

TAKE A DEEP DIVE


INVISIBLE CIRCUS
Doug Francisco on his troupe’s next adventure
TAKE FLIGHT
The new destinations launching from our airport DEARLY BELOVED
We are gathered here for a very special Wedding Edit KNOCK, KNOCK!
Front door colours and exterior paint ideas





Submerge yourself in Ocean Photographer of the Year’s extraordinary habitats at SS Great Britain





What’s
Indulge
Bridgerton
We
Mesmerising
The hit stage show adaptation of everyone’s



48 WORKS OF ART
52
54
58
80


Exhibitions across the city are waiting to enrich your soul and delight your senses
Our friends at Gloucester Road Books are feeling adventurous with their recommended reads
Curious highlights from new book Quirky Bristol
Delicious morsels of news from our city’s culinary quarter, plus some chilled red wines to quaff
Simon Horsford investigates the new desinations to fly to from Bristol Airport this Spring
Andrew Swift’s on a quest to find some bluebells
Join our city’s iconic patchwork of multicolour houses






Credit: Andre Pattenden



Publisher Steve Miklos
Email: steve@thebristolmagazine.co.uk

EDITOR from the

The council recently gave a big old thumbs up to a multimillion-pound investment to improve our harbourside, with the princely sum of £7m being splashed on its historic infrastructure – from the centre’s Cascade Steps and Pero’s Bridge through to Netham Lock. Welcome news, I’m sure you’ll agree. But what about the water that these systems contain? The council’s package was announced during the same week that a group of visual artists launched a pavement mural campaign highlighting the need to improve our local waterways’ health. If you’re lucky, you might get to see some of the ‘only rain down the drain’ artworks – complete with critters who call our rivers home – before they get washed away. With harbours, locks, rivers, basins, lakes, babbling brooks and the Channel beyond a central part of Bristol’s genetic makeup, we rarely go very long in this magazine without focusing on water, whether that’s through an artistic lens or conservation concerns. True to form, we’ve got a bit of both in this issue. Just look at the incredible alien-like creature on our front cover. You can see this remarkable snap up close and in person at SS Great Britain as part of the new Ocean Photographer of the Year exhibition (page 42). The moments so beautifully captured really hammer home how extraordinary the world’s waters are, the sheer breadth of life they contain and humans’ connection to them.
If we’re talking mystical creatures of the sea, look no further than Bristol’s very own mermaid (page 8). Hannah Fairhall was recently crowned Mrs Ocean World UK – but it’s unlike any other pageant competition you’ve heard of before. Rather than focusing on aesthetics (though it’s hard not to overlook Hannah’s glorious fuchsia mermaid tail, I admit), her hard-earned title is all about responsibility to marine habitats and ocean advocacy. Hannah’s already earned her... well, scales, when it comes to conservation work and I’m excited to see what she does next.
Other vital habitats in the city that need to be protected are creative spaces, which are under threat. Someone who knows this only too well is the legendary Doug Francisco, ringmaster general of Invisible Circus. He reflects on the troupe’s experience with eviction from its former sacred home on page 34 and, thankfully, sheds light on some brighter times ahead with new shows in the pipeline.

Oh, and if all that wasn’t enough to see you into Spring, there’s a huge wedding special from page 16 including guest outfits, Bridgerton’s influence on nuptials and our annual guide to the best wedding suppliers in the south west. If anyone has any objections to that, speak now, or forever hold your peace.
Financial Director Jane Miklos
Email: jane@thebristolmagazine.co.uk
Editor Rosanna Spence
Tel: 0117 974 2800
Email: rosanna@thebristolmagazine.co.uk
Editorial & Digital Assistant India Farnham
Email: india@thebristolmagazine.co.uk
Production Manager Jeff Osborne
Email: production@thebristolmagazine.co.uk
Advertising Sales Liz Grey Email: liz@thebristolmagazine.co.uk
For advertising enquiries, please contact us on 0117 974 2800 Email: sales@thebristolmagazine.co.uk
The Bristol Magazine is published by MC Publishing Ltd. An independent publisher.
Every month, The Bristol Magazine is hand delivered to more than 15,000 homes in selected areas. We also deliver direct to companies and businesses across the city. Additionally, there are many places where we have floor-stands and units for free pick-up:



Rosanna Spence
CLIFTON ARCADE
Image by Yury Ivanov from Ocean Photographer of the Year at SS Great Britain

The Cityist

of Nature
2025 ©
Ania Shrimpton
MyBristol
Meet Hannah Fairhall, aka Mermaid Hannah Pearl, who was recently crowned Mrs Ocean World UK 2026
I’ve always been drawn to Bristol because it’s a creative, bold city that’s still close to the sea. I love that I’m never far from water or green space. I live in South Bristol and within minutes I’m in woodland, by the river or walking through open fields. You get city energy and wild nature side by side. That mix suits me. I can run a mermaid storytime in the morning and be walking through a valley by the afternoon. Secondly, I love our vibrant, eclectic and wonderful mix of arts, creativity, communities and passions. Being a mermaid is just a Bristol thing!
A hidden gem I absolutely adore is Redcatch Community Garden in Knowle. It’s community led, eco-focused and full of wildlife. You can feel the care that’s gone into it. It really shows the power of community and inspires me to look after my own local spaces.
When I want to feel truly inspired, I head to anywhere near water. The river trails in South Bristol ground me. When I walk there, I’m reminded why I care about protecting marine life. Even small waterways connect to something bigger. One such place is Nightingale Valley and St Anne’s Woods. Wild, untamed and tucked away in busy South Bristol. There’s a gorgeous stream running through and open wild nature that feel miles from the city. It’s magic.
Freediving is my switch-off. Being in water isn’t performance for me. It’s grounding. It reminds me why I started this journey in the first place. Vobster Quay is a gem only 40 mins from Bristol. It’s a tree-lined diving quarry with clear, calm water. I freedive there and the underwater silence is something else. No noise. No distractions. Just water, light and stillness. That serenity resets me completely.
My Mrs Ocean Work UK title represents responsibility. It stands for integrity, education and using your voice and creativity with purpose. It’s different because ocean advocacy is the heart of it. You’re judged on environmental knowledge, sustainability leadership and your ability to create real impact. It isn’t about appearance. It’s about action. I’ve spent years freediving, scuba diving, reporting ghost nets and organising litter picks and beach cleans. I’ve seen coral damage and plastic pollution up close. This platform recognises that lived commitment and gives it reach. Winning means I now have a stronger voice and a bigger platform. I can use my mermaid persona to take conversations about banning bottom trawling in protected UK waters and the impact of industrial krill fishing in Antarctica into bigger, national spaces.
This year, you can find me at Mermaid storytimes at Bath and Keynsham libraries in the Spring, at community litter picks across South Bristol, at the Festival of Nature’s Mermaid Meet and Greet in June and online, where I’m launching my new children’s game Little Ocean Rescue, which raises funds for the Marine Conservation Society UK, 2 Minute Foundation and the Captain Paul Watson Foundation. It teaches children about plastic pollution and ocean protection through play. I’m also continuing to campaign for stronger marine protection in UK waters.
Swim over to rubyrockpool.co.uk for upcoming storytimes, events, parties and all the ocean adventures. | Follow @mermaidhannahpearl on Instagram and Facebook

5 things to do
Watch some theatre
It is the darkest period of World War II. King Arthur and the Knights of the Round Table have returned… to do battle with the Nazis. Along the way, the knights uncover clues that will lead them to The Grail – a terrifying bomb, the weapon to end all wars. Mythic and modern worlds collide in this irreverent and playful adaptation of Donald Barthelme’s postmodernist comedy The King, directed and adapted by Chris Thomas, from the Kelvin Players. 14-16 April, tickets starting at £12.
Tickets and more info at kelvinplayers.co.uk


Admire the tulips
Tulip mania has returned to Dyrham Park, where you can immerse yourself in a world of tulips this season, celebrating the springtime favourite which has strong links with the history of Dyrham Park. Starting from 13 April and running until 4 May, the event is free and booking is not required. Normal admission fees to Dyrham Park apply. nationaltrust.org.uk/dyrham-park

Celebrate spring at the farm fair
Join the folks over at St Werburghs City Farm for the annual Spring Celebration at Boiling Wells on 25 April, from 12pm-5pm. There will be live music, maypole dancing, a barbecue, cakes, crafts, cider and beer and lots of fun for all the family! Under-5s go free.

For more information about the farm and its events, visit swcityfarm.co.uk
Improve your acting
Are you an actor interested in exploring the fundamentals of the Meisner technique? Then head to Mind Ya Business Theatrics’ studio at Sparks Bristol (Broadmead) every Tuesday from 6.30pm for the two-hour ‘The Meisner One’ acting lab. It’s ideal for actors wanting to align their body and mind to listen actively and follow those instincts; deepen their ability to connect truthfully with other actors; and who want to improve by bringing curiosity and showing up consistently to see results. Guided by experienced Meisner practitioner Talitha Wade, this weekly, drop-in lab is a space for focused practice where actors will build, refine, and strengthen their craft. Sliding scale tickets from £15. More info and booking via hdfst.uk/mind-ya-business




Have a riotous laugh
Bristol's madcap DIY cabaret club night RIOT ACT returns to The Loco Klub with a bang on Monday 27 April. Headlining the bill are two heavyweight legends at the top of the UK's comedy and rap scenes today. Multi award-winning smash hit comedy sensation Jeff Innocent (pictured, top) brings the heat to the stage with characteristic comic genius flair; and meteoric rising star of UK rap Jah Digga (pictured, bottom) takes to the mic to give a high-octane masterclass in hard-hitting lyrical dynamism to remember. They'll be joined by Bristolian dancefloor legends Ruffnek Diskotek, who will close the night with with an exclusive DJ set; Bristolian poetry hero Muneera Pilgrim (pictured, middle), local comedy talents Troy Orchard and Jasmine Darling, and Riot Act instigators Sam Riot and Otis Jones will host a fast-growing crowd favourite open mic, with three-minute slots available to performers of all styles on the door.
Image credit: National Trust Images/James Beck


New workshop to explore community through storytelling
A new monthly workshop in East Bristol is creating space for people to connect, create and imagine more resilient communities together.
Launched by Make a film in a Weekend CIC, ‘Eat, Make, Share: Bristol Community Story Meetups’ invites people aged 18+ to explore community, climate, belonging and grassroots social action through storytelling. Held at Wellspring Settlement, the monthly sessions bring people together for shared food, creative activities and reflection, using film, spoken word, discussion, visual art and other storytelling approaches to support Bristolians to connect, build confidence and collectively imagine a different future.
The workshops are part of Mafia Weekend CIC’s wider mission to build creative, resilient communities across Bristol. Since 2024, the organisation has worked with more than 300 Bristolians through sold-out events, creative programmes and social action projects. Mafia Weekend CIC is now looking to hear from participants, volunteer collaborators, community partners and local supporters. Whether you want to take part, share skills, refer someone or explore a collaboration, this is an open invitation to get involved.
For more information, search for the event on Headfirst Bristol, follow @mafiaweekend on Instagram or email team@mafiaweekend.com
(Image credit: Leoni Fretwell)

Boots to open Beauty-only store
Boots is open a Beauty-only concept store in Bristol this Spring, bringing its beauty retail experience outside of London for the first time (CGI image below).
The 11,000 sq ft Boots Beauty store will open in the centre of the Bristol Shopping Quarter at the Cabot Circus Shopping Centre and will showcase more than 200 well known and emerging brands across skincare, haircare, fragrance, cosmetics, premium beauty and electrical beauty. Leading brands will include, Kylie Cosmetics, One/Size, Wonderskin and SheGlam as well as introducing customers to new brands never seen before at Boots, including several UK high street exclusive ranges. The store will also feature a dedicated space to explore a new selection of niche and independent fragrances. The store will offer free beauty services, including skin scans, and personalised expert wellness advice delivered by Boots’ specialist team to give customers personalised guidance tailored to their needs.
boots.com

UPFEST kicks off with new street gallery
UPFEST is launching its 2026 programme with Quakers Art Lane in Quakers Friars, a new permanent outdoor street art gallery delivered in partnership with Cabot Circus. Expanding beyond Bedminster and Southville for the first time, the collaboration will bring five renowned artists to Bristol city centre to create a series of large-scale murals. From Friday 24 April until Tuesday 5 May, Quakers Art Lane will mark the official start of UPFEST 2026. Building on Dave Bain's Aardman-inspired mural on Quakers Lane, these five new murals will complete the transition of the lane into a must-visit destination.
Quakers Art Lane will bring together internationally recognised names alongside emerging local talent. Bristolian legend Inkie, one of the most influential names to emerge from the city’s graffiti movement, returns to UPFEST as a longtime supporter of the festival. His work can be seen across Bristol, including three artworks along North Street in Bedminster; his signature Ink Nouveau style has become a huge part of Bristol’s visual landscape. Joining him are Melo (pictured), who painted official Women’s Rugby World Cup Fan Zone at Bristol Amphitheatre last September; renowned Greek artist Insane51; internationally acclaimed My Dog Sighs, known for his hyper-emotive murals and Freeartfriday project; and HazardOne, who has been named one of the UK’s Top 5 female graffiti artists by The Guardian. upfest.co.uk


Ella Morgan wins icon accolade
TV personality Ella Morgan, who hails from Bristol and appeared on Channel 4’s Married at First Sight, has been presented with the Gaydio Icon Award, recognised for her tireless dedication to putting trans voices and visibility at the centre of her public platform. The Gaydio Awards returned to Manchester for its fourth year, recognising individuals, organisations, and initiatives making a meaningful difference to LGBTQ+ lives across the UK.
gaydioawards.co.uk
Image: The Vain Photography, Carl Sukonik
A stitch in time: Bristol Tapestry marks 50th anniversary
A piece of local heritage, the Bristol Tapestry, is celebrating 50 years since its completion. The idea was first conceived in the 1960s by Marjorie Bleasdale and Jean Tanner, who set out to capture the rich history of Bristol in textile form. Before a single stitch was made, months of research went into deciding what stories to include. With support from the local Art College, the ambitious design took shape: 27 large panels alongside 185 smaller scenes, all brought to life on 25 yards of Irish linen.
The tapestry’s journey has not been without drama. During the 1973 Bristol 600 celebrations, a sudden storm struck, damaging the work when its marquee collapsed. Mud and dye stains threatened to ruin it, but dedicated conservators worked tirelessly to restore the tapestry in time for a royal viewing. Queen Elizabeth II reportedly admired the piece so much she encouraged Princess Margaret to see it as well – an endorsement that further cemented its reputation. Plans are now underway for a potential reunion of the original stitchers on 2 June, marking 50 years since the tapestry was featured on regional television. collections.bristolmuseums.org.uk
as depicted in the Bristol Tapestry, with Sheila Dawkins, who worked on it in 1976


Hospitality operator scoops award
Venue operator Quarter (which looks after ventures including Pizza on the Park, No.4 Clifton village, The Square Kitchen and Rack’s Bar and Kitchen), has been awarded Hospitality Group of the Year in this year’s Innovation Awards programme, run by Corporate LiveWire.
Quarter looks after a variety of businesses – from Airbnb management to fine dining – demonstrating a breadth of expertise and ability to provide exceptional hospitality across multiple sectors.
As well as dining businesses, overnight stays managed by Quarter include Clifton Hotels, Airbnb managed by Host360, self-catered stays at Berkeley Suites, and Clifton Short Lets. Guests looked after by Quarter seeking co-working space can also visit Square Works, which offers discounted day passes to hotel guests.
“We are proud of what we have achieved at Quarter and remain committed to putting in our utmost effort in everything we do as a company,” a spokesperson says of the recent win. qrter.com
New podcast uncovers city pirates, crime and hidden history
A new podcast exploring Bristol’s hidden history of pirates, crime and punishment launches this month – revealing the extraordinary true stories behind the city’s past.
Bristol: It’s Criminal, created by award-winning theatre company Show of Strength, brings together historical research, expert guests and Bristol storytelling to uncover the real events that inspire the company’s popular theatre walks across the city.
Hosted by Show of Strength’s Creative Producer Sheila Hannon (pictured, right), the podcast dives into the people, myths and mysteries that shaped Bristol, from notorious pirates to grisly courtroom dramas.

