arc October/November 2018 - Issue 106

Page 82

PROJECT

tables and the unique furniture details within

is a great space to spend time in, and the

from shelves lit using Pixalux, and Rubn’s

of the smaller details and geometries

that reflect the natural light beautifully

Associate Director of Lighting at Arup.

The restaurant features an open terrace

artificial lighting to the angled walls is a key

battery-operated lanterns for the tables,

how it changes over the course of the day.”

façade, creating a backdrop for the space.

process as another key factor in the project’s

evident during the day, it becomes a very inviting

She continued: “Focusing the Galleries was a

glimpses of the interior from outside, as the

and ZMMA. The Scottish Design Galleries are

the interior lighting to glow out, giving the

character depending on the exhibits on show.

reflect in the water around the building. Lights

qualities of each exhibit, while providing a

the building uplight the exterior and reveal the

“Creating the ambience in the CRMOR

designed to represent a Scottish rock face.

custom decorative glass fittings was very

a dramatic space, where this uplighting of the

Throughout the whole museum, Arup, alongside

On completion, designers at Arup are pleased

visitor experience, that lives up to Kengo Kuma’s

lighting, both natural and artificial, supports

fitting for Scotland’s first design museum.

the space. Accent lighting at the bar comes

longer you do, the more you become aware

suspended Copolla amber glass pendants,

of the building,” said Laura Phillips,

during the day, and glow in the evening.

“The use of natural light in combination with

for use day and night that is provided with

contributor to the success of this space and

while linear in-ground fittings uplight the

Phillips also cited the collaborative nature of the

While the soft, warm interior illumination is

success, particularly in the gallery spaces.

and key attraction at night, when you can see

very collaborative process with the V&A team

small windows built into the linear façade allow

quite unique in that they vary in colour and

windows the appearance of small lanterns that

The lighting helps to bring out the inherent

mounted in these reflecting pools surrounding

visually comfortable backdrop to the space.

complex forms and unique texture of the façade,

room through focusing and dimming of the

The central walkway under the building provides

rewarding, and is a very immersive space.”

detailed façade can be fully appreciated.

ZMMA, has created a remarkable, immersive

with the end result, and the way that the

unique architectural design, and is certainly

the architectural ideas for the building.

www.arup.com

“The main double height foyer of the V&A

074

www.arc-magazine.com

lighting specified acdc Blade acdc Ultra AlphaLED Apto track fitting AlphaLED downlights AlphaLED wall washers Artemide Everything Bega can downlights 66978 Bega external projectors 7880 Cooper Lighting Crompack ETAP emergency Eutrac Dali Feelux DimSLim iGuzzini IN30 LED iGuzzini Ledstrip iGuzzini MK40 Laserblade iGuzzini Palco Irideon profile projectors Mike Stoane Lighting Surf Mike Stoane Lighting Mole Mike Stoane Lighting Croc OASE Profilux Plane Photonstar downlight Sammode Niepce Selecon profile projectors Selux Cassette M100 Solatube Solamaster Targetti Can Targetti JEDI Zumtobel Chiaro Zumtobel Clean Classic office light Zumtobel Panos Zumtobel Slotlight Zumtobel Tecton


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