Emirates Woman-April 2025

A MOTIVATE PUBLICATION

APRIL 2025

DHS25 RO2.70 BD2.60 KD2.10 SR25

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THE DESIGN ISSUE Precision & Beauty

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EDITOR-IN-CHIEF Obaid Humaid Al Tayer MANAGING PARTNER AND GROUP EDITOR Ian Fairservice CHIEF COMMERCIAL OFFICER Anthony Milne PUBLISHER/EDITOR Amy Sessions amy.sessions@motivate.ae SENIOR ART DIRECTOR Olga Petroff DIGITAL STYLE EDITOR Sarah Joseph FASHION EDITOR Camille Macawili DESIGNER Vibha Monteiro EDITORIAL ASSISTANT Londresa Flores GENERAL MANAGER PRODUCTION Sunil Kumar PRODUCTION MANAGER Binu Purandaran PRODUCTION SUPERVISOR Venita Pinto GROUP SALES MANAGER Chaitali Khimji chaitali.khimji@motivate.ae GROUP MARKETING MANAGER Joelle Albeaino WEB DEVELOPER Firoz Kaladi CONTRIBUTORS Joëlle Albeaino, Mark Mathew, Ahmed Abd El-Wahab, Varun Godinho

HEAD OFFICE Media One Tower, Dubai Media City, PO Box 2331, Dubai, UAE, Tel: (+971) 4 4273000, Fax: (+971) 4 4282261, E-mail: motivate@motivate.ae DUBAI MEDIA CITY SD 2-94, 2nd Floor, Building 2, Dubai, UAE, Tel: (+971) 4 390 3550, Fax: (+971) 4 390 4845 ABU DHABI PO Box 43072, UAE, Tel: (+971) 2 677 2005, Fax: (+971) 2 677 0124, E-mail: motivate-adh@motivate.ae SAUDI ARABIA Regus Offices No. 455 - 456, 4th Floor, Hamad Tower, King Fahad Road, Al Olaya, Riyadh, Kingdom of Saudi Arabia, Tel: (+966) 11 834 3595 / (+966) 11 834 3596, E-mail: motivate@motivate.ae LONDON Acre House, 11/15 William Road, London NW1 3ER, UK, E-mail: motivateuk@motivate.ae

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Editor’s Letter

Week, and a private dinner with Christopher Esber hosted by Welcome to The Design Issue.

Mytheresa at the iconic Loulou to celebrate a collaborative For our cover, we are proud to have partnered with Louis capsule collection in Fashionable Fete on page 32.

Vuitton to share its SS25 collection and Dima AlSheikhly who is Beauty industry wise, we take a look at JUANA’s bold new living life on her own terms, in Designing Your Life on page 14. era with Co-Founders Yann Moujawaz and Juana Martini in We were granted special access to shoot the cover in the Designing Empowerment – on page 56, while BORK brings newly completed, The Opus Penthouse by OMNIYAT, a onedesign innovation and a cool aesthetic edge to luxury home of-one creation within a one-of-one masterpiece. Designed and accessories in The Design Pioneer on page 66. delivered by OMNIYAT Atelier, the four-bedroom As Art Dubai approaches, Benedetta Ghione, penthouse occupies 12,788 sq.ft. of elite living space EXPAND Executive Director at Art Dubai discusses and unites the world’s finest artists, artisans and YOUR transforming the region’s art scene in High-Impact luxury brands. Its distinctive floor plan integrates Art on page 76, Malak Abu Qaoud, Director of ICD seamlessly with Zaha Hadid’s original creation, HORIZONS. Brookfield Place Arts Programme, expands on while the original trusses and beams have been the lifestyle property’s pathway to decentralising preserved and exposed, adding a striking feature spaces, her passion for the arts, and fostering education with that pays homage to the building’s structural ingenuity. Truly culture and community at its heart in Passion Project on page a singular masterpiece in the sky, at the epicentre of Dubai.

86 while Ambika Hinduja Macker speaks on curating “The This month takes a deep dive into all things design and Sublime Nature of Being”, a multi-sensory odyssey in Dubai aesthetics based, where we focus on refinement and depth, not in Art Beyond Senses on page 80. simply surface-level detail. We were honoured to be invited last I have personally never felt more fortunate to live in a city month to join Hermès, who hosted a private, bespoke riding that fosters such a support for the arts, design and commerce adventure across the desertscape at Our Habitas Ras Abrouq, alike and where newness and innovation are welcomed with Qatar showcasing the craftsmanship and detail of Hermès’ open arms. Dubai – you are truly inspiring, thank you for equestrian heritage and which you too can experience in The Art expanding all our horizons. of the Exceptional on page 28. We also attended Paris Fashion

Amy Sessions PUBLISHER / EDITOR T H E H E R O B U YS

Lori leather shoulder bag Dhs6,601 Khaite available at MYTHERESA

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Double-breasted belted layered leather jacket Dhs10,240 TOTEME

Gotham Suede Sleek Suede Coat Dhs5,863 Nour Hammour

Fountain 1 stainless steel vase Dhs2,794 Louise Roe available at NET-A-PORTER

Anok 90 Mules in Patent Leather Dhs3,510 Amina Muaddi

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CONTENTS April 2025

The Monitor Monitor News p.12

Social Listings p.13 Designing Your Life – Cover Shoot with Louis Vuitton p.14

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Animated Form – A love letter on design from Pieter Mulier, Creative Director at Alaïa p.46

Simply Bold – The new Limited Edition No.6 by Gaia Repossi p.36

Fashion The Edit p.26

The Art of the Exceptional – Hermès hosted a private desert ride p.28 Fashionable Fete – Emirates Woman attended the event of Paris Fashion Week, a private dinner with Christopher Esber p.32 Cultural Design – Designer Banafsheh Hemmati p.40 Object of Beauty – The Rouge Brillant Silky lipstick collection joins the Hermès Beauty metier p.60

Eye for Design – Jonathan Anderson for Loewe SS25 p.42 Cultural Design – CELINE opens at Solitaire in Riyadh p.50

Beauty / Wellness Hot New Buys – An edit of the latest products to design your optimised beauty game p.54 Designing Empowerment – A new era of skincare with JUANA’s Co-Founders Yann Moujawaz and Juana Martini p.58 Elevated Movement – ninjoo co-founder Aurore Nio discusses re-writing the rules and what it takes to build a brand form scratch p.64

The Design Pioneer – BORK brings design innovation and a cool aesthetic edge to luxury home accessories p.66 Skincare Revolution – How Professor Augustinus Bader and Charles Rosier have scaled a brand designed to fuse science with natural radiance p.70 Beauty Shelf – Waad Al Hammadi, founder of Gabi, talks us through her hero beauty products p.72 AM/PM Beauty – Entrepreneur Latifa Alshamsi shares her morning to evening beauty routine p.74

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CONTENTS April 2025

Chic Eats – Anthony Vaccarello, Creative Director at Saint Laurent, delivers the coolest hangout in Paris if you’re looking for designled dining p.110

Personal Space – In the office with Petra Brockmann, Thomas Brockmann-Knoedler, Lucrezia Rugova, and Edmir Rugova, Co-founders of HOUSE OF ORGÆNIC Dubai p.104

Lifestyle

High-Impact Art – Benedetta Ghione, Executive Director at Art Dubai on transforming the region’s art scene p.76 Art Beyond Senses – Ambika Hinduja Macker on curating “The Sublime Nature of Being”, a multi-sensory odyssey in Dubai p.80 An Eye for Design – Founder of Klioh Studio, Isabelle Tucker discusses all things branding, building a business and what

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it takes to move the needle p.84 Passion Project – Malak Abu Qaoud, Director of ICD Brookfield Place Arts Programme p.86 In Tune – Satya Hinduja, Founder of Alchemic Sonic Environment, on crafting immersive soundscapes for reflection p.90 Creativity & Curation – Sevil Dolmacı, founder of Sevil Dolmacı Gallery Dubai, discusses honing a vision and finding a distinct voice in the emerging art markets p.92

Designing to Scale – Nicoline Durup redefines luxury drapery as Durup expands into the Middle East p.96 Crafting Cultures – Kate Judd, Managing Director at The Rug Company, and Rabah Saied, founder and creative director of Dubai-based design studio, Styled Habitat, on the business of craftsmanship p.98 Elevated Living – Karen Dougall and Nikki Martin, Co-Founders of Palm Living Interiors, share their philosophy on redefining living spaces

that feel contemporary and cool, yet still chic p.102 The Wanderlust – Aman Nai Lert is the sevenacre green oasis newly nestled in Bangkok you need to visit p.112 Best of Barcelona – From cultural attractions to cool hotspots, a designlover’s edit of things to see in the vibrant capital of Catalonia p.116

LOUIS VUITTON

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In Design With Inspiring conversations with the creators shaping the future.

The new podcast by identity Listen now on www.identity.ae Also on YouTube and Spotify @identityae

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A Sleek Finish

THE HERO BUYS

The latest launches, new openings and hero buys WORDS: SARAH JOSEPH

EFFORTLESS ATTITUDE Refinement and purity define the new Alaïa SS25 Eyewear campaign, designed as a natural reflection of the brand's ready-to-wear and accessory collections

La Passeggiata Medium Asymmetric Croc-Effect Leather Tote Dhs5,866 The Attico

Essentials Dustina Wool-Flannel Jacket Dhs9,662 The Row

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Gold-Tone Cuff Dhs9,200 Saint Laurent

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Sei Fine Fragrance Candle 250g Dhs475 Aman

Embellished Patent-Leather Ballet Flats Dhs5,500 Alaïa

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The Ritual of The Rock gold-plated Candlestick Dhs916 Alighieri

Cady Shorts Dhs1,231 Róhe

THREE TO OWN

THE MONITOR

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@ninjoolife

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The chicest gym equipment you’ll find.

High performance skincare to renew your complexion.

Founder of Heaven Mayhem known for her vintage-inspired pieces.

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This power beauty brand has a new branding game.

Workout equipment crafted with a minimal aesthetic.

The Middle East’s leading international art fair in Dubai returns this April.

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High-end household devices designed to perfection.

The leading name for contemporary luxury rugs.

Designing the coolest platforms tailor made for you.

Social Listings

A curated guide to the accounts to #follow on Instagram WORDS: SARAH JOSEPH

THE MONITOR

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DESIGNING YOUR LIFE D I M A A L S H E I K H LY I S L I V I N G L I F E O N H E R O W N T E R M S , I N LO U I S V U I T TO N S S 2 5

C R E AT I V E D I R E CT I O N : A M Y S E S S I O N S P H OTO G R A P H Y: Ž I G A M I H E L

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Previous page: Sleeveless Asymmetric Buttoned Dress, One-Leg Pants; All from Louis Vuitton; Both pages: Embroidered Jacket, Buttoned Body, Stripes Jacquard Bandeau, LV Biker MM, Podium Flat, Color Blossom BB Sun Bracelet, and Color Blossom Mini Sun Rings; All from Louis Vuitton

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COVER STORY

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Left page: V-Neck Pleated Dress, Belted Jaipur, LV Biker MM, Color Blossom BB Star and Sun Multi-Motif Bracelet, Color Blossom Mini Sun Ring, and Heirloom Pendant Sautoir; All from Louis Vuitton;

This page: LV Biker MM and Color Blossom BB Star and Sun Multi-Motif Bracelet; All from Louis Vuitton

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This page: Sleeveless Graphic Tweed Flounce Jacket, and Color Blossom Mini Star Ring; All from Louis Vuitton; (bottom) Side Trunk PM and Color Blossom Mini Star Ring; All from Louis Vuitton; Right page: Sleeveless Graphic Tweed Flounce Jacket and Side Trunk PM; All from Louis Vuitton

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Left page: Knitwear Show, Crew Neck Cardigan, Belted Bottom Hem Balloon Pants, Podium Pump, and Midnight Pearl Sautoir; All from Louis Vuitton; This page: (left) Knitwear Show, Crew Neck Cardigan, Belted Bottom Hem Balloon Pants, and Midnight Pearl Sautoir; All from Louis Vuitton; (right) Knitwear Show and Midnight Pearl Sautoir; All from Louis Vuitton

COVER STORY

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growing up, it was my favourite colour. When my mom was pregnant with me, she wanted to keep my gender a surprise, so instead of choosing pink or blue, she went all out with yellow.

Everything in my childhood was drenched in yellow. This bag not only captures that nostalgia but also embodies a fun, cool vibe that I adore. It’s a perfect blend of style and sentiment.

With social media constantly changing, how do you stay ahead of the curve? Navigating the ever-evolving landscape of social media can be quite overwhelming, but I’ve found WORDS: SARAH JOSEPH that staying true to my unique voice is key. While I make an effort to keep up with trends, I focus on what resonates with me and my audience. After seven years in this space, I’ve learned the value of sticking to my strengths while remaining open to new experiences and opportunities. This approach has allowed me to carve out my niche, and I’m excited to see where this journey takes me next.

You’ve built a strong personal brand – what do you think are the key eleHow does your morning routine set you up for optimal success? Havments of a successful brand today? The key elements of a successing a solid morning routine is super important to me. Without it, I ful brand today really boil down to staying true to yourself and being struggle to stay disciplined and focused. My mornings usually start willing to take risks. I believe that navigating your own path, even if it means stumbling along the way, is essential for growth. Embracing with an early wake-up and a little moment of prayer to help me centre failure is part of the journey, and I’m always ready to tackle whatever myself. Then it’s time for a workout – whether I’m jogging, playing challenges come my way. Having an open heart and being receptive to tennis, riding horses, or hitting the gym. I really believe that moving criticism is equally important. Constructive feedback can be a gamemy body energises both my mind and spirit. After that, I like to have changer, helping your brand evolve and improve. I’ve learned that the breakfast while journaling my thoughts. It’s a great way to clarify my more I invest in my personal growth, the better everything else in my intentions for the day and get ready for whatever’s coming my way. life becomes – my work included. So, it’s all about balancing selfI truly believe that when I take the time to nurture myself, I’m way awareness with a dash of my adventurous spirit. better equipped to tackle challenges and pursue my goals with enthusiasm and determination.

How would you describe your signature style, and how has it evolved over How have you designed the life you want to live? Creating the life I lead time? My signature style is a mix of classic elegance with a modern twist.

I thrive on experimentation, so I love switching things up and keeping today has been a journey shaped by dedication and personal sacrifice. my wardrobe fresh. Comfort is key to me, so you’ll always see me in cosy It took time and effort to cultivate a sense of peace and fulfillment. I trousers, soft sweaters and my Niké, depending on my mood. My style strive to navigate life with intention, remaining mindful and cautious reflects on how I’m feeling on that specific day. However, I have a parin my choices. My guiding philosophy has always been to embrace the flow of life, allowing me to adapt and grow through every experience. ticular fondness for vintage pieces. There’s something magical about garments with a rich history or unique stories beHow did you navigate the transition from being a hind them – they really resonate with me. Overall, content creator to a brand in your own right? NaviI like to think of myself as a classic yet adventurous gating the transition from content creator to building my own brand has been quite the adventure! style enthusiast, always ready to try something new.

It’s definitely not a walk in the park – crafting a What challenges have you faced as an entreprepersonal brand takes grit and determination. Over neur and how did you overcome them? One of the the past seven years, I’ve immersed myself in a biggest challenges I faced was gaining acceptance world of fashion, created incredible connections and convincing others – whether it be brands or with amazing people and brands, and gathered exindividuals – that I was capable and skilled in my field. The term “influencer” often carries a stigma, and I encountered periences that have shaped me in profound ways. Every interaction and my fair share of scepticism. However, my mission has always been opportunity has added to my strength and vision for Dima as a brand. to redefine that narrative by approaching my work with authenticity I’m constantly exploring new avenues in fashion, acting, and more, and a sense of joy. I’ve focused on building genuine connections with which keeps things exciting. This journey has allowed me to dabble in incredible brands while maintaining a grateful and positive mindset. various creative outlets, and I truly love that about my job. Building Each experience has been an opportunity to grow, and I strive to emmy community took time and effort, and I’m endlessly grateful for the support I’ve received along the way. As I look ahead, I can’t wait to unbrace them fully. I believe challenges will always come our way but veil whatever my brand evolves into – it will be a true reflection of me. the key is to remain calm and composed when they do, allowing you to navigate them effectively.

Louis Vuitton is known for pushing creative boundaries. How do you see If you could give one piece of advice to your younger self, what would it yourself contributing to that vision through your work with them? Sometimes I have to pinch myself because working with Louis Vuitton feels be? I would tell my younger self to go more with the flow and embrace like a dream come true. Growing up, I admired the brand so much that life. Back then, I used to always be quite hard on myself and I wish I had spent more time enjoying the moments as they came. Life is such I filled my walls with cutouts from their runway shows. Now, years latan amazing journey and it’s so important to appreciate every step er, collaborating with the incredible team is surreal. They have always when things get tough. I’ve learned that there’s always a light at the been incredibly supportive of my creativity, allowing me the freedom to end of the tunnel and that perspective has really guided me. Overall, express my vision in a way that feels authentic. I’m continuously inI’d tell my younger self to soak in every moment and trust that things spired by their innovative collaborations and projects, and I feel truly will work out on in the end. grateful to be part of the Louis Vuitton family. This cover with Emirates Woman marks my second collaboration, and it’s a testament to This is The Design Issue – who to you is inspiring aesthetically and why? how much Louis Vuitton means to me. They’ve always believed in me When it comes to inspiration, my sister Mina Sheikhly is my number and provided opportunities for me to grow alongside them. one. She really inspires me both aesthetically and intellectually. Seeing her grow up, make mistakes and always bounce back has been truly What’s your favourite Louis Vuitton piece or collection, and why does it amazing. Her passion for chasing her dreams is very motivating and resonate with you? My absolute favourite Louis Vuitton piece has to be I’ve always admired her for her fighting spirit. We’re definitely two difmy Louis Vuitton Vernis Astor Place Vanity Bag in that vibrant yellow patent leather. I stumbled upon it at a vintage store, and I couldn’t stop ferent sides of the same coin, but somehow we always meet in the midthinking about it! Yellow has always held a special place in my heart – dle. No matter where life takes us, she’s my go-to source of inspiration.

