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T206 Final Project 03 December 2010

I.C. Incognito Productions Marianna Beard Matthew Dowley Haley Green


I. C. A TREATMENT FOR A FEATURE FILM SCREENPLAY by INCOGNITO PRODUCTIONS October, 2010 Black screen. Deep man’s voice reads Bible verse. Present day in a white padded room. Face fills the screen with intensity. A disheveled, attractive MAN. Kind face, weathered by years of torment. Flickering yellow light, in the beginnings of a dying bulb. Loud thud. Door opens. Two tall, WELL-BUILT MEN, walk in with purpose. Insane man freely stands, knowing what is to come. One of the tall, well-built men come over to hold his arms. The other injects an unknown serum into the arm of the insane man. Fades to black. In 2009, New York City, ISAIAH CANTON has on his Armani suit and is tightening his tie in the body length mirror in his apartment. Leaves. Isaiah enters elevator. Reaches lobby and is greeted by the BELLHOP. He gets in his car and drives away. Busy traffic. Many pedestrians walking to work. Isaiah walks into a large conference room. MEN and WOMEN in suits, sitting around the long, glass table chatting with each other and on cell phones. Isaiah begins his pitch on the newest multimedia device. Asking questions. Employees taking notes, making suggestions. OLIVIA (LIV) walks into meeting late. Kind but assertive. Liv takes over the meeting and wins approval of employees. Isaiah continues working with multimedia project, but introduces his purpose of proclaiming the coming of Christ. Liv has the opposite goal of Isaiah, and rejects his ideas. God brings Isaiah a vision, proclaiming that Isaiah is a prophet. Isaiah begins to live this out whole-heartedly,


losing the respect of his employees/coworkers. Coworkers side with Liv and progressively against Isaiah. In the next six months, Isaiah is fired from his job. Isaiah turns to distant family members for solace, and they begin to question Isaiah’s stability. Liv seeks out Isaiah’s FAMILY MEMBERS, and feeds them flawed description of Isaiah’s actions, thoughts, etc. Liv finally convinces the family that Isaiah is delusional. Isaiah is institutionalized in Bellevue. Present day, in asylum, Isaiah goes through an internal struggle: how to get out of Bellevue, how to continue sharing the Gospel, how to defeat Liv. In 2011, in asylum, Isaiah receives a vision and escapes imprisonment. He escapes the week of the apocalypse. Liv’s true identity is revealed; she is the antichrist. Her plan to end the world cannot be accomplished with Isaiah living. Antichrist/Liv comes after Isaiah, enraged. Liv immediately gets the POLICE and SWAT involved for help. Isaiah is vigorously writing something on a large piece of paper in an inconspicuous coffee shop. Rolls it up, and leaves in a hurry. Isaiah makes his way to the Statue of Liberty with this large scroll. When he reaches the top, the statue is surrounded by police, SWAT, his family, Liv, news stations, etc. From the view through the scope of sniper rifle, Isaiah is seen opening the scroll. The scroll is his last attempt to share the Gospel, show God’s mercy, and to save the people. Gun shot. Audience does not know if he is shot or not. Black screen. Liv’s voice reading Bible verse.


Screenplay


1

INT. BELLEVUE INSANE ASYLUM-UNKNOWN

1

A black screen is shown. A deep man’s voice reads a Bible verse. DEEP MAN’S VOICE (v.o.) But the day of the Lord will come like a thief. The heavens will disappear with a roar; the elements will be destroyed by fire, and the earth and everything in it will be laid bare. 2 PETER 3:10 In a white, padded room, ISAIAH CANTON’S face fills the screen with intensity. He is a disheveled, attractive man with a kind face, but obviously weathered by years of torment. A yellow light is flickering. A loud thud is heard, a door opens. Two tall, WELL-BUILT MEN, walk in with purpose. ISAIAH freely stands, knowing what is to come. One of the tall, well-built men come over to hold his arms. The other injects an unknown serum into the arm of the insane man. Screen fades to black. 2

INT. ISAIAH’S APARTMENT-MORNING [FLASHBACK]

2

Isaiah is standing in his penthouse apartment tightening his tie in his full length mirror. He checks his watch and leaves his apartment. Isaiah takes the elevator down to the lobby. ISAIAH Good morning, sir. BELLHOP (nods head) Mr. Canton Isaiah drives to work. walking to work. 3

Traffic is busy, lots of people are

INT. CONFERENCE ROOM-DAY

3

Isaiah walks into a large conference room. MEN and WOMEN are dressed in suits, sitting around the long, glass table chatting with each other. Some are on their cell phones. ISAIAH Good morning everyone. I hope everyone is well. Okay, so...do (MORE) (CONTINUED)


CONTINUED:

2.

ISAIAH (cont’d) you remember the project from last week? COWORKERS (nodding) ISAIAH Let’s here some feedback COWORKER #1 The design is sleek, but maybe we should consider another color option. COWORKER #2 Yeah, but a new color will put us over our budget. Won’t it? ISAIAH Okay, I’ll take it into consideration. How about theOLIVIA (LIV), head of the company’s advertising agency, walks in. She is wearing a form-fitting black dress suit with deep red heels. Her hair is pulled back loosely. LIV Let’s get started, sorry I’m late. ISAIAH Excuse me, miss...? LIV It’s Olivia. Call me Liv. ISAIAH Nice to meet you. We’ve been expecting you. LIV (hands out pamphlets to coworkers) Here’s an example of effective advertising. 4

EXT. PARKING GARAGE-DAY

4

Isaiah and Liv are leaving work and making their way through the parking garage.

(CONTINUED)


CONTINUED:

3. LIV Make sure to review my proposal before the next meeting. ISAIAH I will. However, I think your approach doesn’t necessarily match with the company’s vision. LIV You need sales. what matters.

