Maltese inspired design
Maria Degiorgio
Contemprary projects and works
The publication aims to give reference whilst also collecting Maltese visual elements of design, signifiers and subject matters in respect to how the theme of Maltese identity has been tackled through design. The publication addresses Maltese inspired design whilst documenting some of the most prominent works and their contribution towards Maltese design. This publication takes the approach of a journal by documenting the works which served as a good reference and source of inspiration for my work. It looks into the current contemporary Maltese design market and gives into how to target its audience through the exploration of visual elements and the principles of design - mostly through shapes, colour and line.
“The spirit of travel is a muse with two faces: one is the anticipated nostalgia of adventures in uncharted lands, whilst the other is the warm familiarity of coming home.” Peter Davies, Chief Executive of Air Malta stated: ‘Air Malta represents the values of Malta. The new airline brand is based on the history, heritage and colours of the Maltese Islands.’ The Air Malta design tells the story of a national airline reconnecting with its Maltese roots, showcased Air Malta’s rebranding as a contemporary reimagining of Maltese identity. “When reimagining the Air Malta brand, we blended the old with the new, with a desire to create a genuine renaissance. We wanted to capture the kernel of Maltese identity, with a contemporary touch that blends effortlessly with Malta’s established cultural identity,” said Chief Commercial Officer, Philip Saunders.
The new livery design is fresh, bold, colourful and displays a new sense of pride in being ‘the airline of the Maltese Islands.’ The design reflects the uniqueness of the Maltese islands with their proud heritage, colours, culture, symbols, hospitality and language. The colour palette, as well as the the patterns, truly represent the natural and cultural beauties of the Maltese islands. Flowing fusion graphics based on local patterns – and on the other hand, honest, simple and earthy with it’s emulation of the typical style of calligraphic Tberfil. It is this ineffable spirit which is echoed in Air Malta’s carefully curated brand imagery to reflect all that Malta stands for: from the playfulness of Maltese lace which meets the sustaining warmth of the traditional Luzzu, to the joyful sobriety of towering cathedrals which meets the spiraling stone carvings of our temple-building ancestors. The art of celebrating millennia of local culture and an evolving identity rests on a delicate balance between re-imagining its various icons and traditions without losing sight of their essence. Recent years have seen rapid changes in the Maltese national self image and this has been evident in the works of many local artists and designers who have tried to illustrate the meaning of what being Maltese constitutes in the 21st century. Air Malta. (n.d.). Air Malta’s New Look. Retrieved from www.airmalta.com website: http://www.airmalta.com/ information/about/news-overview/news-archive/new-archive-detail/Air-Malta-New-Look Air Malta. (2014). Re-imagined and Reconnected: Air Malta at Malta Design Week. Retrieved from www.airmalta.com website: http://www.airmalta.com/information/about/news-overview/news-detail/R-imagined-and-Reconnected-AirMalta-at-Malta-Design-Week Malta Design Week. (n.d.). Air Malta. Retrieved from Malta Design Week website: http://designweek.com.mt/project/ air-malta/ TommyDH. (2019). Air Malta / Airbus A220-300. Retrieved from Airline Empires website: http://www.airline-empires. com/index.php?/gallery/image/27426-air-malta-airbus-a220-300/ FutureBrand. (n.d.-b). Air Malta. Retrieved from FutureBrand website: https://www.futurebrand.com/our-work/air-malta
“Malta’s own favorite soft drink re-launches with sparkling new designs which pay homage to its past glory with a confident eye to the future. For many older brand loyalists it never lost its appeal, but younger audiences were failing to understand what the brand stood for. The brand Farsons Cisk, partnered with bluemarlin to redesign and launch campaign for the new generation. The bold new designs celebrating its heritage with a nostalgic twist while embracing an exciting future of innovation and adventure by adding a fresh and contemporary dimension. Giving a retro look that reflects the company’s nostalgic nature and inviting consumers to rediscover “The biggest flavour under the sun”. “An intrinsic part of Maltese life... This summer, Kinnie will be celebrating simpler times, drawing on its heritage as ‘The Mediterranean classic since 1952’,” said Ms Maya Muscat Azzopardi, Brand Executive for Kinnie. “The new Kinnie identity and packaging not only is rooted in simpler times and the sights, smells and textures of the Mediterranean, but also captures the now, inviting consumers to enjoy a special moment,” commented David Hodgson, bluemarlin’s Executive Creative Director. A series of carefully crafted illustrations that evoke timeless nostalgia and a Mediterranean lifestyle of sun, sea and languor but with clever contemporary wists. Both elements ensure consumers will find the brand instantly appealing and memorable, supporting the brand’s promise of bittersweet refreshment.
Colours of kinnie associated with mediterean and also commonly Malteseness
Cilia, Johnathan. “POLL: What Do You Think Of Kinnie’s New Retro-Tastic Logo?” Lovinmalta. Com, 6 July 2018, lovinmalta.com/food/poll-what-do-you-think-of-kinnies-new-retro-tasticlogo/. Dexigner. “Soft Drinks Brand Kinnie Basks in the Sun for a Bigger Brighter Future.” Www. Dexigner.Com, 2019, www.dexigner.com/news/31735. Accessed 25 May 2020.
