Azteca Dances
for woodwind quintet duration approx. 6’00”
Azteca Dances (2010) for woodwind quintet Azteca Dances was composed in response to recordings of Native American and MexicanAmerican folk music collected by J. Donald Robb, a pioneering ethnomusicologist based at the University of New Mexico during the middle of the 20th century. Robb travelled throughout New Mexico, recording the folk music of the unique blend of Native, Mexican, and Anglo culture found in its small towns and pueblos. Several melodies collected by Robb have been incorporated into the composition and form the core of its motivic material. Dr. Matthew C. Saunders has taught music from kindergarten to college in styles from madrigal to mariachi, and strives to make beautiful music for and with captivating people. He has climbed mountains, saved someone’s life, and watched the moon rise over the prairie. He has loved, lost, and loved again; helped friends find salvation, and found it for himself as well; taught genius students, and learned from genius teachers. His dreams are to walk on Mars, hear a grand piano fall into an orchestra pit, make more people laugh than cry, and love his wife Becky passionately and forever. He plays trombone and is always getting better at playing piano, and in the course of a long, love-filled, productive life, he wants to compose the Great American Symphony, ride the rails, hike the trails, read all of the good books, finally watch The Godfather, and storm the castles in the air. He will never write unlistenable music, stop stargazing or lose money in Vegas. He doesn’t call his mother often enough, but he still tries to do a good turn daily. He is always up for a few hands of euchre or a good game of chess, likely winning the former and losing the latter. Dr. Saunders is Associate Professor of Music and music department chair at Lakeland Community College, where he teaches music theory and the history of popular music, and directs the Lakeland Civic Orchestra. Prior to coming to Lakeland in 2012, he held the position of Associate Professor of Music and Director of Bands at Oklahoma Panhandle State University from 2007 to 2012. He received degrees in music from the University of Cincinnati CollegeConservatory of Music and The Ohio State University. Dr. Saunders studied composition with Donald Harris, Thomas Wells, Jan Radzynski and Wes Flinn, and trombone with Joseph Duchi and Tony Chipurn. His fourteen years’ experience in music education includes teaching band, general music and music theory in public elementary, middle, high schools, colleges, and universities in rural, suburban and urban settings in Ohio, Georgia, and Oklahoma. Dr. Saunders’ original compositions have been performed across the country, including performances at national conferences of the International Horn Society and the Society of Composers, and he has presented his research on rhythm at conferences of the College Music Society and the Society of Composers, and at the Oklahoma Music Theory Roundtable and the Aspen Composers Conference. He was the conference co-host of the 2012 Society of Composers Region VI Conference, held at West Texas A&M University in October 2012. He received the 2007 Ruth Friscoe Prize for composition and was the Oklahoma Music Teachers Association 2011 Commissioned Composer and is the recipient of a 2012 ASCAP Plus Award. His music is published by Imagine Music, and he has written articles for The Journal of Band Research, Music Educators Journal, The Chronicle of Higher Education, and The Instrumentalist. He is on the web at www.martiandances.com, but the physical Dr. Saunders lives in Willowick, Ohio with his wife Becky and their children Noah and Melia. Contact Information: Matthew C. Saunders 257 East 286th Street Willowick, Ohio 44095 (580) 461-1617—matthew.saunders@martiandances.com www.martiandances.com
Azteca Dances Transposed Score MATTHEW C. SAUNDERS (2010)
Allegro (q.=126)
Flute
Oboe
Clarinet in Bb
f
G.P.
f
f
mf
f
f
rit.
f
Copyright © 2010
ff
mf
p
ff
mf
p
ff
mf
p
p
mp
mp
p
mf
ff
pp
mf
ff
p
p
p
mf
mp mp
f
mp
f
mf
f
f
mf Tempo I
mf
18
Subito meno mosso (q.=108)
Horn in F f Bassoon 9
p
2
25
32
Azteca Dances/Saunders
f
f
f
mp
flz.
f
mf
f mp 3
3
f 3 3 f
mp
f 5
5
5
5
mf
f
38
mf
mf f
Azteca Dances/Saunders
3
45
f
f f
ff
52
mf
pp
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
p
3
3
3
3
pp
mp
4
4
58
4 4
f
f
Piú mosso (q=132)
mf
mf
3 3 3 3
f
mp
3
3
3
3
3
4
Azteca Dances/Saunders
65 3 3
3
f
3
3
ff
f
f
mf
f
f mf f mp f mp
73
mp
mp
f
f f
mf
80
3
f mf f f mf 3 3 3 3 3 3 3 3 mp
mf
3
3
3
3
3
mf
Azteca Dances/Saunders
88
3 3
cresc. poco a poco cresc. poco a poco cresc. poco a poco cresc. poco a poco
95
cresc. poco a poco
Tempo I
102
mp
p
mf
mf
p mf
mf
ff
mf
mf
mf
mp
p
f
f
mp
p
ff
ff
mf
ff
ff
5
f
f f
6
109 f ff Azteca Dances/Saunders
ff ff ff ff
118
mf
126
mf
f
mp
p
p
ff
mp
q.=q
mf
mp
mp
mf
f
f
f
mp
mp
p
mp
Azteca Dances/Saunders
7
133
mp mf
141
e=e
f
mf
f f
mp
f
ff
mp mp f f
147
mp
cresc.
mf
8
Azteca Dances/Saunders 157
mf
mp
165
f
f f
mf
mp
f
mf
mf
f f
f
mp
mf mp f
f
mp
173
ff
f
f
mp
mf mf
mp
mp
mp mp
mf
Azteca Dances/Saunders
9
179 f mp f mf
f
f
mp
p
mf
f
186
193
sub mf e cresc.
sub mp e cresc.
ff
sub p e cresc.
sub mp e cresc.
ff
ff solo ff f ff
sub mf e cresc.
10
Azteca Dances/Saunders
202
Meno mosso (q=92)
pp
pp
pp
pp
pp
215
f
p
p
mf
mp
mf open
mp
mf
p
mf
mf stopped
mp
open
mp
stopped
mf
Tempo I (q.=126)
p
224
p
mp
mf
Azteca Dances/Saunders 233
f
f
f
f
mp
11
f
mp f f f
ff ff f 242
f
f
f
250
L'istesso tempo (q.=q)
f
mp
ff ff
ff
ff
f mp 4 fp
mp f
12
Azteca Dances/Saunders
258
f
ff ff
ff
f ff
266
ff
mf
ff
f 3
3
3 3 3
mf
f mf 275
f
mf
280
Azteca Dances/Saunders
f mf mp
f
288
f
mf
mf
6 sub mp mp mp
295
13
mf mp
f
mp
f
mp
f p f p
f
p
ff p ff ff p ff
ff pp ff ff pp ff ff
pp
ff
14 302
Azteca Dances/Saunders
f
sub mp f
f
308
mp
mp
315
f
mp mf
mp
L'istesso tempo (q.=q)
3
mf
mp 3 3
f
f
f
3
mf
p
mf
f
ff Azteca Dances/Saunders
321
fp
ff f ff
fp
fp
fp
329
15
f f f
f
338
f
ff
fp
345
16
Azteca Dances/Saunders
p cresc. poco a poco
7
p cresc. poco a poco
p cresc. poco a poco
p cresc. poco a poco
7
p cresc. poco a poco
349
7
7
7
ff
ff 7 7
ff
7
f ff 354
f ff ff f
ff
f
ff
ff
ff