The podcast launch comes as Hannon herself celebrates national recognition after being shortlisted as a finalist in the VisitEngland Tourism Superstar Award, which recognises people who go the extra mile to create memorable visitor experiences.
Show of Strength has spent nearly four decades bringing Bristol and Bath’s history to life through theatre, performance and storytelling, with productions and theatre walks uncovering hidden histories across neighbourhoods and communities. showofstrength.org.uk
Pictured:The Lord Mayor admires the picture of the mayor of 1373

Local author calls for support after publisher collapses
A campaign is underway to bring back Back Yourself, a widely praised guide addressing wellbeing, identity, and racial trauma. The book’s author, Lildonia Lawrence, had seen the work gain strong support from readers and organisations alike, particularly for its culturally informed approach to mental health and healing. However, shortly after publication, unexpected challenges arose when her publisher collapsed, leaving the book abruptly unavailable.With no access to original production files or distribution channels, the project now faces the unusual challenge of being rebuilt entirely from scratch. While the written content remains Lawrence’s, the design and publishing assets were tied to the original publisher, requiring a full redesign and republication process. Funds raised will cover essential costs, including redesign, typesetting, and securing new publication identifiers to ensure the book can once again be distributed both nationally and internationally. gofundme.com (search ‘Lildonia Lawrence’)
GOOD NEWS! Baby Bank Network Bristol has introduced emergency newborn bundles at Southmead Hospital for families welcoming a child without the essentials to take them home, in partnership with North Bristol NHS Trust (NBT) Maternity Services. Healthcare professionals at the maternity unit are now able to provide immediate support to new parents experiencing poverty, crisis or other challenges – ensuring every baby can be safely discharged with clothing, nappies and toiletries. This is the first initiative of its kind from Baby Bank Network.
babybanknetwork.com



Cap Sleeve Satin Dress, £229.










































Satin Bow Slingback. Heel, £70.
Chubby Block Hoop Earring, £55
Mini Shell Beaded Tay, £130.
Mini Geo Rose. Bias Dress. £175
Croc Leather Belt, £70.
Sheer Cape Dress. £219.
Adjustable. Lariat. Necklace, £65.
Cap Sleeve Satin Dress £229.
Corinne Tailored Blazer. £199.
Shimmer Curved. Seam Dress. £179.
Mason Tailored Trousers. £149



MARC JACOBS
Daisy Ever So Fresh eau de parfum, 75ml
£47.50 lookfantastic.com
GUERLAIN
Terracotta
Flower Blossom
The Sun-Kissed
Natural Healthy Glow Powder £48 johnlewis.com


Flower Power
GUCCI
Flora Gorgeous Gardenia
Rouge De Beauté Brillant
Limited Edition Lipstick
£38
johnlewis.com



Wake up and smell the roses! Spring means everything is blooming, but why should the flowers have all the fun? We’ve picked some petal‐perfect products that are guaranteed to get you glowing this season


ANTHROPOLOGIE
3D Floral Hair Pins, Set of Two, £28 anthropologie.com



CHANEL
GARDÉNIA eau de parfum, 200ml £400 chanel.com


BRAMLEY
The Wild Botanical Gift
Set with Sophie Allport £42 bramleyproducts.co.uk
CHARLOTTE TILBURY






Charlotte’s Magic Life

Changing Lip Mask
£33.50 spacenk.co.uk


OLIVER BONAS
Rose Bud & Patchouli
Scented Bath Oil
£9.50 oliverbonas.com
JO MALONE
Soap

LIZ
EARLE

Orange Flower


Botanical Hand Wash
200ml
£15.30 boots.com
Peony & Blush Suede
£20 jomalone.co.uk




The Bride-gerton Effect



Loved up couples‐to‐be can’t get enough of elegant, Regency era‐inspired wedding celebrations
Netflix’s smash-hit, romantically riotous series Bridgerton may be in its fourth series, but its enduring popularity and ripple effect impact on the wedding industry doesn’t seem to be going anywhere anytime soon.
In fact, according to wedding specialist Hitched, Bridgerton-style weddings are up more than 190% year-on-year. The quintessentially British aesthetic leans into opulence – from corsets to classic cakes and crystal chandeliers – and pairs neutral, traditional tones with pastel palettes that lend themselves to year-round celebrations. And, just like the characters we’ve come to know and love in the series, a Bridgerton-inspired bash can become as playful as you like, whether that’s employing a string quartet to reimagine your favourite club hits to walk down the aisle to, or creating intricate sculptures out of food and ice. Of course, as with the meticulously-designed TV sets, the setting of any Bridgerton-inspired wedding is essential for creating a convincingly immersive Regency world on your special day. Heritage venues, country houses and grand estates complete with manicured gardens are obvious go-to options (and thankfully, the South West has an abundance of properties perfect for this – with some even used as actual filming locations for the series), but most elegant wedding venues can be transformed into a Bridgerton set with enough tasteful draping and seasonal blooms adorning the walls and tables.
This iconic period elegance doesn’t need to stop there, though. The wedding party can be dressed top-to-toe in the finest Regency regalia. For brides, there’s delicate corsetry, lace, capped sleeves, long lines and intricate hair styling. For grooms – embroidered waistcoats, cravats, tailored tailcoats and luxurious fabrics, such as velvet in rich tones. But the ease and adaptability of the aesthetic means that all these elements can be incorporated into wedding getup that sits anywhere on the gender spectrum, from corseted feminine longtail tuxedos to dresses with top hats and pocket-watches. Indian regal fusion outfits with sherwanis and velvet Nehru jackets also blend formalwear with Regency elegance beautifully. Plus – the more guests you can entice to embrace the theme, the better!
With dating apps and reality TV shows highlighting the fleeting nature of love in 2026 it’s no wonder so many people are turning to Bridgerton, which centres old school romance (with a modern twinkle in its eye, of course), for inspiration for their big day. But no matter how you choose to theme your upcoming celebration, we’re here to help. Keep reading to discover our 2026 Weddings Guide...
The latest season of Bridgerton, which features the final wedding scene pictured here, is available to stream on Netflix | netflix.com
Image: Bridgerton (L to R) Jonathan Bailey as Anthony Bridgerton, Luke Thompson as Benedict Bridgerton and Yerin Ha as Sophie Baek in series 4, episode 8 of Bridgerton. Credit: Liam Daniel/Netflix © 2025


Tying the knot?
Are you ready to say ‘I do’? Our guide to the very best local wedding‐based businesses is bustling with great ideas and wonderful folk who will help make your Big Day extra special

SHY MIMOSA PERFUMERY EXPERIENCE
42B The Mall, Clifton, BS8 4JG | shymimosa.co.uk

FIRST PRESS HOSPITALITY
firstpresshospitality.com
Based in the charming town of Bradford on Avon, First Press Hospitality is an award-winning luxury wedding caterer known for its thoughtful, ingredient-led approach. Created by Head Chef and Sommelier James Twiner and Commercial Director, Clara Howard, the team brings decades of combined hospitality experience to every celebration. Working closely with each couple, they design bespoke menus inspired by personal stories, seasonality and setting – from elegant canapés to beautifully curated wedding breakfasts and relaxed feasting. With a focus on exceptional produce, intuitive service and considered detail, First Press creates wedding dining experiences that feel personal, refined and truly memorable.
Choosing a fragrance for your wedding day is often overlooked amid the many decisions surrounding the celebration – the dress, the suit, the flowers, the table settings and every thoughtful detail that shapes the occasion.
Yet scent has a remarkable power: a single breath of fragrance can instantly transport you back to the emotions, atmosphere and memories of that day.
At Shy Mimosa Perfumery, wedding fragrance consultations are designed as an intimate and mindful experience, helping couples select a scent that truly reflects both their personal style and the spirit of their wedding day.
Led with thoughtful guidance, the consultation explores your individual fragrance preferences alongside the character of your celebration – whether your wedding is elegant and traditional, relaxed and contemporary, or quietly intimate. During the consultation, you will explore carefully selected fragrances and artisan brands to suit the occasion and personal preference. Discover how each perfume evolves on the skin and how they harmonise with your personality, attire and the atmosphere of your celebration.

THE GRANARY & THE GRANARY CLUB
32 Welshback, BS1 4SB | granarybristol.com
In the heart of Bristol, just a short stroll from the Registry Office The Granary & The Granary Club offer a wedding setting that feels entirely at ease. Housed within one of the city’s most characterful historic buildings, it’s a space where heritage and modern celebration meet and where the day unfolds with a natural, unforced rhythm. Upstairs, the restaurant is bright airy and perfect for long celebratory lunches or relaxed wedding breakfasts. Below, The Granary Club brings a shift in mood: a glamorous low-lit cocktail bar made for music, dancing and late-night revelry. Together, the two spaces create a seamless journey from ceremony to celebration all under one roof. All organised by a warm local team.

WYLDE JEWELLERS
6 The Mall, Clifton, BS8 4DR | 0117 974 3582 | nicholaswylde.com
The South West’s leading designer jeweller, award-winning Nicholas Wylde, has been designing original, high-quality jewellery since first opening his Bath store in 1987. Now proudly recognised as Bridal Brand of the Year at the Professional Jeweller Awards 2025, Wylde Jewellers has built a reputation for creating outstanding pieces; from one-off commissions to large corporate orders – all handmade with great passion in the on-site workshop. Nicholas Wylde also offers his own patented diamond cut, the exceptional Wylde Flower Diamond®, featuring more facets than a traditional brilliant cut for enhanced brilliance and sparkle. This exclusive gemstone is unavailable anywhere else in the world. With one of the largest collections of wedding rings in the South West, Wylde Jewellers is the perfect destination for those seeking exceptional wedding jewellery.
ZEBEL
Unit 12, Quakers Friars, Broadway, BS1 3BU | zebel.co.uk
Zebel creates refined, elevated made-to-measure garments for life’s defining moments. With studios in London, Bristol and Exeter, the team offers a truly personalised tailoring experience, combining thousands of exceptional cloths from some of the world’s leading cloth manufacturers, considered design, supreme service and precise fit. Each piece is crafted to reflect the individual; modern, confident, and built to last beyond the occasion. Zebel is here for the moments that matter.

WE THE CURIOUS
One Millennium Square, Anchor Road, Harbourside, BS1 5DB wethecurious.org/venue-hire/weddings
Fancy getting married beneath the stars? A wedding at We The Curious is an experience like no other. You can tie the knot under a thousand glittering stars in the spectacular 3D Planetarium or choose to say ‘I do’ in the bright, contemporary spaces on the top floor of the Grade II-listed building. You and your guests can enjoy drinks on the roof top terrace and the chance to play, solve puzzles and marvel at the world across the science centre’s lower floors of fun, interactive exhibits. We The Curious is a truly unique venue, centrally located on Bristol’s beautiful harbourside, that offers a range of options for guest lists large and small.


TERRY COX – CLIFTON VILLAGE ANTIQUES
2 Clifton Arcade, Boyces Avenue, Clifton, BS8 4AA 07877 633030
In his 40+ years’ experience in the business, Terry Cox of CV Antiques has supplied jewellery to everyone, from stars of stage and screen, members of the royal family and Bristol’s great and good, as well as a host of local people who will attest to his being the West Country’s most competitive jeweller. From his base in Clifton Arcade, he supplies many other retailers, including shops in Bond Street and Burlington Arcade in London. The main focus of his expertise is fine quality diamonds at hard-to-match prices, but the shop has items available from £100, too. Terry and his team will also undertake bespoke design and commissions, restyling and valuations. Shown above: Diamond cluster set in platinum. Guaranteed weight 5ct. VS clarity. Colour: GH. Price: £6,500 (average high street price: £11,500).
PITCH UP AND PLAY
07361806374 | hello@pitchupandplay.co.uk pitchupandplay.co.uk
Ensure a stress-free wedding day with Pitch Up and Play, the ultimate childcare solution! With more than seven years of experience in weddings and events with children, a team of 30+ DBS-checked, qualified Pitch Nannies will provide exceptional care that keeps your little guests entertained with exciting packages like bell tents and cosy movie rooms. The craft table and woodwork activities are a massive hit with children, keeping them creative and engaged throughout your celebration.
Boasting more than 200 five-star reviews, you can trust Pitch Up and Play to handle all childcare logistics while you focus on creating lasting memories. Picture yourself enjoying a glass of fizz, knowing your Mini VIPs are having a blast.
Let parents relax, confident their children are in great hands. Contact Pitch Up and Play today and allow them to be part of your special day!
Photo
by Laura Power


SS GREAT BRITAIN
Great Western Dockyard, Gas Ferry Road, BS1 6TY 0117 926 0680 | ssgreatbritain.org
Step aboard the legendary SS Great Britain, one of Bristol’s most iconic landmarks, and experience a celebration in First-Class style. Begin with a romantic ceremony on the sun-drenched Promenade Deck, followed by celebratory drinks with stunning views on the Weather Deck. Indulge in exquisite dining in the elegant First-Class Dining Saloon, then dance the night away in the lively Hayward Saloon. With its unique charm, breathtaking Bristol Harbourside location, and a dedicated team to make every moment unforgettable, the SS Great Britain is the perfect setting for your special day. Email the events team at events@ssgreatbritain.org
Photo by Rebecca Roundhill


DIANA PORTER
33 Park Street, BS1 5NH | 0117 909 0225 | dianaporter.co.uk
Diana Porter Jewellery is an award-winning independent jeweller specialising in unique engagement rings, bespoke commissions, and the remodelling of heirloom pieces.
Each design is handcrafted in Fairtrade Gold and recycled silver in the onsite workshop behind the Park Street Gallery.
Alongside Diana’s own collections, the gallery features work from more than 80 renowned jewellery designers worldwide. They welcome jewellery reworking, helping bring individual designs to life using a carefully curated selection of oneof-a-kind precious stones, including lab grown diamonds.
NO.4 CLIFTON VILLAGE
Within The Rodney Hotel, 4 Rodney Pl, Clifton, BS8 4HY no4cliftonvillage.co.uk
No.4 Clifton Village is a boutique wedding venue in picturesque Clifton, just moments from the iconic Suspension Bridge. Designed with romance at its core, it blends Georgian charm with sumptuous interiors and contemporary artwork. The stunning Admiral Room features hand-painted Chinoiserie wallpaper and a striking living chandelier, while the intimate Galley boasts a private bar. A rare private walled garden adds to the magic. With exquisite wedding menus, an in-house wedding coordinator, and an adjoining hotel for guests, No.4 Clifton Village provides everything you need for a seamless, unforgettable celebration in a truly enchanting setting.


WATERSIDE WEDDINGS AT HARBOUR HOUSE
The Grove, BS1 4RB | hhbristol.com
Set along Bristol’s floating harbour, Harbour House offers a wedding experience defined by character and a true sense of place. From the first enquiry through to the final taxi home every detail is thoughtfully guided yet entirely bespoke – a celebration shaped around the couple, not a prescribed package. At its heart, Harbour House is a blank canvas. With the support of an experienced wedding planner, couples are invited to build a day that feels completely their own. That might mean a relaxed BBQ spilling out onto the terrace, generous sharing feasts with family and friends or simply a space that transforms effortlessly into a dancefloor as the evening unfolds. The setting itself is steeped in Bristol’s story. As one of the last remaining 19th-century transit sheds on the harbour, the building carries a quiet sense of history with ties to both Brunel’s engineering legacy and the city’s everpresent creative spirit.
Photo by Ivy & Pine Photography

Maria Kabakova-Upfold pictured at Shy Mimosa

Spring is in the air
Fragrance expert Maria Kabakova‐Upfold, who is the founder and creative director of Shy Mimosa Perfumery in Clifton, explains how Spring and Summer scents are moving towards a softer, more intimate direction
Rather than bold, statement-making perfumes, 2026’s Spring/Summer fragrance trends are celebrating subtlety, comfort and emotion. Many new compositions feel grounded in nature with earthy undertones and a sense of calm that reflect a broader desire for balance and well-being.
One of the most notable movements is the evolution of skin scents. These fragrances sit close to the skin and feel almost like a natural extension of it. In 2026, they are becoming warmer and milkier, blending soft musks, ambrette, delicate woods and subtle salty nuances that melt seamlessly into the wearer.
Instead of sugary sweetness, perfumers are exploring more sophisticated edible notes, such as bitter almond, roasted coffee and creamy facets that feel indulgent yet refined. These scents evoke warmth and pleasure without becoming overwhelming.
Another defining theme is quiet luxury. In perfumery, this translates to fragrances that do not need to shout to be beautiful. They are elegant, versatile and understated scents that reveal themselves gradually and feel polished rather than dramatic.
Classic florals are returning, but with a modern perspective. Notes like iris, rose and mimosa are being reinterpreted in lighter, more contemporary compositions that feel fresh and wearable for today; the result is a romantic tension between heritage and modernity. n Get in touch and book a fragrance experience via the website: shymimosa.co.uk/services/sensory-experience, or pay Maria a visit at 42B The Mall, Clifton, BS8 4JG
Here are some on-trend options for the season from Maria’s carefullycurated artisan collection at Shy Mimosa...
Bois d’Ambrette by Atelier Materi | An exceptional skin scent built around ambrette seed, one of perfumery’s most beautiful natural musks. Paired with soft woods and powdery warmth, creating a scent that feels almost like warm skin after sunlight. Subtle, milky and luminous, it embodies the quiet luxury trend – comforting, intimate and effortlessly elegant.


Autoportrait by Olfactive Studio | A modern perfume that blends smoky vetiver, subtle incense, and soft cedarwood for a quietly elegant woody scent. Smooth and introspective, it develops gently on the skin, revealing depth without heaviness. Perfect for gentlemen who appreciate understated sophistication –refined and effortlessly modern, a fragrance that whispers character rather than demanding attention.
Ganymede by Marc-Antoine Barrois | Ganymede unfolds like light on warm stone, balancing mineral freshness with soft suede and radiant woods. Airy yet quietly sensual, it drifts across the skin, evolving with effortless grace, leaving behind a delicate, diffusive trail that lingers on the skin infinitely. Perfectly unisex, it embodies a modern kind of elegance – distinctive yet intimate –drawing others in softly, for those who welcome a whispered compliment.