charles & ron is a contemporary lifestyle brand, high-end clothing and bags with a distinct mediterranean flair and a dedication to superior quality. maltese culture is an integral part of the charles & ron design ethic and our brand’s vision is, to inspire our customer to be part of the “love affair� and our instantly recognisable mediterranean style. Charles & Ron. (n.d.). S/ S 18. Retrieved May 26, 2020, from Charles & Ron website: https://charlesandron.com/spring-summer-18/
S/S 18 Collection The inspiration for this collection began with a set of charles’ childhood photographs and memories of maltese summer days by the beach. turquoise seas, pink ice cream, striped umbrellas and vintage picnic coolers. Slightly nostalgic but with a picture perfect postcard message of hope for the future. to look to the future you need to know where you’re coming from and c&r therefore included the coat of arms of several maltese towns into this season’s graphic print designs. the charles & ron coat of arms also makes its debut in this collection. The colour palette for this season was inspired by the primary colours found in the coat of arms and also features blue lagoon turquoise, ice cream pink and denim blue. these are highlighted with black and white. Besides the graphic prints which have become a signature, the collection also features elaborate hand beaded tulle and hand beaded motifs are also used to embellish several designs. Silk, silk organza, denim, fine cotton, and lace are among some of the fabrics used for this collection. The bags for this season draw inspiration from vintage cooler bags and also feature a new updated version of a maltese traditional hand knotted rope bag. the “shopper bag” gets an embellished update with beaded coat of arms motifs, and one of the shopper bags is dedicated to the island of gozo. to take your shopping spree to another level charles & ron have also introduced a trolley bag to match your spring/summer look. The models wore boots and shoes designed by charles & ron and also handcrafted maltese filigree hoop earrings. while the embellished sun visor is spring/summer 18 must have accessory!
Maltatype was co-founded and is currently run by Matthew Demarco, Katerina Karamallaki and Ed Dingli. Maltatype is a showcase of traditional typography adorning the streets of Malta and Gozo.The project originated from a love of type, with signs that are embedded within the Maltese cultural landscape and informed by its distinct styles and techniques. More than just placards, we consider these valuable historic artefacts that often go unnoticed by the public in a saturated urban environment. Maltatype celebrates these signs, their history and their makers, giving them relevance and recognition in the 21st century and beyond. Our approach is as much a preservation of the past as it is a glance into the future. We aim to elevate these signs beyond their place on derelict and neglected buildings, by creating original work that is designed to sustain their timeworn beauty while giving them value in a contemporary context. Anyone is invited to submit photos of their own findings on maltatype@gmail.com or through our Facebook page.
Maltatype. (n.d.). M A L T A T Y P E. Retrieved May 26, 2020, from M A L T A T Y P E website: https://maltatype.tumblr.com Maltatype. (n.d.). Maltatype. Retrieved May 26, 2020, from maltatype website: https://www.facebook.com/pg/maltatype/ maltatype. (n.d.). @maltatype. Retrieved May 26, 2020, from maltatype website: https://www.instagram.com/maltatype/ ‌ Te fit-Tazza. (n.d.). Te fit-Tazza X Maltatype Collab. Retrieved from Te fit-Tazza website: https://shop.tefittazza.com/collections/tefit-tazza-x-maltatype-collab
Te fit-Tazza X Maltatype Collab. This Collaboration gives us the opportunity to further our exploration of the Maltese identity through Maltatype’s extensive documentation of local Typography. One thing we could definitely agree with Maltatype is the lack of preservation of such important features that makes up the Maltese aesthetics. With this premise, we wanted to identify such local heritage and how in modern times it can be embraced, cultivated and celebrated.
Te fit-tazza is something unique to Malta but also fun enough to represent two passionate friends with a complementing sense of humour. Founders Andrew Farrugia & Craig Macdonald, came uo with the name when they were visit local landmarks for inspiration when they went to Vilhena Band Club in Floriana and got served two teas in a glass. What’s more local than a glass of tea paired with one or two cheesecakes (pastizzi). The name felt right immediately, as what’s more local than a glass of tea paired with one or two cheesecakes (pastizzi), it’s fun, it’s unique, and also Maltese. The products are designed and crafted to compliment all styles, even in the most luxurious of settings. Their promise is to always keep prices accessible so many people can afford their art touch. There aim is for the prints is to be showcased in beautiful spaces around the world, highlighting the beauty of our islands through a subtle and modern approach. Te fit-Tazza. (n.d.). Te fit-Tazza - A Maltese Art Studio with Prints for Beautiful Spaces. Retrieved from Te fit-Tazza website: http://www.tefittazza.com.
Series 1 The first series aim at capture and document Malta’s wealth of identity in the form of minimalist depictions. “ The Maltese islands boast a wealth of identity, evident to the eye in how we act and we interact and, to an extent, how we present ourselves both socially and visually. It would be fair to state that this abundance of distinction may be rooted in a strong sense of tradition, pride and patriotism”
Il-Gallarija
Il-Bieb
Il-Qbajjar
Series 2 This collection approached opted to adjust the viewpoint and highlight the play between the subjects and their surroundings. “We collected memories set in totally different scenes, capturing their raw, untold beauty, bringing them to your attention, even though at times they might be taken for granted. We felt the need to showcase our own interpretation for this series as we changed lens whilst interacting in our own space.”
Ir-Rotunda tal-Mosta
St. Peter’s Pool
It-Toqba tal-Birgu
Il-Pompa tal-Petrol
Maltese Lira Series “With the evident function of money in a world of commodities and the pursuit of happiness, we decided to change our viewing lens and focus on the form and how this daily piece of paper carries with it a wealth of identity.”
3rd Series / 1979 — 1983 Lm 10 “The 3rd Series was issued to mark Malta’s new status of neutrality and the termination of military facilities to foreign powers. In this series, Malta is portrayed as an industrial island ready to attract foreign investment. On the front of this series, three themes were selected to showcase the island’s history, culture and justice. The LM10 features the Malta drydocks a staple in the Maltese economy for many years.”
4th Series / 1986 — 1988 Lm 5 “The 4th Series a more refined representation of the island is split across all denominations. On the LM5 we selected, one can notice the island life, Malta as a tourist destination and local crafts which are still around us today. Here we also see a blend of two important aspects: the serious issue of money, coupled with expression, beauty and joy of leisure time on the islands.”
