FILM FAN

All of the perks of Associate membership, but for two! Perfect for couples or two friends who love to see amazing films together. $130

DIRECTOR’S CIRCLE

For the festival fan, Director’s Circle members receive even earlier access to MVFF tickets and a place in our early entry line, along with all the perks of Film Fan membership. $345

PREMIER PATRON

Premier Patrons receive all of the benefits of Director’s Circle, plus earliest access to film tickets, invitations to exclusive events, and entry into the MVFF Filmmaker Lounge. $680

CINEMA BENEFACTOR

Get behind-the-scenes access! With all of the Premier Pa tron perks, plus invitations to even more events, free tickets to films, and complimentary concession coupons at the Ra fael Film Center. $1,300

DONOR CIRCLE

Want even more? Explore our All-Access levels in the Do nor’s Circle. By joining the vibrant Donor Circle community you will deepen your knowledge and appreciation of inde pendent film through exclusive access and opportunities, while supporting a world-class independent film nonprofit organization.

Your involvement at the Donor Circle level enables CAFILM to provide a platform for internationally acclaimed, estab lished and emerging filmmakers to share their stories with our community, offer free programs to thousands of diverse Bay Area students each year, deliver tangible results in gender equity in film, support the sustainability, maintenance, and programming of a historic art house theater, and champion independent filmmakers to make impact nationwide.

To learn more about our Donor Circle levels visit cafilm.org/donor

SPONSORS

B. SMITH FAMILY

SOULIER

VAN and LYDIA MAROEVICH

MAJOR FOUNDATION SUPPORT

GRUBER FAMILY FOUNDATION

HELLMAN FOUNDATION

NANCY P. and RICHARD K. ROBBINS FAMILY FOUNDATION

SUPPORT

COUNTY OF MARIN

ENDOWMENT FOR THE ARTS

DONOR CIRCLE

LEADERSHIP

CHRISTOPHER B. SMITH FAMILY

JENNIFER COSLETT MACCREADY

NANCY P. and RICHARD K. ROBBINS

FAMILY FOUNDATION

VICKIE SOULIER INVESTOR

JIM BOYCE TRUST and KRIS OTIS

KEN and JACKIE BROAD FAMILY FUND

DESTINO FUND

GRUBER FAMILY FOUNDATION

DANIEL KENYON and MICHELLE MARCHETTA KENYON

MOBLEY FAMILY FUND

GORDON RADLEY

CHRISTINE A. SCHANTZ

MICHAEL and SUSAN SCHWARTZ FUND

HENRY TIMNICK PLATINUM

KAMALA GEROUX-BERRY and DAVID BERRY

MAGGIE O’DONNELL and JOSH FLOUM

JONATHAN and DEBORAH PARKER

SILVER

NANCY ABODEELY

SHANA CHRYSTIE

ALICE CORNING

STEPHANIE DIMARCO

MICHAEL DYETT and HEIDI RICHARDSON

DENNIS P. FISCO and PAMELA POLITE FISCO

GRISWOLD FAMILY FUND, BOB and ALEX GRISWOLD

MAUREEN GROPER MARGARET HAAS

LYNNE HALE

TOM and BARBARA HARRISON

ANDREE and JOHN JANSHESKI WILLA JEFFERSON-STOKES

K.C. and STEVE LAUCK

JAN and JESSICA LINK

CLARE MCCAMY

CATHERINE MCKOWN

KENNETH and VERA MEISLIN

STEPHEN and MARY MIZROCH

JAMES MOCHIZUKI of FRIENDS PRODUCTIONS

LINDA MORGAN

CATHY and ROBERT NOURAFSHAN

THE JAY PRITZKER FOUNDATION

ROBERT SCHROEDL

ERIC SCHWARTZ and MAGDA WESSLUND

JANN STANLEY and SOREN DALSAGER

MONA STEINBERG

LIVIA STONE

PATRICIA TANOURY

BRONZE JANE BAY

THE NEWTON and ROCHELLE BECKER

CHARITABLE TRUST - DAVE and ANN PECKENPAUGH BECKER

SUSAN and WILLIAM BEECH SUSAN BOLLE

MARC and ROBIN BUSSIN

JOE and SUE CARLOMAGNO

LESLIE CHATHAM

KEVIN and CHRISTINE CHESSEN

JOY CHIK and TOM LARSON

TOM COHEN and KRISTI DENTON COHEN

JOEL and JUSTINE COOPERSMITH

GAYLE DONSKY and MORTON STEIN BECKY DRAPER

CATHERINE and PETER FLAXMAN

MICHELLE GRIFFIN and TOM PARKER MICHELE CRNCICH HODGE and JEFF HODGE

RICHARD J. IDELL and SUSAN KORNBLATT IDELL

ELISABETH and HOWARD JAFFE

RAY and CARLA KALISKI

JOE and MARGARET KEON

AMY KEROES

CAROLINE LABE

JACQUI LOPEZ

CYNTHIA MARAM

JOHN and CINDY M c CAULEY

ROSEMARY and KEVIN M c NEELY

HARRISON MILLER

MONAHAN PARKER, INC. RUSSELL MUNSELL

ANDRA MUNTEANU ALEXANDER NOURAFSHAN

CONSTANCE OCLASSEN ANDREW PESA

ROBERTA O’NEALE

LORNE and ILONA PARKER

DR. SANFORD ROSENBERG and MEDIA RESEARCH ASSOCIATES

STEVE RIFFKIN

SUSAN and JOEL SKLAR VISRA VICHIT-VADAKAN

CAMEO WOOD ZACH and MARLIES ZEISLER

SMITH RAFAEL DONORS

DIRECTORS CHAIR

CHRISTOPHER B. SMITH

COSLETT MACCREADY

HENRY TIMNICK

DISTINGUISHED BENEFACTOR

MARIN COMMUNITY FOUNDATION

SAN RAFAEL REDEVELOPMENT AGENCY

PATRON

MARGARET E. HAAS

HENSEL PHELPS CONSTRUCTION CO

KATZ FAMILY FOUNDATION CONTRIBUTOR

BELLEBYRON FOUNDATION

ED and SUSAN LOWE

THE BERNARD OSHER FOUNDATION

BENEFACTOR

MARCIA LUCAS

LUCASFILM LTD

PACIFIC THEATRES CORPORATION

MEL and LOIS TUKMAN

DOLBY LABORATORIESS

SUPPORTER

BANK OF MARIN

THE FRED GELLERT FAMILY FOUNDATION

GRUBER FAMILY FOUNDATION

DON and DONNA KELLEHER

MARIN COUNTY BOARD OF SUPERVISORS

MICHAEL and SUSAN SCHWARTZ

KEN and JACKIE BROAD FAMILY FUND

SUNITA DUTT

CHINOOK RESTAURANT

LEONARD and ROBIN EBER

DOUG and JANE FERGUSON

HAMBRECHT and QUIST

THE HAYDON FAMILY IL DAVIDE RESTAURANT

DAN HELLER

GERALD G. HOYTT NANCY K. HUDSON

J. PATRICK and IRENE M. HUNT MICHAEL and ROXANNE KLEIN

ELLEN JANE KUTTEN

KATHRYN E. JOHNSON

AND PETER CULVER

THE EGAN FAMILY RAFAEL

CONVALESCENT HOSPITAL

PHILIP A. SCHAEFER

JIN and LINDA ZIDELL

SUSAN and RICHARD IDELL

JOHN and BETH ALLEN

ANDREW and KATHLEEN VARLOW

NANCY and RICH ROBBINS

MACQUARIE GROUP FOUNDATION

CARLA EMIL and RICH SILVERSTEIN PETER and CATHERINE FLAXMAN

ERIC A. SCHWARTZ

BILL and MARY POLAND

FRIEND

AUTODESK, INC

BANK OF AMERICA FOUNDATION

BLOCKBUSTER, INC

DOUG CARLSTON and TOMI PIERCE MARK CAZENAVE II TOM and DIANE DURST

K.C. and STEVE LAUCK BARBARA BROWN LEIBERT

LUTHER BURBANK SAVINGS

MARIN AIRPORTER

NORTHERN TRUST PACIFIC TELESIS

JOSEPH and EDA PELL PINEWOOD FOUNDATION

SATURDAY

OCT 8

SUNDAY

OCT 9

THURSDAY

OCT 13

SATURDAY

OCT 15

SATURDAY

OCT 15

SUNDAY

OCT 16

ALL EVENTS FREE

TALK BACK: THE YOUNG VOTE 2:00pm

MIND THE GAP: THE UNKNOWN COUNTRY

An exploratory filmmaking process 12:00pm Free with ticket

BEHIND THE SCREENS: ACCESSIBILTY SCORECARD IN EXHIBITION 1:00pm

BEHIND THE SCREENS: STATE OF THE INDUSTRY 11:00am

TALK BACK: ELEMENTAL 4:00pm

BEHIND THE SCREENS: MISREPRESENTATION: WHEN THE FILM INDUSTRY GETS IT WRONG 1:30pm

SATURDAY

OCT 8

SUNDAY

OCT 8

THURSDAY

OCT 13

SATURDAY

OCT 13

SUNDAY

OCT 15

SUNDAY

OCT 16

PARTY: OINK AFTERPARTY 12:30pm Free with film ticket

TALK BACK: THE QUIET EPIDEMIC 4:15pm

TALK BACK: DECONSTRUCTING KAREN 3:30pm

BEHIND THE SCREENS: POWER OF PERSONAL DOCUMENTARY FILMS 3:30am

BEHIND THE SCREENS: REEL LIFE: HISTORY ON FILM 11:30am

BEHIND THE SCREENS: VARIETY’S TEN SCREENWRITERS TO WATCH 11:00am

PLEASE NOTE: Times, dates, and venues are subject to change or adjustments. Consult mvff.com for up-to-the-minute information.

ON SOCIAL MEDIA

INITIATIVES

We believe that film has the power to inspire and activate. MVFF Initiatives are a call to action through screenings, panels, partnerships, masterclasses, and mentorship opportunities.

ACTIVE CINEMA

A forum for films united in their commitment to explore the world and its issues, engage audiences, and transform ideas into action

MIND THE GAP

A platform for inclusion and equity, committed to helping marginalized filmmakers break through the gatekeeping that has long made the industry exclusionary and help undo a harmful history of defaults

Sponsored by Netflix & LUNA

¡VIVA EL CINE!

A showcase of Latin American, Latinx, and Spanish-language stories, connecting audiences with a diversity of cultures, identities, and histories explored through the magic of cinema

With support provided by Consulate General of Brazil in San Francisco

SECTIONS

WORLD CINEMA

Stories from six continents that foster a new understanding of our global neighbors and ourselves

Sponsored by Jim Boyce Trust and Kris Otis

US CINEMA

A showcase of new films by master and emerging American film- makers who share a talent for independent storytelling

Sponsored by Wareham Development + Nancy P. and Richard K. Robbins Family Foundation

DOCS

The latest in non-fiction filmmaking, from heartfelt stories of activism to historical profiles, current events, and more

Sponsored by Wareham Development + Nancy P. and Richard K. Robbins Family Foundation

FAMILY FILMS

A sampling of stories, cultures, and adventures for new generations and old that inspire and nurture a love of film

Sponsored by Bellam Self Storage & Boxes

SHORTS

Collections of short cinematic gems from every genre including narratives, documentaries, animation, family films, and youth works

BEHIND THE SCREENS

INTIMACY COORDINATOR

MASTER CLASS

Sunday | October 9 | 11:00am | Rafael

A clear and meaningful impact of the #MeToo movement in Hollywood has been the increasingly common participation of intimacy coordinators in film productions, both large and small. This conversation between Sarah Scott, a Los Angeles-based intimacy coordinator featured in the documentary Body Parts, and director Laure de Clermont-Tonnerre (Lady Chatterley’s Lover ) will explore the nature of this important on-set collaboration, recent controversies in the field, and the need to develop common language around the safety of film casts and crews.

Guests: Sarah Scott, Intimacy Coordinator | Laure de Clermont-Tonnerre, director Lady Chatterley's Lover

IN OUR OWN WORDS: POETRY ON FILM | WORKSHOP

Sunday, October 9 | 4:00-5:30pm | Mission Cultural Center for Latino Arts, San Francisco | Ages 11-18 | FREE

Inspired by the bold slam poetry and narration of José Eduardo Aguilar “El Deportee” in the animated documentary Home Is Somewhere Else (see page 123), this workshop combines the art of the written word and non-fiction film narration. Participants

will learn to write and perform poetry that exhibits their identity, experiences, and dreams. Filmmaker in attendance

ACCESSIBILITY AND EXHIBITION | PANEL

Thursday | October 13 | 1:00pm | OAC

CAFILM is collaborating with other film event organizers and professional accessibility advocates from all areas of film and event exhibition to build and implement a standard that highlights and prioritizes accessibility needs at our year-round theaters and our festivals. Jim Lebrecht (he/him) and Cassidy Dimon (she/her) will co-lead a conversation with Rosemary McDonnell-Horita (she/her) T. Kebo Drew (she/her), and Wallis Brozman (she/her) to discuss the importance of providing accessible spaces to audiences and filmmakers who attend festivals, building that access into event spaces, bridging the gap between compliance and equity, the Film Event Scorecard (a tool that will document and provide feedback from film-event attendees to hold us accountable to the accessibility standards our communities deserve), and steps and resources to take action. This panel will have an ASL Interpreter, is complementary to the public, and will be recorded and then made available on our YouTube channel.

GUESTS: Jim LeBrecht, founding member, FWD-Doc; co-director of Academy-Award nominated Crip Camp (DocLands 2020) | Cassidy Dimon, founder, Film Event Accessibility Working Group (FEAW) ) | Rosemary McDonnell-Horita, Lead Consultant for Training, Events

POWER OF PERSONAL DOCUMENTARY FILMS: THE DISTRIBUTORS | PANEL

Thursday | October 13 | 3:30pm | OAC

In early 2022, Re-Present Media (RPM) issued an article, The Power of Personal Documentary Films, presenting data gathered from emerging BIPOC (Black, Indigenous, and People of Color) filmmakers working on personal documentary films. In particular, the article explored the impact of racism and white-supremacy culture on their work.

This session will present highlights of the survey project as it relates to the current distribution landscape, then dive into a deep conversation with distribution professionals. Themes will include: the value of personal documentary films from diverse communities, how personal documentaries are currently distributed, the challenges of marketing such films, the missed opportunities to connect with audiences because of an unconscious bias against these films, and how strategies can shift among distributors for programming, acquiring, and marketing personal documentaries.

STATE OF THE INDUSTRY | PANEL

Saturday | Oct 15 | 11:00am | OAC | Free

The world is coming out of COVID, and people are returning to theaters. But it is an unequal playing field. The masses are once more returning to multiplexes, but the arthouses are still suffering with low attendance, a trend that started before the pandemic. What does this portend for our industry? What does it mean when newspapers and websites hold reviews until a film’s streaming date instead of its theatrical release? Can audiences be lured back to theaters after becoming invested in streaming when movie houses went dark? How do we lure youth with TikTok-shortened attention spans into theaters? If theatrical exhibition were to go away, what does that mean for movie lovers and the future of film festivals and international and indie films? Moderator Mark Fishkin hosts several industry veterans as they weigh in on the current state of the industry and where it might be going.

Ted Hope, former head of production, Amazon Original Movies, and producer of more than 70 films including In the Bedroom (MVFF24) and The Tender Bar (2021) | Crystal Moselle, director, The Wolfpack (Sundance Grand Jury Prize 2015), Betty (HBO series 2020-’21), Sophia (MVFF45) | Nikyatu Jusu, writer-director, Nanny (Sundance Grand Jury Prize 2022, MVFF45) | Moderator: Mark Fishkin, Founder + Director, MVFF

Guests: Jennifer Crystal Chien, Re-Present Media | Brenda Avila-Hanna, New Day Films | Amanda Salazar, former Head of Programming at Argo, VP of Acquisitions at Fandor, programmer for SFFilm and Northwest Film Forum | Annie Roney, ro*co Films, Founder & Chief Executive Officer | Moderator: Claire Aguilar, producer/consultant, former Director of Programming and Policy at International Documentary Association.

& Strategy with LaVant Consulting Inc. | T. Kebo Drew Managing Director, QWOCMAP | Wallis Brozman, Lead Writer and Storyteller for Canine Companions

BEHIND THE SCREENS

VARIETY’S TEN SCREENWRITERS

TO WATCH | PANEL

Sunday | Oct 16 | 11:00am | OAC

Variety has honored “10 Screenwriters to Watch” for more than a decade, spotlighting the brightest and most promising writers of the year. We’re thrilled for the occasion to discuss their work in an intimate setting—a great opportunity as much for aspiring filmmakers as for casual fans.

