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…Όντας φύσει φιλέλλην, δεν ευχαριστήθην μόνον απλώς να θρηνήσω την κατάστασιν του Γένους μου, αλλά και συνδρομήν να επιφέρω επάσχισα, όσον το επ’εμοί… Ρήγας, «Φυσικής απάνθισμα», 1790

...Being a philhellene by nature, I was not content to simply lament the condition of my Race, but I also endeavoured to aid, to the extend of my ability... Rigas, «An anthology of physics», 1790


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ΗΜ ΕΡΟΛ ΟΓ Ι Ο

2013

CALE N D AR


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© Copyright για όλο τον κόσμο EKΔOΣEIΣ MENANΔPOΣ Iπποκράτους 44, 106 80 Aθήνα, τηλ.: 210 36 11 000 - 210 36 37 762 fax: 210 36 34 389 www.menandros.gr, e-mail:info@menandros.gr ISBN 978-960-7661-98-2

© Worldwide copyright MENANDROS PUBLICATIONS 44 Ippokratous str, 106 80 Athens, Tel.: +30 210 36 11 000 - + 30 210 36 37 762 fax: + 30 210 36 34 389


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√ ƒ‹Á·˜ Û¤ÚÓÂÈ ÙÔ ÛfiÚÔ Ù˘ ÂÏ¢ıÂÚ›·˜. §ÂÙÔ̤ÚÂÈ· ·fi ÙËÓ «¶ÙÒÛË Ù˘ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏ˘», ·‚ÁÔÙ¤ÌÂÚ· Û ͇ÏÔ, ÛΤ„Ș πˆ¿ÓÓË ª·ÎÚ˘ÁÈ¿ÓÓË, ¯ÂÈÚ ¶·Ó·ÁÈÒÙË ∑ˆÁÚ¿ÊÔ˘, 1836, ∂ıÓÈÎfi πÛÙÔÚÈÎfi ªÔ˘ÛÂ›Ô ·Ú. ηÙ. 3750/ı.

Rigas sowing the seeds of freedom. Detail from the «Fall of Constantinople», egg tempera on wood, conceived by Ioannis Makriyiannis, created by the hand of Panagiotis Zografos, National Historical Museum, Cat. No. 3750/ı.


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† ¶ÂÚÈÙÔÌ‹ IËÛÔ‡ XÚÈÛÙÔ‡, B·ÛÈÏ›Ԣ ÙÔ˘ MÂÁ¿ÏÔ˘

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IANOYAPIOΣ - JANUARY † TA A°IA £EOºANEIA

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∂È‰ÔÁÚ·Ê›· Ù˘ ∫ˆÓÛÙ·ÓÙÈÓÔ˘fiψ˜. ™ÙÔ ÂÌ‚ÏËÌ·ÙÈÎfi ÎfiÛÌËÌ· ÙÔ˘ ÙÔÔÁÚ·ÊÈÎÔ‡ ¯¿ÚÙË Ù˘ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏ˘ ·Ó··Ú›ÛÙ·Ù·È ¤Ó·˜ ÎÔÈÌÔ‡ÌÂÓÔ˜ ϤˆÓ. ™Ù· fi‰È· ÙÔ˘ ÎÂ›Ù·È ÙÔ Úfi·ÏÔ ÙÔ˘ ∏Ú·ÎÏ‹ ÂÓÒ ÛÙË Ú¿¯Ë ÙÔ˘ ʤÚÂÈ ¤Ó·Ó ·˘ÙÔÎÚ·ÙÔÚÈÎfi ÔıˆÌ·ÓÈÎfi ı˘ÚÂfi. X¿ÚÙ˘ NÔ 1 (§ÂÙÔ̤ÚÂÈ·).

