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Recording Credits for Turkey in the Straw: Performance by Arizona State University Wind Symphony Gary Hill, Director of Bands James Smart, Guest Conductor

This virtual conductor score and recording are designated “private,� and any publication or distribution beyond the web sites of Manhattan Beach Music is prohibited


TURKEY IN THE STRAW F O R

C O N C E R T

B A N D

MICHAEL MARKOWSKI I N S T R U M E N T A T I O N 1 Full Score

3 Eb Alto Saxophone 1

3 Euphonium B.C.

1 Piccolo

3 Eb Alto Saxophone 2

2 Euphonium T.C.

4 Flute 1

2 Bb Tenor Saxophone

4 Tuba

4 Flute 2

1 Eb Baritone Saxophone

1 Timpani

1 Oboe 1

3 Bb Trumpet 1

2 Percussion 1

1 Oboe 2

3 Bb Trumpet 2

4 Bb Clarinet 1

3 Bb Trumpet 3

4 Bb Clarinet 2

2 F Horn 1 & 3

4 Bb Clarinet 3

2 F Horn 2 & 4

3 Bb Bass Clarinet

2 Trombone 1

1 Bassoon 1

2 Trombone 2

1 Bassoon 2

2 Trombone 3

Glockenspiel, Wood Block, Vibraphone, Slapstick, Suspended Cymbal

2 Percussion 2

Chimes, Xylophone, Slide Whistle, Cowbell, Wood Block, Tamborine, Tam Tam (lge.)

2 Percussion 3

Crash Cymbal, Splash Cymbal, Triangle (lge.), Suspended Cymbal

2 Percussion 4

Snare Drum, Bass Drum

P R I N T E D O N A RC H I VA L PA P E R

 M A N H AT TA N B E AC H M U S I C 1595 East 46th Street Brooklyn, New York 11234 Fax: 718/338-1151 World Wide Web: http://www.ManhattanBeachMusic.com E-mail: mbmband@aol.com Voicemail: 718/338-4137


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P R O L O G

When we asked Frank Ticheli Composition Contest Winner Michael Markowski to create a concert band arrangement of the fiddle tune, Turkey in the Straw, we were figurin’ to get a ‘merican-soudin’ creation. Square dance, anyone? No way. Instead it was“Fire up the Markowski Phantasmagoricon!” and hold on tight. Markowski has created, in effect, Turkeys Gone Loco — music for a wild cartoon, a crazy surrealist extravaganza, an eclectic, filmic frolic. In a work overflowing with ideas, yet tightly wound and carefully crafted, Markowski has composed a Turkey in the Straw of today’s Zeitgeist. BOB MARGOLIS

Brooklyn, New York / August 24, 2008

Read more about Turkey in the Straw in Dr. Keith Kinder’s musical analysis in MBM Times Issue No. 4, available December 2008

P R O G R A M

N O T E S

We all know the melody, even if not by name. But for me, Turkey in the Straw is nostalgic, beckoning back to a childhood where grandma and grandpa would sit me in front of their TV with a bowl of orange Jell-O (in a small room papered wall-to-wall with decorative clowns), to watch old-time cartoons on VHS. From its early days in vaudeville to its silver-screen premiere in Disney’s cartoon, Steamboat Willie (1928), the tune has become a staple of Americana (and my favorite — cartoons). Most arrangements stay true to the song’s Southern roots. But for a contemporary ensemble such as the concert band, I wanted my arrangement to be somewhat Ivesian, and, as colleagues have described it, closer to Quirky in the Straw. Above all, I wanted this piece to resemble classic cartoon scoring. Rather than simply arranging the brief melody in a handful of contrasting styles (as is typical of theme-and-variations), the form instead takes on an almost storytelling narrative or three act structure. Each successive treatment of the melody increases in orchestration and contrapuntal complexity, starting with the simplest orchestration within the first 35 measures. The melody quickly modulates, twists and turns, loses itself and finds itself in musical vignettes (already in development by measure 36). Each new scene seems to bring its own musical plot, orchestrational characterization, and many a custard pie in the face. MICHAEL MARKOWSKI

Tempe, Arizona / July 28, 2008


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    

TURKEY IN THE STRAW FOR CONCERT BAND

Animated (h = 104)

Piccolo

1 Flute

    

2

   

Oboe 1 2

    

1

Bb Clarinet 2

2

 

     

3

4

 

mf

 

mf

1 Bassoon 2

  

1

  

 

f

 

Bb Tenor Saxophone

Eb Baritone Saxophone

1 Bb Trumpet 2 3 1 3 F Horn 2 4

  

      

  

a2     f a2     f

1

  

 

      f a2

Trombone 2 3

f

                         

     

           



mf

 

mf

 

4



mf



 

mf

  l.v.       





  

  

  

  

      

ff

mf

f

f

   

   

 (dampen)     f rim shot   f  3 3  SNARE DRUM                     BASS DRUM f   

Copyright © 2008 Manhattan Beach Music. All Rights Reserved. This music is made entirely in the United States of America. ISBN 1-59913-036-X (complete set) ISBN 1-59913-037-8 (conductor score) Hear this composition online at www.ManhattanBeachMusic.com



 



  

 

 

 

  

f

f



 



   Bend into pitch, agressively     

 

a2

   

 



      

  

    



 

f

                   f     

 

 

   

                  



  

                           

GLOCKENSPIEL





    fp        fp            ff           ff          

 

  

ff

fp

  

   

f

mf

3



f CRASH CYMBAL    l.v.  

