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‌into the suggestive waters‌ (2015) for chamber orchestra

by Matthew C. Saunders


…into the suggestive waters… (2015) One of the fascinating aspects of my adult life has been watching the slow transformation of places that once seemed unchangeable into locations I barely recognize. This has been true of the city I consider my hometown, Columbus, Ohio, as much as anywhere else in America. I lived in a Columbus suburb from ages eight to eighteen in the 1980s and 90s, and then returned for graduate studies at the Ohio State University in the 2000s. Thus, when Antoine Clark invited me to compose a piece that would be premiered in Worthington, another Columbus suburb, I found myself feeling nostalgic, an emotion I confess to being less than comfortable about much of the time. The very word nostalgia is derived from the Greek words for “pain” and “home,” and if I begin to indulge my “home-pain,” I find my memories of the past becoming distorted, compared too-favorably with a present that is wonderful and beautiful in its own way. For this project, though, I gave in to my nostalgia in order to write a piece giving it almost-free rein. I cannot view the past as a “golden age,” but I cannot deny that, for those children, like me, for whom childhood was happy, it is easy to remember youth with relish and even a bit of longing. The title of this work comes from Chase Twichell’s 1991 poem “The Blade of Nostalgia,” which begins: When fed into the crude, imaginary machine we call the memory, the brain’s hard pictures slide into the suggestive waters of the counterfeit.

Matthew C. Saunders has taught music from kindergarten to college in styles from madrigal to mariachi, and strives to make beautiful music for and with captivating people. He has climbed mountains, saved someone’s life, and watched the moon rise over the prairie. He has loved, lost, and loved again; helped friends find salvation, and found it for himself as well; taught genius students, and learned from genius teachers. His dreams are to walk on Mars, hear a grand piano fall into an orchestra pit, make more people laugh than cry, and love his wife Becky passionately and forever. He plays trombone and is always getting better at playing piano, and in the course of a long, love-filled, productive life, he wants to compose the Great American Symphony, ride the rails, hike the trails, read all of the good books, finally watch The Godfather, and storm the castles in the air. He will never write unlistenable music, stop stargazing or lose money in Vegas. He doesn’t call his mother often enough, but he still tries to do a good turn daily. He is always up for a few hands of euchre or a good game of chess, likely winning the former and losing the latter. Dr. Saunders is Associate Professor of Music at Lakeland Community College, where he directs the Lakeland Civic Orchestra. He previously held the position of Associate Professor of Music at Oklahoma Panhandle State University. He received degrees in music from the University of Cincinnati College-Conservatory of Music and The Ohio State University, where his teachers included Donald Harris, Jan Radzynski, Thomas Wells and Joseph Duchi. Dr. Saunders’ music has been performed across the country, and he has presented his research on rhythm at conferences of the College Music Society and the Society of Composers. He received the 2007 Ruth Friscoe Prize for composition, was the Oklahoma Music Teachers Association 2011 Commissioned Composer, and is the recipient of two ASCAP Plus Awards. He has published articles in The Journal of Band Research, The Instrumentalist and Music Educators Journal. He is on the web at www.martiandances.com, but the physical Dr. Saunders lives in Willowick, Ohio with his wife Becky and their children Noah and Melia.

Instrumentation:

Contact Information

Matthew C. Saunders 2 Flutes 257 East 286th Street 2 Oboes Willowick, Ohio 44095 2 Clarinets in B-flat (580)461-1617 2 Bassoons matthew@martiandances.com 2 Horns in F www.martiandances.com 2 Trumpets in C Timpani Percussion (one player: finger cymbals, triangle, sleigh bells, snare drum) Harp Strings (minimum 4-4-2-2-1)


for the McConnell Arts Center Chamber Orchestra, Antoine T. Clark, Music Director/Conductor

...into the suggestive waters...

 Andante con tenerezza (q = 68)

TRANSPOSED SCORE

Flutes

1 2

  

1 2

1 Clarinets in Bb 2

Oboes

Bassoons

Horns in F

Trumpets in C

a2 mf



 



mf



1 2



 

Finger Cymbals Triangle Percussion: Sleigh Bells Snare Drum

Harp

Triangle



mp

 Violin I 

mp





Viola

Violoncello

Contrabass

                mf

mp

 

   





p

mp

 

arco

pp pizz.

