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Mark Engebretson 2002

Duo Concertante for two alto saxophones and orchestra arranged for wind band by Frederick Hemke

Effiny Music www.effinymusic.com


Duo Concertante

Transposed Score

Piccolo

q = ca. 92-96                                

                

                                 

                

pp

Flute 1

 

Mark Engebretson, 2002 Arranged for wind band by Frederick Hemke

for two alto saxophones and orchestra

For Frederick Hemke and Frederic Hemke

pp

     

 

                   

Flute 2

  

Oboe1, 2

 

Bassoon 1, 2

 

Clarinet 1 in Bb

   



  



  



  a2



pp

 



 



 

 

 



mp



pp II.

Clarinet 2, 3 in Bb

Bass Clarinet in Bb

Solo Alto Saxophone 1

  q = ca. 92-96 

Solo Alto Saxophone 2

  

Soprano Saxophone

  

                                   pp

Alto Saxophone

 

pp

  





  





 

               

 







 

mp

              





pp

Tenor Saxophone

Baritone Saxophone

 

   

 

pp

Trumpet in Bb

  

q = ca. 92-96

  

 



 

Horn in F 1, 2

 

Trombone

 

  

 

 

 

Tuba

Percussion 1

Percussion 11

 mp

pp

  

pp

snare sticks

 Copyright © 2010 by Effiny Music

Sus. Cym.



pppp

q = ca. 92-96

   



S.D.

pizz.

String Bass

mp

arco





 

   


2

Duo Concertante

Picc.

A 5       

Fl. 1

Fl. 2

Solo Sax. 11

S. Sax.

 

Tba.

 

Perc. 1

Perc. 11

S. Bass

    

mp

    

mf

mp

mf

                                         





p





 







 

              

p

  





mp











p

pp

mp

p

  p



pp



p



mp

                                ppp

A   



p

mp

bongo (low) (hands)



mf



p

mf

div.

 

 

Tbn.

         



mp

mp



Hn. 1, 2



pp

a2

A

Tpt.

 

pp

   mp

mp

        

p

A  

T. Sax.

     

mp

  

 

 



p

mp

p

  

    

                                                 

          

 



                                                 

p

A. Sax.

Bari. Sax.

       

Cl. 2, 3

Solo Sax. 1



Bsn. 1, 2

B. Cl.

       

 

Ob. 1, 2

Cl. 1

  



p

 p

 pp

snare sticks



 pp

 p



     mp


3

Duo Concertante

Picc.

p

Fl. 1

Fl. 2

p

p

p

Bsn. 1, 2

   

 

                           mp

     a2

 

 

p

     

p



Cl. 2, 3

B. Cl.

Solo Sax. 1 Solo Sax. 11

S. Sax.

 

S. Bass



 

f



                     

f

  

p

mp

  

 II.

mp cresc.

f





B

mp

     

 



 

mf



mf

 

p

mf



 

         

cup mute



mf



p



p

  



I. II.

 





 mp

   Tom-toms     

mf

poco

 

mf

    

p

mp

 

 

 

mp

 (sticks) bongo

           

mf



B

mp

mf

mf

    

mp

f

mf

mp

 

p

pp

 



p

mp cresc.

       

mp cresc.

p



       

 

 

Tbn.

Perc. 11



 

 

Hn. 1, 2

Perc. 1

 

  I.         

                                              

T. Sax.

Tba.

mp

mf



A. Sax.

Tpt.

f

f

mp

a2

mp

Bari. Sax.

f

                                                      



Ob. 1, 2

Cl. 1

B

                                   9                

Marimba medium mallets

  mp

 

B 


4

Duo Concertante

Picc.

14  

Ob. 1, 2

Bsn. 1, 2

Cl. 1

    

Solo Sax. 11

S. Sax.

A. Sax.

T. Sax.

Bari. Sax.

Tpt.

Hn. 1, 2

Tbn.

Tba.

Perc. 1

Perc. 11

S. Bass

f

mp

ppp

                     mf

II.

f



mp

I.



                                                             

Cl. 2, 3

Solo Sax. 1

f mp ppp                                                             

 

B. Cl.

                                                              

Fl. 1

Fl. 2

mf

pp

f

mp

f

mp

ppp

                                                     

II.

mf





  

f

  

     

mp



mf

  



pp



             mf

mf

mf

pp

pp

 

  

                              

 

pp



 

pp

pp

ppp



pp

mf

 

            

III.

                                            



ppp

 



mp

  pp

ppp


5

Duo Concertante

Picc.

17  

p

 

  

II.

I.



              

mf

        f

a2



ppp

f

cresc.

Bsn. 1, 2

   

mf                                       



Ob. 1, 2

Cl. 1

         

Fl. 1

Fl. 2

mp cresc.

              

mf

               

Cl. 2, 3

B. Cl.

Solo Sax. 1 Solo Sax. 11

S. Sax.

    

Tpt.

Perc. 11

S. Bass





 

p

cresc.

p

cresc.

ppp

 

Tbn.

Perc. 1

Hn. 1, 2

Tba.

  

div.

ppp

cresc.

 

ppp

mfp

mfp

 cresc.

cresc.

 f



mfp

 

mp



I.



mfp

 

II.

fp

   

 

cresc.

mf

 

mfp



cresc.



mfp

mfp

pppp

mf

mfp

 

                                 

 

ppp

ppp

 

 



 

                                   

 

ppp

 

          

 

        

ppp

                 

T. Sax.



mp cresc.



A. Sax.

Bari. Sax.

ppp

mf

mf





III.


6

Duo Concertante

Picc.

20         

Fl. 1

Fl. 2

Ob. 1, 2

Bsn. 1, 2

Cl. 1

  





                   



       

             

 

  

        

              

                                                         mf                                

                 

            

                                     

Cl. 2, 3

B. Cl.

Solo Sax. 1 Solo Sax. 11

S. Sax.

                                        

    





A. Sax.





T. Sax.

Bari. Sax.

Tpt.

 

 

Hn. 1, 2

 

Tbn.

Tba.

Perc. 1

Perc. 11

S. Bass



mfp



 mf





 



mfp

  

mfp

 

 

 

ff



ff

              

                 ff

                 ff



   

  



  

  

  

  



        

fp

 fp



  f

     

fp

f

 

 

 

  

 

fp

choke

 

 

 

  

 

fp

  

   

ff

   choke

                 

ff

 

ff

 

 

                  

ff

mfp

  

ff

  

   



   

mfp

 ���   

   



  

ff

                      

 

 

ff

  

    

 

 



ff

 



 

  

 



    

   


7

Duo Concertante

Picc.

