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3 M M E LISSA MIYAMOTO-MILLS

undergraduate works

GRAPHIC DESIGN

ARCHITECTURE

The Magnetic Pull Danish Institute of Study Abroad, Summer 2012 instructor: Jeanette Hendeliowitz

Shih Yu-Lang YMCA UC Berkeley, Fall 2011, LIsa Iwamoto

DIS icon + PhotoJournal Danish Institute of Study Abroad, Summer 2012

Hermitage Gallery at Albany Bulb UC Berkeley, Spring 2011, Nataly Gattegno #wurstersauce UC Berkeley, Fall 2012, Wendy Ju OTHER WORKS illustration, branding, sculpture + jewelery


M E LISSA MIYAMOTO-MILLS

2605 Haste Street Apt. 101 Berkeley, CA, 94704 melissa.mtmills@gmail.com + 925. 330 . 7861 portfolio: issuu.com (search miyamoto-mills)

E DUCATION

University of California Berkeley Bachelor of Arts : Architecture, Minor : Sustainable Design // Degree : expected May, 2013 • GPA: 3.68 Danish Institute for Study Abroad Copenhagen, Denmark (June-August, 2012) • Completed 7 week information/graphic design studio and Scandinavian Design lecture course • Received the Academic Excellence Award for Information Design Studio within Architecture and Design Professional Program PROFESSIONAL EXPERIENCE

Square Peg Design, Oakland, CA (Intern) September 2012 - Present • Conducted concept research used to develop brand identity and signage design • Converted architectural CAD drawings into diagrams that showed flow through building and informed sign type and placement

3

Shah Kawasaki Architects, Oakland, CA (Intern) May-June 2012 // June-August, 2011 • Created marketing diagrams and graphics using Adobe Illustrator, Photoshop & Google SketchUp

OTHER EXPERIENCE

California Triathlon (Apparel Director & Nationals Team Qualifier) January 2010 - Present • Helped project an image for the team: both professional but also fun and accessible: created new team logo, recruitment posters and facebook banners and ads, also designed swim suits and warm-ups SOFTWARE/SKILLS

Mac & PC proficient

Adobe Creative Suite CS6 (Photoshop, Illustrator, InDesign), Adobe Acrobat Pro, Autocad 2011, Rhinoceros 4.0, SketchUp, Microsoft Office, Hand-drawing, Graphic Design, Basic Construction

M


THE MAGNETIC PULL // IDENTITY + GRAPHICS


introducing

THE MAGNETIC PULL A CENTER FOR THE ARTS


PALADS BEFORE

s

A NEW IDENTITY FOR PALADS THEATRE

N

SITE: Axeltorv Plaza , Copenhagen Denmark PROGRAM: Movie multi-plex & Cafe COURSE: Information Design Studio// DIS Summer 2012 INSTRUCTOR: Jeanette Hendeliowitz


MAGNETIC POLE ATTRACTION + SITE @ AXELTORV

In, 1989 the facade was painted in playful “fun-house” colors that de-emphasized the architecture the refined baroque architecture. While the rainbow color palette attracts a lot of attention, not all of it good, it fails to communicate the function of the building. Despite the theater’s ideal location and proximity to transportation, restaurants, and an open plaza, it does not spur any curiousity and its “candy-floss” appearance distracts onlookers from anything else the space has to offer. In addition, Palads has experienced a huge increase in advertisement placement which creates further visual chaos and a lack of identity.

CURIOUS & ATTRACTING

PALADS BEFORE When Palads opened in 1912 it was the largest cinema in Northern Europe. Since then, it has been demolished and rebuilt , remodeled, and repurposed as a multiple theater movie complex.

NEW IDENTITY For this project, Palads is no longer a blockbuster movie complex. Instead, the theater serves as a film house for independent films, a stage for the performing arts, as well rentable studio space and gallery for contemporary local artists. Located at Axeltorv Plaza near Central Station in Copenhagen, this new center for the arts will be the main attraction and major draw to the plaza. It pulls people in from all walks of life; and just as the polarity in a magnet’s north and south pole can swap, the artwork housed in the building is interchangeable. Monthly exhibitions and film festivals are regular events at “the Pull” that attract and inspire the community; the space then becomes a magnetic and dynamic space. The new Palads, now known as “The Magnetic Pull” - A center for the arts serves as a community hub yet also offers tourists and visitors a taste of current Danish culture. MULTIPLE MODES OF ACCESS TO THE SPACE

