Page 1

MUSICURATUM: THE COMPENDIUM PART III Amsterdam, The Netherlands 2012-2017

Original texts Š Musicuratum 2012–2017. Amsterdam, The Netherlands. All rights reserved.

Table of Contents For Further Reading


Acknowledgements A Note on the Text (And on the Type)

817 825

For Further Reading


he listing which follows, being yet tentative, is compiled first and foremost as a set of notes to myself – it serves as a mnemonic aide (the title is meant quite literally). Rather idiosyncratic, no doubt, and extensive it may be, but in offering this bibliography here for consultation I should like to hope that those who do peruse it would find a number of suggestions amongst this array of signposts. Be assured that music as a subject stands behind the choice of these entries, even when the reasons for their inclusion might seem less than obvious; any appearance of haphazardness in the selection notwithstanding, there is some connection, or at least there seems to be one, to me, albeit only incipiently. – In their content the items assembled here are variegated, and though the central focus, as in the Musicuratum project as a whole, is circumscribed by our present moment, in the following a considerable number of much older works can be found as well. As regards their kind, the entries run the gamut – including periodical literature of several sorts, poems, and letters, in addition to various types of books and, in a few instances, materials published on the Internet. And, concerning the various elements of bibliographic information in what follows, they are as complete and as accurate as I’ve been able to render them, all of it compiled with an eye towards the readers’ ease of reference, and hence the extant entries may well be emended occasionally. – Although I cannot vouch now in detail for the quality of each single title listed, and nor ought their inclusion here be taken as an endorsement, nonetheless I should like to state that all of them have been chosen with deliberation and care.


ABBING, Hans. Why Are Artists Poor? The Exceptional Economy of the Arts. Amsterdam: Amsterdam University Press, 2002. ABERT, Hermann. Goethe und die Musik. Stuttgart: J. Engelhorns Nachfolger, 1922. –––––. Die Lehre vom Ethos in der griechischen Musik. Leipzig: Verlag von Breitkopf & Härtel, 1899. –––––. Die Musikanschauung des Mittelalters und ihre Grundlagen. Halle an der Saale: Verlag von Max Niemeyer, 1905. ACCETTO, Torquato. Della dissimulatione honesta. Naples: Egidio Longo, 1641. ADDISON, Joseph and Richard STEELE, et al. The Spectator, ed. Gregory Smith. Four volumes. London: J. M. Dent & Sons, and New York: E. P. Dutton & Company, 1958-73. (Published in London from March 1, 1711 to December 6, 1712, and in 1714.) AFTERMAN, Adam. “And They Shall Be One Flesh”: On the Language of Mystical Union in Judaism. Leiden: E. J. Brill, 2016. AGEE, James. Film Writing and Selected Journalism, ed. Michael Sragow. New York: The Library of America, 2005. ALBUS, Anita. Im Licht der Finsternis: Über Proust. Frankfurt am Main:S. Fischer Verlag, 2011. –––––. Käuze und Kathedralen: Geschichten, Essays und Marginalien. Frankfurt am Main: S. Fischer Verlag, 2014. –––––. Die Kunst der Künste: Erinnerungen an die Malerei. Frankfurt am Main: Eichborn Verlag, 1997.


–––––. Paradies und Paradox: Wunderwerke aus fünf Jahrhunderten. Frankfurt am Main: Eichborn Verlag, 2002. –––––. Von seltenen Vögeln. Frankfurt am Main: S. Fischer Verlag, 2005. ALEICHEM, Sholem (Solomon Naumovich RABINOVICH). Stempenyu, translated from the Yiddish by Hannah Berman under Aleichem’s supervision. The novel was published in his periodical Di yidishe folksbibliotek: A bukh fir literatur, kritik, un vissenshaft (Odessa), vol. 1 (1888); later it was included in the eleventh volume of his collected works, published in New York in 1919. London: Methuen & Company, 1913. ALLEN, James Turney. Stage Antiquities of the Greeks and Romans and Their Influence. New York: Longmans, Green and Co., 1927. ALTENBERG, Peter (Richard ENGLÄNDER). Das Buch der Bücher, ed. Rainer Gerlach. A collected edition first planned by Karl Kraus after the author’s death. Three volumes. Zweite Auflage. Göttingen: Wallstein Verlag, 2009. AMIOT (AMYOT), Joseph-Marie (S.J.). Mémoires concernant l’histoire, les sciences, les arts, les mœurs, les usages, &c. des Chinois, vol. VI: Mémoire sur la musique des Chinois, tant anciens que modernes, ed. Pierre-Joseph Roussier. Paris: chez Nyon, l’aîné, 1779. ANDERS, Günther (Günther STERN). Die Antiquiertheit des Menschen, vol. I: Über die Seele im Zeitalter der zweiten industriellen Revolution. Siebte Auflage. Munich: Verlag C. H. Beck, 1987. ANDERSON, Jack. Art Without Boundaries: The World of Modern Dance. Iowa City: University of Iowa Press, 1997. –––––. Ballet & Modern Dance: A Concise History. Second edition. Hightstown: Princeton Book Company, 1993. 605

ANDERSON, Warren D. Ethos and Education in Greek Music: The Evidence of Poetry and Philosophy. Cambridge, Massachusetts: Harvard University Press, 1966. –––––. Music and Musicians in Ancient Greece. Ithaca and London: Cornell University Press, 1994. ANDREWS, Edward Deming. “The Dance in Shaker Ritual.” Dance Index: A New Magazine Devoted to Dancing (New York: Dance Index - Ballet Caravan Incorporated), vol. I, no. 4 (April 1942), pp. 56-67. –––––. The Gift to Be Simple: Songs, Dances and Rituals of the American Shakers. New York: J. J. Augustin, 1940. ANDRIESSEN, Louis, and Elmer Schönberger. Het apollinisch uurwerk:Over Stravinsky. Amsterdam: De Bezige Bij, 1983. ANGELUS SILESIUS (Johannes SCHEFFLER). Cherubinischer Wandersmann oder Geist-Reiche Sinn- und Schluß-Reime zur Göttlichen beschauligkeit anleitende. Glatz: Ignatz Schubarth, 1675. (Previously the work had appeared as Geistreiche Sinn- und Schlussrime. Vienna: n.p., 1657.) (Sämtliche poetische Werke, ed. Hans Ludwig Held, vol. 3. Dritte erweiterte Auflage. Munich: Carl Hanser Verlag, 1952.) ANSERMET, Ernest. Écrits sur la musique, ed. Jean-Claude Piguet. Nouvelle édition. Neuchâtel: Éditions de la Baconnière, 1983. –––––. Les Fondements de la musique dans la conscience humaine, ed.Jean-Claude Piguet. Nouvelle édition. Neuchâtel: Éditions de la Baconnière, 1987. ANTHEIL, George. Bad Boy of Music. Garden City: Doubleday, Doran and Company, 1945.


–––––. “Paris und Wien.” Pult und Taktstock: Fachzeitschrift für Dirigenten (Vienna and New York: Universal-Edition), vol. V, no. 3 (May-June 1928), pp. 49-51. APEL, Willi. Gregorian Chant. Bloomington and Indianapolis: Indiana University Press, 1958. APOLLINAIRE, Guillaume (Wilhelm Albert Włodzimierz Apolinary KOSTROWICKI). “L’Antitradition futuriste: Manifeste-synthèse.” Dated June 29, 1913. Milan: Direction du mouvement futuriste, 1913. (Œuvres en prose complètes, vol. II, ed. Pierre Caizergues and Michel Décaudin, pp. 937-39. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1991.) –––––. Caligrammes: Poèmes de la paix et de la guerre (1913-1916). Paris: Mercure de France, 1917. –––––. “L’Esprit nouveau et les poètes.” Mercure de France (Paris), vol. CXXX, no. 491 (December 1, 1918), pp. 385-96. (Œuvres en prose complètes, vol. II, pp. 941-54.) –––––. Le Flâneur des deux rives. Paris: Éditions de la Sirène, 1918. (Œuvres en prose complètes, vol. III, ed. Pierre Caizergues and Michel Décaudin. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1993.) –––––. “Nos Amis les futuristes.” Les Soirées de Paris (Paris), vol. 3, no. 21 (February 15, 1914), pp. 78-79. (Œuvres en prose complètes, vol. II, pp. 970-72.) –––––. Les Peintres cubistes. Deuxième édition. Paris: Eugène Figuière et Cie, 1913. (Œuvres en prose complètes, vol. II.) –––––. Le Poète assassiné. Paris: L’Édition, Bibliothèque des curieux, 1916. (Œuvres en prose complètes, vol. I, ed. Michel Décaudin. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1977.)


ARAGON, Louis. Le Paysan de Paris. Chapters first serialized in the Revue européenne (Paris: Éditions du Sagittaire), no. 16 (June 1924), no. 17 (July 1924), no. 18 (August 1924), no. 19 (September 1924), no. 25 (March 1925), no. 26 (April 1925), no. 27 (May 1925), and no. 28 (June 1925). Issued as a book by Gallimard in 1926. (Œuvres poétiques complètes, vol. I, ed. Olivier Barbarant, with the assistance of Daniel Bougnoux, François Eychart, Marie-Thérèse Eychart, Nathalie LimatLetellier, and Jean-Baptiste Para. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 2007.) –––––. Traité du style. Paris: Éditions Gallimard, 1928. ARBUTHNOT, John. “Proposals For Printing a Very Curious Discourse, in Two Volumes in Quarto, Intitled, Ψευδολογία Πολιτική; or, A Treatise of the Art of Political Lying.” This essay, often though mistakenly attributed to Jonathan Swift, was first published as a pamphlet. London: John Morphew, 1712. (The Life and Works of John Arbuthnot, ed. George Atherton Aitken, pp. 291-303. Oxford: at the Clarendon Press, 1892.) ARENDT, Hannah. Denktagebuch, ed. Ursula Ludz and Ingeborg Nordmann. Two volumes. Zweite Auflage. Munich and Zürich: Piper Verlag, 2003. –––––. The Human Condition. The book originated from the Charles R. Walgreen Foundation Lectures delivered in April 1956. Chicago: The University of Chicago Press, 1958. –––––. Lectures on Kant’s Political Philosophy, ed. Ronald Beiner. Chicago: The University of Chicago Press, 1982. –––––. The Life of the Mind, ed. Mary McCarthy. Two volumes. New York: Harcourt Brace Jovanovich, 1978.


–––––. The Origins of Totalitarianism. New edition with added prefaces. New York: Harcourt Brace Jovanovich, 1973. –––––. On Revolution. Second edition. New York: Penguin Books, 1990. –––––. Über die Revolution. Vierte Auflage. Munich and Zürich: Piper Verlag, 2000. ––––– and Walter BENJAMIN. Texte, Briefe, Dokumente, ed. Detlev Schöttker and Erdmut Wizisla. Frankfurt am Main: Suhrkamp Verlag, 2006. ARFOUILLOUX, Sébastien. Que la nuit tombe sur l’orchestre: Surréalisme et Musique. Paris: Librairie Arthème Fayard, 2009. ARNOLD, Matthew. Culture and Anarchy: An Essay in Political and Social Criticism. London: Smith, Elder and Company, 1869. (The Complete Prose Works, ed. Robert Henry Super, vol. V: Culture and Anarchy, with Friendship’s Garland and Some Literary Essays. Ann Arbor: The University of Michigan Press, 1965.) –––––. “Dover Beach.” In New Poems, pp. 112-14. London: Macmillan and Co., 1867. (The Poetical Works, ed. Chauncey Brewster Tinker and Howard Foster Lowry, pp. 210-12. London and New York: Oxford University Press, 1950.) –––––. A French Eton: or, Middle Class Education and the State. London and Cambridge: Macmillan and Co., 1867. (The Complete Prose Works, vol. II: Democratic Education. Ann Arbor: The University of Michigan Press, 1962.) –––––. Higher Schools & Universities in Germany. Second edition. London: Macmillan and Co., 1882. (The Complete Prose Works, vol. IV: Schools and Universities on the Continent. Ann Arbor: The University of Michigan Press, 1964.) 609

–––––. The Popular Education of France, with Notices of That of Holland and Switzerland. London: Longman, Green, Longman, and Roberts, 1861.(The Complete Prose Works, vol. II.) –––––. Schools and Universities on the Continent. London: Macmillan and Co., 1868. (The Complete Prose Works, vol. IV.) ARNOULD, Dominique. Le Rire et les larmes dans la littérature grecque: D’Homère à Platon. Deuxième tirage. Paris: Les Belles Lettres, 2009. (Études anciennes, no. 138.) AROM, Simha. La Boîte à outils d’un ethnomusicologue, ed. Nathalie Fernando. Montréal: Les Presses de l’Université de Montréal, 2008. –––––. La Fanfare de Bangui. Paris: Éditions La Découverte, 2009. –––––. Polyphonies instrumentales d’Afrique centrale: Structure et Méthodologie. Two volumes. Paris: Société d’Études Linguistiques et Anthropologiques de France, 1985. ASÍN PALACIOS, Miguel. La escatología musulmana en la Divina Comedia, seguida de la Historia y crítica de una polémica. Segunda edición. Madrid and Granada: Escuelas de Estudios Árabes de Madrid y Granada, 1943. ASSELINEAU, Charles. Charles Baudelaire: Sa Vie et son Œuvre. Paris: Alphonse Lemerre, 1869. ATTALI, Jacques. Bruits: Essai sur l’économie politique de la musique. Nouvelle édition revue et augmentée. Paris: Librairie Arthème Fayard and the Presses universitaires de France, 2001. ATTINGER, Gustave. L’Esprit de la commedia dell’arte dans le théâtre français. Paris: Librairie Théâtrale, and Neuchâtel: Éditions de la Baconnière, 1950. 610

AUDEN, Wystan Hugh. Lectures on Shakespeare, ed. Arthur Kirsch. This lecture series was delivered at the New School for Social Research, New York, in 1946. Princeton: Princeton University Press, 2000. –––––. “Music in Shakespeare: Its Dramatic Use in His Plays.” Encounter (London: Congress for Cultural Freedom), vol. 9, no. 6 (December 1957), pp. 31-44. (The Complete Works, ed. Edward Mendelson: Prose, vol. IV, pp. 807-26. Princeton: Princeton University Press, 2011.) AUERBACH, Erich. Dante als Dichter der irdischen Welt. Berlin and Leipzig: Walter de Gruyter & Co., 1929. –––––. “Figura.” Archivum Romanicum: Nuova rivista di filologia romanza (Geneva: Leo S. Olschki), vol. 22 (1938), pp. 436-89. –––––. Mimesis: Dargestellte Wirklichkeit in der abendländischen Literatur. Elfte Auflage. Tübingen: A. Francke Verlag, 2015. AUSTEN, Jane. Mansfield Park. Three volumes. London: Thomas Egerton, 1814. AVENARY, Hanoch (Herbert LOEWENSTEIN). Encounters of East and West in Music: Selected Writings. Tel Aviv: Faculty of Visual and Performing Arts, Department of Musicology, Tel-Aviv University, 1979. –––––. “Magic, Symbolism and Allegory of the Old-Hebrew SoundInstruments.” Collectanea historiae musicae (Florence: Leo S. Olschki), vol. II (1956), pp. 21-31. AVERILL, Gage. Four Parts, No Waiting: A Social History of American Barbershop Harmony. Oxford: Oxford University Press, 2003. AZOULAY, Hélios. Scandales ! Scandales ! Scandales ! Histoires de chefsd’œuvre que l’on siffle. Paris: Éditions Jean-Claude Lattès, 2008. 611

–––––. Tout est musique. Paris: La Librairie Vuibert, 2012. ––––– and Pierre-Emmanuel DAUZAT. L’Enfer aussi a son orchestre:La Musique dans les camps. Paris: La Librairie Vuibert, 2015. BACHOFEN, Johann Jakob. Versuch über die Gräbersymbolik der Alten. Basel: Bahnmaier’s Buchhandlung (G. Detloff), 1859. (Gesammelte Werke, ed. Karl Meuli, with the assistance of Max Burckhardt, José Dörig, and Johannes Dörmann, vol. IV, ed. Ernst Howald. Basel: Schwabe Verlag, 1954.) BADER, Günter. Psalterium affectuum palaestra: Prolegomena zu einer Theologie des Psalters. Tübingen: J. C. B. Mohr (Paul Siebeck), 1996. BAJU, Anatole. L’École décadente. Paris: Léon Vanier, 1887. BAKHTIN, Mikhail Mikhailovich. Rabelais and His World, translated by Hélène Iswolsky. Completed in 1940 in Moscow, and first published there in 1965. Bloomington: Indiana University Press, 1984. BAKUNIN, Mikhail Alexandrovich. God and the State, translated by Benjamin Ricketson Tucker, revised by Max Nettlau. Written in February and March 1871 as part of his Knouto-Germanic Empire and the Social Revolution, never completed by him, and first published by Carlo Cafiero and Elisée Reclus in French translation in Geneva by the Imprimerie Jurassienne in 1882. New edition. London: Freedom Press, 1910. –––––. Statism and Anarchy, ed. and translated by Marshall S. Shatz. First published anonymously in 1873, in Switzerland. Cambridge: Cambridge University Press, 1990.


BALANCHINE, George. “The Dance Element in Strawinsky’s Music.” Dance Index: A New Magazine Devoted to Dancing (New York: Dance Index - Ballet Caravan Incorporated), vol. VI, nos. 10, 11, 12 (1947), pp. 250-56. BALANDIER, Georges. Carnaval des apparences, ou nouveaux commencements ? Paris: Librairie Arthème Fayard, 2012. –––––. Le Désordre: Éloge du mouvement. Paris: Librairie Arthème Fayard, 1988. BALL, Hugo. Zur Kritik der deutschen Intelligenz. Berne: Der freie Verlag, 1919. (Sämtliche Werke und Briefe, vol. 5, ed. Hans Dieter Zimmermann. Göttingen: Wallstein Verlag, 2005.) BALLANCHE, Pierre-Simon. Essai sur les institutions sociales dans leur rapport avec les idées nouvelles. Paris: de l’Imprimerie de P. Didot, l’aîné, 1818. (Œuvres, vol. II, pp. 13-381. Paris and Geneva: Librairie de J. Barbezat, 1830.) BALZAC, Honoré de. “Gambara: Étude philosophique.” First serialized in the Revue et gazette musicale de Paris, vol. 4, no. 30 (July 23, 1837), pp. 347-51, no. 31 (July 30), pp. 355-62, no. 32 (August 6), pp. 363-69, no. 33 (August 13), pp. 371-77, and no. 34 (August 20), pp. 380-82. Published in Le Cabinet des antiques: Scène de la vie de province, suivie de Gambara, vol. II, pp. 85-267. Paris: Hippolyte Souverain, 1839. (La Comédie humaine, ed. Pierre-Georges Castex with Thierry Bodin, Pierre Citron, Madeleine Fargeaud, Henri Gauthier, René Guise, and Moïse Le Yaouanc, vol. X: Études philosophiques. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1979.) BANCQUART, Alain. Musique: Habiter le temps. Preface by Franck Christoph Yeznikian. Lyon: Symétrie, 2003.


BANDY, William Thomas, and Claude PICHOIS (eds.). Baudelaire devant ses contemporains. Paris: Union Générale d’Édition, 1967. BANON, David. L’Attente messianique: Une Infinie Patience. Paris: Éditions du Cerf, 2012. –––––. La Lecture infinie: Les Voies de l’interprétation midrachique. Preface by Emmanuel Lévinas. Paris: Éditions du Seuil, 1987. BANVILLE, Théodore de. L’Âme de Paris: Nouveaux Souvenirs. Paris: Georges Charpentier et Cie, 1890. –––––. Esquisses parisiennes: Scènes de la vie. Paris: Charpentier et Cie, 1876. –––––. Idylles prussiennes. Paris: Alphonse Lemerre, 1871. –––––. La Lanterne magique. Paris: Georges Charpentier, 1883. –––––. Mes Souvenirs. Paris: Bibliothèque-Charpentier, 1882. –––––. Paris vécu: Feuilles volantes. Paris: Georges Charpentier et Cie, 1883. BARBEY D’AUREVILLY, Jules-Amédée. “Charles Baudelaire.” In Poésie et Poètes, pp. 97-123. Paris: Alphonse Lemerre, 1906. –––––. Du Dandysme et de Georges Brummell. Troisième édition. Paris: Alphonse Lemerre, 1879. BARDET, Bernard. Les Violons de la musique de la chambre du roi sous Louis XIV. Paris: Société Française de Musicologie, 2016. BARISH, Jonas. The Antitheatrical Prejudice. Berkeley and Los Angeles: University of California Press, 1981. 614

BARRA-SALZÉDO, Edoarda. En soufflant la grâce: Âmes, souffles et humeurs en Grèce ancienne. Grenoble: Éditions Jérôme Millon, 2007. BARRÈS, Maurice. Amori et dolori sacrum. Paris: Félix Juven, 1903. (L’Œuvre, ed. Philippe Barrès, vol. VII. Preface by Gérard Bauër. Paris: au Club de l’Honnête Homme, 1967.) –––––. “L’Esthétique de demain: L’Art suggestif.” De Nieuwe Gids (Amsterdam: Willem Versluys), vol. 1, no. 1 (October 1, 1885), pp. 140-49. –––––. “La Musique de perdition.” La Revue hebdomadaire (Paris: Librairie Plon), vol. XXX, no. 5 (May 1921), pp. 125-39. Included after Barrès’ death in Le Mystère en pleine lumière, ed. François Duhourcau. Preface by Philippe Barrès. Paris: Librairie Plon, 1926. (L’Œuvre, vol. XII. Preface by Jean Dutourd. Paris: au Club de l’Honnête Homme, 1967.) –––––. Du Sang, de la volupté et de la mort. Paris: BibliothèqueCharpentier, 1894. (L’Œuvre, vol. II. Preface by Louis Aragon. Paris: au Club de l’Honnête Homme, 1966.) –––––. Scènes et doctrines du nationalisme. Paris: Félix Juven, 1902. (L’Œuvre, vol. V. Preface by Thierry Maulnier. Paris: au Club de l’Honnête Homme, 1966.) –––––. “La Sensation en littérature: La Folie de Charles Baudelaire (Baudelaire, Verlaine, Mallarmé, Rollinat, des Esseintes).” Les Taches d’encre: Gazette mensuelle (Paris: Maurice Barrès), no. 1 (November 5, 1884), pp. 3-26, and no. 2 (December 5, 1884), pp. 21-43. Republished posthumously in La Folie de Charles Baudelaire. Paris: Les Écrivains réunis, 1926. (L’Œuvre, vol. I. Preface by François Mauriac. Paris: au Club de l’Honnête Homme, 1965.)


BARRY, William. Heralds of Revolt: Studies in Modern Literature and Dogma. New edition, revised and enlarged. London: Hodder and Stoughton, 1909. BARSACQ, Stéphane. Johannes Brahms. Preface by Hélène Grimaud. Arles: Actes Sud, 2008. BARTÓK, Béla. Essays, ed. Benjamin Suchoff. London: Faber & Faber, 1976. –––––. “Gypsy Music or Hungarian Music?” The Musical Quarterly(New York: G. Schirmer), vol. XXXIII, no. 2 (April 1947), pp. 240-57. –––––. The Hungarian Folk Song, ed. Benjamin Suchoff. Albany: State University of New York Press, 1981. (An edition revised from the manuscript was issued in 2002 by Bartók Records & Publications, Homosassa, Florida.) –––––. Pourquoi et comment recueille-t-on la musique populaire ?, translated by Étienne Lajti. Geneva: Imprimerie Albert Kundif, 1948. –––––. Turkish Folk Music from Asia Minor, ed. Benjamin Suchoff. Princeton: Princeton University Press, 1976. (A revised edition is likewise available from Bartók Records & Publications.) –––––. Weg und Werk: Schriften und Briefe, ed. Bence Szabolcsi. Budapest: Corvina Verlag, 1957. BATAILLE, Georges. L’Érotisme. Paris: Les Éditions de Minuit, 1957. (Œuvres complètes, vol. X, pp. 7-270, 629-39. Paris: Éditions Gallimard, 1987.) –––––. Les Larmes d’Eros. Paris: Jean-Jacques Pauvert, 1961. (Œuvres complètes, vol. X, pp. 573-627, 641-86.) 616

BAUDELAIRE, Charles. “Edgar Allan Poe: Sa Vie et ses Ouvrages.” First published in 1852 in the March and April numbers of the Revue de Paris, newly relaunched by Théophile Gautier, pp. 138-56 and pp. 90-110, respectively; later revised as the preface to his translation of Poe’s Histoires extraordinaires, pp. viii-xxxi. Paris: Michel Lévy frères, 1856. (Œuvres complètes, ed. Claude Pichois, vol. II. Nouvelle édition. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1976.) –––––. “Fusées.” Complete text in Journaux intimes, ed. Adolphe van Bever, pp. 1-42. Paris: Les Éditions Georges Crès et Cie, 1920. (Œuvres complètes, vol. I. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1975.) –––––. Richard Wagner et Tannhäuser à Paris. Paris: Édouard Dentu, 1861. (Œuvres complètes, vol. II, pp. 779-815.) BAUMONT, Olivier. « À l’Opéra, monsieur !»: La Musique dans les Mémoires de Saint-Simon. Paris: Éditions Gallimard, 2015. BAYLE, Pierre. Pensées diverses, Écrites à un Docteur de Sorbonne, À l’occasion de la Cométe qui parut au mois de Decembre 1680. Two volumes. Rotterdam: chez Reinier Leers, 1683. BEARE, William. The Roman Stage: A Short History of Latin Drama in the Time of the Republic. Third edition. London: Methuen & Co., 1964. BEATON, Cecil. Cecil Beaton’s New York. Philadelphia and New York:J. B. Lippincott, 1938. –––––. Cecil Beaton’s Scrapbook. London: B. T. Batsford, 1937. –––––. Portraits & Profiles, ed. Hugo Vickers. London: Frances Lincoln, 2014.


BECK, Evelyn Torton. Kafka and the Yiddish Theater: Its Impact on His Work. Madison: University of Wisconsin Press, 1971. BECK, Guy Leon. Sonic Liturgy: Ritual and Music in Hindu Tradition. Columbia: University of South Carolina Press, 2012. –––––. Sonic Theology: Hinduism and Sacred Sound. Columbia: University of South Carolina Press, 1993. BECKETT, Samuel. Letter to Axel Kaun, July 9, 1937. In Disjecta: Miscellaneous Writings and a Dramatic Fragment, ed. Ruby Cohn, pp. 51-54, under the title “German Letter of 1937.” London: John Calder, 1983. (The Letters of Samuel Beckett, ed. Martha Dow Fehsenfeld and Lois More Overbeck, vol. 1: 1929-1940, pp. 512-16. Cambridge: Cambridge University Press, 2009.) –––––. Proust. London: Chatto & Windus, 1931. (The Grove Centenary Edition, ed. Paul Auster, vol. IV: Poems, Short Fiction, Criticism, pp. 511-54. New York: Grove Press, 2006.) –––––. “Schwabenstreich.” The Spectator (London), no. 5517 (March 23, 1934), p. 472. In Disjecta, pp. 61-62. –––––. Words and Music. Published initially in the Evergreen Review(New York: Grove Press), vol. 6, no. 27 (NovemberDecember 1962), pp. 34-43. (The Grove Centenary Edition, vol. III: Dramatic Works, pp. 331-40.) BECKFORD, William. Vathek, conte arabe. Although an earlier version had been published the same year in Lausanne, this revision was favored by the author and hence reprinted later, for example in 1876 (Paris: Adolphe Labitte) with a preface by Stéphane Mallarmé. Paris: chez Poinçot, 1787.


BEGBIE, Jeremy. Music, Modernity, and God: Essays in Listening. Oxford: Oxford University Press, 2013. BEKKER, Paul. Gesammelte Schriften, vol. II: Klang und Eros, and vol. III: Neue Musik. Stuttgart and Berlin: Deutsche Verlags-Anstalt, 1922 and 1923, respectively. –––––. Kritische Zeitbilder. Berlin: Schuster & Loeffler, 1921. BELLOW, Saul. Mr. Sammler’s Planet: A Novel. New York: The Viking Press, 1970. (Novels, 1970–1982, ed. James Wood. New York: The Library of America, 2010.) BENJAMIN, Walter (“Detlef HOLZ”). Deutsche Menschen: Eine Folge von Briefen. Lucerne: Vita Nova Verlag, 1936. (Gesammelte Schriften, ed. Rolf Tiedemann and Hermann Schweppenhäuser, vol. IV: Kleine Prosa, Baudelaire-Übertragungen, pt. I, ed. Tillman Rexroth, pp. 149-233. Frankfurt am Main: Suhrkamp Verlag, 1972.) –––––. Einbahnstraße. Berlin: Ernst Rowohlt Verlag, 1928. (Gesammelte Schriften, vol. IV, pt. I, pp. 83-148.) –––––. “Erfahrung und Armut.” Die Welt im Wort: Wochenblatt für Literatur, Kunst und Kultur (Prague: Verlag Haas & Co.), vol. I, no. 10 (December 7, 1933).(Gesammelte Schriften, vol. II: Aufsätze, Essays, Vorträge, pt. I, pp. 213-19. Frankfurt am Main: Suhrkamp Verlag, 1977.) –––––. “Der Erzähler: Betrachtungen zum Werk Nikolai Lesskows.” Orient und Occident: Staat, Gesellschaft, Kirche, Neue Folge (Berne and Leipzig: Gotthelf-Verlag), no. 3 (October 1936), pp. 16-33. (Gesammelte Schriften, vol. II, pt. II, pp. 438-65.) –––––. “Lehre vom Ähnlichen.” Composed probably in or shortly after January 1933. Gesammelte Schriften, vol. II, pt. I, pp. 204-10.


–––––. “Über das mimetische Vermögen.” Finished by September 1933. Gesammelte Schriften, vol. II, pt. I, pp. 210-13. –––––. Sur Scheerbart. An untitled text in French, lightly corrected by Pierre Missac, probably written towards the end of the 1930s. Gesammelte Schriften, vol. II, pt. II, pp. 630-32. –––––. “Über Sprache überhaupt und über die Sprache des Menschen.” Completed in November 1916. Gesammelte Schriften, vol. II, pt. I, pp. 140-57. –––––. “Der Sürrealismus: Die letzte Momentaufnahme der europäischen Intelligenz.” Die literarische Welt (Berlin: Literarische Welt Verlagsgesellschaft), vol. 5, no. 5 (February 1, 1929), pp. 3-4; no. 6 (February 8, 1929), p. 4; and no. 7 (February 15, 1929), pp. 7-8. (Gesammelte Schriften, vol. II, pt. I, pp. 295-310.) –––––. “Traumkitsch: Glosse zum Surrealismus.” Die neue Rundschau (Berlin and Leipzig: S. Fischer Verlag), vol. 38, no. 1 (January 1927), pp. 110 ff. (as “Glosse zum Sürrealismus”). (Gesammelte Schriften, vol. II, pt. II, pp. 620-22.) –––––. “Die Wiederkehr des Flaneurs.” Die literarische Welt, vol. 5, no. 40 (April 10, 1929), pp. 5-6. (Gesammelte Schriften, vol. III: Kritiken und Rezensionen, ed. Hella Tiedemann-Bartels, pp. 194-99. Frankfurt am Main: Suhrkamp Verlag, 1972.) BENN, Gottfried. Kunst und Macht. Stuttgart: Deutsche Verlags-Anstalt, 1933. (Sämtliche Werke: Stuttgarter Ausgabe, vol. IV: Prosa 2 (1933–1945), ed. Gerhard Schuster. Stuttgart: Klett-Cotta Verlag, 1989.) –––––. Morgue und andere Gedichte. Berlin: Verlag Alfred Richard Meyer, 1912. (Sämtliche Werke, vol. I: Gedichte 1, ed. Gerhard Schuster. Zweite Auflage. Stuttgart: Klett-Cotta Verlag, 2007.)


–––––. Nach dem Nihilismus. Berlin: Gustav Kiepenheuer Verlag, 1932. (Sämtliche Werke, vol. III: Prosa 1 (1910–1932), ed. Gerhard Schuster. Zweite Auflage. Stuttgart: Klett-Cotta Verlag, 2009.) –––––. Der neue Staat und die Intellektuellen. Stuttgart: Deutsche Verlags-Anstalt, 1933. (Sämtliche Werke, vol. IV.) –––––. “Nietzsche - nach fünfzig Jahren.” Broadcast on August 14, 1950, then published in Das Lot (Berlin: Karl H. Henssel Verlag), no. 4 (October 1950), pp. 7-14. (Sämtliche Werke, vol. V: Prosa 3 (1946–1950), ed. Gerhard Schuster. Stuttgart: Klett-Cotta Verlag, 1991.) BENSON, Eugene. “Charles Baudelaire, Poet of the Malign.” The Atlantic Monthly: A Magazine of Literature, Science, Art, and Politics (Boston: Fields, Osgood, & Co.), vol. XXIII, no. CXXXVI (February 1869), pp. 171-77. BENVENISTE, Émile. “Civilisation: Contribution à l’histoire du mot.” Hommage à Lucien Febvre: Éventail de l’histoire vivante, offert par l’amitié d’historiens, linguistes, géographes, économistes, sociologues, ethnologues, ed. Fernand Braudel, vol. I, pp. 47-54. Paris: Librairie Armand Colin, 1953. In Problèmes de linguistique générale, vol. I, pp. 336-45. Paris: Éditions Gallimard, 1966. –––––. “La Notion de « rythme » dans son expression linguistique.” Journal de psychologie normale et pathologique (Paris: Presses universitaires de France), vol. 44, no. 3 (July-September 1951), pp. 401-10. In Problèmes de linguistique générale, vol. I, pp. 327-35. BÉRARD, Victor. Introduction à l’Odyssée. Three volumes. Deuxième édition revue et corrigée. Paris: Les Belles Lettres, 1933. –––––. Les Navigations d’Ulysse. Four volumes. Paris: Librairie Armand Colin, 1927-29.


–––––. Les Phéniciens et l’Odyssée. Two volumes. Paris: Librairie Armand Colin, 1902-03. –––––. La Résurrection d’Homère. Two volumes. Paris: Éditions Bernard Grasset, 1930. BERDYAEV, Nikolai Alexandrovich. Un Nouveau Moyen Âge: Réflexions sur les destinées de la Russie et de l’Europe, translated by A.-M. F. Paris: Librairie Plon, 1927. BEREGOVSKY, Moshe (Moisei) Iakovlevich. Old Jewish Folk Music: The Collections and Writings, ed. and translated by Mark Slobin. New edition. Syracuse: Syracuse University Press, 2000. BERGSON, Henri. Extraits de Lucrèce, avec un commentaire, des notes et une étude sur la poésie, la philosophie, la physique, le texte et la langue de Lucrèce. Paris: Librairie Charles Delagrave, 1884. –––––. Matière et Mémoire: Essai sur la relation du corps à l’esprit. Troisième édition. Paris: Félix Alcan, 1903. (Œuvres, ed. André Robinet, pp. 159-379. Paris: Presses universitaires de France, 1959.) –––––. Le Rire: Essai sur la signification du comique. Deuxième édition. Paris: Félix Alcan, 1901. (Œuvres, pp. 381-486.) BERIO, Luciano. Remembering the Future. Delivered at Harvard University as the Charles Eliot Norton Lectures in 1993-94. Cambridge, Massachusetts: Harvard University Press, 2006. BERLIOZ, Hector. À travers chants: Études musicales, Adorations, Boutades et Critiques. Paris: Michel Lévy frères, 1862. –––––. Les Grotesques de la musique. Paris: A. Bourdilliat et Cie, 1859. –––––. Mémoires. Paris: Michel Lévy frères, 1870. 622

BERNARD, Michel. De la Création chorégraphique. Paris: Centre national de la danse, 2001. –––––. L’Expressivité du corps: Recherche sur les fondements de la théâtralité. Paris: Jean-Pierre Delarge, 1976. –––––. Généalogie du jugement artistique, suivi de Considérations intempestives sur les dérives actuelles de quelques arts. Paris: Éditions Beauchesne, 2011. BERNSTEIN, David (ed.). The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde. Preface by Johannes Goebel. Berkeley and Los Angeles: University of California Press, 2008. BESPALOFF, Rachel. De l’Iliade. Preface by Jean Wahl. New York: Brentano’s, 1943. –––––. “L’Instant et la liberté chez Montaigne.” Deucalion: Cahiers de philosophie (Neuchâtel: Éditions de la Baconnière), no. 3: Vérité et Liberté (1950), pp. 65-107. BIALIK, Haim Nahman. “Revealment and Concealment in Language: Reflections on the Nature of Literature.” Written in Hebrew in 1915. Translated by Jacob Sloan. Commentary (New York: The American Jewish Committee), vol. 9, no. 2 (February 1950), pp. 171-75. In Revealment and Concealment: Five Essays, pp. 11-26. Jerusalem: Ibis Editions, 2000. –––––. “The Sacred and the Secular in Language.” A lecture in Hebrew, delivered before the Legion for the Protection of the Language, in Tel Aviv, 1927. Translated by Jeffrey M. Green. In Revealment and Concealment, pp. 89-94.


BIEBER, Margarete. The History of the Greek and Roman Theater. Second edition, revised and enlarged. Princeton: Princeton University Press, 1961. BIER, Miriam J. ‘Perhaps There Is Hope’: Reading Lamentations as a Polyphony of Pain, Penitence, and Protest. London and New York: Bloomsbury T. & T. Clark, 2015. BINSWANGER, Ludwig. Melancholie und Manie: Phänomenologische Studien. Pfullingen: Verlag Günther Neske, 1960. ––––– and Aby WARBURG. Die unendliche Heilung: Aby Warburgs Krankengeschichte, ed. Chantal Marazia and Davide Stimilli. Zürich and Berlin: Diaphanes, 2007. BISSON, Frédéric. Comment bâtir un monde: Le Gai Savoir de Gustav Mahler. Louvain-la-Neuve: Les Éditions Chromatika, 2011. BLAIR, Hugh. A Critical Dissertation on the Poems of Ossian, the Son of Fingal. London: T. Becket and P. A. De Hondt, 1763. BLANCHE, Jacques-Émile. “James Mac Neill Whistler.” Written in March 1905. In Essais et Portraits, pp. 79-114. Paris: Dorbon-Aîné, 1912. –––––. Mes Modèles: Souvenirs littéraires. Paris: Librairie Stock, 1928. BLANQUI, Auguste. L’Éternité par les astres: Hypothèse astronomique. Paris: Librairie Germer Baillière, 1872. BLESSER, Barry, and Linda-Ruth SALTER. Spaces Speak, Are You Listening? Experiencing Aural Architecture. Cambridge, Massachusetts: The MIT Press, 2006.


BLOCH, Ernst. Geist der Utopie. Munich and Leipzig: Verlag von Duncker & Humblot, 1918. (Gesamtausgabe, vol. 16. Frankfurt am Main: Suhrkamp Verlag, 1985.) BLOCK, Haskell M. Mallarmé and the Symbolist Drama. Detroit: Wayne State University Press, 1963. BLOOD, Benjamin Paul. Pluriverse: An Essay in the Philosophy of Pluralism. Preface by Horace Meyer Kallen. Boston: Marshall Jones Company, 1920. BLOY, Léon. Le Désespéré. Paris: Tresse & Stock, 1887. (Œuvres, vol. III, ed. Joseph Bollery and Jacques Petit. Paris: Mercure de France, 1964.) –––––. Exégèse des lieux communs. Paris: Société du Mercure de France, 1902. (Œuvres, vol. VIII, ed. Jacques Petit. Paris: Mercure de France, 1968.) –––––. Exégèse des lieux communs (nouvelle série). Nouvelle édition. Paris: Mercure de France, 1913. (Œuvres, vol. VIII.) –––––. Méditations d’un solitaire en 1916. Paris: Mercure de France, 1916. (Œuvres, vol. IX, ed. Jacques Petit. Paris: Mercure de France, 1969.) –––––. Le Salut par les Juifs. Paris: Librairie Adrien Demay, 1892. (Œuvres, vol. IX.) –––––. Le Sang du pauvre. Paris: Librairie Félix Juven, 1909. (Œuvres, v, vol. IX.) –––––. Sueur de sang (1870-1871). Paris: Édouard Dentu, 1893. (Œuvres, vol. VI, ed. Joseph Bollery and Jacques Petit. Paris: Mercure de France, 1967.)


BLÜCHER, Heinrich. “Fundamentals of a Philosophy of Art – On the Understanding of Artistic Experience.” The lecture was held early in 1951 at the New School for Social Research, New York. A transcript is available via the Blücher Archive on the Bard College website: –––––. Letter to Hannah Arendt, July 9 or 10, 1946. Published in Briefe, 1936-1968, ed. Lotte Köhler, pp. 142-44. Munich and Zürich: Piper Verlag, 1996. BOCCIONI, Umberto. Scritti sull’arte. Sesto San Giovanni: Mimesis Edizioni, 2011. BÖRNE, Ludwig (Juda Löb BARUCH). Briefe aus Paris. Six volumes. Hamburg: Bei Hoffmann und Campe, 1832, for the first two, and Paris: Bei L. Brunet, 1833-34, for the latter four. (Sämtliche Schriften, ed. Inge and Peter Rippmann, vol. 3, pp. 1-867. Darmstadt: Joseph Melzer Verlag, 1977.) BOHLMAN, Philip Vilas. Jewish Music and Modernity. Oxford: Oxford University Press, 2008. –––––. “The Land Where Two Streams Flow”: Music in the GermanJewish Community of Israel. Urbana and Chicago: University of Illinois Press, 1989. –––––. World Music: A Very Short Introduction. Oxford: Oxford University Press, 2002. BONDS, Mark Evans. Absolute Music: The History of an Idea. Oxford: Oxford University Press, 2014. –––––. Music as Thought: Listening to the Symphony in the Age of Beethoven. Princeton: Princeton University Press, 2006.


BORCHARDT, Rudolf. Das Buch Joram. Leipzig: im Insel-Verlag, 1907. –––––. “Einleitung in das Verständnis der Pindarischen Poesie.” The afterword to the translations in his private volume of Pindarische Gedichte. Munich: J. Deschler, 1930. (Gesammelte Werke, Prosa II, ed. Marie L. Borchardt, with the assistance of Ernst Zinn, pp. 131-234. Dritte Auflage. Stuttgart: Klett-Cotta Verlag, 2004.) BORGES, Jorge Luis. “Deutsches Requiem.” Sur (Buenos Aires), vol. XV, no. 136 (February 1946), pp. 7-14. In El Aleph, pp. 75-83. Buenos Aires: Editorial Losada, 1949. (Obras completas, ed. Carlos V. Frías, pp. 576-81. Decimocuarta edición. Buenos Aires: Emecé Editores, 1984.) BOUCOURECHLIEV, André. À l’écoute. Paris: Librairie Arthème Fayard, 2006. –––––. Debussy: La Révolution subtile. Paris: Librairie Arthème Fayard, 1998. –––––. Le Langage musical. Paris: Librairie Arthème Fayard, 1993. BOURGET, Paul. Essais de psychologie contemporaine. Paris: Alphonse Lemerre, 1883. (Republished in a definitive form together with its sequel (see below) in his Œuvres complètes, Critique, vol. I. Paris: E. Plon, Nourrit et Cie, 1899.) –––––. Nouveaux Essais de psychologie contemporaine. Paris: Alphonse Lemerre, 1885. BRANDES, Georg Morris Cohen. “Aristokratisk Radikalisme: En Afhandling om Friedrich Nietzsche.” Tilskueren: Maanedsskrift for Literatur, Samfundsspørgsmaal og almenfattelige videnskabelige Skildringer (Copenhagen: P. G. Philipsens Forlag), vol. 6, no. 7 (August 1889), pp. 565-613. (Samlede Skrifter, vol. 7, pp. 596-664. Copenhagen: Gyldendalske Boghandels Forlag (F. Hegel & Søn), 1901.) 627

BRECH, Martha. Der hörbare Raum: Entdeckung, Erforschung und musikalische Gestaltung mit analoger Technologie. Bielefeld: Transcript Verlag, 2015. BRECHT, Bertolt. “An R.” Composed in March 1950, in response to a poem by Ruth Berlau, entitled “Die Kälte.” Printed in Werke: Große kommentierte Berliner und Frankfurter Ausgabe, ed. Werner Hecht, Jan Knopf, Werner Mittenzwei, and Klaus-Detlef Müller, vol. 15: Gedichte 5: Gedichte und Gedichtfragmente, 1940-1956, ed. Jan Knopf and Brigitte Bergheim, with the assistance of Annette Ahlborn, Günter Berg, and Michael Duchardt, p. 223. Berlin and Weimar: Aufbau-Verlag, and Frankfurt am Main: Suhrkamp Verlag, 1993. –––––. “Aus dem Lesebuch für Städtebewohner.” In Versuche 4-7, no. 6, pp. 116-22. (Versuche, vol. 2.) Berlin: Gustav Kiepenheuer Verlag, 1930. (Werke, vol. 11: Gedichte 1: Sammlungen, 1918-1938, ed. Jan Knopf and Gabriele Knopf, pp. 155-76. Berlin and Weimar: Aufbau-Verlag, and Frankfurt am Main: Suhrkamp Verlag, 1988.) –––––. “Bemerkungen zu »Der aufhaltsame Aufstieg des Arturo Ui«.” Written ca. 1953. First published in Stücke, vol. 9: Stücke aus dem Exil, vol. 4, pp. 369 ff. Frankfurt am Main: Suhrkamp Verlag, 1957. (Werke, vol. 24: Schriften 4: Texte zu Stücken, ed. Peter Kraft, with the assistance of Marianne Conrad, Sigmar Gerund, and Benno Slupianek, pp. 315-18. Berlin and Weimar: Aufbau-Verlag, and Frankfurt am Main: Suhrkamp Verlag, 1991.) –––––. Flüchtlingsgespräche. Composed between 1940 and 1942. Published posthumously in German, although previously in a French translation by Gilbert Badia and Jean Baudrillard (Paris: L’Arche, 1956). Frankfurt am Main: Suhrkamp Verlag, 1961. (Werke, vol. 18: Prosa 3: Sammlungen und Dialoge, ed. Jan Knopf, with the assistance of Michael Duchardt, Ute Liebig, and Brigitte Bergheim, pp. 195-327. Berlin and Weimar: Aufbau-Verlag, and Frankfurt am Main: Suhrkamp Verlag, 1995.) 628

–––––. Der gute Mensch von Sezuan. The piece was first performed on February 4, 1943, in Zürich, directed by Leonard Steckel, with music by Paul Dessau. Text in Versuche 27/32, no. 27, pp. 3-106. (Versuche, vol. 12.) Berlin: Suhrkamp Verlag, 1953. (Werke, vol. 6: Stücke 6, ed. Klaus-Detlef Müller, pp. 175-281. Berlin and Weimar: Aufbau-Verlag, and Frankfurt am Main: Suhrkamp Verlag, 1989.) –––––. Der kaukasische Kreidekreis. The second version of the play was premiered on May 4, 1948, at Carlton College (Northfield, Minnesota), in a translation by Eric Bentley, directed by Henry Goodman; the original text was published in a special issue on Brecht put out by Sinn und Form: Beiträge zur Literatur (Potsdam: Rütten & Loening) in 1949, pp. 52-164. Subsequently the play was revised again, the new version premiering on October 7, 1954, at the Theater am Schiffbauerdamm, with music by Paul Dessau; this revision was printed in Versuche 31, pp. 5-95. (Versuche, vol. 13.) Berlin: Suhrkamp Verlag, 1954. (Werke, vol. 8: Stücke 8, ed. Klaus-Detlef Müller, pp. 7-191. Berlin and Weimar: Aufbau-Verlag, and Frankfurt am Main: Suhrkamp Verlag, 1992.) –––––. Svendborger Gedichte. London: Malik-Verlag, 1939. (Werke, vol. 12: Gedichte 2: Sammlungen, 1938-1956, ed. Jan Knopf, pp. 7-92. Berlin and Weimar: Aufbau-Verlag, and Frankfurt am Main: Suhrkamp Verlag, 1988.) BRENTANO, Clemens (anonymously). Der Philister vor, in und nach der Geschichte: Scherzhafte Abhandlung. Berlin: n.p., 1811. (Werke, ed. Wolfgang Frühwald and Friedhelm Kemp, vol. 2, pp. 959-1016. Dritte, durchgesehene Auflage. Munich: Carl Hanser Verlag, 1980.) BRETON, André. Manifeste du surréalisme. Paris: Éditions du Sagittaire, 1924. (Œuvres complètes, vol. I, ed. Marguerite Bonnet, with the assistance of Philippe Bernier, Étienne-Alain Hubert, and José Pierre. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1988.)