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FASHION EDITOR: CAMILLE MACAWILI; MAKEUP & HAIR: KAROLINA KUROWICKA; VIDEOGRAPHER: MARK MATHEW; LOCATION WITH THANKS TO THE OPUS BY OMNIYAT

“Embracing failure is part of the journey”

COVER STORY

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This page: Sleeveless Asymmetric Buttoned Dress; Louis Vuitton

COVER STORY

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WORDS & STYLING: AMY SESSIONS

Bags with structure

THE EDIT

Box Bag Dhs269 Zara

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FAS H I O N

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WORDS & STYLING: AMY SESSIONS

Parallel 22 small suede shoulder bag Dhs7,547 Métier available at NET-A-PORTER

Belted croceffect leather tote Dhs4,286 TOTEME

Bracelet embellished watersnake shoulder bag Dhs10,500 Chloé

Shoulder Bag Dhs249 Mango Shoulder Bag Dhs199 Mango

This page: (top right) Suede Handbag Dhs999Zara Massimo Dutti Leather Clutch Dhs599

FAS H I O N

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Solstice embellished leather shoulder bag Dhs14,050 Bottega Veneta; (left)T-Lock pony hair clutch Dhs4,074 TOTEME

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FAS H I O N

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The Art of the Exceptional WORDS: CAMILLE MACAWILI

Hermès hosted a private, bespoke riding adventure across the desertscape at Our Habitas Ras Abrouq, Qatar, showcasing the craftsmanship and detail of the brand’s equestrian heritage

FAS H I O N

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To truly understand the essence of Hermès is to embrace its equestrian soul. Founded in 1837 as a harness workshop, the French Maison has never strayed from its origins, elevating the art of horse riding to an unparalleled level of craftsmanship and luxury. The Hermès Chevauchée experience, intertwined with the bespoke service, is not merely about riding; it is about embracing an equestrian lifestyle infused with the Maison’s signature savoir-faire and heritage of saddle-making – where craftsmanship meets performance – reflecting the brand’s deep-rooted connection to equestrian sports. While Hermès does not offer direct horse-riding experiences, their commitment to the equestrian world is evident through events like the annual Saut Hermès horse show at Le Grand Palais in Paris. This particular ride was past the iconic East-West/West-East by Richard Serra in the desert of Qatar, timed to perfection at exactly sundown as only Hermès could do.

The craftsmanship of their equestrian pieces

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is not less refined in details and like this experience, something you will treasure for life.

THE CRAFTSMANSHIP

Hermès has been devoted to handcrafted creations. Beyond function, an Hermès saddle is a statement of design artistry. Just as the house’s coveted Birkin and Kelly bags are crafted with a dedication to detail, so too is each saddle – reflecting Hermès’ dedication to equestrian excellence. Since 1837, every Hermès saddle has been handmade by a single craftsman. The collaborative journey begins with a consultation guided by a master saddler, where a seasoned rider and horse are meticulously measured. Hermès employs the cutting-edge Equiscan system, a tool designed to capture the specificities and anatomical nuances such as the exact curvature of the horse’s back, ensuring a perfect fit. Once the specifications are finalised, the saddle is entrusted to a single saddle expert, who dedicates nearly 25 to 35 hours to its meticulous handcrafted labour

and care. The leathers, carefully selected from Hermès’ exclusive tanneries, are supple yet durable, ensuring longevity and grace in every ride. Each stitch is placed with precision, each curve moulded to enhance the intimacy between horse and rider, fostering an instinctive connection. The result of this technological precision, saddlery know-how, and time-honoured artisanal techniques? A keep-forever saddle that seamlessly blends comfort and control and elevates the riding experience to a level of unparalleled refinement and slick sporting performance – aimed at making the horse and rider as one.

A testament to its craftsmanship excellence, an Hermès saddle can be repaired and adapted as it changes over time, by the same craftsman who created it. The saddles have all been numbered so they will never be forgotten – thanks to a hand-updated register – and can be traced including when and by whom the saddle was created, as well as the repairs carried out over time – a practice from the Maison since 1900.

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THE EXPERIENCE

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Fete F A S H I O N A B L E

WORDS: CAMILLE MACAWILI

Emirates Woman attended THE event of Paris Fashion Week, a private dinner with Australian designer Christopher Esber hosted by Mytheresa at the iconic Loulou to celebrate a collaborative capsule collection

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FAS H I O N

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tal. The event celebrates the ongoing partnership and the exclusive Christopher Esber x Mytheresa capsule collection, launching globally on April 16, 2025. The event took place at the renowned Parisian restaurant Loulou located inside the Musée des Arts Décoratifs, where guests were treated to a Mediterranean-style menu in the dining room overlooking the Gardens of the Louvre. In attendance, were some of the industry’s notable tastemakers including Emirates Woman’s Publisher/ Editor Amy Sessions, Tamara Kalinic, Lena Mahfouf, Isamaya French, Diana Bartlett, and Jihoon Kim, among others.

THE SHOW

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Dynamic and authentic, Christopher Esber has solidified himself as an influential fashion authority. For FW25, an edgy eclecticism runs through the new collection where Esber showcased his design prowess and sent out showstopping styles including clever chunky knits and bohemian silhouettes in rich deep-coloured hues of navy, mustard, purple, and sage green to name a few, injected with poetic touches and signature daring drapes – delivering a covetable winter wardrobe staples.

THE CAPSULE COLLECTION

The exclusive edit includes an edit of ready-to-wear pieces and footwear in a tropical colour palette for a glamourous sun kissed season. From coolgirl separates to elevated eveningwear, expect Esber’s signature figure-flattering silhouettes and sculptural details including updated natural stone combinations of clear quartz, amethyst, and black agate that lends an earthy, elemental energy to the highsummer pieces.

THE DINNER

On March 9, 2025, trailblazing designer Esber and luxury multi-brand online retailer Mytheresa hosted an intimate dinner in the French capi-

FAS H I O N

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S I M P L Y

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The new Limited Edition No.6 by Gaia Repossi, the “Cross Bracelet”, takes inspiration from modern art and architecture. Crafted from jet-black titanium and enhanced with an intense black Diamond-Like Carbon, this bold piece is a testament to Repossi’s boundary-pushing approach to jewellery design.

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WORDS: CAMILLE MACAWILI

CULTURAL DESIGN

Designer Banafsheh Hemmati discusses how her multi-dimensional approach has shaped her aesthetic vision as an independent artist and jewellery designer

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What do the first 30 minutes of your day look like, your morning routine? My mornings begin slowly, coffee in bed has been a long-standing ritual for me; it marks the transition from introspection to engagement with the outside world. This quiet time allows me to ease into the day with clarity and focus, without feeling rushed. Before getting out of bed, I deliberately keep my phone off to avoid distractions and create space for uninterrupted thought. This is not just a moment of stillness, it’s a time for mental organisation, planning, and often, ideation for ongoing projects. Interestingly, some of my most significant creative concepts have taken shape in these unhurried early hours, where ideas flow freely before the demands of the day take over.

You wear many hats. What are the defining pillars that inform your overall aesthetic, and does your creative process change when you switch to jewellery making? My practice exists at the intersection of art, design, and philosophy, and this multidimensional approach fundamentally shapes my aesthetic vision. Geometry plays a crucial role in my work – not as a rigid, sacred system, but as a fluid and evolving language that I continuously recontextualise across different mediums, from jewellery and sculpture to large-scale installations, furniture design, and interior spaces. My work is an attempt to extract the latent formal and conceptual potentials of geometry. In transforming my sculptures into jewellery and vice versa, I scale down, and the body becomes particularly important, and things like ergonomics also become important in the design process.

Who and what have shaped your point of view on design? I believe my approach to design has evolved over time, shaped by various influences across different periods. It initially stemmed from a deep fascination with Iranian-Islamic architecture, which later expanded into an ongoing enthusiasm for uncovering new potentials within Islamic geometry and architecture in the context of contemporary design and art. My design practice is often centred on deconstruction and reconstruction, allowing me to explore possibilities beyond traditional limitations. I am particularly drawn to disciplines that exist at the intersection of design, art, and philosophy, and I have always been inspired by creators who challenge conventional definitions and rethink established forms.

The ‘Body Geometry’ collection, debuted in 2024, features half geometric patterns. Was this the idea from the outset? I have two primary approaches in jewellery design: 1. Audience-driven approach, which emerges through dialogue with the audience and the development of a design brief according to their needs and expectations. 2. Conceptdriven and critical approach, where collections are shaped by personal concerns and a critical engagement with historical and social concepts.

For example, in the “Body Geometry” collection, I pursued the second approach. The central concern of this collection was designing contemporary jewellery for contemporary women –

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women who move beyond historically rigid roles and do not perceive jewellery merely as an adornment for the body but rather as an independent and conceptual entity. In this collection, jewellery is no longer in service to the female body; rather, it asserts its own identity and expression, challenging the historical relationship between jewellery and the body. The pieces in this collection function as a moving statement, creating an interactive experience for both the wearer and the observer. The gaze is no longer directed at the female body but is instead shifted directly to the jewellery itself, liberating it from being merely a complement to the body. Furthermore, illusion and perspective play a crucial role in the design, allowing each piece to present different volumes and forms depending on the viewer’s angle, thus reinforcing a dynamic and fluid identity. Additionally, this collection proposes a redefinition of secular geometry, detaching it from traditional narratives and positioning it in a new dialogue with the body and space. between jewellery, performance, and the body. Issues of gender, emWhat are your jewellery brand signatures, and what hero piece conbodiment, and cultural identity have gained prominence, pushing detinuously performs season after season? Architectural motifs and signers to redefine conventional forms. geometric structures derived from Islamic design play a fundamental role in my jewellery. However, my approach has evolved over time Taste is a word that often comes up when talking about design. What – from adaptation to appropriation. are your thoughts about good versus bad taste? There is undoubtedInitially, my designs were inspired by traditional forms, but over ly a distinction between good and bad taste; however, I believe that the years, I have deconstructed and reinterpreted them in a contemtaste in design is fundamentally a cultural and historical construct.

Unlike the common assumption that considers taste to be purely inporary context. One of my most recognised pieces is a ring called dividual or innate, it is always shaped within social, historical, and The Sun, designed in 2009. Inspired by Persian architectural Girih, cultural frameworks. Just as our palate in food is conditioned by traditionally seen in ceilings as a symbol of infinity, this ring challenges the hierarchical perception embedded in these structures. In the environment in which we are raised – from familial traditions to classical architecture, the viewer always gazes upward toward these regional culinary customs – our aesthetic sensibilities in design are equally a product of our lived experiences. What is regarded as ‘good patterns. By bringing this form to the hand, the ring reverses that taste’ in one era may be entirely reconsidered or even dismissed in relationship – now, the wearer looks down upon it. This subtle shift another cultural context. For example, what was celebrated as the questions the established hierarchy in ornamentation, transforming pinnacle of taste in 18th-century Europe may now appear excessive jewellery into a conceptual statement rather than mere decoration. or obsolete. This highlights that taste Appropriation is a totally different is not a fixed or universal standard, but approach from adaptation. In adaptarather a fluid and evolving phenomenon tion, we borrow traditional motifs and that continuously undergoes redefinition. patterns and employ them in our work Moreover, I believe that growing up in in a general or specific way. This process an environment where design and aesthetis not after creating a new world. Apic sensibilities are valued has a profound propriation is an alternative approach to impact on becoming a designer. While adaptation. Instead of transferring outside surfaces and forms, appropriation intuition plays a significant role in art, reinterprets them. The process cannot design necessitates a deeper comprehenbe reduced to transference. It is rather sion of function, interaction, and materian interference in which our purpose is ality. The ability to make aesthetic choices not simply using the original form. The from an early age – whether in clothing, original form is transformed so that a furniture, or everyday objects – enhances new rendition of it emerges, which is compatible with the contemone’s visual literacy and cultivates an instinct for composition and spatial awareness. While this awareness can certainly develop later in porary world and the diverse view of it. Girih (‫ )گره‬refers to a type of life, I believe that early exposure establishes a stronger foundation for intricate geometric interlacing pattern commonly found in Islamic meaningful engagement and innovation within the field. architecture and decorative arts. These patterns are typically constructed using a set of overlapping or interwoven polygons and stars, How do you deal with the pressure to abide by seasonal trends and forming highly structured yet visually dynamic compositions. keep your work fresh? I must say that I fundamentally do not adhere to ephemeral trends and fashions. My design philosophy centres on The pieces are truly unique. How does it feel to be recognised by your creating timeless objects that transcend temporal and spatial limipeers and be at the forefront of design? It is always rewarding to see tations. For instance, some of my collections from 15 years ago rethe impact of my designs, particularly on younger generations who main popular today. In recent years, my inclination towards designs are entering this field. Witnessing this influence firsthand is both that are gender and age-neutral has also intensified. My approach is inspiring and energising, reinforcing my dedication to this path. primarily shaped by personal studies and concerns rather than folWhat are some of the biggest shifts you’ve seen in the jewellery and lowing seasonal trends. Therefore, I have not experienced pressure art space throughout the years, and how have they changed the way in this regard in my creative process. you approach design or business? Over the past decade, jewellery has evolved beyond mere ornamentation, becoming a medium for This is The Design Issue – what’s a great design you’ve come across artistic expression, identity, and social critique. The expansion of that has left an impact on you? I must say that I cannot single out a materials from traditional gold and precious stones to unconvenspecific design that has influenced me. However, any design that, through creativity and departing from conventional norms, has tional elements like wood, glass, polymers, and digital components, crafted a distinct world and impacted people’s lives, like art, design, alongside advancements in 3D printing and AI, has enabled the or architecture – has left an impression on me. In each era, dependcreation of new, modular forms. Conceptual jewellery is now deeply integrated with contemporary art, with platforms like Munich Jeweling on my studies in specific fields and the philosophical concepts influencing these three domains, such works have affected me. lery Week providing space for designs that challenge the boundaries

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“While intuition plays a significant role in art, design necessitates a deeper comprehension of function, interaction, and materiality”

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S E T AG A I N ST A M I N I M A L S H OW S PAC E W I T H A S I N G L E S C U L P T U R E BY B R I T I S H A RT I ST T R AC E Y E M I N , J O N AT H A N A N D E R S O N D E D U C E S N O I S E A N D D I S T R A C T I O N S T O P R O D U C E T H E L O E W E S S 2 5 C O L L E C T I O N W H E R E D E S I G N , S I L H O U E T T E , A N D C O N S T R U C T I O N TA K E C E N T R E S TA G E

Eye for Design WORDS: CAMILLE MACAWILI

IMAGES: SUPPLIED; ALL AVAILABLE AT LOEWE

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F O A N I M A T E D

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A love letter on design from Pieter Mulier, Creative Director at Alaïa

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IMAGES: SUPPLIED; ALL AVAILABLE AT ALAÏA

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WORDS: AMY SESSIONS

S “

howing this Winter-Spring Alaïa collection in New York came about for two reasons: opportunity and obsession. The opportunity to stage a show in the Solomon R. Guggenheim Museum and an obsession with the idea of American beauty. For me, American beauty means freedom, of body and of spirit. A simplicity, a modernity and directness, a purity. And both for Alaïa and myself, America is a home away from home. I lived and worked in New York for three years.

It helped shape who I am today. And, in the 1980s, for Azzedine Alaïa, it was a city where his clothes and philosophy of design were embraced, where he opened his first store. In 1982, he showed in New York for the first time; in 2000, Alaïa pieces were placed in conversation with works by Andy Warhol at the Guggenheim Museum’s temporary space in SoHo – an exchange of art and fashion that was unprecedented.

This season, we were offered the chance to show in the Solomon R. Guggenheim Museum – an act of generosity, a creative exchange with kindred spirits. It is the first time a fashion collection has been shown in the museum’s rotunda.

The collection itself has been shaped, inherently, by that idea – by showing in an art museum, in America. There is a sense of American sportswear, its ease and practicality.

There are traces of the work of American fashion greats – Adrian, Halston, Charles James and Claire McCardell.

American beauty, again. There is also a sculptural aspect, born from Azzedine’s obsessions, and my own.

Geometric shapes animated around the form: circles, squares, spirals of fabric wrapping the body, in double-face cashmere, fine knit, sculpted poplin and silk taffeta. No zippers, no buttons - stripping away to a dynamic simplicity.

Some pieces are suspended, held in position by imperceptible internal structures, like magic tricks.

The clothes are couture studies, of an American vernacular of dress – denims, t-shirts, sports pieces. And alongside our studies, we have invited students from three American fashion schools – Fashion Institute of Technology (FIT), Parsons, Pratt – to attend the show, and see our work. This collection is about honouring tradition alongside modernity. It is a celebration of an American ideology of dress, and through that of a spirit that can unite New York and Paris – of the body in motion, liberated. As Alaïa always has been.”

Much love, Pieter

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CELINE opens its doors in Riyadh’s newest shopping destination, Solitaire, with a 250 square-meter of dedicated space that houses the Maison’s ready-to-wear, accessories, jewellery, and Haute Parfumerie collections WORDS: CAMILLE MACAWILI

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The Riyadh boutique also plays host not only to vintage and custom-designed furniture pieces, but also doubles as an art space. In continuity with the CELINE Art Project, the boutique displays contemporary pieces including a sculpture by Brooklyn-based artist Eli Ping and artworks by Alma Allen.

