MILL VALLEY FILM FESTIVAL 40
How time flies...
SOUVENIR PROGRAM
Celebrating 40 years of the Mill Valley Film Festival from all your friends at OCTOBER 5 –15, 2017
Projecting commitment. I N V E S T M E N T
P A R T N E R S
J ef f v an h art e, cfa C H I E F
I N V E S T M E N T
O F F I C E R
C HRIS B ONAVICO, C FA
K EN B ROA D, C FA
C HRIS E RIC K SeN, C FA
I AN F ER RY
P AT RIC K F ORT IER , C FA
G REG H E Y WO OD, C FA D EBBI E S A B O
DAN P RISL IN, C FA
H E A D
O F
T R A D I N G
All the films featured at this year’s Mill Valley Film Festival are the results of thousands of artists working together to bring a
O P E R A T I N G
K E VIN B ROWN
story and vision to life. Wells Fargo is proud to return as the Opening Night sponsor
M A N A G I N G
PA RT N E R
J EF F R E XFORD H E A D
O F
of the 40th Annual Mill Valley Film Festival because the achievements of these artists reflect our working together
P A R T N E R S
B U S I N E S S
D E V E L O P M E N T
V AN T R AN C H I E F
F I N A N C I A L
O F F I C E R
spirit and commitment to help our communities thrive. Enjoy the show.
J ac k s on S Q ua r e P a rt n e r s , l lc 1 0 1 California S Treet
Suite 3750
i n f o @ j S p a r t n e r s . c o m © 2017 Wells Fargo Bank, N.A. All rights reserved. Member FDIC. IHA-4722601
Sa n Fra nc is c o , C A 9 4 1 1 1 w w w . j s p a r t n e r s . c o m
SHIRTS | TOTES
LAPEL PINS | HATS POSTERS COFFEE MUGS
2
Mayor’s Proclamation
3
Director’s Note
7
CFI Board
9 Sponsors 16
CFI Supporters
32
Opening Night
34
Closing Night
45
Tribute: Kristin Scott Thomas
51
Tribute: Sean Penn
57
Spotlight: Dee Rees
63
Tribute: Holly Hunter
69 Centerpiece 73
Tribute: Todd Haynes
79
Spotlight: Andrew Garfield
86
Behind the Screens: Panels | Master Classes | Workshops | VR
90
MVFF Music
101
Active Cinema
101 ¡Viva el Cine! 103 Mind the Gap: Women | Film | Tech
On the shirt pocket
107 Education at MVFF
Available at: Outdoor Art Club & Smith Rafael Film Center More info at mvff.com/merchandise
107
filmHOOD
111
Focuses
112
Sections | Premieres
113
Films
155 The Tao of Film 156
Calendar
166 MVFF | CFI Staff
CFI GREEN INITIATIVE
171
Creative Credits
MVFF respects the planet and is working to be a net-zero waste event by 2020. There are many ways you can help:
175
Acknowledgments
179
In Memoriam
• • • • •
Select Print-at-Home Tickets when buying online, then get your e-tickets scanned from your phone at the theater. Share and recycle this program. Bring your own reusable water bottle. Carpool to screenings and events. Recycle your Festival badge. Learn more at cafilm.org/green-initiative – GREEN INTITIATIVE SPONSOR –
184 How to Fest 185
Ticketing
190
Print Sources
193
Pre-Screeners
198
Films by Country
202
Filmmaker Index
211
Advertiser Index
212
Title Index
ABOUT THE COVER: MVFF40 commemorative poster and cover art designed by Mill Valley painter/sculptor Zio Ziegler. The Mill Valley Film Festival is presented by the California Film Institute, a 501(c)(3) nonprofit that also owns and operates the Smith Rafael Film Center, presents CFI Education programs, and produces DocLands Documentary Film Festival. © Copyright 2017. All rights reserved. No portion of the Mill Valley Film Festival Souvenir Guide may be duplicated in any form without written consent from the Mill Valley Film Festival and/or the California Film Institute.
1
2
DIRECTOR’S NOTE WELCOME TO THE 40 TH MILL VALLEY FILM FESTIVAL! third film, The Florida Project. It will be a pleasure watching all of the young directors in this year’s program bloom over the coming decades. Another filmmaker to watch is Pariah director Dee Rees, who brings Mudbound, her epic drama of two families in the Jim Crow South, to MVFF. Rees will be the recipient of our MVFF Award this year, along with fellow honorees Kristin Scott Thomas, featured in our Opening Night film Darkest Hour, directed by MVFF alum Joe Wright; director Todd Haynes (Carol, MVFF 2015), whose critically lauded Wonderstruck will make its California premiere; Andrew Garfield in a breakout role in Andy Serkis’s directorial debut, Breathe; and the magnificent Holly Hunter.
Recently, I was in line for takeout when a man approached me to explain what the Mill Valley Film Festival had come to mean to him over the years. “It’s been life-changing. My wife and I attend these amazing movies. Then we go to dinner and talk about them. It enriches our lives in so many ways.” As MVFF turns 40, for myself, I feel like I’ve gotten more back over the years than I’ve put in. What began as a three-day celebration of mostly Bay Area filmmakers has blossomed into something so much bigger. Our slate has grown, embracing American indies, international films, and the best of the Oscar® season. In my office, I have a full-page San Francisco Chronicle spread from that first year, with a pictorial of a children’s filmmaking workshop—a reminder that education, too, has always been a vital component of MVFF. As part of our look back over the past four decades, this year’s program includes Michael Wadleigh’s acclaimed documentary Woodstock, which was first presented at MVFF’s inaugural festival in 1978 in a tribute to cinematographer David Myers. And in this year’s 5@5 Golden Years program, we present short films from festivals past from filmmakers Barry Jenkins (Moonlight, MVFF 2016), Agnès Varda (an MVFF mainstay, whose latest feature Faces, Places is part of this year’s program), and James Broughton (our first honoree in 1978). But as we approach this Ruby Anniversary, it is not only a time to reflect on the past, but also to honor the present and contemplate the future. One of the things that excites me most about the 2017 program is the number of young filmmakers whose work is featured: directors like Greta Gerwig, whose debut feature, Lady Bird, is a love letter to her hometown of Sacramento; Italian-American filmmaker Jonas Carpignano, who follows up his first feature Mediterranea (MVFF 2015) with A Ciambra, a riveting drama set in Italy’s Romani community and performed by a nonprofessional cast; and Tangerine director Sean Baker’s
After years of screening his films at the Festival, including the US premiere of his directorial effort Into the Wild, actor/director Sean Penn will be honored as well. He’s done so much for CFI and MVFF over the years, including taking part in our “Films of Our Life” program at the Smith Rafael Film Center with a screening of Soviet director Elim Klimov’s 1985 drama Come and See. We are also excited about a number of films by veteran directors, including Noah Baumbach’s The Meyerwitz Stories; Martin McDonagh’s Three Billboards Outside of Ebbing, Missouri; Guillermo Del Toro’s The Shape of Water; and Richard Linklater’s Last Flag Flying. And we continue our Mind the Gap program, focusing on the contributions of women directors, along with our ¡Vive el Cine! program, spotlighting films from Spain and Latin America. Over the past 40 years, music has played a recurring role at MVFF, both on film and in live performance. This year, we are hosting 10 nights of music at Mill Valley’s Sweetwater Music Hall, and as part of our anniversary celebration, 2017 marks the return of Huey Lewis. Years ago, he played at a private Closing Night party for staff and volunteers, and now he returns for a public performance that will be a benefit for CFI’s long-term plans to remodel the Sequoia Theater. Because what’s an anniversary, if you can’t look ahead? Finally, I’d like to express my deep gratitude to all of our supporters, corporate sponsors, foundations, staff, board, and volunteers for making these past four decades possible; to the filmmakers who create the look and feel of the Festival; and to our loyal and enthusiastic audience. We could not do it without you!
MARK FISHKIN MVFF Founder/Director
3
FANTASY FILM CENTER
Located at the Zaentz Media Center, a Wareham Development 2600 Tenth Street • Berkeley, CA 94710 • 510 486 2038
www.fantasyfilmcenter.com
S S
U U
T Z
T U
O K
N I
Architects
s u t t o n s u z u k i a r c h i t e c t s . c o m
CFI BOARD OF DIRECTORS FOUNDER/ EXECUTIVE DIRECTOR
Mark Fishkin FOUNDING BOARD
Rita Cahill Mark Fishkin
EMERITUS BOARD
Rita Cahill Sid Ganis Bruce Katz Gary Meyer Gordon Radley Christopher B. Smith Henry Timnick
ADVISORY BOARD
The Honorable Barbara Boxer
Robert Greber
Stewart Boxer
Peggy Haas Jessica Igoe
Drusie Davis
Linda Gruber
Jeff Fisher
Michael Klein
Peter Flaxman
Roxanne Klein
KC Lauck Andrew McGuire Mary Poland Eric Schwartz Michael Schwartz Skip Whitney
Lois Kohl Shore
C A L IF O R NI A FIL M INS TIT U TE Board of Directors
JONATHAN PARKER
JENNIFER MACCREADY
KENNETH BROAD
DR. JOEL SKLAR
PRESIDENT
VICE PRESIDENT
VICE PRESIDENT
VICE PRESIDENT
CATHY NOURAFSHAN
RICHARD IDELL
ZACH ZEISLER
SECRETARY
TREASURER
SUSAN SCHWARTZ
LYNNE HALE
JANN STANLEY
AMY KEROES
CAROLINE LABE
7
WE’RE PROUD TO SUPPORT
the MILL VALLEY
&
FILM FESTIVAL CALIFORNIA FILM INSTITUTE
as it brings the best in independent filmmaking to our community.
BRAVO!
SPONSORS S I G N AT U R E C H R I S TO P H E R B . A N D J E A N N I E M E G S M I T H
MAJOR
PREMIER MEDIA
S I LV E R C I R C L E
9
SPONSORS M A J O R F O U N DAT I O N S U P P O R T
G R U B E R FA M I LY F O U N D AT I O N
GOVERNMENT SUPPORT
MA JOR INDUS TRY SUPPORT
F E S T I VA L C I R C L E
10
SPONSORS MA JOR MEDIA
A WEST COAST ADVENTURE
H OT E L S
SPECIAL SUPPORT
11
SPONSORS P R O M OT I O N A L PA R T N E R S
ICG MAGAZINE
diginmag.com
G O L D E N G AT E B R I D G E H I G H W AY & T R A N S P O R TAT I O N D I S T R I C T M I L L VA L L E Y FA L L A R T S F E S T I VA L | M A R I N C O M M U N I T Y M A P B O O K | M A R I N A R T S
OFFICIAL SERVICE PROVIDERS
Premium Large Format Graphics
M I L L VA L L E Y C A R W A S H | T H E G R AT E F U L D O G , D O G G Y P L AY C A R E & W E L L N E S S C E N T E R M A R IN CEN T ER F O R IN D EPEN D EN T L I V IN G | F O R T D O C S | Z A P ZO E T R O PE AU BR Y PR O D U C T I O NS
C R E AT I V E PA R T N E R S
eversondigital A L L ISON L E V ENSON PHOTO GR A PH Y | TOMM Y L AU PHOTO GR A PH Y
12
SPONSORS E V E N T S PA R T N E R S
INCAVO
WINE TASTING & COLLECTIVE
A N A F FA I R T O R E M E M B E R
EL HUAR ACHE LOCO
R I C H R I O S D J R I C H FAC TO R
A R T WOR KS D OW NTOW N
F I O R E L L O ’ S A R T I S A N G E L AT O
ROBBIE CAMERON DJ HARDKISS
BIG JIM’S BBQ
GIGGLE THER APEUTICS
ROBERT FEDERIGHI DESIGN
BUNGALOW 4 4
JOHNNY DOUGHNUTS
ROOM ART GALLERY
BUZ Z PHOTO BO OTHS
KNIGHT VISION
S A N R A FA EL J O E’ S
CLOVER SONOMA
M I L L VA L L E Y F L O W E R S
S O N O M A C A K E C R E AT I O N S
C L U B H O U S E C A R AVA N
MR. PICKLE’S SANDWICH SHOP
CR ACKERJACK DJS
N A P O L I P I Z Z A & PA S TA
THERESA & JOHNNY’S COMFORT FOOD
D E L I C I O U S ! C AT E R I N G
N OT HIN G BU N DT C A K E S
DEPOT BO OKS TOR E & C A FE
P H O T O - M AT I C A
DERBY BAKERY
PIG IN A PICKLE
D J R I C H FAC TO R
P L AYA
THREE T WINS ICE CRE AM U S P U R E W AT E R WIL DFLOWER WISE SONS
13
chambers
chambers
architects
architecture interiors landscape
chambers chambers c h a m b e ra rsc h i t e cc t hs a m b e r s a r c h i t e c t uarre cih n ti t e re icotr ss l a n d s c a p e
architecture interiors landscape chambersandchambers.com
INTRODUCING
TOP OFF YOUR EXPERIENCE AT THE MILL VALLEY FILM FESTIVAL WITH A TRIP TO WINE COUNTRY THE PRESS, The San Francisco Chronicle’s new interactive guide to California Wine Country. Enjoy your next weekend escape by experiencing everything Wine Country has to offer.
Plan your trip today! SFCHRONICLE.COM/THEPRESS
is a proud supporter of the
CFI SUPPORTERS
THE ACT OF INSPIRING, ENGAGING, AND TRANSFORMING LIVES THROUGH THE ART OF FILM
Photo: Tommy Lau
WE THANK THIS VITAL GROUP OF SUPPORTERS WHO BELIEVE IN THE POWER OF FILM TO ENTERTAIN AND ENRICH LIVES. YOUR CONTINUED SUPPORT IS ESSENTIAL TO ENSURING THAT INDEPENDENT CINEMA CONTINUES TO THRIVE IN OUR COMMUNITY.
LEADERSHIP CIRCLE
PLATINUM CIRCLE
Christopher B. and Jeannie Meg Smith Jennifer Coslett MacCready Ken and Jackie Broad Family Fund
Kamala Geroux-Berry and David Berry Genuine Article Pictures Vivian Kaufman Fund Daniel Kenyon and Michelle Marchetta Kenyon Caroline Crawford Labe Maggie O’Donnell and Josh Floum The Jay Pritzker Foundation Eric Schwartz and Magda Wesslund Charitable Fund
INVESTOR CIRCLE Jim Boyce Trust and Kris Otis Drusie and Jim Davis, Drusie Davis Family Fund Gruber Family Foundation Nancy P. and Richard K. Robbins Family Foundation Michael and Susan Schwartz Fund Sheri Sobrato Fund, Silicon Valley Community Foundation Vickie Soulier
16
GOLD CIRCLE The Gibbs Family Charitable Fund Griswold Family Fund, Bob and Alex Griswold Margaret E. Haas Andree and John Jansheski Jonathan and Deborah Parker
CFI SUPPORTERS PRODUCER’S CIRCLE | SILVER Nancy Abodeely
Katz Family Foundation
Mary and Bill Poland
Anonymous
Liese Keon and Steve Saarman
Gordon Radley
Brian and Nina Arellanes
K.C. and Steve Lauck
Mona Steinberg
Brad and Liz Bird
Karen and Gregg Lund
Marjorie A. Swig Fund
Alice Corning
Kenneth and Vera Meislin
Patricia Tanoury
Lorrie and Mark Fishkin
Stephen and Mary Mizroch
Henry O. Timnick
Lynne Hale
Cathy and Robert Nourafshan
Lois and Mel Tukman
Julie Hauser
Gertrud Parker
Kate Wilson
Robin Hauser
Monahan Parker, Inc.
PRODUCER’S CIRCLE | BRONZE The Allen Family Fund
Mera Granberg
Linda Morgan
Anonymous (4)
Michelle Griffin and Tom Parker
Suki and Russell Munsell
Allen Barr
Maureen Groper
Zara and Dennis Muren
Laurie Bautista
Amy Miller Gross
Lorne and Ilona Parker Foundation
Jane Bay
Larry and Carie Haimovitch
Ramesh and Alison Patel
Susan and William Beech
Tom and Barbara Harrison
Tucky and John Pogue
Jill Benioff and Alex Petrov
Ann-Eve Hazen
Mark and Dorian Polite
Andrew and Nina Berman
Monica Heredia and Robert Nelson
Sylvia Reynolds
Susan Bolle
Liz Hume and Jay Jacobs
David Robinson and Joanne Hively
Inez Brooks-Myers
Rocco and Athena
Marc and Robin Bussin
Richard J. Idell and Susan Kornblatt Idell
Joe and Sue Carlomagno
Devorah Jacoby
Tom Cohen and Kristi Denton Cohen
Elisabeth and Howard Jaffe
Carolyn Cavalier Rosenberg, Dr. Sanford Rosenberg and Media Research Associates
Joel and Justine Coopersmith
Willa Jefferson-Stokes
Karen and Harry Rosenbluth
Carol DiFeo
Don and Donna Kelleher
Naomi Saunders
Stephanie DiMarco
Pat Kendall
Louisa Schroll
Joanne Dunn
Dr. Joe Keon
Jeffrey Sellon and Marilyn Burns
Michael Dyett and Heidi Richardson
Amy Keroes and Jeff Fisher
Jack and Judy Sherman
Julie Erickson and Art Rothstein
Roxanne Klein
Susan and Joel Sklar
James G. Eyton
Thomas Koegel and Anne LaFollette
Jann Stanley and Soren Dalsager
Dennis P. Fisco and Pamela Polite Fisco
Suzanne Lafetra
Barbara Streckfus
Letty Ledbetter
Sue and Steve Weinswig
Catherine and Peter Flaxman
Cynthia Maram
Skip and Aew Whitney
Janet Fox
Cindy and John McCauley
Steven Woo
Gerald L. and Sheree A. Friedman
Kevin and Rosemary McNeely
Paul Zaentz
Frank Gaipa
Catherine and Ted McKown
Zach and Marlies Zeisler
Kenneth and Joan Gosliner
James Mochizuki
We would also like to thank the hundreds of volunteers and other contributors who help make the Mill Valley Film Festival a memorable experience every year!
17
The Godmother Lorraine of Arabia The Witch of Oz Ms. Smith Goes to Washington Midnight Cowgirl The Third Woman Florence Gump Goodgals
Things look a little different from a woman’s perspective.
MCF is proud to be the Leadership Partner for Mind the Gap, the Mill Valley Film Festival’s gender equity initiative. Let’s make sure every story is told.
Dolby proudly supports the Mill Valley Film Festival
Photo: Erik Aadahl, Sound Designer and Editor
Learn more about how Dolby technologies can enhance your next project at dolby.com
T H E
S I G H T
T H E
S O U N D
O F
T R U T H
www.thx.com Š2016 THX Ltd. The THX logo is a registered trademark of THX Ltd. All rights reserved.
Charms for the good life.
1226 Fourth Street • San Rafael CA • 415-459-5808 • stephanhill.com
Sonoma Valley A u t h o r s ’ F e s t i va l Stimulating the Minds and Nurturing the Souls of Readers -
May 4 - 6, 2018 25 world renowned speakers & authors Jack London State Historic Park
www.svaf.i nfo Illustration: Craig Frazier
Notable Authors already signed: D o r i s K e a r n s G o o d w i n , Presidential Historian and Pulitzer Prize-winning Author A m o r T o w l e s , Author of A Gentleman in Moscow and Rules of Civility C a p t a i n S c o t t K e l l y , History-Making U.S. Astronaut & Retired U.S. Navy Captain
Featuring 14k & diamond Mt. Tam pendant, Poppy pendant & Golden Gate pendant.
The California Collection
COLDWELL BANKER PRESENTS
MAKE YOUR HOME A MARQUEE PROPERTY Contact Coldwell Banker today for the expert real estate representation you deserve. Greenbrae | Larkspur | Mill Valley | Novato | San Anselmo | San Rafael | Tiburon COLDWELLBANKERLUXURY.COM ©2017 Coldwell Banker Residential Brokerage. All Rights Reserved. Coldwell Banker Residential Brokerage fully supports the principles of the Fair Housing Act and the Equal Opportunity Act. Operated by a subsidiary of NRT LLC. Coldwell Banker, the Coldwell Banker logo, Coldwell Banker Global Luxury and the Coldwell Banker Global Luxury logo are service marks registered or pending registration owned by Coldwell Banker Real Estate LLC. CalBRE License #01908304.
cpidevelopers.com
103 Shoreline Parkway Ste 100 | San Rafael 94901 415.457.8850
I N E A S T S A N R A FA E L !
Anne et Valentin Iyoko Inyake + LaLoop L.A. Eyeworks + GRO Essedue + Mykita + more! Visit us online @ RIMSandGOGGLES for info or to RSVP
Proud sponsor of the
Mill Valley Film Festival Marin County’s rich and diverse arts community is just one reason we love to call it home. To learn our other reasons, visit Paragon-re.com
MARIN: 300 Drakes Landing Rd. Ste. 120, Greenbrae | 415.805.2900
SAN FRANCISCO: 1400 Van Ness Ave. | 1593 North Point St. | 350 Rhode Island St. Ste. 350 | 1700 California St. Ste. 310
THE CENTER OF IT ALL...
superstars FOR
FOR
Charming Charlie | DSW Shoes | francesca’s | LaserAway | Marshalls | NH2 Salon NJ Nails Spa | Sephora | Pier 1 Imports | Men’s Wearhouse
{ Nordstrom Rack NOW OPEN! }
Over 50 Stores and Restaurants, Including Costco and Target
•
ShopVintageOaks.com
•
Rowland Blvd Exit, Highway 101
The writer thinks, the poet sings, The craftsmen fashion wondrous things, The doctor heals, the lawyer pleads, The miner follows the precious leads; But this or that, whate’er befall, The farmer he must feed them all. The farmer’s trade is one of worth; He’s partner with the sky and earth, He’s partner with the sun and rain, And no man loses for his gain; And men may rise, or men may fall, For the farmer he must feed us all. - excerpts from Amelia E. Barr
THURSDAY Marin Civic Center (8am - 1pm) SUnday Marin Civic Center (8am - 1pm)
AG R I C U LT U R A L I N S T I T U T E . O RG
DINING Belcampo Meat Co.
El Huarache Loco
Farmshop
Marin Brewing Company
Miette
Pressed Juicery
Rustic Bakery Starbucks Sushi Ko Tha Siam Three Twins Ice Cream Togo's SHOPS Bed Bath & Beyond Calypso Calypso Home Diesel, A Bookstore Erica Tanov George Hudson Grace Hutchinson Intermix
James Perse Lark Shoes & Repair Malia Mills
Poppy Store Roberta Roller Rabbit Space NK The Cushion Shop Toy Crazy Unionmade US Post Offce & Trading Post SERVICES Barber Lane Cooper Alley Salon International Orange Larkspur Landing Optometry Maxwell the Cleaner SoulCycle Tutu School Well Made Home Yogaworks marincountrymart.com
MARIN COUNTRY MART AT LARKSPUR LANDING
OPENING NIGHT
DARKEST HOUR UK 2017, 114 min Director Joe Wright Director Joe Wright’s (Pride and Prejudice, MVFF 2005) Darkest Hour is absolutely gripping. Gary Oldman’s brilliant performance drives this story of Winston Churchill’s rise to power both as Prime Minister and as architect of the push against what seemed like the imminent, inevitable Nazi invasion of Britain—not to mention their utter domination of Europe—in World War II. Bullishly immune to his unpopularity amongst his fellow politicians, Churchill is aided and abetted by assistant Elizabeth (Lily James, Downton Abbey), and by his wife: Kristin Scott Thomas, impeccably arch as Clementine Churchill, her charm and insightfulness making her the ultimate ally of the man who had the full weight of the world on his shoulders. In this pivotal situation, this audacious, controversial, and visionary leader must navigate the backstage wheeling and dealing, the political maneuvering, and power plays in a seemingly untenable, unwinnable moment in history. As he does: Oldman’s Churchill is forceful, antagonistic, humorous, bombastic, eloquent—and unstoppable. —Zoë Elton
Guests: Kristin Scott Thomas, Joe Wright Thursday, October 5, 7:00pm | CinéArts Sequoia Program & Gala | $125 general | $110 CFI members Program Only | $60 general | $55 CFI members
OPENING NIGHT SPONSOR
OPENING NIGHT GALA 9:00pm–Midnight | Live music by Wonder Bread 5 Gala Only | $90 general | $75 CFI members
2257 Larkspur Landing Circle, Larkspur 32
OPENING NIGHT
WAIT FOR YOUR LAUGH US 2017, 85 min Director Jason Wise Fascinating, funny, and full of showbiz soul, this spirited documentary highlights the epic career of one of the most brilliant comediennes of the last century. She started as Baby Rose Marie, a child prodigy, singing and dancing on stage before most kids could ride a bike. She grew up to be Rose Marie, beloved for her role as sassy scriptwriter Sally Rogers on The Dick Van Dyke Show, and her even sassier zingers on The Hollywood Squares game show. Filmmaker Jason Wise reveals there is much more to this tough, smart woman’s 87-year entertainment career. Interviews with Peter Marshall, Carl Reiner, Dick Van Dyke, Tim Conway, and the lady herself—still going strong at 94—combine with rare footage to depict a complicated, inspirational life. From her passionate marriage to trumpeter Bobby Guy to her up-close-and-personal connections to Al Capone and Bugsy Siegel, Rose Marie forged intense, lasting relationships while delighting audiences from Las Vegas to Hollywood, always marching to her own beat. —Brendan Peterson
Guests: Jason Wise, Peter Marshall Thursday, October 5, 7:00pm | Cinema Corte Madera Program & Gala | $125 general | $110 CFI members Program Only | $60 general | $55 CFI members
OPENING NIGHT SPONSOR
OPENING NIGHT GALA 9:00pm–Midnight | Live music by Wonder Bread 5 Gala Only | $90 general | $75 CFI members
2257 Larkspur Landing Circle, Larkspur
33
CLOSING NIGHT
THE CURRENT WAR US 2017, 105 min Director Alfonso Gomez-Rejon In stellar performances that crackle and shine, Benedict Cumberbatch (The Imitation Game, MVFF 2014), Michael Shannon (Loving, MVFF 2016), and Nicholas Hoult (Kill Your Friends, MVFF 2015) don the brilliant, larger-than-life personae of Thomas Edison, George Westinghouse, and Nikola Tesla in this triangular tale of electricity’s trailblazing pioneers. “This is just how boys play,” opines a nonplussed Westinghouse, the more equanimous of the three, as the incendiary Edison creates a buzzworthy public smear campaign against him, while Tesla walks a fine line, creating an alternating current between the two highly-charged poles. In the war for nationwide dominance between two delivery systems—AC (Westinghouse) and DC (Edison)—the stakes are sky-high as competitive bidding for the 1893 Chicago World’s Fair draws nigh. Director Alfonso Gomez-Rejon’s (Me and Earl and the Dying Girl) enlightening film skillfully weaves together personal and technological histories, in an illuminating tale of the demigods of conductivity. —Karen Davis
Guest: Alfonso Gomez-Rejon Sunday, October 15, 5:00pm | CinéArts Sequoia Program & Party | $85 general | $75 CFI members Program Only | $45 general | $40 CFI members
CLOSING NIGHT SPONSOR
CLOSING NIGHT PARTY 7:00pm–10:00pm | Mill Valley Plaza Party Only | $50 general | $45 CFI members
34
CLOSING NIGHT
LADY BIRD US 2017, 93 min Director Greta Gerwig Bumbling through her senior year at a Catholic high school, Christine ‘Lady Bird’ McPherson desperately wants to escape Sacramento for the loftier environs of an East Coast liberal arts college. Played by the always enchanting Saoirse Ronan (Brooklyn, MVFF 2015) and clad in the compulsory polo shirt and plaid skirt ensemble, the rebellious teenager spends her final semesters hanging out in parking lots and minimarts while navigating the confusing world of college applications and blossoming relationships. Indie darling Greta Gerwig’s solo directorial debut demonstrates a discernible acumen towards filmmaking and a keen understanding of the high school experience and the complex relationships between a young woman, her family, and her hometown. Lady Bird is Gerwig’s love letter to Sacramento, a commemoration of finding herself and where she belongs, while remaining tied to the city that shaped her. —Dominique O’Neil
Guests: Greta Gerwig SPOTLIGHT ON GRETA GERWIG Our Closing Night Spotlight program will feature an onstage conversation with Greta Gerwig, a screening of Lady Bird, and the presentation of the MVFF Award.
Sunday, October 15, 5:00 pm | Smith Rafael Film Center Rafael House 1 | Live Intro & Q&A Program & Party | $85 general | $75 CFI members Program Only | $45 general | $40 CFI members
CLOSING NIGHT SPONSOR
Rafael Houses 2 & 3 | Simulcast Intro and Q&A Program & Party | $75 general | $65 CFI members Program Only | $35 general | $30 CFI members
CLOSING NIGHT PARTY 7:00pm–10:00pm | Mill Valley Plaza Party Only | $50 general | $45 CFI members
35
Smith Rafael Film Center
Marin Independent Journal
Marin Humane
World Financial Group
Tamal Vista Family Dentistry
The Marin School
Minto & Wilkie Insurance Agency
I Made It! Glass Creations
Promoting Business, Building Community
Taste Kitchen & Table
(415) 454-4163 www.srchamber.com
Linda Walsh Real Estate
415.388.3590 197 E. Blithedale Ave. Mill Valley
LindaWalshRealEstate.com
Here’s to the film makers who illuminate the screen. And in the process, us. XFINITY is proud to sponsor the 40th Mill Valley Film Festival. 1-800-XFINITY | www.xfinity.com
CALL FOR ENTRIES $2,500 CASH PRIZE FOR WINNING FILMS
Submit your film by, for, about women. Selected films will be shown at over 175+ cities nationally and screen in front of 25,000 attendees. Each ticket sold raises money for the Breast Cancer Fund and local nonprofit organizations. For more information, visit us at lunafest.org
Brought to you by:
LUNABA R.C OM Benefiting:
A block away from the Rafael, visit Vin Antico for pre movie oysters, or small bites after the movie. San Rafael’s only Farm to Table restaurant. Lunch and dinner. Happy Hour Mon-Fri, full bar, private dining space. 881 4th Street, San rafael
415.721.0600 I VinAntico.com
LUNCH TUES.-fri.
dinner mon.-sat.
PORSCHE MARIN Come experience the new 2018 Porsche 718 Boxter and Cayman at Porsche Marin, your premier Porsche dealership…. Proudly serving Marin County, San Francisco and Wine Country for over 30 years…
Congratulations to the 40th Mill Valley Film Festival!
900 Redwood Hwy., Mill Valley, Ca.
(415) 380-8000
www.porschemarin.com
blanc
exceptionally curated women’s fashion AG Denim Avant Toi Brochu Walker Calleen Cordero Christian Peau Daniel Basta Delle Cose Divka Faliero Sarti Giorgio Brato Guidi Hartford James Perse Jasmine Wang Johnny Farah Lost and Found Majestic Marc Le Bihan Nicole Miller Officine Creative Pas de Calais Roberto Del Carlo JEWELRY
Ashley Morgan Jill Platner Julieri Justine Alexandra Rosa Maria Susan Cummings Thalia
514 San Anselmo Avenue, San Anselmo • 415.485.0104 3615 Sacramento Street, San Francisco • 415.872.6750 dress by Jasmine Wang
blancboutique.com
I
@fashionbyblanc
TRIBUTE
KRISTIN SCOTT THOMAS Dame Kristin Scott Thomas has ignited the screen and stage for decades, infusing sleek sophistication and refined intelligence into enduring roles in Bitter Moon, Four Weddings and a Funeral, The English Patient (for which she received an Oscar ® nomination), The Horse Whisperer, and Gosford Park, to name a few. She has been nominated for 44 international awards, winning 26 of them. On stage, she has capably handled Chekhov, Pinter, and Sophocles, winning accolades and awards across the board. Her latest work opposite Gary Oldman in Darkest Hour continues a remarkable career of memorable and transcendent performances.
DARKEST HOUR US 2017, 114 min Director Joe Wright Director Joe Wright’s (Pride and Prejudice, MVFF 2005) Darkest Hour is absolutely gripping. Gary Oldman’s brilliant performance drives this story of Winston Churchill’s rise to power both as Prime Minister and as architect of the push against what seemed like the imminent, inevitable Nazi invasion of Britain—not to mention their utter domination of Europe—in World War II. Bullishly immune to his unpopularity amongst his fellow politicians, Churchill is aided and abetted by assistant Elizabeth (Lily James, Downton Abbey), and by his wife: Kristin Scott Thomas, impeccably arch as Clementine Churchill, her charm and insightfulness making her the ultimate ally of the man who had the full weight of the world on his shoulders. In this pivotal situation, this audacious, controversial, and visionary leader must navigate the backstage wheeling and dealing, the political maneuvering, and power plays in a seemingly untenable, unwinnable moment in history. As he does: Oldman’s Churchill is forceful, antagonistic, humorous, bombastic, eloquent—and unstoppable. —Zoë Elton Our Tribute program will feature an onstage conversation with Kristin Scott Thomas, a screening of Darkest Hour, and the presentation of the MVFF Award. Join us after the program for a celebratory reception at Il Fornaio in Corte Madera.
Friday, October 6 | 6:30pm | Smith Rafael Film Center Program & Reception | $85 general | $75 CFI members Program only | $45 general | $40 CFI members TRIBUTE SPONSORS
RECEPTION SPONSOR
Nancy P. and Richard K. Robbins Family Foundation 45
TRIBUTE
Darkest Hour
By Leah LoSchiavo Dame Kristin Scott Thomas has had quite a productive year. Releasing back-to-back films this fall, Scott Thomas stars in Joe Wright’s rousing Winston Churchill biopic Darkest Hour (pages 32 and 121) and Sally Potter’s darkly comic farce The Party (page 143). In both roles, she infuses her very different characters with palpable shades of vulnerability and warmth. At the same time, she maintains her signature genteel veneer infused with winking wit. On screen and on paper, Scott Thomas’ awards and accomplishments speak loudly for themselves: a BAFTA Award, four Evening Standard British Film Awards, two London Critics’ Circle Film Awards, and a Screen Actors Guild Award, for her film work; as well as a DBE (Dame Commander of the Order of the British Empire), for her services to drama. She received Academy Award® and Golden Globe Award ® nominations for her indelible starring role opposite Ralph Fiennes in Anthony Minghella’s Best Picture Oscar ®-winning The English Patient (1996). Scott Thomas shared the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture with her fellow actors from Robert Altman’s Gosford Park (2001), and the cast was also honored with the Critics’ Choice Movie Award for Best Acting Ensemble.
“I’ve always felt a bit sans patrie, you know? Stuck in the middle. I’m English, but I’m French. In England, people always think of me as French; in Paris, they always say I’m English. But my family, the family I made, are in France.”
Scott Thomas made her screen debut in Under the Cherry Moon (1986), starring opposite Prince. Her breakout role came in the Best Picture Oscar-nominated classic comedy, Four Weddings and a Funeral (1994), written by Richard Curtis and directed by Mike Newell, which garnered her BAFTA and Evening Standard British Film Awards. Among her numerous and praiseworthy screen credits are Sam Taylor-Johnson’s Nowhere Boy (2009), for which she was a BAFTA and BIFA (British Independent Film
46
Award) nominee; The Horse Whisperer (1998), starring opposite director Robert Redford; Brian De Palma’s Mission: Impossible (1996); Sydney Pollack’s Random Hearts (1999); Irwin Winkler’s Life as a House (2001), opposite Kevin Kline; Roman Polanski’s Bitter Moon (1992); two films for Philip Haas, Angels and Insects (1995), for which she won the Evening Standard British Film Award for Best Actress, and Up at the Villa (2000); Richard Loncraine’s Richard III (1995); Guillaume Canet’s hit Tell No One (2006); and Charles Sturridge’s A Handful of Dust (1988), for which she was awarded her first Evening Standard British Film Award. After a run of successful aristocratic roles in American and British films, Scott Thomas decamped to France for a hiatus. Considered one of the most intriguing and enigmatic of British actresses, born and bred in Cornwall, Scott Thomas has lived in Paris for more than 30 years and reported to The Independent in 2012, “I do consider myself as being French, I suppose.” The French seem to have adopted her, as well: She was awarded the Légion d’Honneur, the highest civilian award in France, in 2005.
While still popping up sporadically in supporting roles in English-language independent and studio features, Scott Thomas focused much of her work throughout the 2000s towards challenging lead roles in French cinema and on stage. The bilingual actress received her fourth Evening Standard British Film Award for Best Actress for her performance in Catherine Corsini’s Partir (Leaving) (2009), which also brought her a César Award nomination for Best Actress. She was previously a César nominee for Philippe Claudel’s Il y a longtemps que je t’aime (I’ve Loved You So Long) (2008), for which she was again a Golden Globe and BAFTA Award nominee.
KRISTIN SCOTT THOMAS Sharply contrasted with this film is the classically crowd-pleasing and galvanizing World War II drama of Joe Wright’s Darkest Hour, an impressive vehicle for a nearly unrecognizable and thoroughly committed Gary Oldman as Winston Churchill. Scott Thomas is eloquent in support, playing Churchill’s wife, Baroness Clementine Ogilvy Spencer-Churchill, a compelling figure in her own right appointed CBE (Commander of the Order of the British Empire) for her service to country during a time of great turmoil and upheaval. Wright’s film depicts the inspiring true story when, within days of becoming Prime Minister of Great Britain, Churchill faced indomitable Nazi forces rolling across Western Europe to imminently invade England. Conflicted by worry for an unprepared public, conspired against by a duplicitous party, and challenged by a doubtful king, Churchill must rally a nation it has to to fight for their ideals, liberty, and freedom. Early reviews of the film applaud the entire cast, be about what I with Variety highlighting Scott Thomas’ work as want to do in an “a strong force” in the well-received biopic.
Film commitments made pursuing theater roles impossible until she reached her 40s, but, through a gradual accumulation of roles—a touring production of Racine’s Berenice; successful West End productions of Luigi Pirandello’s As You Desire Me and Anton Chekov’s Three Sisters; the role of Arkadina in Ian Rickson’s acclaimed Royal Court staging of Chekov’s The Seagull, for which she received the Olivier Award for Best Actress and reprised on Broadway—she has, observes The Telegraph, “gained a reputation as an exciting stage presence, capable of mining extreme psychological depths while seeming to do very little on the surface.” Scott Thomas re-teamed with Rickson for a succession of acclaimed roles in productions of Harold Pinter’s Betrayal and Old Times, and Sophocles’ Electra. In 2015, she inherited the role of Queen Elizabeth II in Peter Morgan’s The Audience from none other “Now than Helen Mirren. Fine company, indeed.
Despite her successes, however, Scott Thomas claims she has “never felt like I belonged.” She explained further to The Teleemotional and On the horizon looms yet another transformative graph, “I’ve always felt a bit sans patrie, role: director. Currently in pre-production, Scott you know? Stuck in the middle. I’m English, spiritual way.” Thomas will star in and helm The Sea Change, but I’m French. In England, people always about an unhappily married couple whose holthink of me as French; in Paris, they always iday in Greece takes some unexpected turns. say I’m English. But my family, the famiThe Witch’s Anya Taylor-Joy and Tinker Tailor Soldier Spy’s Mark ly I made, are in France. So I feel completely torn…It’s hard.” Strong will costar. To round out the industrious productivity of The DBE designation in 2015 was a welcome gift from her native 2017, she is also in pre-production on Alexandra-Therese Keincountry. “It was very touching, because I haven’t lived in England ing’s Paramour, where she’ll dig into the real-life role of BMW heirfor such a long time and this felt so welcoming,” she relays. ess Susanne Klatten, a powerful, yet reclusive woman, whose life While still very much committed to her domestic life in France, changes irrevocably after she embarks upon a passionate affair Scott Thomas has broadened the framework of her career in film, with mysterious and seductive Swiss businessman, Helg Sgarbi. tackling exciting and metamorphic performance challenges. She It is a pleasure to see so many facets of Scott Thomas revealed asserts, “Now it has to be about what I want to do in an emotional through the astute sophistication and variation of roles she and spiritual way.” chooses to inhabit and impart to the world. We welcome Dame Among her more recent films are the classic period drama The Kristin Scott Thomas to the Mill Valley Film Festival, and are truly Invisible Woman (2013), starring with director Ralph Fiennes and honored to present her with the MVFF Award. Felicity Jones; Nicolas Winding Refn’s visceral and transgressive Only God Forgives (2013), opposite Ryan Gosling; François Leah LoSchiavo is a marketing coordinator and writer. Between Ozon’s mesmerizing In the House (2012), with Fabrice Luchini and the two, she is pretty certain she’s on deadline for something Emmaneulle Seigner; and Israel Horovitz’s charming My Old Lady right now. (2014), starring once more with Kevin Kline, as well as Dame Maggie Smith—all roles and genres that exhibit the wide range of her gifts. Scott Thomas’ latest films continue to exhibit the protean trend of her recent work. As Janet in Sally Potter’s The Party, Scott Thomas vividly embraces a whirlwind of a role, running the gamut of emotion from celebration to intrigue, shock, confusion, betrayal, panic, grief, and vengeance, all couched in the confines of a gleefully acidic drawing room comedy of (bad) manners. Surrounded by a formidable ensemble comprised of Patricia Clarkson, Timothy Spall, Cherry Jones, Cillian Murphy, Emily Mortimer, and Bruno Ganz, Scott Thomas adeptly leads the cast through Potter’s knotty and whip-smart script, billed as “a comedy wrapped around a tragedy.”
The Party
47
BRADLEY REAL ESTATE BRAVO! To the 40th Mill Valley Film Festival
We specialize in extraordinary Marin, Napa and Sonoma properties.
The Community Real Estate Brokerage Since 1997 Bradley Real Estate is the largest independently owned local real estate brokerage in the North Bay Area, with 11 office locations serving Marin, Napa, and Sonoma counties. Our team of more than 400 knowledgeable brokers and REALTORSÂŽ guides clients with their expertise of the local communities, helping them to navigate the ever-changing real estate market. Still locally owned and operated by the family that started it all, Bradley Real Estate is proud to have been awarded the titles of Best Real Estate Company in Marin County 7 years in a row, Best Place to Work in the Bay Area for the past 8 consecutive years, and the Best Company to do Business with in Marin County. Our philosophy of operating with the utmost professionalism, coupled with a dedication to serving our local communities, has also earned Bradley Real Estate the coveted Spirit of Marin Award. We lead by example, from sponsoring local charities, schools, and organizations, to volunteering at fundraisers.
OPEN DAILY...and late at night after the film!
RESTAURANT
l
COCKTAILS
l
PIANO BAR
MESQUITE CHARCOAL BROILER
415.924.2081 415.924.1500
E’S!
T JO EAT A
MONDAY — THURSDAY 11AM-11:30PM FRIDAY 11AM-12AM SATURDAY 5PM-12AM SUNDAY 4PM-11:30PM
Joshua Flint : Hunter-Gatherers October 3 - October 31, 2017
marinjoesrestaurant.com
1585 CASA BUENA DRIVE CORTE MADERA
S E A G E R / G R AY
G A L L E R Y
10 8 Th r o ck m o r t o n Ave . M i l l Va l l ey, C A 9 4 9 4 1 . 4 15 . 3 8 4 . 8 2 8 8 . a r t @ s e a g e r g r ay. c o m
The best in independent film kqed.org
A L I TT L E TA S T E O F F R A N C E I N S A N R A FA E L
D I N E I N • TA K E O U T
EPICERIE SHOP
P R O U D S U P P O R T E R O F T H E M I L L VA L L E Y F I L M F E S T I VA L 1 3 0 1 4 T H S T @ C S T, S A N R A F A E L , C A 9 4 9 0 1 • 4 1 5 . 4 5 4 . 5 4 5 4 • L E C O M P T O I R S R . C O M • B O N J O U R @ L E C O M P T O I R S R . C O M
TRIBUTE
SEAN PENN Sean Penn has become an American film icon in a career spanning over three decades. As an actor, Penn has been nominated five times for an Academy Award® as Best Actor for Dead Man Walking, Sweet and Lowdown, I Am Sam, and won his first Oscar ® in 2003 for his searing performance in Clint Eastwood’s Mystic River and his second in 2009 for Gus Van Sant’s Milk. Penn received Best Actor awards at the Cannes (She’s So Lovely) and Berlin (Dead Man Walking) film festivals, as well as being a two-time winner of Best Actor honors at the Venice Film Festival (Hurlyburly, 21 Grams). His unparalleled acting career also includes performances in Taps, Fast Times at Ridgemont High, At Close Range, State of Grace, Carlito’s Way, The Assassination of Richard Nixon, and The Tree of Life. As a director, Penn has crafted powerful dramas such as The Indian Runner, The Pledge and Into the Wild, which garnered Penn nominations from the DGA and WGA. Additionally, Penn wrote and directed the United States’ contribution to the compilation film 11’09’01. MVFF welcomes back long-time guest and friend Sean Penn for the 40th edition of the Festival. Our Tribute program will feature an onstage conversation with Sean Penn, a clip reel of his work, and the presentation of the MVFF Award..
Saturday, October 7 | 3:00pm | Smith Rafael Film Center $55 general | $45 CFI members
51
TRIBUTE by Pam Grady Sean Penn has been nominated for five Academy Awards® for his acting, winning two. And within those five performances is a master class on range by an actor who Roger Ebert called the most powerful of his generation: an inarticulate death row prisoner in Dead Man Walking (1995); a flamboyant, alcoholic, Django Reinhart-obsessed guitarist in Woody Allen’s Sweet and Lowdown (1999); a slow-witted man trying to retain custody of his young daughter in I Am Sam (2002); a volatile, vengeful, and grief-stricken father in Clint Eastwood’s Mystic River (2003), which won him his first Oscar ®; and the exuberant, pioneering gay rights leader Harvey Milk in Gus Van Sant’s Milk (2008), which garnered his second. Penn is not a classic movie star, those larger-than-life figures whose every role is informed by the force of their personalities. Rather, he is an extraordinary chameleon, sinking deep into the skin of his characters. The son of actor/director Leo Penn and actress Eileen Ryan, he took on two early roles that set the tone for what continues to be a brilliant career. In his 1981 big-screen debut, Taps, Penn was part of an ensemble that included fellow Hollywood icons Timothy Hutton, Evan Handler, and Tom Cruise, all playing military school cadets who stage an occupation when the school is threatened with closure. In The New York Times Vincent Canby gave the film a mixed review, but Penn was among the cast he singled out for his superlative performance as the only cadet with any sense.
spending his last days at home before going off to fight World War II in Racing with the Moon (1984), and John Schlesinger reunited him with his Taps costar Hutton in the ripped-from-theheadlines drama The Falcon and the Snowman (1985). For his role as a drug dealer who joins his CIA employee friend (Hutton) in a scheme to hand off secrets to the Soviets, Ebert praised Penn’s “twitching intensity.”
A year later Penn would become a full-blown star for a part that Like The Falcon and the Snowman, James Foley’s At Close Range could not have been more different than that straight-arrow stu(1986) was inspired by real life, as Penn played Brad Jr., a young dent, when he played perpetually stoned teen surfer Jeff Spicoli man seduced into his career criminal father’s in Amy Heckerling’s Fast Times at Ridgemont underworld life. He stars opposite his own High. The class idler who’d rather be out catchmother, Eileen Ryan, here cast as his granding the waves and constantly at odds with hismother, while his brother Chris Penn plays a “I know how to do tory teacher Mr. Hand (Ray Walston), Spicoli role mirroring reality: a younger brother folemerges as a dazzlingly specific character, one this part. I know this lowing a sibling into the family business. But so exact that it is possible to imagine the scent while the film afforded Sean Penn the opporof marijuana wafting off his clothes and escapcharacter. If you want to tunity to share a screen with his kin, it also ofing out of the movie screen. Audiences sat up fered him an indelible character in the tough see it, hire me.” and took notice and so did critics, with Janet but tender Junior, a smart kid who comes to Maslin of The New York Times declaring Penn understand exactly who—and what—his fathe movie’s “real scene stealer.” ther is. Christopher Walken is Brad Sr., who Fast Times at Ridgemont High also reflected a measure of Penn’s evinces a combustible blend of menace and sleazy charm. The confidence in his own talent. Taps had not yet come out, so he film is a master class of two actors at the top of their game, in was an unknown quantity when he auditioned for the part of SpiEbert’s estimation, while Canby praises Penn for his portrayal of coli. Nearly 40 years later, in a 2017 interview, screenwriter Cam“a ravaged saint.” eron Crowe, who also wrote the book on which the movie was It is Penn who has the role of the unrepentant villain in Brian Debased, related a still vivid memory: “He came in—I can’t even Palma’s Casualties of War (1989). Like Taps of nearly a decade bebelieve this happened—and we said, ‘Do the part’,” Crowe refore, the drama stars an ensemble of some of the greatest young called. “He said, ‘I’m not going to do the part.’ We’re like, ‘You actors at work at that time, including Michael J. Fox, John C. Reilcame in to audition.’ He said, ‘I know how to do this part. I know ly, and John Leguizamo. And, once again, Penn is in uniform. But this character. If you want to see it, hire me.’ And he’d been in this time he is a soldier on the front lines of the Vietnam War, a nothing we’d seen.” short-timer who snaps and hatches a diabolical plot against an Directors certainly noticed the rising young actor in their midst innocent Vietnamese woman. A natural leader, his fellow soldiers once he started building credits. Louis Malle cast Penn as one of who have served with him in battle are only too willing to join him a gang of inept safe crackers in Crackers (1984), Richard Benjain the unspeakable. It is a tricky role in a film that, Ebert argues, is dependent on the strength of its performances—and most parmin hired him to play opposite Nicolas Cage as a Marine recruit
52
SEAN PENN ticularly, Penn’s performance—to succeed. “If he is not able to convince us of his power, his rage and his contempt for the life of the girl, the movie would not work. He does, in a performance of overwhelming, brutal power.”
But the release of The Crossing Guard coincided with the release of Dead Man Walking—and the run of characters with which Penn re-embraced his acting career. Beyond the Oscar ®-nominated roles were characters and performances just as strong, among them an unpredictable alcoholic hung up on the ex-wife (Robin DePalma rewarded Penn’s exemplary work in Casualties of War Wright) who has remarried in She’s So Lovely (1997); a fast-talking, with an even juicier role in the gangland thriller Carlito’s Way misogynistic casting agent in Hurlyburly (1998); a mathematician (1993—one that would allow him go toe-to-toe with another recovering from a heart transplant whose desire to learn about his master at getting to the heart of a charorgan donor leads him down a rabbit hole acter: Al Pacino. Pacino is the film’s titular of a widow’s obsession with the man who character, a paroled heroin dealer whose killed her husband in Alejandro González “I’ve always operated under vow to go straight meets with obstacles. Iñárritu’s 21 Grams (2003); real-life hijacker the notion that audiences Among them is his coke-addled lawyer and would-be murderer of a US president in David Kleinfeld, played by Penn, whose The Assassination of Richard Nixon (2004); don’t always know when fuzzy schemes drag both men closer to an eccentric rock star seeking a Nazi war hell. Penn is a live wire as the attorney who criminal in This Must Be the Place (2011); they’re being lied to, but long ago roasted his ethics on a dumpand real-life ‘50s mobster Mickey Cohen in that they always know when ster pile. He is also practically unrecogGangster Squad (2013). nizable, with hair permed and shaved, his they’re being told So, what is Penn’s secret? Why is he so eyes hidden behind wire-framed glasses, good? How does he always seem to find the truth.” and a hideous wardrobe of garish threethe truth of his characters? He is one of the piece suits. For once, the often flamboymost talented actors of his or any other ant Pacino is the sedate one next to the generation, but it is more than that. In an interview he did with impudent attorney. The Hollywood Foreign Press Association noThe Boston Globe at the time The Assassination of Richard Nixticed: Penn was nominated for a supporting actor Golden Globe. on came out, he expressed an approach to his art and craft that It was in this decade that Penn occasionally talked about retiring from acting. He made his feature writing and directing debut in 1989 with The Indian Runner, a gripping drama about brothers standing on opposite sides of the law. The story was one he said he’d been thinking about for eight years. By the time he finally set the screenplay to paper, he could see the film he would make in his head. In 1995, he directed Jack Nicholson as a father bent on revenge in The Crossing Guard, another drama that met with critical acclaim. Penn has continued to write and direct, including the 2007 real-life adventure saga Into the Wild, which had its US premiere at MVFF.
has served him well in a long, storied career: “I’ve always operated under the notion that audiences don’t always know when they’re being lied to, but that they always know when they’re being told the truth,” Penn said. “And if there are what I think are unsung truths to be talked about in a film— through a character, through a story—and that dominates the piece, that’s the key for me.” Pam Grady is a San Francisco freelance writer and editor. She is a member of the San Francisco Film Critics Circle and the Alliance of Women Film Journalists.
Into the Wild
53
An authentic blend of daily services, specialty shops, well-being boutiques, and al fresco eateries where locals connect. Mill Valley L O C A L F L AV O R . O N Y O U R WAY.
E V E R Y D AY M A R I N . Redwood Hwy Frontage Rd. Exit Hwy 101 at Tiburon Blvd./E. Blithedale
ORGANIC CAFE JUICE BAR ACT • DANCE • SING SPAS AL FRESCO DINING MANI-PEDIS COFFEE & PASTRIES GIFTS FITNESS URGENT CARE BAGELS FROZEN YOGURT BRUNCH ELECTRONICS AAA HOME DESIGN & FURNISHINGS DRY CLEANING SWEETS DESIGNER EYE WEAR JEWELER CAMERA EQUIPMENT SKIN CARE DENTAL CARE BEAUTY BURGERS GROCERIES PIZZA & PASTA PACIFIC RIM CUISINE PRINTING BANKING PET SUPPLIES SHOE REPAIR
StrawberryVillage.com
la ginestra
A PROUD SUPPORTER OF THE
ristorante e bar 127 Throckmorton Avenue Mill Valley, CA 415.388.0224 www.laginestramv.com
BEFORE THE FILM
J
oin us for a classic Chinese cuisine dinner, enjoying your favorite beverages and tasty appetizers with our fabulous Chinese food.
SINCE 1983
Marin County's First Certified Green Caterer
415.453.3710
|
DELICIOUSCATERING.COM
AFTER THE FILM
W
e deliver hot food to your door. We serve until midnight. Our banquet room seats 150 people. Stop by and enjoy classic Chinese cuisine.
You’ll like the warm and quick service in this contemporary setting.
1238 4th Street (between B & C Streets) . San Rafael 415.460.9883 www.yetwahsanrafael.com
Skin Care That Reveals You.
Supporting Women’s Equality and Empowerment in Partnership andalou.com
with the Mill Valley Film Festival.
SPOTLIGHT
DEE REES Powerhouse director and screenwriter Dee Rees exploded onto the American independent film scene in 2011 with her feature film Pariah, garnering mass critical acclaim, seven NAACP Image Awards nominations and multiple awards at the Independent Spirit Awards, Gotham Awards and GLAAD Media Awards. In 2015, she wrote and directed the Emmy-Award winning HBO film Bessie, which received 12 Emmy nominations and four Critics’ Choice Awards, in addition to Directing Awards from the DGA and NAACP. Her latest film to set critics abuzz, Mudbound, premiered at the 2017 Sundance Film Festival and makes its Bay Area bow at MVFF40.
MUDBOUND US 2017, 134 min Director Dee Rees Dee Rees (Pariah) further establishes herself as a director of the first order with this remarkable tale, based on Hilary Jordan’s potent novel, of two families whose lives fatefully intertwine in the Jim Crow South. In the wake of World War II, two veterans (Garrett Hedlund, Jason Mitchell) form a fast friendship, and the loved ones they return home to (Carey Mulligan, Mary J. Blige) forge a tenuous connection despite the deeply entrenched racial tensions that still seethe in their small Mississippi town. Employing themes and multiple narrators that evoke the sophistication and insight of Faulkner, Rees brilliantly conveys a story that’s epic in its scale but still intimate in its characterizations. With terrific support from Jason Clarke, Jonathan Banks, and Rob Morgan, and painterly images by cinematographer Rachel Morrison perfectly capturing the period, Mudbound is steeped in history, tragedy, and the promise of reconciliation that still resonates today Our Spotlight program will feature an onstage conversation with Dee Rees, a screening of Mudbound, and the presentation of the MVFF Award. Join us after the program for a celebratory reception at the Outdoor Art Club in Mill Valley.