OBVIOUS & DISTRACTING

CONTEX T & CONCE P T

M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com

FINAL LOGO

FIRST LOGO ATTEMPT the logo re-focuses on the baroque arches. While the logo “fit” it did not communicate the dynamism the new “Magnetic Pull” would offer

a simplified representation of the dynamic pulls of a magnet while somewhat reminiscent of a time turner

LOGO SKETCHES


PRIMARY TYPEFACE - AVANT GO

THE MAGNETIC PULL // DIS SUMMER 2012

THE MAGNETIC PULL exaggerated slant implies movement “N” serves as a midpoint where polarized attractive forces act

When choosing typefaces for The Magnetic Pull, it was important that the letters be alluring themselves yet not too bold. The choice to use thinner letters helps brand the space as more refined and delicate, while a little irregularity sparks curiosity and interest.

“M” resembles arrows that make the name look more like a graphic than a word

BUSINESS CARD (scale 1:1)

A4 STANDARD LETTERHEAD (not to scale) EMBOSSED

1.5 CM 1.5 CM

THE MAGNETIC PULL Axeltorv 9

-

1609 Københaven V

-

T: 70 13 12 11

CENTER FOR THE ARTS

1.5 CM

ce TH nt E M er A fo GN rt E he TI C ar P ts UL L

5.5 CM

JOSEPH SMITH MANAGER T: +45 34 54 38 21 E: josephsmith@thepull.dk

8.5 CM

Jeanette Hendeliowitz Vestergade 7 DK 1456 Copenhagen K Denmark

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Phasellus egestas tincidunt NISI to aliquam. Integer quis Tellus mauris, nec volutpat Orci. Nullam porttitor turpis elit, quis Cursus tortor. In laoreet ipsum NISI. Vivamus consectetur vehicula hendrerit. Nullam aliquam PURUS nunc. Integer hendrerit, erat own Cursus ullamcorper, Tellus porta justo dolor, own libero pulvinar tortor a lorem. Morbi aliquam dignissim tense. Donec id est eu NIBH iaculis Pretium sed vitae felis. Sed volutpat consectetur Urna the porta. Vivamus own tense massa. Aliquam ultrices aliquet elit ac porta. Suspendisse potential. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nulla facilisi. Curabitur dictum ipsum non euismod ultrices, risus Metus venenatis sapien, semper quis ipsum quam nec Lacus. Donec non Metus turpis. Quisque lacinia, felis sit amet gravida mollis, erat ipsum Commodo mauris, eu eleifend leo magna vitae Lacus. Nunc auctor condimentum arcu a Pretium. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Aliquam vehicula Metus sit amet elit hendrerit egestas. Nam a DUI massa. Crass molestie tense Tellus vitae volutpat. Nam dictum laoreet ante quis sollicitudin. Curabitur sagittis iaculis quam sit amet iaculis. Ut adipiscing, Orci sed hendrerit congue, nisl ligula porta eros, laoreet adipiscing risus libero id tortor. Nullam own ac quam erat tincidunt mollis. Vestibule adipiscing convallis semper. Fusce aliquet malesuada ornare. Integer sed arcu non felis consectetur dictum. Quisque ut feugiat quam. Sed vitae lorem ipsum, interdum sagittis Tellus. Phasellus to NISI well risus feugiat tristique. Vestibule justo PURUS, fermentum sed congue own rutrum rhoncus Tellus. Sed ac Urna nunc, ut luctus NISI. Morbi facilisis ENIM erat. Sed dictum accumsan mauris, ut est Bibendum sodales faucibus. Ut aliquam, ENIM quis vehicula adipiscing, NISI ligula Pretium arcu, a tincidunt turpis quam quis elit. Cum sociis natoque penatibus a magnis dis parturient montes, nascetur ridiculus mice. Duis sed mauris own massa Cursus tristique non Urna own. Vivamus quis venenatis felis. Sed eros risus, aliquam eu rutrum a, tempor eu NIBH. Curabitur vitae ante sit amet mi Commodo placerat. Quisque lacinia molestie faucibus. Quisque that Orci DUI, quis est gravida. Aliquam egestas pharetra velit, quis Commodo libero lobortis a vestibule ante ipsum primis in faucibus Orci luctus a ultrices posuere cubilia Curae; Curabitur porttitor tempor libero, ut sodales felis fermentum sed. In HAC habitasse Platea dictumst. Donec dignissim facilisis Bibendum. Mauris hendrerit lectus id elit molestie Viverra. Nam mollis auctor PURUS, in consequat lorem aliquet id. In HAC habitasse Platea dictumst. Integer scelerisque sapien sed Orci posuere quis tense magna tristique.