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Hot New Buys WORDS: SARAH JOSEPH

An edit of the latest products to design your optimised beauty game

A GENTLE CLEANSE

A Plump Lip Long-lasting softness with deep hydration. Dream Lip Oil Dhs133 Summer Fridays

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PERFECT CURLS Bond-repairing technology with hair-foam to hold without the stickiness. Hair-Foam: Curling Mousse Dhs95 Bread Beauty Supply

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Moisturising lather packed with amino acids to reduce breakage. The Rich One Moisture Repair Shampoo 300ml Dhs150 Fenty Hair

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TONKA BEAN ALLURE Embrace the refreshing twist of coconut water in this idyllic bottle. Beach Blossom Cologne 100ml Dhs589 Jo Malone London

Semi-Gloss Finish Pure essential mint oil that goes beyond skincare. The Lip Balm Multi-Ceramide Dhs92 Nécessaire

SOFT SHIMMER Blendable eyeshadow that delivers a soft glow. Liquid Eyeshadow Dhs51 Versed

All-Day Hold A long-lasting sculpt without any extra steps. Lip Sculpt Dhs87 REFY

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CALMING EXTRACTS Radiance-boosting turmeric root oil to repair your skin. Even Balance CoQ10 Facial Toning Formula 95ml Dhs239 epi.logic

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WORDS: SARAH JOSEPH

DESIGNING EMPOWERMENT

A new era of skincare with JUANA’s Co-Founders Yann Moujawaz and Juana Martini

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What do the first 30 minutes of your day look like, your morning routine? JM: I start my day with a morning prayer, a quick coffee, and a catch-up with my son Yann to align on key business priorities for the day. Then, I get ready and apply JUANA’s Rebalance Face Cream followed by the JUANA Fortify Face Oil to energise my skin and ignite my radiance. It’s a quiet moment of self-care that sets a bold, focused tone for the day.

Tell us about JUANA. YM: I like to call it “Potent Bioactive Skincare.”

JUANA is where nature’s purest, most potent botanicals meet cutting-edge science to empower people to own their prime. With biotech precision, JUANA fuses potent botanicals and clinical-grade actives to create rejuvenating skincare that energises and visibly transforms sensitised skin through bio-stimulation. Clinically proven and ultra clean, our formulations stimulate – not simulate – your skin’s natural ability to repair, regenerate and optimise itself. To me, the science of bio-stimulation is fascinating and this is where we have decided to focus and invest our R&D efforts on. Understanding how to harness and induce your skin’s own metabolic regeneration mechanisms into the process of regeneration is fascinating.

To achieve such science prowess, you really must push on the biotech and explore potent, niche and premium actives such as our French Cannabidiol (strong antiinflammatory), ‘Peruvian Gold’ plant-derived peptides (strong anti-ageing and lifting), potent biotech forms of Hyaluronic Acid and Sodium Hyaluronate. It’s a modern apothecary journey backed by cutting-edge biotech and medical endorsement. Every product is a statement of innovation – transformative formulae that fuse potent botanicals with proven clinical actives. It’s a promise to power up your skin so you can embrace every moment with confidence.

JUANA 2.0 is a bold new move what was the inspiration behind the new visual identity? JM: We wanted our look to capture our fearless fusion of nature and science. Bold chartreuse and matte dark hemp tones meet sleek typography, broadcasting a message of limitless potency and energy. It’s an unapologetic celebration of personal power and progress. The design story tells visually this concept of potency and energy which is core to the brand. Think modern apothecary: minimal, daring, and meticulously crafted over 18 months. From a design standpoint, this idea of potency is reflected by having minimal, sleek details and inserts of the key actives potency. Key actives are listed in bold and very simple way. Product naming also follow a potency and functional driven approach: for example, the Fortify Face Oil, Soothe Skin Butter and Rejuvenate Face Cream.

How does the new packaging reflect the brand’s fusion of science and nature? JM: Each piece balances sleek scientific cues–like clean, sleek lines, product actives potency details, and precision fonts – with organic textures and vivid botanical colours. It visually

symbolises the perfect harmony between methodical research and the restorative power of potent botanicals.

What are some unexpected design details that customers might not notice at first glance? A subtly debossed, real-life silhouette of each product on its box – our poetic statement of beauty from within.

Additionally, a hidden neuron symbol, representing bio-stimulation and the skin’s own regenerative pathways. Finally, refillable components for most SKUs, reinforcing our commitment to sustainability.

What’s next for JUANA’s design evolution – are there collaborations or future product innovations on the horizon? YM: Design aesthetics shape our entire storytelling – from packaging to immersive brand experiences. We’re leveraging new investments from the world’s most powerful and influential beauty investors and forging collaborations that blend art, tech, sports, and our signature botanical focus. Expect bolder aesthetics and even greater efficacy.

The new tagline, “Power Up Your Skin. Own Your Prime,” is incredibly empowering. How was this philosophy translated into the design and overall branding experience?

YM: Everything – from our vibrant palette to embossed shapes on each box embodies the surge of confidence and radiance we want our customers to feel. It’s an invitation to step into your power.

How does the design of JUANA products reflect the healing power you aim to deliver? JM: We fuse nature’s vibrant energy with science’s minimalist clarity – sleek lines, potent colour cues, and an overall sense of energy and power.

The result is a healing journey you can see, touch, and feel.

What lies ahead for JUANA? Growth, growth and growth. The recent major announcement of highly influential beauty investors is turbo-charging our growth and pipeline of opportunities – regionally, but also across the globe. Market expansion is something we are actively exploring. Expected markets with major retail partnership in the EU to be announced at some point this year. Interestingly, unexpected traction is coming from high growth markets in the Middle East, North and Latin America and Asia where our approach and close partnerships with the medical aesthetics world has resonated very well. Expanding into retail through very diligent and selective partner selection is also being explored actively.

The pipeline of opportunities is very strong and they each have a very interesting opportunity to engage and build on differentiated communities. All that is great, however keeping up with the growth and opportunities we currently have has also stretched our inspiring team.

Expanding our team with superstar talent is also top of agenda for me.

This is The Design Issue – tell us more about your core design principles. JM: We focus on simplicity, intention, and impact. Every colour, pattern, and word is chosen to spark confidence and communicate our fusion of innovation and nature. We design for the driven, the curious, and the bold – because that’s what JUANA stands for.

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“We design for the driven, the curious, and the bold”

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OBJECT OF BEAUTY The Rouge Brillant Silky lipstick collection joins the Hermès Beauty metier

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s quintessential as the Hermès accessories, its beauty collections are just as enduring and universally flattering. With its delicately tinted and intensely glossy signature/finish, a touch of colour is transformative to any mood and look.

The Object: Designed to Last A nod to the storied visual codes of Hermès, the object designed by Pierre Hardy, Creative Director of Hermès Beauty objects, has been elongated and refined, lending an even more elegant visual appeal. The collection elevates lipstick to the realm of high craftsmanship, presented in the same materials as the first Rouge Hermès lipsticks: lacquered, brushed and polished metal with black, white and permabrass finishes, and topped with the

engraved ex-libris. As with the rest of the beauty objects, the lipstick bullet comes in a refillable case and crafted as a sustainably striking, keep-forever possession.

The Colour: Formidable Formulas In this second beauty chapter, Rouge Hermès finds new expression in a subtle veil of colour with buildable intensity for definition. The 14 light-filled shades and a limited edition of three further colours conceived by Gregoris Pyrpylis reveal beauty in a veritable halo of hues, living up to the metier’s inimitable colour creation. Among them are five emblematic Rouge Hermès colours: Rouge Casaque, Rouge H, Rouge Amazone, Rose Boisé and Rose Épicé, all reinterpreted in this glossy finish. The limited-edition collection is composed of three shades con-

ceived by Gregoris Pyrpylis as three rays of coloured light: Beige Halo, Orange Flash, and Rose Gélatine.

Featuring a slender bullet with a slanted tip infused with a hybrid formula and natural base of raspberry leaf extract to moisturise and plump, sesame seed extract to smooth and soften, Abyssinian oil to nourish and protect, and white mulberry, the velvety texture leaves on a supple and elegant feeling on the lips akin to the Maison’s silk scarves.

The Accessory: Free and Forward-thinking Classic yet ahead of its game, Hermès takes beauty further with a functional two-tone belt that perfectly complements the house’s style. It is designed for the woman on the move to be free and agile and for the object to be portable, easy to wear, and accessible.

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ELEVATED MOVEMENT

Founded to inspire and elevate movement, ninjoo brings a design-led approach to its brand partnerships with a focus on detail and refinement that have been previously lacking. We discuss re-writing the rules and what it takes to build a brand from scratch with co-founder Aurore Nio What do the first 30 minutes of your day look like? Setting intentions for the day and fighting the urge to jump right into action by prioritising hydration and gentle movement.

What was the vision from the outset for ninjoo and how did you know it was the right time? From the outset, ninjoo was built to challenge the traditional perception of sports accessories. We saw that while sports apparel had evolved into something stylish and desirable, accessories remained uninspiring and hidden away. The surge in home workouts and increased value placed on aesthetic, premium quality products during the pandemic confirmed it was the perfect moment for ninjoo.

How did you all decide to launch ninjoo together and how did your previous roles support this? We collectively recognised a market gap through our backgrounds in e-commerce, fitness, marketing, and brand development.

We also realised that our diverse experiences were very complementary and provided a solid foundation to create something inspiring, and disruptive in the fitness and leisure market. My background in brand management, digital marketing, and e-commerce made me the right person to develop the concept and create a real brand, while my partner’s experience in general management and operations made him the perfect COO to ensure the right business setup and run the day-to-day operations smoothly. Finally, our third partner is an experienced entrepreneur in the fitness industry and excels at building meaningful relationships with brands and clients.

What do you look for in new brands you partner with? Innovation, premium quality, exceptional design, and alignment with our mission to inspire active lifestyles are non-negotiable. We are literally like children when we discover a new brand or product that inspires us. We love to be in touch directly with the founders and hear their story and the reasons that pushed them to create their brand.

How do you lean into your strengths, and how do you delegate to support areas where you are less strong? We are very lucky that as the three co-founders behind ninjoo, we very quickly identified each other’s strengths, even prior to launching, so that helps to naturally focus on our strengths and identify together where we need support. We have

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from the beginning decided to surround ourselves with key partners in logistics and accounting mainly. Areas we continue to keep in house are marketing and customer care, which for us are the two key components that drive brand love.

What is the DNA of ninjoo, and has it evolved over time? ninjoo’s DNA is built on inspiration, premium quality, and innovation.

While this foundation remains strong, we’ve evolved to become more community-focused, understanding that connection and engagement with our audience are essential to our growth and authenticity.

How has your background informed how you operate professionally in business? My experience in digital marketing and e-commerce has ingrained a user-first approach into everything I do. Understanding consumer behaviour, data and the power of content has allowed ninjoo to resonate deeply with our audience. When it comes to our partnering brands, my experience in luxury multibrand spaces has allowed me to make sure ninjoo is a host of choice for our brands, providing a qualitative platform, having a brand-led and storytelling approach as opposed to a price-driven strategy.

How do you scale without compromising on quality? We continue to choose very meticulously the brands and products we offer to our audience. Controlled, strategic growth and introducing relevant services instead of just products, allows us to maintain our high standards and ensures each step we take enhances, rather than dilutes, the ninjoo brand.

What is the key to growing a community as a brand? Authenticity and genuine engagement – both with our audience and our partners, are essential. Additionally, maintaining exceptional service, attentive customer care, and thoughtful surprises or delightful moments are effective ways to organically grow our community through word-ofmouth and referrals.

What has been the biggest challenge since launching, and how did you overcome it? Breaking through a market that often reduces fitness to utility and price wars.

Our approach – positioning active lifestyle products as an extension of personal style – challenged the norm. We overcome it every day by focusing on curation, storytelling, and collaborations that resonate with our audience. We make premium fitness aspirational, not just functional.

What has been the biggest reward? It’s without question seeing our vision come to life – when customers tell us they feel inspired by ninjoo, or that our products elevate their motivation. And of course, watching ninjoo carve its own niche in an industry that’s long overdue for a shake-up. We see the same passion for our brand that we previously observed in our corporate jobs for a well-known global brand in the sporting goods industry.

Who has inspired you in business and life, and why? I’ve found and continue to find inspiration from multiple sources. In business I think of Simon Sinek’s ability to

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clarify purpose and leadership deeply resonates with me. Creatively, filmmakers like Wes Anderson or Bong Joon Ho have inspired me through their unique perspectives, attention to detail, and distinct storytelling.

Ultimately, I’m drawn to creative individuals who lead with empathy, authenticity, while staying true to their own style, shaping how I approach business and life.

Do you believe in visualisation, and how has it impacted your life? Absolutely – I consciously incorporate visualisation into my moments of calm and restorative breaks. Regularly visualising success strengthens resilience and provides clarity, both critical components for navigating the unpredictable journey of a start-up.

What daily practices do you undertake to ensure you stay in your best energy? I’m not disciplined in the traditional sense of following a strict schedule; in fact, I tend to thrive in unstructured, spontaneous moments.

My daily practices vary depending on what my mind and body need. I integrate movement into my day intuitively – between important meetings or when I feel I need a break. I practice what I preach at ninjoo and have a setup at home that allows me to sometimes work while walking on my treadmill, improvising a workstation to remain productive yet active. Other times, I’ll take a 15-minute Reformer break, focusing on spe-

cific Pilates movements tailored to what my body needs at that moment – stretching to relax or grab my Bala weights and go for an energising, strength-based workout after a rush of adrenaline. Listening to podcasts is also an integral part of my daily routine, keeping my mind stimulated and inspired. Additionally, I’m continually exploring ways to optimise my internal resources, paying close attention to my water intake, nutrition, sunlight exposure, and sleep quality, ensuring that I’m consistently operating at my best energy.

What advice would you give to someone wanting to start their own brand or business? Build your business on genuine value. Always stay flexible, listen to feedback, pivot quickly if you feel you must, and keep your passion at the forefront of everything you do. Finally, invest in yourself, you are your company’s biggest asset, and you need to treat yourself as such.

This is The Design Issue – what or who inspired you in the design world?

I recently came across an American interior designer Hans Lorei who draws parallel on how cars, planes, and houses used to have vibes with a mix of shapes, textures a strong use of colour as opposed to today’s cars, planes, and houses that are mostly made of hidden décor, dry walls and very minimalist looks. To me, great design isn’t just about how something looks – it’s about how it makes you feel.

How do you help your clients design the life they want? By redefining their relationship with movement. A home gym shouldn’t feel like a chore – it should feel like an extension of personal space and style. We curate products and design spaces that elevate both aesthetics and performance, so working out becomes something they look forward to.

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WORDS: AMY SESSIONS

The Design Pioneer

BORK brings design innovation and a cool aesthetic edge to luxury home accessories

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BORK is the international company with more than a 20 yearhistory; a pioneering leader in the realm of luxury home accessories, beauty and wellness products, and premium household appliances – crafted for those who aspire to be surrounded by excellence.

The name ‘BORK’ refers to the German verb “abborken” which means “debarking”, thus enhancing the brand’s unique vision towards production and putting quality, design, innovation and customer service at the core of its values.

Manufactured in the finest factories across Germany, France, Italy, Japan, and other regions, their products embody excellence and are meticulously designed in every detail, seamlessly blending heritage and craftsmanship with innovative technology, and impeccable aesthetics with unparalleled functionality.

With a history of over two decades, BORK remains at the forefront of luxurious living, setting new standards for those who aspire to live a comfortable life.

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THE ART OF EXPERIENCE

How Sakshi Nath ensures her multi-faceted entrepreneurial skill set shapes Dubai’s culinary and beauty landscape as owner of Queens Beauty Lounge and Co-founder of Trèsind

Talk us through your background. A fashion designer by profession, I began my journey working in New Delhi, India. After getting married, I moved to Nigeria and opened a boutique, bringing my passion for fashion to life. In 2008, I relocated to Dubai and ventured into the restaurant business alongside my husband. However, beauty has always been my true passion and I had long envisioned stepping into the spa and salon industry. From fashion to food and finally beauty, my journey has been a dynamic evolution of creativity and entrepreneurship.

What inspired you to enter the beauty space and launch Queens Beauty Lounge? Beauty has always been my passion. Over the years, I realised the power of self-care and confidence that a great beauty experience can provide. When I saw a gap in the market for a comprehensive, highquality beauty lounge that caters to women’s needs under one roof, I knew it was time to bring my vision to life. Queens Beauty Lounge was born out of my belief that every woman deserves to feel like a queen, pampered, empowered and beautiful. that your brand aligns with this philosophy?

Trèsind has redefined Indian fine dining. What At Queens Beauty Lounge, we believe that beauty is more than skin deep, it’s about was your vision when launching it in 2014, confidence, self-love and feeling your best. and how has it evolved since then? When we We ensure that this philosophy is reflected launched Trèsind in 2014, the vision was to in everything we do, from the luxurious change the perception of Indian cuisine to experience we provide to the high-quality showcase its depth, artistry and innovation products we use and the expert services we while preserving its authenticity. We wanted offer. Our space is designed to be a sanctuto take guests on a multi-sensory culinary journey, making every meal an experience. ary for women, where they can unwind, reOver the years, Trèsind has evolved into a juvenate and leave feeling empowered. pioneer of progressive Indian cuisine, setting What values and leadership principles guide global trends while maintaining deep culturyou in running both Trèsind and Queens al roots. Today, it continues to push boundBeauty Lounge? At both Trèsind and aries, offering a dining experience that is Queens Beauty Lounge, customer satiselevated, immersive and unforgettable. faction is our top priority. Our philosophy is simple “Our guest is our God and the Queens Beauty Lounge is rooted in empowguest is always right.” We never say no to erment and self-care. How do you ensure

our clients and always go the extra mile to meet their expectations. This commitment to excellence has helped us build strong and lasting relationships with our customers.