5th Series / 1989 — 1993 Lm 2 “With the 25th anniversary of our independence in mind, the 5th series celebrates key points in our nation’s history that lead to Malta becoming an island state. As the smallest denomination in the series, the LM2 makes reference to some early milestones in this long journey when Maltese earned their Carta Magna in 1428. The note also features the Banka Guratali in Mdina & Gozo as some of the earliest administrative councils of the city.”
Elements of Malta A journey of nostalgia based on all the things that make us who we are, our past, our present and our location. The elements of Malta represent all of the things that make Malta what it is and its people who they are.
Flixkun Luminata
Blue
Lager
ÄŚalib tal-Gvern
Il-Bajtra
Il-Pastizz
Il-Biljetti
It-Telecard
Tal-Linja ‘Yellow’
Tal-Ġelat
Iz-Zalzett ir-Roża
Il-Munita Maltija
MV Mgarr
Il-Bombi
Il-Merill
Id-Denfil
ir-Rokna Kulturali
il-Ä igÄĄifoku
iċ-Ċittadella
il-Kappella ta' Ħad-Dingli
Tal-Blata tal-Melħ
ir-Riviera
ir-Ramla l-Ħamra
Maltadoors Collab.
Grounding this collaboration is a simple premise based on a mutual vision which preserves memory through visuals. This is realised through research and documentation, coupled with a love and heightened sensibility for our urban environment, and distinguished by a strong sense of style and aesthetic. This series of photographs comined with illustrations, reveals the often hidden patterns found in Maltese architecture. Rather than the honey-coloured limestone facades, these images highlight the quirkiness, individuality, playfulness as well as evident pride of homeowners. ABOUT MALTADOORS Maltadoors was conceived as an Instagram account and organically evolved into a documentative project. Door and facades become a means of introduction to the typical, or in this case, atypical household – where contents, residents or interior spatial dynamics remain curiously speculative to passers-by. A symbol of Maltese identity, the door also constitutes a metaphor for ‘a’ threshold; a point of entry / exit; a boundary, all at once impeding yet also granting access. It is also the grounding notion which increasingly, and incessantly fascinates Lisa Gwen.
Mon Nid
Wilmarville
St. George
If you’ve ever found yourself admiring the beautiful and quirky characteristics of Maltese architecture, then MaltaDoors should definitely be on your radar (and it probably already is). The Instagram account is a project with lazy beginnings; Lisa Gwen, a Maltese photographer, taking photos of whatever catches her eye. After noticing a pattern with doors, Lisa opened the Instagram account which thousands now know and love. Since she kicked off her mini-project in March 2016, Lisa has now amassed a following of nearly 10,000 people. Gwen, L. (n.d.). MaltaDoors. Retrieved from MaltaDoors website: https://www.facebook.com/maltadoors/ Gwen, L. (n.d.). MaltaDoors. Retrieved from MaltaDoors website: http://maltadoors.com Gwen, L. (n.d.). malta_doors_. Retrieved from instagram website: https://www.instagram.com/malta_doors_/ Urpani, D. G. (2017, November 3). Photographer Who Went Viral On Instagram To Embark On Documentary Project All About Malta’s Doors. Retrieved from lovinmalta.com website: https:// lovinmalta.com/lifestyle/photographer-who-went-viral-on-instagram-to-embark-on-documentary-project-all-about-maltas-doors/
Stephanie Borg is a self-taught artist and graphic designer from Malta. Her professional practice as a graphic designer for about 20 years, both in her native Malta and overseas, has enabled her natural sensitivity to and professional handling of colour and line to mature artistically. Although Malta has been Stephanie’s home for most of her life, she also lived in The Bahamas, Florida (USA), Italy and the Sultanate of Oman. Her living experiences in these countries, particularly those with such diverse cultural backgrounds as found in Italy and the Sultanate of Oman, have directly influenced her work and have enriched her love for colour, pattern and texture. She describes her work as a vibrant exploration of colour with attention to minute detail. Stephanie returned to Malta in 2008. Ever since, she has been observing, absorbing and depicting Maltese daily life and culture, culminating in her second solo exhibition in 2012. Her meticulously-drawn ink drawings of Maltese traditional doors were also first exhibited then. She continued to expand on these themes whilst also focusing on her lifelong fascination of old Maltese patterned tiles, which she draws both in her drawings and digitally. The artist has combined her keen understanding of colour and linear form to develop a series of pattern designs. She blends her graphic design experience with her love for paper to create the design of various fine paper products, as well as creating her own branding and packaging concepts. Borg, S. (n.d.). About. Retrieved May 26, 2020, from Stephanie Borg website: https://stephanieborg.com/ about/?fbclid=IwAR3ARslxR0IxDX1zRUA4Zph2UFDqihnK6aMRXxreJHSWGtNscNBKRmv6aaU Borg, S. (n.d.). Stephanie Borg. Retrieved from Stephanie Borg website: https://www.facebook.com/pg/Stephanie-Borg-171592338749/about/?ref=page_internal ‌
Wrought Iron Whilst renovating my new home back in 2012, I became more aware of the distinctive features that give traditional Maltese faรงades their unique identity. This awareness prompted me to take an even closer look at the creativity and skill of the blacksmiths who have adorned our doors, windows and balconies with intricate wrought iron designs inspiring me to launch this collection. I hope that, like me, you will also be drawn towards the beauty of these designs.