    

con tenerezza (q = 68)  Andante    

 

mp

   











 



 

Copyright © 2015 www.martiandances.com





pp

   

Violin II

1.

 

      





 

Timpani









1 2

1 2

MATTHEW C. SAUNDERS (2015)




4

     8

Fls.

Obs.

Bb Cls.

Bsns.

F Hns.

C Tpts.

Timp.

...into the suggestive waters.../M. Saunders

 

1.

  





mf

 

 



1.

 

 

 

mp

  

 

 

 



 

  

mp

    arco

p

arco

p Vla.

 

 A

mf

    

Vln. II

             f

mf

  

Vln. I

        

Perc.

Hp.

a2

  

arco

p

 A

 

  

Vc.

Cb.






...into the suggestive waters.../M. Saunders

     13

Fls.

Obs.

 

C Tpts.

Timp.

Vln. I

 

 

1.



 

  

             mf

Vla.

Vc.

Cb.

 

    

pp

1.

   





 

mp

       



 

 

  

  

   

   

p





arco

 

mf



p

 

mf

   

  

             

Vln. II

p

mf

   

mf

 

Perc.

Hp.



1.

p

 1.

 

    Bsns.  F Hns.



p

   

Bb Cls.

a2



5

mf



 


6

 a2   19

Fls.





mf

Obs.



  

1.

 mp espress.

             1.

Bb Cls.

Bsns.

F Hns.

C Tpts.

Timp.

mf

        

Perc.



Vln. I

 

 

Tri.



mf

mp

  

 



mf

       

mf



mf

         1.

   

   

arco

p pizz.



  

Hp.



...into the suggestive waters.../M. Saunders

 

   

Vla.

Vc.

Cb.

Vln. II

mp

   


 





7

...into the suggestive waters.../M. Saunders

Fls.

B  24         



f

f

          

Obs.

f

Bb Cls.

f

 

       

pp Bsns.

  

1.

        2. a2

mf

f F Hns.

C Tpts.

Timp.

  

 

Perc.

Hp.

Vln. I

  

mf

      

    

Vla.

Vc.

f arco

f

 

 



       

B      

Vln. II

Cb.

    f

 

mf



    



         mf

p

       

pp

 

        pp

     

   1.

mf

p

     mf

p






8

  30

Fls.

Obs.

Bb Cls.

Bsns.

F Hns.



   

                  

 



Vln. I



    

Vln. II

Vla.

Vc.

Cb.

mf

 

  

  

    



a2

   



 

     f

 

  

Hp.

  

mp

Perc.

 

pp

 

mf

    C Tpts.   Timp.



...into the suggestive waters.../M. Saunders

 

 

mf



3

 Tri.

 mf

               



   

             

   







 



mp



mp

   




  34

Fls.

 

C

mf

Obs.

    

Bsns.

F Hns.

C Tpts.

Timp.

   

Hp.

Vln. I

mf

 

        



  

mf

pp

  

pp



   

  

C  

mf

        mf

  

 

Vc.



Vla.

   

Vln. II

Cb.

  

        

Perc.

pp

    

 



9

pp

mf

Bb Cls.



...into the suggestive waters.../M. Saunders

 

sul tasto

  

 

  

 

  

 

mp

mp

mp

         mf



arco, sul tasto

mp

mp sul tasto

mp sul tasto

mp

  



                sul tasto



mp

 mp






10

Fls.

 

Obs.

38

 

...into the suggestive waters.../M. Saunders

Bb Cls.

Bsns.

 

 

 

1.

 

mf

       1.

mf

F Hns.

 

C Tpts.



Timp.

 

Tri.

Perc.

Hp.



mp

        

mf



mf

mp

Vln. I

  

Vln. II

 

   

 

Vc.

Cb.

   

 

  

 

  

      

  

Vla.

      



 

mf



  ordinario

 

p




42

Fls.

  

Obs.



mf

  

Bb Cls.

Bsns.

D

a2

  

 

 

            mf

a2       



     

 

mf

  

  

 a2

  

     

 

mf

F Hns.

 

C Tpts.



 

Timp.

Perc.

Hp.

Vln. I

  



D

   

  

Vla.

Vc.



mp

 

Vln. II

Cb.



