Page 1

#26 SUSan GeFl (rorran.r)

/Piinq' Rrrrzill

*,?i-5:;{qg

W

(WarMaster; Texas)

U.S.) (Venomous Texas, Supremacy;

REVIEWS:

ffi#

4ij,iit \

f

{

etc.

ThankyoufordonatingandsupportingthiszinerandDlYmetal!! usa contact: Metal Bulletin / P.O. Box 571794 / Houston T){77257-1794 wwl t.myspace-com/themetalbulletin www.metalbulletin.blogspot.com

I


S u s q nG e r l ( H o l l o n d ) D eoth met ol guit or isS t u s o nGe rrh o s e x e c u te d o x e s for squods God Det hr oned .M u rd e r S y n d i c o te ,C l i te o te r, De se nsi t is ed ond Coiof o rq u e .C o n s i d e ri n gth o t, re c e ni l y thi s zin e co ught up wit h her, o n d o s i t tu rn so ri , th " r" l s o new f l o m e o n t h e h o r i z o nI.n t h e m e o n t i m e , h e r e ' sd e o t h m e t o l t o investigotel A l s o ,h e r e i s o l i s to f t h e o r b u m s i n w h i c h s h e h o s porticipoted. www.myspoce.com/susongerl p oc e. c o m / m u rd e rs y nd i c o te m e to I : _:*..us Bond his t or y 1 9 9 4- 2 O 0 lC o t o f o l q u e ar\n Ann^ ^ t lUt r - 2U0B Des ens it is e d 2 00 7-2OO B Ct it eor er 2 008- 2010G od Deihr o n e d 2 00 8- p re s entM ur derS y n d i c o te Dis c ogr ophy : C oto fol q ue - y our f inolr i d e (d e mo l g g 5 ) - T hr iv r ngon c o rn o g e (MC D 2 OOl ) D esensi i i s ed - B oughtB eo u ty (s p ti tC D De se nsi tis ed 2 OO3 ) Desensilised- Virusof violence (CD 2006) Cliteoter- S c r eomblood y c /i f (C D 2 OOB ) M u rd er Sy ndic oie- Roge o n d R e tri b u ti o n(u n re re o s e dyet)

n i g h t b e f o r e o n d I s h o u l dh o v e o l i s t e n .I d i d o n d w o s h o c k e d to metoleversince. Thot's o nice question, becouse r don't think thot mony p e o p l e k n o w t h o t I o l s o u s e d t o d o v o c o r sw h e n w e j u s t s i o r t e d o u r f i r s tb o n d s . I d i c o d d i t i o n o l v o c o l s o n d g u i t o r si n c o t o f o l q u e o n d D e s e n s i l i s e dI n. c o t o f o l q u e t o g e t h e rw i t h o u r b o s s i sct n d i n D e s e n s i t i s efdo g e t h e r w i t h o u r s i n o e r I n t c . rn r - r z

o tittrebit of bosssuiiorevery;;* ;"j;;;",'Jrt

o"i^,I"i

prefer pl oyi ng the gui tor. A nd of course, I olwoys I r y t o oecome o betterguitorist. l.hove used pretty much the some equipmentfor the rost d e c o d e : B o s s p e d o r s ( M e t o r z o n e ,D e r o y , N o i s e s u r p r e s s o r , t u n e r ) , o B o d H o r s i ew o h p e d o r o n d m y m o d i f i e d M o r s h o r l h e o d o n d E N G Lc o b . I h o v e z g u i t o r s t: h r e e / - s t r i n g st,h r e e 6s t r i n g so n d o n e o c o u s i i c . A r" yo, .rr.n| y * orki ng of o dou j ob? W hot d o yo, do? Y e p , I o m . I i e o c h E n g r i s hc t o s e c o n d o r ys c h o o i f o r h i g h e r educotion.

W hot tupu of l yri .t do yo, l i k" ? C l i t.ot.,. hod t ypi. ol gor u horror/shockvol ue l yri cs.W hot ore your ow n i deos? H. l l o ho* or u y or ? W h o t o ru th u p l o n , fo ,- Mrrd" , synd i .o tu' r Rog" ond Ru fri b rfi o n ?D o l o u i l * o n ty d " oth? I hove w ri ti en most of the l yri cs for both D esensit ised ond H i , M o u r i c i o .L i f eo v e r h e r e i s g o o d o n d c o l m o f t h e m o m e n t . Murder S yndi cote. I usuoi l y w ri te obout ever ydoy r if e T h e b o n d I ' m p r o y i n g i n o f t h e m o m e n t i s c o i l e d M u r d e r s i i u o t i o n st,h i n g s i s e e o r o u n d m e o r t h i n g s thot bother me. Syn di cote.W ilber t( f or m e rs i n g e ro f D e s e n s i ti s e do)n d I formed H o h o , t h e c l i i e o t e r l y r i c so r e o l l m e o n t t o n g u e i n c h e e k o n d Murd er Sy ndic ot ein M orc h 2 o o 8 o n d re c o rd e d o u r d ebut therefore shoul d no1 be token too seri oust/.ft r e lihe- up t he CD R oge ond Ref r ibuf ioni n S e p te m b e r o f th o t s o me yeor. bond hod w hen I pl oyed w i th them w os reo lly cool. These H ow eve r, when we r ec o rd e d th e c D w e k n e w t hot g u y s w e r e v e r y n i c e o n d k i n d o n d n o t s e x i s ot f o l l .T h i sw h o l e our d r u mmer H er m on wour d n ' t s i o y , s o o fte r th e re c o rd i ngs our p o r n c o n c e p t j u s tf i t st h e b o n d w e l l o n d i so b v i o u s l yl i k e d by o l i n e - u p w o s n ' t c o m p r e i e o n y m o r e w h i c h c o n s e q u e n i l yp u t c e r t o i ng r o u p o f p e o p l e , b u t s h o u l d n ' tb e t o k e n t o o s e r i o u s l y . the whole bond on hold. In Dec em ber 200 8 | j o i n e d Go d D e th ro n e d ond my f e ll o w Mur der S y ndic ote b o n d m o te s u n d e rs to o d p erfeci l y I hove o number of thi ngs i n the w orks, but con't r eoily soy we ll thot thot bond wos io b e my p ri o ri ty .S o i n 2 o o gI focused much obout them yet si nce these ore ol r bro nd new ideos, f ull-ti me on G od Det hr o n e d , b u t w h e n th o t c a me ro on but thi s yeor w i l l be o yeor of redi reci i ngmy g oor swhich wir l i n v o l u n t o r ye n d e o r l y 2 0 l o l r e c e n f l y m e i u p w i t h t h e M u r d e r h o p e f u l l y b e r e o l i s e d i n 2 O tl O . THE END. S y n c i c o t e g u y s o g o i n o n d w e c o m e t o t h e c o n c l u s i o nt h o t simplynone of us were motivoied enough to continue this bo nd, b ec ous e we hod o i l d o n e d i ffe i e n t th i n g s i n the m e o n t i m e . H o w e v e r ,w e o r e o l l i o o % p o s i t i v eo b o u i t h e c D we re co rd ed t hot we or e p ro m o ti n g i t o g o i n n o w o n d try to Y o u rd o n o t i o n o f 5 0 c e n t s ho v e i t re leos ed s oon, w h i c h i s n o i o n .o s y th i n g to do, ( o r 7 5 c e n t s , I d o l l o r ,e t c . ) e s p e c i o i l yt h e s e d o y s , b u t w e ' r e l o o k i n g i n t o m o r e d i f f e r e n t s u p p o r t st h i sz i n e i n i t so b j e c t i v e o f m e t o l p o s s i b i l i t i eost t h e m o m e n t . m u s i c , s u chos in the issue. I p e r s o n o l l yc o n ' t i m o g i n e m y r i f e w i t h o u t ( m o k i n g ) m usi c so I s t or t edo new p ro j e c t o w e e k o g o o . I c o n ' t reoi ty Metol Bullelin s o y t h o i m u c h o b o u t i t y e t , s i n c e i t ' s s i m p l yt o o e o r l y f o r t h o t r i g h t n o w . A t h o m e I d o n ' t o n l y p l o y o r l i s t e nt o d e o t h m e t o l . I P . O .B o x5 7 1 1 9 4 o l s o l o v e S o t r i o n i 'm s u s i cf o r e x o m p l e o n d p r o c t i s em u s i c l i k e H o u s t o nI X 7 7 2 5 7 - 1 7 9 4 usa t h ot or try t o ploy o bit o f o c o u s ti c g u i to r (w h i c h I ' m si i l l r u b b i s ho t , h o h o ! ) w w w . m e t o Ib u l l e t i nb. l o g s p o t . c o m W h u n d i d y o , b " g i n p l o u i n gg r i t o r ? H o * d i d i h o t h o p p e n ? I st orte d pl o y ing t he guit or i n ' 9 3 . M y mo i n re o s o n fo r w onti ng to ploy ihe guitor wos thoi I loved metol so much ond wonted to be oble to do the some os I scw oll these other g u i t o r i s t ds o i n g . E s p e c i o l lcyo r c o s s o n d B i l S l t e e rn o v e o r w o y s b e e n o h u g e i n f l u e n c et o m e . A t s c h o o l t h e r e w o s t h i sg r o u p o f m e t o l h e o d sI b e c o m e f r i e n d sw i t h o n d o f c o u r s e m e o n d m y s i s t e ro l w o y sw e n t t o g i g s t o g e l h e r ( s t i ldl o ) . o n e m o r n i n g s h e t o l d m e l h o t s h e h o d d i s c o v e r e do m e t o l r o d i o s h o w t h e