Topographic diagram of Constantinople. The emblematic adornment of the map of Constantinople contains an image of a sleeping lion, with the club of Hercules at its feet and an imperial Ottoman coat of arms on its back. Map No 1 (Detail)


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† Iˆ¿ÓÓÔ˘ ÙÔ˘ ¶ÚÔ‰ÚfiÌÔ˘ Î·È B·ÙÈÛÙÔ‡

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IANOYAPIOΣ - JANUARY † META TA ºøTA

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¶ÚÔÙÔÌ‹ ÙÔ˘ ƒ‹Á· μÂÏÂÛÙÈÓÏ‹. ÿÏÎÈÓÔ ÌÂÙ¿ÏÏÈÔ, ·Ó·ÌÓËÛÙÈÎfi ÙˆÓ 50 ¯ÚfiÓˆÓ ·fi ÙËÓ ÂÓۈ̿وÛË Ù˘ £ÂÛÛ·Ï›·˜, ‰È·Ì. 0,039 Ì., ∂ıÓÈÎfi πÛÙÔÚÈÎfi ªÔ˘ÛÂ›Ô ·Ú. ηÙ. 4221.

Bust of Rigas Velestinlis. Copper medal, in commemoration of the 50 years of the unification of Thessaly with Greece, diam. 0.039 m., National Historical Museum, Cat. No. 4221.


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† AÓÙˆÓ›Ô˘ ÙÔ˘ MÂÁ¿ÏÔ˘

† Aı·Ó·Û›Ô˘ Î·È K˘Ú›ÏÏÔ˘ ·ÙÚÈ·Ú¯ÒÓ AÏÂÍ·Ó‰Ú›·˜

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† M·Î·Ú›Ô˘ ÙÔ˘ AÈÁ˘Ù›Ô˘

† E˘ı˘Ì›Ô˘ ÙÔ˘ MÂÁ¿ÏÔ˘

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∂È‰ÔÁÚ·Ê›· Ù˘ ∫ˆÓÛÙ·ÓÙÈÓÔ˘fiψ˜. EÈÌ‹Î˘ ·ÓÔÚ·ÌÈ΋ ¿Ô„Ë Ù˘ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏ˘ ·fi ÙË ı¿Ï·ÛÛ·, ÛÙÔ Î¿Ùˆ ̤ÚÔ˜ ÙÔ˘ ¯¿ÚÙË. √ ƒ‹Á·˜ ÚÔÛ¤ıÂÛ –ÂÎÙfi˜ ·fi ÙȘ ÂÏÏËÓÈΤ˜ ÔÓÔ̷ۛ˜– ÙȘ ÔÓÔ̷ۛ˜ ÙˆÓ ˘ÏÒÓ Ù˘ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏ˘ Î·È ÙÔ ÂÏÂÁÂÈ·Îfi ‰›ÛÙÈ¯Ô ÁÈ· ÙËÓ ¿ÏˆÛË Ù˘ fiÏ˘. X¿ÚÙ˘ NÔ 1 (§ÂÙÔ̤ÚÂÈ·).

Topographic diagram of Constantinople. Elongate panoramic view of Constantinople from the sea, at the bottom of the map. Besides the Greek names, Rigas also added the names of the gates of Constantinople, and the elegiac couplet about its fall. Map No. 1 (Detail)


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† TÈÌÔı¤Ô˘ ÙÔ˘ AÔÛÙfiÏÔ˘

† °ÚËÁÔÚ›Ô˘ ÙÔ˘ £ÂÔÏfiÁÔ˘

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IANOYAPIOΣ - JANUARY † AÓ·Î. ÏÂÈ„. Iˆ¿ÓÓÔ˘ ÙÔ˘ XÚ˘ÛÔÛÙfiÌÔ˘

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¶·Ú¤Â˜ Ó·ÚÒÓ ‰È·ÛΉ¿˙Ô˘Ó Û Âȉ˘ÏÏÈ·Îfi ÙÔ›Ô.

Groups of young people make merry in an idyllic landscape.

∏ ·Ú¿ÛÙ·ÛË ı˘Ì›˙ÂÈ ·fiÛ·ÛÌ· ·fi ÙÔ «™¯ÔÏÂ›Ô ÙˆÓ ¡ÙÂÏÈÎ¿ÙˆÓ ∂Ú·ÛÙÒÓ», ÙÔ ÔÔ›Ô Âͤ‰ˆÛÂ Ô ƒ‹Á·˜ ÙÔ 1790. ∞ÛÚfiÌ·˘ÚË ¯·ÏÎÔÁÚ·Ê›· ÙˆÓ T. Allom Î·È P. Lightfoot, 0,2*0,27 Ì., ∂ıÓÈÎfi πÛÙÔÚÈÎfi ªÔ˘ÛÂ›Ô ·Ú. ηÙ. 14641/39.