 

mf

mf

Percussion



  

   Timpani  

2



               

f            fp f       a2      fp

CHIMES

mf

mf

  



1

f             fp



   

f

   

mf

     

Tuba



 

  

  

Euphonium

 

  

 

f

Bb Bass Clarinet

2

  

Eb Alto Saxophone

  

3

5

MICHAEL MARKOWSKI     7  6      



    mf     mf     mf

l.v.

           

R)  (L and                   XYLOPHONE (L and R)

mf

  

    

  


8  Picc.    1 Fl. 2

1 Ob. 2

1

Bb Cl. 2

3

Bb Bass Cl.

   

                                           

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3

1 3

         



  

   



     

mf

    

    Tuba    Timp.

    

1

2

3

Perc.

4



  



9

     

    

  

                 

1

Euph.



          



2 3



                 

  

Tbn.



2 4

F Hn.



  

                                 f

1 Bsn. 2





                   

f

  

  

12















  

 

 

 

               

    

 

     mp     mp  

         

13   



 



 

mp

mp

 

1.



14                          

pp

pp

pp

 

      

  

  

 

Straight mute

Straight mute

 

  

 

pp

  

    mp 

  

 

 

 

 

  mp

p

p

mp

p

p

mp

p

 

 

p

   

pp

     mp 

       

mp

                          

pp

  

  

    

 mp

   

 

    

f

11

 

 

       

10

2


15   Picc.      1   Fl. 2

1 Ob. 2

1

Bb Cl. 2

3

Bb Bass Cl.

Bsn. 1 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3

1 3 F Hn. 2 4

1 Tbn. 2 3

Euph.

    

     16                

      

  

        mp

mp

  

 

 



      

mp

     



       

     

 



mp

                     

                   

mp

  

mp

 

   

 

 

 

 

 

 

     

mp

        

mp

mp a2

 

 

 

mute out

mute out

    mf a2      mf

 mf 

mf

p

cresc.

p

cresc.

                     

p

     

      

 

  p

           

20           p   cresc.           p   cresc.            

 

19

      

          

   

mp

              

 

    

          

  



18

              



mp

       

         

                                         

              

      

             

 

 

 

 Tuba   

  Timp.  1

    



     

    17 



(Glockenspiel)

pp





  

   

mp

mp

 

mp

 



mf



mf





cresc.

      

p

    f     

cresc.

         f

     



 

 

cresc.

p

   

cresc.

f

   

   

f

f

    f     f     f

   

   

f

   

   

f

f

  

 

 

 

3

 

 

4



  3

 

p

 

  

   

 

p

2 Perc.



    f

p


        23         24  21        22 Picc.   3                            1   3                 Fl.           2   3

1 Ob. 2

1

Bb Cl. 2

3

Bb Bass Cl.

1 Bsn. 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3

1 3 F Hn. 2 4

1 Tbn. 2 3

Euph.

Tuba

Timp.

     25   26                  mf                       mf                        mf

                                           3 mf                                          3 mf                                          





cresc.

 

 

  





   

   

 mp                             

   



   



 









3

    



cresc.

     

   

sfz

mp



mp cresc. a2

     





   



 



sfz

    

       



       sfz mp           sfz mp       mf

  

       





 

 

       mp  sfz    

 

 

  

     

mp cresc.



mp cresc.

 

    

(Glockenspiel)



sfz



         

mf

 



 

sfz

sfz

  

2

3

4



Perc.



  

1



       cresc.                      

   



  

          sfz mp       

mp

3

4






27  Picc.    1 Fl. 2

1 Ob. 2

1

Bb Cl. 2

3

Bb Bass Cl.

1 Bsn. 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3

1 3 F Hn. 2 4

1 Tbn. 2 3

  

           



     

                             mf        

      

       

       

       

      

 mf





    



  mf       

f 3  3         3   f 3        3

a2

3

   

      

mf

 

Solo, loud and choked

3

4



 f

f



 

  





 



 

 

 3  3 f   



 

 



 

              

   

f

      

 



             33

3



  3

          

 5

  

 

 



 

 

  3  3  











       

  

ff

ff

              

 



sfz

 

decresc.



sfz



decresc.







sfz

 

decresc.



   

sfz

decresc.

    





        

 



 



 

  

 

3

   3 to W.B.        

          



3

33

   

        



        



l.v.

  a2      







 

 



ff

        



ff

 

        

       





      







  



  



3 3  3  3          3 3         







       

ff

ff

      

      



    

       

  

ff

       



  3  (Glockenspiel) 3         l.v.



  



f

       32     3         ff

         

      



 

       

         

       

        mf     Timp.   

2

      

Tuba

Perc.

f

       f   

mf

1

     

 

3   3       

       

     

       

f

       f         f

  

        

f

  

31

        

        

   

3

30

    

ff 3

  3

    

 

f

f

 

     

f

      

f

      

                 mf   

29

     

              

mf

Euph.

28

3

(Xylophone)



(dampen)

 

      f

to Splash Cymbal


 33          Picc.            1   Fl.          2          1  Ob. 2           1          Bb Cl. 2   3

Bb Bass Cl.

