Page 1

4. Temporary City as

RECONFIGURABLE


iLOUNGE [ INTERIM : INSTANT : INTERACTIVE ]

A Prototype for the Temporary City


INTRO !"# $%&'$(# )*# '$+,-)%+).$%/0# %1,%2%$'3# 1$'+)-+%4# 5-67 7 )-0# 7# 0)$%"&),# '"(# (.$'8-3-)97# :'0# '# ;%9# +*"(-)-*"# *6# '$+,-)%+).$%4# -)# 2'9# :%33# 8%# ),')# *.$# (-0+-13-"%/0# 2*0)# %"7 (.$-"&# 2*2%")0# '$%# -)0# 3%'0)# 1%$2'"%")<# =5-6;-"(4# >??@AB# C*('9#),%#"*)-*"0# *6!"#$%&'()*"+#'"(# #,#-"!13'9#'"#-21*$7 -DEFGHI#-"0)'")J-")%$-2J-")%$'+)-K%#1$*K-(%0#'#.&/*()!."(0## )*# +$%')%# '# )%21*$'$9# +*22."-)9# 6*$# '# 2-".)%4# '"# ,*.$4# *$# '"# %K%"-"&B# E1%$')-"&# '0# '# .&/*()! /("()+."4# -DEFGHI# -0# '# 1#,*/#! 2&'! %)(/#3$(4*-0! :,%$%# ),%# K-0-)*$0# '$%# '"# '+)-K%# 1'$)#*6#-)0#01')-'3#1$*(.+)-*"B#C,%#1$*L%+)#-0#'#+*7+*22-00-*"# 8%):%%"# G*$),%$"# M1'$;# '"(# NI5EO4# '"(# # ),%# 1$*L%+)# :'0# -"0)'33%(#-"#P-""%'1*3-04#PG#-"#Q."%#>?O>#(.$-"&#),%#G*$),%$"# M1'$;#%K%")#'"(#-"#M'"#Q*0%4#RS#-"#M%1)%28%$#>?O>#(.$-"&# ),%##NI5EO#S$)#T#C%+,"*3*&9#U-%""-'3B#

“While Vitruvius maintained that firmitatis strength and durability- was a key condition of architecture, it may well be that our discipline’s most enduring moments are its least permanent” (Rifkind, 2006).


!"#$%&'%#()$&*$)"#$!#+(&,-,.$/0).1$-2$,#%#')3.$(456 302"#7$ 5.$ 89$ :02"&($ -'7$ ;9$ <0330-+2$ =>&4)3#7?#1$ @AB@C$ 4'*&372$&4)$&*$-'$4'7#,2)-'70'?$)"-)$)"#$!"#$%&'%()*% '(!"&+,%-!(.(/"!&+,%&.0%-!(+(1"!&+%-.2"*(./-.#%02$ ,&&)#7$0'$-$3()*%0"/-.'"(.&+%'!-.(1*&45$6$-$7.'-+6 0%$2(-%#$)"-)$%"-'?#2$&'$-$7-03.$&,$#D#'$"&4,3.$5-202$ #D#'$E"#'$0)$-32&$%&'202)2$&*$+&,#$(#,+-'#')$#3#+#')29$

!*&#"!%#(480(9.%'#*&#-1"-',$E"0%"$-,#$2)033$%&'207#,#7$ )&$5#$)"#$),-70)0&'-3$(,&*#220&'-3$(,-%)0%#$&*$4,5-'$(3-'6 '0'?$-'7$4,5-'$7#20?'9$L)$02$-$'4&!-%".%&%4-*/&.-.#% /&:".1$-'7$)"-)$)"#,#*&,#$%-'H)$5#$702%&''#%)#7$*,&+$ 0)2$ 0')#,0+$ %"-,-%)#,$ &,$ ),-'2*&,+-)0&'$ &D#,$ )0+#9$ M#6 20?'#,21$ -,)02)21$ -'7$ +&,#$ ,#%#')3.$ %0).$ (3-''#,21$ -,#$ #G(3&,0'?$#-/4(*&*$%#&!#"!' (&30)0%-3$-'7$2(-)0-3$&5N#%)0D#29

3-.#,2$ "-D#$ +-)#,0-3$ -'7$ 0++-)#,0-3$ '-)4,#2$ -'7$ %-'$ %&'202)$ &4)$ &*$ +43)0(3#$ %&+(&'#')2O$ #-/4(*&*$% 5&*08 9&*-$ 24%"$ -2$ -,%"0)#%)4,-3$ 0'2)-33-)0&'2$ -'7$ +&503#$ "-D#$)"#$(&)#')0-3$)&$?#'#,-)#$-'7$"&2)$-'$4'*&,#2##'$ '-#%(3%)*7&.%'(3#9&*-$)"-)$*4'%)0&'2$-2$)&(67&E'$-'6 %"&,$(,&?,-+2$&,$5&))&+64($42#,$?#'#,-)#7$(,&?,-+29


iLOUNGE DATAScape

!"#$%&'()*+!,-(./0(%1+./0+,( 234+5( 060,.( !,( 7!,,04318!9( /19.0)(:;<;;;(6!9!.1+9(!,(:=/<( >4.49?430(?1@34+!,-(6!9!.1+9A( )0,9!.B(4,)(?19.9(1C(!"1*,-0A( ./0(&*--0,/0!@(7*90*@(4,)( ./0("1*6+0<(