The image calls to mind an excerpt from the «School of Delicate Lovers», which Rigas published in 1790. Black and white copper engraving by T. Allom and P. Lightfoot, 0.2 x 0.27 m., National Historical Museum, Cat. No. 14641/39.


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† TˆÓ TÚÈÒÓ IÂÚ·Ú¯ÒÓ

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† H Y··ÓÙ‹ ÙÔ˘ IËÛÔ‡ XÚÈÛÙÔ‡

† ™˘ÌÂÒÓ £ÂÔ‰fi¯Ô˘

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√ ƒ‹Á·˜ „¿ÏÏÂÈ ÙÔ «£Ô‡ÚÈÔ», ÂÍ¿ÙÔÓÙ·˜ ÙÔÓ fiıÔ ÙˆÓ Û˘Ì·ÙÚȈÙÒÓ ÙÔ˘ ÁÈ· ÙËÓ ÂÏ¢ıÂÚ›·. ŒÁ¯ÚˆÌË ÏÈıÔÁÚ·Ê›·, 0,52¯0,38 Ì., ∂ıÓÈÎfi πÛÙÔÚÈÎfi ªÔ˘ÛÂ›Ô ·Ú. ηÙ. 12782.

Rigas sings the «Thourios», arousing his compatriots desire for freedom. Coloured lithograph, 0.52 x 0.38 m., National Historical Museum, Cat. No. 12782.


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† ºˆÙ›Ô˘ ·ÙÚÈ¿Ú¯Ô˘ KˆÓÛÙ·ÓÙÈÓÔ˘fiψ˜

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ΦEBPOYAPIOΣ - FEBRUARY † X·Ú·Ï¿ÌÔ˘˜ ÈÂÚÔÌ¿ÚÙ˘ÚÔ˜

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∏ ÿÚÙ· ÙÔ˘ ƒ‹Á· Û˘Ó‰¤ÂÙ·È Ì ÙËÓ ÂÏÏËÓÈ΋ ¤Î‰ÔÛË ÙÔ˘ ∞Ó¿¯·ÚÛË ¯ˆÚ›˜ Ó· Â›Ó·È ¤Ó· ·Ïfi ‚ÔËıËÙÈÎfi ¯·ÚÙÔÁÚ·ÊÈÎfi Ù˘ ÂÍ¿ÚÙËÌ·. O ƒ‹Á·˜ ÚÔÙ›ÓÂÈ ¤Ó· Û‡ÓıÂÙÔ ÔÙÈÎfi ‚Ô‹ıËÌ· ÁÈ· ÙÔÓ ∞Ó¿¯·ÚÛË, ¤Ó· ¯·ÚÙÔÁÚ·ÊÈÎfi «ÔÏ˘Ì¤ÛÔ» Ù˘ ÂÏÏËÓÈ΋˜ ÈÛÙÔÚ›·˜. X¿ÚÙ˘ NÔ 2 (§ÂÙÔ̤ÚÂÈ·).

Rigas' Charta is associated with the Greek edition of Anacharsis, without being a simple auxiliary cartographic part of it. Rigas suggests a composite visual aid for Anacharsis, a cartographic «multimedia» presentation of Greek history. Map No. 2 (Detail)


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Tρίτη - Tuesday

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ΦEBPOYAPIOΣ - FEBRUARY † £ÂÔ‰ÒÚÔ˘ T‹ÚˆÓÔ˜