Participants: Sarah Conradt, Mother’s Instinct | Carrie Solomon, “Untitled Margot Robbie Ocean’s 11 Film” | Stefani Robinson, Chevalier | Katy Brand, Good Luck to You, Leo Grande | Shiwani Srivastava, Wedding Season | Alex Convery, “Untitled Nike/Ben Affleck & Matt Damon Project” | Samuel D. Hunter, The Whale | Joel Kim Booster, Fire Island | Evan Dodson, Terms of Endearment | Ximena García Lecuona, Anything’s Possible

Sponsored by

BLACK GIRLS FILM CAMP

VIRTUAL SCREENING + CONVERSATION

Online

Black Girls Film Camp is a nonprofit organization that provides a free, annual, virtual 12-week filmmaking experience for high-school-

age Black girls across the country. For the 2022 camp, over 200 applicants pitched a story idea, and ten finalists were selected to direct and develop their own short films. This virtual screening of their work will be followed by a pre-recorded conversation with camp founder Jimmeka Anderson, who will talk about how this program became so successful, why it is essential, and how it’s changing the industry landscape by centering the experiences and voices of Black girls

REEL LIFE: HISTORY ON FILM | WORKSHOP

Saturday | October 15 | 11:30-1:00 pm | Outdoor Art Club | FREE

How does one curate archival footage to contextualize history? The short documentary For Love and Legacy (see page 217) chronicles an artist’s attempt to honor Black Panther leader Huey Newton through a public sculpture. Exploring themes of history and memory, filmmaker A.K. Sandhu will talk about the curated archival footage she considered and utilized for the film, and participants will be able to study and learn how archives expand historical significance.

ON SOCIAL

MIND THE GAP

EVOLUTION OF ASIAN AMERICAN WOMEN’S ROLES ON SCREEN

Online | FREE

Our annual roundtable series, Evolution of Roles On Screen for Historically Excluded Communities, began in 2020 with Evolution of Black Women’s Roles Onscreen and continued in 2021 with Evolution of Latina Roles Onscreen. This year’s pre-recorded conversation will be with film professionals in a variety of different creative roles, both behind the scenes and in front of the camera, and will explore the state of representation for Asian American women in film. The speakers will discuss how representation in Hollywood and beyond has evolved for Asian American women, and speak to their own experience navigating the industry.

Participants: Shirley Kurata, Costume Designer, Everything Everywhere All At Once | Michelle Chung, Makeup Dept. Head, Everything Everywhere All At Once | Sujata Day, writer-director-actor, Definition Please | Diane Paragas, writer-director-producer, Yellow Rose | Moderator: Laura Sirikul, writer

MIND THE GAP DIRECTORS FORUM

Saturday | October 8 | 12:00-1:30pm | Sweetwater Music Hall | Free

Telling stories, mining for truths both big and small: With approaches both fictional and non-fictional, these directors all

delve into their subjects with impressive creativity and thought. Join us in person for this keystone Mind the Gap event that promises an engaged discussion about the state of the art from an international perspective.

Margaret Brown, Descendant | Laure de Clermont-Tonnere, Lady Chatterley’s Lover | Phyllis Nagy, Call Jane | Diane Robinson, The Young Vote | Zoë Elton, Moderator, MVFF + Mind The Gap Director of Programming

THE UNKNOWN COUNTRY: AN EXPLORATORY FILMMAKING PROCESS

Sunday, October 9, 12:00-1:30pm | OAC | Free

An exciting conversation with the filmmakers of The Unknown Country, a dazzling, poetic narrative-documentary feature film that demonstrates how cinema can be used as a means to listen, understand, and honor human dignity. The conversation will focus on the film’s unique development and financing, finding the creative process, and establishing a sustainable filmmaking practice.

Participants Morrisa Maltz, writer-director | Lainey Bearkiller Shangreaux , actor, producer | Vanara Tiang, editor-producer | Lily Gladstone, actor | Osinachi Ibe, moderator, Mind the Gap Production Manager

2022 MIND THE GAP AWARDS

Mill Valley Film Festival Mind the Gap Award: Pratibha Parmar, My

Name is Andrea (presented at the film’s screening during the 42nd San Francisco Jewish Film Festival, July 23, 2022)

Creativity and Truth Award: Chinonye Chukwu + Danielle Deadwyler, Till

Ensemble Award: Frances McDormand on behalf of Women Talking

MIND THE GAP CREATION PRIZE

The Mind the Gap Creation Prize is given to a narrative or documentary feature-length film directed by a first- or secondtime female filmmaker. The award recognizes exciting new voices in cinema that demonstrate creativity of vision and exceptional use of the film medium. The Creation Prize recipient is selected by a jury made up of Mind the Gap curators, key supporters, and a Mind the Gap Award recipient. The director of the winning film receives a $10,000 grant that can be used at their discretion.

2022 Nominees: Ellie Foumbi, Our Father, the Devil | Nikyatu Jusu, Nanny | Morrisa Maltz, The Unknown Country

2022 Jury Members: Zoë Elton, MVFF + Mind The Gap Director |

Osinachi Ibe, Mind the Gap Production Manager | KD Davis, MVFF

Senior Programmer, World Cinema | Pratibha Parmar, Mind the Gap Awardee | Christine A. Schantz, Mind the Gap Executive Advisor

+ Creation Prize Underwriter | Celeste Wong, MVFF US Indies Programmer

BAY AREA COMMUNITY MIXER

Friday | October 14 | 7:00-9:00pm | OAC | Free

An inspired gathering of filmmakers and film lovers across the Bay Area, and those attending the festival. This event aims to strengthen the existing connections in the local film community and establish new ones. The mixer will feature an open mic portion where community members can make brief announcements about their projects, programs, and other happenings. It will also include an informal happy hour and networking. All Bay Area filmmakers, film companies, organizations, and community members are encouraged to attend.

Support for Mind the Gap provided by:

Netflix | LUNA | Marin Community Foundation

Destino Fund | Christine A. Schantz

ACTIVE CINEMA

A forum for films united in their commitment to explore the world and its issues (both local and global), engage audiences, and transform ideas into action for positive change. Join us for screenings throughout the Festival, support the grassroots activism of the filmmakers, and engage with the admirable work of special guests, co-presenters, and partners.

FEATURES

DECONSTRUCTING KAREN

ELEMENTAL: REIMAGINING OUR RELATIONSHIP WITH WILDFIRE

PATH OF THE PANTHER

THE QUIET EPIDEMIC

THE YOUNG VOTE

ACTIVE CINEMA HIKE: NETWORKING IN NATURE

Saturday Oct 15, 10am | Free Come and enjoy some fresh air and fresh ideas with filmmakers, friends, festival staff and cinephiles during this hour-long hike to the ocean through beautiful terrain. Exchange ideas on filmmaking, filmmaker resources, activism and strategies for engagement. Bring water and sunblock, and wear good hiking shoes. All welcome! Meet at Tennessee Valley Trailhead parking lot.

PATH OF THE PANTHER

¡VIVA EL CINE!

MVFF’s ¡Viva el cine! initiative is a showcase of Latin American, Latinx, and Spanishlanguage stories, connecting audiences with a diversity of cultures, identities, and histories explored through the magic of cinema.

¡Viva el cine! es una iniciativa de MVFF que celebra historias latinoamericanas, latines y en español, conectando a las audiencias con una diversidad de culturas, identidades e historias exploradas a través de la magia del cine.

Support provided by Consulate General of Brazil in San Francisco

FEATURES

ALCARRÀS (Spain)

ARGENTINA, 1985 (Argentina)

BARDO (Mexico)

CHARCOAL (Brazil)

CHILE 1976 (Chile)

HOME IS SOMEWHERE ELSE (Mexico)

SANTOS – SKIN TO SKIN (US)

SUNNYLAND (US)

WE DREAM OF ROBOTS (Uruguay)

SHORTS

THE DISTANCE OF TIME (Peru)

MY NAME IS MAALUM (Brazil)

MVFF EDUCATION

CAFILM Education has offered free education programs to Bay Area schools for more than 30 years, welcoming thousands of students to participate in the Festival each year by viewing new films and meeting filmmakers from around the world. We continue this tradition with two free programs available exclusively to K-12 schools in the Bay Area and across the country.

SCHOOL SCREENINGS

A selection of narrative features, documentaries, and shorts programs is carefully curated from the general Festival program and offered for free to all participating schools as weekday matinees in the theater and throughout the Festival online. Screenings are followed by Q&As with filmmakers and subject experts, and supplemented by free curriculum resources including film-analysis toolkits, lesson plans, and discussion guides to help teachers incorporate the films into their class curriculum.

FILMMAKERS GO TO SCHOOL

For those schools and students unable to travel to the theater, we offer an additional interactive experience through our Filmmakers Go to School program. Throughout the Festival (and often beyond), CAFILM Education staff brings filmmaker guests into the community to meet with students in their classrooms and school auditoriums, or at nearby venues, for in-depth discussions about the art and craft of filmmaking.

For more information about CAFILM Education programs or how to get your school involved, visit cfieducation.org.

Support provided by

Pixar | Nancy P. and Richard K. Robbins Family Foundation | Project No. 9 Fenwick Foundation | Miranda Lux Foundation | Marin Charitable

Photo: Tommy Lau

FAMILY FILMS

What do Uruguayan teens competing in robotics, a flatulent Dutch piglet, and a queer Canadian tween comic book enthusiast all have in common? They’re just some of the inspiring characters (yes, even that pig!) whose stories we’ll be sharing with you during MVFF45, both in-theater and online. Along with dozens of short films and the latest work by youth filmmakers from many corners of the world, this year’s joyful and eclectic mix of cinematic experiences is a unique opportunity for exploration for audiences of every age. Join us for films, parties, workshops, and much more!

FILM PROGRAMS

ERIN’S GUIDE TO KISSING GIRLS HOME IS SOMEWHERE ELSE OINK (in-theater only) WE DREAM OF ROBOTS

SHORTS: ANIMATION FOR ALL SHORTS: FREE TO BE ME SHORTS: TRUTHS (AND SPOOFS) FROM THE YOUTHS

Age Recommendations: In our film descriptions, we provide age recommendations for Family Film programs to assist parents in making appropriate selections. These recommendations cannot adequately reflect the standards of every parent or the needs of every child, but we hope they’re helpful; please plan your movie-going experience accordingly.

SPECIAL EVENTS

OINK AFTER PARTY

Saturday, October 8 | 12:30-2:00pm | Outdoor Art Club

Free with film ticket

Following the West Coast premiere of Oink , stroll across the street for fun festivities featuring food, drink, games, arts & crafts—and hot dogs (and veggie dogs) for all!

WORKSHOP | IN OUR OWN WORDS: POETRY ON FILM

Sunday, October 9 | 4:00-5:30pm

Mission Cultural Center for Latino Arts, San Francisco Ages 11-18 | FREE

Inspired by the documentary Home Is Somewhere Else (page 121), participants will learn to write and perform poetry that exhibits their identity, experiences, and dreams.

VIRTUAL SCREENING + CONVERSATION

BLACK GIRLS FILM CAMP

An online virtual screening of short films created in this summer’s Black Girls Film Camp will be followed by a pre-recorded conversation with camp founder Jimmeka Anderson.

Family Films sponsored by: Bellam Self Storage & Boxes

MVFF MUSIC

JOHN SANTOS AND FRIENDS

Saturday | October 8

Doors 7:00pm | Show 8:00pm

Sweetwater Music Hall

After the screening of his documentary Santos—Skin to Skin, percussionist, bandleader, Grammy nominee, and Mission District icon John Santos performs with his extraordinary sextet, bringing their mastery to the Sweetwater Music Hall. Come celebrate the rich history and creativity of Latin Jazz with John and friends for an unforgettable evening.

THE RESIDENTS

Thursday | October 13

Doors 7:00pm | Show 8:00pm

Sweetwater Music Hall

Come fully expecting the unexpectedly weird and wildly wonderful wonderments of a rare live-and-in-person Residents show, for the first time—ever—in Mill Valley at the Sweetwater.

Live musical prestidigitations and lyrical proclamations will be preceded by a timeless, dapper, and lovingly curated collection of classic film and video works from the archives of the all-seeing all-dancing ever-Eyeballed Ones themselves, in celebration of 50 years of eye-conic existence.

FILM ONLY: $14 CAFILM MEMBERS | $16.50 GENERAL

MUSIC ONLY: $38 CAFILM MEMBERS | $40 GENERAL

FILM + MUSIC: $48 CAFILM MEMBERS | $50 GENERAL

NOTE:

The music show will be held Thursday, October 13 at the Sweetwater Music Hall in Mill Valley

The film Triple Trouble will screen Saturday, October 15 at the Roxie in San Francisco.

FILM ONLY: $14 CAFILM MEMBERS | $16.50 GENERAL

MUSIC ONLY: $38 CAFILM MEMBERS | $40 GENERAL

FILM + MUSIC: $48 CAFILM MEMBERS | $50 GENERAL

STRANDS

CREATE

Art, dance, music, theater. Creative minds.

THE ART OF EATING: THE LIFE OF M.F.K.

FISHER

ERIN’S GUIDE TO KISSING GIRLS

FINDING HER BEAT

HI DE HO SHOW HOME IS SOMEWHERE ELSE SHE SAID SHORTS: ONE AND ONLY TÁR

TURN EVERY PAGE GROW

Ecology, geography, environment, and the human relationship to the natural world.

ALCARRÀS

THE GRAB

PATH OF THE PANTHER WHITE NOISE HEART

Love, like, lust, passion, romance. Full spectrum!

THE BLUE CAFTAN BODY PARTS

LADY CHATTERLEY’S LOVER MOTHER AND SON

PROVO

RETURN TO DUST

LAUGH

Humor, wit, satire, irony, comedy—from LOL to WTF.

THE BANSHEES OF INISHERIN EO

FOUR SAMOSAS OINK PUPILS

STILL WORKING 9 TO 5 SPIRIT

Body, soul and the wholeness of being human. DESCENDANT OUR BROTHERS

THE PASSENGERS OF THE NIGHT PLAN 75 TUKDAM – BETWEEN WORLDS

THE UNKNOWN COUNTRY

THE WHALE

TRAILBLAZERS

Portraits of courage & vision, talent & guts.

BOY FROM HEAVEN CALL JANE

CHILE 1976

FANTASTIC NEGRITO: HAVE YOU LOST YOUR MIND YET?

HOLY SPIDER

RODEO

SANTOS – SKIN TO SKIN

SOPHIA

WE DREAM OF ROBOTS

WHINA

THE YOUNG VOTE

CREATE

Sponsored by BSSP GROW

Sponsored by Marin Convention & Visitors Bureau

HEART Sponsored by The Grateful Dog, Doggy PlayCare & Wellness

LAUGH

Sponsored by Marin Hotels

SPIRIT

Sponsored by Strawberry Village

TRAILBLAZERS

Sponsored by XFINITY

ALCARRÀS

Winner of the Golden Bear award at the Berlin Film Festival, Carla Simón’s gorgeous drama is a warm-hearted, multi-generational portrait of a Catalan family struggling for their peach orchard’s survival. At the film’s opening, the family faces eviction when the land’s owner decides to replace the trees with solar panels. Simón was hailed as a vibrant newcomer in 2017, after her luscious evocation of childhood and loss, Summer 1993 (MVFF40). Alcarràs adds further proof that she’s a talent to watch: The new film hums with conflicts large and small, from encroaching technology and the decline of traditional farming to the brutally cyclical nature of farmers’ lives, forever pegged to fickle weather and subject to cli mate change. Captured in gently sensuous, sun-filled cinematography, and enriched by spirited slice-of-life writing for an incredible ensemble of non-professional actors, Alcarràs celebrates families in their emotional infinitude, and life in its bittersweetness and implacable fullness. In Catalan and Spanish with English subtitles —Ela Bittencourt

DIRECTOR Carla Simón Spain, Italy 2022

min US PREMIERE

SECTION

World Cinema STRAND

Grow INITIATIVE

İViva el cine!