www. myspoce.co m/th e metolbu lletin


Ritos(Brozil) Row bl o c k m et ol is Rit o s ' m e d i u m to c h ro n i c l e th e " P ogon T ol e s" o f indigenous - t h e me ds o n g s . R e /o to s Po g d o s corri es i ts l r o w b l o ck m et ol int o c o n c e p ts o f h i s to ryo b o u t Bro zi ond ignor ed indige n o u sc u l tu re s . his to ri co lly O f c our s e, Rit o s i s c l o s s i c -b l o c k -me to li n fl uenced: blosti n g, s peedy dr um m i n g ; T H A T g u i to r to n e ; o n d those v o c o l s ,i t ' so l l h e r e . l t w o n ' t i o k e b u t o m o m e n t o f t h e i rm u s i c t o h eor thot . Howev er ,th e re i s o n o th e r s i d e to R i to s ,w hi ch i s whot bos s is tI nc r edulou so n d h e r c o h o rts i n R i to s e xpl i cote he re . www. m y s poc e. c om /ri to s h o rd o H el l olWh ot ' st he lot es tw i th R i to sfro m Aro c o j u , Bro z i l ?l 6 p p o rtuni tyto H" porti ci pot e in t his editi o n ! We o re c u rre n tl y w o rki ng on spre odi n g t he dem o Re /o fo s P o g d o s o n d th e c o m pi l oti on Monifesto Negro - A Arte do B/ock Metol, where we ore porti ci pot ingwit h m or e ih o n s e v e n B ro z i l i o nb o n d s . ls Aroco j u o big c it y ? ls th e re o g o o d s c e n e ? W h o t ki nd of io bs d o yo u hov e? T ellus o b o u t Aro c o j u . A roco j u i s t he c opit ol o f S e rg i p e , th e s m o l l e s t stote i n north eoster nB r oz il.lt is o s mo l l c i ty , c o mp o re d to the other f r om Broz il,but os t he c i ty w i th b e tte r q u o l i ty o f l i fe i n the r e gi on. Th e m et ol s c ene i s s m o l l h e re . W e h o v e o fe w show s, , w s p o c e s fo r e v e n ts open f ew b onds , es pec iollyin b u s i n e s sfe t o me tol c onc er t s .Cur r e n tl yw , e o re o l l j u s t s tu d e n ts . W e' r e not doing s h o w sfo r o w h i l e . C u rre n tl yw e hove f ew so oc es f or c onc er ts o n d th i s i s o n e re o s o n for the sho rto ge of c onc er t s h e re . A e te rn u s A c tu s A te r C orpus [ d rums]i s o m em ber of th e [b l o c k me to l b o n d ] L i tony A ter. I nto Bl o c k M eiol, we c o n c i te Ad Ae te rn u m, l mperi ous S ymp honicNois e,M ohon v h o n to ro ,o m o n g o th e rs . I n c re dul o ust.ell us obout y o u rs e l fl I p l o y b os s f or neor l y tw o y e o rs o n d h o d o greoter identi fi co t ionwit h t he in s tru me n tw h e n I o tte n d e d o bl ock m e tol pro jec t c olled " De s d e n h o d o N o rte " . I o p p re ci ote the wei g ht o nd f ill t he bot t o m g i v e s th e m u s i c . I j o i n e d R i tosi n 2009.For neorly sixyeors I heor metol ond think one of the first bonds th ot I enjoy ed wos Ob i tu o ry .

generol l y bri ngsthe mel odi es.S ometi mesI gi v e o suggesiion ond then I i mogi ne i he bottery ond w hen w e go t o t he st udio put the i deos i nto procti ce. Guori niU no. hove you token gui tor l essons? Ini ti ol l yI hod gui tor l essons,but j ust enough for som e chor ds ond groduol l y I di scovered metol . I w os of home siudyingt he ri ffsond mel odi esof metol , but I i ntend to retu r nt o st udy of o musi c school to di versi fymy w ork. Guori ni U no, di d vou form thi s bond? A re you ond Aet er nus A ctus A ter C orpus fri endsfrom school ? Y es,I w os the founder of the bond, ol ong w i th Aet er nusAct us A ter C orpus ond former vocol i st C hoos Ver in. Alt hough A eternus A ctus A ter C orpus ond I studyi ng of t he som e school ,w e ore not j ust fri ends,w e ore brothers.I do not hove o bond i n porti cul orthot mode me pl oy B l ock M et ol, but t he foct thot the strond of metol w hi ch hod greoter ident if icot ion. A re you hi story studeni s? D o you speok onv indigenous l onguoges?W hv ore the l vri csnot ovoi l obl ew i t h t he cd? W e do not moke school hi story,but w e ol l l i ke o lot of hist or y ond w e ore ol w oys reseorchi ng vori ous top ics, especiolly those oddressed in Riios. We don't speok indigenous l onguoges, but i ri ed to l eorn more i hose di olect s, becouse the l ettershove smol lpori s i n Tupi [i ndi genouslonguoge] . The l yri csore not ovoi l obl e on C D for fi nonci olreos ons,becouse it w oul d i ncreosethe cost of reproducti on of cop ies, but oll or e ovoi l obl e on the i nternet. W here i s the forestthot you hove pi ctured on th e olbum ? On the cover w e used on i moge of the A mozo n f or est ;in t he bockground w e ol so bel i eve i t i s the some f or est , but we con' t soy for sure.The onl y certoi nty i s i hot i t i s Br ozilion. In school ,do B rozi l i onstudentsl eorn E ngl i shond Sponish? Y es,E ngl i shond S poni shore tought i n B rozi l i onschools,olong w i th the other di sci pl i nes.W e hove know l edge of longuoges, but very l i ttl e.W e know the bosi c thi ngsto deol wiih t he doyto-doy. l f the B rozi l i onsw ont to deepen the knowledge in these l onguoges,w e need to l ook for speci fi ccour ses.