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√ ƒ‹Á·˜ μÂÏÂÛÙÈÓÏ‹˜, Ï·ÈÛȈ̤ÓÔ˜ ·fi ÌÔÚʤ˜ ·ÁˆÓÈÛÙÒÓ Ù˘ ∂ÏÏËÓÈ΋˜ ∂·Ó¿ÛÙ·Û˘. ø˜ ÚˆÙÔÌ¿ÚÙ˘Ú·˜ Ù˘ ∂ÏÏËÓÈ΋˜ ∂·Ó¿ÛÙ·Û˘ η٤¯ÂÈ Í¯ˆÚÈÛÙ‹ ı¤ÛË ÛÙÔ ¿ÓıÂÔ ÙˆÓ ËÚÒˆÓ Ù˘. ∫ÂÚ·ÌÈÎfi È¿ÙÔ, ‰È·Ì. 0,245Ì., ∂ıÓÈÎfi πÛÙÔÚÈÎfi ªÔ˘ÛÂ›Ô ·Ú. ηÙ. 5461.

Rigas Velestinlis surrounded by figures of fighters of the Greek Revolution. As the protomartyr of the Greek Revolution, he holds a special place in the pantheon of its heroes. Ceramic plate, diam. 0.245 m., National Historical Museum, Cat. No. 5461.


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† ºÈÏÔı¤Ë˜ Ù˘ AıËÓ·›·˜

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X·ÏÎÔÁÚ·Ê›· ‰È·ÛÙ¿ÛÂˆÓ 430 x 270 ¯ÈÏ., ¯·Ú·Á̤ÓË ·fi ÙÔÓ Franz Müller, Î·È Ì ‰›ÁψÛÛÔ Û¯ÔÏÈ·ÛÌfi, ÂÏÏËÓÈο Î·È Á·ÏÏÈο. ∏ ÚÔÛˆÔÁÚ·Ê›· ÙÔ˘ ∞ϤͷӉÚÔ˘ Ï·ÈÛÈÒÓÂÙ·È ·fi ÂΛӘ ÙˆÓ ÛÙÚ·ÙËÁÒÓ Î·È ‰È·‰fi¯ˆÓ ÙÔ˘ (∞ÓÙ›ÁÔÓÔ˜, ∫¿ÛÛ·Ó‰ÚÔ˜, ¶ÙÔÏÂÌ·›Ô˜ Î·È ™¤Ï¢ÎÔ˜), ηıÒ˜ Î·È ·fi Ù¤ÛÛÂÚȘ ÛÎËÓ¤˜ Ù˘ ÂÎÛÙÚ·Ù›·˜ ÙÔ˘ ÛÙËÓ ∞Û›·: ÙË ıÚÈ·Ì‚È΋ ›ÛÔ‰Ô ÛÙË μ·‚˘ÏÒÓ·, ÙË Ó›ÎË ÛÙÔÓ °Ú·ÓÈÎfi, ÙËÓ ÙÂÏÈ΋ ‹ÙÙ· ÙÔ˘ ¢·Ú›Ԣ Î·È ÙËÓ ·Ú¿‰ÔÛË Ù˘ ÔÈÎÔÁ¤ÓÂÈ¿˜ ÙÔ˘ ÛÙÔÓ ∞ϤͷӉÚÔ. ∏ ÂÈÎfiÓ· Â›Ó·È ·ÊÈÂڈ̤ÓË ·fi ÙÔÓ ƒ‹Á· ÛÙÔ˘˜ ŒÏÏËÓ˜ Î·È ÙÔ˘˜ ÊÈϤÏÏËÓ˜.

A 430 x 270 mm. copper engraving by Franz Müller, with bilingual annotation in Greek and French. Alexander's portrait is surrounded by portraits of his generals and successors (Antigonus, Kassander, Ptolemy and Seleucus), as well as by four scenes of his military campaign in Asia: his triumphal entrance in Babylon, his victory in Granicus, the final defeat of Darius, and the surrender of his family to Alexander. The engraving is dedicated by Rigas to Greeks and friends of Greece.

XAPTA THΣ EΛΛAΔOΣ TOY PHΓA HMEPOΛOΓIO 2013  

HMEPOΛOΓIO 2013 XAPTA THΣ EΛΛAΔOΣ PHΓA BEΛEΣTINΛH ΘETTAΛOY ΣEΛIΔEΣ 144

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