Page 1

Symphony No. 1 Fr ank Ticheli

Transcribed by Gary D. Green for Concert Band

M a n h at ta n B e a c h M u s i c


Recording Credits for Symphony No. 1: Performance by Michigan State University Wind Symphony, Kevin Sedatole, conductor. (Live performance recorded on December 2, 2009)

This virtual conductor score and recording are designated “private,� and any publication or distribution beyond the web sites of Manhattan Beach Music is prohibited


SYMPHONY NO. 1 F O R

C O N C E RT

B A N D

F R A N K T ICH ELI Tr a n s c r i b e d I

N

1 Full Score

S

T

R U

by

M

G a ry D. G r e e n

E

N

T A T

I O

N

1 Bb Tenor Saxophone

2 Double Bass

1 Eb Baritone Saxophone

1 Piano

1 Piccolo

3 Bb Trumpet 1

2 Piano/Vocal Score

4 Flute 1

3 Bb Trumpet 2

4 Flute 2

3 Bb Trumpet 3

1 Oboe 1

1 F Horn 1

2 Oboe 2 (doubling English Horn)

1 F Horn 2

4 Bb Clarinet 1

1 F Horn 3

4 Bb Clarinet 2

1 F Horn 4

4 Bb Clarinet 3

2 Trombone 1

3 Bb Bass Clarinet

2 Trombone 2

1 Bassoon 1

2 Bass Trombone

1 Bassoon 2

3 Euphonium B.C.

2 Eb Alto Saxophone 1

2 Euphonium T.C.

2 Eb Alto Saxophone 2

4 Tuba

(oversize, 11x14˝, sold separately, not included with set of parts)

(piano is for rehearsal only) Tenor (or high Baritone) mv’t. 4 only

1 Timpani 2 Percussion 1 Vibraphone (motor off), Bongos, Snare Drum, Bass Drum (lg.), Suspended Cymbal (med.)

2 Percussion 2 Glockenspiel, Temple Blocks (5), Crotales, Suspended Cymbal (med.), Xylophone, Tambourine, Crash Cymbals

2 Percussion 3 Slapstick (lg.), Chimes, Suspended Cymbal (med.sm.), Tom-toms (4), Claves, Vibraslap, Tam-Tam (very lg.), Triangle (med.)

1 Marimba 1 (versions for both 5-octave and 4.3 octave marimbas provided) mv’t. 3 & 4 only

1 Marimba 2 (versions for both 5-octave and 4.3 octave marimbas provided) mv’t. 3 only

P R I N T E D O N A RC H I VA L PA P E R

Gg Manhattan Beach Music  1595 East 46th Street  Brooklyn, New York 11234 Web: www.ManhattanBeachMusic.com E-mail: customerservice@manhattanbeachmusic.com Voicemail: 718/338-4137

M A N H AT TA N BEACH M USIC


1 A C K N O W L E D G M E N T

S Y M P H O N Y

N O. 1

was commissioned by the University of Miami School of Music Abraham Frost Series and received its premiere performance at the closing concert of Festival Miami on October 25, 2001 by the University of Miami Symphony Orchestra Thomas Sleeper, conductor This concert band version was created by Gary D. Green, Director of Bands at the University of Miami and received its world premiere performance on January 21, 2009 by the University of Miami Wind Symphony Gary D. Green, conductor The original poem used in this symphony is also set in my S A T B choral work entitled “The Song Within� published by Hinshaw Music. Many of the same thematic and expressive materials are explored in the choral work; this may be useful to those who wish to make a comparison of the two settings. Heartfelt thanks to Gary D. Green for his brilliant work and tireless commitment to perfection in making the present transcription. Through his deep understanding and love of the orchestral version and his careful rendering of its every expressive detail, he has succeeded in breathing new life in my symphony, illuminating its meaning in powerful and exciting new ways. I am grateful for his work, and honored to call him a true friend.


P RO GRAM

S

N OT E

Y M P H O N Y N O . 1 was begun in the fall of 2000 in Pasadena, California,

and completed the following summer at the MacDowell Colony in Peterborough, New Hampshire. Its four movements represent a journey of the soul from innocence, to introspection, to darkness, and finally to enlightenment.