Med venlig hilsen,

Joeseph Smith Manager

jsmith@thepull.dk


P ROM O T I ONA L

IN THE PLAZA

M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com ELSEWHERE IN THE PLAZA

PLAZA

N TO THE MAGNETIC PULL

LOCATION AND SIGNAGE OPPORTUNITIES

SCULPTURE IN MAIN PLAZA

The Magnetic Pull is located in the heart of Copenhagen. It is easily accessible by rail, bus, bike and foot. The building east facade opens to a currently under-utilized plaza.

PLAN VIEW plaza users can walk in and around the sculpture which features mirrored faces that reflect the environment and sparks curiosity

With the implementation of key aesthetics - posters, hanging banners and sculpture, the space is branded as a cultural center that serves as a point of destination. By creating an identity for the Magnetic Pull the space can be given new life and inspire people to come spend the day or take a look around.

MIRRORED SURFACE

MIRRORED SURFACE

MIRRORED SURFACE

THE PLAZA


THE MAGNETIC PULL // DIS SUMMER 2012

2.5 M

CELEBRATING THE ART OF

HANGING BANNER fits the architecture in a tastefully with attention to column spacing

DANCE

It also reinforces the identity of the building by replacing the excessive advertisements

A NEW CENTER OF THE ARTS @AXELTORV, NEAR CENTRAL STATION

10 M

MONTHLY POSTER uses consistent colors and angular geometries CELEBRATING THE ART OF D A N C E

A NEW CENTER OF THE ARTS @AXELTORV, NEAR CENTRAL STATION


INTERIOR SIGN AGE

M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com LCD screens display current work of studio artists and promotional ads for performances

OVERWHELMING & INCONSISTENT SIGNAGE

SIGNAGE INTEGRATED WITH THE ARCHITECTURE

BEFORE - inconsistent signage that is confusing to follow, shown below are three different uses of type, material and color that designate the same place

AFTER - acrylic logo motif backlit with leds match the steps (the LED colors change dynamically) and also replace unnessesary advertisements. Wayfinding is also elegantly made part of the grand staircase.


THE MAGNETIC PULL // DIS SUMMER 2012

COORIDOR FLAG SIGN

ALUMINUM PLAQUE SIGNS AND BANDS THAT SPAN FLAG SIGNS

BLACK MATTE ACRYLIC FLAG SIGNS & BATHROOMS

FLOW DIAGRAM main circulation

pictograms are consistent with wall graphics and the thin stroke matches the thinner typeface used for the signs

2 gallery

bar

artist’s studios

1


Magnetic Pull

search...

THE MAGNETIC PULL

INFORMATION BACK

Axeltorv 9 T: 70 13 12 11 1609 København V

homee home

vents/exhibitsc events/exhibitsf

showtimes ilms

SUBMARINE

check-in check-in

Rated: R (97 min) Director: Richard Ayoade 15-year-old Oliver Tate has two objectives: To lose his virginity before his next birthday, and to extinguish the flame between his mother and an ex-lover who has resurfaced in her life.

TODAY: 10:30 13:45 14:45

Åbningstider: Alle ugens dage: 9.30-21.45 Fredag og lørdag aften er der tillige åbent til midnat

15:45 18:00 23:45

Børnebillet (under 12 år): 60 homee homee homee

MOBILE APPLICATION

MOBILE A P P & I C ON S

M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com

vents/exhibitsc vents/exhibits

showtimes filmsc

showtimes

vents/exhibits

check-in heck-in

CONGRADULATIONS! your ticket has been verified... enjoy the show!