We deliver to over 15,000 addresses every month. But if you live outside our distribution area or would like us to send a copy to friends or
or Tel: 0117 974 2800







The Watersmeet Hotel in Woolacombe, proudly voted Best Waterside Hotel for the UK & Ireland, enjoys an exceptional position right on the water’s edge. This 4-star coastal hotel offers Luxury Balcony and Terrace Rooms and Suites with private outdoor seating and sun loungers, a 2-AA-Rosette restaurant with dramatic clifftop sea views, and indoor and outdoor pools with spa facilities.
2 Night Celebration Break
• Sea View Room for 2 Nights
• Dinner each Night & Devon Breakfast
• Bottle of champagne on arrival
• Devon Cream Tea for 2 Inclusive from £720
3 Night Mid-Week Break Offer inclusions:
• Sea View Room for 3 Nights
• Dinner each Night & Devon Breakfast Inclusive from £900



WANTED - WE BUY GOLD
Springtime Special
If you wish to buy Diamond or Gold items – we will Part Exchange your 9ct Gold items at £48 per gram (current market value £35 per gram - at time of going to press)



What’s On...?
Our guide to the best things to see and do this month


Best Kept Secrets trail
n Throughout April
Westonbirt, The National Arboretum, Tetbury, GL8 8QS
Spring has arrived at Westonbirt, The National Arboretum. Nature is quietly revealing its best kept secrets as new life and beautiful colours emerge in the arboretum throughout the season. Take a closer look as you explore new and exciting spring trails. Learn more about nature’s hidden ways as you admire flowers bloom, green leaves unfurling on the trees, and pause to witness a kaleidoscope of colourful flowers as you turn every corner. Visit Westonbirt this spring –where nature comes to life.
forestryengland.uk/westonbirt
DAISY Days
n Weekdays throughout April
University of Bristol Botanic Garden, BS9 1JG
To meet rising running costs, the Botanic Garden had to raise its summer prices. Aware
that the rise in the cost of living is affecting everybody, the team has introduced DAISY (Donate As It Suits You) days. On these days adult visitors can choose to make a donation – or none at all. Donations help support the running of the Botanic Garden for public enjoyment, and educational, conservation and scientific work.
botanic-garden.bristol.ac.uk
The Granary Club Live Music Experience n Wednesdays throughout April
The Granary Club, BS1 4SB
Reminisce, relive and create memories in the beautiful Granary Club. Upgrade your Live Music night with with food, drink and a table reservation all for £30pp. The full experience includes a two-course meal in The Granary Restaurant (upstairs), cocktail club reserved seating, and a bespoke Johnnie Walker Club Cocktail in the Granary Club. Dress in your finest vintage attire and expect tunes from the 60s, 70s and 80s. granarybristol.com
Sherborne Travel Writing Festival n 10-12 April
Powell Theatre, Sherborne, DT9 3AP
A dozen remarkable writers, journalists and publishers will transport audiences with stories of their travels to the four corners of the globe. Renowned travel writer and biographer Sara Wheeler, in conversation with Colin Thubron, will celebrate the publication of her extraordinary Jan Morris: A life; and Adam Weymouth, winner of the Sunday Times Young Writer of the Year Award, who will follow the paw prints of a young wolf named Slavc who travelled thousands of miles to the Italian Alps, where no wolves have lived for a century. Weekend tickets, individual session tickets and free partking are available.
sherbornetravelwritingfestival.com
A Bright New Boise by Samuel D. Hunter n 14-18 April, 8pm-9.30pm
The Alma Tavern and Theatre, BS8 2HY
In a bleak break room of a craft store in →
Spring at Westonbirt, the National Arboretum


Boise, Idaho someone is summoning the Rapture. Will Cronin is determined to make a fresh start for himself after being implicated in a scandalous tragedy at his church in Rathdrum. His new employer, the Hobby Lobby, could provide the stability he is lacking; but the grandiosity of his troubled beliefs and his hunger to connect threatens to throw the hobby lobby eco system into chaos. A Bright New Boise explores themes of family, faith and fundamentalism, presented by Misplaced Theatre. Company co-founder Amy Tanner directs this thought-provoking piece of theatre set in the Playwright’s home state. almatavernandtheatre.co.uk

An Evening with Tim Sullivan n 15 April
Redland Library, BS8 2PY
Screenwriter, director and author Tim Sullivan will be talking about his bestselling novels
The George Cross Mysteries at Redland Library. The criticallyacclaimed crime series is set in and around Bristol and features the brilliantly persistent DS George Cross who has Autistic Spectrum Condition. This clever, twisty, touching and funny series has won an army of fans and has sold more than one million copies, described in the national press as “iconic” and hailed as the best detective series since Sherlock Holmes. Sullivan, who grew up in Bristol will talk about how the city has shaped both him and the rich ensemble of characters who populate his books. friendsofredlandlibrary.org.uk
Bristol Film Festival: Easy Rider n 17 April, 6pm-9pm Fowlers of Bristol, BS4 3DR
Bristol Film Festival is bringing Oscarnominated seminal cult favourite Easy Rider to motorcycle dealership Fowlers of Bristol this month. Starring Dennis Hopper, Peter Fonda and a young Jack Nicholson, and with an era-defining soundtrack, this epic road movie helped kickstart the hugely influential New Hollywood movement, captures the spirit of late 60s counterculture like few other films, and has been described as “the touchstone for a generation.” It’s also one of
the greatest biker films ever made, featuring numerous motorbikes including the famous HarleyDavidson choppers, so there are few films more fitting for this venue. Expect time to browse, a themed quiz, cash bar and snacks on site. bristolfilmfestival.com
Deep Dive into the Downs n 26 April, 11am-12.30pm
Clifton Down, BS9 1FG
Delve into the Downs and Avon Gorge in all their Spring glory; from beautiful native tree species to the tiny invertebrates which call this habitat their home (pictured, right). Seek out a nesting pair of resident peregrine falcons and meet the conservation goats in the Gully to find out what they do. A friendly session full of nature and local heritage with Avon Gorge & Downs Wildlife to celebrate City Nature Challenge 2026. Suitable for ages 12+. Donations welcome, pay what you can, booking required. avongorge.org.uk

From Oklahoma! to The Sound of Music, A Celebration of Rodgers and Hammerstein n 25 April, 7.30pm
Victoria Rooms, BS8 1SA
Enjoy a magical evening of songs and music from some of the greatest musicals of all time played by one of Bristol’s finest symphony orchestras. New Bristol Sinfonia will be joined by international jazz singer Katie Birtill and West End performer Alastair Brookshaw to offer an immersive experience of your favourite songs from Rodgers and Hammerstein classics, including South Pacific, The King and I and Music. New Bristol Sinfonia has been wowing audiences for almost 30 years with its accomplished playing, recently accompanying Evelyn Glennie and Isata Kanneh-Mason. This evening of show tunes played by a full symphony orchestra will lift your spirits and get your heart singing.
newbristolsinfonia.org.uk
BOOK AHEAD...
Dinner with the Artist: Celebrating Andrew J Millar’s new exhibition at Harvey Nichols Bristol n 2 May, 7pm-12am Harvey Nichols Second Floor Restaurant, BS1 3BZ
A celebration of the symbiotic relationship between humans and nature, Andrew J Millar marks the opening of his new exhibition, Between Worlds, at the Second Floor Restaurant with a five-course dinner. Renowned for his thoughtful, layered artworks (example pictured, below), enjoy the opportunity to meet him in person and learn about the inspirations behind his new exhibition. You can also be among the first to own one of the new pieces, with artworks available to purchase on the evening. Tickets are £50 per person and include three courses and a cocktail, plus a complimentary archival flatbed print. The art will be available in the restaurant for guests to view until October.







It’s Showtime!
The spotlight is firmly focused on Invisible Circus this Spring, with a mammoth 30th anniversary celebration and a new artist residency at The Prospect Building promising to put one of the city’s most‐cherished families of performers back on the regular show circuit. Rosanna Spence speaks to co‐founder Doug Francisco to find out more…

It’s been more than two years since I stood, mouth agape, staring up at the impossibly placed performers scaling the tall walls of Invisible Circus’s former Unit 15 home in Bristol’s now-redevelopment-laden industrial quarter tucked between Lawrence Hill and Temple Meads.
I was watching Welcome to the Future, the company’s series of intoxicating farewell shows that masterfully blended melancholia with pride as the city’s home of raw circus talent closed its doors, evicted due to the area’s regeneration. Invisible Circus – the collective which has been a major organ keeping Bristol’s culture alive and kicking for decades – found itself at the receiving end of a major issue repeating itself across the city: dwindling spaces in which creatives can thrive.
Thankfully, those shows were very much a ‘see you shortly’ affair. The doors to Unit 15 may have closed, but like a phoenix soaring up from the company’s still-burning embers, Invisible Circus is once again rooted in the creative consciousness of citizens thanks to an incredible season of shows ahead: an upcoming 30th anniversary weekend of celebrations at Ashton Court Mansion (10-11 April), and a new artist residency at The Prospect Building starting this year.
And who better to illuminate this new chapter of the circus’s story for us than the company’s ringmaster maestro himself, Doug Francisco? Doug – who founded Invisible Circus with Wim Penhaul – has become something of a Bristol legend over the past 30 years, building a wellearned reputation for spotting, incubating and launching world-class circus talent from our little corner of the universe.
He’s also part of a network that has been spearheading Bristol’s cultural campaign to save spaces around the city and transforming them into hubs of creativity: including ArtSpace Lifespace (the local organisation founded by the Invisibles that has spent two decades rescuing neglected buildings and transforming them into spaces for creativity and community, such as SPARKS Bristol and The Island) and Loco Klub (an established and well-respected, inclusive entertainment venue. It’s worth popping by just to gaze at the back-bar decoration alone, trust me).
Doug’s a central patch on this tapestry of souls that have become the scaffolding supporting much of Bristol’s grassroots creative landscape behind the scenes. It’s precisely this fact which makes it even more difficult to hear that the past couple of years haven’t exactly been the smoothest for his circus.
“Losing our space [Unit 15] and the slow-motion nature of that whole eviction situation definitely took its toll,” he admits, explaining a distinct a lack of support from the council and developers involved.
Even though the immediate outlook has improved for the circus compared to two years ago, the group’s artistic purpose remains forever mesmerisingly entangled with activism, so I’m keen to know what Doug thinks the biggest threat to our city’s creative community is at the moment.
“It’s economic regeneration, isn’t it, and gentrification,” he says. “It’s the classic threat that’s been around since the Roman times. You see the same cycle: artists moving somewhere that’s maybe a bit run down, a bit cheap, and then they make it cool, and that attracts more people and the prices go up. Then suddenly there’s hardly any spaces left, because they’ve all been turned into luxury apartments or student flats, making someone a tidy profit along the way, which doesn’t seem to be getting reinvested into the community or culture it displaces. You would hope that
Bristol can retain some of its soul amongst that.” He rightly laments the ongoing depletion of city spaces where people can “just make stuff, discover things and play.”
Return of the pack
Despite the at-times insurmountable pressures facing communities like Invisible Circus, the show must go on. The group has only been in a semi-state of chrysalis since it lost its official home. Some rest and recuperation have gone hand in hand with shows, including a recent cabaret number at The Mount Without in the centre of town with dance company Impermanence.
“They collaborated with us at Loco Klub in the early days,” Doug recalls. “They’re good friends and it’s a beautiful venue. We’d been talking about doing something there for a long time – Impermanence operates very much in our own ethos, and at The Mount Without even more so, rescuing an old building back from the edge. It was a great success; we sold the house out.”
Invisible Circus has also seen in the New Year at The Prospect Building more than once, which helped sow the seeds of the new residency which will see them make good use of the former torpedo warehouse’s vast interior this year (there’s more than enough height for the performers’ more vertically-daring feats). For now, it can feel like somewhere safe to weather the storm.
“The new residency came through existing personal friendships, and it all just sort of magically happened at the 11th hour, really,” Doug explains, modestly. “We always had great faith that the next opportunity would come along and the right thing would happen. The guys at Prospect asked if we needed space to regroup and think about what we could do in their space. They’ve obviously got an ongoing music programme, but they’re keen to do more than that and give back to the community, supporting the broader cultural offer of the city.”
With the rising commercial nature of many festivals now feeling at odds with Doug’s and the circus’s values, an artist residency in the heart of the Invisibles’ hometown feels like ideal “wholesome, communitybased project” for the performers to sink their teeth into – with hopes that a large-scale, September show will be in the calendar soon.

Pictured left: Doug Francisco (left) and Wim Penhaul (right) at Unit 15. Credit: Andre Pattenden
Red Rebel Brigade performer at Invisible Circus’s Welcome to the Future finale show Credit: Rae Hadley
Thirty years young
Even sooner than the highly-anticipated Prospect residency is the huge anniversary celebration this month at Ashton Court Mansion, marking 30 years since Doug and Wim first formed their travelling circus.
The boundary-blurring anniversary bonanza promises a labyrinth of immersive and daring performances, with riotous circus, theatre, live music, sideshow curiosities and decadent cabaret in a “living carnival” that can be discovered by roaming around the building.
“Thirty years! That’s more than half my life,” Doug laughs. “It’s a reflective time, yeah. It’s brought a lot of people out who’ve wanted to share stories about times past and things we’ve done. There are so many challenges in these modern times, and it suddenly puts everything into perspective. What do we really want to do? What do we want our legacy to be? What are the best parts of what has been, and how do we make something out of those bits that sails us into the future?”
The event also celebrates a 20-year partnership with the aforementioned Artspace Lifespace, which has been acting as custodian of the iconic Ashton Court Mansion, opening its doors to new audiences and demonstrating how historic buildings can thrive as communityled cultural hubs rather than a purely commercial venture – and the event this month also marks the ending of this tenure.
The greatest showman
Seeing as Doug’s been reflecting on the impact that the circus has had over the last three decades, I ask him what he values as the company’s legacy so far.
“We’ve been a part of a lot of other bigger things and festivals like Boomtown, Glastonbury and Arcadia,” he notes. (And that’s just the tip of the iceberg in terms of creative influence on national cultural treasures.) “But I think the thing that's really struck a chord and hit home for us lately is all the people that have come through Invisible Circus, or had opportunities through it, or who, you know, turned up at some crazy squat 20 years ago and are now touring the world with Cirque du Soleil,” he adds. “There are so many people who’ve mentioned to us how they started their ‘thing’ at one of our projects. That’s really heart-warming. That’s the real value of what we’ve done.”


Yes, times are hard, especially for creatives. And it’s impressive that even though it could be easy to feel jaded at the state of things –notably in the wake of the Unit 15 eviction – Doug holds onto hope.
“I’m just eternally optimistic, blindly ignorant and refuse to accept that the world is going to the dogs,” he says with a dry chuckle. “It’s often in times of hardship that opportunities occur; when change comes, it’s never usually at the end of a long and happy progressive time for humanity is it? It’s usually at terrible times when things have come to a head. I think things have to get worse before they get better. And boy, have things got worse.”
Invisible Circus is by no means facing its challenges alone. Support from loyal fans and audiences is unwavering.
They regularly sell out shows – and the upcoming performances at Ashton Court Estate and Prospect will be no exception, I’m sure. So. get tickets while you still can and long may the collective’s activism through art continue.
“We are really proud that everything we’ve done has never had core funding from anyone, it’s all been by the people for the people,” notes Doug. “Everything we’ve achieved has been thanks to the support of our members, our direct community and people that use our spaces and the audiences that come to the shows. I’m really immensely proud of that.
Doug notes how it’s much harder to be a young artist today than when Invisible Circus first started out: “It would seem like there’s more opportunities and more commercial avenues. But really, it’s just not as easy to do your thing, find an audience and have that discovery time yourself. People are kind of ‘smooshed’ into this box where they ‘must make it work’ or ‘must make a business’ out of it.
“Even creative courses these days are all about how to make a business plan and a spreadsheet. But commercial viability doesn’t always make great art. In fact, it’s quite the opposite.”
“I think now, more than ever, we need to try to galvanise that energy and fight for some kind of creative future in the city, because it will just disappear otherwise. We've seen this and experienced it first-hand. The prescient experience of our eviction from Unit 15 was that there is no safety net. But we thought we’d try one more time. Jump and see if a net appears. And this time it has, fortunately.” n
Tickets for the 30th anniversary celebration at Ashton Court Mansion (10-11 April) are available from headfirstbristol.co.uk.
Keep up to date with details on The Prospect Building residency at theprospectbuilding.com | invisiblecircus.co.uk
Pictured right: Doug at Unit 15 (credit: Andre Pattenden) and below: an acrobatic performance (credit: Rae Hadley)