1 Bsn. 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3

1 3



  

 

  

  

 

   

 

   

 

   

 

 

   

3         mf   3    

      

ff

 

3

         

 

        3           3 mf    



  

  

p

p



  

     p        ff   a2     

 

p

ff

  

3

mf

  



mf    

          3

 







    

 

mf

        pp         pp       pp 

 

         

 

           

            

pp

       

pp

   

   

   

    

 

 

 

pp

    

pp

    

pp

pp

    

     

pp

   

      

   

ff

         

 

    ff                f 6

ff

f

38

                    

ff

 

 WOOD BLOCK

ff

 

3

    

37

 p

ff

 

  

 

                

3        mf   3    

            

   

p

                

 



3

 



36

 



  

2

4



  Timp. 

Perc.

   

     

 Tuba   

1



1

Euph.

  

2 3

 

35

mf                          

2 4

Tbn.

   

               

   

F Hn.

34


39  Picc.    1 Fl. 2

40

       

41

  

1



Bb Cl. 2



3



1 Ob. 2

Bb Bass Cl.

Bsn.

1 2



       

       

 

mf

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3

1 3 F Hn. 2 4

1 Tbn. 2 3

Euph.

  

  



 

Perc. 3

4

  

  

 

  

      

  Timp. 

2

p

 

   p       p        p   p

   p   p

p

 

p

        

               



     

SPLASH CYMBAL (with snare stick, choked)

      

p

decresc.

mf

    

mp

        

    

 

  

    

 

   

      

  fp          fp         f

        f      f

            f

        f

         f 

                

   

    

mf

fp

   

mp

mf

fp



 

 

    

       

   

mp



 

    

      

 

 

 

 

(Wood Block)





mf (Xylophone)                             mf           

        

       

 

 

mf mf

mp

       

   

  

 

  

 

mp

 

 

mp

 

     

  

mp



a2

   

  

       

mp

        

 

mp

 

      

 

mf

         

p p

   

        mf decresc.                              decresc. f                    mf

 

 

44

decresc.        

    

    

mf

  

 

p

p

  



                 

     

    

p

43

f

 



 

mf

   

 Tuba   

1

mf

    42      f       

 

mf

7

to Vibs.

 

 

 

 


45  Picc.    1

46

       

2

1

Bb Cl. 2

       

     

        p





2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3

p

  

  

     

 

 

           



    

 

 





       

mf

a2

2 4

  

  

1

 

2 3

 

Euph.

  

Tuba

Timp.

     

 

 

Tbn.



  

F Hn.

mp

     

        mf    

  

1 3





 

VIBRAPHONE (soft yarn)

mf

mf

   

mf

     

mf

         mf

         

f

 





 

 

     f  

 



   



  

 

ff

    ff

       

   ff



  



  



   



         ff    ff    ff

       

     



to harmon mute

to harmon mute

 

  



    



f          

f 8

  

ff

      f  

 

   f    

2

4

f

3

  f  

 ff   

   

               

1

to Glock.



ff   

 

    

               mf  

 

  

ff     

   

 

f

f

         mf             

 

        

       

mf

Perc.

 

Bb Bass Cl.

Eb Alto Sax.

 



1

50

3

Bsn. 1 2

49

p

1 Ob. 2

48

p

Fl.

47

51     

 

GLOCKENSPIEL            

f

  mf   

TRIANGLE (Large)


55

       Picc.          1      Fl.   2   52

Ob. 1 2

1

             

Bb Cl. 2



3



Bb Bass Cl.



1 Bsn. 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3

1 3 F Hn. 2 4

1 Tbn. 2 3

Euph.

   

         

    

          

 

  

   

   

   

       

  

3

    

  

   

      3

    

      

   

  

     

  



      

54

                     

                        

 

     mf         

   

  

  

  

   

 

     

   

       

            

   

mf

 

   

    ff  ff           ff     

2

 



 

        

 gliss.



    

ff

(28")

fff

 

unis. 3



gliss.

 

 

>C

            SLIDEWHISTLE  glis .s s. glis      

ff

 

             

 mf a2



mf



   

  

   

  

 9

 

 

 

   

 



 

 

 

  

 

3

 

f

3

 

f

3

   

f

   

   

 

 

 

    

 

 

 

gliss.

 

     

   

3

f

 

(28")

p

  VIBRAPHONE    

 

   

 

             

mf

p

        

p

         

     



   

 

  

p

   

 

     



   

 

  

p

   

to Vib.

 



  



mf

 mf

p

 

Harmon mute

 

Harmon mute

p

  

 

 

 

 

 

     

p



 

 

   

 

 

 mf

 

 

57

  

   



56

   

   

   

   

  

   

   

      

mf



rit.

1

4

  

  

  

  

  

  

  

    

  

    



  Timp.  

3

53

  

 Tuba    

Perc.

  

 

 

 


58 Against the Current (h = 86) 59     Picc.     1 Fl. 2

1 Ob. 2

1

Bb Cl. 2

3

Bb Bass Cl.

     

Eb Alto Sax.

2 4

1

pp

 p

   





  

   

 

    

 

mf

   

                  

   

         

p

 Tuba       p

3

4



   

 



  



mf

   

mp

a2

mp

   



 

 

p

 

p

 mf

 







 

 

 

   

 

   

 

p

p

mf

mf

mf







mp

a2

p

 

mp

mp

p



mp

mp

 

mp

  

(Harmon mute)

(Harmon mute)

  mf

  mf

  



 

   

 

  



 

   

 



 

 

  

mf

   

mf

 

 

 p

 

p

p

 

    

 

mf

>C    Timp.          1   

 

p

mf

   

    

Euph.

mf

   

    

 

  

    

Perc.

2 3

2

p

Tbn.

p

F Hn.

pp

p

1 3

   

Bb Ten. Sax.

2 3

      

   

Bb Tpt.