Ultimately, that’s

ISAIAH It’s about the message, not the money. LIV Then why did you hire me? Trust me, this is what’s best. ISAIAH How about we discuss it at the next meeting? LIV (coldly) That’s fine. 5

INT. ISAIAH’S APARTMENT-NIGHT

5

Isaiah works on his multi-media project. He looks through the Bible as he scans his sketches of the device. He is also scanning Liv’s notes and proposal simultaneously. In exhaustion, he lies down on the couch with the papers strewn across the coffee table, floor, and couch. Isaiah closes his eyes. His breathing calms. He receives a vision from God: his life’s purpose is revealed. He is a prophet proclaiming the coming of Christ. Isaiah opens his eyes, his heart rate increases and his breathing intensifies. 6

INT. ISAIAH’S OFFICE -DAY

6

Isaiah is rummaging through papers on his disorganized desk. He’s checking e-mails, making phone calls, and looking over Liv’s proposal. ROBERT, Isaiah’s oldest co-worker and friend, knocks and enters his office. (CONTINUED)


CONTINUED:

4.

ROBERT Isaiah, have you looked at page four of Liv’s proposal? ISAIAH (speaks without looking up) Yes. Three times. ROBERT Well I really do feel this would be beneficial for the coISAIAH (interrupts and looks up) Do you really? Well I believe that the morality of what this company is based upon is more important than the amount of money we have in the bank. ROBERT Isaiah, we need money in order to spread the message in the first place. ISAIAH Yeah, yeah, yeah. ROBERT Don’t forget, you’re not the only one making decisions in this company. Robert storms out of Isaiah’s office, slamming the door behind him. 7

INT. CONFERENCE ROOM-DAY

7

Isaiah walks into the conference room minutes before a meeting begins. His co-workers look disgruntled towards him. Liv sits at the head of the table. Isaiah sits down. LIV Great. Now we can begin. Liv stands and approaches whiteboard. LIV (cont’d) Now that you have had the opportunity to review my proposal, (MORE) (CONTINUED)


CONTINUED:

5. LIV (cont’d) I think now is the time to take a company vote. ISAIAH Is there no discussion for other options? LIV Please don’t interrupt me. All in favor of the proposal, please raise your hands.

Everyone raises their hands, except Isaiah. staring at him.

Everyone is

LIV (cont’d) Majority rules. Liv closes her folder, looking at Isaiah. LIV (cont’d) This meeting is finished. Liv quickly exits the room, looking straight ahead. ROBERT Maybe you should reconsider your standing in this company. You clearly don’t agree with the path we are taking on this project. ISAIAH But...I...We can’t just... ROBERT (interrupts) Isaiah...your input is no longer needed. Please pack your things. I’m sorry...I had to do this. 8

EXT. ISAIAH’S PARENTS’ HOUSE-DAY

8

Isaiah shows up at his parents’ house. He is distraught and looks emotionally drained. He has heavy bags under his and his eyes look red. His tie is loosened and off centered. His jacket is unbuttoned, along with the top button of his shirt. He has a suitcase in his left hand, and is softly knocking on the door with his right hand. His FATHER answers the door.


6. 9

INT. ISAIAH’S PARENTS’ HOUSE-EVENING

9

SIMON CANTON, Isaiah’s father, is sitting at the dinner table with Isaiah while LUCILLE CANTON, Isaiah’s mother, is placing dishes, silverware, and platters of food on the table. Isaiah is blankly looking down. LUCILLE It’s so nice of you to stop by, honey. But why the surprise visit? Lucille sits down. SIMON Yeah you’re lookin’ a little overworked. What’s the deal? Starts devouring his dinner. ISAIAH (sighs) Can we talk about it later? It’s been awhile since I’ve had a home-cooked meal. Thanks, mom. LUCILLE Well honey, you can always talk to us about whatever is the matter. ISAIAH Yeah, I know, mom. need a few days.

I will just

Isaiah takes a bite of food. Faintly smiles. 10

INT. SIMON’S HOME OFFICE-MORNING

10

After checking on Isaiah in the family’s guest room, Simon quietly walks downstairs to his office. He reaches for the phone, and calls the old family friend Robert. ROBERT Hello? This is Robert. SIMON Hi Robert, this is Simon Canton. I was just wondering if you’ve heard from Isaiah recently? ROBERT Well no, Simon. Not since his last day of work.

(CONTINUED)


CONTINUED:

7.

SIMON Last day of work? Why did he quit? ROBERT We had to let him go. He didn’t quit... SIMON (curious) But why? He’s been with the company for years. ROBERT He wasn’t flexible to new ideas that were best for the company. SIMON Was this your decision? ROBERT It was a mutual decision. But the head of this project could tell you more. Her name is Liv. I can give you her number? SIMON Yeah, thanks a lot. ROBERT It really wasn’t my decision, Simon. It was nice talking to you. It’s been awhile. SIMON You too, kiddo.

Talk to you soon.

Simon hangs up the phone, twiddling the piece of paper with Liv’s number writteon on it in his hands. 11

INT. ISAIAH’S PARENTS’ GUEST ROOM-MORNING

11

Isaiah wakes up around 7:30 AM, the time he would normally wake up to get ready for work. He realizes immediately he is not in his own bed. He panics. He jolts out of bed only to realize he is in his old bedroom--but almost immediately falls back under the covers. He glances at the clock in disguist, remembering he has no purpose for being awake so early. He pulls the covers over his head and grunts.


8.