Fl. 1

Fl. 2

Ob. 1, 2

Bsn. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

Solo Sax. 1

Solo Sax. 11

S. Sax.

A. Sax.

T. Sax.

Bari. Sax.

Tpt.

Hn. 1, 2

Tbn.

Tba.

Perc. 1

Perc. 11

S. Bass

  23      

 

  

 

       

  



  

  

  

  

 



  

  

 

   

 

 

 

 

 

           

 

 

 

 

 

 

 

 

 

 

 

 

 

 

G. P.

 

ff



ff                 

ff                

 



 

 

 



        

ff

fp

fp

  

    

   



  

 

choke







 

 



 

 

 

     

 

 

C     

 

G. P.

 

 

 

 

 

 

 

 

 

 

 

 

G. P.

 

    

     ff

ff



Tom-tom

ff

    

choke

B.D.

ff

rit.

   

    

 

 

ff





 

     

fp



ff



fp

mp

 

 

ff

 

fp

  

 

 

ff



fp

q = ca. 63

espressivo

 



ff

C    

 

     ff

 

 

ff

   



ff

rit.

      



ff

 

ø

pp

       

rit.

   

  

 

 



  

sub.

           

 



q = ca. 63

G. P.

ff

 

 

 

                                                                 

C  

               

                    

ff

       

                             

  

              

rit.

     

C     

ff

q = ca. 63

q = ca. 63

  

 


8

Duo Concertante

Picc.

D 29   

 

 

Fl. 1

 

 

 

Fl. 2

  

 

 

 

 

 

 

  

 

Ob. 1, 2

Bsn. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

Solo Sax. 1

espressivo

legato

p

  

espressivo

 

II., III.

D    



 

     

 

                      p

A. Sax.

T. Sax.

Bari. Sax.

Tpt.

Hn. 1, 2

Tbn.

Tba.

Perc. 1

Perc. 11

S. Bass



ø

p

 

      

mp

 

     



p

 



 

mp

p



           mp

3

      

          

       

      

mp

espressivo

S. Sax.



p

legato

     

   

p

mp

Solo Sax. 11

 

            



p

           mf



mp

          

         

mp

p

  

 

 

 

 

 

 



 

  

D   

 

 

 

 

 

 

 

  

    

   

 

 

 

 

  D  

   



       

     

 

    

p

espressivo

legato

     p

espressivo

legato

     p

     

mp

p

           mp

 



mf

 

mp

 

  

espressivo

mf

mp



p

 

   p

 

   

 

 

   p

  


9

Duo Concertante

Picc.

36  



 



Ob. 1, 2

Bsn. 1, 2

Cl. 1

B. Cl.

Solo Sax. 1

Solo Sax. 11

S. Sax.

  

A. Sax.

Tpt.

Perc. 11

S. Bass

 

mp



 

mf

mp



 

  

 

      mf

f

   

  

mp

 

 





mf



 

 

  

 

mp

mp

sostenuto

 

mf

   

mf

 sostenuto      

sostenuto

mp

     sostenuto

mp



 

mf

 





mf



  

  



     



f

   

  

mp



mp

 

f

f

   

     

   

  

        

f

 

  

 



mp

 

sostenuto   

mf

mp

mf

  mp

f



mp

 

mf

  

sostenuto

mp

mf

 

 mp

f



 



        

  



f

f

 



       

f

mp

    

f

        mp

 

  

 

mp

mp





 

f



      

   



mp

mf

sostenuto

     

f

f

     

f

 



mp

    

mf

mp

 

 



  

        



mf



mf

      

p

mf

mp



   

mf

 

sostenuto

sostenuto

mf

mp

mp

mp

mp

sostenuto     

mf

mf

mp

      

sub.

mf



  

 

sostenuto      

mf

 

mp

mp

mf



     

 



Tbn.

Perc. 1

  



Hn. 1, 2

Tba.

mp



sostenuto

sostenuto

mf

 

T. Sax.

Bari. Sax.



 

mp

 

mp

      



   

mp

  

Cl. 2, 3

Fl. 1

Fl. 2

(ossia)

  


10

Picc.

43    

  

 

  

ff

  

ff

Fl. 1

Fl. 2

  

Ob. 1, 2 Bsn. 1, 2

  ff

 

   

 

Cl. 2, 3

B. Cl.



ff

 

 

q = ca. 96

 

 

 

A. Sax.



(legato)

mf

mf

mf

 

 

              

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

  

 

Tba.

Perc. 1

Perc. 11

 

  

  

ff

  

Tom-tom

p

  

ff

   

 

E

 

 

 

q = ca. 96

       

ff

Tbn.

  

accel.

              

  

Hn. 1, 2

 

f

ff

Tpt.

  

ff

Bari. Sax.

   

E

    ff  

T. Sax.

 

                               

ff

S. Sax.

 

 

 

 

 

 

         

      

sus. cymbal

accel.

p

 

     

q = ca. 96

 

 

 

  ff

ff

Toms   

mp

     

  

 

 

 

E S. Bass

accel.

  ff

      

                      

 

   

a2

       

(legato)

Solo Sax. 11

mf

   

ff

Solo Sax. 1

 

                        

   

                               

ff

    

 

 

accel.

        

div.

 

        

 ff

Cl. 1

Duo Concertante

E

       

q = ca. 96

 


11

Duo Concertante

Picc.

48                         

                       

mf

Fl. 1

Fl. 2

                                           

   

Ob. 1, 2

Bsn. 1, 2

Cl. 1

                       

                        mf

                         mf

              

Cl. 2, 3

                   

                                                                                   



 



 

A. Sax.

T. Sax.



 

B. Cl.

Solo Sax. 1

Solo Sax. 11

S. Sax.

Bari. Sax.

Tpt.

Hn. 1, 2

Tbn. Tba.

 

Perc. 1

Perc. 11

S. Bass

Marimba

                                               mf

 

sticks

 

    bongos

p


12

Duo Concertante

Picc.

F 51                  

 

 

                

 

 

 

 

               

 

                 

           

 

 

 

               

 

 

 

 

Fl. 1

Fl. 2

x = x (sempre) 3+2+2

     ���            f f

f

Ob. 1, 2

Bsn. 1, 2

Cl. 1

f

mp

f

Cl. 2, 3

B. Cl.

Solo Sax. 1

f



 

F





           

mp

    



 

x = x (sempre) 3+2+2

        

     

 

 

 

mf

 

 

              



 

A. Sax.

 

 

T. Sax.

 

 

Solo Sax. 11

S. Sax.

Bari. Sax.

Tpt.

Perc. 1

Perc. 11

S. Bass











F

 

Tbn.

*tone color changes. The dots represent right hand keys F, E and D.