Saturday, October 7 | 6:30pm | CinéArts Sequoia Program & Reception | $50 general | $45 CFI members Program only | $25 general | $20 CFI members
SPOTLIGHT SPONSOR
RECEPTION SPONSOR
57
SPOTLIGHT by Nadia Ismail Dee Rees creates in her own image. She lends her remarkable capacity for humanity to her characters and breathes into them a complexity that makes them flesh and blood. A self-proclaimed outsider, Rees’ newest feature, Mudbound (page xx), sold to Netflix for $12.5 million, the largest acquisition of Sundance 2017. Rees came onto the film scene as an explosive new voice in 2011 with Pariah, an NYU-graduate-school-short-turned-feature, which garnered her a Gotham Independent Film Award, a Film Independent Spirit Award, and a tie for Mill Valley Film Festival’s Audience Award. Her 2015 film Bessie, about the life and loves of celebrated Blues singer Bessie Smith, won an Emmy Award for Outstanding Television Movie and was nominated for a Golden Globe for Queen Latifah’s portrayal of the chanteuse. As The New Yorker writer Hilton Als writes, “all artists are other,” and Dee Rees’ myriad forms of other as an African-American queer female writer-director have been the basis for her perceptiveness and ability to see all characters—even the bigoted—as chiefly human. MVFF Spotlight honoree Dee Rees took some time to speak about Mudbound, her experience as a minority female filmmaker, and the future of cinema. NADIA ISMAIL: Given what is going on in our country, how does our political context inform the meaning of Mudbound, a postWorld War II period piece?
DR: I’m from Nashville, Tennessee. I’m actually from a small suburb called Antioch, Tennessee, which in the day, it was kind of like the boonies. Now, it’s kind of like a typical fast food chain suburb. But I think place informs point of view, in that it’s just kind of baked into you. It’s how you see the world. And so for me, this suburban kid, growing up in the sticks, for whom riding bikes and jumping the creeks was our entertainment. I feel like there’s a certain kind of immediacy in my filmmaking, a certain kind of rawness that I appreciate, and an authenticity. And so, I think place necessarily informs the artist, whether you’re a painter, or a writer, or a sculptor, just because it’s was trying to just how you see the world.
DEE REES: I think any film, whether it’s 1944 or 2044, is really commenting on the contemporary. It’s commenting on the times in which it’s made. When we made Mudbound, we were shooting it a year and a half ago, before we knew “In [Mudbound], I any of this, and so, when you’re saying something that’s true or meanexplore white as a currency, so ingful, it’s always on time. And I Tennessee is a very mountainous think now that people have today’s that everyone’s not expressing place, and a very hilly place. So, I’m political context, I think it gives always interested in asymmetry. I’m these ideas in the same way.” them the critical distance they interested in rise, and faces, and need to really take in the story and people. And so for this film, it was understand that it’s real and that really important that the faces all felt this happens and that we’re not far real and felt authentic, and felt Southern. In terms of language, I from it happening again or from it being the current situation. think place informs how you respond to language and how melody and the rhythm of words flows for you. And so, I think it just makes people more receptive in a way and more open. In my works, I’m always trying to tell stories and NI: As a woman writer-director, have you experienced gender build narratives. I think it makes the narrative more immediate, discrimination? And I know that this is kind of a tricky question, because we can relate to these characters. I think everyone can because you represent other on many facets. admit, “Oh, I know a Pappy.” Or, “I have an uncle who’s like Henry.” Or, “I have an aunt who is like Laura.” And in the film, I was trying to explore white as a currency, so that everyone’s not expressing these ideas in the same way. But they’re spending it differently. NI: I noticed Tennessee, your home state, has been a presence in each film you’ve directed. How does this place, and particularly where you are from, influence your work?
58
DR: Black, lesbian and a woman, yeah. I think it happens in many ways. I think as [James] Baldwin would say, “I hit the jackpot.” But I think yes, I think the first thing is subtle manifestations, in terms of just capability. I always say people kind of assume you’re incompetent until proven otherwise. Where, if I was in a different package, if I was male even, if that one thing changed, would people assume I was competent until proven otherwise?
DEE REES I’ve totally walked onto sets and PAs have directed me to background casting. That comes from a basic underlying assumption, that you’re a black woman. There’s no way you’re the director. There’s no way you’re going to the set. So, people’s assumption is that, without even knowing it, you must be one of the extras, without even doing their homework.
we should be doing futuristic pieces. And we should be doing scifi. We should be doing other things that tell the story. But they’re all reflecting on now and just getting different ideas out there. So, the long game is in the realm of ideas. And filmmaking, narratives, and storytelling are just a way to exchange ideas, to put ideas out there, and to have community gather around them.
NI: And Baldwin wrote about how being a black man, knowing his station, it kind of kept him from being a writer. He didn’t even entertain that thought, because he was like, “I’m not going to do that. I’ll go be a preacher, or I’ll end up on the street, but I can’t follow my dream.” Is that why you went for an MBA first?
NI: Do you have an audience in mind when you make your films?
DR: Kind of, yeah. Because it’s like being a writer, or being an artist, is this dreamy, indulgent thing. It’s not on the list of things you could do, even though the people I was inspired by growing up, were these authors.
DR: I want to just tell a great story. So, when I’m writing or when I’m directing, I try not to think about the audience. I try as much as possible, to just think about the scene. I’m just thinking about the characters in this moment. How can I make this moment the best it can be? And if I get the moment right, then I’ll get the scene “I feel like there’s right. If I get the scene right, I’ll get the sequence right. Then if the sequence is hapa certain kind of pening right, then we’ll get the film right. I immediacy in my just try to make each moment mean something, feel something, convey something. filmmaking, a certain And just trust that the viewers will come.
If you major in English, or literature, you end up being an English teacher. So, get something practical. Get this big degree, kind of rawness that because then you can do whatever. Being But with Mudbound, based on its runs at an artist as a career wasn’t something that I appreciate, and an Sundance, I’m excited, because I feel like seemed practical when I was a kid, like atthe viewer isn’t necessarily the same as authenticity.” tainable. If you had asked me, when I was who I am, which is exciting because I feel 12, I don’t think I even quite understood like that means it’s reaching people and what directors did. If you had asked me if connecting on another level. It’s not necI could be a director, I would have no kind of knowledge of how essarily connecting on the level of a shared experience, but it’s to get there. I wouldn’t think there’s any way I’d be here, but abconnecting on a shared sentiment, or a shared feeling. And I think solutely, I do think people have unconscious expectations of you, it can have a bigger impact that way. or ideas about what your life can be. It’s up to you to define what your life will be and it’s often beyond your own expectations. Nadia Ismail is a writer on politics, film, art and cultural NI: What are the implications for you of being an artist in this moproduction living in New York City. She is an MFA candidate ment? What does that mean to you? in Columbia University’s writing program.
PHOTO COURTESY NETFLIX
DR: I think, to me, it means starting where you are. I think we have to tell stories that are meaningful, or that are important personally, because if it’s important to you personally, or if you’re connected to it personally, then it’ll have this different resonance. And we need everybody telling different parts, doing different things. It’s trying to get that thing where we’re telling many different stories, many different threads, but it’s all part of the same cloth that we’re weaving. And it has to be interesting and it has to be unexpected. And I think that’s the great thing with many different filmmakers working—everyone started where they are, with their different take on the world. And that’s the kind of thing that enlivens it. So it doesn’t mean we should all go do historical pictures, or bio-pics, but I think
Mudbound
59
Come in to see what’s developing!
Monday - Saturday 10-6 320 Bon Air Center ~ Greenbrae www.framecraftersgallery.com ~ (415) 461-7688
9 0 1
A
S T ,
S A N
R A F A E L ,
C A L I F O R N I A
AN ICONIC LOCATION WITH WORLD-CLASS VIEWS Cavallo Point Lodge, just minutes from San Francisco, offers historic and contemporary accommodations with stunning Golden Gate Bridge and bay views. Experience fine dining at Murray Circle restaurant with local, ingredient-driven cuisine by Executive Chef Justin Everett. Refresh and renew at the Healing Arts Center & Spa and enjoy 20% OFF* a facial, massage or body treatment on Tuesdays and Wednesdays. *Offer may not be combined with any other special, promotion or group rate. Blackout dates may apply.
601 MURRAY CIRCLE DRIVE
FORT BAKER
SAUSALITO, CALIFORNIA 94965
LODGE RESERVATIONS: 888.651.2003
CAVALLOPOINT.COM
cheers to you!
TRIBUTE
HOLLY HUNTER Holly Hunter has been bringing her sassy, bright and memorable characters to stages and screens since the early 1980s, winning recognition for her earthy performances in Raising Arizona, Broadcast News, Miss Firecracker, Always, and Roe vs. Wade—and picking up an Oscar ® for her beguiling and accomplished work in Jane Campion’s The Piano. She’s charted a refreshingly candid career in a variety of film and television roles, including Home for the Holidays, Living Out Loud, Crash, Saving Grace, and Thirteen, reteaming with Campion for a vividly realized turn in Top of the Lake, and most recently standing out in 2017’s The Big Sick. MVFF is proud to honor the distinctly openhearted spirit of Ms. Hunter’s contributions to the art of acting. Our Tribute program will feature an onstage conversation with Holly Hunter, a clip reel of her work, and the presentation of the MVFF Award. Join us after the program for a celebratory reception at Tiburon Tavern.
Sunday, October 8, 7:00pm | Rafael Film Center Program & Reception | $85 general | $75 CFI members Program only | $45 general | $40 CFI members
RECEPTION SPONSOR
63
TRIBUTE By Zoë Elton Holly Hunter is the consummate artist. Whether she applies her considerable talents to film, theater, or television, she has maintained a career over almost four decades that never ceases to inspire and delight. She has that rare gift of creating fully-formed characters grounded in an emotional truth, whether in dramatic roles, like her transcendent, Academy Award®-winning role in The Piano; in comedic roles, like her hilarious, deadpan turn in Raising Arizona; or in roles that straddle both drama and humor, like her recent, impressive performance in The Big Sick. Her distinctive voice adds something special to the two-dimensional world of the ’toon as well: The Incredibles was surely made more incredible by the inclusion of Hunter’s voice for Elastigirl. She seems to have led a life filled with serendipity. Initially passionate about music, as a girl she learned piano—she has said she wouldn’t even go spend the night at a friend’s unless they had a piano. But after a school play in her mid-teens, this segued to acting. And a stint in repertory theater in upstate New York at age 15 made her realize that she wanted to study drama seriously. She went to Carnegie Mellon and after graduation moved to New York to pursue a career in theater. There, she met playwright Beth Henley—in a stalled elevator—and thus began a professional connection and a friendship that still endures. Hunter made her Broadway debut in Crimes of the Heart, Henley’s Pulitzer- and Tony-winning play.
After a two-hour audition, Brooks asked her to come to his house the next day to meet Albert Brooks. There, she was greeted with champagne and the news that she would be starting the next day. She says, “I almost had a nervous breakdown because I had very It was her work in theater that led to her break into film. When little film experience, and I had to play a person who was smarter she was in Crimes of the Heart in 1981, filmmakers Joel and Ethan than Bill Hurt, and he’s a very smart guy. I was extremely intimiCoen were casting for what would become their debut feature, dated by the entirety of the experience of having landed the role Blood Simple. They saw Hunter and offered her the female lead. but thinking that I might not be capaHowever, Hunter had already comble of doing it. It was the most afraid mitted to Henley’s next production, that I’ve ever been.” It would seem The Wake of Jamey Foster, and was she got over her fear, and delivered a unable to do it. So the role went “I like that vulnerability, that performance that was a revelation and instead to her roommate, Frances might bring to mind a line in the film: toughness, the fact that she McDormand (who went on to marry “I had no idea she was this good.” Joel Coen.) was just willing to go there and For me, Hunter’s work is indelibly conOf course, the connections continnected with the experience of The Piaexpress an emotion that was like ued, friendships ensued, and the no, and not just because I lined up for Coens wrote the role of Ed in their something all of us can feel.” hours to make sure I could get into its next film, Raising Arizona, for Huntfirst screening at the Cannes Film Feser. Of working with the Coens in that tival in 1993, where I ended up seated extraordinary role, Hunter has obon the stairs in the nosebleed section served about their writing, “The deal with Joel and Ethan when of the 2400-seat Lumière theater. The film began, and I was comthey write a script is, that’s it. The script is magical, it’s every sinpletely entranced. gle syllable. I mean, their dialogue is impeccable. It’s not even that it’s right, it’s magic. And there’s nothing in the world that This much anticipated film’s premiere took the Croisette by storm. Hunter’s remarkable performance as a nineteenth century you would ever want to change about their writing. I would never Scottish woman helped propel director Jane Campion’s groundwant to improvise a single line of theirs because the line reads breaking film into becoming one of the seminal works of late like poetry.” twentieth century cinema—as well as a key moment in Cannes Around that time, but before Raising Arizona was released, casthistory: The Piano became the first (and remains the only) film by ing was in progress for Broadcast News. Though Hunter had inia woman director to win the Palme d’Or. Hunter also won the best tially been turned down for the role of Jane Craig, it had still not actress award at Cannes that year, and her international acclaim been cast months later. So another chance arose. As she tells it, included wins at the Golden Globes and the BAFTAs. “The floodgates opened, and I got in to read for the part. And That same year came her Emmy ®-winning performance in HBO’s William Hurt was at the audition, which I thought was unusual. The Positively True Adventures of the Texas Cheerleading MurAnd Bill and I proceeded to read the entire script for Jim Brooks.”
64
HOLLY HUNTER dering Mom. The incredible contrast between these two projects bears witness to the broad dramatic and comedic range of Hunter’s work. Yet each role is notable for its energy and insight, its multi-dimensional and fully inhabited honesty, which spans her work from Living Out Loud to Thirteen to The Big Sick. The Big Sick debuted at Sundance earlier this year to great acclaim—and again confirmed the power of Hunter’s estimable talents. It’s about a Pakistani-American stand-up comedian (played by Kumail Nanjiani) who falls in love with a white woman, Emily (Zoe Kazan), and must navigate many awkward interactions with her parents (Hunter and Ray Romano) when Emily falls sick and ends up hospitalized in a coma. It is based on the real-life story of Nanjiani, who co-wrote the script with his wife Emily V. Gordon. Working with an actor who co-wrote a screenplay based on a personal story of challenge and adversity is not unfamiliar to Hunter. In 2003, she was in Catherine Hardwicke’s (MVFF Tributee, 2015) Thirteen, which Hardwicke co-wrote with then-teenager Nikki Reed. That role led to Hunter’s fourth Academy Award ® nomination. To gain a little insight into what it’s like to work with Hunter, I spoke with Hardwicke about her experience as a director—and, at that point, a first-time director—working with her. When it came to casting, she says, “I had that famous scene in Broadcast News pop into my mind, where she breaks down and cries, and then stands up and just gets on with it. I thought, Oh, I like that vulnerability, that toughness, the fact that she was just willing to go there and express an emotion that was like something all of us can feel: she was very raw. And so I said to the producer, ‘Wouldn’t Holly Hunter be fantastic as the mom?’ At that time, we had no distribution, I’d never directed a movie, never written a movie. I was a production designer! We had no money. No nothing.” Nevertheless, the contact was made, Hunter read the script, and Hardwicke was called for a next-day meeting in New York. In preparation, Hardwicke dashed over to Reed’s house, filmed a
video of her hairdresser mom, and delivered it to Hunter the next day. Hunter, she continues, “loved the specificity of this woman that she was going to play—how she had her hair salon in her house and she would mix up colors with the neighborhood kids and put streaks in their hair, all these little very specific details that Holly loved in the script.” Hunter made “very powerful and intelligent and incisive comments” on the script, and Hardwicke “wove them into the screenplay.” As Hunter created her character, she “did not try to imitate Cheryl, Nikki’s mother, but she spent time with Cheryl and actually learned how to cut hair…she spent time with Nikki and just absorbed everything. Her eyes were just like a sponge, soaking it all in, and then, of course, made the character her own.” As I look at Hunter’s work from the outside, it seems as though she is always looking for authenticity, and her work is always multidimensional. It seems like full-spectrum character building. I asked Hardwicke if that thought aligned with her experience of working with her as a director. She replied, “Yes, that character building is what seemed to me to be very interesting. In this case, since it was a real person used as a springboard, and that real person had a profession, had kids, had a backstory, had a lack of education, had all these different issues that she understood about the backstory, but then she wanted to live it, too.” Hardwicke’s insights bring me back to The Big Sick, and Hunter’s extraordinary ability to get to the heart of a character. Of her new film, she said, “It goes to this really private and intimate place because Kumail and Emily meant it. That’s one of the reasons I was attracted to it, because it had an authenticity. It had even more than an authenticity, it has an inside track that I felt was compelling.” That authenticity, that inside track into the emotional truth in a character: We’ve come to trust that in the artistry that Holly Hunter brings to all her roles. Zoë Elton is a writer, curator, and MVFF’s Director of Programming.
The Big Sick
65
MADE BY HAND IN CALIFORNIA WWW.GALANTERANDJONES.COM // @GALANTERJONES //
CENTERPIECE
LAST FLAG FLYING US 2017, 119 min Director Richard Linklater Once upon a time in ‘Nam, Doc (Steve Carell), Sal (Bryan Cranston) and Mueller (Laurence Fishburne) were an inseparable trio. Then something horrible went down, one of them took the fall, and they stopped speaking to each other. Decades later, Doc tracks down his fellow vets—Sal’s an alcoholic bar owner; former hellraiser Mueller is now a man of God—to ask for a favor: His only son has just died in combat in Iraq. He needs them to accompany him to identify the body and to join him on one last mission. This sequel to The Last Detail—like Hal Ashby’s 1973 classic, an adaptation of a Darryl Ponsican novel—is a funny, talky, emotionally resonant road movie. But this Richard Linklater masterwork is also a moving, heartbreaking tribute to the bonds forged in warfare and a penetrating, performance-driven actors’ showcase that boldly asks why we fight—and how we as a nation heal from the damage done. —David Fear
Guest: Richard Linklater
Thursday, October 12 | 7:00pm | Smith Rafael Film Center Program & Party | $85 general | $75 CFI members Program Only | $45 general | $40 CFI membersy
CENTERPIECE SPONSOR
RECEPTION SPONSOR
69
BossaNova_HalfPageVert_JulyAug2017_.pdf
1
6/17/17
Congrats to the Mill Valley Film Festival for 40 Successful Years Serving Interior Designers and Architects, Celebrities and Fortune 500 CEO’s. Services include custom rug design, cleaning, repair, restoration, resizing and appraisals. Visit this refined and vetted collection for the discerning homeowner seeking the exceptional and the extraordinary. Recently relocated to Mill Valley’s historic El Paseo building from the San Francisco Design Center after 35 successful years. 1 El Paseo Lane
Mill Valley, CA
rhabib@alexandersrugs.com
O: 415-384.8261 M: 415.305.3045 alexandersrugs.com
C
M
Y
C
M
Y
CM CM
MY MY
CY CY
CMY
A NEW
Located in the historic El Paseo building in downtown Mill Valley,
CMY
K K
FEATURING FEATURING BRANDS: BRANDS: Stella Carakasi Stella Carakasi••0039 0039Italy Italy••Cino Cino • • Cigno Cigno Nero Nero DL1961 • Equestrian • Go Silk • Italca • Kooba DL1961 • Equestrian • Go Silk • Italca • Kooba Liebeskind Liebeskind••Lilla LillaPP••Animapop Animapop • • Petit Petit Pois Pois Rafaello RafaelloRossi Rossi••Repeat Repeat••Three Three Dot Dot • • Joules Joules
The Makery offers small group classes taught by local artisans for beginning to expert crafters.
Create an original craft made with your own two hands.
Sonoma SonomaCourt CourtShops Shops 524 524Broadway, Broadway,Sonoma SonomaCA CA95476 95476 (707) (707) 343-1228
Register for classes and workshops online at
DowntownMill MillValley Valley Downtown ThrockmortonAve, Ave,Mill MillValley ValleyCA CA 94941 94941 (415) 888-3595 888-3595 1111Throckmorton
Fine materials. New skills. Unforgettable experiences.
makerymillvalley.com
NG.CO M WWWW.BOS W W. B O S SSAANOVACLOTHI N O V A C L O T H IN G . C OM
3:01 PM
proud to partner with the MVFF
weekend brunch catering private dining corporate events san rafael
greenchilekitchen.com
TRIBUTE
TODD HAYNES Considered a pioneer of the New Queer Cinema movement and auteur of outstanding American independent films, celebrated director, producer and screenwriter Todd Haynes has contributed uniquely beautiful, provocative and empathetic films to the cinematic canon, including Poison, Safe, Velvet Goldmine, Far from Heaven, I’m Not There (MVFF 2007), Mildred Pierce, and Carol (MVFF 2015), all of which have garnered widespread critical acclaim and multiple nominations and awards. Nominated for the Palme d’Or at the 2017 Cannes Film Festival, Haynes’ latest feature film, Wonderstuck, makes its California premiere at MVFF40.
WONDERSTRUCK US 2017, 115 min Director Todd Haynes Ben and Rose are children who live in eras 50 years apart; each has a secret wish that propels their stories in Todd Haynes’ (Carol, MVFF 2015) exquisite rendering of Brian Selznick’s illustrated novel. In rural Minnesota, Ben (Oakes Fegley, Pete’s Dragon) dreams of wolves and seeks clues about the identity of his father. In Hoboken, NJ, Rose (marvelous newcomer Millicent Simmonds) immerses herself in the movies of charismatic Lillian Mayhew (Julianne Moore, a beautiful nod to Lillian Gish). Each is deaf; each sets out on a quest that leads them to New York, with the American Museum of Natural History a common backdrop. It’s perfect territory for Haynes’s rich cinematic senses: The vibrant color and swagger of 1977 New York is evoked to perfection by Ed Lachman’s cinematography; Cartwell Burwell’s score is terrific. Wonderstruck is striking and wonder-filled, and confirms Haynes as one of the most important artists of his generation. —Zoë Elton Our Tribute program will feature an onstage conversation with Todd Haynes, a screening of Wonderstruck, and the presentation of the MVFF Award. Join us after the program for a celebratory reception at Green Chile Kitchen in San Rafael.
Friday, October 13 | 7:00pm | Smith Rafael Film Center Program & Reception | $85 general | $75 CFI members Program only | $45 general | $40 CFI members
TRIBUTE SPONSOR
RECEPTION SPONSORS
73
TRIBUTE
By Becky MacDonald I recently had the privilege of speaking with Todd Haynes about his latest film Wonderstruck, the parallel stories of two 12-yearold runaways, Rose and Ben, set in New York in 1927 and 1977. We talked about how Haynes chose to cast the film, his process of working with children and deaf actors, some of his sources of inspiration, and his creative process. BECKY MACDONALD: Could you talk about the process of casting Millicent Simmonds [in the role of Rose]? Were you committed to casting a deaf girl? TODD HAYNES: Yes, it was absolutely a goal, a kind of vision to try to do everything possible to find a deaf kid to play young Rose. It just seemed essential and meaningful on so many levels, starting with who the character is, and how central she is in wanting to feel something that might not come as readily, or something that I wouldn’t even know how to ask from a hearing actor. But also, we felt like having a deaf person in such a central part of the film would set up a kind of closeness to the community that you really can’t get any other way. We knew that it was an essential role for the film, that carried the story, that had to function without dialogue, and so there were even greater demands placed on the performance of the character. Everything that I ended up needing in this performance, she would deliver to the film to a degree that I’m just sort of catching up to, I think. It’s a remarkable performance that functions on so many levels, and she seems to understand how to work with the medium of film, without any experience. The intuition and the intelligence of this kid was just something that we found by luck. I did not extract this performance out of Millie. This performance was already in Millie, and I just created the circumstances that enabled it to be seen and recorded and shared with people. There was something in her person, in her body and voice and the way she spoke and signed, and the way she communicated who she
74
was that was unmistakable, and that really just shot through you to the core. I felt like I was holding this precious, fragile thing that could just disappear at any moment, because you don’t know that she’ll be able to do it. We were extraordinarily fortunate with her. And she brought so much to the production, and she was such a lovely person, and a wonderful, generous, funny, warm presence on the set. And so it set a tone of inclusiveness and communicativeness that made it so easy to interact with her, and she basically set that in motion. And it also made us want to go further with the deaf community. At a certain point it became the brainchild of me, and [casting director] Laura [Rosenthal], and Brian Selznick [the author of the book from which the film was adapted] to include other deaf actors in roles in the silent portion of the film who were playing hearing characters, but they were in a silent film, so to speak, and they could impersonate us. That was a unique reversal that they don’t always get a chance to enjoy, to have fun with. So it meant that we were around a lot of deaf actors who come with unique histories and careers and experience. And that was another enrichment of the process of making the movie. BM: How did you approach making a movie for children? Was it different than how you approached making other films? TH: One thing I wanted to start by doing was going back to movies I watched when I was a kid, around this age—movies like The Miracle Worker, which was a very big movie for me when I was a kid. I was very obsessed with that film. It made a deep impression on me for a number of reasons, and it’s still a really powerful film to look at today. And then other films that I hadn’t revisited for any other reason than this, like the movie Sounder, which I saw when I was 11, and that I remember being a very emotional experience. And I assumed that that meant the film was catering to a child’s sort of emotional limits. And in fact, it’s an incredibly sophisticat-
TODD HAYNES ed, understated, and very elegantly made movie about a 1930 Black sharecropping family in Louisiana. But it’s the simplest sort of socioeconomic story about this family, and it does not cater to children. It speaks in a nuanced and universal language that an adult and a child could easily access. And I found that to be so inspiring and encouraging. And so I just felt like we don’t have to do anything special, but pay acute attention to the integrity of these two kids as characters and their lives and experiences. “I do think
elemental parts of film were being asked to step up and really make this work as a concept. BM: Each of your films takes a new risk—whether it be stylistically, narratively, or through choices in casting. Is there a risk that you’re looking forward to taking that you haven’t taken yet?
TH: Oh yeah. There’s everything I haven’t done. And there are too many things I haven’t much of done, and not enough time to do them. One thing I just recently announced when I was the world’s conflicts My manner of dealing with them on set in Locarno, I am hoping to put together this was not to give them any special or unique might be eradicated documentary on the Velvet Underground. communication, but just give them the full I’ve never done an actual documentary, and respect and professionalism that I try to give if 12-year-olds actually of course, this documentary on the Velvet any actor I work with. And there is something Underground is going to be a unique chalruled the world—real extraordinary about this age. I do think much lenge given the fact that, unlike most bands, of the world’s conflicts might be eradicated 12-year-olds, not those there’s not a lot of visual material showing if 12-year-olds actually ruled the world—real them in any of the rudimentary ways you ex12-year-olds, not those stuck in or regressed stuck in or regressed pect to see a band through its life, performback to maybe a much younger age, like we ing live—just mostly experimental coverage back to maybe a much currently have. It’s a strange and interesting of them through Warhol and fantastic phoage: It’s just before puberty hits, and for younger age, like we tos. So it’s going to take a different kind of girls often they’re in puberty. But for boys, strategy, which I think will be appropriate to it’s right before that change. So they’ve currently have.” that unique moment, where they really were achieved all this level of knowledge and sothe most marginal band, with the most exphistication, but they’re still kids. And they traordinary influence on popular music, even if it took years for have a clarity and a sense of fairness that is just unencumbered by that to be understood. And it’s really tapped deeply into the exhormones, and then things start crashing in, and, at least for boys, perimental language of New York City counterculture and art culnever really leave you again afterwards. ture and film culture at that time—and, of course, experimental BM: For most of your movies you’ve written the screenplay, exmusic. It’s gonna be fun, and it’s gonna be a challenge, so it’ll be cept for Carol (MVFF 2015) and now Wonderstruck, which were a new thing for me!” both based on books. What was it like to work with another writer, and specifically with Brian? Do you consider it a departure from Becky MacDonald teaches film at Brooklyn College and is a forthe way you’ve worked in the past? mer staff member of MVFF. TH: It is different to not spend all that time in the generating process of an idea, the research process, where you live with something in your own enclosed world for those many years that it often takes. But there’s a point where, after you’ve written even your own script, where the script is still just this blueprint, that you need images and sounds and something ineffable. At least this is how I look at making a movie, as a director. But every stage you’re in is kind of a discarding of the stage that precedes it, and a kind of surrender of the ideas and visions that you might’ve formed, because you have to deal with what’s in front of you. And that is true from script to production, from production to dailies, from dailies to your first cut, the whole mysterious process of editing, and sound, and post that follows that. I find, in some ways, I would be just as hard and disparaging on my own writing as I would on anybody else’s work that I’ve taken on. Brian also has already adjusted his book, which is also built on images, to really thinking deeply about cinema and film language and all of its resources, particularly for a film that doesn’t rely on dialogue. So all of the purely cinematic elements of the medium became necessary to tell the story—the editing, the production design, obviously the performances, and music, and sound design as well. So that was great, to just feel that all the essential, Wonderstruck
75
NEW FREE FERRY SHUTTLE
along Sir Francis Drake Blvd between Fairfax and the Larkspur Ferry Terminal , weekday commute hours from 6:35 am - 8:20 am and 4:05 pm - 6:55 pm
NO MORE PARKING HASSLES THE SUSTAINABLE CHOICE FOR OUR COMMUNITY FREE FOR FERRY CUSTOMERS
Catch the Wave! goldengate.org or call 511 for schedule information
Buzz Photo Booths is a proud sponsor of the 40th annual Mill Valley Film Festival.
"Get Buzzed!" buzzphotobooths.com
17SP-BuzzPhotoBooths-QVC.indd 1
8/31/17 9:39 AM
PAIR YOUR PENNE WITH A SEDUCTIVE LITTLE SONATA.
90.3|FM
transform your day. kdfc.com
kdfc app
PIAZZA D'ANGELO T R A T T O R I A
Proud Sponsor of the Mill Valley Film Festival Come Dine With Us Befor e or After A Film
415.388.2000 22 Miller Ave, Mill Valley piazzadangelo.com
Serving Lunch & Dinner Daily From Italy, With Love
SPOTLIGHT
ANDREW GARFIELD Andrew Garfield is an Academy Award®-nominated actor who captivates global audiences with his transformative performances spanning feature films and notable theater productions. He continues to evolve his body of work in powerful roles and compelling narratives. His acclaimed performances can be seen in Hacksaw Ridge, Silence, Angels in America, The Amazing Spider-Man, The Social Network, 99 Homes, Never Let Me Go and, most recently, in David Robert Mitchell’s Under the Silver Lake and Andy Serkis’ Breathe.
BREATHE UK 2017, 117 min Director Andy Serkis In his directorial debut, actor Andy Serkis (Lord of the Rings, Planet of the Apes) tells the remarkable true love story of Robin (an exceptional Andrew Garfield) and Diana Cavendish (The Crown’s Claire Foy, as resolute as a royal), two charming and free-spirited young Brits who are newly wedded in the late 1950s, when the dashing young Robin is suddenly struck down by polio. Paralyzed and confined to a bleak hospital ward, the constant mechanical breathing of a respirator is all that keeps him alive—though it’s hardly a life he can bear living. Unwilling to accept such a fate, the devoted Diana makes a radical decision that upends all conventional and scientific wisdom of the era—and completely changes the course of their lives. Produced by their son Jonathan Cavendish, Breathe is a romantic and reverent tribute to a fearless couple who became pioneering inventors and advocates for the disabled community long before disabled rights were a matter of law. —Joanne Parsont Our Spotlight program will feature an onstage conversation with Andrew Garfield, a screening of Breathe, and the presentation of the MVFF Award. Join us after the program for a celebratory reception at the Outdoor Art Club in Mill Valley.
Saturday, October 14 | 7:00pm | Smith Rafael Film Center Program & Reception | $85 general | $75 CFI members Program only | $45 general | $40 CFI members
SPOTLIGHT SPONSOR
RECEPTION SPONSOR
JENNIFER COSLETT MACCREADY 79
SPOTLIGHT By Atissa Manshouri Priest. Murderer. Soldier. Clone. Internet pioneer. Web-slinging superhero. There are few leading men who can match the talent and diversity that Andrew Garfield has displayed in his career, and even fewer who can embody the internal moral and existential conflicts of his characters in the way that Garfield does. Even his teenage Spider-Man, Peter Parker, is conflicted, grappling with the consequences of his newly discovered powers as he simultaneously explores and unleashes them. As Garfield told the UK Telegraph, “It’s not just a guy climbing the side of a building. It’s a guy climbing the side of a building in an existential dilemma.” Existential questions of a more emotional nature inform Garfield’s latest performance in Breathe, the inspiring true story of Robin Cavendish, a charismatic 28-year-old struck down by polio in the 1950s. Deeply in love with his spirited, pregnant wife Diana (played by The Crown’s Claire Foy) and their adventurous life together, Cavendish is forced, upon his diagnosis, to contemplate an irretrievably reduced existence spent connected to a respirator in a hospital ward. Refusing to allow her husband to simply accept his fate, Diana flouts both medical and social conventions of the time and devises a way for Robin to leave the institution to be cared for at home. With an active mind and no loss of his sparkling personality, Robin is not only reawakened to the possibility of living his life, but he and Diana also find a way to make their lives bigger and more meaningful, transforming their passion into advocacy for others. Garfield will surely gain notice for the incredibly focused physicality of this role. Using little more than his eyes, his voice, and his facial expressions, he conveys both the elated highs and utter depths of his experience. Garfield says, “The voice was the main challenge, but also the stillness, and how that affects the face, how much more active it makes the eyes. I think his inner life became much more vivid because of his inability to have a physical life in the same way that he did before.” Andy Serkis, the acclaimed actor (Gollum in the Lord of the Rings trilogy) making his directorial debut with Breathe, calls Garfield “a phenomenal actor who leaves no stone unturned. The part is a very complex, hugely challenging emotional roller coaster. But for the most part, Andrew is sitting or laying down, only able to express himself through his facial muscles and the intensity of his performance.” That intensity, of course, is what makes his performance crackle with intelligence. Garfield takes audiences on a gut-wrenching journey to show how Robin ultimately realizes that his life still has possibility. It’s an acting thrill ride, but an internal one, devoid of bells and whistles. Judging by his choices over the past decade or so, Garfield seems drawn to characters on an internal journey, those who are engaged in self-reflection and moral inquiry. A self-described skinny and sensitive youth who experienced bullying during his school years, he eventually made his way from Surrey, where he grew up, to London, for drama school. Following a few notable TV series appearances (including Doctor Who) and critically acclaimed stage performances, he landed his first major leading screen role as Jack in Boy A, a TV drama for Britain’s Channel Four. Loosely based on 1993’s Bulger child murder case in the UK, Boy A finds Garfield struggling through the darkest recesses of the
80
human experience. As an eleven-year-old, his character participates in the senseless murder of a young child; as a young man, he is released back into society—reformed, rehabilitated, and renamed—and yet wholly unsure of whether there will be a place for him. The real-life Bulger case, in which two ten-year-old boys were convicted of kidnapping and murdering a toddler, horrified the nation and prompted heated debate around the ethical implications of imprisoning minors as violent criminals, and how and when they should be released. Garfield would have been ten years old himself when the Bulger murder took place and was apprehensive about taking the role. “But then,” he said in an interview around the time of the film’s release, “I thought about what I saw as the greater good, which was exploring a subject from an angle that hasn’t been explored yet, offering a suggestion to people that maybe we shouldn’t brand kids as just evil. Maybe life and human beings are more gray than just good or bad.” His work in Boy A earned him a BAFTA Award and helped land him squarely on the Hollywood radar. A key supporting role in Robert Redford’s Afghanistan War polemic, Lions for Lambs, quickly followed, and soon he had lined up a leading turn in Mark Romanek’s Never Let Me Go, based on Kazuo Ishiguro’s celebrated novel. Never Let Me Go is a dreamlike hybrid of dystopia and teenage awakening set at a British boarding school. Garfield plays Tommy, a vulnerable but artistic young man buoyed by his friendships with Kathy (Carey Mulligan) and Ruth (Keira Knightley). What the trio do not know is that they are human clones, bred for their organs, which they will be forced to donate, one by one, until they “complete.” Garfield brings a touching humanity to his engineered-human role, particularly in Tommy’s discovery of his appreciation for art and his desire to create, which he naively hopes will prove that he has a soul and “defer” him from his morbid fate. “What is at the core [of the film]… is a very human story, discussing what it is to have a soul, and how you prove what a soul is,” he said. Though he’d already set both stage and screen alight at home in the UK, Garfield became widely known to American audiences in David Fincher’s The Social Network (2010). “Shatteringly good…
ANDREW GARFIELD The soul of a film that might not otherwise have one,” is how Rolling Stone’s Peter Travers assessed his star turn as Eduardo Saverin. Like his performance in Breathe, Garfield’s portrayal of Mark Zuckerberg’s former friend and Facebook co-founder is all the more interesting for its philosophical undertones. In The Social Network, the questions revolve around friendship, ambition, and intellectual property. Who owes what and to whom, when the stakes are a world-changing technology and billions of dollars? Fincher originally looked at Garfield for the part of Mark Zuckerberg, but realized quickly that he was all wrong to play the notoriously intransigent, be-hoodied wunderkind. “Andrew doesn’t shy away from characters having doubts about themselves,” Fincher “It’s not has said. “He’s amazingly connected to his climbing humanity. And he helps the audience find a real way into characters like that.”
duction (he died in 2014), sang Garfield’s praises while applauding his level head. “He’s very serious and dedicated. He’s never satisfied with himself. He knows what’s happened with his movie career—and he’ll fight with every fiber of his being not to let that go to his head.” A Spider-Man sequel followed in 2014, but one gets the sense these days that Garfield has gone looking in a different direction since retiring his Spidey suit. He co-produced and starred in the 2014 independent drama 99 Homes as a recently evicted single father caught up in a housing scam in which he is forced to evict others just like him. True to form, Garfield zeroes in on his character’s ethjust a guy ical quandary, giving this parable of the recent housing crisis a beating heart and emotional the side of core.
a building. It’s a guy 2016 was a marquee year for Garfield, with Garfield’s follow-up to The Social Network was headlining roles in two prestige productions: climbing the side one of the biggest Hollywood has to offer: as a Jesuit priest in 17th-century Japan in MarSpider-Man. Garfield found himself playing a tin Scorsese’s passion project, Silence; and as of a building in an character he had idolized since first dressing the pacifist war hero Desmond Doss in Mel existential dilemma.” up as him as a three-year-old on Halloween. Gibson’s Hacksaw Ridge, for which he earned He readily identified with the skinny teenager his first Academy Award® nomination. Both who’s stronger than he looks on the outside, roles required a moral gravity and an ability and also with the hesitations faced by a hero-in-the-making. In to explore ideas of faith, far more than the usual requirements an interesting parallel, his own reluctance at becoming part of a for Hollywood’s leading men. In Gibson’s words, “This character Hollywood juggernaut comes through in multiple interviews from [Doss] needed to be profound down to the bootstraps of his soul.” the time. “I love being an actor,” he said in one of them, “but I’m Gibson’s words continue to resonate when thinking about Garnot crazy about celebrity culture.” field’s performance as Robin Cavendish, who also had to reach down to the bootstraps of his soul to find his determination to live. Just as The Amazing Spider-Man was hitting screens in 2012, GarThat willingness to tackle the internal journey is ultimately what field returned to (or perhaps sought refuge in) the theater. Todistinguishes an Andrew Garfield performance and makes him ny ®-nominated as Biff in Mike Nichols’ quintessential Broadway such a fascinating actor to watch. production of Death of a Salesman, Garfield commanded the stage alongside an acting hero of his, Philip Seymour Hoffman. Nichols, who would win his eighth and last Tony Award for this proAtissa Manshouri is a freelance writer based in Mill Valley.
Breathe
81
M/W
MW GENERAL CONTRACTING, INC. RESIDENTIAL & COMMERCIAL
Congratulations to the MVFF for 40 years of fine films and good times. “Laissez les bons temps rouler!”
415.383.0667 MILL VALLEY www.mwgc.com
General Contractor Lic. # 740644 B
Each student’s path is different. So is our teaching approach.
What could a one-to-one classroom do for your child? Fusion Academy is a revolutionary private middle and high school where positive relationships and one-to-one classrooms unlock academic potential. We’re a community of learning dedicated to creating a supportive campus environment
Fusion Academy Marin FusionMarin.com 415.472.1421
where every kid can flourish – emotionally, socially, and academically. Along with our full-time program, we also offer tutoring, test preparation, classes for credit, and a robust roster of electives that motivate and inspire.
Visit the
Marin Art & Garden Center Since 1945, our eleven acres have inspired artists, gardeners, and conservationists, and hosted extraordinary memorable events. Resident groups include the Ross Valley Players, Laurel House Antiques, Pixie Park, and the Moya Library – Ross Historical Society, a valuable resource for horticulture and local history. Visit our website for more information. Open dawn to dusk, 7 days a week. 30 Sir Francis Drake Blvd., Ross, CA 94957 www.magc.org 415-455-5260
Relax, Relieve, Create, and Enjoy.
Text MVFF to 774-462-5666 for an exclusive offer.
BEHIND THE SCREENS Panels | Master Classes | Workshops | VR
MASTER CLASSES + PANEL + WORKSHOPS
MIND THE GAP SUMMIT Saturday, October 7, 10:00am–6:00pm I Outdoor Art Club $75 full day, includes networking lunch and happy hour $40 morning, includes lunch $40 afternoon, includes happy hour Registration required* | To register, go to mvff.com/mind-the-gap *Limited number of scholarships available
The dearth of women working in film industry leadership is on par with that of women in the tech world. This full day of networking events, discussions, and master classes explores compelling issues such as entrepreneurship, mentorship and inclusivity and how to sustain a productive, creative career in these innovative and intersecting fields. Join an incredible group of filmmakers, business leaders and other trailblazers in these communities as they come together to tackle the lack of gender parity. Guests include: Blye Faust (producer, Spotlight); Robin Hauser (director, CODE); Stephanie Lampkin (Blendoor); Amber Kirsch (visual effects producer, Wonder Woman); Pratibha Parmar (director, Alice Walker: Beauty in Truth); Tiffany Shlain (filmmaker, 50/50); Osnat Shurer (producer, Moana), and many more. For more details and registration information, see page 103 and mvff.com/mind-the-gap.
WORKSHOP
METAMORPHOSIS: A SCREENWRITING IMMERSIVE FOR TEENS Sunday, October 8, 2:30–5:00pm I Outdoor Art Club FREE, by application only | To apply, go to mvff.com/behind-thescreens Ages 14–18 only | Limited to 20 participants | Participants are required to attend the screening of Metamorphosis: Junior Year (page 38) prior to the workshop (film ticket included with registration)
This hands-on screenwriting workshop for teens follows the screening of the youth-produced feature Metamorphosis: Junior Year (page 138). Filmmaker mentors from Elysium Bandini Studios will lead participants through a series of writing, storyboarding and pitching exercises to flesh out the backstory of one of the Metamorphosis characters. Participants will create and compare their own stories and approach to their film. The workshop will wrap up with an ice cream social/networking opportunity. Facilitators: TOM FRANCO, Partner, Elysium Bandini Studios IRIS TORRES, Lead Producer, Elysium Bandini Studios
86
PANEL
PANEL SPONSORED BY
CANNABIS CULTURE & THE NEW ENTREPRENEUR Sunday, October 8, 3:00pm I Sweetwater | FREE, ticket required) As marijuana has become legal in eight states this year, the cannabis industry has been booming, with a slew of entrepreneurs stepping into the breach—and women playing a major role in this new cannabis culture. In this panel discussion preceding the world premiere of Mary Janes: Women of Weed (page 138), we will take a look at the many opportunities the industry provides and celebrate the parity these women are working to achieve. Invited Guests: WINDY BORMAN, Executive Producer/Director, Mary Janes: The Women of Weed AMANDA REIMAN, VP of Community Relations, Flow Kana ADRIAN SEDLIN, CEO Canndescent MODERATOR: DAVID DOWNS, Cannabis Editor, San Francisco Chronicle
MASTER CLASS
JOHN SANBORN: AN INTROSPECTIVE RETROSPECTIVE Thursday, October 12, 7:00pm | Outdoor Art Club $15 general |$12.50 CFI members MVFF40 artist in residence John Sanborn takes us on a journey through biology, history and technology that is part master class, part memoir, but above all a wild ride in a time machine. Sanborn will VJ selections from his world-renowned media art works, interspersed with pictures and stories about the times, the people he’s collaborated with (Philip Glass, Twyla Tharp, Mikhail Baryshnikov, and King Crimson, to name a few), and the technologies he’s toyed with to create his inimitable body of work.
ACTIVE CINEMA HIKE
NETWORKING IN NATURE Saturday, October 14, 10:00am, Tennessee Valley | FREE Get some fresh air and fresh ideas with filmmakers, friends, and cinephiles during this easy 3.5 mile hike to the ocean through beautiful terrain. Join Festival staff and guests and exchange ideas and wisdom on filmmaking, filmmaker resources, activism, and strategies for action. Bring water and sunblock, and wear good walking shoes. All are welcome! Meet at the Tennessee Valley trailhead parking lot. Tennessee Valley info: nps.gov/goga/planyourvisit/tennessee_valley
BEHIND THE SCREENS SNEAK PREVIEW SCREENING + PANEL
TALKING ABOUT TEEN SUICIDE Saturday, October 14, 11:00am | Rafael $15 general |$12.50 CFI members Following a special screening of the locally produced documentary Not Alone, the filmmakers and teens featured in the film will join mental health experts in a community discussion that will explore the epidemic of teen suicides and how friends, parents, and communities can support teens struggling with depression, anxiety and mental illness. Invited Guests: KIKI GOSHAY, Co-director/Producer (Not Alone) DR. ELI MERRITT, psychiatrist; author, Suicide Risk in the Bay Area JACQUELINE MONETTA, Co-director (Not Alone) DR. KIM NORMAN, psychiatrist TAMARA PLAYER, MSW, Chief Executive Officer, Buckelew Programs JULIAN PLUMADORE, Community Engagement Manager, Mental Health Association of San Francisco SHEILA SOUDER, School Counselor, Drake High School Counseling and Wellness Center
NOT ALONE US 2016, 50 min When Jacqueline Monetta’s best friend committed suicide at 16, she struggled to understand why. That led her to make her first documentary, where young people could share their personal stories of suffering and healing and demonstrate how other teens can get the help they need. Conceived and created by, for and about teens, Not Alone is an inspiring testament to the power of love and compassion
VR EXPERIENCE
TREE Friday, October 13, 10:00am–4:00pm Saturday, October 14, 10:00am–4:00pm Sunday, October 15, 10:00am–2:00pm Outdoor Art Club | FREE, registration required To register, go to mvff.com/behind-the-screens
Tree is a multisensory VR installation that gives participants the unique opportunity to grow from seed to full grown rainforest tree. Matching a fully immersive experience with a powerful narrative, artists Milica Zec and Winslow Porter allow you to see, feel, hear and smell what it is like to “be” a tree and witness its fate firsthand: With your arms as branches and your body as trunk, you’ll experience the wonder of growth, literally from the ground up. KEN JACOBSON, Installation Curator
PANEL + RECEPTION
STATE OF THE INDUSTRY: FROM ACQUISITION TO EXHIBITION Saturday, October 14, 11:30am | Rafael | FREE, ticket required Reception to follow | Vin Antico, 881 Fourth St., San Rafael Over the past four decades, the film industry has changed and evolved in innumerable ways. Where are we heading now? Join us for an in-depth discussion on the issues surrounding international film markets, foreign film funds, international co-productions, independent film sales and all avenues of film distribution with individuals who know this tangled terrain inside and out.
VR + PANEL
Invited Guests:
VR AT THE CROSSROADS:
SIMON CURTIS, Director (Goodbye Christopher Robin) CRISTINE DEWEY, Managing Director, ro*co films international SYDNEY LEVINE, consultant; writer, SydneysBuzz JOHN SLOSS, Founder, Cinetic Media; Producer (Last Flag Flying) MODERATOR: PAUL COHEN, independent film distributor; Executive Producer (Life and Nothing More); Executive Director, Torchlight Program, FSU Film School
EMPATHY | EMBODIMENT | EDUCATION | ENTERTAINMENT Saturday, October 14 I Outdoor Art Club 2:00pm VR Experience + 2:45pm Panel 2:45pm Panel + 4:15pm VR Experience FREE, ticket required MVFF40 takes a 360-degree view of the current VR landscape with a panel discussion and presentation that explores the ways that virtual reality can expand our sensitivities to other species, other genders—and to new ways of listening to each other and to our natural world. Invited Guests: NATHALIE MATHE, Co-creator, Uturn DIMITRI MOORE, Video Producer, Storytelling Coach, Digital Promise Global PIERCE, Creator, Out of the Blue EMMANUEL VAUGHN-LEE, Co-creator, Sanctuaries of Silence MILICA ZEC, Co-creator, Tree MODERATOR: MARIO KENYON, Head of Production, Furious M; Producer, Defrost
CAPTURE YOUR MVFF STORIES! MVFF has partnered with with the Mill Valley Public Library and StoryCenter to capture audio/video recordings of community memories of the Festival. To reserve a recording session (up to 30 min) at MVPL, go to storycenter.org/mvff40. Session times: 1–5pm on Sat, Sept 9 | Sun, Sept 17 | Sat, Sept 23 | Sun Oct 1
BEHIND THE SCREENS SPONSOR
87
Good Things Come In Threes.
For the third consecutive year, Marin General Hospital has earned Healthgrades Distinguished Hospital Award for Clinical Excellence — putting us in the top 5% in the nation! We are proud to be your healing place. Count on us to deliver the highest quality care using state-of-the-art technology, along with integrative therapies to help heal body, mind and spirit. Our expert team provides exceptional care in an exceptionally healing environment recognized by patients, their families, and this leading, independent resource. Learn more about our services and programs or find a doctor today! 1-888-99-MY-MGH (1-888-996-9644) | www.maringeneral.org
MVFF Music returns for a third year with a diverse series of concerts at the Sweetwater Music Hall. Ten nights of live music include performances by artists featured in MVFF films, as well as local, national, and international musicians. Drop in and discover your new favorite act, or make a night of it and pair a screening about an artist with their corresponding live show!
SHOW SPONSORED BY
MAD HANNANS
WAILING SOULS
Following the North American premiere of the Mad Hannans documentary (page 137), an all-star cast of musical talent will celebrate this beloved local Irish folk rock band with a live performance featuring Jerry Hannan along with Jerry Harrison (Talking Heads and Modern Lovers), Cody Dickinson (North Mississippi Allstars), Shawn Dailey (Hole), Josh Clark (Tea Leaf Green), and the film’s director (and musician) Martin Shore.
Jamaican reggae legends The Wailing Souls have been spreading their message of One Love since the 1960s. Along the way they’ve earned several Grammy ® nominations and played for thousands of people around the world. On October 8, they cap off MVFF’s Focus on Cannabis Culture day (page 111) with their first visit to the Sweetwater Music Hall.
FRIDAY, OCT 6 • DOORS 8:00PM | SHOW 9:00PM ADVANCE TICKETS $27 | DAY OF SHOW $32
SUNDAY, OCT 8 • DOORS 7:00PM | SHOW 8:00PM ADVANCE TICKETS $22 | DAY OF SHOW $27
SARAH JAROSZ A Benefit for MHI, BAMP and CFI
FROM CALIFORNIA TO HAITI PREMIERE SCREENING + ALL-STAR CONCERT MVFF TRIBUTE TO BOB WEIR & ROB WASSERMAN Join us for the world premiere screening of director Don Hardy’s short documentary Fingerprints followed by an all-star concert featuring the San Francisco Glide Memorial Church Choir, Haitian music master Paul Beaubrun, and the 40th Anniversary All Stars: Jay Lane, Robin Sylvester, James Nash, Randy Emata, and special guests. Filmed at the Conservatory of Music in San Francisco and J/P HRO in Haiti, and featuring kids from Music Heals International (MHI) and Bay Area Music Project (BAMP), Fingerprints tells the story of two music programs for kids in two different countries that come together through the universal language of music. SATURDAY, OCT 7 FILM SCREENING: DOORS 6:30PM | SCREENING 7:00PM | $9 FILM ONLY MUSIC SHOW: DOORS 8:30PM | SHOW 9:00PM | $100 FILM + MUSIC SHOW
MAD HANNANS
90
FINGERPRINTS
With her fourth album, Undercurrent, Sarah Jarosz makes a studied departure from her previous records, shifting the emphasis from her skills as a multi-instrumentalist to her songwriting and vocal performance. Undercurrent accentuates the growth and maturity that Jarosz, now 25, has achieved since graduating from New England Conservatory and moving to New York. The change in approach garnered Jarosz two Grammy Awards in 2017—Best Folk Album for Undercurrent and Best American Roots Performance for House Of Mercy. MONDAY, OCT 9 • DOORS 7:00PM | SHOW 8:00PM ADVANCE TICKETS $28 | DAY OF SHOW $32
Tickets for all MVFF Music shows are available online at mvff.com/music or in person at the Sweetwater box office. MVFF Music tickets are not available at the MVFF Box Office. MVFF Music, Select, and Producer’s Circle badges grant admission to all MVFF Music shows, except benefit shows. No other Festival badges grant admission to MVFF Music shows.
WAILING SOULS
NICK GRAVENITES
MVFF MUSIC A BLUES CELEBRATION
SUPERNOVA AT THE SWEETWATER
Profiled in MVFF40 documentary Horn from the Heart (page 128), late Chicago bluesman Paul Butterfield was an iconoclastic harmonica great. Now it’s Butterfield’s turn to be tributed by friends, fans, and former collaborators. This blues-lover’s show will feature Butterfield’s friend and musical collaborator Nick Gravenites, accompanied by a band created specially for this event. Hosted by Joel Selvin, San Francisco Chronicle Pop Music Critic TUESDAY, OCT 10 • DOORS 8:00PM | SHOW 9:00PM
Master guitarist Joe Satriani and his band perform as headliners for the first time at MVFF, in honor of the premiere of Joe’s filmmaker son Zachariah’s tour documentary Beyond The Supernova (page 118). Joe Satriani is the world’s most commercially successful solo guitar performer—with six gold and platinum discs to his credit—and founder of the multi-guitarist traveling experience G3, which has seen him share stages with Steve Vai, Eric Johnson, Yngwie Malmsteen, and Robert Fripp, among others.
ADVANCE TICKETS $25 | DAY OF SHOW $30
SATURDAY, OCT 14
HONORING PAUL BUTTERFIELD
JOE SATRIANI
VIP MEET & GREET 7:30PM | DOORS 8:00PM | SHOW 9:00PM GENERAL ADMISSION $75 | VIP MEET & GREET $115
B AND THE HIVE Led by the soulful vocals of front-woman Brianna Lee, B and The Hive spent the last three years touring California opening for such acts as Elvis Costello, Allen Stone, Goo Goo Dolls, Lucinda Williams, and more. Backed up by Josh Barrett on bass, Nick Simmons on guitar, and Hayden Gardner on drums, the band has a power and grace that make for a captivating live show. Their unique sound covers ground from indie and rock to delicate, bluesy ballads. WEDNESDAY, OCT 11 • DOORS 7:00PM | SHOW 8:00PM ADVANCE TICKETS $15 | DAY OF SHOW $20
MANZAREK ROGERS TRIBUTE BAND Eight-time Grammy nominee and Northern California native son Roy Rogers brings his virtuoso slide guitar style to the Sweetwater, reuniting the band that accompanied him and the late Doors keyboardist Ray Manzarek on three albums, including Translucent Blues (highlighted in MVFF40 documentary Third Mind Blues, page 149). Joining this formidable line-up on keyboards is Jim Pugh, longtime member of the Robert Cray Band.
40th Anniversary Benefit for CFI HEART OF ROCK AND ROLL
HUEY LEWIS AND THE NEWS Huey Lewis and the News return to their roots for two special benefit shows celebrating the 40th anniversary of the Mill Valley Film Festival. Don’t miss this opportunity to see the dynamic, chart-topping band in the heart of Mill Valley at the Sweetwater Music Hall. Proceeds will benefit the initial planning stages of the capital campaign to restore Mill Valley’s treasured Sequoia Theater.