  

p

65

  

   

  

64

2

1

63

   

   

Eb Bari. Sax.

62

pp

p

1

61

    

p

1 Bsn. 2

60

  mp  

  

pp

 

gliss.

SUSPENDED CYMBAL

pp

 

pp



mp

 mp

  10

mf

 

>C

l.v.

  

mp

mf

  p

   

l.v.



 



 

  

pp

 pp

 

pp

 

mp

 

mf

gliss.

  


66  Picc.    1 Fl. 2

Ob. 1 2

1

Bb Cl. 2

3

Bb Bass Cl.

67

  

   

     

   

 

1 2

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3

1 3 F Hn. 2 4

1 Tbn. 2 3

 



 

  

  

p

       

  Timp.    p

2

3

Perc.

4



mp

gliss.

sfz

gliss.

      3

sfz

      3

gliss.

 a2    

gliss.

sfz

p

 p

sfz

sfz

p

sfz

p

 

   

            

            

a2

 fp



   

   

 

   

   



  

  

fp

   

   

  

fp

fp 2.

fp

    

    

    

p

p

     

(Glockenspiel)

 

mp

        

       

  3. 

p

fp

        

   



                 

p

11

p

   

72

 

p

         

         mp

p

sfz

    mp     mp

mute out

sfz

   

mute out

sfz

  

mp

sfz

70 A Tempo (h = 104) 71          

 

l.v.

l.v.

    

3      

 

mp

 

   

> Bb

mp

3

3

sfz

p

 Tuba    

p

 

1

p

        

    

p

Euph.

sfz

3

p

   

  

       

    

3

     

     

    

   

 

mf

    

3

    

 

mf

p

     

   

  

sfz

    

  p

1

3

mf

   



  

69

p

Bsn.

  

68

 

 


     73

Picc.

1 Fl. 2

1 Ob. 2

1

Bb Cl. 2

3

Bb Bass Cl.

      



   

fp



 

f

fp

 

f

   

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3 1 3 F Hn. 2 4

1







  

mf

  

   

mf

Tbn. 2 3

       

mf

Euph.

mf

 Tuba     Timp.

1

2

  

4

 







 

        





 

      

      





 

         f       





 

        

      





 

f

 

       mf    mf   

  

mf

  







 

f

       

f

        f     f    

                 

Perc. 3

 

      

 f 

a2

 

     

 

mf

 

77



   mf

  

  

     



mf   

         fp

f

                                        

75

        

 

mf

Bsn. 1 2





 

f

    f   

 

 

     f dampen  SLAPSTICK   

f

fff



COWBELL (L) WOODBLOCK (R)

f   f

f 

    









a2

 

 

 

 

 

 

 

 

    



   



   

  



  

  



  

  

     





 

 

      





 

         

 

         

 

     sim.    

 

 

     







a2  

 







  

 

 

 

 

   

 

 



 

 

 

   

              

a2

  



  

                   

       

          

        

a2

           12

        

      

  



 

 

                      

  

 

 

f

CRASH CYMBAL (choked)

  

   

  

  

f

f

 

        

            

        



    

 


     79

Picc.

1 Fl. 2 1 Ob. 2

1

Bb Cl. 2

3

Bb Bass Cl.

Bsn. 1 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3 1 3 F Hn. 2 4

1 Tbn. 2 3 Euph.

            

 









  



    80                   

     

  

   

  

 

  





  



         

 







  

 

 Tuba   

  Timp. 

      a2

mf

  

mf

 

      

  

   





 



    

                      

sffz

sffz

   

mf a2





   



 

   

mf

3

4



Perc.

      

2

 

  

1

 





mf

ff

 

       

mf

   

 

 

 

XYLOPHONE

 

ff

ff

                 

f  

 

 

    



84

f



    

     

    

  

  





 









f

                                





div.

 f 

 

  

  

  

  

  

  

13







 f 

 

ff



     

              f    

   

         

 

  f         

 

  





f

       f        f       f     

       

 

 

 

83

 

   

mf



   

    

  

    

   

mf

  

 

 



82

    

mf

  



  

mf

  

81

f

        f

f

f

f

  f 

 div.  

f

  f  f

 

(Slapstick)

 

      f

      (Crash Cymbal, choked)       f  f          f 


  Picc.   



85

1 Fl. 2 1 Ob. 2

1

Bb Cl. 2

3

Bb Bass Cl.

1 Bsn. 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3 1 3 F Hn.

           

 ff   

ff

    





    



3

4



 ff

 

   

 





 

 

 

 

 

 

 

 

 

 ff   

  ff 

 

ff

   

      mp

     fff

fff

     unis.

   

     

p

89

fff

     fff    

     fff

fff

   

fff

     fff     fff

    

fff

     

fff

     fff        fff    unis.

             

  

   

fff

  



mp

mp  

mp

90

 p



         mp



       



SUS. CYMB.

COWBELL

fff



fff

    

 

88

  

fff           fff          

  ff 

87

Soli fff a2

ff

     fff      fff     

fff

 

  ff  

ff

 

ff

 

 

ff



ff

ff



 

    

  

 



    

 

ff

Perc.



 



  

 Tuba   

 ff  

ff

2



  

  



1



ff

  

  Timp. 



  

2 3

Euph.

  ff  

ff 

 

Tbn.