BREWSTER, Henry Bennet. L’Âme païenne. Paris: Société du Mercure de France, 1902. –––––. The Prison: A Dialogue. London and Edinburgh: Williams and Norgate, 1891. –––––. The Statuette and the Background. London and Edinburgh: Williams and Norgate, 1896. –––––. The Theories of Anarchy and of Law: A Midnight Debate. London and Edinburgh: Williams and Norgate, 1887. BROCHARD, Victor. Études de philosophie ancienne et de philosophie moderne, ed. Victor Delbos. Paris: Librairie Félix Alcan, 1912. –––––. Les Sceptiques grecs. Paris: Imprimerie nationale, 1887. BROHM, Jean-Marie. La Tyrannie sportive: Théorie critique d’un opium du peuple. Paris: Éditions Beauchesne, 2006. BRONTË, Charlotte (“Currer BELL”). Villette. Three volumes. London: Smith, Elder & Co., 1853. BROOKS, Tim. Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. Urbana and Chicago: University of Illinois Press, 2004. BROWN, Charles Brockden. Wieland; or The Transformation: An American Tale. New York: Hocquet Caritat, 1798. (Three Gothic Novels, ed. Sydney Krause, pp. 1-227. New York: The Library of America, 1998.) BROWN, John Pairman. Ancient Israel and Ancient Greece: Religion, Politics, and Culture. Minneapolis: Fortress Press, 2003.


–––––. Israel and Hellas. Preface by Otto Kaiser. Three volumes. Berlin and New York: Walter de Gruyter, 1995-2001. BRUNETIÈRE, Ferdinand. “Charles Baudelaire.” Revue des Deux Mondes (Paris), vol. LXXXI, no. 3 (June 1, 1887), pp. 695-706. BRUNNER, Constantin (Leo WERTHEIMER). Der Judenhass und die Juden. Zweite vermehrte Auflage. Berlin: Oesterheld & Co. Verlag, 1919. –––––. Die Lehre von den Geistigen und vom Volke. Two volumes. Berlin: Karl Schnabel Verlag (Axel Junckers Buchhandlung), 1908. –––––. Spinoza gegen Kant, und die Sache der geistigen Wahrheit. Berlin: Karl Schnabel Verlag, 1910. BUCH, Esteban. “« Les Allemands et les Boches »: La Musique allemande à Paris pendant la Première Guerre mondiale.” Le Mouvement social(Ivry-sur-Seine: Éditions de l’Atelier), no. 208 (JulySeptember 2004), pp. 45-69. –––––. Le Cas Schönberg: Naissance de l’avant-garde musicale. Paris: Éditions Gallimard, 2006. –––––. Histoire d’un secret: À propos de la Suite lyrique d’Alban Berg. Arles: Actes Sud, 1994. –––––. La Neuvième de Beethoven: Une Histoire politique. Paris: Éditions Gallimard, 1999. BUDDE, Karl. “Ein althebräisches Klagelied.” Zeitschrift für die alttestamentliche Wissenschaft (Gießen: J. Ricker’sche Buchhandlung), vol. III (1883), pp. 299-306. –––––. “Das hebräische Klagelied.” Zeitschrift für die alttestamentliche Wissenschaft, vol. II (1882), pp. 1-52. 631

–––––. “Die hebräische Leichenklage.” Zeitschrift des deutschen Pälestina-Vereins (Leipzig: K. Bædeker), vol. VI (1883), pp. 180-94. –––––. “Zum hebräischen Klagelied.” Zeitschrift für die alttestamentliche Wissenschaft, vol. XI (1891), pp. 234-47, and vol. XII (1892), pp. 31-37, 261-75. –––––. “Die Klagelieder.” Published in his joint guidebook with Alfred Bertholet and Gerrit Wildeboer, Die fünf Megillot, pp. 70-108. Freiburg im Breisgau, Leipzig, and Tübingen: Verlag von J. C. B. Mohr (Paul Siebeck), 1898. (Kurzer Hand-Commentar zum Alten Testament, sect. XVII.) –––––. “Noch etwas vom Volksliede des alten Israel.” Preussische Jahrbücher (Berlin: Verlag von Hermann Walther), vol. LXXXII, no. 3 (December 1895), pp. 491-500. –––––. “Das nomadische Ideal im Alten Testament.” Preussische Jahrbücher, vol. LXXXV, no. 1 (July 1896), pp. 57-79. –––––. “Das Volkslied Israels im Munde der Propheten.” Preussische Jahrbücher, vol. LXXIII, no. 3 (September 1893), pp. 460-83. BURCKHARDT, Jacob. Griechische Kulturgeschichte, ed. Jacob Oeri. Four volumes. Fünfte Auflage. Berlin and Stuttgart: Verlag von W. Spemann, 1898-1902. (Werke: Kritische Gesamtausgabe, vols. 19-22, ed. Leonhard Burckhardt, Fritz Graf. Barbara von Reibnitz, Alfred Schmid, and Jürgen von Ungern-Sternberg. Basel: Schwabe Verlag; and Munich: Verlag C. H. Beck, 2002-12.) BURGESS, Anthony (John Anthony Burgess WILSON). A Clockwork Orange, ed. Andrew Biswell. New York: W. W. Norton & Company, 2012. –––––. This Man & Music. New York: McGraw-Hill, 1983.


BURTON, Robert (“Democritus Junior”). The Anatomy of Melancholy: What it is, With all the kinds, causes, symptomes, prognostickes, & severall cures of it. Fifth edition, corrected and augmented. Oxford: Henry Cripps, 1638.(The Anatomy of Melancholy, vols. I-III: Text, ed. Thomas C. Faulkner, Nicholas K. Kiessling, and Rhonda L. Blair. Preface by John B. Bamborough. Oxford: Clarendon Press, 1989-94.) BUSONI, Ferrucio. Von der Einheit der Musik, von Dritteltönen und junger Klassizität, von Bühnen und Bauten und anschliessenden Bezirken: Verstreute Aufzeichnungen. Berlin: Max Hesses Verlag, 1922. –––––. Entwurf einer neuen Ästhetik der Tonkunst. Zweite, erweiterte Ausgabe. Leipzig: Insel-Verlag, 1916. Reprinted with Arnold Schönberg’s handwritten notes, ed. H. H. Stuckenschmidt. Frankfurt am Main: Insel Verlag, 1974. BUTTERWORTH, Alex. The World That Never Was: A True Story of Dreamers, Schemers, Anarchists and Secret Agents. London: The Bodley Head, 2010. CAILLOIS, Roger. L’Homme et le Sacré. Édition augmentée. Paris: Éditions Gallimard, 1988. –––––. Les Jeux et les Hommes: Le Masque et le Vertige. Édition revue et augmentée. Paris: Éditions Gallimard, 1992. –––––. Le Mythe et l’Homme. Paris: Éditions Gallimard, 1938. –––––. Œuvres, ed. Dominique Rabourdin. Paris: Éditions Gallimard, 2008. CALASSO, Roberto. I Quarantanove Gradini. Milan: Biblioteca Adelphi, 1991.


CAMPIONI, Giuliano. Der französische Nietzsche, translated in part from the Italian by Renate Müller-Buck and Leonie Schröder. (See also the next item.) Berlin and New York: Walter de Gruyter, 2009. –––––. Les Lectures françaises de Nietzsche, translated from Italian by Christel Lavigne-Mouilleron. (The French counterpart of the previous work.) Paris: Presses universitaires de France, 2001. –––––, Paolo D’IORIO, Maria Christina FORNARI, Francesco FRONTEROTTA, and Andrea ORSUCCI, with the assistance of Renate MÜLLER-BUCK (eds.). Nietzsches persönliche Bibliothek. Berlin and New York: Walter de Gruyter, 2003. (Supplementa Nietzscheana, vol. 6.) CAMUS, Albert. Le Mythe de Sisyphe. Paris: Éditions Gallimard, 1942. (Œuvres complètes, vol. I, ed. Jacqueline Lévi-Valensi, with the assistance of André Abbou, Zedjiga Abdelkrim, Marie-Louise Audin, RaymondGay-Crosier, Samantha Novello, Pierre-Louis Rey, Philippe Vanney, David H. Walker, and Maurice Weyembergh, pp. 217-315. Nouvelle édition. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 2006.) CANETTI, Elias. Die Fackel im Ohr: Lebensgeschichte, 1921-1931. Munich: Carl Hanser Verlag, 1980. (Gesammelte Werke, vol. 8. Munich: Carl Hanser Verlag, 1993.) –––––. Das Gewissen der Worte. Munich: Carl Hanser Verlag, 1983. (Gesammelte Werke, vol. 5. Munich: Carl Hanser Verlag, 1995.) –––––. Masse und Macht. Hamburg: Claassen Verlag, 1960. (Gesammelte Werke, vol. 3. Munich: Carl Hanser Verlag, 1994.) CANGUILHEM, Georges. Le Normal et le pathologique. Paris: Presses universitaires de France, 1966.


–––––. “Le Problème des régulations dans l’organisme et dans la société.” Cahiers de l’Alliance Israélite Universelle (Paris), no. 92 (September-October 1955), pp. 64-73. CARACCIOLI, Louis-Antoine. Paris, le modèle des nations étrangères, ou l’Europe françoise. Turin and Paris: chez la Veuve Duchesne, 1776. –––––. Paris, métropole de l’univers. Paris: chez Le Normant, An X - 1802. CARPENTIER, Alejo. La música en Cuba. Mexico City: Fondo de Cultura Económica, 1946. (Obras completas, vol. 12. Mexico City: Siglo XXI Editores, 1987.) –––––. Obras completas, vols. 10-12: Ese músico que llevo dentro. Mexico City: Siglo XXI Editores, 1987. –––––. “Los orígenes de la música y la música primitiva.” Unpublished typescript, probably ca. 1943, in the Colección Carpentier, Biblioteca Nacional José Martí, Havana. Included and translated in an appendix in Katia Chornik’s doctoral thesis (Milton Keynes: The Open University, 2010), “The Role of Music in Selected Novels and Associated Writings of Alejo Carpentier: Primeval Expression, Structural Analogies and Performance,” pp. 122-36. –––––. Los pasos perdidos. Mexico City: Edición y Distribución Ibero Americana de Publicaciones, 1953. (Obras completas, vol. 2. Mexico City: Siglo XXI Editores, 1983.) –––––. Varèse vivant. Deuxième édition. Paris: Le Nouveau Commerce, 1991. A supplement to no. 45/46 of the eponymous review (SpringSummer 1980). CARR, Edward Hallett. The Romantic Exiles: A Nineteenth-Century Portrait Gallery. London: Victor Gollancz, 1933.


CARRÀ, Carlo. “La Pittura dei suoni, rumori e odori.” Dated August 11, 1913. In Filippo Marinetti, et al., I Manifesti del futurismo, pp. 152-57. Florence: Edizioni di “Lacerba„, 1914. CAVICCHI, Daniel. Listening and Longing: Music Lovers in the Age of Barnum. Middletown: Wesleyan University Press, 2011. CÉLINE, Louis-Ferdinand. Ballets sans musique, sans personne, sans rien. Paris: Éditions Gallimard, 1959. –––––. Voyage au bout de la nuit. Paris: Éditions Denoël et Steele, 1932. (Romans, ed. Henri Godard, vol. I. Nouvelle édition. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1981.) CHABANON, Michel Paul Guy de. Observations sur la musique, et principalement sur la métaphysique de l’art. Paris: chez Pissot, 1779. –––––. De la Musique considérée en elle-même et dans ses rapports avec la parole, les langues, la poésie, et le théâtre. Paris: chez Pissot, 1785. CHAGALL, Marc. Ma Vie, translated from the Russian by Bella Chagall. Preface by André Salmon. Paris: Librairie Stock, 1931. CHAMBERS, Edmund Kerchever. The Elizabethan Stage. Four volumes. Oxford: at the Clarendon Press, 1923. CHAMFORT (Sébastien-Roch NICOLAS). Œuvres, ed. Pierre-Louis Ginguené, vol. IV: Produits de la civilisation perfectionnée, pt. I: Maximes et Pensées, pp. 5-210. Paris: chez Le Directeur de l’Imprimerie des Sciences et Arts, L’an 3 (1795). (Œuvres complètes, ed. Lionel Dax, vol. II. Paris: Éditions du Sandre, 2009.) CHARLES, Daniel. Musiques nomades, ed. Christian Hauer. Paris: Éditions Kimé, 1998.


–––––. Le Temps de la voix. Paris: Jean-Pierre Delarge, 1978. CHASLES, Philarète. “De la Guerre sociale dans ses rapports avec la philosophie panthéiste et le mouvement révolutionnaire de l’Europe.” Revue des Deux Mondes (Paris), new series, vol. XXIII, no. 3 (August 1, 1848), pp. 348-66. CHATEAUBRIAND, François Auguste René de. Le Génie du christianisme, ou Beautés de la religion chrétienne. Five volumes. Paris: chez Migneret, An X - 1802. Collected in his Œuvres complètes, ed. Pierre-François Ladvocat, under the author’s supervision, vols. XI-XV. Paris: Ladvocat, Libraire, 1826-27. (Essai sur les révolutions, Génie du christianisme, ed. Maurice Regard. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1978.) –––––. Voyage en Amérique. First published in Œuvres complètes, vol. VI, and vol. VII, pp. 1-144, 321-81. Paris: Ladvocat, Libraire, 1827. (Œuvres romanesques et voyages, ed. Maurice Regard, vol. I, pp. 597-972. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1969.) (Œuvres complètes, ed. Béatrice Didier, vol. VI-VII, pp. 9-591, ed. Henri Rossi. Paris: Honoré Champion, 2008.) –––––. Voyage en Italie. First published in full in Ladvocat’s edition of the Œuvres complètes, vol. VII, pp. 145-266, 383-94. (Œuvres romanesques et voyages, vol. II.) (Œuvres complètes, vol. VI-VII, pp. 593-771, ed. Philippe Antoine.) CHÁVEZ, Carlos. Hacia una nueva música: Ensayo sobre música y electricidad. An anthology of articles which was published originally in English translation by Herbert Weinstock (New York: W. W. Norton & Company, 1937). Mexico City: El Colegio Nacional, 1992. –––––. Musical Thought. Delivered at Harvard University as the Charles Eliot Norton Lectures in 1958-59. Cambridge, Massachusetts: Harvard University Press, 1961. 637

CHAZAL, Malcolm de. L’Âme de la musique. Port-Louis, Mauritius: The Mauritius Printing Company, 1950. –––––. Pensées. Seven volumes, the last under the title Pensées et Sens Plastique. Port-Louis: The General Printing & Stationery Company, 1940-45. (Pensées, suivi de Pensées et Sens Plastique, ed. Éric Meunié. Paris: Éditions Exils, 1999.) –––––. Sens Magique. Port-Louis: Imprimerie Al-Madinah, and Tananarive, Madagascar: Société Lilloise d’Imprimerie, 1957. (Édition complète des œuvres, ed. Jean-Paul Curnier and Éric Meunié, vol. XIV. Paris: Éditions Léo Scheer, 2004.) –––––. Sens-Plastique, vol. II. Port-Louis: The General Printing & Stationery Company, 1947. Subsequently issued under the title SensPlastique. Paris: Éditions Gallimard, 1948. –––––. La Vie filtrée. Paris: Éditions Gallimard, 1949. CHEKHOV, Anton Pavlovich. The Story of a Nobody, translated by Hugh Aplin. London: Hesperus Press, 2002. CHESTOV, Léon (Lev Isaakovich SHESTOV, Yehuda Leyb SCHWARZMANN). Athènes et Jérusalem: Un Essai de philosophie religieuse, translated under the author’s supervision by Boris de Schloezer. Paris: Librairie Philosophique J. Vrin, 1938. CHIRIACOPOL, Epaminondas. Le Porteur de temps: Un Regard à travers les transparences de la philosophie, de la musique et de la physique. Villemer: Éditions de l’île bleue, 2015. CHLADNI, Ernst Florens Friedrich. Die Akustik. Leipzig: bey Breitkopf und Härtel, 1802.


–––––. Entdeckungen über die Theorie des Klanges. Leipzig: bey Weidmanns Erben und Reich, 1787. –––––. Neue Beyträge zur Akustik. Leipzig: bey Breitkopf und Härtel, 1817. CLAUDEL, Paul. L’Œil écoute. Paris: Éditions Gallimard, 1946. (Œuvres complètes, vol. XVII. Paris: Éditions Gallimard, 1960.) CLAUSEWITZ, Carl von. Vom Kriege, ed. Marie von Clausewitz. Three volumes. Berlin: Ferdinand Dümmler, 1832-34. CLÉMENT, Murielle Lucie. Baudelaire et la musique. Tunis: Éditions Sahar, 2005. COCTEAU, Jean. Le Coq et l’arlequin - Notes autour de la musique. Paris: Éditions de la Sirène, 1918. –––––. Écrits sur la musique, ed. David Gullentops and Malou Haine. Paris: Librairie Philosophique J. Vrin, 2016. –––––. Les Enfants terribles. (Pour mon plaisir, II.) Paris: Éditions Bernard Grasset, 1929. (Œuvres complètes, vol. I. Geneva: Éditions Marguerat, 1946.) –––––. Essai de critique indirecte: Le Mystère laïc - Des Beaux Arts considérés comme un assassinat. (Pour mon plaisir, IX.) Paris: Éditions Bernard Grasset, 1932. (Œuvres complètes, vol. X. Geneva: Éditions Marguerat, 1950.) ––––– (published anonymously). Le Livre blanc. Paris: Maurice Sachs and Jacques Bonjean, 1928.


–––––. La Machine infernale. (Pour mon plaisir, II.) Paris: Éditions Bernard Grasset, 1934. (Œuvres complètes, vol. V. Geneva: Éditions Marguerat, 1948.) –––––. La Voix humaine: Pièce en un acte. Paris: Librairie Stock, 1930. (Œuvres complètes, vol. VII. Geneva: Éditions Marguerat, 1948.) CŒUROY, André (Jean BELIME). Appels d’Orphée: Nouvelles Études de musique et de littérature comparées. Septième édition. Paris: Éditions de la Nouvelle Revue Critique, 1929. –––––. Musique et Littérature: Études de musique et de littérature comparées. Preface by Maurice Barrès. Paris: Bloud & Gay, 1923. –––––. La Musique française moderne. Paris: Librairie Delagrave, 1922. –––––. Panorama de la musique contemporaine. Nouvelle édition revue et augmentée. Paris: Éditions Kra, 1930. –––––. Wagner et l’esprit romantique. Paris: Éditions Gallimard, 1965. ––––– and Geneviève CLARENCE. Le Phonographe. Quatrième édition. Paris: Éditions Kra, 1929. ––––– and André SCHAEFFNER. Le Jazz. Paris: Éditions Claude Aveline, 1926. (La Musique moderne, vol. II.) COHEN, Hermann. Ästhetik des reinen Gefühls. (System der Philosophie, pt. 3.) Two volumes. Berlin: Bruno Cassirer, 1912. (Werke, ed. Helmut Holzhey, Julius H. Schoeps, Christoph Schulte, and Hartwig Wiedebach, vols. 8 and 9. Dritte Auflage. Hildesheim, Zürich, New York: Georg Olms Verlag, 2005.)


–––––. Deutschtum und Judentum: Mit grundlegenden Betrachtungen über Staat und Internationalismus. Gießen: Verlag von Alfred Töpelmann, 1915. (Werke, vol. 16: Kleinere Schriften V, 1913-1915, ed. Hartwig Wiedebach, pp. 465-560. Hildesheim, Zürich, New York: Georg Olms Verlag, 1997.) –––––. Die dramatische Idee in Mozarts Operntexten. Berlin: Bruno Cassirer, 1916. (Werke, vol. 17: Kleinere Schriften VI, 1916-1918, ed. Hartwig Wiedebach. Hildesheim, Zürich, New York: Georg Olms Verlag, 2002.) –––––. Ethik des reinen Willens. (System der Philosophie, pt. 2.) Berlin: Bruno Cassirer, 1904. (Werke, vol. 7. Hildesheim, Zürich, New York: Georg Olms Verlag, 2002.) –––––. “Der Sabbath in seiner culturgeschichtlichen Bedeutung.” A lecture held in January 1869 in Berlin, with an afterword. Published as an offprint by Der Zeitgeist: Ein israelitisches Familienblatt (Milwaukee), vol. 2 (1881). COHEN-LEVINAS, Danielle. L’Opéra et son double. Paris: Librairie Philosophique J. Vrin, 2013. –––––. La Voix au-delà du chant: Une Fenêtre aux ombres. Nouvelle édition recomposée et augmentée. Paris: Librairie Philosophique J. Vrin, 2006. COHN, Norman. The Pursuit of the Millennium: Revolutionary Millenarians and Mystical Anarchists of the Middle Ages. Revised and expanded edition. New York: Oxford University Press, 1970.


COLETTE (Sidonie-Gabrielle COLETTE). Le Pur et l’Impur. First published in a different version under the title Ces Plaisirs... by J. Ferenczi et fils in 1932. Paris: Aux Armes de France, 1941. (Œuvres complètes, ed. Maurice Goudeket, vol. IX. Paris: Le Fleuron and Éditions Flammarion, 1949.) COLLINSON, Francis M. The Bagpipe: The History of a Musical Instrument. London: Routledge & Kegan Paul, 1975. CONGREVE, William. “A Discourse on the Pindarique Ode.” Included as the prelude to A Pindarique Ode Humbly Offer’d to the Queen, on the Victorious Progress of Her Majesty’s Arms, under the Conduct of the Duke of Marlborough, n.p. London: Jacob Tonson, 1706. (The Works, vol. 3: Containing Poems upon Several Occasions, pp. 1073-82. London: John Tonson, 1710.) (The Works, ed. Donald Francis McKenzie, vol. II, pp. 413-18, 674-77, 823-24. Oxford: Oxford University Press, 2011.) CONRAD, Joseph (Józef Teodor Konrad KORZENIOWSKI). Nostromo: A Tale of the Seaboard. First published in T. P.’s Weekly (London: Walbrook & Company), from vol. III, no. 64 (January 29, 1904) to vol. IV, no. 100 (October 7, 1904). London: Harper & Brothers, 1904. CONSTANT (CONSTANT-REBECQUE), Benjamin de. De l’Esprit de conquête et de l’usurpation, dans leurs rapports avec la civilisation européenne. Troisième édition, revue et augmentée. Paris: chez Le Normant, chez Gabriel-Henri Nicolle, 1814. (Œuvres complètes, ed. Paul Delbouille, with the assistance of Léonard Burnand, Jean-Daniel Candaux, Cecil P. Courtney, Lucien Jaume, Kurt Kloocke, Giovanni Paoletti, François Rosset, Paul Rowe, and Markus Winkler, série I: Œuvres, vol. VIII, ed. Kurt Kloocke and Béatrice Fink, with the assistance of André Cabanis, Moritz Geisel, Alain Laquièze, and Jean-Marie Roulin. Berlin and New York: De Gruyter Mouton, 2005.) COOK, Arthur Bernard. Zeus: A Study in Ancient Religion. Three volumes in five parts. Cambridge: at the University Press, 1914-40. 642

COPLAND, Aaron. On Music. Garden City: Doubleday & Company, 1960. –––––. Music and Imagination. Delivered at Harvard University as the Charles Eliot Norton Lectures in 1951-52. Cambridge, Massachusetts: Harvard University Press, 1952. COPLEY, Gregory R. Uncivilization: Urban Geopolitics in a Time of Chaos. Alexandria, Virginia: International Strategic Studies Association, 2012. CORBIÈRE, Tristan. Les Amours jaunes. Paris: Glady frères, 1873. COWELL, Henry. Essential Cowell: Selected Writings on Music, ed. Dick Higgins. Kingston, New York: McPherson & Company, 2002. –––––. “The Music of Edgar Varèse.” Modern Music (New York: League of Composers), vol. 7, no. 2 (January-February 1928), pp. 9-19. –––––. New Musical Resources. New York: Alfred A. Knopf, 1930. CRAIG, Edward Gordon. On the Art of the Theatre. London: William Heinemann, 1911. ––––– (“Allen CARRIC”). “Mallarmé and the New Drama.” The Mask: A Quarterly Journal of the Art of the Theatre (Florence: Arena Goldoni), vol. 2, no. 10-12 (April 1910), pp. 172-73. –––––. The Theatre Advancing. (The book is not identical to the following item.) London: Constable, 1921. –––––. The Theatre – Advancing. Boston: Little, Brown, and Company, 1919. CRANE, Stephen. War Is Kind. New York: Frederick A. Stokes, 1899.(The Works, ed. Fredson Bowers, vol. 10: Poems and Literary Remains. Charlottesville: The University of Virginia Press, 1975.) 643

CROMBIE, Alistair Cameron. Science, Optics and Music in Medieval and Early Modern Thought. London and Ronceverte: The Hambledon Press, 1990. CUMMINGS, E. E. (Edward Estlin). “Anyone lived in a pretty how town.” First published without a title as the first of five poems in Poetry: A Magazine of Verse (Chicago), vol. LVI, no. V (August 1940), pp. 233-34. Included as no. 29 in 50 Poems. New York: Duell, Sloan and Pearce, 1940. (Complete Poems, 1904-1962, ed. George James Firmage. Preface by Stephen Dunn. Revised, corrected, and expanded edition. New York: W. W. Norton & Company, 2016.) CUSTINE, Astolphe Louis Léonor de. La Russie en 1839. Four volumes. Troisième édition, revue, corrigée et augmentée. Paris: Librairie d’Amyot, 1846. CYPESS, Rebecca. Curious and Modern Inventions: Instrumental Music as Discovery in Galileo’s Italy. Chicago: The University of Chicago Press, 2016. CZEPKO, Daniel von. Sexcenta Monodisticha Sapientium. Composed during the 1640s, unpublished during his lifetime. First printed in Geistliche Schriften, ed. Werner Milch, pp. 201-77. Breslau: Verlag Priebatschs Buchhandlung, 1930. (Sämtliche Werke, ed. Hans-Gert Roloff and Marian Szyrocki, vol. I: Lyrik in Zyklen, pt. 2, ed. Ulrich Seelbach. Berlin andNew York: Walter de Gruyter, 1989.) DA PONTE, Lorenzo (Emanuele CONEGLIANO). Memorie. Three volumes. Seconda edizione corretta. New York: Pubblicate dall’ Autore, 1829-30. DAHLHAUS, Carl. Gesammelte Schriften, ed. Hermann Danuser, with the assistance of Hans-Joachim Hinrichsen and Tobias Plebuch, vol. 1: Allgemeine Theorie der Musik I, vol. 4: 19. Jahrhundert I, and vol. 8:20. Jahrhundert. Laaber: Laaber-Verlag, 2000, 2002, and 2005, respectively.


DAHM, Annkatrin. Der Topos der Juden: Studien zur Geschichte des Antisemitismus im deutschsprachigen Musikschrifttum. Göttingen: Vandenhoeck & Ruprecht, 2007. DALBERG, Johann Friedrich Hugo von. Blicke eines Tonkünstlers in die Musik der Geister. Mannheim: in der neuen Hof- und akademischen Buchhandlung, 1787. –––––. Untersuchungen über den Ursprung der Harmonie und ihre allmählige Ausbildung. Erfurt: im Verlag bey Beyer und Maring, 1800. DANIÉLOU, Alain. La Civilisation des différences. Paris and Pondicherry: Éditions Kailash, 2003. –––––. La Musique de l’Inde du Nord. Nouvelle édition. Saint Clément de rivière: Éditions Fata Morgana, 1995. –––––. La Musique du Laos et du Cambodge. Pondicherry: Institut Français d’Indologie, 1957. –––––. Origines et pouvoirs de la musique. Paris and Pondicherry: Éditions Kailash, 2004. –––––. Les Quatre Sens de la vie, et la structure de l’Inde traditionnelle. Nouvelle édition. Monaco: Éditions du Rocher, 2000. –––––. Sémantique musicale: Essai de psycho-physiologie auditive. Preface by Fritz Winckel, introduction by Françoise Escal. Nouvelle édition. Paris: Éditions Hermann, 1993. –––––. Shiva et Dionysos: La Religion de la nature et de l’Eros, de la préhistoire à l’avenir. Paris: Librairie Arthème Fayard, 1979.


–––––. Traité de musicologie comparée. Paris: Éditions Hermann, 1959. (This work was revised from his Introduction to the Study of Musical Scales (London: The India Society, 1943).) ––––– with Jacques BRUNET. La Musique et sa communication: La Situation de la musique et des musiciens dans les pays d’Orient. Florence: Leo S. Olschki, 1971. DANIÉLOU, Jean Guenolé Louis Marie. Bible et Liturgie: La Théologie biblique des Sacrements et des fêtes d’après les Pères de l’Église. Deuxième édition revue. Paris: Éditions du Cerf, 1958. –––––. Essai sur le mystère de l’histoire. Paris: Éditions du Seuil, 1953. –––––. Origène. Paris: La Table ronde, 1948. –––––. Philon d’Alexandrie. Paris: Librairie Arthème Fayard, 1958. –––––. La Résurrection. Paris: Éditions du Seuil, 1969. –––––. Sacramentum futuri: Études sur les origines de la typologie biblique. Paris: Éditions Beauchesne, 1950. DARWIN, Charles. The Expression of the Emotions in Man and Animals, ed. Francis Darwin. Second edition. London: John Murray, 1890. (The Works, ed. Paul Howard Barrett and Richard Broke Freeman, vol. 23. Second edition. London: Routledge, 2016.)


DE QUINCEY, Thomas. “On Murder, Considered as One of the Fine Arts.” Blackwood’s Edinburgh Magazine (Edinburgh: William Blackwell), vol. XXI, no. CXXII (February 1827), pp. 199-213. In Selections Grave and Gay, from Writings Published and Unpublished, vol. IV: Miscellanies, pp. 1-42. Edinburgh: James Hogg, and London: R. Groombridge & Sons, 1854.(The Works, ed. Grevel Lindop, Part I, vol. 6: Articles from the Edinburgh Evening Post, Blackwood’s Magazine, and the Edinburgh Literary Gazette, 1826-29, ed. David Groves and Grevel Lindop, pp. 111-33. London: Pickering & Chatto, 2000.) –––––. “Postscript.” The last of his three texts on murder as a fine art. In Selections Grave and Gay, vol. IV, pp. 60-111. (The Works, Part III, vol. 20: Prefaces &c. to the Collected Editions, Published Addenda, Marginalia, Manuscript Addenda, Undatable Manuscripts, ed. Frederick Burwick, David Groves, Grevel Lindop, Robert Morrison, Julian North, Daniel Sanjiv Roberts, Laura Roman, and Barry Symonds. London: Pickering & Chatto, 2003.) –––––. “Second Paper on Murder Considered as One of the Fine Arts.” Blackwood’s Edinburgh Magazine, vol. XLVI, no. CCLXXXIX (November 1839), pp. 661-68. In Selections Grave and Gay, vol. IV, pp. 43-59. (The Works, part II, vol. 11: Articles from Tait’s Magazine and Blackwood’s Magazine, 1838-41, ed. Julian North, pp. 397-408. London: Pickering & Chatto, 2002.) DEBORD, Guy. La Société du spectacle. Troisième édition. Paris: Éditions Gallimard, 1992. DEBUSSY, Claude. Correspondance (1872-1918), ed. Denis Herlin and François Lesure, with the assistance of Georges Liébert. Paris: Éditions Gallimard, 2005. –––––. Monsieur Croche et autres écrits, ed. François Lesure. Nouvelle édition revue et augmentée. Paris: Éditions Gallimard, 1987.


DELEUZE, Gilles, and Félix GUATTARI. Qu’est-ce que la philosophie ? Paris:Les Éditions de Minuit, 1991. DELILLE, Edward. “Baudelaire: The Man.” The Fortnightly Review (London: Chapman and Hall), new series, vol. XLIX, no. CCXCIV (June 1, 1891), pp. 977-84. In Some French Writers, pp. 42-58. London: Chapman and Hall, 1893. –––––. “The Poet Verlaine.” The Fortnightly Review, new series, vol. XLIX, no. CCXCI (March 1, 1891), pp. 394-405. In Some French Writers, pp. 131-55. DEREN, Maya (Eleanora DERENKOWSKAIA). Essential Deren: Collected Writings on Film. Kingston, New York: McPherson & Company, 2005. DESCARTES, René. Les Passions de l’âme. Paris: chez Henry Le Gras, 1649. (Œuvres, ed. Charles Adam and Paul Tannery, vol. XI, revised by Joseph Beaude, pp. 327-488. Nouvelle édition. Paris: Librairie PhilosophiqueJ. Vrin and the Centre national de la recherche scientifique, 1996.) DESCLOS, Marie-Laurence (ed.). Le Rire des Grecs: Anthropologie du rire en Grèce ancienne. Grenoble: Éditions Jérôme Millon, 2000. DESJARDINS, Paul. “Charles Baudelaire.” Revue bleue: Revue politique et littéraire (Paris: Bureau des Revues), third series, vol. XIV, no. 1 (July 2, 1887), pp. 16-24. DESPREZ, Louis. L’Évolution naturaliste. Paris: Tresse, 1884. –––––. Pour la liberté d’écrire. Brussels: Henry Kistemaeckers, 1885. DESSAU, Paul. Notizen zu Noten, ed. Fritz Hennenberg. Leipzig: Reclam Verlag, 1974.


DESSAUER, Friedrich. Philosophie der Technik: Das Problem der Realisierung. Dritte Auflage. Bonn: Verlag von Friedrich Cohen, 1933. DIAGHILEV, Sergei (Serge) Pavlovich. L’Art, la Musique et la Danse: Lettres, Écrits, Entretiens, ed. Jean-Michel Nectoux, Vladimir Alexeïvitch Samkov, and Ilia Samoïlovitch Zilberstein, translated by Françoise Burgun and Marina Cheptitski. Paris: Centre national de la danse, Institut national d’histoire de l’art, and Librairie Philosophique J. Vrin, 2013. DIDEROT, Denis. Œuvres complètes, ed. Herbert Dieckmann, Jacques Proust, and Jean Varloot, vol. XIX: Musique, ed. Pierre Citron and Jean Mayer. Paris: Éditions Hermann, 1983. –––––. Paradoxe sur le comédien. Composed ca. 1773, published posthumously. Paris: A. Sautelet et Cie, 1830. (Œuvres complètes, vol. XX: Critique III, ed. Jane Marsh Dieckmann, Georges Dulac, Jean Varloot, et al. Paris: Éditions Hermann, 1995.) DINESEN, Isak (Karen BLIXEN). Seven Gothic Tales. New York: Harrison Smith and Robert Haas, 1934. DINSMAN, Melissa. Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II. London, New Delhi, New York, Sydney: Bloomsbury Academic, 2015. DISRAELI, Benjamin. Contarini Fleming: A Psychological Auto-Biography. Four volumes. London: John Murray, 1832. (The Bradenham Edition of the Novels and Tales, ed. Philip Guedalla, vol. 4. London: Peter Davies, 1926.) D’ISRAELI, Isaac. Amenities of Literature, Consisting of Sketches and Characters of English Literature. Two volumes. Paris: A. and W. Galignani and Cie, 1841.


–––––. Domestic Anecdotes of the French Nation, During the Last Thirty Years: Indicative of the French Revolution. London: C. and G. Kearsley, 1794. –––––. An Essay on the Manners and Genius of the Literary Character. London: T. Cadell, Junior, and W. Davies, 1795. –––––. The Genius of Judaism. London: Edward Moxon, 1833. –––––. The Literary Character; Or the History of Men of Genius, Drawn from Their Own Feelings and Confessions. Fifth edition, revised. London: Edward Moxon, 1839. –––––. Vaurien; or, Sketches of the Times: Exhibiting Views of the Philosophies, Religions, Politics, Literature, and Manners of the Age. Two volumes. London: T. Cadell, Junior, and W. Davies, 1797. DODS, Marcus. Forerunners of Dante: An Account of Some of the More Important Visions of the Unseen World, From the Earliest Times. Edinburgh: T. & T. Clark, 1903. DÖHL, Frédéric. „...that old barbershop sound“: Die Entstehung einer Tradition amerikanischer A-cappella-Musik. Stuttgart: Franz Steiner Verlag, 2009. (Beihefte zum Archiv für Musikwissenschaft, vol. 65.) DOESBURG, Theo van. Drie voordrachten over de nieuwe beeldende kunst: Haar ontwikkeling, aesthetisch beginsel en toekomstigen stijl. Amsterdam: Maatschappij voor goede en goedkoope lectuur, 1919. –––––. Klassiek – barok – modern: Lezing. Antwerp: “De Sikkel”, 1920. DOLAN, Emily I. The Orchestral Revolution: Haydn and the Technologies of Timbre. Cambridge: Cambridge University Press, 2013.


DOS PASSOS, John. Manhattan Transfer. New York and London: Harper & Brothers, 1925. (Novels, 1920–1925, ed. Townsend Ludington. New York: The Library of America, 2003.) DOSTOEVSKY, Fyodor Mikhailovich. Demons, translated by Richard Pevear and Larissa Volokhonsky. New York: Alfred A. Knopf, 1994. DOZEMAN, Thomas B. God at War: Power in the Exodus Tradition. Oxford: Oxford University Press, 1996. DRAGONETTI, Roger. « La Musique et les Lettres »: Etudes de littérature médiévale. Geneva: Librairie Droz, 1986. –––––. La Technique poétique des trouvères dans la chanson courtoise: Contribution à l’étude de la rhétorique médiévale. Bruges: De Tempel, 1960. DREWS, Arthur. Der Ideengehalt von Richard Wagners „Ring des Nibelungen“ in seinen Beziehungen zur modernen Philosophie. Leipzig: Hermann Haacke, Verlagsbuchhandlung, 1898. –––––. Der Ideengehalt von Richard Wagners dramatischen Dichtungen im Zusammenhange mit seinem Leben und seiner Weltanschauung: Nebst einem Anhang: Nietzsche und Wagner. Leipzig: Eduard Pfeiffer Verlag, 1931. –––––. Nietzsches Philosophie. Heidelberg: Carl Winter’s Universitätsbuchhandlung, 1904. –––––. Plotin und der Untergang der antiken Weltanschauung. Jena: bei Eugen Diederichs, 1907. DREYFUS, Robert. Alexandre Weill, ou Le Prophète du Faubourg SaintHonoré, 1811-1899. Cahiers de la Quinzaine (Paris), ninth series, no. 9 (January 21, 1908). 651

–––––. “Frédéric Nietzsche et Peter Gast.” Le Banquet (Paris: Librairie Rouquette), vol. 1, no. 6 (November 1892), pp. 161-67. –––––. “La Philosophie du marteau.” Le Banquet, vol. 1, no. 3 (May 1892), pp. 65-74. –––––. Souvenirs sur Marcel Proust: Avec des lettres inédites de Marcel Proust. Paris: Bernard Grasset, 1926. –––––. La Vie et les prophéties du comte de Gobineau. Cahiers de la Quinzaine, sixth series, no. 16 (May 9, 1905). DU BELLAY, Joachim. La Deffence, et Illustration de la Langue Francoyse. Paris: Arnoul l’Angelier, 1549. (Œuvres complètes, ed. Olivier Millet, vol. I, ed. Francis Goyet and Olivier Millet. Paris: Honoré Champion, 2003.) DU CAMP, Maxime. “Les Chants modernes.” Revue de Paris (Paris), vol. XXIV, no. 2 (February 1, 1855), pp. 321-47. Reprinted as the preface to his eponymous book, pp. 1-39. Paris: Michel Lévy frères, 1855. DUCHAMP, Marcel. Duchamp du signe, suivi de Notes, ed. Michel Sanouillet and Paul Matisse. Paris: Éditions Flammarion, 2008. DUJARDIN, Édouard. Les Hantises. Paris: Léon Vanier, 1886. –––––. Les Lauriers sont coupés. First serialized in the Revue indépendante (Paris), vol. III, no. 7 (May 1887), pp. 289-494; no. 8 (June 1887), pp. 472-494; vol. IV, no. 9 (July 1887), pp. 122-37; and no. 10 (August 1887), pp. 221-44. Issued as a book by the periodical the next year. –––––. Mallarmé, par un des siens. Paris: Albert Messein, 1936.


–––––. Le Monologue intérieur: Son apparition, ses origines, sa place dans l’œuvre de James Joyce et dans le roman contemporain. Paris: Albert Messein, 1931. –––––. “Le Mouvement symboliste et la musique.” Mercure de France (Paris: Société du Mercure de France), vol. LXXII, no. 257 (March 1, 1908), pp. 5-24. –––––. Les Premiers Poètes du vers libre. Paris: Mercure de France, 1922. –––––. “Richard Wagner et la poésie française contemporaine.” La Revue de Genève (Geneva: H. Stapelmohr, and Paris: G. Fischbacher). vol. I, no. II (July 25, 1886), pp. 252-66. –––––. La Source du fleuve chrétien: Histoire critique du judaïsme ancien et du christianisme primitif. Paris: Société du Mercure de France, 1906. –––––. De Stéphane Mallarmé au prophète Ezéchiel, et essai d’une théorie du réalisme symbolique, suivi d’un poème à la mémoire de Joseph Halévy. Paris: Mercure de France, 1919. –––––. “La Vivante Continuité du symbolisme.” Mercure de France, vol. CLXXIII, no. 625 (July 1, 1924), pp. 55-73. DUNHAM, Katherine. “The Dances of Haiti.” Acta anthropológica(Mexico City: Escuela Nacional de Antropología e Historia), vol. 2, no. 4 (November 1947), pp. 5-58. –––––. Island Possessed. Garden City: Doubleday & Company, 1969. DUVIGNAUD, Jean. L’Acteur: Esquisse d'une sociologie du comédien. Paris: Éditions Gallimard, 1965. –––––. Sociologie du théâtre: Essai sur les ombres collectives. Paris: Presses universitaires de France, 1965. 653

DVORÁK, Antonín Leopold. Letters and Reminiscences, ed. Otakar Šourek, translated by Roberta Finlayson Samsour. Prague: Artia, 1954. DYKE, Daniel. The Mystery of Selfe-Deceiving: Or, a Discourse and discovery of the Deceitfulnesse of Mans Heart, ed. Jeremiah Dyke. Augmented and enlarged edition. London: William Stansby, 1633. ECK, Cathy van. Between Air and Electricity: Microphones and Loudspeakers as Musical Instruments. New York, London, Oxford, New Delhi, Sydney: Bloomsbury Academic, 2017. EHRENBURG, Ilya Grigoryevich. The Life of the Automobile, translated from the Russian by Joachim Neugroschel. First published in 1929 in Berlin by Petropolis. London: Serpent’s Tail, 1999. EINSTEIN, Alfred. Essays on Music. Preface by Paul Henry Lang. New York: W. W. Norton & Company, 1956. –––––. Grösse in der Musik. Zürich: Pan-Verlag, 1951. –––––. The Italian Madrigal, translated by Alexander H. Krappe, Roger H. Sessions, and Oliver Strunk. Three volumes. Princeton: Princeton University Press, 1949. (The unpublished German manuscript is in the care of the Princeton University Library, Department of Rare Books and Special Collections.) –––––. Mozart: Sein Charakter, sein Werk. Zürich: Pan-Verlag, 1953. –––––. Music in the Romantic Era: A History of Musical Thought in the 19th Century. New York: W. W. Norton & Company, 1947. EISENSTEIN, Sergei Mikhailovich. “The Incarnation of Myth.” Written in 1940. In Selected Works, vol. 3: Writings, 1934-1947, ed. Richard Taylor, translated by William Powell, pp. 142-69. London: British Film Institute, 1994. 654

–––––. Selected Works, vol. 2: Towards a Theory of Montage, ed. Richard Taylor, translated by Michael Glenny. The text was unfinished at the time of Eisenstein’s death. London: British Film Institute, 1991. EISERMANN, Gottfried. Rolle und Maske. Tübingen: J. C. B. Mohr (Paul Siebeck), 1991. EISLER, Hanns. Gesamtausgabe, ed. the Internationale Hanns Eisler Gesellschaft, Serie IX: Schriften, vol. 1, pt. 1: Gesammelte Schriften, 1921– 1935, ed. Tobias Faßhauer and Günter Mayer. Wiesbaden: Breitkopf & Härtel, 2007. ELIOT, George (Mary Anne Evans). Daniel Deronda. Four volumes. Edinburgh and London: William Blackwood and Sons, 1876. ELIOT, Thomas Stearns. “Little Gidding.” First published in the New English Weekly & The New Age: A Review of Public Affairs, Literature and the Arts (London), vol. XXI, no. 26 (October 15, 1942), pp. 213 ff. Issued as a pamphlet that year by Faber & Faber in London, then included in Four Quartets, pp. 49-59. New York: Harcourt, Brace and Company, 1943. (The Poems, ed. Christopher Ricks and Jim McCue, vol. I: Collected and Uncollected Poems, pp. 201-09. London: Faber & Faber, 2015.) –––––. “The Music of Poetry. The third W. P. Ker Memorial Lecture at the University of Glasgow. Glasgow: Jackson, Son & Company, 1942. (On Poetry and Poets, pp. 26-38. London: Faber & Faber, 1957.) –––––. The Varieties of Metaphysical Poetry, ed. Ronald Schuchard. The Clark Lectures at Trinity College, Cambridge, 1926, and the Turnbull Lectures in 1933 at The Johns Hopkins University. London: Faber & Faber, 1993. ELLENBERGER, Henri Frédéric. The Discovery of the Unconscious: The History and Evolution of Dynamic Psychiatry. New York: Basic Books, 1970. 655

ELLIS, Robert. The Games People Play: Theology, Religion, and Sport. Eugene: Wipf & Stock, 2014. ELLMANN, Richard. Oscar Wilde. New York: Alfred A. Knopf, 1987. ELSE, Gerald Frank. Aristotle’s Poetics: The Argument. Cambridge, Massachusetts: Harvard University Press, 1957. –––––. The Madness of Antigone. Heidelberg: Carl Winter Universitätsverlag, 1976. (Abhandlungen der Heidelberger Akademie der Wissenschaften, Philosophisch-historische Klasse (1976), no. 1.) –––––. The Origin and Early Form of Greek Tragedy. Cambridge, Massachusetts: Harvard University Press, 1965. –––––. The Structure and Date of Book 10 of Plato’s Republic. Heidelberg: Carl Winter Universitätsverlag, 1972. (Abhandlungen der Heidelberger Akademie der Wissenschaften, Philosophisch-historische Klasse (1972), no. 3.) EMERSON, Ralph Waldo (anonymously). “A Letter.” The Dial: A Magazine for Literature, Philosophy, and Religion (Boston: James Munroe and Co.), vol. IV, no. II (October 1843), pp. 262-70. (Reprinted in part in The Complete Works, ed. Edward Waldo Emerson, vol. XII: Natural History of Intellect and Other Papers, pp. 392-404. Boston and New York: Houghton Mifflin Company, and Cambridge: The Riverside Press, 1904.) EMERY, Eric. Temps et Musique. Lausanne: L’Age d’Homme, 1998. EMMANUEL, Maurice. La Danse grecque antique d’après les monuments figurés. Paris: Librairie Hachette et Cie, 1896. –––––. Histoire de la langue musicale. Two volumes. Paris: Librairie Renouard, H. Laurens, 1911.


ENTRIKIN, J. Nicholas. The Betweenness of Place: Towards a Geography of Modernity. Baltimore: The Johns Hopkins University Press, 1991. ÉRIAU, J.-B. Pourquoi les Pères de l’Église ont condamné le théâtre de leur temps. Paris: Édouard Champion, and Angers: J. Siraudeau, 1914. ESPAGNE, Michel. Les Juifs allemands de Paris à l’époque de Heine:La Translation ashkénaze. Paris: Presses universitaires de France, 1996. –––––. Les Transferts culturels franco-allemands. Paris: Presses universitaires de France, 1999. EVANS, Andrew David. Anthropology at War: World War I and the Science of Race in Germany. Chicago: The University of Chicago Press, 2010. EVANS, Jeff. Rock & Pop on British TV. London: Omnibus Press, 2017. FANON, Frantz. L’An V de la révolution algérienne. Paris: François Maspero, 1959. FARBER, Manny. On Film: The Complete Film Writings, ed. Robert Polito.New York: The Library of America, 2016. FARMER, Henry George. Handel’s Kettledrums and Other Papers on Military Music. Second edition. London: Hinrichsen Edition, 1960. –––––. Historical Facts for the Arabian Musical Influence. London: William Reeves, 1930. –––––. A History of Arabian Music to the XIIIth Century. London: Luzac & Company, 1929. –––––. Military Music. London: Max Parrish & Co., 1950.