12

INT. SIMON’S HOME OFFICE-MORNING

12

Simon dials the phone number written on the tiny sheet of paper he holds in his hand. He is hesitant in dialing the last number, not sure if he should intrude in his son’s life like this. He contemplates only for a second as to whether or not hang up, but dials the last digit instead. He wants to know the source of Isaiah’s strange and unordinary actions. He snaps back into focus when he suddenly hears a woman’s voice on the other line. LIV This is Olivia speaking? SIMON Oh hello, do you normally go by Liv? LIV May I ask who’s calling? SIMON My apologies. Robert gave me your number earlier this morning. My name is Simon Canton. You may know my son, Isaiah? LIV Oh...yes...Isaiah. SIMON Well yes. I heard he has not been cooperating in the office lately. LIV That is why he was fired a few days ago. SIMON He’s always been praised for his opinions before, what seems to be the problem now? LIV His opinions were not the issue, his actions were. SIMON Could you be more specific? Liv looks over her shoulder, gets up, and closes her office door so her conversation remained private.

(CONTINUED)


CONTINUED:

9. LIV He started acting extremely abnormal, which lead to crazy outbursts in the office. SIMON Really? That’s very surprising--that’s unlike him. LIV The breaking point was when he started becoming violent with Robert.

Robert furrows his brow. concerned.

He puts his hand on his chin,

SIMON Robert is our oldest family friend, there is no wayLIV (interrupts) Then why would he feel the need to fire him? SIMON I just spoke with him this morning. He said he did not have much to do with it. LIV He probably didn’t want to upset you. There is no need in mixing business with relationships. SIMON What would you say it was about his actions that seemed so violent? Simon rubs his head thoughtfully. LIV Because this was within the work place, I am not at liberty to describe details. However, I strongly recommend Isaiah receive counseling or specialized help as soon as possible. SIMON I’ll go talk to him now... Simon’s voice trails off. (CONTINUED)


CONTINUED:

10.

LIV Let me know if there’s anything else I can help you with. SIMON Thank you, Liv. LIV You’re welcome, Simon. from you soon.

I’ll hear

Simon hangs up the phone. Liv smiles devilishly, scheming. She hangs up the phone and looks out the window. 13

INT. ISAIAH’S PARENTS’ HOUSE-DINNERTIME/EVENING

13

Isaiah, Lucille, and Simon are sitting around the dining room table in an awkward silence. Tension is hanging in the air. Lights are dimmed, the house is so quiet you can hear a dog barking outside. SIMON So I talked to a woman named Liv on the phone today. Isaiah immediately looks up at his father, blood drained form his face. He is clearly shocked and confused. ISAIAH What? Why did you do that? SIMON Well I was concerned...and you obviously weren’t willing to talk. ISAIAH I’m not ready to talk. SIMON Well I’m willing to listen. I didn’t realize there were problems at work. Isaiah slams his fists on the dinner table, and immediately stands up. ISAIAH It’s the message, not the money! Isaiah storms out of the room. Lucille and Simon look at each other cluelessly.


11.

14

INT. BELLEVUE INSANE ASYLUM-DAY [PRESENT DAY]

14

Screen reads October, 2011. Isaiah is shown in his white scrubs in a white padded room. He looks intense and quizzical. It is evident he is suffering internally. He is popping his knuckles when he suddenly gasps and looks up. He is wide-eyed for a moment. A white screen flashes. the Antichrist.

A vision is revealed that Liv is

Isaiah is shown wide-eyed again.

He blinks.

Security video shows Isaiah walking out of the asylum dressed in white. Security guards are preoccupied with an incoming patient. 15

INT. LIV’S CAR-DAY

15

Liv calls Bellevue to set up a visiting appointment with Isaiah. LIV Hello, I’d like to set up a visiting appointment with Isaiah Canton today. RECEPTIONIST Alright ma’am. Can I have your name? LIV Yes, it’s Olivia. I go by Liv. He’s expecting me. RECEPTIONIST I’m sorry ma’am, I didn’t catch your last name? LIV Oh it’s... (pause) RECEPTIONIST What is your relation to Mr. Canton? LIV (looks up and to the right) I’m Liv Canton. Isaiah’s sister.

(CONTINUED)


CONTINUED:

12.

RECEPTIONIST Okay. Could you please hold for a minute? RECEPTIONIST puts Liv on hold. When she looks up, a GUARD calls her over, panicked. He motions for her to come immediately. The receptionist runs over to the guard. RECEPTIONIST What’s the matter? GUARD (panicked) Canton’s missing! RECEPTIONIST What do you mean he’s missing? He was there last night, right? GUARD Yeah! He took his meds, and he went to bed. How the hell did he get out of that room? Liv impatiently waits for the receptionist to get back to her. She taps her fingers furiously on the steering wheel, growing more impatient as time passes. RECEPTIONIST (shocked/scared) I’m making an announcement! Receptionist runs back to the front desk. abrupt announcement on the loud speaker.

She makes an

RECEPTIONIST (cont’d) Attention! Simon Canton has escaped from Bellevue! I repeat, Simon Canton has escaped from Bellevue! This is a code 7! I repeat, this is a code 7! Security guards shown opening Isaiah’s door. padded room is empty. Receptionist turns off the loud speaker. up the telephone and takes Liv off hold.

The white,

She quickly picks

(CONTINUED)


CONTINUED:

13.

RECEPTIONIST (panicked/frazzled) I’m sorry ma’am, you’ll have to visit another day. There’s been...a... complication with Isaiah. Silence. RECEPTIONIST (cont’d) Ma’am...? Hello? Are you still there? Liv violently swerves and turns her car around, now driving extremely fast in the opposite direction. She is enraged. 16

INT. COFFEE SHOP-DAY

16

Isaiah is shown vigorously writing on a large piece of paper. He is sitting at a coffee table by himself. The audience can’t see what he is writing. He looks at the clock and then scans what he has written. He quickly rolls it up and sprints out of the coffee shop. 17

EXT. POLICE STATION-DAY

17

Liv speeds up to the police station, swerving over the curb. She doesn’t bother parking or turning off her car. She runs up to the doors of the police station as fast as she can. 18

INT. POLICE STATION-DAY Liv bursts through the double doors of the police station. She is waving her arms, desperate to get the attention of an official. LIV Excuse me! I need to talk an official immediately! I know where Isaiah Canton is. The man who escaped Bellevue earlier today! OFFICIAL Ok ma’m, come with me. The two are seen walking down the police station’s hallway. They enter the last room on the right of the hallway.