Souvenirs That Don’t Suck Cool Maltese designer souvenirs and gifts. On a mission to Make Souvenirs Great Again. What if at the top of Manuel Dimech Street in Sliema were a haven of local creativity; weaving local charm and humour with fresh designs to create Souvenirs That Don’t Suck? “Souvenirs that don’t suck” (a division of Prints of Wales) was founded in September 2015. The idea was to create a souvenir shop that offers alternative goods to style-oriented people. All of that happens in a shop that uses upcycled materials and is therefore environmentally friendly. The designers live in Malta and all of the goods were produced locally, when possible, or within other countries of the EU, keeping logistics short and therefore eco-friendly. Souvenirs that don’t suck. (n.d.). Souvenirs That Don’t Suck | Maltese Designer Gifts. Retrieved from Souvenirs That Don’t Suck website: http://www.souvenirsthatdontsuck.mt Souvenirs that don’t suck. (n.d.). Souvenirs That Don’t Suck - Malta. Retrieved May 26, 2020, from Souvenirs That Don’t Suck - Malta website: https://www.facebook.com/maltasouvenirs/
Cities Collection There’s more to a country than just language. Our new collection celebrates the intractably Maltese nature of our cities and islands, because what makes us Maltese isn’t just the language, the food, the culture, or the 365 churches scattered on every corner, it’s also the cities and the island itself. When we say we’re Maltese, we mean: we’re islanders, we’re relaxed, we’re passionate, we’re energetic, we’re proud. This collection is built on those qualities.
SPEAK MALTESE ESSENTIAL PHRASES TO SURVIVE IN MALTA What is this language? Full of tongue twisters, impossible spelling and loads of mela and ta! Maltese is a unique language waiting to be discovered. With a past resembling a cocktail, Maltese evolved from an Arabic stem and adapted as the Maltese people have. Malta was invaded several times and more spice was added to the language over time. The first known Maltese literature is dated back to the 15th century, and a few things have happened since then! You can hear hints of Italian, mixed with a few English words and, yes, even some French words too!
Kappa Vision is run by photographer Jean-Paul Borg, who posts photos of traditional Maltese architecture and the islands’ natural environment. Kappa Vision is dedicated to Malta & Gozo photography. A culture, society & heritage page for nostalgics and all those who love our island. The page is updated daily with Jean-Paul Borg’s photographs capturing his journey across Malta, Comino and Gozo. https://blog.house.mt/decor-design/meet-jean-paul-borg-the-artist-behind-some-of-the-best-pictures-of-malta/ Borg, J.-P. (n.d.). Kappa Vision. Retrieved May 26, 2020, from www.facebook.com website: https://www.facebook.com/pg/kappavision/about/?ref=page_internal Micallef, L. (2019, December 5). 10K fans in 2 years: Here’s how Jean-Paul’s mix of local photography with historical anecdotes is making waves. Retrieved May 26, 2020, from House.mt website: https://blog.house.mt/decor-design/meet-jean-paul-borg-the-artist-behind-some-of-the-best-pictures-of-malta/
Mvintage The brand’s sleek and dainty designs are inspired by the colourful history and rich traditions of the Maltese Islands. Uses hues and patterns to celebrate the Maltese culture. NEW ornate Maduma pendants; inspired by fine craftsmanship and traditional Maltese tiles. Our country’s unique architecture, bursting colours and hues are Krystle’s muse for her ornate designs and stone selection. Mvintage presents meaningful jewellery made for layering and self-expression. Promote individuality, perseverance and female empowerment and encourage each incredible woman to be playful and create their own personalised combinations.
Krystle Penza - Founder & Designer at Mvintage Each Mvintage collection begins as an introspective thought process by Founder and designer Krystle Penza; delving into her accumulation of stories to create a meaningful selection of designs. Proud of her rich heritage, Krystle set out to design a collection that encapsulated her love for Malta; celebrating its quaint traditions and colourful landscape. Re-discoveries began as an exploration of the past; unearthing the relics of our roots and crafting them in a new light. Inspiration was drawn from architectural and rural elements to produce an array of delicate pieces with a rustic Maltese flair; embodying wearability whilst echoing a nostalgic quality.
Behind Re-Discoveries A modern take with echoes from the past; a collection rooted in our Maltese heritage. Subtle infusions of hue and pattern pay homage to the landscape and fine craftsmanship, creating an array of pieces steeped in tradition with a wearable rustic flair. This collection bridges a rich culture and contemporary style embodying an impassioned pride for our country; taking its shape from architectural and traditional elements by infusing them into each delicate piece. A collection destined to be paraded and instill patriotism in its wearer. Krystle set out to design a collection that encapsulated her love for Malta; celebrating its quaint traditions and colourful landscape. Inspiration was drawn from architectural and rural elements to produce an array of delicate pieces with a rustic Maltese flair; embodying wearability whilst echoing a nostalgic quality. The collection consists of a boasting of vibrant spectrum of hues and patterns to celebrate the Maltese culture: Pride and joy of this collection is the introduction of NEW ornate Maduma pendants; inspired by fine craftsmanship and traditional Maltese tiles. Rustic; Merging nostalgia with a rural elegance, boasting a vibrant design rooted in a dreamy past. Grotto; A celebration Malta’s landscape, reflecting the rich hues of our island’s deep waters. Bizzilla; Paying homage to Maltese artistry, this intricate pendant praises the embroidered elegance of traditional hand made lace. Lagoon; A vibrant pendant bringing to mind the crystal clear waters Malta has to offer.
Grotto Maduma Pendent
Luzzu Eye Pendant
Lagoon Maduma Pendent
Maltese Cross Pendent
Maltese Cross Maduma Twist coin
With the collection finalised the next step was to organise a shoot that illustrated the story and portrayed the cultural elements inspiring the designs. The first step was to source the perfect location; one that echoed familiarity in the hearts of the Maltese. As a brand we settled on a beautiful town house that boasted traditional architectural qualities; juxtaposing the finished designs with their inspired counterparts.