What are some of the biggest challenges you face as an entrepreneur and how do you overcome them? Building a brand from the ground up is never easy. One of the biggest challenges is establishing trust in a highly competitive market. It takes immense effort and consistency to earn trust and stand out.

Both the hospitality and salon industries are service-driven and finding the right team is crucial. Building and retaining a skilled team was one of the most challenging aspects, but with the strong leadership of my husband and commitment to quality, we have been able to create a brand that speaks for itself.

How important is storytelling in design, and how do you use it to create immersive brand experiences? Whether it’s in a restaurant or a salon, the space must tell a story that connects with people emotionally.

At Trèsind, we use storytelling to create a multi-sensory dining experience, from the flavors to the presentation to the ambiance.

At Queens Beauty Lounge, our design is warm, elegant and inviting and clean, ensuring that every client feels pampered the moment they walk in. Every detail matters, it’s not just about aesthetics but about the feeling a space evokes.

You also balance different roles as a mother and entrepreneur – what’s the key to this?

Balance is an ongoing challenge but the key is time management and prioritisation. I make sure I dedicate time to both my family and my business, without compromising on either. Surrounding myself with a strong support system both personally and professionally makes all the difference. I also believe in being fully present in whatever I am doing at the moment, whether it’s spending time with my children or leading a business meeting.

What advice would you give to aspiring entrepreneurs who want to create impactful brands? Passion and persistence are everything. Strong work ethics, determination and dedication is the key. There are no shortcuts to building a successful brand, you need to be deeply invested in your vision, continuously learning and ready to adapt. Surround yourself with the right people and don’t be afraid to take risks.

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SKINCARE REVOLUTION

How Professor Augustinus Bader and Charles Rosier have scaled a brand designed to fuse science with natural radiance

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Tell us about Augustinus Bader. AB: Creating a consumer skincare product wasn't something I had previously considered. I am a scientist and physician by profession and don’t have a traditional beauty product development background. After years of working in the field of conventional stem cell technology, I began to understand how the body healed itself in conditions of trauma and inflammation, and I developed a revolutionary wound gel that would provide scarfree healing for patients without the need for surgery or skin grafts. It was Charles Rosier, my partner in this enterprise, who had the vision to apply my years of research to consumer skincare products, leading me to create the TFC8, Trigger Factor Complex TFC, our proprietary technology. He thought if my technology could turn burnt skin into perfect skin, then my know-how could be used to develop innovative skincare. What began as a single discovery has now evolved into a curated collection of clean, highly efficacious essentials. I am proud that our products are used by some of the world’s leading skin and hair care experts. We are deeply honoured to have received over 185 awards and to be recognised by international titles as ‘The Greatest Skincare of All Time’ in 2021 and 2024.

How has the brand evolved since you launched in 2018? AB: What began with two hero products, The Cream and The Rich Cream, has grown into a full range of highly effective formulas, each driven by innovation and backed by clinical results. We’ve expanded our understanding of skin health, exploring new formulations that target diverse concerns while maintaining our commitment to efficacy and integrity. As our community has grown, so has our responsibility to push the boundaries of what’s possible in skincare, embracing sustainability and ensuring that every product reflects both scientific excellence and a deep respect for the skin’s natural processes. This journey is not just about creating products – it’s about redefining the future of skincare by understanding the body’s natural ability to renew.

How has Augustinus Bader changed the skincare game? AB: Ultimately your skin is your largest organ, and it deserves the utmost care, which makes it a vital investment in your long-term health. Our success stems from creating formulations that genuinely work and are backed by over 30 years of scientific research. Leveraging our TFC8 technology, our products deliver proven results.

The results speak for themselves – people’s skin is visibly healthier just weeks into using our products, and we’ve won more than 185 global industry awards.

The hydrogel mask is unique – how does its design take skincare to the next level? AB: A first-of-its-kind innovation in skincare, the

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Augustinus Bader Hydrogel Face Mask infuses our proprietary TFC8 technology into a hydrogel sheet mask, creating a protective microenvironment that supports accelerated hydration and skin renewal.

What’s the science behind the quick results of the Hydrogel Mask, and how does its design optimise skin absorption? AB: The science behind the quick results of the Hydrogel Mask lies in its ability to deliver potent hydration and nourishment directly to the skin, driven by our TFC8 technology. This proprietary complex guides key nutrients and natural ingredients to the skin’s cells, supporting the renewal process and optimising overall skin health. The mask’s hydrogel design plays a crucial role in enhancing absorption. Its structure forms a protective barrier that locks in moisture, creating an ideal environment for deeper penetration of active ingredients, leaving the skin instantly refreshed, plump, and radiant.

Why is hydration so central to the Hydrogel Mask, and how does the design make sure the skin stays deeply nourished long after removal? AB: Hydration is fundamental to healthy, resilient skin. The Hydrogel Mask is designed to deliver long-lasting hydration, which prevents moisture loss and allows key ingredients to penetrate deeply. Our TFC8 technology works in harmony with this design, guiding nutrients to the skin’s cells and supporting their natural renewal processes. As the mask releases hydration and active ingredients, the skin is left nourished, plump, and radiant long after removal. This thoughtful combination of advanced science and intelligent design ensures lasting results that go beyond the surface.

In the world of high-end skincare, how does Augustinus Bader keep it luxurious while being eco-conscious? CR: Our commitment to sustainability and conscious luxury is reflected throughout various aspects of our business, and we continuously seek innovative ways to minimise waste without compromising performance. We prioritise creating products with clean, sustainably sourced ingredients and high-quality materials so we can speak to highly discerning consumers in a truly authentic way. These values are at the core of our brand, ensuring our luxury products align with conscious, responsible values while delivering skincare.

How does Augustinus Bader continue to redefine beauty through both product design and formulation? CR: What distinguishes Augustinus Bader is our unwavering commitment to science and innovation. With over 30 years of research and understanding of the body’s innate ability to heal and regenerate, we’ve created cosmetic formulations that deliver visible, long-term results.

Clinical and user trials demonstrate vis-

“At Augustinus Bader, design goes beyond aesthetics – it’s about purpose, precision, and performance”

ibly healthier skin within weeks, and we’ve earned over 185 global industry awards since our launch. When investing in premium products, there are expectations on superior craftsmanship and effective results. Ultimately your skin is your largest organ, and it deserves the utmost care, which makes it a vital investment in your long-term health.

Our DNA is different from other companies’ – our DNA is built on the quality and effectiveness of our products, which set us apart from others. Since our launch, we’ve re-

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mained dedicated to constant research and innovation, continually improving to ensure every product we introduce reflects the excellence and integrity that define our brand.

This is The Design Issue – tell us more about your core design principles. CR: At Augustinus Bader, design goes beyond aesthetics – it’s about purpose, precision, and performance. From formulation to packaging, every detail is crafted with intention, reflecting our belief that true luxury lies in simplicity and efficacy. Our packaging embodies our brand’s DNA: elevated, timeless, and sustainable, using materials that are both luxurious and responsible. Ultimately, our design principles align with our larger mission to redefine beauty through science, innovation, and uncompromising quality. Every product we create is a testament to that vision.

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The Beauty Shelf Waad Al Hammadi, founder of Gabi, talks us through her hero beauty products C O M P I L E D BY: J O E L L E A L B E A I N O

Bronze Wood & Leather Cologne Intense 100ml Dhs725 Jo Malone

A bold scent I reach for when I want something deeper and mysterious. The smoky leather notes mixed with wood give it an edge, making it perfect for layering or wearing alone for a statement fragrance.

Astronomical Mascara Dhs175 Byredo

The formula is lengthening and defining without clumping. A few strokes, and my lashes look lifted and dramatic in the best way.

The Moisturizing Soft Cream 30ml Dhs830 La Mer

Pure luxury in a jar. I gently press this into my skin, and it melts in beautifully. It’s the perfect balance between rich hydration and a lightweight feel, keeping my skin soft and nourished all day.

Honey Infused Hydrating Hair Oil 100ml Dhs360 Gisou

The Essentials Kit Dhs303 Treat

This set has become a daily ritual for me. The cleanser leaves my skin feeling fresh without stripping it, while the moisturizer deeply hydrates. I love how each product feels light yet effective, giving my skin that effortless glow.

Mojave Ghost Hand Cream 30ml Dhs190 Byredo

A must-have in my bag. It’s lightweight yet super hydrating, and the scent is subtle yet addictive. I love how it keeps my hands soft without feeling greasy.

Eyeshadow 5 Colours Fêtes Noires Dhs276 Byredo

The pigment in this palette is incredible! I love blending the

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shades for a sultry, smoky look.

It’s perfect for evening-night makeup.

about 20 minutes. It deeply hydrates and strengthens my hair, making it silky and smooth.

Honey Infused Hair Mask 230ml Dhs260 Gisou

AERIN Fleur de Peony Eau de Parfum Spray 50ml Dhs550 Estée Lauder

A weekly ritual that transforms my hair. I apply it generously before my shower and leave it on for

This scent feels like a fresh breath of elegance. I love spritzing it on my pulse points right after my morning skincare routine. It’s light, feminine, and effortlessly beautiful. The delicate blend of peonies and citrus instantly uplifts my mood.

Myrrh & Tonka Cologne Intense 100ml Dhs735 Jo Malone

This has become my signature scent. The warm, slightly sweet tonka bean mixed with rich myrrh creates a luxurious scent. I love applying this to my wrists and

behind my ears before heading out, it makes me feel confident and sophisticated. It’s the perfect balance between warmth and elegance, and every time I wear it, I feel like the best version of myself.

Blanche Body Wash Dhs225 Byredo

The perfect way to start my morning. The clean and airy scent of Blanche on my skin makes me feel fresh and polished throughout the day.

Peptide Lip Treatment Dhs66 Rhode

This lip treatment is a lifesaver, especially when my lips feel dry.

It gives a soft, plump effect while keeping them deeply moisturised.

I love applying it before bed or as a natural gloss during the day.

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I use this after styling or on damp hair before blow-drying, and it leaves my hair incredibly soft, shiny, and healthy-looking. The honey infusion makes it feel extra indulgent.

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IN PARTNERSHIP

Power Self Extrait de Parfum 90ml Dhs1,440 Initio Parfums Privés

DESIGNING AN OLFACTORY EXPERIENCE WORDS:

CAMILLE MACAWILI

The latest addition to The Hedonist Collection, Power Self is a meticulously crafted fragrance that fuses positive energy with master perfumery

IMAGE: SUPPLIED

THE NOTES The Hedonist Collection is a four-step transformative olfactory journey designed on the path to personal elevation: Rehab, Musk Therapy, Paragon, and Power Self.

Harnessing the power of science, each elixir in the collection is infused with a unique alchemy of mood-boosting notes that elicit positive feelings of empowerment and elevates an aura. Power Self marks the ultimate phase where the fragrance

is not a mere olfactory pleasure, but goes beyond empowering self-confidence and inner strength to reveal one’s super self.

This woody floral scent opens with a velvety burst of white flowers, osmanthus, white rose, and magnolia. At the heart, a powerful blend of pink pepper and ambrox invigorates the senses then slowly melts and dries down to leave a resonant and potent trail of mystical musk and grounding sandalwood.

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THE EMOTION In the world of luxury fragrance, Initio Parfums Privés is unmatched in its unique expression of creativity. Taking the art of fragrance to a whole new level, every note in this bold fragrance has been carefully selected not just for its scent, but for the emotion and energy it evokes. Encased in a sleek white lacquer and the silver emblem that adorns it, the Power Self bottle embodies strength and audacity. ae.initioparfums.com

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WORDS: SARAH JOSEPH

AM TO PM BEAUTY

Entrepreneur Latifa Alshamsi shares her morning to evening beauty routine Talk us through your morning routine. My morning routine is all about prepping my skin for the day ahead. I start with a gentle cleanse, followed by a hydrating toner and an essence to boost moisture. I always use a highperformance serum, usually something from Augustinus Bader or EviDenS de Beauté, to support skin regeneration. A rich yet lightweight moisturiser follows, and I never skip SPF – it’s the most important step to protect my skin. Since I prefer a minimal makeup look, I focus on having a well-hydrated and healthy complexion.

How does your evening routine differ? My evening routine is more about repair and nourishment. I double cleanse to remove any traces of SPF and the day’s impurities, then use a more potent treatment serum –

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sometimes a retinol or a peptide-rich formula. I also apply an eye cream and finish with a deeply hydrating night cream or an overnight mask for extra glow.

What are your go-to skincare products? I’m very selective with my skincare and rarely switch products.

Augustinus Bader’s The Rich Cream is a staple for me – it delivers intense hydration and helps with skin renewal. I also love EviDenS de Beauté The Serum for its anti-ageing benefits. When I need an extra boost, I use La Prairie’s Skin Caviar Luxe Cream for its lifting and firming properties.

Are you a fan of masks? Absolutely. I love using hydrating and brightening masks a few times a week. EviDenS de Beauté’s Special Mask is my go-to when my

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Clockwise from top left: The Night Recovery Solution Dhs495 Evidens De Beauté; No. 4 Bond Maintenance Shampoo 250ml Dhs150 Olaplex; Animalique Eau de Parfum 100ml Dhs1,095 Byredo; Ginkgo Gua Sha Dhs560 Sisley; Chanel Le Volume Renovation Dhs170 Chanel; The Rich Cream 30ml Dhs773 Augustinus Bader

skin needs a glow boost, and I swear by Augustinus Bader’s Face Mask for deep nourishment.

How would you describe your approach to makeup? I believe less is more. My focus is always on good skin rather than heavy coverage. I prefer light, breathable foundations or tinted moisturisers that enhance my skin rather than mask it. A touch of concealer, some blush for a natural flush, and I like to focus on the eyes so my staple eyeliner look with black mascara.

What can always be found in your makeup bag? A hydrating lip balm, a multi-use cream blush, and a tinted sunscreen – these are my essentials. I also keep a high-quality brow gel because well-groomed brows frame the face effortlessly.

Which fragrances are your current favourites? Right now, I’m obsessed with Givenchy Garçon, which has this elegant yet unexpected warmth, and Byredo Animalique, a unique scent that feels both sophisticated and feminine.

Talk us through your hair routine. I keep my hair routine simple but effective. I use a sulphate-free shampoo and a deeply nourishing mask instead of regular conditioner. I always wash my hair at a salon to make sure it’s taken care of properly.

What is the most unusual item in your makeup bag?

Probably a gua sha tool. I love using it in the morning to reduce puffiness and boost circulation – it makes a huge difference in how my skin looks and feels.

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ART H I G H - I M P A C T

WORDS: SARAH JOSEPH

Benedetta Ghione, Executive Director at Art Dubai, on transforming the region’s art scene

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we remain committed to giving a platform to artists from lesser represented geographies of the world, and approximately 76 percent of this year’s programme is drawn from MENA / South Asia.

Can you expand on the key highlights from this year’s programme? Art Dubai is always evolving, and 2025 marks an evolution of the fair. First up, we’re launching a new programme with Alserkal Avenue, kicking off with renowned Mexican artist Héctor Zamora. Known for his bold, site-specific works, he’s bringing to Art Dubai a powerful performance exploring transformation and liberation; the performances at the fair will be complemented by a site-specific installation at Alserkal Avenue. We are also continuing to place strong emphasis on digital art and the impact of new technologies on creative practice. In the Digital Summit, themed ‘After the Technological Sublime’, under the direction of Art Dubai Digital 2025 curator Gonzalo Herrero Delicado, we will unpack how AI and digital art are pushing creative boundaries. We’re expecting one of the most dynamic editions yet, with bigger ideas, deeper conversations and even more ways to experience Art Dubai. Our Modern section offers something quite different than anywhere else in the world and this year sees its expansion to Latin American for the first time. Venezuelan artist Darío Pérez Flores’ (Mark Hachem) work will reflect common concerns and empathies between Latin America and West Asia and North Africa.

‘The New New Normal’ is a thought-provoking theme for this year’s Global Art Forum. What key discussions and ideas will it explore? This year the Global Art Forum will examine how constant change reshapes our world, making everyday life feel as unusual and unpredictable as science fiction. Throughout its nearly 20 years, the Global Art Forum has always been ahead of its time and is a hub for cultural dialogue and innovation. This year, it’s commissioned by Shumon Basar and curated

Can you elaborate on the initiative that is Art Dubai? Art Dubai is the most significant global art gathering in the Middle East, and for the 2025 edition, the fair will spotlight around 120 galleries from over 40 countries across our four distinct gallery sections including Contemporary, Digital, Modern and Bawwaba. From performances, installations and experimental commissions from the likes of Mohammed Kazem, Héctor Zamora and Ania Soliman to talks as part of the Global Art Forum and the Digital Art Summit, there’s so much to see and experience during the fair from April 18 to April 2025 and preview days on 16 and 17 April.

Plus, we support the arts and culture community year-round with many initiatives including the A.R.M Holding Children’s Programme and our professional development programme Campus Art Dubai, where we support aspiring art professionals.

How has Art Dubai evolved since it first began? From our beginnings nearly 20 years ago, we have evolved into more than a week-long art fair.

Art Dubai is now a major meeting point for the global art community of artists, collectors and institutions. As an incubator for a new generation of artists, we embrace an institutional responsibility to lead in innovation and thought leadership with arts and culture. Since we launched,

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by Y7 – the UK-based post-disciplinary duo Hannah Cobb and Declan Colquitt – so expect sharp insights and big ideas from some of today’s leading thinkers, technologists, artists and forecasters.