–––––. The Rise & Development of Military Music. London: William Reeves, 1912. –––––. Sa‘adyah Gaon on the Influence of Music. London: Arthur Probsthain, 1943. FELDMAN, Louis Harry. “Philo’s Views on Music.” Journal of Jewish Music and Liturgy (New York: The Cantorial Council of America, et al.), vol. IX (1986-87), pp. 36-54. Collected in Studies in Hellenistic Judaism, pp. 504-28. Leiden, New York, Cologne: E. J. Brill, 1996. FELDMAN, Morton. Give My Regards to Eighth Street: Collected Writings, ed. B. H. Friedman. Cambridge, Massachusetts: Exact Change, 2000. FELDMAN, Walter Zev. Klezmer: Music, History, & Memory. Oxford: Oxford University Press, 2016. FÉNÉON, Félix. Œuvres plus que complètes, ed. Joan U. Halperin. Two volumes. Geneva: Librairie Droz, 1970. FENOLLOSA, Ernest Francisco. “The Chinese Written Character as a Medium for Poetry,” ed. Ezra Pound. The Little Review: A Magazine of the Arts Making No Compromise with the Public Taste (New York: Margaret C. Anderson), vol. VI, no. 5 (September 1919), pp. 62-64; no. 6 (October 1919), pp. 57-64; no. 7 (November 1919), pp. 55-60; and no. 8 (December 1919), pp. 68-72. FISCHER-DIESKAU, Dietrich. Wagner und Nietzsche: Der Mystagoge und sein Abtrünniger. Stuttgart: Deutsche Verlags-Anstalt, 1974. FITZGERALD, Francis Scott. All the Sad Young Men. New York: Charles Scribner’s Sons, 1926. (The texts have been restored in the Cambridge Edition, ed. James L. W. West III. Cambridge: Cambridge University Press, 2006.)


–––––. The Beautiful and Damned. A version of the novel was serialized in the Metropolitan Magazine during 1921. New York: Charles Scribner’s Sons, 1922. (Restored text in the Cambridge Edition. Cambridge: Cambridge University Press, 2008.) –––––. The Crack-Up, ed. Edmund Wilson. New York: New Directions, 1945. –––––. Taps at Reveille. New York: Charles Scribner’s Sons, 1935. (Restored texts in the Cambridge Edition. Cambridge: Cambridge University Press, 2014.) –––––. Tender Is the Night: A Romance. Serialized first in Scribner’s Magazine: A Magazine of Human Interest, Modern Fiction, and Impartial Interpretation (New York: Charles Scribner’s Sons), vol. XCV, no. 1(January 1934), pp. 1-8, 60-80; no. 2 (February 1934), pp. 88-95, 139-60; no. 3 (March 1934), pp. 168-74, 207-29; and no. 4 (April 1934), pp. 252-58, 292-310. Issued as a book that same year. (Restored text in the Cambridge Edition. Cambridge: Cambridge University Press, 2012.) FLAUBERT, Gustave. Le Dictionnaire des idées reçues, ed. Étienne-Louis Ferrère. Envisioned as the second part of Bouvard et Pécuchet, but published only posthumously. Paris: Louis Conard, 1913. (Œuvres, ed. René Dumesnil and Albert Thibaudet, vol. II. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1936.) –––––. Letter to Ernest Feydeau, November 29, 1859. Published in Correspondance, vol. III: Janvier 1859 - Décembre 1868, ed. Jean Bruneau. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1991. –––––. Salammbô. Paris: Michel Lévy frères, 1862. (Œuvres complètes, ed. Claudine Gothot-Mersch, with the assistance of Jeanne Bem, Yvan Leclerc, Guy Sagnes, and Gisèle Séginger, vol. III: 1851-1862. Nouvelle édition. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 2013.)


FLEISCHMAN, Théo. Napoléon et la musique. Brussels: Brepols, 1965. FOCILLON, Henri. Vie des formes. Paris: Librairie Ernest Leroux, 1934. FORSTER, Edward Morgan. Howards End. London: Edward Arnold, 1910. (Abinger Edition, ed. Oliver Stallybrass, vol. 4. Two parts. London: Edward Arnold, 1973.) FORTH, Christopher E. “Nietzsche, Decadence, and Regeneration in France, 1891-95.” Journal of the History of Ideas (Philadelphia: University of Pennsylvania Press), vol. 54, no. 1 (January 1993), pp. 97-117. –––––. Zarathustra in Paris: The Nietzsche Vogue in France, 1891-1918. DeKalb: Northern Illinois University Press, 2001. FRAENGER, Wilhelm. Hieronymus Bosch. Zehnte Auflage. Dresden and Basel: Verlag der Kunst, 1994. FRÄNKEL, Hermann Ferdinand. Dichtung und Philosophie des frühen Griechentums: Eine Geschichte der griechischen Epik, Lyrik und Prosa bis zur Mitte des fünften Jahrhunderts. Zweite, überarbeitete Auflage. Munich: C. H. Beck Verlag, 1962. –––––. Grammatik und Sprachwirklichkeit. Munich: C. H. Beck Verlag, 1974. –––––. Die homerischen Gleichnisse. Göttingen: Vandenhoeck & Ruprecht, 1921. –––––. Wege und Formen frühgriechischen Denkens. Dritte, durchgesehene Auflage. Munich: C. H. Beck Verlag, 1968. FRASER, John. America and the Patterns of Chivalry. Cambridge: Cambridge University Press, 1982. 660

–––––. The Name of Action: Critical Essays. Cambridge: Cambridge University Press, 1984. –––––. Violence in the Arts. Cambridge: Cambridge University Press, 1974. FRASER, John. Close Up: An Actor Telling Tales. London: Oberon Books, 2004. FRASER, Russell A. The War Against Poetry. Princeton: Princeton University Press, 1970. FRIEDELL (FRIEDMANN), Egon. Kulturgeschichte der Neuzeit. Three volumes. Munich: C. H. Beck Verlag, 1927–31. FUSSELL, Paul. The Great War and Modern Memory. New edition. Oxford: Oxford University Press, 2013. FUSTEL DE COULANGES, Numa Denis. La Cité antique: Étude sur le culte, le droit, les institutions de la Grèce et de Rome. Dixième édition. Paris: Librairie Hachette et Cie, 1883. GAFFIOT, Jeanne-Marie. Netchaïeff. Lausanne: L’Age d’Homme, 1989. GALLO, Rubén. Proust’s Latin Americans. Baltimore: The Johns Hopkins University Press, 2014. GAMBETTA, Diego. Codes of the Underworld: How Criminals Communicate. Princeton: Princeton University Press, 2011. GAMBONI, Dario. The Destruction of Art: Iconoclasm and Vandalism since the French Revolution. London: Reaktion Books, 1997. –––––. La Géographie artistique. Disentis: Éditions Desertina, 1987.


–––––. Un Iconoclasme moderne: Théorie et pratiques contemporaines du vandalisme artistique. Zürich: Institut suisse pour l’Étude de l’Art, and Lausanne: Éditions d’En-bas, 1983. –––––. Paul Gauguin: The Mysterious Centre of Thought. London: Reaktion Books, 2015. –––––. Portrait of the Artist as a Landscape: An Inquiry Into SelfReflexion. His inaugural lecture, December 14, 2002. Amsterdam: Vossiuspers (University of Amsterdam Press), 2002. –––––. Potential Images: Ambiguity and Indeterminacy in Modern Art. London: Reaktion Books, 2001. GANCARCZYK, Paweł. La Musique et la révolution de l’imprimerie:Les Mutations de la culture musicale au xvie siècle, translated from the Polish edition (Torun: Wydawnictwo Naukowe Uniwersytet Mikołaja Kopernika, 2011) by Wojciech Bonkowski. Lyon: Symétrie, 2015. GARDINER, Edward Norman. Athletics of the Ancient World. Revised edition. Oxford: at the Clarendon Press, 1967. GARDINER, William. The Music of Nature; or, An Attempt to Prove That What Is Passionate and Pleasing in the Art of Singing, Speaking, and Performing Upon Musical Instruments, Is Derived from the Sounds of the Animated World. London: Longman, Rees, Orme, Brown, Green, and Longman; and Leicester: T. Combe and Son, and A. Cockshaw, 1832. GARTON, Charles. Personal Aspects of the Roman Theatre. Toronto: Hakkert, 1972. GAUTIER, Théophile. “Charles Baudelaire.” The preface to his edition of the poet’s Œuvres complètes, vol. I: Les Fleurs du mal, pp. 1-75. Édition définitive. Paris: Michel Lévy frères, 1868.


GEARY, Jason. The Politics of Appropriation: German Romantic Music and the Ancient Greek Legacy. Oxford: Oxford University Press, 2014. GELATT, Roland. The Fabulous Phonograph, 1877-1977. Second revised edition. London: Cassell, 1977. GEORGE, Stefan. Der Stern des Bundes. Berlin: Georg Bondi, 1914. (Sämtliche Werke, vol. 8, ed. Ute Oelmann. Zweite Auflage. Stuttgart: Klett-Cotta Verlag, 2011.) GEORGIADES, Thrasybulos Georgos. Musik und Rhythmus bei den Griechen: Zum Ursprung der abendländischen Musik. Reinbek bei Hamburg: Rowohlt Verlag, 1958. –––––. Musik und Sprache: Das Werden der abendländischen Musik dargestellt an der Vertonung der Messe. Berlin, Göttingen, Heidelberg: Springer-Verlag, 1954. –––––. Nennen und Erklingen: Die Zeit als Logos, ed. Irmgard Bengen. Preface by Hans-Georg Gadamer. Göttingen: Vandenhoeck & Ruprecht, 1985. GEVAERT, François Auguste. Histoire et théorie de la musique de l’Antiquité. Two volumes. Ghent: Typographie C. Annoot-Braeckman, 1875-81. GHIL (GUILBERT), René. Traité du verbe, avec Avant-dire de Stéphane Mallarmé. Paris: Giraud, 1886. (Traité du verbe: États successifs (1885-1886- 1887-1888-1891-1904) avec Introduction, ed. Tiziana Goruppi. Paris: A. G. Nizet, 1978.)


GIDE, André. Les Caves du Vatican. Serialized in nos. 61-64 of the Nouvelle Revue Française (Paris: Éditions de la Nouvelle Revue Française) from January through April 1914, and published subsequently in two volumes. (Œuvres lyriques et dramatiques, vol. I: Romans et Récits, ed. Pierre Masson, with the assistance of Jean Claude, Alain Goulet, David H. Walker, and Jean-Michel Wittmann. Nouvelle édition. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 2009.) GIEDION, Sigfried. Bauen in Frankreich, Bauen in Eisen, Bauen in Eisenbeton. Leipzig and Berlin: Klinkhardt & Biermann Verlag, 1928. –––––. Befreites Wohnen. Zürich and Leipzig: Orell Füssli Verlag, 1929. –––––. Mechanization Takes Command: A Contribution to Anonymous History. New York: Oxford University Press, 1948. –––––. Space, Time and Architecture: The Growth of a New Tradition. First delivered at Harvard University as the Charles Eliot Norton Lectures in 1938-39. Fifth revised and enlarged edition. Cambridge, Massachusetts: Harvard University Press, 2009. GILSON, Étienne. L’École des muses. Paris: Librairie Philosophique J. Vrin, 1951. –––––. Introduction aux arts du beau. Paris: Librairie Philosophique J. Vrin, 1963. –––––. Matières et Formes: Poétiques particulières des arts majeurs. Paris: Librairie Philosophique J. Vrin, 1964. –––––. La Société de masse et sa culture. Paris: Librairie PhilosophiqueJ. Vrin, 1967. GIRARD, René. Achever Clausewitz. Paris: Carnets Nord, 2007. 664

–––––. La Conversion de l’art. Paris: Carnets Nord, 2008. –––––. Mensonge romantique et Vérité romanesque. Paris: Éditions Bernard Grasset, 1977. –––––. Le Sacrifice. Paris: Éditions de la Bibliothèque nationale de France, 2004. –––––. A Theatre of Envy: William Shakespeare. Oxford: Oxford University Press, 1991. –––––. La Violence et le Sacré. Paris: Éditions Bernard Grasset, 1972. ––––– with Guy LEFORT and J. M. OUGHOURLIAN. Des Choses cachées depuis la fondation du monde. Paris: Éditions Bernard Grasset, 1978. GISSING, George Robert. Demos: A Story of English Socialism. Three volumes. London: Smith, Elder, & Co., 1886. –––––. The Nether World: A Novel. Three volumes. London: Smith, Elder, & Co., 1889. –––––. The Whirlpool. London: Lawrence and Bullen, 1897. GIULIANI, Élizabeth. “Autoportraits de compositeurs.” Études: Revue de culture contemporaine (Paris: Société d’Edition de Revues), vol. 401, no. 6 (December 2004), pp. 657-66. –––––. “Descartes et la musique.” Études, vol. 386, no. 4 (April 1997), pp. 527-36. –––––. “L’Histoire mouvementée de la musique et du cinéma.” Études, vol. 389, no. 6 (December 1998), pp. 665-75.


–––––. “La Musique et le Rêve.” Études, vol. 398, no. 3 (March 2003), pp. 375-81. –––––. “Parsifal de Wagner: Un Opéra « théologique ».” Études, vol. 387, no. 3 (September 1997), pp. 243-51. –––––. “Jean-Jacques Rousseau, musicien et mélomane”. Études, vol. 416, no. 6 (June 2012), pp. 793-801. GLEIZES, Albert Léon. Du Cubisme et des moyens de le comprendre. Paris: Éditions « La Cible », 1920. –––––. “L’Epopée: De la Forme immobile à la forme mobile.” Le Rouge et le Noir (Paris: Éditions “Le Rouge et le Noir”), vol. 3, cahier spécial des arts, pt. I (June-July 1929), pp. 57–90. –––––. Puissances du cubisme. Chambéry: Éditions Présence, 1969. –––––. Tradition et Cubisme, vers une conscience plastique: Articles et Conférences, 1912–1924. Paris: Éditions « La Cible » and Jacques Povolozky et Cie, 1927. –––––. Vers une conscience plastique: La Forme et l’Histoire. Paris: Jacques Povolozky, 1932. ––––– and Jean METZINGER. Du “Cubisme”. Paris: Eugène Figuière et Cie, 1912. GOBINEAU, Joseph Arthur de. Les Religions et les philosophies dans l’Asie centrale. Deuxième édition. Paris: Librairie académique Didier et Cie, 1866. (Œuvres, vol. II, ed. Jean Gaulmier, with the assistance of Pierre Lesétieux and Vincent Monteil. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1983.)


GODWIN, William. An Enquiry Concerning Political Justice, and Its Influence on General Virtue and Happiness. Two volumes. London: G. G. andJ. Robinson, 1793. GÖTTE, Ulli. Minimal Music: Geschichte - Ästhetik - Umfeld. Wilhelmshaven: Florian Noetzel Verlag, 2000. GOGARTY, Oliver Joseph St. John. Intimations. New York: Abelard Press, 1950. GOGOL, Nikolai Vasilievich. Dead Souls, translated by Richard Pevear and Larissa Volokhonsky. New York: Alfred A. Knopf, Everyman’s Library, 1996. GOLDEN, Mark. Sport in the Ancient World from A to Z. London and New York: Routledge, 2004. GOLDMAN, David Paul. “How Time’s Arrow and the Phrygian Half-Step Make Jewish Music Holy.” Tablet Magazine (New York: Nextbook), the Internet edition (September 29, 2014): ––––– (“SPENGLER”). It’s Not the End of the World, It’s Just the End of You: The Great Extinction of the Nations. New York: RVP Publishers, 2011. –––––. “Muted.” Tablet Magazine (August 17, 2011): www.tabletmag. com/ jewish-arts-and-culture/music/75247/muted. –––––. “Nicholas of Cusa’s Contribution to Music Theory.” Rivista internazionale di musica sacra (Lucca: Libreria musicale italiana), vol. 10, no. 3-4 (July-December 1989), pp. 308-38. –––––. “Sacred Music, Sacred Time.” First Things (New York: The Institute on Religion and Public Life), no. 197 (November 2009), pp. 31-36. 667

–––––. “Timeless.” Tablet Magazine (February 6, 2012): –––––. “Why We Can’t Hear Wagner’s Music.” First Things, no. 208 (December 2010). GOLDSCHMIDT, Johann Baptist (Heymann Joseph). Lois et mystères de l’amour, translated from the Hebrew manuscript by Alexandre Weill. Nouvelle édition. Paris: Dentu, 1880. GOMBRICH, Ernst Hans. Aby Warburg: An Intellectual Biography, with a Memoir on the History of the Library by F. Saxl. Second edition. Oxford: Phaidon, 1986. –––––. The Preference for the Primitive: Episodes in the History of Western Taste and Art. London: Phaidon Press, 2002. GOODIS, David. Street of No Return. New York: Fawcett Publications, 1954. (Five Noir Novels of the 1940s & 50s, ed. Robert Polito. New York: The Library of America, 2012.) GOTTWALD, Norman Karol. Studies in the Book of Lamentations. London: SCM Press, 1954. GRACIÁN Y MORALES, Baltasar. El Héroe. Madrid: Diego Díaz, 1639. (Obras completas, ed. Emilio Blanco, vol. II. Madrid: Biblioteca Castro Turner, 1993.) GRANET, Marcel. Fêtes et chansons anciennes de la Chine. Deuxième édition. Paris: Librairie Ernest Leroux, 1929. –––––. La Pensée chinoise. Paris: La Renaissance du Livre, 1934. GRASSKAMP, Walter. Die unästhetische Demokratie: Kunst in der Marktgesellschaft. Munich: C. H. Beck Verlag, 1992. 668

–––––. Die unbewältigte Moderne: Kunst und Öffentlichkeit. Munich:C. H. Beck Verlag, 1989. –––––. Ist die Moderne eine Epoche? Kunst als Modell. Munich: C. H. Beck Verlag, 2002. –––––. Museumsgründer und Museumsstürmer: Zur Sozialgeschichte des Kunstmuseums. Munich: C. H. Beck Verlag, 2002. GREEN, Graham. May We Borrow Your Husband? And Other Comedies of the Sexual Life. London, Sydney, and Toronto: The Bodley Head, 1967. GREENE, Thomas McLernon. The Descent from Heaven: A Study in Epic Continuity. Second edition. New Haven: Yale University Press, 1970. GRIS, Juan. “Des Possibilités de la peinture.” A lecture delivered at the Sorbonne on May 15, 1924, then published in Madox Ford’s Transatlantic Review (London: Gerald Duckworth and Company, and New York: Thomas Seltzer), vol. 1, no. 6 (June 1924), pp 482–88, and vol. 2, no. 1 (July 1924), pp 75–79. GUICHARROUSSE, Hubert. Les Musiques de Luther. Geneva: Labor et Fides, 1995. GUMPLOWICZ, Philippe. “Musicographes réactionnaires des années 1930.” Le Mouvement social (Ivry-sur-Seine: Éditions de l’Atelier), no. 208(July-September 2004), pp. 91-124. –––––. Les Résonances de l’ombre: Musique et identités: De Wagner au jazz. Paris: Librairie Arthème Fayard, 2012.


GURNEY, Edmund. “A Chapter in the Ethics of Pain.” First published inThe Fortnightly Review (London: Chapman and Hall), new series, vol. XXX, no. CLXXX (December 1, 1881), pp. 778-96. Collected in Tertium Quid: Chapters on Various Disputed Questions, vol. I, pp. 151-203. Two volumes. London: Kegan Paul, Trench, & Co., 1887. –––––. The Power of Sound. London: Smith, Elder, & Co., 1880. –––––. Tertium Quid, vol. II. GUYAUX, André (ed.). Baudelaire: Un Demi-siècle de lecture des Fleurs du mal (1855-1905). Paris: Presses de l’Université Paris-Sorbonne, 2007. HÄFNER, Ralph. Götter im Exil: Frühneuzeitliches Dichtungsverständnis im Spannungsfeld christlicher Apologetik und philologischer Kritik (ca. 1590-1736). Tübingen: Max Niemeyer Verlag, 2003. –––––. Die Weisheit des Silen: Heinrich Heine und die Kritik des Lebens. Berlin and New York: Walter de Gruyter, 2006. HAGEL, Stefan. Ancient Greek Music: A New Technical History. Cambridge: Cambridge University Press, 2010. HALÉVY, Daniel. Charles Péguy et les Cahiers de la quinzaine. Paris: Payot et Cie, 1918. –––––. Essai sur l’accélération de l’histoire. Paris: Les Iles d’Or, Éditions Self, 1948. –––––. La Vie de Frédéric Nietzsche. Paris: Calmann-Lévy, 1909. ––––– and Fernand GREGH. “Frédéric Nietzsche.” Le Banquet (Paris: Librairie Rouquette), vol. 1, no. 2 (April 1892), pp. 33-35.


HALÉVY, Élie. La Formation du radicalisme philosophique. Three volumes. Paris: Félix Alcan, 1901-04. HAMANN, Johann George. “Metacritik über den Purismum der Vernunft.” Sent in a letter of September 15, 1784 to Herder, and published subsequently by Friedrich Theodor Rink in Mancherley zur Geschichte der metacritischen Invasion: Nebst einem Fragment einer ältern Metacritik von Johann George Hamann, genannt der Magus in Norden, und einigen Aufsätzen, die Kantische Philosophie betreffend, pp. 120-34. Königsberg: bey Friedrich Nicolovius, 1800. (Sämtliche Werke, ed. Josef Nadler, vol. III: Schriften über Sprache, Mysterien, Vernunft, 1772-1788, pp. 281-89. Vienna: Thomas-Morus-Presse im Herder-Verlag, 1951.) HARSHAV, Benjamin. Marc Chagall and His Times: A Documentary Narrative, with translations by him and Barbara Harshav. Stanford: Stanford University Press, 2003. –––––. Marc Chagall on Art and Culture, with translations by him and Barbara Harshav. Stanford: Stanford University Press, 2003. HARVEY, Lincoln. A Brief Theology of Sport. London: SCM Press, 2014. HAŠEK, Jaroslav. The Good Soldier Švejk and His Fortunes in the World War, translated by Cecil Parrott. The novel was first published by Adolf Synek in several volumes between 1921 and 1923 in Prague. London: Penguin Books, 2000. HATZFELD, Helmut. The Rococo: Eroticism, Wit, and Elegance in European Literature. New York: Pegasus, 1972. HAVELOCK, Eric Alfred. Preface to Plato. Cambridge, Massachusetts: The Belknap Press, 1963.


HAZLITT, William. “The Letter-Bell.” The Monthly Magazine of Politics, Literature, and the Belles Lettres (London: Whittaker, Treacher, and Company), new series, vol. XI, no. 63 (March 1831), pp. 280-83. In Sketches and Essays, ed. William Hazlitt, Jr., pp. 301-09. London: John Templeman, 1839. (The Complete Works, ed. Percival Presland Howe, vol. XVII. London:J. M. Dent & Sons, 1933.) –––––. “On Living to one’s-self.” In Table-Talk; or, Original Essays, pp. 209-34. London: John Warren, 1821. (The Complete Works, vol. VIII, pp. 90-100. London: J. M. Dent & Sons, 1931.) –––––. “On Londoners and Country People.” (“Table Talk,” no. VII.)The New Monthly Magazine and Literary Journal (London: Henry Colburn), vol. VIII (1823), pp. 171-79. In The Plain Speaker: Opinions on Men, Books, and Things, vol. I, pp. 153-79. London: Henry Colburn, 1826. (The Complete Works, vol. XII, pp. 66-77. London: J. M. Dent & Sons, 1931.) –––––. “On Poetry in General.” The first in his lecture series. In Lectures on the English Poets: Delivered at the Surrey Institution, pp. 1-38. London: Taylor and Hessey, 1818. (The Complete Works, vol. V, pp. 1-18. London:J. M. Dent & Sons, 1930.) –––––. “On a Sun-dial.” The New Monthly Magazine and Literary Journal, vol. XX, pt. II (1827), pp. 352-58. In Sketches and Essays, pp. 67-82.(The Complete Works, vol. XVII.) HAZLITT, William Carew (ed.). The English Drama and Stage Under the Tudor and Stuart Princes, 1543-1664: Illustrated by a Series of Documents, Treatises and Poems. London: Roxburghe Library, 1869. HEARN, Lafcadio. American Writings, ed. Christopher Benfey. New York: The Library of America, 2009. –––––. Lectures on Shakespeare, ed. Iwao Inagaki. Tokyo: The Hokuseido Press, 1928. 672

HEBBEL, Christian Friedrich. “Das Komma im Frack.” Stimmen der Zeit: Monatsschrift für Politik und Literatur (Gotha), vol. 1, no. 1 (October 1858), pp. 8-10. (Werke, ed. Gerhard Fricke, Werner Keller, and Karl Pörnbacher, vol. 3, pp. 684-87. Munich: Carl Hanser Verlag, 1965.) –––––. “Moderne Lyrik.” Illustrirte Zeitung (Leipzig), vol. XXI, no. 544 (December 3, 1853), pp. 355-56. (Werke, vol. 3, pp. 677-80.) HEBREO, Leone (Judah Leon ABRAVANEL). Dialogi d’amore. Composed although perhaps not completed as envisioned probably shortly after 1500. Rome: Antonio Blado d’Assola, 1535. (Diálogos de amor, vol 1: Texto italiano, Notas e Documentos, ed. Giacinto Manuppella. Lisbon: Instituto Nacional de Investigação Cientifica, 1983.) HEIDEGGER, Martin. “Nietzsches Wort »Gott ist tot«.” In Holzwege, pp. 195-247. Frankfurt am Main: Vittorio Klostermann, 1950. (Gesamtausgabe, Erste Abteilung: Veröffentlichte Schriften, 1910-1976, vol. 5, ed. Friedrich-Wilhelm von Herrmann, pp. 209-67. Zweite Auflage. Frankfurt am Main: Vittorio Klostermann, 2003.) –––––. Der Satz vom Grund. Pfullingen: Verlag Günther Neske, 1957. (Gesamtausgabe, vol. 10, ed. Petra Jaeger. Frankfurt am Main: Vittorio Klostermann, 1997.) –––––. Sein und Zeit. Siebzehnte Auflage. Tübingen: Max Niemeyer Verlag, 1993. –––––. Was heisst Denken? Tübingen: Max Niemeyer Verlag, 1954. (Gesamtausgabe, vol. 8, ed. Paola-Ludovika Coriando. Frankfurt am Main: Vittorio Klostermann, 2002.) –––––. “Die Zeit des Weltbildes.” In Holzwege, pp. 69-104. (Gesamtausgabe, vol. 5, pp. 75-113.)


HEINE, Heinrich. “Ueber die französische Bühne: Vertraute Briefe an August Lewald.” First published in the Allgemeine Theater-Revue (Stuttgart and Tübingen: Verlag der J. G. Cotta’schen Buchhandlung), vol. 3 (1837), pp. 155-248. Included subsequently in Der Salon, vol. 4, pp. 151-342. Hamburg: Hoffmann und Campe, 1840. (Sämtliche Werke: Düsseldorfer Ausgabe, ed. Manfred Windfuhr, vol. 12, ed. Jean-René Derré and Christiane Giesen, pt. 1, pp. 227-90. Hamburg: Hoffmann und Campe, 1984.) –––––. “Ich hab’ im Traum’ geweinet.” no. LVI in the “Lyrisches Intermezzo,” first published in his Tragödien, Nebst einem lyrischen Intermezzo, p. 116. Berlin: bei Ferdinand Dümmler, 1823. Included subsequently in the Buch der Lieder, p. 159. Hamburg: bei Hoffmann und Campe, 1827. (Sämtliche Werke, vol. 1, ed. Pierre Grappin, p. 188. Hamburg: Hoffmann und Campe, 1975.) –––––. Shakespeares Mädchen und Frauen: Mit Erläuterungen. Paris:H. Delloye-Brockhaus und Avenarius, and Leipzig: Brockhaus und Avenarius, 1839. (Sämtliche Werke, vol. 10, ed. Jan-Christoph Hauschild, pp. 7-191. Hamburg: Hoffmann und Campe, 1993.) HEINZEN, Karl. “Der Hintergrund.” A lecture held in 1862. In Teutscher Radikalismus in Amerika, vol. 1, pp. 338-64. N.p.: Verein zur Verbreitung radikaler Prinzipien, 1867. –––––. “Die Menschheit als Verbrecherinn.” A lecture held in Washington, D.C., in 1864. In Teutscher Radikalismus in Amerika, vol. 1, pp. 200-36. –––––. Mord und Freiheit. New York: Selbstverlag des Verfassers, 1853. –––––. Die preußische Büreaukratie. Darmstadt: Druck und Verlag von Carl Wilhelm Leske, 1845.


HEMSI, Alberto. La Musique de la Torah: La Première Expression musicale d’Israël, un des plus anciens dialectes de l’âme humaine. Deuxième édition. Alexandria: Édition orientale de musique, 1929. –––––. La Musique orientale en Égypte: Études et Polémiques. Alexandria: Édition orientale de musique, 1930. HENRY, Michel. L’Essence de la manifestation. Quatrième édition. Paris: Presses universitaires de France, 2011. –––––. Phénoménologie de la vie. Five volumes. Paris: Presses universitaires de France, 2003-15. –––––. Voir l’invisible: Sur Kandinsky. Troisième édition. Paris: Presses universitaires de France, 2014. HENZE, Hans Werner. Musik und Politik: Schriften und Gespräche, 1955-1984, ed. Jens Brockmeier. Erweiterte Neuausgabe. Munich: Deutscher Taschenbuch Verlag, 1984. HERDER, Johann Gottfried (von). Abhandlung über den Ursprung der Sprache, welche den von der Königl. Academie der Wissenschaften für das Jahr 1770 gesetzten Preis erhalten hat. Berlin: bey Christian Friedrich Voß, 1772. (Sämmtliche Werke, ed. Bernard Suphan, vol. 5, pp. 1-154. Berlin: Weidmannsche Buchhandlung, 1891.) –––––. “Von Aehnlichkeit der mittlern englischen und deutschen Dichtkunst, nebst Verschiednem, das daraus folget.” Deutsches Museum (Leipzig: in der Weygandschen Buchhandlung), vol. 2, no. 11 (November 1777), pp. 421-35. (Sämmtliche Werke, vol. 9, pp. 522-35. Berlin: Weidmannsche Buchhandlung, 1893.) –––––. Auch eine Philosophie der Geschichte zur Bildung der Menschheit: Beytrag zu vielen Beyträgen des Jahrhunderts. Riga: bei Johann Friedrich Hartknoch, 1774. (Sämmtliche Werke, vol. 5, pp. 475-594.) 675

–––––. Briefe zur Beförderung der Humanität. Ten volumes. Riga: Johann Friedrich Hartknoch, 1793-97. (Sämmtliche Werke, vol. 17, and vol. 18, pp. 1-356. Berlin: Weidmannsche Buchhandlung, 1881-83.) –––––. Vom Geist der Ebräischen Poesie: Eine Anleitung für die Liebhaber derselben, und der ältesten Geschichte des menschlichen Geistes. Two volumes. Dessau: Buchhandlung der Gelehrten, 1782-83. (Sämmtliche Werke, vol. 11, pp. 214-475, and vol. 12, pp. 1-350. Berlin: Weidmannsche Buchhandlung, 1879-80.) –––––. Ursachen des gesunknen Geschmacks bei den verschiednen Völkern, da er geblühet: Eine Abhandlung, welche den von der Königl. Academie der Wissenschaften für das Jahr 1773 gesetzten Preis erhalten hat. Berlin: bei Christian Friedrich Voß, 1775. (Sämmtliche Werke, vol. 5, pp. 595-655.) HERRMANN, Emanuel. Cultur und Natur: Studien im Gebiete der Wirthschaft. Berlin: Allgemeiner Verein für deutsche Literatur, 1887. HERZEN, Alexander Ivanovich. Dilettantism in Science. These four essays were first published in Russian in the Saint Petersburg periodical Otechestvennye Zapiski during 1843. Translated by L. Navrozov in Selected Philosophical Works, pp. 15-96. Moscow: Foreign Languages Publishing House, 1956. –––––. Letters from France and Italy, 1847-1851, translated from the second edition (London: Trübner & Company, 1858) by Judith E. Zimmerman. Pittsburgh and London: University of Pittsburgh Press, 1995. –––––. Letters on the Study of Nature. Comprising eight essays first published in Otechestvennye Zapiski during 1845 and 1846. In Selected Philosophical Works, pp. 97-305. HESKES, Irene. Passport to Jewish Music: Its History, Traditions, and Culture. Westport and London: Greenwood Press, 1994. 676

HESS, Moses. “Die Einheit des Judenthums innerhalb der heutigen religiösen Anarchie.” Monatsschrift für Geschichte und Wissenschaft des Judenthums (Breslau: Verlag der Schletter’schen Buchhandlung(H. Skutsch)), vol. 18, no. 1 (1869), pp. 33-37, and no. 3, pp. 111-15. (Jüdische Schriften, ed. Theodor Zlocisti, pp. 112-19. Berlin: Verlag von Louis Lamm, 1905.) ––––– (anonymously). Die europäische Triarchie. Leipzig: Otto Wigand, 1841. ––––– (“Von einem Jünger Spinoza’s”). Die heilige Geschichte der Menschheit. Stuttgart: Hallberger’sche Verlagsbuchhandlung, 1837. –––––. Die letzten Philosophen. Darmstadt: Druck und Verlag von Carl Wilhelm Leske, 1845. (Sozialistische Aufsätze, 1841-1847, ed. Theodor Zlocisti, pp. 188-206. Berlin: Welt-Verlag, 1921.) ––––– (anonymously). “Philosophie der That.” In Georg Herwegh (ed.), Einundzwanzig Bogen aus der Schweiz, pt. I, pp. 309-31. Zürich and Winterthur: Verlag des literarischen Comptoirs, 1843. –––––. Rom und Jerusalem, die letzte Nationalitätsfrage: Briefe und Noten. Leipzig: Eduard Wengler, 1862. HESSEL, Franz. Nachfeier. Berlin: Ernst Rowohlt Verlag, 1929. (Sämtliche Werke, ed. Hartmut Vollmer and Bernd Witte, vol. 2: Prosasammlungen, ed. Karin Grund-Ferroud, pp. 249-352. Zweite aktualisierte und erweiterte Auflage. Hamburg: Igel Verlag, 2013.) –––––. Spazieren in Berlin. Leipzig and Vienna: Verlag Dr. Hans Epstein, 1929. (Sämtliche Werke, vol. 3: Städte und Porträts, ed. Bernhard Echte, pp. 7-192.) HEYWOOD, Thomas. An Apology for Actors. London: Nicholas Okes, 1612.


HICKS, Val (ed.). Heritage of Harmony. Kenosha: Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, 1988. HINDEMITH, Paul. A Composer’s World: Horizons and Limitations. Delivered at Harvard University as the Charles Eliot Norton Lectures in 1949-50. Cambridge, Massachusetts: Harvard University Press, 1952. HIRSCHFELD, Magnus (“Theodor Ramien”). Sappho und Sokrates: oder, Wie erklärt sich die Liebe der Männer und Frauen zu Personen des eigenen Geschlechts? Leipzig: Verlag von Max Spohr, 1896. HOBSON, Vic. Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues. Jackson: University Press of Mississippi, 2014. HÖLDERLIN, Johann Christian Friedrich. “Pathmos.” In Leo von Seckendorf (ed.), Musenalmanach für das Jahr 1808, pp. 79-87. Regensburg: in der Montag- und Weißischen Buchhandlung, 1808. (Sämtliche Werke: Frankfurter Ausgabe, ed. Dietrich Eberhard Sattler, vol. 7: Gesänge I. Frankfurt am Main and Basel: Stroemfeld Verlag/ Roter Stern, 2000.) HOFFMANN, Ernst Theodor Amadeus. “Alte und neue Kirchenmusik.” Allgemeine musikalische Zeitung (Leipzig: bei Breitkopf und Härtel), vol. XVI, no. 35 (August 31, 1814), cols. 577-84, no. 36 (September 7), cols. 593-603, and no. 37 (September 14), cols. 611-19. Hoffmann subsequently drew upon this essay for the discourse in his anthologyDie Serapions-Brüder: Gesammelte Erzählungen und Märchen, vol. II, sect. IV, pp. 362-84. Berlin: bei Georg Reimer, 1819. (Sämmtliche Werke: Serapions-Ausgabe, ed. Leopold Hirschberg, vol. II, pp. 153-63. Berlin and Leipzig: Vereinigung wissenschaftlicher Verleger Walter de Gruyter & Co., 1922.)


–––––. “Die Automate.” Allgemeine musikalische Zeitung, vol. XVI, no. 6 (February 9, 1814), cols. 93-102. Later this fragment was expanded upon in the Serapions-Brüder, vol. II, sect. III, pp. 173-239. (Sämmtliche Werke, vol. II, pp. 74-101.) –––––. “Der Dichter und der Komponist.” Allgemeine musikalische Zeitung, vol. XV, no. 49 (December 8, 1813), cols. 793-806, and no. 50 (December 15), cols. 809-17. Included in the Serapions-Brüder, vol. I, sect. I, pp. 168-215. Berlin: bei Georg Reimer, 1819. (Sämmtliche Werke, vol. I, pp. 75-95.) –––––. Fantasiestücke in Callot’s Manier: Blätter aus dem Tagebuche eines reisenden Enthusiasten. Preface by Jean Paul. Zweite, durchgesehene Auflage. Bamberg: bei Carl Friedrich Kunz, 1819. (Sämmtliche Werke, vol. VII.) –––––. “Die Fermate.” In Friedrich de la Motte Fouqué (ed.), Frauentaschenbuch für das Jahr 1816, pp. 347-79. Nuremberg: bei Johann Leonhard Schrag, 1815. Included in the Serapions-Brüder, vol. I, sect. I, pp. 121-63. (Sämmtliche Werke, vol. I, pp. 55-73.) –––––. “Das Fräulein von Scuderi: Erzählung aus dem Zeitalter Ludwigs des Vierzehnten.” In Stephan Schütze (ed.), Taschenbuch für das Jahr 1820, pp. 1-122. Frankfurt am Main: bei den Gebrüdern Wilmans, 1819. In the Serapions-Brüder, vol. III, sect. VI, pp. 329 ff. Berlin: bei Georg Reimer, 1820. (Sämmtliche Werke, vol. III, pp. 142-205.) –––––. “Der Kampf der Sänger: Einer alten Chronik nacherzählt.” Urania: Taschenbuch auf das Jahr 1819 (Leipzig: F. A. Brockhaus), new series, vol. I (1819), pp. 81-159. Collected in the Serapions-Brüder, vol. II, sect. III, pp. 41-145. (Sämmtliche Werke, vol. II, pp. 19-62.)


–––––. Lebens-Ansichten des Katers Murr, nebst fragmentarischer Biographie des Kapellmeisters Johannes Kreisler in zufälligen Makulaturblättern. Two volumes. Berlin: Ferdinand Dümmler, 1820-22. (Sämmtliche Werke, vol. VIII.) –––––. Schriften zur Musik: Nachlese, ed. Friedrich Schnapp. Munich: Winkler-Verlag, 1963. –––––. Seltsame Leiden eines Theater-Direktors: Aus mündlicher Tradition mitgetheilt. Berlin: in der Maurerschen Buchhandlung, 1819. (Sämmtliche Werke, vol. X, pp. 1-103.) –––––. “Spieler-Glück.” Urania: Taschenbuch auf das Jahr 1820, new series, vol. II (1820), pp. 383-421. In the Serapions-Brüder, vol. III, sect. VI, pp. 486 ff. (Sämmtliche Werke, vol. III, pp. 208-35.) –––––. “Der unheimliche Gast.” Der Erzähler, eine Unterhaltungsschrift für Gebildete (Berlin: bei G. Hayn), vol. II (1819), pp. 62-140. Collected in the Serapions-Brüder, vol. III, sect. V, pp. 211 ff. (Sämmtliche Werke, vol. III, pp. 92-133.) HOFMANNSTHAL, Hugo von. “Ein Brief.” Der Tag: Moderne illustrierte Zeitung (Berlin: Verlag August Scherl), no. 489 (October 18, 1902), and no. 491 (October 19, 1902). His Lord Chandos letter. (Sämtliche Werke: Kritische Ausgabe, ed. Anne Bohnenkamp, Rudolf Hirsch, Mathias Mayer, Christoph Perels, Edward Reichel, and Heinz Rölleke, vol. XXXI: Erfundene Gespräche und Briefe, ed. Ellen Ritter. Frankfurt am Main: S. Fischer Verlag, 1992.)


––––– (“LORIS”). “Maurice Barrès.” Moderne Rundschau: Halbmonatsschrift (Vienna: Verlag von Leopold Weiss), vol. IV, no. 1 (October 1, 1891), pp. 15-18. Collected posthumously in Loris: Die Prosa des jungen Hugo von Hofmannsthal, pp. 50-59. Berlin: S. Fischer Verlag, 1930. (Sämtliche Werke, vol. XXXII: Reden und Aufsätze 1, pp. 34-40, 389-408, ed. Hans-Georg Dewitz. Frankfurt am Main: S. Fischer Verlag, 2015.) ––––– (“LORIS”). “Zur Physiologie der modernen Liebe.” Die Moderne: Halbmonatsschrift für Kunst, Literatur, Wissenschaft und soziales Leben (Berlin: Verlag Ringer & Sohn), vol. I, no. 2/3 (February 8, 1891). In Loris, pp. 61-67. (Sämtliche Werke, vol. XXXII, pp. 7-11, 295-309, ed. Hans-Georg Dewitz.) ––––– (“LORIS”). “Das Tagebuch eines Willenskranken.” Moderne Rundschau, vol. III, no. 5/6 (June 15, 1891), pp. 203-08. In Loris, pp. 36-49. (Sämtliche Werke, vol. XXXII, pp. 18-27, 339-67, ed. HansGeorg Dewitz.) HOGG, James (anonymously). The Private Memoirs and Confessions of a Justified Sinner: Written by Himself: With a Detail of Curious Traditionary Facts, and Other Evidence, by the Editor. London: Longman, Hurst, Rees, Orme, Brown, and Green, 1824. (The Stirling/ South Carolina Research Edition of the Collected Works, ed. Ian Duncan and Suzanne Gilbert,The Private Memoirs and Confessions of a Justified Sinner, ed. Peter D. Garside. Edinburgh: Edinburgh University Press, 2001.) HOLLINRAKE, Roger. Nietzsche, Wagner and the Philosophy of Pessimism. London: George Allen & Unwin, 1982. HONEMEYER, Karl. “Luthers Musikanschauung: Studien zur Fragen ihrer geschichtlichen Grundlagen.” Doctoral dissertation. Münster: Westfälische Wilhelms-Universität Münster, 1941.


HOUSSAYE, Arsène. Voyage à ma fenêtre. Paris: Victor Lecou, 1850. HOWE, Irving. World of Our Fathers: The Journey of the East European Jews to America and the Life They Found and Made. New York: Harcourt Brace Jovanovich, 1976. HUBERT, Henri. Étude sommaire de la représentation du temps dans la religion et la magie. Paris: Imprimerie Nationale, 1905. HUELSENBECK, Richard (Carl Wilhelm Richard HÜLSENBECK, Charles R. HULBECK). Dada siegt: Eine Bilanz des Dadaismus. Berlin: Der MalikVerlag, 1920. –––––. Dada-Logik, 1913-1972, ed. Herbert Kapfer. Munich: Belleville Verlag Michael Farin, 2012. –––––. Deutschland muss untergehen! Erinnerungen eines alten dadaistischen Revolutionärs. Berlin: Der Malik-Verlag, 1920. –––––. En avant Dada: Eine Geschichte des Dadaismus. Hannover, Leipzig, Vienna, Zürich: Paul Steegemann Verlag, 1920. HUIZINGA, Johan. Homo ludens: Proeve eener bepaling van het spelelement der cultuur. Haarlem: H. D. Tjeenk Willink & Zoon, 1938. (Verzamelde werken, ed. Leendert Brummel, Willem Rudolf Juynboll, and Theodor Jakob Gottlieb Locher, vol. V: Cultuurgeschiedenis III, pp. 26-246. Haarlem: H. D. Tjeenk Willink & Zoon, 1950.) –––––. “Klank die wegsterft.” De Gids (Amsterdam: P. N. van Kampen & Zoon), vol. 92, pt. I (January 1928), pp. 117-23. (Verzamelde werken, vol. II: Nederland, pp. 588-93. Haarlem: H. D. Tjeenk Willink & Zoon, 1948.) HULLE, Dirk van, and Mark NIXON. Samuel Beckett’s Library. Cambridge: Cambridge University Press, 2013. 682

HUMBOLDT, Wilhelm von. “Über die Aufgabe des Geschichtschreibers.” A lecture delivered on April 12, 1821 before the Akademie der Wissenschaften in Berlin. Abhandlungen der historisch-philologischen Klasse der Königlich-Preußischen Akademie der Wissenschaften aus den Jahren 1820-1821, pp. 305-22. Berlin: Georg Reimer, 1822. (Gesammelte Schriften, Erste Abteilung: Werke, vol. IV: Werke IV, 1820-1822, ed. Albert Leitzmann, pp. 35-49. Berlin: B. Behr’s Verlag, 1905.) –––––. “Ueber die Bedingungen, unter denen Wissenschaft und Kunst in einem Volke gedeihen: mit besondrer Rücksicht auf Deutschland und die gegenwärtige Zeit.” Undated manuscript, probably composed in Vienna, August or September 1814. Gesammelte Schriften, Erste Abteilung, vol. III: Werke III, 1796-1799, ed. Albert Leitzmann, pp. 342-49. Berlin: B. Behr’s Verlag, 1904. –––––. “Ueber die Buchstabenschrift und ihren Zusammenhang mit dem Sprachbau.” Delivered on May 20, 1824 as a lecture before the Akademie der Wissenschaften in Berlin. Abhandlungen der historischphilologischen Klasse der königlichen Akademie der Wissenschaften zu Berlin aus dem Jahre 1824, pp. 161-88. Berlin: Ferdinand Dümmler, 1826. (Gesammelte Schriften, Erste Abteilung, vol. V: Werke V, 1823-1826, ed. Albert Leitzmann, pp. 107-33. Berlin: B. Behr’s Verlag, 1906.) –––––. “Über den Geist der Menschheit.” Undated manuscript, composed most likely in Paris, December 26, 1797. Gesammelte Schriften, Erste Abteilung, vol. II: Werke II, 1796-1799, ed. Albert Leitzmann, pp. 324-34. Berlin: B. Behr’s Verlag, 1904. –––––. “Über geistliche Musik.” An expert opinion, dated May 14, 1809. (Gesammelte Schriften, Zweite Abteilung: Politische Denkschriften, vol. X: Politische Denkschriften I, 1802-1810, ed. Bruno Gebhardt, pp. 73-77. Berlin: B. Behr’s Verlag, 1903.)


–––––. “Ueber den Geschlechtsunterschied und dessen Einfluß auf die organische Natur.” Die Horen: Eine Monatsschrift (Tübingen: in der J. G. Cotta’schen Buchhandlung), vol. 1, pt. 2 (1795), pp. 99-132. (Gesammelte Schriften, Erste Abteilung, vol. I: Werke I, 1785-1795, ed. Albert Leitzmann, pp. 311-34. Berlin: B. Behr’s Verlag, 1903.) –––––. Ideen zu einem Versuch, die Gränzen der Wirksamkeit des Staats zu bestimmen, ed. Eduard Cauer. Composed ca. 1792. Breslau: Verlag von Eduard Trewendt, 1851. (Gesammelte Schriften, Werke I, pp. 97-254.) –––––. “Ueber die männliche und weibliche Form.” Die Horen, vol. 1, pt. 3 (1795), pp. 80-103, and pt. 4 (1795), pp. 14-40. (Gesammelte Schriften, Werke I, pp. 335-69.) –––––. “Ueber den Nationalcharakter der Sprachen.” Manuscript of an unfinished treatise, probably composed in 1822. Zeitschrift für Völkerpsychologie und Sprachwissenschaft (Berlin: Ferdinand Dümmlers Verlagsbuchhandlung), vol. 13, no. 3 (1882), pp. 211-32. (Gesammelte Schriften, Werke IV, pp. 420-35.) –––––. “Ueber die Verwandtschaft der Ortsadverbien mit dem Pronomen in einigen Sprachen.” This lecture was delivered on December 17, 1829 before the Akademie der Wissenschaften in Berlin. (Gesammelte Schriften, Erste Abteilung, vol. VI: Werke VI, 1827-1835, pt. I, ed. Albert Leitzmann, pp. 304-30. Berlin: B. Behr’s Verlag, 1907.) –––––. “Über den Zusammenhang der Schrift mit der Sprache.” A portion of the text was delivered in a lecture before the Akademie der Wissenschaften in Berlin, March 1824. Appended to the second volume of Über die Kawi-Sprache auf der Insel Java, nebst einer Einleitung über die Verschiedenheit des menschlichen Sprachbaues und ihren Einfluss auf die geistige Entwicklung des Menschengeschlechts, ed. Johann Carl Eduard Buschmann, pp. 1-77. Berlin: Ferdinand Dümmler, 1838. (Gesammelte Schriften, Werke V, pp. 31-106.)


