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"#$%$&'(()*+',*-..*'/*011'.20/*/3'45*'67*'8/'0*'98/'4.:7-.3'67-'8/'0*'98/'76;.'<1866.=> (Common myth has it that the lot has been moved to a different dimension but such rumors cannot be confirmed.)


After 98 years of /8*5-8*.='72?@.63'*+.' A.B5B8+'+8='*5-6.=' @-..6%'8'<-7;.//'679' 4.06@'-.C.-/.='4?' 0-76%18=.6'=5/*'906=/' 9+0;+'06'*+.'6.2*')!' 9011'/..'*+.'-.A7C81' 7:'*+.'@-..6'.6*0-.1?>' The original metal A0@+*'4.'.2<7/.=' 8@806%'8'A8AA7*+' in a block of ice. The <8<.-'06/0=.'/5-.1?' =0/06*.@-8*.='=.;8=./' 48;D3'45*'6747=?' 47*+.-.='*7';+.;D>


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E*'*+.'C.-?'*7<A7/*'18?.-'7:'*+.'+75/.'10./'86'56;.-*806'<771'7:'98*.-'/.81.=' 06'8'*0@+*'/D?10*';+8A4.-3'0*/'=0-.;*07681'06=.;0/076'*-8;D.='=8?'*7'=8?>'E'/A811' <+7*7@-8<+'+86@/'76'*+.'9811'7<<7/0*.>'F*'0/'8'<+7*7'7:'8'68A.1.//'7;.863'86' 7;.86'7:'=.;0/0C.'*0=81'<771/':8;06@'8'=.;0=.=';8-=0681'=0-.;*076>'G178*06@'06'*+.' ;.6*.-'7:'*+.'/.81.='<771'0/'8';7A<8//>'F*'0/'A.-.1?'/?A4710;3'8--79/'56=.;0=.=' 86='.--8*0;'06'-./<76/.'*7'8';771';7-.'86='8'*.6*8*0C.'A8@6.*7/<+.-.>'H;;8/076811?' the flighty arrows align themselves with the photograph on the wall; it is at that A7A.6*'9.':..1'9.'D679'9+0;+'7;.86'98/':8;06@'*+.'@+7/*'4.+06='*+.';8A.-8>


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The hallway that begins at *+.':-76*'=77-'9-8</'8-756=' 06'8';0-;50*75/'A866.->'F*/' <-8;*0;81':56;*076'0/'76.' 7:'80-'<-.//5-.'8=I5/*A.6*>' J./0=.6*/':756='*+8*' C0/0*7-/';7A06@'86='@706@' 8*'*+.'/8A.'*0A.'A0@+*'A0//' each other entirely; as one A8D./'*+.0-'98?'063'867*+.-' A0@+*'1.8C.'90*+75*'.C.-' 4.06@'A8=.'898-.'7:'*+.0-' passing. Thus, windows 9.-.'<18;.='4.*9..6'*+.' *97'<8//8@.98?/'/7'9.' ;751='/..'76.'867*+.-'@706@' and coming. The layers of @18//'8-.'/7'*+0;D'*+8*'9.' ;8667*'+.8-'.8;+'7*+.->' H;;8/076811?3'*97'8-.' :7-;.='*7'A8D.'*+.'=.;0/076' 9+.*+.-'*7'@7'48;D'06/0=.' and exchange words; an .2.-;0/.'06'47=?'186@58@.>


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The breathing rooms connect to the MOXIE tank which provides 72?@.6':-7A'LH(>'

The air gets pushed through ten channels.

