BIBLIOGRAFÍA — CASELLA, L.; KONING, H.; MOORE, C. y KENNEDY N. Proyecto de Conservación de fotografía. Nueva York: The Metropolitan Museum, 2007 (resultados sin publicar).
— CHEN, J.; HERRERA, R.; RAVINES, P.; WIEGANDT, R.; PENICHON, S. y SIRVEN, M. “Reversible mounting technique for the display of large format photographs”. Topics in Photograph Conservation, Volume 12, Photographic Materials Group. Washington D.C.: AIC, 2007. — DAFFNER, L. A. y HERRERA, R. “Método de montaje con bordes perimetrales para exponer fotografías contemporáneas en el MoMA”. Conservación de Arte Contemporáneo, 13ª Jornada. Madrid: Museo Nacional Centro de Arte Reina Sofía, 2012.
— DAFFNER, L. A.; MURPHY, E. y BARRO, L. Proyecto de conservación. Nueva York: The Museum of Modern Art, 2007 (resultados sin publicar). — IMAGE PERMANENCE INSTITUTE (IPI) – A Consumer Guide to Modern Photo Papers. Rochester, NY: Image Permanence Institute, 2009.
– A Consumer Guide to Tradicional and Digital Print Stability. Rochester, NY: Image Permanence Institute, 2009.
— JÜRGENS, M. – Silicone Rubber Face-Mounting of Photographs to Poly(methyl methacrylate): Process, Structure, Materials, and LongTerm Dark Stability, A report submitted to the Department of Art in conformity with the requirements for the degree of Master of Art Conservation. Kingston ,Ontario: Queen’s University, 2001. – The Digital Print. Identification and Preservation. Los Ángeles: The Getty Conservation Institute, 2009.
— MESSIER, P. “Notes on Dating Photographic Paper”. Topics in Photographic Preservation, (Vol. 11), Photographic Materials Group. Washington D.C.: AIC, 2005. — PÉNICHON, S. “Mounting Substrates for Contemporary Photographs. In Modern Art, New Museums”, Contributions to the Bilbao Congress, 13-17 September 2004. Ashok Roy, and Perry Smith (Ed,). Londres: International Institute for Conservation of Historic and Artistic Works, 2004, pp. 114-118.
— PÉNICHON, S. y JÜRGENS, M. – “Two Finishing Techniques for Contemporary Photographs”, Topics in Photographic Preservation, Volume 9, Photographic Materials Group. Washington D.C.: AIC, 2001, pp. 85-96. – “Issues in the Conservation of Contemporary Photographs: The Case of Diasec, or Face-Mounting”. AIC News, 27(2): 1, 3-4. Washington D.C.: AIC, 2002, pp. 7-8. – “Plastic lamination and face mounting of contemporary photographs”. Constance McCabe (Ed.), Coatings on Photographs: Materials, Techniques, and Conservation. Washington, DC: American Institute for Conservation, 2005, pp. 218-233.
— PÉNICHON, S.; JÜRGENS, M. y MURRAY, A. – “Light and Dark Stability of Laminated and Face-Mounted Photographs: A preliminary Investigation”, Works of Art on Paper: Books, Documents and Photographs: Techniques and Conservation: Contributions to the Baltimore Congress, 2-6 September 2002, Vincent Daniels, Alan Donnithorne, and Perry Smith (Ed.). Londres: International Institute for Conservation of Historic and Artistic Works, 2002, pp. 154-159. – “Práticas de montagen de fotografias contemporâneas”. Cadernos técnicos de Conservação fotográfica, Vol. 7. Río de Janeiro: Funarte, 2011.
— POND, S. Inkjet technology and product development strategies. Carlsbad, CA: Torrey Pines Research, 2000.
— RASMUSSEN, L.H., “Mounting materials for black and white contemporary art photography”, ICOM-CC Photographic Working Group Newsletter, April 2002. Río de Janeiro: ICOM-CC Photographic Working Group, 2002, p. 10.
94