TWO SHOWS! SUNDAY, OCT 15 DOORS 6:00PM | SHOW 7:00PM ADVANCE TICKETS $90 | DAY OF SHOW $125 DOORS 8:30PM | SHOW 9:00PM ADVANCE TICKETS $90 | DAY OF SHOW $125
THURSDAY, OCT 12 • DOORS 7:30PM | SHOW 8:30PM
SPONSORED BY
ADVANCE TICKETS $35 | DAY OF SHOW $40
THE FAMILY STONE
SPONSORED BY
MVFF40 documentary On the Sly (page 142) follows a filmmaker’s search for the reclusive Sly Stone. Featured in the film are family members and former bandmates who continue the Stone legacy, performing now as The Family Stone. See the film, then get on your feet and celebrate 50 years of funk!
VENUE SPONSOR
FRIDAY, OCT 13 • DOORS 8:00PM | SHOW 9:00PM ADVANCE TICKETS $45 | DAY OF SHOW $50
B AND THE HIVE
THE FAMILY STONE
JOE SATRIANI
HUEY LEWIS AND THE NEWS
91
SHARING YEARS OF MILL VALLEY HISTORY Artists have been drawn to the El Paseo for over 70 years. MV Film Festival artists fit right in down the block 40 years ago.
CONGRATULATIONS!
The Madison Company Realtors are pleased to be celebrating our 40th Anniversary! madisonre@aol.com
The Madison Company Realtors 911 Sir Francis Drake Blvd, Kentfield 415-459-1550 15 Throckmorton Ave, Mill Valley 415-381-1551 Villa Marin, 100 Thorndale Dr, San Rafael 415-492-2408
Celebrating 85 Years of Service
(415) 454-7400 www.ongaroandsons.com
Restrictions apply. Not available in all areas. Requires subscription to XFINITY® TV service and TV5MONDE. Limited basic service subscription required to receive other levels of service. Equipment, installation, taxes and fees, including Broadcast TV Fee (up to $6.50/mo.) and other applicable charges extra, and subject to change. On Demand selections subject to charge indicated at time of purchase. Call for restrictions and complete details. © 2017 Comcast. All rights reserved. All trademarks are property of their respective owners. 25 degrés en hiver: © Man’s Films, Lancelot Films, Alokatu S.L., Radio Télévision Belge Francophone (RTBF) • 38 témoins: © Agat Films & Cie / Ex Nihilo • Ça rend heureux: © Eklektik Productions, Lotus Productions, World Video Productions • Élève libre: © Versus Production, MACT Productions, Inver Invest, Radio Télévision Belge Francophone (RTBF), Ryva • La régate: © Liaison Cinématographique, Samsa Film, Artémis Productions • Les âmes de papier: © Liaison Cinématographique • Les chevaliers blancs: © Les Films du Worso • Pas son genre: © Agat Films & Cie / Ex Nihilo • Sans rancune !: © Mact Productions • Ultranova: © Les Films Pelléas, Prime time, RTBF - Radio Télévision Belge de la Communauté Française, Versus Production
THE FILM FEST CONTINUES YEAR-ROUND AT
THE
SMITH
R AFAEL
FILM
CENTER
Experience the best of contemporary and classic independent film, world cinema, and special event screenings with filmmakers in attendance at Marin’s premier non-profit art house venue. We thank you for your continued support throughout the year.
RAFAELFILM.ORG The Christopher B. Smith Rafael Film Center is owned and operated by the California Film Institute, a 501(c)3 nonprofit.
CAFÉ • TAKE-OUT • CATERING Hot Tubs Saunas Cold Plunge Sundeck Massage Gift Certificates G Available
FROGS
453.7647 415.453.7647 School Street Plaza Schoo Fairfax
Open Daily D til Midnight
SONOS
Wireless MUsic SYsTeMs MUsic IN ANY RooM FORT DOCS is proud to sponsor and provide fulfillment services to the Mill Valley Film Festival. Fort Docs is providing MVFF with: Storage and just-in-time delivery of Festival programs and posters Long-term storage of documents Temperature controlled storage of movie trailers Hard Copy Records, Digital Imaging, E-mail Management, Document Destruction, Consulting Services
www.ftdocs.com 707-571-8313
●
● ● ●
●
Stream your en�re music library, music services, and radio sta�ons Control wirelessly, easy to set up Start with one, expand everywhere Versa�le enough to put anywhere — horizontal or ver�cal 3 driver HiFi speaker system
World of Sound ● 218 Strawberry Village Mill Valley ● 415-383-4343 www.WorldofSoundMarin.com
Marin’s News Print | Online | Mobile | Tablet
web Today’s
Ph bonus >>
otos: Re
dwood bo
nis title.
mar inij.
com
PRE P TEN
Final videoon in trilogy West Peak summist>> B1
Bake sale dy helps nee access clean water
Sports >>
Lifestyle
A3
y P/cloud
NIS
Redwood upsets No. 1 seed e Tam for titl
MT. TAM
NEWS
Loca l >>
ys win ten
High: 69
PAGE Low: 49 >>
MARIN IJ LOBBYLOUNGE
ing icians are sing Local mus Marin’s virtual and playinge featuring local music venuin the IJ’s lobby. musicians LOUNGE VISIT MARI
NIJ.COM/L
C8
»
ARINIJFAN
g to in o g ’m ‘I : 1 o N f Gof ht’ ig r m e h t e v o r p have to
Frid ay,
April 29,
NFL DR
2016
$1.50
M/M FACEBOOK.CO
om marinij.c
ICA DOMIN
INIJ COM/MAR TWIT TER.
AFT
OBBY
C1
N
Key deal reached on pay issues
ssors Adjunct profentract ratify first co Mara By Janis arinij.com jmara@m Twitter @jmara on
adjunct University Dominican ratified their first nt have professors contract, an agreemejob three-year them major gains in rithat grants ards for work expe rew . security, pensation adjuncts 300 ence and com ately The approxim el institution will Rafa pay at the San average 30 percent ar receive an end of the three-ye of raise by the with the top endent agreement, n tied to 80 perc r professo compensatio ciate time asso e-year teachof the fullso one- to thre rate. Also, s are guaranteed, ng ing contract be assured of havir. semeste adjuncts will rs semester to work from ally, adjunct professo yTradition paid on a course-b ract and are hired s. Before the cont percourse basi there was a single t settlement, at Dominican of abou no course rate course taught, with s and no step $4,700 per promotion paths for . the for longevity 1, the beginning of anES July ive of IMAG As will rece — GETT Y , adjuncts to 18 percent JON DURR first PHOTO BY fiscal year as raises of 2 s during the nual pay such considerations riAngeles Ram all by the Los based on qualifications, expen. ed No. 1 over professional evity at Dominica E 6 r being pick PAG Goodell afte DEAL >> ence and long ioner Roger miss Com NFL
rate Friends celeb n at tio Goff’s selec rty pa l fae San Ra
jersey with holds up a Jared Goff NFL draft in Chicago. round of the
in Former Mar t prep standou ms Ra selected by
t Sch mid By Dan ny rinij.com @ma Twit ter dschmidt schmidt on @thereald
AME BURLING
Primary suddenly relevant to GOP
, Paula mer of 2013 In the sum ipped her son’s foot five unz Beritzhoff bag and plac ed iel Bro wn hop By Dan p ball duffel ts on the floor, deNews Grou Bay Area re he pairs of clea fam ous Cal’t NT a few befo ther ENDE ard ano INDEP disc N ing to Unl ike Gof f didnft THE MARI JOURNAL Poly. SPECIAL TO k, Jare d ed for Cal nt Mar in Catholic IATORE — part 1 CACC qua rterbac t aro und on dra S No. JAME wai Jack, a recegraduate, scanned g chosen the hav e to ool d Goff bein ily friend’s house in Nov ato High Sch brate Jare day. at a fam begrew up in Friends cele the shoes. of them,” he said end the NFL draft Gof f, who stan dou t at Mar e draft pick inel. a “No to all wandered to the ly had tim and was those in San Rafa Hig h, bare Thu rsday fore his eyes Cat holic ept that one; into his seatThe ater in kid from y the line. “Exc of inn to sett le ium sk on itor ta eles tor. are Jared’s.”did the family hold night at Aud re the Los Ang e was jushad that ‘it’ fac “H high ’s only ense befo o Goff Not n’t t susp He Chicag of Jared in a ed the scan pick Novato. thrill. This could to the pairts, they keep them gRam s end him as the No. 1 a e Kin ney school clea orabilia room alon It’s just to a nicer and mad dra ft. By Aaron s Group and and ppened New spor ts mem ad Ali’s gloves of the NFL ng it as an honor Bay Area forhave ha e Muhamm jersey. Jack at years, Cali d son side “I’m taki I’m goin g to hav to .” ’s AME >> For throw staggere family and her BURLING watched Goff Joe Montana t, that theyf som eth ing y, Pau la cans have and 35 zhoff, who them righ Gof nia Republi desert, ragged On Thursdan, joined about — John Beritolic to prove right dec ision,” they the Joh through But this weekend, Marin Cath husband, in residents and Goff made the r San Lov e” forgotten. the sand from thei g other Mar ds at a part y in said . klin sh with “Ca lifo rnia d bru the frien spar a at ily ac’s ame will fam Tup ake rs skip into they scre r the spe was picked. el, where as NFL commisclothes and Rafa took ove f n beced latio n Gof and oasis. convention great jubi er Goodell announ setheater whe d spo t for me ch state GOP g Frid ay afters Rog goo The a wat Ram er e sion “It’s a ban ubin ily to com r y exLos Angeles gins with an address by Rep r that the with the No. 1 pick . “Ve for my fam Gof f said e and get noon with idential front-ru nne lected Goff gam es,” ald d dow n ther lica n pres l supernova Don the draf t. to have, and if Jare e cite d to get can and politica “It’s cool back, he can hav to work.” Ram s hope Gof f on h. stage at the Trump. wants themla said with a laug eNow, the foot step s of Aar P he takes ther San Fra nn som Pau the MV ,” Whe in that w NFL them follo t, enc y nea of kne w and two -time ed Hyatt Reg rna tion al Air por “You kind goin g to happen ng Rogers. Thefamously plum met r ying cisc o Inte usher in a dizz cthin g was be wor th somethisell out of Cal rall in 200 5 afte ht ove Trump will of campaig n sedu go firs t. they mig Not tha t we’ ll to 24t h he mig ht the ration culfive weeks som eda y. spec ulat ioncontras t, was off He den med ia satu rsday con tion and June 7, when Gol them.” Gof f, in blin k of an eye. g t may ling on Thu, 215-pound ENDENT atin wha how the rter INDEP in min N The cast qua s rd boa THE MARI for JOURNAL ublican e the 6-foot-4onto the Aufirs t Bea rs SPECIAL TO State Rep vote s in the race tinued as IATORE — bec ame the firs t ove rall sinc walked JAMES CACC go e in Chibe decisive inat ion. tkow ski y celebrating quarterback bac k to E6 nom The atre stag held Rafael part k Stev e Bar GOP >> PAG the GOP ditorium ged Goodell and nt at a San pick said, “This is the qua rter bac County.” One participa is he’s a s jersey. cago, hug in 1975. ory of Marin being the top w of him d-new Ram TY >> PAGE 2 ht Jared Goff ts event in the hist up a bran “Wh at I kno he’s got a brig PAR est spor and gers bigg kid Rod t ,” grea the front of him ing up to by ry futu re in ONLINE lead sto m of the INSIDE ers draft stories, C1 dra fted told ESPN.co See moreto S d if he gets our website BUSINES 49ers, Raid dra ft. “An a luck y man .” Industrial by going PAGE 2 Dow Jones(-210.79) O albums RAMS >> L.A ., he’s NARDIN al photos, SAN BER 17,830.76 Find additionour videos that ers related & Poor’s and links to local stories. Brother, oth Standard .34) nce (-19 rs arrested enhaOM ote 5.81 can sho 207 to MARINIJ.C to couple S DEBATE FIREARM closely tied rist attack daq e in Nas Thre d .85) s use for terro 4805.29 (-57 responsible alleged marriage Tracking gun 1 act science 40901 2900 arrested in me. PAGE A8 0 crime an inexof guns from fraud sche Flow issue 38 Volume 155, Hot topic: to another, or from ..C1 one person e, flummoxes law Spor ts............. ... B7 state to stat efforts. PAGE A10 Comics ........ ....B6 enforcement TV ................
vention California conmp today features Tru
Proud Supporter of the Mill Valley Film Festival D D D
INDEX
Obituaries
..... A10
.. A13
Opinion ........
.....B5
Movies ........
8
CELEBR ATE FILM 24 FR AMES PER SECOND | 365 DAYS A YEAR
THE CALIFORNIA FILM INSTITUTE CELEBRATES FILM YEAR-ROUND AT THE NONPROFIT CHRISTOPHER B. SMITH RAFAEL FILM CENTER, THROUGH CFI EDUCATION, AND DURING THE ANNUAL MILL VALLEY FILM FESTIVAL.
WE THANK YOU FOR YOUR SUPPORT THROUGHOUT THE YEAR.
supportcfi.org
CALIFORNIA FILM INSTITUTE CHRISTOPHER B. SMITH RAFAEL FILM CENTER | MILL VALLEY FILM FESTIVAL | CFI EDUCATION The California Film Institute is a 501(c)3 nonprofit organization.
23
PHOTOS, LEFT TO RIGHT:
TOP ROW: 1 & 3 TOMMY LAU; 2 EDDY HERNANDEZ; 4 COURTESY OF CFI.
BOTTOM ROW: 1-3 TOMMY LAU; 4 GREG GARTHE
THE EACH FOUNDATION IS PROUD TO SPONSOR THE CALIFORNIA
FILM
INSTITUTE
AND
MVFF40.
We at the EACH Foundation strive to be
trailblazers
philanthropy,
in
private
employing
foundation a
maximally
efficient business model to effectively target our eight giving areas.
W H O W E A R E A N D W H AT W E D O 30 socio-economically diverse, civic-minded philanthropic a d v i s o r s . E.A.C.H.: Environment, Education, Ar t, Animals, Children, Communit y, Health, and Homeles snes s. 10 0 % vo l u n te e r, f ull y d i s c re t io na r y g r a n t- ma k ing. $1.25 million given out to 214 dis tinc t charities (since inception, June 2016). S e r v i n g n o n - p r o f i t s i n t h e S a n F r a n c i s c o B a y A r e a a n d H a w a i i . C o m e to o u r 2n d a n n ual Fo u r C ha r i t ie s Fu n d r ai s e r, D e c e m b e r 14t h, 2 017 in San Fr anc isco, benef i ting CFI.
T H E E AC H F O U N DAT I O N / 5 0 C A L I F O R N I A S T R E E T, 15 T H F LO O R / S A N F R A N C I S C O, C A 9 4111 W W W.E ACHF O U N DAT I O N.O RG
MVFF’s ¡Viva el Cine! initiative showcases prize-winning Spanish-language and Latin American films and stories. This season, we feature eight new films including the inspiring true story of a Berkeley middle school teacher’s mentorship of a promising Hispanic student. Other films tackle the thorny political issues of historical culpability and the disenfranchised seeking justice from corrupt governments. Plus the more personal stories of a child’s adjustment to family loss, a fantastic transgender waitress/singer, and a young Cuban boy yearning to play the piano. ¡Join us!
MVFF’s Active Cinema films are united in their commitment to explore the world and its issues, engage audiences, and transform ideas into action. Join us for screenings throughout the Festival, support the grassroots activism of filmmakers, and engage with the admirable work of special guests, co-presenters, and partners. Stay connected year-round: facebook. com/MVFFActiveCinema
THE DESERT BRIDE
HAPPENING In association with Vote Solar & Marin Clean Energy
(Argentina/Chile)
Directors Cecilia Atan and Valeria Pivato EL AMPARO (Columbia/Venezuela)
Director Rober Calzadilla
CITY OF JOY In association with V-Day THE COUSIN
JAHA’S PROMISE In association with Safe Hands for Girls THE LAST ANIMALS In association with WildAid & WildLife Conservation Society THE LAST PIG
ESTEBAN (Cuba) Director Jonal Cosculluela
THE LIGHT OF THE MOON
A FANTASTIC WOMAN (Chile) Director Sebastián Lelio
THE LONG SHADOW In association with Showing Up for Racial Justice
LOS PERROS (Chile) Director Marcela Said QUEST (US) Director Santiago Rizzo
LIYANA
MARY JANES: THE WOMEN OF WEED A RIVER BELOW In association with American Cetacean Society & Omacha Foundation
SUMMER 1993 (Spain) Director Carla Simón VAZANTE (Brazil) Director Daniela Thomas
ACTIVE CINEMA HIKE: Networking in Nature Saturday, October 14 | 10:00am | FREE Come enjoy some fresh air and fresh ideas with filmmakers, friends, and cinephiles during this hour-long hike to the ocean through beautiful terrain. Join Festival staff and guests and exchange ideas and wisdom on filmmaking, filmmaker resources, activism, and strategies for action. Bring water and sunblock, and wear good hiking shoes. All are welcome! Meet at the Tennessee Valley trailhead parking lot. Tennessee Valley info: nps.gov/goga/ planyourvisit/tennessee_valley
SPONSORED BY
SUMMER 1993
Look for this icon to identify ¡Viva el Cine! programs throughout the festival.
Look for this icon to identify Active Cinema programs throughout the Festival.
101
MIND THE GAP SUMMIT
LEADERSHIP PARTNER
Achieving Gender Parity in Film and Tech Saturday, October 7 | 10:00am–6:00pm | Outdoor Art Club
In anticipation of MVFF’s 40th anniversary, we committed to the goal of 40% female directors across the whole spectrum of the Festival—world, US, docs, shorts—and 50/50 by 2020. (To put this in perspective, only 7% of Hollywood films are directed by women.) We found no shortage of amazing women making terrific films, and incredible female-forward storytelling. And: We exceeded our goal—with 44% women directors at MVFF40! Mind the Gap at MVFF40, our gender equity initiative, focuses on the intersection of film and tech, and launches with our first ever Mind the Gap Summit. We hope you’ll join us—and an amazing line-up of female talent. Register early: Space is limited!
This full-day intensive of presentations, discussions, master classes and networking will be led by an extraordinary line-up of thought leaders and creatives in the film and tech industries. The program includes a deep dive into the creative process with director Catherine Hardwicke (director, Twilight), a panel with the team behind the film Mudbound (page 140), and presentations by the filmmakers of recent top female-driven movies. Examining the intersections between film and tech and what each can learn from the other, this is an amazing opportunity to engage, connect—and be inspired. Register for a morning or afternoon session, or the full day. In the evening, cross the street to the CinéArts Sequoia to see Mudbound and celebrate director/writer Dee Rees as she receives the MVFF Award at her Spotlight program (page 57). See mvff.com/mind-the-gap for full schedule and line-up.
Look for this icon to identify Mind the Gap films throughout the Festival. At 44% of the program, they’re not hard to find!
CITY OF JOY
CATHERINE HARDWICKE AT HER MVFF 2015 MASTER CLASS
M V F F I S G R AT EF U L F O R T H E W I S D O M A N D SU PP O R T O F O U R M I N D T H E G A P A DV I S O R S Barbara Boxer | Girija Brilliant | Larry Brilliant | Lisa Carmel | Brenda Chapman | Blye Faust Robin Hauser | Dawn Lyon | Tiffany Shlain | Sherri Tull | Valerie Weiss
AND OUR ALLIES Maida Brankman | Louann Brizendine | Amy Keroes | Laurie Lacob | Brit Morin | Jessamy Ross | Jessica Sittig | Sheri Sobrato CORPORATE SUPPORT
MEDIA SUPPORT
INDUSTRY SUPPORT
103
We’re getting REAL! THE NEW PACIFIC SUN IS ALIVE AND KICKING
STAGING
•
PROJECT ASSISTANCE
415-884-9600
•
•
INTERIOR DESIGN
WWW.ROBERTFEDERIGHI.COM
Real Arts Real News Real Culture
Bohemian.com
PROVIDING BAY AREA STUDENTS OF ALL AGES WITH OPPORTUNITIES TO LEARN ABOUT THEMSELVES AND THE WORLD THROUGH THE ART OF FILM
MY B Y TO M P H O TO
TO G L AU PH O
CFI EDUCATION PROGRAMS ARE MADE POSSIBLE WITH SUPPORT FROM
FENWICK FOUNDATION HORACE W. GOLDSMITH FOUNDATION NANCY P. AND RICHARD K. ROBBINS FAMILY FOUNDATION
In honor of Ray Kaliski, Senior
SHERI SOBRATO FUND
The California Film Institute is a 501(c)3 nonprofit organization | For more information: 415-383-5256 x113 | education@cafilm.org
R APH Y
Voted BEST OF MARIN for 9 years in a row T H A N K YO U, M A R I N ! !
BELLAM SELF STORAGE & BOXES
Celebrating our 11th year of being a 100% Solar Powered and Certified Green Business
Proud to continue our support of the Mill Valley Film Festival
Sponsors of the family films programs We would like to express our appreciation to the volunteers and Festival staff who work to provide the community with such an enjoyable event each fall. We would not be able to have such rewarding experiences without their dedication.
FAMILY OWNED & OPER ATED
John & Andree Y AREA BA
We carry a full line of moving supplies and high quality boxes made from recycled paper—all with the best prices in Marin. Shop online and have them delivered to you, or visit our store in San Rafael. There’s easy parking available too!
GREEN BUSINESS MARIN COUNTY
We’re 100% SOLAR POWERED and a CERTIFIED GREEN BUSINESS! OPEN 7 DAYS A WEEK
(415) 454-1983 w w w.bella ms tor age.com S A N
R A FA E L
C H A M B E R
O F
C O M M E R C E
2012 Green Business of the Year Located opposite Marin Square at 24 BELLAM BOULEVARD, SAN RAFAEL, CA 94901
EDUCATION AT MVFF
filmHOOD
Gi rl hood | B oyhood | A d u l thood
LIYANA
JESSER AND THE SUGARCANE (in 5@5 A Better Future)
CFI Education turns the Festival into a classroom, bringing thousands of Bay Area students to the theater and sending filmmakers out to local schools.
BOYHOOD. GIRLHOOD. CHILDHOOD. ADULTHOOD… WELCOME TO filmHOOD! The place where filmgoers of every age can come to experience great cinema from around the world. The place where children, teens and young adults are an essential part of the conversation—both on screen and off. Come to filmHOOD for a carefully curated array of intergenerational, eye-opening programs. It’s a film-for-all!
MVFF EDUCATION SCREENINGS feature weekday matinees of narrative features, documentaries, and shorts programs selected from the general Festival program for school-age audiences, with special guests for post-screening Q&As and accompanying curriculum guides. This year’s programs include: 5@5 A BETTER FUTURE 5@5 FUTURE LEGEND THE CORRIDOR ESTEBAN JANE KIM SWIMS LIYANA THE LONG SHADOW
5@5 A BETTER FUTURE 5@5 FUTURE LEGEND LIYANA MOANA (Free outdoor screening: see page 157) THE MYSTERY OF GREEN HILL OWLS & MICE REVOLTING RHYMES WENDY
filmHOOD Highlight: Young Adult (YA) Programs
OWLS & MICE FILMMAKERS GO TO SCHOOL takes local and visiting filmmakers from around the world into Bay Area classrooms to show their films and talk to students about the art, craft and business of filmmaking. If you are interested in having your school take part, please contact us at education@cafilm.org.
Teen and young adult voices are amplified throughout MVFF40 in a variety of unique programs designed for maximum interaction and participation by youth and adults alike—from youth-produced shorts, features, and VR experiences to a teen screenwriting workshop, and a special screening/panel discussion about teen suicide.
5@5 FUTURE LEGEND (page 114) METAMORPHOSIS: JUNIOR YEAR (page 138)
METAMORPHOSIS: A SCREENWRITING IMMERSIVE FOR TEENS (page 86) NOT ALONE (page 87)
SUPPORTED BY
VR AT THE CROSSROADS: EMPATHY | EMBODIMENT | EDUCATION | ENTERTAINMENT (page 87)
filmHOOD SPONSORED BY In honor of Ray Kaliski, Senior
HORACE W. GOLDSMITH FOUNDATION SHERI SOBRATO FUND
107
pizza antica combines the centuries-old traditions of italian cooking with california’s fresh, artisanal ingredients, creating a unique style of pizzeria in a class of its own.
strawberry village, 800 redwood highway, mill valley | 415.383.0600 visit our other locations in lafayette, san jose and santa monica
pizzaantica.com
FOCUSES FOCUS | CANNABIS CULTURE
FOCUS | POLISH CINEMA
A series of mind-expanding films, music, and conversations about cannabis
Classic animation, beautiful restorations, and contemporary fiction from one of the homelands of great cinema
MARY JANES: WOMEN OF WEED (page 138)
LOVING VINCENT
MVFF MUSIC: WAILING SOULS (page 90)
THE SANDGLASS
PANEL: CANNABIS CULTURE & THE NEW ENTREPRENEUR (page 86)
SPOOR UNDER THE RADAR: 70 YEARS OF POLISH ANIMATION
PRIVATE RECEPTION (Canna-Pass holders only, Ages 21+)
SPONSORED BY
WOODSTOCK (page 153) CANNA-PASS | $40 Access to all Cannabis Culture programs SPONSORED BY
FOCUS | STEWARDS OF THE EARTH FOCUS | HIDING & SEEKING
Film and media experiences that support the survival and salvation of all forms of life on our planet EARTH WISDOM FOR A WORLD IN CRISIS
Films that explore the price of freedom and the search for hope in challenging times
HAPPENING: A CLEAN ENERGY REVOLUTION
AN ACT OF DEFIANCE
THE LAST ANIMALS
AFTER THE WAR
THE LAST PIG
I STILL HIDE TO SMOKE IN SYRIA
THE NEW ENVIRONMENTALISTS: FROM GUATEMALA TO THE CONGO
THE INVISIBLES
A RIVER BELOW
THE OTHER SIDE OF HOPE
SPOOR
YEVA
TREE (VR Experience, page 87)
THE INVISIBLES
LOVING VINCENT
JANE
111
SECTIONS | PREMIERES SECTIONS WORLD CINEMA
SPONSORED BY
Stories from six continents that foster a new understanding of our global neighbors and ourselves
JIM BOYCE TRUST and KRIS OTIS
US CINEMA A showcase of new films by master and emerging American filmmakers who share a talent for independent storytelling
VALLEY OF THE DOCS
THE CORRIDOR
The latest in documentary filmmaking, from heartfelt stories of activism to historical profiles, current events, and more
filmHOOD Boyhood. Girlhood. Childhood. Adulthood… Welcome to filmHOOD! The place where filmgoers of every age can come to experience great cinema from around the world
5@5 SHORTS Collections of short cinematic gems from every genre including narratives, documentaries, animation, family films, and youth works
MUSIC WENDY
The Festival’s playlist of cinematic portraits of musical artists featuring internationally renowned musicians and Bay Area favorites
PREMIERES NORTH AMERICAN
US
AN ACT OF DEFIANCE
AFTER THE WAR
THE CORRIDOR
ANDRE: THE VOICE OF WINE
I STILL HIDE TO SMOKE
THE DEEP SKY
CIAO CIAO
FOURTH MOVEMENT
THE COUSIN
HAPPENING: A CLEAN ENERGY REVOLUTION
JAHA’S PROMISE
WORLD BEYOND THE SUPERNOVA
KIM SWIMS
THE LAST PHOTOGRAPH
THE LONG SHADOW
LAW OF THE LAND
MAD HANNANS
THE MYSTERY OF GREEN HILL
MARY JANES: THE WOMEN OF WEED
STRANGE BIRDS
THIRD MIND BLUES
VITCH
TORCH
WENDY
112
PORCUPINE LAKE
LAW OF THE LAND
RADIANCE THE VENERABLE W WORST CASE, WE GET MARRIED YEVA
A RIVER BELOW
NOT ALONE
WAIT FOR YOUR LAUGH
NOTHINGWOOD
WORST CASE, WE GET MARRIED
FILMS FILMS
5@5 A BETTER FUTURE
5@5 ALL THE MADMEN
5@5 CYGNET COMMITTEE
filmHOOD
5@5 SHORTS
5@5 SHORTS
Total Program 77 min
Total Program 70 min
Total Program 63 min
“Give my children sunny smile. Give them moon and cloudless sky. I demand a better future.” That’s exactly what the kids (or animals) are all striving for in these familyfriendly shorts. The future of the neighborhood lemonade stand is what’s at stake in Anya Adams’ Lemonade Mafia (US 2016, 6 min). In Ned Wenlock’s Spring Jam (New Zealand 2016, 6 min), a young stag lacking big antlers uses some musical improvisation to make an impression during mating season. When his grandson challenges him on the soccer field, an elderly man looks to his past for new inspiration in Hannes Thor Arason’s Footsteps (Iceland 2017, 15 min). Hedgehog’s love for his cozy home sparks an unexpected standoff with his forest neighbors in Eva Cvijanovic’s animated Hedgehog’s Home (Canada 2016, 10 min). In Godelieve Eijsink’s poignant documentary Jesser and the Sugarcane (Netherlands 2016, 15 min), a Nicaraguan boy dreams of becoming a farmer in hopes of avoiding the dangerous work in the sugarcane fields that has made his father sick. In Marlies van der Wel’s animated Sabaku (Netherlands 2016, 2 min), a bird goes in search of a new buddy after the water buffalo he hangs out with passes away. Bullied and angry, young Amelia learns the right and wrong ways to feel empowered in Halima Lucas’s Amelia’s Closet (US 2016, 18 min). And Marc Colagiovanni wants all kids to know that you are absolutely perfect just as you are in The Reflection in Me (US 2017, 4 min). Age 7+ —Joanne Parsont
“To the far side of town where the thin men stalk the streets while the sane stay underground.” Assembled here is an unforgettable collection of the fantastical and disturbing. Sophie Linnenbaum’s Pix (Germany 2017, 9 min) breaks down the fourth wall in our nostalgia-fueled photo-obsessed culture. Cameo Wood’s Real Artists (US 2017, 12 min) takes us into a job interview of the future. A daughter’s return home is not all that it seems in Natalie Erika James’ creepy Creswick (Australia 2016, 10 min). Leslie Bibb and Sam Rockwell star in the black-and-white film noir The Dark of Night (US 2017, 8 min) from director Robin Wright (House of Cards). The sensual and sinister history of the bathtub in movie culture gets an incisive exploration in Jennifer Proctor’s Nothing a Little Soap and Water Can’t Fix (US 2017, 9 min). Oscar’s allegorical Napalm Mayhem (Netherlands 2016, 4 min) is probably the most bizarre animated film you’ll see all year. And Ted Bundy’s execution is the backdrop for a girl’s unnerving night out in Laura Moss’s excellent Fry Day (US 2017, 16 min). Come join us for the strangest program at the festival…if you dare.
“Words of strength and care and sympathy— I opened doors that would have blocked their way, I braved their cause to guide.” Films about human connection, in all its tender and tenuous forms, ground this special group of shorts. Annabelle Attanasio (TV’s Bull) directs and stars in Frankie Keeps Talking (US 2016, 7 min) about how liberating a bad date can be. A birthday greeting to their daughter opens old wounds for a couple in Arian Vazirdaftair’s Not Yet (Iran 2016, 15 min). A young Latin-American girl caught in refugee limbo must adjust to a new life and uncertain future in Monica Santis’s moving Towards the Sun (UK 2017, 19 min). Economic difficulty and industry in transition in the Louisiana bayou force some hard decisions for a family in Nailah Jefferson’s atmospheric Plaquemines (US 2016, 21 min). And the charming complexity of father-daughter love is perfectly encapsulated in J.R. Heffelfinger’s Seconds (Puerto Rico 2017, 1 min).
Sat Oct 7 Mon Oct 9 Sun Oct 15
—Sterling Hedgpeth Fri Sat
Oct 13 Oct 14
3:45pm 6:15pm
Sequoia Rafael
—Sterling Hedgpeth Sat Oct 7 Mon Oct 9
9:30pm 4:15pm
Rafael Sequoia
3:00pm Sequoia 10:00am Rafael* 4:00pm Lark
*CFI Education screening open to school groups and general public.
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
113
FILMS
5@5 FUTURE LEGEND
5@5 GOLDEN YEARS
5@5 IT’S NO GAME
filmHOOD
5@5 SHORTS
5@5 SHORTS
Total Program 87 min
Total Program 60 min
Total Program 70 min
Today’s youth filmmakers are tomorrow’s future film legends, and this eclectic and inspired collection showcases some true up-and-coming talent. In a dazzling array of almost two dozen short films, young artists from around the Bay Area and the country (and Turkey!) share their original stories and singular views of the world. The program is the result of a unique peer jury process that takes place each summer during CFI’s Summerfilm series, in which teen participants in the Behind the Scenes program graduate into the Young Curators program, where they view, discuss, and curate from more than 100 films submitted from around the globe, all produced by young filmmakers ages 18 and under. Their selections include nearly every genre of filmmaking, from deeply personal narratives to fun fantasies, musical explorations, poetic visual essays, social commentary, and more: One 12-yearold student filmmaker pays loving tribute to her own grandmother in a story of a young woman coping with her grandfather’s memory loss. A local teen creates a conflicted cinematic love letter to San Francisco and his discomfort with its gentrification. Other films explore the value of green spaces in cities, musical traditions in Guatemala, body image, and how Prince Charming finds a princess when there are no actual damsels in distress to save. Many local youth media programs are represented including SF Art & Film, BAVC, Drake High School’s ComAcademy, and CFI Education’s own My Place My Story program. Meet some of the filmmakers and the Young Curators at the end of the program when they will come together onstage for a lively Q&A. Age 12+
“Look at that sky, life’s begun. Nights are warm and the days are young.” Come celebrate the history of MVFF in this marvelous retrospective of rarely screened short films from festivals past. You know Barry Jenkins from his Moonlight (MVFF 2016) triumph, but he first came to MVFF with My Josephine (US 2003, 9 min), a paean to cultural integration and love in a laundromat. Filmmaking legend Agnès Varda has had a long history with MVFF (including this year’s Faces, Places) and her documentary Oncle Yanco (US/France 1967, 18 min) is a tribute to her Sausalito-based artist relative and also a love poem to Marin. And we’re proud to showcase a brand-new 16mm restoration of the avant-garde classic The Bed (US 1968, 20 min), shot on Mt. Tamalpais by James Broughton, one of the honorees at the first MVFF in 1978. Plus an extra surprise or two! Don’t miss it! —Sterling Hedgpeth
“Silhouettes and shadows watch the revolution. No more free steps to heaven. It’s no game.” The stakes are often high as sports and physical expression dominate this eclectic set of timely shorts. Jeannie Donohoe’s Game (US 2016, 15 min) depicts a new high school student’s uphill battle in trying out for the varsity basketball team. Mari Walker explores why a secret midnight Swim (US 2016, 11 min) is a liberating moment for one shy teen. Racial tension in a tennis match spills over into an unlikely confrontation in Daniel Lee’s Fault (US 2017, 10 min). One hard-driving Bay Area mom and her quiet son learn some lessons on the competitive yoga circuit in Dan Damman and Chris Thomas’s Awarewolf (US 2017, 9 min). The beautifully dynamic choreography is just one marvelous element in Max Sachar and Natasha Adorlee Johnson’s slipstream dance piece Take Your Time (US 2017, 5 min). And a highly anticipated soccer playoff match converges with one anxious expecting Irish couple in Kev Cahill’s heartfelt comedy The Nation Holds Its Breath (Ireland 2016, 20 min). —Sterling Hedgpeth
Tue Sun
Oct 10 Oct 15
12:15pm 11:00am
Fri Oct 6 Thur Oct 12
4:45pm 9:30pm
Sequoia Rafael
Wed Oct 11 Thur Oct 12
9:15pm 2:30pm
Lark* Lark
*CFI Education screening open to school groups and general public.
114
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
Rafael Sequoia
FILMS FILMS
5@5 LIFE ON MARS?
5@5 STATION TO STATION
5@5 TUMBLE AND TWIRL
5@5 SHORTS
5@5 SHORTS
5@5 SHORTS
Total Program 70 min
Total Program 62 min
Total Program 68 min
“Now she walks through her sunken dream to the seat with the clearest view, and she’s hooked to the silver screen.” Four different countries and four remarkable cinematic stories are unified by characters finding courage in the face of life’s unexpected hardships. Based on the haunting Stephen King short story, Tom Barbor-Might’s All That You Love Will Be Carried Away (UK 2017, 20 min) explores the inner life of a woman mourning the loss of her son. In Tom Teller’s spectacular Icarus (US 2016, 20 min), an astronaut team on Mars goes into action when one of their members gets into a perilous jam. Santosh Sopan Davakhar’s visually stunning Adnyat (India 2017, 15 min) is like a fever dream of the magical and macabre as a young child faces some bitter truths about his place in society. And finally, the heartbreaking errand a young high school girl must undertake is the central premise of Alireza Ghasemi’s Lunch Time (Iran 2017, 15 min). Don’t miss this powerful quartet.
“Here are we, one magical moment. Such is the stuff from where dreams are woven.” Join a twisted group of stop-motion, 2D, and multimedia animation spinning yarns of devious angst, alien and monster cosmos, and many appendages. In José Luis González and Dano Johnson’s The History of Magic: Ensueño (US 2016, 6 min), a young girl cycles through multiple fantastical deaths to a timely tune. Two films by masterful stop-motion director Brett Foxwell exemplify meticulous craft through detailed log shaving in WoodSwimmer (US 2017, 3 min) and his gorgeous machinery and armature creatures in Fabricated (US 2017, 3 min). Matt Reynolds’ Hot Dog Hands (US 2017, 6 min) is a hilarious and disturbing tube-steak journey into another dimension, followed by Stéphanie Cadoret’s My Man (Octopus) (France 2016, 9 min), where a woman is pulled into the depths by her needy mollusk mate. Quadrant Part 2 (US 2017, 2 min), by David Lauer and Woodrow White, is the second installment trailer for a tenuous sci-fi film full of special annihilation. Take a surreal trip through fire and satire in the chaotic land of I Don’t Feel Anything Anymore by Noémie Marsily and Carl Roosens (Belgium/Canada 2016, 9 min). It’s time to wake up from your Bowie-induced reverie, but perhaps instead it’s time to perish while in the company of an aging, bloody-stumped rival in Vincent Gallagher’s Second to None (Ireland 2016, 7 min). —Amanda Todd
“Another day, but even in springtime, it’s a rich slice of life.” In this documentary shorts program we present a collection of truelife tales about extraordinary individuals. In Nicholas Coles’ Isis Hair Salon (US 2016, 5 min), hair stylist Carrie Banks has unwittingly been thrust into the war on terror, and she’s fighting back one braid, weave, and extension at a time. Dan Foldes’s Bread & Roses Presents (US 2017, 9 min) profiles the iconic 43-year-old organization that brings hope and healing through live music and the performing arts to isolated audiences in the San Francisco Bay Area. In Fire & Light (US 2017, 10 min), director Dana Conroy introduces us to four young siblings with autism who find an unusual path to healing: fire dancing. In John Picklap’s Between the Sand (US 2016, 10 min), artist Jean-Paul Bourdier travels into covert desert locations to discover something more real and true about the nature of who we are. In a classic David vs. Goliath story, Saving Happy Birthday (US 2016, 15 min), filmmaker Jennifer Nelson chronicles the legal battle challenging Warner Chappell’s copyright claim to the song “Happy Birthday to You.” And Andrew Moir’s Babe, I Hate to Go (Canada 2017, 19 min) introduces us to Delroy, a migrant worker with a secret, in this intimate, observational documentary about a man coming to terms with his mortality. —Kelly Clement
—Sterling Hedgpeth Mon Oct 9 Tue Oct 10
9:15pm 5:30pm
Rafael Sequoia
Tue Fri
Oct 10 Oct 13
9:30pm 9:00pm
Rafael Rafael
Sun Oct 8 Wed Oct 11
12:15pm 4:00pm
Rafael Sequoia
115
FILMS
A CIAMBRA
AN ACT OF DEFIANCE
AFTER THE WAR (DOPO LA GUERRA)
WORLD CINEMA
WORLD CINEMA
WORLD CINEMA
Italy/Brazil/Germany/France/USA / Sweden 2017 • 118 min
Netherlands 2017 • 123 min
Italy 2017 • 92 min
Director/Screenwriter Jonas Carpignano Producers Paolo Carpignano, Jon Coplon, Christoph Daniel Cinematographer Tim Curtin Editor Affonso Gonçalves Cast Pio Amato, Koudous Seihon, Damiano Amato Print Source IFC Films
Director Jean van de Velde Producers Michael Auret, Richard Claus Screenwriters Matt Harvey, Dominic Morgan, Jean van de Velde Cinematographer Miles Goodall Editor Sander Vos Cast Peter Paul Muller, Antoinette Louw, Sello Motloung Print Source Cinema Management Group
Director Annarita Zambrano Producers Stéphanie Douet, Tom Dercourt Screenwriters Annarita Zambrano, Delphine Agut Cinematographer Laurent Brunet Editor Muriel Breton Cast Barbora Bobulova, Giuseppe Battiston, Fabrizio Ferracane Print Source Pyramide Films
In Italian with English subtitles Writer-director Jonas Carpignano’s debut Mediterranea (MVFF 2015) chronicled the plight of African immigrants making their way to the filmmaker’s Italian homeland. With his sophomore effort, the filmmaker focuses on one of Mediterranea’s supporting players, crafting an entire drama around Pio (Pio Amato), a teenaged Romani hustler in a small southern Italian community. Along the way, A Ciambra becomes a particularly gripping, neorealist coming-of-age tale as this resourceful boy tries to assert himself as the man of the house after his father and older brother go to jail. Poverty, crime, and family are Carpignano’s central themes, and A Ciambra meticulously documents Pio’s sometimes perilous quest—especially when he’s forced to turn to thievery. As in Mediterranea, Amato (an untrained actor) exudes effortless charisma, making us care deeply about his character’s dilemma and hope that he can somehow find a better life. A supporting cast that includes several of Amato’s family members add extra layers of urgency and authenticity to this unforgettable drama. —Tim Grierson
FOCUS: HIDING & SEEKING In English and Afrikaans with English subtitles In this riveting historical drama, 10 political activists (including Nelson Mandela and his inner circle of Black and Jewish supporters) face a possible death sentence for conspiracy to commit sabotage after they are arrested by the apartheid South African government during a raid in the town of Rivonia during the summer of 1963. Bram Fischer (exceptionally played by Peter Paul Muller), a sympathetic lawyer, risks his career and freedom to defend these men, attempting to hide the fact that he, too, frequently convened on the farm where they were arrested. With An Act of Defiance, Dutch filmmaker Jean van de Velde (The Silent Army) captures a dark period in South Africa’s recent history, skillfully balancing a nail-biting political thriller with spectacular courtroom intrigue while paying tribute to the legendary figures who fought to end segregation and corruption in their country. NORTH AMERICAN PREMIERE —Joe Bowman
Fri Sun
Oct 13 Oct 15
6:00pm 11:45am
Lark Rafael
Fri Sat
Oct 6 Oct 7
2:30pm 6:30pm
Rafael Rafael
WITH SUPPORT FROM INS TITUTO ITALIANO DI CULTUR A
FOCUS: HIDING & SEEKING In Italian and French with English subtitles Italy in the ‘70s and early ‘80s was roiled by left-wing groups that committed acts of terrorism to further their goals. Many convicted militants fled to France, benefiting from President François Mitterand’s decree barring their extradition. Annarita Zambrano’s compelling debut dramatizes the disruption faced by one family when the policy changed and extraditions commenced in 2002. For 16-year-old Viola, it’s a matter of one day gossiping with her pals in volleyball and being on the run with her father Marco the next. At first, there’s a thrill to the situation—hiding out, getting new identities, a stealth interview with a journalist—but when she discovers they’re being uprooted to Nicaragua, conflict develops between father and daughter. A parallel story set in Italy shows Marco’s sister and mother trying to go on with their lives in the wake of returned scrutiny into Marco’s activities. With suspense and emotional acuity, After the War depicts the interpersonal aftermath of political turmoil with sensitivity and balance. US PREMIERE —Rod Armstrong Fri Sat
Oct 13 Oct 14
9:30pm 6:15pm
WITH SUPPORT FROM INS TITUTO ITALIANO DI CULTUR A
IN A SSOCIATION WITH THE MUSEO ITALO AMERIC ANO AN D CINEMA ITALIA SAN FR ANCISCO
116
SPONSORED BY
SPONSORED BY
MARIN HOTELS
FOUR POINTS BY SHERATON
Active Cinema
Sequoia Larkspur
Mind the Gap: Women | Film | Tech
Viva el Cine
FILMS FILMS
ALPHAGO
ANDRE: THE VOICE OF WINE
ARRANGIARSI (PIZZA... & THE ART OF LIVING)
VALLEY OF THE DOCS
VALLEY OF THE DOCS
VALLEY OF THE DOCS
US 2017 • 90 min
US/Russia/Germany 2017 • 98 min
US/Italy 2017 • 96 min
Director/Cinematographer Greg Kohs Producers Gary Krieg, Josh Rosen, Kevin Proudfoot Editor Cindy Lee Print Source Submarine
Director Mark Tchelistcheff Producers Mark Tchelistcheff, Andrey Spirin Screenwriters Michael Chandler, Mark Tchelistcheff Cinematographers Wedigo von Schultzendorff, Mark Tchelistcheff Editors Marat Magambetov, Mark Tchlistcheff Print Source Open Films
Director/Producer/Screenwriter/ Cinematographer/Editor Matteo Troncone Print Source Solare Films
The game Go is among the most complex in the world. Played with small black and white stones on a 19-by-19 grid, there are—famously—more possible sequences of play than there are atoms in the visible universe. Treated as an art in parts of East Asia, the game is said to be mastered only by those with finely tuned instincts and intuition. Could a computer program replicate those qualities? The technology company Deep Mind sought to find out, developing AlphaGo in the hope that it could defeat the best players in the world. In March 2016, a thrilling match-up along the lines of Deep Blue vs. Garry Kasparov pitted the program against Korean Go champion Lee Sedol in a five-game series. Filled with fascinating personalities—from the brilliant but exceedingly humble Sedol to the breathlessly enthusiastic commentators that cover the big match—AlphaGo creates a surprisingly gripping man-against-machine narrative that may just have you cheering the outcome of a quiet, contemplative board game. —Michael LoPresti Sat Oct 7 Wed Oct 11
11:30am Rafael 12:00pm Sequoia
In English, French, Italian, and Russian with English subtitles California wine drinkers, raise a glass to Andre Tchelistcheff! A Russian émigré who came to be known as the dean of American wine, Andre would leave a legacy deeply entwined with the California wine industry and its rise to international legitimacy. Director Mark Tchelistcheff, Andre’s grandnephew, crafts a cinematic portrait that is very much like the man himself: at once dramatic, poetic, humorous, and inspiring. The child of an aristocratic family who narrowly escaped Russia’s revolution and civil war, Andre lived a life of singular purpose. Equal parts scientist and artist, the winemaker revolutionized the US wine industry through his work in helping Napa’s Beaulieu Vineyard move into the post-Prohibition marketplace. Andre’s epic journey through the upheavals of the early 20th century and into a career that influenced the world’s most important winemakers is explored here in personal interviews that reveal a philosophy about winemaking that is, at its core, an essential doctrine on how to live life with passion. NORTH AMERICAN PREMIERE —Deanna Quinones Mon Oct 9 Fri Oct 13 Sat Oct 14
6:45pm 1:00pm 6:15pm
Sequoia Rafael Lark
In English and Italian with English subtitles From the Bay Area to Italy, Matteo Troncone searches for the meaning of life in this engaging, intimate documentary. Is it any surprise to discover that pizza is the answer? Writer, director, cinematographer, editor, and star Troncone begins his fascinating and philosophical first-person travelogue with no job, no relationship, and no home. While living in his VW van on the streets of Mill Valley, he decides there is only one thing to do: trace his roots to Naples and learn how to make pizza. Once there, he discovers the art of Arrangiarsi, the process of arranging yourself to make something from nothing. We meet a colorful crew of characters, from street artists to pizza makers, who find a way to live and love in the most joyful ways, regardless of circumstance. This delightful documentary combines a healthy smattering of foodie passion, intense Italian history, and quirky Neapolitans to tell the tale of one man’s journey to find himself, and the greatest pizza on earth. —Brendan Peterson Sun Oct 8 Thur Oct 12 Fri Oct 13
5:30pm 11:30am 3:15pm
Rafael Sequoia Larkspur
IN A SSOCIATION WITH ITALIAN CULTUR AL INS TITUTE OF SAN FR ANCISCO, MUSEO ITALO AMERIC ANO, CINEMA ITALIA SAN FR ANCISCO, AN D E AT DRINK FILMS
IN A SSOCIATION WITH E ATDRINK FILMS
SPONSORED BY
PIZZA ANTICA Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
117
FILMS
THE BALLAD OF LEFTY BROWN
BEYOND THE SUPERNOVA
BILL FRISELL, A PORTRAIT
US CINEMA
MUSIC
MUSIC
US 2017 • 111 min
US 2017 • 60 min
Australia 2017 • 115 min
Director/Screenwriter Jared Moshé Producers Edward Parks, Neda Armian, Dan Burks Cinematographer David McFarland Editor Terel Gibson Cast Bill Pullman, Peter Fonda, Michael Spears Print Source A24
Director/Cinematographer/Editor ZZ Satriani Producer Satch Tours, Inc. Print Source Satch Tours, Inc.
Director/Producer/Screenwriter/ Cinematographer/Editor Emma Franz Print Source Films Transit International
For a whole generation, Surfing with the Alien remains the essential rock instrumental album of the 1980s, defined by the piercing sonic soundscapes of guitarist Joe Satriani’s technical virtuosity. Now, on that record’s 30th anniversary, ZZ Satriani chronicles his father’s 2017 concert tour through Japan and China with this loving tribute to a musician still at the top of his game. Fronting a hard-driving ensemble, Satriani proves he’s the master of sweeping solos, pulsing rhythms, and intricate fingerwork. But we also see him in his more meditative moments—discussing his influences, his love of collaboration (Steve Vai makes an appearance), and the struggle between the private person and the master showman. His craft is serious, but his rehearsals are playful and we’re given intimate access to a legend free of pretense and self-seriousness. With stylish flourishes and boundless affection, ZZ, in his directorial debut, celebrates a musical icon who has never tired of blazing his own distinctive trail. WORLD PREMIERE —Sterling Hedgpeth
Guitarist, composer, and arranger Bill Frisell is widely acknowledged as a musician’s musician. His style ranges from jazz to folk and Americana and beyond, and there’s seemingly no end to his list of musical coconspirators. As he’s not one to draw attention to himself, Emma Franz’s portrait of the unassuming master is a welcome opportunity to peek into an eclectic musical mind of genius caliber. Frisell conveys a childlike sense of wonder at his luck in forging a lifelong career in music, and it’s clear through their interviews that his collaborators are also fans. But it’s not all talk in this joyful film, there’s plenty of music. Frantz, herself a singer and composer, brings an artist’s insight to a documentary that’s as much about the music-making as it is about the man himself. Whether jamming with a trio in the studio, or recording with the BBC Symphony Orchestra, Frisell always has that same gleeful smile and incomparable sound. —Laura Henneman
Lefty Brown (Bill Pullman) spent his life riding Montana’s scenic ranges, in the company of men who would become dime-novel heroes. His own legend burns not so bright. People wonder how the likes of new US Senator Edward Johnson (Peter Fonda), Governor Jimmy Bierce (Jim Caviezel), and lawman Tom Harrah (Tommy Flanagan) could put up with the garrulous, incompetent old coot. But this apparent fool courageously risks his own life to seek justice for a fallen friend, never wavering in his determination even as deadly forces array themselves against him. Pullman, the sophisticated star of Independence Day and Lost Highway, gets in touch with his inner-Walter Brennan to deliver a masterful performance of a man whose hayseed persona masks his true nature. But while this absorbing Western offers a finely-etched character portrait of an underrated cowpoke, it also delivers thrilling, action-packed drama. A superb gallery of supporting characters includes the gorgeous Montana wilderness in this exquisitely lensed film. —Pam Grady Fri
Oct 6
7:00pm
Corte Madera
Sat
Oct 14
4:00pm
Lark
Live music event to follow at Sweetwater. Separate ticket required. See page 91 for details.