  

11

...into the suggestive waters.../M. Saunders

     

ordinario

 

mf




12

           

...into the suggestive waters.../M. Saunders

46

Fls.

 

f

  

Obs.

f

  

Bb Cls.

f

  Bsns.   f

F Hns.

 

   

    

 

  

     

 

  

  

  

    

mf C Tpts.

Timp.

  

Perc.

Hp.

Vln. I

mf

f

 

       

f

a2

1.

f

  

 

f

   

  

mp

 

f

mp

  

mf

  

mf

        

 

ordinario

f

        

a2

a2

f

        

ordinario

f

   

        1.

 

Vc.

      

f

Vla.

Cb.





Vln. II

    

a2

f

  

  

   

         f            f

   

 


51

Fls.

 

  

Obs.

Bb Cls.

Bsns.

F Hns.

C Tpts.

Timp.

 E



...into the suggestive waters.../M. Saunders





         

mp

  



1.

f

mp

Vln. I

  

 E 

              

Cb.

    

ff

Vc.



ff

f

     

Vla.



Vln. II

    

    

Snare Drum, snares off

Hp.

      

         

       

Perc.

 

1.



f

  

 



13

  

ff ff

     

ff

   

f

  

   

   

ff ordinario

    f   f

 

f

mf

  

f

 

 



 

mf

 

mf

 

  

mf

  mf




14

  56

Fls.

 

Bb Cls.

F Hns.

 

C Tpts.



Timp.

 

Vln. I

Cb.

   

 



 



     a2

f

mf

 

 

f

  

   

       

F

    

           mf f 1.              mf f         1.

1.           f mf a2              f      f  

f

f

S.D. (snares off)

   f   

   

f



 

Allegro molto (q = 168)



  

f

   

 

        

1.

             f  a2             a2

 



F

   

Vc.

p

 

Vla.

 

Vln. II



 



  

Allegro molto (q = 168)

Perc.

Hp.



Obs.

Bsns.



...into the suggestive waters.../M. Saunders

pizz.

f (arco)



    



     

     

mf (arco) f p pizz.

            

f pizz.

f


  

 

...into the suggestive waters.../M. Saunders

 

63

Fls.

Obs.

Bb Cls.

Bsns.

F Hns.

C Tpts.

Timp.

 

 

           

 



      

   

 

    

f



mf

Cb.

  

1.

       mp





1.

     

 

f



1.

   mp 

mp

f a2 f

mf

Vc.

mf

          mf

   

1.

1.

Vla.



Vln. II

   

f

arco

Vln. I

  

mf

      

Perc.

Hp.

       1.

15

        

 

     

      

Tri. f

 

 

mf

 

            f

   

mp

           f

mp

  

        

 

 

 

f pizz.

  f



  

p

pizz.

mp


16

68

Fls.

 

Obs.

mp

Bb Cls.

Bsns.

F Hns.



   

mp



  

  

a2

       f

a2

 

 G

     

...into the suggestive waters.../M. Saunders





f

  



 

mf

C Tpts.

          mf

Timp.

 

Perc.

Hp.

Vln. I

Vla.

Cb.

f

 

f

      

  

      

   

 

    

Vc.



mp

    

Vln. II



 

 



 

 

    

G

    

       



      

f

ff

      

    

f

     

f pizz.

   

f



 

ff

 



f

   f

 

  

pizz.



  f


17

...into the suggestive waters.../M. Saunders

Fls.

 

Obs.

75

Bb Cls.

Bsns.

F Hns.

C Tpts.

Timp.

Vln. I

  





  





 

 

p a2

p

 



 

Perc.

Hp.

a2

p

  

 

 

 

 

         

     

                   

Vln. II

mp

                    

Vla.

Cb.

mp

  

Vc.

mp

 

 

 

 

 



 



p

p

 

     

mp

  


18

...into the suggestive waters.../M. Saunders

   82

Fls.

F Hns.

C Tpts.

Timp.

         

        

  

   



 

   

 



mp

 

(sempre p)

 

Vla.

  

mf

   



 







  

  



H

  



  

 



mf

  

  

Tri.

mf

   

Vc.

         

   



mp

Vln. II

Cb.



   

f 2.

f

 

Vln. I

f 1.



Perc.

Hp.

mf



f



Bb Cls.

Bsns.