E67*+.-'/.*'7:'*.6'90*+=-89/'*+.'80-'*7'4.';76C.-*.='76;.'A7-.3'86=' "#$%$&'4-.8*+./'=..<1?>

M04-8*076/'*+-75@+'*+.';+866.1'C.6*/'/.6=';+-7A8*0;';+7-=/'*+-75@+' *+.'80-3'*+.'9+0/<.-/'7:'A86?';8--0.='4?'906=%06=5;.='/756='98C./>'

The MOXIE tank sits in the location of an original air conditioning 560*3'=./0@6.='4?'*+.'E6;./*7-'*7'9+7A'*+.'+75/.N/'<7//.//076';86' 4.'*-8;D.=>'

E'1.**.-'7:'=0/A0//81':-7A'*+.'80-';76=0*07606@';7A<86?'76;.'-.8=3' OE/'8'-./51*'7:'*+.'7C.-%811'<186/'7:'*+.'L7A<86?3'9.'8-.'67*'06'8' position to make use of [said Ancestorâ&#x20AC;&#x2122;s] services.â&#x20AC;? The letter became 4-0**1.>'

P0/'+8-A760;83'+79.C.-3'/*011'-.A806/'56=.-':8A01?'<7//.//076>


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Guest quarters store away cousins and friends passing through the dimension, as well as those passing through *+.'8-.8>'H5-'86;./*7-/'=.*.-A06.='*+8*'9+.-.C.-'86='*7'9+.6.C.-'9.'@7'*+.-.'/+751='4.'8';75/06'*7'-.;.0C.'5/>'


!"#$%&'%'()&(*+%( northwestern upper loft, ,-.(/+0*(/0#(&-.*+/%#*%.&( 1%2-.%(/%(&-(3-&4%.(+0'(0( magnetic north), the stay #$05%#(2-.6(0(5-66"&)*7( coming and going. The 5"1)53%#(50&(1%(055%##%'( 8)0(0(#%5-&'9#*-.7(/)&'-/( %&*.0&5%:(#-(*+0*(4"%#*#('-( &-*(+08%(*-(2%%3(*+%7(0.%( ')#*".1)&4(*+0*(4%&%.0*)-&;#( )&+01)*0&*#<

=+%&(>-75%(5-6%#(*-(#*07:( it is lively; though she never #*07#(3-&4:(/%(?&-/(/+0*( %8%.7-&%(%3#%()#("$(*-(17(*+%( *)6%(#+%(3%08%#< Essie stopped in last week 0&'(0#?%'()2(@-"(+0'(2-"&'( us yet. ( e hasnâ&#x20AC;&#x2122;t). Sheâ&#x20AC;&#x2122;s been 3--?)&4(2-.(+)6(2-.(ABB(7%0.#<


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If we enter the basement of the house at the right time, we come upon a flying field. An orange windsock flies along the horizon. There is a windsock outside of the house too. If one person enters the basement, and /7A.76.'.1/.'@7./'75*/0=.3'*+.?'9011'67*0;.'*+8*'4-..B./'<0;D'5<'86=':811'/0A51*86.75/1?3'45*'8198?/':-7A'*+.' opposite direction. Occasionally when we enter the basement, we may see a drafting table setting in the center of the field. At one point or another, this basement was a workshop for model planes.


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F6'<-7C0=06@':7-'C0/0*7-/3' *+.'+75/.'=7./'67*'+8C.' to worry about stairs; *.;+60;811?3'/+8=79/' 90*+75*'8'/75-;.'8-.'67*' 4756='4?'<+?/0;81'/*8*./' *+8*'6.;.//0*8*.';10A406@>' R5*'/7A.'*+06@/'8-.'60;.' 8/'8'/?A4710;'@./*5-.>' S.'976=.-'0:'9.'=0/*5-4' *+.A'76'.6*.-06@'*+.'@5./*' quarters, but always we are 8/D.='*7'=./;-04.'9+8*'0*' :..1/'10D.'*7'*75;+'*+.'9811/>


!"#$%&$'(')*$+%",'$-)./0+',$ .$0+.//'1$#%$#+'$23435$ center; we are located at the '/6$%&$,7%8',$%/$.$9+''1:$ ).6;.#;/<$&)%=$.$+"-$#%$ 9+;0+$9'$.)'$&.0;1;#.#'6$ access. Eventually pipe ;/,#.11.#;%/$7",+'6$#+'$ 9.#')$-.08$#%$#+'$+%",',:$ 0%"),;/<$#+)%"<+$0%77')> 9).77'6$(';/,?$