Lyra Poetry Festival n 17-26 April
Various venues around the city Poetry festival Lyra brings together local, national and international writers for a city-wide celebration of contemporary poetry with an unparalleled 10-day programme. Events take place in leading arts venues across the city, including St. George’s Bristol, Arnolfini, Watershed, Bristol Old Vic and Loco Klub.
The 2026 theme ‘Wonder & Wanderers’ invites audiences to come together and celebrate histories of migration and movement in Bristol and across the UK. The programme reflects on landscape, mythology and belonging, and considers how poetry holds stories of travel, change and home.
Audiences are invited to wander and wonder through genres, attending readings, performances, workshops, poetry slams, family events, walking tours, open mics and panel discussions.
Highlights include Jamaican-born American poet Shara McCallum headlining the Caribbean Poetry Liming at Bristol Old Vic, appearing alongside Anthony Joseph and Malika Booker, as well as Bristol-based poets; Canadian spoken word artist Shane Koyczan performing new work at St. George’s Bristol; author and broadcaster Musa Okwonga headlining and judging the 2026 Lyra Poetry Slam, joined by poet and actor Caitlin O’Ryan; former Children’s Laureate Michael Rosen presenting a family performance; amd Bristol-born writer and performer Travis Alabanza leading a Queer Poetry Cabaret at Arnolfini. The full programme, ticket information and listings can be found at lyrafest.com








Family Diary
The best things to see and do with the little ones this month


Easter Fun at We The Curious n Throughout the Easter holidays We The Curious, BS1 5DB
Families can expect a day out full of play and surprises at Bristol’s We The Curious this Easter holiday. Discover the chemistry in cake baking, climb inside giant bubbles and explore Artificial Intelligence through cuddly shapes, a giant map and a card game called ‘Spot the Cat’. Add a show in the 3D planetarium to catch a dazzling glimpse of the future spring night sky. Booking ahead recommended. wethecurious.org
Mini-museum hunt! 50 years of Aardman n Until September
Bristol Museum & Art Gallery, BS8 1RL
Are you and your family ready for a mini-museum hunt with a difference? A little bit of Aardman magic has arrived at Bristol Museum & Art Gallery celebrating Aardman’s 50th anniversary in Bristol. Tiny treasures from the beloved animation studio have been hidden around the museum for visitors to discover. Families and curious explorers of all ages can pick up a detective map to help them track down and tick off all the secret treasures. bristolmuseums.org.uk
Easter Adventures
n 3 April until 19 April
Mendip Activity Centre, BS25 5PQ
Choose from more than 20 activities, as well as themed sessions. Mendip's Easter adventures are perfect for burning off energy, sparking excitement, and creating memorable days out for the whole family. From the thrilling Easter Tobogganing Egg Hunt to Easter-themed Target Sports, there's something for everyone, whatever the weather. Perfect for ages 4+, the Easter Tobogganing Egg Hunt combines the excitement of tobogganing with an egg hunt around the activity centre and woodland afterwards. Easter Archery and Air Rifle sessions are seasonal twists on popular activities, with games, challenges and chocolate prizes. mendip.co.uk

The Great Egg Hunt


Avon Valley Adventure Park, BS31 1TP
Enjoy a new, live animated stage show starring Felix, plus the UK’s first Candy Cannon firing sweets daily. Explore the Musical Garden, bottle-feed lambs, and hunt for the Golden Egg (Easter weekend only). Meet the Easter Bunny and get creative with crafts. With gokarts, climbing walls, Dinosaur Valley, play areas, a Miniature Railway, and an indoor Playbarn with Silent Disco, there’s allweather fun for everyone. avonvalley.co.uk
n 3 April until 31 May Brunel’s SS Great Britain, BS1 6TY
A waddle of penguins has arrived on site, and they’ve been busy hiding six colourful eggs in the most unexpected places. This colony of penguin pals have travelled to Bristol all the way from the Falkland Islands. They’re excited to see their old friend, the SS Great Britain, which was once shipwrecked at Sparrow Cove for many years. Learn about the amazing story of SS Great Britain’s salvage, as you seek out the mighty Emperor Penguin and giggle at the Rockhopper’s wild hairdo. ssgreatbritain.org
Bristol Balloon Collectors Nightglow n 11 April, 5pm-10pm
Snake Meadows, Saltford, BA2 1EA
The very first Bristol Balloon Collectors Nightglow will be a spectacular evening event celebrating ballooning at its most magical. The Nightglow will feature six balloons from the Bristol Balloon Collectors’ collection, illuminating the night sky in a choreographed display set to music. The event is supported by the Bath Balloon Club, who are providing the venue and volunteer support to help bring this special evening to life.
bristolballooncollectors.co.uk
The Hound of the Baskervilles n 15-18 April, 2.30pm & 7.30pm
Tobacco Factory Theatres, BS3 1TF
When Sir Charles Baskerville is found dead in the garden of Baskerville Hall, his family estate on Dartmoor, with a look of terror carved on his face, and the paw prints of a gigantic hound beside his body, the great detective, Sherlock Holmes, is summoned from Baker Street, with the loyal Dr Watson in tow, to unravel the mystery surrounding his death,and investigate the ancient curse of the Hound of the Baskervilles
Sir Arthur Conan Doyle’s legendary tale is brought to life by Inner Voice Theatre Company. Suitable for 8+ years.
tobaccofactorytheatres.com

We The Curious has plenty on offer this Easter


Deep Blue Sea
This month, Brunel’s SS Great Britain welcomes awe‐inspiring snaps from the Ocean Photographer of the Year competition on board: the new exhibition waiting to submerge you into one of the mysterious habitats on our planet full of curious creatures, captivating conservation efforts and much more
All aboard Brunel’s SS Great Britain this Spring! Why, we hear your cry? As if exploring this historic ship isn’t exciting enough, the Ocean Photographer of the Year 2025 exhibition is also running from 1 April until 28 June. Ocean Photographer of the Year has become one of the most prestigious and widely celebrated photography competitions in the world. Organised by London-based Oceanographic Magazine and copresented with Swiss watchmaker Blancpain (as part of its Ocean Commitment programme), the competition has a simple mission: to shine a light on the wonder and fragility of our blue planet and celebrate the photographers who give it a platform.
Each year, tens of thousands of images pour in from the world’s leading ocean photographers – this year, more than 15,000 submissions arrived from every corner of the globe. A judging panel – including celebrated ocean photographers and the Directors at Oceanographic – select winners across a range of categories. The competition has grown into a global touring exhibition, with previous editions shown at venues including the Australian National Maritime Museum in Sydney. SS Great Britain is proud to be the second venue in Europe to host the 2025 edition.
What can you expect?
Good news: admission to this inspiring exhibition is included in the general ticket price. Across 116 photographs, visitors will travel from the coral reefs of Indonesia to the icy shores of the Faroe Islands, from the Great Barrier Reef to Seven Mile Beach in New South Wales – all without leaving Bristol!
The image categories, which we’ll explain later, build a portrait of the ocean that is sweeping in its range: from intimate macro portraits of

Image credit: Romain Barats
SS Great Britain’s Dry Dock, where the exhibition will be held
creatures too small to see with the naked eye, to vast drone compositions of sea and sky, to deeply human stories of the people whose lives are shaped by the water.
Where can you see the photographs?
Suspended beneath the ship’s ‘glass sea’, visitors find themselves in a setting that feels almost oceanic. It is a setting that elevates the photography rather than competing with it. Where a conventional, whitewalled gallery might frame these images as art objects, the Dry Dock places them in conversation with Bristol’s heritage. To stand beneath the hull of the world’s first ocean-going iron steamship and look up at images of the ocean she once crossed (32 times!) feels genuinely resonant.

Who’s behind the photos?
The overall winner of Ocean Photographer of the Year 2025 is Indonesia-based photographer Yury Ivanov, a PADI Dive Master with more than 15,000 dives to his name. Originally drawn to Asia 14+ years ago, he has made Bali both his home and creative focus, building a reputation for his meticulous work with tiny marine life and co-authoring the identification guidebook Nudibranchs of The Coral Triangle. His winning image, captured at his local dive site, features two perfectly synchronised amphipods (often called ‘Ladybugs of the Sea’), each just 3mm long, resting delicately on coral.
Vivid in colour, strikingly symmetrical, and achieved with remarkable patience and technical precision, the photograph encapsulates one of the exhibition’s central ideas: that the ocean is a place of wonder at every scale, and that its smallest inhabitants deserve as much attention as its giants.
exhibition delivers a series of equally arresting moments – from a drooling Komodo dragon patrolling the shoreline and penguins darting through the water like torpedoes, to a stingray hovering above a cloud of shifting sand and a vivid pink crab that resembles a polished jewel. In the Human Connection category, one of the most powerful images comes from Australian photographer Craig Parry, whose drone shot captures a stranded humpback whale rescue on Seven Mile Beach, New South Wales. Viewed from above, the scene is both humbling and profound: a small team of conservationists dwarfed by the immense creature they are working tirelessly to save.
This exhibition presents a range of rare and compelling perspectives from the deep sea – moments only a few have been fortunate enough to witness.

As Ivanov notes, the shots required “a lot of patience and precision to compose and light the shot properly,” resulting in an intimate, unforgettable glimpse of a hidden underwater world. Elsewhere, the
The categories take visitors on a journey from exhilarating encounters alongside extraordinary marine life to dreamlike scenes so candid they feel almost unreal. Visitors can expect to explore images from categories including Human Connection: Portraying the bond between humans and marine life; Hope: Celebrating efforts to protect and restore marine environments; Impact: Addressing the effects of human activities on marine ecosystems; Adventure: Thrilling encounters with marine life or natural phenomena; Wildlife: Highlighting the presence of various species and habitats; Young Photographers: The cream of the crop of the next generation of ocean photographers; Fine Art: Capturing the beauty of underwater landscapes and marine life; and Female Fifty Fathoms: Celebrating inspirational female ocean photographers.
The 2025 winner Jialing Cai is an underwater photographer and marine science communicator based in Chongqing, China. Her work sits at the intersection of science, art and exploration, with a focus on documenting the biodiversity of plankton – some of the ocean’s smallest and most overlooked inhabitants!
Image credit (top to bottom): Yury Ivanov and Jade Hoksbergen




Creativity and conservation
What distinguishes Ocean Photographer of the Year from a conventional photography exhibition is the weight it places on the relationship between beauty and urgency.
The Conservation categories of Hope and Impact place images of possibility alongside images of stark reality. For the SS Great Britain Trust – a charity whose own story is one of conservation, rescue and restoration – this feels like a natural alignment.
“Their images connect people to the ocean in ways words cannot, reaching those who may never dive in it or paddle on it, but whose lives are deeply intertwined with it,” says Will Harrison, Founder and Director of Oceanographic Magazine. “In a time of planetary urgency, this year’s photographers invite the world to see, feel, and ultimately care.”
Being able to enjoy these incredible images next to Bristol’s own waterways feels poignant. The harbourside is in the SS Great Britain Trust’s DNA. The ship itself returned home in 1970, to the Bristol dock where she was built, after an extraordinary rescue mission from the Falkland Islands. The historic Dry Dock where she rests – and where the exhibition will be on display – is as central to the ship’s tale as the original iron hull you can walk beneath.
With a rebrand and a new museum experience ready to launch in 2026, this is a big moment of change for the Trust. The SS Great Britain team says: “Our decision to programme Ocean Photographer of the Year is part of our statement to the city of Bristol: We are a venue propelled by big ideas. Come and have a conversation with us about how we can appreciate our maritime heritage whilst protecting its future”. n
1 April until 28 June. Save 10% by booking online in advance, exhibition is included in general admission. After hours event on 22 April (Earth Day) 5.30pm-7pm (£10) | ssgreatbritain.org

Image credit: Natnattcha Chaturapitamorn
Brunel’s SS Great Britain in all its glory



Aclassic ‘David and Goliath’ story, The Gruffalo centres on a tiny creature outwitting a huge creature in this wellloved tale of curiosity, courage and imagination. The little Mouse is on a daring adventure in search of hazelnuts through the deep, dark wood. Along the way, Mouse meets the cunning Fox, the eccentric old Owl and the high-spirited Snake, each with a special story to tell – with catchy, clap-along ska, disco and rock inspired songs. To save himself from ending up as dinner for these hungry woodland creatures, Mouse shares tall tales of a terrifying Gruffalo who lurks in the deep dark wood…
Hi Toby! As our society becomes so reliant on screentime, in every age group, how can theatre compete?
“We’re able to help families who sometimes battle with their children’s desire for screens, by providing an environment in which screens are neither needed nor allowed. Tall Stories shows use the right amount of tech – great lighting, imaginative sound and music – to prioritise the story without going overboard on video screens and projection.
“We love it when audience members tell us it’s a relief to put their phones away for an hour!”
Tall Stories has become known for its distinctive ‘storytelling theatre’ style. What makes that approach so powerful for audiences?
“We believe that storytelling theatre is the best way to really involve our audience in the show. We talk directly to children and their grown-ups from the beginning, we don’t just break that fourth wall, but smash it. In The Gruffalo, we ask everyone to use their imaginations and become partners or participants in the story, not just spectators.
“Theatre in general, and storytelling theatre in particular, are vital for children’s early development. Fully immersing yourself in another world just doesn’t happen when you watch TV shows or videos on the internet.”
Creature comforts
Award‐winning theatre company Tall Stories returns to Bristol to celebrate 25 years of The Gruffalo stage show, adapted from Julia Donaldson and Axel Scheffler’s best‐selling children’s classic. The production visits Bristol Old Vic for two weeks at the start of a major tour around the country this month, so we spoke to Toby Mitchell, artistic director and co‐founder of Tall Stories, about the company’s unique storytelling style of theatre, the importance of theatre for families, and how he’s approaching the show’s landmark anniversary
Parenting in the modern age can be a minefield, and families are feeling more stretched than ever. What role can theatre play in bringing different generations together?
“The world we live in has become so polarised. Going to the theatre is like finding a little oasis of joy and creativity amongst the division and chaos. At Tall Stories, we make theatre that people can enjoy together as a fully shared experience – shared with their families and friends, and with people they don’t know. When the lights go down, divisions and differences disappear, as audiences of all ages settle down to experience a great story, well told.”
Your stage adaptation of The Gruffalo is celebrating its 25th anniversary this year. What does that milestone mean to you, and why should audiences come to see it?
“Our mission is to put great tales on stage and ignite a creative spark in children - building imagination and confidence while simply having fun and joining in. The Gruffalo is the ideal way to do this. We’ve always made our performances as affordable and accessible as we can, so it’s been amazing to have performed the show to over three million children (and their grown-ups) all over the world, creating lifelong memories.
“We work really hard to make all our shows as good as they possibly can be. So while our adaptation of The Gruffalo celebrates its 25th anniversary this year, much of the show is fresh and new this time round. We never rest on our laurels!”
Families are invited to rediscover the joy of storytelling, sparking creativity and inspiring children and grown-ups alike to keep playing, long after they leave the theatre… n
Tall Stories’ performance of The Gruffalo is at Bristol Old Vic from 7-18 April, visit the website for tickets and info | bristololdvic.org.uk


Credit: Mark Senior
Credit: Mark Senior
ARTand exhibitions

Spring ‘26: New Work by Anna Boss at Clifton Contemporary Art, until 24 April
Clifton Contemporary Art is launching into Spring 2026 with a fascinating new collection of Cornish paintings by Anna Boss, Sally Stafford’s all-encompassing meadow canvases, Richard Collier’s powerful, ancient tree studies, Maggie Matthews’ beautiful Penwith nature paintings and Neil Pinkett’s raw, rich, elemental seascapes.
Anna’s latest work was made during a residence at Prussia Cove in South West Cornwall, which was once home to the artist Romi Behrens – a highly inspirational creative figure in every sense. Exploring the intricate network of hidden coves, headlands and countryside here, Anna’s subtle, evocative mixed media paintings combine a timeless sense of mystery and a strong sense of place. She has chosen to house each piece in a lovely old reclaimed oak frame, perfectly complementing their inscrutable character. The mesmerising influence and dynamic beauty of the British countryside is expressed in dramatically different ways across the latest exhibition; from the sculpted permanence of granite and 1,000-year-old trees, to the fleeting delicacy of spring flowers and cloudscapes.
cliftoncontemporaryart.co.uk | 25 Portland Street, Clifton, BS8 4JB
Image: Springtime by Sally Stafford

Jason Wesaw: RETURNING, Rainmaker Gallery, until 31 May
Marking 35 years of championing Native art in the UK, Rainmaker Gallery welcomes back Jason Wesaw (Pokagon Potawatomi) for a much anticipated solo exhibition. In RETURNING, Wesaw unveils a new body of exquisite oil pastel drawings on incised paper –works that trace the intimate and enduring relationship between people and land. Through subtly textured surface and carefully chosen colour, the artist reflects on reconnection, resilience, and the generative power of return.“The undercurrent of my work is about our connection to the land and how, by returning to her, we learn the power of relationships – finding ways to heal, strengthen, and understand the mysteries of life,”– Jason Wesaw.
rainmakerart.co.uk | 140 Whiteladies Road, Clifton, BS8 2RS
Mounira Al Solh: A land as big as her skin, Arnolfini, until 24 May
This major new solo exhibition from Lebanese artist Mounira Al Solh poignantly and playfully navigates a multitude of complex themes such as identity, migration, trauma, inequality and gender, through her deep love of mythology, craftsmanship and materials.
Mixing everyday life with ancient mythology, Al Solh works across a range of mediums and materials, encompassing painting, sculpture, film, performance and textiles within her practice.
arnolfini.org.uk | 16 Narrow Quay, BS1 4QA
Image credit: A portrait of Mounira Al Solh, 2025.