Grotto Maduma Twist Coin
Maltese Cross Maduma Pendent
Maltese Cross Hollow Pendant
Munita TIMELESS BEAUTY, REDISCOVERED
Inspired by the designs of old Maltese currency and ornate vintage jewellery infused with romantic memories. Our new Munita Collection explores the story of our history and rediscovers it with modern elegance, creating iconic fashion statements in every unique design, all captured in glorious gold.
Rich in culture and graceful by design, our Munita collection is an ode to Malta’s vibrant history. Walk with us through the baroque city streets of Valletta as we rediscover timeless beauty with every turn. The stunning pendants in our new Munita Collection evoke memories of a more graceful era, captured in breath-taking modern style. A range of jewellery designed with delicate etching, detailed floral designs, geometric shapes and serrated edges, celebrating the uniqueness of old Maltese currency. The result is a series of monetary mementos that can be worn with nostalgic pride.
Kane Cali Studio is a newly established artist studio space set in the midst of the historic city of Valletta situated the middle of the Mediterranean Sea. The space has been set up to allow for facilities centred around cast crystal works and aims to merge the use of cutting edge technologies with that of the traditional. Intrigued by science and its ability to further observe systems in nature, he is interested in revisiting this optic language through works such as the Ripple Landscape. The use of crystal as the primary medium allows for a harmonious refractive relationship with light, creating brilliantly sophisticated shades of colour and form. Kane’s experimentation process takes place in his studio in St Ursula Street. “The studio has been a space for ongoing research into materiality and experimentations with technology, with the aim of creating a synthesis between the two,” he says. The unique workspace is now equipped for the production of cast glass, an art which is new to Malta, as well as ceramic production.“My practice aims to bridge traditional processes with contemporary technologies,” he says. Cali, K. (n.d.). Kane Cali. Retrieved from Kane Cali website: https://kanecali.com Cali, K. (n.d.). Kane Calì. Retrieved from www.facebook.com website: https://www.facebook.com/kane.cali Cali, K. (n.d.). K_A_N_E C_A_L_I (@mr__cali) • Instagram photos and videos. Retrieved from www.instagram.com website: https://www.instagram.com/mr__cali/
“Having spent a good portion of my life living abroad, and more recently finding myself back on the island, living at the grocery and buying local again, gives one room to see things in a different light,” he says. “One starts to question his own identity and that of his surroundings. What does it mean to be Maltese beyond the obvious stereotype?” he asks. “Forget eight-pointed crosses and luzzus; it clearly all boils down to pastizzi.” As much as Maltese artist Kane Cali can identify with symbols such as the luzzu and the Maltese cross when referencing local identity, he feels that, as symbols, they do not help in describing the more current and contemporary nature of Maltese society. Instead, he believes that the savoury snacks known as pastizzi succeed in doing so more aptly. “I feel the pastizz has a lot to say about who and what contemporary Malta has become,” he explains. For Kane, nothing symbolises Malta more than the 400-calorie pastry. “Being a society known for its religious love for food, as well as a culture which enjoys innuendos, and, let’s not forget, the cheap and cheerful, I could not think of a better symbol other than pastizzi to represent Malta,” he says. Every single person who has ever been to Malta is familiar with pastizzi. They’re also probably completely in love with the ambrosial treat we hold in such a high esteem. Describing them as “a favourite amongst all locals, a common language amongst all social classes; utilitarian, low cost/high fat… and open to a multitude of innuendoes,”. This Maltese national emblem has been chosen by Cali to bring an honest (albeit humorous) revision of identity throughout the island. “The lesser known message is a reflective one on the state of contemporary local identity. The edible, now transformed through material no longer remains the cheap and cheerful savoury item we all know and love, but is transformed into a symbol,” he said. The artist went for something which truly hones Maltese identity, even more than luzzi and eight-pointed crosses. “I feel the pastizz has a lot to say about who and what contemporary Malta has become. After all we love it quick, we like it easy, cheap and with little fear of the consequences that may follow,” Cali said. By placing such a piece in a commercial space, the installation which is currently being hosted at Risette seems to be a tongue-in-cheek attempt to pull society’s leg. “It only felt fitting to have an installation about the cheap and mundane within the walls of a high-end restaurant,” Cali said. “The Pastizzi Project aims to bring an honest, satirical and subtly humorous revision of identity within the context of the island,” says Kane Cali, creator of the colourful pastizzi. “After all, humour is only made funny with traces of truth. Using a recognisable object enables the work to communicate and attached to a wider array of local agendas.”. “From a thematic perspective, the work takes on a satirical and somewhat humorous angle in which the local pastizz becomes more than a consumable savoury pastry and, rather, is elevated towards finding authenticity in the daily rituals of the contemporary Maltese demographic,”. Kane “ believe that most people with a sense of humour get it, and understand my work’s potency as a statement on society.”
The mold for these inedible delicacies is created from actual pastizzi bought from a local pastizzeria. “Once the right pastizzi are selected, moulds are made directly from them. From this point on a loss-wax technique is adopted in order to create the final crystal objects; this is a similar process to bronze casting,�
But now, the diamond-shaped low-key symbol of our island has been given a new form… in the shape of wall art. For the next three months, the beautifully fancy restaurant in the capital will be housing some concrete pastizzi as part of an artistic installation created by local artist Kane Cali. For the next three months, the beautifully fancy restaurant in the capital will be housing some concrete pastizzi as part of an artistic installation created by local artist Kane Cali. This installation will hopefully spark conversations about who we are as a nation and our identity. If nothing else, here’s to Malta finally putting to rest the eternal debate of irkotta versus piżelli.
