Page 1

Miguelรกngel Clerc Parada

El otro, el mismo 2016 for 2 guitars

full score


Indications SCORDATURA

X

Y

Z

6

X Y Z: 16

6 6

X Y Z TENSION

maximum pulling tension

minimum pulling tension medium pulling tension Z TABLATURE

{

Y

Û

¡

X

¡ 0%

Actions of strings XYZ are written in the spaces of the tablature indicated above.

Bold Line indicates rubbing X,Y or Z along the strings with tip of the fingers, stretching the arm towards the other guitar player or viceversa, when stretched bringing the arm and hand back towards ones guitar. Dynamics are controlled by speed and pressure on the string, and conditioned by the indicated string's length.

hand position: half way hand position: closest to guitar

hand position: arm fully stretched towards other player

Glissando lines indicate gradual change of pulling tension. Tension stays in the last arriving tension until a new indication is specified. "Dependent pull" will be indicate on top: both performers add the necessary tension pulling simultaneously. "Independent pull" will be indicated on top: each performer pulls individually disregarding each others actions.

100% X Y Z: number. Indicates the fret position in which the knot of the string should be located.

Volume Pedal: level and changes will be written in percentage

: arrow, continue playing indicated action (simile) : dashed line arrow, move gradually from one technique to the other GUITAR 1

+ ò

: pluck with a finger of the left hand

„· : nail, rub X Y Z with nail. Makes tremolo sound.

Soundhole Clip Microphone to AMP or PA(Left Channel) Volume pedal 1

STRINGS:

X Y

Z 2 meters

Soundhole Clip Microphone to AMP or PA(Right Channel) Volume pedal 2

S DURING THE PERFORMANCE MAKE ONLY ONE PAGE TURN: PLACE AND PASTE PAGES 1,2 AND 3 BESIDE EACH OTHER. REMOVE PAGE AT END OF BAR 11 LEAVE VISIBLE PAGES 4,5 AND 6.

ʉ‚ GUITAR 2

Loudspeakers MORE INDICATIONS WILL APPEAR IN THE GENERAL SCORE AND PARTS

STAGE LEFT

RIGHT

?

? G1

G2

--------------------------------------------------------

AUDIENCE

Guitar players G1 and G2 should be facing each other. Light should only cover the rectangle containing G1 and G2.


Miguelángel Clerc Parada 2016

El otro, el mismo Prepare and begin from total stillness

10''

3''

12''

5''

6

G1

{ {

x y z :16 z y x

l.v. sempre

¡ o

100%

Û o

pp

Prepare and begin from total stillness

G2

6 x y z :16 z y x

l.v. sempre

Û o

¡

100%

Û

¡o

pp pp

3''

2

1''

8''

3''

4''

2,5''

dependent pull

Û

{ {

¡

¡ o

pp

Û o

Û o

Û o

Û

¡

mp

pp

dependent pull

3

pp

3''

7''

3''

9''

¡

{

{

Û 1,5'' o

4''

Û

¡

mp

ppp

Û

¡

mp

mf

Û

¡o

4

15''

5''

Û

{ {

pp

p

¡

o pp

mf

ppp

¡ 0,5'' ¡

Û mf

pp mf

ppp


8''

3''

10''

2''

5

q = 46

¡

{

¡q q q q ™™î í ™™

Û

o

oo f

simile

pp short back and forth movement pp close to

¡ area (z towards Û )

independent pull

ò

tip

{

Û o

tip

ò

tip

tip

Û o

¡ mf pp mp

mp

6

2,5''

2''

6''

2''

7''

simile

{ {

x3

í ™™

ò Û o

™™î

tip

Û o

¡ mp

p

f

p

7

7''

17''

continue from previous action

Û

¡ simile

{ {

o

pp

Û

Û

¡

ppp 8

4''

4''

3''

5''

2''

5''

dependent pull

tip

{ {

Û 0,5'' ¡ f

Û0,5''¡0,5''Û

¡

¡ o

mp

pp f

ppp dependent pull

tip

Û

¡

¡0,5''Û

¡0,5'' Û mp

f mf

ò ¡o

ppp p 2

ò


9

6''

3''

2''

5''

5''

~

tip

4''

tip

ò

0,5''

{ { 10

¡ o

Û o

p

2,6

Û ¡

p

f p

Û 0

0

sfz

mf

tip

1''

0

0

sfz

sfz

Û o

¡o

p

2''

1''

4''

5''

10''

slow free oscillations around medium tension

ò

Ûtip

{

simile

Û

¡

Improvise I : continue rubbing action with nail, stay slow and change direction irregularly. Change between strings Y Z. Also rub strings simultaneously. Improvise I

0

o mp 0

sfz

mf

slow free oscillations around medium tension

Improvise I : continue rubbing action with nail, tip

ò

simile stay slow and change direction irregularly. Only string X.

+

{

0

Û o

Û

¡

¡

mf Improvise I

30''

60''

30''

40''

12''

11

Ì

Improvise II : pluck open (without knot)

turn page

all pp - mp

{

strings slow and irregularly (every 5 to 10 seconds). Accumulate gradually (Acciaccatura to 4 seconds)

Gradually start integrating knotted strings

Gradually start removing open strings

Only knotted strings

Improvise I Improvise I fade out slowly

Ì

Improvise II : pluck open (without knot)

turn page

all pp - mp

{

strings slow and irregularly (every 5 to 10 seconds). Accumulate gradually (Acciaccatura to 4 seconds)

Gradually start integrating knotted strings

Gradually start removing open strings

Only knotted strings

Improvise I Improvise I fade out slowly

3


Seconds are only referential: the time of this page can stretch to almost 1 minute