Mind the Gap

One of the most significant legal trials in Argentina’s history serves as the basis for Santiago Mitre’s (Paulina , The Summit ) new feature, arriving at MVFF fresh from its Venice Film Festival world premiere. This riveting drama begins in 1983 when, after finally re-establishing democracy from decades of military coups, President Raúl Alfonsín authorizes prosecutors

Julio Strassera (Ricardo Darín), Luis Moreno Ocampo (Peter Lanzani), and their young legal team to charge the heads of the country’s bloodiest military dictatorship with crimes against humanity. Under constant threat and menace, the lawyers race against time and all odds as they wage an unprecedented David-vs-Goliath battle to bring justice to the junta’s victims. Mitre portrays these gripping events with great suspense and gallows humor, blending archival footage with impressive reenactments from a spec tacular ensemble. By imparting valuable lessons of historical accountability, Argentina, 1985 ignites our sense of justice. —João Federici

ARMAGEDDON TIME

Acclaimed writer-director James Gray fashions his own family memories into a wistful, exquisitely performed character study, taking on race, class, and the American Dream. Banks Repeta stars as Paul, a white kid living in Queens in the early 1980s, hoping to break free of his parents’ working-class suburban life and become an artist. But when he befriends Black classmate Johnny (Jaylin Webb), Paul gets a very different education. The filmmaker behind devastatingly intimate dramas such as Two Lovers works with perhaps his finest ensemble—Anne Hathaway and Jeremy Strong play Paul’s weary parents, with Anthony Hopkins as his affable grandfather—to excavate our current affairs. Many directors look back at their childhoods with honeyed nostalgia; Gray spits in the eye of such rose-tinged reminiscences, exploring our shared culpability in cre ating a nation whose dreams of a better tomorrow seem to drift ever out of reach. —Tim Grierson

DIRECTOR

James Gray

2022 115 min IN PERSON

Gray

US Cinema

SPONSOR

Wareham Development

Nancy P. and Richard K. Robbins Family Foundation

THE ART OF EATING: THE LIFE OF M.F.K. FISHER

“I don’t know how to do anything else,” M.F.K. Fisher once said of her writing, in a feat of understatement. San Francisco director Gregory Bezat’s well-balanced documentary reintroduces this great mid-century pioneer of culinary literature, who invented a genre with her stylish observations on food and elevated cooking from humble domestic chore to celebration of life. Beyond her gastronomical musings, Fisher also wrote about place, loss, poverty, making do during wartime, and passion in all its forms. Weaving together archival interviews with Fisher, select readings from her oeuvre, endearingly expressive photographs, and commentary from eloquent admirers such as Alice Waters and Jacques Pépin, the film brings its subject fully to life as a person of depth, knowledge, and appetite. A flavorful and respectful appreciation, The Art of Eating also serves as an affirming primer on how to acquire worldliness and make it a way of being. —Ravinder Kingra

Bezat

AVAILABLE TO STREAM

THE BANSHEES OF INISHERIN

While civil war rages across Galway Bay, another kind of battle bursts forth on the tiny island of Inisherin when fiddler Colm (Brendan Gleeson) severs his friendship with dairy farmer Padraic (Colin Farrell). Done with his irrepressible pal’s banal chatter, Colm is so serious about calling it quits that he threatens dire consequences should Padraic speak to him. With this acerbic, 1920s-set black comedy reuniting his In Bruges stars Gleeson and Farrell, Martin McDonagh ( Three Billboards Outside Ebbing, Missouri , MVFF40) completes the Aran Islands trilogy he began in the theater with The Cripple of Inishmaan and The Lieutenant of Inishmore . The cast, including Barry Keoghan as the local constable’s dim-wit ted son and Kerry Condon as Padraic’s worldly sister, is top-notch in a film full of sharp observations about rural life and the challenge of human connection. Farrell is a stand-out as a simple man left befuddled and hurt by his friend’s betrayal. —Pam Grady

Friday

McDonagh

Ireland, UK, US 2022

Condon

Laugh

SPONSOR

Gruber Family Foundation

DIRECTOR

BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS

Named for the Buddhist concept of a transitional state between death and rebirth, and subtitled “False Chronicle of a Handful of Truths,” this witty epic from multiple-Oscar ®-winning director

Alejandro G. Iñárritu ( Biutiful , MVFF33; The Revenant ) centers on Silverio (Daniel Giménez Cacho), a renowned journalist and documentary filmmaker who returns to Mexico after a successful sojourn in the US. It appears that our hero is undergoing a midlife crisis of Felliniesque proportions, as he grapples with his identity, childhood memories, familial relationships, and even his two countries’ histories, in progressively surreal and outrageous vignettes. In Silverio’s world, imagination consistently subverts reality, and Iñárritu and his collaborators, including cinematographer Darius Khondji, make the transitions appear fluid and seamless. Iñárritu’s first production in his native Mexico since his celebrated feature debut Amores perros in 2000, Bardo resonates as a personal statement about the world and the artist’s place in it. —Richard Peterson

DIRECTOR Alejandro González Iñárritu Mexico 2022 161 min IN PERSON Daniel Giménez Cacho

SECTION World Cinema INITIATIVE

¡Viva el cine!

SPONSOR

Daniel Kenyon and Michelle Marchetta Kenyon

THE BLUE CAFTAN (LE BLEU DU CAFTAN)

In Salé, Morocco, Halim (Saleh Bakri, Costa Brava , Lebanon ) and his ailing wife, Mina (Lubna Azabal, Adam), own and operate a made-to-measure dress shop. Halim handcrafts caftans with an attention to detail and an eye toward durability prized by his customers. Similarly, Maryam Touzani’s film dives richly and intimately into the lives of its characters when Halim and Mina, facing a backlog of orders, take on young apprentice Youssef (Ayoub Missioui). As Mina becomes increasingly bedridden, a developing connection between the two men creates internal conflict for the mild-mannered tailor. Avoiding heated melodrama, Touzani instead sews together her story of the marital bond and an unusual romantic triangle with intimacy and great tenderness. The Blue Caftan shows the complexities and profundities of enduring love with a deeply stirring res olution and a trio of expert performances. In Arabic with English subtitles —Rod Armstrong

Touzani

Cinema STRAND Heart

BODY PARTS

Stunt coordinators prevent injuries on movie sets, but who protects the cast during those vulnerable moments of shooting a “sex” scene? In this wide-ranging primer on the perils of being female in Hollywood, veteran documentary director Kristy Guevara-Flanagan ( Wonder Women! The Untold Story of American Superheroines , MVFF35; What Happened to Her , MVFF39) and producer Helen Hood Scheer interview stars including Jane Fonda and Rosanna Arquette, among others, about their experiences shooting nude scenes for TV and movies. They describe the pressure they’ve felt to get naked on camera and the danger these intimate scenes pose, from predatory scene partners to the endless availability of images on the internet. Deftly illustrated with movie clips stretching back to Eadweard Muybridge’s motion studies, Body Parts is part film-history lesson on the dominance of the heterosexual male gaze and part clarion call for employing intimacy coordinators across the industry. It neither shies away from uncomfortable conversations nor ignores imagemakers trying to set a higher, more inclusive bar on set and on screen. —Shari Kizirian

DIRECTOR Kristy GuevaraFlanagan

US 2022

86 min IN PERSON Kristy GuevaraFlanagan SECTION Docs

STRAND Heart INITIATIVE

Mind the Gap

Saturday . October 8 . 3:00pm

Sunday

October 9

4:00pm

Lark

Rafael

BONNIE BLUE: JAMES COTTON’S LIFE IN THE BLUES

Largely credited with introducing the blues to rock audiences, Grammy-winning singer, harmonica player, and songwriter James Cotton gets a fitting tribute in this vibrant documentary portrait. Born on a plantation in Tunica, Mississippi, James Henry Cotton picked up his mother’s harmonica as a youngster and taught himself to play. His talent and drive brought him to the attention of blues great Sonny Boy Williamson, an eventual mentor, and to Chicago, where Cotton played harmonica with Muddy Waters for 12 years. A dazzling, three-decade-plus solo career inspired him to reimagine how the blues could be received and appreciated. Cotton, who died in 2017, speaks via unearthed video interviews in Bestor Cram’s insightful film, while interviews with Cotton’s contemporaries, including Buddy Guy, Billy Branch, and Steve Miller, further flesh out the artist’s profile. Fiery live sets and impressive archival footage reveal the depth and wonder of Cotton’s talent. —Wilfred Okiche

Cramn

BOY FROM HEAVEN

In the latest from Swedish-Egyptian director Tarik Saleh ( The Nile Hilton Incident ), Tawfeek Barhom plays a naive religious-scholarship student thrilled to be at Cairo’s prestigious Al-Azhar University—until finding himself pulled into a cascade of murders, conspiracies, and paranoia. The ensuing labyrinthine plot lets Saleh explore the tumult of jockeying for influence between religious and ostensibly secular institutions in Egypt, and the insidious corruption that’s endemic to both. With a strong cast and a point of view that’s somehow at once artfully detached and deeply committed, Boy from Heaven mixes moviemaking styles familiar from the likes of Terry Gilliam’s dark comedies and John le Carré’s spy dramas, fashioning a film that’s as much a biting satire as a political thriller. More than ten years after the Arab Spring, this story is as timely as ever, and relevant no matter where in the world you live. —Zaki Hasan

DIRECTOR Tarik Saleh Sweden 2022 125 min US PREMIERE IN PERSON

Saleh

Cinema

BROKER

Song Kang-ho deservedly won Best Actor at this spring’s Cannes Film Festival for his performance in writer-director Hirokazu Kore-eda’s latest bittersweet exploration of the de facto families we form across our lives. In Broker , he plays Sang-hyeon, who operates a black market business with his pal Dong-soo (Gang Dong-won), selling infants left at baby box es to parents looking to adopt. But when one of the mothers, So-young (Lee Ji-eun), has second thoughts about surrendering her child, the men work with her to find a good home for the infant. Filming in South Korea for the first time, the acclaimed Japanese auteur (whose Shoplifters , MVFF41, won Cannes’ 2018 Palme d’Or) has crafted a road-trip drama full of gentle observations about the ways in which we all sometimes feel abandoned—and how the search for home can be a perpetual quest. — Tim Grierson

Korea 2022

min

DIRECTOR

Kore-eda

JANE

When Joy (Elizabeth Banks), a contented suburban housewife, has need for an abortion, she finds herself trapped by a medical establishment indifferent to her survival — until she stumbles upon the Janes. Carol screenwriter Phyllis Nagy directs this fictionalized account of the clandestine Chicago-based group that provided safe, affordable abortions beginning in the late 1960s before Roe v. Wade became the law of the land. Shot in Super 16mm, it has the look and feel of a contemporaneous indie. The warm heart of the film is Joy, who slowly awakens to the struggles facing women as second-class citizens — denied not just their own bank accounts but also any agency in their own healthcare decisions. With tenderness and humor, Call Jane portrays Joy and her allies in all their flawed glory, offering hope and inspiration as the fight for reproduc tive freedom takes on new and compelling urgency.

—Shari Kizirian

DIRECTOR

Phyllis Nagy

US 2022 121 min IN PERSON Phyllis Nagy

Robbie Brenner

SECTION US Cinema STRAND

CAUSEWAY

Lila Neugebauer’s moving portrait of healing and friendship follows Lindsay (Oscar ®-winner Jennifer Lawrence), a soldier recovering from a serious injury at home in New Orleans but anxious to redeploy to Afghanistan. When she meets James (Brian Tyree Henry, If Beale Street Could Talk , MVFF41), a kindhearted mechanic reeling from a tragic and life-altering accident of his own, the pair forms an unexpected bond. The actors are phenomenal, beautifully inhabiting Lynsey and James’s intimate and tender relationship with grounded and nuanced performances. Making a remarkable feature debut, veteran theater director Neugebauer infuses this emotionally profound drama with a deep sense of compassion and understanding. Causeway highlights the quiet power in exposing our vulnerability and allowing ourselves to meaningfully connect with others, and in so doing, healing our deepest wounds. —Celeste Wong

Lila Neugebauer

Cinema INITIATIVE

Mind the Gap

CHARCOAL (CARVÃO)

DIRECTOR

Carolina Markowicz

Writer-director Carolina Markowicz’s evocative debut is the kind of film that makes you love cinema more than ever. Irene (Maeve Jinkings, Aquarius , MVFF39), her husband Jairo (Rômulo Braga, Blue Blood , MVFF38), and their son live in Brazil’s rural outskirts and work in a small backyard charcoal factory. That simple, quiet life changes when the family allows treacherous nurse Juracy (Aline Marta, Memory House ) to use their house as a hideaway for fugitive drug lord Miguel (César Bordón, Wild Tales ).

This dry satire poignantly depicts a society full of contradictions, in which religion, faith, life, and death all become entwined in flexible moral dilemmas. The utterly fearless ensemble delivers astonishing performanc es, and the sharp direction confirms Markowicz as a talent to watch. In Brazilian Portuguese, and Spanish with English subtitles —João Federici

Friday . October 7 . 7:00pm . Sequoia

Saturday . October 8 . 4:00pm

Saturday . October 15 . 4:00pm

BAMPFA

Roxie

Argentina

min US PREMIERE IN PERSON Carolina Markowicz

Maeve Jinkings

SECTION

World Cinema INITIATIVE

¡Viva el cine!

Mind the Gap SUPPORT FROM Consulate General of Brazil

CHILE 1976

Manuela Martelli’s debut feature is the poignant story of a wealthy, upper-middle-class housewife suddenly shaken into painful political awareness. As Carmen starts to renovate her beach house, the local priest asks her to help him hide a young fugitive from the law. This charitable act soon alters the leisurely tempo and comfortable atmosphere of Car men’s everyday life, plunging her into a state of unremitting tension. A subtle yet persistent aura of claustrophobia envelops the film, effectively communicating the terror of Chilean General Augusto Pinochet’s persecution of leftist activists and underground fighters who opposed his military junta. Hyper-attentive to textures and lyrically paced, Chile 1976 is a piercing work of portraiture. Aline Küppenheim gives a captivating, pitch-perfect performance as a woman forced out of her complacency, whose compassion draws her into a web of secrets, lies, and danger. In Spanish with English subtitles —Ela Bittencourt

INITIATIVE

el cine!

the Gap

CLOSE

Belgian director Lukas Dhont explores the delicacy of boyhood and the shifting dynamics of male friendship with heartbreaking intimacy in his assured sophomore feature. The winner of the Grand Prix at this year’s Cannes Film Festival, Close chronicles the bond between 13-year-olds

Léo (Eden Dambrine) and Rémi (Gustav De Waele), who seem insepara ble—until their connection provokes teasing by classmates, leading to tragedy. Dhont, the director of the acclaimed trans drama Girl , collaborates with his sensitive young actors to create an indelible snapshot of adolescence so quietly profound and entrancing that it resembles a dream. Both a coming-of-age story and a deft inquiry into how boys struggle to process their feelings, Close is a movie about grief and denial, love and acceptance. Dambrine and De Waele, making their big-screen debuts, movingly play kids becoming aware of the emotional challenges that the wider world has in store for them. —Tim Grierson

DIRECTOR

Lukas Dhont

Belgium, Netherlands, France 2022

105 min

BAY AREA PREMIERE

IN PERSON

Lukas Dhont

SECTION

World Cinema SPONSOR KQED

Magnetic star Vicky Krieps ( Bergman Island , MVFF44) vividly inhabits Empress Elisabeth of Austria in writer-director Marie Kreutzer’s ( The Ground

Beneath My Fee t) examination of the beloved, restless, and occasionally scandalous 19th-century ruler at midlife, a performance for which Krieps won Best Actress at Cannes’ Un Certain Regard. In this whimsical portrait, the woman known as “Sissi” is coming to terms with turning 40 and feeling constricted — as much by her social role in her dysfunctional marriage to the emotionally distant Emperor Franz Joseph I (Florian Teichtmeister) as by the corset that lends the film its name. Using a cool palette and a preference for understatement, Kreutzer deftly renders the social realities of the period, while offering fresh insight on the plight of a woman trapped by the beauty of her public image. With complex intel ligence and verve, Krieps refreshes our notions of female regality, and of costume drama. In German, French, English, and Hungarian with English subtitles —Ananya Kumar-Banerjee

Marie Kreutzer Austria, France, Germany, Luxembourg 2022 113 min

INVITED GUEST Marie Kreutzer

Cinema

Mind the Gap

Sunday

October 9

October

DIRECTOR

DECISION TO LEAVE

South Korean auteur Park Chan-wook continues his transformation from ace provocateur to mature master with this elegant Hitchcockian thriller about obsession and the mysteries of the human heart. Park Hae-il plays Hae-joon, a dedicated detective investigating the puzzling death of a man who fell from a mountain, and the deceased’s eerily enigmatic wife, Seo-rae (Tang Wei), a prime suspect. The more time Hae-jonn spends with the woman, the more he finds himself under her spell — but can she be trusted? The winner of the Best Director prize at the Cannes Film Festival, Decision to Leave sees Park moving away from the graphic shocks of Oldboy and The Handmaiden (MVFF39) while retaining his consider able skill at keeping an audience off-balance. Gorgeously shot and expertly crafted, it will pull you into a vortex from which, as Hae-joon learns, there is no escape. In Korean with English subtitles —Tim Grierson

DIRECTOR

Park Chan-wook

South Korea 2022 138 min

DECONSTRUCTING KAREN

The nonprofit Race2Dinner aims to challenge liberal white women on their biases and blind spots about racism in America — one dinner at a time. Shot months before the COVID-19 lockdown and racial awakening of 2020, this documentary from director Patty Ivins Spect and executive producer Anna Paquin finds a group of Denver-area white women volun teering to break bread at one such event and discovering they may have bitten off more than they can chew. As Race2Dinner founders Regina Jackson and Saira Rao share their lived experiences in Black and Brown skin, the film follows a course from initial pushback, defensiveness, and anger to — remarkably — listening, understanding, and growth. Spect also shows the work behind the work, as Jackson and Rao expand Race2Dinner to other areas of the country, opening up a vital new ave nue to hold difficult but urgent conversations with the power to change hearts and minds. —Kris Chesson

The Oct 9 screening will be followed by a filmmaker Talk Back at the Outdoor Art Club at 3:30pm. Join us to continue the conversation!