 

    

1

ff

 

  ff  

2 4

 



 

 

86

 



 







ff



fff 14



 mf

 

 (with snare stick, on dome)  

    

mp

mp 3

   

WOOD BLOCK

3

 

 

 

mp


91   Picc.    1 Fl. 2 Ob. 1 2

1

92

93

  



  

 

94

 

p

 

p



1 2

 

1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3 1 3 F Hn. 2 4

   

mp

 

   

   

Tbn. 2 3

Euph.

Tuba

   

  

     p

  



   

  Timp. 

       

   

 

           

mp a2

mp

1

   

mp

p

    

 

        

   

             

                 



       3. p     

 

   



mp

 



p

    

unis.

 

One Player

mp

   

p



p

         

mf

   

         

  

 mp

  mp

p

    

 



    

  

             

p

     

p





 



   

2. p

   

   



   

mp

           

   

97

p

mp

p

            

 

p

 



Bb Bass Cl.

mp

mp



96

 

3

95

Bb Cl. 2

Bsn.

  

mp

 

mp

1

2

3

Perc.

4



15


98  Picc.     1 Fl. 2 1 Ob. 2

1

Bb Cl. 2

3

Bb Bass Cl.

Bsn. 1 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt.

  

      mf

     

99

           mf



              

  

mp   



 mp  



      



 

 

          

mp

  mp   mp   mp

   mp

 

 





   



 

2 4

 

1

   

1 3 F Hn.

Tbn. 2 3

Euph.

Tuba

Timp.

   



 

  

  

   



    

 



       

       

   

    



      





         



 

 



   

pp



    

104

  p

    

p

p

 

    

 

    

 

p

     

 

 

 

 

 

 

 

   

     mp

        

mp

   

  

2



p

 

 

4

mp

 

 

  

 

 

      p

3

 

p

1

Perc.

   

         

 

 

    

  

 

    

  

      

 

    

p

 

 

 

103



          

    mp



 

a2



mp

     

                   



    



2 3



    

 

    

 



   mp

mp

102

mp

    



   



101

100

       mf

16

 

    

mf

mp

 

SPLASH CYMBAL (with snare stick, dampened)

  

p

p

 

   


105   Picc.     1 Fl. 2 1 Ob. 2

1

Bb Cl. 2

3

                 

      

     

1 Bsn. 2

  

Eb Alto Sax. 2

Bb Ten. Sax.

Eb

     

Bb Tpt. 2 3

1 3 F Hn.

    

  

    

2 4

   

1 Tbn. 2 3

Euph.

Timp.

1

2 Perc. 3

4

        p

mp

      p       p  

 

 

  

 

 

 

  

 

  

 

 

 

 

  

     

        



   pp    

pp

  

     

      

 

      pp

a2

pp

   pp

   pp   pp

 

      

mf

  

mf

 

mf

17

     

 

CYMBAL CRASH l.v.  

mf

 

   

                             mf

   

     

  

  



f

      

     

   

  

3

   

     

 

mf

 



 

(choke)



   

   

  

     

 



                  f

Bend into pitch          

     

   

 



         

  

  

                  

  

 

  



   

      

   mf         mf

     

 

  

     

  

 

 

mf

SUS. CYMB. (on the dome with snare stick)

  

        

mf



      

mf

   

     

  

 

       

  

  

       



mf

       

 



  

      mf         

 

 

109

      

 

mf

     

 

  

   

mf

 

tutti

(still only one player)

   

  

 

              

         mf    

 

mp

    mf     mf        

     

  

mf

  

 

        

 

  

 

 a2    

mf

 

    

  

 

108

  

  

 

 Tuba    

        

         

 

107

 

 

  

 Bari. Sax.    1

   

Bb Bass Cl.

1

mp

 

106

mf

mf

      

f

 

  

     

 

 

   

 

3

 

    

     

     

 

3

 


     110

Picc.

1 Fl. 2

1 Ob. 2

1

Bb Cl. 2

3

Bb Bass Cl.

1 Bsn. 2

1 Eb Alto Sax. 2

Eb

          

   

           

   

    

  

1 3

       

   

Euph.

   

1

2 Perc. 3

4

    



   p

 p

p

 p

 



 

 







   

  

   

   

  f

















 





f



f



f

   f



f



f

 3   3 f  f 3

  f

 

 

p

   f 18

pp

       mf 

TAMBOURINE (with snare sticks)

 

 

 

 





fa2



  

   f

  

 

 

 



 3     3   

     

  

  

3

 

 

 

  



 







 

 

 



 









 

     

   

 3       

 

f

   

 f          

  



 



  



 

f

 

 

 

 





   

 

 

 



 

115

  

 

  

   

f

GLOCKENSPIEL

  

 



   

 

   

 

   

p

 

  

    

 

          pp      pp

114 

     

pp

 

  

pp      pp



p

 

pp

      

 

 

   

  





 



 





  

113

pp







 

  







  

2 3

Timp.



         

 Tuba    



Tbn.



   

   

1

  

   

2 3

2 4

 

F Hn.

p

 Bari. Sax.   

Bb Tpt.

 p

1

p

      



p

    

  

112

 p 

p

  

Bb Ten. Sax.

111

f

  f 

  

f

 f  f

 

 

    

3

 

     

    f  3 f  3           



3

(Crash Cymbal) l.v.

 

          

3


    116

Picc.

1 Fl. 2 1 Ob. 2

1

Bb Cl. 2

3

     

 

               

Bb Bass Cl.

 

1 Bsn. 2

   

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1





    

2 3

1 3 F Hn. 2 4

1 Tbn. 2 3

Euph.

     

 



  

  

 

a2





 











 

 





  

 

 

 

 

 3     3                  

 Tuba    

   Timp. 