checking in... home

events/exhibitsf

ilmsc

heck-in

home

events/exhibitsf

ilmsc

heck-in

home

events/exhibitsf

ilmsc

heck-in

home

events/exhibitsf

ilmsc

heck-in

home

events/exhibitsf

ilmsc

heck-in

home

LOGO ABSTRACTION - used as a turning “loading” animation for QR code check-in

events/exhibits

films

check-in

check-in


THE MAGNETIC PULL // DIS SUMMER 2012

POSTCARDS

PICTOGRAM LIBRARY TICKETS

INFORMATION

CAFE

DINING

BAR

GALLERY

MEETING ROOM

STUDIOS

THEATRE

MAIN HALL

RESTROOMS

POETRY/MUSIC


IMMERSION FAIR ICON // DIS LOGO CHARETTE &VISUAL JOURNAL // BOOK DESIGN


M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com

DIS ACTIVITIES & IMMERSION FAIR ICON CHARETTE

WHAT IS THE DIS ACTIVITIES AND IMMERSION FAIR? The purpose of the event is to provide information about extracurricular activities provided by DIS as well as outside organizations. Groups and clubs cater mostly to students who play sports, volunteer, have different religious beliefs and sexual orientations, as well as those who are looking to travel. CHARETTE PROMPT AND TIME FRAME “We are looking for a recognizable visual icon for the DIS Activities and Immersion Fair that will give a sense of identity, make the event attractive to a young audience, and tell a story of what the event is about”

ACTIVITIES & IMMERSION FAIR

MAIN LOGO TYPEFACES SIGNA

Immersion Fair

CALIBRI ITALIC

(DIS STANDARD)

Study Tours

CALIBRI

(DIS STANDARD)

We were given a day to come up with an icon to brand fair and show it in different contexts. WHERE IT WILL BE FEATURED

- balloons - staff T-shirts - Banners (tall standup banner, hanging vinyl & table top banner) - Letter header - Posters behind tables (organizations would be branded along side the fair branding)

(DIS LOGO STANDARD)

TABLE BANNERS


IMMERSION FAIR ICON CHARETTE // DIS SUMMER 2012

TALL HANGING BANNER DIRECTORY & WAYFINDING PINWHEEL FINS ABSTRACTED INTO WAYFINDING APPLICATIONS

SP ORTS

MAIN LOGO ABSTRACTED INTO CATAGORY LOGO

FAITH

DIS ACTIVITIES

Study Tours DIS Visiting Family Dynamic Project Leadership

SP ORTS

FAITH

København Vinyard (Christian) ChabaDanmark (Jewish Orthadox)

LEISUR E

Global Student Cop International School Københavns Biblioteker Democrats Abroad Den-

TRANSLATES INTO BLACK AND WHITE

DIS ACTIVITIES LEISUR E

Copenhagen Hockey Club Bisben Barbarians Flag Football ØKF (Soccer Club)


GRAPHIC DESIGN A collective book of works from my study abroad in Copenhagen, Denmark (2012)


VISUAL JOURNAL // DIS SUMMER 2012

01

CASE STUDY

COPENHAGEN

LEfT: many boutiques and smaller shops such as Liebt are actually located a level below the street and have smaller display windows than stores that belong to the outdoor mall

MELISSA MIYAMOTO-MILLS // ID STUDIO SU 2012

DISPLAY TYPOGRAPHY & OVERVIEW Historically, Copenhagen has always been a city of commerce. The city was originally named Køpmannæhafn, which means “merchants’ harbour” or “buyer’s haven.” The core of the city still holds its medieval layout and thus, many of its streets still meander through narrow cobblestone alleys. Not surprisingsly, many shops can be found all along these cozy streets. While there are still many of the store fronts along Strøget boast large floor to ceiling display windows, smaller shops make use of smaller openings. Often, to enter these smaller shops, one must take a few steps down to a level below the street. These shops often have two to six smaller windows located at street level rather than one large main window. So what does this mean for display typography? As Dan, my partner for assignment one, pointed out, the architecture of the older buildings - and the placement, size, and number of windows informs the layout of the type. Each window on its own must be display. The space between windows create the columns and gutters that guide the type and the type must be designed and placed within the workable area to create a composition. In CPH the typeface and type color often reflected what kind of things would be found the stores. The store “Liebt” used playful colors - blue, pink, yellow, and orange as well as rounded letters that appear fun and childish. Understandably, Liebt sold designed trinkets as well as children’s toys. Because the stores are not highly advertised, they use their type as a means of capturing interest and communicating their identity. While I would say the smaller display type mentioned above is most characteristic of Copenhagen, I also observed innovative typography used in the busier more internationalized shopping areas. On Strøget, stores such as Vero Moda (which I have never seen in the states) began to play with type and how it was displayed. Letters were used as a textile on a very small scale (as seen on manikins to the right) but also on a much larger scale - even as stand alone objects (see large “V” above and right). The single “V” becomes a statement, despite only being discovered once inside the store. I believe this strategy is intended to build a more recognizable identity. The typography can play with materiality (the “V” was covered in polaroids) and be much more ambiguous - thus sparking curiosity and further investigation. This kind ambiguity was best mastered, in my opinion however, by the very famous Danish brand Nørgaard Strøget - they’re mirrored letters can only be read once close enough to view the clothes in the display. In general, I feel that Copenhagen’s display typography reflects two strong identities - the individualized quirkiness of smaller boutiques and the experimental nature represented in the innovative quality of Scandinavian design even in an internationalized setting.