1.

Obs.

         

H

 

arco

mf

 

arco

mp





 







 

 


19

...into the suggestive waters.../M. Saunders

  88

Fls.

Timp.

      

     a2  

f

 

       

 

   

 

1.

 

    

mf

      



 

Perc.

  

p



1.

f





Vc.

 

 

Cb.

 

Hp.

Vln. I

Vln. II

Vla.

 





   



 





 

    

 mf

 

mf

 

2.

f

C Tpts.





Bb Cls.

F Hns.

          

Obs.

Bsns.



mp





 

 



 


20

...into the suggestive waters.../M. Saunders

  94

Fls.

F Hns.

C Tpts.

Timp.

  

mf

  

       

 



mf

 

 

a2

f

 

     

mf

 



 

mf

f

  

  

mf

mf

 



 

 

  

 

mp

 

 

 

Vln. II

Vla.

 

Vc.

Cb.

 

mf

Vln. I

 

mp

     

Perc.

Hp.



Bb Cls.

f

 

Obs.

Bsns.

I

a2

 

 

 

a2

  

f

 f

 

   f

  

  

    

  

  

I

  

 

 

   f



f



f

f


21

...into the suggestive waters.../M. Saunders

Fls.

Obs.

Bb Cls.

101    

        

 

  

 

C Tpts.

Timp.

Vln. II

Vla.

Vc.

Cb.

   

 

   

 

mp

           mp

 

  mp

  

   

mp

 

 

Vln. I

f

  



Perc.

Hp.

  Bsns.   F Hns.

      

      

 

 

 



    

 

 

f







mp

  f

mp

f

                 mp f

 



            

       

          

  



  





  







mp

 mp



mp

f

f

  

f


22

...into the suggestive waters.../M. Saunders

 

107

Fls.

Obs.

Bsns.

 f

 f

Bb Cls.

rit.       a2                 

 f

 f

F Hns.

 

Timp.

  

 

Perc.

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

                  ff                       ff

 

   

 

   

 

 

       ff     

a2

f C Tpts.

ff a2

 

                       

f

 

 

 

 



 

  



 

a2

ff

a2

     

      

             

ff

    

ff



     

ff

     ff      ff

     ff

   

       

               rit.

ff

    

    

         ff

      

      ff        ff        ff

ff

     


23

...into the suggestive waters.../M. Saunders

       113

Fls.

Bb Cls.

  

 

   1.          pp mf

    

 

mf

 

Obs.

Bsns.

mosso (q=144) J  Meno                     

  

   

     

mf

  

a2



     

   



mf

     

   



     

  

1.

pp



2.

mf

 



pp

          C Tpts.     

 

  

  

   

   

      

   

F Hns.

Timp.

Perc.

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

Sleigh Bells

  

mf

       

                 

    

    

    mf  

Meno mosso (q=144)

J            

 

mf

  

   mf

  

mf

   

mf

mf

  

      

  

 

  

            

 

      

pp

  

pp



 



pp

 

 



 



pp

pp


24

...into the suggestive waters.../M. Saunders

  120

Fls.

Obs.

Bb Cls.

Bsns.

F Hns.

C Tpts.

Timp.

    

Vln. I

Vln. II

Vla.

Vc.

Cb.

    mf

   

1.

mf

 

   

          

1.

mf

mf

 



              

   

  





mp

  p



  p

1.

  p





pp



 

Perc.

Hp.

    

     

   

    

   

  



   

  

   mp

   

 

       

            

mp

       

 





  





 



pp



pp

 

  

 


25

...into the suggestive waters.../M. Saunders

       127

Fls.

Obs.

Bb Cls.

Bsns.

F Hns.

C Tpts.

Timp.

Vln. I

    

     

        mp

   

  

  

 

 

Vla.

              mf

  

mf

 

p



 



 



 

    

 

    

  



Vc.

Cb.

               



Vln. II



mp

Perc.

Hp.

 

K

mp

mp

K


26

...into the suggestive waters.../M. Saunders

 

134

Fls.

Obs.

  

Bb Cls.

   

mf

             

  

L



mf

 

1.



       

F Hns.

 

C Tpts.



 

  

  

Bsns.

Timp.

Sl. Bells

       

Perc.

mp

Hp.

