NATURAL BORN PRODUCER
mentors that just helped me,” she adds. The musical she went to work on was financed and produced by the company East of Doheny, which eventually provided her ticket to LA. She arrived in Southern California and was overseeing the various shows the company produced in the West End and on Broadway, loving every minute. “I was working in musical theater. I was working for a producer, and it was awesome.” The jump from theatre production to film was prompted by watching every hour of the behind-the-scenes footage for Peter Jackson’s adaptation of The Lord of the Rings, the book she regularly escaped into as a kid. “The reason I got into the movies was pure escapism,” she admits. “I was just fascinated by how that
[film] came to be,” she continues, “and how as a storyteller, you could make that. I was obsessed. ‘Wow, how did they do this?’ I love big fantasy, I love Star Wars, and I’m a big science fiction fan. I love the escapism of it, the notion that stories can take you to this other place.” Howell Taylor has made all kinds of movies and considers herself “platform agnostic,” but when asked about the common thread among her varied credits, she has a ready answer. “That’s easy. It’s character. Genre to me is irrelevant. We all want to feel like we care about the people
Producer Lynette Howell Taylor (left of center) consults with director Matt Ross (seated) while on location for Captain Fantastic.
PHOTOGRAPH BY REGAN MACSTRAVIC
other … I just didn’t enjoy performing as much as I enjoyed the other side. It’s a very entrepreneurial program. And to me, that’s the cornerstone of producing—figuring out how to manage not only yourself but also a business and other people and situations and projects. I really learned the foundation of those skills while I was at that university.” After receiving her diploma from Sir Paul McCartney himself, founder of the school, she worked for an agent and then a casting director in London. But casting fell flat for her, and she was itching to get into production, specifically musicals. So that casting director put a call in to a producer and got her a job as an assistant. “I was so lucky that I had these incredible
The Official Magazine of the Producers Guild of America