Sun Oct 8 Mon Oct 9
8:45pm 3:15pm
Rafael Sequoia
IN A SSOCIATION WITH SF SK E TCHFE S T AN D SFJA Z Z
SPONSORED BY
GHILOTTI CONSTRUCTION COMPANY 118
Active Cinema
SPONSORED BY
BSSP Mind the Gap: Women | Film | Tech
Viva el Cine
FILMS FILMS
BPM (BEATS PER MINUTE)
BREATHE
CALL ME BY YOUR NAME
WORLD CINEMA
WORLD CINEMA
WORLD CINEMA
France 2017 • 143 min
UK 2017 • 117 min
Italy/France/Brazil/US 2017 • 132 min
Director/Editor Robin Campillo Producers Hugues Charbonneau, Marie-Ange Luciani Screenwriters Robin Campillo, Philippe Mangeot Cinematographer Jeanne Lapoirie Cast Nahuel Pérez Biscayart, Arnaud Valois, Adèle Haenel Print Source The Orchard
Director Andy Serkis Producer Jonathan Cavendish Screenwriter William Nicholson Cinematographer Robert Richardson Editor Masahiro Hirakubo Cast Andrew Garfield, Claire Foy, Tom Hollander, Diana Rigg Print Source Imaginarium Productions
Director Luca Guadagnino Producers Emilie Georges, Luca Guadagnino Screenwriters James Ivory, André Aciman Cinematographer Sayombhu Mukdeeprom Editor Walter Fasano Cast Armie Hammer, Elena Bucci, Vanda Capriolo, Amira Casar Print Source Sony Pictures Classics
In French with English subtitles Robin Campillo’s unforgettable film, winner of the Grand Prize at Cannes, depicts the dynamics of the Paris chapter of ACT UP, the direct-action advocacy group committed to ending the AIDS crisis, alongside the heartrending personal moments generated by an epidemic laying waste to men and women in the prime of life. Set in 1989, the opening throws the viewer right into one of ACT UP’s fraught meetings as members review a recent action that goes awry. But BPM is not just a drama of activism. There is also a passionate love story, as the HIV-negative Nathan falls head over heels for Sean whose health is beginning to fail. Campillo’s vibrant fresco contrasts righteous protests against Big Pharma, celebratory Pride parades, and redemptive nights at the disco with quieter moments of intimacy and struggle. BPM is a breathtaking, deeply moving, immersive piece of cinema, vibrant with the immediacy and passion of something happening in the moment. —Rod Armstrong
SPOTLIGHT: ANDREW GARFIELD In his directorial debut, actor Andy Serkis (Lord of the Rings, Planet of the Apes) tells the remarkable true love story of Robin (an exceptional Andrew Garfield) and Diana Cavendish (The Crown’s Claire Foy, as resolute as a royal), two charming and free-spirited young Brits who are newly wedded in the late 1950s, when the dashing young Robin is suddenly struck down by polio. Paralyzed and confined to a bleak hospital ward, the constant mechanical breathing of a respirator is all that keeps him alive—though it’s hardly a life he can bear living. Unwilling to accept such a fate, the devoted Diana makes a radical decision that upends all conventional and scientific wisdom of the era—and completely changes the course of their lives. Produced by their son Jonathan Cavendish, Breathe is a romantic and reverent tribute to a fearless couple who became pioneering inventors and advocates for the disabled community long before disabled rights were a matter of law. —Joanne Parsont
Sun Oct 8 Thur Oct 12
Sat
(120 BATTEMENTS PAR MINUTE)
8:15pm 3:45pm
Sequoia Rafael
Oct 14
7:00pm
Rafael
In English, Italian, French, and German with English subtitles First love has rarely been captured with such elegance and passion as in Luca Guadagnino’s new film, beautifully adapted from André Aciman’s novel. Precocious 17-year-old Elio Perlman (the magisterial Timothée Chalamet) is summering with his intellectual parents at their 17thcentury palazzo in stunning Lombardy. The Perlmans are the kind of loving family who speak three languages and encourage dinner conversation about ancient statuary or medieval novels. Into this heady mix comes doctoral student Oliver (Armie Hammer), here to assist Elio’s professor father and scramble the poor kid’s emotional barometer. But this boy on the cusp of adulthood is no patsy—even Oliver admiringly asks, “Is there anything you don’t know?”—and Chalamet beautifully portrays Elio’s unbridled appetite for life and love. Guadagnino (I Am Love, A Bigger Splash), with the discernment of a true sensualist, provides a visual sumptuousness to match the story’s sensibility, joyously celebrating the erotics of desire at every moment. —Rod Armstrong Thur Oct 12 Sat Oct 14
WITH SUPPORT FROM THE CONSUL ATE GENER AL OF FR ANCE AN D THE FRENCH AMERIC AN CULTUR AL SOCIE T Y
9:00pm 3:00pm
Sequoia Larkspur
WITH SUPPORT FROM INS TITUTO ITALIANO DI CULTUR A
IN A SSOCIATION WITH FR AMELINE
IN A SSOCIATION WITH S TE AMWORK S BATHS
Active Cinema
SPONSORED BY
SPONSORED BY
JENNIFER COSLETT MACCREADY
PIAZZA D’ANGELO
Mind the Gap: Women | Film | Tech
Viva el Cine
119
FILMS
CIAO CIAO
CITY OF JOY
THE CORRIDOR
WORLD CINEMA
VALLEY OF THE DOCS
VALLEY OF THE DOCS
France/China 2017 • 83 min
Democratic Republic of Congo/US 2016 • 75 min
US 2017 • 72 min
Director/Screenwriter Song Chuan Producer Guillaume de la Boulaye Cinematographer LI Xuejun Editor JeanMarie Lengellé Cast Liang Xueqin, Zhang Yu, Hong Chang Print Source Zorba Production In Chinese with English subtitles They say you can never really go home again—a notion that, unfortunately for Ciao Ciao (Liang Xueqin), can’t be taken literally. Young, restless, and permanently attached to her cellphone, this twentysomething city dweller is stuck killing time in her backwater birthplace in the Yunnan province. Out of sheer boredom, she starts to flirt with two men: a rough-and-tumble rascal (Zhang Yu); and a polite hairdresser (Zhou Quan), who tempts Ciao Ciao with dreams of opening a salon far, far away. Filmmaker Song Chuan follows up his incredible 2012 debut Huan Huan with this keen, compelling portrait of a generation caught between competing landscapes and lifestyle choices. Blessed with colorful, eye-popping widescreen cinematography and a soundtrack that blends traditional Eastern sounds with skittery globo-techno, Ciao Ciao is a funny, fraught indictment of the easy-‘n’-empty thrills of modern living and the hypocrisy of “small-town” values. NORTH AMERICAN PREMIERE —David Fear Fri Oct 6 Mon Oct 9
9:00pm 6:00pm
Rafael Rafael
Director/Screenwriter/Editor Madeleine Gavin Producer Allyson Luchak Cinematographers Taylor Krauss, Lisa Rinzler Print Source Lightmotive
Directors/Cinematographers Richard O’Connell, Annelise Wunderlich Producers Annelise Wunderlich, Richard O’Connell, Linda Peckham Editor Linda Peckham
In Swahili, French, and English with English subtitles The Democratic Republic of Congo is a country rich in minerals. The multinational companies that buy these minerals fund militias to plunder the mines, and these thugs are responsible for unprecedented sexualized violence, millions of murders, and 20 years of war. One town, Bukavu, in eastern DRC, has grown from 50,000 to over a million, its population swelling with refugees. In it stands the City of Joy, a sanctuary for female victims of the brutality. Here they are medically treated, housed, educated (with the help of Vagina Monologues playwright Eve Ensler), and transformed from victims into leaders against violence. Madeleine Gavin’s enthralling documentary, which transmutes unimaginable horror into joy and empowerment, follows the story of one woman who will not let the appalling violence destroy her. As part of the first class of students at the City of Joy, Jane embodies the co-founders’ hard-fought—and extremely risky—vision for the future of women who reclaim their bodies and make them engines of change. —Frako Loden
Orange may be the new black, but documentaries that take us behind real jailhouse walls can still provide revelations. What’s it like to go to school while incarcerated? It means that the tools in your bike repair class are locked to the table and that classrooms come equipped with panic buttons. It means that room assignments take gang affiliation into account. And it means that exposing your ignorance is seen as a weakness, “becoming prey,” as one inmate-student describes it, in a world of predators. These are just some of the challenges that face participants in the San Francisco Sheriff Department’s pioneering program to help inmates earn their GEDs. Local filmmakers Richard O’Connell and Annelise Wunderlich trace students’ progress from orientation to graduation in this timely and quietly provocative documentary. Observational footage of school and jail routine is supported by a soundtrack of articulate reflections from guards, teachers, and inmates. Intertitles of statistics underline the daunting odds these students face, and their equally impressive achievements. WORLD PREMIERE —Monica Nolan
Sun Tue
Sat Oct 7 Thur Oct 12
Oct 8 Oct 10
6:00pm Rafael 12:30pm Sequoia
IN A SSOCIATION WITH THE CENTER FOR A SIAN AMERIC AN MEDIA
8:45pm Lark 10:00am Rafael*
IN A SSOCIATION WITH THE PRISON UNI V ERSIT Y PROJEC T
*CFI Education screening open to school groups and general public.
120
Active Cinema
SPONSORED BY
SPONSORED BY
JIM BOYCE TRUST AND KRIS OTIS
SAN FRANCISCO CHRONICLE
Mind the Gap: Women | Film | Tech
Viva el Cine
FILMS FILMS
THE COUSIN
THE CURRENT WAR
DARKEST HOUR
WORLD CINEMA
US CINEMA
WORLD CINEMA
Israel 2017 • 93 min
US 2017 • 105 min
UK 2017 • 114 min
Director/Screenwriter Tzahi Grad Producers Ehud Bleiberg, Tzahi Grad Cinematographer Eitan Hatuka Editors Sari Bisharat, Danny Rafic Cast Tzahi Grad, Ala Dakka, Osnat Fishman Print Source Bleiberg Entertainment
Director Alfonso Gomez-Rejon Producers Timur Bekmambetov, Basil Iwanyk Screenwriter Michael Mitnick Cinematographer Chung-hoon Chung Editor David Trachtenberg Cast Benedict Cumberbatch, Michael Shannon, Nicholas Hoult, Tom Holland, Katherine Waterston Print Source The Weinstein Company
Director Joe Wright Producer Tim Bevan Screenwriter Anthony McCarten Cinematographer Bruno Delbonnel Editor Valerio Bonelli Cast Gary Oldman, Kristin Scott Thomas, Lily James, John Hurt Print Source Focus Features
(HA BEN DOD)
In Hebrew with English subtitles Naftaly, a middle-aged TV actor and writer (played by writer-director Tzahi Grad) sets out one morning to pick up the Israeli Arab day laborer he’s hired to spruce up his home office. This commonplace act of economic opportunism triggers an escalating succession of misunderstandings that upends the sun-kissed equilibrium of Naftaly’s low-key suburban life. A deadpan, well-meaning everyman living in a carefully constructed bubble of liberal platitudes, Naftaly finds himself sandwiched between the irrational fears of a Keystone Kops corps of suspicious neighbors and his wife’s (Osnat Fishman) increasing frustration. Meanwhile, his erstwhile employee, Fahed (popular Palestinian-Israeli singer/actor Ala Dakka), is stuck in Kafkaland. The Cousin is an unsettling satire of our irrational fears of the strangers among us, steeped in droll one-liners and absurdist sight gags. As a bonus, the film wittily questions how the neat resolution of the three-act narrative structure can possibly encompass the complicated reality— and morality—of everyday life. NORTH AMERICAN PREMIERE —Michael Fox Fri Sun
Oct 6 Oct 8
6:00pm 11:45am
Lark Sequoia
CLOSING NIGHT In stellar performances that crackle and shine, Benedict Cumberbatch (The Imitation Game, MVFF 2014), Michael Shannon (Loving, MVFF 2016), and Nicholas Hoult (Kill Your Friends, MVFF 2015) don the brilliant, larger-thanlife personae of Thomas Edison, George Westinghouse, and Nikola Tesla in this triangular tale of electricity’s trailblazing pioneers. “This is just how boys play,” opines a nonplussed Westinghouse, the more equanimous of the three, as the incendiary Edison creates a buzzworthy public smear campaign against him, while Tesla walks a fine line, creating an alternating current between the two highly-charged poles. In the war for nationwide dominance between two delivery systems—AC (Westinghouse) and DC (Edison)—the stakes are sky-high as competitive bidding for the 1893 Chicago World’s Fair draws nigh. Director Alfonso Gomez-Rejon’s (Me and Earl and the Dying Girl) enlightening film skillfully weaves together personal and technological histories, in an illuminating tale of the demigods of conductivity. —Karen Davis Sun Sun
Oct 15 Oct 15
5:00pm 5:00pm
Sequoia Sequoia
Thur Oct 5 Fri Oct 6
7:00pm 6:30pm
Sequoia* Rafael**
* Opening Night ** Tribute to Kristin Scott Thomas
WITH SUPPORT FROM CONSUL ATE GENER AL OF ISR AEL
Active Cinema
OPENING NIGHT | TRIBUTE: KRISTIN SCOTT THOMAS Director Joe Wright’s (Pride and Prejudice, MVFF 2005) Darkest Hour is absolutely gripping. Gary Oldman’s brilliant performance drives this story of Winston Churchill’s rise to power both as Prime Minister and as architect of the push against what seemed like the imminent, inevitable Nazi invasion of Britain—not to mention their utter domination of Europe—in World War II. Bullishly immune to his unpopularity amongst his fellow politicians, Churchill is aided and abetted by assistant Elizabeth (Lily James, Downton Abbey), and by his wife: Kristin Scott Thomas, impeccably arch as Clementine Churchill, her charm and insightfulness making her the ultimate ally of the man who had the full weight of the world on his shoulders. In this pivotal situation, this audacious, controversial, and visionary leader must navigate the backstage wheeling and dealing, the political maneuvering, and power plays in a seemingly untenable, unwinnable moment in history. As he does: Oldman’s Churchill is forceful, antagonistic, humorous, bombastic, eloquent—and unstoppable. —Zoë Elton
SPONSORED BY
SPONSORED BY
JACKSON SQUARE PARTNERS
WELLS FARGO
Mind the Gap: Women | Film | Tech
Viva el Cine
121
FILMS
DEALT
THE DEEP SKY
THE DESERT BRIDE
VALLEY OF THE DOCS
US CINEMA
WORLD CINEMA
US 2017 • 85 min
US 2017 • 86 min
Argentina/Chile 2017 • 78 min
Director/Producer Luke Korem Screenwriters Bradley Jackson, Luke Korem Cinematographer Jacob Hamilton Editors Derek Boonstra, Luke Korem Print Source IFC Films
Director/Screenwriter/Cinematographer Frazer Bradshaw Producers Frazer Bradshaw, Cari Borja, Kurt Norton, Jason Wolos, Dawn Rich Editors Frazer Bradshaw, Richard Levien Cast Sarah Rose Butler, Kelechi Nwadibia, Luise Helm Print Source Lucky Hat Entertainment
Directors/Screenwriters Cecilia Atan, Valeria Pivato Producer Alejo Crisóstomo Cinematographer Sergio Armstrong Editor Andrea Chignoli Cast Paulina García, Claudio Rissi Print Source Strand Releasing
Don’t call Richard Turner a magician: He is a card mechanic, one who controls the outcome of a game better than anyone else in the world. “Magicians can’t do that,” says Turner. Winner of the audience award at SXSW this year, this dynamic documentary provides a close-up look at a true legend in the magic community and the limits he overcame to get to be at the top of the game. Turner, 62, is legally blind and began losing his sight as a young boy. Never without a deck of cards in his hands, he practices almost constantly; surrounded by his wife, son, and sister, he strives ceaselessly for perfection. But the man who knows how to do every trick in the book must learn that it’s OK to ask for help. This skillful portrait of a complex and colorful character is as inspiring and captivating as Turner’s sleight of hand. —Lucia Proctor-Bonbright Sun
Oct 8
1:00pm
Corte Madera
This screening is free for CFI Members. Get your complimentary ticket at mvff.com.
Opening a romantic relationship is usually a delicate exercise. Lenora and Arlan, a Bay Area couple who are as cerebral as they are empathic, navigate the decision with enough intentionality to give themselves confidence that if any two people can make non-monogamy work, they can. A chance encounter in the supermarket produce section eventually leads Nina, an enigmatic young woman from Germany, into their lives. She rapidly becomes entwined—emotionally and intellectually as well as sexually—in their relationship. Rather than the casual (and separate) romantic encounters they had envisioned opening themselves up to, Lenora and Arlan begin to imagine life as two nodes of a triad. The film treats its subject matter thoughtfully, without ever verging into tawdriness. Shot on location in Oakland by local filmmaker Frazer Bradshaw, The Deep Sky is a reflective, often quiet rumination on the emotional contours and complexities of love that transcends two people. WORLD PREMIERE —Michael LoPresti Sat Oct 7 Mon Oct 9
9:15pm 8:45pm
Sequoia Lark
In Spanish with English subtitles A reserved woman finds her horizons and worldview subtly transformed during a journey across rural western Argentina in this warm and delicate film. Teresa (the phenomenal Paulina García, Gloria, MVFF 2013) has worked for the same Buenos Aires family for over 30 years, but their failing finances spells an end to her position. Traveling to her new job located far from the city in Argentina’s arid Cuyo region, the cautious Teresa is left with several hours to kill in a small town. There, several events transpire—a lost handbag, a windstorm, the offer of a ride from a garrulous stranger—that lead her to reflect on her closed-off attitude, while the vast expanse of her environment begins to liberate her from the anxieties that urban living have induced. In this way, the locale’s rugged terrain and history play a role just as important as the film’s characters do, with Sergio Armstrong’s handsome cinematography providing the backdrop to Teresa’s small but significant transformation. —Rod Armstrong Sat Oct 7 Mon Oct 9
3:45pm 6:30pm
Sequoia Rafael
IN A SSOCIATION WITH TACOLIS T.COM L ATINO ON - LINE CL A SSIFIEDS
IN A SSOCIATION WITH THE CENTER FOR SE X & CULTURE
SPONSORED BY
XFINITY 122
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
FILMS FILMS
DIRTBAG: THE LEGEND OF FRED BECKEY
THE DIVINE ORDER
EARTH WISDOM FOR A WORLD IN CRISIS
VALLEY OF THE DOCS
WORLD CINEMA
VALLEY OF THE DOCS
US 2017 • 96 min
Switzerland 2017 • 96 min
US 2017 • 57 min
Director/Cinematographer Dave O’Leske Producers Dave O’Leske, Jason Reid, Colin Plank, Andy McDonough Editors Jason Reid, Darren Lund
Director/Screenwriter Petra Biondina Volpe Producers Lukas Hobi, Reto Schärli Cinematographer Judith Kaufmann Editor Hansjörg Weißbrich Cast Marie Leuenberger, Maximilian Simonischek, Rachel Braunschweig Print Source Zeitgeist Films
Director/Producer/Cinematographer Stephen Olsson Editors Kristin Tieche, Parisa Soultani Print Source CEM Productions
Portraying a stubbornly independent spirit— and a legend among mountain climbers for generations—this lively documentary celebrates an exceptional life and chronicles the sublime thrill of ascending never-before-attained peaks. Well into his late 80s, Fred Beckey has yet to surrender his ropes and crampons as he continues to scale alpine walls. Animation, archival footage, and the stories spun by Beckey’s fellow climbers bring his past conquests, as well as his checkered history, to vivid life. Director Dave O’Leske charts the logistics and aesthetics of Beckey’s various lines of ascent, underlining his accomplishments and exposing a kind of beauty in the relationship between man and mountain face. Beckey’s lifestyle has been rough and ready, leaving a trail of awkward and abandoned relationships. But there is a sort of idiosyncratic glory to his individualism and refusal to give in to convention as he relentlessly pursues lofty new paths to surmount. —Brian Karl Fri Tue Fri
Oct 6 Oct 10 Oct 13
8:30pm Rafael 8:30pm Lark 12:00pm Larkspur
IN A SSOCIATION WITH THE BAY ARE A S CLIMBERS COALITION
In German, English, and Italian with English subtitles A bucolic alpine village becomes a battleground for social change in 1970 Switzerland in writer/director Petra Volpe’s uplifting drama. The right to vote, taken for granted by most Western women, is still a year away for Swiss females. Mother of two Nora wants to get a job. But working outside the home is not legally possible without her husband’s permission—and he’s not giving it. Her free-spirited niece Hanna has it even worse: Her father has arranged a prison cell to keep her away from her older boyfriend. Nora reaches a breaking point with the patriarchy. Defying her husband and conservative village elders, she begins actively campaigning for suffrage, soon joined by other townswomen. In both fierce and humorous ways, Nora and her compatriots push against entrenched attitudes that favor inequality. Nora’s awakening is beautiful to witness as she literally finds her voice and emancipates not only herself, but also her family, friends, and community. —Melissa Howden Sat Sun
Oct 7 Oct 8
5:30pm 6:00pm
Rafael Lark
WITH SUPPORT FROM CONSUL ATE GENER AL OF S WIT ZERL AN D
FOCUS: STEWARDS OF THE EARTH At this urgent time of climate change, indigenous people around the globe hold untapped wisdom and experience in human adaptation for survival. Will international leaders heed our native brothers and sisters and learn how to live sustainably before it’s too late? In this episode of the Global Spirit series, Emmy ®-winning local filmmaker Stephen Olsson focuses on indigenous leaders and tribal representatives who come together at the UN Permanent Forum on Indigenous Issues. Living in reciprocity with nature, they know how to spiritually and materially restore harmony and balance after destruction of land and water. Indigenous wisdom keepers and non-native allies gathered as the prophesied Rainbow Tribe to nonviolently protect the water at Standing Rock Sioux Reservation where they slowed progress of the Dakota Access Pipe Line, the foretold Black Snake. Here, and at the UN, they are the voice of the earth. Time to listen. —Carol Harada (Oct 6 only) PRECEDED BY
THE NEW ENVIRONMENTALISTS: FROM GUATEMALA TO THE CONGO See page 145 for description. (Oct 13 only) PRECEDED BY
FINGERPRINTS US 2017 • 25 min Director Don Hardy
The story of two music programs for kids— one in Haiti and one in California—that come together, discovering that music is a universal language that connects us all. Fri Fri
Oct 6 Oct 13
2:00pm 6:15pm
Sequoia Larkspur
SPONSORED BY
EQUATOR COFFEES & TEAS Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
123
FILMS
EL AMPARO
ESTEBAN
FACES, PLACES (VISAGES, VILLAGES)
WORLD CINEMA
WORLD CINEMA
WORLD CINEMA
Venezuela/Colombia 2016 • 99 min
Cuba 2016 • 90 min
France 2016 • 89 min
Director Rober Calzadilla Producers Mariana Illas, Rubén Sierra Salles Screenwriter Karin Valecillos Cinematographer Michell Rivas Editors Gustavo Rondón Córdova, Mariana Rodriguez Cast Vicente Quintero, Giovanny Garcia, Vicente Pena, Rossana Hernandez, Samantha Castillo Print Source Figa Films
Director Jonal Cosculluela Producer Maritza Ceballo Screenwriter Amilcar Salatti Cinematographer Lianed Marcoleta Editor Alían Hernández Cast Yuliet Cruz, Reynaldo Guanche, Corina Mestre Print Source MediaPro
Directors Agnès Varda, JR Producers Rosalie Varda, Emile Abinal, Charles S. Cohen Cinematographer Agnès Varda Editors Agnès Varda, Maxime Pozzi Garcia Print Source Cohen Media Group
In Spanish with English subtitles Tension, apprehension and desperation flow like a river when 14 fishermen leave their village on the Venezuela/Colombia border to take their daily catch on the river, but only two return home. Caught up in a net of corruption, the men are jailed, swatting away confrontations with politicians and the press like the mosquitoes that previously represented their biggest problems, as they face accusations that they are responsible for their comrades’ disappearance. The pair must decide whether to give in to the temptation of bribery and falsely confess or stand up against injustice and honor their friends. Meanwhile the village rises together in anger and falls apart in grief as families decide which version of truth to believe in. In his remarkable and uplifting debut feature, director Rober Calzadilla focuses his lens on tenderness and vulnerability as a weapon in a drama based on a 1988 incident. —Delfin Vigil Mon Oct 9 Thur Oct 12
9:15pm 6:30pm
Larkspur Rafael
IN A SSOCIATION WITH C ANAL ALLIANCE AN D TACOLIS T.COM L ATINO ON - LINE CL A SSIFIEDS
In Spanish with English subtitles There must be more to life than selling small containers of shampoo, conditioner, and packs of tampons to strangers on the streets of Havana. So believes Esteban, a nine-year old Cuban schoolboy, who becomes mesmerized by the sounds of an intricate piano melody wafting through a window on one of his after-school sales routes. Pining to play the instrument, Esteban’s awareness is increasingly oblivious to the obstacles his single mother faces in struggling to provide basic necessities like breakfast, lunch, and dinner. Paying for piano lessons? Now that’s a cigar-scented pipe dream. Impossibilities aside, Esteban literally scales a wall finding his fingers playing piano scales by ear. A curmudgeonly music teacher with a dark secret must decide if Esteban is a discordant omen or the missing melody of an unfulfilled life in this debut feature by director Jonal Cosculluela that juxtaposes perseverance with innocence. Afro-Cuban jazz great Chucho Valdés composed the film’s music. —Delfin Vigil
In French with English subtitles Film auteur Agnès Varda and street photographer JR are creators of images from different generations. Varda, the revered female filmmaker of the French New Wave, has long been associated with the art film and inner circles of film lore, including Jacques Demy, Alain Resnais, Jean-Luc Godard, Anna Karina, and Chris Marker. JR views the street as his canvas and adorns walls and buildings with murals of his works. Their mutual commitment to human stories creates a path for collaboration and an opportunity to visit the French countryside. These singular artists traveling together makes for an extraordinary journey. This is a brilliant film from one of the most iconic and visionary talents in cinema, whose openness in her conversations with another original—JR—brings us an extraordinarily layered portrait: of two artists, of two generations, of the people they encounter, of France—and the French. Winner of L’Oeil d’Or at the Cannes Film Festival 2017 for best documentary across all official selections. —Nadia Ismail
Wed Oct 11 Thur Oct 12
Fri Sun
5:30pm 6:15pm
Rafael Lark
IN A SSOCIATION WITH CUBAC ARIBE, C ANAL ALLIANCE, AN D TACOLIS T.COM L ATINO ON - LINE CL A SSIFIEDS
Oct 6 Oct 15
6:00pm 11:00am
WITH SUPPORT FROM THE CONSUL ATE GENER AL OF FR ANCE AN D THE FRENCH AMERIC AN CULTUR AL SOCIE T Y IN A SSOCIATION WITH THE ALLIANCE FR ANÇ AISE DE SAN FR ANCISCO, THE FRENCH HERITAGE SOCIE T Y, AN D E ATDRINK FILMS
SPONSORED BY
SOL FOOD 124
Active Cinema
Rafael Sequoia
Mind the Gap: Women | Film | Tech
Viva el Cine
FILMS FILMS
A FANTASTIC WOMAN
FÉLICITÉ
FILM STARS DON’T DIE IN LIVERPOOL
WORLD CINEMA
WORLD CINEMA
WORLD CINEMA
Chile/Germany/US/Spain 2017 • 103 min
France/Senegal/Belgium/Germany/ Lebanon 2017 • 124 min
UK 2017 • 105 min
(UNA MUJER FANTÁSTICA)
Director Sebastián Lelio Producers Juan de Dios Larraín, Pablo Larraín Screenwriters Sebastián Lelio, Gonzalo Maza Cinematographer Benjamín Echazarreta Editor Soledad Salfate Cast Daniela Vega, Francisco Reyes, Luis Gnecco, Aline Kuppenheim Print Source Sony Pictures Classics
Director Alain Gomis Producers Arnaud Dommerc, Alain Gomis Screenwriters Alain Gomis, Olivier Loustau, Delphine Zingg Cinematographer Céline Bozon Editors Alain Gomis, Fabrice Rouaud Cast Vèro Tshanda Beya Mputu, Gaetan Claudia, Papi Mpaka Print Source Strand Releasing
In Spanish with English subtitles When we first meet Marina—the complex, tender, and determined title character in this masterful new drama by Sebastián Lelio (Gloria, MVFF 2013)—she is working as a waitress, pursuing singing on the side, and deeply in love with an older man who loves her in return. All in all, she is entering a confident phase of her life as a mature, well-adjusted transgender woman. But when her paramour dies unexpectedly, Marina must suddenly face a humiliating swirl of suspicion and rejection not only by the man’s family but by a society intent on taking away her dignity and challenging her very right to grieve. Featuring an extraordinary performance by transgender actor Daniela Vega, A Fantastic Woman dramatizes, in pitchperfect and often darkly comic scenes, the slow, toxic burn of social ostracism and the resilience and rage required to overcome it. No less important, like last year’s Moonlight, it is a cinematic breakthrough, staking out new dramatic terrain for the portrayal of fully dimensional queer lives. —Peter Stein
In Lingala with English subtitles In the back of a crowded, rowdy club in the back streets of Kinshasa, you’ll find Félicité (Véro Tshanda Beya Mputu) singing her heart out, providing a soulful-groove serenade to the dance-floor flirting and bar fights started by her handyman boyfriend Tabu (Papi Mpaka). Their routine is shattered, however, when her teenage son is seriously injured in a car accident. Félicité races around town trying to raise money for his operation; when she fails to get enough cash in time, the songbird begins to lose her voice—and her sanity. Franco-Sengalese filmmaker Alain Gomis (Tey, MVFF 2012) crafts an incredible story of maternal endurance, driven by a vibrant soundtrack featuring everything from the Kasai Allstars’ rump-shaking Afro-pop to the city’s real-life church choirs, and orchestras. And in singer-turned-actress Mputu, he’s found a first-rate performer capable of breaking your heart with a glance or lifting you heavenward with a single transcendent note. —David Fear
Sun Tue
Sat Oct 7 Wed Oct 11
Oct 8 Oct 10
5:30pm 3:00pm
Sequoia Rafael
IN A SSOCIATION WITH FR AMELINE, THE SPAHR CENTER, AN D TACOLIS T.COM L ATINO ON - LINE CL A SSIFIEDS
Active Cinema
2:15pm 2:00pm
Rafael Rafael
WITH SUPPORT FROM THE CONSUL ATE GENER AL OF FR ANCE AN D THE FRENCH AMERIC AN CULTUR AL SOCIE T Y
Director Paul McGuigan Producer Barbara Broccoli Screenwriters Matt Greenhalgh, Peter Turner Cinematographer Urszula Pontikos Editor Nick Emerson Cast Annette Bening, Jamie Bell, Vanessa Redgrave, Julie Walters Print Source Sony Pictures Classics In a sensational performance, Annette Bening plays Academy Award ® winner Gloria Grahame, an American actress best remembered for playing femmes fatales in The Big Heat and In a Lonely Place, as well as starring in such Hollywood classics as It’s a Wonderful Life and Oklahoma!. Directed by Paul McGuigan (Victor Frankenstein, Lucky Number Slevin), Film Stars Don’t Die in Liverpool chronicles the final years of Grahame’s life and her passionate affair with a young actor named Peter Turner (Jamie Bell, Snowpiercer), whom she meets while performing on stage in the titular northwestern English town. When the glamourous star’s health begins to fail, Turner’s family steps in to help care for her. Based on Turner’s memoir of the same name, the film also stars Julie Walters, who is reunited with her Billy Elliott costar Bell; Kenneth Cranham; and Oscar® winner Vanessa Redgrave. —Joe Bowman PRECEDED BY
YOURS SINCERELY, LOIS WEBER US 2017 • 6 min Director Svetlana Cvetko
A stylish tribute to the prolific and trailblazing American silent film director Lois Weber. Fri Oct 6 Thur Oct 12
6:45pm 9:00pm
Sequoia Lark
SPONSORED BY
SPONSORED BY
JIM BOYCE TRUST AND KRIS OTIS
COLDWELL BANKER
Mind the Gap: Women | Film | Tech
Viva el Cine
125
FILMS
THE FLORIDA PROJECT
FOURTH MOVEMENT
GOODBYE CHRISTOPHER ROBIN
US CINEMA
US CINEMA
WORLD CINEMA
US 2017 • 115 min
US 2017 • 115 min
UK 2017 • 107 min
Director/Editor Sean Baker Producers Sean Baker, Chris Bergoch, Kevin Chinoy, Andrew Duncan Screenwriters Sean Baker, Chris Bergoch Cinematographer Alexis Zabe Cast Willem Dafoe, Brooklynn Prince, Valeria Cotto, Bria Vinaite, Christopher Rivera, Caleb Landry Print Source A24
Director/Screenwriter Rob Nilsson Producers Rob Nilsson, Carol Richards, Marshall Spight, Michelle Anton Allen, Celik Kayalar Cinematographers Aaron Hollander, David Castro, Chris Damm, Chikara Motomura Editor Deepika Metkar Cast Lydia Becker, Brette McCabe, Melanie Shaw, Celik Kayalar, Paul Grenberg, Tiziana Perinotti
Director Simon Curtis Producer Steve Christian Screenwriters Frank Cottrell Boyce, Simon Vaughan Cinematographer Ben Smithard Editor Victoria Boydell Cast Margot Robbie, Kelly Macdonald, Domhnall Gleeson Print Source Fox Searchlight
DIRECTORS’ NIGHT The Magic Castle Motel is the tattered safety net for Orlando families verging on homelessness, a world away from Disneyworld’s glittering attractions just across town. But for precocious, six-year-old Moonee (Brooklynn Prince), the inn and its surrounding neighborhood hold their own enchantment as her gritty, personal amusement park. The little girl runs wild, sometimes dangerously so, and incites her playmates to follow her lead. While Bobby (a terrific, world-weary Willem Dafoe), the hotel’s sympathetic, often exasperated manager scolds her, her wild-child mother Halley (Bria Vinaite) indulges her. She is also about as emotionally mature as her daughter, and acts out without considering consequences. Like filmmaker Sean Baker and co-writer Chris Bergoch’s previous collaboration Tangerine, which focused on transgender women prostitutes in Los Angeles, The Florida Project observes its impoverished characters with understanding and compassion. Prince and Vinaite tug at the heart in a drama that evocatively depicts their lives and a hardscrabble corner of Florida with warmth, humor, and poignancy. —Pam Grady Tue Oct 10 Wed Oct 11
126
8:15pm 6:00pm
Rob Nilsson and players from his Direct Action Workshop explore the lives of nocturnal seekers on the edges of the jazz music world. It’s opening night at San Francisco’s new C Flat Jazz Club—and it’s election night 2016: the 21st century’s “Eve of Destruction.” Everything is about to change. Strangers, lovers, wonderers, and wanderers from diverse cultures come together or break apart because of, and in spite of, the uncertain future ahead. Among them are Lou the soulful torch singer; jazz club owner “Groove” and Nuray, a beautiful Azerbaijani refugee; German Barbara and her errant lover Errol; Italian Valentina; and freespirited Juliana, with her suite of midnight callers. All are lovingly enveloped by the smoky sounds of Fred Randolph’s jazz sextet, evoking the city’s deep-rooted jazz history and its current rebel heart. “Tear up the charts and reach for the high notes”: Fourth Movement fulfills its promise, note for note. WORLD PREMIERE Sat Sat
Oct 7 Oct 14
10:00pm Sequoia 8:45pm Rafael
In which the backstory of the creation of the world’s most beloved bear, Winnie the Pooh, is written by playwright A.A. Milne (Domhnall Gleeson). Plagued by the trauma of his wartime experiences, Milne determines to write an anti-war book. Instead, he succumbs to his son’s—Christopher Robin, played with irresistible charm by Will Tilston—plea for a story of his own. In their walks in what would become known as the Hundred Acre Wood, the story evolves, and the joy and wisdom of Pooh and his friends are born, with the power to heal a nation. The books become an instant success, filling a deep need in the generation who suffered through the Great War, and Christopher Robin is launched into unexpected celebrity—with bewildering results for the family. Insightfully directed by Simon Curtis (My Week with Marilyn, MVFF 2011) the wonderful cast includes Margot Robbie as Daphne Milne and Kelly Macdonald as Christopher’s devoted nanny. —Lily Buchanan Sat Sun
Oct 14 Oct 15
3:45pm 1:45pm
Rafael Rafael
IN A SSOCIATION WITH BOOK PA SSAGE
Rafael Sequoia
SPONSORED BY
SPONSORED BY
DOLBY LABORATORIES
KATZ FAMILY FOUNDATION
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
FILMS FILMS
HAPPENING: A CLEAN ENERGY REVOLUTION
HAROLD AND MAUDE
THE HI DE HO SHOW
VALLEY OF THE DOCS
US CINEMA
MUSIC
US 2017 • 75 min
US 1971 • 91 min
US • 120 min
Director James Redford Producers James Redford, Jill Tidman Cinematographer John Behrens Editors Jeff Boyette, Tina Imahara, Bill Weber Print Source The Redford Center
Director Hal Ashby Producer/ Screenwriter Colin Higgins Cinematographer John A. Alonzo Editors William A. Sawyer, Edward Warschilka Cast Ruth Gordon, Bud Cort Print Source Paramount Pictures
FOCUS: STEWARDS OF THE EARTH Are we living at the dawn of a clean energy revolution, or will politicians and utility companies, entrenched in our fossil-fuel economy, keep that sun from rising? This question drives James Redford’s disarmingly personal and unpretentious documentary. A Marin County resident and award-winning filmmaker, Redford appears as a concerned, average Joe who just wants to know: Where does our power come from, and can renewable sources ever scale up to satisfy our needs? With a quiver of reasonable questions, Redford hopscotches the country, talking to mayors, activists, entrepreneurs, and executives in Utah, New York, Texas, California, and more. Refreshingly low-key, this documentary has no data-filled charts, ambush interviews, or strident sermons. Rather, it’s a rambling road trip—set to a congenial soundtrack by singer-songwriter (and Petaluma local) Sean Hayes—full of hopeful conversations with the everyday people who are making sure that revolution happens. WORLD PREMIERE —Jeff Campbell Sat Oct 7 Mon Oct 9
12:00pm Rafael 1:15pm Sequoia
HONORING ANN BREBNER An unparalleled dark comedy that simultaneously redefined cinema and captured San Francisco’s post-summer-of-love malaise, Harold and Maude is an indelible part of the American zeitgeist. MVFF screens this 1971 cult classic in honor of famed Marin casting director Ann Brebner, who cast the film locally—and nearly played the role of Harold’s mother. Harold (Bud Cort), a quiet and morose young man, has what his mother calls a “sense of the absurd” that manifests itself in an incorrigible desire to fake his suicide in increasingly outlandish ways. While attending one of many funerals, Harold happens upon Maude (Ruth Gordon) casually picnicking at the cemetery. A 79-year-old with a lust for life and a penchant for stealing cars, Maude is daring, impulsive, and political—everything Harold is not. Iconic music from Cat Stevens permeates the soundtrack, and the leads carry the film through their chemistry, resulting in a tragicomic romance that is just as groundbreaking and gratifying as it was over four decades ago. —Alexis Whitham Wed Oct 11
3:00pm
Summer, 1967. John Goddard, our resident maestro of the mellifluous and curator of the curious, turns to that iconic summer for his annual extravaganza, veejaying from his personal collection, fuelled by his peerless anecdotes. From May 1 to August 31, 1967 he saw 36 concerts, and he’s basing his playlist on the artists he saw then (chronologically, of course.) He saw Big Brother and the Holding Company 14 times; Quicksilver Messenger Service 16 times (full disclosure: he grew up with John Cipolina). He saw Jesse Fuller and Rahsaan Roland Kirk for the first and only time. He saw Cream at the Fillmore on their first US tour; Howlin’ Wolf at the Avalon. Odetta, Bo Diddley, Chuck Berry. He compared notes on his cheap Brownie camera with a guy who had the identical model and had just played on the back of a truck in the Panhandle: Jimi Hendrix. What became known as the Summer of Love was for Goddard a four-month long, non-stop music fest. So…turn up, tune in, drop in, drop out—just don’t miss this year’s Hi De Ho Show!
—Zoë Elton Fri Sat
Oct 6 Oct 14
9:30pm 9:00pm
Sequoia Rafael
Rafael
SUPPORTED BY SPONSORED BY
GOOD GREEN MOVING Active Cinema
THE BOARD & STAFF OF THE CALIFORNIA FILM INSTITUTE Mind the Gap: Women | Film | Tech
SPONSORED BY
A PARTY CENTER Viva el Cine
127
FILMS
HOLY AIR
HORN FROM THE HEART: THE PAUL BUTTERFIELD STORY
HUMAN FLOW
WORLD CINEMA
MUSIC
VALLEY OF THE DOCS
Israel 2017 • 81 min
US 2017 • 104 min
Germany, US 2017 • 140 min
Director/Screenwriter Shady Srour Producers Ilan Moskovitch, Shady Srour Cinematographer Daniel Miller Editor Naaman Bishara Cast Shady Srour, Laetitia Eido, Shmulik Calderon, Tarik Copti, Dalia Okal, Byan Anteer Print Source IDP/Samuel Goldwyn Films
Director/Editor John Anderson Producer Sandra Warren Cinematographers Stan Eng, Peter Trilling Print Source Anderson Productions, Inc.
Director/Producer Ai Weiwei Cinematographers Ai Weiwei, Murat Bay, Christopher Doyle, Huang Wenhei, Konstantinos Koukoulis Renaat Lambeets, Li Dongxu, Lv Hengzhong, Ma Yan, Johannes Waltermann, Xie Zhenwei, Zhang Zanbo Editor Niels Pagh Andersen Print Source Magnolia Pictures
(HAWA MOQADDAS)
In Arabic, Hebrew, and English with English subtitles Writer-director-actor Shady Srour’s cleverly plotted and unreservedly affectionate satire of Palestinian gridlock and frustrated ambition centers on a thirtysomething Nazareth entrepreneur at a crossroads. Adam (the bearded Srour, bearing more than a passing resemblance to comedian Zach Galifianakis) is happily married to thoroughly modern and sexual Larnia (Letitia Eido), who’s ready to start a family. At the other end of the life-cycle spectrum, his traditional Arab Christian father is diagnosed with cancer and solemnly bestows his dusty bottle-making workshop on Adam. That’s no career path for an educated man with a steady stream of visionary schemes (that never bear fruit, alas) until Adam hits on the idea of selling air bottled atop nearby Mount Precipice—a key site from the time of Christ—to European and American tourists. Even with local roots and a friend in the Israeli government, success—and satisfaction—isn’t guaranteed. But as the prophets Mick and Keith declared, sometimes you get what you need. —Michael Fox Thur Oct 12 Fri Oct 13
12:15pm 6:30pm
Sequoia Rafael
WITH SUPPORT FROM CONSUL ATE GENER AL OF ISR AEL
128
Active Cinema
Answering the question, “What happens when a white teenager from Chicago’s Hyde Park befriends Muddy Waters, Howlin’ Wolf, and Little Walter?” this electrifying documentary explores the fascinating and complicated life of Paul Butterfield, who some call the greatest blues harmonica player who ever lived. Most music fans have heard of Butterfield, but few understand his impact on modern blues and rock and roll. This electrifying documentary sets the record straight as it captures Butterfield from his early days as a wide-eyed kid jamming with his heroes to blowing his harp at the Monterey Pop Festival and Woodstock. The film combines astounding concert footage, scintillating rock-and-roll stories, and unexpected insights about the cultural barriers of popular music in the 1960s and ‘70s. Voice recordings of Butterfield along with interviews with family members and fellow musicians, including Elvin Bishop, Bonnie Raitt, BB King, and Maria Muldaur, paint a picture of a supremely talented, sometimes tortured artist who disrupted racial lines to bring the blues to a rock audience. —Brendan Peterson Tue Oct 10 Thur Oct 12
6:00pm 3:00pm
Sequoia* Rafael
IN A SSOCIATION WITH THE GOL DEN GATE BLUE S SOCIE T Y
*Live music event to follow at Sweetwater. Separate ticket required. See page 91 for details.
Following the success of his extraordinary installation on Alcatraz, renowned artist Ai Weiwei turns his talents to investigating the impact of recent large-scale human migrations—forced by war, ethnic cleansing, and other threats of violent collateral damage— on the migrants themselves. The stories and struggles emerge of those camped out in the long-term limbo of growing tent cities, or simply sleeping, exhausted, by railroad tracks after days and weeks of walking on foot. With often stunning images—from gorgeous blue Mediterranean waters to sprawling desert camps and heavily policed barbed wire borders—the film provides real-world snapshots of precarious river crossings and jittery shore-landings of overloaded rubber dinghies. Both fact-filled and impressionistic, casually intimate at times and sweeping in scope, this documentary records refugees’ driven travels and precarious encampments. With the artist’s eye often apparent in the framing and movements of shots, Human Flow captures fleeting individual portraits from amidst these streams of humanity fleeing danger. —Brian Karl Fri Oct 6 Thur Oct 12
12:00pm Sequoia 7:15pm Larkspur
IN A SSOCIATION WITH THE HE A DL AN DS CENTER FOR THE ARTS
SPONSORED BY
SPONSORED BY
PACIFIC OFFICE AUTOMATION
KQED
Mind the Gap: Women | Film | Tech
Viva el Cine
FILMS FILMS
I STILL HIDE TO SMOKE
IN SYRIA
IN THE FADE
(À MON ÂGE JE ME CACHE ENCORE POUR FUMER)
(INSYRIATED)
(AUS DEM NICHTS)
WORLD CINEMA
WORLD CINEMA
WORLD CINEMA
France/Greece/Algeria 2016 • 90 min
Belgium/France/Lebanon 2017 • 86 min
Germany/France 2017 • 106 min
Director/Screenwriter/Editor Rayhana Obermeyer Producer Michèle Ray-Gavras Cinematographers Olympia Mytilinaiou, Mohamed Tayeb-Laggoune Cast Hiam Abbass, Fadila Belkebla, Nadia Kaci, Nassima Benchicou, Sarah Layssac, Maymouna Print Source K.G. Productions
Director/Screenwriter Philippe Van Leeuw Producers Guillaume Malandrin, Serge Zeitoun Cinematographer Virginie Surdej Editor Gladys Joujou Cast Hiam Abbass, Diamand Abou Abboud, Juliette Navis Print Source Film Movement
Director/Producer Fatih Akin Screenwriters Fatih Akin, Hark Bohm Cinematographer Rainer Klausmann Editor Andrew Bird Cast Diane Kruger Print Source Magnolia Pictures
FOCUS: HIDING & SEEKING In Arabic and French with English subtitles In this tight, tense, and riveting drama, an Algerian women’s hammam (bathhouse) proves to be both warm sanctuary and steamy political crucible for a group of culturally and religiously diverse women over the course of one momentous day. The central drama pivots on the fate of an unmarried pregnant teenager hiding out in the bathhouse—her destiny a microcosm of the violence and sexism imperiling the region. Award-winning actress Hiam Abbass (In Syria, MVFF 2017; The Lemon Tree, MVFF 2008; The Visitor; Munich) stars as Fatima, the hammam’s head masseuse who presides over candidly unveiled conversations with her patrons covering everything from religion to orgasms, terrorism to marriage. In adapting her own 2009 play, first-time feature filmmaker Rayhana Obermeyer offers an urgently contemporary and complex view of women living under patriarchal and theocratic law. US PREMIERE —Tim Grierson
FOCUS: HIDING & SEEKING In Arabic with English subtitles Amid sounds of gunfire and shelling, an extended family wakes up to another morning in war-torn Damascus, the only remaining residents in a middle-class apartment building commandeered by combatants and thugs. In peacetime, she might be called a control freak, but in wartime, it is mother and daughter-in-law Oum Yazan who holds everyone together by barking out orders and stern reassurances that they will survive the siege despite the bombardments. Then intruders bang on the door and war’s horror comes inside. Belgian cinematographer Philippe van Leeuw follows up his harrowing 2009 The Day God Walked Away, about a woman in the Rwandan genocide, with another wrenching story of civilians caught in the middle of conflict. The winner of the Panorama Audience Award at the Berlin International Film Festival, In Syria boasts a remarkable ensemble cast and a stunning performance by its lead, Palestinian actress/director Hiam Abbass. —Frako Loden
Mon Oct 9 Tue Oct 10
Fri Oct 6 Mon Oct 9
4:00pm 11:15am
Rafael Sequoia
WITH SUPPORT FROM THE CONSUL ATE GENER AL OF FR ANCE AN D THE FRENCH AMERIC AN CULTUR AL SOCIE T Y
9:00pm 1:30pm
Sequoia Rafael
In German with English subtitles Diane Kruger shines in her first German-language film as Katja, a woman living in Hamburg with her Turkish husband, Nuri, and their six-year-old son. Their connection is profound, passionate, and steady. But then, tragedy strikes. An act of xenophobic violence tears her life apart, and she must face prejudice and ignorance in order to find the truth and ensure justice is served. Director Fatih Akin (Head-On, MVFF 2004) crafts a drama in three chapters that skillfully follows Katja on her rollercoaster journey. Kruger’s raw performance as a complicated and simultaneously fierce and wounded woman won her Best Actress at the 2017 Cannes Film Festival and ensures that the audience stays with her every step of the way. With all the suspense of a thriller and a career-high performance from Kruger, this movie rends its broad political themes deeply personal and relatable. In the Fade is a timely tale of how we cope when the unimaginable happens. —Lucia Proctor-Bonbright Sat Sun
Oct 14 Oct 15
5:45pm 5:45pm
Sequoia Larkspur
IN A SSOCIATION WITH THE BERLIN & BE YON D FILM FE S TI VAL
IN A SSOCIATION WITH THE AR AB FILM FE S TI VAL
IN A SSOCIATION WITH THE WOMEN’S FILM INS TITUTE AN D THE AR AB FILM FE S TI VAL
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
129
FILMS
THE INLAND ROAD
THE INSULT
THE INVISIBLES
WORLD CINEMA
WORLD CINEMA
WORLD CINEMA
New Zealand 2017 • 79 min
Lebanon 2017 • 113 min
Germany 2017 • 110 min
Director/Screenwriter Jackie van Beek Producer Aaron Watson Cinematographer Giovanni C. Lorusso Editors Luca Cappelli, Tom Eagles Cast Gloria Popata, Chelsie Preston Crayford, David Elliot, Jodie Hillock, Georgia Spillane Print Source LevelK
Director/Screenwriter Ziad Doueiri Producers Jean Brehat, Rachid Bouchareb, Julie Gayet Cinematographer Tommaso Fiorilli Editor Dominique Marcombe Cast Adel Karam. Kamel El Basha, Camille Salameh, Diamand Abou Abboud Print Source Cohen Media Group
Director Claus Räfle Producers Frank Evers, Claus Räfle, Jörg Schulze Screenwriters Alejandra López, Claus Räfle Cinematographer Jörg Widmer Editor Julia Oehring Cast Max Mauff, Alice Dwyer, Ruby O. Fee Print Source Beta Cinema GmbH
While hitchhiking across New Zealand’s South Island, 16-year-old Tia (Gloria Popata, in an unforgettable debut performance) finds unlikely shelter with a grieving family impacted by a fatal car crash. Indebted to her for saving his life, Will (David Elliot) invites the runaway to stay on the farm he shares with his pregnant wife Donna (Chelsie Preston Crayford). There, Tia becomes an unorthodox mother figure to Will’s sixyear-old niece Lily (Georgia Spillane). Against the bucolic backdrop of the remote Otago region of New Zealand’s South Island, temptations awaken and familial roles shift as a wayward teen navigates her turbulent circumstances in search of a place of belonging. This assured feature directorial debut from New Zealand actress Jackie van Beek premiered at the Berlin International Film Festival where it was nominated for the Crystal Bear, and later won Special Jury Mention for New Directors at the Seattle International Film Festival. —Jesse Knight
In Lebanese with English subtitles A minor disagreement sparks an unforgivable insult, which ignites a confrontation of national importance in this riveting courtroom drama by Lebanese writer-director Ziad Doueiri (The Attack, MVFF 2012). Tony, a Christian Phalanges Party supporter who runs an auto repair shop and whose wife is expecting a baby, clashes with Yasser, a Palestinian construction foreman, over an illegal drainpipe. It seems like a trivial incident involving bruised male egos that could easily be resolved with an apology—so their wives think—but an impulsive insult escalates the case dramatically. Now Tony and Yasser become supporting players in a battle pitting celebrity lawyers, TV news, and political leaders, culminating in a trial that rips open raw memories of Lebanon’s violent past. Nominated for the Golden Lion at the Venice Film Festival, this intelligent, politically charged drama is a thoughtful parable of the unrepaired schisms and unhealed wounds of history that continue to rupture in everyday life. —Frako Loden
FOCUS: HIDING & SEEKING In German with English subtitles In June 1943, Germany infamously declared Berlin “judenfrei”— “free of Jews.” But at that moment there were still 7,000 Jews living in the Nazi capital: hiding in attics, basements, and warehouses, protected by courageous Berliners while desperately trying to avoid deportation. Only 1,700 lived to liberation. The Invisibles tells the stories of four survivors, interweaving their testimony with highly accomplished dramatizations, an unusual hybrid approach that brings edge-of-the-seat suspense to their years spent underground. The two men and two women whose stories unfold are well chosen, and their younger selves are sensitively portrayed: Cioma is an art student who uses his drafting skills to forge passports in exchange for food ration cards; Hanni dyes her hair blond and tries to pass as Aryan; teenager Eugen is handed to a succession of sympathetic Communist families; and Ruth must resort to roaming the streets before being taken in by a surprising protector. If their stories sound contrived, The Invisibles makes their veracity all the more stunning. —Peter Stein
Fri Oct 6 Thur Oct 12
3:30pm 1:00pm
Sequoia Rafael
IN A SSOCIATION WITH K IAOR AUSA AN D THE NE W ZE AL AN D AMERIC AN A SSOCIATION OF SAN FR ANCISCO
Sun Tue
Oct 8 Oct 10
2:30pm 9:00pm
Rafael Larkspur
IN A SSOCIATION WITH THE AR AB FILM FE S TI VAL
Thur Oct 12 Sat Oct 14 Sun Oct 15
12:00pm Rafael 12:45pm Larkspur 11:15am Rafael
IN A SSOCIATION WITH THE JFC S HOLOC AUS T CENTER AN D THE OSHER MARIN JCC
SPONSORED BY
WHERE ® MAGAZINE 130
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
FILMS FILMS
JAHA’S PROMISE
JANE
JUST ONE DROP
VALLEY OF THE DOCS
VALLEY OF THE DOCS
VALLEY OF THE DOCS
The Gambia/USA /Ireland 2017 • 81 min
US 2017 • 90 min
US 2017 • 66 min
Directors/Producers Patrick Farrelly, Kate O’Callaghan Cinematographer Kate McCullough Editor Sinead Kinnane Print Source First Hand Films
Director/Screenwriter Brett Morgen Producers Brett Morgen, Bryan Burk, James Smith Cinematographer Hugo van Lawick Editors Joe Beshenkovsky, Brett Morgen, Will Znidaric Print Source Cinetic Media
Director/Producer Laurel Chiten Cinematographers Marc Wishengrad, Tamara Taddeo, Dan Brohawn, Maxx Corkindale, Andy Abrahams Wilson Editor Bernice Schneider Print Source Blind Dog Films
FOCUS: STEWARDS OF THE EARTH No one had studied Africa’s chimpanzees in the wild before 26-year-old Jane Goodall set up camp in Tanzania’s Gombe forest. This documentary, using never-before-seen 1960s footage by famed National Geographic photographer Hugo van Lawick, captures that revolutionary encounter. Narrated by Jane herself—with a moving original score by Philip Glass—it shows the impossibly young researcher at work, jade eyes focused, her wry smile barely hiding her disbelief that her childhood dream has come true. As the chimpanzees grow to trust Jane, she sits among them, until she’s feeding and grooming them. Jane fell in love in Africa: with science, with the animals, and with Lawick, whom she married. Yet Jane kept returning to Gombe and her wild family: to David Greybeard, Goliath, Flo, and Fifi. Today, Jane’s loose ponytail is white, but her message, which still rocks science, is unwavering: Intelligence and compassion are not ours alone, but shared. Thus, we must protect Africa’s wildlife. —Jeff Campbell
Homeopathy is controversial, pitting patients with abundant anecdotal evidence against well-funded, organized skeptics out to discredit it as “quackery.” This timely examination of legitimacy and access to holistic healthcare proves the best medicine is open curiosity and more scientific research. The wondrous history of Dr. Samuel Hahnemann’s scientific “provings” in his development of homeopathy is dramatized through elegant animation. Meanwhile, a couple uses homeopathy to help heal their young autistic son. And suspense heightens as European homeopathy researchers team up to investigate an Australian report that smears homeopathy’s efficacy and threatens true freedom of choice in healthcare. As worldwide healthcare debates rage on, India is successfully integrating homeopathy and conventional medicine as parallel paths for treatment. —Carol Harada
An ancient and inhumane ritual still being performed to this day affects over 200 million women and girls around the world, as over 30 countries continue to treat female genital mutilation as a rite of passage and religious tradition. Twenty-six-year-old Gambian activist Jaha Dukureh was one of many newborns subjected to such an unthinkable act. Now, she is among the leaders of the global crusade against the barbaric custom that nearly ended her life. In this powerful and inspiring documentary, filmmakers Patrick Farrelly and Kate O’Callaghan follow Dukureh’s passionate fight to break the cycle of abuse and ban female genital mutilation across the globe, garnering support from world leaders and confronting her most fervent detractors, even those within her own family. Named one of the 100 most influential people by Time magazine in 2016, Dukureh is a real-life superhero whose remarkable resilience and exhaustive efforts have already begun to change the world and ensure a safer future for women. NORTH AMERICAN PREMIERE —Jesse Knight Mon Oct 9 Thur Oct 12
8:45pm Larkspur 12:30pm Rafael
Tue Oct 10 Wed Oct 11
6:00pm Rafael 10:00am Rafael*
IN A SSOCIATION WITH WIL D C ARE BAY ARE A
*CFI Education screening open to school groups and general public.