Pastizzi bijoux From its inception, The Pastizzi Project always aimed to act as a catalyst for further representation of the contemporary identity of the Maltese. Irkotta Pastizzi specifically were chosen for their easily-identifiable shaping, each layer loaded with satire and social commentary. This year, Kane wanted to explore the idea of status symbols and their perceived wealths, the current reported ‘economic boom’ and the growing divide in class on our islands. And what better way to do so than with adornment? Kane is working with an Italian Goldsmith, Leonardo Nocenzi, who is currently based in Rabat and has lent his craft to Kane’s project by producing jewellery pieces in silver and gold and using precious stones. The team are currently developing a simple and clean collection of bracelets, necklaces and earrings with it all set to launch this September. That said, they are already working with individuals wishing to customise their pieces with particular metals and precious stones.
Cilia, J. (2018). Are These The Most Beautiful Pastizzi In Malta? Retrieved from lovinmalta.com website: https:// lovinmalta.com/lifestyle/art/are-these-the-most-beautiful-pastizzi-in-malta/ Jacobsen, B. (2019, August 10). Pastizzi Jewellery Is Now A Thing And It Is As Gorgeous As You Could Ever Imagine. Retrieved from Lovin Malta website: https://lovinmalta.com/lifestyle/art/pastizzi-jewellery-is-now-athing-and-it-is-as-gorgeous-as-you-could-ever-imagine/
Torri was founded in July 2017 by Andrea Camilleri and Scott Schembri. What started as a school project winded up igniting the spark that brought together their love for the Maltese Islands and their passion for art. The famous Red Tower, or ‘It-Torri L-Aħmar’, has a very special spot in our hearts. Besides being one of the main landmarks of Malta, this tower takes us back to warm summer days at the nearby beach in Mellieħa or on the way to the Gozo channel. To us, it’s a landmark that brings back those nostalgic childhood memories. Our brand aims to capture the simplistic beauty of the Maltese Islands, with no frills attached. In the same way that the Red Tower brings back memories of our youth, we’ve developed a series of Maltese inspired prints and illustrations with the intention of capturing the essence of Malta and the sweet memories that go hand-in-hand with it. Our illustrations are designed to fit in perfectly to any space and the quality of our prints is one of our main priorities. At Torri, we hope that through our illustrations, we’ll showcase the hidden gems and beautiful landmarks of our home, the Maltese Islands. Torri. (n.d.). Torri. Retrieved from Torri website: https://www.torrimalta.com/
At Torri, we aim to feel at home with our illustrations. They say “home is where the heart is,” and so this may be seen as the key to the heart of the traditional Maltese home. It’s needless to say that Maltese doors are a key element of Malta’s identity. With the incorporation of the traditional door arch in the outline of the key, this illustration acts as our modern and minimalist approach to the muchloved Maltese door. In this illustration, we’ve framed a traditional luzzu sailing on the horizon by the protective and watchful eye of Osiris or luzzu eye. This symbolic feature, found on many traditional Maltese boats, acts as a good luck charm to watch over fishermen on their journeys. The sunset, created thanks to the pupil of the eye, encapsulates the end of a long day for the fisherman and that it’s time to go home. The illustration of the traditional Maltese bus sits within the old-fashioned bus ticket. The old Maltese buses play a very important part in the culture of the islands and hold a special significance as a reminder of simpler times. With this illustration, Torri offers viewers a ticket to Malta’s past, thanks to the incorporation of the buses’ distinguishable yellow and orange colour scheme.
Through a traditional window with views of ‘The Azure Window,’ this illustration acts as a homage to the natural beauty that was felt through this natural wonder. This renowned site is one that’ll be remembered in Maltese society for years to come and pairing it with a well-known feature of local homes captures the essence of Malta’s culture.
Malta in a Nutshell The title, ‘Malta in a Nutshell’ is synonymous with how within the outer shell of a nut is the edible nut itself – the true product. So, we decided to pair up two interlinking aspects, just as though the frame is the outer shell whilst the image within is the nut from our chosen metaphor. The five final concepts that we believed could convey Malta ranged from well known aspects, like the traditional Maltese buses and the Azure Window to lesser known icons, like Malta’s local beer. Through this idea, we strived to change the game when it comes to framed art. chose to explore a few of the Maltese culture’s double meanings. Through this collection, we aimed to capture Maltese characteristic symbols with the use of frames. By fitting an illustration into a frame representing a linking concept, we strived to achieve a sense of depth and perspective in our pieces. Create depth by framing an interlinking subject to its core. In our ‘Malta’s Beer’ print, the beer can sits on the outer Perspex with an empty frame giving insight to the symbolic image of the yellow blazing sun which creates the yellow fields from which Malta’s famous beer is harvested. This symbolizes what lies inside of every single beer can.
Inside the traditional beer can, one can see what lies beneath the flavour – sunkissed fields. This illustration aims to capture the warmth given off by the blazing sun onto the barley fields which produce our local beer. The bright sun produces yellow fields which in turn, makes yellow beer. Watching over the fields is the city of Mdina, which holds a significant role in Malta’s long and winding story.
Man Made Wonders Our first suit of illustrations is dedicated to the iconic Maltese landmarks that grace our islands. Through our signature minimalist style and exaggerated colours, we’ve set out on a mission to showcase the exceptional beauty and power of these man-made wonders that stand tall upon our home, the Maltese Islands.
Mosta Dome At Torri, we’ve taken the opportunity to recreate this spectacular Maltese landmark. The Mosta Dome is famous for having the third largest rotunda in the world, which took 27 years to build and took our team 27 days to illustrate. With its architecture inspired by the Pantheon in Rome, this print will bring the essence of classical Rome, with a touch of our minimalist style, into your space.
Hal-Saflieni Hypogeum This prehistoric underground burial site is the original home of the famous ‘Sleeping Lady’, a symbol well associated with Malta’s rich history. At Torri, we were inspired by the rock-cut chambers of various shapes and sizes and decided to illustrate this in our signature minimalist style.