Hn. 1, 2

Tba.

mf



 

harmon mute







 

 

 

x = x (sempre) 3+2+2

 

 

 

 

 



 

 

 

 

                         

 

 

 

   

 

mfp

mfp

mfp

mf

       

mf

F

Hi-hat (closed)

p

 

Hi-hat (foot)



 Toms       

 

cresc.

x = x (sempre) 3+2+2

 

 

Bongo

   


13

Duo Concertante

Picc. Fl. 1

Fl. 2

Ob. 1, 2

Bsn. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

55   

 

  

 

Solo

A. Sax.

T. Sax.

Bari. Sax.

 

  

Hn. 1, 2

Tbn.

Tba.

Perc. 1



     

  

mf

           

  

     

    

mf

   

Perc. 11

   

  

 mf

    mf



a2

  

   

  

mf

 



 

mp

   



mp





 



II.mp

 



mp

 

mp

mf

p

3+2+2

 

 

 

 







quazi  pizz.      

 

 

mf

 

 

 

 

3+2+2

 

 

mf

   

 

 

 

 

   

 

 

 

 

 





    

mf

 Sus. Cym.

mp

    

mp



mf

quazi pizz.

  

mp

   

  

 

  

 





mp



 





mp

 



mp

 

 

             





 

             



mp I.

mf

 

 

mf

 

                                                 



 

mp

mf

 

mp

  

cresc.

S. Bass



mp

mf

   

   

 

           

mp

Tpt.

mp

    

mp

                  Sax. 11   

S. Sax.





mp

Solo Sax. 1

3+2+2

 

   

 mp

 



 

   

mp

 

Toms

mf

3+2+2

 

 

bongo        

 

 

 

   


14

Duo Concertante

Picc.

59   

3+2

 

    

 

  

2+2+3

 

 

   

3+3+3

  

 

 

              

Fl. 1

 

Fl. 2

  

                                        

 

 

 

 

Ob. 1, 2

Bsn. 1, 2

Cl. 1

   

    

mf

Solo Sax. 1

mf

Solo Sax. 11

S. Sax.

  

     mf

   

 

pp

pp

f

p

 



mf

pp

mf

pp

 

pp

 

2+2+3

mf

                  f

    

 

quazi pizz.         quazi pizz.       

mf

 

  

 

  

 

   

  

          

            

f

ff

  

 

   f

 

  

f

 

f

 

 

 

 

 

 

 

    

 

mf

 

pp

 

mf

  

 

3+2

 

 

   

 

mp

3+2

 

 

2+2+3

   

 

   

3+3+3

  

  

 

              

 

 

         

  

  

  

  

quazi pizz.        

3+3+3

  

     

 

 

 

 

 

 

 

 

 

 

 

 

 

mf

           f div.                

                 

 

pp

f

f

               

quazi pizz.



 

    

 

mf

 

 

Tbn.

S. Bass

p

3+2

mf

  

Hn. 1, 2

Perc. 11

pp

mf

Perc. 1

pp

  

T. Sax.

Tba.

mf



f

mf

Tpt.

pp

 

                    

A. Sax.

Bari. Sax.

 

f

a2                                          mf f

   

mf

 

 

Cl. 2, 3

B. Cl.

mf

 

 

    2+2+3

 

 

  

  f

 

 

   

  

dim.

3+3+3

 

 

 

     


15

Duo Concertante

Picc.

Fl. 1

Fl. 2

Ob. 1, 2

64 3 + 3 + 3 + 3    

  

G  

 

  

 

  

  

                   a2

Bsn. 1, 2

mp



                     mp                   mp       

 

mf

mp

Cl. 1

Cl. 2, 3

B. Cl.

      

3+3+3+3

Solo Sax. 1

  

  

 

mp

G    

mf





 

  



mf

 

sub. mf

 

 

 

 

 

             

mf

 

             

  

 

 

  

3+2+2

 

 

  

 

 

    

   

 

3+2+2

                                                  Solo Sax. 11                                 sub. f      S. Sax.

A. Sax.

T. Sax.

Bari. Sax.

mf

   

           

     

         

Hn. 1, 2

Tbn.

Tba.

Perc. 1

Perc. 11

  

   mp    mp

  

mp



  







  

   

 

  

 

 

 

 

    

  

   

mp

mp

    

mf

    



 

p

G  arco  

a2



   

3+2+2

mp

mf



  

  

 

   

mp

 

 

  

 

mf

  

     

 

   

mf

  

  

G    

  

mf

 

mf

  

3+3+3+3

S. Bass

  

   

3+3+3+3

Tpt.

     

  



 



mp

    

 

    3+2+2

 

mp

 

mf

 

   

 

 

   

 

     


16

Duo Concertante

Picc.

Fl. 1

68   

                                

            f

Fl. 2

dim.

            

f

Ob. 1, 2

Bsn. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

                    dim.

I.                                      II. f ff dim.           (a2)        I.                                        II.  mf f ff dim.                                            f ff

      mf  

 

     

    f

Solo Sax. 1



 

              f   

 

 

 

 

II.

                    dim.

  III.                

   f

  

                           Solo Sax. 11                ff cresc.                       S. Sax.                  f                 A. Sax.        f                 T. Sax.   f                     Bari. Sax.   f

    

cresc.

f

Tpt.

Hn. 1, 2

Tbn. Tba.

Perc. 1

Perc. 11

   

mf

 mf

   

  

 

    f  

mf

 

  f

f

  

 

dim.

 

   

           

     

                                   f dim. cresc.                                   

mf

S. Bass

 

   

  

      

cresc.

  

   

pizz.

f

      

 

   

    

sus. ride

 

ff



 




H

Duo Concertante

Picc.

Fl. 1

Fl. 2

rit.

71  

 

  

  

    

Bsn. 1, 2

 

       I.

           Cl. 2, 3

       

Solo Sax. 1

Solo Sax. 11

S. Sax.

  



 

q = ca. 69

pp

 

   

  

     

 

       

 

 

 

 

 

 

         

 



 

  

rit.

 

 

 

T. Sax.



Tba.

Perc. 1

Perc. 11

S. Bass

 

            

 

rit.

 

      q = ca. 69 espressivo

mp

 

 

   

 

H

 

Tbn.

H

 

Hn. 1, 2

ppp

 

Tpt.

        



  

ø

A. Sax.

Bari. Sax.

pp

                 

B. Cl.

                

Ob. 1, 2

Cl. 1

 

17

   



pp

  

   

 

   

 

q = ca. 69

pp

 

 

 

H 

rit.

  pp

q = ca. 69

 


18

Duo Concertante

Picc.

75  

Fl. 1

Fl. 2

   

Ob. 1, 2

Cl. 1

pp

  

a2

pp

Bsn. 1, 2



mp

div.

