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Mischa Salkind-Pearl m.salkind@gmail.com (410) 404-5628

Education: • MM (composition) – Boston Conservatory (2010). Studies with Marti Epstein and Dalit Warshaw. • Certificate in American Contemporary Music (composition) – University of Maryland, Baltimore •

County (2007). Studies with Linda Dusman. BM in Music – Skidmore College (2006). Studies in composition with Anthony Holland.

Masterclasses and Institutes: • Samuel Adler (composer) – Boston Conservatory (2009). • Simon Bainbridge (composer) – Boston Conservatory (2009). • June in Buffalo – University of Buffalo (2010). David Felder, director. Studies with Augusta Read Thomas. • Summer Institute for Contemporary Performance Practice (SICPP) – New England Conservatory • • • • •

(2008-2010). Steve Drury, director. Studies with Jo Kondo and Chaya Czernowin. Oregon Bach Festival – University of Oregon (2007). Robert Kyr, director. Studies with Martin Bresnick. Jacqueline Leclair (oboist, Alarm Will Sound) – University of Maryland, Baltimore County (2007). Mark Ludwig (violist, Boston Symphony Orchestra) – Skidmore College (2006). Peter Schickele (composer) – Skidmore College (2006). Joan Tower (composer) – Skidmore College (2006).

Teaching and Residencies: • Faculty – Boston Conservatory, English as a Second Language / Music Writing (2010-present). • Composer-in-residence – Ludovico Ensemble (2010-present). Major Performances: • • • • •

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Gabriela Diaz, violinist – “Where I'm Likely to Find It”, Boston Conservatory New Music Festival 2012. Sinopia Quartet – “Opal” Nicholas Gleason, director; September 2012, Boston. Boston Conservatory Sinfonietta – “It Has Been Many Years....” Eric Hewitt, conductor; April 2012. Ludovico Ensemble – “In” Nicholas Tolle, director; January 2012, Boston. Sinopia Quartet – “Opal” Nicholas Gleason, director; October and December 2011, New York/Boston. Diagenesis Duo – “Paz Songs” May 2011, Helena/Chicago/Boston. Callithumpian Consort – “Autumn Voices” Steve Drury, conductor; April 2011, Boston. Matt Sharrock/Karlyn Mason – “Everything All At Once”; April 2010, University of Maryland. ALEA III – “Rings of Winter Harbor” Theodor Antoniou, conductor; March 2011, Boston. Ludovico Ensemble – “Three Stones” Jeffrey Means, conductor; March 2011, Boston. Trevor Saint, percussionist – “A Columbine”; December 2010, Gate of Heaven Synagogue, Madison. Ensemble SurPlus – “Bellows Pumped, the Bottom Approaches” Sven Thomas Kiebler/Eun-Ju Kim, piano 4-hands; June in Buffalo, 2010. SICPP / Callithumpian Consort – “Autumn Voices” Jeffrey Means, conductor; June 2010, Boston. Thesis Performance – “No Constellation” Russell Ger, conductor; March 2010, Boston. Masako Kunimoto/Ariana Lamon-Anderson – “Botany of Desire”; July 2009, Pavia, Italy. New Keys 2008 – “The Surface at the Edge of Vision” Kate Campbell, piano; winter 2008, San Francisco. Miki Arimura, pianist – “The Surface at the Edge of Vision”; December 2007, Tokyo, Japan.


Instrumental Ability and Performances: • Piano training – formal studies: ◦ seven years classical piano. ◦ seven years jazz piano. • Piano performances – ◦ Elliott Carter: “Elegy” (11/2012, Boston). ◦ Steve Reich: “Music for 18 Musicians” (04/2012, Boston). ◦ Improvisational Solo Performance (10/2010, New York). ◦ Steve Reich: “Tehillim” (2008, Boston). ◦ Martin Bresnick: “The Dream of the Lost Traveller,” Akira Nishimura: “Mirror of Star” (2007, Tokyo). ◦ composer's “Toward,” “Iris,” “Fugue in C,” “Botany of Desire,” “Bellows Pumped, the Bottom •

Approaches” (multiple performances 2008-12, multiple cities). Clarinet training – basic proficiency and high intermediate technical understanding of clarinet.

Artistic Resume  

Artistic Resume

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