In an era of rapid digital transformation, how does Art Dubai ensure that technological innovation is balanced with artistic integrity? From early digital art pioneers to new emerging names, Art Dubai Digital has shown the evolution in this art form over the years. We are seeing huge growth in digital art with the artists expanding our very understanding and definition of contemporary art and culture. You will see pieces examining how artists and creative practitioners are working with advanced technologies particularly AI, virtual reality and augmented reality, interrogating the key environmental, social and political challenges of our time.

How does Art Dubai play a pivotal role in the UAE as an incubator for creative talent? Art Dubai is a catalyst and anchor point for the rapid growth of the UAE and the wider region’s art scene and creative economy which has evolved into a meeting point for international art collectors and the creative community. The development of Dubai’s cultural scene, the dynamism of the city and the rich communities of artists and creatives that call Dubai home, is reflected in the eclectic line-up at this year’s fair. We have 23 Dubai galleries and some inspiring local artists including Sara Al Haddad, Sara Ahli and Faris Abdulla Alshafar at Aisha Alabbar; and Hassan Sharif and Mohammed Kazem at Gallery Isabelle. Outside of the fair, the Dubai Collection, an initiative of Dubai Culture & Arts Authority and managed by Art Dubai, is the first institutional art collection for the emirate of Dubai and is an initiative that further enhances Dubai’s artistic influence and reach. Containing over 1000 pieces of work, the Collection includes artwork from private collections based in Dubai and the wider

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“Art Dubai has established itself as an important institutional platform and a catalyst for Dubai’s cultural economy” region. Whilst maintaining focus on the Middle East, the Dubai Collection is an international collection with no geographical restrictions, and artists from more than 40 countries are currently represented.

How will this year’s summit change the way we think about art and technology? From early digital art pioneers to new emerging names, Art Dubai Digital has shown the evolution in this art form over the years. When we launched this new gallery section four years ago, Art Dubai was the first and only major international fair with a dedicated digital section. This year’s Art Dubai Digital Summit will offer thought-provoking conversations on ecological activism in media art, the hidden biases in artificial intelligence, and what the future holds for museums in an increasingly digital world. Through public talks, lectures and breakout sessions, museum directors, curators, artists and tech innovators will share insights on where we’re headed and what’s at stake. This year we have several digital installations and hybrid works – phygital or works that are digital but in contemporary sections – showing how artists are integrating digital elements in traditional art pieces and changing how we think of the two mediums. For example, Egyptian/Polish/American artist Ania Soliman and her work Kahrabaa, takes its title from the Arabic for ‘electricity’. As a large-scale, site-specific installation, it traces complex interconnections between technology, nature, and memory and presents five-metre-high canvases that blend technological and organic motifs captured in a series of performative acts involving artificial and real plants being thrown onto the canvases. Pioneering kinetic sculptor BREAKFAST will debut a large-scale interactive installation, Carbon Wake, and this first-of-its-kind kinetic artwork will take centre stage at the main entrance of the Digital gallery section.

How do you see blockchain, AI, and immersive technology influenc-

ing the future of Art Dubai Digital? Curator Gonzalo’s theme for the 2025 Art Dubai Digital section ‘After the Technological Sublime’, brings together artists and creatives who are using digital technologies to address the challenges that humanity and the planet are facing today. Through their pieces, the artists raise critical questions and demonstrate the role digital technology has today and in the future. This year we have focused on artists active in artificial intelligence, virtual, and augmented reality, and other technological advances to interrogate some of the key environmental, social, and political challenges of our time.

How is Art Dubai shaping the region’s role in the global art conversation? Art Dubai remains the most significant global art gathering in the Middle East, and our regional and international reach provides artists and galleries a global platform to connect with international audiences, fostering dialogue and new opportunities on a global scale. This year, we have 67 cities represented from across 39 countries. Over the years, Art Dubai has established itself as an important institutional platform and a catalyst for Dubai’s cultural economy, playing a key role in shaping its artistic landscape.

This is The Design Issue – tell us more about art that has design appeal? The presentations for this year will encompass a diverse variety of mediums – from textile-based art, marble and resin sculptures, to glass wall pieces. French artist Joana Vasconcelos, whose textile sculptures are part of an ongoing series wrapping animals in handmade cotton crochet and five needle lace, is inspired by the ceramic’s artwork of Rafael Bordalo Pinheiro (1846 - 1905), one of the most renowned Portuguese artists of the 19th century. Thomas Brambilla Gallery is bringing American sculptor, Bryan Hunt, and his series of wall pieces to this year’s edition of Art Dubai.

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ART BEYOND

Ambika Hinduja Macker on curating “The Sublime Nature of Being”, a multi-sensory odyssey in Dubai

Talk us through your background. For as long as I can remember, my imagination has shaped and guided me through life. As a child, I would lose myself in intricate daydreams, weaving together stories, colours, and emotions into entire worlds within my mind. At the start of my professional career, this creative instinct led me to filmmaking, where I learnt how to translate these visions into visual narratives. Over time, my artistic journey evolved beyond cinematic storytelling into the realm of art and design, where I found more tangible means to imbue the world with wonder through the transformation of space itself. Across these mediums, my work is united by my belief in inventive and uplifting self-expression to enrich the world around us. It’s why I named my firm Impeccable Imagination, grounding my work at the transformative intersection of human experience and the natural world.

How did the idea for “The Sublime Nature of Being” come about? “The Sublime Nature of Being” stems from my fascination with the Sublime, that overwhelming sense of wonder that transcends words and logic, pulling us into a moment of pure awe and connection. The immersive art experience is my attempt to offer a tangible glimpse of this intangible feeling. Through carefully curated elements – art, sound, scent, and science – I’ve sought to create an environment where audiences can experience the majesty and harmony of nature. It’s a sanctuary designed to elevate the senses and spark an emotional resonance that lingers long after the moment has passed.

How does the show explore the theme of transcendence beyond the material realm? By its very nature, the Sublime is an indescribable experience.

Yet, it is this eternally elusive quality that makes the pursuit of sharing it so meaningful. Each featured artist has glimpsed the Sublime and is compelled to reveal what they can of their personal experience through their unique artistry. In their endeavours, we feel their spirit and the humbling purity of the cosmos. In this way, “The Sublime Nature of Being” captures the deeply personal yet universal longing for transcendent connection.

Talk us through the process of curating an immersive, multi-sensory experience. My curatorial process is deeply woven into the fabric of my life. It’s become an innate part of how I engage with the world, al-

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THE SENSES

pure intention, each step forward will lead to fresh insights from the cosmos” LIFESTYLE

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ways seeking out works that captivate the senses, evoke wonder, and resonate with the fluid, ethereal beauty of nature. The artists featured in “The Sublime Nature of Being” were chosen from the ever-growing portfolio I’ve built through years of exploration. Their works are windows into their souls, reflecting our shared passion for the pursuit of peace and harmony only found in the natural world. Through careful curation, each artwork then synthesises into a dynamic conversation.

Amidst the sculptures, installations, and other works of art, a multi-sensory dance of sound and scent gently guides audiences closer to the heart of nature’s healing powers. The space itself hums, inviting them to feel rather than simply observe “The Sublime Nature of Being.”

Can you share some standout pieces and the inspiration behind them? And what emotions or responses did visitors take away from this experience? The natural world thrives on interconnectedness, an intricate web of profound and imperceptibly woven layers that continue to confound and inspire all who behold them. “The Sublime Nature of Being” was curated with this principle at its heart,

ensuring that every featured element, whether an individual artwork, installation, or sensory component, retained its distinct identity while contributing to the grander, holistic journey of the immersive art experience. Conceptually, it is an organic symphony, shaped by the convergence of diverse materials, mediums, and artistic visions, as well as the unique perspective of each viewer.

Audiences were encouraged to attune to their internal compass as they explored our sublime grounds, guiding themselves on an intuitive journey where the theme of elemental interdependence emerged naturally through the harmony of the exhibition as a living, breathing whole. I was so gratified to hear them share how moved they felt by the whole experience.

They were humbled, uplifted, and inspired.

How do you see this exhibition evolving or influencing future immersive art experiences? Since its first iteration in 2022, “The Sublime Nature of Being” has strived to create experiences where art, nature, and human perception converge in a way that transcends the chaos of daily existence. Communing with the Sublime requires slowing down, lis-

“The core of my design philosophy is: Discovering beauty in simplicity”

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tening deeply, and allowing yourself the space to exhale. In that spirit, the next evolution of this immersive experience will reveal itself in time; however, I can say that its ultimate trajectory is indelibly linked to my personal, evolving journey. This latest version of “The Sublime Nature of Being” introduced elements of technology and wellness, as I am increasingly invested in exploring the intersection of innovation and well-being in my own life. As time marches on, I strive to remain open to the unexpected, buoyed by the belief that with pure intention, each step forward will lead to fresh insights from the cosmos.

Can you talk about the significance of hosting this exhibition at ICD Brookfield Place? ICD Brookfield Place is an extraordinary venue, in sync with the vision of “The Sublime Nature of Being.” It’s a hub of innovation within the DIFC, a gathering place for change-makers within a building that is open to everyone. The indoor Summer Garden, where audiences assembled for our immersive experience, offered an incredible canvas for cultivating an indoor sanctuary of the natural world. I deeply appreciate ICD Brookfield Place’s ongoing support for innovative arts, culture, and sustainability. “The Sublime Nature of Being” feels at home here.

How has the UAE played a pivotal role in championing you as an artist? I am grateful and honoured to have had H.H. Sheikha Latifa

bint Mohammed bin Rashid Al Maktoum, Chairperson of Dubai Culture and Arts Authority, and H.E. Sheikh Nahyan bin Mabarak Al Nahayan, Minister of Tolerance and Co-existence, believe in my work and inaugurate “The Sublime Nature of Being” 2025 and 2022, respectively. The UAE has cultivated an environment where innovation thrives, encouraging creative visionaries to push boundaries by offering platforms for unique, ambitious artistic expression. As a proud resident of Dubai, I believe this country is truly defined by its dynamic energy, where bold concepts are welcomed and celebrated.

It is a privilege to be part of this thriving creative ecosystem.

This is The Design Issue – tell us more about your core design principles. The core of my design philosophy is: Discovering beauty in simplicity. Through Impeccable Imagination, my boutique art and design firm based in Dubai and Mumbai, I strive to create multisensory experiences, immersive spaces, and ethereal sculptures that seamlessly integrate nature, art, design, and now science while exuding a sense of serenity, balance, wellness, and timeless elegance.

My work is deeply inspired by the rhythms, elements, and healing power of the natural world, which I translate into harmonious, contemporary creations. Sustainability is a key pillar, ensuring that the work contributes meaningfully to the world around us.

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WORDS: AMY SESSIONS

AN EYE FOR DESIGN

What do the first 30 minutes of your day look like? No matter how I wake up feeling, the smell of incense helps me to reset and immediately calms me down.

I started using incense when practising yoga on my travels, so it takes me back to that calm, present place.

It helps clears my head for a short morning meditation – something I find challenging as a business owner waking up with a million things on my mind.

What was the vision from the outset for Klioh Studio, and how did you know it was the right time to launch?

I was seeing companies investing in incredible visual identities and content for their businesses, only to have the brand diluted by boring, cookie-cutter templates on clunky website builders that aren’t built for the flexibility that a business needs as it’s growing and changing. I decided there had to be a better way and went on a coding course to become a front-end developer so I could bring my designs to life, to give my clients the freedom to have beautiful, bespoke online homes that were set up to serve their business goals now and in the future. The launch of Klioh was all about timing; I was incredibly fortunate to be afforded the time to practice and build my skill set over the pandemic, and at a time when everyone was trying to take their business online, it was the perfect time start putting my work out there and to build the business I’d always dreamed of.

How do you lean into your strengths such as coding, and how do you delegate to support areas where you are less strong? I graduated with a degree in Neuroscience, so building custom websites provides a perfect opportunity for me to combine my love of creativity and design, with my analytical, scientific brain to bring it to life in code. No matter how many projects we have on, I always make sure to be involved in as many builds as possible as it’s the work I love and enjoy so much. In our second year of business as demand started to grow, I hired an amazing Head of Brand who has supported and grown our brand offering in a way I could never have imagined. She does all the groundwork that is essential at the start of the process: from brand strategy and competitor analysis to the fine details that will build recognition for our clients for years to come.

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Founder of Klioh Studio, Isabelle Tucker, discusses all things branding, building a business and what it takes to move the needle

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What is the DNA of Klioh Studio, and has it evolved over time? Klioh was born out of my own frustration with a conventional career that failed to fulfil my aspirations. Eager to forge my own path, I was dedicated to defining my own life, to work, travel and do the things I love without having to sacrifice success. My motivation is deeply rooted in the belief that women should not be constrained by predefined notions of achievement, lifestyle, or family responsibilities.

Klioh is not only about brand design and website creation, but it is also a place where I can empower others, especially women, to create lives that align with their passions and aspirations. I am proud to have cultivated a unique workplace and company culture that provides the opportunity for autonomy and self-expression, regardless of geographical location for all of the incredible women in my team.

How do you scale without compromising on quality? I’ve worked tirelessly over the past five years to build the best, most supportive team and a robust, highly organised project management system for our clients to get the most out of our design services. Building anything for a new or existing brand takes a lot of work and involves a coordinated approach to ensure our clients really enjoy and love the process. At times when we first started to grow, I felt that the administration was taking away from the creative work I so love and enjoy, so I quickly took the time to focus on our operations to ensure that never happened, and I could let the business run itself while I focussed on delivering the best quality work for our clients.

What makes a brand stand out and how can you achieve this through branding? I think the best brands lean into what makes them unique and aren’t afraid to show their personality. In our brand strategy process, we spend a lot of time understanding the purpose and values behind the business and the impact they want to see. We help them to identify what makes them different, and then find a way to bring this to life in the designs we create. Then we focus on ensuring the branding we create will stand the test of time while feeling unique and bespoke, to ensure it truly represents who they are as a business and helps them stand out from the crowd.

What is the key to growing a community as a brand? Being authentic, showing up and understanding there is no quick fix! When I first started growing Klioh I would spend hours of each day reaching out to small businesses and other designers on Instagram, learning and being inspired by other studios and putting myself and my work out there. The unavoidable truth is that an engaged community will elevate and take your brand to the next level, and understanding how to connect with that community should be at the heart of your business strategy. For me, it isn’t just about sharing our work and selling our services, it’s about sharing relatable and authentic content as a fellow business owner, who understands the highs and lows of what our clients go through.

This has been so key in building a community that not only truly values the work we do but also trusts and learns from the content we put out.

What has been the biggest challenge since launching, and how did you overcome it? My biggest challenge has been letting go of the people pleaser in me and learning to value myself and set boundaries. We pride ourselves on our close relationships with our clients, and I always get so emotionally invested whether a business is just getting off the ground or growing to the next level. As a result, I have in the past been so committed to their success at a level that surpasses the time and energy I can feasibly give to the project within the budget. The systems we have in place now don’t allow this to happen which really helps me to overcome this as I have strong contracts, clear deliverables and boundaries outlined with all our clients from the get-go so everyone can get the most out of the process.

What has been the biggest reward? The biggest reward for me has been getting to define success on my own terms while living the life that I love. A born explorer, I am so proud to have grown a successful business that allows me the freedom to work wherever I want in the world around a life that is defined by freedom and joy in my every day. Not just for me but knowing that through Klioh I have been able to enable women all over the world, from my team to my clients, to design their careers and lives in a way that resonates with their truest selves, is an enormous achievement and something that motivates me every day.

What advice would you give to someone wanting to start their own brand or business? Focus on the journey, rather than the end goal – small steps in the right direction will get you there. I remember when I started out comparing myself so much to other studios and feeling overwhelmed thinking I’d never get there, it paralysed me in my everyday work as I worried about this enormous task ahead of me. I would never have believed where the studio would have grown to, and it was focussing on achieving the next step each day that got us here. Most importantly, don’t let your self-doubt get in the way of building something incredible, nobody really knows what they are capable of until they try.

This is The Design Issue – who, what or where inspires you design wise? Although I work mostly in digital, I find my biggest source of inspiration comes from physical spaces and print design. I find a lot of inspiration in magazines, books and editorial and often spend afternoons wandering in and out of independent book shops in London to boost my creative energy. I also love interiors, and find physical spaces provide an endless source of ideas – I often try to recreate the atmosphere and calm created by a beautifully designed room in my website designs.

“I think the best brands lean into what makes them unique and aren’t afraid to show their personality”

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Malak Abu Qaoud, Director of ICD Brookfield Place Arts Programme, discuss the lifestyle property’s pathway to decentralising spaces, her passion for the arts, and fostering education with culture and community at its heart WORDS: CAMILLE MACAWILI

PASSION

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PROJECT

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What do the first 30 minutes of your day look like, your morning routine? I wake up around 7am every day. I really try not to check my notifications first thing; otherwise, I’ll feel anxious about the day ahead. Sometimes, I wake up earlier and go for a walk along the beach boardwalk, or I fit in a workout at one of the gyms at ICD Brookfield Place. The facilities are great, so it’s easy to make exercise part of my routine. Then, I start my day with a coffee and a catch-up call with my long-distance friend and colleague to discuss work updates and brainstorm future ideas.

Tell us about your career journey. I’ve been working since I was a kid.

My first job was narrating children’s educational computer games when I was nine, and I did that for about seven years while I was

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in school. When I was living in Montreal, I was always ambitious about finding side projects, internships, and extracurricular activities. I joined a student-run Palestinian human rights association at university, which allowed me to work with artists to raise money for different causes. This led me to join an art consulting and production agency, where I was eventually hired full-time. During my time there, I learned how to work closely with artists, produce exhibitions, and create a community. When I joined ICD Brookfield Place, I applied a lot of what I had learned over the years to my role here. I now run the Arts & Events programme in the building, where my team and I curate public exhibitions and oversee cultural placemaking initiatives within ICD Brookfield Place.