Photo: Gert Jan van Rooij
Image: mdodosenik (sweat lodge stones) by Jason Wesaw, oil pastel and copper leaf on incised paper





Easter
Sculpture Fundraising Festival 2026, University of Bristol Botanic Garden, 3-6 April
Set amongst the blossom, bright spring growth and winding Garden paths, the Festival brings together local artists, first-time exhibitors, skilled demonstrators and hands-on creative workshops for visitors of all ages. Whether you love contemporary ceramics, thought-provoking outdoor sculpture, bold graphic art or simply being immersed in creativity surrounded by nature, this year’s Festival offers a rich and joyful mix. Expect a full house of talented artists, with new talent including Pam Moolman (sculpture), Flora De Ospina (stained glass), Laura Fox (lino cut) and Sarah Hanrahan (fine art); a group of UWE art students showing open-air sculptures for the very first time; and live demonstrations and workshops including Tez Roberts’ potter’s wheel demonstrations and have-a-go sessions, David Davidge’s stone carving demonstrations with tools to try, Maya Wolf’s willow weaving workshops (Easter Sunday & Monday only) and Geoff Hannis’s demonstration of green woodworking on a traditional foot-powered lathe. Chandos Deli Café will be open throughout the Festival with lunches, snacks and drinks available every day.
botanic-garden.bristol.ac.uk | Stoke Park Road, BS9 1JG
Image: A 3D wire sculpture of a kingfisher from a previous event (credit: Hayley Fisher)
Cosmos: the Art of Observing Space at Royal West of England Academy, until 19 April
This month is your last chance to catch the major exhibition, delivered in partnership with the Royal Astronomical Society, which explores humanity’s enduring fascination with the cosmos through an extraordinary blend of historic artefacts and contemporary artworks. Cosmos brings together works by celebrated artists including Yinka Shonibare RA, Christopher LeBrun RA, Wolfgang Tillmans and RWA Academicians, alongside compelling pieces by established and emerging artists. Experience a wide range of artistic responses to Space through painting, sculpture, photography, installation and digital media. Cosmos: the Art of Observing Space offers a unique journey through time, imagination and enquiry – inviting visitors to experience the awe, wonder, and curiosity that the cosmos continues to inspire. rwa.org.uk | Queen’s Road, BS8 1PX
Images (L-R): Fusion by Ione Parkin; The Unending Sky by Tom Hammick
The Neon Hieroglyph by Tai Shani at Bristol Museum & Art Gallery, until 28 June
The Neon Hieroglyph is a feature-length 57-minute video installation by artist Tai Shani. In the 1950s, islanders on Alicudi near Sicily were haunted by sorceresses ‘maiare’, who flew to the mainland to steal food. Shani has created a new feminist speculative fiction, where tales of witchcraft and female transgression unfold in nine monologues performed by actor Molly Moody.
Tai Shani is an award-winning artist who creates installation, performance, sculpture and moving image, often combining all four in a practice that blurs the boundaries of mediums, aesthetics and philosophy in meditations on radical feminist, non-binary utopias. The Neon Hieroglyph premiered at Manchester International Festival in 2021. The video installation is being presented in exhibition gallery 2, the balcony gallery, on the front hall first floor, the floor above the sea dragon display.
bristolmuseums.org.uk | Queens Road, BS8 1RL
Image: Still from The Neon Hieroglyph by Tai Shani





Book shelf
This month, Helen from Gloucester Road Books shares some inspiring reads about the great outdoors...
Gloucester Road Books is a fascinating place to explore, and the team places a significant focus on titles published by small independent presses, noting: “There are lots of really brilliant small publishers putting out incredibly exciting books, and we want to help get these out into the world.”
Visit the website for more details on book launches, talks and other events at the shop: gloucesterroadbooks.com @gloucester_rd_books | 184 Gloucester Road, Bishopston, BS7 8NU | Open Monday and Tuesday, 9.30am-5pm; and Wednesday to Saturday, 9.30am-6pm

Wild Rock: 100 Best Easy Scrambles in Britain by
Matt Heason
Borrowed Land by
Kapka Kassabova
I don’t know if I’ll ever have had enough of reading about the Highlands of Scotland, an exceptionally beautiful place steeped in history, and the place I probably feel the most connected to nature. This book promises to be bleak in places, noting the ravages of colonialism, depopulation, and fossil capitalism, but I suspect the majesty of the landscape will also shine through. I can’t wait to read it.

Some people, as the sun comes out, feel the urge to go climbing up, down, and inside rocks. Some of these people are friends of mine, and they all tell me it’s a wonderful way to spend your days. If this is the kind of thing you’re into, this book looks like it would be the perfect companion, packed with tips and advice, as well as suggestions for locations all over the UK. I will enjoy looking at the incredible images of the caves, lagoons, coasts and quarries from the comfort of my sofa, with my feet flat on the ground. (Gloucester Road Books takes no responsibility for injuries incurred while scrambling, or papercuts sustained from the safety of sofas!)
Bird School by Adam Nicolson
Nicolson, the writer who forever changed the way I view seagulls, is back – this time turning his attention and gorgeous, lyrical prose to garden birds. Nicolson builds a small hide in some copse near his home in Sussex and uses it as his ‘bird school.’ From here he observes and learns about the birds that gather there, weaving observation, philosophy, and research and prediction together in the process. Each chapter focuses on a different bird, before looking at the wider human and ecological angle.


Ancient
by
Luke Barley
This sumptuous book is the perfect mix of fascinating history and beautiful photographs and illustrations, written from the voice of experience in rehabilitating ancient woodland. With so many books coming out about ecological devastation, and our human hand in it, this book offers a more hopeful narrative; that there is an interdependence between humans and woods, and the history of our management of woodlands is what has helped them, as well as us, to thrive. April couldn’t be a better time to read this, as the weather warms and tempts us back outside to the trees.
Woodlore: Discover the seasons and stories of the forest by Kevin Parr
I’ve taken a good punt on getting the adults in the crowd interested in the magic of forests and woodlands… Now here’s one for the younger readers. This reference book blends science and facts with folklore and illustrations that are a wonderful mix of detailed and cartoonish. I feel as likely to buy this for my adult friends as their children. Parr has previously written for adults, and while I feel like his facts about the history of mistletoe across cultures, or the lifecycle of hornets, may go over younger children’s heads, they’re bound to love the drawings of jays, squirrels and other woodland critters!

Expert opinion
Our regular columnist Chris Yeo is away but Clevedon Salerooms report on yet another successful specialist sale.
Spring into action
Clevedon Salerooms held their Spring Fine Art on Thursday 12th March. The first quarterly Fine Art sale of 2026 certainly had some treats in store for eager bidders. One of the most attractive was an oil on canvas by British artist Charles Haigh Wood, (1856-1927). ‘Private and Confidential’, showed fashionably dressed young ladies of the era of Jane Austen seated in an interior before a bay window, eagerly discussing the contents of a letter, maybe from a suitor, all rendered in fine detail. Bidders responded enthusiastically and it quickly wrote off its estimate to sell for a noteworthy £3,400.
The last few months have seen record leaps in the price of gold and the sale saw this trend continue in fine style. Top of the tree in the Jewellery section and highest price in the whole sale, was a diamond 18ct yellow and white gold suite, comprising necklace, bracelet, and earrings, weighing 100g gross approx. it sold for £7,000.
The market for pop and rock memorabilia is in rude health and when it comes to big prices, anything connected with The Beatles can inevitably be relied upon to deliver.

make-up artist at the time. Those hopes were certainly not in vain as, after some very spirited bidding, the gavel fell at an equally fab £4,800.
Whilst saleroom tastes have for a while now been geared towards the contemporary, it was the traditional favourite Meissen which shone in the Ceramics section. An early 20th century figure ‘After the Bath’, modelled by Robert Ockelmann, sold for £1,900, whilst a figure of a female bowls player after a model by Walter Schott sold for £1,500.
Clevedon Salerooms next Quarterly Fine Art sale for which entries are now invited will be on Thursday June 12th. ■
clevedonsalerooms.com; @chrisyeo_antiques (Instagram)

Stranger things
Every place has its little quirks. But in Bristol’s case, it seems our history is more eccentric than most. But many of these peculiarities are at risk of being forgotten to the shadows of time, which is why local author Cynthia Stiles has brought them to life in her new book Quirky Bristol. Here are five strange things we learnt from her fascinating celebration of our city’s oddest events, people and places…
Bristol has been one of England’s major cities since 1373, when it officially became a county. By the 17th century it was already thriving as a centre of trade, with writers describing it as “a little London for merchants.” For centuries, the city’s port helped power its prosperity and reputation.
And yet Bristol has always had a slightly puzzling side. In fact, one of the great curiosities about the city is how it ever succeeded as a port at all. It sits inland on a river with a notoriously tricky bend, and the tidal range here is among the highest in the world. Twice a day the tide retreats so dramatically that ships once found themselves stuck in thick mud for hours at a time.
It’s exactly this kind of charming oddness that fascinates Cynthia Stiles in Quirky Bristol. Her book explores some of the city’s lesser-known but wonderfully intriguing stories, from the discovery of so-called ‘diamonds’ and rare plants in the Avon Gorge to architectural curiosities, early medical experiments, the 19th-century craze for pedestrianism, and famous local products like Bristol Milk and Bristol Cream. In short, it’s a reminder that Bristol’s history is every bit as colourful as the city itself.
1. There was a woman who ate dominoes
When the death of Mrs Williams, a Bristol newspaper seller, was reported in 1904, the notices included a detail that raised more than a few eyebrows. Apparently, she had quite an unusual appetite when she was younger. While others might have spent their evenings playing dominoes, Mrs Williams preferred to eat them. On one memorable occasion, she reportedly swallowed twenty-eight from a full box. And that wasn’t the only curious item on the menu. At different times she is said to have polished off a pound and a half (around 0.56 kilograms) of gravel and no fewer than thirteen iron screws. It’s safe to say her snack choices were… unconventional.
2. Vehicles were kite-powered
George Pocock was one of those wonderfully eccentric characters who make local history so entertaining. A schoolmaster on St Michael’s Hill, he was anything but ordinary, mainly because he had a passion for vehicles powered by kites. Yes, kites. With a good breeze, Pocock could sail along the road in his kite-drawn carriage, sometimes overtaking horse-drawn mail coaches and even the elegant carriages of the aristocracy. The same principle, he discovered, could also be used to power boats. His kites were carefully constructed from cambric muslin covered in tissue paper and painted for strength. They were controlled using cord braces and could soar up to 170 feet (about 52 metres) in the air. One kite measured 10 feet (3 metres) across and the other 12 feet (3.7 metres). If trees or other obstacles got in the way, Pocock simply reeled in the cords, winding them around a drum beneath the carriage. In 1836, he staged a demonstration near the Observator y with his invention (known as a ‘charvolant’). Carrying four passengers and pulled by two kites, it travelled at about 12 miles per hour (19 kilometres per hour), occasionally reaching 18 miles per hour (29 kilometres per hour). Over the course of the day, around a hundred curious locals lined up for a ride. Not bad for a vehicle powered entirely by the wind.


Pictured above: Dominoes formed part of one of Mrs Williams’ meals. And below: A kite-powered vehicle. Pictured opposite, left: St Jude’s Church, painted in the mid-twentieth century by Ted Cross; top right: A physic garden created at Castle Park (a modern example of alternative medicine in the city); and bottom right, The clock on the Exchange with its three hands.

3. Toads were used for medicine
3. John Wesley is best known as the founder of Methodism, but he also had strong views on health and medicine. In Bristol, he set up dispensaries for the poor. including one at the New Room in Horsefair, and in 1747 he published a guide called Primitive Physic; or, An Easy and Natural Method of Curing Most Diseases. Some of his remedies were, to put it politely, rather adventurous. Toads, for instance, were recommended as a treatment for asthma: dried, ground into powder and made into pills. Wesley was also a firm believer in cold bathing as both a preventative measure and a cure, and he was intrigued by the supposed healing powers of electricity. That said, not all his advice was so outlandish. His recommendation to eat plenty of vegetables sounds perfectly sensible today. Still, it’s fair to say that a few of his other suggested treatments are best left firmly in the eighteenth century.
4. Bristol ran on its own time
When the clock at the Exchange was installed in 1822, Bristol kept its own local time, known as ‘solar time’. It sounds quaint now, but back then every town effectively ran on its own schedule. In Oxford the time was about five minutes ahead, while London was more than ten minutes in front. For years this wasn’t really a problem. Then along came the railways. Suddenly, timetables mattered. And having every town operating on a slightly different time made things extremely confusing. The breakthrough came in 1840 when the Great Western Railway, engineered by Isambard Kingdom Brunel, decided to standardise its clocks using the time at the Greenwich Observatory. This new system became known as ‘railway time’. To help the public adjust, the Exchange clock in Bristol was fitted with a second minute hand so it could display both the old local time and the new railway time. For early train travellers trying to catch their departures, it must have been a very welcome addition.


5. Meteors fell from the sky
Occasionally, reports of strange objects falling from the sky might have actually been meteorites. One such incident may have taken place in 1931. On 7 July that year, St Jude’s Church was struck by what witnesses described as a “whirling, speeding ball of blue fire.” At around 3.30pm, a two-year-old child was playing nearby when the blazing object came down and hit the north-east pinnacle of the church tower. The child’s mother quickly scooped them up and rushed to safety just seconds before chunks of heavy masonry crashed down onto the pavement and road. The impact left a large dent outside the church entrance, shattered windows in Lamb Street and Lawford Street, and filled the surrounding area with dust. A dramatic moment, and one that must have been talked about in Bristol for quite some time afterwards. n
To uncover more curious characters and unusual occurrences across Bristol, buy Cynthia Stiles’ Quirky Bristol. Available now, from Amazon and local sellers, £15.99. amberleybooks.com. All images provided courtesy of Amberley Publishing.


Put your Red in the fridge!

Words by Elodie Hind of DBM Wines, a wine merchant based in the heart of Clifton Village | 7 Princess Victoria Street, BS8 4BX | dbmwines.co.uk
The rich, full-bodied reds that carried you through winter start to feel a little heavy in spring. Rosé season is fast approaching and there is a perfect in-between: lightly chilled red wine. ‘Room temperature’ for reds is often quoted, but modern homes are considerably warmer than the ideal 14°C, which in lighter styles, can mute some of the freshness and make the fruit feel heavy or flat. This is where grapes such as Gamay, Pinot Noir and Frappato come into their own, retaining a natural brightness when lightly chilled. They are typically lower in tannins, avoiding any bitterness brought out by chilling whilst containing enough acidity to feel lively on the palate. Give them 20 minutes in the fridge, or 10 in an ice bucket, and they will show their best. Here are three bottles you should try this month...



Left: 2021 Kaiserstuhl Pinot Noir, Karl Johner, Baden, £23.49
One of the best Pinot Noirs to come out of Germany at this price point: pure, precise, and built for a light chill. Fresh red berry fruit with a clean, mineral edge.
Centre: 2023 Baglio Gibellina, Frappato, IGT Terre
Siciliane, £12.95
Bright, easy-drinking Sicilian red: effortlessly smooth Frappato. Lively red cherry and strawberry with soft tannins.
Right: 2023 Fleurie, Domaine André Colonge, Cru Beaujolais, £20.99
Classic Cru Beaujolais at its best: juicy, lifted, and exactly what chilled Gamay should taste like.
Floral, with bright strawberry and a hint of spice.
Bristol

Warrens Bakery expands with local forecourt launch
South West-founded Warrens Bakery has opened its latest store, located in Frenchay, in SGN Retail’s BP Nisa Petrol Station.
The new bakery is serving customers its range of hand-crimped Cornish pasties, artisan baked goods and freshly brewed hot drinks, including the 100% certified, medium hand roasted Wild Meadow coffee blend from UK roastery Bridge Coffee.
Warrens, which says it bridges the gap “comfortably” between Greggs and Gails, was first established in St. Just in Cornwall by two local families, and now operates 47 stores, including this new site on Frenchay Road.
warrensbakery.co.uk
Rick’s bar launches circusthemed cocktails
Harbourside cocktail bar
Rick’s at The Bristol Hotel has launched a new circusinspired cocktail menu, which has been designed to coincide with The Greatest Showman stage show debuting in the city at The Bristol Hippodrome.