 

 



 

mp

mf

mp

       6

p

   

    

mp



  

p

mf

p

 

p

      

6

p

Cl. 2, 3

B. Cl.

Solo Sax. 1

Solo Sax. 11

S. Sax.



Perc. 11

S. Bass

    

 

  

6

 



      

6

 

 

p



       

     

mp

II.

mp

 

I.

 



  

p

p

p straight mute

6

6

mf

 

6

p

6

                             

      

p

mf

p

mf

                           6

mf

 

mp

p

 

Tbn.

Perc. 1



II.

p

Hn. 1, 2

Tba.

  

  

T. Sax.

Tpt.

III.



A. Sax.

Bari. Sax.


19

Duo Concertante

Picc.

78  

Fl. 1

Fl. 2

Bsn. 1, 2

Cl. 2, 3

B. Cl.

Solo Sax. 1

Solo Sax. 11

S. Sax.

   

    

 

 





S. Bass

    



  

mf

p

mp

mf

 



 p

mf

  



 

 

3

  



   

   

mf

mf

p

 pp

     

3   





pp

pp

I.

 

pp

p

3   

  

    3

 

mp

 

mp

  

 poco cresc.

pp

pp







 

 poco cresc.



 



   

    Marimba

p

 



poco cresc.

poco cresc.

 

 



poco cresc.



  





 

 

   



poco cresc.

p



pp

pp

   

pp





  

 

p

mf

   

pp



 

    

  





 



3

a2

 

pp

p

 

 

Tbn.

Perc. 11

 

p

mf

   

Hn. 1, 2

Perc. 1



mp

3

   

   

p

3 

a2

 

3

 I. p  

 

        

T. Sax.

Tba.

II.



mf

 

  



    

A. Sax.

Tpt.

  

mp

Bari. Sax.

mp

    

Ob. 1, 2

Cl. 1



 poco cresc.

 

mp




20

Duo Concertante

Picc.

83  

 

Fl. 1

Fl. 2

p

  

Bsn. 1, 2

     



Ob. 1, 2

Cl. 1

6

6                       6 6

      

      

6

6

div.

a2

        6

p

 

6                        6  6

p



Cl. 2, 3

B. Cl.

Solo Sax. 1

Solo Sax. 11

S. Sax.

 





 

6                      6  6

II.

p

 

                                             



6

 

6

6

6

6

6                      6  6

p A. Sax.

T. Sax.



Bari. Sax.

Tpt.

  

Hn. 1, 2

Tbn. Tba.

Perc. 1

Perc. 11

S. Bass

cup  mute

p



3

 

   3





3

 


21

Duo Concertante

Picc.

85  

Fl. 1

I 

6                                                     6 6 6 6 6 6

f

Fl. 2

6 a2                                                   6 6 6 6 6 6

f

Ob. 1, 2

a2

div.

a2

6

6

                     

  6                                   6 6 6

Bsn. 1, 2

6

f

f

Cl. 1

6                              6 6 6

f

II., III. 6 6 6 6                                                 6 6 6

Cl. 2, 3

III.

Solo Sax. 1

Solo Sax. 11

   

6

                      

  B. Cl.

f

6

6

T. Sax.

Tpt.

6

6



   

Hn. 1, 2 Tbn. Tba.

Perc. 1

Perc. 11

S. Bass

                                  6

6

6 6                                   6

A. Sax.

Bari. Sax.

I

6

S. Sax.

3



 

 3   mf

f

3

 

6

    

I 6

3

                6

f

                      bongoes (hands)

mp

I

6

6

6


22

Duo Concertante

Picc.

87   

Fl. 1

Fl. 2



     

          3

dim.

3

dim. a2

pp 3

             

Cl. 1





B. Cl.

Solo Sax. 1

Solo Sax. 11

S. Sax.



   

  

Bari. Sax.

Tpt.

 

Tbn.

Tba.

Perc. 11

S. Bass

      





      pp

 

 



pp

pp

3

dim.

p



           p

div.

          



p

   

 

 

  

   

  

   

   

    

p



            

div.

   

   

  

       

  

       pp

     

        

  

pp

 

 





 p

          



            



    

  

   

   

 p

p

          mp

     

pp

6

         p

p

p

pp

    



3

 

 

p

pp



a2

mp



p



sub.

   

    

 

pp

 



pp

      

 

 

 

p

pp

Perc. 1

 

     

pp

   

Hn. 1, 2

p

  

T. Sax.



      

  

A. Sax.

pp

pp



I.





 3

dim.

pp

pp

I.

            

Cl. 2, 3

        

pp

 

   

pp

dim.

 

Bsn. 1, 2



   

pp

     div.

Ob. 1, 2



pp

   


23

Duo Concertante

Picc.

92         

      

6

Fl. 1

Fl. 2



Ob. 1, 2

div.

6

 

 



p

Bsn. 1, 2

  



 



 

a2

 

 

 

p

 

pp

Cl. 1

  

Cl. 2, 3

B. Cl.

Solo Sax. 1

Solo Sax. 11

     



                                            6

cresc.

S. Sax.

pp

   

6

6

      

6

 

 

 

Hn. 1, 2

Tbn.

 

Perc. 11

S. Bass

                p

 

 

mp

Perc. 1

 

mp

T. Sax.

Tba.

6

A. Sax.

Tpt.

6

         6

Bari. Sax.

 

p

         6



ride cymbal



p

  

sus. cymbal


24

Duo Concertante

Picc.

94  

Fl. 1

Fl. 2

 

Ob. 1, 2



 

mp



mp

Solo Sax. 11

S. Sax.

  

mp

 

 

3

 

3

6

Bari. Sax.

Tpt.

           

  

  I.

p

Tba.



6

       

 



 

mp





                                                 mf

6

6

6

6

6

6

6



  

Perc. 1

Perc. 11

S. Bass

6

 





 



 





mp

mp

  

 

div.

  3

 



 

p

mp

Tbn.

p

Hn. 1, 2

p

6

mp T. Sax.

p

           

a2

 

A. Sax.



6

6

 

 

3

3

mp





mp

Solo Sax. 1

           

6

div.

B. Cl.

6

 

Cl. 2, 3

 

  

Bsn. 1, 2

Cl. 1

II.

 

 

mp

  mp


25

Duo Concertante

Picc.

J 96   

  



 

  



Fl. 1

Fl. 2



Ob. 1, 2

Bsn. 1, 2

Cl. 1

p

mp

cresc.

S. Sax.

   p



  

J       p

 

Perc. 1

Perc. 11

S. Bass

p cresc.



  

mp

 

 

    

  

 

p

cresc.

 

   mp



 mp





                   

  







  







 

mp



mp

mf



a2

cresc.