Sunday . October 9 . 1:45pm

Monday

October 11 . 3:00pm

Sequoia

Rafael

Ivins Specht

2022

min SECTION Docs INITIATIVE Active Cinema

Mind the Gap

DIRECTOR

DESCENDANT

Margaret Brown’s important and thought-provoking documentary may prompt a reevaluation of everything you’ve been taught about slavery and the Jim Crow era. In 2018, marine archaeologists uncovered the long lost remains of Clotilda, the last known US slave ship, along the riverbanks of Mobile, Alabama. While many have focused on the ship’s discovery, Brown turns her lens on the residents of Africatown, a community founded by survivors and their descendants—people long denied the freedom to speak about their family history for fear of retaliation. By giving them the opportunity and agency to tell their stories, Brown crafts a powerful testimonial highlighting the effects of the slave trade on modern Black Americans, and accords the Clotilda survivors the respect denied them during their lifetimes. Interspersed throughout the film is footage of the last known survivors of the Clotilda shot by famed writer, filmmaker, and anthropologist Zora Neale Hurston. —Bri’anna Moore

Margaret Brown US 2022 109 min INVITED GUEST

Brown SECTION Docs STRAND Spirit INITIATIVE

Mind the Gap

SPONSOR Henry Timnick

ELEMENTAL: REIMAGINING OUR RELATIONSHIP WITH WILDFIRE

Narrated by award-winning actor David Oyelowo, Elemental is equal parts frightening in its imagery and compelling in its thesis. As conceived by director Trip Jennings, this engrossing documentary about the devastating impact of wildfires, and the science deployed to combat them, offers viewers a new perspective on the raging infernos that have be come far too common threats to forests, homes, and entire communities. Packed with new and archival footage of the devastation wrought by fire run amok (notably, the 2018 Paradise, CA, Camp Fire), the film juxtaposes those stark and sobering images with interviews from an array of scientists, academics, and other experts who propose a potentially counterintuitive approach to bringing these blazes to heel. Most importantly, while Elemental illustrates the seriousness of the problem, it also underscores how — with forethought and care — we might achieve real solutions. —Zaki Hasan

The Oct 15 screening will be followed by a filmmaker Talk Back at the Outdoor Art Club at 4pm. Join us to continue the conversation!

DIRECTOR

Active Cinema

SPONSOR

Wareham Development

Nancy P. and Richard K. Robbins Family Foundation

Friday

Saturday

October 14 . 7:15pm

October 15

2:00pm

Sequoia

EMPIRE OF LIGHT

Sam Mendes fills his superbly cast, deeply personal drama with surprises, all emerging from a cinema in a working-class town in 1980s England. Hilary (Olivia Colman, in another knockout performance) is a single woman who runs the ticket booth, where she meets Steven (played with stirring confidence by relative newcomer Micheal Ward). Though on its surface a love story, Empire of Light is not what you might expect, as Mendes sidesteps the expected nostalgia to instead follow the credo written on the cinema’s walls: “Find in light where darkness lies.” The film (which also features Colin Firth and Toby Jones) leads us through the characters’ profound struggles, both internally and with a society encountering mas sive cultural and economic shifts. Working again with the Oscar-winning cinematographer Roger Deakins, Mendes has created a rich, complex celebration that, at its core, reminds us how music and cinema can bring us together, even as the world drives us apart. –Isabel Pinner (courtesy of Telluride Film Festival)

DIRECTOR

Sam Mendes UK, US 2022 119 min

AREA

Cinema

Revered Polish filmmaker Jerzy Skolimowski creates a new way of seeing the world in a film that chronicles nature’s beauty alongside human kindness and cruelty, from a donkey’s point of view. While comparisons are inevitable to Robert Bresson’s conceptually similar 1966 masterpiece Au Hasard Balthazar , this extraordinary tale is its own beguiling beast, playing with color and sound to render our silent protagonist’s journey across Poland and Italy an entrancing, hyper-vivid odyssey. Recent documentaries such as Gunda and Cow have sought to illuminate the lives of animals without resorting to cloying anthropomorphism, and EO , the winner of this year’s Cannes Jury Prize, takes this approach to the next level. Through this donkey’s expressive eyes, and its alternately hypnotic, whimsical, and disturbing adventures, the film illustrates how mad and magical everyday life can be—and that’s before Isabelle Huppert shows up near the end for a riveting, scene-stealing cameo. —Tim Grierson

ERIN’S GUIDE TO KISSING GIRLS

Notten

More than anything, Erin’s Guide to Kissing Girls is a tender, insightful, and refreshingly witty ode to Gen Z. This feature debut from queer writer-director Julianna Notten follows Erin (Elliot Stocking), an earnest middle-schooler and comic-book enthusiast who wants nothing more than to experience her first kiss. When she meets Sydni (Rosali Annikie), an effortlessly cool, rebellious ex-child star, Erin is instantly smitten. What follows is a delightful and compassionate observation of a young girl exploring her identity and unapologetically asserting her place in the world. The film pokes fun at Millennials’ obsession with iced coffee and cats, offers funny takes on Comic-Con cosplay ideas, and depicts the popular kids trying (and failing) to be socially conscious. Most importantly, Erin’s Guide highlights just how sensitive and welcoming Gen Z can be. Note: Includes one instance of mild profanity . Age 11+ —Aurora Amidon

Friday

Saturday

October 14

October 15

4:00pm

2:00pm

COAST

GUESTS

Notten

Stocking

STRAND

FANTASTIC NEGRITO:

YOU LOST YOUR MIND YET?

This locally made doc packs a lot of life into 90 minutes — specifically, the super-sized life of Xavier Dephrepaulezz, better known as Grammy-winning Oakland bluesman Fantastic Negrito, and his journey from early isolation as a Black Muslim kid in rural Massachusetts to Bay Area star with a global fanbase. Along the way, the story of a singular musi cian unfolds and we meet a misfit, maverick, drug dealer, punk innovator, urban farmer, and vulnerable bandleader. With powerful musical artistry and his own wry charm, Fantastic Negrito dishes on his relationship with his emotionally brutal father; being a “recovering narcissist;” the perils of the music industry; and the painful art of self-reinvention. A pivotal event in his thirties led to a rebirth of sorts and allowed him to embrace his own identity in an unexpected way — which led to the glorious present-day iteration of the “undeniable energy” that continues to drive him. —Celia C. Peters

Yvan Iturriaga,

FAULTLINE

This latest feature from celebrated Bay Area filmmaker Rob Nilsson is the third installment in his breathtaking Nomad Trilogy (after Arid Cut , MVFF42, and Center Divide , MVFF44). The film kicks off with Rail and his girlfriend Mitra on a motorcycle headed for Northern California in search of a long-lost father. They’re joined by three friends forced to hitchhike when their truck gives up. Lost in a burnt-out forest, they face dehydration and death while Rail and Mitra move on through a drought-ridden wasteland trying to find a man no one knows. Under majestic skies and amidst transcendent natural wonders, these colorful wanderers uncover truths about unsettled modern life in our divided country. It’s exciting to see Nilsson in full control of the medium, crafting a hypnotic experience about the raw, messy intimacy of family and the global impact of today’s conflicted society. Equal parts shocking and calming, Faultline is its own rare breed of independent film, a gritty and beautiful cinematic poem. —Brendan Peterson

DIRECTORS

Rob Nilsson

2022 154 min WORLD PREMIERE

INVITED GUEST

Nilsson

Cinema

FINDING HER BEAT

Right before pandemic lockdown 2020, eighteen leading Japanese and North American women taiko drummers realize their shared dream with the groundbreaking performance, HERbeat: Taiko Women All-Stars. In this full-bodied, male-dominated artform, they weave together their own joyful rhythms and styles to thunder through the taiko world and be yond. HERbeat is the brainchild of international taiko champion Tiffany Tamaribuchi, of Sacramento Taiko Dan, and Jennifer Weir, of St. Paul’s TaikoArts Midwest. With a cinema-verité style, Finding Her Beat captures the group’s pressure-cooker rehearsals as performers bridge cultural and creative differences while also fighting exhaustion and flu. Highlights in clude Chieko Kojima’s dance-drumming style designed for women, Kaoly Asano’s taiko as a healing force, and the presence of San Jose Taiko’s local hero PJ Hirabayashi. Relentless rhythm carries them all through the thrilling Leap Day show and heralds a new era for women in taiko. In English and Japanese with English subtitles —Carol Harada

Special taiko performance of featured artists from the film and San Jose Taiko.

Sunday . October 9 . 2:00pm . Mill Valley Depot Plaza

Sunday . October 9 . 12:00pm

Tuesday . October 11 . 11:00am

Sequoia

Sequoia

DIRECTOR

Dawn Mikkelson, Keri Pickett

US 2022 89 min

WORLD PREMIERE

INVITED GUESTS

Dawn Mikkelson, Keri Pickett

Megan Chao Smith

Tiffany Tamaribuchi

Josie Smith-Weir

SECTION

Docs INITIATIVE

Mind the Gap

SPONSOR

Marin Independent Journal

FOUR SAMOSAS

Set in suburban L.A.’s “Little India,” Ravi Kapoor’s quirky heartfelt indie caper comedy follows Vinesh, aka Vinny (Venk Potula), a wannabe hiphop artist who works in a sari shop by day. Aimless and heartbroken, he’s never gotten over Rina (Summer Bishil), the girlfriend who dumped him three years ago. Now she’s about to marry someone else, but Vinny is determined to win her back. Gathering a ragtag trio of accomplice pals, including a Bollywood superfan (Nirvana Patnaik), an amateur journalist (Sharmita Bhattacharya), and a snack-happy computer nerd (Sonal Shah), Vinny targets the grocery store owned by Rina’s dad for a heist. The plan? Swipe her dowry diamonds from the store safe and ransom them back to him. The logic? Maybe not exactly airtight. The result? A sweet, misguided adventure hilariously touching on Indian-American identity, self-worth, and second chances at love. —Ravinder Kingra

DIRECTOR

Ravi Kapoor

Cinema STRAND Laugh

FREEDOM ON FIRE: UKRAINE’S FIGHT FOR FREEDOM

It’s one thing to read articles on Russia’s war against Ukraine or see brief snippets of the destruction on social media. It’s something else entirely to feel like you’ve been dropped into a brutal military assault while it’s happening, which is exactly how documentarian Evgeny Afineevsky makes you feel with this portrait of a nation fighting for its life. A sequel to his Oscar ® -nominated 2015 doc Winter on Fire , this compelling, youare-there dispatch chronicles Russian president Vladimir Putin’s aggression against the Ukrainian people and its aftermath, with previously unseen footage of bombings, violence, and mass evacuations interspersed among testimonials from witnesses and survivors. Afineevsky also pays tribute to the extraordinary character of his fellow citizens, from a standup comedy show which mocks the Russian Army to doctors setting up makeshift sanctuaries to everyday people shouting down Russian soldiers. This is what bravery and resistance looks like. —David Fear

DIRECTOR

Evgeny Afineevsky

UK, Ukraine, US 2022 118 min

Evgeny Afineevsky

SECTION Docs

SPONSOR

Bank of Marin

GLASS ONION: A KNIVES OUT MYSTERY

Let’s just say that Rian Johnson has outdone himself in his wonderful new Knives Out (MVFF42) romp, bringing together a to-die-for ensemble of actors who portray a group of sometime friends—disruptors all—summoned to an exotic, futuristic island hideaway. Their mega-rich one-time leader and eccentric-genius comrade Miles (Edward Norton) has a game set up: to solve the mystery of his murder. Of course each guest has a motive, and all know each other well enough to glean what those murky motives might be. It’s looking like a weekend of fun, luxury, and designer cocktails. But curiously, Benoit Blanc (Daniel Craig), the best detective ever, has somehow landed an invitation, too. And where Benoit goes, murder is likely to follow. Buckle up as this amazing cast takes us on a riotous ride leading to a smashing climax. Irreverence abounds, hilarity ensues, one-liners are delivered with aplomb (Kate Hudson!), the uber-cool reigns (Leslie Odom Jr.), and the question remains: Whodunnit?? —Zoë Elton

DIRECTOR

Rian Johnson US 2022 139 min

OPENING NIGHT

IN PERSON Rian Johnson Kathryn Hahn Leslie Odom Jr. Kate Hudson SECTION US SPONSOR Vickie Soulier

THE GOOD NURSE

Based on a true story, Tobias Lindholm’s multi-faceted feature is a dazzling shapeshifter that successfully operates on a variety of levels: as a psychological thriller, as a damning indictment of health-care bureaucracy, and as a showcase for two of our finest actors, Jessica Chastain and Eddie Redmayne. As mild-mannered, socially awkward new-hire nurse Charles Cullen, Redmayne’s ambidextrous performance is an astonishing feat, a perfectly calibrated portrait that’s shattering to behold. Counterbalancing that is Chastain’s nuanced, committed turn as his principled and hardworking fellow nurse, Amy Loughren, a single mom suffering from her own health crisis. Jody Lee Lipes’ somber cinematography further ex pands on The Good Nurse ’s sobering themes, illustrating the shadows that can haunt the psyches of those around us. —Randy Myers

DIRECTOR

Tobias Lindholm

US 2022 121 min BAY AREA PREMIERE IN PERSON

Tobias Lindholm Eddie Redmayne Nnamdi Asomugha

Cinema

Square

THE GRAB

DIRECTOR Gabriela Cowperthwaite

This gripping, of-the-moment documentary connects some of the dots in humanity’s oldest struggle: the fight over resources. With an elegant, eye-opening throughline, filmmaker Gabriela Cowperthwaite ( Blackfish ) focuses on Bay Area investigative journalist Nathan Halverson and his team’s mission to make sense of the curious connections they uncover when exploring a Chinese company’s purchase of one quarter of America’s pigs. The probe leads to disparate locations — Arizona, Saudi Arabia, Zambia, Crimea — with links to the world’s food supply. We learn that as climate change has begun ravaging the planet, a small group has methodically and covertly planned for the worst-case scenario of food shortages and famine. Halverson and his team work bravely, talking to key players, some of them dangerous, in search of a larger truth that re lates directly to tonight’s evening news. Thankfully, after outlining a grim big picture, Cowperthwaite leaves us with reasons for hope. —Celia C. Peters

GUESTS Gabriela Cowperthwaite

STRAND Grow INITIATIVE

Mind the Gap

Friday

Monday

SPONSOR

Wareham Development

Nancy P. and Richard K. Robbins Family Foundation

HI DE HO SHOW

The Hi De Ho Show is back! In this only-at-MVFF tradition, host and maestro John Goddard curates and comments on music clips from his personal collection. This year it’s all women, all the time—as Goddard shines the light on the first 50 (or so) years of women in pop, jazz, big band, country, and blues. In performances both eye-popping and heart-wrench ing, expect the stylin’ or sultry, the soulful or sinful in this selection of dames, divinities, and the occasional diva. Whatever the genre, Goddard explores the sometimes autobiographical subtexts that seep through interpretations by some of the great singers and make those performances transcendent and timeless: Think Stand By Your Man , Strange Fruit , By Myself —worlds of experience channeled through a three-minute song, by singers who bare their souls with no regrets. Don’t miss this once in a lifetime experience, whether you’re a first-timer or Hi De Ho fan of many years standing. —Zoë Elton

DIRECTOR John Goddard US 2022 90 min

US Cinema STRAND Create

HOLY SPIDER

Filmmaker Ali Abbasi follows up his acclaimed 2018 fantasy romantic drama Border (MVFF41) with a tense and unapologetically feminist procedural based on actual events. Zar Amir Ebrahimi won Best Actress at Cannes for her portrayal of Rahimi, an Iranian journalist on the case of a serial killer who, in striking down sex workers, insists he is doing God’s work. Inspired by real-life murderer Saeed Hanaei, who slew 16 women in 2000 and 2001, Holy Spider evokes Zodiac and other engrossing crime thrillers, in which the search for a perpetrator doubles as a commentary on societal ills. Abbasi crafts a seemingly straightforward detective story, gripping and unsettling in equal measure, before unveiling a dark surprise in its second half, building and heating the drama nearly to a boiling point. Ebrahimi plays Rahimi with ferocious determination in her portrayal of a crusader determined to bring a bad man to justice. In Iranian languages with English subtitles —Tim Grierson

Abbasi

AREA

Cinema

Trailblazers

HOME IS SOMEWHERE ELSE

Set against the perennial immigration debate in the United States, this animated documentary goes beyond rhetoric to give voice to those who’ve experienced the inhumane consequences of official policy. Each of three stories is presented in its own imaginative visual style: The crayon-scribbled world of a child conveys the tale of an 11-year-old US citizen whose undocumented father is detained; a painterly watercolor canvas limns the situation of two teenaged sisters living on opposite sides of the US/Mexico border; and the plight of a slam poet-activist raised in smalltown Utah and deported to a country he never knew is rendered in bold colors as his words unify all three vignettes. The exquisite artistry of the differing styles serves each storyteller well, adding layers of nuance and restoring humanity to headlines. At times fanciful, as when a cut water melon transforms into a swimming pool of pink water, this dazzling work is always heartfelt. —Shari Kizirian

Age 12+ Note to parents: The film Includes references to a dangerous border crossing and one subject’s memories of his parent’s history of do mestic violence.

