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刀䔀匀唀䴀䔀

̥䴀椀 氀 琀 漀渀戀椀 愀渀䀀栀漀琀 洀愀椀 氀 ⸀ 挀漀洀̥⬀㌀㤀  ㌀㘀㘀  ㌀㘀 㜀 ㌀㜀̥

伀䈀䨀䔀䌀吀䤀 嘀䔀    吀漀  攀渀栀愀渀挀攀  洀礀  愀挀愀搀攀洀椀 挀  攀砀瀀攀爀 椀 攀渀挀攀  漀昀   愀爀 挀栀椀 琀 攀挀琀 甀爀 攀  愀渀搀  氀 攀愀爀 渀  渀攀眀  猀欀椀 氀 氀 猀  愀渀搀  欀渀漀眀氀 攀搀最攀  瘀椀 愀  愀渀  攀椀 最栀琀     洀漀渀琀 栀  椀 渀琀 攀爀 渀猀栀椀 瀀⸀   䔀䐀唀䌀䄀吀䤀 伀一   䌀漀氀 氀 攀最攀  漀昀   䄀爀 挀栀椀 琀 攀挀琀 甀爀 攀Ⰰ   倀氀 愀渀渀椀 渀最  ☀  䐀攀猀椀 最渀Ⰰ   䬀愀渀猀愀猀  匀琀 愀琀 攀  唀渀椀 瘀攀爀 猀椀 琀 礀 Ⰰ   䴀愀渀栀愀琀 琀 愀渀Ⰰ   䬀匀Ⰰ   䄀甀最  ㈀ ㄀㈀⸀    ⴀ 䴀愀樀 漀爀 椀 渀最  椀 渀  䴀愀猀琀 攀爀   漀昀   䄀爀 挀栀椀 琀 攀挀琀 甀爀 攀Ⰰ   䴀椀 渀漀爀 椀 渀最  椀 渀  䄀爀 琀 Ⰰ   䔀砀瀀攀挀琀 攀搀  䜀爀 愀搀甀愀琀 椀 漀渀  䐀愀琀 攀㨀   䴀愀礀  ㈀ ㄀㠀⸀

릏๦檌

䴀椀 渀最栀愀漀  䈀椀 愀渀 ⠀ 䴀椀 氀 琀 漀渀⤀

䬀愀渀猀愀猀  匀琀 愀琀 攀  唀渀椀 瘀攀爀 猀椀 琀 礀 䘀漀甀爀 琀 栀  夀攀愀爀   䄀爀 挀栀椀 琀 攀挀琀 甀爀 攀  匀琀 甀搀攀渀琀 ⠀ 䴀愀猀琀 攀爀   漀昀   䄀爀 挀栀⤀ 켥켥켥켥켥켥켥켥켥켥켥켥켥켥켥켥켥켥켥켥켥켥켥켥켥 匀甀瀀攀爀   䘀愀渀  漀昀   倀栀漀琀 漀最爀 愀瀀栀礀  刀攀愀搀攀爀   ⼀   吀栀椀 渀欀攀爀 吀爀 愀瘀攀氀 栀漀氀 椀 挀

  䌀攀渀琀 爀 漀  匀琀 甀搀椀   䌀椀 琀 琀 愀  搀椀   伀爀 瘀椀 攀琀 漀Ⰰ   唀洀戀爀 椀 愀Ⰰ   䤀 琀 愀氀 礀 ⸀    ⴀ 䤀 琀 愀氀 椀 愀渀  匀琀 甀搀礀  䄀戀爀 漀愀搀  倀爀 漀最爀 愀洀  瘀椀 愀  䬀愀渀猀愀猀  匀琀 愀琀 攀  唀渀椀 瘀攀爀 猀椀 琀 礀 Ⰰ   䄀甀最  ㈀ ㄀㘀  ⴀ   䐀攀挀  ㈀ ㄀㘀⸀ 匀䬀䤀 䰀䰀  倀刀伀䘀䤀 䰀䔀 䐀椀 最椀 琀 愀氀  ⴀ 刀栀椀 渀漀挀攀爀 漀猀㔀  ⴀ ㌀䐀匀  䴀䄀堀  ⴀ 刀攀瘀椀 琀  ⴀ 倀栀漀琀 漀猀栀漀瀀  ⴀ 䤀 氀 氀 甀猀琀 爀 愀琀 漀爀  ⴀ 䤀 渀䐀攀猀椀 最渀   ⴀ 倀爀 攀洀椀 攀爀 攀  ⴀ 匀欀攀琀 挀栀  唀瀀  ⴀ 䴀椀 挀爀 漀猀漀昀 琀   伀昀 昀 椀 挀攀