  





mf

mp

  

    

mp

  

mf

mf

   



f



mf

mp

p



mp

       

mp

  

cresc.

mp

  

I.

Tba.





Tbn.

J          

Hn. 1, 2

mf

p cresc.

Tpt.



p cresc. Bari. Sax.

 

          

T. Sax.

mf

A. Sax.

cresc.

Solo Sax. 11

 

 

 mp

cresc.

p cresc.

Solo Sax. 1

 



mf

 

Cl. 2, 3

B. Cl.

p

   

mf



mf

mf

mf







 

J 

 p cresc.

  



 mp



  







mf

 



 



 mf




26

Duo Concertante

Picc.

100  

Fl. 1

f

6                                            6

mf Fl. 2

 

Ob. 1, 2

Bsn. 1, 2

Cl. 1

B. Cl.

Solo Sax. 1

 

S. Sax.

 

 

 

3



Perc. 11

S. Bass

 

3

3



f

 

3





 f div.

  

f







f





6

f



 





 





3

f



f

3





 



f

3

  f

3 3

 

 

f

  

mf

mf



f

6



f

f

 

  

II.

 

cup mute

  I.

  

f

mf

   f   

  f

3

 

 

f

 

 

3

 

6



 

6



 

f

6

6

f

                              

f

6

 

f

f



f







Tbn.

Perc. 1

       



  

6

6

                              

Hn. 1, 2

Tba.

f 3



T. Sax.

Tpt.

6

6

mff

 

A. Sax.

Bari. Sax.

6

 

3

f

6

Solo Sax. 11

6

  

Cl. 2, 3

           

(snare sticks)

 

   f

p

6

6


27

Duo Concertante

Picc.

102    

Fl. 1

Fl. 2

Cl. 1

B. Cl.

Solo Sax. 1

Solo Sax. 11

S. Sax.

 

  

 





     

 

Perc. 1

Perc. 11

S. Bass



  

 

  

  

 



 



 



                     





 III.

  

 







mf

6

 

  

 

II.





 







  



6



 f

f

6

6

6

  









 



                      

6





f



                     



6

f







6

6



 f





f

f



 

6

 





 

a2

     

 

 f

 



  

 

 





f

f

Tba.



  

Tbn.



ff

 

Hn. 1, 2





  



 

   

T. Sax.

Tpt.

 

 

A. Sax.

Bari. Sax.

  

a2

Cl. 2, 3



Bsn. 1, 2



Ob. 1, 2





 

f





                    mf



6

6

 



6

6

 

6

6

6



6

f

6

6



6

6


28

Duo Concertante

Picc.

Fl. 1

Fl. 2

Ob. 1, 2

Bsn. 1, 2

105   

Cl. 2, 3



6

6

 

 



f

 3

6

Solo Sax. 1

6

6

6

6

6

   

6

6

ff

ff

6

6                                ff 6              

6 6 6 6                                                                                  6

B. Cl.

 

 ff                                                                  

6

Cl. 1

6

6

6

6

6

   

    ff

3

3

 



 

ff

  

6

ff

T. Sax.

Bari. Sax.

Tpt.

Hn. 1, 2

Tbn.

Tba.

Perc. 1

Perc. 11

S. Bass

     

 

  



ff





 

  f

ff

ff

 

 

 



 

 

fff

 

 



 

 

                                                       6             Solo Sax. 11      6 6 6 6 6 6   6 ff fff      S. Sax.  ff         A. Sax.   

   

ff

3

 

ff

6





6

 

ff

ff

ff





ff

ff

                     

6                                                      6 6 6 6 6 6

 

6









ff

ff

 


29

Duo Concertante

Picc.

K 107   

 

accel.

Fl. 1

 

 

Fl. 2

  

 

 

 

 

 

 

 

 

  

 

Ob. 1, 2

Bsn. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

  

K

Solo Sax. 1

   

       

 

      

  



  

accel.

                    mf

dim.

Solo Sax. 11

S. Sax.

A. Sax.

T. Sax.

Bari. Sax.

Tpt.

Hn. 1, 2

Tbn.

Tba.

Perc. 1

Perc. 11

S. Bass

  

     

 

dim.

  

         

  



  

      

 mf

  

      

 

      

  

                  

  

      

 

      

  

                  

      

 

      

  

 

  

      K         

ff dim.

ff dim.

ff dim.

       ff

dim.

 

ff dim.



 

           

         

 

 

 

 

  

 

 

 

K  

 

                  

dim.

    ff

      

                  



  

  

 



 

 

   

accel.

mp

         

ff

 

 

 

accel.

 


30

Duo Concertante

Picc.

110   

  

p



L

  

q = ca. 96

   

pp

Fl. 1

Fl. 2





Ob. 1, 2

Bsn. 1, 2

Cl. 1

 

Cl. 2, 3

B. Cl.

Solo Sax. 1

Solo Sax. 11

S. Sax.



 

Tba.

Perc. 1

Perc. 11

S. Bass

  

  



    

  





    

  



  

   

   

pp

pp

L 



   

pp

q = ca. 96

     

dim.

 

Tbn.

p

                                             

      

Hn. 1, 2

          p

dim.

Tpt.

pp

dim.

Bari. Sax.



dim.

       

T. Sax.

              

A. Sax.

q = ca. 96

L

 

mp

L 

q = ca. 96




31

Duo Concertante

114  

 

 

Fl. 1

 

 

Fl. 2



 

 

 

 

Picc.

Ob. 1, 2

 

Bsn. 1, 2

Cl. 1

I.



 

p

 

  





B. Cl.

Solo Sax. 1

 





p

    

S. Sax.

   

p





  

  



  

 

   

  





  



 

 

 

 

 

 

 



 

 slow                                        fast

fp

Solo Sax. 11

 

p Cl. 2, 3

p

 

  

   p

fp

                                       

 

  

   



   

 

 

    

 

 

 

A. Sax.

 

 

T. Sax.

 

 



 

 

 

 

 

 

 

Bari. Sax.

Tpt.

Hn. 1, 2

Tbn. Tba.

 

 

Perc. 1

Perc. 11

S. Bass



p



 

  

Marimba

                 

 

 

 

       

pp

snare  sticks         



mp

pp

p

 

 

 

 

     

 

  

 

   

     


32

Duo Concertante

Picc.

Fl. 1

Fl. 2

Ob. 1, 2

Bsn. 1, 2

Cl. 1

Cl. 2, 3

M 118   

                                                       mp                                    mp

mp

 

  

      mp I. div.                                                        mp 

                                 

               

              III.                                                    II.

mp

B. Cl.

       

         

III.

                      

II.

                                  

 

      

mp

Solo Sax. 1

Solo Sax. 11

S. Sax.

M                                                            mp    





mp

 

T. Sax.

Bari. Sax.