Vln. I

 

1.

mp



L

       mp

sul D

        

Vln. II



mp

        

Vla.

Vc.

Cb.

 

 

 

      



mp

mp

 

        mp

       mp

      mp

      mp


27

...into the suggestive waters.../M. Saunders

  141

Fls.

 

 

Bb Cls.

Bsns.

      

 



 

 

Obs.

1.

mf

       1.

 

      

2.

    

mf





p

1.

mf



2. p

F Hns.

 

C Tpts.



 

Timp.

Perc.

Hp.

Vln. I

                        mf

mp

mp

                         

Vln. II

mf

mp

f

mp

                       

Vla.

mf

mp

f

                     

Vc.

Cb.

f

mf

mp

f

mp









pp

pp

p

 



pp

mf


28

...into the suggestive waters.../M. Saunders

      

   147

Fls.

 Obs.

Bb Cls.

  



   Bsns.   F Hns.

 

C Tpts.

Hp.

Vln. I

  

    

Vln. II

Vla.

Vc.

Cb.

 









p

    

  

mf

    

mf

mp



mp

 

  



1.

mp

   

   

mf

mf

 

mf

   





         

Tri.

mp

 

2.

 

 

 

mp

mf

 

    1.

f

    mp  



  

Perc.

f

  





  

Timp.

 

1. p

 

      

  

 


29

...into the suggestive waters.../M. Saunders

153

Fls.

 

Obs.

Bb Cls.

  Bsns.   F Hns.

 

  

Timp.

Vln. I



 ff

 

  



Vla.





Vc.



mf





  

  

 

 

 f

 



  mf



         mf       M       

f

mf

p



mf

1. 

 

Vln. II

Cb.

f

1.

ff

     

Perc.

Hp.

 

         

  C Tpts.

M

f

p

 mf

     

 

 

 

 

p


30

...into the suggestive waters.../M. Saunders

   160

Fls.

    

Bb Cls.

Bsns.

F Hns.

C Tpts.

Timp.

    mp

 

   



 

  

Vln. II

Vla.



 

     

mp

 

 

 

Vc.

Cb.

 

 

   

   

f

p

 

3

f

  

 



    

N arco          

     

 

mp

    

  

     

f

  



 

 

    

    

3

               arco

mp arco

                 

mp

p

mp

f

        

Vln. I

Perc.

Hp.



f

Obs.



N  

 



  mf

  


31

...into the suggestive waters.../M. Saunders

  166

Fls.

Obs.

  



     



3

f

     

1.

f

Bb Cls.



     1.

3

F Hns.

 

C Tpts.



 

Bsns.

Timp.

Perc.

 

Hp.

Vln. I

 

   

   

      

  mf



 

 

 p

 

  

                      

           

 

           

p

3

                                             

Vln. II

p

                         

Vla.

Vc.

Cb.

   

    

     



  

 

    

  

 

sub. mf

     

mp



mp

 


32

...into the suggestive waters.../M. Saunders

 1.     172

Fls.



3

mf 1.

Obs.

      

      

  

mf

 

  

  

3

mf

Bb Cls.

 

 mf

  



1.

mp

F Hns.

 

C Tpts.



 

 

 

Bsns.

Timp.

Perc.

Hp.

Vln. I

   

  

   

 

             

 

  

  

   

 

    

 

                 

                                                                    

Vln. II

Vla.

3

 

Vc.

Cb.

 

mf

  



 

  



  

 


33

...into the suggestive waters.../M. Saunders 177

Fls.

 

Obs.

Bb Cls.

Bsns.

F Hns.

C Tpts.

Timp.

 

 



 

 

  

Vln. I



Perc.

Hp.

  

 

  

O

  

pp

  p

 

Sl. Bells

  

  

 

mp

          

O

                                

Vla.

Vc.

  

Cb.



p

   

   

  

 

   

    

mp

pp



 

mp

p

   

 

               

Vln. II

 

 

    

    pp

 



pp

  

      pp

 

p


34

...into the suggestive waters.../M. Saunders 184

Fls.

 

Obs.

P

2.

Bb Cls.

sparpagliando (ritenuto)

       Bsns.    1.

 



Meno mosso (q=116)

     mf



mf

F Hns.

C Tpts.

Timp.

    

Vln. I

 



1.