PRECEDED BY
UNSPOKEN US 2017 • 26 min Directors Emma Zurcher-Long, Julia Ngeow, Geneva Peschka
Emma is a 14-year-old autism spectrum ambassador, bringing her brilliance and emotional intelligence to audiences eager to connect. Thur Oct 12 Sat Oct 14
3:00pm 2:30pm
Sequoia Sequoia
IN A SSOCIATION WITH THE BAY ARE A HOMEOPATH Y A SSOCIATION AN D THE C ALIFORNIA HOMEOPATHIC MEDIC AL SOCIE T Y
SPONSORED BY SPONSORED BY
BELLAM SELF STORAGE AND BOXES Active Cinema
Mind the Gap: Women | Film | Tech
THE NANCY P. AND RICHARD K. ROBBINS FAMILY FOUNDATION Viva el Cine
131
FILMS
KIM SWIMS
LADY BIRD
THE LAST ANIMALS
VALLEY OF THE DOCS
US CINEMA
VALLEY OF THE DOCS
US 2017 • 76 min
US 2017 • 93 min
US/UK 2017 • 92 min
Director Kate Webber Producers David Orr, Kate Webber, Marc Smolowitz Cinematographer David Orr Editor Chad Herschberger Print Source Kate Webber
Director/Screenwriter Greta Gerwig Producers Scott Rudin, Eli Bush, Evelyn O’Neill Cinematographer Sam Levy Editor Bill Henry Cast Saoirse Ronan, Laurie Metcalf, Tracy Letts, Beanie Feldstein, Lucas Hedges, Timothée Chalamet Print Source A24
Director Kate Brooks Producers Kate Brooks, Stephanie Soechtig Screenwriters Mark Monroe, Kate Brooks Cinematographers Kate Brooks, Michal Krejci, Jason Longo Editors Brian Anton, Brian Lazarte Print Source WME Entertainment
CLOSING NIGHT | SPOTLIGHT: GRETA GERWIG Bumbling through her senior year at a Catholic high school, Christine ‘Lady Bird’ McPherson desperately wants to escape Sacramento for the loftier environs of an East Coast liberal arts college. Played by the always enchanting Saoirse Ronan (Brooklyn, MVFF 2015) and clad in the compulsory polo shirt and plaid skirt ensemble, the rebellious teenager spends her final semesters hanging out in parking lots and minimarts while navigating the confusing world of college applications and blossoming relationships. Indie darling Greta Gerwig’s solo directorial debut demonstrates a discernible acumen towards filmmaking and a keen understanding of the high school experience and the complex relationships between a young woman, her family, and her hometown. Lady Bird is Gerwig’s love letter to Sacramento, a commemoration of finding herself and where she belongs, while remaining tied to the city that shaped her. —Dominique O’Neil
FOCUS: STEWARDS OF THE EARTH In English, French, Czech, and Lingala with English subtitles Whenever she would begin to lose faith in humanity, the sight of elephants always reminded war photographer Kate Brooks that there is still beauty in the world. Then she saw that these magnificent beasts—as well as rhinoceroses—are being hunted to near-extinction. Profits from sales of ivory tusks and horns fund conflict in Africa, supporting the activities of Al-Qaeda, Boko Haram, the Lord’s Resistance Army, and other rebel groups. In this powerful documentary, Brooks exposes several facets of the all-out war on these animals while also highlighting the work of anti-poaching rangers, scientists, and activists engaged in the global struggle to prevent the pachyderms’ extinction. As the five remaining northern white rhinos on the planet count down to two, Brooks makes an urgent argument for a total ban on the ivory trade. Without such action, there is a very real possibility that our grandchildren will be left only with fading images of these gentle and awesome creatures. —Frako Loden
What some people might find terrifying or crazy, New Zealand open-water swimmer Kim Chambers finds electric and pure. Relatively new to marathon swimming, Kim is determined to cross the treacherous 30 miles from the shark-infested Farallon Islands to the Golden Gate Bridge in the frigid San Francisco Bay. Kim Swims depicts her journey across the water and the months leading up to one of the most challenging swims in the world. Only four men have made the journey and Kim, for very personal reasons, wants to be the first woman. Directed by Kate Webber with intimacy and spirit, this documentary explores the limits of our bodies and why we push ourselves to reach beyond them. As Kim’s story unfolds before our eyes, her self-awareness draws us close and we cannot help but cheer her on as, stroke by stroke, she powers toward her story’s suspenseful conclusion. WORLD PREMIERE —Jennie-Marie Adler Sat Fri
Oct 7 Oct 13
1:00pm Sequoia 10:00am Rafael*
IN A SSOCIATION WITH NIGHT TR AIN S WIMMERS
Sun
Oct 15
5:00pm
Rafael
Sun Tue Fri
*CFI Education screening open to school groups and general public.
Oct 8 Oct 10 Oct 13
3:00pm Sequoia 6:45pm Rafael* 12:30pm Larkspur
*Panel discussion to follow the screening
SPONSORED BY
132
SPONSORED BY
SPONSORED BY
LUNAFEST
JACKSON SQUARE PARTNERS
Active Cinema
Mind the Gap: Women | Film | Tech
THE NANCY P. AND RICHARD K. ROBBINS FAMILY FOUNDATION Viva el Cine
FILMS FILMS
LAST FLAG FLYING
THE LAST PHOTOGRAPH
THE LAST PIG
US CINEMA
WORLD CINEMA
VALLEY OF THE DOCS
US 2017 • 119 min
UK 2017 • 85 min
US 2017 • 54 min
Director Richard Linklater Producers Ginger Sledge, John Sloss Screenwriters Richard Linklater, Darryl Poniscan Cinematographer Shane F. Kelly Editor Sandra Adair Cast Bryan Cranston, Steve Carell, Laurence Fishburne Print Source Amazon Studios
Director Danny Huston Producers Simon Astaire, Farah Abushwesha, Cat Villiers Screenwriter Simon Astaire Cinematographer Ed Rutherford Editor Francisco Forbes Cast Danny Huston, Sarita Choudhury, Stacy Martin Print Source The Works Film Group
Director Allison Argo Producers Allison Argo, Joseph Brunette Cinematographer Joseph Brunette Editors Allison Argo, David Kennedy Print Source Piggy Films LLC
CENTERPIECE Once upon a time in ‘Nam, Doc (Steve Carell), Sal (Bryan Cranston) and Mueller (Laurence Fishburne) were an inseparable trio. Then something horrible went down, one of them took the fall, and they stopped speaking to each other. Decades later, Doc tracks down his fellow vets—Sal’s an alcoholic bar owner; former hellraiser Mueller is now a man of God—to ask for a favor: His only son has just died in combat in Iraq. He needs them to accompany him to identify the body and to join him on one last mission. This sequel to The Last Detail—like Hal Ashby’s 1973 classic, an adaptation of a Darryl Ponsican novel—is a funny, talky, emotionally resonant road movie. But this Richard Linklater masterwork is also a moving, heartbreaking tribute to the bonds forged in warfare and a penetrating, performance-driven actors’ showcase that boldly asks why we fight—and how we as a nation heal from the damage done. —David Fear
Sweets wrappers tossed onto a car floor, flower petals lifted by a breeze, swing carousel riders spinning against a gray sky—a swirl of memories and layers of grief haunt London bookseller Tom Hammond, whose son Luke died in the skies over Lockerbie, Scotland, in 1988. Iconic actor Danny Huston returns to directing after a 20-year hiatus and takes the lead as the heartbroken father whose most treasured possession is the last photograph taken together with his son. When the fading Polaroid goes missing, Tom’s buried agony rises to the surface. Set along two timelines, in 1988 and 2003, this tour-de-force of impressionistic montage intersperses scenes of Luke’s first love affair, the days surrounding his death, Tom’s fevered search of the city, and his tentative attempts to connect with a lovely café proprietor (Sarita Choudhury, Mississippi Masala, Hunger Games: Mocking Jay). But it is Huston’s own shattering performance that renders this narrative mosaic into such an affecting portrayal of loss. NORTH AMERICAN PREMIERE —Lucy Laird
Thur Oct 12
7:00pm
Rafael
PRECEDED BY
THE KODACHROME ELEGIES US 2017 • 11 min
A nostalgic meditation on the popular home movie color film stock, a vibrant artifact of the analog age. Oct 13 Oct 15
6:30pm 11:00am
PRECEDED BY
RAM DASS, GOING HOME US 2017 • 31 min Director Derek Peck
A profound and poetic encounter with cultural and spiritual icon Ram Dass at his home on Maui in the final chapter of his life. Thur Oct 12 Fri Oct 13
Director Jay Rosenblatt
Fri Sun
FOCUS: STEWARDS OF THE EARTH This spare yet lush immersion in the daily interactions between a farmer and his pigs follows what grows from an essential awareness of kinship. Conscious of wielding the power of life and death over what society has agreed are animals to be eaten, the man still recognizes his animals as fellow sentient beings. He takes his obligation to the herd seriously, caring for it humanely. He learns from the pigs how to tend them without causing undue stress and likewise how to manage himself as their keeper. Gorgeous cinematography and a meditative score enrich this unflinching look at the season of nurture and communion, which must inevitably give way to the season of slaughter. A decade into this way of life, this pig farmer’s awareness ripens into a harvest of clear-eyed acts of compassion. —Carol Harada
8:00pm Sequoia 12:00pm Rafael
IN A SSOCIATION WITH COMPA SSIONATE LI V ING
Sequoia Rafael
SPONSORED BY
SPONSORED BY
SPONSORED BY
LUCASFILM, LTD.
CORPORATE MEDIA SYSTEMS, INC.
MARIN MAGAZINE
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
133
FILMS
LAW OF THE LAND
THE LEISURE SEEKER
(ARMOTON MAA)
LET THE SUNSHINE IN (UN BEAU SOLEIL INTERIEUR)
WORLD CINEMA
WORLD CINEMA
WORLD CINEMA
Finland/Sweden/Nor way 2017 • 90 min
Italy/France 2017 • 112 min
France 2017 • 95 min
Director/Screenwriter Jussi Hiltunen Producers Kai Nordberg, Kaarle Aho Cinematographer Tuomo Hutri Editor Kimmo Taavila Cast Ville Virtanen, Antti Holma, Mikko Neuvonen, Malin Buska, Outi Mäenpää, Pernilla August, Jørgen Langhelle Print Source Making Movies Ltd
Director Paolo Virzì Producers Marco Cohen, Fabrizio Donvito Screenwriters Michael Zadoorian, Stephen Amidon, Francesca Archibugi Cinematographer Luca Bigazzi Editor Jacopo Quadri Cast Helen Mirren, Donald Sutherland, Kirsty Mitchell Print Source Sony Pictures Classics
Director Claire Denis Producer Olivier Delbosc Screenwriters Christine Angot, Claire Denis Cinematographer Agnès Godard Editor Guy Lecorne Cast Juliette Binoche, Xavier Beauvois, Philippe Katerine Print Source IFC Films
In Finnish and Swedish with English subtitles In the snow-covered Lapland region of Finland near the Swedish border, Lasse (Ville Virtanen, Sauna), a police officer on the cusp of retirement, must try to keep the peace in the village after a recently paroled convict ignites a violent feud with his son. As tensions continue to mount, it becomes clear that Lasse will need to address some long-buried secrets from his past if he is to prevent further bloodshed. Exquisitely filmed by award-winning cinematographer Tuomo Hutri (Letters to Father Jacob), this taut, ice-cold No’Western ‘chiller’ marks the assured feature debut of writer/director Jussi Hiltunen, calling to mind some of the most iconic works of the Coen Brothers (No Country for Old Men, Blood Simple). Exceptionally acted across the board, Law of the Land also stars Swedish actresses Malin Buska (The Girl King, MVFF 2015) and Pernilla August (A Serious Game, MVFF 2016) in key supporting roles. NORTH AMERICAN PREMIERE —Joe Bowman
Two of cinema’s most gifted and beloved screen icons, Donald Sutherland and Helen Mirren, deliver their best in this slightly offbeat and very much on-point road movie, filled with unexpected twists and turns. Director Paolo Virzi (Like Crazy, MVFF 2016) sets the big wheels in motion as John (Sutherland), a retired literature professor with growing memory loss, and Ella (Mirren), his still-vibrant, sharp-as-a-tack spouse, hit the highway in the family Winnebago (aka “The Leisure Seeker”), on the lam from their two adult children and the threat of a sad and sedentary future. The destination: wherever the road takes them, especially if it leads to Hemingway’s house in Key West. Revisiting the past while driving head-on toward an uncharted future, The Leisure Seeker offers quite a ride and no stalls, from its gentle send-up of American suburbia, rolling smoothly into an unforgettable celebration of love across the last stretches of the road. —Karen Davis
In French with English subtitles Groundbreaking French filmmaker Claire Denis charts beguiling new emotional terrain with Let the Sunshine In, an exceedingly lovely study of a middle-aged divorcée navigating the pitfalls of romance and career. Juliette Binoche plays Isabelle, a painter who remains open to love, despite the many times her heart’s been broken, and the film follows her through a series of possible courtships that test her faith in a happily ever after. Never cutesy and often witty, this wise and melancholy comedy may feel like a departure for Denis, who’s won international acclaim for searing portraits like White Material and Basterds. But what connects Let the Sunshine In to her earlier work is the writerdirector’s commitment to realistic, nuanced portraits of complicated characters trying to make the best of their situation. Binoche is pure wistful radiance, and her supporting cast is equally exquisite, including Gérard Depardieu in a sublime cameo. Prepare to have your heart stolen by this deceptively low-key, swoon-worthy beauty. —Tim Grierson
Fri Sun
Wed Oct 11 Fri Oct 13
Sun Tue
Oct 6 Oct 8
6:15pm 8:45pm
Rafael Lark
WITH SUPPORT FROM CONSUL ATE GENER AL OF S WEDEN AN D THE BARBRO OSHER PRO SUECIA FOUN DATION
6:30pm 4:00pm
Sequoia Rafael
WITH SUPPORT FROM INS TITUTO ITALIANO DI CULTUR A
Active Cinema
2:30pm 3:00pm
Sequoia Sequoia
WITH SUPPORT FROM THE CONSUL ATE GENER AL OF FR ANCE AN D THE FRENCH AMERIC AN CULTUR AL SOCIE T Y IN A SSOCIATION WITH THE ALLIANCE FR ANÇ AISE DE SAN FR ANCISCO AN D THE FRENCH HERITAGE SOCIE T Y
IN A SSOCIATION WITH THE FINL AN DIA FOUN DATION SF BAY ARE A CHAP TER AN D THE FINNISH AMERIC AN HOME A SSOCIATION
134
Oct 8 Oct 10
SPONSORED BY
SPONSORED BY
STRAWBERRY VILLAGE
CPI DEVELOPERS
Mind the Gap: Women | Film | Tech
Viva el Cine
FILMS FILMS
LIFE AND NOTHING MORE
THE LIGHT OF THE MOON
LIYANA
US CINEMA
US CINEMA
filmHOOD
US 2017 • 95 min
US 2017 • 90 min
Swaziland/US 2017 • 78 min
Director/Screenwriter Antonio Méndez Esparza Producer Pedro Hernández Santos Cinematographer Barbu Balasiou Editor Santiago Oviedo Cast Andrew Bleechington, Regina Williams, Robert Williams, Ry’Nesia Chamberszz Print Source Film Constellation Ltd.
Director/Screenwriter/Editor Jessica M. Thompson Producer Michael Cuomo Cinematographer Autumn Eakin Cast Stephanie Beatriz, Michael Stahl-David, Catherine Curtin Print Source The Film Collaborative
Directors/Cinematographers Aaron Kopp, Amanda Kopp Producers Amanda Kopp, Aaron Kopp, Daniel Junge Screenwriter Intaba Creative Editors Davis Coombe, Aaron Kopp Print Source Intaba Creative
In this remarkable second feature, Spanishborn writer/director Antonio Méndez Esparza follows up his drama Aquí y allá (MVFF 2012) with another sensitive portrait of the struggles of a hardworking family in the face of hardship. Stressed and overworked by her job in a diner, single mother Regina (Regina Williams) is raising her two children in northern Florida. When her 14-year-old son Andrew (Andrew Bleechington), has a brush with the law, she worries he’ll wind up like his father, in prison. But even as she deals with Andrew’s situation, Regina strives to improve her own life, seeking better employment and allowing herself to love a new man. Cinematography and sound design are outstanding in this drama that draws welcome comparisons to this year’s Oscar ® winning Best Picture Moonlight. Méndez Esparza employs documentary-style realism to capture heartfelt, nuanced performances from his nonprofessional cast in this moving snapshot of race, class, and the bonds of family in contemporary America. —Joe Bowman Sat
Oct 14
6:30pm
Larkspur
While walking home alone from a party late one night, the life of a confident and successful young Brooklyn-based architect is tragically changed when a stranger sexually assaults her. She seemingly recovers, but the impact of that harrowing experience slowly leaves its imprint, shattering the dynamics of her personal and professional life. Carried by Stephanie Beatriz’s (Brooklyn Nine-Nine, Short Term 12) nuanced, authentic performance, The Light of the Moon prefers not to center on the criminal repercussions of the assault; rather, it offers an unflinching and raw portrayal of the invisible wounds that painfully affect a victim’s psyche and subtly strain an intimate relationship following sexual trauma. A timely discussion on rape culture with a noticeable female perspective and sensibility both in content and style, director Jessica M. Thompson’s feature debut is unafraid to question taboos, society’s expectations of womanhood, and uncomfortable issues of guilt and self-worth—and like its thorny subject, the film offers no easy resolution. —Julia Barbosa Mon Oct 9 Wed Oct 11
8:45pm 6:00pm
Rafael Larkspur
In English and SiSwati with English subtitles Young Swazi orphans are invited to create a story together out of their deep suffering and rich imaginations. Famed South African storyteller Gcina Mhlophe encourages them to envision a character and draw, write, and enact the adventure. They invent Liyana and her dangerous quest to rescue her twin brothers from human traffickers. Aaron and Amanda Kopp (The Hunting Ground, MVFF 2015) highlight the simple joy and beauty of the children at work and play in their group home. The horrors they’ve faced—hunger, abuse, violence, death of parents from HIV/AIDS—haven’t diminished their creativity and hope. This backstory, the children’s vivid enactment of Liyana’s journey, and gorgeous animation are artfully intercut to immerse us fully in the adventure. Through collective storytelling, the orphans deepen their resilience by shaping Liyana’s quest and becoming heroes and heroines in their own lives. Age 11+ —Carol Harada PRECEDED BY
BLACK HEAD COW Tanzania 2016 • 12 min Director Elizabeth Nichols
Students and staff of a school in Tanzania wrote and produced this film about a schoolgirl in a Maasai village dealing with an unexpected arranged marriage. Fri Sat
Oct 13 Oct 14
12:45pm Lark 12:00pm Rafael
IN A SSOCIATION WITH ALLIANCE FOR GIRL S AN D MARIN MOMMIE S
SPONSORED BY
JIM BOYCE TRUST AND KRIS OTIS Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
135
FILMS
THE LONG SHADOW
LOS PERROS
LOVE, CECIL
VALLEY OF THE DOCS
WORLD CINEMA
VALLEY OF THE DOCS
US 2017 • 87 min
Chile 2017 • 94 min
US 2017 • 98 min
Director/Screenwriter Frances Causey Producers Frances Causey, Sally Holst, Jed Riffe Cinematographers Rogelio Garcia, Emiko Omori Editor Maureen Gosling
Director/Screenwriter Marcela Said Producer Tom Dercourt Cinematographer Georges Lechaptois Editor Jean de Certeau Cast Antonia Zegers, Alfredo Castro, Alejandro Sieveking Print Source Films Boutique
Director/Producer Lisa Immordino Vreeland Cinematographer Shane Sigler Editor Bernadine Colish
Of all the divisions in America, none is as insidious and tenacious as racism. In this powerful documentary, journalist and activist Frances Causey investigates the roots of our current racial conflicts. A daughter of the South, raised with a romanticized vision of America’s past, Causey is haunted by slavery’s legacy. She passionately seeks the hidden truth and the untold stories that reveal how the sins of yesterday feed modern prejudice, which burns undiminished despite our seeming progress. From the moment of America’s birth, slavery was embedded in institutions, laws, and the economy, and yet even as slavery ended, racism survived like “an infection.” By telling individual stories—of free blacks in Canada; of a modern, racially motivated shooting— Causey movingly personalizes the costs and the stakes of continued inaction. “The past is never dead,” William Faulkner once said, and this echoes one scholar’s warning: “We’re still fighting the Civil War, and the South is winning.” WORLD PREMIERE —Jeff Campbell Sat Oct 7 Tue Oct 10 Wed Oct 11
6:00pm Lark 10:00am Lark* 11:15am Rafael
IN A SSOCIATION WITH THE BERK ELE Y FILM FOUN DATION
*CFI Education screening open to school groups and general public.
136
Active Cinema
In Spanish with English subtitles Issues of class, power, and historical culpability play out in surprising and provocative ways in Marcela Said’s riveting new film. Fortytwo-year-old Mariana (Antonia Zegers, The Club, MVFF 2015) comes from money; her father owns a logging company, and her main preoccupations are her dogs, her horseback riding lessons, and satisfying her husband’s desire for a child. Her own desires remain somewhat inchoate, from her half-hearted interest in fertility treatments to the way she responds when her riding instructor Juan (the extraordinary Alfredo Castro) is accused of human rights abuses stemming from the Pinochet era. Watching Zegers is thrilling as she beautifully registers every facet of Mariana’s character—her assertions of the systems of privilege and denial that she has accepted and encouraged and her ability to use her erotic power in a male-dominated environment. Galvanized by this central performance, Los Perros plays out like a thriller as Mariana begins to see that the blood tide of history may lead up to her front door. —Rod Armstrong Fri Sun
Oct 13 Oct 15
6:30pm 2:15pm
Following her exceptional documentary Diana Vreeland: The Eye Has to Travel, filmmaker Lisa Immordino Vreeland turns her camera toward another vibrant fixture of the 20th-century fashion industry: celebrated photographer and costume designer Cecil Beaton. Best known to film and theater lovers as the Oscar®-winning costume and production designer for My Fair Lady and Gigi, Beaton rose to fame (and a certain notoriety) in England as a photographer for Vogue before getting fired from the magazine and shifting into war photography during WWII. Focusing on his larger-than-life personality, Love, Cecil has no shortage of juicy tales ranging from trysts with Greta Garbo, rivalries with Noël Coward, and hilariously catty takedowns of the likes of Katharine Hepburn. With his diaries narrated by Rupert Everett, this vivacious, beguiling documentary features engaging interviews with fashion designer Isaac Mizrahi, actress Leslie Caron, American Vogue editor Hamish Bowles, and renowned painter David Hockney. —Joe Bowman Sat
Oct 7
6:00pm
IN A SSOCIATION WITH E ATDRINK FILMS
Larkspur Sequoia
IN A SSOCIATION WITH C ANAL ALLIANCE AN D TACOLIS T.COM L ATINO ON - LINE CL A SSIFIEDS
Mind the Gap: Women | Film | Tech
Sequoia
Viva el Cine
FILMS FILMS
LOVELESS
LOVING VINCENT
MAD HANNANS
WORLD CINEMA
WORLD CINEMA
MUSIC
Russia/France 2017 • 127 min
Poland 2017 • 94 min
US 2017 • 85 min
Director Andrey Zvyagintsev Producers Gleb Fetisov, Sergey Melkumov, Alexander Rodnyansky Screenwriters Oleg Negin, Andrey Zvyagintsev Cinematographer Mikhail Krichman Editor Anna Mass Cast Yanina Hope, Aleksey Rozin, Maryana Spivak Print Source Sony Pictures Classics
Directors Dorota Kobiela, Hugh Welchman Producers Sean M. Bobbitt, Ivan Mactaggart, Hugh Welchman Screenwriters Jacek Dehnel, Dorota Kobiela, Hugh Welchman Cinematographers Tristan Oliver, Lukasz Zal Editors Dorota Kobiela, Justyna Wierszynska Cast Douglas Booth, Aidan Turner, Helen McCrory, Eleanor Tomlinson, Saoirse Ronan, Chris O’Dowd Print Source Good Deed Entertainment
Director Martin Shore Producers Martin Shore, Dan Sameha Screenwriters Martin Shore, Kelli Colaco Cinematographers Jonathan Clark, Dante Della Maggiore Editors Clayton Halsey, Dante Della Maggiore Print Source Social Capital Films
(NELYUBOV)
In Russian with English subtitles Oscar®nominated Russian director Andrey Zvyagintsev (Leviathan) delivers some devastating scenes from a marriage in Loveless, a meticulous, absorbing drama that won the Jury Prize at this year’s Cannes Film Festival. Boris (Alexey Rozin) and Zhenya (Maryana Spivak) are a contentious husband and wife anxiously looking forward to finalizing their divorce—both of them have new lovers and new lives awaiting them—but they’re forced to spend time together after they belatedly realize that their 12-year-old son has gone missing. Loveless works as both an elegant police procedural and a spellbinding dissection of a faltering relationship with Rozin and Spivak delivering nuanced, fascinating portrayals of deeply flawed individuals. One of the most compelling talents in contemporary Russian cinema, Zvyagintsev’s mesmerizing vision makes this portrait of a miserable couple sifting through the wreckage of a failed marriage one of the most highly touted films of the year. —Tim Grierson Tue Fri
Oct 10 Oct 13
6:00pm 3:00pm
Larkspur Sequoia
FOCUS: POLISH CINEMA A labor of love rendered on a spectacular canvas, the animated Loving Vincent audaciously brings the visionary life and art of Vincent van Gogh to the big screen. Filmmakers Dorota Kobiela and Hugh Welchman follow a postman’s son (Douglas Booth) in 1891 as he travels to the tiny French community of Auvers to deliver the last letter the tortured painter wrote his brother Theo before his death. Soon, the son’s journey becomes a quest to unravel the circumstances surrounding van Gogh’s mysterious end— which might not have been a suicide as previously believed. This historical whodunit doubles as a gorgeous crash course in the man’s influential oeuvre: The movie consists of 65,000 separate, oil-painted frames crafted by 125 painters working from liveaction footage shot by the directors with their cast. Loving Vincent took seven years to complete, but its impact is instantaneous, immersing the viewer in the master’s flowing, passionate brushstrokes and complicated genius. —Tim Grierson Thur Oct 5
7:00pm
A sensation in the local music scene, the Mad Hannans have entertained crowds with their distinctive brand of Irish folk rock for over a decade. Now, director Martin Shore brings a highly personal portrait of the band founded by brothers Jerry and Sean Hannan, as their modest origins escalate into a cult following at bars and festivals all over Marin County. From Larkspur to Nicasio and Mill Valley, our own backyard serves as an affectionate backdrop to a creative collaboration that was often contentious but always filled with familial love and support, especially when events take a tragic turn. Filled with home movies, never-before-seen studio sessions, and a collection of fans ranging from Talking Heads’ Jerry Harrison to filmmaker Sean Penn, Mad Hannans reminds us that the ties that bind are also often the bonds that allow for the most liberating form of self-expression. WORLD PREMIERE —Sterling Hedgpeth Fri Oct 6 Mon Oct 9
6:15pm 3:15pm
Sequoia* Rafael
IN A SSOCIATION WITH 19 BROA DWAY NIGHTCLUB AN D R ANCHO NIC A SIO RE S TAUR ANT & BAR
Rafael
IN A SSOCIATION WITH POLONIA SF.ORG
*Live music event to follow at Sweetwater. Separate ticket required. See page 90 for details.
SPONSORED BY
SPONSORED BY
SPONSORED BY
GORDON RADLEY
THX, LTD.
LAGUNITAS BREWING COMPANY
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
137
FILMS
MANKILLER
MARY JANES: THE WOMEN OF WEED
METAMORPHOSIS: JUNIOR YEAR
VALLEY OF THE DOCS
VALLEY OF THE DOCS
US CINEMA
US 2017 • 74 min
US 2017 • 85 min
US 2017 • 75 min
Director Valerie Red-Horse Mohl Producers Gale Anne Hurd, Valerie RedHorse Mohl, Charlie Soap, Kristina Kiehl, Stacy Mahoney Cinematographers Tarin Anderson, Josh Mayes, David Aubrey, Robert Swanson, Curt Mohl, Corey Soap Editors Ken Schneider, Joe Lamattina, Lisa Lamattina Print Source Valhalla Entertainment
Director/Producer/Screenwriter Windy Borman Cinematographers Drew Dorsey, Jerome Stolly, Daniel Gorrell Editor Gregg Stouffer Print Source DVA Productions
Directors Alec Cohen-Schisler, Arjan Mobin, Brandon Fu, Christina Polanen, Dylan Griffith, Juan Santos, Peter Gold, Sadie Fearon, Sam Cook Producers Iris Torres, Tom Franco, Kimberly Parker Screenwriters Betsy Franco, Sadie Fearon, Adele Bloch, Ally Crawford, Clara Baker, Dajiana Huang, Gabe Cohen, Zachary Sanders Cinematographers Christina Voros, Danny Hammerson, Flora Hon, Leslie Garcia-Oblitas, Max Lenail, Misia Poray, Ryan Dickson, Teagan Cimring, William Dougall Editor Metric Cosmetics Cast Arash DeMaxi, Ava Hawk, Alonso Valdivia, Maya Donato, Jillian Li, Eva Stoneburner, Alexandra Esperanza Print Source Elysium Bandini Studios
This profile in courage illuminates the life and times of Wilma Mankiller, first woman chief of the Cherokee Nation. Though she faced deadly challenges in her efforts to rebuild her tribe’s self-governance, she persisted. Produced by Gale Ann Hurd (The Terminator trilogy), Valerie Red-Horse Mohl’s in-depth documentary reveals how Mankiller’s indigenous feminism and grassroots leadership arose from traditional Cherokee matrilineal society and her work in Bay Area social justice. She arose from humble beginnings in northeast Oklahoma, rich in community, but economically poor before moving to California where she spent two decades as a community activist. As chief, she cultivated non-elected leaders and headed self-reliance projects, ultimately reestablishing Cherokee sovereignty. Mankiller’s inspiring story and journey of exile and return spring to vivid life through rare archival footage of Mankiller and interviews with her family, friends, and collaborators, including Gloria Steinem. At a time of women marching and leading, Wilma Mankiller’s story is essential. —Carol Harada Tue Oct 10 Wed Oct 11 Sat Oct 14
3:30pm Sequoia 2:30pm Rafael 12:00pm Larkspur
FOCUS: CANNABIS CULTURE From farms to labs to dispensaries and beyond, this fascinating and immersive documentary sheds light on the female researchers and entrepreneurs blazing a trail in today’s legalized marijuana industry. It is the female—not male—marijuana plants, after all, that produce those potent buds, so it’s fitting then that women are the ones revolutionizing US cannabis consumption. In her meetings with scientists, activists, CEOs, dispensary owners, bakers, and other proud tokespeople, including cancer survivor and Oscar®-winning singer-songwriter Melissa Etheridge, filmmaker Windy Borman explores how cannabis is not only an industry, but also a vibrant and growing movement of people she dubs Puffragettes™: any person dedicated to environmental sustainability, social justice reform, gender parity, and reaping the health and medicinal benefits of a plant that over the decades has been the subject of much overblown controversy and propaganda. Through Borman’s eyeopening firsthand experience, it’s clear that when it comes to marijuana, there are many reasons to just say “yes.” WORLD PREMIERE —Jesse Knight Sun Oct 8 Mon Oct 9 Thur Oct 12
6:00pm 2:30pm 9:00pm
Sequoia Rafael Larkspur
Metamorphosis: Junior Year is a film about becoming. Created by Palo Alto High School students in collaboration with James Franco and based on a Young Adult novel by Betsy Franco, this coming-of-age tale takes on the myriad themes which define youth: identity, sex, purpose, drugs, selfimage. Haunted by the disappearance of his sister and plagued by his parent’s expectations, young artist Ovid uses mythology and drawings to understand the world around him while his friends become our window into current high school life—from potheads to poets and shoplifters to singers. Friendship, drama, betrayal, and redemption abound as we see how these teenagers relate to one another and the environment around them. Their transformations take on new resonance as we remember that growth is essential to all living things. Animated interludes add whimsy and originality to this modern mythology for a new generation. —Nadia Ismail Sun Sun
IN A SSOCIATION WITH MARIN AMERIC AN IN DIAN ALLIANCE AN D THE MUSEUM OF THE AMERIC AN IN DIAN
Oct 8 Oct 15
12:30pm Sequoia* 1:30pm Lark
*Teen screenwriting workshop to follow. See page 87 for details.
138
SPONSORED BY
SPONSORED BY
GLASSDOOR
FUSION ACADEMY MARIN
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
FILMS FILMS
THE MEYEROWITZ STORIES
MOANA
MOLLY’S GAME
US CINEMA
filmHOOD
US CINEMA
US 2017 • 110 min
US 2016 • 107 min
US 2017 • 140 min
Director/Screenwriter Noah Baumbach Producers Noah Baumbach, Eli Bush, Scott Rudin Cinematographer Robbie Ryan Editor Jennifer Lame Cast Dustin Hoffman, Adam Sandler, Emma Thompson, Ben Stiller Print Source Netflix
Directors John Musker, Ron Clements Producer Osnat Shurer Screenwriter Jared Bush Editor Jeff Draheim Cast Auli’I Cravalho, Dwayne Johnson, Rachel House, Temuera Morrison, Jemaine Clement Print Source Walt Disney Studios
Director/Screenwriter Aaron Sorkin Producers Mark Gordon, Matt Jackson, Amy Pascal Cinematographer Charlotte Bruus Christensen Editors Alan Baumgarten, Eliot Graham, Josh Schaeffer Cast Jessica Chastain, Idris Elba, Natalie Krill Print Source STX Entertainment
In the latest dark comedy from writer/director Noah Baumbach (The Squid and the Whale, MVFF 2005), Adam Sandler, Ben Stiller, and Elizabeth Marvel deliver hysterical turns as a trio of estranged, dysfunctional siblings who gather together in New York City to celebrate the work of their father Harold Meyerowitz (Dustin Hoffman), a minor, largely uncelebrated sculptor in his golden years, whose art has been selected to be a part of a group show. A major hit at this year’s Cannes Film Festival with a tone reminiscent of his screenwriting collaborations with Wes Anderson (The Life Aquatic, Fantastic Mr. Fox), The Meyerowitz Stories showcases Baumbach’s wit and offers Sandler, who shines as the eldest Meyerowitz sibling, his best role since starring in Paul Thomas Anderson’s Punch-Drunk Love 15 years ago. Candice Bergen, Emma Thompson, and Adam Driver round out the all-star cast in unforgettable supporting roles. Sun
Oct 8
5:30pm
Corte Madera
Join us under the stars to catch the Disney blockbuster that brought a brand-new style of princess riding in on a wave of accolades. Moana is a dashing adventure set in long-ago Polynesia about a brave teen’s quest to save her island, recapture the lost wayfinding arts of her people, and restore ecological balance to the planet. Though Moana (Auli’i Cravalho) needs no prince to rescue her, she does get an assist from flashy demigod Maui who sports massive muscles, animated tattoos, and the charming-hilarious swagger of Dwayne “The Rock” Johnson. Colorful, evocative animation brings the ocean-centered tale to spectacular life, with visual gags and incredible textures layered throughout, and the whole brilliant cake is topped with songs by Hamilton creator Lin-Manuel Miranda. Nominated for Best Animated Feature and Best Original Song Oscars ®, Moana’s greatest achievement is shining a light on an ancient culture whose arts and accomplishments deserve to be celebrated. —Deanna Quinones Fri
Oct 6
7:00pm
Old Mill Park
DIRECTORS’ NIGHT From high-speed ski racing to high-stakes poker, Molly Bloom (Jessica Chastain) was always on the fast track to something big. The true story of the one-time Olympic hopeful turned “Poker Princess” is literally ripped from the headlines: Beautiful young woman busted by the feds for her role in an underground gambling ring catering to A-list celebrities and business moguls—with alleged ties to the Russian mob. But, as played to perfection by a feisty yet restrained Chastain, there is much more to Molly than meets the tabloid eye. In a world driven by big money, big risk and big (male) egos, she not only holds her own but also holds her moral ground. Renowned writer of volubility Aaron Sorkin (The Social Network, The West Wing) makes his directorial debut with a swift-talking script, adapted from Bloom’s 2014 memoir, and a high-powered cast, including Kevin Costner as Molly’s backbreaking father and Idris Elba as her straight-talking defense lawyer. —Joanne Parsont Wed Oct 11
Active Cinema
Mind the Gap: Women | Film | Tech
6:00pm
Viva el Cine
Rafael
139
FILMS
MR. ROOSEVELT
MUDBOUND
MY HAPPY FAMILY (CHEMI BEDNIERI OJAKHI)
US CINEMA
US CINEMA
WORLD CINEMA
US 2017 • 91 min
US 2016 • 134 min
Germany/Georgia/France 2017 • 119 min
Director/Screenwriter Noël Wells Producers Michael B. Clark, Alex Turtletaub, Chris Ohlson Cinematographer Dagmar WeaverMadsen Editor Terel Gibson Cast Noël Wells, Nick Thune, Britt Lower, Daniella Pineda, Andre Hyland Print Source Beachside Films
Director Dee Rees Producers Sally Jo Effenson, Cassian Elwes, Carl Effenson Screenwriters Dee Rees, Virgil Williams Cinematographer Rachel Morrison Editor Mako Kamitsuna Cast Carey Mulligan, Jason Clarke, Jason Mitchell, Mary J. Blige, Rob Morgan, Jonathan Banks, Garrett Hedlund Print Source Netflix
Directors Nana Ekvtimishvili, Simon Gross Producers Jonas Katzenstein, Maximilian Leo, Simon Gross Screenwriter Nana Ekvtimishvili Cinematographer Tudor Vladimir Panduru Editor Stefan Stabenow Cast Ia Shugliashvili, Merab Ninidze, Berta Khapava, Tsisia Qumsashvili Print Source Memento Films International
Emily escaped the “velvet rut” of Austin only to land in the ditch of LA’s fringe comedy scene, where she’s utterly failing to parlay viral YouTube stardom into, well, anything. Cue an emergency text from the ex-boyfriend: Her eponymous orange tabby is in a bad way. After flying back to Texas with only the clothes on her back, Emily soon has more than just an urn full of cat cremains to handle—she also has to deal with the mess she’s made of her life. Writerdirector Noël Wells (Master of None) stars in her endearingly weird and funny debut, an autobiographical ode to 21st-century twentysomething angst, which snagged audience and jury awards at SXSW. But you don’t need to be an Austinite hipster to relate to getting over the new girlfriend who’s “a Pinterest board come to life,” mourning a beloved city being drained of its quirkiness by gentrification, and stumbling toward purpose in our social-media-steeped world. —Lucy Laird
SPOTLIGHT: DEE REES Dee Rees (Pariah) further establishes herself as a director of the first order with this remarkable tale, based on Hilary Jordan’s potent novel, of two families whose lives fatefully intertwine in the Jim Crow South. In the wake of World War II, two veterans (Garrett Hedlund, Jason Mitchell) form a fast friendship, and the loved ones they return home to (Carey Mulligan, Mary J. Blige) forge a tenuous connection despite the deeply entrenched racial tensions that still seethe in their small Mississippi town. Employing themes and multiple narrators that evoke the sophistication and insight of Faulkner, Rees brilliantly conveys a story that’s epic in its scale but still intimate in its characterizations. With terrific support from Jason Clarke, Jonathan Banks, and Rob Morgan, and painterly images by cinematographer Rachel Morrison perfectly capturing the period, Mudbound is steeped in history, tragedy, and the promise of reconciliation that still resonates today.
Tue Oct 10 Thur Oct 12
Sat
In Georgian with English subtitles Manana (Ia Shugliashvili) is a beautiful, middleaged teacher who decides not to buy dill for her mother. This small act of defiance at an outdoor market in Tbilisi is a turning point in Manana’s life—a rare bid for happiness and the opportunity to hear her own thoughts above the din of her clamorous, tightknit family. Directors Nana Ekvtimishvili and Simon Gross paint an exquisite, tableau of Manana’s raucous intergenerational kin: husband Soso, who has a few secrets; philosophical father Otar; loud mother Lamara; son Lasha, who drinks out of containers in the fridge; and daughter Nino, who is desperately trying to get pregnant. Beautifully shot, this often-comic drama opens with Manana renting an apartment where she can live alone. The motivations for this radical undertaking on the part of a Georgian mother are partially obscured, but who among us has not dreamed of walking out, leaving our lives and our many roles behind for a chance at happiness? —Nancy Fishman
9:15pm 6:30pm
Larkspur Sequoia
Oct 7
6:30pm
Sequoia
PRECEDED BY
THAT IS HOW MOTHERHOOD WORKS
IN A SSOCIATION WITH THE WOMEN’S FILM INS TITUTE
US 2017 • 12 min Director Rivkah Beth Medow
A mother attempts to illustrate the steep learning curve of new motherhood to her daughter, who seeks to find her own pathway. Wed Oct 11 Fri Oct 13
8:30pm 3:00pm
SPONSORED BY
MAROEVICH O’SHEA & COGHLAN INSURANCE SERVICES 140
Active Cinema
SPONSORED BY
ANDALOU NATURALS Mind the Gap: Women | Film | Tech
Viva el Cine
Rafael Larkspur
FILMS FILMS
THE MYSTERY OF GREEN HILL
NO MAN’S LAND
NOTHINGWOOD
filmHOOD
VALLEY OF THE DOCS
VALLEY OF THE DOCS
Croatia 2017 • 81 min
US 2017 • 81 min
France 2017 • 85 min
Director Cejen Cernic Producers Ankica Juric Tilic, Hrvoje Pervan Screenwriter Hana Jusic Cinematographer Danko Vucinovic Editor Slaven Zecevic Cast Marko Tocilj, Alex Rakos, Jan Pentek, Tin Gregoric, Jakov Piljek, Lucija Philips Print Source Kinorama
Director/Cinematographer David Byars Producers David Byars, Morgan Spurlock, Jeremy Chilnick, David Holbrooke, David Osit Editor David Osit Print Source The Film Collaborative
Director/Screenwriter Sonia Kronlund Producer Laurent Lavole Cinematographers Alexander Nanau, Eric Guichard Editors Sophie Brunet, George Gragg Print Source Pyramide Films
In the winter of 2016, members of the radical right took over the Malheur National Wildlife Refuge in Oregon, the occupation becoming a media sensation. David Byars interviews journalists and participants, but his even-handed documentary’s strength is its footage—some of it harrowing—that captures the unfolding events from the inside. Underlying issues of grazing leases on federal land and the financial squeeze facing ranchers quickly become buried in rhetoric over constitutional rights. People from the conservative end of the political spectrum flock from far and wide to join the occupation and “make a stand.” The occupiers’ ultimate plan remains vague, but their animosity towards government is as obvious as their weaponry. Skillful editing neatly captures the way inflammatory diatribes and paranoia feed on each other, making violence almost inevitable. No Man’s Land grants a rare opportunity to peer inside what interviewee Hal Herring calls an “intellectually gated community,” one of many that thrive in our country. —Monica Nolan
In French and Dari with English subtitles Meet Salim Shaheen, iconic Afghan actor, prodigiously prolific filmmaker, producer, and all-around raconteur. As he prepares for his 111th feature, this larger-than-life multi-hyphenate hustles his crew from location to location, telling vivid stories from film shoots past, and taking time out to greet his fans or sit down to a vast meal. But there’s much more than meets the eye here, and Shaheen is more than an Ed Wood-style comic figure—his work may be no-budget, melodramatic fare, but it is warmly consumed by his adoring public. Most interestingly, his close-knit set of collaborators act like a family. One, an effeminate thespian named Qurban Ali, who often plays crossdressing roles, offers a fascinating glimpse into how outsiders may find a place for themselves amid Afghanistan’s societal strictures. Director Sonia Kronlund carefully balances her respect and admiration for Shaheen’s accomplishments with more critical asides, presenting a warts-and-all portrait that is funny, touching, and extremely entertaining. US PREMIERE —Rod Armstrong
(UZBUNA NA ZELENOM VRHU)
In Croatian with English subtitles Dark woods around a quiet lake, a series of mysterious crimes, a band of sleuthing kids ready to take the case that’s shaking up the whole town. Koko and his friends make an entertaining Scooby gang in this comingof-age adventure set in an idyllic Croatian countryside. When burglars target homes in a small community, the adults seek help from police who demonstrate little concern. Tensions rise as the spree continues. Local boys who had nothing planned for the summer beyond practicing their diving skills, batting away pesky girls, and telling ghost stories around the fire suddenly find themselves in hot pursuit of the thieves. For fans of Stand By Me and the nostalgic flavor of Stranger Things, this charmer celebrates the bonds of friendship, the thrill of the chase, the spark of first love, and the bittersweet reward of doing the right thing even when the answers you find aren’t the ones you sought. Age 10+ NORTH AMERICAN PREMIERE —Deanna Quinones Sun Sun
Oct 8 Oct 15
1:15pm 2:45pm
Lark Rafael
Tue Oct 10 Wed Oct 11
6:15pm 9:15pm
Rafael Sequoia
Mon Oct 9 Fri Oct 13
9:15pm 3:45pm
Sequoia Lark
WITH SUPPORT FROM THE CONSUL ATE GENER AL OF FR ANCE AN D THE FRENCH AMERIC AN CULTUR AL SOCIE T Y
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
141
FILMS
ON THE BEACH AT NIGHT ALONE
ON THE SLY: IN SEARCH OF THE FAMILY STONE
ONE OF US
WORLD CINEMA
MUSIC
VALLEY OF THE DOCS
South Korea/Germany 2016 • 101 min
US 2017 • 83 min
US 2017 • 95 min
Director/Producer/Screenwriter Hong Sangsoo Cinematographers Kim Hyungkoo, Park Hongyeol Editor Hahm Sungwon Cast Kim Minhee, Seo Younghwa, Jung Jaeyoung, Moon Sungkeun, Kwon Haehyo, Song Seonmi Print Source Jeonwonsa Film
Director/Screenwriter Michael Rubenstone Producers Michael Rubenstone, Patrick Sheehan Cinematographers Jeremie Brilliant, Jason Blalock, Theo Hand Editors Michael Rubenstone, Salamo Levin Print Source Unreal Films
Directors/Producers Heidi Ewing, Rachel Grady Cinematographers Alex Takats, Jenni Morello Editors JD Marlow, Enat Sidi Print Source Netflix
In Korean, English, and German with English subtitles A South Korean actress (The Handmaiden’s Kim Min-hee) finds herself in Germany, licking her wounds after an affair with a married filmmaker falls apart. She visits friends, has dinner with locals, visits a beach…but her heartbreak persists. Time passes, and the young woman returns to Seoul, where she impulsively makes out with female acquaintances at dinner and lashes out whenever the topic of love is mentioned. Then the object of her disaffection (Mun Seong-kun) shows up—and the woman verges on a nervous breakdown. Anchored by an astounding performance from Kim, who deservedly took home the Best Actress award at the Berlin Film Festival, Hong Sang-soo’s new drama is full of his signature Rohmer-esque conversations and Soju-fueled confrontations. The fact that the movie is also a response to the director’s own scandalous, highly publicized affair with his leading lady only makes this confessional character study that much more compelling. —David Fear
Part amateur sleuthing adventure, part chronicle of a legendary artist, On the Sly documents one man’s years-long quest to discover what happened to his musical hero, Sly Stone. Last seen at his Rock and Roll Hall of Fame induction in 1993, rumors about the reclusive musician abound and become a breadcrumb trail for superfan and first-time filmmaker Michael Rubenstone. Rubenstone both directs this entertaining documentary and serves as the audience’s on-camera guide through the increasingly strange episodes of his journey. The search for Sly Stone himself is balanced by interludes recounting Stone’s progression from music theory student to charismatic performer to cultural icon. Music historians, Stone’s biographer, and original bandmates detail the history of the group and the cultural context of the times. Through it all, Sly and the Family Stone’s music, Rubenstone’s enthusiasm, and the excitement of the chase all shine through, proving, “You can make it if you try!” —Laura Henneman
(BAMUI HAEBYEONESEO HONJA)
Fri Sat
Oct 13 Oct 14
9:00pm 3:00pm
Larkspur Rafael
Fri Sat
Oct 13 Oct 14
6:00pm 9:00pm
Oscar®-nominated directors Heidi Ewing and Rachel Grady (Jesus Camp) reveal the insular and enigmatic world of Hasidim through the journeys of three very different individuals in various stages of departure from their ultra-orthodox Jewish communities in the United States. Over the course of three years, the filmmakers follow Etty, Ari, and Luzer as each take daring and occasionally death-defying steps to make a life apart from the strictures imposed by the Rabbis and Hassidic traditions. All three face the loss of everything they’ve known and loved, including their children, families, and friends. Striking cinematography—a blend of closeups and long lens “private eye” shots—further accentuates the furtive and closed society of the Hasidim the trio is leaving behind. Covering the gamut from heartbreaking thriller to touching humor, One of Us is a fascinating and nuanced view into a world rarely seen. But it’s the courage of Etty, Ari, and Luzer that leaves a most indelible impression. —Melissa Howden Thur Oct 12 Sat Oct 14
6:00pm Rafael 12:00pm Sequoia
Sequoia* Larkspur
IN A SSOCIATION WITH AMOEBA MUSIC IN A SSOCIATION WITH THE CENTER FOR A SIAN AMERIC AN MEDIA AN D THE KORE AN CENTER, INC
*Live music event to follow at Sweetwater. Separate ticket required. See page 91 for details.
SPONSORED BY
MARIN SUITES HOTEL 142
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
FILMS FILMS
THE OTHER SIDE OF HOPE
OWLS & MICE
(TOIVON TUOLLA PUOLEN)
(UILENBAL)
WORLD CINEMA
filmHOOD
WORLD CINEMA
Finland 2017 • 100 min
Netherlands 2016 • 80 min
UK 2017 • 71 min
Director/Producer/Screenwriter Aki Kaurismäki Cinematographer Timo Salminen Editor Samu Heikkilä Cast Sherwan Haji, Sakari Kuosmanen Print Source Janus Films
Director/Screenwriter Simone van Dusseldorp Producers Eva Eisenloeffel, Joost de Vries, Leontine Petit Cinematographers Ton Peters, Stephan Polman Editor Peter Alderliesten Cast Hiba Ghafry, Matheu Hinzen, Felix van de Weerdt, Jashayra Oehlers, Mariana Aparicio Torres, Mimoun Oaissa, Birgit Schuurman Print Source Lemming Film
Director/Screenwriter Sally Potter Producer Kurban Kassam Cinematographer Aleksei Rodionov Editors Emilie Orsini, Anders Refn Cast Kristin Scott Thomas, Patricia Clarkson, Bruno Ganz, Cherry Jones Print Source Roadside Attractions
FOCUS: HIDING & SEEKING In Finnish, English, Swedish, and Arabic with English subtitles Khaled (Sherwan Haji) is a Syrian refugee seeking asylum in Helsinki. Wikström (Sakari Kuosmanen) is a salesman who parlays after-hours poker winnings into buying a restaurant. Their worlds collide when the entrepreneur finds the immigrant living behind his dumpster (“This is my room.” “This is my garbage field.”) and offers the man a job. Local authorities and nationalist goons, however, want Khaled gone. It will take a village—or in this case, savvy coworkers— to save him. Finnish cinema maestro Aki Kaurismäki returns with another gloriously deadpan story of down-and-outers, but like his 2011 poetic-realism riff Le Havre, the writer/director’s latest laces its hipster humor with a strong dash of humanity. Filled with Middle Eastern folk-to-rockabilly musical interludes and longtime collaborator’s Timo Salminen’s colorful cinematography, The Other Side of Hope uses Kaurismäki’s iconic too-cool-for-school comedy to smuggle in a compassionate, torn-from-today’s headlines fable of community. —David Fear Fri Sat
Oct 13 Oct 14
6:00pm 5:30pm
Rafael Sequoia
IN A SSOCIATION WITH THE FINL AN DIA FOUN DATION SF BAY ARE A CHAP TER AN D THE FINNISH AMERIC AN HOME A SSOCIATION
In Dutch with English subtitles read aloud The road to friendship takes surprising twists and turns in this quirky nature tale/kid-rock musical. When eight-year-old Meral moves to a new town, her first attempts to make friends go awry with wheelchair-bound Jason, over-eager Vito, and a snooty crew of soon-to-be classmates led by mean-girl Desi. Then a tiny mouse appears in her bedroom and Meral turns her efforts to befriending the critter she names Peepeep and bribes with bubblegum. When mom discovers droppings, Meral makes a desperate move to save her unofficial pet by taking him along on a school camping trip. Soon found out by Jason, Vito, and Desi, Meral find herself in an unexpected alliance to protect Peepeep—who, in a sad twist, falls prey to a hungry owl—that leads to an adventure in the woods featuring rocking musical numbers, lessons on the circle of life, and Instagram-worthy snaps of wild creatures both adorable and awe-inspiring. A treat for kids who love nature and for families navigating the tender terrain of grade-school social life. Age 6+ —Deanna Quinones Fri Sat
Oct 6 Oct 7
THE PARTY
Sally Potter’s real-time satire on uberchic Londoners is an absolute delight. Kristin Scott Thomas leads an incredible ensemble as Janet, a politician celebrating a career-escalating appointment with a group of friends who each arrive at her elegant home with, well, their own baggage. As the human drama escalates, husband Bill (Timothy Spall) is in his own bubble. Rogue banker (or, simply rogue?) Tom (Cillian Murphy) keeps sniffing off to the bathroom. Of course, there’s a life coach, Gottfried (Bruno Ganz). Zingers abound in Potter’s wit-filled script, many from Janet’s acid-tongued best friend April (the inimitable Patricia Clarkson), whose repartee hits home with such digs as, “You’re a first-class lesbian. But a second-class thinker” to professor Martha (Cherry Jones)—whose younger partner, played by Emily Mortimer, is recently pregnant. Oh, and there’s a gun. Will this party even make it to the appetizers? Who cares, when the company is so delicious? —Zoë Elton Sat Sun
Oct 7 Oct 8
6:00pm 3:30pm
Rafael Lark
10:00am Rafael* 10:30am Sequoia
IN A SSOCIATION WITH MARIN MOMMIE S
*CFI Education screening open to school groups and general public.
143
FILMS
PORCUPINE LAKE
QUEST
RADIANCE (HIKARI)
WORLD CINEMA
US CINEMA
WORLD CINEMA
Canada 2017 • 85 min
US 2017 • 85 min
Japan/France 2017 • 101 min
Director/Producer/Screenwriter Ingrid Veninger Cinematographer Benjamin Lichty Editor Chris Mutton Cast Charlotte Salisbury, Lucinda Armstrong Hall, Christopher Bolton, Delphine Roussel, Hallie Switzer, Harrison Tanner Print Source pUNK Films Inc.