2'$/%$1%/<')$+.6$#+'$/''6$ #%$)%"#;/'1*$=.8'$%")$9.*$ -.08$#%$#+'$0'/#'):$./6$#+'$ "/6')<)%"/6$&%%#7.#+,$&'11$ out of use. Their plunging ,8*1;<+#,>$9+;0+$.19.*,$ '/.-1'6$%")$,'/,'$%&$6.*1;<+#>$ lost their acquaintance with #+'$,+.6%9,$%&$%")$-%6;',$ .,$9'$7.,,'6$"/6')/'.#+$%/$ %")$%")$9.*$#%$#+'$23435:$ 9.#'):$./6$%")$/';<+-%),?

@%='#;=',$9'$9.18$#%$ #+'$,%")0'$./*9.*?$A7%/$ )"//;/<$;/#%$./%#+')$&)%=$ .$/';<+-%);/<$,7%8':$9'$ 'B0+./<'$9%)6,?$!"#$%&'(&)*+,% -./%0(1)#?$2'$+'.6$-.08$#%$ %")$)',7'0#;('$69'11;/<,$(;.$ %")$)',7'0#;('$&%%#7.#+,:$ '.0+$&''1;/<$#+.#$%")$ mission was satisfied. There 1/(%+.%0(1)#:$9'$)'7%)#:$.,$9'$ =.8'$%")$9.*$#+)%"<+$%")$ -.,'='/#$6%%)9.*,?$


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S-8<<06@'8-756='9+8*'98/'76;.'*+.'+75/.N/'/75*+.8/*.-6';7-6.-3'*+.'/0@681'-77A' fits itself along four windows, which once belonged to the houseâ&#x20AC;&#x2122;s second story.

These windows are the first to breach the ground level, walls rising above the frigid surface.

F6'75-'=0A.6/076'*+.'906=79/'+8C.'4..6'-.67C8*.='*7' 06*.-;.<*'/01.6*'/756='98C./':-7A'811'=0-.;*076/>

Renovators initially worried about positioning; they thought they might be unable to adequately intercept signals coming from the once-northwest.

They found soon enough that this was not something to worry about; the silent soundwaves :756='*+.0-'98?'06*7'*+.'<-7<.-';+866.1/3'.8@.-'*7'4.'A860:./*.='06*7'85=04010*?>'


One never knows what will be heard when walking into the signal room; the center is one of anticipation.

'F*'0/'8'98?'*7'+.8-':-7A'*+7/.'9+7A'9.'+8C.'67*'?.*':756=>

F:'A86?';+77/.'*7';7A.'86='10/*.63'*+.?'A5/*'4.'/01.6*>',7A.76.' *8D./'*+.'-./<76/04010*?'7:'@-8<+06@'*+.'06*.-;.<*076/>

The graphs are traced by a needle, rotating at a pace respective to the soundwaveâ&#x20AC;&#x2122;s <186.*8-?'820/'7:'7-0@06>

G75-'@-8<+/'8-.'<18?.=3'76.':-7A'.8;+'906=79';+866.1>

'E/'*+.'98C./';7A06@'*+-75@+';+86@.'8*'86?'A7A.6*3'06*.-;.<*076/'A5/*'4.' ;85@+*'4.:7-.'*+.?'8-.'@76.>

Thus, the room is nearly always occupied by a willing attendant.


It is, expectedly, Essieâ&#x20AC;&#x2122;s main destination when she comes to stay with us. She listens relentlessly for Lou, for the first time uninhibited by a physical body that once blocked soundwaves trying to access her silent ears.