    

2. mf

 

   

 

 

 

Vln. II

  

  

         

mf

         

mf

arco

Vc.

p

     

 

 

p

 

P

Meno mosso (q=116)

        



 



Finger Cymbals

         

sparpagliando (ritenuto)

mp

   

Vla.

Cb.



Perc.

Hp.

  

mf

 

     mf

 


35

...into the suggestive waters.../M. Saunders

  192

Fls.

 

Obs.

 1.

 

      

mf

Bsns.

F Hns.

C Tpts.

Timp.



 

 

  

a2



a2

     

Vln. I



       2. mf





       

  

 

 

Vla.

mf

  

  

  

 

Vc.

      

 

     f

 

  



f

 

  

 

 





      

  

f

f

    

  

 

   

f

 

  

       mf

  

 

 

      



 

  

f

     



a2

f

Vln. II

Cb.

f

 

Perc.

Hp.





f

mf

f Bb Cls.



f

  


36

...into the suggestive waters.../M. Saunders

   201

Fls.

Obs.

Bb Cls.

Bsns.

F Hns.

C Tpts.

Timp.

Vln. I

Cb.

 

 

 

   

 

 

  

 

  

 

     

 

 

  

f

f

ff

 

    

 

ff

       

 

 

  

 

  



f

    

 

ff



 

ff

           

ff

  

 

ff

        ff

  

  

          



  

 

Vc.

  

 



 

ff

   

Vla.

    

  

   

Vln. II



a2

Perc.

Hp.



 



  

  

     f



 

     ff

   

  



 

 

 





 

ff arco



ff

ff



     

ff

ff

ff

    

 

     

       

     ff

  

   

       ff

    ff


37

...into the suggestive waters.../M. Saunders

  210

Fls.

Obs.

Bb Cls.

Bsns.

F Hns.

C Tpts.

Timp.

   ff

   







mf

rall.

mp

 

 

           

 

   ff

 

    

   

   

 

Vc.

Cb.

 

Vla.

Vln. II

 

         

Perc.

Vln. I



     

rall.

   

 



 

   

f

Hp.

 

 

        ff

      ff

 





  





   

 

rall.

 

 

 

non dim.

ff

         

     ff

non dim.

ff



non dim.


38

...into the suggestive waters.../M. Saunders

Q

Meno mosso (q=96)

  219

Fls.

 

Obs.

 

Bb Cls.

Bsns.

 

1.

 

p



    p 1.

 

 

p

    

 

pp

      

     

   

pp

   

  p

   

pp

 

  

1.

          mp  

1.

  mp

F Hns.

 

C Tpts.



 

Timp.

Perc.

Hp.

Vln. I

Vln. II



Finger Cyms. mp

mp

   

   

        

Vc.

mp

QMeno mosso (q=96)                pp pp                   

pp

  

    

pp

  pp

    

  pp

   pp

         p

   p



Vla.



pp

Cb.








Fls.



       226



Obs.

Bb Cls.

   

Bsns.

F Hns.

C Tpts.

Timp.

Vln. I





p

con sordino

  pp

  

    



   

  

     

     

Vc.





     

Vla.

pp

    

  

 

Vln. II

Cb.

         

 

Perc.

Hp.

 

 

39

...into the suggestive waters.../M. Saunders



 

pp

    

 

   



   



     

  



    

  



pp

          

 

pp

p

p


40





...into the suggestive waters.../M. Saunders

rit.

233

Fls.

 

Obs.

Bb Cls.

Bsns.

a2

  



mp



 









F Hns.

 

C Tpts.



  



 

Timp.

       





        





 

mp

Perc.



F. Cym. mp

Hp.

mp

 



 

mp

 



rit.

 

Vla.

Vc.

Vln. I

Vln. II







 





 



 





 









  





 



 





p

Cb.



mp

p








41

Poco meno mosso...into the suggestive waters.../M. Saunders

R 242

Fls.

   

Obs.

Bb Cls.

a2

p

   pp a2

Bsns.

    

F Hns.

 

C Tpts.

Timp.



    

   

  

  

  



  



 

   pp

 

 

Poco meno mosso

   

pp sul tasto

  



   

         solo (ordinario)

mp





  

 





 



  

pp

   pp

 



 





Vc.



 

 





pp sul tasto

Vla.