‘Under The Big Top’ has been created as a collaboration between the entire team at Rick’s, and has been designed to evoke nostalgic memories of the circus and the fairground, through unique flavours and playful garnishes. Running until Sunday 10th May, the new menu will run alongside Rick’s usual Signature menu. Guests will also be able to claim a 20% discount off any cocktail on the menu with a valid ticket to a showing of The Greatest Showman at The Hippodrome for that day. doylecollection.com/the-bristol-hotel

Circumstance Distillery crowns first cocktail champion
Circumstance Distillery has crowned the winner of its first-ever cocktail competition dedicated exclusively to bartenders from Bristol, celebrating the creativity and talent within the city’s thriving hospitality community. The competition was held at Southville cocktail bar and bottle shop Spirited. The competition invited bartenders working across Bristol’s bars and restaurants to create an original cocktail using spirits from the Circumstance portfolio, highlighting both the distillery’s experimental approach to flavour and the city’s independent bar culture.
Following a live final held at the distillery, Ben Wilson of The Milk Thistle (pictured, credit @rft_photography ) was crowned the inaugural Circumstance Cocktail Champion.
Wilson’s cocktail Ship Shape drew inspiration from Bristol’s independent food and drink heritage while showcasing the whisky’s complex flavour, using Circumstance Rye, Ribena Gastrique, Double Cream Sherry and a rye cracker with blackcurrant conserve garnish.
“In essence, I wanted the drink to capture the essence of Circumstance and Bristol,” he says. “It embodied the typical ethos of both city and distillery, being ‘go against the status quo, and own it. Using iconic Bristol brands such as Ribena, Fry’s chocolate and Harvey’s Wine Merchants, the honey, coffee, floral, biscuity notes of the Circumstance Rye shine through a flurry of blackcurrant and chocolate.” circumstancedistillery.com


Air Force Sun

Fancy a change of scenery? Simon Horsford has his suitcase packed, ready to explore the new flight destinations departing from our city’s airport this summer – with some lesser‐known destinations waiting to be added to your wanderlust list
This summer, Bristol Airport will add a further six destinations to its routes taking the total to a whopping 118, stretching from Aberdeen to Zurich and Bergen to Sharm El Sheik and Wroclaw. The airport’s main airline, easyJet –other airlines such as Ryanair, Aer Lingus and Jet2 are available – also announced last year that it had carried 80 million passengers from the airport since the airline began flights from the southwest hub 25 years ago.
This all seems a long way from the days when Bristol Airport started operating on its first site at Whitchurch in 1930, handling only 4,000 passengers a year just before the outbreak of war; the present site at Lulsgate opened in 1957 after a decade-long battle for a new city airport.
For the airport, it’s, unsurprisingly, about the new routes offering “greater choice”, while at the same time “supporting local tourism and providing helpful links for businesses in the area”.
So, what’s waiting for you on the other side of these new journeys...?
Bari, Italy
On the Adriatic coast in Puglia, the heel of the ‘Italian boot’, Bari has much to recommend it. Make for the old town (Bari Vecchia) near the port and its atmospheric streets and alleys and the eye-catching architecture of the Cathedrale di San Sabino and the Basilica di San Nicola, where you’ll find the bones of St. Nicholas – or Santa Claus; there’s also a 13th-century castle Castello Svevo. Make sure to take a stroll along the promenade, said to be Italy’s longest, and a popular local pastime.
Seafood is a must here, as is the local Puglian pasta orecchiette (‘little ears’). You’ll find sandy beaches at Polignano a Mare and Monopoli, and if you have time head for Matera and its UNESCO-rated troglodyte dwellings. Flying twice a week (from April to October)

UNESCO-rated troglodyte cave dwellings in Matera, Italy
Polignano a Mare beach, Italy
Reus, Spain
The first thing you need to know about Reus is that it is the birthplace of the fantasy architect Antoni Gaudí – although none of his buildings are here – head to Barcelona for that (90 minutes by car) – but you will find the Gaudí Centre in the city. The Costa Daurada is perfect if you want culture or a family holiday: for the former, aside from various Modernist architectural treats in Reus, you can also make for Tarragona, the region’s capital, which sits on a hill and is a UNESCO World Heritage Site.




Want more? Then Salou has a palm tree promenade, sandy beaches, and the PortAventura theme park (perfect for families), while further down the coast there’s Cambrils and some of the best cuisine you’ll find in the region; try suquet de peix, a seafood and vegetable stew; the area is known for its wine, vermouth and olive oil.
Five days a week from 25 June
Sal, Cape Verde
It might be around a six-hour flight, but this Cape Verdean island in the eastern Atlantic offers year-round sun with activities such as snorkelling, kite surfing and windsurfing on Ponta Preta beach. It gained independence from Portugal in 1975 and, astonishingly, the country has qualified for this year’s football World Cup.
Sal is one of 10 islands in Cape Verde, which takes its name from Cap Vert, the peninsula jutting out from Senegal – 350 miles away. Make sure to see the salt lakes in the crater of the extinct volcano and also Shark Bay where you can get close to a school of (harmless) lemon sharks.
Fresh seafood is naturally a speciality but also try the local cachupa, a hearty stew; the local wine from the island of Fogo is definitely worth trying.
Three times a week, year round from 1 May
Seville, Spain
If you love culture, food and heat then you’ll find it hard to better sultry Seville – the city from which Columbus first set off to discover the New World (and whose remains can be found in Seville Cathedral to this day).
The striking Alcazar Palace should be on any list, with its ceramic tiles and peacocks, while Seville Cathedral is another to note – the third largest in the world; for something more modern it has to be then 28-metre, mushroom-shaped Metropol Parasol, and then relax with a stroll among the pavilions, pools and palms at Parque María
Traditional suquet de peix seafood stew from Cambils, Spain
Overhead view of the pier, Sal, Cape Verde

Luisa. For a market experience, there’s Triana market, a riot of fruit and vegetables and the place to sample some local tapas and pastries. Fancy some flamenco? Then La Casa Inquieta is a bar and restaurant where you can watch a swirling dancer and accompanying musicians.
And you can’t be in Seville without trying a glass of sherry, and for that go to Palo Cortao on Mercedes de Velilla, with more than 60 different varieties. Elsewhere, look out for one of the Moorish Iberian pork dishes; the Andalusian wines are a treat.
Twice a week from May 2
Enfidha, Tunisia
The gateway to resorts such as Hammamet and Sousse and their white sand beaches and turquoise waters (via Enfidha/Hammamet airport).
But it’s also the route to so much more of Tunisia.
The country has eight UNESCO cultural sights together with a national park and a huge historical legacy, via influences ranging from Berber, Phoenician, Roman and Byzantine, to Arab and French.
Hire a car and visit Carthage with its Roman amphitheatre, or head for the cobbled streets of Sidi Bou Saïd and its whitewashed walls and bright blue doors and shutters, or find a bargain among the bazaars and souks in the medinas of Tunis and Sousse.
Make sure to stop by a food market too, where you’ll find stalls laden with fruit, vegetables and fish, then order a mint tea before tucking into a spicy lamb and couscous stew.
Six days a week, year round from 1 May

Pictured above: a traditional Flamenco dancer in front of the Torre del Oro in Seville, Spain. And right: a beautiful ornate doorway in Sidi Bou Saïd, Tunisia
Thessaloniki, Greece
History is everywhere in Greece’s second city, from the White Tower, once an Ottoman prison, near the harbour, to a huge statue of Alexander the Great on a horse and the impressive Rotunda, which has at various stages been a temple, church and mosque.
Wherever you walk, you’ll find some reference to the past and no more so than at the Archaeological Museum with exhibits dating back to the 4th century; while more modern is the Museum of Photography housed in an old warehouse.
Other treats include Modiano Market, which dates back to the early 1920s and has a vast range of local produce, but if it’s fish you want then Kapani Market is the place and you’ll find a great selection of cafés here to people-watch over a Greek coffee.
Brunch is big in the city – try a koulouri (sesame covered bread ring) or bougatsa, (filled sweet or savoury pastry); strapatsada is a Greek version of scrambled eggs and for lunch chargrilled octopus should do the trick with a glass of something chilled from a local vineyard.
Four times a week from 27 June (summer only) n
For more details on available flight routes, destinations and more, visit the website bristolairport.co.uk


Pictured: The Agios Pavlos church in Thessaloniki, Greece
Bristol at work
LOCAL BUSINESS AND COMMUNITY ORGANISATION UPDATES

Interaction wins national green design award
Local workplace design firm Interaction has won a prestigious workplace design award for the ultra-sustainable offices it has created for Bristol packaging compliance company Ecosurety. The 7,000 sq ft workplace at Picture House, in Colston Avenue, scooped the Sustainable Workplace Design of the Year accolade at the first-ever Workspace Design Awards. Launched at the Workspace Design Show in London, the awards celebrate exceptional workplace projects and design concepts. Ecosurety’s new workspace showcases the latest in sustainable design and features three distinct ‘biomes’ that support different ways of working, depending on mood and job task. They include a rainforest biome, which has an abundance of greenery and plants where employees can socialise and collaborate. There is also a marine-themed area, which offers a refreshing space for teamwork with cool blues and sandy timbers, and a savanna zone featuring deep rooted plants and warmer tones, which provides a quieter space for focussed working. The need to optimise resource use and minimise waste guided every design choice, with 99% of existing furniture, including the oak boardroom table, repurposed or refreshed. Materials include hemp lighting, cork acoustics, recycled fishing-net fabrics, and terrazzo for surfaces made from recycled white goods. interaction.uk.com
Savills makes six local promotions
International real estate advisor Savills has announced six promotions within its Bristol office. The promotions will see four people become associate directors and two take on the role of associate. The promotions include Gruff Hobday, Property Management Associate Director; Isabella McAndrew Feeny, Residential Development Sales Associate Director; Katie Spears, Residential Development Sales Associate Director; Sean Lewis, Planning Associate Director; George Lewis, Planning Associate; and Marcus Webb, Building and Project Consultancy Associate.
savills.com
Leading African animation studio opens UK base
Triggerfish, the awardwinning African animation studio behind globally acclaimed productions including Kizazi Moto: Generation Fire, Supa Team 4 and Star Wars Visions: Aau’s Song, has announced that it has selected Bristol as its UK base. The new premises in Bristol city centre joins the studio’s existing locations in Cape Town and Galway, further strengthening Triggerfish’s growing international presence. The Bristol office in the Royal Talbot Buildings provides their creative and technical teams a fully serviced facility with a state-of-the-art screening room, meeting rooms and community space. Bristol, recognised by UNESCO as a City of Film, was selected for its proud legacy in animation and creative media, the vibrancy of its city life, and its proximity to London. The studio will serve as a hub for creative development and physical meetings, while maintaining Triggerfish’s flexible, distributed approach to remote working. triggerfish.com


Route 101 expands with second office
Customer experience technology specialist Route 101 has opened a second office building in Bristol after operating from its HQ in the city for nearly 15 years.
The past 12 months have seen significant growth within the team, hiring more than 100 new employees – primarily across the South-West. The new premises will support Route 101’s expanding workforce, with staff able to hot-desk across both Bristol locations. The office opening reflects the company’s continued investment in the region and its commitment to supporting local job growth in the South-West. The company also runs an apprenticeship programme to further support local jobs. This expansion follows recent big contract wins – including working alongside the Department for Work and Pensions. route101.com
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From the Lord Mayor’s Parlour...
Exclusive insight from The Right Honourable Lord Mayor of Bristol, Councillor Henry Michallat
Over the past few of weeks, it has been great to attend several inspiring and interesting engagements across Bristol, each highlighting the richness of the city’s cultural, artistic and academic communities.
It was an honour to celebrate Chinese New Year, which welcomed the Year of the Horse. Chinese New Year is a time of renewal, hope and togetherness, and it was wonderful to see the vibrant celebrations taking place across the city.
A particular highlight was attending the Chinese New Year Gala performance organised by the Chinese Students and Scholars Association at the University of Bristol. The evening showcased an impressive programme of performances, including songs, comedy acts and traditional dance. The creativity and talent on display was impressive, and it was great to see students sharing their culture with such enthusiasm and pride. Events like these strengthen the bonds between communities and remind us of the global connections that enrich Bristol.
Another significant engagement was attending the Bristol 1904 Arts Founders Day Service. It was a pleasure to learn more about this historic organisation and its long-standing contribution to supporting artists and musicians in Bristol. Bristol’s reputation as a cultural hub owes much to organisations such as Bristol 1904 Arts, and I was delighted to celebrate their legacy and ongoing work.
Finally, I had the opportunity to attend and speak at the University of Bristol Ukrainian Society Conference. It was inspiring to see so many students from across the South West come together to discuss Ukrainian culture, history and current affairs. The passion, resilience and commitment of the students were evident throughout the event, and I was honoured to speak about the role of Lord Mayor, local democracy and the history of our city. Bristol is proud to stand with Ukraine, and it was encouraging to witness such strong engagement and solidarity among our young people.
These engagements have been a reminder of the diversity, talent and compassion that define our city, and I look forward to continuing to support and celebrate our communities in the weeks ahead. n
As ever, if you would like to invite me on a tour, talk or event, please get in touch with the Lord Mayor’s Office via the email address lordmayor@bristol.gov.uk


Education matters
NEWS FROM THE CITY’S LEARNERS AND LEADERS
Duncan House announces final reunion


Sidcot pupils create recipe book for local food bank
Former pupils of one of Bristol’s most distinctive historic schools are being invited to a final reunion, marking the end of a remarkable chapter stretching back more than 160 years. Founded in 1864 by Adelina Cort and Clara Bulkley, Duncan House began in Clifton before expanding across several sites, eventually settling at Avonwood on the Promenade after the Second World War. Known for its boater-hatted pupils and rigorous traditions (including a rule that French be spoken most of the school day), it built a reputation for academic excellence early on, with all candidates passing Cambridge exams in 1871. Under the long leadership of Miss Emily Cooper Wilson, who served for 50 years, the school flourished culturally as well as academically. Although the school closed in 1967, its alumnae have continued to meet for nearly a century. Now, as the Old Girls’ Association marks its 100th year, a final reunion will take place on Saturday 9 May, including a last opportunity to visit the Avonwood site. Organisers are encouraging any former pupils to get in touch and be part of this historic farewell.
Any former pupil wishing to attend the final reunion and view Avonwood should contact morris.j.c@outlook.com or linda@alvisfineart.co.uk before 24 April.

Redmaids celebrates robotics success
Year 5 pupils at Sidcot Junior School have combined creativity, science, and community spirit to produce their own family recipe book as part of their recent STEM Week. Throughout the week, students worked closely with the School’s catering department to learn about ingredients, quantities, and the importance of reducing food waste. Applying this knowledge, they experimented with different combinations to develop their own original recipes, before carefully writing and compiling them into a finished book. The project was inspired by Sidcot School’s ongoing support for Cheddar Valley Food Bank. As one of the organisation’s most prolific contributors, the School wanted to deepen its impact. The pupils therefore designed their recipe book to accompany future donations, with a focus on meals that can be made using the types of ingredients most commonly given to food banks.
sidcot.org.uk
Collegiate crowned national champs
Collegiate's First VII squad have been crowned national champions in the Bowl competition at the esteemed Rosslyn Park Sevens.
From a field of more than 200 top sporting schools, Collegiate's squad came through a gruelling qualification process, involving two group stages and knockout matches aplenty, before beating Eton College 19-12 in the semi-final. Their opponents in the final were Oundle School, and the match was end-to-end before captain Alfie C fittingly crashed over to secure a 24-19 victory.
This is the first time that Collegiate have won at Rosslyn in 20 years of trying and is a phenomenal achievement – but there was no rest for the boys, who were straight back to school to rehearse for a House Song competition.
collegiate.org.uk
Year 6 pupils from Redmaids’ High Junior School recently showcased their exceptional talent, creativity and teamwork at the FIRST LEGO League regional competition, held at GKN in Filton. The event, which brought together young innovators from across the region, challenged participants across three exciting rounds.