BELOW: Stores with identities as strong as Norgaard Stroget in Copenhagen can play with materiality in their logo and display typography. It appears hidden or ambiguous from afar and delightfully reflective and clear as the viewer approaches

ABOVE: While Vero Moda, be more international in its look (and less specific to KBH), the bold creative use of oversized type as well as use of type as a pattern or textile relfects the Scandanavian innovative design approach


#WURSTERSAUCE // UI/UX DESIGN


#WURSTERSAUCE // UC BERKELEY 2012

#WURSTERSAUCE INTERFACE IF THESE WALLS COULD TALK...

RYAN MCADAM - MELISSA MIYAMOTO-MILLS FRANCES YAN - KATE GREENBERG

PROJECTION SURFACE BUTTON INTERFACE TWEET UPDATE SCROLL LEFT SCROLL RIGHT “LIKE”

USB CABLE TO COMPUTER

arduino

actuation

interaction


the scene

Wurster, the architecture building, known as the dragonness tower where students eat, sleep, and work

the metaphor

the

quick

happy

Reminiscent of refrigerator magnets sentences and Madlibs, we aimed to create an interactive message board that would make people laugh, spur converstaion and create a unique following based in Wurster

jumps

fox

fat hot

the result

#wurstersauce

all nighters in wurster are the worst! feel wurster makes me <<ca einated>>

People see and interact with the message board. They can leave their sentiments, agree or change the statement, or even add their own words to a scrolling twitter database. #wurstersauce becomes a way for people who frequent the building to contribute to the display


#WURSTERSAUCE // UC BERKELEY 2012

SCREWS

BUTTON TOP

BUTTONS

INTERFACE DIRECTIONS

LEDS POWER WIRE GROUND WIRE

BUTTON TRACK

DEPRESSOR SPRING STOP / SCREW

PROJECTION SURFACE

SPRINGS BUTTON TRACK BUTTON POWER WIRE GROUND WIRE

BUTTON BASE LAYER

WIRE SLOTTING

BUTTON BASE

ARDUINO PORT/ BACKING

BUTTON BASE LAYER

ARDUINO BUTTON WIRING TO ARDUINO


SF TENDERLOIN YMCA // ARCH 100B UC BERKELEY


ALGAE HARVESTING

SHIH YU-LANG CENTRAL YMCA

Golden Gate Avenue - Entrance


L A

POO LS

BAS

KET

BAL COU L

RT

BASIC FORM

REC RECR R AC EATIO TTIIV N ACT EA IVIT OITNY CORE YC ORE

N

SITE 378 Golden Gate avenue, San Francisco

PROGRAM full-size basketball court, 6-lane lap pool, yoga studios, senior center, commputer stations, community areas, green spaces, mechanical and storage

COURSE Architecture 100B / Fall 2011 / UC Berkeley

INSTRUCTOR Lisa Iwamoto

COM

MCU OMN MIUT NY

FF TA S &

ITY

FF TA & S


SITE ANALYSIS 378 Golden Gate Avenue is an infill site. One side is bordered by a large parking structure while the other is only separated from another office building by a thin strip of green space lined with trees. The south side is met by an apartment building. These adjacencies impact the quality of light and air that meets the space as well as its accessibility. While these spaces can be challenging to work with, the surrounding buildings lend interesting opportunities and possibilities that open areas do not.