Under your directorship, how has the arts programme evolved at ICD Brookfield Place since its inception and how do you aim to steer its future direction?

I joined ICD Brookfield Place when the building had just opened, so the identity of the arts programme was mine to shape, without a pre-existing reputation to change or uphold. We started small but were very careful with curation. Our main strategy has always been to support the regional creative community, platform their work in a public setting, and create an ecosystem that connects artists, tenants, and the public. We’ve been very consistent in curating exhibitions that are accessible to everyone, and now we’re pushing the boundaries and messaging with our shows. We strive to articulate progressive social issues and pave the way for change. In the future, I’d love to expand our arts programme beyond the building and collaborate with regional institutions to fund artist residencies and grants.

What sets it apart from the rest of the art spaces in the UAE? How do you strategise the offerings in order to create a strong regional identity? To begin with, ICD Brookfield Place is a commercial office building located in a financial district. Our arts programme operates very differently from a traditional white-cube gallery because we are based in a highly public setting. We bring people

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“Public art is not meant to be intimidating; rather, it is engaging because it

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e

t

exists in communal areas enjoyed by people from all walks of life” from all walks of life together in one space, making us an important part of the ecosystem. We offer something collaborative, communal, and non-traditional, resulting in a true interdisciplinary melding of interests and specialties with exciting outcomes. We don’t fit into a specific category of art institutions, which allows us to continuously innovate and evolve based on the needs of the public.

To you, what role does the ICD Brookfield Place Arts Programme play in the wider cultural landscape? ICD Brookfield Place is a space for people – we’re open to the public and inclusive. We aim to curate shows that are culturally accessible, allowing everyone to truly enjoy and take part in the conversation. We are setting a new benchmark for what non-institutional forms of public art can achieve in the city. Placing art within shared spaces creates engaging environments that allow the public to build and foster organic connections with their surroundings.

Through this, people find value in their environment. Public art What's been key for you in building that authentic community is not meant to be intimidating; rather, it is engaging because around these projects you've worked on? Honestly, it’s about it exists in communal areas enjoyed by people from all walks of staying true to myself and the programme. I’m very passionate life. There is so much joy in witnessing people’s reactions to the about what I do because I genuinely enjoy it, and I think that space – it’s the best kind of adrenaline. comes across naturally. People can always tell when something feels forced or inauthentic. It takes patience, but eventually, the How do you think your early experiences of art have shaped community builds organically, and people start to recognise and your vision as the Director? My older sisters studied fine arts appreciate the hard work. Five years in, I couldn’t have imagined in college, and growing up, I was always inspired by them. My the programme would grow this much, this fast! dad also used to paint when he was younger, so I grew up in a creative environment. My parents always encouraged me to This is The Design Issue – what is the first design that has left an imexplore my creativity, whether at home or at school. pression on you? I studied interior architecture, so I grew up highI think that’s what gave me the confidence to trust my inly attuned to my surroundings. This is probably why I’m so interested in how humans interact with space and how space interacts stincts when programming the next show. It’s something I just with art. My earliest impression of design when I was younger was feel, and I go for it – which is a blessing because it allows me to explore and take risks. Most of the time, it works out great, but probably my grandparents’ home in Jerusalem, their house is so other times, we learn – and that’s the best way to grow. historic, and I loved learning about the cultural preservation of arWhat are some of the biggest shifts in the art space throughout chitecture. I’m very interested in conservation of cultural identity and the way architectural elements tell stories of time and place. the past five years – have any of those changed the way you approach when working on the programmes? I sometimes feel that exhibitions can become repetitive and not very exciting; it’s rare that I leave wanting more. Usually, the shows that have that effect are the more experimental ones. At ICD Brookfield Place, I always strive to explore different mediums of art – whether through scenography and design, musical programming, utilising unexpected areas of the building, or even the messaging of the show. It’s important to keep things fresh and keep people excited for what’s next.

What are you looking forward to this year – any highlight that you’re personally excited to see? Absolutely! Our current show with Miles Greenberg, titled “Le Miroir,” is a multi-channel film (ACT I & ACT II). The first act was a durational performance filmed at a historical heritage site in Marrakech as part of the 1-54 Art Fair, while ACT II was filmed in the UAE desert shortly after. The result is beautiful – the film explores human duality and emotional transformation.

How do you remain open-minded and interested in discovering new creatives? Are there any specific people or events that have influenced your curatorial lens? It’s hard to always be switched on and stay up to date with current trends or upcoming shows, but most of the time I come across new creatives on social media, through other artists, or by spending time in different cities. I find a lot of talent in Jordan and Palestine – it’s incredible.

When I discover a creative, I try to fit them into the programme or introduce them to other institutions or galleries in the UAE to help grow their careers. There have been some key players in the growth of the programme since its early stages – they have been incredibly supportive, and we have regular catchups and collaborations.

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Satya Hinduja, Founder of Alchemic Sonic Environment, on crafting immersive soundscapes for reflection WORDS: SARAH JOSEPH

Talk us through your background. Growing up in our Vedic-infused joint family, I was surrounded by mantras, music, and my grandparents’ spiritual values, which deeply influenced our childhood. My musical journey began early when, at the age of six, I was chosen to sing a children’s song on All India Radio about life’s endless journey. By the age of eight, I performed in a theatrical play about Mahatma Gandhi. Performing live on stage became second nature and was the foundation of my musical development. My vocal training and career continued to flourish until life took an unexpected turn. The Mumbai attacks and my arrival in Boston to study at Berklee College of Music coincided with the collective trauma of 9/11. This was a pivotal moment in my musical journey that would profoundly shape my artistic

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path and has since driven me to create experiences that offer transformation, comfort and healing for myself and the environment.

I pursued film scoring at Berklee. After returning to India, I spent around six years in the Indian film industry as a score engineer, producer, and composer. Despite my growth and development, I longed for a deeper sonic environment, which led me to composing for mixed-media installations and exploring electronic music while working as a Creative Director focusing on initiating the dialogue between arts and health for our family hospital. My passion for deepening my pursuit of electronic music and composing for mixed media installations brought me back to New York in 2012, where I immersed myself in a year-long electronic music production and DJ Master’s programme while performing

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IN TUNE

across New York, Amsterdam, Mumbai, Delhi, and Goa. As I explored deep house, ambient dubstep, and progressive house, my curiosity about the essence of sound deepened. A pivotal shift came when my Dubspot mentor, Raz Mesinai, introduced me to sound as a dynamic interplay of an action and a reaction, a process that involves both cause and effect, emphasising its interactive and dynamic qualities. This exploration led me to meeting a neuroscientist who unveiled the transformative power of the 136.10 Hz frequency, reconnecting me to my Vedic roots and the profound concept of Nada Brahma – the ancient Vedic belief that sound is the essence of all creation. Composing with this frequency resulted in profound physiological changes to my mind and body, and it was at this moment that the Alchemic Sonic Environment (ASE) was born.

What’s the core idea behind ASE? Alchemic Sonic Environment (ASE) is developing an integrative ecosystem working at the intersection of sound, music, health and technology. We research, develop and create multisensory deep listening experiences designed to invoke states of reflection, receptivity and exchange. The core idea of our transformative journeys is to foster deep connections with oneself and the ecosystem. By integrating and blending timeless wisdom with emerging technologies, our aim is to enhance physical, mental and spiritual well-being.

We achieve this by leveraging the therapeutic potential of sound to enhance brain health and longevity. In a world searching for unity, ASE is the culmination of my life’s work and a testament to the power of sound to heal, connect, and transform lives.

Talk us through the process of curating this.

My sonic journey, encompassing a diverse, acclaimed and creative group of artists, producers, sound designers, mix engineers, sound researchers, yoga and meditation teachers, neuroscientists and researchers has taught me the most important fundamental lesson in understanding the depth of the interconnectedness of sound, music, consciousness, and the universe. At the heart of this realisation is the core concept of “the spaces in between” – the silence and pauses that give all music its life. The moment I had this realisation, I couldn’t help but explore the untapped potential that naturally lays within these fragmented systems – the combination of ancient Vedic wisdom, music, cognitive neuroscience, the emerging science of epigenetics, and the wonder of human artistic expression.

What types of spaces or environments do you typically choose for your installations, and how do these settings influence the experience? Sound is energy in motion, it is all around us and travels through mediums of air, matter and liquid. It is the all-

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encompassing ingredient at the foundation of any space or environment, be it physical or digital. So, our first step in choosing and developing any site-specific Alchemic Sonic Environment is to explore “the spaces between”. One of the most important ingredients we search within the architecture of an environment is the perfect balance between silence and environmental sound. Once we have explored and discovered this raw ingredient, we design and develop the deep listening journeys in relation to the place, time, context and culture. At the foundation of every successful ASE deep listening installation, experience or environment are our resonant partners and collaborators who understand the essence of this very intricately immaterial life form, and hence a lot of our decisions to collaborate and develop are based on the people, places and the environments that surround them.

How do you integrate other sensory elements – such as light, scent, or tactile materials – into the sound environment to deepen the experience? Once an environment has been finalised, whether indoors or outdoors, ASE deepens immersion by integrating a range of sensory elements including light, scent, touch and taste to resonate with the sound work. Whilst most of our experiences are conducted using eye masks to naturally shift our beta brainwaves to alpha brainwave states, we use abstract hues of lights and colours that are meticulously composed at extremely slow speeds to create ethereal and alchemic environments that allow the visual element to just be a supportive blanket for the deep sonic immersion. We curate various organic and chemical-free aromatherapy oils, floral arrangements and natural elements designed meticulously for the environment to allow for natural memory and emotion regulation and regeneration: mostly earthy and herbal, we curate scents for bass and high notes – and we try to programme a drift in waves during the experiences. We love using tactile elements such as vibrational chairs and beds and at times we have built vibrational floors to allow sound to be felt as much as heard, allowing the transformative power of sound to be felt much more viscerally and profoundly. In the future, we are seeking to collaborate with various visual and kinaesthetic artists to explore abstract and minimalistic sensory environments that can be inspired by various eras of time from Bauhaus to Art Deco, modern to contemporary all focusing on the merging of the organic and scientific. Together, these layers transform ASE into a living, multi-sensory experience that engages the body, mind, and spirit.

Are there specific cultural influences that shape your work? Inspired by the tradition of Nada Yoga, the yoga of deep listening, the ASE method integrates ancient sonic thera-

What do you hope participants feel or learn after the experience?

My deepest hope for each participant is that they emerge from the experience with a profound sense of curiosity and connection to their innermost essence, and the world around them. By embarking on an alchemic sonic journey, I wish for them to rediscover the transformative power of sound and embrace the beauty of listening deeply. Through this experience, I aspire to ignite their curiosity, expand their perceptions, inspire a renewed appreciation for harmony and resonance and introduce the freedom and empowerment that exists within this profound and primal medium of sound that continuously surrounds and is there for us all to enjoy – if we listen deeply enough. My goal, our goal is to create a practice and a process that allows everyone to experience and harness pies with neuro-acoustic research, emergthe transformational potential that sound ing technologies, innovative recording techembodies. As a meditative method, sound niques and contemporary and minimalistic has the potential to shape the future of brainart and design to shape our environments. body health, unlocking new ways to protect, Our multilayered approach begins with pribuild, and reimagine human potential and mal frequencies found in nature aligning planetary well-being. With accessibility and with our inherent circadian rhythms, estabtransparency at our core, we strive to cultilishing a connection to the natural world.

Building upon this foundation, we explore vate diverse, synergistic environments that the harmonic series, a phenomenon found foster deep interconnection – both among inthroughout nature, to deepen the listener’s dividuals and within the planet’s all-encomconnection to their environment, creating a passing ecosystem. Quantum Sound is at the sense of inner balance through the profound forefront of pioneering the science of audible experience of natural resonances and ratios. and inaudible frequencies, releasing stored Tempo also plays a significant role – with energy and invoking emergent states of healBPM carefully curated to positively influing. As integral conveners and collaborators in this field, we are actively researching how ence the listener’s heart rate and encourage these sonic properties can be developed into a state of relaxed awareness. Research has targeted artistic experiences and evidenceshown that spatial listening supports brain based interventions that may support some regeneration, particularly in the hippocamof the world’s most prevalent health condipus, the centre for memory and learning. Intions. We believe that in a world of growing spired by the latest psychoacoustic research, noise and chaos, a new era is emerging – one that embraces silence and deep listening as a force for resonance and healing.

Where do you see sound-based art going in the future? I truly believe that sound-based art is only at the precipice of its golden era because of the advent of emerging social, spatial audio and vibroacoustic technologies. Never before have we been so connected and yet so disconnected. With the amount of information overload, global political and environmental challenges, platforms feeding us unending choices of data and content to spatial audio techniques are central to the choose from, more and more people will seek ASE process creating an immersive experipersonalised environments of resonance ence that promotes measurable cognitive and healing. This is where sound-based benefits. Additionally, the natural tendency art developed with the precision of quanof our brain waves to entrain with repeated sounds is utilised, allowing listeners to entum sound integrating insights from cognitive neuroscience, epigenetics, and ancient ter various states, from deep relaxation to wisdom, can have the potential to become a heightened focus. By integrating these elements with innovative recording and mixfundamental catalyst for advancing the fuing techniques, we have crafted a truly imture of human consciousness and collective mersive sonic experience, an endeavour we cultural and systemic evolution. were honoured to develop alongside the late This is The Design Issue – tell us more about legendary engineer John Kurlander, and your core design principles. My core sound deDolby Atmos Mixing Engineer Emre Ramasign principles are rooted in a practice of patience, surrender, deep awareness, precision, zanoglu. ASE’s sonic architecture facilitates unwavering truth, and an open heart, deeply brain-body health through a heightened connection that unifies the listener, their inlistening not just to sound, but for the moner world, and the world around them. ment-to-moment potential in all that exists.

“As a meditative method, sound has the potential to shape the future of brain-body health”

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Sevil Dolmacı, founder of Sevil Dolmacı Gallery Dubai, discusses honing a vision and finding a distinct voice in the emerging art markets, about her evolving taste, and the importance of trusting your instinct to support creative young talents LIFESTYLE

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What do the first 30 minutes of your day look like, your morning routine? I wake up early in the morning. On Mondays, Wednesdays, and Fridays, I do Pilates at 9am. On Tuesdays and Thursdays, I take a walk along Bebek’s waterfront. Around midday, I stop by the office for my meetings.

What are the key pillars of Sevil Dolmacı Gallery that set it apart from the rest? Sevil Dolmacı Gallery stands out as the first gallery in the Middle East to focus on American contemporary art alongside Turkish art.

What also makes us unique is our dedicated Digital Section, where we actively support various art projects and create opportunities for young talents, helping them find their place in the art world.

How have your previous experiences as lecturer and consultant informed you in your current role? Having a strong background in art history has been a key advantage in managing the gallery, setting me apart in the field. It has helped us gain momentum quickly and build a solid network of references in the industry. Combining deep knowledge with market dynamics has been a powerful asset, making international artists feel more confident and eager to collaborate with us – ultimately contributing to the gallery’s rapid growth.

Sevil Dolmacı Dubai is your first international outpost. Why is the Middle East market important? The fact that it is a new and emerging market with a strong interest in art motivated us. The region’s investments in art and the establishment of museums were particularly important factors for us.

Sevil Dolmacı Dubai currently showcases two design pieces Kengo Kuma and Daniel Weil. How do you discover creatives you'd like to work with? Kengo Kuma is the architect behind the OMM Museum in Türkiye. His artistic approach closely aligns with ours, which was the primary motivation for our collaboration. I am particularly drawn to abstract and minimal forms. At the same time, I enjoy incorporating colourful, popular forms to create a striking contrast. This is a strategy I apply in both paintings and design pieces.

What are some of the key principles that lead you in supporting new artists and exhibitions?

I value artists who have graduated from reputable art schools. Their perspective on art and their career planning are also significant factors. If an exhibition’s concept aligns with our vision, I contribute by providing our gallery space. In Türkiye, I am among the sup-

“I am particularly drawn to abstract and minimal forms. At the same time, I enjoy incorporating colourful, popular forms to create a striking contrast”

porters of both the Venice Biennale and the Istanbul Biennale, as they are two of the most important international events showcasing Türkiye’s position in the global art scene.

What’s been key for you in building that authentic community around these exhibitions and projects you’ve worked on? I deeply love and believe in art. Art collectors are influenced by my dedication and investments in the field, and they appreciate gaining knowledge about it.

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As a creative, what role does the commercial aspect play for you? One of the most crucial elements shaping art history is the ability to successfully manage the art business. I operate within a structured and sustainable model to ensure longevity and success.

What’s on the horizon for you and your brand?

We will be participating in Art Dubai with our Digital Section. At our Istanbul gallery, we are preparing for a group exhibition curated by Robert Fleck, featuring some of the world’s most prominent artists. It’s a truly exciting project for us.

This is The Design Issue – which design or artist has left an impression on you? The collaboration between Alessandro Mendini and Peter Halley was a remarkable exhibition project that brought together two artists and designers I greatly admire.

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DESIGNING TO SCALE

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“Like a haute couturier, the Durup approach is white glove and bespoke” What led you to founding Durup? I founded Durup in 2019, following several years of working in the fashion industry. Inspired by my time at high-end fashion houses like Stella McCartney, I wanted to bring haute couture into the home, using rich, distinct fabric compositions to elevate form without sacrificing function. Today, Durup is a luxury drapery and design practice that combines a signature haute couture aesthetic with a joie de vivre approach to interiors. We are pioneering a new way of working with textiles to create deeper connections to the spaces we inhabit. Durup is not your parents’ curtain company.

