LOST BOY ‘Peter Pan’ endures because of its appeal to children and adults.
Off to Neverland Peter Pan soars atop Mt. Tam BY DAVID TEMPLETON
t’s funny how the older we get, the more emotional we become about J.M. Barrie’s Peter Pan—the 1911 novel and various stage versions. Upon introduction to Peter Pan, kids love the action and adventure, the fairies, the swordﬁghts and the little ﬂying boy. But Peter Pan was never intended as a story for children alone, as is obvious to anyone caught mentioning a fairy “orgy” or decrying the cruelty and “heartlessness” of children, while reading the book aloud to their kids. Peter Pan is, to a large degree, a psychological and sociological examination of the differences between childhood and adulthood,
‘Peter Pan’ runs Sundays though June 21 (and one Saturday, June 12), at the Cushing Memorial Amphitheatre. 801 Panoramic Hwy. Mill Valley. 2 pm. $20–$40. 415.383.1100
19 NO RTH BAY BO H E M I AN | MAY 27- JUNE 2, 201 5 | BOH EMI A N.COM
culminating in the observation that each holds beneﬁts and deﬁcits not available to the other. In other words, Peter Pan is a very sad story. Fortunately, it’s also a blast. And in the smart, entertaining, visually inventive, play-drenched production of the 1954 musical adaptation currently playing outdoors atop Mt. Tam as this year’s Mountain Play, there is all of that kid-friendly stuff and plenty of heartstopping emotion to choke up the adults who still remember what it was like to play and pretend like our lives depended on it. Director Michael Schwartz, a Broadway veteran with an eye for spectacle, shows a keen sense of how to use the entire enormous stage area of the Cushing Memorial Amphitheatre, overlooking the San Francisco Bay. On a set resembling a summer camp playground in the woods, pirates, natives and lost boys erupt from all corners of the amphitheater, a crocodile is assembled from spare tires and puppets, shadows dance, an invisible fairy knocks things over and pulls hair, magical animals prowl, trampolines are hopped upon, teeters are tottered, and bright-colored balls are bounced out into the crowd. As Peter, Melissa WolfKlain displays a strong singing voice and a nicely boyish sense of roughand-tumble conﬁdence, making it obvious why Wendy (Erin Ashe) and her brothers John and Michael (Jeremy Kaplan, Claire Lentz) would leave the safety of their beds and follow him to Neverland, where pirates await amongst other dangers. The gooﬁly villainous Captain Hook (a very strong Jeff Wiesen) and his right-hand man Smee (David Yen, hilarious) do a good job of straddling the threatening-vs-comedic nature of their characters. Most importantly, Peter ﬂies, beautifully, thanks to some conspicuous but still magical pulleys and wires. Kids will be happy and older folks will be happy and sad at the same time—because, hey, that’s the magic of Peter Pan.
May 27 - June 3