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THEATRE “It’s finding that energy,” Charles continues. “Sometimes it’s such raw performers and sometimes it’s people who have been in 10 shows. It’s an instinctive thing – they’re Motown. Working closely with Mr Gordy and Michael I’ve been able to ask, what is that thing that Stevie Wonder has, what is that specific thing that Smokey has? We find someone that is authentic, rather than make them pretend to be that.” After success on Broadway and in the West End, the team really wanted to bring their new baby to the rest of the UK. “We owed it to the UK,” says Michael. “It is probably 50% responsible for the success of Motown; it has kept Motown alive. The vibe here is fantastic, audiences are screaming and cheering and it’s incredible, it’s like being back in one of the shows from the ’70s. The UK has always loved Motown, and we needed to do this tour because we know wherever we take Motown The Musical in the UK, it will be loved.” “What has surprised me the most with audiences is that Motown appeals to every age,” Charles chips in. “I love that each audience member finds some aspect of this show that resonates with them. The show is infectious, and the UK truly knows and loves this music. It’s not just a record label, it’s not just a show, it’s a movement.” • motownthemusical.co.uk; atgtickets.com Nathan Lewis as Smokey Robinson
Motown wanted Lovesmith to work with the Jackson Five because he was their age and could relate to them in a way that not everybody could
30 THE BRISTOL MAGAZINE
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JANUARY 2019
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No 175