m a t h i a s s k a f t e a n d e r s e n

n e w

y o r k s t u d . c a n d . a r c h

m a a

c h i c a g o s t u d i o c o n s t r u c t i n g t h e a a r h u s s c h o o l

a n o f

a r c h i v e f 1 5 a r c h i t e c t u r e

P H O T O — G R A P H S l a s

v e g a s

+ 4 5 4 0 9 4 6 6 4 8 m a t s k a f t e @ g m a i l . c o m

g r a n d w w w. m a t s k a f t e . t u m b l r. c o m w w w. m a t s k a f t e . c o m

c a n y o n

k r o y

w e n

o g a c i h c

— O T O H P S H P A R G s a g e v

n o y n a c

d n a r g

s a l

m a t h i a s s k a f t e a n d e r s e n

s t u d . c a n d . a r c h

s t u d i o c o n s t r u c t i n g t h e a a r h u s s c h o o l

a n o f

m a a

a r c h i v e f 1 5 a r c h i t e c t u r e

+ 4 5 4 0 9 4 6 6 4 8 m a t s k a f t e @ g m a i l . c o m

w w w. m a t s k a f t e . t u m b l r. c o m w w w. m a t s k a f t e . c o m

s a i h t a m e t f a k s n e s r e d n a

k r o y a a m

w e n

h c r a . d n a c . d u t s

o g a c i h c 5 1 f e v i h c r a e r u t c e t i h c r a

n a f o

g n i t c u r t s n o c o i d u t s l o o h c s s u h r a a e h t

— O T O H P S H P A R G s a g e v

s a l

8 4 6 6 4 9 0 4 5 4 + m o c . l i a m g @ e t f a k s t a m

n o y n a c

d n a r g m o c .r l b m u t . e t f a k s t a m .w w w m o c . e t f a k s t a m .w w w

introduction

The photographs in this collection have all been shot, edited and collaged on a smartphone. Limited storage space on the smartphone has dictated quick curation and editing of the photographs, putting them into context directly after they have been shot. No raw material, no exist. Creating the collection has been an exercise in identifying and extracting relevant subject matter in snapshots as they are taken rather than (as often) days or weeks after â&#x20AC;&#x201D; if ever.

mathias skafte andersen.

page nine

alternative shots and no discarded photographs

k r o y

w e n

o g a c i h c

— O T O H P S H P A R G s a g e v

n o y n a c

d n a r g

s a l

introduction

The photographs in this collection have all been shot, edited and collaged on a smartphone. Limited storage space on the smartphone has dictated quick curation and editing of the photographs, putting them into context directly after they have been shot. No raw material, no exist. Creating the collection has been an exercise in identifying and extracting relevant subject matter in snapshots as they are taken rather than (as often) days or weeks after â&#x20AC;&#x201D; if ever.

mathias skafte andersen.

chicago

page nine

alternative shots and no discarded photographs

noitcudortni

neeb lla evah noitcelloc siht ni shpargotohp ehT .enohpt rams a no degalloc dna detide ,tohs sah enohpt rams eht no ecaps egarots detimiL eht fo gnitide dna noitaruc kciuq detatcid yltcerid txetnoc otni meht gnittup ,shpargotohp on ,lairetam war oN .tohs neeb evah yeht retfa shpargotohp dedracsid on dna stohs evitan retla .tsixe ni esicrexe na neeb sah noitcelloc eht gnitaerC rettam tcejbus tnaveler gnitcartxe dna gniyfitnedi sa( naht rehtar nekat era yeht sa stohspans ni .reve fi â&#x20AC;&#x201D; retfa skeew ro syad )netfo

.nesredna etfaks saihtam

page eleven

chicago

las vegas

page twelve

page thirteen

las vegas

grand canyon

page fourteen

page fifteen

las vegas

las vegas

page sixteen

page nineteen

las vegas

las vegas

page nineteen

las vegas

new york

page twenty

page twenty-one

chicago

las vegas

page twenty-two

page twemty-three

las vegas

grand canyon

page twen-four

page twemty-five

grand canyon

las vegas

page twenty-six

page twemty-seven

chicago

page twenty-eight

page five

las vegas

page twemty-nine

hoover dam

las vegas

page thirty

page thirty-one

chicago

grand canyon

page thirty-two

page thirty-three

grand canyon

new york

page thirty-four

page thirty-five

grand canyon

chicago

page thirty-six

page thirty-seven

new york

new york

page thirty-eight

page thirty-nine

new york

chicago

page forty

page forty-one

new york

new york

page forty-two

page forty-three

new york

hoover dam

page forty-four

page forty-five

hoover dam

chicago

page forty-six

page forty-seven

chicago

plano

page forty-eight

page forty-nine

plano

new york

page fifty

page fifty-one

new york

new york

page fifty-two

page fifty-three

plano

new york

page fifty-four

page fifty-five

new york

chicago

page fifty-six

page fifty-seven

grand canyon

grand canyon

page fifty-eight

page fifty-nine

plano

chicago

page sixty

page sixty-one

chicago

plano

page sixty-two

page sixty-three

plano

chicago

page sixty-four

page sixty-five

chicago

blank page

page sixty-six

page twemty-three

hoover dam

las vegas

page xity-eight

page sixty-nine

las vegas

new york

page seventy

page seventy-one

plano

chicago

page seventy-two

seventy-three

grand canyon

new york

page seventy-four

t h e

a a r h u s

s c h o o l

o f

a r c h i t e c t u r e f a l l

2 0 1 5

s u h r a a f o

e h t

l o o h c s

e r u t c e t i h c r a 5 1 0 2

l l a f

s u h r a a f o

e h t

l o o h c s

e r u t c e t i h c r a 5 1 0 2

l l a f

PHOTO-GRAPHS

new york - chicago - las vegas - grand canyon Mathias Skafte Andersen Constructing an Archive 2015 The Aarhus School of Architecture