   Before writing a note of music, I began jotting down a list of the kinds of sounds I wanted to evoke in the symphony. These jottings eventually evolved into a poem. Moving from themes of hope, to peace, to crisis, and finally to reconciliation, the poem’s four main stanzas correspond directly to the symphony’s four movements. I want to hear the sounds of hope — of big church bells and distant horns, Sounds that wash away the wars and arouse the human heart. A sure harmony gliding over a sea of stillness. I want to play the sounds of peace — of sighing winds and rustling leaves, Sounds that silence troubled thoughts and calm the spirit’s raging storms. A song of serenity from high atop an ancient hill. But my harp is stilled by voices — Children, hungry, crying out. Their dreams, windswept, My house of wisdom, a web of sorrow. I only know that I am longing… And then… I catch a glimpse — an ancient tree… an open gaze, Some eternal euphony that dances upon the light. And for one fleeting moment, I know… I am the sound of hope, the instrument of peace, the song within the Song.

   The first movement, “Of Youth,” expresses vivid aural images of a spring morning —  bell sounds, trumpet fanfares, bright harmonies, and clear textures illuminate the movement and give it a youthful energy. Themes come and go quickly, suggesting a short attention span and a childlike impatience.   


The second movement, “Of Wisdom,” despite its strong melodic and harmonic connections to the first, is in many ways its alter ego. Bright fanfares give way to greater lyricism. Childlike optimism yields to introspection. After a series of vast modulations and an orchestral swell, a lengthy period of calm follows. A repeated major chord hangs high, becoming an immovable block that is quietly implacable to the pleadings of the solo bassoon. Vague recollections of the first movement appear like fleeting dreams.    The third movement, “Profanation,” represents a crisis of faith. The key of D minor is used as a symbol of darkness. This association also pays tribute to Mozart, who used the key only on rare occasions as a symbol of pessimism and struggle (e.g., the appearance of the stone guest in Don Giovanni, and the unfinished Requiem Mass). The main theme wedges upward and back again, as though dodging some menacing force. A contrasting middle section provides an uneasy moment of respite before surrendering to the return of the scherzo and its racing heartbeat.    The poem sung in the final movement, “Prayer,” summarizes the dramatic flow of the entire symphony. The accompanying music searches in vain for resolution, wandering from one tonal area to another (D, C, F, A, B) before finally resigning itself in the poignant key of B minor. After a period of darkness and vulnerability, the music ultimately yields to themes of transcendence as the singer discovers an inner light.

F RAN K

T ICH ELI

PA SA D ENA , CALI FO RN IA MARCH

S Y M P H O N Y N O. 1 F O R CO N C ERT BA N D

Movement I, Of Youth: 6 1/2 min. Movement II, Of Wisdom: 9 1/2 min., beginning on p. 31 Movement III, Profanation: 5 1/2 min., beginning on p. 46 Movement IV, Prayer: 9 1/2 min., beginning on p. 88 Total Duration: Approximately 31 min.

9, 2011


F RA N K

T I CH ELI

WORKS FOR CONCERT BAND F R A N K T I C H ELI ’ S WO R K S F O R CO N C ERT BA N D A R E P U B LI S H ED EXC LU S I V ELY B Y M A N H AT TA N B E AC H M U S I C

Abracadabra (5 minutes, grade 3) Amazing Grace (5 minutes, grade 3) Amen! (3 ½ minutes, grade 2) An American Elegy (11 minutes, grade 4) Angels in the Architecture (14 ½ minutes, grade 5) Ave Maria / Schubert (4 ½ minutes, grade 3) Blue Shades (10 minutes, grade 5) Cajun Folk Songs (6 ¾ minutes, grade 3) Cajun Folk Songs II (10 ½ minutes, grade 4) Fortress (5 ½ minutes, grade 3) Gaian Visions (9 ½ minutes, grade 6) Joy (2 ½ minutes, grade 2) Joy Revisited (3 ½ minutes, grade 3) Loch Lomond (6 ½ minutes, grade 3) Nitro (3 minutes, grade 4) Pacific Fanfare (5 ½ minutes, grade 5) Portrait of a Clown (2 ¾ minutes, grade 2) Postcard (5 ¼ minutes, grade 5) Rest (8 minutes, grade 4) Sanctuary (12 minutes, grade 5) San Antonio Dances (9 ½ minutes, grade 4) A Shaker Gift Song (2 minutes, grade 2)