W h o t o r e y o u r f u t u r ep l o n sf o r R i t o si n 2 0 l O o n d 2 0 l l ? Who writes the lyricsfor Ritos?Did the some person write the W e w i l l conti nue i p rel eosethe demo R e/ofosPogdos.We or e lvri csfo r th e s ongs" Y or o " o n d " Gu o ri n iC o o " ? moki ng new musi c ond l yri csfor the next mote r iolihot will be W e work t oget her t hr oug h th e mu s i c o f h o m e o n d th en move more focused (soni col l y ond l yri col l y),i n Br ozilioncult ur ol in to the s t udio. lt is o v e ry g o o d e x p e ri e n c e ! | v e r y much T H EE N D . rooi s.The moteri ol hos no rel eosedote. o pp re ci ot e t he s ound o n d th e l y ri c s re fl e c t th e feel i ng of e v eryone in t he bond: ex o l t th e p ri d e o f o u r o n c e s to rs. , .S.) Yeoh, who wr o te th e l y ri c s o f th e d e mo " R el otos V e n o m o u sS u p r e m o c v ( T e x o sU S uprem ocy br ings t heir A ter V enomous A c tus Texos, i n H ouston, Ae te rn u s 2Ol O l n b u t Un o wos G uor ini Po gdos" [g u i to r], C orp us ols o hod inv olv e m e n i o f th e c o mp o s i ti o n . H e ol so metol for peopl e to mosh ond goot-fi ght unt il ever yone is injured. They hove o demo colled Artic/esof Defilement thot p orti ci p ot ed in t he f ino l re v i e w o f th e l e tte rs , o l o ng w i th show cosesi ts eosi l yrecogni zobl etotol deoth heoviness. lncredulus. A ccordi ng to Jos6 (gui tor/bocki ngvo cols) , t hey or e not neorl y soti sfi ed.Thi sdemo i s j usi the begi n ning ond t hey Ae tern usA c t us A t er Corp u s .w h o t i s y o u r v i e w o n y o u r musi c? I li ke to heor m ony t hi n g s l i k e h e c v y me to l , b l o c k, throsh, ore ol reody on the poth to o debui ol bum. And judging by the demo' s " brutol deoth metol " horsh guit or f ight , t he d eo th, o bit of doom , p u n k , g ri n d , c ro s s o v e r o nd l ove Indi on os s u c h H ouston metol moshi ng crow d w i l l be goi ng st r oight t o t he i n fl u e n c e s o th e r I s e e k Rit os but b lostb eot s , st r et cher . o in room emergency musi c, A f r ic on- B r oz ili o no n d fo l k to p u t th e m i n my pre mo I poce.c cy more moussu m/veno o nd o w w w . mys co mp osi iions t hot , goin g fo rw o rd , m i n g l e mo re e x tre me met ol wit h t he s e o th e r ty p e s o f mu s i c . Gu o ri ni U no


Hi! When ond where wos Arficiesof Defi/emenf recorded ond is i t o vo iloble?W illv ou h o v e y o u r d e b u t o u t th i sy e o r ? Whot's going mon, I'm Jose Vidol (leod guitor/bocking voco l s); t he dem o wos re c o rd e d i n K o ty , T x w i th Al en (Lono P ro ductions ) .He hos re c o rd e d m y b o s s p l o y e r N i ck' s other b o n d V o c i l l o t i o n( m e l o d i c d e o t h m e i o l ) , o n d I t h o u g h t h i s w ork w i th t hem wos pre tty p ro fe s s i o n ool n d ti g h t s o I w ent to h i m. Yes , we or e c ur re n i l y w ri ti n g n e w mo te ri o l , four new t rocks or e in ihe olr e o d y i n th e o v e n . T h e o l b u m w i l l be reco rd ed when oll m o te ri o l i s fi n o l i z e d ,w h i c h D u one Ti ml i n ( e x-Dyi ngF et us ex , - Div i n eEmp i re )w i l l b e o p o rt o f. Y ' o l l e m e r q e d o f 2 O O 9 ' es n d o n d i n 2 0 l O h o v e b e e n o c t i v e {shows, r ec or ding, m o re s o n g s o n m y s p o c e , e tc ). W hot' s d ri vi no oll th i s octi vi tv? I t ' sc l l o b o u t e x t r e m em e i o l , t h o t ' s w h o t w e e n j o y o n d t h o t ' s w hot you' r e going t o r e c e i v e fro m u s . N i c k o l s o p l o ys bossfor loco l Hous t on, T x bon d Vo c i l l q ti o n ,o l th o u g h th e y hoven' t b een oc t iv e os of lot e . Be s i d e sth o t, w e w e re i n o modern deoth m et ol pr ojec t no m e d " En g ro v e d ,"b u t i t d i d n ' t w ork out t h e e nd due t o unc om m i ti e d m e m b e rs s o I s to rte dV enomous Supre m oc y .W e f inolly h o v e o s te o d y l i n e -u p o f focused musi ci onss, o we or e ob l e to p u t o u r m u s i c o u t o n d do thi sto t he ful l es tex t ent ond p u t o u r s to p l e i n th e T e x o sl o col scene ond bey ond: get t ing m o re e x tre me i n o l l o f o u r regi ons. Wh ot do y ou hov e in m i n d w i th th e l v ri c so f " R e m o vol of the Fl esh "? A nd wher e d i d v o u g e t th e l y ri c o l i deos? "R emo vo l of t he F l e s h " i s o m o b o m i n o b l e , forceful , o nd omi nously r ic ol t he m e d s o n g . I c re o te d o l l th e l yri csfor t he songs on our dem o ; I te n d to w ri te o l o t, I o p p rooch sort o f o poet ic m et hod on d p u t o l l th e l y ri c o lth e me s to gether i n syn c w i th t he m us ic .I re c o rd e d o l l g u i to r tro c ks on the ^+^ re co rd i n gs : leods. rh y th ms , SOIOS,

hove o l ot of i deos menoci ng our mi nds. We t r y t o ploy os porol l elos possi bl e,bei ng i hot' s i t, onl y us tw o ploying guit or . H ove vou deci ded i f vou w ont tw o gui tor plover s live? W e hove been seorchi ng for o rhythm guiior ist since t he b e g i n n i n g ,b u t n o o n e h o s y e t t o p u t e n o u g h t i m e t o m o v e forw ord w i th us. S o. i f i t remoi nsl i ke thot, w e' ll iustst ick t o t his set - up. current A rti sti c creoti on' s no eosy tosk, moving beyond i mi toti on/tri buteor beyond profoni tyond sho ck volue. As you fi ght your w oy forw ord,w hot ore vou oi mi ng f or ? W hot w e ore oi mi ng for i s l o be recogni zedby t he scene ond for them to know w e ore here, ond here t o st oy. We or e o young bond, but ful l of freshconcepti on wit h inf luence from ol l types of extreme metol . Musi col l y,the st yleof ploying i s onl y goi ng to get dorker, foster,ond reoching new levelsof compl exi ty to our theory. The l yri cs ore fo cused on dor k revel oti ons,w i l l pow er, obhorrence, strong ond obscur e ont i rel i gi ousvi ew s. W e ore focused i ndi vi duol slooking t o inf ect the scene. W h o t e l s es h o u l dw e k n o w ? ! The ful l l ength ol bum " The D i vi ne P ri nci pl eO f Ruin"t ent ot ive rel eosedote i s schedul ed for fol l , but mi ght be pushed f ur t her t i l le o r l y 2 0 1 1d e p e n d i n g o n h o w q u i c k l yo l l t h e n e w m o t e r i o l i s mostered. D uone Ti ml i ndrummer w i l l be hondling session drums for the ol bum. A new song shoul d be post ed by t he end of Moy, o previ ew of w hot' s to come. Suppor t The o b o m i n o t i o nt h o t i sV e n o m o u sS u p r e m o c y T . H EE N D .