HUMBRECHT, Thierry-Dominique. Théologie négative et noms divins chez Saint Thomas d’Aquin. Paris: Librairie Philosophique J. Vrin, 2005. –––––. Trinité et création au prisme de la voie négative chez Saint Thomas d’Aquin. Paris: Parole et Silence, 2011. HURON, David. Sweet Anticipation: Music and the Psychology of Expectation. Cambridge, Massachusetts: The MIT Press, 2006. HURSTON, Zora Neale. Folklore, Memoirs, & Other Writings, ed. Cheryl A. Wall. New York: The Library of America, 1995. HUSSERL, Edmund. Zur Phänomenologie des inneren Zeitbewußtseins, ed. Martin Heidegger. Published initially in the Jahrbuch für Philosophie und phänomenologische Forschung (Halle an der Saale: Max Niemeyer Verlag), vol. IX (1928), pp. 367-498. (Husserliana: Gesammelte Werke, ed. Herman Leo van Breda, et al., vol. X, ed. Rudolf Boehm. Zweite verbesserte Auflage. The Hague: Martinus Nijhoff, 1969.) HUTTER, Horst. Politics as Friendship: The Origins of Classical Notions of Politics in the Theory and Practice of Friendship. Waterloo, Ontario: Wilfrid Laurier University Press, 1978. HUXLEY, Aldous. Brave New World. New York: Alfred A. Knopf, Everyman’s Library, 2013. HUXLEY, Thomas Henry. “Administrative Nihilism.” The Fortnightly Review (London: Chapman and Hall), new series, vol. X, no. LIX (November 1, 1871), pp. 525-43. In Method and Results: Essays, pp. 251-89. (Collected Essays, vol. I.) London: Macmillan and Co., 1893. HUYSMANS, Joris-Karl. À rebours. Paris: Georges Charpentier et Cie, 1884. (Œuvres complètes, ed. Charles Grolleau, vol. VI. Paris: Georges Crès et Cie, 1929.)


–––––. L’Art moderne. Paris: Georges Charpentier, 1883. (Œuvres complètes, vol. VII. Paris: Georges Crès et Cie, 1929.) IGLESIAS, Sara. Musicologie et Occupation: Science, musique et politique dans la France des « années noires ». Paris: Éditions de la Maison des sciences de l’homme, 2015. ISHERWOOD, Christopher. Prater Violet. New York: Random House, 1945. JACOBSON, Marion. Squeeze This! A Cultural History of the Accordion in America. Urbana, Chicago, and Springfield: University of Illinois Press, 2012. JAKOBSON, Roman Osipovich. My Futurist Years, ed. Bengt Jangfeldt and Stephen Rudy, translated by the latter. New York: Marsilio Publishers, 1997. –––––. Six leçons sur le son et le sens. A lecture course held at the École libre des hautes études, in New York, in 1942. Preface by Claude LéviStrauss. Paris: Les Éditions de Minuit, 1976. JAMES, Clive. Cultural Amnesia: Necessary Memories from History and the Arts. New York and London: W. W. Norton & Company, 2007. JAMES, Henry. The Ambassadors. Serialized in vols. CLXXVI-CLXXVII of the North American Review (New York: The North American Review Publishing Company) during 1903, and published that year with some changes by Methuen & Company in London. (Novels, 1903-1911, ed. Ross Posnock. New York: The Library of America, 2011.)


–––––. “Charles Baudelaire.” The Nation: A Weekly Journal Devoted to Politics, Literature, Science, and Art (New York: E. L. Godkin & Co.).vol. XXII, no. 565 (April 27, 1876), pp. 279-81. In French Poets and Novelists, pp. 72-83. London: Macmillan and Co., 1878. (Literary Criticism: French Writers, Other European Writers, Prefaces to the New York Edition, ed. Leon Edel and Mark Wilson, pp. 152-58. New York: The Library of America, 1984.) JANIN, Jules. Deburau: Histoire du théâtre à quatre sous, pour faire suite à l’Histoire du théâtre-français. Two volumes. Troisième édition. Paris: Librairie de Charles Gosselin, 1833. JANKÉLÉVITCH, Vladimir. L’Aventure, l’Ennui, le Sérieux. Paris: Éditions Aubier-Montaigne, 1963. –––––. L’Irréversible et la Nostalgie. Paris: Éditions Flammarion, 1974. –––––. Le Mal. Grenoble: Benjamin Arthaud, 1947. –––––. Du Mensonge. Paris: Éditions Confluences, 1942. –––––. La Mort. Paris: Éditions Flammarion, 1966. –––––. De la Musique au silence. Three volumes. Paris: Éditions Plon, 1974-79. –––––. La Musique et l’Ineffable. Paris: Éditions Armand Colin, 1961. –––––. Le Paradoxe de la morale. Paris: Éditions du Seuil, 1981. –––––. Le Pardon. Paris: Éditions Aubier-Montaigne, 1967. —————. Le Pur et l’Impur. Paris: Éditions Flammarion, 1960.


–––––. La Vie et la mort dans la musique de Debussy. Neuchâtel: Éditions de la Baconnière, 1968. JASEN, David Alan. Tin Pan Alley: An Encyclopedia of the Golden Age of American Song. New York and London: Routledge, 2003. ––––– and Trebor Jay TICHENOR. Rags and Ragtime: A Musical History. Second edition. New York: Dover Publications, 1989. JASPERS, Karl. Allgemeine Psychopathologie. Dritte vermehrte und verbesserte Auflage. Berlin and Heidelberg: Springer-Verlag, 1923. –––––. Die geistige Situation der Zeit. Fünfte Auflage. Berlin: Walter de Gruyter & Co., 1932. –––––. Heimweh und Verbrechen. Jaspers’ doctoral dissertation. Leipzig: Verlag von F. C. W. Vogel, 1909. (Archiv für Kriminal-Anthropologie und Kriminalistik, vol. 35.) (Gesammelte Schriften zur Psychopathologie, pp. 1-84. Berlin, Göttingen, Heidelberg: Springer-Verlag, 1963.) –––––. Nikolaus Cusanus. Munich: R. Piper & Co. Verlag, 1964. –––––. Nietzsche: Einführung in das Verständnis seines Philosophierens. Vierte unveränderte Auflage. Berlin and New York: Walter de Gruyter & Co., 1974. –––––. Der philosophische Glaube angesichts der Offenbarung. Dritte Auflage. Munich and Zürich: R. Piper & Co. Verlag, 1984. –––––. Psychologie der Weltanschauungen. Berlin: Verlag von Julius Springer, 1919. –––––. Strindberg und van Gogh: Versuch einer pathographischen Analyse unter vergleichender Heranziehung von Swedenborg und Hölderlin. Zweite ergänzte Auflage. Berlin: Verlag von Julius Springer, 1926. 688

–––––. Von der Wahrheit. (Philosophische Logik, vol. 1.) Dritte Auflage. Munich and Zürich: R. Piper & Co. Verlag, 1983. JEAN-AUBRY, G. (Jean-Frédéric AUBRY). La Musique et les nations. Paris: Éditions de la Sirène, and London: J. & W. Chester, 1922. –––––. La Musique française d’aujourd’hui. Preface by Gabriel Fauré. Paris: Librairie académique Perrin et Cie, 1916. JEAN PAUL (Jean Paul RICHTER). Levana: oder Erziehungslehre. Braunschweig: bei Friedrich Vieweg, 1807. (Sämtliche Werke: Historischkritische Ausgabe, Erste Abteilung: Zu Lebzeiten des Dichters erschienene Werke, ed. Eduard Berend, vol. 12. Weimar: Verlag Hermann Böhlaus Nachfolger, 1937.) –––––. Vorschule der Aesthetik: Nebst einigen Vorlesungen in Leipzig über die Parteien der Zeit. Two volumes. Zweite, verbesserte und vermehrte Auflage. Stuttgart and Tübingen: in der J. G. Cotta’schen Buchhandlung, 1813. (Sämtliche Werke: Historisch-kritische Ausgabe, Erste Abteilung, vol. 11. Weimar: Verlag Hermann Böhlaus Nachfolger, 1935.) JESERICH, Philipp. Musica naturalis: Tradition und Kontinuität spekulativ-metaphysischer Musiktheorie in der Poetik des französischen Spätmittelalters. Stuttgart: Franz Steiner Verlag, 2008. JOCHMANN, Carl Gustav (anonymously). “Ueber die Oeffentlichkeit.” Allgemeine politische Annalen (Munich, Stuttgart, Tübingen: in der J. G. Cotta’schen Buchhandlung), new series, vol. I, no. 2 (1830), pp. 105-43. Republished under Jochmann’s name in Prometheus: Für Licht und Recht (Aarau: im Verlag von Heinrich Remigius Sauerländer), vol. III (1833), pp. 149-78. Printed posthumously in Reliquien, ed. Heinrich Zschokke, vol. II, pp. 3-39. Hechingen: Verlag der F. X. Ribler’schen Hofbuchhandlung, 1837.


––––– (published anonymously). Ueber die Sprache. Heidelberg: bei C. F. Winter, 1828. (Under his name in Jochmann’s Gesammelte Schriften, vol. I: Über die Sprache, ed. Peter König, Ulrich Kronauer, and HansPeter Schütt. Heidelberg: Carl Winter Universitätsverlag, 1998.) JOHLER, Reinhard, Christian MARCHETTI, and Monique SCHEER (eds.). Doing Anthropology in Wartime and War Zones: World War I and the Cultural Sciences in Europe. Bielefeld: Transcript Verlag, 2010. JOHNSON, James H. Listening in Paris: A Cultural History. Berkeley andLos Angeles: University of California Press, 1995. –––––. Venice Incognito: Masks in the Serene Republic. Berkeley andLos Angeles: University of California Press, 2011. JOHNSTON, William M. The Austrian Mind: An Intellectual and Social History, 1848-1938. Berkeley and Los Angeles: University of California Press, 1972. JONAS, Hans. Augustin und das paulinische Freiheitsproblem:Eine philosophische Studie zum pelagianischen Streit. Zweite neubearbeitete und erweiterte Auflage. Preface by James M. Robinson. Göttingen: Vandenhoeck & Ruprecht, 1965. (Kritische Gesamtausgabe, ed. Dietrich Böhler, Michael Bongardt, Holger Burckhart, and Walther Christoph Zimmerli, III. Abteilung: Metaphysische, religions- und kulturphilosphische Schriften, vol. III, pt. 1: Metaphysische und religionsphilosophische Studien, ed. Michael Bongardt, Udo Lenzig, and Wolfgang Erich Müller, pp. 57-174. Freiburg im Breisgau: Rombach Verlag, 2014.)


–––––. Gnosis und spätantiker Geist. Two volumes. The vierte Auflage and the zweite Auflage, ed. Kurt Rudolph, respectively. Göttingen: Vandenhoeck & Ruprecht, 1988 and 1993, respectively. (Kritische Gesamtausgabe, IV. Abteilung: Religionsphilosophische Hauptwerke, vol. IV, pts. 1 and 2, ed. Rainer Kampling and Elad Lapidot. Freiburg im Breisgau: Rombach Verlag, 2017-.) JONES, John. On Aristotle and Greek Tragedy. London: Chatto & Windus, 1962. JOUANNA, Danielle. Rire avec les Anciens: L’Humour des Grecs et des Romains. Paris: Les Belles Lettres, 2016. (Signets Belles Lettres, no. 26.) JOUBERT, Laurent. Traité du ris, Contenant son essance, ses causes, et mervelheus essais, curieusemant recerchés, raisonnés & observés. Paris: chez Nicolas Chesneau, 1579. JOUBERT, Muriel, and Denis LE TOUZÉ (eds.). Le Rire en musique. Lyon: Presses Universitaires de Lyon, 2017. (Mélotonia, no. 2.) ––––––––––. Le Souffle en musique. Lyon: Presses Universitaires de Lyon, 2015. (Mélotonia, no. 1.) JULLIAN, Philippe (Philippe SIMOUNET). Les Collectionneurs. Paris: Éditions Flammarion, 1966. –––––. Dictionnaire du snobisme. Paris: Éditions Plon, 1958. –––––. Esthètes et Magiciens: L’Art fin de siècle. Paris: Librairie académique Perrin, 1969. –––––. Robert de Montesquiou: Un Prince 1900. Paris: Librairie académique Perrin, 1965.


JÜNGER, Ernst. Der Arbeiter: Herrschaft und Gestalt. Hamburg: Hanseatische Verlagsanstalt, 1932. (Sämtliche Werke, Zweite Abteilung: Essays, vol. 8, pp. 9-317. Zweite Auflage. Stuttgart: Klett-Cotta Verlag, 2000.) –––––. Der Kampf als inneres Erlebnis. Berlin: E. S. Mittler & Sohn, 1922. (Sämtliche Werke, Zweite Abteilung, vol. 7: Betrachtungen zur Zeit, pp. 9-103. Zweite Auflage. Stuttgart: Klett-Cotta Verlag, 2002.) –––––. “Lob der Vokale: Dem Genius der Sprache.” In Blätter und Steine, pp. 47-85. Hamburg: Hanseatische Verlagsanstalt, 1934. (Sämtliche Werke, Zweite Abteilung, vol. 12: Fassungen I, pp. 11-46. Zweite Auflage. Stuttgart: Klett-Cotta Verlag, 2004.) –––––. “Über den Schmerz.” In Blätter und Steine, pp. 154-213. (Sämtliche Werke, vol. 7, pp. 143-91.) –––––. Sprache und Körperbau: Ein Versuch. Zürich: Die Arche, 1947. (Sämtliche Werke, vol. 12, pp. 47-99.) JULLIEN, Adolphe. Gœthe et la musique: Ses Jugements, son influence, les œuvres qu’il a inspirées. Paris: Librairie Sandoz et Fischbacher, 1880. KAEL, Pauline. “Jules and Jim.” Partisan Review (New York: The American Committee for Cultural Freedom), vol. 29, no. 4 (Fall 1962), pp. 573-77. InI Lost It at the Movies, pp. 216-22. Boston and Toronto: Little, Brown and Company, 1965. –––––. “West Side Story.” In I Lost It at the Movies, pp. 141-48. –––––. “Zeitgeist and Poltergeist: Or, Are Movies Going to Pieces? Reflections from the Side of the Pool at the Beverly Hills Hotel.” First published in part in the Atlantic Monthly (Boston: Atlantic Monthly Company), vol. 214, no. 6 (December 1964), pp. 61-66. In I Lost It at the Movies, pp. 3-27. 692

KAFKA, Franz. “Josefine, die Sängerin oder Das Volk der Mäuse.” Published under a shortened title in the literary supplement to the Prager Presse, vol. 4, no. 110 (morning edition, April 20, 1924), pp. IV-VII. InEin Hungerkünstler: Vier Geschichten, pp. 52-86. Berlin: Verlag Die Schmiede, 1924. (Kritische Ausgabe, ed. Gerhard Kurz, Gerhard Neumann, Malcolm Pasley, and Jost Schillemeit, Drucke zu Lebzeiten, pt. I, ed. Wolf Kittler, Hans-Gerd Koch, and Gerhard Neumann, pp. 350-77. Frankfurt am Main: S. Fischer Verlag, 1994.) KAHN, Gustave. L’Esthétique de la rue. Paris: Bibliothèque-Charpentier, 1901. –––––. Symbolistes et décadents. Paris: Librairie Léon Vanier, 1902. KALLEN, Horace Meyer. The Book of Job as a Greek Tragedy: With an Introductory Essay on the Original Form and Philosophic Meaning of Job. New York: Moffat, Yard and Company, 1918. –––––. Liberty, Laughter, and Tears: Reflections on the Relations of Comedy and Tragedy to Human Freedom. DeKalb: Northern Illinois University Press, 1968. –––––. Utopians at Bay. New York: Theodor Herzl Foundation, 1958. KANDINSKY, Vassily Vassilyevich. Punkt und Linie zu Fläche: Beitrag zur Analyse der malerischen Elemente. Zweite Auflage. Munich: Verlag Albert Langen, 1928. (Bauhausbücher, no. 9.) ––––– and Franz Marc (eds.). Der Blaue Reiter. Zweite Auflage. Munich:R. Piper & Co. Verlag, 1914. KANE, Brian. Sound Unseen: Acousmatic Sound in Theory and Practice. Oxford: Oxford University Press, 2014.


KANT, Immanuel. “Über ein vermeintliches Recht aus Menschenliebe zu lügen.” Berlinische Blätter (Berlin: bei Carl August Nicolai, Sohn), no. 10 (September 6, 1797), pp. 301-14. (Gesammelte Schriften, Erste Abteilung: Werke, vol. VIII: Abhandlungen nach 1781, pp. 425-30. Berlin and Leipzig: Walter de Gruyter & Co., 1923.) KARLAUF, Thomas. Stefan George: Die Entdeckung des Charisma. Munich: Karl Blessing Verlag, 2007. KATER, Michael Hans. Composers of the Nazi Era: Eight Portraits. Oxford: Oxford University Press, 2000. –––––. Different Drummers: Jazz in the Culture of Nazi Germany. Oxford: Oxford University Press, 1992. –––––. The Twisted Muse: Musicians and Their Music in the Third Reich. Oxford: Oxford University Press, 1997. KATZ, Mark. Capturing Sound: How Technology Has Changed Music. Revised edition. Berkeley and Los Angeles: University of California Press, 2010. KAUFMANN, Walter. The Ragas of North India. Bloomington: Indiana University Press, 1968. KEATS, John. Letter to Richard Woodhouse, October 27, 1818. Published in The Letters of John Keats, 1814-1821, ed. Hyder Edward Rollins, vol. I, pp. 386-87. Cambridge, Massachusetts: Harvard University Press, 1958. KENNAWAY, James. Bad Vibrations: The History of the Idea of Music as a Cause of Disease. Farnham and Burlington: Ashgate, 2012. KENNY, Colum. The Power of Silence: Silent Communication in Daily Life. London: Karnac Books, 2011.


KERMAN, Joseph. Concerto Conversations. Delivered at Harvard University as the Charles Eliot Norton Lectures in 1997-98. Cambridge, Massachusetts: Harvard University Press, 1999. –––––. Contemplating Music: Challenges to Musicology. Cambridge, Massachusetts: Harvard University Press, 1985. KIENZLE, Ulrike. ... daß wissend würde die Welt! Religion und Philosophie in Richard Wagners Musikdramen. Würzburg: Verlag Königshausen & Neumann, 2005. KIERKEGAARD, Søren (“Johannes Climacus”). Philosophiske Smuler, eller En Smule Philosophi. Copenhagen: C. A. Reitzel, 1844. (Skrifter, ed. Niels Jørgen Cappelørn, Joakim Garff, Johnny Kondrup, Tonny Aagaard Olesen, and Steen Tullberg, vol. 4. Copenhagen: Gads Forlag, 1998.) KIM, Hyun-Ah. Humanism and the Reform of Sacred Music in Early Modern England: John Merbecke the Orator and The Booke of Common Praier Noted (1550). London and New York: Routledge, 2008. –––––. The Renaissance Ethics of Music: Singing, Contemplation and Musica Humana. London: Pickering & Chatto, 2015. KIRSTEIN, Lincoln. Ballet: Bias & Belief: Three Pamphlets Collected and Other Dance Writings. New York: Dance Horizons, 1983. –––––. Movement and Metaphor: Four Centuries of Ballet. New York: Praeger Publishers, 1970. –––––. Rhymes and More Rhymes of a PFC. New York: New Directions, 1966. –––––. Tchelitchev. Santa Fe: Twelvetrees Press, 1994.


KLAGES, Ludwig. Der Geist als Widersacher der Seele. Three volumes. Leipzig: Verlag von Johann Ambrosius Barth, 1929-32. (Sämtliche Werke, ed. Ernst Frauchiger, Gerhard Funke, Karl J. Groffmann, Robert Heiss, and Hans Eggert Schröder, vols. 1 and 2. Zweite Auflage. Bonn: Bouvier Verlag, 1981.) –––––. Sämtliche Werke, vol. 6: Frühe Abhandlungen zur Ausdruckswissenschaft. Bonn: Bouvier Verlag, 1964. –––––. Stefan George. Berlin: Georg Bondi, 1902. –––––. “Vom Wesen des Rhythmus.” In Franz Hilker and Ludwig Pallat (eds.), Künstlerische Körperschulung, pp. 94-137. Breslau: Ferdinand Hirt, 1923. (Sämtliche Werke, vol. 3: Philosophische Schriften, pp. 504-51. Bonn: Bouvier Verlag, 1974.) KLATZKIN, Jakob. Der Erkenntnistrieb als Lebens- und Todesprinzip. Zürich: Rascher & Cie, 1935. –––––. Krisis und Entscheidung im Judentum. Berlin: Jüdischer Verlag, 1921. (A revised edition of his Probleme des modernen Judentums (Berlin: Jüdischer Verlag, 1918).) –––––. In Praise of Wisdom, translated from the Hebrew by Abraham Regelson. New York: L. B. Fischer Publishing Corporation, 1943. KLEE, Paul. Form- und Gestaltungslehre, vol. 1: Das bildnerische Denken, ed. Jürg Spiller. Sechste Auflage. Basel: Schwabe Verlag, 2013. –––––. Form- und Gestaltungslehre, vol. 2: Unendliche Naturgeschichte, ed. Jürg Spiller. Zweite Auflage. Basel: Schwabe Verlag, 2007.


KLEIN, Yves. “Le Vrai devient réalité.” Zero (Düsseldorf), vol. 3 (July 1961). (Le Dépassement de la problématique de l’art et autres écrits, ed. Marie-Anne Sichère and Didier Semin, pp. 280-90. Paris: Beauxarts de Paris, 2011.) KLEIST, Heinrich von. “Die heilige Cäcilie oder die Gewalt der Musik: Eine Legende.” Berliner Abendblätter, no. 40 (November 15, 1810), pp. 155-57;no. 41 (November 16, 1810), p. 159; and no. 42 (November 17, 1810), pp. 163-64. (Sämtliche Werke und Briefe, ed. Helmut Sembdner, vol. II, pp. 216-28. Neunte vermehrte und revidierte Auflage. Munich: Carl Hanser Verlag, 1993.) –––––. “Ueber das Marionettentheater.” Berliner Abendblätter, no. 63 (December 12, 1810), pp. 247-49; no. 64 (December 13, 1810), pp. 251-53;no. 65 (December 14, 1810), pp. 255-57; and no. 66 (December 15, 1810), pp. 259-61. (Sämtliche Werke und Briefe, vol. II, pp. 338-42.) KLIBANSKY, Raymond, Erwin Panofsky, and Fritz Saxl. Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion and Art. London: Thomas Nelson & Sons, 1964. KLOSSOWSKI, Pierre. Nietzsche et le cercle vicieux. Paris: Mercure de France, 1969. –––––. Origines cultuelles et mythiques d’un certain comportement des dames romaines. Nouvelle édition. Saint Clément de rivière: Éditions Fata Morgana, 2010. –––––. La Ressemblance. Marseille: Éditions Ryôan-ji, 1984. KOEBNER, Thomas, and Sigrid WEIGEL (eds.), Nachmärz: Der Ursprung der ästhetischen Moderne in einer nachrevolutionären Konstellation. Opladen: Westdeutscher Verlag, 1996.


KOECHLIN, Charles. Écrits, ed. Michel Duchesneau. Two volumes. Brussels: Éditions Mardaga, 2006-09. KOEGEL, John. Music in German Immigrant Theater: New York City, 1840-1940. Rochester: University of Rochester Press, 2009. KÖHLER, Joachim. Friedrich Nietzsche und Cosima Wagner: Die Schule der Unterwerfung. Berlin: Rowohlt Berlin Verlag, 1996. KOJÈVE (KOZEVNIKOV), Alexandre. Introduction à la lecture de Hegel, ed. Raymond Queneau. Based upon lectures held from 1933 to 1939 at the École des hautes études. Nouvelle édition. Paris: Éditions Gallimard, 1971. –––––. La Notion de l’autorité, ed. François Terré. Written in 1942. Paris: Éditions Gallimard, 2004. –––––. “Les Peintures concrètes de Kandinsky.” Essayed in July 1936. Revue de métaphysique et de morale (Paris: Éditions Armand Colin), vol. 90, no 2 (April-June 1985), pp. 149-71. KOLISCH, Rudolf. Tempo und Charakter in Beethovens Musik, ed. Regina Busch and David Satz. Munich: Edition Text + Kritik, 1992. KOLYADA, Yelena. A Compendium of Musical Instruments and Instrumental Terminology in the Bible, translated from the Russian by the author with the assistance of David J. Clark. London and New York: Routledge, 2014. KOMMERELL, Max. Der Dichter als Führer in der deutschen Klassik. Dritte Auflage. Frankfurt am Main: Vittorio Klostermann, 1982. –––––. Gedanken über Gedichte. Vierte Auflage. Frankfurt am Main: Vittorio Klostermann, 1985.


–––––. Geist und Buchstabe der Dichtung. Sechste Auflage. Frankfurt am Main: Vittorio Klostermann, 1991. –––––. Lessing und Aristoteles: Untersuchung über die Theorie der Tragödie. Fünfte Auflage. Frankfurt am Main: Vittorio Klostermann, 1984. KOYRÉ, Alexandre. From the Closed World to the Infinite Universe. Based upon the Hideyo Noguchi Lectures delivered in December 1953 at the Institute of the History of Medicine at Johns Hopkins University. Baltimore: The Johns Hopkins Press, 1957. –––––. “Hegel à Iéna.” Revue philosophique de la France et de l’étranger (Paris: Librairie Félix Alcan), vol. CXVIII, nos. 7-8 (July-August 1934), pp. 274-83. –––––. “Hegel à Iéna.” Revue d’histoire et de philosophie religieuses (Paris: Presses universitaires de France), vol. XV, no. 5 (1935), pp. 420-58. –––––. Metaphysics and Measurement: Essays in Scientific Revolution, translated in part by R. E. W. Maddison. London: Chapman & Hall, 1968. KRACAUER, Siegfried. Jacques Offenbach und das Paris seiner Zeit. Amsterdam: Allert de Lange, 1937. (Werke, vol. 8, ed. Ingrid Belke with Mirjam Wenzel. Frankfurt am Main: Suhrkamp Verlag, 2005.) KRAUS, Karl. Ausgewählte Schriften, vol. I: Sittlichkeit und Kriminalität. Vienna and Leipzig: Verlag der Buchhandlung L. Rosner, 1908. (Schriften, ed. Christian Wagenknecht, Erste Abteilung, vol. 1. Frankfurt am Main: Suhrkamp Verlag, 1987.)


–––––. Literatur und Lüge. Vienna and Leipzig: Verlag »Die Fackel«, 1929. (Schriften, Erste Abteilung, vol. 3. Frankfurt am Main: Suhrkamp Verlag, 1987.) –––––. Die Sprache, ed. Philipp Berger. Vienna and Leipzig: Verlag»Die Fackel«, 1937. (Schriften, Erste Abteilung, vol. 7. Frankfurt am Main: Suhrkamp Verlag, 1987.) –––––. Schriften, Erste Abteilung, vol. 8: Aphorismen. Frankfurt am Main: Suhrkamp Verlag, 1986. –––––. Schriften, Zweite Abteilung, vol. 5: Die Stunde des Gerichts: Aufsätze, 1925-1928. Frankfurt am Main: Suhrkamp Verlag, 1992. –––––. Schriften, Zweite Abteilung, vol. 6: Hüben und Drüben: Aufsätze, 1929-1936. Frankfurt am Main: Suhrkamp Verlag, 1993. KRENEK, Ernst. Zur Sprache gebracht: Essays über Musik, ed. Friedrich Saathen. Munich: Albert Langen – Georg Müller Verlag, 1958. KRISTELLER, Paul Oskar. “Music and Learning in the Early Italian Renaissance.” Journal of Renaissance and Baroque Music (Cambridge, Massachusetts: Institute of Renaissance and Baroque Music), vol. I, no. 4 (June 1947), pp. 255-74. In Renaissance Thought and the Arts: Collected Essays, pp. 142-62. Expanded edition. Princeton: Princeton University Press, 1990. KRUMMACHER, Christoph. Musik als praxis pietatis: Zum Selbstverständnis evangelischer Kirchenmusik. Göttingen: Vandenhoeck & Ruprecht, 1994. KRUTCH, Joseph Wood. Comedy and Conscience After the Restoration. Second edition. New York: Columbia University Press, 1949.


KUBIK, Gerhard. Africa and the Blues. Jackson: University Press of Mississippi, 1999. –––––. Theory of African Music. Two volumes. (The first was published initially in 1994 by the Florian Noetzel Verlag in Wilhelmshaven.) Chicago: The University of Chicago Press, 2010. KUFFERATH, Maurice. Musiciens et Philosophes: Tolstoï - Schopenhauer Nietzsche - Richard Wagner. Paris: Félix Alcan, 1899. KULKE, Eduard. Richard Wagner und Friedrich Nietzsche. Leipzig: Verlag von Carl Reissner, 1890. KURFEES, Marshall Clement. Instrumental Music in the Worship: Or the Greek Verb Psallo Philologically and Historically Examined, Together with a Full Discussion of Kindred Matters Relating to Music in Christian Worship. Nashville: McQuiddy Printing Company, 1911. KURKDJIAN, Gérard. Le Grand Livre des musiques sacrées du monde. Paris: Éditions Albin Michel, 2016. KYLE, Donald G. Spectacles of Death in Ancient Rome. London and New York: Routledge, 1998. –––––. Sport and Spectacle in the Ancient World. Second edition. Chichester: Wiley-Blackwell, 2015. LA BRUYÈRE, Jean de. Les Caractères de Théophraste traduits du grec, avecLes Caractères ou les moeurs de ce siècle. Huitième édition, revue, corrigée & augmentée. Paris: chez Estienne Michallet, 1694. (Œuvres complètes, ed. Julien Benda. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1935.)


LA METTRIE, Julien Offray de. L’École de la volupté. Cologne: chez Pierre Marteau, 1746. (Œuvres philosophiques, vol. III, pp. 16-93, included under the title La Volupté, par Mr. Le Chevalier de M***, Capitaine au régiment Dauphin. Three volumes. Nouvelle édition, with an Éloge by Frederick II. Berlin and Paris: chez Charles Tutot, 1796.) –––––. Histoire naturelle de l’âme. The Hague: chez Jean Neaulme, 1745. (Œuvres philosophiques, vol. I, pp. 65-228, under the title Traité de l’âme.) –––––. Œuvres philosophiques, vol. II. LA ROCHEFOUCAULD, François de. Réflexions diverses. Published posthumously: one set under the title “Réflexions nouvelles” in François Granet (ed.), Recueil de pièces d’histoire et de littérature, vol. I, pp. 32-64. Paris: chez Chaubert, 1731. And another in Oeuvres inédites, ed. Édouard de Barthélemy, pp. 253-92. Paris: Librairie de L. Hachette et Cie, 1863. (Œuvres complètes, ed. Louis Martin-Chauffier and Jean Marchand. Nouvelle édition, revue et augmentée. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 2010.) –––––. Réflexions, ou Sentences et Maximes morales. Cinquième édition. Paris: chez Claude Barbin, 1678. (Œuvres complètes.) LABAT, Élisabeth-Paule. Essai sur le mystère de la musique. Paris: Éditions Fleurus, 1963. LACLOS, Pierre-Antoine-François Choderlos de. Les Liaisons dangereuses, ou Lettres recueillies dans une Société, & publiées pour l’instruction de quelques autres. Four parts in two volumes. Amsterdam and Paris: chez Durand neveu, 1782. (Œuvres complètes, ed. Laurent Versini. Nouvelle édition. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1979.)


LAFORGUE, Jules. Berlin: La Cour et la Ville. Preface by G. Jean-Aubry. This memoir was published posthumously. Paris: Éditions de la Sirène, 1922. (Œuvres complètes, ed. Pierre-Olivier Walzer, vol. III, pp. 559-819. Lausanne: L’Age d’Homme, 2000.) –––––. Notes inédites sur Baudelaire. Entretiens politiques & littéraires (Paris), vol. II, no. 13 (April 1891), pp. 97-120. (Œuvres complètes, vol. III, pp. 159-81.) LALO, Charles. Esquisse d’une esthétique musicale scientifique. Paris: Félix Alcan, 1908. LAMARTINE, Alphonse de. Des Destinées de la poésie. Paris: Librairie de Charles Gosselin and Librairie de Furne, 1834. (Œuvres complètes, vol. I, pp. 3-75. Édition nouvelle. Paris: Librairie de Charles Gosselin and Librairie de Furne, 1834.) LAMBERT, Bernard. “Les Grandes Théories: Nietzsche et le théâtre.” Littérature (Paris: Éditions Larousse), no. 9 (February 1973), pp. 3-30. LANDAUER, Gustav. Skepsis und Mystik; Versuche im Anschluß an Mauthners Sprachkritik. Berlin: Egon Fleischel, 1903. LANG, Fritz (Friedrich Christian Anton). Interviews, ed. Barry Keith Grant. Jackson: University Press of Mississippi, 2003. LANGE, Britta. “Ein Archiv von Stimmen: Kriegsgefangene unter ethnografischer Beobachtung.” In Harun Maye, Cornelius Reiber, and Nikolaus Wegmann (eds.), Original/Ton: Zur Mediengeschichte des OTons, pp. 317-41. Konstanz: Universitätsverlag Konstanz, 2007. –––––. Die Wiener Forschungen an Kriegsgefangenen, 1915-1918: Anthropologische und ethnografische Verfahren im Lager. Vienna: Verlag der Österreichischen Akademie der Wissenschaften, 2013. (Veröffentlichungen zur Sozialanthropologie, vol. 17.) 703

LAPORTE, Maurice. Histoire de l’Okhrana: La Police secrète des Tsars, 1880-1917. Preface by Vladimir Bourtzev. Paris: Payot, 1935. LASKA, Bernd A. “Nietzsches initiale Krise: Die Stirner-Nietzsche-Frage in neuem Licht.” Germanic Notes and Reviews (Bemidji: Bemidji State University Department of Modern and Classical Languages), vol. 33, no. 2 (Fall 2002), pp. 109-33. LASKER-SCHÜLER, Else. Mein blaues Klavier: Neue Gedichte. Jerusalem: The Jerusalem Press, 1943. (Werke und Briefe: Kritische Ausgabe, ed. Norbert Oellers, Heinz Rölleke, and Itta Shedletzky, vol. 1: Gedichte, ed. Karl Jürgen Skrodzki with Norbert Oellers. Frankfurt am Main: Jüdischer Verlag, 1996.) LASSERRE, Pierre. Les Idées de Nietzsche sur la musique. Paris: Société du Mercure de France, 1905. LAUKO, Desider (Dezider). Die jüdische Musik: Sch’ire Israel, translated from the Slovak by Gisella Arányi. A lecture held at the Israelitische Gemeinde in Bratislava in 1926. Bratislava: Buchdruckerei Moritz Kalisch Nové Zámky, 1926. LAUTRÉAMONT (Isidore Lucien DUCASSE). Les Chants de Maldoror. Brussels: A. Lacroix, Verboeckhoven et Cie, 1869. (Œuvres complètes, ed. Jean-Luc Steinmetz. Nouvelle édition. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 2009.) –––––. Poésies. Two volumes. Paris: Librairie Gabrie, 1870. (Œuvres complètes.) LAWRENCE, Vera Brodsky. Music for Patriots, Politicians, and Presidents: Harmonies and Discords of the First Hundred Years. New York: Macmillan, 1975.


–––––. Strong on Music: The New York Music Scene in the Days of George Templeton Strong. Three volumes. Chicago: The University of Chicago Press, 1988-99. LAZARE, Bernard (Lazare Marcus Manassé BERNARD). L’Antisémitisme:Son histoire et ses causes. Paris: Léon Chailley, 1894. –––––. Figures contemporaines: Ceux d’aujourd’hui, ceux de demain. Paris: Librairie académique Didier - Perrin et Cie, 1895. LEAVER, Robin Alan. Luther’s Liturgical Music: Principles and Implications. Grand Rapids: William B. Eerdmans Publishing Company, 2007. LEE, Vernon (Violet PAGET). “Against Talking.” In Hortus Vitae: Essays on the Gardening of Life, pp. 117-26. London and New York: John Lane, The Bodley Head, 1904. –––––. “Chapelmaster Kreisler: A Study of Musical Romanticists.” In Belcaro: Being Essays on Sundry Æsthetical Questions, pp. 106-28. New edition. London: Thomas Fisher Unwin, 1887. –––––. “Hearing Music.” In Hortus Vitae, pp. 45-54. –––––. Laurus Nobilis: Chapters on Art and Life. London: John Lane,The Bodley Head, and New York: John Lane Company, 1909. –––––. Music and Its Lovers: An Empirical Study of Emotional and Imaginative Responses to Music. London: George Allen & Unwin, 1932. –––––. “Orpheus and Eurydice: The Lesson of a Bas-Relief.” In Belcaro, pp. 49-69. –––––. “In Praise of Silence.” In Hortus Vitae, pp. 127-36.


–––––. “The Sacrifice.” In Euphorion: Being Studies of the Antique and the Mediæval in the Renaissance, pp. 25-54. Second and revised edition. London: Thomas Fisher Unwin, 1885. –––––. Studies of the Eighteenth Century in Italy. New edition. London: Thomas Fisher Unwin, 1887. LEIBNIZ, Gottfried Wilhelm (von). “Discours de métaphysique.” The manuscript text, which dates most likely from early 1686, has been published in the edition issued by the Berlin-Brandenburgische Akademie der Wissenschaften and the Akademie der Wissenschaften in Göttingen: Sämtliche Schriften und Briefe, Sechste Reihe: Philosophische Schriften, vol. 4: 1677-Juni 1690, pt. B1, ed. Heinrich Schepers, Martin Schneider, Gerhard Biller, Ursula Franke, and Herma Kliege-Biller, pp. 1529-88. Berlin: Akademie Verlag, 1999. –––––. “Ermahnung an die Teutsche, ihren verstand und Sprache beßer zu üben, samt beygefügten vorschlag einer Teutsch-gesinten gesellschafft.” Composed ca. 1679, but published only in the nineteenth century from the manuscripts in the Königliche Bibliothek in Hannover by Carl Ludwig Grotefend, in an eponymous volume (Hannover: Schrift und Druck von Friedrich Culemann, 1846). (Sämtliche Schriften und Briefe, Vierte Reihe: Politische Schriften, vol. 3: 1677-1689, ed. Lotte Knabe, with the assistance of Margot Faak, pp. 795-820. Berlin: Akademie Verlag, 1986.) –––––. Nouveaux Essais sur l’entendement humain. Composed ca. 1703-05, published posthumously in Oeuvres philosophiques, latines & françoises, ed. Rudolf Erich Raspe, pp. 3-496. Preface by Abraham Gotthelf Kaestner. Amsterdam and Leipzig: chez Jean Schreuder, 1765. (Sämtliche Schriften und Briefe, Philosophische Schriften, vol. 6: Nouveaux Essais, ed. André Robinet, pp. 39-528. Durchgesehener Nachdruck. Berlin: Akademie Verlag, 1990.)


–––––. “Unvorgreiffliche Gedancken, betreffend die Ausübung und Verbesserung der Teutschen Sprache.” Composed in 1697 or afterwards, and published posthumously in his Collectanea etymologica, illustrationi linguarum, veteris celticæ, germanicæ, gallicæ, aliarumque inservientia, pt. I, pp. 253-314. Preface by Johann Georg von Eckhart. Hannover: Nikolaus Förster, 1717. (Sämtliche Schriften und Briefe, Politische Schriften, vol. 6: 1695-1697, ed. Friedrich Beiderbeck, Rosemarie Caspar, Sven Erdner, Albert Krayer, Wenchao Li, Stefan Luckscheiter, Hartmut Rudolph, Sabine Sellschopp, and Stephan Waldhoff, pp. 528-65. Berlin: Akademie Verlag, 2008.) LEIBOWITZ, René. Le Compositeur et son double: Essais sur l’interprétation musicale. Édition augmentée. Paris: Éditions Gallimard, 1986. –––––. Les Fantômes de l’opéra: Essais sur le théâtre lyrique. Paris: Éditions Gallimard, 1973. LEIRIS, Michel. L’Âge d’homme, précédé de L’Afrique fantôme, ed. Denis Hollier with Francis Marmande and Catherine Maubon. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 2014. –––––. Miroir de l’Afrique, ed. Jean Jamin with Jacques Mercier. Paris: Éditions Gallimard, 1996. –––––. Operratiques, ed. Jean Jamin, Paris: P.O.L, 1992. LELYVELD, Theodoor Bernhard van. De Javaanse danskunst. Amsterdam:van Holkema & Warendorf’s Uitgevers-Maatschappij, 1931. LEM, Stanisław. Microworlds: Writings on Science Fiction and Fantasy, ed. Franz Rottensteiner. San Diego, New York, London: Harcourt Brace & Company, 1984.


–––––. Philosophie des Zufalls: Zu einer empirischen Theorie der Literatur, translated by Friedrich Griese. First published in 1968. Two volumes. Frankfurt am Main: Insel Verlag, 1983-85. –––––. Summa Technologiae, translated by Joanna Zylinska. First published in 1964. Minneapolis and London: University of Minnesota Press, 2013. LEMAIRE, Frans C. Le Destin juif et la musique: Trois mille ans d’histoire. Paris: Librairie Arthème Fayard, 2001. –––––. Le Destin russe et la musique: Un Siècle d’histoire de la Révolution à nos jours. Paris: Librairie Arthème Fayard, 2005. –––––. La Musique du XXe siècle en Russie et dans les anciennes Républiques soviétiques. Paris: Librairie Arthème Fayard, 1994. –––––. La Passion dans l’histoire et la musique: Du Drame chrétien au drame juif. Paris: Librairie Arthème Fayard, 2011. LEMAITRE, Jules. “La Jeunesse sous le Second Empire et sous la Troisième République.” Revue politique et littéraire (Revue bleue) (Paris: Bureau des Revues), third series, vol. IX, no. 24 (June 13, 1885), pp. 738-44. LEOPARDI, Giacomo. “Detti memorabili di Filippo Ottonieri.” In Operette morali, pp. 173-206. Milan: Presso Antonio Fortunato Stella e Figli, 1827. (Tutte le opere, ed. Walter Binni with Enrico Ghidetti, vol. I. Sesta edizione. Florence: G. C. Sansoni Editore, 1989.) –––––. “Il Parini, ovvero della gloria.” In Operette morali, pp. 117-61. (Tutte le opere, vol. I.)


LESKOV, Nikolai Semenovich. The Enchanted Wanderer and Other Stories, translated by Richard Pevear and Larissa Volokhonsky. New York: Alfred A. Knopf, 2013. LESSING, Gotthold Ephraim. Die Erziehung des Menschengeschlechts. Berlin: bey Christian Friedrich Voß und Sohn, 1780. (Werke und Briefe, vol. 10: Werke, 1778-1781, ed. Arno Schilson and Axel Schmitt. Frankfurt am Main: Deutscher Klassiker Verlag, 2001.) –––––. Hamburgische Dramaturgie. Two volumes. Hamburg and Bremen:bey J. H. Cramer, 1769. (Werke und Briefe, vol. 6: Werke, 1767-1769, ed. Klaus Bohnen. Frankfurt am Main: Deutscher Klassiker Verlag, 1985.) –––––. Werke und Briefe, vol. 5: Werke, 1760-1766, pt. 1, ed. Wilfried Barner. Frankfurt am Main: Deutscher Klassiker Verlag, 1990. LESSING, Theodor. Ausgewählte Schriften, vol. 2: Wir machen nicht mit! Schriften gegen den Nationalismus und zur Judenfrage, ed. Jörg Wollenberg, with the assistance of Helmut Donat. Bremen: Donat Verlag, 1997. –––––. Europa und Asien (Untergang der Erde am Geist). Fünfte, völlig neu gearbeitete Auflage. Leipzig: Felix Meiner Verlag, 1930. –––––. Geschichte als Sinngebung des Sinnlosen: oder, Die Geburt der Geschichte aus dem Mythos. Vierte, völlig umgearbeitete Auflage. Leipzig: Verlag von Emmanuel Reinicke, 1927. –––––. Der jüdischer Selbsthaß. Berlin: Jüdischer Verlag, 1930. –––––. Der Lärm: Eine Kampfschrift gegen die Geräusche unseres Lebens. Wiesbaden: Verlag von J. F. Bergmann, 1908. –––––. Meine Tiere. Berlin: Oesterheld & Co., 1926. 709

–––––. Philosophie als Tat. Göttingen: Otto Hapke Verlag, 1914. –––––. Theater-Seele: Studie über Bühnenästhetik und Schauspielkunst. Berlin: Verlag von Priber & Lammers, 1907. (Nachtkritiken: Kleine Schriften, 1906-1907, ed. Rainer Marwedel, pp. 276-402. Göttingen: Wallstein Verlag, 2006.) –––––. Die verfluchte Kultur: Gedanken über den Gegensatz von Leben und Geist. Munich: C. H. Beck’sche Verlagsbuchhandlung Oskar Beck, 1921. LÉVI-STRAUSS, Claude. Regarder écouter lire. Paris: Éditions Plon, 1993. (Œuvres, ed. Vincent Debaene, Frédéric Keck, Marie Mauzé, and Martin Rueff, pp. 1493-1613, 1669-72. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 2008.) –––––. Tristes Tropiques. Paris: Éditions Plon, 1993. (Œuvres, pp. 1-445, 1617-52.) LÉVINAS, Emmanuel. À l’heure des nations. Paris: Les Éditions de Minuit, 1988. –––––. L’Au-delà du verset: Lectures et discours talmudiques. Paris: Les Éditions de Minuit, 1982. LÉVY, Albert. Stirner et Nietzsche. Paris: Société nouvelle de librairie et d’édition, 1904.


LICHTENBERG, Georg Christoph. “Gnädigstes Sendschreiben der Erde an den Mond.” Göttingisches Magazin der Wissenschaften und Literatur (Göttingen: bei Johann Christian Dieterich), vol. 1, pt. 6 (1780), pp. 331-46. First collected in Lichtenberg’s Vermischte Schriften, nach dessen Tode aus den hinterlassenen Papieren gesammelt, ed. Ludwig Christian Lichtenberg and Friedrich Kries, vol. 4, pp. 189-213. Göttingen: bey Johann Christian Dieterich, 1802. (Schriften und Briefe, ed. Wolfgang Promies, vol. III: Aufsätze gelehrten und gemeinnützigen Inhalts, pp. 406-13. Munich: Carl Hanser Verlag, 1972.) –––––. Vermischte Schriften, vols. 1 and 2. Göttingen: bey Johann Christian Dieterich, 1800 and 1801, respectively. (Schriften und Briefe, vol. I: Sudelbücher I, and vol. II: Sudelbücher II. Munich: Carl Hanser Verlag, 1968 and 1971, respectively.) –––––. “Verschiedene Arten von Gemütsfarben.” A fragment composed in 1796, though its attribution to Lichtenberg has been disputed. First published as an appendix in Paul Requadt, Lichtenberg: Zum Problem der deutschen Aphoristik (Hameln: Verlag der Bücherstube Fritz Seifert, 1948), pp. 144-47. (Schriften und Briefe, vol. III, pp. 577-82.) LIÉBERT, Georges. Ni empereur ni roi, chef d’orchestre. Nouvelle édition. Paris: Éditions Gallimard, 2000. –––––. Nietzsche et la musique. Nouvelle édition. Paris: Presses universitaires de France, 2012. LOBANOVA, Marina. Musical Style and Genre: History and Modernity, translated from the Russian by Kate Cook. Amsterdam: Harwood Academic, 2000. LOCKE, John. Some Thoughts Concerning Education. London: Awnsham and John Churchill, 1693. (The Clarendon Edition, ed. Jean S. and John W. Yolton. Oxford: Oxford University Press, 1989.)