18


14.

19

EXT. FERRY-DAY

19

Isaih bolts onto a ferry that is destined for the Statue of Liberty. He sits in the back corner, going unnoticed by the other passengers. He carefully looks at the passengers on board, and then to his scroll. He holds the scroll up to his chest and closes his eyes. 20

EXT. FREEWAY-DAY

20

Liv is in a convoy consisting of the POLICE, the SWAT team, Isaiah’s family, NEWS STATIONS, and some of BELLEVUE’S STAFF. She is driving furiously in direction of the Statue of Liberty. She looks determined. 21

EXT. STATUE OF LIBERY-DAY

21

Isaiah is shown at the top of the Statue of Liberty. He is struggling to hold on with one hand. The scroll is in his other. Hellicopter sounds are heard.

Screetching tires are heard.

The convoy is shown pulling up close to the Statue of Liberty. The police, SWAT team, Isaiah’s family, Bellevue’s staff, and news stations group together. Police officer yells through a megaphone. POLICE OFFICER Isaiah! Come down immediately! Isaiah begins unrolling his scroll and struggles to hold on. He begins looking for a way to reveal the message in the scroll without falling. He looks up at the helicopters and down at the police officer. POLICE OFFICER (cont’d) Come down or we’ll have to shoot! Isaiah notices the one of the statue’s spikes and reaches for it with the top of the scroll. The scroll begins unrolling. Isaiah turns his body and looks down at everyone watching. Police officer shakes his head in disappointment at Isaiah. The officer looks to his right, up towards the SNIPER and gives a quick nod, affirming that the sniper should shoot Isaiah. (CONTINUED)


CONTINUED:

15.

From the view through the scope of a sniper rifle, Isaiah is seen showing his last attempt to reveal the Gospel, show God’s mercy, and to save the people. A loud gunshot is heard. Screen goes black. Audience is unaware if Isaiah is dead or alive. LIV (v.o.) No one knows about that day or hour, not even the angles in heaven, nor the Son, but only the Father. Matthew 24:36


Isaiah Canton’s Costume & Prop List

Isaiah Canton: A young, successful business man living in an exclusive penthouse suite overlooking the NYC skyline. Isaiah is one of the head consultants for the largest advertising agency about to break through with new smart phone technology. Isaiah has a unique gift and message from God that he wants to share with the masses, will he be able to fight through and overcome the challenges that are ahead of him? Isaiah Canton’s Costume & Props: From Brooks Brothers Suits and Ties showing sophistication and class with every stitch and pattern, to a Tag Heuer time piece, the Blackberry Phone he uses to communicate with, his silver cross representing the way he models his life after Jesus, and the scrolls he is protecting with his life very own life, all are key elements to his character.


Liv’s Costume & Prop List

Liv: An attractive young business women who is at the top of her game in everything she puts her mind at. From being the head consultant in the Agency, wearing the newest and greatest fashions, and having an army of people behind her every move, Liv shows us her inner qualities and what she truly stands for. Liv represents the antagonist role and or Anti-Christ figure in our short story. Liv’s Costume & Props are centered around her ravishing personality. Being energetic and outgoing when need be, and calm and more reserved depending on the occasion. From her Brooks Brothers form fitted suits, her one of a kind fur coats, rare diamonds, rare handbags, and limitless cash flow due to her Visa Black Card. Liv’s bossy personality has a unique advantage in her every move in capturing her audience and winning their peers attention and vote.


INCOGNITO PRODUCTIONS FINAL SHOT LIST- Marianna Beard, Matt Dowley, Haley Green Scene Shot Description Elements 1 1 Extreme Close Up, Isaiah's Face Character: Isaiah Background: White Padded Room 1 2 Close Up, Yellow Lightbulb Special Effects: flickering bulb Character: Isaiah Special Effects: flickering bulb 1 3 Long Shot: Isaiah 1 4 Long Shot: Cell Door Special Effects: flickering bulb Characters: two men Special Effects: flickering bulb 1 5 Point of View: Isaiah, Door Opens, two men enter Characters: Isaiah, two men Special Effects: flickering bulb 1 6 High Angle Shot/ Long Shot Characters: Isaiah, two men 1 7 Over the Shoulder/ Medium shot: On Isaiah Special Effects: flickering bulb Characters: Isaiah, two men Special Effects: flickering bulb 1 8 Long Shot Characters: Isaiah, two men Special Effects: flickering bulb 1 9 Close Up: Isaiah's Arm Character: Isaiah Background: Isaiah's Apartment Prop: Tie 2 1 Close Up: Mirror Character: Isaiah Prop: Tie 2 2 Long Shot: Side of Isaiah 2 3 Medium Shot: Isaiah Character: Isaiah Character: Isaiah Prop: Watch 2 4 Close Up: Wrist Watch Character: Isaiah Background: Apartment Hallway 2 5 Long Shot: Isaiah Character: Isaiah Background: Elevator 2 6 Long Shot: Isaiah 2 7 Close Up: Elevator Buttons Character: Isaiah Character: Bell-Hop, Isaiah Background: Apartment Lobby 2 8 Long Shot 2 9 Medium Close Up Characters: Bell-Hop, Isaiah