WorMoster(Texos, U.S.)

The W or Moster " D emo 2009" three-songto pe is t r odit ionol deoth w i th o heovy-crunch gui tor tone; ond deep, gut t ur ol grow l i ng thot resonotesw i th the no-nonsensem et ol cr owds At 2 :55 o f " T r ons c end i n gD i v i n i ty ,"fro m 2 :5 5 to 5 :l B, you do of Texos,such os i n the bond' s A pri ltour of the st ot e. sl o w-h eov y s ounds ,wh e re Mo tt (v o c o l s ) s o u n d s i n poi n. D o ; e o lo n d B e n ( g u i t o r s ) ; W o r M o s t e ri s :D o n i e l ( v o c o l s ) N t h ese slower por t s , be c o m e th e c l o rl o n c o l l fo r moshers? T o m ( b o s s ) o n d S t e p h e n ( d r u m s ) . They now hove o 7" Actu ol l y ,t hos e v oc ol po rts y o u ' re to l k i n g o b o u t w o s done by recordi ng os they prepore to moke thei r deb ut . Will2010 be m e . l t ' st h e b l o c k m e t o l i n f l u e n c e d p o r t , m e o n d N i c k the yeor of W or Mosi er?w w w .myspoce.com/wor m ost er 89 b oth rej o ic e in t hes e t y p e o f s i y l e o f p l o y i n g o n d feel i ng. W e o re n ot of r oid t o ploy sl o w o r o n y th i n g l i k e th o t. We t ry to gi ve W hoi ' s shoki ngi n your neck of the Texosw ood s? t he l i ste ners om et hingd i ffe re n t,s o me th i n g w i th p o wer. Thot' s H ey, Mouri ci ol N ot much mon, j ust w ork ond WAR M ASTER o gre ot t hing obout i t: i n te rb re e d i n g h e o v y b ru t ol deoth ond more w ork! Thonks for sendi ng th ese quest ionsl me tol wit h bloc k m et o l o n d o u r o rg o n i c , c o l c u l o te d, musi col ni g htmo r es lA s f or os mo s h i n g g o e s , th e y c o n d o whotever W hot' s the l otesti nformoti onon your upcomi n g debut ? t hey w ont of ony por t o f th e s o n g o s l o n g o s i t g o e s dow n. Yes,we just finishedwith the releose of the lhrones of Tyronny W hot ki nd of s uppor t o re y o u g e tti n g fro m v o u r porents? I 'm g etting gr eot s upp o rt fro m m y mo i h e r, w e h o v e o cl ose r e l o ti o ns hip.S he' lls upp o rt o s l o n g o s l ' m w o rk i n g h o rd on the subj e ct. T he ot her guy s h o v e o g o o d mu tu o l u n d e rstondi ng w i th th eir people, but th e re n o t o l w o y s fo n d o f the l i ve oppeoro nc es ho ho! l W ho wro t e t he lv r ic st o " Pro p h e ti cIn v e rs i o n " ?l s i t M o tt ond/or Jos6? W hot t y pe of c o l l o b o ro ti o n d o y o u c u rre n tl y hove? Ye o, I co m e up wit h o l l th e l y ri c sw i i h Mo tt o n d revi ew ed t h em w i th him . Nex t ,we o rro n g e th e v o c o l p o rts to g ether i nto t he song. Nic k ond I us u o l l yc o m p o s e o l l th e mu s i c together before onyihing else. He picks up extremely fost, we both

T" si ngl ew hi ch i s now ovoi l obl e ond now w e or e wor king on the ful l l ength of the moment. W e ore obout h olf woy t hr ough the w ri ti ng process;w e ore toki ng our ti me to m oke sur e it 's w hot w e w ont. W e ore shooti ng to record som et im e in t he summer possi bl y l ote summer. A s for os o r eleose dot e, hopeful l y by D ecember. The nome of the Lp r ight now is " P yromi dof the N ecropol i s"l t' ssubj ect to chon ge. I guessit 'so w orki ng ti tl e,but more thon l i kel ythot i s w hot ii will be colled. E x p e c tC R U S H I N G D E A T HM E T A L ! ! l ! H ow w os your Texostour? W os i t posi ti veor d id you lose vour shi rt?lA ny more tours?! The tour w os fucki ng A MA ZIN G!l !The crow d r esponsewos excel l ent ond w e ol l hod o oreot ti mell Son Ant onio


e s peci ol l y r oged pr et t y h o rd !l ! N o i s u re I u n d e rs tond your seco nd q ues t iont hough . As fo r o s o n y o th e r to u rs ,ofter i he re l e ose of t he olbum w e re g o i n g to l e t i t s i n k i n to peopl e' s h eods fo r o c ouple of mo n th s th e n b y o ro u n d th i s ti me next yeor I would lik et o do q fu l l T e x o sto u r o n d th e n to u r t he W est coost. By t he iim e we or e d o n e w i th th o t i t s h o u l d b e ti me to h opeful l y. some stuff tn Eu ro p e do

W hen w i l l vou ol l ow S i ephen to use more c owbell in your songs?!H e hos repeotedl y tol d you, " Fel l ow s,I've got o f ever ond the onl v prescri pti oni s more cow bel l l " W ow l hohohho! Gee, Mouri ci o, thot' s o si l l yquest ionl Fir stof ol l , w e hove never nor w i l l w e ever hove o cowbell in our songs,w e ore not Guns N roses!S o I don' t kno w who t old you incor r ect . thot but it's

s o n n e l i n g th e p o w e r o f th e b uzzsow ? H ow ore y our guit or is t ch H ow do you under s t ondth e i d e o o f " h e o v v ri ff" /" h e ovi ness" ? Hol Ho! Ho! Mon, I don'i know,you're going to hove to osk Ben o nd N eol t hot ques ti o n !I' m d e fi n i te l yn o t o g e o r heod or o mu si ci on. I gues s , t he " c h o n n e l i n g o f th e p o w er of the b uzzsow"os y ou s oy wo u l d h o v e s o m e th i n g to d o w i th the kind o f pedols t hey us e o n d th e tu n i n g o f th e i r g u i to rs,w hi ch I t h in k we t une t o B . Not s u re ,y o u ' l l h o v e to o s k th e m , not my d eportment . Under s t on d i n gth e i d e o o f o " h e o vy ri ff" or "h eovi nes s " ?? W ell, t hot i s w h o t w e o re s tri v i n gfo r I thi nk, i o skulls!! fu c k i n g SOME CTUSN

Into w hot other l ow l essbottl es ond chooti c reolm swill you be c r u s o d i n g - w o r l d e o t i ndgu r i n g2 0 l O o n d 2 0 l l ? ! W el l , expect more heovy D E A THME TA Li n the old t r odit ion. The new LP l oter thi s yeor more show s mor e heovinessll! ! THEEND. ogoi n for the i ntervi ew . ]::" Ot

REVIEWS A n o K e f r( U . S . ) : V o l u mI e

(Dinkv)