Swar tal-Birgu These distinctive fortifications were built with the intention of protecting inhabitants of the city of Birgu during the Great Siege-and needless to say, they served their purpose. Being the home of the famous Fort St Angelo, we at Torri simply had to give these fortifications the attention they deserve, and so, ‘Swar tal-Birgu’ was born.
Malta Tberfil Traditional Maltese-based typography is one that truly deserves its own spotlight. This highly appreciated form of design can be found on typical Maltese vehicles, such as the antique-styled luzzu boats, buses and horse-drawn, carriages, imprinting itself as a fundamental part of Maltese culture.
Bonnymia is owned by Mia Anastasi Sammut, a London based Maltese born artist creates homeware and paintings through which she relives her childhood happy memories. Her nostalgia is represented in every artwork she creates. With her kids becoming more independent, Mia took time to evaluate how she can represent her fond memories into pieces that create a deep connection. Losing her grandmother a few years back, she had an overwhelming guilt of not being able to enjoy time with family. It was her grandmother’s memory and her love of people that prompted her to incorporate the Maltese tile and painted designs in her artworks. The wood charcuterie boards represent the social aspect of family which is integral to Malta, and the tiles and waves represent the memories of her grandmother and times the family got together under one roof. Her works are minimalist yet opulent and classy. Art which is not just for walls, each item is an art piece handmade carefully with passion. Bespoke and unique, no two works are the same. Bonnymia. (n.d.-b). Bonnymia. Retrieved from www.facebook.com website: https://www.facebook.com/BonnymiaArt/ Jacobsen, B. (2019b, August 26). Got Wood? This Maltese Artist Living In London Sure Does And It’s Not Exactly What You Think... Retrieved from Lovin Malta website: https://lovinmalta. com/lifestyle/art/got-wood-this-maltese-artist-living-in-london-sure-does-and-its-not-exactly-what-you-think/?fbclid=IwAR3MX1rbzuhZ8OnQTcoaKQ4yBR0SjMkMm0K3FbTVQkYm5BTWwpd74up7Axs
Chocolate Distric is a chocolate shop and cafeteria - chocolate cafÊ, in Vallette. Discover an eclectic selection of the international bean-to-bar chocolate culture, with an exclusive range of the world’s best chocolate brands. Taste the unique flavours of the islands with our artisan Authentic Maltese Chocolate collection; a true Made in Malta product inspired by authenticity & creativity, or simply sit back and relax in our quaint cafeteria, where you can choose from a carefully curated menu of inspired chocolate drinks, real tea, and delicious coffee.
Authentic Maltese chocolate “We wanted to be creative and do something fun with chocolate – something Malta had never seen before.” “We wanted to create authentic Maltese chocolate,” he asserts. The result is an incredible line of six flavours, comprising some traditional flavours and others that are, well, not quite so common. The six are Sea Salt, Olive Oil, Nougat, Carob, Maltese Coffee and yes… Peppered Cheeselet! Emphasising their desire to use authentic Maltese ingredients sourced from traditional businesses, Mark tells me that a big part of the reason for this latest venture was creating an interest in the best local ingredients and produce. The Sea Salt flavour, for example, is made using sea salt from Ta’ Xwejni Salt Pans in Gozo. “The hard work that goes into getting salt from the salt pans is extraordinary,” Mark says. “The family who operates them is facing a lot of challenges due to factors like demand and weather conditions, so, thanks to the medium that is chocolate, we want to help raise awareness of this authentic Maltese tradition. By buying a chocolate bar, you’re also putting money into the pockets of the people who run these traditional businesses. Meanwhile, the olive oil used in the Olive Oil chocolate is also as Maltese as it gets – made using Bidni olives – which are among the very few endemic varieties of olives in Malta. The Bidni olive oil’s strong peppery taste works beautifully well with chocolate. Mark goes on to pay his respects to the incredible work of olive oil sommelier Sam Cremona, whose “devoted husbandry saved the Bidni from near extinction.” Another unique flavour is of course the Maltese Coffee, a recipe which combines coffee, aniseed, roasted chicory and cloves, harking back to times of old. But the flavour that I’m most curious about it also the most unusual: Peppered Cheeselet! “This is something which has never been done before,” Mark says, explaining the thought process behind it. “We couldn’t use fresh cheeselets because the shelf-life wouldn’t work, so we needed to break it down, look at the properties and what makes up a peppered cheeselet, to create something that when you bite into it, you really feel like you’re eating Gozitan cheeselets with dark chocolate! It also had to be balanced and taste nice,” he smiles. The Maltese quality of Chocolate District’s line is also reflected in the packaging, designed by the co-owner Mark Aquilina himself using the traditional tberfil technique characteristic of Malta’s colourful old buses. Speaking of the packaging, he says, “we also wanted to incorporate the use of the Maltese language, which I don’t feel is done enough locally, so each one includes a Maltese translation” Chocolate District. (n.d.-d). CHOCOLATE DISTRICT. Retrieved from www.facebook.com website: https://www.facebook.com/chocolatedistrict/ Chocolate District. (n.d.-e). CHOCOLATE DISTRICT - Home of the Finest Cacao. Retrieved from CHOCOLATE DISTRICT website: https://www.chocolatedistrict.com Micallef, S. (2019). Carob, olive oil & cheeselet? These Maltese chocolates are like nothing you’ve tried before! Retrieved from www.guidememalta.com website: https://www.guidememalta. com/en/carob-olive-oil-cheeselet-these-maltese-chocolates-are-like-nothing-you-ve-tried-before