URBAN NARRATIVE

PROGRAM and ACTIVITY !"#$%&'"()*+,-*"(+-(#"+'*./*&0+"1"+'* "(*2-%&+".(*+.*+,-*"(3-0+-!*$2.)2&4#* &(!*-1-(+#5**

+

URBAN ACTORS "!-(+"/'"()*+,-*!-4.)2&$,"0*&0+"1&+6 "()**+,-*-1-(+#5

+

iLounge-SCAPE 78#-21"()* ,.9* ":.;()-* "#* 8-"()* ;#-!* &(!* 6 ,.9* +,-* &0+.2#* &2-* &!&$+"()* +.* +,-* +.$.)2& $,'* "(* 2-%&+".(* +.* +,-* $2.)2&4* &(!* -1-(+#5 *


!'(7-8.1(!-'#.-31340)".#*-()3"%14*1#*1)'9#*1:0#8'(6&"(9#";138#"-1#*+1 2)0#*1 :048'(6"(8#";1 38#"-<1 =*1 8(*.'#3.1 .(1 >'824&'#0?31 =*3.#*.1 @4.%1 4*1

URBAN STRATEGIES 5('0#.4(*3A10-+4#14*8('!('#.4(*A1#*+10#.-'4#"13.'#.-&4-31.(1#""(B1$'./)%C1

Site Strategies, Program Narratives, User Agencies, #*14*3.#*.1%-.18"-#'"%1#'.48)"#.-+14*5'#3.')8.)'-1.2#.1.'4&&-'31.2-18'-#.4(*1(51

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Parklets _AGGREGATION Strategy


CD<'EFD"(G,4*,-8/

ECT DESCRIPTION

, Material and Construction and Strategies

!)(*+(!"#$%&'(#)&!"!*$%"+,(!+,-+.-.(*)(*()/),-0(,1*,(23+),452,)( ,34/(7/(),4*,-8!2(039-0-+,)(3:(-;,45)!3+)(*+.(23++-2,!3+)(<1-(.-= -),)(*(./+*0!2(*+.(*.*>,!9-(2*4>-,?(*(,3>384*>1/(,1*,(-074*2-)(*+.( (-;21*+8-(*+.(!+,-4*2,!3+A(!"#$%&'(!)(230>3)-.(7/(,1-(*884-8*= 2*,-.(>/4*0!.)(*+.(134!B3+,*@(23++-2,!9-(>@*,:340)(,3()/+,1-)!B-(*(

LIGHT_scape

2*>-(,3(4-)5@,(!+(*(,3,*@(!"#$%&'=)2*>-(8-+-4*,-.(7/(,1-()!+8@-(>!;= *@(213!2-)(*@)3(*4-(!+:340-.(7/(,1-(&%-&'-%.).!-%&'!/)!0)"$!*$%12A

FUR_scape

FOAM_scape

SOLID_scape

iLOUNGE_scape


TECTONIC Strategy PLEXI-GLASS

FOAM

SURFACE

FUR

FOAM

BASE COVER

BASE FRAME

CONE

FUR

BASE COVER

BASE FRAME

The modules offer a versatile surface that supports the occupation of the human body in different ways: lounging, standing, resting, socializing, playing, observing, and being observed. Material systems are choreographed in conjunction with inhabitation and use.

CONE BASE

PLATFORMS

MODULE

They suggest three levels of tactile interaction from a gradient of hard ( plywood ) semi-soft ( fur ) and soft ( foam) surfaces.


TECTONIC Strategy PLEXI-GLASS

FOAM

SURFACE

FUR

FOAM

BASE COVER

BASE FRAME

CONE

FUR

BASE COVER

BASE FRAME

The modules offer a versatile surface that supports the occupation of the human body in different ways: lounging, standing, resting, socializing, playing, observing, and being observed. Material systems are choreographed in conjunction with inhabitation and use.

CONE BASE

PLATFORMS

MODULE

They suggest three levels of tactile interaction from a gradient of hard ( plywood ) semi-soft ( fur ) and soft ( foam) surfaces.


ACTIVATION Program: Topography+Human-scape

DISCOURSE

interACTORS

Program by iLOUNGE topography human-scape.

RECREATION

REST

ENTERTAIN

OBSERVE

REPOSE

RECREATION DIALOG

LOUNGE

PERCHING

ENTERTAINED EXPLORE

WATCH

THINK

PICNIC


DISCOURSE

interACTORS

Program by iLOUNGE topography human-scape.

REST

ENTERTAIN

REPOSE

RECREATION DIALOG

LOUNGE

PERCHING

ENTERTAINED EXPLORE

WATCH

THINK

PICNIC


!"#$%&#'()*+#,(-.&'$/(01''&+*"213/(45'&(6786


ANALOG and DIGITALLY Mediated Narratives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

SCREEN

LIGHTS

PLEXI-GLASS

FOAM

FOAM

FUR CAMERA


ANALOG Narratives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


DIGITALLY Mediated Narratives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â&#x20AC;&#x153;The lack of resources is no longer an excuse not to act. The idea that action should only be taken after all the answers and resources have been found is a sure recipe for paralysis. The planning of a city is a process that allows for corrections; it is supremely arrogant to believe that planning can be done only after every possible variable has been controlledâ&#x20AC;? Jaime Lerner former mayor of Curitiba, Brazil / tactical urbanist

Temporary City as RECONFIGURABLE  
Temporary City as RECONFIGURABLE  
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