LOCKSPEISER, Edward. Debussy: His Life and Mind. Two volumes. Third edition. Cambridge: Cambridge University Press, 1978. ––––– (ed.). Debussy et Edgar Poe: Manuscrits et documents inédits. Preface by André Schaeffner. Monaco: Éditions du Rocher, 1962. –––––. Music and Painting: A Study in Comparative Ideas from Turner to Schoenberg. London: Cassell & Company, 1973. LOIPERDINGER, Martin. Rituale der Mobilmachung: Der Parteitagsfilm „Triumph des Willens“ von Leni Riefenstahl. Opladen: Leske + Budrich, 1987. LOMAX, Alan. The Land Where the Blues Began. Second edition. New York: The New Press, 2002. –––––. Selected Writings, 1934-1997, ed. Ronald Cohen. London andNew York: Routledge, 2005. LONCKE, Joycelynne. Baudelaire et la musique. Paris: Éditions A.-G. Nizet, 1975. LONSBACH, Richard Maximilian (Richard Maximilian Cahen). Friedrich Nietzsche und die Juden: Ein Versuch. Stockholm: Bermann-Fischer Verlag, 1939. LOOS, Adolf. “Die kranken ohren Beethovens.” Published in the Festschrift der Abiturienten der 7. A-Klasse der Schottenfelder Realschule, p. 31. Vienna and Leipzig: Kamönenverlag, 1914. Collected in Die Schriften von Adolf Loos in zwei Bänden, vol. 2: Trotzdem, 1900-1930, p. 118. Zweite vermehrte Auflage. Innsbruck: Brenner-Verlag, 1931. (Sämtliche Schriften, ed. Franz Glück, vol. 1, pp. 326-27. Vienna and Munich: Verlag Herold, 1962.)


–––––. Ins Leere gesprochen. Paris and Zürich: Les Éditions Georges Crèset Cie, 1921. (Sämtliche Schriften, vol. 1, pp. 8-209.) –––––. “Ornament und Verbrechen.” Composed in 1908, held as a lecture before the Akademischer Verband für Literatur und Musik in Vienna on January 21, 1910. Published in French translation in 1913 and 1920, then by several newspapers in the original German, in 1929. Included in Trotzdem, 1900-1930, pp. 78-88. (Sämtliche Schriften, vol. 1, pp. 276-88.) LORD, Albert Bates. The Singer of Tales, ed. Stephen Mitchell and Gregory Nagy. Second edition. Cambridge, Massachusetts: Harvard University Press, 2000. LORENZ, Martin. Musik und Nihilismus: Zur Relation von Kunst und Erkennen in der Philosophie Nietzsches. Würzburg: Verlag Königshausen & Neumann, 2008. LOURIÉ, Arthur-Vincent (Naum Izrailevich Luria). Profanation et sanctification du temps: Journal musical, 1910–1960. Paris: DescléeDe Brouwer, 1966. LOY, D. Gareth. Musimathics: The Mathematical Foundations of Music. Two volumes. Cambridge, Massachusetts: The MIT Press, 2006-07. LUBAC, Henri Marie Joseph Sonier de. Le Drame de l’humanisme athée. Septième édition revue et augmentée. Paris: Éditions du Cerf, 1983. (Œuvres complètes, ed. Georges Chantraine and Michel Sales, première section: L’Homme devant dieu, vol. II. Preface by Xavier Tilliette. Paris: Éditions du Cerf, 2007.) –––––. Exégèse médiévale: Les Quatre Sens de l’Écriture. Four volumes. Paris: Aubier, 1959-64.


–––––. La Postérité spirituelle de Joachim de Flore. Two volumes. Paris: Éditions Lethielleux, and Namur: Culture et Vérité, 1979-81. (Œuvres complètes, huitième section: Monographies, vols. XXVII-XXVIII, ed. Michel Sutton. Paris: Éditions du Cerf, 2014.) LUDWIG, Otto. Shakespeare-Studien, ed. Moritz Heydrich. Leipzig: Verlag von Carl Cnobloch, 1872. A different presentation of these studies is included in his Gesammelte Schriften, ed. Adolf Stern, vol. 5: Studien und kritische Schriften, pt. 1. Leipzig: Friedrich Wilhelm Grunow, 1891. LUENING, Otto. The Odyssey of an American Composer. New York: Charles Scribner’s Sons, 1980. LUKÁCS, Georg (György) (von). “Legalität und Illegalität.” Kommunismus: Zeitschrift der Kommunistischen Internationale (Vienna: Verlag des Kommunistischen Partei Deutschösterreichs), vol. 1, no. 35 (September 9, 1920), pp. 1259-64, and nos. 36-37 (September 18), pp. 1324-33. In Geschichte und Klassenbewusstsein: Studien über marxistische Dialektik, pp. 261-75. Berlin: Der Malik-Verlag, 1923. (Kleine Revolutionäre Bibliothek, vol. 9.) (Werke, vol. 2: Frühschriften II, pp. 432-47. Neuwied am Rhein: Hermann Luchterhand Verlag, 1968.) –––––. “Die neue Einsamkeit und ihre Lyrik: Stefan George.” Published earlier in Hungarian in Nyugat (Budapest), vol. I, no. 19 (October 1, 1908), pp. 202-11; and in A lélek és a formák: Kísérletek, pp. 151-68. Budapest: Franklin-Társulat, 1910. Its first German publication was in Die Seele und die Formen: Essays, pp. 171-94. Berlin: Egon Fleischel & Co., 1911. (Werke, vol. 1: Frühschriften I, pp. 272-83. Neuwied am Rhein: Hermann Luchterhand Verlag, 1968.)


LUTHER, Martin. “Bedencken D.M.L. warumb Einsamkeit zu fliehen, Anno 34.” The manuscript (98 v-99 v) is in the Rörer collection at the Thüringer Universitäts- und Landesbibliothek Jena. Published in Colloquia, Oder, Christliche, nützliche Tischreden, ed. Johann Aurifaber, revised by Andreas Stangwald, ch. XIX, pp. 233 r-v. Jena: Tobias Steinman, 1591. MACCULLOCH, Diarmaid. Silence: A Christian History. Based upon his Gifford Lectures at the University of Edinburgh in 2006. London: Allen Lane, 2013. MAGUIRE, J. Robert. Ceremonies of Bravery: Oscar Wilde, Carlos Blacker, and the Dreyfus Affair. Oxford: Oxford University Press, 2013. MAIMON, Salomon. “Ueber die Aesthetik.” In Streifereien im Gebiete der Philosophie, pp. 59-176. Berlin: Wilhelm Vieweg, 1793. (Gesammelte Werke, ed. Valerio Verra, vol. 4. Hildesheim: Georg Olms Verlagsbuchhandlung, 2000.) MAINE DE BIRAN, Marie François Pierre Gontier. Influence de l’habitude sur la faculté de penser. Paris: chez Henrichs, An XI (1802). (Œuvres, vol. II, ed. Gilbert Romeyer-Dherbey. Paris: Librairie Philosophique J. Vrin, 1987.) MAISTRE, Joseph de. Les Soirées de Saint Pétersbourg, ou Entretiens sur le gouvernement temporel de la Providence: suivis d’un Traité sur les sacrifices, ed. Jacques-Maximilien Benjamin Bins de Saint-Victor. Two volumes. Paris: Librairie Grecque, Latine et Française, 1821. (Œuvres complètes, vols. IV and v. Nouvelle édition. Lyon: Vitte et Perrussel, 1884.) (Œuvres, ed. Jean-Louis Darcel, vol. III. Geneva: Éditions Slatkine, 1993.) MALEVICH, Kazimir Severinovich. Écrits, ed. and translated by Valentine and Jean-Claude Marcadé, and Sylviane Siger. Four volumes. Lausanne: L’Age d’Homme, 1974-93. 715

–––––. Essays on Art, ed. Troels Andersen, translated by XeniaGlowacki-Prus (Hoffmann), Edmund T. Little, and Arnold McMillin. Four volumes. Copenhagen: Borgens Forlag, 1968-78. –––––. Die gegenstandslose Welt, translated by A. von Riesen. Written in 1923. Munich: Verlag Albert Langen, 1927. (Bauhausbücher, no. 11.) –––––. The White Rectangle: Writings on Film, ed. and translated by Oksana Bulgakowa. Bilingual edition. Berlin and San Francisco: Potemkin Press, 2002. MALLARMÉ, Stéphane. Divagations. Paris: Eugène Fasquelle, 1897. (Œuvres complètes, ed. Bertrand Marchal, vol. II. Nouvelle édition. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 2003.) –––––. Épouser la notion, ed. Jean-Pierre Richard. A facsimile of the manuscript. Fontfroide: Éditions Fata Morgana, 1992. (Œuvres complètes, vol. I, pp. 627-31. Nouvelle édition. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1998.) –––––. Les Mots anglais: Petite Philologie à l’usage des classes et du monde. Paris: Leroy frères, 1877. (Œuvres complètes, vol. II, pp. 937-1100.) –––––. “La Musique et les Lettres.” The eponymous text had been given as a lecture in 1894, and was published in La Revue blanche (Paris: Georges Charpentier et Eugène Fasquelle), vol. VI, no. 30 (April 1894), pp. 297-309. Paris: Librairie académique Didier - Perrin et Cie, 1895. (Œuvres complètes, vol. II, pp. 63-74, 1602-10.) –––––. “Le Mystère, dans les lettres.” (“Variations sur un sujet,” XI.) La Revue blanche, vol. XI, no. 78 (September 1, 1896), pp. 214-28. In Divagations, pp. 283-91. (Œuvres complètes, vol. II, pp. 229-34, 1648-51.) –––––. “Notes sur le langage.” Composed ca. 1870. First published in Œuvres complètes, vol. I, pp. 503-12. 716

–––––. “Richard Wagner: Rêverie d’un poète français.” La Revue wagnérienne (Paris), vol. I, no. VII (August 8, 1885), pp. 195-200. In Divagations, pp. 141-50. (Œuvres complètes, vol. II, pp. 153-59.) –––––. “Symphonie littéraire: Théophile Gautier. – Charles Baudelaire. – Théodore de Banville.” L’Artiste: Beaux-Arts et Belles-Lettres (Paris), vol. I, no. 3 (February 1, 1865), pp. 57-58. (Œuvres complètes, vol. II, pp. 281-84.) MALRAUX, André. Les Voix du silence. Paris: Éditions Gallimard, 1951. (Œuvres complètes, vol. IV: Écrits sur l’art, vol. I, ed. Jean-Yves Tadié, with the assistance of Adrien Goetz, Christiane Moatti, and François deSaint-Cheron. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 2004.) MANDELSTAM, Nadezhda. Mozart and Salieri: An Essay on Osip Mandelstam and the Poetic Process, translated by Robert A. McLean. Ann Arbor: Ardis, 1973. MANET, Édouard. Correspondance du siège de Paris et de la Commune, 1870-1871, ed. Samuel Rodary. Paris: L’Échoppe, 2014. MANIATES, Maria Rika. Mannerism in Italian Music and Culture, 1530-1630. Chapel Hill: The University of North Carolina Press, 1979. MANN, Heinrich. Professor Unrat, oder Das Ende eines Tyrannen. Munich: Albert Langen Verlag für Litteratur und Kunst, 1905. (Gesammelte Werke, ed. Peter-Paul Schneider, vol. 2. Frankfurt am Main: S. Fischer Verlag, 1994.) MARC, Franz. Briefe, Aufzeichnungen und Aphorismen. Two volumes. Berlin: bei Paul Cassirer, 1920. MARCEL, Gabriel. “Bergsonisme et musique.” La Revue musicale (Paris: Éditions Richard-Masse), vol. 6, no. 5 (March 1, 1925), pp. 219-29. 717

MARGULIS, Elizabeth Hellmuth. On Repeat: How Music Plays the Mind. Oxford: Oxford University Press, 2014. MARINETTI, Filippo Tommaso Emilio. Democrazia futurista: Dinamismo politico. Milan: Facchi, 1919. –––––. Destruction: Poèmes lyriques. Paris: Librairie Léon Vanier, 1904. –––––. “Le Futurisme.” Le Figaro (Paris), third series, vol. 55, no. 51 (February 20, 1909), p. 1. In Poupées électriques, pp. 7-22; and in Italian under the title “Fondazione e Manifesto del futurismo,” in Marinetti, et al., I Manifesti del futurismo, pp. 3-10. Florence: Edizioni di “Lacerba„, 1914. –––––. Guerra: Sola igiene del mondo. Milan: Edizioni futuriste di “Poesia„, 1915. –––––. Poupées électriques: Drame en trois actes, avec une préface sur le futurisme. Paris: E. Sansot et Cie, 1909. MARITAIN, Jacques. Art et Scolastique. Nouvelle édition revue et augmentée. Paris: Louis Rouart et fils, 1927. (In his and Raïssa Maritain’s Œuvres complètes, ed. Jean-Marie Allion, Maurice Hany, Dominique Mougel, René Mougel, Michel Nurdin, and Heinz R. Schmitz, vol. I, pp. 614-788. Fribourg: Éditions universitaires, and Paris: Éditions Saint-Paul, 1986.) –––––. Creative Intuition in Art and Poetry. Delivered in 1952 as theA. W. Mellon Lectures in the Fine Arts at Princeton University. New York: Pantheon Books, 1953. (Bollingen Series, vol. XXV, 1.)


–––––. “Le Crépuscule de la civilisation.” A lecture delivered at the Théâtre Marigny in Paris on February 8, 1939. Les Nouvelles Lettres (Paris), vol. I, no. 5 (February-March 1939), pp. 465-95. (Œuvres complètes, vol. VII, pp. 9-49. Fribourg: Éditions universitaires, and Paris: Éditions Saint-Paul, 1988.) –––––. Frontières de la poésie et autres essais. Paris: Louis Rouart et fils, 1935. (Œuvres complètes, vol. V, pp. 685-817. Fribourg: Éditions universitaires, and Paris: Éditions Saint-Paul, 1982.) –––––. “Sur la Musique d’Arthur Lourié.” In Œuvres complètes, vol. VI, pp. 1060-66. Fribourg: Éditions universitaires, and Paris: ÉditionsSaint-Paul, 1984. –––––. Quatre essais sur l’esprit dans sa condition charnelle. Paris: Desclée De Brouwer et Cie, 1939. (Œuvres complètes, vol. VII, pp. 51-280.) –––––. “De Quelques Musiciens.” In Œuvres complètes, vol. XIV, pp. 1117-26. Fribourg: Éditions universitaires, and Paris: Éditions Saint-Paul, 1994. –––––. Réflexions sur l’intelligence et sur sa vie propre. Paris: Nouvelle Librairie Nationale, 1924. (Œuvres complètes, vol. III, pp. 9-426. Fribourg: Éditions universitaires, and Paris: Éditions Saint-Paul, 1982.) –––––. The Responsibility of the Artist. Based on six lectures delivered in 1951 at Princeton University. New York: Charles Scribner’s Sons, 1960. ––––– and Raïssa MARITAIN. Liturgie et contemplation. (Œuvres complètes, vol. XIV, pp. 83-154.) ––––––––––. Situation de la poésie. Paris: Desclée De Brouwer et Cie, 1938. (Œuvres complètes, vol. VI, pp. 835-91.)


MARITAIN, Raïssa. Chagall, ou L’Orage enchanté. Geneva and Paris: Éditions des Trois Collines, 1948. (Œuvres complètes, vol. XV, pp. 11-44. Fribourg: Éditions universitaires, and Paris: Éditions Saint-Paul, 1995.) –––––. Histoire d’Abraham, ou Les Premiers Âges de la conscience morale. Paris: Desclée De Brouwer et Cie, 1947. (Œuvres complètes, vol. XIV, pp. 567-617.) MARIVAUX, Pierre Carlet de Chamblain de. La Double Inconstance: Comedie en trois actes. The play was first performed by the Comédiens Italiens du Roi on April 6, 1723. Paris: chez François Flahault, 1724. (Théâtre complet, ed. Henri Coulet and Michel Gilot, vol. I. Nouvelle édition. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1993.) MARIX-SPIRE, Thérèse. Les Romantiques et la musique: Le Cas George Sand, 1804-1838. Paris: Nouvelles Éditions Latines, 1954. MARROU, Henri-Irénée. Histoire de l’éducation dans l’Antiquité. Two volumes. Paris: Éditions du Seuil, 1981. ––––– (“Henri DAVENSON”). Traité de la musique selon l’esprit de Saint Augustin. Neuchâtel: Éditions de la Baconnière, 1942. –––––. Les Troubadours. Deuxième édition. Paris: Éditions du Seuil, 1971. MARTENS, Frederick Herman. Leo Ornstein: The Man - His Ideas His Work. New York: Breitkopf & Härtel, 1918. MARTINEAU, Emmanuel. Malévitch et la philosophie: La Question de la peinture abstraite. Lausanne: L’Age d’Homme, 1977. MASARYK, Tomáš Garrigue. Der Selbstmord als sociale Massenerscheinung der modernen Civilisation. Vienna: Verlag von Carl Konegen, 1881. 720

MASON, Haydn. French Writers and Their Society, 1715–1800. London and Basingstoke: The Macmillan Press, 1982. MASPERO, Henri. “La Langue chinoise.” Conférences de l’Institut de Linguistique de l’Université de Paris, vol. 1 (1933), pp. 33-70. Paris: Boivin et Cie, 1934. MAUCLAIR, Camille. L’Art en silence. Paris: Librairie Paul Ollendorff, 1901. –––––. L’Art indépendant français sous la Troisième République: Peinture, Lettres, Musique. Paris: La Renaissance du Livre, 1919. –––––. Charles Baudelaire: Sa Vie - Son Art - Sa Légende. Paris: Maison du Livre, 1917. –––––. “L’Esthétique de Stéphane Mallarmé.” La Grande Revue (Paris), vol. 7, no. 1 (November 1, 1898), pp. 187-218. In L’Art en silence, pp. 72-116. –––––. Les Héros de l’orchestre. Paris: Librairie Fischbacher, 1917. –––––. Histoire de la musique européenne, 1850-1914: Les Hommes Les Idées - Les Œuvres. Paris: Librairie Fischbacher, 1914. –––––. L’Impressionnisme: Son Histoire, son esthétique, ses maîtres. Paris: Librairie de l’art ancien et moderne, 1904. –––––. Mallarmé chez lui. Paris: Éditions Bernard Grasset, 1935. –––––. La Religion de la musique. Édition définitive. Paris: Librairie Fischbacher, 1938. –––––. Servitude et grandeur littéraires. Paris: Librairie Ollendorff, 1922.


MAUGRAS, Gaston. Les Comédiens hors la loi. Deuxième édition. Paris: Calmann Lévy, 1887. MAUPASSANT, Guy de. “Le Horla.” An initial version was published in Gil Blas (Paris), vol. VIII, no. 2534 (October 26, 1886), p. 1. The tale appeared subsequently in full in his collection Le Horla, pp. 1-68. Paris: Paul Ollendorff, 1887. (Contes et Nouvelles, ed. Louis Forestier, vol. II. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1979.) –––––. “L’Inventeur du mot « nihilisme ».” Le Gaulois (Paris), second series, vol. 12, no. 435 (November 21, 1880), p. 1. Collected in Chroniques, Études, Correspondance, ed. René Dumesnil, pp. 35-39. Paris: Librairie Gründ, 1938. MAUSS, Marcel. Œuvres, ed. Victor Karady, vol. II: Représentations collectives et diversité des civilisations. Paris: Les Éditions de Minuit, 1968. –––––. La Prière. Paris: Félix Alcan, 1909. This is the first part of his doctoral thesis, which has been published in its entirety under the title “La Prière et les rites oraux” in Œuvres, vol. I: Les Fonctions sociales du sacré, pp. 357-600. MAUTHNER, Fritz. Der Atheismus und seine Geschichte im Abendlande. Four volumes. Stuttgart and Berlin: Deutsche Verlags-Anstalt, 1922-23. –––––. Beiträge zu einer Kritik der Sprache. Three volumes. Zweite Auflage. Stuttgart and Berlin: J. G. Cotta’scher Buchhandlung Nachfolger, 1906-13. –––––. Credo: Gesammelte Aufsätze. Berlin: J. J. Heines Verlag, 1886. –––––. Erinnerungen, vol. I: Prager Jugendjahre. Munich: bei Georg Müller, 1918.


–––––. Gespräche im Himmel und andere Ketzereien. Munich and Leipzig:bei Georg Müller, 1914. –––––. Muttersprache und Vaterland. Leipzig: Dürr & Weber, 1920. –––––. Die Sprache. Frankfurt am Main: Literarische Anstalt Rütten & Loening, 1906. (Die Gesellschaft: Sammlung sozialpsychologischer Monographien, vol. 9.) –––––. Totengespraeche. Berlin: Karl Schnabel (Axel Junckers Buchhandlung), 1906. –––––. Wörterbuch der Philosophie: Neue Beiträge zu einer Kritik der Sprache. Two volumes. Munich and Leipzig: bei Georg Müller, 1910. MAYER, Johannes Leopold. Wozu Musik? Gedanken und Erwägungen über Notwendigkeit und Brauchbarkeit. Vienna: Edition Konturen, 2014. MCKEE, Sally. The Exile’s Song: Edmond Dédé and the Unfinished Revolutions of the Atlantic World. New Haven: Yale University Press, 2017. MCPHEE, Colin. “Dance in Bali.” Dance Index: A New Magazine Devoted to Dancing (New York: Dance Index - Ballet Caravan Incorporated), vol. VII, nos. 7, 8 (1948), pp. 156-207. –––––. A House in Bali. New York: The John Day Company, 1944. –––––. Music in Bali: A Study in Form and Instrumental Organization in Balinese Orchestral Music. New Haven and London: Yale University Press, 1966. MENCKEN, Henry Louis. On Music: A Selection, ed. Louis Cheslock. New York: Alfred A. Knopf, 1961.


MENDELSSOHN, Moses. Briefe über die Empfindungen. First published anonymously by his friend Lessing in 1755. Emended text in Philosophische Schriften, pt. I, pp. 1-180. Berlin: Christian Friedrich Voß, 1761. (Gesammelte Schriften: Jubiläumsausgabe, ed. Alexander Altmann, Michael Brocke, Eva J. Engel, and Daniel Krochmalnik, vol. 1: Schriften zur Philosophie und Ästhetik I, ed. Fritz Bamberger, pp. 41-123. Stuttgart (Bad Cannstatt): Frommann-Holzboog, 1971.) –––––. Jerusalem, oder über religiöse Macht und Judentum. Berlin:bey Friedrich Maurer, 1783. (Gesammelte Schriften, vol. 8: Schriften zum Judentum II, ed. Alexander Altmann, pp. 99–204. Stuttgart (Bad Cannstatt): Frommann-Holzboog, 1983.) –––––. Review, R. Lowth, De sacra poesi Hebræorum. Bibliothek der schönen Wissenschaften und der freyen Künste (Leipzig: Johann Gottfried Dyck), vol. 1 (1757), nos. 1 and 2, pp. 122-55, 269-97. (Gesammelte Schriften, vol. 4: Rezensionsartikel in Bibliothek der schönen Wissenschaften und der freyen Künste (1756-1759), ed. Eva J. Engel, pp. 20-62. Stuttgart (Bad Cannstatt): Frommann-Holzboog, 1977.) –––––. “Rhapsodie, oder Zusätze zu den Briefen über die Empfindungen.” Philosophische Schriften, pt. II, pp. 1-66. (Gesammelte Schriften, Schriften zur Philosophie und Ästhetik I, pp. 381-452.) MENDÈS, Catulle. La Légende du Parnasse contemporain. Brussels: Auguste Brancart, 1884. MENUHIN, Yehudi. Unfinished Journey: Twenty Years Later. Revised edition. New York: Fromm International, 1977. MEREDITH, George. “On the Idea of Comedy and of the Uses of the Comic Spirit.” New Quarterly Magazine (London: Ward, Lock, and Tyler), vol. VIII (April 1877), pp. 1-40. A lecture delivered at the London Institution on February 1, 1877. (The Works, vol. XXIII: Miscellaneous Prose, pp. 3-55. New York: Charles Scribner’s Sons, 1910.) 724

MÉRIMÉE, Prosper. Lettres à Madame de Montijo, ed. Claude Schopp. Preface by Charles Dantzig. Two volumes. Paris: Mercure de France, 1995. (Le Temps retrouvé, nos. 67-68.) –––––. Lettres à une inconnue, précédées d’une étude sur Mérimée par H. Taine. Two volumes. Paris: Michel Lévy frères, 1874. MERLEAU-PONTY, Maurice. L’Œil et l’Esprit. Paris: Éditions Gallimard, 1964. –––––. La Phénoménologie de la perception. Paris: Éditions Gallimard, 1945. –––––. Le Visible et l’Invisible, suivi de Notes de travail, ed. Claude Lefort. Paris: Éditions Gallimard, 1964. MERSENNE, Marin. Harmonie universelle. Two volumes. Paris: chez Sebastien Cramoisy, 1636; and Paris: Pierre Ballard, 1637, respectively. MESSIAEN, Olivier. Technique de mon langage musical. Two volumes. Paris: Alphonse Leduc, 1944. –––––. Traité de rythme, de couleur, et d’ornithologie (1949-92). Seven volumes in eight. Paris: Alphonse Leduc, 1994-2002. MEYER-BAER, Kathi. Bedeutung und Wesen der Musik: Der Bedeutungswandel der Musik. Zweite Auflage. Baden-Baden: Verlag Valentin Koerner, 1975. –––––. “Music in Dante’s Divina Commedia.” In Jan LaRue (ed.), Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, pp. 614-27. New York: W. W. Norton & Company, 1966. –––––. Music of the Spheres and the Dance of Death: Studies in Musical Iconology. Princeton: Princeton University Press, 1970. 725

–––––. “Nicholas of Cusa on the Meaning of Music.” Journal of Aesthetics and Art Criticism (New York: The American Society for Aesthetics), vol. V, no. 4 (June 1947), pp. 301-08. –––––. “Psychologic and Ontologic Ideas in Augustine’s De musica.” Journal of Aesthetics and Art Criticism, vol. XI, no. 3 (March 1953), pp. 224-30. MEYERHOLD, Vsevolod Emilevich. On Theatre, ed. and translated by Edward Braun. Revised edition. London: Methuen Drama, 1998. MICHAUD, Philippe-Alain. Aby Warburg et l’image en mouvement. Preface by Georges Didi-Huberman. Troisième édition. Paris: Éditions Macula, 2012. MICHÉA, Jean-Claude. L’Empire du moindre mal: Essai sur la civilisation libérale. Paris: Climats, 2007. –––––. L’Enseignement de l’ignorance et ses conditions modernes. Paris: Climats, 1999. –––––. Notre Ennemi, le capital: Notes sur la fin des jours tranquilles. Paris: Climats, 2017. MICHELET, Jules. “Avenir! Avenir!” Text drawn from the entry in Michelet’s journal of April 4, 1839, as published by Daniel Halévy in his biography. Europe (Paris: Les Éditions Rieder), vol. 19, no. 73 (January 15, 1929), pp. 6-9. MICHELS, Robert. Amour et Chasteté: Essais sociologiques. Paris: M. Giard & E. Brière, 1914. (Bibliothèque sociologique internationale, vol. LII.)


–––––. Zur Soziologie des Parteiwesens in der modernen Demokratie: Untersuchungen über die oligarchischen Tendenzen des Gruppenlebens. Zweite vermehrte Auflage. Leipzig: Alfred Kröner Verlag, 1925. (Philosophisch-soziologische Bücherei, vol. XXI.) MIKHAËL, Éphraïm (Georges Éphraïm MICHEL). “Les Décadents.” La Jeune France (Paris), vol. VIII, no. 10 (October 1885), pp. 141-49. (Œuvres complètes: Aux origines du symbolisme, ed. Denise R. Galperin and Monique Jutrin, vol. 1. Lausanne: L’Age d’Homme, 1995.) MILHAUD, Darius. Notes sans musique. Paris: René Julliard, 1949. MILLER, Henry. Tropic of Cancer. Paris: The Obelisk Press, 1934. MILLER, Michael Barry. Shanghai on the Métro: Spies, Intrigue, and the French Between the Wars. Berkeley and Los Angeles: University of California Press, 1994. MILLER, Stephen G. Ancient Greek Athletics. New Haven: Yale University Press, 2004. –––––. Arete: Greek Sports from Ancient Sources. Third edition. Berkeley and Los Angeles: University of California Press, 2012. MILOCHEVITCH, Nicolas (Nikola MILOŠEVIC). Dostoïevski penseur, translated from the Serbian by Laurence Koltirine and Zorica HadjiVidoïkovitch. Lausanne: L’Age d’Homme, 1988. –––––. Nietzsche et Strindberg: Psychologie de la connaissance, translated from Serbian by Zorica Hadji-Vidoïkovitch, with the assistance of Svetlana Nikchitch. Lausanne: L’Age d’Homme, 1997. MIŁOSZ, Czesław. The Captive Mind, translated by Jane Zielonko. Published initially in 1953 by the Instytut Literacki, Paris. New York: Vintage International, 1990. 727

MINOR, Ryan. Choral Fantasies: Music, Festivity, and Nationhood in Nineteenth-Century Germany. Cambridge: Cambridge University Press, 2012. MIRABEAU, Honoré-Gabriel Riqueti de. Histoire secrète de la cour de Berlin, ou Correspondance d’un Voyageur François, depuis le 5 Juillet 1786, jusqu’au 19 Janvier 1787. Two volumes. London: chez Patersonne, 1789. –––––. De la Monarchie prussienne, sous Frédéric le Grand; Avec un appendice, contenant des recherches sur la situation actuelle des principales contrées de l’Allemagne. Four volumes. London: n.p., 1788. –––––. Sur Moses Mendelssohn, sur la reforme politique des Juifs: Et en particulier sur la révolution tentée en leur faveur en 1753 dans la grande Bretagne. London: n.p., 1787. MIRBEAU, Octave. La 628-E8. Complete with the section on Balzac. Paris: Bibliothèque-Charpentier, 1907. –––––. Gens de théâtre. Paris: Ernest Flammarion, 1924. MITHEN, Steven. The Singing Neanderthals: The Origins of Music, Language, Mind, and Body. Cambridge, Massachusetts: Harvard University Press, 2007. MÖRIKE, Eduard. Mozart auf der Reise nach Prag. Serialized in the Morgenblatt für gebildete Leser (Stuttgart and Munich: Verlag der J. G. Cotta’scher Buchhandlung), vol. 49, no. 30 (July 22, 1855), pp. 697-703; no. 31 (July 29, 1855), pp. 721-27; no. 32 (August 5, 1855), pp. 745-51; and no. 33 (August 12, 1855), pp. 769-77. Stuttgart and Augsburg: J. G. Cotta’scher Verlag, 1856. MOHOLY-NAGY, László. Malerei Fotografie Film. Zweite veränderte Auflage. Munich: Verlag Albert Langen, 1927. (Bauhausbücher, no. 8.)


–––––. “Neue Gestaltung in der Musik: Möglichkeiten des Grammophons.” Der Sturm: Monatsschrift für Kultur und die Künste (Berlin: VerlagDer Sturm), vol. 14, no. 7 (July 1923), pp. 102, 104, 106. MONDRIAAN, Piet. “De ‘bruiteurs futuristes italiens’ en ‘het’ nieuwe in de muziek.” De Stijl: Maandblad voor nieuwe kunst, wetenschap en kultuur (Leiden), vol. 4, no. 8 (August 1921), pp. 114-18, and no. 9 (September 1921), pp. 130-36. –––––. “De Jazz en de Neo-Plastiek.” i10 (Amsterdam), vol. I, no. 12 (December 1927), pp. 421-27. –––––. “Het Neo-Plasticisme (de Nieuwe Beelding) en zijn (hare) realiseering in de muziek: Aanvulling tot het artikel ‘De “bruiteurs futuristes italiens” en “het” nieuwe in de muziek’.” De Stijl, vol. 5, no. 1 (January 1922), pp. 1-7, and no. 2 (February 1922), pp. 17-21. MONGA, Célestin. Anthropologie de la colère: Société civile et démocratie en Afrique noire. Paris: Éditions L’Harmattan, 1995. –––––. Nihilisme et Négritude: Les Arts de vivre en Afrique. Paris: Presses universitaires de France, 2009. MONOD, Gabriel. “À travers l’Allemagne: Vingt ans après.” Cosmopolis: Revue internationale (Paris: Armand Colin et Cie), vol. IV, no. 11 (November 1896), pp. 459-76. This essay appears considerably revised and under a different title in Portraits et Souvenirs, pp. 309-44 (see below). –––––. “Contemporary Life and Thought in France.” The Contemporary Review (London: Isbister and Company), vol. XLVIII (December 1885), pp. 887-901. –––––. “Souvenirs d’Allemagne.” Three essays in Portraits et Souvenirs, pp. 267-360. Paris: Calmann Lévy, 1897. 729

MONTESQUIEU (Charles-Louis de SECONDAT). Les Lettres persanes. Amsterdam: Jacques Desbordes, 1721. (Œuvres complètes, ed. Pierre Rétat and Catherine Volpilhac-Auger, vol. I: Lettres persanes, Introductions générales de l’édition, ed. Cecil P. Courtney, Pauline Kra, Edgar Mass, Didier Masseau, Philip Stewart, and Catherine VolpilhacAuger. Oxford: Voltaire Foundation, 2004.) MONTESQUIOU, Robert de. “Griffonnages en différents sens.” In Diptyque de Flandre, triptyque de France, pp. 281-90. Paris: Éditions Edward Sansot, 1921. –––––. Les Pas effacés: Mémoires. Three volumes. Paris: Émile-Paul frères, 1923. –––––. “Le Mobilier libre.” In Roseaux pensants, pp. 155-66. Paris: Eugène Fasquelle, 1897. –––––. “La Porte ouverte au jardin fermé du roi.” In Diptyque de Flandre, triptyque de France, pp. 216-79. –––––. “Du Snobisme: De Quelques-unes d’entre ses causes, avec certains de ses effets.” In Assemblée de notables, pp. 179-93. Paris: Félix Juven, 1908. –––––. “Table d’harmonie.” In Roseaux pensants, pp. 249-80. MONTINARI, Mazzino. “Aufgaben der Nietzsche-Forschung heute: Nietzsches Auseinandersetzung mit der französischen Literatur des 19. Jahrhunderts.” In Sigrid Bauschinger, Susan L. Cocalis, and Sara Lennox (eds.), Nietzsche heute: Die Rezeption seines Werkes nach 1968, pp. 137-48. Bern and Stuttgart: Francke Verlag, 1988. –––––. “Nietzsche e la décadence.” In D’Annunzio e la cultura germanica, pp. 117-27. Pescara: Centro Nazionale di Studi Dannunziani, 1985. (Atti del VI Convegno internazionale di studi dannunziani (1984).) 730

–––––. “Nietzsche in Cosmopolis.” In Jan Aler and Jattie Enklaar (eds.),Zur Wende des Jahrhunderts: Nietzsche, Bertram, Frommel, Hofmannsthal, Borchardt, pp. 3-15. Amsterdam: Rodopi, 1987. MOORE, George. Confessions d’un jeune anglais. Paris: Albert Savine, 1889. –––––. “Two Unknown Poets.” In Impressions and Opinions, pp. 111-21. London: David Nutt, 1891. MOORE, Michael S. What Is This Babbler Trying to Say? Essays on Biblical Interpretation. Eugene: Pickwick Publication, 2016. MORAVIA, Alberto. Il Conformista. Milan: Bompiani, 1951. –––––. Il Disprezzo. Milan: Bompiani, 1954. MORÉAS, Jean. “Un Manifeste littéraire: Le Symbolisme.” Le Figaro (Paris), the Sunday literary supplement, no. 38 (September 18, 1886), pp. 150-51. In Les Premières Armes du symbolisme, pp. 31-39 (see the following entry). –––––. Les Premières Armes du symbolisme. Paris: Léon Vanier, 1889. MORIARTY, Michael. Disguised Vices: Theories of Virtue in Early Modern French Thought. Oxford: Oxford University Press, 2011. MORICE, Charles. La Littérature de tout à l’heure. Paris: Librairie académique Didier - Perrin et Cie, 1889. –––––. Pourquoi et comment visiter les musées. Paris: Librairie Armand Colin, 1921. MORLEY, Iain. The Prehistory of Music: Human Evolution, Archaeology, & the Origins of Musicality. Oxford: Oxford University Press, 2013. 731

MOSER, Ruth. L’Impressionnisme français: Peinture, Littérature, Musique. Geneva: Librairie Droz, 1952. MOWINCKEL, Sigmund Olaf Plytt. Psalmenstudien. Six volumes. Kristiania: Jacob Dybwad, 1921-24. MROZOWICKI, Michał Piotr. Richard Wagner et sa réception en France. Two volumes. Gdansk: Presses universitaires de Gdansk, 2013. MÜLLER, Adam Heinrich. Zwölf Reden über die Beredsamkeit und deren Verfall in Deutschland: Gehalten zu Wien im Frühlinge 1812. Leipzig: Georg Joachim Göschen, 1816. MÜLLER, Hermann. Les Origines de la Compagnie de Jésus: Ignace et Lainez. Paris: Librairie Fischbacher, 1898. MUMFORD, Lewis. Technics and Civilization. Second edition. New York: Harcourt Brace & Company, 1963. MURATOFF, Paul (Pavel Pavlovich). Les Icônes russes. Paris: Jacques Schiffrin, Éditions de la Pléiade, 1927. –––––. La Peinture byzantine, translated by Jean Chuzeville. Deuxième édition. Paris: A. Weber, 1935. –––––. La Sculpture gothique. Paris: Librairie Floury, 1931. MURRAY, Douglas. Bosie: A Biography of Lord Alfred Douglas. London: Hodder & Stoughton, 2000. MUSIL, Robert. “Über die Dummheit.” A lecture delivered in Vienna, March 11, 1937. Published in Gesammelte Werke, ed. Adolf Frisé, vol. 8: Essays und Reden, pp. 1270-91. Zweite verbesserte Auflage. Reinbek bei Hamburg: Rowohlt Verlag, 1981.


–––––. Die Verwirrungen des Zöglings Törleß. Vienna and Leipzig: Wiener Verlag, 1906. (Gesammelte Werke, vol. 2: Prosa und Stücke, Kleine Prosa, Aphorismen, Autobiographisches, Essays und Reden, Kritik, pp. 7-140.) NÄGELI, Hans Georg. Vorlesungen über Musik: Mit Berücksichtigung der Dilettanten. Stuttgart and Tübingen: in der J. G. Cotta’schen Buchhandlung, 1826. NATTIEZ, Jean-Jacques. Proust musicien. Deuxième édition. Paris: Éditions Christian Bourgois, 1999. –––––. Wagner antisémite. Paris: Éditions Christian Bourgois, 2015. NECHAYEV, Sergey Gennadiyevich. “Catechism of a Revolutionist.” Written in 1869 and published in a government newspaper two years later during the trial of his associates. Translated by Max Nomad in his Apostles of Revolution, pp. 230-35. Revised edition. New York: Collier Books, 1961. NEF, John Ulric. Cultural Foundations of Industrial Civilization. Cambridge: at the University Press, 1958. NELSON, Amy. Music for the Revolution: Musicians and Power in Early Soviet Russia. University Park: The Pennsylvania State University Press, 2004. NERVAL, Gérard de (Gérard LABRUNIE). La Bohême galante. Paris: Michel Lévy frères, 1855. (Œuvres complètes, ed. Jean Guillaume and Claude Pichois, with the assistance of Christine Bomboir, Jacques Bony, Michel Brix, Jean Céard, Pierre Enckell, Antonia Fonyi, Lieven d’Hulst, Max Milner, Vincenette Pichois, Jean-Luc Steinmetz, and Jean Ziegler, vol. III. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1993.)


–––––. Notes d’un amateur de musique. Preface by André Cœuroy. Paris:Les Cahiers de Paris, 1926. –––––. Poésies allemandes: Klopstock, Goethe, Schiller, Burger. Selections translated and with an introduction by Nerval. Paris: Bureau de la Bibliothèque choisie, 1830. (Œuvres complètes, vol. I, pp. 263-77, 1568-85. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1989.) –––––. “Les Poésies de Henri Heine.” Revue des Deux Mondes (Paris), new series, vol. XXIII, no. 2 (July 15, 1848), pp. 224-43, and no. 6 (September 15, 1848), pp. 914-30. (Œuvres complètes, vol. I.) NETTL, Bruno. Folk Music in the United States: An Introduction, ed. Helen Myers. Third edition. Detroit: Wayne State University Press, 1976. –––––. Heartland Excursions: Ethnomusicological Reflections on Schools of Music. Urbana and Chicago: University of Illinois Press, 1995. –––––. Music in Primitive Culture. Cambridge, Massachusetts: Harvard University Press, 1956. –––––. Nettl’s Elephant: On the History of Ethnomusicology. Urbana, Springfield, and Chicago: University of Illinois Press, 2010. NETTL, Paul. Alte jüdische Spielleute und Musiker. Text of a lecture held in Prague, June 1923. Prague: Verlag Dr. Josef Flesch, 1923. –––––. “Angelo Soliman - Friend of Mozart.” Phylon: Review of Race & Culture (Atlanta: The Atlanta University), vol. VII. no. 1 (First Quarter, 1946), pp. 41-46. –––––. Beethoven und seine Zeit. Frankfurt am Main: S. Fischer Verlag, 1958.


–––––. Beiträge zur böhmischen und mährischen Musikgeschichte. Brno: Verlag Rudolf M. Rohrer, 1927. –––––. “Birth of the Waltz.” Dance Index: A New Magazine Devoted to Dancing (New York: Dance Index - Ballet Caravan Incorporated), vol. V, no. 9 (September 1946), pp. 208-28. –––––. The Book of Musical Documents, translated in part by Frida Best. Preface by Carleton Sprague Smith. New York: Philosophical Library, 1948. –––––. Casanova und seine Zeit: Kultur- und Musikgeschichte des 18. Jahrhunderts. Esslingen: Bechtle Verlag, 1949. –––––. Forgotten Musicians. New York: Philosophical Library, 1951. –––––. Georg Friedrich Händel. Berlin: Merseburger Verlag, 1958. –––––. Goethe und Mozart: Eine Betrachtung. Esslingen: Bechtle Verlag, 1949. –––––. “Jewish Connections of Some Classical Composers.” Music & Letters (Oxford: Oxford University Press), vol. 45, no. 4 (October 1964), pp. 337-44. –––––. “Judaism and Music.” In Dagobert D. Runes (ed.), The Hebrew Impact on Western Civilization, pp. 363-404. New York: Philosophical Library, 1951. –––––. Luther and Music, translated from the manuscript by Frida Best and Ralph Wood. Philadelphia: Muhlenberg Press, 1948. –––––. Mozart und der Tanz: Zur Geschichte des Balletts und Gesellschaftstanzes. Zürich and Stuttgart: Werner Classen Verlag, 1960.


–––––. Musik und Freimaurerei: Mozart und die königliche Kunst. Esslingen: Bechtle Verlag, 1956. –––––. Musik und Tanz bei Casanova. Prague: Gesellschaft Deutscher Bücherfreunde in Böhmen, 1924. –––––. National Anthems, translated from the manuscript by Alexander Gode. Second enlarged edition. New York: Frederick Ungar, 1967. –––––. Der Prager Kaufruf. Prague: Gesellschaft Deutscher Bücherfreunde in Böhmen, 1930. –––––. Tanz und Tanzmusik: Tausend Jahre beschwingter Kunst. Freiburg im Breisgau, Basel, and Vienna: Verlag Herder, 1962. –––––. Vom Ursprung der Musik. Prague: Deutscher Verein zur Verbreitung gemeinnütziger Kenntnisse, 1918. –––––. W. A. Mozart als Freimaurer und Mensch. Hamburg: AkazienVerlag, 1956. NEWBY, Zahra. Athletics in the Ancient World. London: Bristol Classical Press, 2006. –––––. Greek Athletics in the Roman World: Victory and Virtue. Oxford: Oxford University Press, 2005. NICEFORO, Alfredo. Le Génie de l’argot: Essai sur les langages spéciaux, les argots et les parlers magiques. Deuxième édition. Paris: Mercure de France, 1912.


NIETZSCHE, Friedrich Wilhelm. Ecce homo: Wie man wird - was man ist, ed. Raoul Richter. Leipzig: Insel-Verlag, 1908. (Werke: Kritische Gesamtausgabe, ed. Giorgio Colli and Mazzino Montinari, Sechste Abteilung, vol. 3, pp. 253-372. Berlin and New York: Walter de Gruyter & Co., 1969.) –––––. Der Fall Wagner: Ein Musikantenproblem. Zweite Auflage. Leipzig: Verlag von C. G. Naumann, 1889. (Werke, Sechste Abteilung, vol. 3, pp. 1-48.) –––––. Zur Genealogie der Moral: Eine Streitschrift. Leipzig: Verlag vonC. G. Naumann, 1887. (Werke, Sechste Abteilung, vol. 2, pp. 259-430. Berlin and New York: Walter de Gruyter & Co., 1968.) –––––. Götzen-Dämmerung: oder wie man mit dem Hammer philosophirt. Leipzig: Verlag von C. G. Naumann, 1889. (Werke, Sechste Abteilung, vol. 3, pp. 49-154.) –––––. Jenseits von Gut und Böse: Vorspiel einer Philosophie der Zukunft. Leipzig: Verlag von C. G. Naumann, 1886. (Werke, Sechste Abteilung, vol. 2, pp. 1-255.) –––––. Letter to Eduard Mushacke, October 19, 1865. Published in Nietzsche’s Briefwechsel: Kritische Gesamtausgabe, ed. Giorgio Colli and Mazzino Montinari, Erste Abteilung, vol. 2: Briefe September 1864 April 1869, pp. 87-88. Berlin and New York: Walter de Gruyter & Co., 1975. –––––. “Rückblick auf meine zwei Leipziger Jahre.” Written late in 1867 or shortly thereafter. Werke, Erste Abteilung, vol. 4: Nachgelassene Aufzeichnungen, Herbst 1864 - Frühjahr 1868, ed. Johann Figl, pp. 506-30. Berlin and New York: Walter de Gruyter & Co., 1999.


–––––. Unzeitgemässe Betrachtungen, pt. 2: Vom Nutzen und Nachtheil der Historie für das Leben. Leipzig: Verlag von E. W. Fritzsch, 1874. (Werke, Sechste Abteilung, vol. 1, pp. 239-330. Berlin and New York: Walterde Gruyter & Co., 1972.) –––––. “Ueber die Zukunft unserer Bildungs-Anstalten.” A series of five lectures (a sixth one was not held), delivered in Basel from January 16 to March 23, 1872. They were first published by Nietzsche’s sister in installments in the Magazin für Litteratur (Berlin: Union Deutsche Verlags-Gesellschaft): vol. 62, no. 52 (December 30, 1893), pp. 825-29; vol. 63, no. 1 (January 6, 1894), cols. 1-11; no. 2 (January 13), cols. 47-50; no. 3 (January 20), cols. 65-70; no. 4 (January 27), cols. 97-103; no. 5 (February 3), cols. 129-34; no. 6 (February 10), cols. 161-66; no. 9 (March 3), cols. 268-75; no. 13 (March 31), cols. 399-403; no. 14 (April 7), cols. 432-36; no. 15 (April 14), cols. 452-55; and no. 19 (May 12, 1894), cols. 582-89. (Werke, Dritte Abteilung, vol. 2: Nachgelassene Schriften, 1870-1873, pp. 133-248. Berlin and New York: Walter de Gruyter & Co., 1973.) NOËL, Jean-Sébastien. “Le silence s’essouffle”: Mort, deuil et mémoire chez les compositeurs ashkénazes: Europe centrale et orientale -EtatsUnis (1880-1980). Nancy: Presses universitaires de Nancy - Éditions universitaires de Lorraine, 2016. NORDAU, Max. Die conventionellen Lügen der Kulturmenschheit. Leipzig: Verlag von B. Elischer, 1883. –––––. Entartung. Two volumes. Berlin: Verlag Carl Duncker, 1892-93. –––––. Paradoxe. Leipzig: Verlag von B. Elischer, 1885. NORTH, Adrian, and David Hargreaves. The Social and Applied Psychology of Music. Oxford: Oxford University Press, 2008.


NORTON, Robert Edward. Secret Germany: Stefan George and His Circle. Ithaca: Cornell University Press, 2002. OLAGNIER, Paul. L’Infamie légale du comédien: Rome - L’Eglise. Paris: Librairie Armand Magnier, 1899. OPITZ, Martin. Buch von der Deutschen Poeterey: In welchem alle ihre eigenschafft und zuegehör gründtlich erzehlet, und mit exempeln außgeführet wird. Breslau: in Verlegung David Müllers Buchhändlers, 1624. (Gesammelte Werke: Kritische Ausgabe, ed. George Schulz-Behrend, vol. II: Die Werke von 1621 bis 1626, pt. 1, pp. 331-414. Stuttgart: Anton Hiersemann, 1978.) ORENSTEIN, Gloria Feman. The Theater of the Marvelous: Surrealism and the Contemporary Stage. Preface by Anna Balakian. New York: New York University Press, 1975. ORLEDGE, Robert. Debussy and the Theatre. Cambridge: Cambridge University Press, 1982. –––––. Satie Remembered. London: Faber & Faber, 1995. –––––. Satie the Composer. Cambridge: Cambridge University Press, 1990. ORNSTEIN, Leo. “The Music of New Russia.” The Seven Arts (New York: The Seven Arts Publishing Co.), vol. 1, no. 3 (January 1917), pp. 260-64. ORWELL, George (Eric Arthur BLAIR). “Inside the Whale.” In Inside the Whale and Other Essays, pp. 131-88. London: Victor Gollancz, 1940.(The Complete Works, ed. Peter Davison, vol. XII: A Patriot After All,1940-1941, pp. 86-115. London: Secker & Warburg, 1986.)