    3    3

3

   

 

       





  

  

 

 

    























 

       



 



 



   

   

 3          

3

3

    

2

4



          

              

                 

      

         

      

3



(choked)





 

 

f

    

 









 

     





                    f

    

f

     



f

 

   



    

  

3

decresc.



f decresc.

 

decresc.

  

   

p

  p



  





   



   







mf decresc.

mf decresc.

 p



fff

p

19



       

  

      

 f 

mf decresc.

mf decresc.

      sffz 

fff a2

 

sffz

3

121

f



 

     

   



rit.

decresc.

             

               





120

decresc.

           

 

       

          



3

 

 

 



 

          





                  119 

 

 l.v.     3  3           

 

 

1

Perc.



 





f

118

 

 

   

 

 

 

    

 



 

          3

Bb Tpt.

   





   

117

 

mf

 

mf


122  Picc.    1 Fl. 2

1 Ob. 2

1

Bb Cl. 2

   

   

 

Bb Bass Cl.



Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3

1 3 F Hn. 2 4

1 Tbn. 2 3

 

 



  

124



 



 

 

128

129





   

p



p

    p





 

    

   









   

   

   

 

   

 

   

  











 

      

   

   

2

 

         

pp

   

pp

   

pp

    pp

 pp

 

gliss.

 

 

gliss.

pp

    

    

3

4



Perc.

 pp

p

  

1

127

    



      Euph.           Tuba       Timp.

pp

  

 

125 Slowly (h = 78) 126 

  



1

  

3

1 Bsn. 2



123

   pp 20

mp

 

 

mp

         

VIBRAPHONE

pp

mp

 

      



l.v.

  

  

  

mp

  


130  Picc.    1 Fl. 2

1 Ob. 2

1

Bb Cl. 2

3

Bb Bass Cl.

Bsn. 1 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3

1 3 F Hn. 2 4

1

          mf           mf     



2 3

133

134

135

136

 



    



 

   

    



Soli

mf

mp



mp

 



   

 

 

    

137

  mp

     

   

 

 

 







  

mp

  

    

  

    

p

p

     p



 

 mute Harmon 

One Player



      p

 

 

p

 

 

              

    

pp

Tbn.

131 Slightly Faster (h = 86) 132  

         

pp

1.

mp

         

   

      



    

Somewhat behind the beat...

mute out     

3

4



Euph.

Tuba

Timp.

1

2 Perc.

     

  

     

pp

21

(Vibraphone)

 pp

 

     


138  Picc.    1 Fl. 2

1 Ob. 2

   

    

Bb Cl. 2



3



Bb Bass Cl.



1 Bsn. 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3 1 3 F Hn. 2 4

1 Tbn. 2 3

Euph.

Tuba

2 Perc. 3

4

  





  

 

  

   

 

   

 mp  

  

   

 

 

 

 

mp



mp cresc.

mp cresc.

p a2

 





 

p

  

  





mf





 

 

 



 

 

 



 

  

  



 

 

 

 

  

  

 

  

 

 

 

      



   

mp

 

 

 

mp a2

 

     XYLOPHONE      mp

 

 

         



 







mf mf

mf

  22

p         

mf mf

 

p

mf

p





mf

 





    

p p

  mf

     

 

p p

   



mf

p

p

p



p

    

 

mf

  



mf

mf

 

a2

p

mf



 p

mf



mf



  

p



p



p

  



mf

p

 

143

   

pp

mf

  

   

pp



p

 

cresc.

  



142

  

 



 

mp 

Up accel. 140 Winding Back 141    

 

 

 

 





     



   

  

 

  Timp.  1

   

1

  

139

     

p

  

p

p

      

mf

 

mf

  

 


    144

Picc.

1 Fl. 2

      

mp cresc.

   

mp cresc.

1 Ob. 2

1



Bb Cl. 2



3



Bb Bass Cl.

Bsn.

1 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3

1 3 F Hn. 2 4

   

p

  

   

p



mp cresc.

cresc.





cresc.



2 3

3

4









3

3

3



   ff

 









3



3

  





       p

 



 

gliss.

mp cresc.

 

   

   

ff

ff

   

ff

 



gliss.

 

 

   23

 

gliss.



gliss.

 

   

ff

 

ff

 

sffz

 

f

 

l.v.

f      





 

(Crash Cymbal, dampened)

f

f

   

f

 

 

             ff

    ff

     ff

fff

        

XYLOPHONE

 

ff

sffz

gliss.

mp cresc.

  

   



3

    



sffz



 

(Slow linear gliss) gliss.

     

ff

3

3

ff

                    sffz mf      

(Slow  linear gliss)

 

       

mp cresc.

 

mf

3



 

 

SUS. CYMB.

mp cresc.

p        

 

      

ff

 

3

ff





 

ff





ff





ff



cresc.



 

    





      p  Timp.       1     2 

Perc.







p



 Tuba   



 

ff





p

Euph.

 

p

Tbn.



   

  

 



148 Chaotic; Circus-like (h = 144+)    3            149                       3 3 3 3 mf ff       147

3

 

cresc.

1

 





 





146

 



mp cresc.



145

  

  

 

  

 

fff

    

  

     

   


150  Picc.    1 Fl. 2

Ob.

1 2

1

Bb Cl. 2

3

Bb Bass Cl.

1 Bsn. 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3

1 3 F Hn. 2 4

1 Tbn. 2 3

Euph.

Tuba

Timp.