2

10 Long Shot: Isaiah

2

11 Long Shot/ High Angle: Isaiah

2

12 Long Shot: Isaiah walks up to car

2

13 Medium Shot: Isaiah reaches handle

2

14 Close Up: Isaiah's Hand on handle

2

15 Long Shot: Getting into Car

2

16 Long Shot: Isaiah Driving away

3 3

1 Long Shot: Confrence Room 2 Long Shot: Door Opening/ Isaiah Walks in

3

3 Medium Shot: Takes off Coat

3

4 High Angle/ Over the Shoulder of Isaiah

3

5 Long Shot: Isaiah Sits down

3

6 Medium Shot: Co-Worker 1

3

7 Medium Shot: Co-Worker 2

3

8 Medium Shot: Isaiah

3

9 Long Shot: Office

Character: Isaiah Background: Lobby Windows/ Door Character: Isaiah Background: Outside Apartment/ Street View Character: Isaiah Prop: Car Character: Isaiah Prop: Car Character: Isaiah Background: Car Prop: Car Character: Isaiah Prop: Car Character: Isaiah Prop: Car Characters: Isaiah, Men & Women Background: Conference Room Prop: Table, Chairs, Cell Phones Character: Isaiah Character: Isaiah Prop: Coat Character: Isaiah, Men & Women Prop: Table, Chairs, Cell Phones Character: Isaiah Prop: Chair Character: Co-Worker1 Prop: Table, Chairs Character: Co-Worker2 Prop: Table, Chairs Character: Isaiah Prop: Table, Chairs Character: Isaiah, Co-Workers Prop: Table, Chairs, Door


3

10 Long Shot, Dolly In: Liv

3 3

11 Long Shot, Tilt Up: Liv 12 Tilt Up, Close Up: Liv

3

12 Medium Shot/Low Angle: Isaiah

3

13 Long Shot: Office

3

14 Medium Shot, Tracking right

4 4 4 4 4

1 2 3 4 5

5

1 Long Shot: Isaiah

5

2 Close up: Hands

5 5

3 Medium Shot: Isaiah 4 Extreme Close Up, Isaiah's Face

5

5 Long Shot: Isaiah on couch

5 5 5 5 5

6 7 8 9 10

Long Shot: Liv, Isaiah Close up, track left: Isaiah Medium Shot: Liv, Isaiah Close up, tracking: Liv Long Shot: Liv, Isaiah

Long Shot/ High Angle: Isaiah Extreme Close Up: Isaiah's Eyes Extreme Close Up: Isaiah's Chest Extreme Close up: Isaiah's face Medium Shot/zoom out: Isaiah

Characters: Liv, Co-Workers, Isaiah Prop: Door, Table, Chairs Character: Liv Prop: briefcase, table, chairs Character: Liv Character: Isaiah Prop: Chair Characters: Liv, Co-Workers, Isaiah Prop: Table, Chairs, Briefcase, folders Characters: Liv, Co-Workers, Isaiah Prop: Table, Chairs, Briefcase, pamphlets Characters: Liv, Isaiah Background: Parking Garage Character: Isaiah Characters: Isaiah, Liv Characters: Liv Characters: Liv, Isaiah Characters: Isaiah Background: Isaiah's apartment Prop: Couch, papers, coffee table, Bible Characters: Isaiah Prop: Bible Characters: Isaiah Prop: Proposal, Bible, Couch Characters: Isaiah Character: Isaiah Prop: Couch Character: Isaiah Prop: Couch Character: Isaiah Character: Isaiah character: Isaiah character: isaiah


6

1 long shot: isaiah

6

2 close up/over the shoulder: computer

6

3 long shot: behind isaiah

6

4 medium shot: robert

6

5 Medium Shot: Isaiah

6 6

6 long shot: robert, isaiah 7 close up: robert

6

8 over the shoulder: from robert's view

6

9 long shot: robert

7 7

1 long shot: office 2 long shot: isaiah

7

3 medium shot: liv

7

4 Medium Shot: Isaiah

7

5 medium shot/close up: liv

7

6 Long Shot: Liv

7

7 medium shot: liv

7

8 long shot: isaiah and coworkers

character: isaiah Background: isaiah's office Prop: Desk, papers, computers, chairs Character: isaiah Prop: desk, computer, papers, chairs characters: isaiah, robert props: door, desk, papers, computer, chairs character: robert prop: door character: isaiah prop: computer, desk, chair, papers characters: robert, isaiah prop: computer, desk, chair, papers character: robert character: robert, isaiah props: desk, computer, chair, papers character: robert props: door character: liv, co-workers, robert background: office character: liv, co-workers, robert, isaiah character: liv props: desk, chairs character: isaiah prop: desk, chairs character: liv prop: desk, chairs characters: liv, isaiah, co-workers prop: whiteboard, desk, chairs character: liv props: whiteboard, marker character: isaiah, co-workers prop: table, chairs, door


7

9 close up: liv speaking

7

10 long shot: office

7

11 close up: isaiah

7

12 point of view: isaiah

7

13 low angle/medium shot: liv

7

14 long shot, track left: Liv, Isaiah

7

15 long shot: liv

7

16 medium shot: robert, isaiah

7

17 close up: isaiah sitting

7

18 close up: robert sitting

8 8 8

1 Establishing shot: Isaiah's parents' house 2 extreme close up: isaiah's face 3 extreme close up: isaiah's torso

8

4 extreme close up: suitcase

8

5 medium shot: walking to porch

8

6 extreme close up: hand

8

7 long shot: isaiah, simon

character: liv props: whiteboard, marker characters: liv, isaiah, co-workers prop: whiteboard, desk, chairs character: isaiah prop: chair character: isaiah props: desk, chairs character: liv prop: whiteboard characters: liv, isaiah props: whiteboard, chairs, desk characters: liv, isaiah, co-workers prop: desk, chairs, door characters: robert, isaiah prop: desk, chairs characters: isaiah props: chair character: robert props: chair character: isaiah background: parents' neighborhood props: bag character: isaiah character: isaiah character: isaiah prop: suitcase character: isaiah prop: suitcase character: isaiah prop: door characters: isaiah, simon prop: door, suitcase