Tpt.

Hn. 1, 2

Tbn. Tba.

Mar. Perc. 1

Perc. 11

S. Bass











 





                        

 

                                                 mp

A. Sax.

                

 

 

 

  

                                

                

                                                         

mp

M   

 

 

  

 

mp

     p

M   

mp

 

mp



mp

   

 

     

 

 


33

Duo Concertante

Picc.

 

 

 

             mf                                   

 

 

 

  

 

  

 

  

 

 

  

  

 

Ob. 1, 2

Bsn. 1, 2

                  mf  

mf

mf

 

                mf                                   mf

Cl. 1

Cl. 2, 3

mf

B. Cl.

Solo Sax. 1

Solo Sax. 11

S. Sax.



 

 

 

  



T. Sax.

Tpt.

Mar.

Perc. 1

Perc. 11

S. Bass

mf



 mf



 mf

  

 

  

 

mf

 

mf

mp

   

  

 

 

mf

mf

mf

 

 

 

mf

 

mp

  

 

 

cresc.

cresc.

 

  

cresc.

  

mp cresc.

cresc.

 

 

mp

mp

x = x (sempre) 3+3+2+2

I.      II.  mp

  

   



   

         

 



  

 

cresc.

 

 

   

mf cresc.

 

N  

  

   

x = x (sempre) 3+3+2+2

   

 

 

   

 

 

 

 

 

 

 

 

div.

     

4+3+2

 

mf

 

  

 

 

 

 

 

  

    

  

  

 

  

mp cresc.

  

  

mp cresc.

cresc. quazi pizz.

 

cresc.

  

mp

 

cresc.

 

4+3+2

  

quazi pizz.       

 

               

  



ossia

mp

quazi pizz.

cresc.

  

 

 



   

open

  

                              

N

   

mf

mp

mf

x = x (sempre)

mf

mf

  

I.

mp

 

mp cresc.

3 + 3 + 2+ 2    

                 

mf

3+3+2+2

N

 

 

 

 

Tbn.

 

 

 



Hn. 1, 2

Tba.

4+3+2

A. Sax.

Bari. Sax.

x = x (sempre)

Fl. 1

Fl. 2

N

121                    

mf

cresc.

 

  

 

 

  

       

cresc.

   

   

 

 

 

 

  4+3+2

 

 

 


34

Duo Concertante

Picc.

Fl. 1

Fl. 2

125   3+2   

     

     

Ob. 1, 2

  

Bsn. 1, 2

    

Cl. 1

Cl. 2, 3

B. Cl.

Solo Sax. 1

Solo

(x = x)

   

  

    

 

 

  



  

  



 

   



    



A. Sax.

T. Sax.

Bari. Sax.

    

 

     

 

     

 

     

   

  3+2       mp            

(x = x)

Tpt.

Hn. 1, 2

Tbn.

Tba.

Mar. Perc. 1

Perc. 11

S. Bass

    

 

     

  

       

  

 

  

 3+2

  

       

  

(x = x) cresc.





f                              f                     

 

  



ord.

 

    

   



  

a2

f

 

f

  

f

 



   mf

     

I.

f

            

 

f

  a2                             

f

  

 

 

f

 

 

          

          

f

f

   

                             f

                          

f

 f



 

   

ord,    

   

f

 

 

 

 

 

 

 

II.



 



 

 





 

 

 

 

   

       

  

f

 

                           

f

       



        

 

f

 

    

mf

                    

 



  

     

    

    

 

ord.

(x = x)

      Sax. 11       

S. Sax.

   



        

  

div.

           

 

 

  

f

f

                        f       

a2

mf

            

 

 

       



   

  3 +2    



 



 

a2

     

   







 

    

   





 

 

   



f



   



     

        f

bongos

 



f

    f

     


35

Duo Concertante

Picc.

Fl. 1

Fl. 2

Ob. 1, 2

Bsn. 1, 2

                                                           

130    

3+3+4

accel.

3+2+2

 

                                                                                  f

Cl. 1

Cl. 2, 3

B. Cl.

Solo Sax. 1

Solo Sax. 11

S. Sax.

A. Sax.

T. Sax.

Bari. Sax.

Tpt.

Hn. 1, 2

Tbn.

Tba.

Mar.

Perc. 1

Perc. 11

S. Bass

                        ff                        

ff                                ff                           ff                      

                                              a2      div.                                           f                             

  

3 + 3 + 4            

             

accel.                                                           

3+2+2

 

      

    

   

  

3+3+4

  

 

      

3+2+2

 

 

 

 

 

 

   

 

  

 

  

      Toms      

  

  

  

  

3+3+4

 

    

3+2+2

div.    

   

 

 

 

accel.

                      

   

  

   

   

     

    

   

    

  

 

  





                         accel.

        

 

mp

     

 

    

ff

 



   

 

ff

                    fff

           fff            ff

           ff

                   ff                   

           

    



ff

ff



  

ff

ff

 

 

ff

                                        

 

                  

       

  

 

                    

                                                                                                                          

 

ff

 



  

     

ff

       

                ff

ff

   

 

(ossia)

 



ff


36

Duo Concertante

Picc.

O 134   

q = ca. 120

Fl. 1

 

Fl. 2

  

 

 

  

 

  

Ob. 1, 2

Bsn. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

O

Solo Sax. 1

q = ca. 120

          



     

fff

Solo Sax. 11

S. Sax.

A. Sax.

T. Sax.

Bari. Sax.

Tpt.

Hn. 1, 2

Tbn.

Tba.

Mar. Perc. 1

Perc. 11

S. Bass

  

      



fff

  

     

     







    

 

   



       



  

 

 

   O   

 

 

  

 

 

 

O

 

q = ca. 120

q = ca. 120

  


37

Duo Concertante

141  

 

Fl. 1

 

Fl. 2



 

 

 

 

 

 



 



  

Picc.

Ob. 1, 2

Bsn. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

Solo Sax. 1

Solo

     

 Sax. 11   

  

    

  



P

P

 

Cadenza

Cadenza q = ca. 56, freely

   

pp

     

q = ca. 56, freely

     





 

pp

 

A. Sax.

 

T. Sax.

 



 

Tpt.

 

 

 

 

 

 

 

 

 

Hn. 1, 2

Tbn.

Tba.

Mar. Perc. 1

Perc. 11

S. Bass

P

P

         ø

Bari. Sax.

 

pp

 

S. Sax.

  

Cadenza

Cadenza

pp

6

6


38

Duo Concertante

145  

Fl. 1

Fl. 2



 



Picc.