1

2 Perc. 3

4



    151 





  152 

  

 

153

   

   

   

 

         





       





 



  





 



  

         



  



  

 

   

    



   





 

   

   





 

 

   

 

       

 

 

 

   

 

     



                       

         





 

 

          gliss.

 

   

   

   

 

gliss.



  

  

     





 



  

    

 

 

 

 

   

  

   

 



 

 

   

 

 

   

 

               

 

 





 





 

  

  

 

 

 

a2

     

   

    

    



 

  24

   

mf

 



 



 

 

       

 

 

154

               

  

 

 

       

mf

   



 



 

  

       

                                      

         

     ff  a2     ff

    

    

  

  



  

 

 

    

 

   

to Sus. Cymb.

 

    



    



    

                    

  

    

    

    

    

    

    

    

    

    

    

         

     

      

ff dampen



    

 

SLAPSTICK

fff

 

 

 

dampen sim.

 

fff

 


  Picc.    155

1 Fl. 2

Ob.

1 2

1

Bb Cl. 2

3

Bb Bass Cl.

1 Bsn. 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3

1 3

     

  



    



    

     

    





 

   



     

1

Tuba

Timp.

    

2

4

     





    

3

   

1

Perc.



  

Euph.





  

Tbn. 2 3



2 4

F Hn.





    



   





  

sim.

    

                                            



    





    

    







 

 

     







         



    

     

 

    

     







 

 

    

                                       

  

 

 

 

 

 

 

 

157

 

 

  



 

 

 

   

 

 

 

 

         

 

 

 

     

   

 

 

 



    







 

     



 

    

 

         





 



 

 

156

 

 

  











 

   

  













 

     







 

 

 

 

 

 

  25

 

 

  

  

  











 

   

  













 

 







 

 

  

   

 

158





 



 



 

   

 

 

 





             

 

 

 

 

     







 

 

 

 

 

 

     

 

                 

 

 

 

 

 

 

 

 

    

  



   p   



SUS. CYMB.

 

  

 


159   Picc.     1 Fl. 2

Ob.

1 2

1

        

rit.

 

160

161

162

Bb Bass Cl.

1 Eb Alto Sax. 2

f

3



 

f

3



f





f









ffp cresc.

ffp cresc.

      

ffp cresc.

    

     

      ffp            ffp      ff      

 Bb Ten. Sax.      ffp  Eb Bari. Sax.      ffp     1   ffp Bb Tpt.    2    3 

f



  



  



  

 







 

cresc.

cresc.

F Hn. 2 4

1

     ff

      ff     

2 3 Euph.

3

4



 







 

ffp cresc.



3

  f

3

  f

  

  

 



 

 

 

 

   

  

mf

mf

mf

mf



f

 

mf

 

 

  

3

mf

 

  

 

ff

  l.v.    f fp cresc.     

3

LARGE TAM TAM  l.v.   

fp cresc.



     

  

3

 



ffp cresc.

Perc.



     

3



 Tuba       ffp cresc.      Timp.    fp cresc.   1   2

 

ffp cresc.

Tbn.

cresc.

ffp cresc.

cresc.

cresc.

ff

1 3

ffp cresc.

1 Bsn. 2

ffp cresc.

ffp cresc.

3



163 Boldly, in "one" (h = 100)    164  

 

ffp cresc.

Bb Cl. 2



   

 

mf

 

 

mf

 mf

mf

 

  

mf

mf

mf

mf

   

    26

f

 f


165   Picc.    1 Fl. 2

Ob. 1 2

1

Bb Cl. 2

3

Bb Bass Cl.

1 Bsn. 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3 1 3 F Hn. 2 4

1 Tbn. 2 3 Euph.

       

  

   

 



 

          

   

1

2 Perc. 3

4

 

  

 

 

 

   



   



 





    

sfz

  



       

 

a2   

sfz

  

sfz

3



3

sfz



ff

 

ff

 

  

 

 

3

 



  

3

    

  

 





3

 

 

3

  

 a2

  

 



 





3

 

 

 

 

       

 

 

          



 

 



 

 

  

 

  

  





 

 

3

 



 

       

   

 

ff

 

ff





 



 

      

 f  

 

 

 

 

    

 

f

f

 

f

 

f

f

  

27

 

f

 

 

 

   

ff

  

 

  



f

 

f

ff

f

f

 

  f

f



ff

 

 





 





 

 



ff

 

 

 



 

ff

 



 

171 

 

169

  

168

 

 170

   

  

167

  Tuba    Timp.

 166 

rall.

  

 

 



   

  



GLOCKENSPIEL    

f

ff

CHIMES l.v.

ff

 mf   ff

 

 


172  Picc.    1 Fl. 2

Ob.

1 2

1

Bb Cl. 2

3

Bb Bass Cl.

1 Bsn. 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3 1 3 F Hn. 2 4

1 Tbn. 2 3

Euph.

     

 

     

 

           

 

    

     

  

     

  

           

   

   

  











  

 

 

     

        

       

 



    

   



   

 Tuba     Timp.

1

2

3

4



Perc.

     























 





 

      l.v.

 

       

174

175

   

   

   

   

   

   

   

p

p

   

p

p

p









        

   







 

 

 

      

   

p



p

p

 



 

 

 

 



  

  

 

    

p

p

   

p

   

p









 

 

mf

      

   

 

 





 

l.v.

l.v.