Director Santiago Rizzo Producers Debbie Brubaker, Deborah Dion, Santiago Rizzo Screenwriters Darren Anderson, Tim Moellering, Santiago Rizzo Cinematographer Florian Stadler Editors Cami Starkman, Chris Young, Beau Cardall, Matt Chesse Cast Dash Mihok, Lou Diamond Phillips, Lakeith Stanfield, Betsy Brandt, Gregory Kasyan Print Source Santiago Rizzo
Director/Screenwriter Naomi Kawase Producers Naoya Kinoshita, Masa Sawada, Yumiko Takebe Cinematographer Arata Dodo Editor Tina Baz Cast Masatoshi Nagase, Noémie Nakai, Tatsuya Fuji Print Source MK2
The latest feature film by the DIY Queen of Canadian filmmaking, Ingrid Veninger, is the ultimate teen girl’s coming-of-age tale, when every new friend is life-changing, and a summer trip to the country feels like being a stranger in a foreign land. Written at the pUNK Films Femmes Lab for female filmmakers, Porcupine Lake follows 13-year-old Bea: delicate, prone to fainting spells, and dripping with naiveté. But that’s before she meets Kate, a brash, long-haired tomboy eager to be Bea’s new best friend and maybe more. Bea finds herself enamored with Kate and with a strong new curiosity about kissing. Meanwhile, Bea’s protective parents Ally and Scotty struggle to maintain their own strained relationship while trying to figure out how to raise a burgeoning teen. Childlike Bea suddenly realizes that she’s facing adulthood, as well as the hard truth that all summers must end. US PREMIERE —Alexis Whitham Fri Sat
Oct 6 Oct 7
8:45pm Lark 12:45pm Rafael
IN A SSOCIATION WITH DIGITAL MOOSE LOUNGE
The streets of Berkeley come alive in this intense, lyrical coming-of-age story based on real events. It’s 1995, and Mills (Gregory Kasyan) is a messed-up middle-school graffiti artist. To avoid his abusive father (Lou Diamond Phillips), he wanders around town with his friends, tagging anything he can reach. With suspensions and arrests piling up, Mills is on the road to nowhere, or worse. Then he meets a teacher (Dash Mihok) who connects with this lost and lonely youth. Berkeley’s Willard Middle School teacher and coach Tim Moellering inspired filmmaker Santiago Rizzo to make this drama that mixes penetrating scenes of heartbreak with funny, real moments of human connection. Rizzo employs hypnotic camerawork, a pitch-perfect soundtrack, and authentic East Bay locations to capture the free, threatening energy of life on the streets. With passionate performances and urgent insights about education, adolescence, and abuse, this turbulent, but uplifting tale offers a world of hope and acceptance. —Brendan Peterson Sat Sun
Oct 14 Oct 15
3:45pm 2:15pm
In Japanese with English subtitles In award-winning Japanese director Naomi Kawase’s evocative and tender film, Misako (Ayame Misaki), a young woman who creates audio description for movies for the sightimpaired, deals with the disappearance of her father and the slow loss of her mother to dementia. As Misako struggles to communicate through words the intricacies and nuances of a film while still leaving room for the audience’s imagination, she meets Mr. Nakamori (Masatoshi Nagase), a famous photographer who has lost his vision. Together, the pair must learn to see past the fog of grief for what they have lost and acknowledge the radiance of what can still be found. This delicately crafted film is as audibly stimulating as it is visually stunning, filled with complex soundscapes and luminous landscapes, submerging the viewer completely in Kawase’s poetic world. Radiance won the prize of the Ecumenical Jury at this year’s Cannes Film Festival. US PREMIERE —Lucia Proctor-Bonbright Fri Sat
Oct 13 Oct 14
8:30pm 11:30am
IN A SSOCIATION WITH THE CENTER FOR A SIAN AMERIC AN MEDIA
Larkspur Rafael
IN A SSOCIATION WITH TACOLIS T.COM L ATINO ON - LINE CL A SSIFIEDS AN D E ATDRINK FILMS
SPONSORED BY
MARIN INDEPENDENT JOURNAL 144
Active Cinema
Mind the Gap: Women | Film | Tech
Rafael Sequoia
Viva el Cine
FILMS FILMS
THE RELATIONTRIP
REVOLTING RHYMES
A RIVER BELOW
US CINEMA
filmHOOD
VALLEY OF THE DOCS
US 2016 • 89 min
UK 2016 • 58 min
US/Colombia 2017 • 87 min
Directors Renée Felice Smith, C.A. Gabriel Producers Rachel Kiri Walker, Renée Felice Smith, C.A. Gabriel Screenwriters C.A. Gabriel, Renée Felice Smith, Dana Scanlon Cinematographer Damian Horan Editors Eric Wilson, Josh Wilmott, C.A. Gabriel Cast Renée Felice Smith, Matt Bush, Eric Christian Olsen, Nelson Franklin, Brandon Kyle Goodman, Linda Hunt Print Source United Talent
Directors/Screenwriters Jakob Schuh, Jan Lachauer Producers Martin Pope, Michael Rose Editor Benjamic Quabeck Cast Dominic West, David Walliams, Rob Brydon, Tamsin Greig Print Source Magic Light Pictures
Director Mark Grieco Producers Torus Tammer, Mike Erqin Cinematographer Helkin René Díaz Editor Dan Swietlik Print Source Sandarba Films
Twentysomething loners Beck (co-director Renée Felice Smith) and Liam (Matt Bush) bond over a mutual appreciation for PB&Js and a common contempt for coupledom. Escaping from their friends’ expectations of relationships, the pair takes a “friendship friend-trip” to the desert with a few rules: separate rooms and no funny business. Over late-night diner escapades and cognac and half-and-half-fueled discussions, the duo grows closer, literally pulling off each other’s masks and setting them on the breakfast table. From there, Beck and Liam’s neuroses are free to emerge from their hiding places. Liam’s attachment issues are addressed in an impromptu therapy session in the living room fort, while Beck’s body issues prevent her from taking off her bathing suit. Ever. Playful surrealism enhances classic rom-com elements into enchanting sequences, while stars Smith and Bush jive together like peanut butter and jelly with witty banter and brazen charm. —Dominique O’Neil Sun Oct 8 Mon Oct 9 Tue Oct 10
11:45am Rafael 12:30pm Sequoia 4:00pm Rafael
Revolting Rhymes is cause for celebration! / Come see Roald Dahl’s verse in animation! / These classic fairy tales aren’t quite the same as / The Disney movies that made them famous. / The Big Bad Wolf narrates all these stories / And promises “the real ones are much more gory.” / If you know Roald Dahl, you know his style / Is a tad more grim, dark, and wild. / These are fairy tales set in a modern world / With true piggy banks and empowered girls, / Gambling dwarves and a Cinderella / Who only wants a decent fella, / A smelly Jack and pistolpacking Riding Hood, / Whose aim is really pretty good. / But in truth, there’s nothing revolting about these rhymes. / Young and old, all will have a great time. / The animation matches Dahl’s style perfectly / Bright, crisp images with a touch of surreality. / There are a few mild gasps, sure, and lots of laughter, / But is there a happily ever after? / That’s something fairy tales can’t be without, / But you’ll have to watch to find out. Age 7+ —Jeff Campbell
FOCUS: STEWARDS OF THE EARTH In English, Spanish, and Portuguese with English subtitles A documentary as dramatic, ambiguous, and multilayered as any fiction film, A River Below examines the efforts of two conservationists to publicize an environmental threat, and the unexpected results of their good intentions. Among the many exotic creatures native to the Amazon, the pink river dolphin is one of the most appealing. Once abundant, the aquatic mammal is now vulnerable, hunted by fishermen to use as bait. A marine biologist and the host of a Brazilian wildlife television show want to draw attention to the dolphin’s plight. But their different approaches bring them into conflict with each other, and with fishermen who believe these outsiders threaten their livelihood. Compelling and morally complex, A River Below raises questions about motivation, fame, and the difficulty of determining the greater good. NORTH AMERICAN PREMIERE —Margarita Landazuri PRECEDED BY
THE NEW ENVIRONMENTALISTS: FROM GUATEMALA TO THE CONGO
PRECEDED BY
US 2017 • 30 min
ALL THE MARBLES
Directors John Antonelli, Tom Dusenbery, Will Parrinello
US 2017 • 18 min Director Michael Swingler
In a world where marbles are precious as gold, a boy engages in an epic battle to win back his prize marble from the villain who stole it.
This Emmy Award ®-winning series features inspiring portraits of six activists around the world who have placed themselves in harm’s way to safeguard the Earth’s natural resources from exploitation and pollution.
Sat Sun
Sat Oct 7 Wed Oct 11
Oct 7 Oct 8
12:00pm Sequoia 11:00am Lark
IN A SSOCIATION WITH BOOK PA SSAGE AN D MARIN MOMMIE S
8:30pm 8:45pm
Rafael Larkspur
IN A SSOCIATION WITH EN V IRONMENTAL FORUM OF MARIN AN D GOL DMAN EN V IRONMENTAL PRIZE
SPONSORED BY
GREEN CHILE KITCHEN Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
145
FILMS
THE SANDGLASS
THE SHAPE OF WATER
A SIBLING MYSTERY
WORLD CINEMA
US CINEMA
US CINEMA
Poland 1973 • 124 min
US 2017 • 119 min
US 2017 • 81 min
Director Wojciech Has Screenwriters Wojciech Has, Bruno Schulz Cinematographer Witold Sobocinski Editor Janina Niedzwiecka Cast Jan Nowicki, Tadeusz Kondrat, Irena Orska Print Source Film Polski
Director Guillermo del Toro Producers J. Miles Dale, Guillermo del Toro Screenwriters Guillermo del Toro, Vanessa Taylor Cinematographer Dan Laustsen Editor Sidney Wolinsky Cast Sally Hawkins, Michael Shannon, Michael Stuhlbarg, Octavia Spencer Print Source Fox Searchlight
Directors/Screenwriters Rachel Wortell, Dan Erickson Producers Rachel Wortell, Dan Erickson, Ali Levin Cinematographer Laura Valladao Editor Dan Erickson Cast Lily Meyer, Dan Erickson, Keith Bethea, Becky Abrams, Michele Hierholzer, Eamon Monaghan
FOCUS: POLISH CINEMA In Polish, Yiddish, Hebrew, and Latin with English subtitles Loosely adapted from the short story collection “Sanatorium Under the Sign of the Hourglass” by the extraordinary Bruno Schulz, Wojciech Has’ dreamlike The Sandglass probes the illusory alliance between life and death. Long ago, Jozef travels by train to a remote sanatorium where time has become detached from reality. There he finds his father Jakub has been reanimated to a period prior to his premature demise. Like a somnambulist time traveler, Jozef ventures through gateways under beds and tables to revisit key moments from his youth, re-imagining his complicated relationships with his parents and his community. Schulz’s imaginative and ingenious words find their cinematic equivalent in Has’ hands, sharing parallels to his similarly tangled The Saragossa Manuscript. Winner of the Jury Prize at the Cannes Film Festival and widely considered a masterpiece of Eastern European cinema, The Sandglass is a stunning achievement that will screen in a beautifully restored digital print. —Jonathan Marlow Sun
Oct 8
2:45pm
Rafael
Eliza, a shy mute, is part of the midnight janitorial crew at a 1960s secret government facility when she forges a connection with one of its prisoners, an aquatic creature from the Amazon. But what might have just been a Girl-meets-Gill-man story achieves enormous romantic sweep in the expert hands of director Guillermo del Toro (Pan’s Labyrinth) and two beautiful, expressive performances from Sally Hawkins and Doug Jones as the unlikely couple. Amidst Cold War suspicion and paranoia, our pair is joined by a motley crew of outsiders (Octavia Spencer, Richard Jenkins, Michael Stuhlbarg) in what can only be described as a very adult love story, full of monsters, myth, and miracles. Del Toro has always been a master of dark fantasy, but never have we seen his adoration of film history on such full display as he effortlessly melds the erotic and the innocent to sublime, visually startling effect. —Sterling Hedgpeth Mon Oct 9 Sun Oct 15
6:15pm 8:00pm
Sequoia Rafael
Funny, sweet, enormously entertaining, and bursting with optimistic energy, this indie flick will have you grinning from ear to ear. Dan and Lily are a brother and sister staying in their aunt’s New York City Chinatown apartment for the summer. After finding a winning lottery ticket, they have one goal: throw the most awesome party of all time. But when a mysterious woman appears in the apartment, questions arise. Who is she? Who has the lottery ticket? Can they still afford two kegs for their epic party? The filmmakers’ infectious good humor winds its way through the story as the lively siblings wander downtown NYC in search of answers. Quirky supporting characters and a playful soundtrack infuse the action with off-the-wall intrigue. This simple, smart comedy gushes with wide-eyed enthusiasm about the idiosyncrasies of siblings and the excitement of everyday mysteries. —Brendan Peterson Tue Oct 10 Wed Oct 11 Thur Oct 12
6:30pm 3:00pm 9:00pm
Larkspur Sequoia Rafael
IN A SSOCIATION WITH POLONIA SF.ORG
Screening will include an introduction and book signing by Annette Insdorf, author of Intimations: The Cinema of Wojciech Has.
146
Active Cinema
SPONSORED BY
SPONSORED BY
PARAGON REAL ESTATE GROUP
YELP
Mind the Gap: Women | Film | Tech
Viva el Cine
FILMS FILMS
SNOWY BING BONGS ACROSS THE NORTH STAR COMBAT ZONE
SONG OF GRANITE
US CINEMA
MUSIC
WORLD CINEMA
US 2017 • 40 min
Ireland/Canada 2017 • 104 min
Directors/Screenwriters Rachel Wolther, Alex H. Fischer Producers Jason Klorfein, Anu Valia, Matt Day Screenwriters Rachel Wolther, Alex H. Fischer Cinematographer Ashley Connor Editors Rachel Wolther, Paul Rogers, Alex H. Fischer Cast Eleanore Pienta, Tallie Medel, Sunita Mani, Kate Berlant, Reggie Watts, Joe Pera Print Source Alex H. Fischer
Director Pat Collins Producers Alan Maher, Jessie Fisk, Martin Paul-Hus Screenwriters Pat Collins, Eoghan Mac Giolla Bhríde, Sharon Whooley Cinematographer Richard Kendrick Editor Tadhg O’Sullivan Cast Macdara Ó Fatharta, Mícheál Ó Confhaola, Haren Cerf, Pól Ó Ceannabháín, Colm Seoighe Print Source Oscilloscope
Poland/Germany/Czech Republic/ Sweden/Slovakia 2017 • 128 min
This candy-colored intergalactic adventure is a dance routine, improv show, and performance-art installation all rolled into one outlandish joyride. From the duo behind last year’s breakout Sundance comedy Swiss Army Man, this wacky film features the Cocoon Central Dance Team of Tallie Medel, Sunita Mani, and Eleanore Pienta. From the opening scene, juxtaposition is the name of the game: Snowy landscapes at the beach, bikini-clad young women moving to the beat of unsexy sound effects, and even the pop-color of outer space is interspersed with oft-meta black-and-white vignettes. But the film’s end result is greater than the sum of its parts, examining the female image, art, film, and the inner life of a performer, all within a DIY aesthetic. Grab your beach ball, and head to this one-of-a-kind adventure. —Alexis Whitham
In English and Gaelic with English subtitles Song of Granite is a lyrical journey through the life of celebrated traditional Irish folk singer Joe Heaney. Loosely divided into three eras, the film opens as an observational tale of Heaney’s boyhood in Connemarra on the west coast of Ireland. Time has yet to catch up to this place, where the novelty of recording voices onto wax discs is an event worthy of a neighborhood gathering. Each black-and-white frame is an exquisite composition, and director Pat Collins weaves in haunting snippets of archival performance film as Heaney grows up, leaving his homeland and his family to make a new life in mid-century New York. This unusual biopic focuses on songs as much as character, inviting the audience to draw up a chair by the fire, or a stool at the pub, and experience heart-stirring a cappella performances. —Laura Henneman
(POKOT)
PRECEDED BY
Sat Tue
MERYL FUCKIN STREEP US 2017 • 5 min Director Ava Bogle
For two young screenwriters, a movie pitch takes a turn into the surreal.
SPOOR
Oct 7 Oct 10
3:45pm 6:00pm
Rafael Lark
IN A SSOCIATION WITH IRISH CULTURE BAY ARE A AN D SF IRISH FILM
Director Director Agnieszka Holland Producers Krzysztof Zanussi, Janusz Wąchała Screenwriterz Olga Tokarczuk, Agnieszka Holland Cinematographerz Jolanta Dylewska, Rafał Paradowski Editor Pavel Hrdlička Cast Agnieszka Mandat, Wiktor Zborowski, Miroslav Krobot, Jakub Gierszał, Patricia Volny, Tomasz Kot Print Source TOR Film Production FOCUS: POLISH CINEMA | STEWARDS OF THE EARTH In Polish with English subtitles A mountainous Polish village near the border of the Czech Republic provides the setting for an unusual murder mystery in the latest film from thrice Academy Award ®nominated director Agnieszka Holland (Angry Harvest, Europa Europa, In Darkness). Over the course of a year, several hunters meet violent ends in the woods. Schoolteacher Janina Duszejko (Agnieszka Mandat-Grabka, in a dynamic performance), a fiery woman with a strong passion for the animal kingdom and astrology, has a theory about the killings. But her suspicions fall upon the deaf ears of the brutish police force who have labeled her the village madwoman. Based on Olga Tokarczuk’s crime novel Drive Your Plough Over the Bones of the Dead, Spoor won the Alfred Bauer Prize—awarded to films which open new perspectives in cinematic art—at this year’s Berlin International Film Festival. It is also a visual treat with lush images of the town’s surrounding forest and the animals that live in it. —Joe Bowman Sun Oct 8 Mon Oct 9
BIRDS DROPPING
12:00pm Rafael 6:45pm Larkspur
US 2016 • 11 min IN A SSOCIATION WITH POLONIA SF.ORG
Directors Mary Rachel Gardner, Coral Huerta
En route to a wedding, two women have their friendship tested as they embark on the shortcut from hell. Wed Oct 11 Thur Oct 12
9:30pm 4:00pm
Sequoia Rafael
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
147
FILMS
THE SQUARE
STRANGE BIRDS
SUMMER 1993
(DRÔLES D’OISEAUX)
WORLD CINEMA
WORLD CINEMA
WORLD CINEMA
Sweden/Germany/France/Denmark 2017 • 142 min
France 2017 • 70 min
Spain 2017 • 96 min
Director Élise Girard Producer Janja Kralj Screenwriters Élise Girard, AnneLouise Trividic Cinematographer Renato Berta Editor Thomas Glaser Cast Lolita Chammah, Jean Sorel, Virginie Ledoyen, Pascal Cervo Print Source MPM Film
Director/Screenwriter Carla Simón Producer Valérie Felpierre Cinematographer Santiago Racaj Editors Dida Palou, Ana Pfaff Cast Laia Artigas, Paula Robles, Bruna Cusí, David Verdaguer, Fermí Reixach, Montse Sanz Print Source Oscilloscope
Director/Screenwriter Ruben Östlund Producers Erik Hemmendorff, Philippe Bober Cinematographer Fredrik Wenzel Editors Ruben Östlund, Jacob Secher Schulsinger Cast Claes Bang, Elisabeth Moss, Dominic West, Terry Notary, Christopher Læssø Print Source Magnolia Pictures In Swedish, German, French, Danish, and English with English subtitles Swedish director Ruben Östlund continues to surprise: This year, he became the unexpected recipient of the Palme d’Or for his ambitious follow-up to his acclaimed international hit, Force Majeure (MVFF 2014). Continuing with some of the moral and societal themes of its predecessor, The Square follows Christian (Claes Bang, in a stellar, breakthrough performance), a handsome, fortysomething curator at a respected Stockholm art museum, whose life and current exhibit—also titled “The Square”—spiral out of control after his phone and wallet are stolen when he tries to break up a domestic dispute on the street on his way to work. Elisabeth Moss (The Handmaid’s Tale), Dominic West (The Wire), and Terry Notary (War for the Planet of the Apes) co-star in this hilarious and provocative satire of the art world, one of the rare comedies to capture the top honor at Cannes. Sun Fri
Oct 8 Oct 13
8:45pm Sequoia 12:30pm Sequoia
WITH SUPPORT FROM CONSUL ATE GENER AL OF S WEDEN AN D THE BARBRO OSHER PRO SUECIA FOUN DATION
In French with English subtitles Intoxication is in the air—literally—in this romantic and charmingly offbeat second feature from writer-director Élise Girard. Lonely aspiring writer Mavie (Lolita Chammah, daughter of cinema icon Isabelle Huppert) arrives in Paris with her cat Jacques, a notebook, and a suitcase full of uncertainty. After landing a job at an antique bookstore run by curmudgeonly septuagenarian Georges (Jean Sorel), the shy twentysomething discovers the two have more in common than their age gap suggests, igniting a simmering connection that breaks down their emotional walls. In her follow-up to the 2010 minimalist drama Belleville-Tokyo, Girard imbues Paris with a mysterious and fanciful edge, a place that’s easy to find but difficult to escape, particularly for the seagulls that begin mysteriously dropping from the sky. Chammah brings a radiant warmth to contrast legendary French actor Sorel’s brusque but endearing misanthrope in this playfully surreal and unconventional love story. NORTH AMERICAN PREMIERE —Jesse Knight
In Catalan with English subtitles In Carla Simón’s evocative, sun-brushed autobiographical drama, six-year-old Frida struggles to come to terms with her new living environment after her parents’s death from AIDS. Used to the city life and tumult of Barcelona, she is brought by her uncle Esteve to live with his wife Marga and their younger daughter Anna in the countryside. While she adjusts fairly peaceably to the hot and desultory summer days, she is frequently petulant with her new guardians and sometimes acts out dangerously in the games she plays with Anna. Simón’s sublimely crafted scenario carefully delineates Frida’s emotional turbulence as the youngster tries to find the right words and questions to help process her grief and understand her new circumstances, and Laia Artigas, with her mop of hair and soul-deep eyes, is unforgettable in the role. Replete with similarly true and heartfelt performances, Summer 1993 (winner of the Best First Feature Award at the Berlin Film Festival) builds to a heartbreakingly perfect close. —Rod Armstrong
Sat Sun
Fri Sun
Oct 14 Oct 15
5:30pm 11:00am
Rafael Larkspur
WITH SUPPORT FROM THE CONSUL ATE GENER AL OF FR ANCE AN D THE FRENCH AMERIC AN CULTUR AL SOCIE T Y
Oct 13 Oct 15
8:45pm 8:30pm
IN A SSOCIATION WITH THE SPAIN ARTS & CULTURE PROGR AM AN D TACOLIS T.COM L ATINO ON - LINE CL A SSIFIEDS
IN A SSOCIATION WITH THE ALLIANCE FR ANÇ AISE DE SAN FR ANCISCO AN D THE FRENCH HERITAGE SOCIE T Y
SPONSORED BY
CLASSICAL KDFC 148
Active Cinema
Mind the Gap: Women | Film | Tech
Sequoia Rafael
Viva el Cine
FILMS FILMS
THELMA
THIRD MIND BLUES
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
WORLD CINEMA
MUSIC
US CINEMA
Nor way/France/Denmark 2017 • 116 min
US 2017 • 58 min
US 2017 • 115 min
Director Joachim Trier Producer Thomas Robsahm Screenwriters Joachim Trier, Eskil Vogt Cinematographer Jakob Ihre Editor Thomas Robsahm Cast Eili Harboe, Kaya Wilkins, Ellen Dorrit Petersen Print Source The Orchard
Director William Tyler Smith Producers Gary S. Gumowitz, William Tyler Smith, Emma Broomhead Cinematographers William Tyler Smith, Emma Broomhead Editor Kurt Feldhun Print Source 418 Films
In Norwegian with English subtitles As she embarks upon her first year of college, timid and sheltered Thelma (Eili Harboe) settles into life outside the grips of her religiously oppressive parents and quickly racks up a series of firsts: drinking alcohol, developing an attraction to her new friend Anja (Okay Kaya), and suffering from violent seizures no doctor can immediately explain. As her feelings for Anja flare up, so do her mysterious episodes, and a dark and frightening power beyond her control is awakened. The latest from Joachim Trier (Oslo, August 31st; Louder Than Bombs, MVFF 2015) is a seismic shift into genre territory for the Norwegian director, one that skillfully retains the incisive humanity, familial idiosyncrasies, and rigorous framing of his previous work. With regular co-writer Eskil Vogt, Trier has crafted a chilling supernatural coming-of-age story full of gasp-inducing moments that transcend the bounds of traditional horror, and further cements his place as one of the world’s contemporary cinematic masters. —Jesse Knight
Chicago-born Ray Manzarek of The Doors was one of the most legendary keyboard players in rock and roll history. Roy Rogers grew up in Vallejo, distinguishing himself as one of the premiere slide guitarists anywhere. The unlikely intersection of their careers resulted in years of fruitful collaboration memorialized in William Tyler Smith’s intimate, irresistible music documentary, Third Mind Blues. Watching the pair improvise songs, rehearse for a concert tour, and lay down album tracks is a master class in the special alchemy of opposites attracting, with influences ranging from the classical canon and Delta blues heritage to the SF Beat poets who provided many of their lyrics. Throughout, we see them mingle the playful with the philosophical, embracing their musical pasts while forging new creative roads together. This passion and partnership are on lovely display here, and for Manzarek, who died in 2013, it’s a fitting tribute to a life devoted to music. WORLD PREMIERE —Sterling Hedgpeth
Director/Screenwriter Martin McDonagh Producers Graham Broadbent, Peter Czernin Cinematographer Ben Davis Editor Jon Gregory Cast Frances McDormand, Woody Harrelson, Sam Rockwell, Abbie Cornish, Caleb Landry Jones, Lucas Hedges, Peter Dinklage Print Source Fox Searchlight
Thur Oct 12 Fri Oct 13
6:00pm 2:45pm
Larkspur Rafael
Thur Oct 12 Fri Oct 13
5:30pm 9:00pm
Sequoia* Lark
IN A SSOCIATION WITH AMOEBA MUSIC
*Live music event to follow at Sweetwater. Separate ticket required. See page 91 for details.
Mildred Hayes may be the ultimate antiheroine of our time. Played with unbridled cynicism and priceless, profane sarcasm by the inimitable Frances McDormand, Mildred is an inconsolable grieving mother with a triple-billboard-sized grudge and a fathomless rage demanding to be reckoned with. In her small southern town, the ones doing the reckoning are the local police force and its beloved Chief Willoughby (Woody Harrelson), whom she finds ambivalent and ineffective in solving the tragic murder of her teenage daughter, Angela. Her outsized roadside statement pits her squarely against both Willoughby and his hotheaded junior officer Dixon (Sam Rockwell)—a dimwitted, heavy-drinking momma’s boy with a penchant for brutality—with both hilarious and incendiary consequences. British playwright-turned-filmmaker Martin McDonagh (In Bruges; Seven Psychopaths, MVFF 2012) brings his singular brand of violence and black humor to this Coen-esque crime drama that surprises at every turn. But one thing remains constant: Hell definitely hath no fury like a Mildred Hayes ignored. —Joanne Parsont Sun Sun
Oct 8 Oct 15
3:15pm 5:15pm
Rafael Larkspur
SPONSORED BY
GRUBER FAMILY FOUNDATION Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
149
FILMS
TIP OF MY TONGUE
TORCH
UNDER THE RADAR: 70 YEARS OF POLISH ANIMATION
VALLEY OF THE DOCS
US CINEMA
WORLD CINEMA
US 2017 • 80 min
USA /Belize 2017 • 100 min
Total Program 90 min
Director/Producer Lynne Sachs Cinematographer Sean Hanley Editor Amanda Katz Print Source Lynne Sachs
Director Christopher Coppola Producers Christopher Coppola, Jeffrey Gliwa, Alain Silver Screenwriters Christopher Coppola, Nona Haydon Cinematographers Sebastian Hiriart, Tomas Tucker Editors Daniel Kremer, Nona Haydon Cast Lacey Dorn, Vincent Spano, John Savage, Deborah Kara Unger, Rita Moreno Print Source PlasterCITY Productions, Inc.
Filmmaker Lynne Sachs celebrates turning 50 by creating a social experiment in history, memory, and the shape of things. Her collaborators are a diverse group of New Yorkers around her same age whom she invites to spend a weekend exploring the five decades leading to this moment. Their experiences intermingle while they engage in the act of remembering those things that have impacted their lives and shaped who they are—ranging from the assassinations of Kennedy and King, the moon landing, parental infidelities, and Watergate to a first taste of Tang. Tapestries of sound and image dodge and weave the disentangling of one person’s memory, hopscotching to the next when a six-year-old in a long hallway is presented with a ring inscribed with “I Have a Dream.” The result is a transfixing world of dream, imagination, and social reality, where the whole is greater than the sum of its parts. —Melissa Howden PRECEDED BY
ROADSIDE ATTRACTION US 2017 • 10 min Directors Patrick Bresnan, Ivete Lucas
Palm Beach International Airport’s newest snowbird has become one of the fastest growing roadside attractions in the United States. Tue Oct 10 Wed Oct 11
9:00pm 9:00pm
The lush rain forests of Belize should be a welcome home to brilliant vegetation, buzzing bugs, and raucous birds. But in this jungle thriller, it provides excellent cover for supernatural forces, menacing jaguars, and bandits with a plan. Many years after the mysterious deaths of her parents, the now adult but still fragile Clara returns with her new love, the smoldering Gabriel, to her grandfather August’s Belize compound. Gradually, Clara realizes that returning to the place she loved also means confronting her fears. Dreams merge into reality when her whole world suddenly and mysteriously turns upside down. Who can she trust? With drummers beating and beasts looming, local allies try to protect Clara from both new and old villains. Christopher Coppola’s (Sacred Blood, MVFF 2015) exquisite cinematography and use of a local cast add a layer of authenticity to a tangled tale, in which only the jungle paradise knows the secrets that loom within. WORLD PREMIERE —Janis Plotkin Sun
Oct 8
9:00pm
Rafael
LIVE ANIMATION & MUSIC PERFORMANCE FOCUS: POLISH CINEMA For filmmakers in Poland, animation has been a creative means of liberation, with films that could go under the radar—and sometimes over the top—in this unique collection of shorts from the Communist era to the present. The first screening of this program features live animation by Poland’s most treasured animator, Mariusz Wilczynski, accompanied by live music by Trance Mission (30 min). Also featured is Wilczynski’s Kizi Mizi (2007, 20 min), a poetic cat-and-mouse story of love, betrayal, and unwanted solitude. In Wilczynski’s student Renata Gasiorowska’s Pussy (2015, 8 min), a young woman’s decision to have some fun has unexpected consequences when she initiates a hilarious evening of adult entertainment. Walerian Borowczyk and Jan Lenica build a playful and subversive collage using improvised geometric shapes and figures cut from old newspapers in Once Upon a Time (1957, 9 min). In Ryszard Czekala’s psychological portrait Son (1970, 10 min), self-sacrificing farmer parents are no longer able to communicate with their educated son. Zbigniew Rybczynski captures multiple events in one room in the mesmerizing Tango (1980, 8 min), winner of the 1982 Best Animated Short Oscar ®. In Tomek Baginski’s Fallen Art (2004, 6 min), a decommissioned military base catapults its decorated officers to a remote island where they are free to be themselves. —Janis Plotkin Sat Oct 7 Mon Oct 9
8:45pm 9:00pm
Rafael* Sequoia**
WITH SUPPORT FROM THE POLISH CULTUR AL INS TITUTE, THE POLISH FILM INS TITUTE, AN D POLISH CINEMA
Sequoia Larkspur
IN A SSOCIATION WITH POLONIA SF.ORG
*Live performance at Oct 7 screening only. Program is free (ticket required) **Oct 9 screening will feature a Mariusz Wilczynski retrospective in place of the live performance (regular ticket price).
150
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
FILMS FILMS
VAZANTE
THE VENERABLE W
VITCH
(LE VÉNÉRABLE W)
WORLD CINEMA
WORLD CINEMA
VALLEY OF THE DOCS
Brazil/Portugal 2017 • 116 min
France/Switzerland 2016 • 100 min
US 2017 • 78 min
Director Daniela Thomas Producers Beto Amaral, Maria Ionescu, Sara Silveira Screenwriters Daniela Thomas, Beto Amaral Cinematographer Inti Briones Editors Estevan Schilling, Tiago Marinho Cast Adriano Carvalho, Luana Nastas, Sandra Corveloni, Juliana Carneiro Da Cunha, Roberto Audio, Jai Baptista Print Source Music Box Films
Director/Screenwriter Barbet Schroeder Producers Margaret Menegoz, Lionel Baier Cinematographer Victoria Clay Mendoza Editor Nelly Quettier Print Source Les Films du Losange/Bande à Part Films
Director/Screenwriter Sigal Bujman Producers Sigal Bujman, Marc Pingry Cinematographer/Editor Marc Pingry Print Source Marc Pingry Productions
In Portuguese with English subtitles On a remote estate in colonial Brazil, a middle-aged slaveholder of waning fortunes weds his 12-year-old niece after childbirth claims his first wife and only progeny. Vazante’s story is pulled from the director’s own family lore and depicts the moral void formed when humans are treated as chattel. Masterfully lit by sunlight and firelight, the silvery black-and-white photography evokes an era long past but whose tendrils still coil into modern life. Hardly anyone speaks or needs to, their stories written into the textures that surround them. The camera lingers over bare feet and horse hooves slogging through mud, the craggy outcroppings that once promised riches, the smooth long boards of the manor’s hallways, the coarse bricks of slave quarters, the vein-rippled skin of slave hands, the milk-white specter of the child-bride. The title itself (“ebbing”) evokes lives emptied by an unseen yet pervasive violence, leaving hollows where compassionate impulses should be until only one remains, refusing extinction. —Shari Kizirian Mon Oct 9 Fri Oct 13
6:00pm 9:15pm
Lark Larkspur
IN A SSOCIATION WITH TACOLIS T.COM L ATINO ON - LINE CL A SSIFIEDS
In Burmese and English with English subtitles For some two decades, the Myanmar monk Wirathru has produced a stream of writings, sermons, and DVDs depicting and vilifying the Muslim Rohingyas—who number five percent of the country’s population—as subhumans determined to destroy Buddhism through immigration, intermarriage, and high reproduction rates. Gautama Buddha warned, “The innocent one, absorbing a drop at a time, can end up filled with evil,” and Wirathru seems to have adopted that as his mantra. Veteran filmmaker Barbet Schroeder (Amnesia, MVFF 2015) encourages the religious leader to expound on his inflammatory views, resulting in a chillingly close-up portrait of Islamophobic demagoguery. While Schroeder’s camera does not turn away from the violence, the monk’s strangely soothing monotone and beatific smile are hauntingly unforgettable on their own. US PREMIERE —Michael Fox PRECEDED BY
WHERE ARE YOU AT, BARBET SCHROEDER? France 2017 • 14 min Director Barbet Schroeder
In this haunting short, world-renowned director Schroeder examines the impulse that compelled him to meet Wirathu, the infamous, incendiary Myanmarese monk. Fri Oct 6 Wed Oct 11
3:30pm 6:15pm
In English, French, Hebrew, Polish, and German with English subtitles Artist and comedian Eddie Vitch (born Ignace Levkovitch) was a charismatic Jewish entertainer from Poland who found fame twice over: first in 1930s Hollywood with his iconic penand-ink caricatures of silver screen legends, and later performing brilliant pantomimes in Paris revues alongside Josephine Baker and Maurice Chevalier. But his life took a dark and morally complex turn during World War II: While his fellow Jews were deported and murdered en masse, Vitch managed to continue performing on stages throughout Nazi-occupied Europe, entertaining German troops at the behest of Josef Goebbels’ Ministry of Propaganda. This fascinating documentary follows the efforts of Vitch’s daughters and extended family to unravel the mystery of his life and come to grips with his choices: Was he daringly “hiding in plain sight,” or was he a protected collaborator? Or is there a moral gray zone in which the actions of those trying to survive at all costs can never be judged? NORTH AMERICAN PREMIERE —Peter Stein Sat Sun
Oct 14 Oct 15
3:00pm 2:30pm
Sequoia Larkspur
IN A SSOCIATION WITH THE JE WISH FILM INS TITUTE, JFC S HOLOC AUS T CENTER, AN D THE OSHER MARIN JCC
Rafael Larkspur
WITH SUPPORT FROM THE CONSUL ATE GENER AL OF FR ANCE AN D THE FRENCH AMERIC AN CULTUR AL SOCIE T Y IN A SSOCIATION WITH THE CENTER FOR A SIAN AMERIC AN MEDIA
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
151
FILMS
WAIT FOR YOUR LAUGH
WENDY
WESTERN
VALLEY OF THE DOCS
filmHOOD
WORLD CINEMA
US 2017 • 85 min
Germany 2017 • 91 min
Germany/Bulgaria/Austria 2017 • 119 min
Director Jason Wise Producers/ Screenwriters Christina Wise, Jason Wise Cinematographer Jackson Myers Editors Jason Wise, Bryan Rodner Carr Print Source Forgotten Man Films
Director Dagmar Seume Producers Jan Kromschröder, Eva Holtmann Screenwriter Caroline Hecht Cinematographer Gunnar Fuss Editor Dora Vajda Cast Jule Hermann, Jasmin Gerat, Maren Kroymann, Benjamin Sadler,Julius Hotz Print Source German Films
Director/Screenwriter Valeska Grisebach Producers Jonas Dornbach, Janine Jackowski, Maren Ade Cinematographer Bernhard Keller Editor Bettina Böhler Cast Meinhard Neumann, Reinhardt Wetrek, Syuleyman Alilov Letifov, Veneta Frangova Viara Borisova, Kevin Bashev Print Source Cinema Guild
In German with English subtitles Dagmar Seume’s picturesque film about a resilient young equestrian and a very special horse is a moving story, punctuated with humor and joy, about family ties, resilience, compassion, and courage. It’s been a year since Wendy took a fall from her horse that has kept her out of the saddle. Though recovered from her injury, even the love and encouragement of her family isn’t enough to make her ride again. Everything changes when Wendy meets a neglected horse that desperately needs her help. Initially unsure of this spirited, forgotten creature, Wendy cannot resist her gentle and sweet new friend Dixie. The two must work together in secret to gain each other’s trust. Though Dixie’s plight is a mystery to Wendy, she knows that there is more to this unique animal than meets the eye. Time is running out and Wendy knows she must conquer her fears and fight to save her beloved horse’s life. Age 8+ NORTH AMERICAN PREMIERE —Whitney Summers
In German, Bulgarian, and English with English subtitles German filmmaker Valeska Grisebach returns with her long-awaited follow-up to 2006’s Longing, focusing on a group of laborers brought over from Deutschland to help build a sustainable infrastructure in a small Bulgarian village. The relationship between the boorish workers and the beleaguered locals is volatile, to put it mildly; caught in the middle of this is Meinhard (Meinhard Neumann), a stoic exsoldier who’s there just to make a buck. At first, his only companion is a white horse he tames and rides, but the quiet, sensitive handyman eventually befriends the town’s gangster-like fixer (Syuleyman Alilov Leitfov) and gets to know his hosts. Some cultural barriers and bad-blood histories, however, can’t simply be washed away. A cutting commentary on the uneasy alliance between Europe’s industrialized nations and their Eastern counterparts, Grisebach’s graceful drama borrows the concept of the tall, honorable stranger to refashion the continent’s identity crisis as a backwards fight between the frontier and encroaching civilization. —David Fear
OPENING NIGHT Fascinating, funny, and full of showbiz soul, this spirited documentary highlights the epic career of one of the most brilliant comediennes of the last century. She started as Baby Rose Marie, a child prodigy, singing and dancing on stage before most kids could ride a bike. She grew up to be Rose Marie, beloved for her role as sassy scriptwriter Sally Rogers on The Dick Van Dyke Show, and her even sassier zingers on The Hollywood Squares game show. Filmmaker Jason Wise reveals there is much more to this tough, smart woman’s 87-year entertainment career. Interviews with Peter Marshall, Carl Reiner, Dick Van Dyke, Tim Conway, and the lady herself—still going strong at 94—combine with rare footage to depict a complicated, inspirational life. From her passionate marriage to trumpeter Bobby Guy to her up-close-and-personal connections to Al Capone and Bugsy Siegel, Rose Marie forged intense, lasting relationships while delighting audiences from Las Vegas to Hollywood, always marching to her own beat. WORLD PREMIERE —Brendan Peterson Thur Oct 5
7:00pm
Corte Madera
Sat Sun
Oct 14 Oct 15
2:30pm 11:30am
Rafael Sequoia
IN A SSOCIATION WITH THE BERLIN & BE YON D FILM FE S TI VAL
Fri Sun
Oct 6 Oct 8
3:00pm 8:30pm
Rafael Rafael
IN A SSOCIATION WITH THE BERLIN & BE YON D FILM FE S TI VAL
SPONSORED BY
WELLS FARGO 152
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
FILMS FILMS
WHITE SUN
WONDERSTRUCK
WOODSTOCK
WORLD CINEMA
US CINEMA
MUSIC
Nepal 2016 • 87 min
US 2017 • 115 min
US 1971 • 220 min
Director Deepak Rauniyar Producers Deepak Rauniyar, Joslyn Barnes, Tsering Rhitar Sherpa, Michel Merkt Screenwriters Deepak Rauniyar, David Barker Cinematographer Mark O’Fearghail Editor David Barker Cast Dayahang Rai, Asha Magrati, Rabindra Singh Baniya, Sumi Malla, Amrit Pariyar Print Source KIMSTIM
Director Todd Haynes Producers Christine Vachon, Pamela Koffler, John Sloss Screenwriter Brian Selznick Cinematographer Ed Lachman Editor Affonso Goncalves Cast Oakes Fegley, Julianne Moore, Michelle Williams, Millicent Simmonds, Jaden Michael, Tom Noonan Print Source Roadside Attractions
Director Michael Wadleigh Producer Bob Maurice Cinematographers Malcolm Hart, Don Lenzer, Michael Margetts, David Myers, Michael Wadleigh Editors Michael Wadleigh, Martin Scorsese, Jere Huggins, Thelma Schoonmaer, Stan Warnow Print Source Warner Bros. Classics
In Nepali with English subtitles Immersed in a gorgeous natural setting amid the textures of a rural mountain locale, White Sun unfolds complex political and interpersonal relationships in the still-unsettled aftermath of a long Maoist revolution in Nepal. Deceptively quiet but simmering with underlying tensions that threaten to erupt, the soundtrack is punctuated by radio broadcasts of the recalcitrant political situation in the larger country. A wounded soldier returning home amidst the seemingly idyllic beauty is confronted by conflicts over the burial of his recently deceased father and more personal domestic tensions. Shot from a variety of perspectives, a roving camera alternates images of great lucidity with partially obscured scenes set in darkness and subdued shadows. A difficult to dispose of corpse, unexploded ordinance, the brief flash of wedding festivities, and children of uncertain parentage are woven into the larger drama of villagers playing out differences between long-standing traditional customs and a highly fraught attempt at a new order. —Brian Karl
TRIBUTE: TODD HAYNES Ben and Rose are children who live in eras 50 years apart; each has a secret wish that propels their stories in Todd Haynes’ (Carol, MVFF 2015) exquisite rendering of Brian Selznick’s illustrated novel. In rural Minnesota, Ben (Oakes Fegley, Pete’s Dragon) dreams of wolves and seeks clues about the identity of his father. In Hoboken, NJ, Rose (marvelous newcomer Millicent Simmonds) immerses herself in the movies of charismatic Lillian Mayhew (Julianne Moore, a beautiful nod to Lillian Gish). Each is deaf; each sets out on a quest that leads them to New York, with the American Museum of Natural History a common backdrop. It’s perfect territory for Haynes’s rich cinematic senses: The vibrant color and swagger of 1977 New York is evoked to perfection by Ed Lachman’s cinematography; Cartwell Burwell’s score is terrific. Wonderstruck is striking and wonder-filled, and confirms Haynes as one of the most important artists of his generation. —Zoë Elton
(SETO SURYA)
Fri Sun
Oct 13 Oct 15
3:30pm 6:45pm
Fri
Oct 13
7:00pm
Rafael
FOCUS: CANNABIS CULTURE Come celebrate MVFF’s 40th anniversary with this special screening of Woodstock, which screened at MVFF’s inaugural festival in 1978 in tribute to cinematographer David Myers. Innocent, hopeful, and groovy, the musical happening at Yasgur’s farm instantly obliterated everyone’s expectations, and this documentary became a cultural and cinematic touchstone. No one had ever witnessed anything like this three-day gathering, which was genuinely peaceful despite times no less polarized than our own. Jerry Garcia marveled at the “biblical, epical, unbelievable scene,” and Woodstock captures every intimate detail: the acid and the skinny dipping, the babies and freaks, dumbstruck locals and awestruck promoters, Grace Slick’s electric blue eyes and Richie Havens’ fast-tapping foot, plus every bead of sweat flying from Joe Cocker’s head. Hendrix, Joplin, Santana, the Who, CSNY: No concert film boasts a better soundtrack, or better stage announcements. Be there. —Jeff Campbell Sat
Oct 7
6:00pm
Corte Madera
Rafael Lark
Active Cinema
SPONSORED BY
SPONSORED BY
STERLING BANK AND TRUST
BLOOM FARMS
Mind the Gap: Women | Film | Tech
Viva el Cine
153
FILMS
WORST CASE WE GET MARRIED
YEVA
(ET AU PIRE, ON SE MARIERA)
WORLD CINEMA
WORLD CINEMA
Canada/Switzerland 2017 • 91 min
Armenia/Iran 2017 • 94 min
Director Léa Pool Producers Lyse Lafontaine, François Tremblay, Elisa Garbar Screenwriters Léa Pool, Sophie Bienvenu Cinematographer Denis Jutzeler Editor Michel Arcand Cast Sophie Nélisse, Karine Vanasse, JeanSimon Leduc Print Source Les Films Seville
Director/Screenwriter Anahid Abad Producer Taghi Ali Gholizadeh Cinematographer Hassan Karimi Editor Siavash Kordjan Cast Narina Grigorian, Shant Hovhanisian, Sergay Tovmasian, Vrejh Kasoni, Marjan Avadisyan,Roz Avadisova, Digran Davtian Print Source Farabi Cinema Foundation
In French with English subtitles Do you remember the first time you fell in love? Fourteen-year-old Aïcha Saint-Pierre is as possessed with her obsession for Baz, a handsome, 20-something neighbor, as she is consumed with fury at her single mother, Isabelle. Simmering with hormones, turbulence, and emotion, the Montreal teenager skips school, crafts a variety of rebellious personas informed by the Central-South neighborhood prostitutes who serve as her confidantes, and feverishly calculates how to beguile well-meaning Baz into the lover of her dreams. Her story unfolds through flashback and confession, leaving the audience to determine the nuances of truth stuck through a web of fabrications, presented by the unreliable narrator, Aïcha herself. In adapting French-Canadian novel Et au pire, on se mariara, acclaimed filmmaker Léa Pool (The Passion of Augustine, MVFF 2015) reteams with actress Karine Vanasse (Emporte-moi) and elicits passionate performances from sisters Isabelle and Sophie Nélisse (The Book Thief, MVFF 2013) as she explores the tumultuous nexus of obsession, desire, fantasy, and truth. US PREMIERE —Leah LoSchiavo
FOCUS: HIDING & SEEKING In Farsi with English subtitles After the death of her husband, single mother Yeva and her young daughter arrive in a small village seeking protection from vengeful in-laws in this compelling Armenian-Iranian drama helmed by a woman director. Hoping to escape to France with her little girl, Yeva soon finds that concealing her past is not as easy as she hoped. But as her situation becomes increasingly precarious, she learns that she is not alone in her struggle to conquer grief and find personal redemption. Anchored by a powerful lead performance from Narina Grigorian, and beautifully filmed with cinematic detail of Armenia’s disputed Karabakh region, where Persian, Turkish, and Russian cultures meet and collide, Anahid Abad’s debut feature paints a portrait of a border town rife with personal secrets and the aftereffects of war. US PREMIERE —Emelie Mahdavian
Tue Oct 10 Wed Oct 11
3:30pm 6:30pm
Mon Oct 9 Tue Oct 10
6:15pm 9:00pm
Larkspur Rafael
IN A SSOCIATION WITH THE PERSIAN CENTER
Rafael Rafael
IN A SSOCIATION WITH DIGITAL MOOSE LOUNGE
154
Active Cinema
Mind the Gap: Women | Film | Tech
Viva el Cine
THE TAO OF FILM
155
CALENDAR CALENDAR THURSDAY OCTOBER 6
SEQUOIA
RAFAEL
1
2
1
7:00 PM DARKEST HOUR
7:00 PM DARKEST HOUR
7:00 PM LOVING VINCENT
114 min
114 min
2
3 7:00 PM WAIT FOR YOUR LAUGH
94 min
85 min
SEQUOIA
RAFAEL
1
2
1
2
3
12:00 PM HUMAN FLOW
2:00 PM EARTH WISDOM FOR A WORLD IN CRISIS
10:00 AM OWLS & MICE
2:30 PM AN ACT OF DEFIANCE
3:00 PM WESTERN
3:30 PM THE VENERABLE W
6:15 PM LAW OF THE LAND
6:00 PM FACES, PLACES
6:30 PM TRIBUTE: KRISTIN SCOTT THOMAS DARKEST HOUR
9:00 PM CIAO, CIAO 83 min
8:30 PM DIRTBAG: THE LEGEND OF FRED BECKEY
12:00 PM HAPPENING: A CLEAN ENERGY REVOLUTION
11:30 AM ALPHAGO
12:45 PM PORCUPINE LAKE
2:15 PM FÉLICITÉ
3:45 PM SONG OF GRANITE
5:30 PM THE DIVINE ORDER
6:30 PM AN ACT OF DEFIANCE
8:30 PM A RIVER BELOW
9:30 PM 5@5 ALL THE MADMEN
11:45 AM THE RELATIONTRIP
12:15 PM 5@5 TUMBLE AND TWIRL
140 min
FRIDAY OCTOBER 7
CINEMA
3:30 PM THE INLAND ROAD 79 min
6:15 PM MAD HANNANS 85 min
9:00 PM IN SYRIA 86 min
80 min
82 min
4:45 PM 5@5 GOLDEN YEARS 60 min
6:45 PM FILM STARS DON’T DIE IN LIVERPOOL
123 min
115 min
90 min
114 min
105 min
119 min
89 min
96 min
9:30 PM THE HI DE HO SHOW 100 min
12:00 PM REVOLTING RHYMES 76 min
SATURDAY OCTOBER 8
3:00 PM 5@5 A BETTER FUTURE 77 min
6:30 PM SPOTLIGHT: DEE REES MUDBOUND 134 min
10:00 PM FOURTH MOVEMENT 115 min
10:30 AM OWLS & MICE 80 min
90 min
75 min
1:00 PM KIM SWIMS
3:00 PM TRIBUTE: SEAN PENN
76 min
124 min
90 min
3:45 PM THE DESERT BRIDE
6:00 PM THE PARTY
78 min
96 min
71 min
6:00 PM LOVE, CECIL
8:45 PM UNDER THE RADAR: 70 YEARS OF POLISH ANIMATION
98 min
117 min
85 min
104 min
123 min
70 min
90 min
9:15 PM THE DEEP SKY 86 min
12:30 PM METAMORPHOSIS: JUNIOR YEAR
SUNDAY OCTOBER 9
75 min
3:00 PM THE LAST ANIMALS 92 min
6:00 PM MARY JANES: THE WOMEN OF WEED 85 min
8:45 PM THE SQUARE 142 min
156
US CINEMA
11:45 AM THE COUSIN
12:00 PM SPOOR
2:30 PM LET THE SUNSHINE IN
3:15 PM THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
93 min
128 min
95 min
5:30 PM A FANTASTIC WOMAN 103 min
8:15 PM BPM (BEATS PER MINUTE) 143 min
WORLD CINEMA
115 min
7:00 PM TRIBUTE: HOLLY HUNTER 90 min
9:00 PM TORCH 100 min
89 min
2:45 PM THE SANDGLASS 124 min
6:00 PM CITY OF JOY 75 min
8:45 PM BILL FRISELL, A PORTRAIT 115 min
VALLEY OF THE DOCS
68 min
2:30 PM THE INSULT 113 min
5:30 PM ARRANGIARSI (PIZZA... & THE ART OF LIVING) 96 min
8:30 PM WESTERN 119 min
FAMILY filmHOOD FILMS
CALENDAR CALENDAR
MVFF40 on Social Media #MVFF40 InstagraM: @millvalleyfilmfestival Facebook: @MillValleyFilmFestival
LARK
CINEMA
6:00 PM THE COUSIN
7:00 PM THE BALLAD OF LEFTY BROWN
93 min
twItter: @MVFilmfest snapchat: mvfilmfest mvff.com
SWEETWATER
111 min
---- OLD MILL PARK ----
85 min
7:00 PM MOANA 107 min
MVFF MUSIC: MAD HANNANS
FRIDAY OCTOBER 6
8:45 PM PORCUPINE LAKE
Doors: 8:00 PM Show: 9:00 PM
6:00 PM THE LONG SHADOW 87 min
6:00 PM WOODSTOCK 220 min
---- OUTDOOR ART CLUB ----
72 min
10:00 AM – 6:00 PM MIND THE GAP SUMMIT FROM CALIFORNIA TO HAITI: SCREENING & CONCERT FILM Doors: 6:30 PM Show: 7:00 PM
SATURDAY OCTOBER 7
8:45 PM THE CORRIDOR
MUSIC Doors: 8:30 PM Show: 9:00 PM
11:00 AM REVOLTING RHYMES 76 min 81 min
3:30 PM THE PARTY
3:00 PM CANNABIS CULTURE & THE NEW ENTREPRENEUR
(Go to mvff.com for tickets) 85 min
5:30 PM THE MEYEROWITZ STORIES 110 min
71 min
90 min
---- OUTDOOR ART CLUB ---2:30 PM METAMORPHOSIS: A SCREENWRITING IMMERSIVE FOR TEENS 150 min
6:00 PM THE DIVINE ORDER
MVFF MUSIC: WAILING SOULS
96 min
8:45 PM LAW OF THE LAND
Doors: 7:00 PM Show: 8:00 PM
90 min
5@5 SHORTS
SUNDAY OCTOBER 8
1:15 PM THE MYSTERY OF GREEN HILL
1:00 PM MEMBER SCREENING: DEALT
MUSIC
SPECIAL
BEHIND PANELS/CLASSES THE SCREENS
157
CALENDAR CALENDAR
MONDAY OCTOBER 9
SEQUOIA
RAFAEL
1
2
1
2
3
12:30 PM THE RELATIONTRIP
1:15 PM HAPPENING: A CLEAN ENERGY REVOLUTION
10:00 AM 5@5 A BETTER FUTURE
2:30 PM MARY JANES: THE WOMEN OF WEED
3:15 PM MAD HANNANS
89 min
3:15 PM BILL FRISELL, A PORTRAIT 115 min
6:15 PM THE SHAPE OF WATER
77 min
75 min
1:30 PM IN SYRIA
4:15 PM 5@5 ALL THE MADMEN
86 min
70 min
4:00 PM I STILL HIDE TO SMOKE
85 min
6:00 PM CIAO CIAO 83 min
6:30 PM THE DESERT BRIDE 78 min
9:15 PM 5@5 LIFE ON MARS?
119 min
6:45 PM ANDRE: THE VOICE OF WINE
9:00 PM UNDER THE RADAR: 70 YEARS OF POLISH ANIMATION
9:15 PM NOTHINGWOOD
11:15 AM I STILL HIDE TO SMOKE
12:30 PM CITY OF JOY
3:00 PM A FANTASTIC WOMAN
3:30 PM WORST CASE WE GET MARRIED
4:00 PM THE RELATIONTRIP
3:30 PM MANKILLER
3:00 PM LET THE SUNSHINE IN
6:00 PM JANE
6:15 PM NO MAN’S LAND
6:45 PM THE LAST ANIMALS
6:00 PM HORN FROM THE HEART: THE PAUL BUTTERFIELD STORY
5:30 PM 5@5 LIFE ON MARS?
