Issuu on Google+


WHAT ?

Three cookies FOR a fat man

Tr yi ng t o appr ehend t he wor l d ar ound me, an ar t i st f r i end not ed: by t he ci r cumst ances of moder n vi sual per cept i on, t he human eye - opposi t e t o bef or et i mes i n evol ut i on - i s f or ced t o r eact on movement i n t he cent er of si ght fiel d ( t v, moni t or s, dr i vi ng) as si nce ar chai c ages, MOVEMENT had t o be per cept ed pr i mar i l y i n t he OUTTER si ght fiel d ( . . . DANGER! ) . monol oge UND di al oge / t he quest of a t r i bal encycl opedi a t o keep us al i ve by memor i t ual s i nst ead of an ear l y deat h by l ack of vi si ons . . . f r om vi si on t o deci si on / wenn das pr odukt gut i st , muss di e i nf or mat i on RI CHTI G sei n. . . i n hi ndu bel i ef , t her e i s a no i n ever y yes and a yes i n ever y no / "i t i s t he gener at i on by model s of r eal wi t hout or i gi n or r eal i t y: . . . t he t er r i t or y no l onger pr ecedes t he map, nor sur vi ves i t - hencef or t h i t i s t he map t hat pr ecedes t he t er r i t or y" j . baudr i l l i ar d / ener gi ebewegung- f or m- ener gi e. . . cycl i ng on t he edge of t hi s mi l l enni um. t o r epr esent somet hi ng symbol i cal l y, as we do when we speak or wr i t e, i s somehow t o capt ur e i t , t hus maki ng i t one s own. but wi t h t hi s appr oxi mat i on comes t he r eal i z at i on t hat we have deni ed t he i mmedi acy of r eal i t y and t hat i n cr eat i ng asubst i t ut e we have but spun anot her t hr ead i n t he web of our gr and i l l usi on. - hei nz pagel s: t he dr eams of r eason, 1988 The i mages you! l l find i n t hi s bookl et ar e f r om t he mul t i medi a i nt er act i ve CDr om of t he same name. t hank you f or your t i me : - ) mi chael dougl as hawk 1991

1


5


6


7


8


9


10


11


13


14


16


19


21


23


24


25


26


THREE COOKIES FOR A FAT MAN

VIZUAL VOODOO PRESS

MICHAEL HAWK WWW. PRO IMAGING.BIZ


what? portfolio