Sef Farruġia is a Fashion / Textile Designer based in Malta. Born and raised in the Maltese Islands, Sef Farruġia’s work is a manifestation of her island’s diverse roots. Drawing inspiration from her Mediterranean surroundings, her influences are deeply rooted in her origins mystifying histories. The studio’s signature is that to create contemporary visuals with quirky characteristics, hinting cultural principles and experimenting with perceptions of identity. Sef’s illustrious prints are always a pivital point to her collections. The brand focuses on creating quality pieces by merging old skills with new technology. Sef Farrugia’s collection of accessories, homeware and soft furnishings includes silk scarves, bowties, lavender-scented eye masks and cushions, all in her distinctive, self-designed prints, using a range of fabrics, including silk satin and organic cotton. All of the items are hand finished an limited in production number. Farruġia, S. (n.d.). Seffarruġia. Retrieved from www.facebook.com website: https://www.facebook.com/Official.Sef.Farrugia/ Farrugia, S. (n.d.). Theory | Sef Farrugia. Retrieved May 26, 2020, from Theory website: https://seffarrugia.com/theory/ Said, M. (n.d.). Maltese designer Sef Farrugia launches first shop in historic Rabat. Retrieved from www.guidememalta.com website: https://www.guidememalta.com/en/maltese-designersef-farrugia-launches-first-shop-in-historic-rabat
SAFFI ‘SAFFI’ (layers) is a series of prints inspired by the 5 geological levels. It started from analyzing the island’s popular resource, limestone. The research mostly references the surfaces of layers such as sandstone, limestone as well as the volcanic rock, Agate and the fragments within. It delves into the multi sediments of stone variations and embodies elements, which illustrate these deposits. The artworks explore themes of the fragility found inside these divisions, the fluidity in colour and their organisms, as well as the structured forms that shape these rocks. These representations have been digitally printed onto fabrics such as silk and organic cotton twill, which produced the accessories collection ‘SAFFI’. Although this subject is taken out of its usual context, through these prints SEFFARRUGIA’s studio is hoping to encourage conversation concerning the disdain towards our resources.
With a history spanning over 65 years and a name synonymous with marble and granite, traditional patterned tiles and precast, among others, Halmann Vella continues to satisfy the requirements of discerning Maltese and foreign clients. The Halmann Vella reputation has been built on experience and a strong heritage, yet there is a constant effort towards greater improvement. Halmann Vella. (n.d.). Halmann Vella. Retrieved May 26, 2020, from www.facebook.com website: https://www.facebook.com/halmannvella/ Halmann Vella. (n.d.). Versatile. Retrieved from www.versatile.com.mt website: http://www.versatile.com.mt/ ‌ Maltatina. (2019, May 8). The Secret Behind Traditional Maltese Tiles. Retrieved from Maltatina website: https://www.maltatina.com/maltese-traditional-tiles-making-process/
Versatile Cement Pattern Tiles Cement patterned tiles have been used in the Mediterranean region since the early 1900’s and throughout the years, these tiles have been used to adorn palaces, houses, mansions and commercial outlets. With their Versatile range, Halmann have revived century old traditions which otherwise would have been lost and forgotten. Today, Halmann’s expert artisans skillfully handcraft these little charms one by one, giving them individuality and prestige. These tiles are available in antique, classic and contemporary styles and are produced in a vast selection of colours. Versatile tiles are synonymous with contemporary and bygone eras, beauty and practicality, and more importantly for being truly... Versatile
Chris Briffa was born on Malta in 1974, son to a gifted carpenter. His work has become synonymous with skilful design which moves away from stylistic mannerisms and is more concerned with proportion, materials and detail.In a few years, his relatively extensive project types have shown an innate capability of solving puzzles; of putting details together, making them flow from line to pattern; from plain to textured surface. No detail too complex, no project too small: their design projects range from original product design to revisiting traditional artefacts to new builds which blur the edge between art and architecture. Chris Briffa. (n.d.). Gallarija Miftuha 2013. Retrieved from Chris Briffa website: https://chrisbriffa.com/projects/gallarija-miftuha-2013/ Gallarija Miftufa. (n.d.-h). Gallarija Miftuha. Retrieved from www.facebook.com website: https://www.facebook.com/gallarija/ ‌ Chris Briffa. (n.d.). Chris Briffa Architects. Retrieved from www.facebook.com website: https://www.facebook.com/Chris-Briffa-Architects-470429675474/
Gallarija Miftuha Maltese traditional timber balcony - the GALLARIJA - redesigned into a fully-openable aperture letting in light & views. The Maltese gallarija (or wooden closed balcony) is one of the vernacular architectural features which is slowly disappearing from the Maltese architectural landscape in the name of ‘progress’. While authorities attempt to safeguard its survival, there is an increased risk that market forces will have the upper hand on the survival of the gallarija. With soaring market prices of seafront properties, and indeed of any old property enjoying a grand view, it will be evermore difficult for future owners to pay the price of this traditional ‘feature’. The way it looks is identical to the traditional balcony when in its ‘closed’ position; with the operable glass purtell on top and the fixed timber pannew at the bottom. When the central lock is released from the interior, the four large glass apertures hinge out and pack on the side. The same thing happens with the lower timber panels, which unveil the hidden safety glass railing. Collaborating with traditional craftsmen, we studied, designed and built a prototype that retains all the aesthetic and traditional qualities of the gallarija, but gives it a much-needed new function.
This publication is compiled from published works, abstracts of text and images that were found online. All the documented works give credit to their respective designer/s. Copyright Š 2020 by Maria Degiorgio All rights reserved. No part of this publication can be used or reproduced in any manner without written permission of the copyright owner Maria Degiorgio.
Email: maria.degiorgio1997@gmail.com Mobile number: 79864699 Website: https://mariadegiorgio.wixsite.com/portfolio