8:15 PM THE FLORIDA PROJECT
9:00 PM YEVA
9:30 PM 5@5 STATION TO STATION
10:00 AM JANE
11:15 AM THE LONG SHADOW
2:00 PM FÉLICITÉ
3:00 PM HAROLD AND MAUDE
2:30 PM MANKILLER
6:30 PM WORST CASE WE GET MARRIED
6:00 PM MOLLY’S GAME
5:30 PM ESTEBAN
9:15 PM 5@5 IT’S NO GAME
90 min
TUESDAY OCTOBER 10
90 min
74 min
104 min
9:00 PM TIP OF MY TONGUE
90 min
98 min
7:00 PM TBA
8:45 PM THE LIGHT OF THE MOON
85 min
90 min
70 min
85 min
75 min
103 min
95 min
90 min
70 min
115 min
91 min
81 min
94 min
89 min
92 min
62 min
8:00 PM TBA
90 min
12:00 PM ALPHAGO
THURSDAY OCTOBER 12
WEDNESDAY OCTOBER 11
90 min
3:00 PM A SIBLING MYSTERY 80 min
6:00 PM THE FLORIDA PROJECT 115 min
9:30 PM SNOWY BING BONGS ACROSS THE NORTH STAR COMBAT ZONE
12:45 PM TBA
90 min
4:00 PM 5@5 TUMBLE AND TWIRL 68 min
91 min
6:30 PM THE LEISURE SEEKER 112 min
140 min
9:15 PM NO MAN’S LAND
96 min
2:30 PM 5@5 IT’S NO GAME 70 min
5:30 PM THIRD MIND BLUES 58 min
8:00 PM THE LAST PIG 85 min
158
US CINEMA
74 min
90 min
124 min
91 min
70 min
8:30 PM MY HAPPY FAMILY
81 min
131 min
60 min
11:30 AM ARRANGIARSI (PIZZA... & THE ART OF LIVING)
87 min
12:15 PM HOLY AIR
10:00 AM THE CORRIDOR
12:30 PM JAHA’S PROMISE
12:00 PM THE INVISIBLES
3:00 PM JUST ONE DROP
1:00 PM THE INLAND ROAD
3:00 PM HORN FROM THE HEART: THE PAUL BUTTERFIELD STORY
4:00 PM SNOWY BING BONGS ACROSS THE NORTH STAR COMBAT ZONE
6:30 PM MR. ROOSEVELT
3:45 PM BPM (BEATS PER MINUTE) 143 min
6:00 PM ONE OF US
6:30 PM EL AMPARO
9:00 PM CALL ME BY YOUR NAME
7:00 PM CENTERPIECE: LAST FLAG FLYING
9:00 PM A SIBLING MYSTERY
9:30 PM 5@5 GOLDEN YEARS
81 min
72 min
92 min
79 min
91 min
132 min
119 min
WORLD CINEMA
81 min
104 min
95 min
80 min
VALLEY OF THE DOCS
110 min
60 min
99 min
60 min
FAMILY filmHOOD FILMS
CALENDAR CALENDAR LARKSPUR LANDING
LARK
1
2
6:15 PM YEVA
6:45 PM SPOOR
6:00 PM VAZANTE
8:45 PM JAHA’S PROMISE
9:15 PM EL AMPARO
8:45 PM THE DEEP SKY
81 min
128 min
SWEETWATER
116 min
99 min
MONDAY OCTOBER 9
94 min
OUTDOOR ART CLUB
86 min
MVFF MUSIC: SARAH JAROSZ
Doors: 7:00 PM Show: 8:00 PM
6:00 PM LOVELESS
6:30 PM A SIBLING MYSTERY
10:00 AM THE LONG SHADOW
9:15 PM MR. ROOSEVELT
9:00 PM THE INSULT
12:15 PM 5@5 FUTURE LEGEND
127 min
113 min
87 min
87 min
6:00 PM SONG OF GRANITE 104 min
MVFF MUSIC: HONORING PAUL BUTTERFIELD A BLUES CELEBRATION
8:30 PM DIRTBAG: THE LEGEND OF FRED BECKEY
Doors: 8:00 PM Show: 9:00 PM
96 min
6:15 PM THE VENERABLE W
6:00 PM THE LIGHT OF THE MOON
9:00 PM TIP OF MY TONGUE
8:45 PM A RIVER BELOW
115 min
90 min
117 min
MVFF MUSIC: B AND THE HIVE
WEDNESDAY OCTOBER 11
90 min
TUESDAY OCTOBER 10
91 min
80 min
Doors: 7:00 PM Show: 8:00 PM
7:15 PM HUMAN FLOW
6:15 PM ESTEBAN
9:00 PM MARY JANES: THE WOMEN OF WEED
9:00 PM FILM STARS DON’T DIE IN LIVERPOOL
116 min
90 min
85 min
7:00 PM JOHN SANBORN: AN INTROSPECTIVE RETROSPECTIVE
105 min
90 min
MVFF MUSIC: MANZAREK ROGERS TRIBUTE BAND
THURSDAY OCTOBER 12
140 min
6:00 PM THELMA
Doors: 7:30 PM Show: 8:30 PM
5@5 SHORTS
MUSIC
SPECIAL
BEHIND PANELS/CLASSES THE SCREENS
159
CALENDAR CALENDAR
FRIDAY OCTOBER 13
SEQUOIA
RAFAEL
1
2
1
2
3
12:00 PM TBA
12:30 PM THE SQUARE
10:00 AM KIM SWIMS
12:00 PM THE LAST PIG
3:30 PM WHITE SUN
3:45 PM 5@5 CYGNET COMMITTEE
1:00 PM ANDRE: THE VOICE OF WINE
2:45 PM THELMA
6:30 PM HOLY AIR
6:00 PM ON THE SLY: IN SEARCH OF THE FAMILY STONE
4:00 PM THE LEISURE SEEKER
6:00 PM THE OTHER SIDE OF HOPE
9:00 PM 5@5 STATION TO STATION
7:00 PM TRIBUTE: TODD HAYNES WONDERSTRUCK
8:30 PM RADIANCE
11:00 AM NOT ALONE: SCREENING & PANEL TALKING ABOUT TEEN SUICIDE
12:00 PM LIYANA
3:00 PM LOVELESS 127 min
6:30 PM THE LAST PHOTOGRAPH 96 min
9:30 PM AFTER THE WAR 92 min
142 min
63 min
83 min
8:45 PM SUMMER 1993 96 min
SATURDAY OCTOBER 14
12:00 PM ONE OF US 95 min
101 min
3:00 PM VITCH
2:30 PM JUST ONE DROP
5:30 PM THE OTHER SIDE OF HOPE
5:45 PM IN THE FADE
9:00 PM TBA
8:45 PM TBA
78 min
100 min
92 min
106 min
87 min
85 min
98 min
112 min
116 min
81 min
100 min
101 min
115 min
89 min
90 min (See page 87 for details)
3:45 PM GOODBYE CHRISTOPHER ROBIN 107 min
7:00 PM SPOTLIGHT: ANDREW GARFIELD BREATHE 117 min
62 min
2:30 PM WENDY 91 min
11:00 AM STATE OF THE INDUSTRY: FROM ACQUISITION TO EXHIBITION 90 min
3:00 PM ON THE BEACH AT NIGHT ALONE 101 min
5:30 PM STRANGE BIRDS
6:15 PM 5@5 CYGNET COMMITTEE
70 min
63 min
9:00 PM THE HI DE HO SHOW 100 min
8:45 PM FOURTH MOVEMENT 115 min
11:00 AM FACES, PLACES
11:30 AM WENDY
11:00 AM THE LAST PHOTOGRAPH
11:45 AM A CIAMBRA
11:15 AM THE INVISIBLES
1:45 PM TBA
2:15 PM LOS PERROS
1:45 PM GOODBYE CHRISTOPHER ROBIN
2:15 PM QUEST
2:45 PM THE MYSTERY OF GREEN HILL
5:00 PM THE CURRENT WAR
5:00 PM LADY BIRD
5:00 PM LADY BIRD
5:00 PM LADY BIRD
8:15 PM TBA
8:00 PM THE SHAPE OF WATER
8:30 PM SUMMER 1993
89 min
SUNDAY OCTOBER 15
11:30 AM RADIANCE
76 min
5:00 PM THE CURRENT WAR 105 min
US CINEMA
91 min
94 min
105 min
WORLD CINEMA
96 min
118 min
107 min
93 min
85 min
110 min
81 min
93 min
93 min
119 min
VALLEY OF THE DOCS
96 min
filmHOOD
ConciergeMarin WE MANAGE, MARKET & MAINTAIN UPSCALE VACATION RENTAL PROPERTIES IN MARIN
ADRIENNE BIGGS, OWNER ESTABLISHED 2014 415-987-2559 CONCIERGEMARIN@GMAIL.COM
LISTINGS ON VRBO, HOMEAWAY AND AIRBNB
Facebook.com/ConciergeMarin 160
CALENDAR CALENDAR LARKSPUR LANDING
LARK
1
2
12:30 PM THE LAST ANIMALS
12:00 PM DIRTBAG: THE LEGEND OF FRED BECKEY
92 min
96 min
6:15 PM EARTH WISDOM FOR A WORLD IN CRISIS 82 min
9:15 PM VAZANTE 116 min
96 min
12:45 PM LIYANA 89 min
3:45 PM NOTHINGWOOD
3:00 PM MY HAPPY FAMILY
85 min
131 min
6:30 PM LOS PERROS 94 min
9:00 PM ON THE BEACH AT NIGHT ALONE 101 min
9:00 PM THIRD MIND BLUES
Doors: 8:00 PM Show: 9:00 PM
3:45 PM QUEST
6:15 PM ANDRE: THE VOICE OF WINE
6:15 PM AFTER THE WAR
6:30 PM LIFE AND NOTHING MORE
9:15 PM TBA
110 min
60 min
85 min
98 min
95 min
9:15 PM TBA
11:30 AM TBA
11:00 AM STRANGE BIRDS
11:00 AM 5@5 FUTURE LEGEND
2:00 PM TBA
1:30 PM METAMORPHOSIS: JUNIOR YEAR
8:00 PM TBA
5@5 SHORTS
70 min
TENNESSEE VALLEY 10:00 AM ACTIVE CINEMA HIKE
See page 12 for details
2:00 PM - VR EXPERIENCE 2:45 PM - VR PANEL 135 min
2:45 PM - VR PANEL 4:15 PM - VR EXPERIENCE 135 min
MVFF MUSIC: BEYOND THE SUPERNOVA JOE SATRIANI VIP Meet & Greet: 7:30 PM Doors: 8:00 PM Show: 9:00 PM
87 min
5:45 PM IN THE FADE 106 min
75 min
10:00 AM – 2:00 PM
4:00 PM 5@5 A BETTER FUTURE
VR EXPERIENCE: TREE
77 min
8:15 PM 5@5 FESTIVAL FAVES
SHOW 2 Doors: 8:30 PM Show: 9:00 PM
87 min
MUSIC
event—architecture—animal—travel photography + graphic design
MVFF MUSIC: HUEY LEWIS & THE NEWS SHOW 1 Doors: 6:00 PM Show: 7:00 PM
6:45 PM WHITE SUN
100 min
SUNDAY OCTOBER 15
115 min
2:00 PM VR AT THE CROSSROADS
83 min
5:15 PM THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
VR EXPERIENCE: TREE
2:45 PM VR AT THE CROSSROADS
9:00 PM ON THE SLY: IN SEARCH OF THE FAMILY STONE
78 min
10:00 AM – 4:00 PM
SATURDAY OCTOBER 14
3:00 PM CALL ME BY YOUR NAME
2:30 PM VITCH
MVFF MUSIC: THE FAMILY STONE
58 min
4:00 PM BEYOND THE SUPERNOVA
92 min
VR EXPERIENCE: TREE
118 min
12:45 PM THE INVISIBLES
132 min
10:00 AM – 4:00 PM
6:00 PM A CIAMBRA
12:00 PM MANKILLER 74 min
SWEETWATER
FRIDAY OCTOBER 13
3:15 PM ARRANGIARSI (PIZZA... & THE ART OF LIVING)
OUTDOOR ART CLUB
SPECIAL
415. 384.0908
BEHIND THE SCREENS
al@allisonlevenson.com
www. allisonlevenson.com
161
We got a makeover!
Visit icgmagazine.com to check out our fresh new look!
EAST BAY EXPRESS is very proud to support the
MILL VALLEY FILM FESTIVAL
and would like to thank all of its SuPPoRTERS.
www.EastBayExprEss.com
PROUD SPONSOR OF THE 40TH MILL VALLEY FILM FESTIVAL
ďŹ nest handmade stemware
available at www.ThePerfect.Glass
Wish your business had the Vibe of a great film? We do... Vibe Consulting helps you succeed in today’s crowded marketplace. We can help define or evolve your business / brand to rise above the competition. When digital, experiential and marketing are all working in concert you will acheive better results. SERVICES INCLUDE Strategy | Branding | Experiential | Market Positioning Marketing and Sales Planning & Execution | Account and Partner Management
Contact us today for a free consultation E-mail / kmillervibe@gmail.com
45 Tamal VisTa BlVd. CorTe madera, Ca 94925
Our spaciOus One and twO bedrOOm suites feature Free High-Speed Internet Access • Satellite TV • Fully Equipped Kitchens • Living Rooms & Private Bedrooms
pLus YOu’LL enJOY Our Complimentary Continental Breakfast • Heated Salt Water Pool • Whirlpool Spa • Fitness Center • Sauna • Laundry
marinsuites.com
P: 415.924.3608
F: 415.924.0761
E : marinsuites@outrigger.net
MVFF | CFI STAFF OPERATIONS MANAGER
Dave Feiferis OPERATIONS COORDINATOR
Carina Matonis VOLUNTEER MANAGER
Faridah Gbadamosi VOLUNTEER COORDINATOR
Romina Garcia CFI EXECUTIVE DIRECTOR / FOUNDER MVFF FOUNDER / DIRECTOR
Mark Fishkin DIRECTOR OF PROGRAMMING
Zoë Elton
PROGRAMMING SENIOR PROGRAMMERS
Karen Davis Janis Plotkin PROGRAMMER
Kelly Clement PROGRAMMING MANAGER/ SHORTS PROGRAMMER
Sterling Hedgpeth PROGRAMMING ASSOCIATES
Nadia Ismail Dominique O’Neil PROGRAMMING ASSISTANT/ ACTIVE CINEMA COORDINATOR
Emily Porter filmHOOD PROGRAMMER
Joanne Parsont MUSIC PROGRAMMER
Laura Henneman ANIMATION PROGRAMMER
Amanda Todd PANELS MANAGER
Maribel Guevara CLIPS EDITOR
Marcus Pun PROGRAMMING INTERNS & RESEARCHERS
George-Nicholas al Khouri Serena Bramble Jordon Briggs Samantha Cox-Parra Charles Dickey Arielle Estrada Sophie Gunther Lucia Proctor-Bonbright Katherine Wheeler
FESTIVAL OPERATIONS DIRECTOR OF OPERATIONS
Jeromy Zajonc 166
FRONT DESK PRODUCTION ASSISTANT
Stephanie Lytle MUSIC MANAGERS
Aaron Kayce Madison Flach
TECHNICAL OPERATIONS & PRODUCTION TECHNICAL DIRECTOR
Dan Zastrow ASSISTANT TECHNICAL DIRECTOR
Ryan Hastie TECHNICAL CONSULTANT
Marty Brenneis EXHIBITION MEDIA MANAGER
Jesse Dubus PRODUCTION MANAGER
Paul Hegarty PRODUCTION ASSISTANTS
Anthony Doyle Paul Kellogg
THEATER OPERATIONS THEATER OPERATIONS MANAGER
Christa Lynn Luckenbach THEATER OPERATIONS COORDINATOR
Kim Lowe THEATER OPERATIONS ASSISTANT
Amanda Gallegos VENUE MANAGERS
Miriam Benezra Carley Callahan David Corry Christina Halverson Alex Mills Julie Vescera HOUSE MANAGERS
Gabriella Banét Lluvia Fernandez Piper Hanson Drew Highlands Willita Mahone Rachel Olson Ashley Soares Earline Stephen Cheyanne Warren
LINE MANAGERS
Dylan Boom Gracie Gilbert Max Gillies Priya Gupta Anna Hanson Katie Janx Michael McIlraith Derek Petrillo Barbara Vasconez PROJECTIONISTS
Addie Backus-Place Jono Clay Griffin Couillard Michael Edwards Tim Fross Cody Gehret Ryan Hastie Gilbert Leonor Peter Matheny-Schuster Kyle McMillin Cody Axel Silva Josh Stithem Tim Taylor Sophia Verbiscar Andrew Walker
GUEST & TRANSPORTATION SERVICES GUEST SERVICES MANAGER
Alana Davis GUEST SERVICES COORDINATORS
Sofia Alicastro Joanny Rivera TRANSPORTATION MANAGER
Albert Chow TRANSPORTATION COORDINATOR
Christopher Markisz
FESTIVAL BOX OFFICE TICKETING SERVICES PROVIDED BY BOX CUBED
Ben Armington Vanessa Gentry Sophie Gunther Mitch Vaughn BOX OFFICE STAFF
Rita Becker Tatiana Bookbinder Serena Bramble Jill Brooke Tiffany Collins Mark Curran Samm Fricke Ashlyn Perri Kar Yin Tham
MVFF | CFI STAFF SPECIAL EVENTS SPECIAL EVENTS MANAGER
Yvonne Fox FESTIVAL EVENT MANAGER
Carrie Kaufman EVENTS COORDINATOR
Mimi Cribbin OUTDOOR ART CLUB VENUE MANAGER
Jordan Menashe PHOTOS BY TOMMY LAU PHOTOGRAPHY
MILL VALLEY FILMMAKER LOUNGE COORDINATOR
Daniel Freeman SAN RAFAEL FILMMAKER LOUNGE COORDINATOR
Bobby Pin FILMMAKER LOUNGE ASSISTANT
Aileen Fowler
MARKETING AND PUBLICITY DIRECTOR OF MARKETING & PUBLICITY
Shelley Spicer MARKETING COORDINATORS
Leah LoSchiavo Sarah Escalante SOCIAL MEDIA SPECIALIST
Phoebe Lewis DIGITAL MEDIA & WEB MANAGER
Courtney Buffington GRAPHIC DESIGNER
Brian Lehman WEB & GRAPHIC DESIGN PRODUCTION ASSISTANT
Richard Denney MANAGING EDITOR
Joanne Parsont COPY EDITOR
Pam Grady MEDIA COORDINATOR
Greg Garthe HOUSE VIDEOGRAPHER
Mike Van Metre HOUSE PHOTOGRAPHER
Tommy Lau MARKETING INTERN
Dario Apodaca
DEVELOPMENT AND MEMBERSHIP DIRECTOR OF DEVELOPMENT
Liana Bender CORPORATE DEVELOPMENT MANAGER
Beau Blanchard
MAJOR GIFTS AND FOUNDATION MANAGER
Katy Hogan CORPORATE DEVELOPMENT ASSOCIATE
Nicholas Friedman ACTIVATIONS COORDINATOR
Laura Barber MEMBERSHIP MANAGER
Doreen Aviv MEMBERSHIP ASSOCIATE
Alyssa Cox DEVELOPMENT SCHEDULING COORDINATOR
Jason Fong DEVELOPMENT INTERNS
Madelyn Broad Tess Jagger-Wells
CFI EDUCATION EDUCATION DIRECTOR
Joanne Parsont EDUCATION MANAGER
Melanie Nichols
EXECUTIVE OFFICE EXECUTIVE ASSISTANT
Maureen Galliani CFI RELEASING STRATEGIST
Jonathan Marlow
FINANCE AND ADMINISTRATION DEPUTY DIRECTOR
Dane Callihan
FINANCE MANAGER
Connie Chang FINANCE ASSOCIATE
Laura Austin IT & OPERATIONS MANAGER
Norman Mello
CHRISTOPHER B. SMITH RAFAEL FILM CENTER DIRECTOR OF PROGRAMMING
Richard Peterson GENERAL MANAGER
Dan Zastrow PROGRAM CONSULTANT
Jan Klingelhofer ASSISTANT MANAGER
Jordan Jones SHIFT MANAGERS
Phili Hoffman-Harris Philippe Matheus SMITH RAFAEL FILM CENTER STAFF
Kellan Abend Lucie Barnette Melina Christensen Dante Cokinos Maddison Harris Elena Laughlin Mary Marriott Brandon Navone Oliver Owens Madeline Reciinos Cody Silva Finnegan Weeks Kyla Wright
167
We’re a moving and service marketplace working to solve the biggest problems in the world by empowering you, and saving you time.
OUR APP MAKES MOVING EFFICIENT AND GIVING BACK EFFORTLESS. Good Green shifts consumer power to advance work that matters. When we handle your local and long distance moving, we rebuild global habitats and support social and environmental justice agendas by donating 10% of our net revenue to extensively-vetted charities. You pick the charity you’d like to support when you move or order Good Green services. The Good Green app streamlines all of your moving needs -- meaning more free time, less stress, and progress toward a better world -- by ordering household services that you need anyway.
ORDER TODAY TO JOIN US IN CARING FOR BOTH PEOPLE AND THE PLANET.
Yourisevent is special, Your event special, perhapsperhaps once-in-once-in a-lifetime special. Bartenders a-lifetime special. Bartenders Unlimited Your event is special, perhaps once-in-Unlimite mitak es i tfor eas y f or o u t o the e n jo y t h a-lifetime special. Bartenders Unlimited makes easy you to yenjoy m ak esoccasion it with eas y an for y ou e narray j o y t hof earray o with antoextensive occasion extensive occasion with an packages extensive array of beverage and signature beverage packages and signature beverage packages signature cocktails designed to enhance an cocktails designed toand enhance any cocktails designed to enhance celebration, with any exemplar celebration, served served with exemplary celebration, served with exemplary professionalism. for Weddings professionalism. Perfect Perfect for Weddings, professionalism. Perfect for Weddings, Corporate Functions, Social Mixers Corporate Functions, Social Mixers, Corporate Functions, Social Mixers, Fundraisers, Reunions, and Specia Fundraisers, Reunions, and Special Fundraisers, Reunions, and Special en s i tUendl iim EEvveenntt sE ,v B a tr st e, nBdaerrtse nUdnel irm s ited i s, Bartenders Unlimited is California’s preeminent beverage California’s beverage caterer. caterer California’s preeminent preeminent beverage caterer. Contact Bartenders Unlimited Contact Unlimited today toda Contact Bartenders Bartenders Unlimited today at 415 454-3731. at 415 454-3731. at 415 454-3731.
åç´ƒ©˙ˆ˚˜øœ®ß†¨¥`¡™£¢§¶•ªº–“‘«…æ÷ ÅıÇÎ´Ï˝ÓˆÔÒ˜،‰Íˇ¨„˛Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿ Á¸`⁄‹›fifl‡°·‚—±"'»ÚƯ˘¿|áéíóúâêîôûàèìòùäëïöüÿãñõÁÉÍÓÚÀÈÌÒÙÄËÏÖÜŸÑÃÕÂÊÎÔÛ ”“’‘ '" € gotham_book_abcdefghijklmnopqrstuvwxyz`1234567890-=[]\;’,./ ABCDEFGHIJKLMNOPQRSTUVWXYZ~!@#$%^&*()_+{}|:”<>? åç´ƒ©˙ˆ˚˜øœ®ß†¨¥`¡™£¢§¶•ªº–“‘«…æ÷ ÅıÇÎ´Ï˝ÓˆÔÒ˜،‰Íˇ¨„˛Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿ Á¸`⁄‹›fifl‡°·‚—±"'»ÚƯ˘¿|áéíóúâêîôûàèìòùäëïöüÿãñõÁÉÍÓÚÀÈÌÒÙÄËÏÖÜŸÑÃÕÂÊÎÔÛ ”“’‘ '" € gotham_medium_abcdefghijklmnopqrstuvwxyz`1234567890-=[]\;’,./ ABCDEFGHIJKLMNOPQRSTUVWXYZ~!@#$%^&*()_+{}|:”<>? åç´ƒ©˙ˆ˚˜øœ®ß†¨¥`¡™£¢§¶•ªº–“‘«…æ÷ ÅıÇÎ´Ï˝ÓˆÔÒ˜،‰Íˇ¨„˛Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿ Á¸`⁄‹›fifl‡°·‚—±"'»ÚƯ˘¿|áéíóúâêîôûàèìòùäëïöüÿãñõÁÉÍÓÚÀÈÌÒÙÄËÏÖÜŸÑÃÕÂÊÎÔÛ ”“’‘ '" € gotham_bold_abcdefghijklmnopqrstuvwxyz`1234567890-=[]\;’,./ ABCDEFGHIJKLMNOPQRSTUVWXYZ~!@#$%^&*()_+{}|:”<>? åç´ƒ©˙ˆ˚˜øœ®ß†¨¥`¡™£¢§¶•ªº–“‘«…æ÷ ÅıÇÎ´Ï˝ÓˆÔÒ˜،‰Íˇ¨„˛Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿ Á¸`⁄‹›fifl‡°·‚—±"'»ÚƯ˘¿|áéíóúâêîôûàèìòùäëïöüÿãñõÁÉÍÓÚÀÈÌÒÙÄËÏÖÜŸÑÃÕÂÊÎÔÛ ”“’‘ '" € ❍❁❒❒❉❏▼✿●❉❇❈▼✿❁❂❃❄❅❆❇❈❉❊❋●❍■❏❐❑❒▲▼◆❖◗❘❙❚❀✑✒✓✔✕✖✗✘✙✐✍✝✻✽✼✛✌✎✏ ✡✢✣✤✥✦✧★✩✪✫✬✭✮✯✰✱✲✳✴✵✶✷✸✹✺❞✁✠✃✄☎✾✆☛✈✉✿☞❛❝❜✚✜✞✟ marriot_light_abcdefghijklmnopqrstuvwxyz`1234567890-=[]\;’,./ ABCDEFGHIJKLMNOPQRSTUVWXYZ~!@#$%^&*()_+{}|:”<>? å∫ç∂´ƒ©˙ˆ∆˚¬µ˜øπœ®ß†¨√∑≈¥Ω`¡™£¢∞§¶•ªº–≠“‘«…æ≤≥÷ ÅıÇÎ´Ï˝ÓˆÔÒ˜Ø∏Œ‰Íˇ¨◊„˛Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿ Á¸`⁄‹›fifl‡°·‚—±"'»ÚƯ˘¿|áéíóúâêîôûàèìòùäëïöüÿãñõÁÉÍÓÚÀÈÌÒÙÄËÏÖÜŸÑÃÕÂÊÎÔÛ ”“’‘ '" € marriot_light_italic_abcdefghijklmnopqrstuvwxyz`1234567890-=[]\;’,./ ABCDEFGHIJKLMNOPQRSTUVWXYZ~!@#$%^&*()_+{}|:”<>? å∫ç∂´ƒ©˙ˆ∆˚¬µ˜øπœ®ß†¨√∑≈¥Ω`¡™£¢∞§¶•ªº–≠“‘«…æ≤≥÷ ÅıÇÎ´Ï˝ÓˆÔÒ˜Ø∏Œ‰Íˇ¨◊„˛Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿ Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿|áéíóúâêîôûàèìòùäëïöüÿãñõÁÉÍÓÚÀÈÌÒÙÄËÏÖÜŸÑÃÕÂÊÎÔÛ ”“’‘ '" € marriott_med_abcdefghijklmnopqrstuvwxyz`1234567890-=[]\;’,./ ABCDEFGHIJKLMNOPQRSTUVWXYZ~!@#$%^&*()_+{}|:”<>? å∫ç∂´ƒ©˙ˆ∆˚¬µ˜øπœ®ß†¨√∑≈¥Ω`¡™£¢∞§¶•ªº–≠“‘«…æ≤≥÷ ÅıÇÎ´Ï˝ÓˆÔÒ˜Ø∏Œ‰Íˇ¨◊„˛Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿ Á¸`⁄‹›fifl‡°·‚—±"'»ÚƯ˘¿|áéíóúâêîôûàèìòùäëïöüÿãñõÁÉÍÓÚÀÈÌÒÙÄËÏÖÜŸÑÃÕÂÊÎÔÛ ”“’‘ '" € marriott_med_italic_abcdefghijklmnopqrstuvwxyz`1234567890-=[]\;’,./ ABCDEFGHIJKLMNOPQRSTUVWXYZ~!@#$%^&*()_+{}|:”<>? åç´ƒ©˙ˆ˚˜øœ®ß†¨¥`¡™£¢§¶•ªº–“‘«…æ÷ ÅıÇÎ´Ï˝ÓˆÔÒ˜،‰Íˇ¨„˛Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿ Á¸`⁄‹›fifl‡°·‚—±"'»ÚƯ˘¿|áéíóúâêîôûàèìòùäëïöüÿãñõÁÉÍÓÚÀÈÌÒÙÄËÏÖÜŸÑÃÕÂÊÎÔÛ ”“’‘ '" € marriott_bold_abcdefghijklmnopqrstuvwxyz`1234567890-=[]\;’,./ ABCDEFGHIJKLMNOPQRSTUVWXYZ~!@#$%^&*()_+{}|:”<>? åç´ƒ©˙ˆ˚¬µ˜øœ®ß†¨¥`¡™£¢§¶•ªº–“‘«…æ÷ ÅıÇÎ´Ï˝ÓˆÔÒ˜،‰Íˇ¨„˛Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿ Á¸`⁄‹›fifl‡°·‚—±"'»ÚƯ˘¿|áéíóúâêîôûàèìòùäëïöüÿãñõÁÉÍÓÚÀÈÌÒÙÄËÏÖÜŸÑÃÕÂÊÎÔÛ ”“’‘ '" € marriott_bold_italic_abcdefghijklmnopqrstuvwxyz`1234567890-=[]\;’,./ ABCDEFGHIJKLMNOPQRSTUVWXYZ~!@#$%^&*()_+{}|:”<>? åç´ƒ©˙ˆ˚¬µ˜øœ®ß†¨¥`¡™£¢§¶•ªº–“‘«…æ÷ ÅıÇÎ´Ï˝ÓˆÔÒ˜،‰Íˇ¨„˛Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿ Á¸`⁄‹›fifl‡°·‚—±"'»ÚƯ˘¿|áéíóúâêîôûàèìòùäëïöüÿãñõÁÉÍÓÚÀÈÌÒÙÄËÏÖÜŸÑÃÕÂÊÎÔÛ ”“’‘ '" € marriot_condensed_light_abcdefghijklmnopqrstuvwxyz`1234567890-=[]\;’,./ ABCDEFGHIJKLMNOPQRSTUVWXYZ~!@#$%^&*()_+{}|:”<>? å∫ç∂´ƒ©˙ˆ∆˚¬µ˜øπœ®ß†¨√∑≈¥Ω`¡™£¢∞§¶•ªº–≠“‘«…æ≤≥÷ ÅıÇÎ´Ï˝ÓˆÔÒ˜Ø∏Œ‰Íˇ¨◊„˛Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿ Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿|áéíóúâêîôûàèìòùäëïöüÿãñõÁÉÍÓÚÀÈÌÒÙÄËÏÖÜŸÑÃÕÂÊÎÔÛ ”“’‘ '" € marriot_condensed_medium_abcdefghijklmnopqrstuvwxyz`1234567890-=[]\;’,./ ABCDEFGHIJKLMNOPQRSTUVWXYZ~!@#$%^&*()_+{}|:”<>? å∫ç∂´ƒ©˙ˆ∆˚¬µ˜øπœ®ß†¨√∑≈¥Ω`¡™£¢∞§¶•ªº–≠“‘«…æ≤≥÷ ÅıÇÎ´Ï˝ÓˆÔÒ˜Ø∏Œ‰Íˇ¨◊„˛Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿ Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿|áéíóúâêîôûàèìòùäëïöüÿãñõÁÉÍÓÚÀÈÌÒÙÄËÏÖÜŸÑÃÕÂÊÎÔÛ ”“’‘ '" € marriot_condensed_bold_abcdefghijklmnopqrstuvwxyz`1234567890-=[]\;’,./ ABCDEFGHIJKLMNOPQRSTUVWXYZ~!@#$%^&*()_+{}|:”<>? å∫ç∂´ƒ©˙ˆ∆˚¬µ˜øπœ®ß†¨√∑≈¥Ω`¡™£¢∞§¶•ªº–≠“‘«…æ≤≥÷ ÅıÇÎ´Ï˝ÓˆÔÒ˜Ø∏Œ‰Íˇ¨◊„˛Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿ Á¸`⁄‹›fifl‡°·‚—±”’»ÚƯ˘¿|áéíóúâêîôûàèìòùäëïöüÿãñõÁÉÍÓÚÀÈÌÒÙÄËÏÖÜŸÑÃÕÂÊÎÔÛ ”“’‘ '" € underline
MAKE A SPUR OF THE WEEKEND DECISION. Grab a change of pace at the Courtyard San Francisco Larkspur Landing/Marin County, nestled in Marin County not far from the heart and buzz of downtown San Francisco or the beautiful Napa Valley. Spread out and rest easier in over 146 ENERGY STAR certified, thoughtfully appointed guest rooms and suites. Each features plush Marriott linen, enhanced Paul Mitchell amenities, and smart work spaces with complimentary high speed wireless internet. Grab a jumpstart to your morning with a healthy grab-and-go item, or wind down at the end of the day with a cocktail from our lobby Bistro. Plus, we have over 1,300 sq. ft. of flexible event space should you need to plan a meeting, seminar, reception, or social engagement. Designed for the business professional and weekend explorer alike, our hotel gives you the choices to create the perfect Bay Area trip. To reserve your room, call (415) 925-1800, or visit CourtyardLarkspurLanding.com
Courtyard by Marriott® San Francisco Larkspur Landing/Marin County Larkspur, CA T (415) 925-1800 CourtyardLarkspurLanding.com Rates are per room, per night, based on availability, not available for groups of 10 or more rooms.
GIRAF F EX
CREATIVE | CONCEPT | PASSION | RELIANCE
415 . 3 4 6 . 916 6
W W W. G I R A F F E X . C O M
CREATIVE CREDITS PRINTED MATERIAL
Zio Ziegler
PUBLICATIONS
Design & Print Production
Brian Lehman
Digital Media Maven
Courtney Buffington
Production, Digital Prepress
Giraffex, Inc. - Richard Repas
Managing Editor
Joanne Parsont
Advertising Sales
Winifred MacLeod
FESTIVAL PUBLICITY
AGENCY
Larsen Associates
Principal
Karen Larsen
Publicist
Vince Johnson
Associate Publicist
Sarah Flores
AGENCY
Hamilton Ink
Principal
Stephanie Clarke
Publicist
Clara Franco
MVFF40 THEATRICAL TRAILER
ADVERTISING AGENCY BSSP
Chief Executive Officer
Greg Stern
Chief Creative Officer
John Butler
Executive Creative Director
Keith Cartwright
Executive Creative Director
Tom Coates
Associate Creative Director
Luke Zehner
Copywriter
Cameron Murray
Copywriter
Patrick French
Executive Director of Integrated Production
Vince Genovese
Senior Integrated Producer
Fearghal Oâ&#x20AC;&#x2122;Dea
Senior Producer
Dustin Levine
Integrated Production & Creative Coordinator Emilee Goo
Editor/Director of Content
Nico Litonjua
Videographer/Technical Director
Jason Apple
Account Supervisor
Danielle Patipa
Business Affairs
Angela Eddleman
POST PRODUCTION Sound Design
Company 3/Method Studios Finishing Chris Forrest
TALENT Cabe Thompson | Gerald Mclean | Channing Clarkson | Zev Rubenstein | Honour Knudsen | Megan Colling Misak Pirinjian | Max Lefferts | Susan Hough | Griffin Butler | Kevin Bagley | Sheret Goddard | Ed Esbeck Tom Coates | Anjana Kacker | Emilee Goo | Mark Ruder | Danny Chan | Imani Payne | Erin Ridgeway Kaaren James | Lauren Chatman | ND Koster | Zach Shapiro
SPECIAL THANKS
Deluxe Technicolor Digital Cinema
Scott Kulander
l-inc Design
Lisa Berghout, Ed Apodaca
Mill Valley Chamber of Commerce
Jim Welte
171
salutes the Filmmakers of the
2017 MILL VALLEY FILM FESTIVAL
escape. explore. experience. AcquaHotel.com
The worldâ&#x20AC;&#x2122;s most dramatic city.
Film in SF to capture the imagination, and capture up to $600,000 in rebates. filmsf.org 415-554-6241
ACKNOWLEDGMENTS A24 Betsy Abendroth Ted T. Abo Nancy Abodeely Elaine Acampo Edel Adam Tom Adams Michael Ahrens Nicolette Aizenberg Allied Integrated Marketing Gunnar Almer Amazon Studios Ed Arentz Artworks Foundry Amy Astley Roadside Attractions Krissy Bailey Barbro OsherPro Suecia Foundation BAWIFM Sheila Benson Bob Berney Andrea Bertolini Luke Bird Tim Bird Ewa Bojanowska David Bonbright Adriene Bowles Elizabeth Brambilla Alexander Brebner Anji Brenner Girija Brilliant Larry Brilliant Des Buford Meghann Burns Mara Buxbaum Rita Cahill Lisa Carmel Leah Chang Brenda Chapman Robert Chevara Chicago Film Festival Eric Christ Howard Cohen Consulate General of Sweden, San Francisco Krystal Contreras Joni Cooper Krishel Coultrup Reyna Cowan Melissa D’Amore Eric d’Arbeloff Joe and Sara Danielson Danish Film Institute Julia Danison Ninfa Dawson
Michelle Devereaux Dot Rama Dunayevich Annie Easton Amir Esfandiari Arielle Estrada Terri Ewing Farabi Cinema Foundation Film Fatales Blye Faust Finnish Film Foundation Rebecca Fisher Milady Flores Julie Fontaine Fox Searchlight Pictures Frameline Alan Franey Friends of the Mill Valley Library Elizabeth Gabler Kristina and Ben Gale Sid Ganis Daven Gee Libby Ginsberg John Goddard Goethe Institut Debbie Goldberg Suzanne Gray Nancy Grover Robin Gurland Lynne Hale Lol Halsey Muriel and Murray Hammond JoAnn Hastings Ildi Hayman Aude Hesbert Karen Ho Ted Hope Jörn Horaczek Melissa Howden Mary Hrize Marcus Hu Julie Huntsinger Icelandic Film Centre IMCINE Kristin Jensen Aaron Kayce Ralph Kaywin Patricia Keaney Susan Keel Nancy Kelly Jan Klingelhofer Rose Kuo Michael Kupferberg Anne-Marie Kurstein
Maureen Labro Joe Lambert Cezary Łasiczka Larry “The Hat” Lautzker Huey Lewis Alexandra Lexton Wendy Lidell Erin Lim Lionsgate Entertainment Meredith Lipsky Richard Lorber Hannah Loué Erin Lowrey Monique Luddy Tom Luddy Mark Maccollin Becky MacDonald Marie Pierre Macia Magnolia Pictures Marin County Board of Supervisors Sato Masuzawa Chrissy Mazzeo Jim McCann Claudia Mendoza-Carruth Gary Meyer Mill Valley Library Mill Valley Merchants Cornelius Moore Clare Morris Russell Nelson Ruth Nelson Jennifer Siebel Newsom Stephanie Northen Norwegian Film Institute Gorete Novack Susan O’Connell Yuko Ohmori Marilyn Ortiz Outdoor Art Club Paramount Pictures Dr. Thomas Peters Tom Peters Sally Phillips Pixar Animation Studios Mimi Plauché Polish Film Institute, Maria Gradowska Tom Prassis Carl Priolo Lucas Priolo Sophie Priolo Sue Priolo Elaine Proctor-Bonbright Adriana Prodeus Theresa Raabe
Richard Repas Lisa Richie Chris Robbins Daniella Robinson Jenny Rogers Annie Roney Rachel Rosen Joel Rosenberg Gary Rubin John Sanborn Lauren Schiller Tom Schlesinger Cynthia Schwartz Donna Seager SFFILM Katayoon Shahabi Alireza Shahrokhi Tiffany Shlain David Shultz Osnat Shurer Melissa Silverstein MT Silvia Tomek Smolarski Jennifer Steinman Jennifer Stott Story Center Strand Releasing Isabelle Sugimoto Swedish Film Institute Sweetwater Music Hall Lisa Taback Tallulah Danielle Taormina-Keenan Telluride Film Festival The Weinstein Company Bev Thorman Kyle Thorpe Evelyn Topper Gina Truex Sherri Tull Warner Bros. Pictures Abby Wasserman John C. Weaver III Valerie Weiss Victoria Woo Kenji Yamamoto Cecilia Zamora Sue Zemel
175
BE INDEPENDENT WITH YOUR FILM. RELY ON US FOR THE REST OF YOUR PLANS. Yelp's got the reel deal on the best local businesses in San Francisco and beyond.
"No matter what anybody tells you, words and ideas can change the world" - John Keating, Dead Poets Society - 1989
824 Francisco Blvd. West San Rafael â&#x20AC;˘ CA 94901 (415) 456-5970 www.apartycenter.net
Proud Sponsor Since 1991
Proud Sponsor of the Mill Valley Film Festival Celebrating 40 Years of showcasing quality American independent and foreign films.
and FILM RESOURCE OFFICE
-
IN MEMORIAM
DEAR FRIENDS OF THE FESTIVAL WE LOST IN 2017
ANN BREBNER Ann Brebnerâ&#x20AC;&#x2122;s connection with MVFF dates back to the very first Festival, when she phoned the office to find out about attending. From that moment on, she became part of the family: as Board Member and Board President, and then as a staff member as she led the visionary development of the Smith Rafael Film Center. Her wisdom has guided us for forty years; her presence remains in our hearts.
VICKI CLARK Vicki Clark was a beloved volunteer at CFI, instrumental in ensuring that members had a great experience. We will miss her sweet, warm presence in the office.
LISA GRAEBER A true film lover, Lisa Graeber was a long time supporter of CFI, and the Mill Valley Film Festival was a highlight for her every year. She was generous and kind, and we will miss her beautiful smile and cheery disposition.
BLAKE THORMAN Blake Thormanâ&#x20AC;&#x2122;s deep love of film drew him to volunteer for MVFF (and many other Bay Area festivals). He brought us the grace of his presence, the benefit of his acute intellect and wit, the gift of his support for projects across the Festival, and his great friendship.
179
is a proud supporter of the 椀猀 愀 瀀爀漀甀搀 猀甀瀀瀀漀爀琀攀爀 漀昀 琀栀攀 California film Institute. 䌀愀氀椀昀漀爀渀椀愀 䘀椀氀洀 䤀渀猀琀椀琀甀琀攀⸀ Congratulations on 䌀漀渀最爀愀琀甀氀愀琀椀漀渀猀 漀渀 the 40th Annual 琀栀攀 ㌀㠀琀栀 䄀渀渀甀愀氀 Mill Valley Film Festival! 䴀椀氀氀 嘀愀氀氀攀礀 䘀椀氀洀 䘀攀猀琀椀瘀愀氀℀
• Hot Breakfast Buffet with "make your own waffles" option! • Refrigerators & Coffee Brewer • 37” Flat Panel TV & Pay Per View Movies • Same Day Valet Services • On Site Guest Laundry Facility • Complimentary Wireless Connection • 100% Non Smoking • Business Center • Complimentary Shuttle Service to/from Local Shopping Centers, SFO Ferry and Marin Airporter Terminal. • Heated Jr. Olympic Size Pool, 2 Whirlpool Spas, Fire Pit Circle • Fitness Center, Putting Green, Picnic Area • CA Green Lodging Certified • Many dining and shopping options across the street from hotel.
415.924.1502 cortemaderainn.com
Make A
grand entrance
EVENt DESIGN
RENTALS
FABRICATION
Fabric Treatments
510.368.4909 Oakland.CA info@suitetreatments.com AliceRadio_MVFF_Ad_2014_01.pdf
1
9/12/14
11:38 AM
GRAPHICS
STAGING
www.suitetreatments.com
HealthCaring. trusted doctors specialists facilities in your community MARIN • SONOMA • NAPA
meritagemed.com • 800.874.0840
2016 NATIONAL SMALL BUSINESS OF THE YEAR
LARKSPUR • MILL VALLEY • SAN FRANCISCO equatorcoffees.com @equatorcoffees
VENUES
THEATERS
OUTDOOR ART CLUB
CENTURY CINEMA
Join us at the Outdoor Art Club in downtown Mill Valley for:
41 Tamal Vista Blvd, Corte Madera
Special programs
CENTURY LARKSPUR
Festival merchandise
500 Larkspur Landing Cir, Larkspur
Beer, wine and snacks for sale
CINÉARTS SEQUOIA
Filmmaker check-in
25 Throckmorton Ave, Mill Valley
LARK THEATER
Filmmaker Lounge (badge holders with Lounge access only)
549 Magnolia Ave, Larkspur
Open daily to the general public
SMITH RAFAEL FILM CENTER
(excluding special events)
1118 Fourth St, San Rafael
GUIDELINES & RULES ARRIVE EARLY To guarantee admittance, ticket and pass holders must be in the appropriate line 30 minutes prior to published showtime. Doors typically open 30 minutes before showtime.
FILMMAKER LOUNGES MILL VALLEY
Outdoor Art Club, 1 West Blithedale Oct 6–14 10:00am—9:00pm Oct 15
10:00am—5:00pm
While waiting in line, please be considerate of our neighbors and local businesses, and do not block merchant doorways.
SAN RAFAEL
Entry to theaters occurs in the following order:
Oct 15
LINES: Seat saving is not allowed. Outside food and beverages are not permitted. All cell phones and e-devices must be turned off prior to program introduction.
Mark Fishkin Room, 1112 Fourth St Oct 6–14 10:00am—9:00pm 10:00am—5:00pm
FILMMAKER CHECK-IN (Mill Valley Lounge only):
Oct 5
10:00am—5:00pm
Oct 6–14 10:00am—6:00pm FILMMAKER HAPPY HOUR:
5:00–7:00pm (both lounges)
The use of cameras and other recording equipment is strictly prohibited during all screenings and programs.
FILMMAKER LOUNGE ACCESS All badges with an “L”
Take personal items and trash with you as you exit.
ACCESSIBILITY
RESERVED SEATS
MVFF is committed to accommodating audience members with disabilities, offering early seating as needed. For assistance, please notify theater staff. All screening venues and their bathrooms are wheelchair-accessible. Assisted-listening devices are available at all theaters.
Please do not sit in a reserved seat unless it has been arranged for you. Do not stand near the reserved seats in hopes that they will be released. MVFF staff and volunteers will release reserved seats whenever possible, but it is not guaranteed, and the aisles need to remain clear while the theater is being seated.
184
TICKETING MVFF.COM 877.874.MVFF (6833) BOXOFFICE@CAFILM.ORG BOX OFFICES
WILL CALL
SAN RAFAEL
You must bring a valid photo ID that corresponds with the name on the credit card used to purchase the tickets.
Smith Rafael Film Center, 1112 Fourth St Sept 12 Sept 13 Sept 14 Sept 15–16 Sept 17–Oct 4 Oct 5–15
4:00–8:00pm Premier Patron and above 4:00–8:00pm Director’s Circle and above 4:00–8:00pm Gold Star and above 4:00–8:00pm All CFI members 4:00–8:00pm General public One hour before first screening each day to 15 min after last show starts
MILL VALLEY Chamber of Commerce, 85 Throckmorton Ave Sept 17–Oct 4 Oct 5–15
11:00am–3:00pm One hour before first screening each day to 15 min after last show starts
All ticket orders are final. No refunds, exchanges, substitutions, or reprints. MVFF is not responsible for lost, stolen, forgotten, or damaged tickets, or tickets misdirected by the post office.
NEW THIS YEAR! PRINT-AT-HOME TICKETS Save time and skip Will Call! Select the Print-at-Home option when purchasing tickets online, and then either print your ticket at home or show it on your mobile device at the theater for scanned entry.
OTHER BOX OFFICE VENUES Open one hour before first screening each day: Century Cinema Corte Madera Lark Theater Century Larkspur 4
RUSH TICKETS FOR SOLD-OUT SHOWS Rush tickets often become available after advance tickets have sold out.
PRICING General admission
$15.00
CFI members
$12.50
Seniors (65+)
$13.50
Students
$13.50
(Purchase online or in person. Present student ID at box office)
filmHOOD Programs
$10.00 (all ages)
5@5 Programs
$9.00
The Rush line forms outside each venue one hour before showtime. Rush tickets are sold on a first-come, first-served basis approximately 15 minutes prior to showtime. No discounts Patrons have a 90% success rate of getting into shows through the Rush Line. Line up early!
Convenience Fees: (All fees are nonrefundable) Mail $3.75 per order Online
$1.75 per ticket
Phone
$1.75 per ticket plus $10.00 flat fee per order
In-person
No service fee
CONSENT TO BE PHOTOGRAPHED/FILMED:
California Film Institute and its representatives may photograph, film, and/or otherwise record attendees at all festival activities. By attending, you consent to such photography, filming and/or recording and to any use in any and all media throughout the universe in perpetuity and without compensation for the use of your appearance, voice, and name for promotional and/or advertising, or any other purpose by California Film Institute and its affiliates and representatives.
185
PELICAN INN MUIR BEACH • CALIFORNIA
MOUNTAIN HOME INN
PANORAMIC HIGHWAY • MILL VALLEY • CALIFORNIA
Place at the top of the page.
STARK INSIDER
IS A
PROUD SPONSOR
OF
MVFF40
A WEST COAST ADVENTURE ... A LIFETIME IN THE MAKING
THE ARTS | FILM & MUSIC | WANDERLUST
5784 PARADISE DR. CORTE MADERA 415-924-7321
338 MILLER AVE. MILL VALLEY 415-388-1086
www.tamalpaispaint.com
Marie Van Elder Oil Paintings
“ Puces” oil on linen 24”x 20”
gdogsf.com
www.marievanelder.net “Faro Cactus” Oil on linen 12”x12”
GratefulDog-QVC.indd 1
9/12/13 1:16 PM
Est. 1990
Health Club
Voted Best Health Club in Marin! Mill Valley: 639 E. Blithedale Ave. (415) 380-8787 San Rafael: 1800 Second St. (415) 457-2639 Novato: 1530 Center Rd. (415) 895-5965
Marin Marin Marin Marin Killer
GoWest
Hot Looks for Fall
SEPTEMBER 2016
001 SEPT_cover_v2.0916.indd 1
+
PRIVATE SCHOOL GUIDE 2016
8/15/16 2:27 PM
New
YOU Start the Year With a Healthy Body and Mind
Plants Weird and Cool Carnivorous Plants
+
WINE COUNTRY Volcanic Soils and Hot Varietals
MVFF GUIDE
OCTOBER 2016
001 OCT_cover_1016_v3.indd 1
Celebrating 39 Years of Film
9/6/16 9:48 AM
Eat Well
Spring Fashion 2017 1/9/17 2:34 PM
001 cover_0517.indd 1
WHAT A TRIP Marin’s Own Counterculture Revolution
001 cover_0617_v2.indd 1
001 cover_0317_v3.indd 1
11/8/16 11:12 AM
Home Issue 2017
A Midcentury Makeover
FIRE SEASON Marin’s Unique Wildfire Vulnerability NEW LEAF Pot’s Legal, Now What?
MARCH 2017
2/6/17 12:35 PM
APRIL 2017
001 cover_0417.v2.indd 1
2/27/17 9:55 AM
SECRET SOCIETY Meet the Group That May Save Your Life
SUMMER GUIDE 2017
4/10/17 11:16 AM
001 DEC_cover_1216_v1.indd 1
Tasty Potluck Recipes
Bring the Fun to Your Backyard
JUNE 2017
DECEMBER 2016
10/11/16 12:07 PM
6
Outdoor Spaces
MAY 2017
NOVEMBER 2016
Bloom
001 cover_0217_v2a.indd 1
Meet Our Cover Contest Winner and 12 Finalists
A Local Uber and Lyft Driver Tells All 001 NOV_cover_1116_v3.indd 1
In FEBRUARY 2017
Fine Lines
BEHIND THE WHEEL
156 Ideas for Fun and Adventure
Dinner Is Where You Find It
12/12/16 10:43 AM
Inspired Dishes
2016 RESTAURANT PROFILES
Can’t Bikes and Cars Get Along?
THE BAY AREA’S TOP PHYSICIANS
001 cover_0117_v3.indd 1
Stories and Inspiration for the Holidays
SUMMER CAMPS GUIDE
FORAGERS’ DELIGHT
JANUARY 2017
JOY
SHARING THE ROAD
Around the World or Locally, Food That Can Heal
WEDDING DESTINATIONS FOR 2017
Season
of
LIKE A CHEF Six Culinary
2017 TOP DOCTOR SPECIALISTS
52-Page Supplement
5/9/17 11:04 AM
001 cover_0717_v3_noUPC.indd 1
6/12/17 1:32 PM
MVFF Marin Magazin e’s
Ultimate Guide to the
39th
MIL L VAL LE Y FIL M FE STIV AL
001 Cover_MVF
F2016.indd
1
9/6/16 9:32 AM
PRINT SOURCES A CIAMBRA
THE BED
CRESWICK
FALLEN ART
IFC Films ifcfilms.com
Canyon Cinema canyoncinema.com
The Polish Cultural Institute polishculture-nyc.org
AN ACT OF DEFIANCE
BETWEEN THE SAND
Fiction Film Company Natalie Erika James fiction.net.au
Cinema Management Group Jean van de Velde cinemamanagementgroup.com
John Picklap picklajp@gmail.com
THE CURRENT WAR
Sony Pictures Classics sonyclassics.com
ADNYAT
THE DARK OF NIGHT
Santosh Sopan Davakhar pnirgun6@gmail.com
Satch Tours, Inc. ZZ Satriani satriani.com
AFTER THE WAR
BILL FRISELL, A PORTRAIT
DARKEST HOUR
Pyramide Films inter.pyramidefilms.com/
Films Transit International Emma Franz filmstransit.com
Focus Features foxsearchlight.com/films/
BIRDS DROPPING
DEALT
FILM STARS DON’T DIE IN LIVERPOOL
IFC Films ifcfilms.com
Sony Pictures Classics sonyclassics.com
THE DEEP SKY
FINGERPRINTS
Elizabeth Nichols enichols18@gmail.com
Lucky Hat Entertainment Frazer Bradshaw lucky-hat.com/welcome.php
KTF Films Don Hardy ktffilms.com
BPM (BEATS PER MINUTE)
THE DESERT BRIDE
FIRE & LIGHT
The Orchard theorchard.com
Strand Releasing strandreleasing.com
Dana Conroy djohnson@pioneer.org
BREAD & ROSES PRESENTS
DIRTBAG: THE LEGEND OF FRED BECKEY
THE FLORIDA PROJECT
ALL THAT YOU LOVE WILL BE CARRIED AWAY Festival Formula Ltd Tom Barbor-Might festivalformula.com
ALL THE MARBLES Petersen Pictures michael@wryeye.com
ALPHAGO Submarine Greg Kohs submarine.com
BEYOND THE SUPERNOVA
Kalliste Zoe Productions kallistezoeproductions@gmail.com
BLACK HEAD COW
AMELIA’S CLOSET
Dan Foldes mhubler@breadandroses.org
Halima Lucas halimalucas@gmail.com
BREATHE
ANDRE: THE VOICE OF WINE Open Films Mark Tchelistcheff openfilms.net
ARRANGIARSI (PIZZA... & THE ART OF LIVING) Solare Films Matteo Troncone solarfilms.com/en/
AWAREWOLF
Imaginarium Productions imaginariumuk.com
CALL ME BY YOUR NAME
Dave O’Leske dirtbagmovie.com
THE DIVINE ORDER Zeitgeist Films zeitgeistfilms.com
EARTH WISDOM FOR A WORLD IN CRISIS
CIAO CIAO
CEM Productions Stephen Olsson cemproductions.org
Zorba Production Song Chuan zorba-group.com
CITY OF JOY Lightmotive Madeleine Gavin lightmotivefilms.com
BABE, I HATE TO GO
THE CORRIDOR
Taza Media Inc. Andrew Moir tazamedia.com
Richard O’Connell, Annelise Wunderlich thecorridordocumentary.com
THE BALLAD OF LEFTY BROWN
THE COUSIN
190
Nini Huynh ninilehuynh@gmail.com
Sony Pictures Classics sonyclassics.com
Potluck Productions potluckproductions.net
A24 a24films.com
The Weinstein Company weinsteinco.com
Bleiberg Entertainment bleibergent.com
EL AMPARO Figa Films Rober Calzadilla figafilms.com
A FANTASTIC WOMAN
FAULT Daniel Lee thedanielstation@gmail.com
FÉLICITÉ Strand Releasing strandreleasing.com
A24 a24films.com
FOOTSTEPS Fígúra, Fenrir Films Hannes Thor Arason fenrirfilms.com
FOURTH MOVEMENT Rob Nilsson robnilsson.com
FRANKIE KEEPS TALKING Alacrity Productions Annabelle Attanasio iloveannabelle.com/alacrity/
FRY DAY
ESTEBAN
Laura Moss laura.moss@gmail.com
MediaPro mediapro.com
GAME
FABRICATED
The Weinstein Company weinsteinco.com
Brett Foxwell bfophoto@gmail.com
FACES, PLACES Cohen Media Group cohenmedia.net
GOODBYE CHRISTOPHER ROBIN Fox Searchlight foxsearchlight.com/films/
PRINT SOURCES HAPPENING: A CLEAN ENERGY REVOLUTION The Redford Center James Redford redfordcenter.org/happening
HAROLD AND MAUDE Paramount Pictures paramount.com
HEDGEHOG’S HOME National Film Board of Canada Jane Gutteridge j.gutteridge@nfb.ca
THE HISTORY OF MAGIC: ENSUEÑO Ojo Flojo Productions Jose Luis Gonzalez ojoflojo@gmail.com
THE INLAND ROAD
LAST FLAG FLYING
MAD HANNANS
LevelK Jackie van Beek levelk.dk
Amazon Studios studios.amazon.com
Social Capital Films Martin Shore stephensterlingmelin@gmail.com
THE INSULT
The Works Film Group theworksfilmgroup.com
Cohen Media Group cohenmedia.net
THE INVISIBLES Beta Cinema betacinema.com/en/
ISIS HAIR SALON Nicholas Coles nickcoles@gmail.com
JAHA’S PROMISE
HOLY AIR
First Hand Films Patrick Farrelly, Kate O’Callaghan firsthandfilms.com
IDP/Samuel Goldwyn Films samuelgoldwynfilms.com/holy-air/
JANE
HORN FROM THE HEART: THE PAUL BUTTERFIELD STORY Anderson Productions, Inc. John Anderson hornfromtheheart.com
LAW OF THE LAND
Blind Dog Films Laurel Chiten blinddogfilms.com
KIM SWIMS
I DON’T FEEL ANYTHING ANYMORE
Kate Webber kate@katewebber.com
National Film Board of Canada Jane Gutteridge j.gutteridge@nfb.ca
KIZI MIZI The Polish Cultural Institute polishculture-nyc.org
Valhalla Entertainment Valerie Red-Horse Mohl valhallamotionpictures.com
MARY JANES: THE WOMEN OF WEED DVA Productions Windy Borman windy@dvaproductions.com
THE LEISURE SEEKER
MERYL FUCKIN STREEP
Sony Pictures Classics sonyclassics.com
Ava Bogle ava.bogle@gmail.com
LEMONADE MAFIA
METAMORPHOSIS: JUNIOR YEAR
Anya Adams anyaadams@sbcglobal.net
LIFE AND NOTHING MORE
JUST ONE DROP
MANKILLER
Making Movies Ltd mamo.fi
JESSER AND THE SUGARCANE
Matt Reynolds mattreynolds21@gmail.com
I STILL HIDE TO SMOKE
Piggy Films LLC thelastpig.com
LET THE SUNSHINE IN
HOT DOG HANDS
Magnolia Pictures magnoliapictures.com
THE LAST PIG
Cinetic Media Brett Morgen cineticmedia.com
EO/IKONdocs Godelieve Eijsink goodpitch.org/orgs/eo-ikon-docs
HUMAN FLOW
THE LAST PHOTOGRAPH
IFC Films ifcfilms.com
Film Constellation Ltd. filmconstellation.com/
THE LIGHT OF THE MOON The Film Collaborative thefilmcollaborative.org
LIYANA Intaba Creative LiyanaFilm.com
Elysium Bandini Studios ebstudios.org
THE MEYEROWITZ STORIES Netflix netflix.com
MOANA Walt Disney waltdisneystudios.com
MOLLY’S GAME STX Entertainment stxentertainment.com
MR. ROOSEVELT
THE LONG SHADOW
Beachside Films Noël Wells b-side.net
Frances Causey thelongshadowfilm.com
MUDBOUND
LOS PERROS
Netflix netflix.com
Films Boutique filmsboutique.com
MY HAPPY FAMILY
LOVE, CECIL
Memento Films International memento-films.com
K.G. Productions kgproductions.fr
THE KODACHROME ELEGIES
ICARUS
Jay Rosenblatt jayr@jayrosenblattfilms.com
Cinetic Media cinetic media.com
MY JOSEPHINE
LADY BIRD
LOVELESS
Brenda Mills bmills@admin.fsu.edu
A24 a24films.com
Sony Pictures Classics sonyclassics.com
MY MAN (OCTOPUS)
THE LAST ANIMALS
LOVING VINCENT
WME Entertainment Kate Brooks wmeentertainment.com
Good Deed Entertainment gooddeedentertainment.com
Frame48 Tom Teller hello@frame48.com
IN SYRIA Film Movement Philippe Van Leeuw filmmovement.com
IN THE FADE
LUNCH TIME
Magnolia Pictures magnoliapictures.com
Alireza Ghasemi anarki348@gmail.com
Marmitafilms Stéphanie Cadoret marmitafilms.fr/?lang=en
191
PRINT SOURCES THE MYSTERY OF GREEN HILL Kinorama Cejen Cernic uzbunanazelenomvrhu.hr/en/
NAPALM MAYHEM Oscar your.guy.oscar@gmail.com
THE NATION HOLDS ITS BREATH The Weinstein Company weinsteinco.com
THE NEW ENVIRONMENTALISTS: FROM GUATEMALA TO THE CONGO
ONE OF US
THE REFLECTION IN ME
Netflix netflix.com
FableVision fablevisionstudios.com
SNOWY BING BONGS ACROSS THE NORTH STAR COMBAT ZONE
THE OTHER SIDE OF HOPE
THE RELATIONTRIP
Alex H. Fischer alexhustonfischer@gmail.com
Janus Films Emily Woodburne janusfilms.com
Renée Felice Smith, C.A. Gabriel reneefelicesmith@gmail.com
OWLS & MICE
REVOLTING RHYMES
Lemming Film Simone van Dusseldorp lemmingfilm.com/en/
Magic Light Pictures magiclightpictures.com
THE PARTY Roadside Attractions roadsideattractions.com
Sandarba Films Mark Grieco torus@sandarba.com
SPOOR
A RIVER BELOW
SON The Polish Cultural Institute polishculture-nyc.org
SONG OF GRANITE Oscilloscope oscilloscope.net/films/
Beta Cinema betacinema.com/en/
PICNIC PERFECT
ROADSIDE ATT
Cal Thacher thacher@gmail.com
SPRING JAM
Mill Valley Film Group mvfg.com
RACTION
Ned Wenlock ned@oneedo.com
NO MAN’S LAND
PIX
The Film Collaborative thefilmcollaborative.org
Sophie Linnenbaum wswdwtds@web.de
NOT ALONE
PLAQUEMINES
Genuine Article Pictures goodpitch.org/orgs/genuine-articlepictures
SABAKU
Kiki Goshay kikigoshay@comcast.net
Jon Wood jwoodnswa@gmail.com
Halal Marlies van der Wel halal.amsterdam
NOT YET
THE SQUARE Magnolia Pictures magnoliapictures.com
STRANGE BIRDS MPM Film Elise Girard mpmfilm.com
PORCUPINE LAKE
THE SANDGLASS
Arian Vazirdaftair arian.vazirdaftari@yahoo.com
pUNK Films Inc. punkfilms.ca
SUMMER 1993
NOTHING A LITTLE SOAP AND WATER CAN’T FIX
PUSSY
Film Polski Wojciech Has filmpolski.pl/fp/index.php
KFF Renata Gasiorowska krakowfilmfestival.pl/en/internationalshort-film-competition-57th-kff/
SAVING HAPPY BIRTHDAY
SWIM
QUADRANT, PART 2 David Lauer davidalauer@gmail.com
Caboom Vincent Gallagher secondtononefilm@gmail.com
QUEST
SECONDS
Jeonwonsa Film koreanfilm.or.kr/jsp/films/index/
Santiago Rizzo srizzo@gmail.com
ON THE SLY: IN SEARCH OF THE FAMILY STONE
RADIANCE
Runaway Horses JR Heffelfinger jonathan.heffelfinger@gmail.com
Jennifer Proctor proctor.jennifer@gmail.com
NOTHINGWOOD Pyramide Films inter.pyramidefilms.com/
ON THE BEACH AT NIGHT ALONE
Jennifer Nelson jennstar1@aol.com
SECOND TO NONE
THE SHAPE OF WATER
Unreal Films Michael Rubenstone unreal.co.nz
MK2 Naomi Kawase europa-international.org/members/ mk2-2/
ONCE UPON A TIME
RAM DASS, GOING HOME
Rachel Wortell, Dan Erickson asiblingmystery.com
The Polish Cultural Institute polishculture-nyc.org
ONCLE YANCO Janus Films janusfilms.com
192
Further Pictures Derek Peck ramdassgoinghome.com
REAL ARTISTS Charming Stranger Films Cameo Wood charmingstranger.com
Fox Searchlight foxsearchlight.com/films/
A SIBLING MYSTERY
Oscilloscope oscilloscope.net/films/
Mari Walker mariwwalker@gmail.com
TAKE YOUR TIME Max Sachar max.sachar@gmail.com
TANGO The Polish Cultural Institute polishculture-nyc.org
THAT IS HOW MOTHERHOOD WORKS Rivkah Beth Medow rivkahbeth@gmail.com
THELMA The Orchard theorchard.com
THIRD MIND BLUES 418 Films William Tyler Smith enlight77@aol.com
PRINT SOURCES THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Fox Searchlight foxsearchlight.com/films/
TIP OF MY TONGUE Lynne Sachs lynnesachs@gmail.com
TORCH PlasterCITY Productions, Inc. christophercoppola.com
TOWARDS THE SUN The London Film School Monica Santis lfs.org.uk/
UNSPOKEN Geneva Peschka genevapeschka@gmail.com
VAZANTE
WESTERN
WOODSWIMMER
Music Box Films musicboxfilms.com
Brett Foxwell bfophoto@gmail.com
THE VENERABLE W
Cinema Guild Valeska Grisebach cinemaguild.com/theatrical/western. html
Les Films du Losange/Bande à Part Films filmsdulosange.fr/en/
WHERE ARE YOU AT, BARBET SCHROEDER?