A no K efr goes for on ecl ecti c, contemporory, hor d/ chuggy sound w i th chuggo/breokdow n/mosh guit or f or t he ongV /grow l /" brutol " ond screomo secti ons;th ey hove cleon vocol s,of the current rock/core sound;for melody t hey ut ilize some of those tw i n-gui torhormoni esor mel od ic sounds.As if thot w eren' t enough, they ol so hove keybo or dy m om ent s, l i kei nterl udes,for mood. A no K efr coul d ol so be descri bed o solod m ix of W o r M o s t e ri s o l d s c h o o l W ! e r e n ' ty ' o l l i n d i o p e r si n t h e B O s ? ! ! ! current rock sounds: they vory w i thi n eoch song ond throughout the ol bum. The i ronsi ti onsbetw een songsor e not Wel l , th e r es t of t he guy s w e re e i th e r i n d i o p e rs o r not even b orn yet. I jus t t ur ned 3 5 th i s m o n th . So I w o u l d b e the onl y too smooth, but they seem to be w orki ng tho t obr upt f eel t o o ne i n t he bond t o re m e m b e r me to l i n the B O' s. thei r odvontoge, moki ng i t thei r i hi ng. Fr om t he chuggi ng/breokdow n " brutol " ports to the mellow int er ludes, i t' s w hot they do. l t coul d gi ve you some pleosur e or o event "Thrones from on of Tyronnv" Are the lvricsfor the song heodoche, i t depends on your toste or m osochist ic o r from g ener ol obs er v o ti o n s ?Wi l ly o u p u b l i s hy o u r l y ri cs? tendenci es.w w w .myspoce.com/onokefr The lyrics to "Thronesof Tyronny"moinly come from generol o bservotions ond not o s o e c i fi c e v e n i . T h e " T hrones of T yronny"l y r ic sor e in t he T " re l e o s e o n d w i l l o l s o b e rel eosed B l o c kR e i g nL C o n o d o ) :D e m o 2 0 0 9 ;D e m o 2 0 0 2 r o p e . Ihe 2007 demo i s pretty uni ntel l i gi bl e.l t sounds like o bond 2OO9 the of re-releose o on recordi ng somethi ng for themsel ves ond their f r iends. lt l f I ' m l 5 - l B y e o r so l d , i n o b o n d , o n d s o m e m o n s o y sh e h o s soundsl i ke o throsh bond doi ng thei r thi ng, bu t it 's dif f icultt o co nnecti onsf or m v bond to " mo k e i t" ; i h o t l i u s t n e e d to poy heorwhot'sgoing. h undre ds / t hous ondsof d o l l o rs to p l o y s h o w s , re c o rd w i th o The 2009 demo i s o more grow l ed, heovier , f ost er "f o mo us p r oduc er , " et c . W h o t I s h o u l dk n o w ? ! bond. The sound quol i ty i s poor on these recor dlngs. We l l , fi rs t of oll, I t hink w h e n y o u g o i n to s o me thi ng l i ke Leove i t of thi s:thi s i s supposed to be f ost ond loud, cre oti n g o bond t o be i n v o l v e d i n th e s c e n e y o u d on' t go energeti c ond " brutol ." H ow ever,w hot i s not c leor is how well into i t to " m ok e it " .I t hink mo s t o f th e mo j o r re c o rd c o mponi es these songsw oul d sound w i th the correct sou nd quolit y.As it o r e b u l l s h iot n d l w o u l d p e r s o n o l l yl i k e t o s t o y o n o D . l . Y l.e v e l i s,there i s fost drummi ng, fost ri ffs,grow l i ng,sh r ieking:o bond f or os l o ng os I c on. T h o t w o u l d b e m y re c o m m e n d oti on to hovi ng fun ottocki ng thei r i nstrumentsond probobly onnoying o nybody is jus t t o s t oy tru e to y o u rs e l fo n d re l y o n o netw ork the nei ghbors. w w w .myspoce.com/bl ockrei g n6 o f fri e ndsond f ons ond n o t th e w e o s e l si n s u i ts !l t h o s w ork for forl SO Bonds don't moke much money from the soles of the rel e ose s.So,f r om whot is i t th o t y o u g e t o l i ttl em o n e y ? I don't know, we did p re tty w e l l o n o u r to u r. We mode e no ugh m oney t o f inon c e th e re c o rd i n g fo r th e L P. I meon, ye oh, your bond get s mo n e y fro m b o th m e rc h s ol es ond just depends. it the d o o r, some ti mes f r om

D o Neol ond B en wr it e s o n o si o o e i h e r o n d w i th T o m present " th e c h o p e l o f Wo r M o s te r? b ri ngi n gt he " T om - nes sto Ye s, Neol, B en ond T om o l l h e l p i n i h e s o n g w ri ti n g d uti es.S o yes To m w ould be pr es e n t.In fo c t, T o m d o e s o l o t o f w ri ti ng. Bo th To m ond B en wr o te C h o p e l o n d Wo r P l o g u e. S o Tom o lwoys b r ingshis" T om - n e s s "o s y o u s o y , to th e c h o p e l of w or Moste r.


Jormundgond (Sweden): Sotonic Affock

Mormdnt De Snogov (Finlond):Risefrom ihe Void

The ti tl esof t heir f our - s o n gd e mo : " Oc c u l t So c ri fi c e,"" B l ock Winds of Deoth," "SotonicAiiock," ond "By the Groce of D eoth" s peok of ihe pe n to g ro m i s tc ro s s i n v e rti nfi g re . Tobiosond E r ik qo re th e 6 6 6 -e rsw h o g i v e th ei r musi c t hot ce r ioin f eeling: bo s i c o l l y ,th e y w o n t to b e o s good os odve rti s ed:pounding d ru m s ,fo s t o n d s h o rp g u i to r riffs,vocol s co nsu me d by r ev enge. " O c c ult S oc r if i c e "i s o s h o rt k e y b o o rd i n tro f or " B l ock Wi nds o f Deot h" ( B : 39 ),o b l o c k /d e o th m e to l o s s o ul ton the se nse s,wit h good r if f so n d o g o o d v i b e i n g e n e ro l . l t hos l ots of heodbonging m om e n ts .So l i dw o rk h e re , w i th g o od gui tor r i ffs ond hook s . T he so n g i s o b i t l o n g , b u f th e y do w el l keepi n g it inier es t ing.lt ' s o l l g o o d h e re . T he s ong " S o to n i c Atto c k " (6 :0 6 ) i s o s t roi ght-up he odbonging num ber w i th th e ti tl e c h o n te d re p e otedl y to del i ve r the k noc k out . T h i ss o n g w i l l g o o v e r re o l l y w el l l i ve be co use it will hov e t h e mo n i o c s g ro w l i n g o l o n g " sotoni c Attock" ov er ond ov e r i n u n i s o n , fi s ts i n th e o i r. heods bongi n g, hor nsup. Y ou l i k e s l " B y t he G r oc e o f D e o th " i s o n e o r th re e -m i nuteouttro o f gui to r s / whis per ing on d k e y b o o rd s .T h e e n d . The s ound qu o l i ty i s d e fi n i te l y l i s te n o b l e , despi te b ei n g o d em o. W e wou l d n o t h e s i to teto p l o y th i s l oud i n the cor w i th t he windows d o w n . Go o d j o b w i th y o u r fi l i hy noi se, T obi o so nd E r ik o.www. m y s p o c e .c o m /j o rmu n d g o n d666