  

Vln. II

Cb.

R sul tasto

Vln. I

 

Perc.

Hp.

pp



   pp

 



 


42

...into the suggestive waters.../M. Saunders

 

Obs.

Bb Cls.

F Hns.

 

C Tpts.

250

Fls.

Bsns.

Timp.

Vln. I

mp

        



p



 

  

Perc.

Hp.

1. 

 

      

 

Tri.



p



Vc.

Cb.

Vln. II

Vla.


43

...into the suggestive waters.../M. Saunders

S Andante con tenerrezza (Tempo I) (q = 68) 258  a2       Fls.        2. mf Obs.

Bb Cls.

Bsns.

F Hns.

C Tpts.

Timp.

 

        

 

1.

1. senza sordino

mf

    

 

 



 

mp

  

 

mp



 

       



mp

 

   





mp



  



mp

 

 

 

tutti, arco (ordinario)





pp

pp

pizz.

 

p



p





 

mp

 



 









Vc.

Cb.

Vla.





S Andante con tenerrezza (Tempo I) (q = 68)

  

Vln. II

mf

  

Perc.

Vln. I

Tri.

Hp.






44

     265

Fls.

F Hns.

C Tpts.

Timp.

Hp.

Vln. I

   1.

mf

        

   

 

1.

  mf

 

1.

mf

 p

 



 

  



  

 mp

  

  

 mf

    arco

 

arco (ordinario)

p

Vla.

Vc.

Cb.

  

arco (ordinario)

p



 

p



f



Vln. II

 

    

Perc.

  

mf

   

Bb Cls.

1.      

 

Obs.

Bsns.



...into the suggestive waters.../M. Saunders

 




  269

Fls.

C Tpts.

Timp.

 

 

Hp.

Vln. I

 

Vln. II

Vla.

Vc.

Cb.

 



  

T

   



mp



         mf

mf

     

1. con sordino

  

          



p



 

1.

     

 

       

  

 

1.

Perc.

  







 







 

Bb Cls.

F Hns.



Obs.

Bsns.

 T

45

...into the suggestive waters.../M. Saunders

mf





   

1. con sordino (cup)

p

 

    

 

 

   

 

   



 

   

 

 mf

 



mp

mp

      

          




46

U 275

Fls.

 

Obs.

Bsns.

F Hns.

C Tpts.

Timp.

Bb Cls.



    

 

mp

Vln. I

pp

Vln. II

Vla.

 

pp con sordino

pp Vc.

mf

Cb.

     pp

 

  

 

 

 

 

mf

 

 

mf

  

 

 

       

mp

           



  

pp

  

mp

   

   



 

pp

pp





 







 

pp

mp



pp

mp





     

con sordino

 





 con sordino    



        

p



        



U

            

1.

F. Cym.

1. (cup mute)



pp

Hp.

  

 

Perc.

    

...into the suggestive waters.../M. Saunders

pp

   pp




Fls.

Obs.

Bb Cls.

Bsns.



      

   281





mp

 

       

 

1.

1.

mp

           1.

mp

F Hns.

 

C Tpts.



Timp.

Vln. I

 



p



 

 

 

 

 

Vla.

Vc.

 

 

  

Vln. II

Cb.



   

Perc.

Hp.



47

...into the suggestive waters.../M. Saunders





  

pp





mp









 

 

 

  

 



pp





 





 

  

 

 

 

p

pp

 

 



pp

pp

pp






48

  287

Fls.







V

Obs.

Bb Cls.

Bsns.

F Hns.

C Tpts.

Timp.

  

Hp.

Vln. I

  

   



p



 mp

V

 

Cb.



 





 



 

 

 



 

 

  

 



 

 

  

 

pp



pp

pp

pp

pp



 

pp

 









p

pp

mp

 

pp

    





pp

pp







  

p

pp

Vc.

    





 

 

Vla.

Vln. II

pp

Perc.

mf

    







1. (con sord.)

pp

1.



 

 



...into the suggestive waters.../M. Saunders




293

Fls.

 

  f

   

   

Obs.

Bb Cls.

F Hns.

C Tpts.

Bsns.

Timp.

         3

 



 



 

 

Vla.