12'' 12 Independent rhythm: do not focus on corresponding with the other part

6 Stop Improvise II Attacca Durations are relative to distance between attacks

{ {

~

0

0

0

0

0

> 0

0

2,6

p Independent rhythm: do not focus on corresponding with the other part

6 Stop Improvise II Attacca

~ >

Durations are relative to distance between attacks

0 0 0

0

0

0

3,2

0

p

13

12'' independent pull

~

~ >

0

~ >

~ 0

0

{ {

>

0

0

3,2

2,6 0

0

0 0

>

0 0

2,6

0

0 0

2,6

independent pull

~ >

0

0

0

~ >

3,2

0 0 0 0

3,2 0

~ >

0

0

0

2,6

14

12''

0

{

0 0 0

0 0

~ > 0

3,2

0

~ 0

0 3,8 0

3,2

> 0

0

0

>

0

0

0

0

0

2,6

0 0

2,6

~> 5

~ ~ > 2,6 >0

0

{

0

0 0

0

0

~>

~ >

~

~ >

0 0

0

0

0

~ > 0

0

0

0 3,2

0

0

0 2,6

3,8 0

0

0 0

0

0

15

12''

~ 0

{ 4

0

0

2,6

2,6 0

~ >

00 0 0 0

> 0

~ > 5

~

~ > 0

~ 0

0 0 00

0 0 3,8 0

0 0

~ > > 5 0 >

~ > 0 0

0 2,6

0 0 0

3,2 0

0

3,2 0

>

0

00 0 0

0

>

3,8

3,8

3,8

~ ~ > 000 3,2 0 > 00

0

~ ~ ~ > 0 3,2 > > 0 0

3,8 0

~

0 0

00

~

00 0 0

0

0 0

>

0

3,2

0

{

0

00

0

0

> 0

~ ~> > 5

0

0

2,6 0

3,2 0

~ > 00 3,8 0 00 0 0


16

15''

15''

30''

dependent pull

6 gradually change to pitch content of 2nd box

Improvise III

{ {

continue with the behavior of the previous section only with the notes indicated 3,8 in the boxes

~0

~0 accumulate gradually

~

3,8

~

aggressive

3,2

0

0

add occasional sfz strums

2,6

sfz fff dependent pull

6 gradually change to pitch content of 2nd box

Improvise III

~

~ continue with the behavior 0 of the previous section only 3,2 0 with the notes indicated 2,6 in the box

~

~

3,8 accumulate gradually

aggressive

0

add occasional sfz strums

2,2 0

sfz fff

17

60''

20''

o stop IV

Improvise IV

x y z : 16 0

{ {

0 3,2 0 2,6

play in random order and irregular rhythm (between acciacatura and 2'')

0

~ ~

0

move knot gradually alternating strings to fret 5

xyz:5

move knot gradually alternating strings to fret 5

xyz:5

sfz p posibile (almost silence)

o stop IV

Improvise IV

x y z : 16

~3,8 0 ~2,2

0 0

play in random order and irregular rhythm (between acciacatura and 2'')

0

0

sfz p posibile (almost silence)

18

60'' 6 xyz:5

x y z : 19 Pull X Y Z simultaneously and slowly towards fret 19. The knots will produce clicking and rubbing sounds. Do not try to make it regular. Let the tension of the strings control the sonic events.

{ {

6 x y z : 19

xyz:5 Pull X Y Z simultaneously and slowly towards fret 19. The knots will produce clicking and rubbing sounds. Do not try to make it regular. Let the tension of the strings control the sonic events.

19

45'' 6

15''

Improvise V

{ {

òÛ Û Û

¡ ¡ ¡

Alternate strings X Y Z (also simultaneous if possible). Press the string tight with two fingers and let the string slide irregularly creating an irregular rhythm.

p

ff sfz

6 Improvise V

òÛ Û Û

¡ ¡ ¡ p

Alternate strings X Y Z (also simultaneous if possible). Press the string tight with two fingers and let the string slide irregularly creating an irregular rhythm.

ff sfz 5


4''

5''

4''

5''

20 independent pull

ÍÍÍÍÍ

~

{ {

the form ™™î x5 Improvise of the pulling and the

7 3,2 3,8

3,8

0 0

2,6

Repeat:

x y z : change randomly. last time all to 16

0

í ™™

order and amount of harmonics.

2,6

sfz fff p independent pull

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

~ x y z : change randomly. last time all to 16

í ™™ 0 0

Repeat:

5 5

the form ™™î x5 Improvise of the pulling and the

3,8

order and amount of harmonics.

2,6

3,2 0

sfz fff

21

2''

30''

6''

7''

6''

7'' fade out movements through repetitions

improvise independent pull all pulling tensions strum

dim.

0 0 0 0 0 0

{

0 0 0

í ™™ 100%

™™î x5

0% sfz

0%

100%

fff

sfz fff Diminuendo in repetitions: to p

fade out movements through repetitions

improvise independent pull all pulling tensions strum

dim.

{

0 0 0 0 0 0

0 0 0

í ™™ ( 0%

100%

100% )

sfz fff

™™î x5

0%

sfz fff begin in 1st repetition

Diminuendo in repetitions: to p

22

6''

6''

3''

0 0 0

í ™™ Û

3''

3''

3''

3'' dependent pull

3''

6 x4

{

100%

0% ppp 0%

¡

¡

100%

0%

x7

™™îí ™™

Û 100%

0%

™™î 100%

0%

mp dependent pull

6

x7

x4

{ 6

0 0 0 0%

í ™™ ¡

Û

Û

100%

ppp 100%

0%

100%

0%

™™îí ™™ ¡ 100%

™™î 0%

100%

El otro, el mismo  

for 2 prepared guitars

El otro, el mismo  

for 2 prepared guitars

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