B l ock metol row , mi ni mol i sti c ottock, w i th decent sound quol i ty,octuol l y:they l i ke thot ol d ti me bl ock met ol. Do you? l. "Antogonism" (4:46): A yelling ond roging begi nni ng.Of course,they hove to set the poc e. G ood st or t . 2. " The S erpent U ndeod" (4:32): Anot her good ossoul t;i hose drums sound mi ghty fi ne. Mos t ly speed. They ore keepi ng i t up w i th the ri ght otti tude. 3. " S ecl uded S l eeper" (4:33):Thot shriekingis inspir ed by cl ossi cbl ock metol vocol torture.D oi ng i t r ight .Thissong is port speed, port mi dpoced roge, pori mi ni mo list icm elody. 4. " N efori ousA postl e" (5:06):S tqrtsou t os t ot ol block metol . A t obout the tw o-mi nute mork: sl ow guit or wor k unt il oboui the three-mi nute poi nt, w here the speed r et ur nsond stoysunti lthe end. A bi t di fferenl . 5. " l nqui si ti on"(2:52):S hortond fi l thy,filt hy. 6. " R i seof the S ordoni c Lord" (5:.l 9):Thisone is o slow trock, w i th o doom-bl ock metol otmosphere;t he shr iekingf ills out the spoces betw een those sl ow gui i or not es.lt 's o pr et t y bi g chonge compored to the other songs. Z. " S evere E scope" (4:42):A return to t he dom inont uptempo bl ock metol . A good one, for sure. B . " Mentor Forever D eod" (5:56): A m idpoced expl oroti oni nto those other moods thot the b ond is wor king i nto thei r sound; there i s mi dpoced bl ock m et ol r ow guit or repeoted for effect; thi sone tokes o few l i stenst o under st ond better.w w w . myspoce.com/mormontdesnogov

Mortriden (Montono, U.S.):Encounferlhe Mono/ifh Fo rty-fi v em inut esof t r ip p i n g me to l . A b i g p o rt o f th e sound i s in sp i redb y bloc k m et o l o n d p ro g , o n d o p e n c h o n t for l ong son gs ond ex plor ot io n . T h e s e s i x s o n g s i n g e n e rol hove sm ooth t r ons it ionsf r om fo s te r p o rts , to p ro g g y p o rts ond the m el l ower / s poc em et ol e l e me n ts . T his m us ic r equ i re s p o ti e n c e o n d re p e o te d l i stens: "He yw ood R. F loy d" ( B:4 2 )m o k e s i t d i ffi c u l t to re member ol l t he ports , s inc e t he m e n to l l ro v e l i n g w i th i n th e s o ng i s too m uch to under s t ondin o n e l i s te n .D e fi n i te l yfo r th e s tu di ous. W ho wr it est his m u s i c ? l s i t to to l me to l n e rd s w eedi ng out those wit h s hor tot t e n ti o n s o o n so r th e s i mo l e -m inded?l s i t ob se nt-m indedm us ic io n sw h o p o y n o o tte n ti o n i o ti m e? W ho k nows , bu t o f l e o s t th e fo l l o w i n g i s c l eor: there ore l ong s egm ent swilh o u t v o c o l s ; l o ts o f p ro g g y moments on d b l o c k m et ol s hr ieks i y l ev o c o l s . " Deot h ond Co n fi g u ro ti o n "i s m o re th o n te n mi nutes of me l l ow guit or wor k , k e y b o o rd /s p o c e m o m e n ts , proggy segme nt s ,et c . lt ' s on i n s tru m e n to ls o n g i n w h i c h t he bond en j o y th e t wis t sond t ur n sth e y h o v e c re o te d fo r th e msel ves. B ui t his bond d o e s h o v e s o me e o s i e r s o n g s .The ti tl e song (6: 32) is o bit m o re s tro i g h tfo rw o rd ,s o rt o f " bl ock m etol /p r og, " f or t his b o n d . An d o c tu o l l y , " H u mo n E rror?" f t :32) i s on ev en m or e " n o rmo l " s o n g w i th th o s e s h r i ek-grow l voco l s ond pr oggy heo v y p o rts . T h e re o re k e y b o o r ds i n the b ockgro und of t his s on g , fo r th o t b i g l o n d s c o p e feel . The bo nd th em s elv eslik est o u s e o s tro n o m y p i c tu re so n d i moges, w hi ch to t hem , we gues s ,i s h o w th e y h e o r th e i r o w n musi c:i n t erms of ot her wor ldson d o th e r w o y s to w ri te s o n g s . L is t ener int s o lo n g s o n g s ,p ro g g y b o n d s w i th o metol ed ge should hov e in t h i s b o n d o s e ri o u so d v e n tu re thot they ne ed to inv es t igot e. lf y o u l i k e b o n d s th o t th i n k bi g-i deo m usi c. Good q u o l i ty , sound too. www. myspoce.co m /mortriden 6

O f R o v e n o n d R u i n s ( T e x o s U . S . ) :B o u n d l o P r o p h e c v Of R oven ond R ui nsi s cl eor, cri spgui tor mel odies,of t en wit h o neocl ossi col feel . They oppl y the some op pr ooch t o t he prevol ent use of keyboords. l n oddi ti on, the y use gr owling w i th the mel o-throshygui tor w ork. The resul tis som et hinglike o meeti ng poi nt of Gothenburg ond symphonic/ neoclossicol, w i th o few hi nts of other l i ti l e thi ngs, such os got hic ond mel onchol i c sounds,for exompl e. W hot they hove i n mi nd i s moki ng songs t hot or e cotchy. S ometi mesi i ' s o throshi ermoment com bined wit h o bi t more uptempo poce; or, mel l ow er mi dpoce wilh o m or e symphoni c feel . The vocol s ore grow l ed. "At r ophy of t he U novoi l i ng"hos gutturolond some hi gher,shriekvocols,wit hin o speedy/uptempo mel o-throshmoi n rhythm ; som e t r em olo ri ffs ore used; gui tor hormoni es, too; the keyboor ds while present,pl oy onl y o supporti ngrol e. " D once of D i sdoi n" i s mi dpoced, trem olo- r if f s/ m elothrqshriffswith more upfroni symphonic keyboords. W hi l e di fferent i n some w oys, both songs or e good exompl es of the moi n oestheti csof w ork here f or t his olbum , noi j ust these songs. Thi sbond i s oi mi ng for o pol i shed cl e on pr oduct ion, ond even though thi si s o sel f-rel eose, i t' s not o r ecor dingwit h demo sound, but o rother good quol i ty recor ding. They probobl y w ont o bi g, bombosti c sound,but on her e t hey kind of ol reody ore i n thot terri tory,even i f they don 't hove t he big bud get yet. w w w . myspoce. com/of rovenondruins


CmnihilitvfOregon,U.S.):Omnihi/ifv O mn i h i l i ty is oll obout p l o y i n g b ru to l d e o th me tol i n the p hysi co l l yond m ent oll y s tre n u o u ss i y l e : o s fo s t o s possi bl e, blosting blosi-blost in hyperoctive frenzy: letting the riffs flylswerve/dive/cut/turn ond streom/zoom/rotote/slide/red irect i n ropid s uc c es s i o nw i th n o p o u s e si n th e o c ti o n. P l us,o ro ther good pr oduc t ion ,to o . W hen O m nihili ty h i ts th e g ro u n d , i t i s th e " brutol , t e ch ni col deot h m et ol" o v o l o n c h e th o t to k e s o v e r. Just how f o st co n t his bond ploy ? H o w m o n y ri ffsc o n th e y pock i nto t h e so ng? T hisbond is f in d i n g o u t e x o c tl y th o t! O m nihilit yhos n o ti m e fo r s l o w s o n g s , n o r toki ng i t e osy o nd let iing t he m u s i c " b re o th e " o r g i v i n g th e l i stener t im e "di g es t " or ony t hi rrgl i k e th o t. N o . N o t h d re . C ome thi s w oy for t he s peed, t he b l o s t, th e g u ttu ro l g ro w l ond the technicol. T hisis not t he d o o r fo r me l o d y , s l o w , me l o n chol y or t hi n gsl i ket hot . W hoi o lov ely d i s p l o y o f mu s i c o l mu s c l e o nd brol n siress.Th os elonging f or fo s te r s p e e d s , m o re te c h n i c ol i ty,ond just more s poz z oiddeo th m e to l b l o s ti n g w i l l l i k e th i s. l t i s 23 mi n utes,s ixs ongsof non s to pfu n . Om nihilit yor igin o te sfro m Ore g o n , w i th th o t Topeko, vei ns. th e i r in s p i ri t ru n n i n g K onso s m us ic ol www. myspoce. co m/o mnihility