䴀愀渀甀愀氀  ⴀ 䠀愀渀搀  䐀爀 愀昀 琀 椀 渀最  ⴀ 䠀愀渀搀  䴀漀搀攀氀 椀 渀最  ⴀ 匀欀攀琀 挀栀椀 渀最   ⴀ 倀攀渀挀椀 氀   刀攀渀搀攀爀 椀 渀最  ⴀ 䠀愀渀搀  䰀攀琀 琀 攀爀 椀 渀最  ⴀ 圀愀琀 攀爀 挀漀氀 漀爀   ⼀   倀愀椀 渀琀 椀 渀最   ⴀ 䘀椀 氀 洀  ⼀   䐀椀 最椀 琀 愀氀   倀栀漀琀 漀最爀 愀瀀栀礀 

䰀愀渀最甀愀最攀  ⴀ 匀椀 挀栀甀愀渀攀猀攀   ⴀ 䌀栀椀 渀攀猀攀  ⴀ 䔀渀最氀 椀 猀栀  ⴀ 䤀 琀 愀氀 椀 愀渀 

䔀堀倀䔀刀䤀 䔀一䌀䔀   倀爀 椀 瘀愀琀 攀  䴀愀渀搀愀爀 椀 渀  吀攀愀挀栀攀爀 Ⰰ   ㈀ ㄀ ㄀⸀   一伀䴀䄀匀  ⠀ 一愀琀 椀 漀渀愀氀   伀爀 最愀渀椀 稀愀琀 椀 漀渀  漀昀   䴀椀 渀漀爀 椀 琀 礀  䄀爀 挀栀椀 琀 攀挀琀 甀爀 攀  匀琀 甀搀攀渀琀 猀⤀ Ⰰ   ㈀ ㄀㈀ⴀ 倀爀 攀猀攀渀琀 ⸀     䠀椀 猀琀 漀爀 椀 愀渀  昀 漀爀   䄀倀䐀攀猀椀 最渀  匀琀 甀搀攀渀琀   䄀猀猀漀挀椀 愀琀 椀 漀渀Ⰰ   ㈀ ㄀㈀⸀    ⴀ 刀攀猀瀀漀渀猀椀 戀椀 氀 椀 琀 椀 攀猀  眀攀爀 攀  琀 漀  瀀栀漀琀 漀最爀 愀瀀栀  猀琀 甀搀攀渀琀 猀ᤠ   猀琀 甀搀椀 漀  氀 椀 昀 攀  愀渀搀  洀愀欀攀  渀漀琀 攀猀  昀 漀爀   愀挀愀搀攀洀椀 挀                                                攀瘀攀渀琀 猀⸀   吀漀  洀愀欀攀  琀 栀攀  猀氀 椀 搀攀  猀栀漀眀  昀 漀爀   琀 栀攀  愀渀渀甀愀氀   愀爀 挀栀椀 琀 攀挀琀 甀爀 攀  搀攀瀀愀爀 琀 洀攀渀琀 ᤠ 猀  漀瀀攀渀  栀漀甀猀攀⸀ 䠀伀一伀刀匀   䬀愀渀猀愀猀  匀琀 愀琀 攀  唀渀椀 瘀攀爀 猀椀 琀 礀  匀攀洀攀猀琀 攀爀   䠀漀渀漀爀 Ⰰ   ㈀ ㄀㔀⸀   䐀攀愀渀ᤠ 猀  䤀 琀 愀氀 椀 愀渀  匀琀 甀搀椀 攀猀  匀挀栀漀氀 愀爀 猀栀椀 瀀  ㄀Ⰰ      䐀漀氀 氀 愀爀 猀Ⰰ   ㈀ ㄀㘀⸀ 刀攀昀 攀爀 攀渀挀攀   倀攀琀 攀爀   䴀愀最礀愀爀   䤀   刀䤀 䈀䄀Ⰰ   䄀䠀䄀Ⰰ   䌀䠀䄀Ⰰ   倀爀 漀昀 攀猀猀漀爀     䐀攀瀀愀爀 琀 洀攀渀琀   漀昀   䄀爀 挀栀椀 琀 攀挀琀 甀爀 攀    ㌀ ㄀  䄀  匀攀愀琀 漀渀  䠀愀氀 氀   䴀愀渀栀愀琀 琀 愀渀Ⰰ   䬀匀Ⰰ   㘀㘀㔀 㘀    吀㨀   㜀㠀㔀ⴀ 㔀㌀㈀ⴀ 㜀㄀ 㘀  䔀㨀   瀀洀愀最礀愀爀 䀀欀猀甀⸀ 攀搀甀