–––––. “Poetry and the Microphone.” The New Saxon Pamphlet (London), no. 3 (March 1945), pp. 33-39. (The Complete Works, vol. XVII:I Belong to the Left, 1945, pp. 74-80.) –––––. “Politics vs. Literature: An Examination of Gulliver’s Travels.” Polemic: A Magazine of Philosophy, Psychology, and Æsthetics (London: Rodney Phillips and Company), no. 5 (September/October 1946), pp. 5-21. (The Complete Works, vol. XVIII: Smothered Under Journalism, 1946, pp. 417-31.) –––––. “The Prevention of Literature.” Polemic, no. 2 (January 1946), pp. 4-13. (The Complete Works, vol. XVII, pp. 369-80.) –––––. “Writers and Leviathan.” Politics and Letters (London: The Critic Press), no. 4 (Summer 1948), pp. 36-40. (The Complete Works, vol. XIX: It Is What I Think, 1947-1948, pp. 288-93.) OSTERKAMP, Ernst. Lucifer: Stationen eines Motivs. Berlin and New York: Walter de Gruyter, 1979. (Komparatistische Studien, vol. 9.) OSTHOFF, Wolfgang. Musik aus freiem Geist im zwanzigsten Jahrhundert: Texte, 1966-2006, ed. Petra Weber-Bockholdt. Tutzing: Hans Schneider Verlag, 2007. –––––. “Petrarca in der Musik des Abendlandes: Eine Betrachtung zum Sprachethos der Musik.” Castrum Peregrini (Amsterdam), no. 20 (1954), pp. 5-36. –––––. Stefan George und »Les deux musiques«: Tönende und vertonte Dichtung im Einklang und Widerstreit. Stuttgart: Franz Steiner Verlag Wiesbaden, 1989. OUAKNIN, Marc-Alain. Concerto pour quatre consonnes sans voyelles: Audelà du principe d’identité. Paris: Éditions Ballard, 1991.


–––––. Les Mystères de l’alphabet: L’Origine de l’écriture. Paris: Éditions Assouline, 1997. –––––. Mystères des chiffres. Nouvelle édition. Paris: Éditions Assouline, 2004. OUD, Jacobus Johannes Pieter. Holländische Architektur. Zweite Auflage. Munich: Verlag Albert Langen, 1929. (Bauhausbücher, no. 10.) OZICK, Cynthia. “Envy; or, Yiddish in America.” Commentary (New York: The American Jewish Committee), vol. 48, no. 5 (November 1969), pp. 33-53. In The Pagan Rabbi and Other Stories, pp. 39-100. New York: Alfred A. Knopf, 1971. PALÁGYI, Menyhért (Melchior). Ausgewählte Werke, vol. II: Wahrnehmungslehre. Leipzig: Verlag von Johann Ambrosius Barth, 1925. –––––. Naturphilosophische Vorlesungen: Über die Grundprobleme des Bewusstseins und des Lebens. Zweite, wenig veränderte Auflage. Leipzig: Verlag von Johann Ambrosius Barth, 1924. PALISCA, Claude Victor. Baroque Music. Third edition. London: Pearson, 1991. –––––. Humanism in Italian Renaissance Musical Thought. New Haven: Yale University 1985. –––––. Studies in the History of Italian Music and Music Theory. Oxford: Clarendon Press, 1994. PANIZZA, Oskar. Der Illusionismus und die Rettung der Persönlichkeit: Skizze einer Weltanschauung. Leipzig: Verlag von Wilhelm Friedrich, 1895.


PANNWITZ, Rudolf. Die Freiheit des Menschen, bk. 1: Die Krisis der europaeischen Kultur. (Werke, vol. 2.) Nuremberg: Verlag Hans Carl, 1917. –––––. Die Freiheit des Menschen, bk. 3: Kosmos Atheos. (Werke, vol. 4.) Munich: Verlag Hans Carl, 1926. –––––. Der Friede. Nuremberg: Verlag Hans Carl, 1950. –––––. Logos, Eidos, Bios. Munich: Verlag Hans Carl, 1930. –––––. Der Nihilismus und die werdende Welt: Aufsätze und Vorträge. Nuremberg: Verlag Hans Carl, 1951. –––––. Der Übergang von heute zu morgen. Stuttgart: Verlag W. Kohlhammer, 1958. PANOFSKY, Erwin. Gothic Architecture and Scholasticism. Latrobe: The Archabbey Press, 1951. PAPINI, Giovanni. L’Esperienza futurista. Seconda edizione. Florence: Vallecchi, 1927. PARTRIDGE, Eric. Words, Words, Words! London: Methuen & Co., 1933. PASCAL, Blaise. Les Provinciales, ou Les Lettres escrites par Louis de Montalte à un provincial de ses amis, & aux RR. Pp. Jésuites, sur le sujet de la Morale, & de la Politique de ces Pères. Cologne: chez Pierre de La Vallée, 1657. (Œuvres complètes, vol. I, ed. Michel Le Guern. Nouvelle édition. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1998.) PASLER, Jann. Composing the Citizen: Music as Public Utility in Third Republic France. Berkeley and Los Angeles: University of California Press, 2009.


PATER, Walter. “The Age of Athletic Prizemen: A Chapter in Greek Art.” The Contemporary Review (London: Isbister and Company), vol. LXV (February 1894), pp. 242-56. In Greek Studies: A Series of Essays, ed. Charles L. Shadwell, pp. 283-315. London: Macmillan and Company, 1895. (The Works, vol. VII, pp. 269-99. London: Macmillan and Company, 1901.) –––––. “The Bacchanals of Euripides.” Macmillan’s Magazine (London: Macmillan and Co.), vol. LX, no. 355 (May 1889), pp. 63-72. In Greek Studies, pp. 49-78. (The Works, vol. VII, pp. 53-80.) (This text represents the continuation which had been announced at the end of “A Study of Dionysus” (below).) –––––. Marius the Epicurean: His Sensations and Ideas. Second edition. London: Macmillan and Company, 1885. (The Works, vols. II and III. London: Macmillan and Company, 1900.) –––––. “Pascal.” Pater’s last essay, not entirely complete at the time of his death. The Contemporary Review, vol. LXVII (February 1895), pp. 168-81. (The Works, vol. VIII: Miscellaneous Studies: A Series of Essays, pp. 62-89. London: Macmillan and Company, 1901.) –––––. Plato and Platonism: A Series of Lectures. Delivered at the University of Oxford during 1891, with the independent publication of some of the lectures the next year in a number of periodicals. London: Macmillan and Company, 1893. (The Works, vol. VI. London: Macmillan and Company, 1901.) –––––. “A Study of Dionysus: I. The Spiritual Form of Fire and Dew.”The Fortnightly Review (London: Chapman and Hall), new series, vol. XX, no. CXX (December 1, 1876), pp. 752-72. In Greek Studies, pp. 1-48.(The Works, vol. VII, pp. 9-52.) PATERSON, Isabel. The God of the Machine. New York: G. P. Putnam’s Sons, 1943. 743

PAULHAN, Jean. Les Fleurs de Tarbes, ou La Terreur dans les lettres, ed.Jean-Claude Zylberstein. Nouvelle édition augmentée. First published in 1941. Paris: Éditions Gallimard, 1990. (Œuvres complètes, ed. Bernard Baillaud, vol. III. Paris: Éditions Gallimard, 2011.) PEARCE, Joseph. The Unmasking of Oscar Wilde. Second edition.San Francisco: Ignatius Press, 2004. PÉGUY, Charles. Clio: Dialogue de l’histoire et de l’âme païenne. First published after Péguy’s death in his Œuvres complètes, Œuvres posthumes, vol. VIII. Paris: Éditions de la Nouvelle Revue Française, 1917. (Œuvres en prose complètes, ed. Robert Burac, vol. III: Période des « Cahiers de la Quinzaine » de la onzième à la quinzième et dernière série (1909-1914), pp. 997-1214. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1992.) –––––. Notre Jeunesse. Cahiers de la Quinzaine (Paris), eleventh series, no. 12 (July 12, 1910). (Œuvres complètes, Œuvres de prose, vol. IV, pp. 37-254. Preface by André Suarès. Paris: Éditions de la Nouvelle Revue Française, 1916.) (Œuvres en prose complètes, vol. III, pp. 5-159.) –––––. De la Situation faite à l’histoire et à la sociologie dans les temps modernes. Cahiers de la Quinzaine, eighth series, no. 3 (October 30, 1906). (Œuvres complètes, Œuvres de prose, vol. III. Preface by Jérome and Jean Tharaud. Paris: Éditions de la Nouvelle Revue Française, 1927.) (Œuvres en prose complètes, vol. II: Période des « Cahiers de la Quinzaine » de la septième à la dixième série (1905-1909), pp. 480-519. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1988.) –––––. Véronique: Dialogue de l’histoire et de l’âme charnelle. First published posthumously in his Œuvres en prose (1909-1914), ed. Marcel Péguy, pp. 845-1023. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1957. (Œuvres en prose complètes, vol. III, pp. 594-783.)


PEROT, Nicolas. Discours sur la musique à l’époque de Chateaubriand. Paris: Presses universitaires de France, 2000. PERRAULT, Claude. Du Bruit. In Essais de physique, ou Recueil des plusieurs traitéz touchant les choses naturelles, vol. II, pp. 1-334. Paris: chez Jean Baptiste Coignard, 1680. –––––. De la Musique des Anciens. In Essais de physique, vol. II, pp. 335-402. –––––. Des Sens extérieurs. The work appeared posthumously in his and Pierre Perrault’s Œuvres diverses de physique et de mechanique, vol. IV: Essais de physique, ou Recueuil des plusieurs traitéz touchant les choses naturelles, pp. 513-95. Leiden: chez Pierre van der Aa, 1721. PHILIPS, Ambrose (attrib.). Untitled text about sonnets and songwriting. The Guardian (London: Jacob Tonson), vol. I, no. 16 (March 30, 1713), n.p. (The Guardian, ed. John Calhoun Stephens, pp. 86-89, 620. Lexington: The University Press of Kentucky, 1982.) PICARD, Max. Das Ende des Impressionismus. Zweite Auflage. Erlenbach-Zürich: Eugen Rentsch Verlag, 1920. –––––. Das Menschengesicht. Munich: Delphin-Verlag, 1929. –––––. Die Welt des Schweigens. Erlenbach-Zürich: Eugen Rentsch Verlag, 1948. PIRON, Sylvain. “L’Apparition du resicum en Méditerranée occidentale, XIIe-XIIIe siècles.” In Emmanuelle Collas-Heddeland, Marianne Coudry, Odile Kammerer, Alain Lemaitre, and Brice Martin (eds.), Pour une histoire culturelle du risque: Genèse, évolution, actualité du concept dans les sociétés occidentales, pp. 59-76. Strasbourg: Éditions Histoire et Anthropologie, 2004.


–––––. “L’Expérience subjective chez Pierre de Jean Olivi.” In Olivier Boulnois (ed.), Généalogies du sujet: De saint Anselme à Malebranche, pp. 43-54. Paris: Librairie Philosophique J. Vrin, 2007. –––––. “Litteralior: L’Englobement du spirituel dans le littéral selon Pierre de Jean Olivi.” Annali di scienze religiose (Turnhout: Brepols Publishers), vol. 7 (2014), pp. 179-95. –––––. “La Parole prophétique.” In Nicole Bériou, Jean-Patrice Boudet, and Irène Rosier-Catach (eds.), Le Pouvoir des mots au Moyen Âge: Études réunies, pp. 255-86. Turnhout: Brepols Publishers, 2014. (Bibliothèque d’histoire culturelle du Moyen Âge, vol. 13.) PISANI, Michael V. Music for the Melodramatic Theatre in NineteenthCentury London & New York. Iowa City: University of Iowa Press, 2014. PISCATOR, Erwin. Das politische Theater. Berlin: Adalbert Schultz Verlag, 1929. –––––. Schriften, ed. Ludwig Hoffmann, vol. II: Aufsätze, Reden, Gespräche. Berlin: Henschelverlag Kunst und Gesellschaft, 1968. POE, Edgar Allan. “The City in the Sea: A Prophecy.” The American Review: A Whig Journal of Politics, Literature, Art, and Science (New York: Wiley and Putnam), vol. I, no. IV (April 1845), p. 393. In The Raven, and Other Poems, pp. 21-22. New York and London: Wiley and Putnam, 1845. (Poetry and Tales, ed. Patrick F. Quinn, pp. 67-68. New York: The Library of America, 1984.) –––––. “A Descent Into the Maelström.” Graham’s Lady’s and Gentleman’s Magazine (Philadelphia: George R. Graham), vol. XVIII, no. 5 (May 1841), pp. 235-41. Collected in Tales, ed. Evert Augustus Duyckinck, pp. 83-99. New York: Wiley and Putnam, 1845. (Poetry and Tales, pp. 432-48.)


–––––. “A Few Words on Secret Writing.” Graham’s Lady’s and Gentleman’s Magazine, vol. XIX, no. 1 (July 1841), pp. 33-38. (Essays and Reviews, ed. Gary Richard Thompson, pp. 1277-91. New York: The Library of America, 1984.) –––––. “House Furniture.” Broadway Journal (New York: John Bisco), vol. 1, no. 18 (May 3, 1845), pp. 273-75. (Subsequently entitled “The Philosophy of Furniture.”) Included in The Works of the Late Edgar Allan Poe, ed. Rufus Wilmot Griswold, vol. II: Poems and Miscellanies, pp. 299-305. New York: J. S. Redfield, 1850. (Poetry and Tales, pp. 382-87.) –––––. “The Imp of the Perverse.” Graham’s American Monthly Magazine of Literature and Art, vol. XXVIII, no. 1 (July 1845), pp. 1-3. Included inThe Works of the Late Edgar Allan Poe, vol. I: Tales, pp. 353-59. New York: J. S. Redfield, 1850. (Poetry and Tales, pp. 826-32.) ––––– . “Loss of Breath: A Tale à la Blackwood.” Southern Literary Messenger: Devoted to Every Department of Literature and the Fine Arts (Richmond: Thomas Willis White), vol. I, no. 13 (September 1835), pp. 735-40. In Tales of the Grotesque and Arabesque, vol. II, pp. 123-49. Philadelphia: Lea and Blanchard, 1840. (Poetry and Tales, pp. 151-63.) –––––. “Maelzel’s Chess-Player.” Southern Literary Messenger, vol. II, no. V (April 1836), pp. 318-26. Included in The Works of the Late Edgar Allan Poe, vol. IV: Arthur Gordon Pym, &c., pp. 346-70. New York: Redfield, 1856. (Essays and Reviews, pp. 1253-76.) –––––. “The Man of the Crowd.” Burton’s Gentleman’s Magazine and American Monthly Review (Philadelphia: William E. Burton), vol. VII, no. 6 (December 1840), pp. 267-70. Collected in Tales, pp. 219-28. (Poetry and Tales, pp. 388-96.)


–––––. “The Poetic Principle: From the Unpublished Manuscript.” Sartain’s Union Magazine of Literature and Art (Philadelphia: John Sartain & Co.), vol. VII, no. 4 (October 1850), pp. 281-89. Also included in The Literati: Some Honest Opinions About Autorial Merits and Demerits, with Occasional Words of Personality, Together with Marginalia, Suggestions, and Essays, ed. Rufus Wilmot Griswold, pp. 1-20. New York: J. S. Redfield, and Boston:B. B. Mussey & Co., 1850. (Essays and Reviews, pp. 71-94.) –––––. “The Power of Words.” United States Magazine, and Democratic Review (New York: Henry G. Langley), new series, vol. XVI, no. LXXXIV(June 1845), pp. 602-04. Included in The Works of the Late Edgar Allan Poe, vol. II, pp. 271-75. (Poetry and Tales, pp. 822-25.) –––––. “The Premature Burial.” The Dollar Newspaper (Philadelphia: A. H. Simmons & Co.), vol. II, no. 28 (July 31, 1844), p. 1. Included inThe Works of the Late Edgar Allan Poe, vol. I, pp. 325-38. (Poetry and Tales, pp. 666-79.) –––––. “The Rationale of Verse.” Southern Literary Messenger: Devoted to Every Department of Literature and the Fine Arts (Richmond: John Reuben Thompson), vol. XIV, no. 10 (October 1848), pp. 577-85, and no. 11 (November 1848), pp. 673-82. Included in The Works of the Late Edgar Allan Poe, vol. II, pp. 215-58. (Essays and Reviews, pp. 26-70.) –––––. “Some Secrets of the Magazine Prison-House.” Broadway Journal (New York: John Bisco), vol. 1, no. 7 (February 15, 1845), pp. 103-4. (Essays and Reviews, pp. 1036-38.) POLGAR, Alfred. Kleine Schriften, ed. Marcel Reich-Ranicki, with the assistance of Ulrich Weinzierl. Six volumes. Reinbek bei Hamburg: Rowohlt Verlag, 1982-86.


POLIAKOFF, Michael B. Combat Sports in the Ancient World: Competition, Violence, and Culture. Revised edition. New Have: Yale University Press, 1995. PORTMANN, Adolf. Biologie und Geist. Zürich: Rhein-Verlag, 1956. –––––. Biologische Fragmente zu einer Lehre vom Menschen. Dritte, erweiterte Auflage. Basel and Stuttgart: Schwabe Verlag, 1969. –––––. Vom Lebendigen: Versuche zu einer Wissenschaft vom Menschen. Frankfurt am Main: Suhrkamp Verlag, 1973. –––––. Manipulation des Menschen als Schicksal und Bedrohung. Zürich:Die Arche, 1969. –––––. Das Tier als soziales Wesen. Zweite, neubearbeitete und erweiterte Auflage. Zürich: Rhein-Verlag, 1969. –––––. Die Tiergestalt: Studien über die Bedeutung der tierischen Erscheinung. Zweite ergänzte Auflage. Basel: Friedrich Reinhardt Verlag, 1960. PORTNOY, Julius. Music in the Life of Man. New York: Holt, Rinehart and Winston, 1963. –––––. The Philosopher and Music: A Historical Outline. New York: Humanities Press, 1954. POTAMKIN, Harry Alan. The Compound Cinema: The Film Writings, ed. Lewis Jacobs. New York: Teachers College Press, 1977. POTTER, David. The Victor’s Crown: A History of Ancient Sport from Homer to Byzantium. Oxford: Oxford University Press, 2011.


POURTALÈS, Guy de. Berlioz et l’Europe romantique. Paris: Éditions Gallimard, 1932. –––––. Louis II de Bavière, ou Hamlet-roi. Paris: Éditions Gallimard, 1928. –––––. Nietzsche en Italie. Paris: Éditions Bernard Grasset, 1929. –––––. La Vie de Chopin, ou Le Poète. Paris: Éditions Gallimard, 1927. –––––. La Vie de Franz Liszt. Paris: Éditions Gallimard, 1925. –––––. Wagner: Histoire d’un artiste. Édition revue et augmentée. Paris: Éditions Gallimard, 1932. PRATELLA, Francesco Balilla. Evoluzione della musica dal 1910 al 1917. Two volumes. Milan: Istituto Editoriale Italiano, 1918. –––––. “Manifesto dei musicisti futuristi.” Dated January 11, 1911. In Filippo Marinetti, et al., I Manifesti del futurismo, pp. 37-44. Florence: Edizionidi “Lacerba„, 1914. –––––. “La Musica futurista: Manifesto tecnico.” Dated March 29, 1911. InI Manifesti del futurismo, pp. 45-51. PRAZ, Mario. La Carne, la morte e il diavolo nella letteratura romantica. Nona edizione. Florence: Sansoni Editore, 1992. –––––. La Filosofia dell’arredamento: I Mutamenti nel gusto della decorazione interna attraverso i secoli dall’antica Roma ai nostri tempi. Milan: Longanesi, 1964. –––––. Mnemosine: Parallelo tra la letteratura e le arti visive. Milan: Arnoldo Mondadori Editore, 1971.


–––––. Studi sul concettismo. Milan and Rome: Società Editrice“La Cultura”, 1934. PREUß, Konrad Theodor. Glauben und Mystik im Schatten des höchsten Wesens. Six lectures delivered in Berlin during May and June, 1925. Leipzig: Verlag von C. L. Hirschfeld, 1926. –––––. “Der Ursprung der Religion und Kunst.” Globus: Illustrierte Zeitschrift für Länder- und Völkerkunde (Braunschweig: Verlag von Friedrich Vieweg & Sohn), in installments: vol. LXXXVI, no. 20 (November 24, 1904), pp. 321-27; no. 22 (December 8, 1904), pp. 355-63; no. 23 (December 15, 1904), pp. 375-79; no. 24 (December 22, 1904), pp. 388-92; vol. LXXXVII, no. 19 (May 25, 1905), pp. 333-37; no. 20 (June 1, 1905), pp. 347-50; no. 22 (June 15, 1905), pp. 380-84; no. 23 (June 22, 1905), pp. 394-400; and no. 24 (June 29, 1905), pp. 413-19. PROUDHON, Pierre-Joseph. La Guerre et la Paix: Recherches sur le principe et la constitution du droit des gens. Two volumes. Troisième édition. Paris: Édouard Dentu, 1861. (Œuvres complètes, ed. Célestin Bouglé and Henri Moysset, vol. VII. Nouvelle édition. Paris: Marcel Rivière, 1927.) –––––. De la Justice dans la révolution et dans l’église: Nouveaux principes de philosophie pratique adressés à son éminence Monseigneur Mathieu, cardinal-archevêque de Besançon. Three volumes. Paris: Librairie de Garnier frères, 1858. (Œuvres complètes, vols. IX-XII. Paris: Marcel Rivière, 1930-35.) –––––. Les Majorats littéraires: Examen d’un projet de loi ayant pour but de créer, au profit des auteurs, inventeurs et artistes, un monopole perpétuel. Brussels: Office de publicité, 1862. (Œuvres complètes, vol. XVI, pp. 1-124. Nouvelle édition. Paris: Librairie internationale, and Brussels, Leipzig, and Livorno: A. Lacroix, Verboeckhoven et Cie, 1868.)


PROUST, Marcel. “À propos de Baudelaire.” La Nouvelle Revue Française (Paris), new series, vol. XVI, no. 93 (June 1, 1921), pp. 641-63. (Contre Sainte-Beuve, précédé de Pastiches et mélanges, et suivi d’Essais et articles, ed. Pierre Clarac, with the assistance of Yves Sandre, pp. 618-39. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1971.) –––––. “Contre l’obscurité.” La Revue blanche (Paris: Georges Charpentier et Eugène Fasquelle), vol. XI, no. 75 (July 15, 1896), pp. 69-72. (Contre Sainte-Beuve, pp. 390-95.) PRZYBYSZEWSKI, Stanislaus (Stanisław). Zur Psychologie des Individuums, vol. I: Chopin und Nietzsche. Berlin: Fontane & Co., 1892. PUCHNER, Martin. Stage Fright: Modernism, Anti-Theatricality, and Drama. Baltimore: The Johns Hopkins University Press, 2002. PUTTENHAM, George. The Arte of English Poesie. London: Richard Field, 1589. (The Art of English Poesy: A Critical Edition, ed. Frank Whigham and Wayne A. Rebhorn. Ithaca: Cornell University Press, 2007.) QUIGNARD, Pascal. Boutès. Paris: Éditions Gallilée, 2008. –––––. La Haine de la musique. Paris: Calmann-Lévy, 1996. –––––. La Leçon de musique. Paris: Hachette, 1987. RADKE, Gyburg. Die Theorie der Zahl im Platonismus: Ein systematisches Lehrbuch. Tübingen: Francke Verlag, 2003. RAMEAU, Jean-Philippe. Génération harmonique, ou Traité de Musique théorique et pratique. Paris: chez Prault fils, 1737.


–––––. Observations sur notre Instinct pour la Musique, et sur son Principe: Où les moyens de reconnoître l’un par l’autre, conduisent à pouvoir se rendre raison avec certitude des différens effets de cet Art. Paris: chez Prault fils, chez Lambert, chez Duchesne, 1754. –––––. Origine des Sciences, Suivie d’une Controverse sur le même Sujet. Paris: L’Imprimerie de Sébastien Jorry, 1761. –––––. Traité de l’Harmonie, Reduite à ses Principes naturels: Divisé en quatre livres. Paris: L’Imprimerie de Jean-Baptiste-Christophe Ballard, 1722. RANG, Florens Christian. Deutsche Bauhütte: Ein Wort an uns Deutsche über mögliche Gerechtigkeit gegen Belgien und Frankreich und zur Philosophie der Politik. Sannerz and Leipzig: Gemeinschafts-Verlag Eberhard Arnold, 1924. –––––. “Goethes ‘Selige Sehnsucht.’” Neue Deutsche Beiträge (Munich: Bremer Presse), vol. 1, no. 1 (1922), pp. 83-125. RAPHAËL, Gaston. Der Professor ist die deutsche Nationalkrankheit: Eine Art von Bethlemitischem Kindermord. Cahiers de la Quinzaine (Paris), ninth series, no. 8 (January 7, 1908). RATH, Richard Cullen. How Early America Sounded. Ithaca: Cornell University Press, 2003. RATHENAU, Walther. Von kommenden Dingen. Berlin: S. Fischer Verlag, 1917. The book was included the next year as the third volume in his Gesammelte Schriften in five volumes, by the same publisher. (Gesamtausgabe, vol. II: Hauptwerke und Gespräche, ed. Hans Dieter Hellige and Ernst Schulin, pp. 297-497. Düsseldorf: Droste Verlag, 2004.)


–––––. Zur Kritik der Zeit. Berlin: S. Fischer Verlag, 1912. Published subsequently as the first volume of the Gesammelte Schriften. (Gesamtausgabe, vol. II.) –––––. Zur Mechanik des Geistes. Berlin: S. Fischer Verlag, 1913. Later issued again as the second volume of the Gesammelte Schriften. (Gesamtausgabe, vol. II, pp. 105-295.) –––––. Die neue Gesellschaft. Berlin: S. Fischer Verlag, 1919. –––––. Der neue Staat. Berlin: S. Fischer Verlag, 1919. –––––. Die neue Wirtschaft. Berlin: S. Fischer Verlag, 1918. Included in the Gesammelte Schriften, vol. 5: Reden und Schriften aus Kriegszeit, pp. 179-261. RATZINGER, Joseph (BENEDICT XVI). Gesammelte Schriften, ed. Gerhard Ludwig Müller, vol. 11: Theologie der Liturgie: Die sakramentale Begründung christlicher Existenz. Zweite Auflage. Freiburg im Breisgau, Basel, and Vienna: Verlag Herder, 2008. ––––– and Peter SEEWALD. Salz der Erde: Christentum und katholische Kirche im 21. Jahrhundert. Munich: Deutsche Verlags-Anstalt, 1996. (Gesammelte Schriften, vol. 13: Im Gespräch mit der Zeit, pt. 1. Freiburg im Breisgau, Basel, and Vienna: Verlag Herder, 2016.) RAULFF, Ulrich. Kreis ohne Meister: Stefan Georges Nachleben. Munich:C. H. Beck Verlag, 2009. RAUSCHNING, Hermann. Masken und Metamorphosen des Nihilismus:Der Nihilismus des XX. Jahrhunderts. Frankfurt am Main and Vienna: Humboldt-Verlag, 1954. –––––. Die Revolution des Nihilismus: Kulisse und Wirklichkeit im Dritten Reich. Zweite Auflage. Zürich and New York: Europa-Verlag, 1939. 754

–––––. Die Zeit des Deliriums. Zürich: Verlag Amstutz, Herdeg & Co., 1947. RAVAISSON-MOLLIEN, Jean Gaspard Félix. De l’Habitude. Paris: H. Fournier et Cie, 1838. RÉE, Paul. Die Entstehung des Gewissens. Berlin: Carl Duncker’s Verlag(C. Heymons), 1885. (Gesammelte Werke, 1875-1885, ed. Hubert Treiber, pp. 212-354, 516-758. Berlin and New York: Walter de Gruyter, 2004. (Supplementa Nietzscheana, vol. 7.)) –––––. Die Illusion der Willensfreiheit: Ihre Ursachen und ihre Folgen. Berlin: Carl Duncker’s Verlag (C. Heymons), 1885. (Gesammelte Werke, pp. 355-84, 758-96.) –––––. Philosophie. Berlin: Verlag von Carl Duncker, 1903. –––––. Psychologische Beobachtungen: Aus dem Nachlass von ***. Berlin: Carl Duncker’s Verlag (C. Heymons), 1875. (Gesammelte Werke, pp. 59-125, 385-409.) –––––. Der Ursprung der moralischen Empfindungen. Chemnitz: Verlag von Ernst Schmeitzner, 1877. (Gesammelte Werke, pp. 126-211, 409-516.) REICHELBERG, Ruth. L’Aventure prophétique: Jonas, menteur de Vérité. Paris: Éditions Albin Michel, 1995. –––––. Don Quichotte, ou Le Roman d’un juif masqué: Essai. Bourg-enBresse: Entailles - Philippe Nadal, 1989. REINACH, Salomon. Cultes, mythes et religions. Five volumes. Troisième édition, revue et corrigée. Paris: Librairie Ernest Leroux, 1922-28. RENSCH, Roslyn. Harps and Harpists. Revised edition. Bloomington and Indianapolis: Indiana University Press, 2007. 755

REZZORI, Gregor von. Memoiren eines Antisemiten. Munich: Verlag Steinhausen, 1979. (The title story had been published in English, in the author’s own translation, a decade earlier, in the New Yorker (April 26, 1969), pp. 42-47.) RICCOBONI, Antoine François. L’Art du théâtre, À Madame ***. Paris:chez C. F. Simon, fils, chez Giffart, fils, 1750. RIEGL, Alois. Die spätrömische Kunst-Industrie: Nach den Funden in Österreich-Ungarn, im Zusammenhange mit der Gesamtentwicklung der bildenden Künste bei den Mittelmeervölkern. Vienna: Verlag der kaiserlich-königlichen Hof- und Staatsdruckerei, 1901. RIEZLER, Kurt. “Das Homerische Gleichnis und der Anfang der Philosophie.” Die Antike: Zeitschrift für Kunst und Kultur des klassischen Altertums (Berlin and Leipzig: Walter de Gruyter & Co.), vol. XII (1936), pp. 253-71. –––––. Traktat vom Schönen: Zur Ontologie der Kunst. Frankfurt am Main: Vittorio Klostermann, 1935. RIGHTER, Anne. Shakespeare and the Idea of the Play. London: Chatto & Windus, 1962. RILKE, Rainer Maria. “Ur-Geräusch.” Das Inselschiff: Eine Zweimonatsschrift (Leipzig: Insel-Verlag), vol. 1, no. 1 (October 1919), pp. 14-20. (Werke: Kommentierte Ausgabe, ed. Manfred Engel, Ulrich Fülleborn, Horst Nalewski, and August Stahl, vol. 4: Schriften zur Literatur und Kunst, ed. Horst Nalewski, pp. 699-704, 1042-44. Frankfurt am Main: Insel Verlag, 1996.) RITTER, Johann Wilhelm. Fragmente aus dem Nachlasse eines jungen Physikers: Ein Taschenbuch für Freunde der Natur. Two volumes. Heidelberg: bey Mohr und Zimmer, 1810.


RIVA, Maria. Marlene Dietrich. New York: Alfred A. Knopf, 1993. ROADS, Curtis. Composing Electronic Music: A New Aesthetic. Oxford: Oxford University Press, 2015. –––––. Microsound. Cambridge, Massachusetts: The MIT Press, 2001. ROBINSON, Jonathan. “British Library Sound Recordings of Vernacular Speech: They Were Lost and Now They Are Found.” In Raymond Hickey (ed.), Listening to the Past: Audio Records of Accents of English, pp. 13-38. Cambridge: Cambridge University Press, 2017. RODEN, Steve. ... I Listen to the Wind That Obliterates My Traces: Music in Vernacular Photographs, 1880-1955. Atlanta: Dust-to-Digital, 2011. ROJTMAN, Betty. Feu noir sur feu blanc: Essai sur l’herméneutique juive. Paris: Éditions Verdier, 1986. ROLLAND, Romain. Musiciens d’aujourd’hui. Huitième édition. Paris: Librairie Hachette, 1919. –––––. Musiciens d’autrefois. Sixième édition. Paris: Librairie Hachetteet Cie, 1919. –––––. Voyage musical au pays du passé. Cinquième édition. Paris: Librairie Hachette, 1920. ROSENBERG, Arthur. Demokratie und Sozialismus: Zur politischen Geschichte der letzten 150 Jahre. Amsterdam: Allert de Lange, 1938. ROSENKRANZ, Karl. Aesthetik des Häßlichen. Königsberg: Verlag der Gebrüder Bornträger, 1853.


ROSENZWEIG, Franz. “Vom Geist der hebräischen Sprache.” In Zweistromland: Kleinere Schriften zu Religion und Philosophie. Berlin: Philo Verlag, 1926. (Der Mensch und sein Werk: Gesammelte Schriften, vol. III: Zweistromland: Kleinere Schriften zu Glauben und Denken, ed. Annemarie and Reinhold Mayer, pp. 719-21. Dordrecht: Martinus Nijhoff Publishers, 1982.) –––––. “Neuhebräisch? Anläßlich der Uebersetzung von Spinozas Ethik.” Der Morgen (Berlin: Philo Verlag), vol. II, no. 1 (April 1926), pp. 105-09. In Kleinere Schriften, ed. Edith Rosenzweig, pp. 220-27. Berlin: Schocken Verlag/Jüdischer Buchverlag, 1937. (Gesammelte Schriften, vol. III, pp. 723-29.) –––––. Reviews of LPs in the literary supplement of the Kasseler Tageblatt on May 13, June 3, July 18, and October 30, 1928, and on January 27, April 4, July 19, and November 23, 1929. Collected under the title “Der Konzertsaal auf der Schallplatte” in Kleinere Schriften, pp. 478-502. (Gesammelte Schriften, vol. III, pp. 427-48.) ROTEN, Hervé. Musiques liturgiques juives: Parcours et Escales. Paris: Cité de la Musique, and Arles: Actes Sud, 1998. –––––. Les Traditions musicales judéo-portugaises en France. Paris: Maisonneuve & Larose, 2000. ROUGET, Gilbert. La Musique et la Transe: Esquisse d’une théorie générale des relations de la musique et de la possession. Preface by Michel Leiris. Nouvelle édition revue et augmentée. Paris: Éditions Gallimard, 1990.


ROUSSEAU, Jean-Jacques. Discours sur l’œconomie politique. Geneva: chez Emanuel du Villard, fils, 1758. (The germ of this text was an article by Rousseau in the fifth volume of Diderot’s Encyclopédie (Paris:chez Antoine-Claude Briasson, et al., 1755), pp. 337-49.) (Œuvres complètes, ed. Bernard Gagnebin and Marcel Raymond, vol. III: Du Contrat social Écrits politiques, pp. 241-78, ed. Robert Derathé. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1964.) –––––. Dissertation sur la musique moderne. Paris: chez Gabriel François Quillau, 1743. (Œuvres complètes, vol. V: Écrits sur la musique, la langue et le théâtre, pp. 155-246, ed. Bernard Gagnebin and Sidney Kleinman. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1995.) –––––. “Essai sur l’Origine des Langues, Où il est parlé de la Mélodie & de l’Imitation Musicale.” Composed ca. 1760, published posthumously. Collection complète des œuvres, ed. Pierre-Alexandre Du Peyrou and Pierre Moultou, vol. VIII, pt. II: Projet concernant de nouveaux signes pour la musique, pp. 355-434. Geneva: Société Typographique, 1782. (Œuvres complètes, vol. V, pp. 371-429, ed. Jean Starobinski.) –––––. De l’Imitation théâtrale: Essai tiré des dialogues de Platon. Amsterdam: chez Marc-Michel Rey, Librairie, 1764. (Œuvres complètes, vol. V, pp. 1195-1211, ed. Bernard Gagnebin.) –––––. Lettre sur la musique françoise. Paris: n.p., 1753. (Œuvres complètes, vol. V, pp. 286-328, ed. Olivier Pot.) –––––. Œuvres complètes: Édition thématique du Tricentenaire, ed. Raymond Trousson and Frédéric S. Eigeldinger, vol. XII: Écrits sur la musique, ed. Brenno Boccadoro, Alain Cernuschi, Amalia Collisani, and Charles Porset. Geneva: Éditions Slatkine, and Paris: Honoré Champion, 2012.


–––––. “Le Persifleur.” This fragment was probably written in 1747; published posthumously. Collection complète des œuvres, vol. VII: Mélanges, pt. II, pp. 221-31. (Œuvres complètes, vol. I: Les Confessions Autres textes autobiographiques, pp. 1103-12. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1959.) ROUSSET, David. La Fraternité de nos ruines: Écrits sur la violence concentrationnaire, 1945-1970, ed. Grégory Cingal. Paris: Librairie Arthème Fayard, 2016. –––––. Les Jours de notre mort. Paris: Éditions du Pavois, 1947. –––––. L’Univers concentrationnaire. Paris: Éditions du Pavois, 1946. RUESCH, Jurgen and Weldon Kees. Nonverbal Communication: Notes on the Visual Perception of Human Relations. Berkeley and Los Angeles: University of California Press, 1956. RUSSOLO, Luigi. “L’Arte dei rumori.” Dated March 11, 1913. In Filippo Marinetti, et al., I Manifesti del futurismo, pp. 123-32. Florence: Edizioni di “Lacerba„, 1914. Included as the first text in the eponymous volume, pp. 9-17. –––––. L’Arte dei rumori. Milan: Edizioni futuriste de “Poesia„, 1916. RYCHNER, Max. “Erinnerungen an Walter Benjamin.” Der Monat: Eine internationale Zeitschrift (Berlin: Kongress für kulturelle Freiheit), vol. XVIII, no. 216 (September 1966), pp. 41-44. SACHS, Curt. The Commonwealth of Art: Style in the Fine Arts, Music and the Dance. New York: W. W. Norton & Company, 1946. –––––. Geist und Werden der Musikinstrumente. Berlin: Verlag von Dietrich Reimer, 1929.


–––––. The History of Musical Instruments. New York: W. W. Norton & Company, 1940. –––––. Les Instruments de musique de Madagascar. Paris: Institut d’ethnologie, 1938. (Travaux et mémoires de l’Institut d’ethnologie, vol. XXVIII.) –––––. “The Lore of Non-Western Music.” In Arthur Mendel, Curt Sachs, and Carroll C. Pratt, Some Aspects of Musicology: Three Essays, pp. 20-48. New York: Liberal Arts Press, 1957. –––––. Musik des Altertums. Breslau: Ferdinand Hirt, 1924. –––––. Musik und Oper am kurbrandenburgischen Hof. Berlin: Julius Bard, 1910. –––––. Musikgeschichte der Stadt Berlin bis zum Jahre 1800: Stadtpfeifer, Kantoren und Organisten an den Kirchen städtischen Patronats, nebst Beiträgen zur allgemeinen Musikgeschichte Berlins. Berlin: Verlag von Gebrüder Paetel, 1908. –––––. Die Musikinstrumente Indiens und Indonesiens: Zugleich eine Einführung in die Instrumentenkunde. Zweite Auflage. Berlin and Leipzig: Walter de Gruyter & Co., 1923. –––––. Rhythm and Tempo: A Study in Music History. New York: W. W. Norton & Company, 1953. –––––. The Rise of Music in the Ancient World: East and West. New York: W. W. Norton & Company, 1943. –––––. A Short History of World Music. Second edition. London: Dennis Dobson, 1956.


–––––. Vergleichende Musikwissenschaft in ihren Grundzügen. Leipzig: Quelle & Meyer, 1930. (Musikpädagogische Bibliothek, vol. 8.) –––––. The Wellsprings of Music, ed. Jaap Kunst. The Hague: Martinus Nijhoff, 1962. –––––. Eine Weltgeschichte des Tanzes. Berlin: Verlag von Dietrich Reimer, 1933. SACKS, Oliver. Musicophilia: Tales of Music and the Brain. Revised and expanded edition. New York: Vintage Books, 2008. SADE, Donatien Alphonse François de. La Nouvelle Justine, ou Les Malheurs de la vertu, suivie de L’Histoire de Juliette, sa soeur. Ten volumes. Deuxième édition. “En Hollande”(but most likely it was printed in Paris): n.p., 1797. (The first of these works is in his Œuvres, vol. II, ed. Michel Delon, pp. 391-1110, and the second in Œuvres, vol. III, ed. Michel Delon with the assistance of Jean Deprun, pp. 180-1262. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1995 and 1998, respectively.) –––––. La Philosophie dans le boudoir, ou Les Instituteurs immoraux, Dialogues destinés à l’éducation des jeunes Demoiselles. Two volumes. London: aux dépens de la Compagnie, 1795. (Œuvres, vol. III, pp. 1-178.) SAINT-POINT, Valentine de (Anna Jeanne Valentine Marianne de GLANS DE CESSIAT-VERCELL). Manifeste de la femme futuriste, ed. Jean-Paul Morel. Paris: Éditions Mille et une nuits, 2005. SAINT-POL-ROUX (Paul-Pierre ROUX). De l’Art magnifique, suivi de Réponses et de Petit Traité de déshumanisme, ed. Gérard Macé. Mortemart: Éditions Rougerie, 1978. –––––. Cinéma vivant, précédé de L’Empire du soleil, ed. Gérard Macé. Mortemart: Éditions Rougerie, 1972. 762

–––––. Genèses, ed. Gérard Macé. Mortemart: Éditions Rougerie, 1976. –––––. Les Reposoirs de la procession. Three volumes. Paris: Société du Mercure de France, 1901-07. –––––. Les Traditions de l’avenir, ed. Gérard Macé. Mortemart: Éditions Rougerie, 1974. –––––. Vitesse, précédé de Une Définition sans fin, ed. Gérard Macé. Mortemart: Éditions Rougerie, 1973. SAINTSBURY, George. “Charles Baudelaire.” The Fortnightly Review (London: Chapman and Hall), new series, vol. XVIII, no. CXI (October 1, 1875), pp. 500-18. In Miscellaneous Essays, pp. 216-52. London: Percival and Co., 1892. SALMEN, Walter. Jüdische Musikanten und Tänzer vom 13. bis 20. Jahrhundert: „...denn die Fiedel macht das Fest“. Innsbruck: Edition Helbling, 1991. SALTER, Chris. Entangled: Technology and the Transformation of Performance. Preface by Peter Sellars. Cambridge, Massachusetts: The MIT Press, 2010. SAMSON, Joseph. Musique et vie intérieure: Journal de bord d’un musicien. Paris: La Colombe, 1951. SANSONE, David. Greek Athletics and the Genesis of Sport. Berkeley andLos Angeles: University of California Press, 1988. SANTAYANA, George. “The Comic Mask.” In Soliloquies in England and Later Soliloquies, pp. 135-39. London: Constable and Company, 1922. –––––. Dominations and Powers: Reflections on Liberty, Society, and Government. New York; Charles Scribner’s Sons, 1951. 763

–––––. “The Irony of Liberalism.” The Dial (New York: The Dial Publishing Company), vol. LXXI (July-December 1921), pp. 407-17. In Soliloquies in England and Later Soliloquies, pp. 178-89. SARAH, Robert, with Nicolas DIAT. La Force du silence: Contre la dictature du bruit. Paris: Librairie Arthème Fayard, 2016. SARRAUTE, Nathalie (Natalia Ilinichna TCHERNIAK). Vous les entendez ? Paris: Éditions Gallimard, 1972. (Œuvres complètes, ed. Jean-Yves Tadié, with the assistance of Viviane Forrester, Ann Jefferson, Valerie Minogue, and Arnaud Rykner. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1996.) SARTRE, Jean-Paul. Critique de la raison dialectique: Théorie des ensembles pratiques, vol. I, ed. Arlette Elkaïm-Sartre. Nouvelle édition. Paris: Éditions Gallimard, 1985. –––––. L’Être et le Néant: Essai d’ontologie phénoménologique, ed. Arlette Elkaïm-Sartre. Édition corrigée. Paris: Éditions Gallimard, 1994. –––––. L’Imaginaire: Psychologie phénoménologique de l’imagination, ed. Arlette Elkaïm-Sartre. Édition augmentée. Paris: Éditions Gallimard, 2005. SATIE, Erik. Écrits, ed. Ornella Volta. Nouvelle édition, revue et augmentée. Paris: Éditions Champ Libre, 1981. –––––. Mémoires d’un amnésique, suivi de Cahiers d’un mammifère, Chroniques musicales, Écrits divers, ed. Raoul Coquereau. Toulouse: Éditions Ombres, 2010. SAUTET, Marc. Nietzsche et la Commune. Paris: Le Sycomore, 1981. SCANLON, Thomas F. Eros and Greek Athletics. Oxford: Oxford University Press, 2002. 764

SCHAARWÄCHTER, Jürgen. Two Centuries of British Symphonism: From the Beginnings to 1945: A Preliminary Survey. Two volumes. Preface by Lewis Foreman. Hildesheim, Zürich, New York: Georg Olms Verlag, 2015. SCHÄFER, Peter. Die Geburt des Judentums aus dem Geist des Christentums: Fünf Vorlesungen zur Entstehung des rabbinischen Judentums. Lectures delivered at the Universität Jena in 2009. Tübingen: Mohr Siebeck, 2010. –––––. The Jewish Jesus: How Judaism and Christianity Shaped Each Other. Princeton: Princeton University Press, 2012. –––––. Judeophobia: Attitudes Toward the Jews in the Ancient World. Cambridge, Massachusetts: Harvard University Press, 1997. SCHAEFFNER, André. Essais de musicologie et autres fantaisies. Paris: Le Sycomore, 1980. –––––. Origine des instruments de musique: Introduction ethnologique à l’histoire de la musique instrumentale. Paris: Éditions Payot, 1936. –––––. Le Sistre et le Hochet: Musique, théâtre et danse dans les sociétés africaines. Paris: Éditions Hermann, 1990. –––––. Strawinsky. Paris: Les Éditions Rieder, 1931. SCHAFER, Raymond Murray. Ear Cleaning: Notes for an Experimental Music Course. Toronto: Clark & Cruickshank, 1967. –––––. E. T. A. Hoffmann and Music. Toronto: University of Toronto Press, 1975. –––––. The Tuning of the World. New York: Alfred A. Knopf, 1977.


SCHALK, Carl Flentge. Luther on Music: Paradigms of Praise. St. Louis: Concordia Publishing House, 1988. SCHAPIRO, Meyer. Impressionism: Reflections and Perceptions, ed. James Thompson. New York: George Braziller, 1997. SCHEERBART, Paul. Glasarchitektur. Berlin: Verlag der Sturm, 1914. (Gesammelte Werke, ed. Ulrich Kohnle, vol. 9: Gedichte, Zeichnungen, Theoretische Schriften 1. Bellheim: Edition Phantasia, 1994.) SCHEIT, Gerhard. Dramaturgie der Geschlechter: Über die gemeinsame Geschichte von Drama und Oper. Frankfurt am Main: S. Fischer Verlag, 1995. –––––. Kritik des politischen Engagements. Freiburg im Breisgau: Ça Ira Verlag, 2016. –––––. Hanswurst und der Staat: Eine kleine Geschichte der Komik: Von Mozart bis Thomas Bernhard. Vienna: Deuticke Verlag, 1995. –––––. Im Ameisenstaat: Von Wagners Erlösung zu Badious Ereignis:Ein Essay über Musik, Philosophie und Antisemitismus. Vienna: Sonderzahl Verlag, 2017. –––––. Suicide Attack: Zur Kritik der politischen Gewalt. Freiburg im Breisgau: Ça Ira Verlag, 2004. –––––. Verborgener Staat, lebendiges Geld. Zweite Auflage. Freiburg im Breisgau: Ça Ira Verlag, 2006. SCHELLWIEN, Robert. Max Stirner und Friedrich Nietzsche: Erscheinungen des modernen Geistes, und das Wesen des Menschen. Leipzig: G. E. M. Pfeffer, 1892.