9

1 Long shot: dinner table

9

2 medium shot: lucille

9

3 long shot: lucille

9

4 medium shot: simon

9

5 Medium Shot: Isaiah

9

6 long shot: family

9

7 close up: isaiah

10

1 low angle, track left: stairwell

10

2 long shot: upstairs hallway

10

3 medium shot: simon

10

4 point of view: simon

10

5 medium shot: simon

10

6 long shot: simon

10

7 High Angle Shot/ Long Shot: simon

10

8 medium shot: simon

characters: isaiah, simon, lucille props: table, chairs, plates, food character: lucille prop: chair, plates character: lucille, simon, isaiah prop: chair character: simon prop: chair, plate character: isaiah prop: chair, plate character: isaiah, lucille, simon props: table, chairs, plates, food character: isaiah prop: chair, plate character: simon background: isaiah's parents' house character: simon background: upstairs hallway prop: door character: simon prop: door character: isaiah background: isaiah's old bedroom prop: bed character: simon prop: door character: simon background: upstairs hallway character: simon background: stairwell character: simon background: office door


10

9 long shot: simon

10

10 medium shot: simon sitting down

10

11 medium close up: hand on phone

10

12 medium shot: simon

10

13 medium shot: robert

10

14 medium shot: simon

10

15 medium shot: robert

10

16 medium shot: simon

10

17 medium shot: robert

10

18 medium shot: simon

10

19 medium shot: robert

10

20 medium shot: simon

character: simon background: simon's office props: office desk, chair, laptop, phone character: simon props: office desk, chair, laptop, phone character: simon props: phone, office desk character: simon props: chair, phone character: robert background: robert's office, phone character: simon background: simon's office props: chair, phone character: robert background: robert's office props: chair, phone character: simon background: simon's office props: chair, phone character: robert background: robert's office props: chair, phone character: simon background: simon's office props: chair, phone character: robert background: robert's office props: chair, phone character: simon background: simon's office props: chair, phone


10

21 medium shot: robert

10

22 medium shot: simon

10

23 medium shot: robert

10

24 medium shot: simon

10

25 medium shot: simon hangs up phone

10

26 medium close up: simon's hand

11

1 close up: isaiah's face

11

2 medium close up: isaiah jolting

11

3 close up, pan right: isaiah's face to clock

12

1 medium shot: simon dialing phone

12

2 medium shot: liv

12

3 medium shot: simon

character: robert background: robert's office props: chair, phone character: simon background: simon's office props: chair, phone character: robert background: robert's office props: chair, phone character: simon background: simon's office props: chair, phone, pen, paper character: simon props: chair, phone, laptop, desk, pen, paper character: simon props: chair, phone, laptop, desk, pen, paper character: isaiah background: isaiah's old bedroom props: bed, clock, pillow character: isaiah props: bed, clock, pillow character: isaiah props: clock, pillow character: simon background: simon's office props: office desk, phone character: liv background: liv's office props: phone, office desk, computer, chairs character: simon background: simon's office props: office desk, phone


12

4 close up/low angle: liv speaking

12

5 medium shot: simon

12

6 close up/low angle: liv speaking

12

7 medium shot: simon

12

8 close up/low angle: liv speaking

12

9 medium shot: simon

12

10 close up: liv speaking

12

13 medium shot: simon

12

14 medium shot/zoom out: liv

12

15 long shot: liv shutting door

12

16 medium/low angle shot: liv speaking

12

17 medium shot: simon

character: liv background: liv's office props: phone character: simon background: simon's office props: office desk, phone character: liv background: liv's office props: phone character: simon background: simon's office props: office desk, phone character: liv background: liv's office props: phone character: simon background: simon's office props: office desk, phone character: liv background: liv's office props: phone character: simon background: simon's office props: office desk, phone character: liv background: liv's office props: phone, office desk, computer, chairs character: liv props: door, phone, office desk, computer, chairs character: liv props: phone, office desk, computer, chairs character: simon background: simon's office props: office desk, phone


12

18 medium shot: liv

12

19 close up: simon

12

20 medium close up: liv

12

21 close up: simon

12

22 close up: liv

12

23 close up: simon

12

24 close up: liv

12

25 medium close up: simon

12

26 medium close up: liv

12

27 medium shot: simon

12

28 low angle/close up shot: liv

12

29 long shot: liv

character: liv background: liv's office props: phone, office desk, computer, chairs character: simon background: simon's office props: phone character: liv background: liv's office props: phone, chair character: simon background: simon's office props: office desk, phone character: liv background: liv's office props: phone, chair character: simon background: simon's office props: office desk, phone character: liv background: liv's office props: office desk, phone character: simon background: simon's office props: office desk, phone character: liv background: liv's office props: desk, phone character: simon background: simon's office props: office desk, phone character: liv background: liv's office character: liv props: office desk, phone, chairs, computer


13

1 long shot: dinner table

13 13

2 medium close up: family 3 close up: isaiah

13 13

4 medium close up: family 5 low angle/close up: isaiah

13

6 long shot: family

13

7 medium shot: simon and lucille

14

1 long/high angle shot: white room

14 14

2 medium close up: isaiah 3 close up: isaiah

14 14 14

4 medium shot: isaiah cracks knuckles 5 close up: isaiah 6 extreme close up: isaiah