My name is Minghao Bian, I am Chinese, born and raised. I am currently attending Kansas State University; Studying abroad in Orvieto, Italy at the moment. This is my academic portfolio of architecture. I am inviting you to browse through my works. The major contents of this portfolio include the architecture works during my college experience. In the first two years, I was mandated to do manual hand drafting and model making. After the second year, we began to use computers to do the drawings and models, depending on the professor's preference Throughout my three years of working on various projects in school, I have experimented with new tools and different techniques reflecting on design issues and goals, I have also learned architecture is not only about creating spaces in a functional way, but it should also convey the concept of the designer. I am looking forward to improve my analytical and visualizing skill in the future, at same time, to gain more knowledge and skills before I graduate.

One Artist Museum

Baseball Stadium

The Falls Brewery

Crossing the Nile

Sunset Funerary Chapel

Other Works


䔀䄀匀吀  䔀䰀䔀嘀䄀吀䤀 伀一

一伀刀吀䠀  䔀䰀䔀嘀䄀吀䤀 伀一

圀䔀匀吀  䔀䰀䔀嘀䄀吀䤀 伀一


THE FALLS BREWERY

The third year final project involved designing a brewery and public house in Cottonwood Falls, a rural town in Kansas. For this project, my main concept is "Transparency", inspired by a conversation I had during our first visit to the site in Cottonwood Falls. After completing the on-site analysis, I began to talk to some local residents in a nearby shop. They said, this is a really small town, everybody knows everybody, and if something happens, everyone knows about it. I then considered "transparency" to be a good metaphor for this town.

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During the design process, we were asked to produce a conceptual drawing. Transparency is defined as: translucent, something you can see-through, but in architectural terms transparency also implies depth of space. In the drawing, the geometric shapes represent spaces which overlay each other creating multiple layers that represent the depth of space.

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So, I started by placing a centrally located courtyard in the building in such a way that not only can people see each space from within the courtyard, but they can also look into the other spaces through the courtyard. So, having a courtyard would provide a great sense of transparency. Alsoäť&#x2020;serves as an outdoor dining area. If the courtyard represents my main concept, then the brew house would represent this building In order to relate back to my idea, I put the brewing process stacked together with a mass opening to the public space. The brewhouse also connects with the private space. Then people can see into the brew house from each space, without disturbing each other. And also people can see down to the public pub from the private dining. The building is organized with the public space on the south side with double height, while on the north side is the private space.


In order to shows the notion of transparency and depth of space. I made two layers on my facade, the first layer is a glass wall, people can easily see through, everything going on in the public space. The second layer is a sunscreen that creates a transitional space, between indoors and outdoors, which is not covered. When people come in or out of the building, they won't get a strong feeling of boundary and reinforces the feeling of transparency.


People who believe in buddhism believe that after death ones mind is detached from the physical body. It begins to experience an intermediate state before being reborn. If they are prepared, it can be a liberating experience, a place to achieve an understanding of reality. The flow through the funerary chapel evokes this feeling; the service spaces before entering the chapel, represent life before death, evoking the functional qualities of life in relation to the intermediate state. The circulation takes you around these spaces through a narrow passage, releasing into the grand open space which evokes a feeling of liberation, and openness in contrastto the service spaces.

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Architecture Portfolio by M.B.  
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