The Redmaids’ High team began by presenting their innovation project: a thoughtfully designed prototype robot to assist archaeologists in delicately brushing away dirt and soil to uncover fragile discoveries. The pupils impressed judges with their confident delivery, as well as their depth of knowledge, clarity of explanation and maturity. Notably, Redmaids’ High Juniors were the only all-girls team competing and were significantly outnumbered by boys. Their dedication and innovation were ultimately rewarded with the prestigious Innovation Project Award — a well-deserved recognition of their hard work and ingenuity. redmaidshigh.co.uk









TREADING the bluebell path

has been carefully researching nearby hotspots to see the region’s wonderful bells in bloom








Bluebells in workmans Wood
When conservation charity Plantlife ran a poll to find Britain’s favourite flower, the bluebell came out top. This may come as something of a surprise. Seen singly or in garden settings, bluebells are charming, intricate, beguiling – but not especially spectacular. Seen en masse, however – and few flowers are more inclined to bloom en masse than bluebells – it is a different story.
However many times you may have come across them, the first glimpse in late spring of swathes of bluebells casting a luminous glow across a dappled forest floor always seems to have an air of impossibility about it.
The colour of bluebells seen en masse – a blue so deep that no camera can capture it – seems somehow otherworldly. Their transformative luminescence is something even the most revered poets have struggled to catch. In the woods around Slad in Gloucestershire, Laurie Lee saw ‘the mysterious bluebells collect in pools, deep and still in the forest shadows’, while Gerard Manley Hopkins saw bluebells ‘in falls of skycolour washing the brows and slacks of the ground with vein-blue’, making ‘wood bank and brakes wash wet like lakes’. What both writers are seeking to express is the ineluctable way in which bluebells dissolve and liquefy solid ground into something which partakes not only of the quality of water but also that of the sky.
Given this transcendent, unsettling quality, it is hardly surprising that they feature in folk legends, especially those linked with fairies or enchantment. Among the names by which they were once known are witch’s thimbles and fairy flowers. The Welsh called bluebells ‘clychau’r gog’ – cuckoo bells – because they flowered when the cuckoo was first heard. They were also known as cuckoo flowers in Somerset, a county which had a bewildering choice of other names for them, including blue bottles, culverkeys, adder’s flowers and Pride of the Wood. In Dorset, they were ‘granfer-frygles’, which in an abbreviated form – ‘greggles’ –found its way into Hardy’s Mayor of Casterbridge
The native English bluebell – hyacinthoides non-scripta – became established in this country shortly after the last ice age. Our damp climate suits it perfectly, and it is often said that ‘the wetter the winter, the brighter the blooms’ – so this year’s displays should be magnificent. Although widespread, bluebells take years to become established and spread only slowly, so the most spectacular displays are the product of long maturation. Bluebells are also are a good indicator of ancient woodland. Once damaged or disturbed, however, they may never recover, and, as trampling through them is one of the surest ways to destroy them, it is important to stick to well-trodden paths when passing among them. They have long been considered under threat from their Spanish cousins – hyacinthoides hispanica – first planted in English gardens in the 17th century, which have not only spread into the wild but also crosspollinated with them.
For the moment, however, English bluebells seem to be holding their own. A survey by the Woodland Trust in 2017 found that 80% of the bluebells in English woodlands were of the native variety – and hopefully they’ve continued this reign.
See the spectacle yourself
By now, the first bluebells will already be in bloom. By St George’s Day (23 April) they will be in full spate and by mid-May this unmissable spectacle will be over for another year. Everyone will have their own
favourite bluebell woods, and the internet is awash with suggestions of where to see them at their best. Fortunately, you don’t have to go far; even in Bristol, you are spoilt for choice.
The wooded slopes around Blaise Castle will soon be carpeted in bluebells, while Leigh Woods offers a choice of habitats, one of the most spectacular being Paradise Bottom. At Ashton Court, bluebells bloom in the woods near the house, although for something more expansive, Church Wood, off Clarken Combe Road, on the west side of the park, is worth seeking out.
St Anne’s Wood in Brislington is a haven not only for bluebells but also – for those who fancy a spot of foraging – wild garlic. Closer to the city centre is Arnos Vale Cemetery, now one of the city’s most diverse and important wildlife habitats, where swathes of bluebells amid the tombs provide a link with the copses and hedgerows that once covered the site.
Among the reserves owned by Avon Wildlife Trust, Weston Big Wood near Weston in Gordano and Prior’s Wood near Portbury are famous for their displays of bluebells, but at both sites parking is limited, so it is advisable to avoid times when they are likely to be busy. A little farther out, on the northern fringes of Mendip, the verdant depths of Bourton Combe near Flax Bourton and Goblin Combe near Cleeve, are also carpeted with bluebells.
In Gloucestershire, the woods which inspired Laurie Lee are still as glorious – and as full of bluebells – as they were in his day. Frith Wood, an ancient beechwood on the ridge above Slad, is particularly splendid, while the Laurie Lee Way, a five-mile circular trail, takes in several more woods he knew intimately – and after completing it you can drop into his local, the Woolpack, for lunch.
Another pub where he was a regular is the Butcher’s Arms at Sheepscombe, three miles to the north, from where paths lead up to Saltridge and Workman’s Woods, where bluebells also flourish in profusion.
National Trust spots and blue-flecked hills
A few miles west, in a hauntingly beautiful hidden valley, lies Woodchester Park, owned by the National Trust, with ornamental lakes, an abandoned Victorian Gothic mansion and trails winding through high beech and oak woods rife with bluebells. Other National Trust properties within easy reach where bluebells abound include Dyrham, Tyntesfield, Montacute and Stourhead. And, while the National Arboretum at Westonbirt may be most celebrated for its autumn →


colours, the display of bluebells in Silk Wood, one of the arboretum’s oldest patches of woodland, is just as dazzling.
Although bluebells are generally assumed to do well only in dappled shade, swathes of them can also be found – if the soil is slightly acidic –in open downland. Cam Long Down and Peaked Down on the Cotswold Way near Dursley are prime spots for bluebells, and the distant view of green hills flecked with waves of hazy blue is an astonishing sight. Bluebells can also be found on bracken-covered coastal headlands, such as the windy slopes of Brean Down, adding a deeper shade of blue to a palette dominated by the sky and the restless sea.
These are but a small selection of the sites where bluebells can be seen in all their glory for a few brief weeks every year. There are many more where the displays as just as fantastic. There is one place, however, to which I am drawn again and again at this time of year – and not just because of the bluebells.
Lower Woods, near Wickwar, in the care of the Gloucestershire Wildlife Trust, is not only one of the largest areas of ancient woodland in the South West; its terrain is so varied and so unmanicured, it evokes an extraordinary sense of remoteness and timelessness. Exploring the disorienting and labyrinthine network of ancient tracks that criss-cross these woods, there is an abiding sense that you are glimpsing what much of England would once have looked like. Losing your bearings in a medieval woodland amid the azure dazzle of bluebells only adds yet another level of enchantment to one of the most beguiling natural sights this country has to offer. n
Discover more of Andrew Swift’s books and writings online from akemanpress.com | All photos courtesy of Andrew Swift
VINTAGE FURNITUR E
Nathan mid century sideboard, sanded, primed and then professionally spray painted with 5 coats of gorgeous Little Greene hoppy paint. This piece brings a confident pop of colour that instantly lifts a space.
This classic sideboard has been given an up to date modern look with silver legs and handles. Inside, the warm wood interior has been retained offering practical and generous storage with drawers and cupboards.











St. Anne’s Wood
Workmans Wood


IPremium Intraocular Lenses in Cataract and Lens Surgery:
An Interview with Consultant Ophthalmologist Adam Ross
n the evolving field of cataract and lens surgery, premium intraocular lenses (IOLs) have revolutionized how patients experience vision correction. We sat down with consultant ophthalmologist Adam Ross to discuss these advanced options, including toric, trifocal/spiral, and extended depth/enhanced monovision lenses.
Thank you for joining us. To start, could you briefly explain the role of intraocular lenses in cataract surgery?
Absolutely. In cataract surgery, the natural lens of the eye, which has become cloudy, is removed and replaced with an artificial intraocular lens (IOL). This lens restores clarity to vision and can be tailored to correct refractive errors like nearsightedness, farsightedness, and astigmatism. Premium IOLs go a step further by offering additional benefits, such as reducing the need for glasses and providing enhanced visual quality.
What are premium IOLs, and how do they differ from standard lenses?
Standard monofocal lenses correct vision at a single distance, usually either near or far, so patients often need glasses for other tasks. Premium IOLs, on the other hand, are designed to improve focus at multiple distances or correct specific vision issues like astigmatism. Options like toric, trifocal, and EMV lenses are tailored to individual needs and lifestyles, significantly enhancing visual outcomes.
Let’s delve into the different types. Could you tell us about toric lenses and their benefits?
Toric intraocular lenses (IOLs) are specialized lenses used to correct astigmatism in patients undergoing cataract surgery or refractive lens exchange. Astigmatism occurs when the cornea or lens has an irregular shape, causing distorted or blurry vision. Toric IOLs are available in monofocal, multifocal, trifocal and EMV designs, and their use depends on the patient's visual needs and lifestyle.
How do trifocal/spiral lenses stand out compared to other multifocal lenses?
These lenses allow patients to focus at three distinct ranges: near, intermediate, and far. This means activities like reading, working on a computer, and driving can all be done reducing the dependency on glasses. The design of newer trifocal/spiral lenses reduces the visual disturbances—such as halos or glare—that were more common with earlier multifocal IOLs. However, a careful examination and discussion about the pros and cons of these lenses is essential on an individual basis. You also mentioned extended monofocal lenses, or EMV lenses. What makes them unique?
These lenses, bridge the gap between traditional monofocals and multifocal lenses. They provide a greater range of vision than monofocals without the compromises in visual quality sometimes associated with multifocal lenses.
How do you determine which lens is best for a patient?
It’s a personalised process. We start by evaluating the patient’s eye health, including the presence of astigmatism or other refractive errors. We then discuss their lifestyle, hobbies, and expectations. For example, someone who frequently reads or works at a computer might prefer trifocal lenses, while a patient who drives a lot and values distance clarity might lean toward Extended Depth or EMV lenses. If astigmatism is a factor, a toric lens can be incorporated into the plan.

Are there any risks associated with these advanced lenses?
Premium IOLs are generally very safe, but as with any surgery, there are potential risks, including infection or lens misalignment. Additionally, some patients may notice halos, glare, or difficulty with night vision, particularly with trifocal lenses, though these symptoms often improve over time. Careful preoperative assessments and discussions can mitigate these risks by ensuring the chosen lens suits the patient’s eyes and lifestyle.

Lastly, what advice would you give to someone considering cataract or lens replacement surgery with premium IOLs?
Lastly, what advice would you give to someone considering cataract or lens replacement surgery with premium IOLs? Do your research and have an open discussion with your surgeon. Understanding the options, the benefits, and any potential trade-offs is key. Make sure your choice aligns with your visual needs and lifestyle. With the right lens, cataract surgery can transform your vision and enhance your quality of life.
Premium intraocular lenses have ushered in a new era of vision correction, offering patients a range of customized solutions. With the expertise of specialists like Mr. Adam Ross, patients can navigate their options confidently and achieve outstanding visual outcomes. ■
To make an appointment contact: 0117 369 1179
Email: office@theeyeunit.co.uk www.theeyeunit.co.uk



CURA: Pain Management
Management of Arthritis, Injury and Bone health

Longstanding Arthritic Back and Knee pain: John is a lovely chap referred to me for treatment in July 25 by a previous patient. In great shape for an 88 year old, he was however suffering from long term low back pain related to spinal degeneration and spondylolesthesis. He’d also had a half knee replacement 17 years previously and was now suffering with pain on the outside of his joint. His walking , sitting and general activity were painful and getting more and more restrictive.
He chose to do a combination of programmes of MBST to address several areas of tissue damage. On our most recent follow up in Feb 26 both spine and knee are much improved. Activity/walking and travelling is much less painful and no high levels of pain reported for some time. All this 7 months post MBST. I look forward to seeing where he is at 12 months and beyond.

Degenerative Discs/Disc Bulges: Tom is a great example of how MBST can improve the quality and integrity of damaged discs and steer patients away from persistent back pain and more severe disc injury.
Tom is a fit chap but after years of recurrent back pain that hands on treatment and core strength couldn’t stabilise he came to see me. We got an MRI scan that showed degenerative disc bulges at the bottom of his spine which was both the cause of his pain as well as a stress on his spinal joints.

He then did a course of MBST for his discs. Since this intervention 7 months ago his clinical picture is dramatically different, largely pain free with only occasional reminders of his prior state, and things will continue to improve as the quality of his fibrocartilage improves.
MBST UK is the official regenerative Partner for Bath Rugby and Wrexham FC. Not only is this leading to dramatic increases in the speed of player rehabilitation and return to play, but it’s allowing us to gather data and explore the full ability of this technology
A safe and simple way to Screen your bone health
At CURA we have the have the latest technology in assessing bone density and fragility. Unlike DEXA that uses X-Ray, REMS Scans use ultrasound to precisely assess the thickness of bone and the bone strength/architecture.
It’s an amazing tool to have, especially to safely monitor the progress our patients are making after using MBST to address the deconditioning of bone in Osteoporosis:
We’re seeing remarkable results when applying MBST to bone, both after trauma and in Osteoporosis patients.
Our observations include;
• Significantly faster fracture healing times
Significant reduction in fracture pain. Improved Bone mineral density
• Improved T scores and reduced fragility
Scans take 45 minutes and results are immediate


An award-winning innovative treatment for: Osteoarthritis | Back & disc problems | Bone conditions & fractures | Cartilage damage | Ligament, tendon & muscle damage | Sports & accident injuries.

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Fig1 Rice Medium Metal.Flower Pot. in Yellow, £17. fig1.co.uk.

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Garden Requisites. Large Roman Arch, from £895. garden-requisites.co.uk.
The Garden Party
Bristol, it’s finally warming up! Transform your outdoor space, however big or small, into a love letter to Spring by embracing whimsy and maximising delicious details. Bathe your garden, patio, or balcony in pretty pastels and nature‐inspired accessories so your newly flourishing potted plants can pop; or indulge in romance with vintage‐inspired lighting and touches of glimmering gold. Our tip? Choose pieces that feel like they’re at home in the sunshine. Longer evenings await...


Park Furnishers Searchlight. Outdoor Wall Light,. Antique Brass, £69.60. Online Exclusive parkfurnishers.co.uk.

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Oliver Bonas Brown Diagonal. Fruit Doormat, £29.50. oliverbonas.com.

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Judge a House by its Colour
Our city is known the world over for its technicolour houses covering seeming impossibly hilly streets like a patchwork quilt. If your home is in need of a lick of paint, whether you’re opting for vibrant hues or neutral tones, we’re here to help you express your creativity so you’re abode can slot right into the missing puzzle piece of personality in your postcode
A familiar sight in Clifton: sunrise glinting off a sea of colourful homes

Bristol’s weather certainly earned the notorious adage ‘the drizzle in Brizzle’. It’s achieved the unenviable position of being named as one of the top 10 wettest British cities (cheers, BBC Weather), the region’s luscious, green surroundings owe their emerald hues to regular downpours, and lacklustre grey skies are a guaranteed fixture no matter what season. It’s not all doom and gloom though, because by all accounts, these conditions have made the city an ideal canvas to add a pop of colour to liven things up.
And Bristolians throughout the land have certainly got the memo –because not only are we currently enjoying being the only UK city in Lonely Planet’s Top 50 Best in Travel 2026 (a much better list to inhabit, don’t you agree?) thanks to its rich culture of the street art adorning its buildings and mural-covered homes, but Time Out also recently cited a study that Bristol has claimed the title of the UK’s most colourful city (thanks to a creative studio analysing cityscape photos with the help of some oh-so-clever tech).
The city’s colourful buildings are indeed a tonic for the eyes, with many of the walls forming people’s homes. Now, of course, we should get the allimportant admin out of the way before we dive headfirst into the interesting ways you can beautify your beloved dwellings...
According to our local council overlords, there are 33 conservation areas in our city, each with their own special character and appearance that needs to be preserved or enhanced by residents – so it’s very likely that if you’re reading this magazine you might reside within one of these zones. Keeping the character of your home in line with your street’s aesthetics is essential to avoid upsetting both your fellow neighbours and the powers that be.
Before undertaking any major makeover that involves the outside of your house, it’s extremely wise to check the council website (bristol.gov.uk) to see if you need planning permission to change the colour of your house –including the front door – and to ensure that even in our city’s more visually vibrant residential areas, like Totterdown, your chosen palette still complements the surrounding streetscape. And it goes without saying that if your home is listed, that brings with it a whole host of official considerations. But now that we’ve got all that business out of the way, shall we explore all the wild and wonderful ways you can make sure every passerby joyfully judges your house by its colour?
Natural bounty
Looking for inspiration for your home’s outer shell is simple if you draw on the city’s natural surroundings, from the sky’s harbour reflections to the leafy streets we wander through every day. For front facias, you can take your cue from Bristol’s ever-changing quality of light.
Soft slate blues and gentle grey clouds (yes, even that dull sky can add generously to our palette, here) pair well with our city’s honeyed stone and brick facades found in period builds. Front door hues can soak up deep teals and inky blue-greens lifted straight from the depths of the River Avon. These tones are simultaneously understated and bold, pairing smartly with crisp trim and dark metalwork.
Away from public view, the walls facing your gardens, terraces and courtyards can deepen with a bit more confidence. Here, colours inspired by natural foliage can take charge: sage, olive and rich holly greens blur boundaries between wall and planting, allowing outside spaces to bloom no matter how much actual nature your patch is growing.
Accents inspired by blooms can bring warmth to seating areas and pergolas, or the front of your house if planning allows (soft foxglove purple, primrose yellow, a wash of dusty rose are great examples, here).
Exercising a little restraint with your painting choice often reaps rewards; opting for softened, slightly muted versions of flowers and other natural elements mean that the real thing can shine when it’s in bloom and in full summer radiance, but your home is also allowed to equally steal the limelight when seasonal shifts mean the landscape feels a little dull in comparison.






Fireplace surround: Aquamarine – Deep, Chimney: Joanna, both Little Greene, littlegreene.com
Wall: Cinder Rose, Farrow & Ball, farrow-ball.com
Wall stripes: top, Arras, middle, Olive Colour, bottom, Nether Red, all Little Greene, littlegreene.com
Bright sparks
We’re all familiar with the colourful caterpillar-like trails of houses that appear time and again in iconic shots of our city. And – planning permission permitting – who’s to say your home can’t join their ranks? Whether you’re inspired by the artistic elegance of Montpelier or the graffiti-splashed fronts of Stokes Croft, our city’s urban heart offers up an enviable choice of vibrant, daring and unapologetic colours to transform your home with.
So, if you’re keen to channel all that vitality but aren’t quite ready to go ‘full mural’, why not consider a terrace painted in warm coral, mustard ochre or a softened turquoise? These tones can feel uplifting, rather than overpowering, when balanced with clean architectural lines and thoughtful detailing from furniture and planters. If you’re feeling confident, you can go bold with contained statements: a front door in saturated cobalt, railings in punchy red, or window reveals picked out in graphic black can energise period brickwork and Victorian stone.
Round the back, your garden and terrace areas, which are often social spaces, can be even more playful. Think layered bright hues – watermelon pink against leafy planting, electric blue framing a studio door, sun-warmed terracotta anchoring an outdoor kitchen wall. Try and keep things feeling intentional, as you would with your interiors: curated, not chaotic. And key tones can be picked out again in outdoor accessories to create that stylish cohesion.