Our design philosophy marries a sophisticated sensibility, an investment in quality, and the desire to forge new paths to create original, elevated experiences for our residential and commercial clients.

How does the region’s rich artistic and cultural heritage influence your design choices? I have found travelling in the UAE to be a magical experience. The vibrant colours, the golden light, the intricate level of detail in the architecture and the careful and considered way women here approach beauty. Moreover, I have also just felt an inspiring and creative energy here that is so well suited to the Durup approach, which has always been about bringing a new point of view to an established perspective.

What drew you to expand Durup into the Middle East, and how has the response been so far? The expansion to the Middle East has been organic, following one project to another until I found myself spending more and more time here. I have found my clients here to be endlessly curious and open and, more broadly, I have encountered the kind of exciting creative experimentation in design here that I think will have a bigger impact in the design world in terms of taste-making and trend-setting.

How do you plan to strike a balance between the minimalist Nordic aesthetic and the luxurious textures often preferred in the Middle East?

I previously designed a “pret-a-porter” curtain collection called “Al Quoz,” which was an organic outcome of my frequent travels between Denmark and the UAE. I was so inspired by the rich, vibrant colours and textures I encountered here and the contrast that had to the place I am from. Creating this limited-edition curtain collection allowed me to bring together the best of what I love about both cultures into one place: fusing the minimalist Danish design approach and muted colour palette with the Emirati love of texture and heavier materials. I’m very proud of this special collection, as it brings together two of my favourite parts of the world. And I believe this approach continues to inform my work here.

You view drapery as more than just a functional element – how do you educate clients about its transformative power in interior spaces?

The Durup approach has always been about bringing a new point of view to an established perspective. When done right, drapery, wall coverings and other home textiles become the foundational elements of the design process that in turn help us form a closer connection to the spaces we inhabit. We manage the design process like a haute coutourier but always with a joie de vivre approach that both elevates and celebrates the spaces we inhabit. And that means choosing fabrics that have historically not been used much for drapery and other home textiles – rich expressive fabrics like wool, textured cotton and silks with vivid patterns – to create a

truly personalised design experience that reflects the client’s unique story. I always say to my clients: dress your home as you would dress yourself. And that really resonates with people.

Sustainability is a growing focus in design – how does Durup integrate eco-conscious practices into its collections? Durup is pioneering a new way of working with textiles. We think beyond drapes to reflect the sensibilities and lifestyles of our clients. I source and curate the fabrics myself from every corner of the world and only work with fabrics that both reflect the Durup vision and commitment to quality, but also bring something unique and extraordinary to the table. That said, Durup fabrics are a wide range, everything from beautiful and delicate cashmere from a small supplier in France to our sustainable drape collection which we launched under the name “Unbottling Beauty.” That was a very special project, created from upcycled plastic that was carefully collected from the ocean’s beaches by impassioned volunteers.

You work with a diverse range of fabrics, from silk and linen to upcycled ocean plastics – what innovations in textile design excite you the most right now? Wallcovering, and especially fabric wallcovering, has become a go-to interior element and a thing not to miss when decorating your new space. Like drapes, wallcoverings are a foundational element in interior design and can set the scene like no other element in a space. Imagine a room with walls covered in pure wild raw silk, which is spun, dyed and woven by hand. Not only does it create a gorgeous atmosphere, given the rarity of the fabric, it also creates a truly unique luxury experience in your home.

Are there any exciting advancements in textile technology that you are looking to incorporate into Durup’s future collections? Technology played a big role in one of our biggest commercial projects, The Audo – a chic concept space and boutique hotel situated in Copenhagen’s North Harbour. This project was a study in materiality, playing with both natural and technical fabrics – as well as analogue and digital mechanisms – to bring individuality and character to each space in this unique multiverse. In the boutique, we used sheer linen to bring in more light. In the lobby café, our heaviest thread count linen created the structure we needed to anchor the cavernous space. In the workspace, we employed the latest technology for motorised blinds. In the hotel, we kissed each room with a different fabric, playing around with weight, texture and colour – even sneaking in one subtle pattern into this otherwise monochromatic world! – to underscore each chamber’s unique character.

This is The Design Issue – what are your core design principles? Durup is a multidisciplinary practice that works with commercial and residential clients to create bespoke interior experiences built on our founding principle that custom drapery is the cornerstone of good design. We want to change the conventional way people think about drapes as purely functional or an afterthought. We believe that when done well and with consideration, drapes and other home textiles – including rugs and wall coverings – create a powerful foundation for the home, the starting point to telling your unique story. The Durup world is an ever-evolving lifestyle that marries a sophisticated sensibility, an investment in quality, and the desire to forge new paths to create original, elevated experiences.

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“We want to change the conventional way people think about drapes as purely functional”

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CRAFTING CULTURES

Kate Judd, Managing Director at The Rug Company, and Rabah Saeid, founder and creative director of Dubai-based design studio, Styled Habitat, on the business of craftsmanship and weaving an experience beyond retail for human and brand connection

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What do the first 30 minutes of your day look like, your morning routine? Kate Judd (KJ): My morning routine is my time to ground myself for the day ahead. I start with a coffee and love sitting on my balcony, taking in the view of Zabeel Palace. The Arabian light never gets old for me, especially since moving from New York. Lately, I’ve been listening to business and fashion podcasts as I ease into the morning. I use this time to reflect on the person I want to be that day – and how I should dress to match that energy. Do I need to channel power in a BOUGUESSA blazer with statement jewellery, or am I dressing for a beautiful day hosting guests in The Bungalow’s garden? This routine is sacred to me, especially as my schedule becomes more demanding.

Rabah Saeid (RS): I love a slow morning. I intentionally wake up early, around sunrise, to savour my ritual. To awaken my senses, I light Palo Santo wood or a candle and practise deep breathing to cultivate calmness and ground myself. Then, I settle into a chair with a cup of tea – my only opportunity for stillness throughout the day. As an interior designer, my days are filled with varied tasks and constant interaction. From collaborating with my team to meeting clients, overseeing contractors, and visiting project sites, there is never a dull moment. The demands are endless, the pace relentless.

My morning routine is a deliberate act of self-preservation in the face of a demanding day. The stillness of the early morning hours offers a sanctuary of peace, allowing me to navigate my work with greater presence and intention.

How did you start off in this industry? Talk to us through your career journey. KJ: I started my career working for an antiques store that supplied pieces to Ralph Lauren stores, which is where I first discovered my passion for curating unique pieces to shape immersive experiences. In 2012, I joined The Rug Company in London to help launch a new concept for the Chelsea Flagship showroom. Over time, my passion for visual merchandising and showroom design led me to take on the role of Visual Merchandising Director. I then went on to create over 15 showrooms globally, from London to New York, Cape Town to Moscow, and more.

Each project allowed me to blend local cultures with our brand’s identity. Naturally, I transitioned to managing The Rug Company’s franchise and distribution network, overseeing over 20 partners worldwide. This role combined my love for travel, business development, and relationship-building. In the past two years, I’ve focused on repositioning The Rug Company in the Middle East, helping shape our presence in this incredible market.

RS: Growing up, I was surrounded by intellectual conversations and diverse perspectives, fostered by eclectic dinner parties and a home filled with an appreciation for beauty and travel. This instilled in me a deep love for design.

Despite this, I was on track to pursue a degree in medicine until I moved to the U.S. and discovered my passion for interior design while decorating my own space. Curating tablescapes and hosting gatherings ignited a creative spark I had never considered as a career. This realisation led me to pivot. I returned to school and earned a degree in interior architecture. My design career began in Houston, Texas, working on high-end residential projects, historical homes, and multi-family developments in Houston, Dallas, Aspen, and New York.

In 2012, I moved to Dubai, where my regional journey continued to evolve – from workspace solutions to hospitality design in Marrakech, Morocco – ultimately leading to the founding of Styled Habitat in 2016.

What is the design DNA and core philosophy of the brand and how does it differ from the rest? KJ: At its heart, The Rug Company is about artistry, craftsmanship, and storytelling. Our in-house studios in New York and London create pieces that transcend trends – each rug is meticulously handcrafted by

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skilled artisans, taking months to perfect. It’s the antithesis of mass production. But a rug is more than just a decorative piece – it symbolises warmth, hospitality, and tradition. We understand that our creations become treasured parts of our clients’ lives, enriching the spaces where meaningful moments unfold.

RS: Design is deeply personal – at Styled Habitat, our design philosophy centres on creating spaces that are both emotionally resonant and enduring. We believe that the interplay between understated elegance, sensual allure, and a feeling of belonging is key to achieving this. Our approach is rooted in an appreciation for the richness of history, the significance of context, and the transformative power of storytelling. We create environments where people can expand their experiences and feel truly at home.

Tell us more about the concept behind The Rug Company Bungalow.

RS: Nestled in the heart of Jumeirah, The Rug Company Bungalow marks a milestone as the brand's first standalone store in the Middle East. This enchanting boutique is a masterclass in nostalgic elegance, seamlessly blending vintage charm with contemporary sophistication. Paying homage to the mid-century villas on Al Wasl Street, built in the 1980s, the design amplifies the villa's distinct architectural characteristics. The iconic pitched roof and the connection to the outdoors are celebrated, revitalising the bohemian and eclectic style reminiscent of old-school Palm Springs glamour. This design approach gives the Bungalow a timeless and stylish charm.

KJ: The Bungalow is a space designed to be more than just a showroom – it’s a place for conversations, collaborations, and creative exchange. We wanted to move away from the traditional retail model and create an environment that feels more like a beautifully designed home, where people can experience our rugs in a more personal way. The space also doubles as a cultural hub, hosting talks, installations, and intimate gatherings for our discerning clientele and the region’s design and art community. Since launching in late November, the events we’ve hosted have surpassed even our highest expectations for The Rug Company’s new home in Dubai.

How did you know it was the right time to launch this and what was the catalyst? KJ: For many years, we were fortunate to have the amazing Arwa Hafiz from The ODD Piece representing us. When she decided to move on to her next chapter, it gave us the perfect opportunity to officially bring The Rug Company into the UAE, a market that has shown us so much love over time. It was the perfect time to establish our official presence. The UAE is such an exciting place to be, especially in the design world. The talent here is incredible – visionaries like Rabah are shaping the region’s design landscape – and we’re already seeing how much we can grow by collaborating in this inspiring space.

The space evokes the charm of 1970s architecture blended with the bohemian glamour of Palm Springs. Did you envision this aesthetic from the outset? RS: Styled Habitat’s thoughtful design transforms the Bungalow into a warm and inviting retreat, evoking the quintessential retro lifestyle of the 1950s and '60s. A design alchemy allowing design to unfold piece by piece material by material. Earthy tones, rich textures, and natural materials harmoniously blend, paying homage to the mid-century villas lining Al Wasl Road. The design studio meticulously incorporated the villa’s history and context, highlighting its distinctive architectural features. The pitched roof, a hallmark of mid-century design, is reimagined with cleverly integrated air vents.

Meanwhile, arched windows frame breathtaking views of Moroccaninspired gardens, blurring the lines between indoors and outdoors.

The space puts craftsmanship at the forefront. What are some of the design touches that make it unique? RS: The Rug Company Bungalow

transcends traditional retail, serving as a haven for design enthusiasts. This meticulously curated space invites exploration, inspiration and connection. As a beacon of style and sophistication, it brings a fresh perspective while maximising the potential of the space, further solidifying Jumeirah as a hub for luxury and design innovation.

Upon entering, visitors are greeted by a sun-drenched conversation pit, a nostalgic centrepiece that embodies the essence of retro chic. The adjacent Cushion Display Room showcases an exquisite collection of hand-woven wool and silk cushions, crafted by renowned designers. Each piece reflects an unwavering commitment to quality and artistry. Creating tangible moods and moments that speak to the notion that we can all transcend the ordinary simply by stepping through a well-designed space.

KJ: Aside from our jewel-box Cushion Room and 70s-inspired sunken lounge Rabah has mentioned, my favourite design moment is the enclosed palm tree that we have. It’s viewed from most points inside the Bungalow, and it’s a testament to Rabah’s visionary yet playful design sensibility. It has become symbolic of The Bungalow and always reminds us of the Dubai beyond whenever we’re spending our day there.

How challenging was it to implement this and how did you achieve this in such a location? KJ: The Rug Company Bungalow was definitely a labour of love. This was one of the most challenging yet deeply rewarding projects of my career. Collaborating with Rabah’s vision was key in creating a space that feels like home – a sentiment our guests often share upon arrival. We couldn’t have asked for a more inspiring environment to showcase our rugs, helping people envision how they could elevate their own personal spaces.

RS: Renovating a space always comes with unforeseen challenges. In the case of the Bungalow, the tight timeline was the main hurdle. Thankfully, our client Kate, with her extensive experience opening showrooms internationally was very understanding and supportive. The developer, Huna Living, provided incredible support and believed in our vision and championed the project from the start. Lastly, the tireless efforts of Hannah Bower-Brooks and her team at Cherwell Interior were instrumental in transforming the dilapidated space into a stunning space. The end result is something truly unique – when you step into the Bungalow, you feel both fully immersed in the environment and transported to another time and place.

The Rug Company Bungalow is designed to be a showroom and modular creative hub. What are the services being offered? KJ: From the moment guests walk through the door, they’re met with the highest standard of service – something Dubai expects, and we deliver.

Our team takes the time to understand each client’s space or project, offering thoughtful suggestions tailored to their needs. We offer personalised consultations, a white-glove service with at-home rug approvals, and the opportunity for clients to be fully involved in creating a bespoke rug – from concept to completion. Hospitality is just as important to us as design and ensuring that every guest feels at home has been a priority from the very beginning.

This is The Design Issue - what is the first design that has left an impression on you? RS: I have such a passion for everything under the design umbrella – art, fashion, landscaping, travel, nature, architecture, and graphic design. There are so many facets to explore.

One of the most profound design impressions I’ve had was seeing the early experimental works of Charles & Ray Eames at MoMA in New York City. Their approach – that design is primarily about process rather than a final product – serves as a great reminder to stay curious and never stop questioning the design journey.

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“The Bungalow is a space designed to be more than just a showroom – it’s a place for conversations, collaborations, and creative exchange”

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ELEVATING INTERIORS Karen Dougall and Nikki Martin, Co-Founders of Palm Living Interiors, share their philosophy on redefining living spaces that feel contemporary and cool yet still chic

What inspired you to launch Palm Living?

Palm Living was born out of a desire to bring a breath of fresh air to Dubai’s design scene.

We noticed a gap in the market for sleek, luxurious, European-style furniture that balances beauty with function. As Dubai’s skyline and population continue to grow, we saw the need for interiors that were not just glamorous, but also lived in and loved. Our goal

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was to create spaces that are as chic as they are comfortable – where luxury meets home.

Can you define Palm Living’s design philosophy? At Palm Living, our philosophy is all about marrying timeless elegance with everyday functionality. We’re obsessed with quality – whether it’s in the materials we choose or the designs we craft. Everything is manufactured in-house right here in the

UAE, ensuring that each piece reflects our commitment to craftsmanship, attention to detail, and modern European flair.

What does the creative process look like when designing a space or product? Our creative process starts with an initial consultation and site visit to understand the space and client needs. We then create a mood board and 3D model to visualise the

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Karen Dougall

Nikki Martin

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“Timeless interiors are all about quality, simplicity, and a hint of flair” design. Next, we design bespoke furniture and select a colour palette and materials.

After that, we oversee manufacturing at our factory here in the UAE and finish with full home styling with a curated shopping list.

How has living in the UAE influenced your design aestheric? Dubai’s culture deeply influences Palm Living’s designs, with a strong emphasis on luxury living. The region’s warmth is reflected in the use of light colours, textures, and linens, creating a harmonious atmosphere. As the city grows, Palm Living takes influence from its evolving design scene, blending the city’s fast-paced modernity with a timeless aesthetic that feels like home.

How do you balance luxury with functionality? We achieve a balance between luxury and functionality by designing spaces with thoughtful intention. Functionality is always our priority, ensuring that each element serves a practical purpose. At the same time, we carefully incorporate luxurious touches that enhance the space without compromising on its usability. We also focus on aesthetics and minimal design, creating an elegant, minimal look that adds value while maintaining a sense of comfort and practicality. Think

minimalist beauty with maximum comfort – elegance that’s effortlessly functional.

How do you create timeless interiors while still incorporating current trends? Timeless interiors are all about quality, simplicity, and a hint of flair. By sticking to high-quality materials and a minimal colour palette, we create a solid foundation that will never go out of style. This approach allows us to incorporate current trends through decor and accents, adding a fresh, modern touch while ensuring the overall design remains timeless. By prioritising quality and simplicity, we have the creative freedom to adapt and evolve with trends and client’s desired look without compromising the lasting appeal of the space.

What are some of the current interior design trends you see? Currently, we’re seeing a return of some retro trends, such as the

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use of walnut and darker woods from the 70s, which are being reimagined in modern spaces. Although many client’s still appreciate minimal interiors and neutral palette’s, we’ve noticed more client’s are looking to incorporate bold accents and a pop of colour. There’s also a shift in what people are looking for in their interiors – it’s not just about aesthetics anymore. Creating a cosy, homely environment that feels comfortable and inviting, is becoming popular as it is blending style with warmth and personality.

This is The Design Issue – what are your design principles? Our core design principles revolve around creating high-quality, oneof-a-kind, bespoke pieces that are all made to order. We prioritise a client-focused approach, ensuring each design is tailored to their vision and needs. With a commitment to fast turnarounds, we aim to deliver exceptional results with our strong attention to detail. Influenced by European minimalism, our designs are clean, functional, and imbued with a sense of timeless luxury. Whether it’s a single piece or an entire space, we’re committed to delivering something that clients truly love. www.palmlivingae.com

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P H OTO G R A P H Y: M A R K M AT H E W

In the office with Petra Brockmann, Thomas BrockmannKnoedler, Lucrezia Rugova, and Edmir Rugova, Co-founders of HOUSE OF ORGÆNIC Dubai LIFESTYLE

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“The entire villa was planned and furnished with carefully selected natural materials such as aventurine, rose quartz, rock crystal, jade and blue quartz” How long have you been in this space? The House of ORGÆNIC Dubai is home of true beauty, patented holistic hairdressing, and luxurious haircare treatments since October 2024.