DIRECTORS

Carlos Hagerman Jorge Villalobos Mexico, US 2022 87 min BAY AREA PREMIERE

INVITED GUESTS Carlos Hagerman Jorge Villalobos SECTION Docs

STRAND

Create INITIATIVE

el cine!

AVAILABLE TO STREAM

LADY CHATTERLEY’S LOVER

Laure de Clermont-Tonnerre’s tastefully understated, elegantly updated version of D.H. Lawrence’s novel has bountiful pleasures on offer beyond the eroticism of its subjects. Emma Corrin ( The Crown ; My Policeman , MVFF45) plays a radiant Connie Chatterley who’s nobody’s fool — and no man’s “Lady,” either. An avid reader and intellectual from a family of free-thinking bohemians, Connie, in de Tonnerre’s depiction, is no isolated, sexually obsessed aberration wandering the grounds of Wragby Estate. Instead, she exists within a dynamic, socially stratified network of women, including her independent-minded sister Hilda (Faye Marsay) and her husband’s nurse Mrs. Bolton (Joely Richardson), both of whom empathize with Connie’s search for self-discovery and liberation. The attraction between Connie and Wragby’s groundskeeper, Oliver (Jack O’Connell), is electrified with desire, but also develops — despite their class differences — into a relationship between equals that offers hope, and true partnership, for both. —KD Davis

DIRECTOR

Laure de Clermont-Tonnerre UK, US 2022 105 min

GUEST

de

Heart

Cinema

Mind the Gap

Coslett

LIVING

This beautiful drama, written by Kazuo Ishiguro ( The Remains of the Day ) and directed by Oliver Hermanus ( Moffie ), poses a question: How does a repressed and ineffectual bureaucrat respond when he learns he has only six months to live? Mr. Williams is the most buttoned-up of individuals, but he decides that the time has arrived to assert himself, change a few lives, and inspire a few others—quietly, of course. As played by the incomparable Bill Nighy, Mr. Williams’ every muted tic, soft breath, and forlorn expression says more than words can convey. This is someone filled with regret for a life not lived and a future he won’t have. With stunning camera work, wonderful performances, and a beautiful sadness that is never morose, Living examines what happens when a man realizes he has long avoided the very things that give his life meaning.

—David Riedel

In 2004, Philippa Langley ( Sally Hawkins , Spencer , MVFF44) takes her son to see a production of Richard III . She becomes intrigued by the story of the malformed king who, per Shakespeare’s play, was a “usurper” to the throne. The deeper Langley dives into the history of the disgraced regent, the more she believes that a posthumous Tudor smear campaign sullied his good name. She vows to discover Richard’s unknown burial site and restore his reputation. No one believes her—until, after suffering the sneers and insults of scholars, the mockery of city officials, and the bewilderment of friends and loved ones, she convinces archeologists to dig up a car park in Leicester. The rest is history, and legendary British director Stephen Frears recounts this stranger-than-fiction shaggy-dog story with an eye toward placing its real hero front and center—with help from the extraordinary Hawkins. It’s a restoration tale in more ways than one. —David Fear

MOTHER AND SON

Spanning twenty years, Léonor Serraille’s beautifully sweeping second feature follows Rose (Annabelle Lengronne), who moves from the Ivory Coast to France in 1989 with her two sons Jean and Ernest. Presented in triptych form, each section explores one of these three richly-scripted characters. In the first section, Rose, independent and forthright upon her arrival in Paris, resists being tied to a man until paramour Thierry (Thibaut Evrard) woos her to Normandy. This shift in locale prompts the first shift in perspective, centering on teenage Jean (Stéphane Bak), the eldest son, and the challenges of adolescence. In the film’s final segment, focus turns to Ernest (Kenzo Sambin and Ahmed Sylla) as he tries to reconcile the distance he feels towards his mother and brother. With warmth, humor, and terrific performances, especially from Lengronne, Mother and Son is a masterful portrait of diasporic familial bonds and the complexities of parenthood. In French with English subtitles – Rod Armstrong

Serraille

Cinema INITIATIVE

Mind the Gap

MY POLICEMAN

The events of the past impact a married couple’s present when a long-estranged friend moves into their home after a stroke in Michael Grandage’s elegant adaptation of Bethan Roberts’ novel. The film glides effortlessly between past and present as the reason for Tom’s (Linus Roache) resentment, when his wife Marion (Gina McKee) becomes caregiver to Patrick (Rupert Everett), gradually emerges. In 1957, titular Brighton bobby Tom (Harry Styles), teacher Marion (Emma Corrin, The Crown), and museum curator Patrick (David Dawson) are mates but it is a complicated relationship full of secrets that only gradually emerge after Tom and Marion marry. Then Patrick runs afoul of England’s laws against homosexuality and disappears into prison. Written by Ron Nyswaner (Oscar ® nominee, Philadelphia ), the film teases out how an era’s social dictates and legal ities changed three lives. Nuanced performances, exquisite production design, and evocative pop songs set the scene for this emotionally resonant drama. —Pam Grady

Michael Grandage

US 2022

NANNY

Nikyatu Jusu’s evocative debut feature is an immersive encounter with the duality of the immigrant experience. Anna Diop plays Aisha, a recent Senegalese immigrant who spends her days caring for the child of a wealthy New York couple while making plans to bring her young son to the United States. As she navigates her increasingly strenuous work envi ronment, the West African water deity Mami Wata and Anansi the Spider begin to haunt her. Jusu’s deft exploration of the spiritual and emotional implications for a woman struggling to find the balance between two worlds comes to life in Diop’s stunning performance and DP Rina Yang’s dynamic cinematography. The film beautifully incorporates West African spirituality and femininity into the contemporary horror genre, creating a unique portrait that unites the ancient with the new. —Osinachi Ibe

DIRECTOR

Nikyatu Jusu

2022 97 min

PERSON Nikyatu Jusu

Anna Diop

SECTION US Cinema INITIATIVE

Mind the Gap

Destino Fund

OINK

This delightfully Dutch stop-motion-animated feature is the story of Babs, a nine-year-old steadfast vegetarian who desperately wants a pet puppy. Instead, her long-lost grandfather Tuitjes arrives unexpectedly from America (sporting a hilarious cowboy-western twang of an accent) and gifts her a piglet, whom she names Oink. His porcine charms are di minished only by frequent flatulence and fondness for the vegetables in mom’s beloved garden. Babs’ meat-free mom doesn’t trust Tuitjes, what with the town’s King Sausage Contest coming up and his checkered past as a disgraced former contestant. Much comedic mayhem ensues involving Babs’ heroic efforts to train Oink, who has a knack for pooping— spectacularly—at all the wrong moments. More Roald Dahl than Babe or Charlotte’s Web , this is at heart a sweet love story between a girl and her pet, with a clever message about animal cruelty sure to satisfy both herbivores and carnivores alike. —Jeff Campbell

OINK AFTERPARTY

Saturday, October 8 | 12:30-2:00pm | OAC | Free with film ticket

After the first screening of the film, stroll across the street for fun festivities featuring food, drink, games, arts & crafts—and hot dogs (and veggie dogs) for all!

DIRECTOR

Mascha Halberstad Netherlands, Belgium 2022 72 min

WEST COAST

PREMIERE SECTION

Family STRAND Laugh INITIATIVE

Mind the Gap

SPONSOR

Self Storage & Boxes

Saturday

October 8 . 11:00am

Sequoia

ONE FINE MORNING (UN BEAU MATIN)

Even more moving for eschewing excess drama, writer-director Mia Hansen-Løve’s subtle film is a bittersweet exploration of how the vicissitudes of fate and the passage of time shape identities. Sandra (Léa Seydoux), a translator and single mom, shares responsibility with her sister and mother for her father, a former philosophy professor (Pascal Greggory) suffering from a neurodegenerative disease. Moving between visits with her dad, her work, and time with her daughter, she encounters an old friend, Clément (Melvil Poupaud). When their platonic relationship gives way to romantic desire, Sandra rediscovers a part of herself, but their future remains uncertain. Cinematographer Denis Lenoir’s limpid 35mm cinematography effectively captures the breezy Paris parks, light-filled apartments, city streets, and bleak institutional interiors the characters navigate, and beautifully complements Hansen-Løve’s ability to evoke the changing seasons and rhythms of daily life. —Kate MacKay

Mind the Gap

OUR BROTHERS (NOS FRANGINS)

Police brutality receives considerable media attention during our current Black Lives Matter moment, but French director Rachid Bouchareb’s ( Days of Glory , MVFF29) drama serves notice that it’s been a social ill for far too long. Looking back with anger at the cruel murders of Abdel Benyahia and Malik Oussekine in 1986 Paris, Our Brothers has the solemn air of a procedural, following Oussekine’s older brother Mohamed (Reda Kateb) as he tries to determine what happened to Malik, and discovers police who will stop at nothing to hide their misconduct. An Oscar ® nominee and a producer of The Insult (MVFF40), Bouchareb uses this sobering true story, set against a backdrop of student protests for higher-educa tion reform, to examine how the killings resulted from police arrogance and incompetence, and how law-enforcement officials conspired to bury the truth. Drawing a straight line between past and present, Our Brothers is enraging, but its fury also proves to be cleansing. In French with English subtitles —Tim Grierson

DIRECTOR Rachid Bouchareb

Algeria 2022 92 min NORTH AMERICAN PREMIERE INVITED GUEST

Bouchareb

Cinema STRAND Spirit

Wednesday

OUR FATHER, THE DEVIL (MON PÈRE, LE DIABLE)

A complex work of inescapable power, this provocative debut, which won the audience award for Best Narrative Feature at the Tribeca Film Festival, announces Cameroonian-American filmmaker Ellie Foumbi as a major talent to watch. With a star-making turn by Babetida Sadjo at its center, Our Father, the Devil is a beguiling interrogation of trauma and its lingering aftereffects. Years after violent conflict shattered her life in Africa, Marie Cissé (Sadjo) has found refuge working as the head chef in a retirement home in small-town France. She isn’t prepared for the flood of emotions that erupt when a new priest, Father Patrick (Souléymane Sy Savané), arrives at her workplace and she recognizes him as a terrifying figure from her traumatic past. Foumbi holds her characters — and audience — to account, diving deep into the darkest corners of the human heart, and emerging with an intellectually stimulating dissection of revenge, power, victimhood, and the redemptive potential of love. In French with English subtitles —Wilfred Okiche

DIRECTOR Ellie Foumbi US 2022 108 min WEST COAST PREMIERE INVITED GUEST Ellie Foumbi

Cinema INITIATIVE

Mind the Gap

THE PASSENGERS OF THE NIGHT

The dissolution of a marriage is always difficult, and it’s even more so for Elisabeth (the iconic Charlotte Gainsbourg, radiant), in early 1980s Paris. She’s never been in a relationship with anyone but the husband who’s left her for another woman; her two children will soon leave the nest, and she’s never held a job. But when she nabs a position working for the host (Emmanuelle Béart) of the late-night call-in radio show she listens to, her fortunes begin to change. As the decade progresses, Elisabeth comes into her own, as do her kids in part due to their embrace of Talulah, a mysterious young drifter (Noée Abita). At once low-key and sweeping in its scope, reminiscent of Boyhood in its expansive slice of ordinary life, director Mikhaël Hers’ astutely-observed, compassionate and warm-hearted drama draws fine work from its veteran and emerging French talent. It’s also got a killer soundtrack of vintage Europop faves. In French with English subtitles —Dennis Harvey

DIRECTOR Mikhaël Hers France 2022 111 min US PREMIERE

World Cinema STRAND Spirit

PATH OF THE PANTHER

Bendick

In the southern Everglades, a wildlife photographer, veterinarians, ranchers, conservationists, and indigenous people join forces to track and protect the endangered Florida panther. In this moving documentary, stunning images of the big cats spur the movement to restore a majestic keystone species as well as dwindling wilderness. While National Geo graphic ’s Carlton Ward, Jr. employs camera traps to capture thrilling video and still portraits of panthers and other marshland creatures, biologists track the elusive wild felines, vets rehabilitate them after car strikes, and ranchers preserve working land and prevent overdevelopment. Creating wildlife corridors through ranch lands and nature preserves is the longterm plan. Through Ward’s art, the Florida panther and the swampland itself speak eloquently of their right to continue. A gripping tale of surviv al, Path of the Panther offers hope that we can follow our love of beauty and nature toward better stewardship of the Earth. —Carol Harada

GUEST Eric Bendick

INITIATIVE

Cinema

Boyce Trust

Kris Otis

Chie Hayakawa’s feature debut, which premiered at Cannes, puts our ageist society under a microscope. This dystopian drama may provoke comparisons to 1970s-era classics Logan’s Run and Soylent Green but while exploring similar themes, Hayakawa’s tender and visionary film resonates uniquely. In a chilling near-future, the Japanese government offers money to senior citizens willing to self-euthanize. Veteran actor Chieko Baisho stars as Michi, a woman considering whether to accept the stipend and end her life. Juxtaposing Michi’s story with those of a gung-ho salesman for the program (Hayato Isomura) and a struggling young mother (Stefanie Arianne), Hayakawa weaves a tapestry of dispa rate souls, all affected by death, sometimes in unexpected ways. Plan 75 gently ponders modern society’s tendency to shun the elderly and our fear of mortality; by quietly condemning such attitudes, Baisho’s bittersweet performance is a triumph. In Japanese with English subtitles —Tim Grierson

DIRECTOR Chie Hayakawa

2022 112 min US PREMIERE SECTION

World Cinema STRAND

Spirit SUPPORT FROM Consulate General of Japan, San Francisco

PROVO

Writer-director-star Emma Thatcher makes an arresting feature debut with this idiosyncratic love story that’s also a bitingly funny ode to the oddities of the American Midwest, and a lesson in forgiveness. After learning her estranged Mormon father is on his deathbed, self-destructive Liz (Thatcher) leaves her Chicago home, friend-with-benefits Geoffrey (Hunter Bry ant) in tow, meaning to give the old man a piece of her mind one last time. What follows is an offbeat road movie, chock-full of witty dialogue, unexpected revelations, and beautiful handheld camerawork that recalls the films of Kelly Reichardt in its grainy golden-hour undertones. It’s difficult to think of another up-and-coming filmmaker as self-assured as Thatcher as she steadily navigates a delicate tightrope of difficult themes and tonal shifts. At once insightful and wistfully funny, the trip to Provo is a journey worth taking. —Aurora Amidon

Preceded by the short film Small Gay Tragedy #1 (Rose Schlossberg, 4 min): When Rose finds new queers in her small town, she can’t believe her eyes.