  

   

 

mf

 

ff

 

ff

  ff   ff

 

ff

 

ff

 

ff

 

ff

 

 

fp

 

ff

 

fp

ff

fp

ff

fp

 

ff

fp

ff

   

 

     

 

   

fp

C > Bb

28

 

ff

to Tam Tam

p

ff

 



 

ff

  fp  

p

  

ff

ff

  

 

ff

 

  

 

fp

 

  ff

 

to Sus. Cymb.

179

  

mf



178

  mf 

 

fp

 

f

 



f

177

    p      p 



p

   

 

   



 

   

  

    

173

ff

ffSUS. CYMB.

 

mf

     

ff

 

 


180 Racing to the End (h = 128)     181             Picc.                        1        Fl.               2                    1  Ob. 2       1

Bb Cl. 2

3

Bb Bass Cl.

Bsn.

1 2

   

     

     

   

    

   

 

    

ffp

ffp

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3 1 3 F Hn. 2 4

1 Tbn. 2 3

Euph.



   

      Loud and buzzy!    fff



  



Loud and buzzy!

fff

   

   

     

   

     

            

  



 





  

   

  



  



  

   





  

   

 

          

ffp

     ffp     

 

  

f

            

1

2 Perc. 3

4

    

              

   

     

      

     







   

   

  





  

       

 

 

 

 

 



   

l.v

 

ff

 

 

  

 

 

    f

fff CRASH CYMBAL

ff

 

     mf

      mf



l.v

 

    

  

   



     

mf



 

  29

     mf 

f

 l.v

 

  



(choke)

  

    

a2

f

 

  

    

f

 

 

LARGE TAM TAM l.v

                 a2             mf f    

f

ffp

185

            f   

ffp

      ffp    Timp.    Tuba

 

  

   



184

mf

     

  

     

    

   

  

   

ffp

     

           

fff

    

   

183



 

                 

fff



           



   

  



fff

    

  

 

 

   

182

 dim.    

  

  


   

  

   

    

186

Picc.

1 Fl. 2

1 Ob. 2

1

3

Bb Bass Cl.

1 Bsn. 2

1 Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1

   

2 3

1 3

mf

      

    

 

  

      

              

     

   

      

fp

  

 

 

fp

 

 

a2

 

1

  

fp

2 3

 

Euph.

 

Tuba

  

1

2 Perc. 3

4



  

 XYLOPHONE         mf

  

        

         

ff

           

         

ff a2

   

ff

   

ff

   

ff

ff

  ff      

                        

       

   

ff

   

         ff      ff             

ff

 

  

 

   

 

  

  

 

  

 

  

 

    

    

    (dampen)   

    

ff (L and R) ss. gli

(Crash Cymbal)

Solo ff

    

      

 

      WOOD BLOCK   



 

             

ff

ff



 

ff

p

30

   

ff

fp

  Timp. 

   

fp

a2

             

 

 

Tbn.

ff

fp

2 4

F Hn.

    ff    



     ff      ff

fp

     

fp

 a2    ff    



ff

fp

fp

ff

fp

    

      

fp

 

  

    

     

  

        189  190   191      fp ff             

 188   

     

     

    

         

 

     

   



               

    

mf

  

mf

     

   

    

    

      

mf

Bb Tpt.

a2

    

mf

mf

   

mf

Bb Cl. 2

187

  

ff

 ff 

  

dampen



 

 

(dampen)

  

 August 22, 2008 Tempe, Arizona


.


PRESERVING OUR MUSIC I T I S I M P O R TA N T T O P R E S E R V E O U R M U S I C A L H E R I TA G E F O R F U T U R E G E N E R AT I O N S

Acidic paper has been in widespread use since the turn of the century, and has become the bane of archivists, librarians, and others who seek to preserve knowledge intact, because it literally will self-destruct as it ages. Some paper, only three or four decades old, already has become impossible to handle — so brittle it crumbles to the touch. Surely we do not want today’s music to be unavailable to those who will inhabit the future. If the music of the Renaissance had not been written on vellum it could never have been preserved and we would not have it today, some four hundred years later. Let us give the same consideration to the musicians in our future. It was with this thinking that Manhattan Beach Music in 1988 first addressed the needs of the archivist by printing all of its concert band music on acid-free paper that met the standards specified in the American National Standard for Information Sciences — Permanence of Paper for Printed Library Materials (ANSI Z39.48-1984). The standard was revised on October 26, 1992 to include coated papers; all of our new editions and reprints of older editions meet this revised standard. With proper care and under proper environmental conditions, this paper should last for at least several hundred years.

Technical notes: Paper permanence is related to several factors: The acidity or alkalinity (pH) of the paper is perhaps the most critical criterion. Archival paper (also known as acid-free paper, alkaline paper, and permanent paper) is acid-free, has a pH between 7.5 and 10, is tear resistant, has an alkaline reserve equivalent to 2% calcium carbonate (to neutralize any acid that might arise from natural aging of the paper or from environmental pollution), and contains no unbleached pulp or groundwood (no more than 1% lignin by weight). The specific standards summarized here are set forth in detail by the National Information Standards Organization in American National Standard Z39.48-1992. For more information, contact: NISO, 4733 Bethesda Avenue, Suite 300, Bethesda, MD 20814, http://www.niso.org/

This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper)

BOB MARGOLIS — PUBLISHER N E I L R U D D Y — C R E AT I V E D I R E C T O R COFOUNDERS P R I N T I N G : C H E R N AY P R I N T I N G , I N C .


.


Turkey in the Straw for concert band by Michael Markowski  

The complete conductor score of Turkey in the Straw for concert band by Michael Markowski