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THE COLOR WHITE IS VULNERABLE. I T G E T S S TA I N E D E A S I LY. H O W E V E R , IT HAS A POWER. THE POWER TO ABSORB OTHER COLORS AND TO CHANGE ITSELF INTO SOMETHING BETTER.

As vuln e ra bl e a s t h e c ol or whit e c a n be , I w a s vu l n e ra bl e . Throug h ou t t h e ye a r, I sa w and fe l t t h e pow e r of de si gn surroun di n g m e . I w a s a ff e c t e d by t he sm a l l e st e l e m e n t s. Therefore , I a m t h e c ol or w h i t e . Whit e i s m e .

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TYPO‑ GRAPHY MIZUKI TSUJIKAWA MONOGRAMS

BAM HARVEY T H E AT E R

SERIES POSTERS

CHARLOTTE LOGO BRANDING

O N E C U B E T Y P E FA C E FONT

T I M E T R AV E L I N G ACCORDION BOOK

AIMER LOGO

GRAPHIC DESIGN 08

TA D A O A N D O POSTERS

M I R A N D A J U LY 16

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30

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SERIES BOOK COVERS

SYMBOLISM STUDIES

S I N F O N I E T TA RECORD COVER

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TYPOGRAPHY MIZUKI TSUJIKAWA MONOGRAMS

BAM HARVEY T H E AT E R SERIES POSTERS

CHARLOTTE PERFUME LOGO BRANDING

ONE CUBE T Y P E FA C E FONT

T I M E T R AV E L I N G ACCORDION BOOK

AIMER LOGO


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MONOGRAMS

MIZUKI TSUJIKAWA

Based on my name, M iz u k i Ts u jik a w a , I m a d e a monog r a m . M y f o c u s w a s t o m a k e t h e d e s ig n s t r a n g e , b u t y e t s t ill c le a n a n d e le g a n t .

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F IN AL MONOGRAMS

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MONOGRAMS STA MP

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EX H IB ITION P O STERS

Mizuki Tsujikawa

SVA Gallery

209 East 23rd Street, New York City

Oct 15 –Nov 01 2015 Mizuki Tsujikawa

Oct 15 – Nov 1 2015

SVA Gallery

209 East 23rd Street, New York City

Mizuki Tsujikawa SVA Gallery

209 East 23rd Street, New York City

October 15th November 1st 2015

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209 E New ast 23 York rd Str eet, City

October 15 – November

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BAM HARVEY T H E AT E R T h e t h e a t e r is b a s e d o n Sh a k e s p e a re ’s n o v e l; R ic h a rd 2 n d , H e n r y 4 t h , a n d Kin g J o h n . T h e c h a r a c t e r s in t h e s t o r ie s a re v e r y p o w e r f u l a n e m o t io n a l. T h e s e p o s t e r s a re d e s ig n e d u s in g la r g e f o n t s t o g iv e a n im p a c t t o t h e a ud ie n c e .

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P R O G R ESS 1 / 2


PR O G R E SS 2 / 2 PR O G R E SS 1 / 2

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BRANDING

CHARLOTTE PERFUME LOGO Wh e n I t r y t o f in d a n e w p e r f u m e , it is d iff ic u lt t o f in d a p e r f e c t o n e . So , I d e c id e d t o c re a t e a p e r f u m e s h o p w h e re c u s t o m e r s c a n c re a t e t h e ir o w n . T h e p e r f u m e s a re m a d e s p e c if ic a lly f o r it s o w n e r ’s n e e d s .

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F I N AL L O G O

To symbo lize t he nat ur a l produ c t s u sed i n t hese per fume s, t h e l ogo i s d es i g ned wit h leav es c re a t i n g th e l etter “ C� .

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F in d in g t h e p e r f e c t p e r f u m e c a n b e q u it e d iff ic u lt . So , w e m a d e o u r s t o re “ C h a r lo t t e ” t o c re a t e y o u r perfect perfume.

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B R AN DI N G

We cre at e per fumes c a t e re d to you r unique t ast e. You se l e c t d es i red fr agr ance and de si gn you r own per fume labe l . Don’t remember t he re c i pe of your perfume? Do n’t worry. “C harl ot t e” records yo u r p refere nces wit h each pe rf u m e you creat e. So, y ou won ’t w as te your valuable t im e .

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Fonts

O n e C u be Ty p e f a c e

I c re a t e d a t y p e f a c e u s in g g r id s . I b e lie v e in b e in g c o n s is t e n t , b e a u t if u l a n d le g ib le .

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ST UDI SKET C HES ES

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F IN AL T YPEFACE


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Accordion Book

T i m e Tr a v e l

U si n g a n a c c ordi on b o o k , I m a de a n a rra t i ve s t o r y t h a t e xpre ss t i m e t ra ve l . T h e de si gn s a re m a de by u s in g a l ph a be t s a n d n ot h i n g e ls e .