Have you custom-built any bespoke pieces?

Yes, the entire villa was planned and furnished with carefully selected natural materials such as aventurine, rose quartz, rock crystal, jade and blue quartz. Despite the restrained colours and delicate details, the

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sense of space is emotional and inspiring.

Every interior element in our premises is individually designed by us and custom-made from the highest quality materials. Alcantara-covered cupboard elements, cubes as seating that also serve as side tables and a large central table with an Alcantara surface are just a few examples of combining multifunctional design and aesthetics.

How do you think the interior reflects you?

The villa is a place of letting go and el-

egance, where genuine and trustworthy craftsmanship is practiced. In six spacious and bright rooms, including a VIP Room for utmost discretion and exclusivity, clients experience the highest level of expertise. The store concept incorporates selected natural materials, Japanese washing lounges, traditional craftsmanship, timeless elegance, and ultimate comfort.

Describe your taste in three words. Timeless, true, and authentic.

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CHIC EATS

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he City of Light is a feast for the eyes and the tastebuds, with an abundance of world-renowned restaurants and lesser-known hidden gems. A flurry of new hotspot openings has swamped the French capital that has left the city buzzing. Adding to the everexpanding dining scene might be the chicest one yet: Saint Laurent x Sushi Park Paris.

This chic new hotspot, which opened on February 21, 2025, is the latest addition to Saint Laurent’s Rive Droite Paris location and further elevates the shopping experience. Saint Laurent x Sushi Park Paris brings the same philosophy of high-end, traditional sushi to the French capital.

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This iconic hotspot, designed by artistic director Anthony Vaccarello, is a highly regarded omakase-style sushi restaurant located in a strip mall on Sunset Boulevard in West Hollywood. Known for its no-frills approach and high-quality sushi experience, it has gained a cult following among the Hollywood elite and serious sushi lovers. Sushi Park Paris is the first and only international outpost of the iconic Californian destination. Located on the lower level of the Saint Laurent Rive Droite boutique, Sushi Park Paris embodies a minimalist and upscale aesthetic, blending traditional Japanese design with bold yet modern elements. Inside, you’ll notice Vaccarello’s distinct vision

and meticulous touches – consistently connecting every creative decision back to the brand’s overarching design DNA. Led by Chef Peter Park, the gastronomic journey at Sushi Park Paris reflects both the artistry of Japanese cuisine and the sophistication associated with the Saint Laurent brand. Just like the LA location, the restaurant is exclusive and follows a meticulously crafted tasting menu in an Omakase format featuring seasonal and simple yet innovative dishes.

Operating Hours: Tuesday to Saturday.

Address: 8 Rue du 29 Juillet, 75001 For more information, visit sushiparkparis.ysl.com

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Anthony Vaccarello, Creative Director at Saint Laurent, delivers the coolest hangout in Paris if you’re looking for design-led dining

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THE WANDERLUST

Aman Nai Lert is the seven-acre green oasis newly nestled in Bangkok you need to visit

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a 1,500-square-meter Aman Spa & Wellness centre, and several destination dining and socialising venues.

THE STAY

Integrating contemporary design with traditional Asian architecture, Aman Nai Lert Bangkok’s 52 suites start at 94 square me-

ters in size, making them among the largest in the city. In celebration of their surroundings, floor-to-ceiling windows frame views of the leafy scenes and city skyline – many with terraces for taking in the park’s atmosphere. Meanwhile, spacious living areas and state-of-the-art technology reflect Aman’s signature of understated elegance.

IMAGES: SUPPLIED

Aman Nai Lert Bangkok nests within the seven-acre green oasis of Nai Lert Park in Thailand’s capital, seamlessly blending the city's dynamic energy with a true sense of tranquillity. Set to open in April, this Aman outpost is perfectly placed for an immersion into Bangkok. The Jean-Michel Gathy-designed hotel is home to 52 suites,

LIFESTYLE

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WHAT TO PACK Oval-frame gold-tone sunglasses Dhs1,535 Miu Miu

Cropped ruffled faux leather bomber jacket Dhs3,975 Dries Van Noten

Domino embellished seersucker swimsuit Dhs834 Hunza G

High-rise wide-leg jeans Dhs955 Róhe

If you’re looking to elevate your stay for a special occasion, the Signature Suites are the hotel’s largest yet most discreet. The Terrace Suite, at 114 square meters in size, enjoys its own exclusive open-air lounge, while the Aman Suite, residential in style at 566 square meters, occupies the entire 18th floor. aman.com

Leather slides Dhs972 St. Agni

LIFESTYLE

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BEST OF BARCELONA WORDS:CAMILLE MACAWILI

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Previous spread: The Barcelona EDITION;

This page: (from top)

Tiberi Bar, Bar La Camila

From cultural attractions to cool hotspots, a design-lover’s edit of things to see in the vibrant capital of Catalonia THE STAY

THE BARCELONA EDITION

The epitome of chic design, The Barcelona EDITION is where you’ll feel the magnetic charm and character of Barcelona in an upscale yet cosy setting, designed with creative modernity and minimalism deeply anchored in its identity and design codes.

THE DINING

BAR & TAPAS SENORA DOLORES

Located in Sant Antoni, this cool tapas and natural grape bar with outdoor seating by the street is perfect for people watching. It offers a selection of simple yet unique small plates such as churros-style patatas bravas and duck au Poivre that you can enjoy leisurely prepared by a former chef of a local favourite, Bar Brutal. @dolores.barcelona

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THE HERO BUYS

GIMAGUAS

Barcelona-born, cool-girl fashion label, Gimaguas’s flagship store is a directional space wrapped in petrified concrete fabric to wander in and shop while in Barcelona. @gimaguas BOOMERANG

For interior lovers, Boomerang is a haven for vintage and retro furniture that’s worthy for admiring – and buying – decor. @boomerangbcn9 LA MANUAL ALPARGATERA

A historical place to make your own handcrafted espadrilles in a range of styles you can possibly think of, perfect for souvenirs to gift or for yourself. @lamanualalpargatera

BAR LA CAMILA

THE MUST-VISITS

Whether you’re resting from the sightseeing or having some downtime, this local café and bar tucked in a quiet alleyway in Gràcia serves great coffee that you can enjoy with bites including pastries, snacks and tapas. @barlacamila

PICASSO MUSEUM

Located in the El Born neighbourhood, the Picasso Museum is a must-see for art enthusiasts. It is where Pablo Picasso has spent a significant portion of his young life and guests can admire his earlier artworks.

TIBERI BAR

CASA BATLLÓ AND CASA MILÀ

A hot spot in El Poble-Sec, this restaurant serves delicious seasonal small bites alongside a fantastic natural grape selection, with a fun ambiance and cool crowd. The design is in-

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dustrial yet somehow feels intimate to spend late evenings in. @tiberi.bar

These Antoni Gaudi buildings are a masterpiece on their own. Casa Batlló has a curved exterior covered in glass with otherworldly interiors that are

LIFESTYLE

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This page: (clockwise form top left) Boomerang, Gimaguas, Casa Milà

simply breathtaking while a muted architecture, Casa Milà, a few blocks away from Casa Batlló, boasts the same curved lines with an incredible rooftop to enjoy as you soak in impressive sunset city views.

IMAGE: PEXELS AND INSTAGRAM

FUNDACIÓ JOAN MIRÓ

A few minutes’ drive from the centre of the city, this modern-brutalist style museum is located on the edge of Catalunya’s vibrant capital dedicated to artist Joan Miró.

SAGRADA FAMILIA

Last but not the least, this world-renowned Antoni Gaudi masterpiece and a Barcelona icon boasts impressive architecture – inside and out.

LIFESTYLE

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THE DIRECTORY

All Max Mara SS25

A Accessorize (04) 3399098 Adidas (04) 2325690 Aerin (04) 4098888 Aesop (04) 3293030 Agnès b. (04) 3520391 Ahmed Seddiqi & Sons (04) 3398881 Aigner (04) 4341333 Alberta Ferretti (04) 3398957 Aldo (04) 2328162 Alex Perry +44(0) 2039622362 Alexander McQueen (04) 3398760 Alexander Wang +44(0) 2039622362 Alexandra Rich (04) 4098888 Alexandre Vauthier (04) 409 8888 Alexandre Birman (04) 3951200 Alighieri +44(0) 2039622362 Altuzarra Online at Farfetch Anita Ko +44(0) 2039622362 Amina Muaddi (800) 5383573 Antik Batik (04) 4343080 Areej (04) 3405223 Armani Exchange (04) 3399472 Assouline (04) 4384546 Aquazzura (04) 3882367 Ayesha Depala (04) 5136415 B Banana Republic (04) 3398462 Balenciaga (04) 3951769 Bally (04) 3231643 Balmain (056) 1883796 Bambah (055) 224 1538 Baruni (050) 4579249 Ba&sh (04) 3854557 BCBG Max Azria (04) 4340627 Benefit Cosmetics (04) 3951978 Blaze Milano (800) 044 5703 Bloomingdale’s Dubai (04) 3505333 Bottega Veneta (04) 3951201 Boucheron (04) 3410039 Boutique1.com (04) 3951200 Burberry (04) 3998243 Bulgari (04) 3308834 Byredo (800) 74676277 BySymphony (04) 3106900

C Cartier (04) 3951000 Carolina Herrera (04) 3398132 Catherine Malandrino (04) 3398102 Céline (04) 3410585 Chanel (04) 3818400 Chantecaille (04) 4098888 Charles & Keith (04) 3398713 Charlotte Olympia (04) 3994122 Charlotte Tilbury (04) 4190100 Chaumet (04) 3398758 Chloé (04) 3300700 Chopard (04) 3414545 Christian Dior (04) 3235322 Christian Louboutin (04) 3990998 Church’s (800) 5383573 City Walk 800 637227 Claudie Pierlot (04) 3253798 Coach (04) 3398670 Cos (04) 4190858 CVC Stones (800) 044 5703 D Damas (04) 4459468 De Beers (04) 3412121 Deira City Centre (04) 2093105 Diesel (04) 3398615 Dermalogica (04) 3398250 Diane von Furstenberg (04) 3232257 Dior (04) 3308739 Diane Cordas (800) 74676277 Dione Lee Online at Farfetch, Ounass DKNY (04) 3414343 Dolce & Gabbana (04) 3308566 Dune (055) 2136194 Dubai Mall (800) 382246255 Dr Sebagh Online at noon E Elie Saab (04) 3951600 Ellery (800) 74676277 Emilia Wickstead (04) 3106900 Emilio Pucci (04) 3398525 Emporio Armani (04) 3951373 Escada (04) 3279191 Estee Lauder (04) 2995600 Etoile ‘La boutique’ (04) 3414166 Etro (04) 3411014 Eugenia Kim (800) 74676277

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F Fendi (04) 3399782 Farfetch (800) 0320327 Forever 21 (04) 3277488 Fornasetti (800) 74676277 Francesco Russo (800) 5383573 French Connection (04) 2273848 Furla (04) 3410285 G Galeries Lafayette (04) 3399933 Galleria Mall (04) 3444434 Gap (04) 3850988 Gérard Darel (04) 3399780 Giambattista Valli +44 (0) 2039848044 Gianvitto Rossi (800) 5383573 Giorgio Armani (04) 3951373 Giuseppe Zanotti (04) 3413117 Givenchy (04) 4227073 Globe Trotter Online at matchesfashion Golden Goose (04) 3355218 Gucci (04) 3398576 H H&M (04) 4190346 Harry Winston (04) 3398972 Harvey Nichols – Dubai (04) 4098888 Hermès (04) 8181390 Hervé Léger 800 382246255 Holland & Barrett (04) 3882401 I&J Ibn Battuta Mall (04) 3621900 Inglot (04) 2228344 Jacquemus (04) 3951200 Jaeger (04) 2840840 Jaeger-LeCoultre (04) 3398769 JetSet (04) 3995005 Jimmy Choo (04) 3398925 Jo Malone (04) 4190287 Joseph (04) 8803433 Juicy Couture (04) 3475591 K Karen Millen (04) 3398608 Kate Spade (058) 1030866 Kenneth Cole (04) 3555872 Kenzo (04) 3308455

Khalil Al Sayegh (04) 2276555 Kiehl’s (04) 2886376 Kristina Fidelskaya (04) 3627500 Kurt Geiger (04) 3413883 L Lacoste (04) 3410575 Lanvin (04) 3555310 Le Labo (04) 4190953 Level Shoes (800) 5383573 Loewe (04) 3253754 Loquet Online at thelabelhunter Louis Vuitton (04) 3950431 Lucas Hugh+44 (0) 2039622362 M MAC Cosmetics (04) 4190856 Maje (04) 8815988 Maison Des Fleurs (04) 2765886 Maison Michel +44 (0) 2039622362 Mall of the Emirates (04) 4099000 Mango (04) 3414663 Manolo Blahnik (04) 3398122 Marc Jacobs (04) 3951281 Mark Cross +1 8885509675 Marks & Spencer (800) 62637 Maria Tash (04) 8817885 Marni (04) 3549417 Marysia (04) 3951200 Massimo Dutti (04) 3399070 Max Mara (04) 3882070 Messika (04) 4255575 Michael Kors (04) 3253491 Missoni (04) 3951400 Miss Selfridge (04) 3398016 Miu Miu (04) 3249276 All Things Mochi (04) 4433451 Moncler (04) 3300280 Moschino (04) 3398079 Montblanc (04) 3304810 Monica Vinader (04) 3951700 N Namshi.com (800) 626744 NARS (04) 4227531 Natura Bisse (04) 2993090 New Look (04) 4340740 Next (04) 4190522

Nike (04) 4342683 Nina Ricci (04) 3308789 Nine West (04) 3410244 O O Concept (04) 3455557 Off White (054) 4541546 Oscar de la Renta (04) 3399005 Ounass 800 686277 P Paris Gallery (04) 3308289 Pandora (04) 3235607 Pastels Salon (04) 3883534 Parfois (04) 4343167 Paul Smith (04) 3951742 Paule Ka (04) 3882384 PE Nation (04) 3951200 Piaget (04) 3398222 Pomellato (04) 3882036 Prada (04) 3049700 Proenza Schouler (04) 448344 R Ralph & Russo (04) 874 8593 Ralph Lauren (04) 3308347 Rami Al Ali (04) 3945607 Reiss (04) 3410515 Rene Caovilla (04) 3253677 Repossi (04) 2771392 River Island (04) 3399415 Rivoli (04) 3413121 Roger Vivier (04) 3475695 Roland Mouret (04) 5519356 Rolex (04) 3627500 S Saint Laurent (04) 3410113 Salvatore Ferragamo (04) 3411022 Sandro (04) 3951281 Samsonite (04) 3398690 See by Chloé (04) 3951880 Sephora (04) 3951978 Sergio Rossi (04) 3324829 111 Skin (04) 4068800 Smythson (800) 589 Sonia Rykiel (04) 3308464 S*uce (055) 3447270 Stella McCartney (04) 3399179 Sunglass Hut (04) 3995824 Swarovski (04) 3685573

T Tabitha Simmons Online at Farfetch Tata Harper (04) 5245555 Ted Baker (04) 3997377 Temperley (04) 3398169 Temperley London (04) 3339943 The Attico (04) 4483444 The Body Shop (04) 3410551 The Nail Pavillion (04) 4229791 The Nail Spa (600) 544001 The Dubai Mall (800) 382246255 The Outlet (04) 4264900 The Row (04) 3951200 Tiffany & Co. (04) 3398350 Tips & Toes (04) 3412020 Tod’s (04) 3413033 Tommy Hilfiger (04) 3410260 Toni&Guy (04) 3303345 Topshop (04) 3399802 Tom Ford (04) 3400347 Tory Burch (04) 3253670 V Vacheron Constantin (04) 2406323 Valentino (04) 3471890 Van Cleef & Arpels (04) 3398001 Valextra (04) 3308030 Veja (800) 74676277 Versace (04) 3398285 Versace Jewellery (04) 4341570 Victoria Beckham (04) 3951200 W Wafi Mall (04) 3244555 Whistles (04) 3410951 Wolford (04) 4232832 X, Y & Z Yves Salomon (04) 5245555 Zadig & Voltaire (04) 3399186 Zara (04) 3308567 Zayan The Label (04) 3440104 Zimmermann (800) 74676277

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Bombé Oversized Sunglasses Dhs2,569 Phoebe Philo WORDS: CAMILLE MACAWILI

BOLD VISION

Phoebe Philo brings a retro-modernist design perspective to a classic wardrobe staple

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MOST WANTED

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Choose from our extensive range of authentic Thesiger photographs.

PERFECT DECORATIONS FOR HOTELS, OFFICES AND HOMES. Framed or unframed prints available exclusively from The Arabian Gallery

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SUMMER FAMILY ESCAPE: 25% OFF + Kids Go Free

This summer, Vida Dubai Mall is your ultimate escape! Get 25% off your stay, and let the kids enjoy free accommodation, dining, and fun activities! Relax by the infinity pool, explore the vibrant city, and indulge in delicious food, all while taking in those stunning Burj Khalifa views.

Book by: 30 September 2025 Stay between: 15 June to 30 September 2025 Terms and conditions apply

T: +971 4 549 8888 | E: hithere.dubaimall@vidahotels.com

10:55 AM

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