Ob. 1, 2

Bsn. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

Solo Sax. 1

                pp

Solo Sax. 11

S. Sax.

   

          3

   

3

pp

p

  p



        

    

 

 ø

pp

        

Slow

pp

T. Sax.



 

Tpt.

Hn. 1, 2

Tbn.

Tba.

Mar.

Perc. 1

Perc. 11

S. Bass

pp

A. Sax.

Bari. Sax.

    p

pp


39

Duo Concertante

147  

Fl. 1

Fl. 2



 



Picc.

Ob. 1, 2

Bsn. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

       accel.

Solo Sax. 1

pp

Solo Sax. 11



accel.

     



p

   pp

   pp

  

    

    

    

p

 p

e=x

             pp

e=x

        pp

 

A. Sax.

T. Sax.



 

S. Sax.

Bari. Sax.

Tpt.

Hn. 1, 2

Tbn.

Tba.

Mar. Perc. 1

Perc. 11

S. Bass


40

Duo Concertante

150  

Fl. 1

Fl. 2



 



Picc.

Ob. 1, 2

Bsn. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

Solo Sax. 1

  

            cresc.

Solo Sax. 11

    

        

                         mf

cresc.

                                                       mf cresc. cresc.

 

A. Sax.

T. Sax.



 

S. Sax.

Bari. Sax.

Tpt.

Hn. 1, 2

Tbn.

Tba.

Mar.

Perc. 1

Perc. 11

S. Bass


41

Duo Concertante

153  

Fl. 1

Fl. 2



 



Picc.

Ob. 1, 2

Bsn. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

Solo Sax. 1

  

                                          f

Solo Sax. 11

S. Sax.

          

cresc.

                                        cresc.

A. Sax.

T. Sax.



Bari. Sax.

Tpt.

 

Hn. 1, 2

Tbn.

Tba.

Mar.

Perc. 1

Perc. 11

S. Bass


42

Duo Concertante

154  

Fl. 1

Fl. 2



 



Picc.

Ob. 1, 2

Bsn. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

Solo Sax. 1

 



  

fff

Solo Sax. 11

S. Sax.

  

 

 

  

    

fff





 



 

fff

   

 

    (    )   (   )

+/- quarter tone, erratic

fff

T. Sax.



 

Tpt.

Hn. 1, 2

Tbn.

Tba.

Mar.

Perc. 1

Perc. 11

S. Bass

ffpp

 

 

ffpp

A. Sax.

Bari. Sax.

  

fast  slow 


Duo Concertante

Picc.

156  

Fl. 1

Fl. 2



Cl. 1

Solo Sax. 1

Solo Sax. 11

S. Sax.

 

 

 

 

 

 

 

Q  

   

    

T. Sax.

    

Hn. 1, 2

Tbn.

Tba.

Mar. Perc. 1

Perc. 11

S. Bass

           

 

 

   

 

 

   I..

p

 



      a2



 

 



p

 

    

 

  

mp

    

   

     

div.          

 

 

   

p



p

 

 

 

a2                                                                    

 

 

Tpt.

 

a2                                                                    

A. Sax.

Bari. Sax.

 

 

Cl. 2, 3

B. Cl.

 

q = 92-96

 

Bsn. 1, 2

 

 

Ob. 1, 2

43

Q

mp

    

  

mp

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Q  

q = 92-96

q = 92-96

 

Q  

q = 92-96

 p



pizz.

p

  

 

   


44

Duo Concertante

Picc.

Fl. 1

Fl. 2

Ob. 1, 2

Bsn. 1, 2

Cl. 1

161   

            

B. Cl.

Solo Sax. 1

Solo Sax. 11

S. Sax.

A. Sax.

T. Sax. Bari. Sax.

Tpt.

Hn. 1, 2 Tbn. Tba.

Mar. Perc. 1

Perc. 11

S. Bass



         



        

 

   

                           

           

  Cl. 2, 3

 

      

 

          

   



       



       

 

                                                                       



 

 

   



                  mf   

              mf

                  mf

 

                   





 

     



           

           





             mp mf                  mp mf               mp mf

p

       p

      

  

 

  

 

 

 

mp

mf

p

  

 

 

���

  

   

 

 

   

  

 

 

 

 

 

p

                 

   

      

  

  

 

 

 

 

 


45

Duo Concertante

Picc.

165  

Fl. 1

Fl. 2



  

              



                  



Ob. 1, 2

                                   

 

Bsn. 1, 2

  

div.

Cl. 1

 

 

Solo Sax. 1

Solo Sax. 11

S. Sax.

Tbn.

Tba.

Mar. Perc. 1

Perc. 11

S. Bass

 

                                                                            

   

   

   

 

 



 



mp

                     p



                         



 



  p



 



str. mute



pp



 

 

 



 



 

 

 



 

p

mf

             mp

str. mute

 

mf

   

                                    mp mf                                 mp mf                                     mp mf                           

T. Sax.

Hn. 1, 2

 

                        

Tpt.

 

A. Sax.

Bari. Sax.

 

Cl. 2, 3

B. Cl.

   


46

Duo Concertante

Picc.

Fl. 1

Fl. 2

Ob. 1, 2

Bsn. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

R 168     

Solo Sax. 11

S. Sax.

                                                p

mp

p

mf

mp

dim.

                                                p

mp

p

mf

mp

dim.

                                

a2

p

mp

p

mf

mp

dim.

                                                                   p

mp

p

mp

p

mf

 

mp dim.

a2                                                  

p

mf

a2                                p

mp

p

mp

dim.

mf

                                

R  

p

Solo Sax. 1

mp



p

mf

                                                  p

mp

p

mf

mp

dim.

A. Sax.

T. Sax.

Bari. Sax.



 

                                   p

Hn. 1, 2

Tbn.

Tba.

Mar. Perc. 1

Perc. 11

S. Bass

     

mp

a2

p

p

mf

            p

mp

       

 



         

 

mp

p



brassy

p

  



 

mp

p

brassy

p

 

brassy

mf



mp

        brassy

ord.

 

mf

mp

 

mf

 



 



mp

 



 

R 

 

mp

R

Tpt.

 

 


47

Duo Concertante

Picc.

Fl. 1

Fl. 2

rit.

171  

 

Ob. 1, 2

   a2

Cl. 1

Solo Sax. 1

Solo Sax. 11

S. Sax.

    





pp

rit.



  

T. Sax.

Tpt.

    

  

   

p dim.

Mar. Perc. 1

Perc. 11

  

   

poco

 

ppp poco

 

 

poco

S

 = 92-96

mp

  

 

poco

 

             



mp

 

poco

      



 

poco

 



   



       

         



 

poco

 = 92-96

S

 

poco

poco

 

poco

 

poco

 

poco

 

choke

 

p

rit. S. Bass



 

ppp

 

poco

   

 

poco

ppp

rit.