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S811/'7:'+0@+%=.6/0*?'4-0;D/' A8=.':-7A'0-76'720=.% 18=.6'/701'4.;7A.':-0@0='*7' *+.'*75;+3'/+0.1=06@'906=/' 8C.-8@06@'%&('=.@-../'L.1/05/>' T7'-.06*-7=5;.'98-A*+'*7'*+.' *0@+*1?'<8;D.=';18?3'-./0=.6*/' 106.='*+.'9811'<186./'90*+' A0;83'/.8106@'*+.';18?'06' *-86/<8-.6*3'<8<.-%*+06'18?.-/' 9+0;+';8*;+'*+.'10@+*'8/'76.' shifts positions. The metal 48186;./'8'@.6*1.'.1.;*-0;81' ;5--.6*'7:'+.8*'8/'9.11'8/'*+.' 56=.-1?06@'45BB06@'<51/.'7:' *+.'+.8*06@'67=./>'


E*'*+.'<706*'06'*+.'=8?'9+.6'*+.'6.0@+47-+77='4.@06/'*7'*5-6'898?':-7A'*+.'/563'76.'177D/'5<'8*'*+.'906=79' to the airâ&#x20AC;&#x2122;s haze, which carries a Mie-scattered tincture. While the vast space looks cold, we feel the warmth 7:'*+.'/5610@+*';7A06@'*+-75@+'*+.'/D?10@+*/3'9+0;+'/98*+/'*+.'/D06'86='*+.'9811/'06'8'A5*.='415.'@179>'R15.' glints against metallic walls are the first stars of the night.


44


Embodied residents looked forward *7'*+.'=8?'9+.6'*+.'-5/*?'/718-' 4.8A/'+0*'*+.'+75/.N/'9811/':-7A'*+.' /0=.3'*+-75@+'906=79/'9+0;+'76;.' 177D.='75*'*7'6.0@+47-+77=/':-..% /*86=06@'56=.-'*+.'7<.6'/56>

S.';76*.6=.='90*+'*+.'A86?';1.8-' 18?.-/'/.8106@'5/':-7A'*+.'/D?3'56=.-' -8=08*076'1.6/./'7C.-'9+0;+'*+.'=5/*' ;175=/'=86;.>


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The room that intercepts /0@681/'0/';71=.-3'*+.'9811/' 67*'/5--756=.='4?'*+.'98-A' 80-'+.1='10D.'8'<7;D.*'06'*+.' /54*.--86.86';8C.-6'*+8*' shelters the floors below.

E*'*+0/'+.0@+*3'*+.'9811/' 4-.8D'*+.'@-756=N/'/5-:8;.>'

The wind funneling into *+.'/756=';+5*./'+8/'86' 56<-.=0;*841.'*.A<.-8*5-.' C8-086;.3';7--./<76=06@' 90*+'*+.'/0@681/'0*';8--0./>

S8-A'@5/*/'8-.'67*'761?' welcome, but promising; 8*'#U'=.@-../'L.1/05/3'*+.?' 06=0;8*.'*+.'06*.-;.<*076'7:' 8'-.A8-D841.';76*8;*>


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H6'*+.'D0*;+.6'*841.'/.*/'8'<.9*.-'<0*;+.->'P8C06@'675-0/+.='*.6/'7:'=7B.6/' 90*+06'0*/'10:./<863'0*'+8/'67*'?.*'4..6'-.*0-.=':-7A'0*/'=5*0./3'86='+8/'*8D.6' 76'86'8==0*07681'-71.>'

Water (pumped 1.2 kilometres from our WAVAR radius to the tap) falls /1791?'06*7'75-'@18//./3'*8D06@'0*/'*0A.'06'8'98?'9+0;+'9.'+8C.'/*011'67*'?.*' @-796'8;;5/*7A.='*7>'

S+.6'<75-.=':-7A'*+.'<.9*.-'<0*;+.-3'*+.'/756='7:'*+.':81106@'/*-.8A' -.C.-4.-8*./'*+-75@+'*+.'D0*;+.6>'

If we are quiet we hear the echoes of laughs from the place where the 98*.-'76;.'<75-.='A5;+':8/*.->'


When not in use, the pewter pitcher remains on the table, filled to the top.