Rienous(Finlond):Beneofh the B/ockWings Though R i enousi s now o bond, thi s recordi ng is o one- m on cove-recorded super-necro over-row bl ock m et ol. lt 's t he type of recordi ng thoi one hos to reol l yturn up ihe volum e io heorwhot'sgoing on. S ome w i l l thi nk thi s i s totol gorboge by o l6- yeor kid processi ng bl ock metol through o meotgrinder f or your unl i steni ngdi spl eosure-i rri toti on. S uch o vi ew i s compl etel y understond oble. B ut some peopl e l ove thi s!l t' s totol tremol o tri um pholism . It oppeors thot Movrofos, the humon being behind i hi s,i s currentl y1/ yeors ol d ond w orki ng on o second olbum , w i th o bond. A i ony rote, " C el ebrote the D ow n of o New Age" is row bl cck metol choos w i i h o good otti iude ond f eel. " E xol toti on"i s vocol torture, doomy bl ock met ol. lt 's "no- f un" bl ock metol . " B eneoth the B l ock W i ngs" i s eight m inut es of more choos ond noi se. " E nemy of C hri st"i s ex oct ly whot t he nome soys: ontogoni sti c bl ock metol expressionof r evenge ond onger, ond thi ngs l i ke thot. OK , there o r e onot her t wo songs ond thi s i s more thon 44 mi nutes of cove block m et ol thot w i l l be l i ked by the ordeni . l f you wont o good r nrnAr r n t i n n ,, t his. f r om very for ow oy stoy v, vvvv,,v, w w w . myspoce.c o m/ri enous

i , . S . )L: o m e n f U n t i lE x t i n c t i o n( M i s s o u rU Rovenclow (slovokio):We/come fo the Roven/ond

keyboord/otmosphere/ got hic int r o, A fter o short " P utrefocti on" rol l s i nto tow n ond i n those fi ve m inut esond 24 metol h e o v y /p o w er Rove ncl ow is o c los s y ,e l e g o n t e v e n , l u i to r w o rk , o n d m e l odi c, hi gh seconds thi s bond di spl oysol l thei r w ores on d wher ewit hol: b ond wi th lot s of neoc lo s s i c o g speedy gothi c bl ock metol ri ffi ng/drummi ng,k eyboor ds;slow t r odi ti onolm et ol s inging . bri ef moments w i th very l ow , gutturol grow l i ng,ihen picking For t hos e int o h i g h s i n g i n g o n d w h o w o n t to heor o w i th up the speed to o more bl ock/deoth tem po wit h o f ew metql , me l o d i c th e o f o rt bo nd w ho hov e t r oine d i n some so ngs t hot or e up te mp o , mi d te m p o , b o l l o d s , etc. The di fferent types of grow l i ng.Then obout the two- m inut e m or k voco l s or e m elodic , not s o u n d i n go n g ry , o g g re s s i v eo r vi ol ent' i he ongry/yel l edl core vocol s come i n ond th e m idpoce set s i n; now , more keyboords,of the three-mi nut em or k, m elodic Actu ol l y, t his s t y le hos o k i n s h i p w i th A n d re Mo tos' vocol gui tor sol oi ngond bockground keyboords;cl osert o t he f our j u s t the of e x o m p l es tw o personolit yor Hom m er F o l lT. h o s eo re mi nute mork, come i n the hi gh, soprono-sty levocols; os t he o n o v e ro l ls o u n d /mu s i c o ls i m il ori i y. , singi n gre f er enc es not fi ve-mi nui e mork neors the speed pi cks up t o ihe blost ing E x om plesof t he R o v e n c l o w s o u n d s : T rock fi ve : " Dr ogon' s R i v e r" (3 :3 3 ):T h i si s o p i o n o -o nd-vocol s l evel ond here i t soundsl i ke " symphoni cbl ock m et ol. " T h o t ' sj u s ti n o n e s o n g .C o n y o u s o y ," b r o g g i n g " ? ! bo l l od obout wot er s , m e n to l p e o c e , e tc . D e fi n i te l yfor those S ome don' t l i ke bonds thot move from styl eto st ylet hot woy, into oi o no bollods . w i thi n o song. Othersdo l i ke bonds l i ke thi son e becouse t hey Tr oc k num ber s i x : " P o tro n So i n t" (3 :,l 5 ):A fte r such o bol l od, i t' s only ex pec t e d th o t th e s e l e o th e r-j o c k e t-w eorers don' t w ont every song to be si mi l or. N ow , U nti l E xti ncti ondoes not mi x os m ony st ylesos ste p up the ener gy t o u p te m p o h e o v y m e to l th u nder styl e. the obove song i n every trock. Most songs hove o A nd th ot ' s whot t hey d o . l m o g i n e , b o s i c o l l y ,th e o p posi te of combi noti on of tw o or three styl es,not seven o r nine. t he b ol l od t hey jus tploy e d b e fo re . H ow ever, there ore certoi n sounds t hot onchor t he ( 3 : 3 7 ) : s o n g This Number ll, "Don't Be My Enemy" perspecti ve: one i s the mel odi c/thro shyguit or r if f ing bond' s fo r f ri endshi p b o l l o d o n o th e r ho s o "mediev ol" / f olk ym e l o d y ; styl e); onother elem ent is t he (i n the Gothenburg h ugs oll or ound . on d b i g t he ond gothi c/otmospheri c/mel onchol i c/keyboord t he in oddit ion, vocol s; grow l i ng hi gh ond of combi noti on w hi ch S ome o f t he ot her s ong sg i v e o fu rth e r fro m e w o rk fro m t he exom ple, pretty For domi nont. vocol s ore ongry/yel l /core heovy fo l ky o f t o oppro oc h Rov enc lo w :" B ro th e rS U n "i s o s o rt used or e voc ols gutturol , i ncomprehensi bl e very l ow , very c o tchy, i s o Yo u " " L i g h t fro m me tol midt em po t r oc k ; me l o di c heov y m et ol s o n g , m i d p o c e d , o n d m o d e for si ng- spori ngl y. The sound quol i ty i s good, overol l ,ond soundspr et t y ol o ngs. " P ower S lov es "i s o n e o f th e h e o v i e r So n g s ,wi i h o bi i w oul d thi nk the bond should be cont ent orofessi onolOne . oi r hrgh, v e ry o n d m ore crunc h ond doub l e -b o s sd ru mmi n g os i t show sthei r obi l i ti es.Guesst hisis o self recordi ng, w i th thi s o hos o l so " l n to N i g h t" th e k e y b o o rd s . r oi d si re nv oc ols , ond quol i ty i s good, not gor oge- like. For sound the bui rel eose, substo nt iolc r unc h goin g o n o n d o v e ry me l o d i c c h o rus. expl ori ngdi fferentstyl es' i nto bonds those U nderstond? www. m y s p o c e .c o m/ro v e n c l o w metol bond www. myspoc e.co m/u ntiIextinction


Z u u l( l l l i n o i sU,. S . )O: u i o f I i m e

( P l o n e tM e t o l )