Who says neutral has to be unimaginative?! There are no ‘sad beiges’ here. In fact, freshening up your fascia with a quietly confident pared back palette lets your home’s architectural details, from stonework to metal accents and planting, really shine. It’s incredible how much of an impact repainting your home in, well, the exact same (or very similar) shade can do. Our homes take a real beating from the elements, which can take out some of its shine after some time.
For street-facing façades, crisp whites and soft off-whites bring a sense of freshness to period terraces and contemporary builds alike. The key is choosing whites with the right undertone: chalky, lime-washed shades sit smartly against that iconic aforementioned honeyed stone, while warmer creams complement red brick without appearing too stark in comparison.
It might be worth considering layering some tones subtly on one another: a pure white on the walls can be offset with a slightly deeper putty or stone hue on window frames and cornicing. The overall sense remains calm, but this approach allows design features to gently stand out and adds that all-important depth.
For all things garden, side access and to the rear, think of your neutral tones much like a gallery, creating an ideal backdrop for your planting to steal the show. Gentle taupe, pale clay and muted mushroom tones soften boundaries and make foliage appear richer and more sculptural, as well as helping any wooden elements and stonework present to stand out.
Neutral can be Scandi-chic, understated and ever so smart in contrast to bright accents, neighbours’ colourful choices and – of course – the rest of the city’s creative statements. n
Wall: Linen Wash, Window Frame: Loft White, both Little Greene, littlegreene.com
Door: Chinese Emperor, Paint & Paper Library, paintandpaperlibrary.com

Welcoming visitors
There are few people who don’t love the sight of birds, bees, butterflies and ladybirds, writes Elly West. This month, she considers the smaller visitors frequenting our patch year after year – including one particularly spiky critter known to be a gardener’s best friend
One of the nicest things about a garden, in my opinion, is watching the wildlife that it draws in. There are few people who don’t love the sight of birds, bees, butterflies and ladybirds. Worms, frogs and toads may have a more mixed reception but are undoubtedly gardeners’ friends and should be welcomed and encouraged. And then there are the nocturnal animals we may rarely see in person, such as the hedgehog, beloved by gardeners for its docile nature and unique charm, as well as its pest controlling abilities, chomping through slugs and snails as it waddles around in a whimsical manner.
Hedgehogs are generally portrayed in literature and folklore as magical and friendly creatures. The Tale of Mrs. Tiggy-Winkle was one of my favourite Beatrix Potter stories and I loved the final picture in the book of her scurrying away no longer in her washerwoman clothes, but instead small, brown and covered in prickles, and the discovery that she was actually “nothing but a hedgehog”.
In ancient Egypt, hedgehogs were sacred and their hibernation was likened to rebirth and reincarnation. Not quite as benign was the belief in medieval times that hedgehogs were witches in disguise, stealing milk from cows by attaching themselves to udders.
Growing up in the 1980s, I also remember hedgehog flavour crisps being a thing. The packets were clearly labelled to make it known that they were made ‘without harming a single spike of a real hedgehog’. Despite this, the company did run into trouble with the Trades Description Act 1968, leading them to being rebranded as ‘hedgehog flavour’ rather than ‘hedgehog flavoured’. A percentage of the profits were donated to the British Hedgehog Preservation Society. Given how we
love hedgehogs and the fact that their numbers are in severe decline, it’s perhaps not surprising that the crisps fell out of favour in the 1990s.
The reasons for the declining numbers of hedgehogs are familiar –disappearance of habitats such as hedgerows, overuse of pesticides reducing food supply, and road deaths. Up to 330,000 hedgehogs are estimated to die on Britain’s roads each year, with numbers spiking in summer. Hedgehogs are protected in the UK under several laws, and in 2020 they were added to the Red List for British mammals as “vulnerable to extinction”. It’s generally illegal to kill, capture or disturb wild hedgehogs in the UK under the Wildlife and Countryside Act 1981, and cruelty and mistreatment of hedgehogs is also a crime. Campaigners are pushing to extend the laws further to protect habitats and nesting sites from disturbance.
Hedgehogs are found in both rural and urban areas, and it’s around April that they emerge from hibernation and may need our help. There are lots of things we can do to encourage them to our gardens and support them generally. Hedgehogs roam up to 3km a night to forage for food, so including hedgehog holes in fencing allows them to move freely between gardens.
Some fence suppliers stock fence options with gaps in the gravel boards to create “hedgehog highways”, or you can cut your own holes in existing fencing – the recommended size is 13cm x 13cm. Closed-off gardens isolate hedgehogs so they can’t find places to forage for food, breed and hibernate, so it’s really important to make sure these creatures can get in and out easily. Many housing developers are also getting on board and making sure they include hedgehog holes in the fencing of their new developments.
Other hedgehog-friendly gardening practices include leaving areas of the garden messy and wild. Areas of dry leaves will attract insects to provide a food supply for hedgehogs, and a log pile can create a safe place to breed and hibernate. Alternatively, a hedgehog house can be bought or made, then positioned in a sheltered and quiet spot in the garden. Fill it with dry leaves and hopefully a hedgehog will take up residence. Consider putting out food and a shallow dish of water, but avoid the traditional offerings of bread and milk as hedgehogs are lactose intolerant and milk can make them ill. Go for cat food or specialist hedgehog food instead. A pond is great for all kinds of wildlife, including hedgehogs, which will benefit from having a year-round water supply. Although they are excellent swimmers, make sure there is a gently sloping edge so they can escape if they do fall in.
For more information about helping hedgehogs in your garden, the British Hedgehog Preservation Society website is a good place to start, britishhedgehogs.org.uk. If you find a sick, injured or orphaned hedgehog, you can contact Hedgehog Rescue, a local organisation run by volunteers that cares for hedgehogs in around Bristol, Bath, South Gloucestershire and Wiltshire. Visit hedgehogrescue.info to find out more. n
Elly West is a professional garden designer, working in and around the Bristol area | ellyswellies.co.uk
Plant of the month: Alliums
Spring bulbs are popping up everywhere right now, and alliums are among my favourites with their eye-catching globe flowers held on stiff stems, bringing style and form to the border. These ornamental onions are ideal for adding height and structure, and are easy to grow from bulbs planted in the autumn. There are lots of different varieties available in shades of purple, pink and white. ‘Millennium’ has clumps of numerous small pompom flowers and appears later than other varieties, from June onwards, while ‘Globemaster’ is one of the largest, with late-spring flowers reaching up to 25cm diameter. Allium giganteum is one of the tallest varieties, at around 1.5m.
‘Purple Sensation’ is a reliable favourite, with neat round flowers on stems around 60cm tall, while Allium christophii has beautiful starry flowers with an almost metallic sheen, and also has stunning seedheads that look beautiful when dried. The leaves of many alliums can start to look tatty and turn yellow before the flowers fade, so grow them in-between leafy mound-forming perennials such as hardy geraniums or Alchemilla mollis to hide their foliage. Leave them to die back after flowering, as the nutrients from the foliage goes back into the bulb to feed it for next year. Alliums prefer a sunny spot, are drought tolerant, and prefer well-drained soil. Bury them deeply (at least twice their own depth in the soil) and they should come back year after year.





PROPERTY NEWS


away from the conflict having created uncertainty in the wider financial markets, my experience in Bristol is that to date there appears to be little evidence of a meaningful direct impact on the housing market. Speaking with selling agents, and no doubt helped by a spell of spring sunshine, all are consistent in reporting high levels of viewings and motivated buyers.
Buyers are likely to continue to be driven by factors such as mortgage affordability, and of course stock levels of suitable homes.
Could you be in a strong position?
If you have secured a buyer, don’t need to sell, and/or have a good mortgage offer, it is fair to say that there could be good opportunities for you as a buyer. Whilst some sellers may remain cautious which may result in less stock, as a buyer in this position you may be well placed to negotiate well on your onward purchase.
Looking ahead to the next Quarters’ Market
A
pril through to June is traditionally one of the busiest three months in the residential property market. Vendors feel their homes are at their best: the grass is green, there are leaves on the trees, flowers are out, and the daylight hours are longer. Buyers also feel in better shape; the long cold months of Q1 are over and traditionally a Q2 purchase can often coincide with a Completion before summer holidays or that all important start of September school deadline. Buyers invariably also have the confidence that in Q2 they are seeing the best volume of stock.
Will the conflict in Iran impact me as a home buyer?
WPersimmon was recently reported as warning that the Iran conflict could knock buyers’ sentiment amid growing fears of a jump in inflation and prolonged period of elevated interest rates. Whilst there is no getting
Quite often in property transactions buyers are sellers and sellers are buyers. So, getting a deal agreed in this current climate is going to be as important, on the whole, to your seller as it is to you the buyer. Therefore, if you see the right property, and it ticks the majority of boxes, it is well worth looking to negotiate an agreeable figure for its purchase.
What to consider
If you are not in this position, I’d strongly recommend speaking to a broker, keep an open mind as regards rates changing weekly, if not daily, and don’t be afraid to put your best foot forward with a seller. As above, it is a circular chain: in most cases everyone wants to make it happen.
It is plausible to assume that given the macro-economic changes driven by the Middle East conflict, both buyers and sellers will remain cautious. However, it is also fair to assume that if approached carefully and diligently, a motivated buyer will still be able to connect to a motivated seller and the deal can be done. The trick, historically, in a more difficult market is finding these two and putting both parties together.
Whatever stage you are at in the search for your new home, I’d love to chat.
Lili Oliver
Oliver Roth Property Consultants T: 0117 9877 828 | E: home@oliverroth.co.uk

Keep up-to-date with our latest news, deals, testimonials and market www.burstoncook.co.uk
Park Street, BS1
2,107 sq ft (195.74 sq m)
A prime retail unit with a bright frontage, offering sales space to the front with rear changing room facilities. The basement offers ample storage space and a single W.C. New flexible lease available.




Portwall Lane, BS1 TO LET – POA
Floors from 2,105 – 5,753 sq ft (195.55 – 534.45 sq m)
A Grade A office building which has been sympathetically refurbished to the highest standard, with strong ESG credentials and offering boutique floor plates.
Barrs Court Road, BS30 FOR SALE – £795,000 exc
8,554 sq ft (794.67 sq m)
A freehold site of circa 0.55 acres, comprising an office building, two industrial buildings and further storage buildings. To suit owner occupier, developer, or investor. FOR SALE / TO LET
438 sq ft (40.68 sq m)
A modern, ground floor office suite with fully glazed frontage located in the heart of Stokes Croft. The office is predominantly positioned on Cheltenham Road, surrounded by cafes, bars and restaurants.
East Street, Bedminster TO LET – POA
4,025 sq ft (373.93 sq m)
Large retail unit to let, with strong passing footfall on East Street. Class E-suitable for a variety of commercial uses.


St Mary’s Way, BS35 TO LET – £14,500 PAX
1,832 sq ft (170.19 sq m)
An exciting opportunity for a first floor office at The St Mary’s Centre in Thornbury amongst various national and independent occupiers. Ample customer and

*AVAILABLE WITH NEW PLANNING*
Fantastic visibility with 1,000’s of vehicles passing every day on the main A38 close to Bristol Airport. Suits showroom / retail / workshop / stores / offices New consents for:
• EVCP charging facility • Conversion to 7 flats

FOR SALE / TO LET
1,005 sq ft (93.30 sq m)
A modern, predominantly open plan office suite with dual aspect windows in the heart of Bristol City Centre. A 10 min walk to Bristol Temple Meads Station, the property is suitable for a variety of uses within Use Class E.

High Street, Staple Hill, BS16 TO LET
645 sq ft (59.92 sq m)
An exceptional unit available to let or for sale on a popular pitch offering open plan sales with rear kitchenette, storage and W.C. Quoting £13,000.






FREEHOLD FOR SALE — SUITABLE FOR OCCUPATION /
Hyland Mews, 21 High Street, Clifton, Bristol, BS8 2YF


A rare opportunity to acquire a mixed-use freehold in one of Bristol’s most desirable districts

WORK: A beautifully presented, self-contained studio office spread across two floors (1,646 sq ft) with open-plan space, meeting rooms, kitchenette and WCs — ready to move straight in.
LIVE: A bright and spacious two-bedroom flat, ideal for owner-occupation, rental income, or short-stay opportunities.
PARK: Forecourt parking for up to 5 cars — a premium in Clifton!
WHY CLIFTON? Moments from the Durdham Downs and vibrant Whiteladies Road, this address offers the very best of Bristol — leafy streets, independent cafés, buzzing bars, and excellent connectivity to the city centre and beyond.
*FREEHOLD FOR SALE*
Further information can be obtained via the sole agent
Burston Cook 0117 9349977
finola@burstoncook.co.uk





More choice in how you move
By Peter Greatorex

Despite wider economic and global uncertainty, the property market does not stand still. People will always need and want to move, whether that is driven by family, work or lifestyle, and as a result, the way we support buyers and sellers has to continue evolving.
Over the past few years, we have seen a shift in expectations. Clients are more informed, more considered and often looking for different routes to achieve the right result, particularly where timescales and certainty are important. In response, we have been expanding our offering to reflect those changing needs.
One area where this is becoming increasingly relevant is the use of auction as a method of sale. Traditionally, auction has been associated with distressed or dilapidated property, but that perception is changing. It is now being used more widely as a straightforward and transparent route for a broader range of homes.
What is driving interest in auction at the moment is the need for greater certainty and speed. With traditional transactions often taking longer and, at times, becoming uncertain, some sellers are looking for a more structured process with clear timelines and committed buyers.
Auction provides that structure. Once terms are agreed, there is a clear path to exchange, which removes much of the uncertainty that can come with a traditional sale. While there are fees associated with the process, these are transparent and agreed upfront, with some costs typically covered by the buyer. The entire process is handled online, making it both accessible and efficient. For motivated sellers, it can be a very effective route.
In many ways, this builds on an approach we have used for years. For over 20 years, I have adopted an “offers in excess of” strategy to encourage competitive bidding and achieve the best price. What has changed is the technology. Buyers can now place bids online in a structured environment, creating transparency and momentum, with the ability to move quickly to exchange once terms are agreed.
It is important to recognise that there is no single route that suits every client. Each property and each seller requires an individual approach. Both routes are supported by a carefully managed marketing campaign; however, some clients will benefit from a more traditional approach, while others may place greater value on the speed and certainty that auction can provide. Our role is to guide that decision, not to prescribe it.
People will always need and want to move, whether that is driven by family, work or lifestyle, , and as a result, the way we support buyers and sellers has to continue evolving
More broadly, while there continues to be discussion around economic conditions, the focus for most buyers and sellers is on making decisions that are right for their own circumstances. The key is being well informed, understanding the market, securing a mortgage that works for you and planning with a longer-term view in mind.
For us, introducing auction adds another layer to the service we offer, reflecting how the market continues to evolve. It gives clients more flexibility and, in some cases, a more efficient way to achieve a result.
As ever, no two moves are the same.

Saville Court, Saville Place, Clifton, Bristol, BS8 4EJ 0117 325 2600 | info@petergreatorex.co.uk www.petergreatorex.co.uk




Bristol | Guide Price £3,250,000

A stunning circa 5400 sq. ft semi-detached family home of exceptional proportions; with versatile accommodation across four floors, gated off-street parking and a walled rear garden complete with outdoor kitchen.
Elegant circa 5400 sq. ft semi-detached family house | Gated off-street parking for three to five vehicles | Walled rear lawn garden with an outdoor kitchen | Stunning 42’ full depth kitchen, dining and family room | Sitting room with bay window and wood burning stove | Full-width master bedroom suite with dressing room and en-suite bathroom | Home office (bedroom six) and a separate family bathroom | Four further top floor double bedrooms with further bath / shower rooms (on en -suite) | Extensive lower ground floor footprint and potential for a large self-contained flat (STC) | EPC: D
In all circa 5450.80 sq.ft (506.40 sq.m) @rupertoliverproperty

Clifton,




Ladye Bay, Clevedon
Price: £2,000,000
• direct access to the beach below, expansive terraces, and open-plan living spaces 2

• One of four individually designed four-bedroom residences on one of the South West’s most breathtaking coastal frontages
• Set above the shoreline with uninterrupted views across the Bristol Channel
• In partnership with Octopus Energy’s Zero Bills™ programme, delivering zero home energy bills




Christchurch Road, Clifton
COMING SOON
• 3 - 4 bedroom garden maisonette in impressive Victorian villa

• Over 2,000 sq. ft. (200+ sq. m.) of flexible duplex accommodation
• Prestigious location, just moments from Clifton Village
• Secure, private off-street parking

• EPC rating D, Council tax band D, Leasehold

Price Guide £1,100,000 Banwell, Somerset
OIEO £1,300,000


• High-spec detached barn conversion with flexible family and home-working space
• Bright, open-plan kitchen/living area forming the central hub of the home
• Versatile rooms, excellent storage, plus outbuilding for added flexibility
• Set on approx. 2 acres with sweeping driveway, and ample parking
• EPC rating E, Council tax band F