F*'0/'86'818-A'/?/*.A>

If the water begins to boil or evaporate, quick action is needed to stabilize *+.'+75/.N/'<-.//5-.>


&Q


There are two bathrooms in 135-56 229th Street. The +81:'48*+3'76;.'17;8*.='8*' *+.'.6='7:'8'68--79'+81198?' branching off from the door *7'*+.'48;D'<7-;+3'+8/'4..6' -./0*58*.='*7'0/718*076>'F*'+8/' 4..6'/80='*+8*'!U'?.8-/'8@7' the ghost of a queen dead /7A.'Q$K'?.8-/'8<<.8-.=' 06'*+.'A0--7-3';811.='5<'4?' 75-'E6;./*7-'*7'9+7A'*+.' +75/.N/'<7//.//076';86'4.' *-8;D.=>'V706@':7-*+':-7A' *+8*'=8?'*+.'48*+-77A'98/' *806*.='4?':.8->'


The full bath contained A0--7-/'06'9+0;+'9.':.1*'9.' ;751='A..*'75-'796'.?./>' W.*'0:'9.':756='75-/.1C./' /*86=06@'06'*+.'@18//';540;1.' prior to or after running the water, we frequently dodged <01179/3'9+0;+'+8='*+.'+840*' of flying at us unexpectedly. Their intent seemed good68*5-.=>


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Emerging from a second/*7-?'+81198?'/*86=/'8';+./*' 90*+'*97'+56=-.='/A811' =-89.-/>' H5-'71=.-'@5./*/'06:7-A.=' 5/'*+8*'0*'98/'76;.'977=> X7*'76.'0/'/<8-.='7:'*+.' 5-@.'*7'/*7<'86='7<.6'.8;+' =-89.-3'/.8-;+06@':7-'8' *86*810B06@';76*.6*'06C0/041.' *7'*+.'.?.3'45*'9+0;+'0/' D6796'9+.6'*+.';7--.;*' =-89.-'0/'7<.6.=>

,7A.*0A./3'0*';751='4.' :756='06'*+.'*+0-='=-89.-' from the left, down twelve -79/>'R?'*+.'6.2*'+75-'0*' A0@+*'+8C.'A7C.='*7'*+.' /.C.6*+'=-89.-':-7A'*+.' right, down fifteen rows. We pull open drawer after =-89.->'F6+8106@'=..<1?' allowed us to find the invisible content, flirting with us by its frequent -.17;8*076> The drawersâ&#x20AC;&#x2122; contents are A74010B.='76'*+.'9+0A/' 7:'*+.'76.'9+7'+0='86=' -.17;8*.='*+.'74I.;*'7:'75-' /.8-;+'!K'*7'!)'?.8-/'48;D>


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he fumes are re-enacted before dawn on Sundays through Fridays, wafting *+-75@+'*+.'+811/'8/'A7/*'/*011'10.'8/1..<>


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E/'9.'.2<86=3'9.'A8D.'75-'98?'5<98-=/3'=796'86='75*>

The spokes of the wheels lengthen; extended copper pipes carry water and air further from the source.

Z6:8A0108-'<7//.//076/'8<<.8-'76'75-'D0*;+.6'*841./>


H5-'/0@681'-77A'+8/'4.;7A.'8'67=.'06'8'/?/*.A'7:'6.0@+47-/>'S.'/0<+76'A.//8@.%18=.6'906=' breaths through air duct veins from one translator to the next, hoping they find the right person.


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X.9'06*-7=5;*076/'060*08*.'*+7/.'/.<8-8*.='4?';.6*5-0./>'


E*'"#$%$&'(()*+',*>3'67'[8==0/+'0/'*7'4.'/80=3':7-'9.'9751='-0/D'A0//06@'*+.'C.-?'<.7<1.'9+7/.' voices are carried in the houseâ&#x20AC;&#x2122;s breaths, which extinguish the flame lit wistfully for them.

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Descending to the basement to stroll slowly across the flying field, the =85@+*.-'=0/;7C.-/'8'@-8C.1'<8*+'6.91?'180='8*7<'*+.'906=41796'@-8//./>

135-56 229th St.  
135-56 229th St.  
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