SCHELSKY, Helmut. Der Mensch in der wissenschaftlichen Zivilisation. Cologne and Opladen: Westdeutscher Verlag, 1961. SCHENKER, Heinrich. Neue musikalische Theorien und Phantasien. Three volumes in four. For the first two, Stuttgart and Berlin: J. G. Cotta’schen Buchhandlung, 1906 and 1910; for the latter, Vienna: Universal Edition, 1922 and 1935. SCHILLER, Johann Christoph Friedrich von. “Was heißt und zu welchem Ende studiert man Universalgeschichte? Eine akademische Antrittsrede.” Der Teutsche Merkur (Weimar), no. 11 (November 1789), pp. 105-35. (Sämtliche Werke, vol. 4: Historische Schriften, ed. PeterAndré Alt, pp. 749-68. Munich: Carl Hanser Verlag, 2004.) SCHIPPERGES, Heinrich. Am Leitfaden des Leibes: Zur Anthropologik und Therapeutik Friedrich Nietzsches. Stuttgart: Ernst Klett Verlag, 1975. –––––. Der Garten der Gesundheit: Medizin im Mittelalter. Munich: Artemis Verlag, 1985. –––––. Kosmos anthropos: Entwürfe zu einer Philosophie des Leibes. Stuttgart: Klett-Cotta, 1981. –––––. “Melancolia als ein mittelalterlicher Sammelbegriff für Wahnvorstellungen.” Studium Generale: Zeitschrift für die Einheit der Wissenschaften im Zusammenhang ihrer Begriffsbildungen und Forschungsmethoden (Berlin, Göttingen, Heidelberg: Springer-Verlag), vol. 20, no. 11 (1967), pp. 723-36. –––––. Utopien der Medizin: Geschichte und Kritik der ärztlichen Ideologie des 19. Jahrhunderts. Salzburg: Otto Müller Verlag, 1968.


SCHLEGEL, Friedrich. Geschichte der Poesie der Griechen und Römer. Berlin: bey Johann Friedrich Unger, 1798. (Kritische Ausgabe, ed. Ernst Behler, with the assistance of Jean-Jacques Anstett and Hans Eichner, Erste Abteilung: Kritische Neuausgabe, vol. 1: Studien des klassischen Altertums, pp. 395-568. Paderborn, Munich, Vienna: Verlag Ferdinand Schöningh, and Zürich: Thomas-Verlag, 1979.) SCHMIDT, Johann Michael. “Heine und Luther: Heines Lutherrezeption in der Spannung der Daten 1483 und 1933.” Heine-Jahrbuch (Hamburg: Hoffmann und Campe), vol. 24 (1985), pp. 9-79. –––––. Die Matthäus-Passion von Johann Sebastian Bach: Zur Geschichte ihrer religiösen und politischen Wahrnehmung und Wirkung. Zweite Auflage. Stuttgart: Verlag W. Kohlhammer, 2014. SCHMITT, Carl. Der Wert des Staates und die Bedeutung des Einzelnen. Tübingen: Verlag von J. C. B. Mohr (Paul Siebeck), 1914. SCHNEIDER, Nicola. “Die Kriegsverluste der Musiksammlungen deutscher Bibliotheken, 1942-1945.” Doctoral dissertation. Zürich: Universität Zürich, 2013. SCHNITZLER, Arthur. Lieutenant Gustl. Serialized in the Christmas supplement of the Neue Freie Presse (Vienna), no. 13053 (December 25, 1900), pp. 34-41. Published as a book the next year in Berlin by the S. Fischer Verlag. (Lieutenant Gustl: Historisch-kritische Ausgabe, ed. Konstanze Fliedl. Berlin and New York: Walter de Gruyter, 2011.) SCHNYDER, Peter. “Das Komma: Vom geheimen Ursprung der Philosophie.” In Christine Abbt and Tim Kammasch (eds.), Punkt, Punkt, Komma, Strich? Geste, Gestalt und Bedeutung philosophischer Zeichensetzung, pp. 73-86. Bielefeld: Transcript Verlag. 2009.


SCHOELL-GLASS, Charlotte. Aby Warburg und der Antisemitismus: Kulturwissenschaft als Geistespolitik. Frankfurt am Main: S. Fischer Verlag, 1998. SCHÖNBERG, Arnold. Harmonielehre. Dritte vermehrte und verbesserte Auflage. Vienna: Universal-Edition, 1922. –––––. “Mechanische Musikinstrumente.” Pult und Taktstock: Fachzeitschrift für Dirigenten (Vienna and New York: UniversalEdition), vol. III, no. 3/4 (March-April 1926), pp. 71-5. –––––. Stil und Gedanke: Aufsätze zur Musik, ed. Ivan Vojtech. Gesammelte Schriften, vol. 1. Frankfurt am Main: S. Fischer Verlag, 1976. –––––. Structural Functions of Harmony, ed. Leonard Stein. Revised edition with corrections. London: Faber & Faber, 1983. –––––. Style and Idea, ed. Dika Newlin. New York: Philosophical Library, 1950. SCHOLEM, Gershom (Gerhard) G. “Bekenntnis über unsere Sprache: An Franz Rosenzweig.” This letter is dated twice, evidently inconsistently, both the 26th of December, 1926, and the 7th of Tevet, 5687. It was first published in French translation by Stéphane Mosès, and then in the original as an appendix in Michael Brocke, “Franz Rosenzweig und Gerhard Gershom Scholem,” in Juden in der Weimarer Republik, ed. Walter Grab and Julius H. Schoeps, pp. 127-52 (pp. 148-50). Bonn and Stuttgart: Burg Verlag, 1986. –––––. Zur Kabbala und ihrer Symbolik. Zürich: Rhein-Verlag, 1960. –––––. Major Trends in Jewish Mysticism. Based largely upon the Hilda Strook Lectures he delivered at the Jewish Institute of Religion in New York in 1938; much of the text was translated by George Lichtheim. Third revised edition. New York: Schocken Books, 1954. 769

–––––. “Der Name Gottes und die Sprachtheorie der Kabbala.” Neue Rundschau (Frankfurt am Main: S. Fischer Verlag), vol. 83, no. 3 (1972), pp. 470-95. In Judaica 3: Studien zur jüdischen Mystik, pp. 7-70. Frankfurt am Main: Suhrkamp Verlag, 1973. –––––. “Redemption Through Sin,” translated from the Hebrew by Hillel Halkin. First published in the journal Keneset in 1937. In The Messianic Idea in Judaism, and Other Essays on Jewish Spirituality, pp. 78-141. New YorkNew York: Schocken Books, 1971. –––––. Sabbatai Sevi: The Mystical Messiah, 1626-1676, translated by Raphael Jehudah Zwi Werblowsky from the Hebrew edition (Tel Aviv: Am Oved, 1957), revised and augmented by Scholem. Princeton: Princeton University Press, 1973. (Bollingen Series, vol. XCIII.) –––––. “Überlegungen zur Wissenschaft vom Judentum.” Written in Hebrew, and first published in 1944, in the fourth volume of Luah Ha’aretz, an almanac issued by the newspaper. In Judaica 6: Die Wissenschaft vom Judentum, ed. and translated by Peter Schäfer, pp. 9-52. Frankfurt am Main: Suhrkamp Verlag, 1997. –––––. Ursprung und Anfänge der Kabbala. Berlin: Walter de Gruyter & Co., 1962. –––––. Walter Benjamin – Die Geschichte einer Freundschaft. Frankfurt am Main: Suhrkamp Verlag, 1975. –––––. “Wissenschaft vom Judentum einst und jetzt.” A lecture delivered on September 7, 1959, at the Leo Baeck Institute in London. Bulletin des Leo Baeck Instituts (Tel Aviv: Bitaon Publishing Co.), no. 9 (April 1960), pp. 10-20. In Judaica, pp. 147-64. Frankfurt am Main: Suhrkamp Verlag, 1963.


––––– (ed.). Zohar: The Book of Splendor. Translations from the Aramaic by Scholem, with the assistance of Sherry Abel; his introduction was translated by Ralph Marcus. New York: Schocken Books, 1949. SCHRADE, Leo. Beethoven in France: the Growth of an Idea. New Haven: Yale University Press, 1942. –––––. Monteverdi: Creator of Modern Music. New York: W. W. Norton & Company, 1950. –––––. Tragedy in the Art of Music. Delivered at Harvard University as the Charles Eliot Norton Lectures in 1962-63. Cambridge, Massachusetts: Harvard University Press, 1964. SCHROEDER, Horst. Additions and Corrections to Richard Ellmann’s Oscar Wilde. Second edition, revised and enlarged. Braunschweig: privately printed, 2002. SCHURÉ, Édouard. Le Drame musical. Two volumes. Nouvelle édition, augmentée. Paris: Librairie académique Didier - Émile Perrin, 1886. –––––. “L’Individualisme et l’anarchie en littérature: Frédéric Nietzsche et sa philosophie.” Revue des Deux Mondes (Paris), vol. CXXX, no. 4 (August 15, 1895), pp. 775-805. In Précurseurs et Révoltés, pp. 127-82. Paris: Librairie académique Didier - Perrin et Cie, 1904. SCOGGINS, Michael C. The Scotch-Irish Influence on Country Music in the Carolinas: Border Ballads, Fiddle Tunes, & Sacred Songs. Preface by Sarah Peasall McGuffey. Charleston: The History Press, 2013. SCREECH, Michael Andrew. Erasmus: Ecstasy and the Praise of Folly. London: Duckworth, 1980. –––––. Laughter at the Foot of the Cross. London: Allen Lane, 1997.


–––––. Montaigne and Melancholy: The Wisdom of the Essays. New edition. Preface by Marc Fumaroli. Lanham: Rowman & Littlefield, 2000. SÉNANCOUR, Étienne Pivert de. De l’Amour, selon les lois premières et selon les convenances des sociétés modernes. Two volumes. Quatrième édition, augmentée et seule complète. Paris: À la Librairie d’Abel Ledoux, 1834. –––––. Libres Méditations d’un solitaire inconnu sur le détachement du monde, et sur d’autres objets de la morale religieuse. Paris: P. Mongie aîné, Libraire, and Cérioux, Libraire, 1819. –––––. Oberman: Lettres. Two volumes. Paris: chez Cérioux, Libraire, An XII - 1804. (The work was republished in revised form under the title Obermann, with a preface by Charles-Augustin Sainte-Beuve. Two volumes. Paris: à la Librairie d’Abel Ledoux, 1833.) –––––. Rêveries sur la nature primitive de l’homme, sur ses sensations, sur les moyens de bonheur qu’elles lui indiquent, sur le mode social qui conserveroit le plus de ses formes primordiales. Seconde édition. Paris: chez Cérioux, Libraire, and chez Lepetit, jeune, Libraire, An X - 1802. SENDREY, Alfred (Aladár SZENDREI). Dirigierkunde. Leipzig: Breitkopf & Härtel, 1932. –––––. “Eigenkunst oder Übertragung?” Pult und Taktstock: Fachzeitschrift für Dirigenten (Vienna and New York: UniversalEdition), vol. V, no. 2 (March-April 1928), pp. 27-32. –––––. Music in Ancient Israel. New York: Philosophical Library, 1969. –––––. Music in the Social and Religious Life of Antiquity. Rutherford, New Jersey: Fairleigh Dickinson University Press, 1974.


–––––. The Music of the Jews in the Diaspora (Up to 1800): A Contribution to the Social and Cultural History of the Jews. New York, South Brunswick, London: Thomas Yoseloff, 1970. –––––. “Das Orchesterkonzert ohne Dirigenten.” Pult und Taktstock, vol. VI, no. 1 (January-February 1929), pp. 1-6, and no. 4 (SeptemberOctober), pp. 85-87. –––––. Rundfunk und Musikpflege. Leipzig: Fr. Kistner & C. F. W. Siegel, 1931. –––––. “Tonkünstler und Rundfunk.” Text of a lecture held on July 11, 1927 in Leipzig. Pult und Taktstock, vol. IV, special issue(SeptemberOctober 1927), pp. 77-84. SERNA, Pierre-René. L’Anti-Wagner sans peine. Paris: Presses universitaires de France, 2015. SESSIONS, Roger. The Musical Experience of Composer, Performer, Listener. Princeton: Princeton University Press, 1950. –––––. Questions About Music. Delivered at Harvard University as the Charles Eliot Norton Lectures in 1968-69. Cambridge, Massachusetts: Harvard University Press, 1970. –––––. Reflections on the Music Life in the United States. New York: Merlin Press, 1956. SÈVE, Bernard. L’Altération musicale, ou Ce que la musique apprend au philosophe. Paris: Éditions du Seuil, 2002. –––––. L’Instrument de musique: Une Étude philosophique. Paris: Éditions du Seuil, 2013.


SHAFTESBURY (Anthony Ashley COOPER). Characteristicks of Men, Manners, Opinions, Times. Three volumes. Sixth edition, corrected. London: J. Purser, 1737-38. –––––. The Life, Unpublished Letters, and Philosophical Regimen, ed. Benjamin Rand. London: Swan Sonnenschein & Company, and New York: The Macmillan Company, 1900. –––––. Second Characters, or The Language of Forms, ed. Benjamin Rand. Cambridge: Cambridge University Press, 1914. SHAW, George Bernard. Shaw’s Music: The Complete Musical Criticism, ed. Dan H. Laurence. Three volumes. Second revised edition. London: Max Reinhardt, The Bodley Head, 1989. SHELLEY, Mary. Frankenstein; or, The Modern Prometheus. Three volumes. London: Lackington, Hughes, Harding, Mavor, & Jones, 1818. (The Novels and Selected Works, vol. 1, ed. Nora Crook. London: Pickering & Chatto, 1996.) SHELLEY, Percy Bysshe. “A Defence of Poetry.” Written 1821, published posthumously. In Essays, Letters from Abroad, Translations and Fragments, ed. Mary Shelley, vol. I, pp. 1-57. London: Edward Moxon, 1840.(The Complete Works, ed. Roger Ingpen and Walter Edwin Peck, vol. VII: Prose, pp. 109-40. London: The Julian Editions, 1930.) SHILOAH, Amnon. The Dimension of Music in Islamic and Jewish Culture. Aldershot: Variorum, and Brookfield: Ashgate Publishing Company, 1993. –––––. Jewish Musical Traditions. Detroit: Wayne State University Press, 1995. –––––. Music and Its Virtues in Islamic and Judaic Writings. Aldershot: Variorum, and Brookfield: Ashgate Publishing Company, 2007. 774

–––––. Music in the World of Islam: A Socio-Cultural Study. Detroit: Wayne State University Press, 2001. SHKLOVSKY, Viktor Borisovich. Bowstring: On the Dissimilarity of the Similar, translated by Shushan Avagyan. First published in 1970. Champaign: Dalkey Archive Press, 2011. –––––. Energy of Delusion: A Book on Plot, translated by Shushan Avagyan. First published in 1981. Champaign: Dalkey Archive Press, 2007. –––––. Knight’s Move, translated by Richard Sheldon. First published in 1923. Champaign: Dalkey Archive Press, 2005. –––––. Literature and Cinematography, translated by Irina Masinovsky. First published in 1923. Champaign: Dalkey Archive Press, 2008. –––––. Theory of Prose, translated from the second edition (Moscow: Federatsiya, 1929) by Benjamin Sher. First published in 1925. Normal: Dalkey Archive Press, 1998. SICKERT, Walter. The Complete Writings on Art, ed. Anna Gruetzner Robins. Oxford: Oxford University Press, 2000. SIDNEY, Philip. The Defence of Poesie. London: William Ponsonby, 1595. (An Apology for Poetry (or The Defence of Poesy), ed. Geoffrey Shepherd, revised by Robert W. Maslen. Third edition. Manchester: Manchester University Press, 2002.) SIGNAC, Paul. D’Eugène Delacroix au néo-Impressionnisme. Paris: Éditions de la Revue blanche, 1899. (First published in part during the previous year in the eponymous journal.)


SIMMEL, Georg. “L’Art pour l’art.” First published in Der Tag: Moderne illustrierte Zeitung (Berlin: Verlag August Scherl), Ausgabe A, no. 5, illustrated section, pt. 3 (morning edition, January 4, 1914). Collected posthumously in Zur Philosophie der Kunst: Philosophische und Kunstphilosophische Aufsätze, ed. Gertrud Simmel, pp. 79-86. Potsdam: Gustav Kiepenheuer Verlag, 1922. (Gesamtausgabe, ed. Otthein Rammstedt, vol. 13: Aufsätze und Abhandlungen, 1909-1918, pt. II, ed. Klaus Latzel, pp. 9-15. Frankfurt am Main: Suhrkamp Verlag, 2000.) –––––. “Die Großstädte und das Geistesleben.” In Theodor Petermann (ed.), Die Großstadt: Vorträge und Aufsätze zur Städteausstellung, pp. 185-206. Dresden: von Zahn & Jaensch, 1903. (Jahrbuch der GeheStiftung zu Dresden, vol. IX (Winter 1902).) (Gesamtausgabe, vol. 7: Aufsätze und Abhandlungen, 1901-1908, pt. I, ed. Rüdiger Kramme, Angela Rammstedt, and Otthein Rammstedt, pp. 116-31. Frankfurt am Main: Suhrkamp Verlag, 1995.) –––––. Der Konflikt der modernen Kultur: Ein Vortrag. Munich and Leipzig: Verlag von Duncker & Humblot, 1918. (Gesamtausgabe, vol. 16, ed. Gregor Fitzi and Otthein Rammstedt, pp. 181-207. Frankfurt am Main: Suhrkamp Verlag, 1999.) –––––. “Die Krisis der Kultur.” A lecture delivered in Vienna, January 1916. First published in Der Krieg und die geistigen Entscheidungen: Reden und Aufsätze, pp. 43-64. Munich and Leipzig: Verlag von Duncker & Humblot, 1917. (Gesamtausgabe, vol. 16, pp. 190-201.) –––––. Philosophie des Geldes. Zweite, vermehrte Auflage. Leipzig: Verlag von Duncker & Humblot, 1907. (Gesamtausgabe, vol. 6, ed. David P. Frisby and Klaus Christian Köhnke. Frankfurt am Main: Suhrkamp Verlag, 1989.)


–––––. “Zur Philosophie des Schauspielers.” Der Morgen: Wochenschrift für deutsche Kultur (Berlin: Morgen-Verlag), vol. 2, no. 51/52 (December 18, 1908), pp. 1685-89. A different text was published in Logos: Internationale Zeitschrift für Philosophie der Kultur (Tübingen: Verlag von J. C. B. Mohr (Paul Siebeck)), vol. IX, no. 1 (1920), pp. 339-62, after Simmel’s death. (Gesamtausgabe, vol. 8: Aufsätze und Abhandlungen, 1901-1908, pt. II, ed. Alessandro Cavalli and Volkhard Krech, pp. 424-32. Frankfurt am Main: Suhrkamp Verlag, 1993.) –––––. “Psychologische und ethnologische Studien über Musik.” Zeitschrift für Völkerpsychologie und Sprachwissenschaft (Berlin: Ferdinand Dümmlers Verlagsbuchhandlung), vol. 13, no. 3 (1882), pp. 261-305. (Gesamtausgabe, vol. 1, ed. Klaus Christian Köhnke, pp. 45-89. Frankfurt am Main: Suhrkamp Verlag, 2000.) –––––. Rembrandt: Ein kunstphilosophischer Versuch. Leipzig: Kurt Wolff Verlag, 1916. (Gesamtausgabe, vol. 15, ed. Uta Kösser, Hans-Martin Kruckis, and Otthein Rammstedt, pp. 305-515. Frankfurt am Main: Suhrkamp Verlag, 2003.) –––––. “Der Schauspieler und die Wirklichkeit.” Berliner Tageblatt und Handels-Zeitung (Berlin: Mosse), vol. 41, no. 11 (January 7, 1912), supplement, pp. 5-6. (Gesamtausgabe, vol. 12: Aufsätze und Abhandlungen, 1909-1918, pt. I, ed. Rüdiger Kramme and Angela Rammstedt, pp. 308-15. Frankfurt am Main: Suhrkamp Verlag, 2001.) –––––. Schulpädagogik: Vorlesungen gehalten an der Universität Strassburg, ed. Karl Hauter. Osterwieck am Harz: Verlag von A. W. Zickfeldt, 1922. (Gesamtausgabe, vol. 20: Postume Veröffentlichungen, ed. Torge Karlsruhen and Otthein Rammstedt, pp. 311-472. Frankfurt am Main: Suhrkamp Verlag, 2004.)


–––––. Über sociale Differenzierung: Sociologische und psychologische Untersuchungen. Leipzig: Verlag von Duncker & Humblot, 1890. (Gesamtausgabe, vol. 2: Aufsätze 1887 bis 1890, ed. Heinz-Jürgen Dahme, pp. 109-295. Frankfurt am Main: Suhrkamp Verlag, 1989.) –––––. Soziologie: Untersuchungen über die Formen der Vergesellschaftung. Leipzig: Verlag von Duncker & Humblot, 1908. (Gesamtausgabe, vol. 11, ed. Otthein Rammstedt. Frankfurt am Main: Suhrkamp Verlag, 1992.) –––––. “Tendencies in German Life and Thought Since 1870,” translated by W. D. Briggs. The International Monthly: A Magazine of Contemporary Thought (Burlington: Frederick A. Richardson), vol. V, no. 1 (January 1902), pp. 93-111, and no. 2 (February 1902), pp. 166-84. (Gesamtausgabe, vol. 18: Englischsprachige Veröffentlichungen, 1893-1910, ed. David P. Frisby, pp. 167-202. Frankfurt am Main: Suhrkamp Verlag, 2008.) SIMON, Artur (ed.). Das Berliner Phonogramm-Archiv, 1900-2000: Sammlungen der traditionellen Musik der Welt. Berlin: Verlag für Wissenschaft und Bildung, 2000. SIMSON, Otto von. The Gothic Cathedral: Origins of Gothic Architecture and the Medieval Concept of Order. Second revised edition. New York: Pantheon Books, 1962. (Bollingen Series, vol. XLVIII.) SINGER, Isaac Bashevis. A Friend of Kafka and Other Stories. New York: Farrar, Straus & Giroux, 1970. (Collected Stories, vol. 2: A Friend of Kafka to Passions, ed. Ilan Stavans. New York: The Library of America, 2004.) SITSKY, Larry. Music of the Repressed Russian Avant-Garde, 1900-1929. Westport and London: Greenwood Press, 1994.


SKINNER, Cornelia Otis. Elegant Wits and Grand Horizontals: A Sparkling Panorama of “La Belle Epoque”: Its Gilded Society, Irrepressible Wits and Splendid Courtesans. Boston: Houghton Mifflin, 1962. SLONIMSKY, Nicolas (Nikolai Leonidovich). Baker’s Biographical Dictionary of Musicians. Eighth edition. New York: Schirmer Books, 1991. –––––. Baker’s Dictionary of Music, ed. Richard Kassel. New York: Schirmer Books, 1997. –––––. Lectionary of Music. New York: McGraw-Hill, 1989. –––––. Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven’s Time. New York: W. W. Norton & Company, 2000. –––––. The Listener’s Companion: The Great Composers and Their Works, ed. Electra Yourke. New York: Schirmer Books, 2002. –––––. Music of Latin America. Third edition. New York: Da Capo Press, 1972. –––––. Music Since 1900. Fifth edition. New York: Schirmer Books, 1994. –––––. Slonimsky’s Book of Musical Anecdotes. London and New York: Routledge, 2000. –––––. Writings on Music, ed. Electra Yourke. Four volumes. London and New York: Routledge, 2003-05.


SMITH, Adam. The Theory of Moral Sentiments; or, An Essay towards an Analysis of the Principles by which Men naturally judge concerning the Conduct and Character, first of their Neighbours, and afterwards of themselves. Two volumes. Sixth edition. London: A. Strahan, 1790.(The Glasgow Edition, vol. I, ed. A. L. Macfie and D. D. Raphael. Oxford: Oxford University Press, 1976.) SMITH, Garnet. “Charles Baudelaire.” The Gentleman’s Magazine (London: Chatto & Windus), vol. CCLXIV, no. 1886 (February 1888), pp. 178-91. SNYDER, Jon R. Dissimulation and the Culture of Secrecy in Early Modern Europe. Berkeley and Los Angeles: University of California Press, 2009. SÖHNGEN, Oskar. Das mystische Erlebnis in Plotins Weltanschauung. Leipzig: Alfred Kröner Verlag, 1923. –––––. Theologie der Musik. Kassel: Johannes Stauda Verlag, 1967. SOLGER, Karl Wilhelm Ferdinand. “Über die älteste Ansicht der Griechen von der Gestalt der Welt.” In Nachgelassene Schriften und Briefwechsel, ed. Ludwig Tieck and Friedrich von Raumer, vol. II, pp. 629-49. Leipzig:F. A. Brockhaus, 1826. –––––. Erwin: Vier Gespräche über das Schöne und die Kunst. Two volumes. Berlin: in der Realschulbuchhandlung, 1815. –––––. “Etwas über das Verhältniß des Ideals zur Nachahmung der Natur in der Kunst.” Pantheon: Eine Zeitschrift für Wissenschaft und Kunst (Leipzig: E. Salfeld), vol. II, no. 2 (1810), pp. 395-415. –––––. “Ideen über die Religion der Griechen und einiger andern Völker des Alterthums.” In Nachgelassene Schriften und Briefwechsel, vol. II, pp. 719-61.


–––––. “Über patriotischen Enthusiasmus.” In Nachgelassene Schriften und Briefwechsel, vol. II, pp. 387-423. –––––. Philosophische Gespräche, Erste Sammlung. Berlin: in der Maurerschen Buchhandlung, 1817. –––––. “Philosophische Gespräche über Seyn, Nichtseyn und Erkennen.” In Nachgelassene Schriften und Briefwechsel, vol. II, pp. 200-62. –––––. “Über Sophokles und die alte Tragödie.” In Nachgelassene Schriften und Briefwechsel, vol. II, pp. 445-92. –––––. “Über den Ursprung der Lehre von Dämonen und Schutzgeistern in der Religion der alten Griechen.” In Nachgelassene Schriften und Briefwechsel, vol. II, pp. 650-75. –––––. Vorlesungen über Aesthetik, ed. Karl Wilhelm Ludwig Heyse. Leipzig: F. A. Brockhaus, 1829. SOLL, Jacob. The Reckoning: Financial Accountability and the Rise and Fall of Nations. New York: Basic Books, 2014. SOREL, Georges. Les Illusions du progrès. Deuxième édition revue et augmentée. Paris: Marcel Rivière et Cie, 1911. (Études sur le devenir social, vol. I.) –––––. Réflexions sur la violence. Deuxième édition. Paris: Marcel Rivière et Cie, 1910. (Études sur le devenir social, vol. IV.) SOULLIER, Eugène (S.J.). Le Plain-Chant: Histoire et théorie. Tournai: Desclée, Lefebvre et Cie, 1894.


–––––. “Richard Wagner et sa musique.” Études: Religieuses, philosophiques, historiques et littéraires (Paris: Pères de la Compagnie de Jésus), vol. LIX (May 15, 1893), pp. 114-30. SOUVTCHINSKY, Pierre (Pyotr) Petrovich. Un Siècle de musique russe. Preface by Pierre Boulez. Arles: Actes Sud, 2004. SPAETH, Sigmund Gottfried. The Art of Enjoying Music. New York and London: Whittlesey House, 1933. –––––. At Home with Music. New York: Doubleday, Doran and Company, 1945. –––––. The Common Sense of Music. New York: Boni and Liveright, 1924. –––––. The Facts of Life in Popular Song. New York and London: Whittlesey House, 1934. –––––. A History of Popular Music in America. New York: Random House, 1948. –––––. Milton’s Knowledge of Music: Its Sources and Its Significance in His Works. This was Spaeth’s doctoral dissertation. Princeton: The University Library, 1913. –––––. Music for Fun. New York and London: Whittlesey House, 1939. –––––. Read ’em and Weep: The Songs You Forgot to Remember. New York: Doubleday, Page & Company, 1927. –––––. Stories Behind the World’s Great Music. New York and London: Whittlesey House, 1937. –––––. They Still Sing of Love. New York: Horace Liveright, 1929.


SPANGENBERG, Cyriacus. “Von der edlen unnd hochberüembten Kunst der Musica, unnd deren Ankunfft, Lob, Nutz, unnd Wirckung, auch wie die Meistersenger auffkhommenn vollkhommener Bericht: Zu Dienst unnd Ehren der löblichen unnd ehrsamen Gesellschafft der Meistersinger, in der löblichen freyen Reichstatt Straszburg.” This manuscript was dated 1598, and remained unpublished during his lifetime. (It no longer is extant, having been destroyed in the fire of August 24-25, 1870 which ravaged the Bibliothèque municipale, during the Prussian bombardment of the city.) One portion of it appeared in Enoch Hannman’s notes to his revision of a treatise by Martin Opitz, under the title Prosodia germanica, Oder Buch von der Deudschen Poeterey, pp. 126-66. Frankfurt am Main: bey Christian Klein, 1658. The text has been published in its entirety in Von der Musica und den Meistersängern, ed. Adelbert von Keller. Stuttgart: Litterarischer Verein, 1861. SPENCER, Herbert. The Man Versus the State. Second edition. London: Williams & Norgate, 1892. SPITZER, John, and Neal ZASLAW. The Birth of the Orchestra: History of an Institution, 1650-1815. Oxford: Oxford University Press, 2004. SPRONCK, Maurice. L’An 330 de la République (XXIIe siècle de l’ère chrétienne). Paris: Léon Chailley, 1894. –––––. “Charles Baudelaire.” In Les Artistes littéraires: Études sur le XIXe siècle, pp. 83-135. Paris: Calmann Lévy, 1889. STAËL, Anne Louise Germaine de. De l’Influence des passions sur le bonheur des individus et des nations. Two volumes. Seconde édition revue et corrigée. Paris: chez Dufart, chez Dessenne, An 5 - 1797. (Œuvres complètes, série I: Œuvres critiques, vol. I: Lettres sur Rousseau, De l’Influence des passions et autres essais moraux, ed. Florence Lotterie. Paris: Honoré Champion, 2008.)


–––––. Réflexions sur le suicide. London: chez L. Deconchy, 1813. (Œuvres complètes, série I, vol. I.) STANGL, Burkhard. Ethnologie im Ohr: Die Wirkungsgeschichte des Phonographen. Vienna: Wiener Universitätsverlag, 2000. STANISLAVSKI, Constantin (Konstantin Sergeyevich Alexeyev). An Actor Prepares, translated by Elizabeth Reynolds Hapgood. London: Geoffrey Bles, 1936. –––––. An Actor’s Work on a Role, ed. and translated by Jean Benedetti. London and New York: Routledge, 2010. –––––. On the Art of the Stage, translated by David Magarshack. London: Faber & Faber, 1950. –––––. Building a Character, translated by Elizabeth Reynolds Hapgood. Preface by Joshua Logan. New York: Theatre Arts Books, 1949. –––––. Creating a Role, ed. Hermine I. Popper, translated by Elizabeth Reynolds Hapgood. Preface by Robert Lewis. London: The New English Library, 1961. ––––– and Pavel Rumyantsev. On Opera, translated by Elizabeth Reynolds Hapgood. New York: Theatre Arts Books, 1975. STAROBINSKI, Jean. Les Enchanteresses. Paris: Éditions du Seuil, 2005. –––––. Les Mots sous les mots: Les Anagrammes de Ferdinand de Saussure. Paris: Éditions Gallimard, 1971. STEIN, Erwin. Orpheus in New Guises: The Music of Mahler, Schoenberg, Webern, Berg, Britten (by One Who Both Knew and Worked with Them). London: Rockliff, 1953.


–––––. “Utopien.” Pult und Taktstock: Fachzeitschrift für Dirigenten (Vienna and New York: Universal-Edition), vol. VI, no. 2 (MarchApril 1929), pp. 25-30. –––––. “Zeitgemässe und unzeitgemässe Musik.” Pult und Taktstock, vol. III, no. 7/8 (September-October 1926), pp. 127-30. STEIN, Gertrude. “Doctor Faustus Lights the Lights.” In Last Operas and Plays, ed. Carl Van Vechten, pp. 89-118. New York: Rinehart & Company, 1949. (Writings, 1932-1946, ed. Harriet Chessman and Catherine Simpson, pp. 575-607. New York: The Library of America, 1998.) –––––. The Making of Americans: Being a History of a Family’s Progress. Excerpts of the novel first appeared in Madox Ford’s Transatlantic Review (London: Gerald Duckworth and Company, and New York: Thomas Seltzer) during 1924. Paris: Contact Editions, 1925. STEINER, George. After Babel: Aspects of Language and Translation. Third edition. Oxford: Oxford University Press, 1998. STEINHAUßEN, Jan. ‚Aristokraten aus Not‘ und ihre ‚Philosophie der zu hoch hängenden Trauben‘: Nietzsche-Rezeption und literarische Produktion von Homosexuellen in den ersten Jahrzehnten des 20. Jahrhunderts. Würzburg: Konigshausen & Neumann, 2001. STEINTHAL, Heymann. “Ueber Andacht.” The lecture first appeared in the ninth and tenth Sunday supplements of the Vossische Zeitung (Berlin) in 1886. Collected in Zu Bibel und Religionsphilosophie: Vorträge und Abhandlungen, pp. 151-65. Berlin: Verlag von Georg Reimer, 1890. –––––. Der Ursprung der Sprache im Zusammenhange mit den letzten Fragen alles Wissens: Eine Darstellung, Kritik und Fortentwicklung der vorzüglichsten Ansichten. Vierte, abermals erweiterte Auflage. Berlin: Ferdinand Dümmlers Verlagsbuchhandlung, 1888. 785

STENDHAL (Marie-Henri BEYLE). De l’Amour, ed. Romain Colomb. Édition complète. Paris: Michel Lévy frères, 1853. (Œuvres complètes, ed. Ernest Abravanel and Vittorio del Litto, vols. III and IV, ed. Pierre Jourda and Daniel Muller. Geneva: Édito-Service, 1968.) –––––. Letter to Pauline Beyle, 2 Fructidor An XIII (August 20, 1805). Published in Correspondance, vol. I: 1800-1821, ed. Victor Del Litto and Henri Martineau. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1963. –––––. D’un Nouveau Complot contre les industriels. Paris: Sautelet et Cie, 1825. –––––. Œuvres complètes, vols. XLV to XLIX: Mélanges, ed. Victor Del Litto. Geneva: Édito-Service, 1971-72. –––––. Racine et Shakspeare. Two volumes. Paris: chez Bossange père, chez Delaunay, chez Pierre Mongie, 1823; and Paris: A. Dupont et Roret, Libraires, 1825. (Œuvres complètes, vol. XXXVII, ed. Pierre Martino. Geneva: Édito-Service, 1970.) –––––. “Du Rire: Essai philosophique sur un sujet difficile.” This unfinished essay was written in February 1823. First published posthumously in Mélanges d’art et de littérature, pp. 1-30. Paris: Michel Lévy frères, 1867. Republished, along with other texts on the topic, in Molière, Shakspeare, La Comédie et Le Rire, ed. Henri Martineau, pp. 287-329. Paris: Le Divan, 1930. –––––. Vie de Rossini. Two volumes. Paris: chez Auguste Boulland et Cie, Libraire, 1824. (Œuvres complètes, vols. XXII and XXIII, ed. Henry Prunières. Geneva: Édito-Service, 1968.) –––––. Voyages en Italie, ed. Vittorio del Litto. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1973.


STERNFELD, Frederick William. The Birth of Opera. Oxford: Clarendon Press, 1993. –––––. Music in Shakespearean Tragedy. London: Routledge & Kegan Paul; and New York: Dover Publications, 1963. STEVENSON, Robert Louis. Virginibus Puerisque, and Other Papers. London:C. Kegan Paul & Co., 1881. (The Works, Edinburgh Edition, ed. Sidney Colvin, vol. XI: Miscellanies, vol. III, pp. 1-195. Edinburgh: T. and A. Constable, 1895.) STIRNER, Max (Johann Kaspar SCHMIDT). Der Einzige und sein Eigenthum. Leipzig: Verlag von Otto Wigand, 1845. STOCKHAUSEN, Karlheinz. “Momentform.” In Texte zur Musik, vol. 1: Texte zur elektronischen und instrumentalen Musik, pp. 189-210. Cologne: VerlagM. DuMont Schauberg, 1963. STRAVINSKY, Igor Fyodorovich. Poétique musicale. Delivered at Harvard University as the Charles Eliot Norton Lectures in 1939-40. Nouvelle édition revue et complétée. Paris: Librairie Plon, 1952. STRINDBERG, Johan August. “Des Arts Nouveaux! ou Le hasard dans la production artistique.” The original manuscript was revised by Georges Loiseau, and appeared under the title “Du Hasard dans la production artistique” in the Revue des revues, et revue d’Europe et d’Amérique (Paris), vol. XI, no. 22 (November 15, 1894), pp. 265-70. Strindberg’s own text has been published in the Samlade Verk, ed. Lars Dahlbäck, vol. 34: Vivisektioner II, ed. Gunnel Engwall and Per Stam, pp. 165-70. Stockholm: Norstedts Förlag, 2011. –––––. “Le Barbare à Paris.” Gil Blas (Paris), vol. XVII, no. 5742 (August 8, 1895), p. 1. (Samlade Verk, vol. 34, pp. 260-64.)


–––––. “Le Caractère un Rôle?” Unpublished in its entirety during Strindberg’s lifetime, though an excerpt, revised by Loiseau, appeared under the title “Marionnettes” in L’Écho de Paris (Paris), vol. XII, no. 3872 (January 2, 1895), pp. 1-2. The complete text first appeared in Vivisektioner: De franska texterna, ed. Torsten Eklund, along with a Swedish translation by Tage Aurell. Stockholm: Albert Bonniers Förlag, 1958. (Samlade Verk, vol. 34, pp. 214-21.) –––––. “Cristaux de remplacement.” Revised by Loiseau, the essay appeared in La Plume: Littéraire, Artistique et Sociale (Paris), vol. VI, no. 136 (December 15, 1894), pp. 507-09. In Vivisektioner, with a Swedish version by Tage Aurell. (Samlade Verk, vol. 34, pp. 177-83.) –––––. “Études funèbres.” La Revue des revues, vol. XVIII, no. 14 (July 15, 1896), pp. 97-105. Subsequently included as ch. VII in the French version of his Inferno. (Samlade Verk, vol. 34, pp. 268-79.) –––––. “Hallucinationer.” First printed in Danish in Illustreret Tidende (Copenhagen), vol. XXVIII, no. 38 (June 19, 1887), under the title “Hallucination.” In Tryckt och otryckt, vol. III, pp. 179-86. Stockholm: Albert Bonniers Förlag, 1891. (Samlade Verk, vol. 29: Vivisektioner, Blomstermålningar och djurstycken, Skildringar av naturen, Silverträsket, ed. Hans Lindström, pp. 50-53. Stockholm: Almqvist & Wiksell Förlag, 1985.) –––––. “Hjärnornas kamp.” First published in German under the title“Der Kampf der Gehirne” in the Neue Freie Presse (Vienna), no. 8216 (July 12, 1887), pp. 1-5, and no. 8217 (July 13), pp. 1-4. In Tryckt och otryckt, vol. II, pp. 47-86. Stockholm: Albert Bonniers Förlag, 1890. (Samlade Verk, vol. 29, pp. 24-49.)


–––––. Inferno. Preface by Marcel Réja. Deuxième édition. Paris: Société du Mercure de France, 1898. (Both this, although the chapter “Études funèbres” has been printed in another volume, as well as the Swedish version are included in the Samlade Verk, vol. 37: Inferno, ed. AnnCharlotte Gavel Adams. Stockholm: Norstedts Förlag, 1994.) –––––. “Kvinnans underlägsenhet under mannen, och det på grund däraf berättigade i hennes underordnade ställning (Enligt vetenskapens sista resultat).” In Tryckt och otryckt, vol. I, pp. 217-45. (Samlade Verk, vol. 17: Likt och olikt I-II, samt uppsatser och tidningsartiklar, 1884-1890, ed. Hans Lindström, pp. 327-44. Stockholm: Norstedts Förlag, 2003.) –––––. Letter to Edvard Brandes, September 4, 1888. Published in August Strindbergs Brev, vol. 7: Februari 1888-december 1889, ed. Torsten Eklund, pp. 111-12. Stockholm: Albert Bonniers Förlag, 1961. –––––. Letter to Friedrich Nietzsche, December 31, 1888. Published in August Strindbergs Brev, vol. 7, p. 216. Also in Nietzsche’s Briefwechsel: Kritische Gesamtausgabe, ed. Giorgio Colli and Mazzino Montinari, Dritte Abteilung, vol. 6: Briefe an Friedrich Nietzsche Januar 1887 Januar 1889, ed. Helga Anania-Hess, p. 414. Berlin and New York: Walter de Gruyter & Co., 1984. –––––. “Le Mensonge comme force suggestive.” Unpublished during Strindberg’s lifetime; the text, with a translation into Swedish by Tage Aurell, first appeared in Vivisektioner. (Samlade Verk, vol. 34.) –––––. “Om modernt drama och modern teater.” Published first in Ny Jord: Nordisk Tidsskrift for Literatur, Videnskab og Kunst (Copenhagen:P. Hauberg & Comp.), vol. III, no. 3 (March 1889), pp. 193-212. In Tryckt och otryckt, vol. I, pp. 189-216. Stockholm: Albert Bonniers Förlag, 1890. (Samlade Verk, vol. 18: Kvarstadsresan, Fabler, och Societeten i Stockholm, samt andra prosatexter, 1880-1889, ed. Conny Svensson, pp. 317-33. Stockholm: Norstedts Förlag, 2007.) 789

–––––. Öppna brev till Intima teatern. Stockholm: Björck & Börjesson, 1909. (Intima teaterns publikationer, no. 5.) (Samlade Verk, vol. 64: Teater och intima teatern, ed. Per Stam, pp. 191-243. Stockholm: Norstedts Förlag, 1999.) –––––. “Les Pervers.” Intended for one of the French periodicals, but unpublished during Strindberg’s lifetime; it first appeared in Vivisektioner, accompanied by a translation into Swedish by Tage Aurell. (Samlade Verk, vol. 34.) –––––. Le Plaidoyer d’un fou. Strindberg’s French manuscript was discovered in 1973 in the Universitetsbiblioteket in Oslo; this text was published in an edition by Lars Dahlbäck and Göran Rossholm. Stockholm: Svenska Vitterhetssamfundet, 1978. (Samlade Verk, vol. 25:En dåres försvarstal, ed. Gunnel Engwall and Göran Rossholm, pp. 263-517. Stockholm: Norstedts Förlag, 1999.) –––––. “Sensations détraquées.” In Loiseau’s revision, it was printed in the Supplément littéraire of Le Figaro (Paris), vol. 20, no. 46 (November 17, 1894), pp. 183-84; vol. 21, no. 4 (January 26, 1895), p. 13; and no. 6 (February 9), pp. 22-23. (Samlade Verk, vol. 34, pp. 222-35.) –––––. “Själamord (Apropos Rosmersholm).” First publication was in Copenhagen in Politiken (May 30, 1887), in a Danish translation. In Swedish in Tryckt och otryckt, vol. III, pp. 139-56. (Samlade Verk, vol. 29, pp. 73-82.) –––––. Svarta Fanor: Sedeskildringar från Sekelskiftet. Stockholm: Björck & Börjesson, 1907. (Samlade Verk, vol. 57: Svarta fanor, ed. Rune Helleday. Stockholm: Norstedts Förlag, 1995.) STRUTT, John William. The Theory of Sound. Two volumes. Second edition revised and enlarged. London: Macmillan and Co., 1894-96.


SUARÈS, André (Isaac Félix SUARÈS). Debussy. Paris: Éditions ÉmilePaul frères, 1922. –––––. Musiciens. Paris: Les Livres de Louis Jou, 1931. –––––. Musique et Poésie. Paris: Éditions Claude Aveline, 1928. (La Musique moderne, vol. V.) –––––. Sur la musique, ed. Stéphane Barsacq. Arles: Actes Sud, 2013. –––––. Variables. Paris: Éditions Émile-Paul frères, 1929. SWEET, Waldo E. Sport and Recreation in Ancient Greece: A Sourcebook with Translations. Oxford: Oxford University Press, 1987. SWINBURNE, Algernon Charles. “Ave Atque Vale.” The Fortnightly Review (London: Chapman and Hall), new series, vol. III, no. XIII (January 1, 1868), pp. 71-76. In Poems and Ballads, Second Series, pp. 71-83. London: Chatto & Windus, 1878. (The Poems, vol. III, pp. 50-57. London: Chatto & Windus, 1904.) (The Complete Works, Bonchurch Edition, ed. Edmund Gosse and Thomas James Wise, vol. III: Poetical Works, vol. III, pp. 44-51. London: William Heinemann, and New York: Gabriel Wells, 1925.) –––––. “Charles Baudelaire: Les Fleurs du Mal.” The Spectator (London), no. 1784 (September 6, 1862), pp. 998-1000. (The Complete Works, vol. XIII: Prose Works, vol. III, pp. 417 ff. London: William Heinemann, and New York: Gabriel Wells, 1926.) –––––. “Dedicatory Epistle.” The Poems, vol. I, pp. v-xxix. –––––. “Mr. Arnold’s New Poems.” The Fortnightly Review, new series, vol. II, no. X (October 1, 1867), pp. 414-45. In Essays and Studies, pp. 123-83. London: Chatto & Windus, 1875. (The Complete Works, vol. XV: Prose Works, vol. V. London: William Heinemann, and New York: Gabriel Wells, 1926.) 791

–––––. “Mr. Whistler’s Lecture on Art.” The Fortnightly Review, new series, vol. XLIII, no. CCLVIII (June 1, 1888), pp. 745-51. –––––. Songs Before Sunrise. London: F. S. Ellis, 1871. (The Poems, vol. II, pp. 3-239.) –––––. “Victor Hugo: L’Année terrible.” The Fortnightly Review, new series, vol. XII, no. LXIX (September 1, 1872), pp. 243-67. In Essays and Studies, pp. 17-59. (The Complete Works, vol. XIII.) SYMONS, Arthur. Plays, Acting and Music: A Book of Theory. London: Constable & Company, 1909. –––––. Studies in Seven Arts. London: Archibald Constable and Company, 1906. –––––. A Study of Oscar Wilde. London: Charles J. Sawyer, 1930. –––––. The Symbolist Movement in Literature. Revised and enlarged edition. New York: E. P. Dutton & Company, 1919. TAGUIEFF, Pierre-André. Wagner contre les Juifs: Aux origines de l’antisémitisme culturel moderne. Paris: Berg International, 2012. TAILHADE, Laurent. Quelques Fantômes de jadis. Nouvelle édition. Paris: Éditions Française Illustrée, 1920. TALMON, Jacob Leib. The Myth of the Nation and the Vision of Revolution: The Origins of Ideological Polarisation in the Twentieth Century. London: Secker & Warburg, and Berkeley and Los Angeles: University of California Press, 1981. TARDE, Gabriel. Les Lois de l’imitation: Étude sociologique. Paris: Félix Alcan, 1895.