Z uu lp l o y supt em po, r oc k i n g ,g ri i ty s tre e th e o v y me tol . It oppeor s t ho t th i s b o n d h o s o b i i o f o n unusuol otti tu de oboui t heirt r od i ti o n o l ,n o -n o n s e n s ero c k i n g m usi c: l . Unlik et he v o s t mo j o ri tyo f h e o v y m e to l b onds, Zuul hos opted t o do no m id te m p o o r s l o w s o n g s ,n o r o n ythi ng l i ke o b o l l o d , c e r t o i n l yn o " p o w e r b o l l o d s . "l t ' s o l l u p t e m p o o l l t h e time. 2 . T hen t her e is th e fo c t th o t th e b o n d s o unds l i ke no i h i n g thot t hisz ine ho s h e o rd th i sy e o r. T h e y s e e m obl i vi ous t o p l e osi ngony ex pec to ti o n so f s o u n d i n g " c o n te mporory" or "keepi n g up wilh t he ti m e s ." T h e re i s n o i h ro s h , grow l i ng, bl ostb eot s ,nor ony em o , c o re , b re o k d o w n s ;n 6 k e y boordsor no "bru tolit y , "nor ony t h i n g l i k eth o t. Of the n ine s ongs ,t r y t h e fi rs ts o n g " Ou t o f T i me ," o r the l ost on e "Reiur n t o Y ogi" o r th e m i d d l e tro c k " W o rh o mmer," or t he se co nd one " W or ri o rs "o r th e p e n u l ti m o te tro ck " R i de Ri de" or t he ont epenul ti mo tes o n g " D o rk n e s so n th e l ce" -i t' s ol l rocki n g heov y m et ol , n o mi d te m p o o n d n o b o l l o ds. How' st hot f or o c o n c e o t? T he so und s hows no o tte m p ts to b e s u p e rme l odi c w i th keyb oor dsor eor - c ond y s o u n d s ,n o fc n c y -s l i c ks tu d io tri ckery, no funny - ef f ec t s :it ' s ju s i h u m o n b e i n g s p l u g g i n g i n thei r instrume nt sond r oc k ing . The v oc ols or e n o t o i r ro i d s i re n ,b u t o mi d ro nge tone t ho t d oes not s t eol t he th u n d e r o f th e o th e r i n s tru m ents,but r other fi tsin. T hot ' so bit d i ffe re n t,to o . B y t he woy , t hi s i s n o d e mo -s o u n d i n gs tu ff,e i ther. l t' s o g o o d , s o l i d - s o u nfdu l lo l b u m . S om eone in t h i s b o n d l i k e s th e s e c o n d w ove of heovy met ol of t he lot e Z Os -e o rlBy Os ? ! www. myspCIce.com / zuvlconto cl

Metol on Houston rodio ond on the internet Th. M.t"l Sh.*' Ft S u n d o y n i g h t 1 O p m - l o m O n K T R U9 1 . 7 f m On th e i nt er net of ww w .k tru .o rg Info o f www. m y s poc e. c o m /fro m th e d e p th s Ejoc ulo Rodio P ro g ro m T h u r s d o y n i g h i 2 o m - 5 o m O n K P F T9 0 . 1 f m On the i nt er net of ww w .k p ft.o rg Info o t: w ww. m y s poc e .c o m /e j o c u l o Te xo s M et ol S v ndic ot e T e l e v i s i o n : Upcoming TV episodes schedule: www.tex os m et o ls y nd i c o te .c o m Housto n c onc er t s : c ol e n d o r fro m T h e A d v e rs o ry Producti ons ; f or t he m o s t o c c u ro te i n fo o n d u p d otes

go to:

www.theodversorv.orq

June 3: Demoniocol Genuflection,Consumed. SculptingAtrocity, Venomous Supremocy June 4: UnholyTrinityBirlhdoyBosh:ElderGods, Humon Meot Morket. Acolvorio, Demonioc Vengeonce June 5: Dissent (ot FreePressSummerfest) 8

June 5: Gootwhore, Revocolion,The NephilimTerror June 7: Obituory,The Weighl of Respect,VenomousSupremocy,Killer Ape. WhileTheySlept June I l: Wor Moster,Mossgrove,Stormcrow,PLFond Dissent J u n e I l : l r o nM o i d e n , o t h e r s J u n e l 2 : P r i m o lF e o r ,L u n o M o r t i s ,O f R o v e no n d R u i n s J u n e l 5 : S e v e n t hC o l l i n g ,S e r p e n tS u n ,A g o n y W i t h i n , r o j e c tA r m o g e d d o n , J u n e l 9 : S m o k i n gS p o r e ,S o n c t u sB e l l u m P S e r p e n tS u n ,D e f e n d i n gT h e K i n g d o m ,B l c l c kH o l e C o r o v o n . e c r o f o i t h ,M e t o v e n g e , M e t o l l o y d ,L e g i o n .E t h r e o l , J u n e l 9 : R A Z R l 3N Sol 34 June 23: Deceosed, Torsectomy,InfernolButchery.Deod Trip,Soulsof Agony,HRA , i r o lL o o d , , e m o n i o c o lG e n u f l e c t i o nV J u n e 2 5 :U n c l e o n s e dD Disfigured,SodislicButchering J u n e 2 8 : N o m i n o n ,I n f i n i t u mO b s c u r e ,Q u i n t o E s s e n t i oB, l o s p h e r i o n , V e n o m o u sS u p r e m o c y July 9: FotesWorning,FuturesEnd,SixMinute Cenlury July 1O:Woods of Ypres,Vex, SculptingAlrocity,others July 10:Mobile Deothcomp, Connibos Corpse,The NephilimTerror, BreothingForever July l7: Hod, Grovehill,Cordioc Arrest,Wor Mosler,BirthA.D.,PLF July 24: Decopitoted, The Foceless,All ShollPerish,The Red Chord, Veil of Moyo, Cepholic Cornoge. Decrepit Birth,Cornifex,AnimolsAs Leoders,Vitol Remoins , o r b u s6 6 6 , J u l y3 1 : B u t c h e r e dS o i n l ,D e m o n H o m m e r ,T h o r n s p o w nM Nemontemi Aug. 7: Deoth Angel, Soilwork,Augury, Mutiny Within,Swoshbuckle Block Aug. 7: Proclomotion,Obeisonce, Morbosidod. Kerosphorus. Witchery.Necroholocoust Aug. lO: Enlhroned,Deslroyer666,The Forestof Suicides,Golgotho Outlow Aug. l4: Meot Shits,Decomposition,Rottencrolch,Nihilistic CriminolOrder, InjuriousPhysicolViolence, Eye Gouging Moyhem, , . R . A .C , h o c o l o t e C r u c i f i c ,F l e s h e o t e r B o u n d I n F l e s hH A u g . 1 9 :V o d i m V o n Aug. 20: Deoth Rites666 OcL 2: Kototonio,SwollowThe Sun,Orphoned Lond Oct.9: Kill,Morbisidod,Thornspown,Gnostic,Morbus666,Blospherion, Wor Moster,Golgotho, Bohimiron,Gnostic,Loss,Open Grove, Voticon. Nosvrolok Oct. 9: Nevermore,Worbringer,Mutiny Within,Hotesphere O c t . 2 l : l m m o l o t i o n ,V o d e r , A b i g o i lW i l l i o m sL, e c h e r o u sN o c l u r n e , Pothology O c t . 2 3 :R o v e n Pothology Nov. 2l: Nile,Ex Deo, Psycropic,Keep of Kolessin,

Correspondence,cd, cd-r, tope for reviews: Metol Bulletin P . O .B o x5 2 1 7 9 4 H o u s t o nI X 7 7 2 5 7 - 1 7 9u4s a D o n o t i o n so p p r e c i o t e d .S u p p o r tD I Ym e t o l . w w w . m e t o Ib u l l e t i n . b l o g s p o t . c o m www. mys po ce.co m/the meto Ibu lletin bonds, etc . , who or e in Thonksto ol l the metol l ers,l i steners, Thi sz ineis f or you! l contoct ond w ho support. J u n e2 , 2 0 1 0

Metal Bulletin Zine 26  

metal music zine

Read more
Read more
Similar to
Popular now
Just for you