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FIN ALD IES B OOK S TU

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LOGO

AIMER T h is lo g o is c re a t e d f o r m y f a v o r it e a r t is t c a lle d AI M E R. Sh e is a J a p a n e s e s in g e r, w h o h a s a n u n iq u e v o ic e a n d h id e s h e r f a c e .

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PR O G R ESS

I s el ect ed four log os from m y idea and made them mo re clear. T he l ogo i s creat ed t o rep res ent her gr acefuln e ss an d myst er iousness.

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F IN AL LOGO

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GRAPHIC DESIGN A N D O TA D A O

EXHIBITION POSTERS

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M I R A N D A J U LY

SERIES BOOK COVER


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SYMBOLISM STUDIES

S I N F O N I E T TA RECORD COVER

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EXHIBITION POSTERS

TA D A O A N D O

I d e s ig n e d t w o d iff e re n t t y p e s o f e x h ib it io n p o s t e r b y s e a rc h in g TADAO AN DO ’s w o r k s . - C O H E SI VE - C O N T R AST I N G

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TADAO AN DO ST UDI ES

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P R O G R ESS 1 / 3

C O H ESIV E

oA Tada m useu witt M er He et Copp st 91 Stre 28 2 Ea , NY 1001 York w Ne 9 8400 212 84

ndo

28 ry 7– Janua 2016

TA DAO A NDO January 7–28, 2016

Tadao Ando

January 7–28, 2016

Cooper Hewitt Design Museum

2 East 91st Street New York, NY 10128 21 849 8400

Cooper Hewitt Design Museum 2 East 91st Street New York, NY 10128

21 849 8400

C O N TR ASTING January 7–28 2016

Tada And

January 7–28, 2016

Tadao Ando

January 7–28, 2016

Cooper Hewitt Design Museum

2 East 91st Street New York, NY 10128

21 849 8400

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Cooper Hewitt Design Museum 2 East 91st Street New York, NY 10128 21 849 8400

Tadao Ando Cooper Hewitt Design Museum

2 East 91st Street New York, NY 10128

21 849 8400


PR O G R E SS 2 / 3

COHESIVE TA D A O A N D O

JAN 7–28 2016

TADAO A N DO

January 7–28, 2016

Copper Hewitt Meseum

Cooper Hewitt Design Museum 2 East 91st Street New York, NY 10128 21 849 8400

2 East 91 Street New York NY 100128

JA

CONT RASTING

N

2 0 16 2 East 91st Street, New Yo ork, NY 10128

Cooper Hewitt Design Museum 2 East 91st Street New York, NY 10128

JAN 7–28 2016 21 849 8400

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P R O G R ESS 3 / 3

JAN 7-28 2016 Cooper Hewitt Design Museum 2 East 91st Street New York NY 10128

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2 0 16 2 East 91st Street, New Yo ork, NY 10128

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A SERIES OF BOOK COVER

M I R A N D A J U LY I s e le c t e d 3 d iff e re n t lo v e s t o r ie s f ro m a b o o k c a lle d “ N o o n e b e lo n g s h e re m o re t h a n y o u ” b y M ir a n d a J u ly. All s t o r ie s a re a b o u t lo v e a n d h u m a n re la t io n s h ip .

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P R O G R ESS 1 / 2

A story by Miranda July

D oo r

IK is s

a

The TheSister Sister The The Sister Sister The Sister The Sister

D o o r

The Sister The Sister The Sister The Sister The Sister The Sister The Sister The Sister The Sister

A story by Miranda July

A story by Miranda July

I Kiss a Door A story by Miranda July

A story by Miranda July

s It Wa

Romanc e

A story by Miranda July

It Was

Romace Romace A story by Miranda July

a Door A story by Miranda July

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The Sister A story by Miranda July


PR O G R E SS 2 / 2

Miranda July

The Sister

The Sister

The Sister

The Sister

A story by Miranda July Miranda July

A story by Miranda July

A story by Miranda July

It Was Romance

It Was Romance

Miranda July

I Kiss a Door Miranda July

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F IN AL COVERS

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F IN AL COVERS

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SYMBOLS STUDIES

LETTERS I h a v e b e e n c o lle c t in g h u n d re d s o f le t t e r s t h a t w e re s e n t t o m e s in c e I w a s in k in d e r- g a rd e n . I m a d e a s y m b o l f o r t h o s e p ile s o f le t t e r s .

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F IN AL SYMBOLS

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Thi s symbo lizes emo t ion . It emp hasizes t he emo t i on sen t b et ween peo ple.

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RECORD COVER

S I N F O N I E T TA “ Sin f o n ie t t a ” m a d e b y J a n á č e k is a c la s s ic a l m u s ic c re a t e d a ro u n d in 1 9 2 6 . T h is d e s ig n w a s c o v e r c re a t e d b y u s in g a n e w w a y o f e x p re s s in g c la s s ic a l m u s ic .

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PR O G R E SS 1 / 2

Janacek

Ja

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Sinfonietta

I. A

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III.

IV. Al le

Sinfonietta

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P R O G R ESS 2 / 2

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F I N AL C O V E R

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F IN AL RECORD COVER

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THANK YOU.

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