14

7 long/low angle shot: liv

14

8 extreme close up: isaiah

14

9 long shot, pan right: surveillance room

15

1 medium shot: liv in car

characters: simon, isaiah, lucille background: isaiah's parents' house Props: dinner table, plates, food, chairs characters: simon, isaiah, lucille Props: dinner table, plates, food, chairs character: simon characters: simon, isaiah, lucille Props: dinner table, plates, food, chairs character: isaiah characters: isaiah, lucille, simon Props: dinner table, plates, food, chairs characters: simon, lucille Props: dinner table, plates, food, chairs character: isaiah Background: white room Props: padded room, white bed, white table character: isaiah Props: bed character: isaiah character: isaiah Props: bed character: isaiah character: isaiah character: liv Background: red room character: isaiah Background: white padded room character: isaiah, security guards Background: security room Props: TV monitors, chairs, keyboards, cameras character: liv Background: liv's car, city Props: phone, car


15

2 close up: liv

15

3 extreme close up: liv

15 15 15

4 medium close up: receptionist in Bellevue 5 long shot: Bellevue hallway 6 medium shot: receptionist, guard

15 15

7 medium shot: liv in car 8 medium shot: receptionist, guard

15

9 long shot, pan left: hallway

15

10 medium shot: receptionist

15

11 long shot: opening isaiah's bellevue room

15

12 medium close up: guard's hand

15

13 over the shoulder: guard

15

14 medium shot: receptionist

15

15 medium shot: liv hangs up

15

16 long/high angle shot: liv's car

15

17 close up: liv

character: liv Props: phone, car character: liv Props: phone, car character: receptionist Background: Bellevue Props: phone, office desk, papers, computer characters: guard, receptionist. characters: guard, receptionist. character: liv Background: Liv's car Props: phone, car characters: guard, receptionist. character: receptionist Background: Bellevue Props: phone, office desk, papers, computer character: receptionist Background: Bellevue Props: phone, office desk, papers, computer character: guard Prop: door, key character: guard Prop: door, key character: guard Prop: door, bed, table. character: receptionist Prop: phone, office desk character: liv Prop: phone, car character: liv Prop: car character: liv Prop: car


16

1 Long Shot

16

2 over the shoulder: Isaiah

16

3 Long Shot

17

1 Long Shot

17

2 medium shot

18

1 Long Shot

18

2 medium shot

character: Isaiah Background: Coffee Shop Props: tables, chairs, couches- leather character: Isaiah Background: Coffee Shop Props: tables, chairs, couches- leather character: Isaiah Background: Street View. character: liv Background: Busy Street, Pedestrians Heavily present Props: Car character: liv Background: Busy Street, Pedestrians Heavily present Props: Car character: liv Background: Desks, Jail Booking Cells, Processing Booths Props: Medal detectors, weapons scanners character: liv. & Police Official Background: Main Lobby, Desks, Offices Props: Desks, phones ringing

18

3 close up: liv

18

4 Long shot

character: liv. & Police Official Background: Narrow corridor filled with offices/ jail cells Props: guns, weapons, drugs detained, desks, many chairs that are bolted to the ground. character: liv. & Police Official Background: Narrow Hallway, dim lighting Props: Desk, Chairs, 2-way glass type viewing room.

1 Long Shot

character: Isaiah Background: Water front of Harbor, Ferry Boats on shore line Props: scrolls, rain jackets/wind breakers, seats on the ferry.

19


19

2 medium shot

character: Isaiah & passengers on board Background: View of cabin/ top level to ferry boat Props: scrolls, rain jackets/wind breakers/ cameras/ umbrellas, chairs on ferry

19

3 close up: Isaiah

20

1 Long Shot: tracking aka caravan of cars

20

2 close up: liv's face

character: Isaiah Background: Water front of Harbor, Ferry Boats on shore line Props: scrolls, rain jackets/wind breakers, seats on the ferry. characters: Liv, Police, SWAT Team, Isaiah's Family, News Stations, and Bellevue's Staff Background: Freeway, dense popluation of cars- making way for emergency vehicles/press Props: Cars, guns, tv cameras, personal to manage. character: Liv Background: Vehicle sides, view out the side of the car window, focused on Liv's expression on her face Prop: Car

1 Long Shot: angled/tilted up

character: Isaiah Background: Statue of Liberty, View of the City 360 Harbor View, many cars on the horizon where city is, boats and emergency vehicles starting to form around Statue of Liberty Props: Speed Boats, Cops armed with guns/ excessive force, Isaiah's Scroll.

2 Arial Shot/ High Shot

character: Isaiahs point of view Background: Standing on top of Statue of Liberty, holding on for dear life due to high winds, boats and hellicopters arriving to the scene of Lady Liberty Props: Speed Boats, Hellicopters, guns/ armed personal

21

21


21

21

characters: Isaiah, Staff from Bellevue's Hospital, Isaiah's Family, Police, Liv Background: View of the Water, Land on one side, boats and Hellicopters Props: Boats, Hellicopters, Megaphones, guns/ personal with 3 Arial Shot/ High Shot- Isaiah/ Seeing his Family weapons. Character: Police Officer Background: view from land/ boat Prop: Megaphone 4 medium shot: Police Officer

21

5 over the shoulder/High Shot

21

6 medium shot: Police Officer

21

7 Close up: Police Officer's Face

21

8 over the shoulder/ point of view: SNIPER

21

9 Close Up/ Muzzle of the Gun

21

10 Fade to Black

Character: Isaiah Background: Ocean view, Boats, Hellicopters surrounding him Props: Scroll, boats, vehicles, guns point blank on him. Character: Police Officer Background: Isaiah's Family next to Police Officer, Bellevue's Staff, News Media Props: Megaphone, Cameras, Guns. Character: Police Officer, Sniper, SWAT Team Background: Boats, Hellicopters, Sniper Perch Prop: Guns, Megaphones, Radios- communication devices SWAT. Character: SNIPER, Isaiah Background: Sniper Perch, Isaiah in the sights of the barrel of the gun Props: Gun, Scroll, Scope of Gun, Boats, Hellicopters. Character: SNIPER, Isaiah Background: Sniper Perch, Scope view of Sniper Prop: Sniper Riffle, Muzzel shot. Character: Liv Background: Voice over reading scripture verese.


