The abstract-technological language conceptualized in the work of Venezuelan artist Pedro Morales is the central axis of the show De Redes y Cadenas. The artist himself dubbed this process as the dematerialization of the pictorial image; this is to say, the production of an image using solely the features offered by the computer as the tool for its creation. As such, an image that emerges to the sensorial field is a result of the fertile symbiosis between creator, software, and hardware. Pedro Morales has coined the term Mobile Tagging Art to define the kind of artistic expression that uses processes of scanning, decoding, and reading to reveal content, without sacrificing an aesthetic commitment to the work of art. Using the camera tool of a mobile gadget, Mobile Tagging Art gives artistic meaning to a technology normally focused on mobile connectivity: codes that carry “tags” (labels, messages, directions) and facilitate communication through cellular phones.