  

Près de la table



mf

 







 

 



pp

pp con sordino

pp



pp

mp



mp





  





  





  



  

pp

 

ordinario

  

con sordino

 

  

 



pp





 

p

Vc.



pp

Vln. II

Cb.

f

 

      

Vln. I

    

Perc.

Hp.

49

...into the suggestive waters.../M. Saunders


50

...into the suggestive waters.../M. Saunders

Fls.

F Hns.

C Tpts.

Timp.

 1.







    

 

  

 

p



 

p

pp

 

p

 

 

 pp

  

 

ff

1., open fp

   

Perc.

Hp.

   

Bb Cls.

Bsns.

Obs.

Allegro molto (q=168)  W 

       

   298

 



2. open

   fp

  p

  mp

  W Allegro molto (q=168)

  

Vln. II



Vla.



Vln. I

Vc.

Cb.




  

...into the suggestive waters.../M. Saunders

 

304

Fls.

Obs.

Bb Cls.

Bsns.

F Hns.

C Tpts.

Timp.

 

Perc.

Hp.

Vln. I

Vln. II

Vla.

Cb.

   

  



fp

 



 

 

 

fp

f

 

ff

 

ff

  

  f

fp

f





 

 



   

ff

   

   ff   ff



f

 

 



mf

 

f

 

a2, open

  

 

fp

fp

 

 

 

f



 

 

 

S.D., snares off   

ff

       f

  

 

 

        senza sordino

f

ff

ff



ff

Vc.

fp

 

    

 

51

 

 

 

 

 

 

 senza sordino        f senza sordino        f senza sordino

       

f pizz., senza sordino



f




52



...into the suggestive waters.../M. Saunders

  311

Fls.

F Hns.

 

C Tpts.



Obs.

Bb Cls.

Bsns.

   ff  Perc.  

Timp.

ff

Hp.

Vln. I

Vln. II

   

ff

ff

      

 

                          

Vla.

       

Vc.

Cb.



 

 

meno f



 

ff

2.

ff

 



 

 

    

         meno f           meno f            

 

 

 

ff

 

                 ff

      ff

meno f

     

meno f

ff

          

  2.

ff

ff

     ff






   314

Fls.

X

1.

  

      

Obs.

f

 

Bb Cls.

ff

 1.

        Bsns.  

ff

   f

C Tpts.



  Perc. 

Timp.

Hp.

Vln. I

  

 



 



      



 

X

   ff

    ff

      arco   ff

f



 

 

          



 

 





 

       

    

 

    





    



f

     



   



  

     

Vc.

    

 

 

Vla.

           

Vln. II

Cb.



 f

    

    

      

ff a2

F Hns.

53

...into the suggestive waters.../M. Saunders

ff

  ff

   ff

      

     

       ff        

 


54

...into the suggestive waters.../M. Saunders

  318

Fls.

Obs.

Bb Cls.

Bsns.

F Hns.

 

  

Timp.

   

Perc.

Hp.

Vln. I

  

ffp

(ff) mp

    

(ff) mp

   

Vc.

Cb.

 

 

 





 











    

 

 

   

 

 

 

 

  

(ff) mp

(ff) mp

ff

  

 

 

 

 

 

   



  

 

 

 

 

 

    ff  

ff



 

 

 

 

 

 

 

(ff) mp

(ff) mp

 

(ff) mp

    

 

p

  

  ff

 

 



ff

S.D. (snares off)

 ff

ffp

Vla.

 

 



 

 



 

Vln. II



(ff) mp

(ff) mp

C Tpts.



 

   

    

    

    

    

    

   ff

ff

 

 

    

    

    

 

ff

ff



 ff

ff

 ff

  






















55

...into the suggestive waters.../M. Saunders

  321

Fls.

Obs.

  

  

Bb Cls.

      F Hns.      C Tpts.   Bsns.

Timp.

 

Hp.

Vln. I

Vln. II

Vla.

ff       

ff

   

   ff  

    

   ff 

   

ff

 

          

   

      

          

  

      

        

   

    (solo)    

ff

   

 

 ff  

ff

   

Vc.

Cb.

 

   

 



ff

 

Perc.

  

 

 

  

 

ff

     

 

 



 

ff

 

ff

 

ff

 

ff

       

ff

 

  

 

 

  

 

 

  

 

 

 

 

 

 

 

 

 

 

  

     

10'05"


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