SITE ANALYSIS

M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com


SHIH LU-YANG YMCA // UC BERKELEY 2011

SOUTH FACING

N


SITE PLAN AERIAL

es ak t r ve ng - o arki L L tp WA acen N j EE ad GR f the G IN all o V I L ew th t is ha t a t are nligh n pa su - s ost S L m NE he PA to t G d SIN pose U x O e E H and A G p AL ilt u bu

SOUTHERN RAMP becomes both an egress to the main floor level on the Golden Gate Ave. side as well as a cover MCALLISTER STREET - ENTRANCE for bike parking

CONCEPTUAL SKIN

M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com


SHIH LU-YANG YMCA // UC BERKELEY 2011

P R E C E D E N T

C O N C E P T U A L

S E C T I O N

C U T


M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com


SHIH LU-YANG YMCA // UC BERKELEY 2011


M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com

URBAN ACTIVITY CORE

INTERIOR VIEW PROTECTION FROM SURROUNDING BUILDINGS

PRESERVED + CREATED GREEN SPACES

BUILDING IN CONTEXT

N


SHIH LU-YANG YMCA // UC BERKELEY 2011


ALBANY BULB HERMITAGE // ARCH 100A UC BERKELEY


M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com

HOUSING OUTSIDER ART//hermitage gallery AT THE ALBANY BULB

SITE Albany Bulb Albany, CA PROGRAM 3 apartments, shared workshop, library, performing arts, and exhibition space for outsider art COURSE Arch100A Spring 20121 UCBerkeley INSTRUCTOR Nataly Gattegno


APT. 3 APT. 2

site

ma or existing egetation

APT. 1

he Albany Bulb embodies a split in a number of ways ichotomies exist in its 1 ad acencies 2 material make up 3 terrain na igabilit y he site is neighbored by both regional parks and a tight city grid As for its material make up, much of the bulb is composed of concrete rubble and rebar, although flowers continue to bloom in the midst of the chaos hile areas of the bulb are dangerous and unruly, scenic iews and outsider continue to attract isitors who create well tra eled paths his pro ect embodies the dual nature of the bulb it matches the materiality of the site, yet it stands alone as a new an architectural feature split from the rubble it emerges from

GALLERY

LIB RARY

GARDEN

UPPER BACKSTAGE AREA

PULLEY DECK

OPEN TO WORKSHOP BELOW

PLAN [+15 ET] FE APT. 2 RESIDENT : LIGHT ACKDROP AND BM ANAGER

albany bulb


The Albany Bulb has developed from a landfill to a quirky public park covered in graffittied rubble that adds to the overall character of the place. It has become a mecca for “outsider art.”

OUTDOOR STAGE/ PROJECTION AREA

INDOOR STAGE

RESIDENCES

LIBRARY

FLYTOWER/ APARTMENT CIRCULATION

WORKSHOP

SECTIONB-B’ SCALE: 1’-0 = 1/8”


B’

VIEW F C

C’ VIEW E

VIEW D A’

A

B PLAN [+35 ET] FE SCALE: 1’-0 = 1/8” APT. 1 RESIDENT : LIGHT ROJECTION P SPECIALIST

albany bulb


3 M


OTHER WORKS // CLIENT + PERSONAL


CLIENT + PERSONAL WORK

M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com

Diagramatic Section


PROMOTIONAL FOR CALIFORNIA TRIATHLON

n w o d w o h S e l c y TRI-C de Gla l a i r o m e Where: M n o o n @ h t st 25 u g u A : n e Wh

Cal Tri Logo (2012)

CLIENT + PERSONAL WORK

FALL RECRUITMENT 2012


PERSONAL PROMOTION

M3 DESIGN MELISSA MIYAMOTO-MILLS

M3PORTFOLIO MELISSA MIYAMOTO-MILLS

3

M3PORTFOLIO MELISSA MIYAMOTO-MILLS

3

M3PORTFOLIO MELISSA MIYAMOTO-MILLS

M

M

Logo Sketches M3 Design Portfolio (2012)

M

CLIENT + PERSONAL WORK

STAIR SEQUENCE MONTAGE “Guided by the Light” (2011)

M3 DESIGN MELISSA MIYAMOTO-MILLS

3


M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com

GRAPHITE TONAL DRAWING Coat, Desk, Chair - A Multisport Lifestyle (2010)

ACRYLIC PAINTING Self Portrait (2010)


PERSONAL WORK

WATERCOLOR & INK Not So Silent Night (2010)


M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com

CERAMIC SCULPTURE Amida Buddha “Namu Amida Butsu” (2009)


PERSONAL WORK

SILVER CAST JEWELERY Inextricable Thoughts (2009)


Undergraduate Portfolio