Emma Thatcher

2022

min

INVITED GUESTS

Thatcher Sarah Franke

US Cinema STRAND

Heart INITIATIVE

Mind the Gap

Friday . October 7 . 7:30pm

Sunday

October 9 . 1:00pm

Rafael

Rafael

DIRECTOR

THE PUPILS (LE PUPILLE)

From the very first frames of Alice Rohrwacher’s Pupils , “a film clumsily and freely based on a letter the writer Elsa Morante sent to her friend Goffredo Fofi,” it’s clear we’re in for an original, whimsical, wonderful 37 minutes in the company of the rebellious little girls at a Catholic boarding school in Italy. It’s Christmas, it’s wartime, things are scarce. The Mother Superior, played by the marvelous Alba Rohrwacher, Alice’s sister and long-time collaborator ( The Wonders , Happy as Lazzaro ) rules over her charges with a strict and unyielding eye. Desires both pure and selfish are navigated. There’s the nativity play, requests for prayers from these innocent girls, and an irresistible red cake—temptation abounds! Gorgeously rendered in Super 16mm, filmmaker Rohrwacher’s sublime imagination and exquisite artistry once again prove her one of the most original cinema artists of her generation. We invite you to experience this gem of a film as our gift: Screenings are free, but you will need to get a ticket! In Italian with English subtitles —Zoë Elton

Rohrwacher Italy 2022 37 min SECTION

STRAND

Laugh INITIATIVE

Mind the Gap

SUPPORT FROM Italian Cultural Institute

Saturday . October 8 . 1:00pm . Rafael

Sunday . October 9 . 5:45pm . BAMPFA

Wednesday . October 12 . 11:00am . Sequoia

Saturday . October 15 . 12:00pm . Lark

THE QUIET EPIDEMIC

While true to its title in tone, directors Lindsay Keys and Winslow Crane-Murdoch’s documentary probe into the medical establishment’s denial of chronic Lyme Disease is a declarative bombshell. Woven through with heart-rending stories of long-term sufferers, The Quiet Epidemic presents a history of the debilitating illness, along with a litany of its many easily misdiagnosed symptoms. The film’s main focus is the abrupt official about-face on the idea that chronic Lyme even exists, government agencies’ flat-out negation of the disease coinciding with explosive profits from federally funded research patents and the growth of managed care. The paper trails are impressive, but the heart of this investigation is the devastation that bureaucracy has wrought on the afflicted. Through interviews and archival footage, we are witness to the decades of frus tration, demonization, and denial of care that patients continue to face. —Edward Dunn

The Oct 8 screening will be followed by a filmmaker Talk Back at the Outdoor Art Club at 4:15pm. Join us to continue the conversation!

DIRECTORS

Docs INITIATIVE

Mind the Gap

Cinema AVAILABLE TO STREAM

Saturday . October 8 . 2:00pm .

Monday . October 10 . 1:15pm

Rafael

Lindsay Keys, Winslow Crane-

RETURN TO DUST

One of the most talked about films from this year’s Berlinale competition, Ruijun Li’s Return to Dust is an unusually tender love story of middle-aged strangers pushed into marriage by their respective families. Ma Youtie (Renlin Wu) is a quiet, hardworking man and the least loved of five brothers, while Cao Guiying (Hai-Qing) is a disabled, infertile woman long mistreated and isolated. Eager to be rid of these perceived burdens, their families arrange for the couple’s union. Despite injustice, poverty, and the odds stacked against them, Ma and Guiying discover their luck in sharing a life together. With a serenity expressed by few words and an exquisite visual palette, Li brings a peaceful contemplative atmosphere to the heart of the drama. Set in rural China and infused with the beauty of the four seasons, Return to Dust is a delicate portrait of outcasts who find in each other the hope, love, and companionship they never knew was possible. In Mandarin with English subtitles —João Federici

Ruijun Li China 2022

Heart

Cinema

Jim Boyce Trust and Kris Otis

RODEO

Lola Quivoron kicks up major cinematic dust with her riveting feature debut. Julia, a young woman in love with motorbikes and addicted to speed and dangerous thrills, takes her swagger to the limit to infiltrate an all-male pack of riders. Newcomer Julie Ledru plays Julia with unnerving toughness as a woman who will do anything to ride, even master minding a bold heist to prove herself to local kingpin Domino (Sébastien Schroeder), who runs a crime ring from inside jail. A top prizewinner at Cannes, the film relates a passionate story of single-minded dedication and nonconformity, while condemning the misogynistic underpinnings of biker culture. Julia stands out as a solitary figure in a man’s world, yet she’s fully in tune with another woman’s plight, putting her own safety at risk as she becomes increasingly protective of Domino’s wife and child. Raphaël Vandenbussche’s intimate cinematography, punctuated by adrenaline-pumping scenes that build to a stunning finale, make Rodeo a high-octane ride you will never forget. In French with English subtitles

—Ela Bittencourt

DIRECTOR

Lola Quivoron

France 2022 105 min US PREMIERE INVITED GUESTS

Lola Quivoron

Antonia Buresi SECTION

World Cinema

STRAND

Trailblazers

INITIATIVE

Mind the Gap

SANTOS–SKIN TO SKIN

Bay Area music legend and activist John Santos takes center stage in this documentary thrumming with rhythm, passion, and cultural reflection. Known as a “keeper of the Afro-Caribbean flame,” the seven-time Grammy nominee percussionist and bandleader grew up on the rhythms of his Puerto Rican and Cape Verdean heritage. Charting his rise from early gigs to a short-lived stint with Santana to the formation of his own prolific sextet and collaboration with a host of international Latin Jazz greats, Santos – Skin to Skin builds a brilliantly energetic portrait of a hard-working musician and educator as dedicated to preserving and expanding Afro-Latin music as he is to navigating the politics of culture, social equality, and racial injustice. Live performances, archival footage, commentary by jazz luminaries, and an intimate glimpse of his family bring Santos and his life’s mission into vital focus. —Deanna Quinones

DIRECTOR Kathryn Golden US 2022 75 min CALIFORNIA PREMIERE SECTION Docs STRAND Trailblazers INITIATIVE

¡Viva el cine!

Mind the Gap MUSIC SHOW

SATURDAY OCT 8

JOHN SANTOS + FRIENDS

Sweetwater Music Hall

Doors 8:00pm / Show 9:00pm

SPONSOR

Saturday . October 8 . 5:15pm . Sequoia

Friday . October 14 . 7:30pm . BAMPFA

Sunday . October 16 . 4:00pm . Roxie

Marin Magazine AVAILABLE TO STREAM

SONY PICTURES CLASSICS: ANNIVERSARY SCREENING SEARCHING FOR SUGAR MAN

Detroit-born Sixto Rodriguez may be the best singer-songwriter you’ve never heard of. Though a respected early 1970s folk musician, he faded into obscurity after his first two albums failed to sell. In fact, it almost seemed as if he winked out of existence. But in South Africa, Rodriguez— sometimes called the “Sugar Man” after one of his songs—became a hero, and when the Apartheid government banned that song his legend only grew. Malik Bendjelloul’s Oscar ®-winning documentary tells the uplifting story of how one person can galvanize a people, even without knowing it. Plus, Rodriguez’s songs are genuinely great, his clever lyrics performed with a voice that mixes Bob Dylan’s raspiness with the sweet ness of Bread’s David Gates. Searching for Sugar Man is that rare movie that tells a great story and feeds the soul.

—David Riedel

Bendjelloul

2012 86 min SECTION Docs

FROM Consulate General of Sweden

DIRECTOR

Pro Suecia

SAID

A poignant testament to the power of investigative journalism, She Said captures the journey of New York Times reporters Jodi Kantor (Zoe Kazan) and Megan Twohey (Carey Mulligan) as they uncover harrowing accounts of sexual harassment and assault perpetrated by Harvey Weinstein—and the powerful Hollywood machine that enabled and protected him for decades. Based on the book by Kantor and Twohey, this heart-racing and emotional drama highlights the journalists’ unflinching tenacity in the face of institutional barriers and resistance, brilliantly captured with nuance and complexity by Kazan and Mulligan. Aided by an exceptional ensemble cast, acclaimed director Maria Schrader spotlights the remark able courage of the women who came forward as well as those who helped bring their stories to light. This game-changing story marked a momentous shift in Hollywood and beyond, and serves as a reminder of the ever-relevant impact and importance of uncovering the truth and amplifying otherwise silenced voices. —Celeste Wong

Schrader

INITIATIVE

the Gap

A. Schantz

Writer-director Florian Zeller returns with an adaptation of the second play in his family trilogy, which—like his 2020 Oscar ®-winning film The Father (MVFF43)—examines the seismic effect of sickness on everyone involved. Peter (Hugh Jackman) is settling into life with wife Beth (Vanessa Kirby) and their beautiful baby boy. In contrast, Nicholas (Zen McGrath), his teen son from his previous marriage, isn’t doing so well; according to Peter’s ex, Kate (Laura Dern), he’s extremely moody and angry. Without realizing the extent of Nicholas’ issues, Peter and Beth invite him into their home, hoping a new environment will improve his mindset. Anchored by an incredible performance from Jackman, Zeller’s portrait of a parental nightmare never exploits the subject of mental illness. —David Fear

Florian Zeller

US, UK, France 2022 123 min

SOPHIA

An exploration of brilliance and frailty in the pursuit of artistic perfection, Crystal Moselle and Jon Kasbe’s documentary follows ingenious but unsettled roboticist David Hanson as he and his team struggle to create Sophia, the most lifelike artificial intelligence ever built. Although at odds with investors, short of funds to live his own life, and dealing with a seemingly never-ending series of glitches in Sophia’s development, Hanson’s belief never wavers, even as pressure mounts to deliver a final product ready for the consumer marketplace. Equally fascinating is Sophia itself, which bristles at being the center of attention at showcases for potential backers, even while assuring audiences that it’s designed to help, not harm, people. A portrait of an uneasy inventor who just wants to work rather than deal with a world pushing and pulling at him, Sophia is a sharp study of the possibilities and limits of the human imagination.

—David Riedel

DIRECTORS

Crystal Moselle Jon Kasbe

US 2022 89 min CALIFORNIA PREMIERE INVITED GUESTS

Crystal Moselle

Jon Kasbe SECTION

Docs STRAND Trailblazers INITIATIVE

Mind the Gap

STILL WORKING 9 TO 5

The iconic 1980 screwball feminist revenge comedy that put the plight of women office workers on blast steps back into the spotlight in this fun and fascinating documentary. While directors Camille Hardman and Gary Lane investigate why 9 to 5 was made, how its production unfolded, and the film’s impact, they also depict the long struggle for the ratification of the Equal Rights Amendment. Stars Jane Fonda, Lily Tomlin, and Dolly Parton demonstrate their delightful and potent onscreen chemistry in insightful vintage footage and present-day interviews. Co-star Dabney Coleman and others involved in the film and later TV and stage adaptations also appear in this eye-opening film that reveals just how far we have – and have not – come in 40 years. And while the subject matter is serious, the documentary shares the light-hearted tone that made 9 to 5 such a smash. —Celia C. Peters

DIRECTORS

Camille Hardman Gary Lanee

US 2021 95 min

CALIFORNIA PREMIERE

INVITED GUESTS Gary Lanee Larry Lane SECTION Docs STRAND Laugh INITIATIVE Mind the Gap

SUNNYLAND

It’s no easy feat to capture the enigmatic, dreamlike magic of childhood in movie form, but Xavi Medina does just that with his feature debut. The filmmaker wrote, directed, shot, and edited this tale of five-yearold EZ (Isabella Wilkie), who lives in a Miami trailer park and has one simple goal in life: to see the ocean for the first time. Medina’s ambling and contemplative cinema-verité style recalls the hazy, colorful wonderment of Sean Baker’s The Florida Project (MVFF40), accentuated by an incisive undercurrent of poverty and the immigrant experience. In this tender drama’s focus on EZ’s boundless imagination, and in its insightful compassion for inattentive parents simply doing the best they can, Sun nyland brims with its own unique humanity — setting Medina apart as one to watch. —Aurora Amidon

DIRECTOR

Xavi Medina

US 2022 77 min WEST COEAST

PREMIERE

INVITED GUESTS

Xavi Medina

Maria Cotarelo

US Cinema INITIATIVE

el cine!

TO

THE SWIMMERS

Yusra Mardini cherished one goal: To swim for Syria’s Olympic team. But that aspiration seemed dashed when her homeland’s civil war made her a refugee. Sally El Hosaini’s second feature, after her lauded 2013 debut My Brother the Devil , chronicles the incredible real-life story of Yusra (Nathalie Issa) and her sister Sarah (Manal Issa), as they make the perilous trek from the suburbs of Damascus to start life (and training) anew in Berlin. An idyllic candy-colored poolside childhood gives way to a meaner palette of life on the run in an epic drama that portrays these tough-minded teenagers’ courage in fleeing in an overcrowded dinghy, spending hours bobbing in the sea beside it to keep it afloat, and later, drawing attention to the worldwide refugee crisis. Through it all El Hosaini never lets us forget that these are simply girls like any others, with dreams. —Shari Kizirian

El Hosaini

US 2022 134 min

Cinema INITIATIVE

the Gap

DIRECTOR

TÁR

A transcendent Cate Blanchett brilliantly portrays Lydia Tár, one of the greatest composer-conductors who never lived: a genius, an EGOT, and the first ever female chief conductor of a major German orchestra. We see her navigate a life, both public and private, centered in the international world of classical music: the Juilliard students who dismiss Bach as misogynistic; the hangers-on who want her number; the young, upcoming Russian cellist; her daughter, her partner (Nina Hoss). In this delicious slow burn of a film, writer-director Todd Field has created a profound and inventive character study, exploring power and fame, passion and paranoia with a wily sensibility. Blanchett’s spectacular performance takes us deep into the life that underscores this complicated, fascinating character—her phenomenal talent, her relationships, her manipulativeness, everything. Watching her conduct is amazing: She takes it on, body and soul, as only a great artist can. —Lily Buchanan

TILL

Visually striking and moving, Till centers the story of Emmett Till through the experience of his mother, Mamie Till Mobley. It’s a powerful choice, revealing the journey of a mother for whom grief becomes action—and whose action changes history. Danielle Deadwyler as Till Mobley is brilliant, and leads a terrific cast, including Jalyn Hall, who exudes a confi dent charisma as Emmett, Whoopi Goldberg, and Frankie Faison. It feels as though director-screenwriter Chinonye Chukwu ( Clemency , MVFF42) empowered her cast to go deep in an incredibly truthful way, creating a breathtaking drama that confirms all the promise of her earlier work with sure-handed artistry and insight. The emotional integrity of the cast is a great counterpoint to the wonderfully cinematic experience that she creates, with a confidence and style that recalls classic American film. This is a story both timeless and timely, as full of love as it is of grief. —Zoë Elton

Chukwu

the Gap

Community Foundation

TOWN DESTROYER

DIRECTORS

Alan Snitow

Deborah Kaufman

Is art’s role to provoke or placate? What happens when it no longer reflects current societal views? These questions and many more were the subject of hot debate when Victor Arnautoff’s thirteen-panel mural “The Life of Washington” became an object of local controversy, then a media firestorm. On display since San Francisco’s George Washington High School opened in 1936, it offers a view of the Founding Father both celebratory and critical, referencing his involvements in slavery and Native American genocide. (The Iroquois dubbed him “Town Destroyer.”) But some present-day students, parents, and observers found those depictions racially offensive, calling for the work to be removed or destroyed. Would doing so be a “redaction of history,” “identity politics gone off the rails”—or a justified blow to a lingering American “colonized men tality” as well as ongoing “traumatization” of young minds? Longtime Bay Area documentarians Alan Snitow and Deborah Kaufman interview historians, artists, activists, and GWHS students to probe a fascinating microcosm of today’s culture wars. —Dennis Harvey

The first screening will be followed by a panel discussion with the filmmakers and special guests to be announced.

Saturday . October 8 . 8:00pm

Friday

Saturday

October 14 . 1:15pm

October 15

Sequoia

Rafael

1:45pm

Roxie

US 2022 55 min

WORLD PREMIERE

INVITED GUESTS

Alan Snitow

Deborah Kaufman SECTION

Docs INITIATIVE

Mind the Gap SPONSOR

San Francisco

Chronicle AVAILABLE TO STREAM

TRIPLE TROUBLE

The Residents have existed over half a century now as one of the singular cultural enigmas of our times: An unclassifiable arts collective-slash-rock band who’ve racked approximately 100 albums and countless memorable stage shows, yet whose members’ identities remain a well-kept secret. Among aficionados, nothing in a vast back catalog remains more sought after than Vileness Fats, a 1970s-era cult movie intended to end all cult movies, left unfinished and unreleased after several years’ work. Its surreal weirdness inspired (and is excerpted in) this brand-new feature project. A skateboarding priest turned plumber (Dustin York) fears a plague of moon fungus and other possibly paranoid perils as he navigates a San Francisco that’s part German Expressionist nightmare, part noir mystery, and all Residents-tial referencing. Shot in high-contrast black-and-white by cinematographer Frazer Bradshaw, this bizarro enterprise is dedicated to late cast member (and longtime vocal collaborator) Gerri Lawlor.