VITCH
Les Films Du Losange filmsdulosange.fr/en/
Les Films Seville Léa Pool filmsseville.com
Marc Pingry Productions pingryhdtv.com
WHITE SUN
WAIT FOR YOUR LAUGH Forgotten Man Films forgottenmanfilms.net
WENDY German Films Dagmar Seume german-films.de/home/
KIMSTIM Deepak Rauniyar kimstim.com/whitesun.html
WONDERSTRUCK Roadside Attractions roadsideattractions.com
WOODSTOCK
WORST CASE, WE GET MARRIED
YEVA Farabi Cinema Foundation Anahid Abad fcf.ir/en/
YOURS SINCERELY, LOIS WEBER Double Take Pictures, Inc Svetlana Cvetko doubletakepictures.com/converse. html
Warner Bros. Classics WBClassics@warnerbros.com
VALENCE Gus Aronson gushenry817@gmail.com
PRE-SCREENERS Forest Andrew Alvarez
Hayden Hicks
Kenn Rabin
John Antonelli
Nancy Kelly
Carlos Rodriguez
Doreen Aviv
Hossein Khosrowjah
Saul Rouda
Ralph Berets
Thor Klippert
Terrie Samundra
Jordon Briggs
Britta Leijonflycht
Emmy Scharlatt
Frank Chan
Phoebe Lewis
Mary Scott
Harris Cohen
Alexandra Lexton
Grace Shaw
Teresa Concepcion
Mark Lipman
John Slattery
Jackie Cormier
Leah LoSchiavo
Wendy Slick
Frieda de Lackner
Angela MacKenzie
Dale Sopheia
Charles Dickey
Berta Segall McDonnell
Lincoln Spector
Maxine Einhorn
Maria Mealla
Jesse Spencer
Emma Penaz Eisner
Becky Mertens
Cathy Summa-Wolfe
Daniel Reed Eisweirth
Marilyn Mulford
Nomi Talisman
Suzanne Engelberg
Katie Norby
Julie Thompson
Sarah Escalante
Ken O’Neil
Benjamin Thornton
Maribel Guevara
Rachel Olson
Katy Tiemann
Natalia Guecheva
Venus Oriane
Erin Weigand
Sandy Handsher
Lisette Ostrander
Lori Wright
Aaron Hansen
Cynthia Pepper
Kenji Yamamoto
John Harden
Mark Phillips
Angie Young
Hilary Hart
Emily Porter
Abas Zadfa
Sig Kramer Herzog
Francesca Prada
193
FILMS BY COUNTRY * Denotes country of interest
ALGERIA I Still Hide to Smoke
ARGENTINA The Desert Bride
ARMENIA Yeva
AUSTRALIA Bill Frisell, A Portrait Creswick The New Environmentalists: From Guatemala to the Congo* Vitch*
AUSTRIA Western
BELGIUM Félicité I Don’t Feel Anything Anymore In Syria
BELIZE Torch
BRAZIL A Ciambra Call Me by Your Name A River Below Vazante
BULGARIA Western
CANADA Babe, I Hate to Go Damsels in Distress Hedgehog’s Home I Don’t Feel Anything Anymore The Long Shadow* Porcupine Lake Reflection Song of Granite Worst Case, We Get Married
CHILE The Desert Bride A Fantastic Woman Los Perros
CHINA Ciao Ciao
COLOMBIA El Amparo A River Below
CROATIA Hedgehog’s Home The Mystery of Green Hill
198
CUBA Esteban
CZECH REPUBLIC The Last Animals* Spoor
DEMOCRATIC REPUBLIC OF CONGO City of Joy The Last Animals* The New Environmentalists: From Guatemala to the Congo*
DENMARK The Square Thelma
FINLAND Law of the Land The Other Side of Hope
FRANCE AlphaGo* Andre: The Voice of Wine* BPM (Beats per Minute) Call Me By Your Name A Ciambra Ciao Ciao Faces, Places Félicité I Still Hide to Smoke In Syria In The Fade The Leisure Seeker Let the Sunshine In Loveless Loving Vincent* My Happy Family My Man (Octopus) Nothingwood Oncle Yanco Radiance The Square Strange Birds Thelma The Venerable W Vitch* Where Are You at, Barbara Schroeder?
THE GAMBIA Jaha’s Promise
GEORGIA My Happy Family
GERMANY A Ciambra Andre: The Voice of Wine A Fantastic Woman Félicité Fourth Movement*
Human Flow In the Fade The Invisibles My Happy Family On the Beach at Night Alone Pix Spoor The Square Vitch* Wendy Western
GUATEMALA The New Environmentalists: From Guatemala to the Congo* Refuge and Restriction: The Music of Guatemala
ICELAND Footsteps
INDIA Adnyat The New Environmentalists: From Guatemala to the Congo*
IRAN Lunch Time Not Yet Yeva
IRELAND Jaha’s Promise The Nation Holds Its Breath* Second to None Song of Granite
ISRAEL The Cousin Holy Air Vitch*
ITALY A Ciambra After the War Andre: The Voice of Wine* Arrangiarsi (Pizza…& The Art of Living) Call Me by Your Name Fourth Movement* The Leisure Seeker
JAMAICA Babe, I Hate to Go*
JAPAN Radiance
KENYA The Last Animals*
LEBANON In Syria The Insult
NEPAL White Sun
NETHERLANDS An Act of Defiance Jesser and the Sugarcane Napalm Mayhem Owls & Mice Sabaku
NEW ZEALAND The Inland Road Kim Swims* Spring Jam
NICARAGUA Jesser and the Sugarcane*
NORWAY Law of the Land Thelma
POLAND Death to Five Fallen Art From the Green Hill In the Still of the Night Kizi Mizi Loving Vincent Once Upon a Time Pussy The Sandglass Son Spoor Tango Times Have Passed Vitch*
PUERTO RICO Seconds
ROMANIA The Nation Holds Its Breath*
RUSSIA Andre: The Voice of Wine Loveless
SENEGAL Félicité
SINGAPORE The Last Animals*
SLOVAKIA Spoor
SLOVENIA The New Environmentalists: From Guatemala to the Congo*
SOUTH KOREA AlphaGo* On the Beach at Night Alone
FILMS BY COUNTRY SPAIN Summer 1993
SWAZILAND Liyana
SWEDEN A Ciambra Law of the Land Spoor The Square
SWITZERLAND The Divine Order The Last Animals* The Venerable W Worst Case, We Get Married
TANZANIA Black Head Cow
TURKEY Fourth Movement* Zero
UK All That You Love Will Be Carried Away AlphaGo* Andre: The Voice of Wine* Breathe Darkest Hour Film Stars Don’t Die in Liverpool Goodbye Christopher Robin Horn from the Heart: The Paul Butterfield Story* The Last Animals The Last Photograph The Party Revolting Rhymes Towards the Sun
US A Ciambra All the Marbles Alphago Amelia’s Closet Andre: The Voice of Wine Arrangiarsi (Pizza…& The Art of Living) Awarewolf The Ballad of Lefty Brown The Bed Between the Sand Beyond the Supernova Birds Dropping Bread & Roses Presents Burning the Old Year Call Me by Your Name City of Joy Complete Me The Corridor The Current War The Dark of Night
The Dead Dealt Dear San Francisco The Deep Sky Dirtbag: The Legend of Fred Beckey Do Not Go Gentle Into That Good Night Dream with Me Earth Wisdom for a World in Crisis Fabricated A Fantastic Woman Fault Fingerprints Fire & Light The Florida Project Fourth Movement Frankie Keeps Talking Fry Day Game Growing Community Happening: A Clean Energy Revolution Harold and Maude The Hi De Ho Show The History of Magic: Ensueño Horn from the Heart: The Paul Butterfield Story Hot Dog Hands How to Eat Walnuts Human Flow Icarus Indefinable Indelible Isis Hair Salon Jaha’s Promise Jane John Sanborn: An Introspective Retrospective Joya Mia Just One Drop Kim Swims The Kodachrome Elegies Lady Bird The Last Animals Last Flag Flying The Last Pig Lemonade Mafia Life and Nothing More The Light of the Moon Liyana The Long Shadow Love, Cecil Love, Your Daughter Mad Hannans Mankiller Mary Janes: The Women of Weed Meryl Fuckin Streep Metamorphosis: Junior Year The Meyerowitz Stories Moana
Molly’s Game Mr. Roosevelt Mudbound My Josephine The New Environmentalists: From Guatemala to the Congo No Man’s Land Not Alone Nothing A Little Soap and Water Can’t Fix On the Sly: In Search of the Family Stone Oncle Yanco One of Us Our Jewels Picnic Perfect Plaquemines Quadrant, part 2 Quest Ram Dass, Going Home Real Artists The Reflection in Me Refuge and Restriction: The Music of Guatemala The Relationtrip A River Below Roadside Attraction Saving Happy Birthday The Shape of Water
A Sibling Mystery Snowy Bing Bongs Across the North Star Combat Zone Swim Take Your Time That Is How Motherhood Works Third Mind Blues Three Billboards Outside Ebbing, Missouri Tip of My Tongue Torch Towards the Sun An Uneasy Truth Unspoken Valence Vital Fluid Vitch Wait for Your Laugh Wonderstruck Woodstock Woodswimmer Yours Sincerely, Lois Weber
VENEZUELA El Amparo
VIETNAM The Last Animals* Napalm Mayhem*
PROBLEM PROBLEM SOLVED SOLVED Pacific Office Automation Solves Your Office Problems With Managed Print Services & I.T. Solutions Pacific Office Automation 5700 Stoneridge Dr Suite 300 Pleasanton, CA 94588 (925) 398-4200 pacificoffice.com
199
WE’VE GOT FILM COVERED.
Guilds Awards’ Rare Split Results Keep Oscar Race Wide Open
27K Likes 725 Comments 245K Views
Read. Watch. Listen. Share. FOLLOW US
/ VARIETY
FILMMAKER INDEX Abad, Anahid
Cadoret, Stéphanie
Dallara, Jimmy
Yeva. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
My Man (Octopus). . . . . . . . . . . . . . . . . . . . . 115
Complete Me. . . . . . . . . . . . . . . . . . . . . . . . . 114
Adams, Anya
Cahill, Kev
Damman, Dan
Lemonade Mafia. . . . . . . . . . . . . . . . . . . . . . 113
The Nation Holds Its Breath. . . . . . . . . . . . . 114
Awarewolf . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Akin, Fatih
Calzadilla, Rober
Davakhar, Santosh Spoan
In the Fade. . . . . . . . . . . . . . . . . . . . . . . . . . . 129
El Amparo . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Adnyat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Amasyalı, Mert
Campillo, Robin
del Toro, Guillermo
Zero. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
BPM (Beats per Minute). . . . . . . . . . . . . . . . 119
The Shape of Water . . . . . . . . . . . . . . . . . . . 146
Anderson, John
Capito, Gabriel
Denis, Claire
Horn from the Heart: The Paul Butterfield Story. . . . . . . . . . . . 128
Complete Me. . . . . . . . . . . . . . . . . . . . . . . . . 114
Let the Sunshine In. . . . . . . . . . . . . . . . . . . . 134
Carpignano, Jonas
Donohoe, Jeannie
Antonelli, John
A Ciambra . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Game . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Causey, Frances
Doueiri, Ziad
The New Environmentalists: From Guatemala to The Congo . . . 123, 145
Arason, Hannes Thor Footsteps. . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Argo, Allison The Last Pig. . . . . . . . . . . . . . . . . . . . . . . . . . 133
Aronson, Gus Valence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Ashby, Hal Harold and Maude . . . . . . . . . . . . . . . . . . . . 127
Atan, Cecilia The Desert Bride. . . . . . . . . . . . . . . . . . . . . . 122
Attanasio, Annabelle Frankie Keeps Talking. . . . . . . . . . . . . . . . . . 113
Baker, Sean The Florida Project. . . . . . . . . . . . . . . . . . . . 126
Barbor-Might, Tom All That You Love Will Be Carried Away. . . 115
Baumbach, Noah The Meyerowitz Stories . . . . . . . . . . . . . . . . 139
Bogle, Ava Meryl Fuckin Streep. . . . . . . . . . . . . . . . . . . 147
Borman, Windy Mary Janes: The Women of Weed . . . . 86. 138
Borowczyk, Walerian Once Upon a Time . . . . . . . . . . . . . . . . . . . . 150
Bracken, Raine Damsels in Distress. . . . . . . . . . . . . . . . . . . . 114
Bradshaw, Frazer The Deep Sky . . . . . . . . . . . . . . . . . . . . . . . . 122
Bresnan, Patrick Roadside Attraction. . . . . . . . . . . . . . . . . . . 150
Brooks, Kate The Last Animals. . . . . . . . . . . . . . . . . . . . . . 132
Broughton, James The Bed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Brouillet, Zoe The Dead. . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Bujman, Sigal Vitch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Byars, David No Man’s Land. . . . . . . . . . . . . . . . . . . . . . . . 141
202
The Long Shadow. . . . . . . . . . . . . . . . . . . . . 136
The Insult. . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
Cernic, Cejen
Dusenbery, Tom
The Mystery of Green Hill . . . . . . . . . . . . . . 141
Chiten, Laurel Just One Drop. . . . . . . . . . . . . . . . . . . . . . . . 131
Chuan, Song Ciao Ciao. . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Clements, Ron Moana. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Cohen-Schisler, Alec Metamorphosis: Junior Year . . . . . . . . . . . . 138
Colagiovanni, Marc The Reflection in Me. . . . . . . . . . . . . . . . . . . 113
Coles, Nicholas Isis Hair Salon. . . . . . . . . . . . . . . . . . . . . . . . 115
Collins, Pat Song of Granite. . . . . . . . . . . . . . . . . . . . . . . 147
Colt-Lacayo, Sylvia Growing Community . . . . . . . . . . . . . . . . . . 114 An Uneasy Truce. . . . . . . . . . . . . . . . . . . . . . 114
Conroy, Dana Fire & Light. . . . . . . . . . . . . . . . . . . . . . . . . . 115
Cook, Sam Metamorphosis: Junior Year . . . . . . . . . . . . 138
The New Environmentalists: From Guatemala to The Congo . . . 123, 145
Eijsink, Godelieve Jesser and the Sugarcane . . . . . . . . . . . . . . 113
Ekvtimishvili, Nana My Happy Family. . . . . . . . . . . . . . . . . . . . . . 140
Erickson, Dan A Sibling Mystery . . . . . . . . . . . . . . . . . . . . . 146
Esparza, Antonio Méndez Life and Nothing More. . . . . . . . . . . . . . . . . 135
Ewing, Heidi One of Us. . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Farrelly, Patrick Jaha’s Promise. . . . . . . . . . . . . . . . . . . . . . . . 131
Fearon, Sadie Metamorphosis: Junior Year . . . . . . . . . . . . 138
Fischer, Alex H. Snowy Bing Bongs Across the North Star Combat Zone. . . . . . . . . . 147
Foldes, Dan Bread & Roses Presents. . . . . . . . . . . . . . . . 115
Foxwell, Brett
Coppola, Christopher
Fabricated. . . . . . . . . . . . . . . . . . . . . . . . . . . 115 Woodswimmer . . . . . . . . . . . . . . . . . . . . . . . 115
Torch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Franz, Emma
Corshen, Kiva
Bill Frisell, A Portrait. . . . . . . . . . . . . . . . . . . 118
Do Not Go Gentle Into That Good Night. 114
Fu, Brandon
Cosculluela, Jonal
Metamorphosis: Junior Year . . . . . . . . . . . . 138
Esteban . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Gabinski, Tomas
Curtis, Simon
Fallen Art. . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Goodbye Christopher Robin. . . . . . . . . . . . 126
Gabriel, C.A.
Cvetko, Svetlana
The Relationtrip. . . . . . . . . . . . . . . . . . . . . . . 145
Yours Sincerely, Lois Weber. . . . . . . . . . . . . 125
Gallagher, Vincent
Cvijanovic, Eva
Second to None . . . . . . . . . . . . . . . . . . . . . . 115
Hedgehog’s Home. . . . . . . . . . . . . . . . . . . . 113
Gardner, Mary Rachel
Czekata, Ryszard
Birds Dropping . . . . . . . . . . . . . . . . . . . . . . . 147
Son . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Dabi, Kevin Indefinable. . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Gasiorowska, Renata Pussy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Gavin, Madeleine City of Joy . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
FILMMAKER INDEX Gerwig, Greta
Kaurismäki, Aki
Mohl, Valerie Red-Horse
Lady Bird . . . . . . . . . . . . . . . . . . . . . . . . . 35, 132
The Other Side of Hope. . . . . . . . . . . . . . . . 143
Mankiller. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Ghasemi, Alireza
Kawase, Naomi
Moir, Andrew
Radiance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Babe, I Hate to Go. . . . . . . . . . . . . . . . . . . . 115
Killian, Harrison
Monetta, Jacqueline
Dream with Me . . . . . . . . . . . . . . . . . . . . . . . 114
Not Alone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Kobiela, Dorota
Morgen, Brett
Loving Vincent . . . . . . . . . . . . . . . . . . . . . . . 137
Jane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Kohs, Greg
Moshé, Jared
AlphaGo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
The Ballad of Lefty Brown . . . . . . . . . . . . . . 118
Kopp, Aaron
Moss, Laura
Liyana. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Fry Day. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Kopp, Amanda
Musker, John
Liyana. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Moana. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Korem, Luke
Nelson, Jennifer
Dealt. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Saving Happy Birthday. . . . . . . . . . . . . . . . . 115
Kronlund, Sonia
Nelson, Marley
Nothingwood . . . . . . . . . . . . . . . . . . . . . . . . 141
Dear San Francisco. . . . . . . . . . . . . . . . . . . . 114
Lachauer, Jan
Nelson, Mia
Revolting Rhymes. . . . . . . . . . . . . . . . . . . . . 145
Refuge and Resistance: The Music of Guatemala . . . . . . . . . . . . . 114
Lunch Time . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Girard, Elise Strange Birds. . . . . . . . . . . . . . . . . . . . . . . . . 148
Gold, Peter Metamorphosis: Junior Year . . . . . . . . . . . . 138
Gomez-Rejon, Alfonso The Current War. . . . . . . . . . . . . . . . . . . 34, 121
Gomis, Alain Félicité . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Gonzalez, Jose Luis The History of Magic: Ensueño. . . . . . . . . . 115
Goshay, Kiki Not Alone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Grad, Tzahi The Cousin. . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Grady, Rachel One of Us. . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Grieco, Mark A River Below. . . . . . . . . . . . . . . . . . . . . . . . . 145
Lau, Kelly Growing Community . . . . . . . . . . . . . . . . . . 114 Indefinable. . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Ngeow, Julia
Griffith, Dylan Metamorphosis: Junior Year . . . . . . . . . . . . 138
Lauer, David
Nichols, Elizabeth
Grisebach, Valeska
Quadrant, part 2. . . . . . . . . . . . . . . . . . . . . . 115
Black Head Cow . . . . . . . . . . . . . . . . . . . . . . 135
Western . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Lee, Daniel
Nilsson, Rob
Gross, Simon
Fault . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Fourth Movement. . . . . . . . . . . . . . . . . . . . . 126
My Happy Family. . . . . . . . . . . . . . . . . . . . . . 140
Lelio, Sebastián
O’Callaghan, Kate
Guadagnino, Luca
A Fantastic Woman. . . . . . . . . . . . . . . . . . . . 125
Jaha’s Promise. . . . . . . . . . . . . . . . . . . . . . . . 131
Call Me by Your Name . . . . . . . . . . . . . . . . . 119
Lenica, Jan
O’Connell, Richard
Hardy, Don
Once Upon a Time . . . . . . . . . . . . . . . . . . . . 150
The Corridor . . . . . . . . . . . . . . . . . . . . . . . . . 120
Fingerprints. . . . . . . . . . . . . . . . . . . . . . . 90, 123
Li, Elaine
O’Leske, Dave
Has, Wojciech
Love, Your Daughter. . . . . . . . . . . . . . . . . . . 114
Dirtbag: The Legend of Fred Beckey. . . . . 123
The Sandglass. . . . . . . . . . . . . . . . . . . . . . . . 146
Linklater, Richard
Obermeyer, Rayhana
Haynes, Todd
Last Flag Flying. . . . . . . . . . . . . . . . . . . . 69, 133
I Still Hide to Smoke. . . . . . . . . . . . . . . . . . . 129
Wonderstruck . . . . . . . . . . . . . . . . . . 73-75. 153
Linnenbaum, Sophie
Olsson, Stephen
Heffelfinger, JR
Pix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Earth Wisdom for a World in Crisis. . . . . . . 123
Seconds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Lucas, Halima
Oscar
Hiltunen, Jussi
Amelia’s Closet. . . . . . . . . . . . . . . . . . . . . . . 113
Napalm Mayhem. . . . . . . . . . . . . . . . . . . . . . 113
Law of the Land. . . . . . . . . . . . . . . . . . . . . . . 134
Lucas, Ivete
Östlund, Ruben
Holland, Agnieszka
Roadside Attraction. . . . . . . . . . . . . . . . . . . 150
The Square. . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Spoor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Marsily, Noémie
Paisley, Ethan
Huerta, Coral
I Don’t Feel Anything Anymore. . . . . . . . . . 115
Indelible. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Birds Dropping . . . . . . . . . . . . . . . . . . . . . . . 147
McDonagh, Martin
Parrinello, Will
The Last Photograph . . . . . . . . . . . . . . . . . . 133
Three Billboards Outside Ebbing, Missouri. . . . . . . . . . . . . . . . . . . . 149
The New Environmentalists: From Guatemala to The Congo. . . 123, 145
James, Natalie Erika
Huston, Danny
Unspoken. . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
McGuigan, Paul
Peck, Derek
Creswick. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Film Stars Don’t Die in Liverpool. . . . . . . . . 125
Ram Dass, Going Home. . . . . . . . . . . . . . . . 133
Jefferson, Nailah
Medow, Rivkah Beth
Peschka, Geneva
Plaquemines . . . . . . . . . . . . . . . . . . . . . . . . . 113
That Is How Motherhood Works. . . . . . . . . 140
Unspoken. . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Jenkins, Barry
Meyer, C.A.
Picklap, John
My Josephine . . . . . . . . . . . . . . . . . . . . . . . . 114
Reflection. . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Between the Sand. . . . . . . . . . . . . . . . . . . . . 115
Johnson, Natasha Adorlee
Mobin, Arjan
Pivato, Valeria
Take Your Time . . . . . . . . . . . . . . . . . . . . . . . 114
Metamorphosis: Junior Year . . . . . . . . . . . . 138
The Desert Bride. . . . . . . . . . . . . . . . . . . . . . 122
203
FILMMAKER INDEX Polanen, Christina
Schuh, Jakob
Veninger, Ingrid
Metamorphosis: Junior Year . . . . . . . . . . . . 138
Revolting Rhymes. . . . . . . . . . . . . . . . . . . . . 145
Porcupine Lake . . . . . . . . . . . . . . . . . . . . . . . 144
Pool, Léa
Serkis, Andy
Virzì, Paolo
Worst Case, We Get Married. . . . . . . . . . . . 154
Breathe . . . . . . . . . . . . . . . . . . . . . . . . . . 79, 119
The Leisure Seeker. . . . . . . . . . . . . . . . . . . . 134
Potter, Sally
Seume, Dagmar
Volpe, Petra
The Party . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Wendy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
The Divine Order. . . . . . . . . . . . . . . . . . . . . . 123
Proctor, Jennifer
Shore, Martin
Vreeland, Lisa Immordino
Nothing a Little Soap and Water Can’t Fix. . 113
Mad Hannans. . . . . . . . . . . . . . . . . . . . . . 90, 137
Love, Cecil. . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Räfle, Claus
Simón, Carla
Wadleigh, Michael
The Invisibles. . . . . . . . . . . . . . . . . . . . . . . . . 130
Summer 1993. . . . . . . . . . . . . . . . . . . . . . . . . 148
Woodstock. . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Rauniyar, Deepak
Skeva, Jessie
Wait, Bridget
White Sun. . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Indefinable. . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Burning the Old Year . . . . . . . . . . . . . . . . . . 114
Redford, James
Smith, Renée Felice
Walker, Mari
Happening: A Clean Energy Revolution. . . 127
The Relationtrip. . . . . . . . . . . . . . . . . . . . . . . 145
Swim. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Rees, Dee
Smith, William Tyler
Warner, Ella
Mudbound. . . . . . . . . . . . . . . . . 57-59, 103, 140
Third Mind Blues. . . . . . . . . . . . . . . . . . . . . . 149
Joya Mia. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Reynolds, Matt
Sorkin, Aaron
Webber, Kate
Hot Dog Hands. . . . . . . . . . . . . . . . . . . . . . . 115
Molly’s Game. . . . . . . . . . . . . . . . . . . . . . . . . 139
Kim Swims . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Rivera, Nicole
Srour, Shady
Weiwei, Ai
Our Jewels. . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Holy Air. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Human Flow. . . . . . . . . . . . . . . . . . . . . . . . . . 128
Rizzo, Santiago
Swingler, Michael
Welchman, Hugh
Quest. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
All the Marbles . . . . . . . . . . . . . . . . . . . . . . . 145
Loving Vincent . . . . . . . . . . . . . . . . . . . . . . . 137
Roosens, Carl
Tchelistcheff, Mark
Wells, Noël
I Don’t Feel Anything Anymore. . . . . . . . . . 115
Andre: The Voice of Wine . . . . . . . . . . . . . . 117
Mr. Roosevelt. . . . . . . . . . . . . . . . . . . . . . . . . 140
Rosenblatt, Jay
Teller, Tom
Wenlock, Ned
The Kodachrome Elegies. . . . . . . . . . . . . . . 133
Icarus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Spring Jam. . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Rubenstone, Michael
Thacher, Cal
White, Woodrow
On The Sly: In Search of the Family Stone. . . . . . . . . . . . . . . . . . 142
Picnic Perfect. . . . . . . . . . . . . . . . . . . . . . . . . 114
Quadrant, part 2. . . . . . . . . . . . . . . . . . . . . . 115
Thomas, Chris
Wilczynski, Mariusz
Russell, Dean
Awarewolf . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Vital Fluid. . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Rybczynski, Zbigniew Tango. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Sachar, Max Take Your Time . . . . . . . . . . . . . . . . . . . . . . . 114
Sachs, Lynne Tip of My Tongue . . . . . . . . . . . . . . . . . . . . . 150
Said, Marcela Los Perros. . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Sanborn, John John Sanborn: An Introspective Retrospective . . . . . . . . . . . . . . . . . . . . . . . 86
Sangsoo, Hong On the Beach at Night Alone . . . . . . . . . . . 142
Santis, Monica Towards the Sun . . . . . . . . . . . . . . . . . . . . . . 113
Santos, Juan Metamorphosis: Junior Year . . . . . . . . . . . . 138
Satriani, ZZ Beyond the Supernova. . . . . . . . . . . . . . 91, 118
Schoenhoeft, Skye How to Eat Walnuts. . . . . . . . . . . . . . . . . . . . 114
Schroeder, Barbet The Venerable W. . . . . . . . . . . . . . . . . . . . . . 151 Where Are You at, Barbet Schroeder?. . . . 151
204
Thomas, Daniela Vazante. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Thompson, Jessica M. The Light of the Moon. . . . . . . . . . . . . . . . . 135
Trier, Joachim Thelma. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Troncone, Matteo Arrangiarsi (Pizza... & The Art of Living). . . 117
van Beek, Jackie The Inland Road . . . . . . . . . . . . . . . . . . . . . . 130
van de Velde, Jean An Act of Defiance . . . . . . . . . . . . . . . . . . . . 116
van der Wel, Marlies Sabaku. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
van Dusseldorp, Simone Owls & Mice. . . . . . . . . . . . . . . . . . . . . . . . . . 143
Van Leeuw, Philippe In Syria . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Varda, Agnès Faces, Places. . . . . . . . . . . . . . . . . . . . . . . . . 124 Oncle Yanco. . . . . . . . . . . . . . . . . . . . . . . . . . 114
Vazirdaftair, Arian Not Yet. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Death to Five. . . . . . . . . . . . . . . . . . . . . . . . . From the Green Hill. . . . . . . . . . . . . . . . . . . In the Still of the Night. . . . . . . . . . . . . . . . . Kizi Mizi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Times Have Passed. . . . . . . . . . . . . . . . . . . . Unfortunately. . . . . . . . . . . . . . . . . . . . . . . . .
150 150 150 150 150 150
Wise, Jason Wait for Your Laugh . . . . . . . . . . . . . . . . 33, 152
Wolther, Rachel Snowy Bing Bongs Across the North Star Combat Zone. . . . . . . . . . 147
Wood, Cameo Real Artists. . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Wortell, Rachel A Sibling Mystery . . . . . . . . . . . . . . . . . . . . . 146
Wright, Joe Darkest Hour. . . . . . . . . . . . . . . . . . . 32, 45, 121
Wright, Robin The Dark of Night. . . . . . . . . . . . . . . . . . . . . 113
Wunderlich, Annelise The Corridor . . . . . . . . . . . . . . . . . . . . . . . . . 120
Zambrano, Annarita After the War. . . . . . . . . . . . . . . . . . . . . . . . . 116
Zurcher-Long, Emma Unspoken. . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Zvyagintsev, Andrey Loveless. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Beauty is yours to define
LETâ&#x20AC;&#x2122;S BEAUTY TOGETHER TOWN CENTER CORTE MADERA OPENING FRIDAY, OCTOBER 13
PACIFICS BASEBALL . MARIN COUNTY . WE ARE FAMILY
Photos © Bentley Nelson
Thank you Fans! Thank you Sponsors! www.PacificsBaseball.com 415-485-1563
CELEBRATE THE SEASON WITH FOUR POINTS Four Points by Sheraton San Rafael is set in beautiful Marin County, nestled between San Francisco and Sonoma. From great rates and comfortable beds to fast & free WiFi and free bottled water, we have everything you need to make Four Points by Sheraton San Rafael your home away from home during the holidays.
Four Points by Sheraton San Rafael BOOK NOW AT FOURPOINTSSANRAFAEL.COM OR CALL 800 368 7764
©2017 Marriott International, Inc. All Rights Reserved. Starpoints, SPG, Preferred Guest, Four Points and their respective logos are trademarks of Marriott International, Inc., or its affiliates.
INCAVO WINE TASTING & COLLECTIVE
Featuring Small Production Wines By the Glass By the Bottle Flights
ket c i t r u o y receive s u w o h S ub and st
50 F %
OF
T IGVH L F P I S I V A OUR FIRST IT ON Y
1/17
Exp. 10/3
Join our wine club to take advantage of our generous program & Special Events
1099 4th Street, Suite F | Downtown San Rafael | 415.459.4939
www.incavowine.com | info@incavowvine.com
ADVERTISER INDEX A Party Center . . . . . . . . . . . . . . . . . . . 177 Acqua Hotel . . . . . . . . . . . . . . . . . . . . . 172 AIM Farmers Markets . . . . . . . . . . . . . . . 30 Alexander’s Artisan Rugs . . . . . . . . . . . . 70 Alice @ 97.3. . . . . . . . . . . . . . . . . . . . . . 181 Allison Levenson Photography. . . . . . . 161 Academy of Motion Picture Arts & Science. . . . . . . . . . . . . . . . . . . . . . . 29 Andalou Naturals . . . . . . . . . . . . . . . . . . 56 Aroma Cafe. . . . . . . . . . . . . . . . . . . . . . 188 Bartender’s Unlimited. . . . . . . . . . . . . . 168 Belcampo Restaurant & Butcher Shop. 187 Bellam Self Storage & Boxes. . . . . . . . . 105 Best Western Corte Madera Inn. . . . . . 180 Blanc. . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Bloom Farms. . . . . . . . . . . . . . . . . . . . . . 85 Body Kinetics Health Club . . . . . . . . . . 188 Bohemian . . . . . . . . . . . . . . . . . . . . . . . 104 Bon Air. . . . . . . . . . . . . . . . . . . . . . . . 27, 37 Bossa Nova Fashion Concepts. . . . . . . . 70 Bradley Real Estate. . . . . . . . . . . . . . . . . 48 Branded. . . . . . . . . . . . . . . . . . . . . . . . . . 41 Butler, Shine, Stern & Partners . . . . . . . 194 Buzz Photo Booths . . . . . . . . . . . . . . . . . 76 CannaCraft . . . . . . . . . . . . . . . . . . . . . . . 93 Cavallo Point. . . . . . . . . . . . . . . . . . . . . . 61 Chambers + Chambers Architects. . . . . 14 Classical KDFC . . . . . . . . . . . . . . . . . . . . 77 Coldwell Banker . . . . . . . . . . . . . . . . . . . 23 Comforts. . . . . . . . . . . . . . . . . . . . . . . . . 96 ConciergeMarin. . . . . . . . . . . . . . . . . . .160 Courtyard Mariott San Francisco Larkspur Landing. . . . . . . . . . . . . . . . 169 CPi Developers. . . . . . . . . . . . . . . . . . . . 23 Delicious! Catering. . . . . . . . . . . . . . . . . 55 Dolby Laboratories. . . . . . . . . . . . . . . . . 20 EACH Foundation. . . . . . . . . . . . . . . . . 100 East Bay Express. . . . . . . . . . . . . . . . . . 162 EO Essential Oils. . . . . . . . . . . . . . . . . . 195 Equator Coffees & Teas. . . . . . . . . . . . . 182 Film SF. . . . . . . . . . . . . . . . . . . . . . . . . . 174` Flow Kana . . . . . . . . . . . . . . . . . . . . . . . 110 Fort Docs. . . . . . . . . . . . . . . . . . . . . . . . . 96 Four Points by Sheraton San Rafael . . . 208 Frame Crafters Gallery . . . . . . . . . . . . . . 60 Frogs Hot Tubs . . . . . . . . . . . . . . . . . . . . 96 Fusion Academy Marin. . . . . . . . . . . . . . 82 Galanter & Jones. . . . . . . . . . . . . . . . . . . 67 Ghilotti Construction Co.. . . . . . . . . . . . 66 Giraffex Graphic Design. . . . . . . . . . . . 170 Glassdoor . . . . . . . . . . . . . . . . . . . . . . . 102
Golden Gate Bridge, Highway and Transportation District . . . . . . . . . . . . 76 Good Green Moving. . . . . . . . . . . . . . . 168 The Grateful Dog, Doggy PlayCare & Wellness Center. . . . . . . . . . . . . . . 188 Green Chile Kitchen . . . . . . . . . . . . . . . . 71 Hillside Tavern. . . . . . . . . . . . . . . . . . . . 210 ICG Magazine. . . . . . . . . . . . . . . . . . . . 162 iHeartMedia San Francisco. . . . . . . . . . 180 Il Davide Cucina Italiana. . . . . . . . . . . . . 60 Il Fornaio. . . . . . . . . . . . . . . . . . . . . . . . . 44 Incavo Wine & Tasting Collective. . . . . 209 Jackson Square Partners. . . . . . . . . . . . inside back cover KPIX-TV / KBCW-TV - San Francisco. . . 196 KQED. . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 KRCB. . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 KWMR - West Marin Commmunity Radio. . . . . . . . . . . . . . . 93 L.INC Design. . . . . . . . . . . . . . . . . . . . . 174 La Ginestra Restaurant. . . . . . . . . . . . . . 55 Lagunitas Brewing Company . . . . . . . . 109 Le Comptoir . . . . . . . . . . . . . . . . . . . . . . 50 Linda Walsh Real Estate . . . . . . . . . . . . . 38 The Lodge at Tiburon. . . . . . . . . . . . . . 163 Lucasfilm Ltd. . . . . . . . . . . . . . . back cover LUNAFEST. . . . . . . . . . . . . . . . . . . . . . . . 39 Madison Real Estate. . . . . . . . . . . . . . . . 92 The Magic Flute. . . . . . . . . . . . . . . . . . . .76 The Makery. . . . . . . . . . . . . . . . . . . . . . . 70 Marie Van Elder Oil Paintings. . . . . . . . 188 Marin Art & Garden Center. . . . . . . . . . . 83 MarinArts. . . . . . . . . . . . . . . . . . . . . . . . .38 Marin Community Foundation . . . . . 18, 19 Marin Convention & Visitors Bureau. . . 178 Marin Country Mart. . . . . . . . . . . . . . . . . 31 Marin General Hospital. . . . . . . . . . . . . . 89 Marin Honda. . . . . . . . . . . . . . . . . . . . . . 36 Marin Independent Journal . . . . . . . . . . 97 Marin Joes. . . . . . . . . . . . . . . . . . . . . . . . 49 Marin Magazine. . . . . . . . . . . . . . . . . . . 189 Marin Suites Hotel. . . . . . . . . . . . . . . . . 165 Maroevich, O’Shea & Coghlan Insurance, Inc.. . . . . . . . . . . 5 Meritage Medical Network. . . . . . . . . . 182 Mill Valley Inn . . . . . . . . . . . . . . . . . . . . 173 Montecito Shopping Center - Seagate Properties, Inc. . . . . . . . . . . . . . . . . . . 60 Mountain Home Inn . . . . . . . . . . . . . . . 186 MW General Contracting, Inc. . . . . . . . . 82 Nordstrom. . . . . . . . . . . . . . . . . . . . . . . . . 8 Ongaro & Sons. . . . . . . . . . . . . . . . . . . . 93
Pacific Office Automation. . . . . . . . . . . 199 Pacific Sun. . . . . . . . . . . . . . . . . . . . . . . 104 Paragon Real Estate Group. . . . . . . . . . . 26 Pacific Gas & Electric. . . . . . . . . . . . . . . . 40 Piazza D’Angelo. . . . . . . . . . . . . . . . . . . . 78 Pizza Antica. . . . . . . . . . . . . . . . . . . . . . 108 Porsche Marin. . . . . . . . . . . . . . . . . . . . . 42 Rafael Floors. . . . . . . . . . . . . . . . . . . . . . 76 Red Dragon Yoga . . . . . . . . . . . . . . . . . . 22 Rims & Goggles. . . . . . . . . . . . . . . . . . . . 24 Robert Federighi. . . . . . . . . . . . . . . . . . 104 San Francisco Chronicle . . . . . . . . . . . . . 15 San Rafael Chamber of Commerce. . . . . 36 San Rafael Pacifics Baseball Club. . . . . 206 Seager Gray Gallery . . . . . . . . . . . . . . . . 49 Sephora. . . . . . . . . . . . . . . . . . . . . . . . . 205 Simple DCP. . . . . . . . . . . . . . . . . . . . . . 180 Sol Food . . . . . . . . . . . . . . . . . . . . . . . . . 84 Sonoma Valley Authors’ Festival. . . . . . . 22 Sophienwald. . . . . . . . . . . . . . . . . . . . . 164 Speedpro Imaging . . . . . . . . . . . . . . . . 162 Stark Insider. . . . . . . . . . . . . . . . . . . . . .186 State Room. . . . . . . . . . . . . . . . . . . . . . . 68 Steamworks Baths. . . . . . . . . . . . . . . . . 188 Stephan-Hill Jewelry Designers . . . . . . . 22 Sterling Bank & Trust. . . . . . . . . . . . . . . . 72 Strawberry Village Shopping Center . . . 54 Suite Treatments. . . . . . . . . . . . . . . . . . 181 Sutton Suzuki Architects. . . . . . . . . . . . . . 6 Sweetwater Music Hall & Café . . . . . . . . 88 Tamalpais Paint & Color . . . . . . . . . . . . 188 Tanji. . . . . . . . . . . . . . . . . . . . . . . . . . . . 207 Theresa & Johnny’s Comfort Food. . . . 181 THX. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Tiburon Tavern . . . . . . . . . . . . . . . . . . . . 62 Town Center at Corte Madera . . . . . . . . 25 TV5MONDE . . . . . . . . . . . . . . . . . . . . . . 94 Variety. . . . . . . . . . . . . . . . . . . . . . . . . . 200 VIBE Consultancy . . . . . . . . . . . . . . . . . 164 Vin Antico Restaurant. . . . . . . . . . . . . . . 42 Vintage Oaks Shopping Center . . . . . . . 28 Wareham Development . . . . . . . . . . . . . . 4 Waters Edge Hotel . . . . . . . . . . . . . . . . 201 Wells Fargo Bank. . . . . . . inside front cover Where Traveler . . . . . . . . . . . . . . . . . . . 197 World of Sound. . . . . . . . . . . . . . . . . . . . 96 XFINITY. . . . . . . . . . . . . . . . . . . . . . . . . . 38 Yelp. . . . . . . . . . . . . . . . . . . . . . . . . . . . 176 Yet Wah Restaurant. . . . . . . . . . . . . . . . . 55
211
TITLE INDEX A Ciambra.................................... 116 An Act of Defiance...................... 116 Adnyat.......................................... 115 After the War............................... 116 All That You Love Will Be Carried Away............................ 115 All the Marbles............................ 145 AlphaGo....................................... 117 Amelia’s Closet............................ 113 Andre: The Voice of Wine.......... 117 Arrangiarsi (Pizza... & The Art of Living).................................... 117 Awarewolf.................................... 114 Babe, I Hate to Go...................... 115 The Ballad of Lefty Brown.......... 118 The Bed........................................ 114 Between the Sand....................... 115 Beyond the Supernova......... 91, 118 Bill Frisell, A Portrait................... 118 Birds Dropping............................ 147 Black Head Cow.......................... 135 BPM (Beats per Minute)............. 119 Bread & Roses Presents............. 115 Breathe ...................................79, 119 Burning the Old Year.................. 114 Call Me by Your Name................ 119 Ciao Ciao..................................... 120 City of Joy.................................... 120 Complete Me.............................. 114 The Corridor................................ 120 The Cousin................................... 121 Creswick....................................... 113 The Current War....................34, 121 Damsels in Distress..................... 114 The Dark of Night....................... 113 Darkest Hour...................32, 45, 121 The Dead..................................... 114 Dealt............................................. 122 Dear San Francisco..................... 114 Death to Five...............................150 The Deep Sky.............................. 122 The Desert Bride......................... 122 Dirtbag: The Legend of Fred Beckey....................................... 123 The Divine Order........................ 123 Do Not Go Gentle Into That Good Night............................... 114 Dream with Me............................ 114 Earth Wisdom for a World in Crisis...................................... 123 El Amparo.................................... 124 Esteban........................................ 124 Fabricated.................................... 115 Faces, Places............................... 124 Fallen Art......................................150 A Fantastic Woman..................... 125 Fault.............................................. 114
212
Félicité.......................................... 125 Film Stars Don’t Die in Liverpool............................... 125 Fingerprints...........................90, 123 Fire & Light.................................. 115 The Florida Project..................... 126 Footsteps..................................... 113 Fourth Movement....................... 126 Frankie Keeps Talking................ 113 From the Green Hill....................150 Fry Day......................................... 113 Game............................................ 114 Goodbye Christopher Robin..... 126 Growing Community.................. 114 Happening: A Clean Energy Revolution................................. 127 Harold and Maude...................... 127 Hedgehog’s Home..................... 113 The Hi De Ho Show..................... 127 The History of Magic: Ensueño.. 115 Holy Air......................................... 128 Horn from the Heart: The Paul Butterfield Story................. 91, 128 Hot Dog Hands........................... 115 How to Eat Walnuts.................... 114 Human Flow................................. 128 I Don’t Feel Anything Anymore.. 115 I Still Hide to Smoke...................129 Icarus............................................ 115 In Syria..........................................129 In the Fade................................... 129 In the Still of the Night...............150 Indefinable................................... 114 Indelible....................................... 114 The Inland Road..........................130 The Insult.....................................130 The Invisibles...............................130 Isis Hair Salon.............................. 115 Jaha’s Promise............................. 131 Jane.............................................. 131 Jesser and the Sugarcane.......... 113 John Sanborn: An Introspective Retrospective.............................86 Joya Mia....................................... 114 Just One Drop............................. 131 Kim Swims.................................... 132 Kizi Mizi........................................150 The Kodachrome Elegies........... 133 Lady Bird................................35, 132 The Last Animals......................... 132 Last Flag Flying..................... 69, 133 The Last Photograph.................. 133 The Last Pig................................. 133 Law of the Land...........................134 The Leisure Seeker.....................134 Lemonade Mafia......................... 113 Let the Sunshine In.....................134
Life and Nothing More............... 135 The Light of the Moon................ 135 Liyana........................................... 135 The Long Shadow....................... 136 Los Perros..................................... 136 Love, Your Daughter................... 114 Love, Cecil...................................136 Loveless........................................ 137 Loving Vincent ............................ 137 Lunch Time.................................. 115 Mad Hannans........................90, 137 Mankiller...................................... 138 Mary Janes: The Women of Weed...............................86, 138 Meryl Fuckin Streep.................... 147 Metamorphosis: Junior Year..........................86, 138 The Meyerowitz Stories.............. 139 Moana.......................................... 139 Molly’s Game............................... 139 Mr. Roosevelt...............................140 Mudbound............................. 57, 140 My Happy Family........................140 My Josephine.............................. 114 My Man (Octopus)...................... 115 The Mystery of Green Hill.......... 141 Napalm Mayhem......................... 113 The Nation Holds Its Breath...... 114 The New Environmentalists: From Guatemala to The Congo........................ 123, 145 No Man’s Land............................ 141 Not Alone......................................87 Not Yet......................................... 113 Nothing a Little Soap and Water Can’t Fix.................................... 113 Nothingwood.............................. 141 On the Beach at Night Alone.... 142 On The Sly: In Search of the Family Stone................ 91, 142 Once Upon a Time......................150 Oncle Yanco................................. 114 One of Us..................................... 142 The Other Side of Hope............. 143 Our Jewels................................... 161 Owls & Mice................................. 143 The Party...................................... 143 Picnic Perfect............................... 114 Pix................................................. 113 Plaquemines................................ 113 Porcupine Lake............................144 Pussy.............................................150 Quadrant, part 2......................... 115 Quest............................................144 Radiance......................................144 Ram Dass, Going Home............. 133 Real Artists................................... 113 Reflection..................................... 114
The Reflection in Me................... 113 Refuge and Resistance: The Music of Guatemala......... 114 The Relationtrip.......................... 145 Revolting Rhymes....................... 145 A River Below............................... 145 Roadside Attraction...................150 Sabaku.......................................... 113 The Sandglass.............................146 Saving Happy Birthday............... 115 Second to None.......................... 115 Seconds........................................ 113 The Shape of Water....................146 A Sibling Mystery........................146 Snowy Bing Bongs Across the North Star Combat Zone........ 147 Son................................................150 Song of Granite........................... 147 Spoor............................................ 147 Spring Jam................................... 113 The Square...................................148 Strange Birds...............................148 Summer 1993...............................148 Swim............................................. 114 Take Your Time............................ 114 Tango............................................150 That Is How Motherhood Works.................140 Thelma.......................................... 149 Third Mind Blues................... 91, 149 Three Billboards Outside Ebbing, Missouri...................... 149 Times Have Passed.....................150 Tip of My Tongue........................150 Torch.............................................150 Towards the Sun.......................... 113 An Uneasy Truce......................... 114 Unfortunately...............................150 Unspoken..................................... 131 Valence......................................... 114 Vazante......................................... 151 The Venerable W........................ 151 Vital Fluid..................................... 114 Vitch.............................................. 151 Wait for Your Laugh..............33, 152 Wendy.......................................... 152 Western........................................ 152 Where Are You at, Barbet Schroeder?................... 151 White Sun..................................... 153 Wonderstruck........................73, 153 Woodstock................................... 153 Woodswimmer............................ 115 Worst Case, We Get Married....154 Yeva..............................................154 Yours Sincerely, Lois Weber....... 125 Zero............................................... 114
Projecting commitment. I N V E S T M E N T
P A R T N E R S
J ef f v an h art e, cfa C H I E F
I N V E S T M E N T
O F F I C E R
C HRIS B ONAVICO, C FA
K EN B ROA D, C FA
C HRIS E RIC K SeN, C FA
I AN F ER RY
P AT RIC K F ORT IER , C FA
G REG H E Y WO OD, C FA D EBBI E S A B O
DAN P RISL IN, C FA
H E A D
O F
T R A D I N G
All the films featured at this year’s Mill Valley Film Festival are the results of thousands of artists working together to bring a
O P E R A T I N G
K E VIN B ROWN
story and vision to life. Wells Fargo is proud to return as the Opening Night sponsor
M A N A G I N G
PA RT N E R
J EF F R E XFORD H E A D
O F
of the 40th Annual Mill Valley Film Festival because the achievements of these artists reflect our working together
P A R T N E R S
B U S I N E S S
D E V E L O P M E N T
V AN T R AN C H I E F
F I N A N C I A L
O F F I C E R
spirit and commitment to help our communities thrive. Enjoy the show.
J ac k s on S Q ua r e P a rt n e r s , l lc 1 0 1 California S Treet
Suite 3750
i n f o @ j S p a r t n e r s . c o m © 2017 Wells Fargo Bank, N.A. All rights reserved. Member FDIC. IHA-4722601
Sa n Fra nc is c o , C A 9 4 1 1 1 w w w . j s p a r t n e r s . c o m
MILL VALLEY FILM FESTIVAL 40
How time flies...
SOUVENIR PROGRAM
Celebrating 40 years of the Mill Valley Film Festival from all your friends at OCTOBER 5 â&#x20AC;&#x201C;15, 2017