–––––. L’Opposition universelle: Essai d’une théorie des contraires. Paris: Félix Alcan, 1897. TARUSKIN, Richard. On Russian Music. Berkeley and Los Angeles: University of California Press, 2009. –––––. Russian Music at Home and Abroad: New Essays. Oakland: University of California Press, 2016. TASCHNER, Rudolf. Rechnen mit Gott und der Welt: Betrachtung von allem plus eins. Salzburg: Ecowin Verlag, 2009. –––––. Zahl, Zeit, Zufall: Alles Erfindung? Salzburg: Ecowin Verlag, 2007. THIEL, Peter. “The Straussian Moment.” A lecture delivered at a conference about René Girard, held in July 2004 at Stanford University. Published in Robert Hamilton-Kelly (ed.), Politics & Apocalypse, pp. 189-218. East Lansing: Michigan State University Press, 2007. THOMASIUS, Christian. Discours, Welcher Gestalt man denen Frantzosen in gemeinem Leben und Wandel nachahmen solle? The lecture was held at the university there on October 24 (October 31, old style), 1687. Leipzig: Moritz George Weidemannen, 1690. THOMPSON, D’Arcy Wentworth. On Growth and Form: A New Edition. Cambridge: at the University Press, and New York: The Macmillan Company, 1942. THOMPSON, Elbert Nevius Sebring. The Controversy Between the Puritans and the Stage. New York: Henry Holt and Company, 1903. (Yale Studies in English, vol. XX.) THOMPSON, Emily. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933. Cambridge, Massachusetts: The MIT Press, 2002. 793

THOMSON, James Alexander Kerr. Irony: An Historical Introduction. London: George Allen & Unwin, 1926. –––––. Shakespeare and the Classics. London: George Allen & Unwin, 1952. THOMSON, Virgil. Music Chronicles, 1940–1954, ed. Tim Page. New York: The Library of America, 2014. –––––. The State of Music & Other Writings, ed. Tim Page. New York: The Library of America, 2016. THOREL, Jean (Jules Raymond Virgile BOUTHORS). “La Poésie et les poètes contemporains en Allemagne.” Revue des Deux Mondes (Paris), vol. CXXXV, no. 2 (May 15, 1896), pp. 300-26. –––––. “Les Romantiques allemands et les symbolistes français.” Entretiens politiques & littéraires (Paris), vol. III, no. 18 (September 1891), pp. 95-109. THOUARD, Denis. “Rire et amour-propre: Anthropologie du rire et subjectivité chez Kant et Hobbes.” In Luc Foisneau and Denis Thouard (eds.), Kant et Hobbes: De la violence à la politique, pp. 55-85. Paris: Librairie Philosophique J. Vrin, 2005. TOCQUEVILLE, Alexis Charles Henri Clérel de. Souvenirs, ed. Christian Clérel de Tocqueville. The text was published with excisions. Paris: Calmann Lévy, 1893. A complete version was published by Éditions Gallimard in 1942, edited by Luc Monnier, which was reissued by the same house in the Œuvres complètes, vol. XII, in 1964. (Œuvres, vol. III, ed. François Furet and Françoise Mélonio. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 2004.) TOOP, David. Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. London: Serpent’s Tail, 1995. 794

–––––. Sinister Resonance: The Mediumship of the Listener. New York and London: Continuum, 2010. TRAKL, Georg. Gedichte. Leipzig: Kurt Wolff Verlag, 1913. (Sämtliche Werke und Briefwechsel: Innsbrucker Ausgabe, ed. Eberhard Sauermann and Hermann Zwerschina, vol. II: Dichtungen Sommer 1912 - Frühjahr 1913. Basel and Frankfurt am Main: Stroemfeld/Roter Stern, 1995.) TRAPNELL, William H. Eavesdropping in Marivaux. Geneva: Librairie Droz, 1987. TROTSKY, Leon (Lev Davidovich BRONSTEIN). Literature and Revolution, translated by Rose Strunsky. New York: International Publishers, 1925. TROWER, Shelley. Senses of Vibration: A History of the Pleasure and Pain of Sound. New York and London: Continuum, 2012. TUREL, Adrien. Die Eroberung des Jenseits. Berlin: Ernst Rowohlt Verlag, 1931. –––––. Selbsterlösung. Berlin: S. Fischer Verlag, 1919. –––––. Technokratie, Autarkie, Genetokratie. Berlin: Waldemar Hoffmann Verlag, 1934. –––––. Wiedergeburt der Macht aus dem Können. Munich: Drei Masken Verlag, 1921. TWAIN, Mark (Samuel Langhorne CLEMENS). “The Chicago of Europe.”The Chicago Daily Tribune (April 3, 1892), p. 33. (The Works, ed. Albert Bigelow Paine, vol. XXII: Literary Essays, pp. 244-62. New York: Gabriel Wells, 1923.) (A Tramp Abroad, Following the Equator, Other Travels, ed. Roy Blount, Jr., pp. 985-92. New York: The Library of America, 2010.)


–––––. “Concerning the Jews.” Harper’s New Monthly Magazine (New York and London: Harper & Brothers), vol. XCIX, no. DXCII (September 1899), pp. 527-35. (The Works, vol. XXII, pp. 263-87.) (Collected Tales, Sketches, Speeches, & Essays, 1891–1910, ed. Louis J. Budd, pp. 354-70. New York: The Library of America, 1992.) –––––. “On the Decay of the Art of Lying.” In The Stolen White Elephant, etc., pp. 217-25. Boston: James R. Osgood and Company, 1882. (The Works, vol. XIX: Tom Sawyer Abroad, Tom Sawyer Detective, and Other Stories, Etc., Etc., pp. 360-68.)(Collected Tales, Sketches, Speeches, & Essays, 1852-1890, ed. Louis J. Budd, pp. 824-29. New York: The Library of America, 1992.) –––––. “Mark Twain at Bayreuth.” The Chicago Daily Tribune (December 6, 1891), p. 33. (The Works, vol. XXVI: What Is Man? and Other Essays, pp. 209-25.) (A Tramp Abroad, Following the Equator, Other Travels, pp. 934-46.) –––––. “Stirring Times in Austria.” Harper’s New Monthly Magazine, vol. XCVI, no. DLXXIV (March 1898), pp. 530-40 (the pagination repeats in part). (The Works, vol. XXII, pp. 197-243.) (A Tramp Abroad, Following the Equator, Other Travels, pp. 1053-86.) –––––. A Tramp Abroad. Hartford: American Publishing Company, and London: Chatto & Windus, 1880. (The Works, vols. IX and X.) (A Tramp Abroad, Following the Equator, Other Travels, pp. 1-404.) TYLER, Parker. The Hollywood Hallucination. New York: Creative Age Press, 1944. –––––. Magic and Myth of the Movies. New York: Henry Holt and Company, 1947. –––––. Sex Psyche Etcetera in the Film. New York: Horizon Press, 1969.


–––––. The Shadow of an Airplane Climbs the Empire State Building: A World Theory of Film. Garden City: Doubleday, 1973. –––––. The Three Faces of the Film: The Art, the Dream, the Cult. New and revised edition. South Brunswick: A. S. Barnes, and New York: Thomas Yoseloff, 1967. UEXKÜLL, Jakob von. Bedeutungslehre. Leipzig: Verlag von Johann Ambrosius Barth, 1940. (Bios: Abhandlungen zur theoretischen Biologie und ihrer Geschichte, sowie zur Philosophie der organischen Naturwissenschaften, vol. X.) –––––. Umwelt und Innenwelt der Tiere. Zweite vermehrte und verbesserte Auflage. Berlin: Verlag von Julius Springer, 1921. VAILLANT, Alain, and Roselyne de VILLENEUVE (eds.). Le Rire moderne. Paris: Presses universitaires de Paris Nanterre, 2013. VALAVANIS, Panos. Games and Sanctuaries in Ancient Greece: Olympia, Delphi, Isthmia, Nemea, Athens, translated by David Hardy. Los Angeles: Getty Publications, 2004. VALÉRY, Paul. Quatre lettres au sujet de Nietzsche. Cahiers de la Quinzaine (Paris: L’Artisan du livre), eighteenth series, no. 2 (April 25, 1927). –––––. “La Conquête allemande.” The New Review (London: William Heinemann), vol. XVI, no. 92 (January 1897), pp. 99-112. Later included under the title “Une Conquête méthodique” in the first volume of Variété. Paris: Éditions Gallimard, 1924. (Œuvres, ed. Jean Hytier, vol. I, pp. 971-87. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1957.)


–––––. “La Conquête de l’ubiquité.” First in De la Musique avant toute chose, .... Paris: Éditions du Tambourinaire, 1929. (Œuvres, vol. II, pp. 1283-87. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1960.) VAN VECHTEN, Carl. “The Dance Criticisms.” Dance Index: A New Magazine Devoted to Dancing (New York: Dance Index - Ballet Caravan Incorporated), vol. I, nos. 9, 10, 11 (September-October-November 1942), pp. 144-88. –––––. Interpreters. New edition. New York: Alfred A. Knopf, 1920. –––––. The Merry-Go-Round. New York: Alfred A. Knopf, 1918. –––––. Music After the Great War, and Other Studies. New York: G. Schirmer, 1915. –––––. Music and Bad Manners. New York: Alfred A. Knopf, 1916. VARÈSE, Edgard. “The Liberation of Sound.” A compilation of texts edited by Chou Wen-chung. In Elliott Schwartz, Barney Childs, and Jim Fox (eds.), Contemporary Composers on Contemporary Music, pp. 195-208. Expanded edition. New York: Da Capo Press, 1998. –––––. “Que la musique sonne.” 391 (New York), no. 5 (June 1917), n.p. ––––– and L. ALCOPLEY (Alfred L. COPLEY). “Edgard Varèse on Music and Art: A Conversation Between Varèse and Alcopley.” Leonardo (Oxford: Pergamon Press), vol. 1, no. 2 (April 1968), pp. 187-95. ––––– and Gunther SCHULLER. “Conversation with Varèse.” Perspectives of New Music (New York: Fromm Music Foundation), vol. 3, no. 2 (Spring-Summer 1965), pp. 32-37.


VAUVENARGUES (Luc de CLAPIERS). Introduction à la connoissance de l’esprit humain, suivie de Réflexions et de Maximes. Paris: chez AntoineClaude Briasson, 1746. (Œuvres complètes, vols. I and II. Paris: Archives Karéline, 2008.) VAZSONYI, Nicholas. Richard Wagner: Self-Promotion and the Making of a Brand. Cambridge: Cambridge University Press, 2010. VENTURI, Franco. Il Populismo russo. Three volumes. Seconda edizione riveduta e definitiva. Turin: Giulio Einaudi, 1972. VERGO, Peter. Art in Vienna, 1898-1918: Klimt, Kokoschka, Schiele and their Contemporaries. Fourth edition. London: Phaidon Press, 2015. –––––. The Music of Painting: Music, Modernism and the Visual Arts from the Romantics to John Cage. London: Phaidon Press, 2010. –––––. That Divine Order: Music and the Visual Arts from Antiquity to the Eighteenth Century. London: Phaidon Press, 2005. VERLAINE, Paul. La Bonne Chanson. Paris: Alphonse Lemerre, 1870. (Œuvres poétiques complètes, ed. Yves-Gérard Le Dantec, with the assistance of Jacques Borel. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1938.) –––––. Fêtes galantes. Paris: Alphonse Lemerre, 1869. (Œuvres poétiques complètes.) –––––. Jadis & naguère: Poésies. Paris: Léon Vanier, 1884. (Œuvres poétiques complètes.) –––––. Mes Hôpitaux. Paris: Léon Vanier, 1891. (Œuvres en prose complètes, ed. Jacques Borel. Paris: Éditions Gallimard, Bibliothèque de la Pléiade, 1972.)


–––––. Poèmes saturniens. Paris: Alphonse Lemerre, 1867. (Œuvres poétiques complètes.) –––––. Les Poètes maudits. Nouvelle édition. Paris: Léon Vanier, 1888. (Œuvres en prose complètes.) –––––. Romances sans paroles. Nouvelle édition. Paris: Léon Vanier, 1891. (Œuvres poétiques complètes.) –––––. Sagesse. Troisième édition revue et corrigée. Paris: Léon Vanier, 1893. (Œuvres poétiques complètes.) VERNE, Jules. “Edgard Poë et ses œuvres.” Musée des Familles: Lectures du Soir (Paris), vol. XXXI, no. 7 (April 1864), pp. 193-208. (Textes oubliés (1849-1903), ed. Francis Lacassin, pp. 11-53. Paris: Union Générale d’Édition, 1979.) VIERECK, Peter. Metapolitics: From Wagner and the German Romantics to Hitler. Expanded edition. New Brunswick: Transaction Publishers, 2004. VIGÉE, Claude. Dans le silence de l’Aleph: Écriture et Révélation. Paris: Éditions Albin Michel, 1992. VILLIERS, André. La Prostitution de l’acteur. Paris: Éditions du Pavois, 1946. VILLIERS DE L’ISLE-ADAM, Auguste de. Axël. Paris: Maison Quantin, 1890. –––––. L’Ève future. Paris: M. de Brunhoff, 1886.


VOLTAIRE (François-Marie AROUET). “Caractère.” First published in the Dictionnaire philosophique, whose last edition (1769) he re-titled La Raison par alphabet; and then, with some alterations, in the Questions sur l’Encyclopédie, par des amateurs, pt. III, pp. 209-13. Paris: n.p., 1770. (Œuvres complètes, vol. 33: Œuvres alphabétiques, pt. I, ed. Jeroom Vercruysse; vol. 35: Dictionnaire philosophique, pt. I, ed. Christiane Mervaud; and vol. 39: Questions sur l’Encyclopédie, par des amateurs, pt. III, ed. Nicholas Cronk and Christiane Mervaud. Oxford: Voltaire Foundation, 1987, 1994, and 2008, respectively.) WACKENRODER, Wilhelm Heinrich (“Joseph BERGLINGER”). “Das eigenthümliche innere Wesen der Tonkunst, und die Seelenlehre der heutigen Instrumentalmusik.” In Phantasien über die Kunst, für Freunde der Kunst, ed. Ludwig Tieck, pp. 181-204. Hamburg: bey Friedrich Perthes, 1799. (Sämtliche Werke und Briefe: Historisch-kritische Ausgabe, vol. I: Werke, ed. Silvio Vietta, pp. 216-23. Heidelberg: Carl Winter Universitätsverlag, 1991.) –––––. “Die Ewigkeit der Kunst.” In Phantasien über die Kunst, für Freunde der Kunst, pp. 124-30. (Sämtliche Werke und Briefe, vol. I.) –––––. “Das merkwürdige musikalische Leben des Tonkünstlers Joseph Berglinger.” In Phantasien über die Kunst, von einem kunstliebenden Klosterbruder, ed. Ludwig Tieck, pp. 161-91. Neue, veränderte Auflage. Berlin: in der Realschulbuchhandlung, 1814. (Sämtliche Werke und Briefe, vol. I, pp. 130-45.) ––––– (“Joseph BERGLINGER”). “Symphonien.” In Phantasien über die Kunst, für Freunde der Kunst, pp. 249-69. (Sämtliche Werke und Briefe, vol. I, pp. 240-46.) ––––– (“Joseph BERGLINGER”). “Die Töne.” In Phantasien über die Kunst, für Freunde der Kunst, pp. 231-48. (Sämtliche Werke und Briefe, vol. I, pp. 233-39.)


––––– (“Joseph BERGLINGER”). “Unmusikalische Toleranz.” In Phantasien über die Kunst, für Freunde der Kunst, pp. 216-30. (Sämtliche Werke und Briefe, vol. I.) ––––– (“Joseph BERGLINGER”). “Die Wunder der Tonkunst.” In Phantasien über die Kunst, für Freunde der Kunst, pp. 147-59. (Sämtliche Werke und Briefe, vol. I, pp. 205-08.) –––––. “Von zwei wunderbaren Sprachen und deren geheimnißvoller Kraft.” In Phantasien über die Kunst, von einem kunstliebenden Klosterbruder, pp. 74-80. (Sämtliche Werke und Briefe, vol. I, pp. 97-100.) ––––– and Ludwig TIECK. Herzensergießungen eines kunstliebenden Klosterbruders. Berlin: bey Johann Friedrich Unger, 1797. (Sämtliche Werke und Briefe, vol. I, pp. 51-145.) WAGNER, Gottfried. Du sollst keine anderen Götter haben neben mir: Richard Wagner - ein Minenfeld. Berlin: Propyläen Verlag, 2013. –––––. Wer nicht mit dem Wolf heult: Autobiographische Aufzeichnungen eines Wagner-Urenkels. Preface by Ralph Giordano. Cologne: Verlag Kiepenheuer & Witsch, 1997. WAGNER, Richard. “Publikum und Popularität.” Bayreuther Blätter (Bayreuth: Bayreuther Patronatverein), vol. I, no. IV (April 1878), pp. 85-92; no. VI (June 1878), pp. 171-77; and no. VIII (August 1878), pp. 213-22. Republished in Gesammelte Schriften und Dichtungen, vol. X, pp. 85-122. Leipzig: Verlag von E. W. Fritzsch, 1883. –––––. “Wollen wir hoffen?” Bayreuther Blätter, vol. II, no. V (May 1879), pp. 185-96. Republished in Gesammelte Schriften und Dichtungen, vol. X, pp. 157-80.


WALKER, Daniel Pickering. The Ancient Theology: Studies in Christian Platonism from the Fifteenth to the Eighteenth Century. Ithaca: Cornell University Press, 1972. –––––. Music, Spirit and Language in the Renaissance, ed. Penelope Gouk. London: Variorum Reprints, 1985. –––––. Spiritual and Demonic Magic from Ficino to Campanella. London: The Warburg Institute, 1958. (Studies of the Warburg Institute, vol. 22.) –––––. Studies in Musical Science in the Late Renaissance. London: The Warburg Institute, and Leiden: E. J. Brill, 1978. (Studies of the Warburg Institute, vol. 37.) WALTER, Bruno. Gustav Mahler. Vienna, Leipzig, Zürich: Herbert Reichner Verlag, 1936. –––––. Von der Musik und vom Musizieren. Frankfurt am Main: S. Fischer Verlag, 1957. WARBURG, Aby (Abraham Moritz). “Die antike Götterwelt und die Frührenaissance im Süden und im Norden.” This lecture was held on December 14, 1908 at the Verein für Hamburgische Geschichte (according to a notice in the Mitteilungen des Vereins für Hamburgische Geschichte (Hamburg: Verlag von W. Mauke Söhne), vol. X, issue 2, no. 1 (February 1909), p. 162). Published in Die Erneuerung der heidnischen Antike: Kulturwissenschaftliche Beiträge zur Geschichte der europäischen Renaissance, ed. Gertrud Bing, with the assistance of Fritz Rougemont, vol. II, pp. 451-54, 626. (Gesammelte Schriften, vol. II.) Leipzig and Berlin:B. G. Teubner, 1932. (The edition was not continued at the time, though work on it began again some years ago.)


–––––. “Dürer und die italienische Antike.” First published in K. Dissel and G. Rosenhagen (eds.), Verhandlungen der achtundvierzigsten Versammlung deutscher Philologen und Schulmänner in Hamburg vom 3. bis 6. Oktober 1905, pp. 55-60. Leipzig: Verlag von B. G. Teubner, 1906. Later in Die Erneuerung der heidnischen Antike, vol. II, pp. 443-50, 623-25. –––––. Gesammelte Schriften, vol. IV: Fragmente zur Ausdruckskunde, ed. Ulrich Pfisterer and Hans Christian Hönes. Berlin: Akademie Verlag, 2015. –––––. “Francesco Sassettis letztwillige Verfügung.” In Rudolf Kautzsch, et al. (eds.), Kunstwissenschaftliche Beiträge: August Schmarsow gewidmet zum fünfzigsten Semester seiner akademischen Lehrtätigkeit, pp. 129-52. Leipzig: Verlag von Karl W. Hiersemann, 1907. In Die Erneuerung der heidnischen Antike, vol. I, pp. 127-58, 353-65. (Gesammelte Schriften, vol. I.) –––––. “Heidnisch-antike Weissagung in Wort und Bild zu Luthers Zeiten.” Received on October 25, 1919, and published the next year in the series of Sitzungsberichte der Heidelberger Akademie der Wissenschaften, Philologisch-historische Klasse, no. 26. Heidelberg: Carl Winter’s Universitätsbuchhandlung, 1920. Collected in Die Erneuerung der heidnischen Antike, vol. II, pp. 487-558, 647-56. –––––. “Die Theaterkostüme für die Intermedien von 1589.” The essay was first published in 1895, in an Italian translation; the original text has been printed in his Werke in einem Band: Auf der Grundlage der Manuskripte und Handexemplare, ed. Martin Treml, Sigrid Weigel, and Perdita Ladwig, pp. 124-67. Berlin: Suhrkamp Verlag, 2010. WARSHOW, Robert. The Immediate Experience: Movies, Comics, Theatre and Other Aspects of Popular Culture, ed. Sherry Abel. Preface by Lionel Trilling. Enlarged edition. Cambridge, Massachusetts: Harvard University Press, 2001. 804

WEBB, Clement Charles Julian. God and Personality. The first course of his Gifford Lectures, held at the University of Aberdeen in 1918 and 1919. London: George Allen & Unwin, and New York: The Macmillan Company, 1919. WEBER, Max. Die rationalen und soziologischen Grundlagen der Musik, ed. Theodor Kroyer. Munich: Drei Masken Verlag, 1921. (Gesamtausgabe, Abteilung I: Schriften und Reden, vol. 14: Zur Musiksoziologie: Nachlaß, 1921, ed. Christoph Braun and. Ludwig Finscher. Tübingen: J. C. B. Mohr (Paul Siebeck), 2004.) WEBSTER, Thomas Bertram Lonsdale. The Greek Chorus. London: Methuen & Company, 1970. WEIL, Simone. Œuvres complètes, vol. II: Écrits historiques et politiques, ed. André A. Devaux and Florence de Lussy, pt. 3: Vers la guerre (1937-1940), ed. Simone Fraisse. Paris: Éditions Gallimard, 1989. –––––. Œuvres complètes, vol. IV, pt. 2: Écrits de Marseille (1941-1942), ed. Florence de Lussy, with the assistance of Anne Brenon, Silvia d’Intino, Michel Narcy, Jean-Luc Périllié, and Marwan Rashed. Paris: Éditions Gallimard, 2009. –––––. Œuvres complètes, vol. VI, pt. 2: Cahiers (Septembre 1941-février 1942), ed. André A. Devaux and Florence de Lussy. Paris: Éditions Gallimard, 1997. WEILL, Alexandre. L’Art est une religion et l’artiste est un prêtre. Paris: Sauvaitre, 1892. –––––. Blasphèmes: Poésies. Nouvelle édition. Paris: Édouard Dentu, 1878.


–––––. Cris d’alarme: Épîtres aux juifs de France, d’Angleterre, d’Allemagne et d’Amérique. Paris: chez Édouard Dentu, and chez l’auteur, 1889. –––––. L’Esprit de l’esprit. Paris: chez Édouard Dentu, and chez l’auteur, 1888. –––––. Feu contre feu: Réponse à un ultramontain. Paris: au Bureau de la Revue indépendante, 1845. –––––. La France catholique & athée (Réponse à « La France juive »). Paris: Édouard Dentu, 1886. –––––. Introduction à mes mémoires: Suite de Ma Jeunesse à Paris. Paris: chez Sauvaitre, and chez l’auteur, 1890. –––––. Lettres de vengeance d’un Alsacien. Paris: Édouard Dentu, 1871. –––––. Ma Jeunesse. Four parts in one volume. Paris: Édouard Dentu, 1888. –––––. Mes Poésies d’amour de jeunesse. Paris: chez Sauvaitre, and chez l’auteur, 1889. –––––. Moïse, le Talmud et l’Evangile. Quatrième édition. Paris: chez Sauvaitre, and chez l’auteur, 1891. –––––. Qu’est-ce que le rêve ? Paris: Édouard Dentu, 1872. –––––. Paris inhabitable: Ce que tout le monde pense des loyers de Paris et que personne ne dit. Troisième édition. Paris: Édouard Dentu, 1860. –––––. Souvenirs intimes de Henri Heine. Paris: Édouard Dentu, 1883.


–––––. Der Staat und die Industrie. Stuttgart: Franck’sche Buchhandlung, 1843. WEILL, Kurt. Musik und musikalisches Theater: Gesammelte Schriften, ed. Stephen Hinton and Jürgen Schebera, with the assistance of Elmar Juchem. Erweiterte und revidierte Neuausgabe. Mainz: Schott, 2000. WEININGER, Otto. Geschlecht und Charakter: Eine prinzipielle Untersuchung. Vienna and Leipzig: Wilhelm Braumüller, 1904. –––––. Über die letzten Dinge. Vienna and Leipzig: Wilhelm Braumüller, 1904. WEISS, Dov. Pious Irreverence: Confronting God in Rabbinic Judaism. Philadelphia: University of Pennsylvania Press, 2017. WELCH, Walter L. From Tinfoil to Stereo: The Acoustic Years of the Recording Industry, 1877-1929, ed. and augmented by Leah Brodbeck Stenzel Burt. Revised edition. Gainesville: University Press of Florida, 1994. WENK, Arthur B. Claude Debussy and the Poets. Berkeley and Los Angeles: University of California Press, 1976. –––––. Claude Debussy and Twentieth-Century Music. Boston: Twayne Publishers, 1983. WERNER, Eric. The Sacred Bridge: The Interdependence of Liturgy and Music in Synagogue and Church During the First Millennium. London: Dennis Dobson, and New York: Columbia University Press, 1959. –––––. Three Ages of Musical Thought: Essays on Ethics and Aesthetics. New York: Da Capo Press, 1981.


WEST, Martin Litchfield. Ancient Greek Music. Oxford: Oxford University Press, 1992. WHISTLER, James Abbott McNeill. On Art: Selected Letters and Writings, ed. Nigel Thorp. Manchester: Carcanet Press, 1994. –––––. The Gentle Art of Making Enemies: As Pleasingly Exemplified in Many Instances, Wherein the Serious Ones of This Earth, Carefully Exasperated, Have Been Prettily Spurred on to Unseemliness and Indiscretion, While Overcome by an Undue Sense of Right. New edition. London: William Heinemann, 1892. WHITEHEAD, Alfred North. Science and the Modern World. Based mainly upon the lectures delivered in Boston at the Lowell Institute, in February 1925. New York: The Free Press, 1967. –––––. Symbolism: Its Meaning and Effect. Delivered in 1927 as the Barbour-Page Lectures at the University of Virginia. New York: The Macmillan Company, 1927. WIEDEBACH, Hartwig. “Hebräisches ‚Fühlen‘: Hermann Cohens Deutung des Schma‘ Jisra’el / ‘Höre Israel’.” Kalonymos: Beiträge zur deutschjüdischen Geschichte (Essen: Salomon Ludwig Steinheim-Institut), vol. 6, no. 2 (2003), pp. 1-4. –––––. Pathische Urteilskraft. Freiburg im Breisgau and Munich: Verlag Karl Alber, 2014. WIERZBICKI, James. Film Music: A History. New York and London: Routledge, 2009. WIKANDER, Matthew H. Fangs of Malice: Hypocrisy, Sincerity, & Acting. Iowa City: University of Iowa Press, 2002.


WILDE, Oscar. Intentions. London: James R. Osgood, McIlvaine & Co., 1891. (The Complete Works, ed. Ian Small, vol. IV: Criticism, ed. Josephine M. Guy, pp. 71-230. Oxford: Oxford University Press, 2007.) –––––. The Picture of Dorian Gray. Serialized in Lippincott’s Monthly Magazine: A Popular Journal of General Literature, Science, and Politics (Philadelphia: J. B. Lippincott Company), vol. XLVI, no. 271 (July 1890), pp. 3-100. Published in 1891 in London in a revised form by Ward, Lock, and Company. (The Picture of Dorian Gray: An Annotated, Uncensored Edition, ed. Nicholas Frankel. Cambridge, Massachusetts: The Belknap Press, 2011.) –––––. Salomé: Drame en un acte. Paris: Librairie de l’Art indépendant, and London: Elkin Mathews and John Lane, The Bodley-Head, 1893. (The Complete Works, vol. V: Plays I, ed. Joseph Donohue. Oxford: Oxford University Press, 2013.) WILLE, Günther. Musica romana: Die Bedeutung der Musik im Leben der Römer. Amsterdam: Verlag P. Schippers, 1967. WILLIAMS, Bernie, Dave GLUCK, and Bob THOMPSON. Rhythms of the Game: The Link Between Musical and Athletic Performance. Preface by Paul Simon. Milwaukee: Hal Leonard Books, 2011. WILLIAMS, W. D. Nietzsche and the French: A Study of the Influence of Nietzsche’s French Reading on His Thought and Writing. Oxford: Basil Blackwell, 1952. WILSON, Christopher R. Shakespeare’s Musical Imagery. London and New York: Continuum, 2011. ––––– and Michela CALORE. Music in Shakespeare: A Dictionary. New York and London: Continuum, 2005.


WILSON, Nelly. Bernard-Lazare: Antisemitism and the Problems of Jewish Identity in Late Nineteenth-Century France. Cambridge: Cambridge University Press, 1978. WILSON, Peter Niklas. Hear and Now: Gedanken zur improvisierten Musik. Zweite überarbeitete und erweiterte Ausgabe. Hofheim am Taunus: Wolke Verlag, 2014. WIND, Edgar. Pagan Mysteries in the Renaissance. Revised and enlarged edition. New York: W. W. Norton & Company, 1968. WINTER, Marian Hannah. “Juba and American Minstrelsy.” Dance Index: A New Magazine Devoted to Dancing (New York: Dance Index Ballet Caravan Incorporated), vol. VI, no. 2 (February 1947), pp. 28-47. –––––. “Theatre of Marvels.” Dance Index, vol. VII, nos. 1-2(JanuaryFebruary 1948), pp. 6-40. WITKIEWICZ, Stanisław Ignacy. Insatiability, translated by Louis Iribarne. Published in Warsaw by Dom Ksiazki Polskiej in 1930. Evanston: Northwestern University Press, 2012. WITTGENSTEIN, Ludwig. Vermischte Bemerkungen, ed. Georg Henrikvon Wright with the assistance of Heikki Nyman, revised by Alois Pichler. Frankfurt am Main: Suhrkamp Verlag, 1994. WITTKOWER, Rudolf. Architectural Principles in the Age of Humanism. Third revised edition. London: Alec Tiranti, 1962. WODZINSKI, Cezary. Heidegger and the Problem of Evil, translated from the Polish edition (Gdansk: Słowo/Obraz Terytoria, 2008) by AgataBielik-Robson and Patrick Trompiz. Frankfurt am Main and New York: Peter Lang, 2016.


–––––. Transe, Dostoïevski, Russie, ou La Philosophie à la hache, translated from the original edition (Gdansk: Słowo/Obraz Terytoria, 2005) by Érik Veaux. Preface by Thierry Jolif. Lausanne: L’Age d’Homme, 2014. WOLFSKEHL, Karl. Ulais. Berlin: im Verlag der Blätter für die Kunst, 1897. WOLPE, Stefan. Vorträge über Musik, ed. Thomas Phleps. Two volumes. Saarbrücken: Pfau Verlag, 2002-11. WOOLF, Virginia. Between the Acts. London: The Hogarth Press, 1941. –––––. Orlando: A Biography. London: The Hogarth Press, 1928. WORRINGER, Wilhelm. Abstraktion und Einfühlung: Ein Beitrag zur Stilpsychologie. Neuwied: Heuser’scher Verlags-Druckerei, 1907. (Schriften, ed. Hannes Böhringer, Helga Grebing, and Beate Söntgen, with the assistance of Arne Zerbst, vol. 1, pp. 39-150. Paderborn: Wilhelm Fink Verlag, 2004.) WYNEKEN, Gustav. Eros. Lauenburg an der Elbe: Adolf Saal Verlag, 1921. –––––. Der europäische Geist. Zweite vermehrte Auflage. Leipzig: Der Neue Geist-Verlag, 1926. –––––. Musikalische Weltanschauung: Eine Vorlesung. Munich: Erasmus Verlag, 1948. WYSCHNEGRADSKY, Ivan. Libération du son: Écrits, 1916-1979, ed. Pascale Criton, with translations by Michèle Kahn. Lyon: Symétrie, 2013. WYZEWA, Téodor de. “À propos de la mort de Nietzsche.” Revue des Deux Mondes (Paris), vol. CLXI, no. 19 (October 1, 1900), pp. 697-708.


–––––. “L’Amitié de Frédéric Nietzsche et de Richard Wagner.” Revue des Deux Mondes, vol. CXLI, no. 10 (May 15, 1897), pp. 457-68. Included in Beethoven et Wagner, pp. 174-97 (see the following entry). –––––. Beethoven et Wagner: Essais d’histoire et de critique musicales. Paris: Librairie académique Didier - Perrin et Cie, 1898. –––––. “Frédéric Nietsche, le dernier métaphysicien.” Revue bleue: Revue politique et littéraire (Paris: Bureau des Revues), vol. XLVIII, no. 19 (November 7, 1891), pp. 586-92. Reprinted (with the proper spelling of his subject’s surname) in Écrivains étrangers, first series, pp. 3-28. Paris: Librairie académique Didier - Perrin et Cie, 1896. –––––. “La Jeunesse de Frédéric Nietzsche.” Revue des Deux Mondes, vol. CXXXIII, no. 3 (February 1, 1896), pp. 688-99. In Écrivains étrangers, first series, pp. 29-51. –––––. “Les Livres.” La Revue indépendante de littérature et d’art (Paris), vol. II, no. 4 (February 1887), pp. 145-64. Republished in part, with modifications, as “Le Symbolisme de M. Mallarmé,” in Nos Maitres, pp. 115-22 (see below). –––––. “M. Mallarmé: Notes.” La Vogue (Paris: Librairie J. Barbou), vol. I, no. 11 (July 5-12, 1886), pp. 361-75, and no. 12 (July 12-19), pp. 414-24. Republished in Nos Maitres, pp. 91-114 (see below), under the title “Notes sur l’œuvre poétique de M. Mallarmé.” –––––. “M. Oscar Wilde et les jeunes littérateurs anglais.” Revue bleue, vol. XLIX, no. 14 (April 2, 1892), pp. 423-29. –––––. “Nietsche.” Le Figaro (Paris), third series, vol. 38, no. 101 (April 10, 1892), p. 1. –––––. Nos Maitres: Études & portraits littéraires. Paris: Librairie académique Didier - Perrin et Cie, 1895. 812

–––––. “Notes sur la peinture wagnérienne et le Salon de 1886.” La Revue wagnérienne (Paris), vol. II, no. IV (May 8, 1886), pp. 100-13. Republished, under the title “L’Art wagnérien: La Peinture,” in Nos Maitres, pp. 11-26. –––––. “Le Poète Novalis.” Revue des Deux Mondes, vol. CLXII, no. 2 (November 15, 1900), pp. 400-23. –––––. “Richard Wagner: D’après les souvenirs de M. de Wolzogen.” Revue bleue, vol. XLIX, no. 4 (January 23, 1892), pp. 119-22. Included in Beethoven et Wagner, pp. 154-67, under the title “Les Propos de table de Wagner.” ––––– and Georges de SAINT-FOIX. W.-A. Mozart: Sa Vie musicale et son œuvre de l’enfance à la pleine maturité. Two volumes. Paris: Librairie académique Perrin et Cie, 1912. YATES, Frances Amelia. The Art of Memory. London: Routledge & Kegan Paul, 1966. –––––. The French Academies of the Sixteenth Century. London: The Warburg Institute, 1947. (Studies of the Warburg Institute, vol. 15.) YEATS, William Butler. Ideas of Good and Evil. Second edition. London: A. H. Bullen, 1903. (The Collected Works in Verse and Prose, vol. VI. London: Chapman & Hall, 1908.) (The Collected Works, ed. Richard J. Finneran and George Mills Harper, vol. IV: Early Essays, ed. Richard J. Finneran and George Bornstein. New York: Scribner, 2007.) YERUSHALMI, Yosef Hayim. Zakhor: Jewish History and Jewish Memory. Second edition. Seattle: University of Washington Press, 1996. YOUMANS, Charles Dowell. Mahler & Strauss: In Dialogue. Bloomington and Indianapolis: Indiana University Press, 2016.


–––––. Richard Strauss’s Orchestral Music and the German Intellectual Tradition: The Philosophical Roots of Musical Modernism. Bloomington and Indianapolis: Indiana University Press, 2005. YOUNG, Edward. Conjectures on Original Composition: In a Letter to the Author of Sir Charles Grandison. Second edition. London: A. Millar, and R. and J. Dodsley, 1759. –––––. “On Lyrick Poetry.” Included in Ocean: An Ode, Occasion’d By His Majesty’s late Royal Encouragement of the Sea-Service, pp. 14-30. London: Thomas Worrall, 1728. YOUNG, James O. Critique of Pure Music. Oxford: Oxford University Press, 2014. YOUNG, Karl. The Drama of the Medieval Church. Two volumes. Oxford: at the Clarendon Press, 1933. ZAMYATIN, Yevgeny Ivanovich. We, translated by Mirra Ginsburg. Completed in 1921 but soon thereafter banned in the Soviet Union. New York: Eos, 1999. ZANGWILL, Nick. Music and Aesthetic Reality: Formalism and the Limits of Description. London and New York: Routledge, 2015. ZANK, Stephen. Irony and Sound: The Music of Maurice Ravel. Rochester: University of Rochester Press, 2009. ZARADER, Marlène. La Dette impensée: Heidegger et l’héritage hébraïque. Nouvelle édition. Paris: Librairie Philosophique J. Vrin, 2014. ZINGEL, Hans Joachim. Harfe und Harfenspiel: vom Beginn des 16. bis in zweite Drittel des 18. Jahrhunderts. Halle an der Saale: Verlag von Max Niemeyer, 1932.


–––––. Harfenmusik im 19. Jahrhundert: Versuch einer historischen Darstellung. Wilhelmshaven: Heinrichshofen’s Verlag, 1976. ZOLA, Émile. Mes Haines: Causeries littéraires et artistiques. Nouvelle édition. Paris: Bibliothèque-Charpentier, 1893. (Included in Œuvres complètes, ed. Henri Mitterand, vol. X: Œuvres critiques I, and vol. XII: Œuvres critiques III. Paris: Cercle du livre précieux, 1968 and 1969, respectively.) ZUCKERKANDL, Victor. Vom musikalischen Denken: Begegnung von Ton und Wort. Zürich: Rhein-Verlag, 1964. –––––. Die Wirklichkeit der Musik: Der musikalische Begriff der Außenwelt. Zürich: Rhein-Verlag, 1963. ZWERIN, Mike. Swing Under the Nazis: Jazz as a Metaphor for Freedom. New edition. New York: Cooper Square Press, 2000.




here are many individuals to be thanked here, in quite a few different locales around the globe, though of course none bears any responsibility for the Musicuratum project in general, nor for anything I have written or shall write under these auspices. Four in particular deserve special mention. In the first part of 2012, the singer Landon Gadoci, in Austin, kindly answered my long–distance inquiries during a period which then turned out to be that of the website’s gestation, and even in some manner helped catalyze my interest in undertaking such an endeavor to begin with. It is not by chance that his work was first written about at the outset, nor that I have devoted some longer and I hope more informative texts to it subsequently. Some weeks prior to launching the website, during a couple of long and very good conversations here in Amsterdam, Mattijs van Bergen listened with a sympathetic and sharp ear to my plans as they were developing, and offered several pieces of well–considered advice, while a few weeks after I had set it up, in a further talk he tendered some additional suggestions which also proved particularly fruitful. Quite a bit before I had even thought seriously about establishing the website, Mariah Blue, also in Amsterdam, graciously heard me expatiate on my ideas in several of their iterations and was forthcoming with numerous recommendations and tips concerning several of the musical scenes in this city. Likewise in Amsterdam, Tsead Bruinja, for his part, also signalized his interest in the project some time before the website took shape, providing


some much–needed encouragement as well as several pieces of practical information. Numerous others in Amsterdam have at different points in time shared their interest, encouragement, and – a lovely Dutch word – ondersteuning. The composers René Baptist Huysmans, Luiz Henrique Yudo, and Michael Bonaventure (all of whom just recently initiated a new musical collective called Muiz Manz, which seems promising indeed) have been supporters of my endeavors from early on, and I consider myself fortunate to have been able to actually meet them, while Alexandra Duvekot, of the duo Saelors and the band Light Light, has shared her enthusiasm in numerous personal communications. And, as regards those who are not professional musicians, though some are professionally involved in musical life in other ways, I should like to acknowledge how pleasant, instructive, and timely the conversations I’ve held with Arthur Olof concerning classical music in the Soviet Union and its successor states during the twentieth century, with José ten Berge on some contemporary classical music and contemporary dance, with Helena Spanjaard on Bach and also on the fine arts, with Gregor Langfeld (who has also on occasion corrected my German) on painting, aesthetic theory, and poetry, with Hans Abbing on the institutional conditions of music performance, with Maya Gordon on American and Israeli music as well as on American, English, and Hebrew poetry, with Jack Faber on some topics in contemporary music and film, with both Merel Schrama and Joshua Bevers on present–day pop music and on graphic design, and with Gert Jonkers on a number of matters relating to the music scenes in Amsterdam and in London, have all in their various ways been. In New York, too, there are quite a few individuals to whom thanks are due. The singer and songwriter Andi Kristins has been a supporter from quite early on, and towards the end of 2012 the composer Adam Cuthbért introduced himself to me and has followed my work with great enthusiasm since then, also introducing me to his frequent long–distance collaborator Daniel Rhode as well as to two other composers in the city, Brian Petuch and Rosalie Burrell, both of whom have evinced a similar interest in it and with whom I’ve had some illuminating discussions, as well as to Steven Swartz and Sarah Baird Knight, the impresarios at Dot Dot Dot 818

Music, who have been very encouraging indeed and willing to talk with me about topics ranging from the band Telephone Tel Aviv to the works of Simeon ten Holt and Morton Feldman; while more recently, also amongst musicians, it was a pleasure some months ago to make the acquaintance of Mikkel Hess, the Danish singer, songwriter, and multi–instrumentalist who, dividing his time between New York and Copenhagen, is the driving force behind the band Hess Is More, whose enthusiastic response to my project was very welcome. Further, of those who are not musicians but who nonetheless are interested in music or in my project or in both, there are several other New Yorkers whom I wish to thank, including Sharon Girard for many conversations concerning the website in general and a number of contemporary classical composers in particular, Cameron McDonald for several talks about the literary aspect of publishing texts in such a medium as the Internet and about American literature, Steve Schiff and Ana Busto for their enthusiastic response to the project as well as many conversations about their city’s present music scene, especially in Brooklyn, and also about contemporary art, Tad Hershorn for sharing on occasion some of his great knowledge of jazz, Gregg Horowitz and Ellen Levy for their considerable interest and also for many longer exchanges about an expanse of topics especially in the arts, literature and especially poetry, and philosophy, Patrick Doherty for his friendly encouragement of the project generally, and Sean Bray for some spirited free–wheeling discourse on personages diverging as widely from one another as Hegel and Lady Gaga. Elsewhere in the United States, variously located, there are several other musical professionals whose interest – communicated in each case through the various portals of the Internet – is deserving of recognition. The composer Dan Tramte, currently pursuing an advanced degree in Denton, Texas, has been from early on an enthusiastic supporter and a participant in interesting long–distance exchanges about philosophy and phenomenology; also during the summer months in 2012, the singer and songwriter Alyn Mearns, resident in Hickory, North Carolina, who performs solo as Yes the Raven and collaborates in the duo The Belfast Boys, has shared his enthusiasm, his work, and also his love of Auden’s poetry; somewhat later in 2012, the singer and songwriter Maxwell Demon, who di819

vides his time between Bellport on Long Island and New York City, introduced himself to me and has followed my project avidly since then; more recently, during the last few months, I have had the pleasure of making the acquaintance of the composer Nomi Epstein (in Chicago), the sound artist Jeremy Henry (in Dallas), also known as the Haus of Glitch, and the musician Jan Hendrich (in San Francisco), whose moniker as a solo artist is Qepe, each of these three having responded with interest to the project; and not long ago, the singer and songwriter Ben Sevier, who (in Phoenix) records under the name Wyly, penned a quite fine piece of encouragement for my efforts on his own website. Also in the United States, amongst those whose interest is not, or is not mainly, professional, David Wurtzel and Martha Weintraub in New Jersey have offered an enthusiastic response to my project in its sheer unexpectedness; in Los Angeles, over the past several years, conversations with Albert Maghbouleh and Eric Gordon concerning a number of topics relating to music, served later on as a source of more general encouragement, while, more recently, Harry Haese, Lisa Singer Haese, and Julianne Singer have also expressed their curiosity about and support of the project; and from the San Francisco area, Bryan Girard by his own musicianship, Rosemarie DeWeese Girard through her interest, and Karen Voets with her pointers, have all communicated some impetus and enthusiasm to it. In Canada, the musicians Valerie Giroux and James Lemay of the duo You and Me, in MontrÊal, approached me with some lovely words of encouragement and have remained interested in the project since then, much as a non–professional based in the same city, Valerie Fedorowicz, also has; from Ottawa, the sound artist Christopher Bartman, active musically under the monikers Beaucrat and now also Momentary Awareness, has followed its development by means of the Internet and also in personal communications; and from Toronto the composer Joel Garten has also taken an encouraging interest. Closer to home, in the hub that is London, are several individuals whom I also should like to thank. Early on the composer Matthew Shlomowitz conveyed his approbation of the text written about his work in a quite encouraging manner, while a bit later the singer and songwriter Jack Stan820

ton, at the time still a student at Oxford but since graduated and then relocated to the capital, approached me via Soundcloud, and has continued to follow the project since then; and more recently, the impresario David Metcalfe of the agency Forma Arts and Media, the mash–up artist Jonas C., who operates – despite spurious measures taken against him in the name of copyright – under the moniker Daft Beatles, the musician and producer Chris Garland, whose current musical project is The Psychedelic Manifesto, and the theoretician Inigo Wilkins, who maintains an interesting blog under the title Irreversible Noise, have all conveyed their interest in actual conversation, through personal communications, via Twitter, and by means of a blog link. Elsewhere in England, the composer Rory Smith, currently living in Leeds, responded with appreciation and enthusiasm to my first text about his work, and has continued to follow the project since then, and, somewhat later, the singer and songwriter in Salisbury, Jonnie Allen, has done likewise. In Paris, Marieke Wiegel graciously offered a number of pertinent recommendations, while it was also a great pleasure to meet the quite musical film–maker Xavier Baert, whose lively conversation and interest in my project have been encouraging indeed. And in the same city, the man behind the main fansite for the singer Eli Lieb, Michael Berthe, has also offered some choice words of encouragement in personal communications. I should like to thank Jacques Joseph Roux, a sound artist in Givors, for his enthusiastic response to my project; similarly, The Sandman’s Orchestra, a French duo in Lille comprising Léonie Gabriel and Pierre Laplace, replied very kindly to my text about them and has remained in communication subsequently, as has, several months before, the composer Franck Christoph Yeznikian in Lyon; while, earlier still, the poet Pierre Auriol, now living in Montpellier, has conversed amiably in person and by personal communications about French poetry, including his own, Greek and Latin literature, and Debussy and Puccini; and most recently the sound artist Edouard Trolliet, a resident of Tarnos, greeted the text occasioned by his work with an encouraging enthusiasm.


In Berlin, another sound artist, Christoph de Babalon, responded kindly to my interest in his work, as did the singer and film–maker André Schneider, with a gracious reference to mine on his own website. Lisa–Gwendolin Eichberger, in Cologne, a singer who participates in the experimental ensemble Turm der Liebe, has shown a like interest, commencing with my discussion of one of its numbers in a longer text. The Milanese composer Giovanni Dettori has followed my project with an uncommon degree of care and understanding, and I am very pleased to have had the opportunity to make his acquaintance by means of personal communications. In Brussels, the musician and radio programmer Salvatore Créme, formerly of the Venezuelan band Electrometro, responded enthusiastically to my project and has taken the time to answer some queries at length, while personal communications with the electronic musician known as Analog 80 have also been encouraging. Residing in Budapest, Dee Rüsche of the London–based band Női Kabát took an interest in the project early on, as did, at the beginning of this year, Ferenc Fehér of the bands Tripes and Industrial Wave Studio, in Kaposvár. In Oslo, the singer and songwriter Jonas McDonnell, and in Bergen, the film–maker and fashionisto T–Michael, both of whom I’ve written about, have responded encouragingly. Finally, further afield, for their enthusiasm and kind words, and often their readiness to share their music with me, I should also like to thank the singer and songwriter Stephen Carmichael, in Brisbane; the multi– instrumentalist and singer Samm Bennett, in Tokyo; the composer Mithatcan Öcal, in Istanbul; the DJ and producer Michael Dee, better known by his nom d’artiste as Mobidextrous, in Singapore; Michael Day, who works under the moniker of the West Coast Fruit Co., in Auckland; the artist, singer, and songwriter Givan Lötz, in Johannesburg; and the band Tangocrisis, in Buenos Aires.


A Note on the Text (And on the Type)


he text used in this book follows nearly verbatim that which appears on the website, yet in view of the infeasibility of including the embedded video and audio players which constitute such an important feature in the presentation there, some slight adjustments have been made to the phrasing of passages where those devices are introduced or referred to, and the same holds elsewhere from time to time, for instance with the self–referential words and phrases which do indeed make perfect sense in their original setting, and with the bibliographic or other details given in the footnotes. As regards typographical and other errors, much as on the website, here too they will be corrected silently whenever I happen to notice them: hence, for the most authoritative version of this document, for those readers who prefer it in the form of a PDF, especially if one has leafed through or printed it out some time before, the file currently available on the website ought to be consulted directly. As regards the typefaces utilized here, I began with the idea of arranging these pages as a battleground of Bodonis – a family which is a personal favorite and whose members are seemingly able to lend a proper shape to words about music. After several graphic iterations I have returned to this idea, and indeed throughout these pages a few select varieties have been juxtaposed.


Musicuratum: The Compendium (Part III)  

Devoted to music

Read more
Read more
Similar to
Popular now
Just for you