This work is a separate publication of the third song from Simple Gifts: Four Shaker Songs

Shenandoah (6 ½ minutes, grade 3) Simple Gifts: Four Shaker Songs (9 minutes, grade 3) Sun Dance (5 minutes, grade 3) Symphony No. 1 (31 minutes, grade 6)

Movement 1, “Of Youth,” Movement 2, “Of Wisdom,” Movement 3, “Profanation," Movement 4, "Prayer"

Symphony No. 2 (21 minutes; mvts. 1 & 2 are grade 6, mvt. 3 is grade 5)

Movement 1, “Shooting Stars,” Movement 2, “Dreams Under a New Moon,”and Movement 3, “Apollo Unleashed” may be separately performed

The Tyger (6 minutes, grade 6) Vesuvius (9 minutes, grade 4) Wild Nights! (6 ½ minutes, grade 4)

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SYMPHONY NO. 1

Transposed Score

FOR CONCERT BAND   Piccolo   Flute

Oboe (Ob. 2 doubles Eng. Hn.)

1 2 1 2

Bb Clarinet 1

 

Exultant q = c. 138

2

1.  fp

p

     

f

      f   Bb Bass Clarinet   a2  1      Bassoon   Bb Clarinet 3

f

 a2      1   Eb Alto Saxophone   2 p

Bb Tenor Saxophone

f

  

      Bb Trumpet 1  

fp

Eb Baritone Saxophone

Bb Trumpet 2

F Horn F Horn Trombone

1 2 3 4

  

1 2

Bass Trombone

Euphonium

Percussion 3

2

 

 

Tacet until mvt. 3

     

5 

6

f

 

 

ff

 

 

ff

             ff

     

mp

ff

7

p a2 

8

    f

   f

fp

  

f

  

     

       p fp 2.      

f

fp a2

f

 



p

fp

p

fp

f

p



f

      

        

ppp

f

ppp

f

       

mp f       

ppp

   exuberant Solo              

f

       

     

        

ppp

f

  

 

 

   

    

mp

 

mp

 

Chimes mp

  

  

  

ff

f

 

      

 

ff

ff

 

   

  



 

 

 

 

f

mf

f

Copyright © 2011 Manhattan Beach Music - All Rights Reserved - Printed and engraved in the United States of America ISBN 1-59913-140-4 (set of parts only) ISBN 1-59913-141-2 (conductor score) Visit www.Frank Ticheli.com for the latest information on the music of Frank Ticheli Purchase music, download free MP3's, view scores and more at www.ManhattanBeachMusic.com

p

  

 

 

 

  

  

  mf   

 

 







p

f Slapstick  f

  

1  Marimba  

    

f

 

p

f Glockenspiel

Percussion 2

     Tacet until mvt. 4 Voice     (Tenor or high Baritone)     Timpani   Vibraphone     Percussion 1   Piano



p

FRANK TICHELI TRANSCRIBED BY GARY D. GREEN

         

     

4

mp

    

     

   fp  Tuba     Double Bass  

p

f a2 

   

p

 

   a2        f

 

 

p

fp

Bb Trumpet 3

fp

          

       f       

2

3

fp

f

Bb Clarinet 2

I. Of Youth



 




9

  Picc.    

1 2

f

Bb Cl. 3

Eb Alto Sax.

1 2

  



 

f

mf



Bb Tpt. 2

Bb Tpt. 3

p

 

 

pp

 



   

p

 

 

 

mp

 

         

  D. B. 

 

 (Vibes)   

fp dim.

mf



 

 

        mf

         f

 

f (Glock.)