1. I.C. 1.1 CLOSE UP:

1.2 CLOSE UP:

Extreme Close Up: Isaiah's Face

Close Up: Yellow Lightbulb

1.3 WIDE:

1.4 WIDE:

Long Shot: Isaiah

Long Shot: Cell Door

1.5 POV:

1.6

Point of View: Isaiah, Door Opens, two men enter

High Angle Shot/ Long Shot

1.7 OVER THE SHOULDER:

1.8 WIDE:

Over the Shoulder/ Medium shot: On Isaiah

Long shot


1.9 CLOSE UP: Close Up: Isaiah's Arm

2. Untitled 2.1 CLOSE UP:

2.2 WIDE:

Close up: Isaiah looking in mirror

Long Shot: of Isaiah in his Penthouse bedroom primping himself & fixing his tie.

2.3 MEDIUM:

2.4 EXTREME CLOSE UP:

Medium Shot/ bust shot: of Isaiah facing camera not looking directly into it/ just looking past camera.

Extreme Close up: of Isaiah's wrist and watch.


2.5 WIDE:

2.6 WIDE:

Long Shot: of Isaiah walking from behind camera to door. Opens door and walks out.

Long Shot: of Isaiah walking from right-off screen to elevator. Reaches for down button.

2.7 EXTREME CLOSE UP:

2.8 WIDE:

Extreme Close Up: of up and down elevator buttons. Down button is glowing.

Long Shot: of Isaiah walking out of elevator and walking towards bell-hop in apartment lobby.

2.9 MEDIUM:

2.10 WIDE:

Medium Shot: of Isaiah and bell-hop as they have discussion in apartment lobby.

Long/ High Angle: from inside apartment lobby of Isaiah walking out spinning doors to street.


2.11 WIDE:

2.12 WEATHER SHOT:

Long/ High Angle Shot: of street and apartment building. Isaiah walks out building and gets in parked car.

High Angle/ Arial Shot: View from the sky looking down upon the city and over Isaiah's Penthouse Apartments Complex.

2.13 WIDE:

2.14 MEDIUM:

Establishing/Medium Shot: EXT. Car Porter brings Mr. Canton's Car up front of the Apartment Complex.

Medium Shot: EXT. Car Handle is visible while Car Porter walks to the rear of the vehicle waiting for Isaiah's arrival.

2.15 OVER THE SHOULDER:

2.16 MEDIUM:

High Angle/ Arial Behind: EXT. Focusing on Isaiah's hand on car door handle as he is about to open car door.

Medium Shot: INT. Isaiah is finally on his way to work and pulling out of his Apartment complex's car pick up and drop off facility.


2.17 POV: Point of View/Driver's View Shot: INT. of car looking around avoiding busy traffic and unaware pedestrians walking across the street blindly.

3. Untitled 3.1 WIDE:

3.2 WIDE:

Long/Establishing Shot: INT. Conference Room, where men and woman gather and prepare for the very important meeting and presentation Isaiah is about to give.

Long/Wide Shot: INT. Conference Room, Isaiah greets his co-workers with warm smiles and respect.

3.3 MEDIUM:

3.4 OVER THE SHOULDER:

Wide/Medium Shot: INT. Conference Room, Isaiah takes off his coat and gets prepared for his presentation, while others finish up their own conversations with one another, interupting his opening remarks.

Point of View/ Over the Shoulder Shot: Looking around at his fellow co-workers trying to strike their personal attention and keep them focused on the goal at hand.


Comi ng s oontoatheaternearyou

I . C.

I N C O G N I T O P R O D U C T I O N S P R E S E N T S A G R E E N / B E A R D / D O W L E Y P R O D U C T I O N ‘ I . C . ’ M U S I C B Y G R E E N / B E A R D / D O W L E Y C O S T U M E D E S I G N M A T T D O W L E Y E D I T O R H A L E Y G R E E N P R O D U C T I O N D E S I G N M A R I A N N A B E A R D P R O D U C E D B Y G R E E N / B E A R D / D O W L E Y www. i cmovi e. com


I.C. Soundtrack “Tchaikovsky_ Hamlet Overture, Op.67”/ Opening Credits The classical music sets a serious/intense tone for the film. It intensifies and stops immediately when Isaiah’s face is shown on the screen. “Requiem for a Dream Soundtrack - Theme Song air”/ Isaiah’s Vision In Isaiah’s vision, he sees he has been chosen as God’s prophet; this song represents the importance of his mission and foreshadows Liv’s appearance in the film. “Tell the World”- Hillsong United (Look to You Album)/ When Isaiah is Driving to work While Isaiah is driving to work, this song is playing in the background. The chorus pertains to Isaiah’s mission that God has given him. “Storm”- Lifehouse (Who We Are Album)/ When Isaiah arrives to his parents door step This song is played after Isaiah is fired from his job; he shows up unannounced to his parents’ home, disheveled. This song emphasizes his physical state of mind. “Aggressive Expansion”- The Dark Knight (Hans Zimmer & James Newton Howard)/ Chase Sequence with Liv During the chase this song is played to indicate Liv’s power of persuasion, while assembling the necessary forces to stop Isaiah from reading his message to the world.

I.C. Incognito Productions  

I.C. Screenplay

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