   

 

poco

poco

p dim. Tba.

 

   

Tbn.

ppp poco

 

Hn. 1, 2

 

poco

ppp

A. Sax.

Bari. Sax.

  

Cl. 2, 3

B. Cl.

 = 92-96

S

ppp

 

Bsn. 1, 2

 

poco

 

poco

S

 

   

 = 92-96

 


48

Duo Concertante

175  

Fl. 1

Fl. 2



Picc.

Ob. 1, 2

Bsn. 1, 2

Cl. 1

 

Solo Sax. 1



  

S. Sax.

  





           



       3



mf

            f







   



     

 

mf

 

 

f

T. Sax.



Tpt.

 

Hn. 1, 2

Tbn.

Tba.

Mar.

Perc. 1

Perc. 11

S. Bass

 

mf

         

    f

A. Sax.

Bari. Sax.

  

a2

f

mf

Solo Sax. 11

Cl. 2, 3

B. Cl.

  

choke

    

mf

 

   f

      

 

choke

 

   f


49

Duo Concertante

Picc.

178  

 

 



 

 

 

 

Fl. 1

Fl. 2

Ob. 1, 2

Bsn. 1, 2

Cl. 1

 

 mp







 

 

 

 

  

mp

mp

 

                

  

II.

p

Cl. 2, 3

B. Cl.

       

 

mf

                   p

mf

  

mp

                                 mf f f mp f mp mf                                                Sax. 11      

Solo Sax. 1

Solo



 

   

  

sub.

S. Sax.

 

f

    



mf

 

 

 

A. Sax.

 

 

T. Sax.

 

  

 

 

  

  

 

 

Bari. Sax.

Tpt.

 

Hn. 1, 2 Tbn. Tba.

Mar. Perc. 1

Perc. 11

S. Bass

mp

mp

 

 

 

 

 

  

 

 

 

   

 

 

choke

  

 

     

 

f

mp f

mp

 

mp

 

                 

          

  

mp

mp

 

  


50

Duo Concertante

Picc.

181  



 

Bsn. 1, 2

mf

mf

a2

Tpt.

Perc. 1

Perc. 11

S. Bass



 



 

open

 

 f

   

    







 











 

   







     



f

f

f





f

open



ff

  



 

                                                      

cresc.

 

f

          

cresc.

mf

Tbn.

Mar.

mf

 

Hn. 1, 2

Tba.

 

cresc.

 

T. Sax.

Bari. Sax.

mf



cresc.



mf



 



   







f



f

f

 

sostenuto

A. Sax.





sostenuto                         



cresc.

  





     Sax. 11   

S. Sax.

f

f cresc.

Solo

f

mf

Solo Sax. 1

cresc.

   

f

cresc.

mf

B. Cl.

cresc.

mf

cresc.

  

Cl. 2, 3

mf

Cl. 1

cresc.

   

Ob. 1, 2

    

 

Fl. 1

Fl. 2

 







f

mf

     

  mf

cresc.

  

f

(ossia)          f             

  cresc.

  

 f

 

 

mf

     


51

Duo Concertante

Picc.

Fl. 1

Fl. 2

T 185    

Cl. 1

 

 



 

  



 

mf



Ob. 1, 2

Bsn. 1, 2

 

mf

mf

 

 

 



    



 

mf

Cl. 2, 3

 



f

f

 

mf

quazi pizz.

B. Cl.





   



 

  

   

                    

 

                     f 

  

  

                                                                         

T

Solo Sax. 1

f

Solo Sax. 11

S. Sax.





 

 

 

T. Sax.



quazi pizz.

quazi pizz.



 



Perc. 11

S. Bass



 



 

            

 

ff



f   

  



  

  

  

f

  

 f

choke

 

mp

 

f

 

     

���

choke    

f

T 

harmon mute



      3

 

   

  

ff

   

   





 

  

   



  



Tbn.

Perc. 1

 



 

Hn. 1, 2

Mar.

f

T

Tba.





f

Tpt.



f

 

A. Sax.

Bari. Sax.

f

 



choke

choke    

 



  



 

   

choke   



arco

f


52

Duo Concertante

Picc.

189  



Fl. 1

Fl. 2

Cl. 1

mf

    

   

     mf        

S. Sax.

mf

Bari. Sax.

    mf

Tpt.

  

Tbn.

Tba.

Mar.

Perc. 1

Perc. 11

S. Bass

   

 

                     





 



 

 

mf

 

   

   

 

 

 

   

 

 

   

   

    

   



f

mp

sub.

f

mp



   



      f

mf

mp

mp

                      mf f

           

  

  

quazi pizz.

 

mf

                        

f

   

                        

         

mf



  

quazi pizz.



sub.

f



mp

mp

         

mf

   

mf

mf

   

        

                    

    mf   

Hn. 1, 2



   

T. Sax.

        

mf

f

mf



 

       

    

 

                    

mf

 

 

    

A. Sax.

          



mf

   

 

          

mf

Solo Sax. 11

div. 

     

Cl. 2, 3

Solo Sax. 1

   

f

a2

B. Cl.

mf

a2

Bsn. 1, 2

   

  

 

Ob. 1, 2

   

choke

mf



   



      

choke

 

  

choke

mp

   


53

Duo Concertante

Picc.

193  

Fl. 1

Fl. 2



Ob. 1, 2

Bsn. 1, 2

Cl. 1

B. Cl.

Solo Sax. 1

Solo Sax. 11

S. Sax.

Perc. 1

Perc. 11

S. Bass

 

 

 

  

     



                               div.                       









cresc.

 

cresc.

          

  

f

cresc.

   

   



          

 

f

 

 

f

 

f





   

cresc.



 

 

 



  

 

 

   



mf cresc.



cresc.

 

  f



 





 



f

 

 



         

 

 

   

 

 



 



div.

   



 f



                    f

  





ff

 



cresc.



Tbn.

Mar.

        



 

Hn. 1, 2

Tba.



 

                                                                            ff cresc.

T. Sax.

Tpt.



f

                               

cresc.

cresc.

 

A. Sax.

Bari. Sax.

 

 

Cl. 2, 3

 

        



 

                          

 

  f



          


54

Duo Concertante

Picc.



Fl. 1

Fl. 2

Ob. 1, 2

Bsn. 1, 2

Cl. 1

   

Solo Sax. 1

Solo Sax. 11

S. Sax.

  

Hn. 1, 2

Mar.

Perc. 1

Perc. 11

S. Bass

  

 

 f



 

f



 ff

 







f





  







 

 

 

     

fff

 

   f





 

 

 







f



quazi pizz.

f

 

 



  



   



   

 