—Dennis Harvey

DIRECTORS Homer Flynn, The Residents

PREMIERE

2022

Cinema MUSIC SHOW

THURSDAY OCT 13 THE RESIDENTS

Sweetwater Music Hall

Doors 7:00pm / Show 8:00pm

AVAILABLE TO STREAM

TUKDAM – BETWEEN WORLDS

Is it possible to die in a consciously controlled way? The Tibetan Buddhist tradition of “tukdam,” a practice of meditating at the deepest level of consciousness right before death, has been shown to delay rigor mortis and other post-mortem decay for days or even weeks. The bodies of those in tukdam remain warm and in the meditation position even af ter they are declared medically dead. Through interviews with Western scientists, Tibetan medical professionals, the Dalai Lama, and respected bhikkhus, Donagh Coleman’s fascinating documentary explores current research into the practice, in which the cessation of brain function, breathing, and heart activity is not necessarily life’s clear-cut end but in stead a pliant threshold. The researchers run into challenges as they try to apply modern science to ancient tradition, delving ever deeper into a universal mystery, and testing our most ardent assumptions about the relationship between body and mind. In English and Tibetan with English subtitles —Kris Chesson

DIRECTOR Donagh Coleman

Finland, Ireland, Estonia 2022 91 min NORTH AMERICAN PREMIERE INVITED GUESTS

Coleman

TURN EVERY PAGE – THE ADVENTURES OF ROBERT CARO AND ROBERT GOTTLIEB

Fifty years, five books, four thousand eight hundred and eighty-eight pages…and counting. Lizzie Gottlieb’s gripping documentary focuses on the intersecting life’s work of her father, writer and editor Robert Gottlieb, and biographer Robert Caro, author of the Pulitzer Prize-winning The Power Broker: Robert Moses and the Fall of New York and the influen tial multi-volume The Years of Lyndon Johnson . The energetic Gottlieb edited hundreds of books over the course of a career that included tenures as editor-in-chief at Simon and Schuster, Alfred A. Knopf, and The New Yorker . But the magnitude of his collaboration with Caro provides Lizzie Gottlieb with the pretext to document her erudite subjects. Com bining compelling first-person accounts with the observations of fellow writers, editors, loved ones, and fans, she demonstrates the enduring significance of these meticulously crafted, voluminous histories to understanding the use and abuse of power in the US in the 20th century and beyond. —Kate MacKay

Gottlieb

GUEST

Gottlieb

INITIATIVE

the Gap

THE UNKNOWN COUNTRY

DIRECTOR

Morrisa Maltz

Morrisa Maltz’s staggering second feature is a thousand things at once. It’s an ode to the mysteries of the American Midwest, a joyous meditation on modern Native American life, a seamless amalgam of fiction and documentary, and an unflinching reflection on grief. Reeling from a loved one’s recent death, Tana (Lily Gladstone), a young Native wom an, embarks on a solo road trip from Minnesota to the Texas-Mexico border. Along the way, the fictional Tana interacts with real, delightfully idiosyncratic figures, making for a Nomadland-style documentary-feature hybrid, full of tactile, stranger-than-fiction touches. The characters, the ubiquitous looming mountains, the striking neon-bathed rest stops and motel rooms, all are expressed with an overwhelming feeling of humanity. The Unknown Country is a breathtaking and deeply personal ac count of growth amidst an uplifting search for one’s place in the world. —Aurora Amidon

2022 85 min

BAY AREA PREMIERE

INVITED GUESTS Morrisa Maltz

Lainey Bearkiller Shangreaux

Vanara Taing

SECTION

US Cinema STRAND Spirit INITIATIVE

Mind the Gap

Monday

Tuesday

October 10 . 5:15pm

October 11 . 2:30pm

WE DREAM OF ROBOTS

A determined group of teenagers from the Uruguayan countryside tackles math, science, and the physics of friendship as they conquer the world of robotics. We Dream of Robots showcases the hopes and dreams of young people whose rural daily lives inspire them to embrace the challenge of building a better future for all. Imagine having no cell phone but learning to assemble and program a robot. Imagine walking or biking three hours to school, then staying an additional three hours to brainstorm robotic solutions to local flooding. The film documents the journeys of two teams from such humble origins that vie for glory against 70 other squads in the first robotics competition ever held in Latin America. The collaboration, commitment, national pride, and creative spark these kids share will lift your heart—and may just send you scurrying for a robot-building kit of your own. —Deanna Quinones

DIRECTOR

Pablo Casacuberta

Uruguay 2021 84 min NORTH AMERICAN PREMIERE INVITED GUEST Pablo Casacuberta

SECTION

Family STRAND Trailblazers

INITIATIVE

¡Viva el cine!

SUPPORT FROM Consulate of Uruguay

WHALE

Hinging on a career-defining performance from Brendan Fraser, The Whale is an emotionally resonant tour de force, by turns funny and devastating. Fraser plays Charlie, a 600-pound online writing teacher and fragile gay man stricken by grief. Confined to his dead-end Idaho apartment, Charlie ticks off his days binging on pizzas as visitors cycle in and out: an enabling caregiver (Hong Chau), a wayward missionary (Ty Simpkins), an angry-as-hell daughter (Sadie Sink), and an alcoholic ex-wife (Samantha Morton). Samuel D. Hunter brilliantly adapts his award-winning 2012 play, plumbing the complex nooks and crannies of religion, loss, sexuality, and literature. Ever sensitive to Fraser’s vulnerable and commanding performance, visionary director Darren Aronofsky (Variety Contenders, MVFF37) proves an ideal match for the material, giving it edge, humor, and unsentimental heft. —Randy Myers

Aronofsky

2022

min

COAST

IN PERSON

Fraser

Cinema

DIRECTOR

DIRECTORS

This inspirational film reveals the extraordinary life of New Zealand’s Dame Whina Cooper, a courageous Māori woman whose lifelong activism on behalf of her people ranks her among the most influential proponents of nonviolent civil disobedience in the 20th century, on par with Mahatma Gandhi and Martin Luther King Jr. Directors James Napier Rob ertson and Paula Whetu Jones’ biographical drama explores the complex personal and political life of a community activist who would come to be known as “Te Whāea-o-te-Motu” or “Mother of the Nation.” Embodying such a heroic individual is no easy task, but three actors rise to the challenge of portraying Whina, including the iconic Rena Owen ( Once Were Warriors ), Tioreore Ngatai-Melbourne ( Hunt for the Wilderpeople ), and the amazing Miriama McDowell, who commands the screen as Cooper in her middle years. Whina passionately recounts an essential chapter of national history, and will leave you wanting to tell everyone you know about this phenomenal individual. —Bri’anna Moore

Whetu

WHITE NOISE

Writer-director Noah Baumbach dazzles in his first film since his acclaimed Marriage Story (MVFF42 Ensemble Award) with this exquisite, epic adaptation of Don DeLillo’s 1985 National Book Award-winning novel. It is a towering achievement that folds satires of academia, consumerism, and fear of death into an exploration of the family, a theme Baumbach has so brilliantly mined throughout his career in such films as The Squid and the Whale (MVFF28) and Margot at the Wedding (MVFF30). At a Midwestern college, middle-aged Jack (Adam Driver) is a superstar professor who pioneered the field of Hitler studies. He and his fourth wife Babette (Greta Gerwig) share brainy, verbal children from their various marriages in a happy household but one threatened by both internal and external forces. Don Cheadle adds a striking supporting turn as Murray, a professor starting a new field of Elvis studies with whom Jack shares kinship and friendly rivalry. —Pam Grady

WOMEN TALKING

Powerful, committed performances by an extraordinary ensemble—including Frances McDormand, Judith Ivey, Rooney Mara, Claire Foy, Jessie Buckley, and Ben Whishaw—take us deep into the lives of a group of women as they confront a life-and-death decision: To remain in silence, or to leave in exile. Much of the action occurs in the confined setting of a village barn in their isolated Mennonite colony—located somewhere both far from our modern world and too painfully close for comfort— where the women gather secretly to determine a course of action in the wake of an urgent crisis that has affected all of their lives. In the supremely capable hands of director Sarah Polley ( Away from Her , Stories We Tell ), Miriam Toews’ best-selling novel unfolds as a deeply human drama driven by extraordinary performances in this profound, moving film. Based on true events, Women Talking is an exhilarating paragon of collective organizing and female agency that may well be the prescient wake-up call for our times. —KD Davis

DIRECTOR

Polley

McDormand

SECTION US Cinema INITIATIVE

Mind the Gap

Marin Community Foundation

Sunday

THE WONDER

Sebastián Lelio ( A Fantastic Woman , MVFF40) directs this gripping adaptation of Emma Donoghue’s ( Room , MVFF38) revisionist historical novel set in her native Ireland. It’s been a decade since the Great Famine when a million died from starvation and a million more fled the country. Now, a “fasting girl” in Ireland’s countryside has stopped eating, claiming to subsist solely on “manna from above.” The town’s leaders summon an English nurse (Florence Pugh) to help sit a two-week vigil, watching for proof of saintliness or fraudulence, the child’s well-being be damned. Then, beset by her own demons, the nurse’s fate becomes tied to that of the girl. Accompanied by an eerie soundtrack with the power to beckon ghosts, and shot by Ari Wegner ( The Power of the Dog , MVFF44) in a stunning series of Rembrandt-lit rooms and cloud-eclipsed landscapes, The Wonder summons the medieval, when condemnation and beatification threatened the same earthly outcome.

—Shari Kizirian

Sebastián Lelio

US, UK, Ireland 2022

102 min

WEST COAST PREMIERE IN PERSON

Sebastián Lelio

SECTION

World Cinema

SPONSOR

Gordon Radley

DIRECTOR

XALÉ

Acclaimed Senegalese director Moussa Sene Absa ( Madame Brouette ,

MVFF26) unites ancient and contemporary modes of storytelling in this visually stunning and emotionally resonant tale of familial love, loyalty, and diaspora. The drama centers on Awa, a 15-year-old student, and her twin brother (and confidante) Adamo, who dreams of a better life in Eu rope. When their beloved grandmother arranges for their Aunt Fatou to marry a relative whom Fatou detests, the results of this forced union bear consequences not only for the unhappy couple, but for the community — and, most gravely, for the twins. Sene Absa’s beautifully crafted film is as steeped in traditional African storytelling as it is rooted in contemporary Senegalese life. Among its many innovations is the appearance of two choruses of narrators: one male ( les griots ) and one female ( les griottes ). But at its heart, Xalé is young Awa’s story, brought to life with an amazing performance from newcomer Nguissaly Barry. In Wolof with English subtitles —Bri’anna Moore

Monday . October 10 . 7:15pm

Tuesday

October 11 . 6:30pm

Rafael

Rafael

Sene

PREMIERE

PERSON

Sene

Cinema

FROM

Consulate General of France in San Francisco

THE YOUNG VOTE

DIRECTOR

Robinson

As the United States teeters toward theocracy, it is painfully clear that the stakes in the upcoming midterm elections are nothing short of the life, liberty, and pursuit of happiness promised to all of the nation’s peoples. The hope of preserving democracy largely depends on turnout at the ballot box. So, why don’t more Americans vote? First-time filmmak er Diane Robinson’s documentary profiles four youth-led initiatives that address this conundrum among the nation’s most reluctant voting bloc: 18- to 29-year-olds, who exercise their franchise far less than any other age group. The head of the youth voting drive for Women’s March Action, a Black Lives Matter activist, a Dreamer registering voters in the Latinx community, and underage Floridians trying to revamp their state’s party primaries share theories and strategies for motivating Gen Z and Millennial citizens with the power to change outcomes – if they show up on election day. —Shari Kizirian

The Oct 8 screening will be followed by a filmmaker Talk Back at the Outdoor Art Club at 2pm. Join us to continue the conversation!

GUEST

Robinson SECTION Docs

STRAND Trailblazers

INITIATIVE

Mind the Gap

Active Cinema AVAILABLE TO STREAM

Saturday . October 8 . 12:00pm . Sequoia

Sunday . October 9 . 3:30pm . BAMPFA

Monday . October 10 . 3:00pm . Sequoia

SHORTS ANIMATION FOR ALL

Puppies, babies, and bears, oh my! We’ve once again scoured the globe for the best collection of animated short films for audiences of every age to enjoy. Funny characters and curious kids mingle with gentle lessons about kindness to animals, why not to be afraid of being afraid, how dandelions are born, and so much more: Kayak (Solène Bosseboeuf, Flore Dechorgnat, Tiphaine Klein, Auguste Lefort & Antoine Rossi, France 2021, 6 min), Andy "A Dog’s Tale" (James Wheless, US 2021, 8 min), Bench (Rich Webber, UK 2020, 2 min), Kiko and the Animals (Yawen Zheng, France/Switzerland 2020, 7 min), My Name Is Fear (Eliza Płocieniak-Alvarez, Germany 2021, 5 min), The Most Boring Granny in the Whole World (Damaris Zielke, Ger many 2022, 7 min), Patouille and the Parachute Seeds (Inès Bernard-Espina, Mélody Boulissière & Clémentine Campos, France 2021, 6 min), Salt (Alicia Scott Nichols, US 2020, 6 min), Winter Sleep (Katerina Karhankova & Alexandra Majova, Czech Republic 2020, 7 min), Wolf and Cub (Marvin Bynoe, US 2021, 8 min), Step by Step (Fanny Paoli, Anabelle David, Emma Gach, Claire Robert, Julie Valentin, & Thēodore Janvier, France 2021, 7 min). Nonverbal and in English Age 5+ Total program 70 min —Joanne Parsont

SHORTS FREE TO BE ME

We all can feel a little awkward or insecure sometimes, but the inspiring young people featured in this international selection of short films set fine and admirable examples of how to believe in yourself—regardless of what others might think or say. It’s a fun and eclectic mix of animation, live-action, and documentary (sometimes all in one film), as well as a time ly reminder for all of us to respect one another’s differences: Giovanni (Marco Di Gerlando & Ludovica Gibelli, Italy 2021, 5 min), Comic Escape (Alphonso McAuley, US 2021, 15 min), How I Got My Wrinkles (Claude Delafosse, France 2022, 12 min), Just Johnny (Terry Loane, Ireland 2021, 19 min), Stairs (Zoljargal Purevdash, Mongolia 2020, 12 min), Mama Has a Mustache (Sally Rubin, US 2021, 10 min), My Name Is Maalum (Luísa Copetti, Brazil 2021, 8 min). In English and various languages with En glish subtitles Age 9+ Total program 81 min —Joanne Parsont

AVAILABLE TO STREAM

SHORTS

LUNAFEST®

Eight short films that empower and inspire. How to Be at Home (Andrea Dorfman, 5 min): An animated poem reflects on coping with pandemic isolation. Close Ties to Home Country (Akanksha Cruczynski, 15 min): An immigrant dog-walker finds connection in the hearts of the pets she cares for. Generation Impact: The Coder (Samantha Knowles, 7 min): A teen girl designs a mobile app to help kids stay connected to their incarcerated parents. Proof of Loss (Katherine Fisher, 14 min): When a fire takes their home, a father and daughter must salvage what remains. When You Clean a Stranger’s Home (Sharon Arteaga, 7 min): A first-generation high-schooler describes what she and her mom learn about people when cleaning their homes. Between the Lines: Liz at Large (Abi Cole, 5 min): Meet first Black woman cartoonist in The New Yorker’s history. Wearable Tracy (Emily McAllister, 12 min): A woman’s social experiment connects her with fellow city dwellers who’d otherwise be strangers. To the Future, With Love (Shaleece Haas & Hunter Jimenez, 7 min): A nonbinary trans teen animates a self-portrait of feeling caught between expectations and dreams. Total program 80 min

SPONSOR LUNA

SHORTS THE NEW ENVIRONMENTALISTS

Narrated by Sigourney Weaver, The New Environmentalists — from Malawi to Peru (US 2022, 30 min) is the latest in the Mill Valley Film Group’s Emmy Award-winning series about the dedicated recipients of the Goldman Environmental Prize who all have a common goal: safeguarding Earth’s nat ural resources while fighting for justice in their communities. Earth’s natural resources while fighting for justice in their communities. Evan-Marie Petit’s Pomo Land Back: A Prayer from the Forest (US 2022, 7 min), created in collaboration with the Coyote Valley Band of Pomo Indians, aims to honor the vital movement towards indigenous-led stewardship and rematriation of California forests. In Ben Derico’s Hasta la Última Gota ( Until the Last Drop ) (US 2022, 17 min), the citizens of Chile’s drought-afflicted Petorca Province fight to legislate water as a human right while enormous agribusi nesses leech the vital resource from their community for profit. Nancy Kelly’s I’m a Burner (US 2022, 3 min) looks at how the Mountain Maidu tribe has managed forest fires for generations by thinning excess fuel build-up with prescribed burns. In Josh Izenberg and Brett Marty’s Eco-Hack! (US 2021, 17 min), biologist Tim Shields quits traditional observational biology, instead adopting direct intervention methods to prove that innovation, technology, and imagination may be the last hope for saving the planet.

