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atlas in my hands

an autobiography by Nour Tabet


atlas in my hands

an autobiography by Nour Tabet


Okwui Enwezor//International Center of Photography New York//2008

many different methods can be employed to investigate the evolution of graphic design, including exploring aesthetic movements and ideas, considering economic implications, analyzing audience sensibility, and evaluating the influence of technological innovations.

history of graphic design

i am a graphic designer.

the fascination with the archive, the inimitable madness of the archive, the constant return to it for verification, inspiration, and source, suggest not only profound interest in the nature of the archival form found in photography and film but art’s reltaionship to historical reflections on the past.

i am obsessed with representations of collective memories.

archive fever: uses of the document in contemporary art

Philip Meggs//J.Wiley & Sons Hoboken//2012


Antoine de Saint-Exupery Harcourt Brace Jovanovich Orlando//1943

Lonely Planet//Lonely Planet Publications Malaysia//2007

le petit prince

i am in consecutive immersions in different cultures.

les grandes personnes ne comprennet jamais rien toutes seules, et c’est fatiguant, pour les enfants, de toujours et toujours leur donner des explications.

i am the exclusive owner of my imagination.

lonely planet india

india bristles with an eclectic melange of ethnic groups; an intoxicating cultural cocktail for the traveller. with such astonishing diversity, you will be taken on a journey that will linger in your mind long after you’ve left her shores.


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a modern history of lebanon in the 1970s, business was still basically under christian control. the ratio of christians to muslims was 10:2 in industry, 11:2 in finance and 16:2 in services.

l’identité

Fawwaz Traboulsi//Pluto Press London//2007

i am paralyzed by the surreal romance.

i am in search for an objective history of Lebanon.

la quête d’identité chez chantal est moins évidente parce qu’elle est inconsciente. chantal souffre de son passé, de son envie de paraître, de tous ses visages, qui finalement la dépouillent de son identité. elle a tellement de visages qu’elle n’en a plus.

Milan Kundera//Edition Gallimard Paris//1998


The Lebanese Parliament Taef KSA//1991

taef agreement

i am intrigued by the Lebanese in the diaspora.

michel awn could well be called bashir ii, as his policies, in more than one sense, were echoes of bashir jumayil’s: in his quest to monopolize christian representation, his military methods and his identification of ‘lebanese’ with ‘christian’.

i am Lebanese Christian Maronite.

house of stone

Anthony Shedid//Houghton Mifflin Harcourt New York//2012

“abu jean, i’m not lebanese,” I said. “i’m american, and i do things a little different. i have a specific budget, and i need to know how much i’m going to spend”.


the books house of stone lonely planet india taef agreement le petit prince l’identitÊ history of modern lebanon history of graphic design archive fever

Nour tabet 8books  
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