Total program 74 min —Kelly Clement AVAILABLE TO STREAM

ONE AND ONLY

“I’ve been here before. Every feeling, every word. I’ve imagined it all. You never know if you never try…” Tales of artistry, creativity, and empathy cover a lot of ground in these memorable shorts. Owen Klatte’s remarkable Of Wood (US 2022, 7 min) is a stop-motion tribute to the history of wood, his chosen animation medium. Anna J. Takayama’s The Voice Actress (Japan 2022, 15 min) reveals the rigors of anime auditioning for an older actor in a younger person’s landscape. April Moreau’s funny and searing Hysterical (US 2022, 15 min) chronicles a stand-up comic’s journey as she steels herself to perform while dealing with a personal trauma. Desirée Abeyta’s Anne (US 2021, 10 min) examines casting for an important role and how lessons from history can speak to new generations today. A writer must explore the dangers of self-expression under a totalitarian regime in Hamid Mohammadi’s stop-motion The Past (Iran 2021, 7 min). And in Callie Bloem and Christopher J. Ewing’s clever Written By (US 2021, 15 min), fictional characters have some startling real-world epiphanies. A broad variety of storytelling modes brings laughs and keen insights in this collection. Total program 69 min —Sterling Hedgpeth

SHORTS PAINTING PICTURES

“Filling up my heart with golden stories…. Who adds some spice to the rhythm of life?” Bay Area filmmakers present true-life tales of extraordinary individuals in this program. In Chloë Fitzmaurice’s For the Bees (US 2021, 16 min), Yemeni refugee Kahled pursues beekeeping in Oakland. Perry Gershkow’s The Baker (US 2021, 9 min) introduces Matthew Jones, a renowned San Francisco baker who crafts artisanal breads while wrestling with obstacles wrought by the pandemic. Under looming threat of closure, and with phantoms of the past and future bleeding into the present, the caretakers of San Francisco’s historic queer bars carry on in Drew de Pinto’s Last Call (US 2021, 4 min). In Gabriel Diamond’s Strangers In Boxes (US 2021, 6 min), activists from more than 15 countries— all strangers—meet online during COVID, connecting with each other in surprisingly profound ways. In Subei Kyle’s short Ramini (US 2022, 12 min), we experience the day-to-day life of a water buffalo farm in Tomales Bay. Sculptor Dana King’s hands and activist Fredrika Newton’s memories come together to build a new monument—a bust of Black Panther Party leader Huey P. Newton—in A.K. Sandhu’s For Love and Legacy (US 2022, 20 min). Total program 68 min —Kelly Clement

SHORTS ROLLING IN THE DEEP

“Throw your soul through every open door. Count your blessings to find what you look for.” These short films by talented British female directors use a variety of genres and styles to tell contemporary stories. Hailing from one of the most vibrant LGBTQ communities in the UK, Sarah Smith’s joyously campy Cardiff (UK 2022, 25 min) follows a single gay man who falls in love with his married friend’s lover. Katya Ganfeld’s edgy, aesthetically arresting Mirror Mirror (UK 2022, 15 min) explores a heartsick woman’s journey into an unknown reality. In Caitlin McLeod’s poignant One Like Him (Jordan/UK 2022, 15 min), a man seeks confrontation with a childhood friend while being forced to relive painful memories of his past. Reflecting on deeply human themes with hilarity, intimacy, and surreal thrills, these daring films captivate. Total program 60 min —Danielle Owens

SHORTS SKYFALL

“Hear my heart burst again. For this is the end. I’ve drowned and dreamt this moment.” These powerful stories highlight the intersection of identity and mortality in touching ways. A school teacher must face some urgent family news in a dangerous COVID world in Farhad Pakdel’s Everything Will Be All Right (Canada 2022, 16 min). Lives put on the line in the name of space exploration get their due in Simon Cottee’s touching, animated The Pioneers (Canada 2021, 10 min). In Marilyn Cooke’s No Ghost in the Morgue (Canada 2022, 16 min), a medical student finds herself in an unlikely internship. A trip to the beach carries some real emotional weight for a queer couple in Luisa Dantas’s Rip Tide (US 2022, 13 min). Miriam Hitchcock’s lovely and impressionistic No Time (US 2022, 3 min) is a meditation on building a better world by urgent example. And a futuristic job interview takes a surprising turn in Casimir Nozkowski’s All Will Become Clear at the Point of Contact (US 2021, 7 min). Join us for this poignant and life-affirming array of stories, wonderfully conveyed. Total program 66 min —Sterling Hedgpeth

AVAILABLE TO STREAM

SHORTS STRANGERS BY NATURE

“I’ve never seen the sky this color before. It’s like I’m noticing everything a little bit more.” These short films are vivid, beautiful, compassionate, and unforgettable. A normal medical procedure becomes a nightmare of Kafka-meets-Cronenberg proportions in Grace Gregory’s shocking, timely Earthworm (US 2022, 14 min). In Emilie Mannering’s stunning Brasier (Canada 2022, 19 min), two siblings find that new dynamics in high school have unexpected reverberations. In Brenton Gieser’s gorgeous Gabriel (US 2022, 14 min), a grieving mother seeks some kind of closure with her son’s killer. And in Carlos Ormeño Palma’s elliptical The Distance of Time (Peru 2021, 19 min), the slipstream of memory tells a moving tale of loss and love for a gay couple. The stories are short but the emotional terrain they traverse is epic in this extraordinary collection. Total program 66 min —Sterling Hedgpeth

TO STREAM

SHORTS : TRUTHS (AND SPOOFS) FROM THE YOUTHS

This year’s collection of peer-reviewed, youth-produced short films showcases an international cohort of storytellers working in animation, documentary, comedy, horror, and drama. It’s an inspiring display of emerging young talent from as close to home as Mill Valley and San Rafael, and as far afield as Indonesia, China, Germany, and Korea: A Stellar Vacation! (Noah Shin, US 2022, 5 min), A Date with Kino Redfield (Tony Heffernan, US 2022, 10 min), I Don’t Ride My Bike Anymore (Gabriel Perez, US 2021, 8 min), Silver (Haley Stemmons, US 2022, 2 min), The Queen’s Closet (Cameran Grace Ford, Ava Wolf & Joe Tourk, US 2021, 8 min), The Dilemma: Extra-Curricular Institutions in China (Huanshuo Wang, China 2022, 15 min), Stache Society (Olive Corine Read, US 2022, 6 min), Underwater Basket Weaving (Parker Bladow, US 2022, 5 min), Merry Go Round (Ella Fields, US 2022, 14 min), The White Rose (Ian Kim, US 2021, 3 min), Harmony with Upstairs (Sunmin Yang, Republic of Korea 2021, 14 min), Midnight Smoker (Jeremy Gautama, Indonesia 2022, 1 min), Schattendachs (Louis Hartmann, Germany 2022, 2 min). In English and various languages with English subtitles Age 11+ Total program 91 min —Joanne Parsont

SPONSORS

MAJOR MEDIA HOTEL PARTNERS

PROMOTIONAL PARTNERS

CREATIVE PARTNERS

SPECIAL SUPPORT

TOMMY LAU PHOTOGRAPHY

LEVENSON

SPONSORS

EVENTS PARTNERS

DRIVER’S

MVFF45 STAFF

EXECUTIVE

MARK FISHKIN

Founder + Director MVFF Executive Director + Founder CAFILM

MAUREEN GALLIANI

Executive Assistant

DANE CALLIHAN

Deputy Director

DEVELOPMENT

LIANA BENDER

Director of Development

BEAU BLANCHARD Corporate Development Manager

CHRISTINE FUJIKI Membership Manager

DERRICK DOVER Membership Administrator

ANN DICKSON

Sequoa Campaign Manager

FEARON DEWEESE Sponsorship Integration Manager

COURTNEY DOYLE Development Associate

NICHOLE ALVAREZ

Interim Development Manager

PROGRAMMING

ZOË ELTON

Director of Programming

STERLING HEDGPETH

Programming Manager + Shorts Programmer

KAREN DAVIS

Senior Programmer, World Cinema

JOÃO FEDERICI

World Cinema Programmer + ¡Viva el Cine! Manager

CELESTE WONG US Indies Programmer

KELLY CLEMENT Documentary Programmer

MARIBEL GUEVARA Active Cinema Manager

JOANNE PARSONT Family Films Programmer

OSINACHI IBE Mind the Gap Manager

SHAKIRA REFOS

Behind the Screens Manager

BRI’ANNA MOORE Programming Associate

DANIELLE OWENS Programming Coordinator

MARCUS PUN Clips Editor

GORETE NOVACK Programming Support

MVFF EDUCATION

JOANNE PARSONT

Director of Education

SHAKIRA REFOS

Education Outreach Manager

MELANIE NICHOLS Education Program Manager

DIANA SÁNCHEZ MACIEL Film Educator/Programmer

PAUL IGAZ Curriculum Developer MARIA JANELLI Ed Tech Consultant

OPERATIONS

DAVE FEIFERIS

Director of Operations

KAITLYN RYAN Operations Manager

SAV SINGH Theater Operations Coordinator

JULIA GRINBERG Guest Services Manager

MARAYA MARLOWE Guest Services Coordinator

SAMANTHA CARLSON Guest Services Coordinator

DAN ZASTROW Technical Director PAUL HEGARTY Production Manager

ANTHONY DOYLE

Production Assistant

PAUL KELLOGG Production Assistant

NATASHA HOOVER Box Office Manager

TIFFANY COLLINS Box Office Assistant Manager

ALEX MURPHY Box Office Assistant Manager

LUCY LAIRD Box Office Assistant Manager

MERCEDEZ YASMEEN HEGGS Venue Manager

ASHLEY EDWARDS Venue Manager

SHELBY LUIGS Venue Manager

HOUSE MANAGERS

CASSIE CONKLIN

ANGY FONSECA

BEN POST

DEREK PETRILLO

DAEL MORWITZ

NADINE JOHNSON

LINE MANAGERS

MICHAEL M c LLRAITH

JACOB RODRIGUEZ

MICHAEL KIRBY

KATIE JENKINS

CATY ZICK

AMY HARTMAN

JON OLSEN

PROJECTIONISTS

GRIFFIN COUILLARD

ERICA GLEICHMAN

NORMAN JOHNSTON

JOSH STITHEM

PACO ASCHWANDEN

PETER MATHENY-SCHUSTER

STEVE YAMANE

ADELIZA BACKUS-PACE

EVENTS

YVONNE FOX Special Events Manager

AILEEN FOWLER

OAC Hub Manager

REMA SAYGE

OAC Lounge Coordinator

DAMIAN BURFORD

OAC Lounge Coordinator

DANTE HAY

MFR Lounge Manager

SARA HECKADON

MFR Lounge Coordinator

MIMI CUNNINGHAM

Opening + Closing Night Manager

RACHEL GOLD Events Coordinator

CHRISTA GATEWOOD Events Team

MARIELL RAHMANI Events Team

FINANCE

LAURA AUSTIN Finance Manager

MARKETING + PUBLICITY

SHELLEY SPICER

Director of Publicity + Media Relations

ERIN MCINNIS Publicity Manager

DANIEL DÍAZ

Director of Marketing + Audience Engagement

KATHERINE PERTUSO Marketing + Audience Engagement Manager

SHAYNA YASUHURA Marketing + Audience Engagement Manager

JONATHAN KIEFER Publications Managing Editor

PAM GRADY Copy Editor

COURTNEY BUFFINGTON Design + Brand Manager

BRIAN LEHMAN Publications

MICHELE THARP Marketing Manager

OLLIE ECO Marketing Designer

KALA SHAH Community Outreach + Promotions Coordinator

YVONNE FOX

Video Tech + Content Manager

SMITH RAFAEL FILM CENTER

RICHARD PETERSON Director of Programming

DAN ZASTROW General Manager

NORMAN MELLO IT Manager

NORMAN JOHNSTON Assistant General Manager

JAN KLINGELHOFER Program Consultant

JESSE DUBUS Exhibition Media Manager

WRITERS

AURORA AMIDON

ROD ARMSTRONG

ELA BITTENCOURT

LILY BUCHANAN

JEFF CAMPBELL

KRIS CHESSON

KELLY CLEMENT

KD DAVIS

EDWARD DUNN ZOË ELTON

DAVID FEAR

JOÃO FEDERICI

ISABEL FONDEVILA

PAM GRADY TIM GRIERSON

CAROL HARADA

DENNIS HARVEY

ZAKI HASAN

STERLING HEDGPETH

OSINACHI IBE

RAVINDER KINGRA

SHARI KIZIRIAN

ANANYA KUMAR-BANERJEE

BRI'ANNA MOORE

KATE MACKAY

RANDY MYERS

WILFRED OKICHE

DANIELLE OWENS

JOANNE PARSONT

CELIA C. PETERS

BRENDAN PETERSON RICHARD PETERSON

DEANNA QUINONES

DAVID RIEDEL

CELESTE WONG

CAFILM BOARD OF DIRECTORS

WELLINGTON BOWLER

KENNETH BROAD (President )

RICHARD J. IDELL (Secretary )

DANIEL KENYON

AMY KEROES

JACQUI LOPEZ

JENNIFER COSLETT MACCREADY (Board Chair )

KURT MOBLEY

CATHY NOURAFSHAN

MAGGIE O’DONNELL (Co -Vice President )

JONATHAN PARKER (Co -Vice President )

SUSAN SCHWARTZ

DR. JOEL SKLAR

JANN STANLEY

ZACH ZEISLER (Treasurer )

FOUNDING BOARD

RITA CAHILL

MARK FISHKIN

LOIS KOHL SHORE

EMERITUS BOARD

ANN BREBNER (1923-2017)

RITA CAHILL

SID GANIS

BRUCE KATZ (1947-2022)

GARY MEYER

GORDON RADLEY

CHRISTOPHER B. SMITH

HENRY TIMNICK

HONORARY

ADVISORY BOARD

HONORABLE BARBARA BOXER

STEWART BOXER

DRUSIE DAVIS

JEFF FISHER

PETER FLAXMAN

ROBERT GREBER

LINDA GRUBER

PEGGY HAAS

MICHAEL KLEIN

ROXANNE KLEIN

KC LAUCK

ANDREW MCGUIRE

MARY POLAND

ERIC SCHWARTZ

MICHAEL SCHWARTZ

SKIP WHITNEY

IN MEMORIAM

Dear friends of the Calfiornia Film Institute we lost this year.

SHEILA BENSON

Sheila Benson (1930-2022) was film critic at Mill Valley’s Pacific Sun when the fledgling Mill Valley Film Festival launched, until a few years later when the LA Times realized what a gem she was and brought her work to a national level. Sheila was that rare being, a lover of film and a true critic—not reviewer! Her life and work were informed by her take-no-prisoners intellect, her deep knowledge of cinema and literature, her brilliance, and her wily wit. She gave MVFF the amazing gift of its first quotable quote, that first year: “The little festival that could.” A great one, Sheila, much beloved in this community.

MARY HRIZE

Mary Hrize (1946-2022) came to us in 2006 as a volunteer and quickly became a part of the fabric and heart of CAFILM. Mary was a gift to us all. She did it all, working at MVFF, spending hours in the office, and working countless receptions at our theaters. Mary’s grace and beautiful warm smile touched everyone she encountered. She was so loved and will be missed.

BRUCE KATZ

Entrepreneur, innovator, walker and founder of the Rockport Shoe Company and the Samuel Hubbard Shoe Company, Bruce Katz (1947-2022) was a long-time Board member of CAFILM, where his brilliant mind helped push us to consider ways that we might do or see things differently. It was through Bruce that the sailing yacht Juliet, an exquisitely built, 144-foot superyacht, came to be the location for two intimate, iconic MVFF-hosted parties at the Cannes Film Festival. This ketch perhaps embodied much that Bruce brought into the spheres of his life, harmonizing design, function, and technology into something both entirely new and entirely timeless, and driven by a love of life and its adventures.

JOHN KORTY

John Korty (1936-2022) was a consummate independent filmmaker whose career encompassed myriad genres, from comedy and social drama to animation and documentary. He was a pioneer of Bay Area filmmaking, and his 1960s Stinson Beach studio directly inspired the “northern migrations” of George Lucas and Francis Ford Coppola. The recipient of an Oscar ® and multiple Emmys, this principled artist was honored at the first Mill Valley Film Festival in 1978 and in an extensive Rafael retrospective in 2011.