  

f

f

f

 

 

   

 

   





p

 

 

mf

 

 

 

   

p

    

f straight mute

    

f straight mute

    

f

 

         

p

p

        

A Tempo

   

 

p



  p

  



  

1. p

 

mute out

mute out

mf

  

pp

   

1. Solo elegant

  

mute out

 

 

        

p

 

   

mf div. (if only one player, play bottom notes always)

 

f

f

 

mf

Perc. 3

    

Bs. Tbn.

Perc. 2

Perc. 1

Pno.

p

straight mute

1 2

Tuba

     

Euph.

sf

Tbn.

sf

3 4

16

  

1 2

rit.

p

sf

F Hn.

 

15

pp

fp

14

pp

 

 

  Bb Tpt. 1   

F Hn.



13

pp

Bb Ten. Sax.

Eb Bari.Sax.

f

12

             f            

1 2

f

  a2             

Bb Cl. 2

Bsn.

11

f

Bb Cl. 1

     

                

1 Fl. 2

Ob.

   

10

  

pp

  

 

  

 

  

 p

  

  



   

pp

pp

pp

p

p

pizz.

p

 







Temple Blocks

f

 2




 Picc.  17

 

           (1. solo)

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

1 Bsn. 2

Eb Alto Sax.

1 2

p 2.

 

p

   

 

mf

mp

 

   

 



mf

mp

 

 

(1.)

 

   

 

19

 

20





  

mf

mp

  

  

 

       

a2

        f

  

 

 

   

    

mf

mf

 f

 

  

   



 

  

 

a2

mf

f

 

 

Bb Ten. Sax.

 

 

Eb Bari.Sax.



 

 

 

 

Bb Tpt.

1 2

   

1 F Hn. 2

mute

 

mp 3. mute

mute out         sf

    

 

 

 

 

 

 

 

 

Euph.

 

Timp.

mp

sf

 

 

 

 

 Perc. 1  Perc. 2

Perc. 3



mf fp



3

Bs. Tbn.

Pno.

p

3. open

    

 

 D. B. 

mf

 

Tuba

1 2

Tbn.

a2 (2. open)

3 4

 

1. open 

 

 

F Hn.



mute out

 

     mp

    

   

 

 

 

 

 

 

 

P

 

 

    mf

p

 

(pizz.)

           mf

  



 

 P



 

    mf  

   



       

  

 

mf

Crotales



mf

Chimes



mf

3

 

(Vibes)



f

f

   

  

  

a2

     

f

 

23

f

   

 

 



 

 

22 

 

       

  

21

           

 

Bb Bs. Cl.

  

2+2+3

 

1 Fl. 2

18

  


 24  25      Picc.     1 Fl.  2  2.          1 Ob.    2 

Bb Cl. 1

   

      

 

Bb Cl. 2



 

 

        

 

  

   

    

 

  

    

  

p



p

p

espr.

 



poco f

f

  



p

 



p



 

   

 

 

 

 

 

 

 

 

Eb Bari.Sax.



 

 

mf

p

1 2

Bs. Tbn.

3 F Hn. 4

Tbn.

Tuba

D. B.

 

Pno.

 

    

Perc. 3

 

pp

   

(Vibes)

(pizz.)

 

  

 

 

 

espr.



 p

   

P

      p

 

 

 

 

 

  

  

 

      

   

    

    p



  

  

  

 

    

4

 

  

mp

     

 

  

    

1.

poco f

pp

       

(Chimes)

 

pp

(Crot.)

Perc. 2

  

 

  

p 2.



    

 Timp.  Perc. 1

mf

Euph.





 





 

  



1 2

   

 

F Hn.

Bb Ten. Sax.

 

    



p

      

1  Eb Alto Sax.  2

1 2

Bb Tpt.

31

30

     

 

   

Bb Bs. Cl.

29

 

Bsn. 2

2+2+3

 

f

 

Bsn. 1

28

  

     

27

Bb Cl. 3

 

26

     

         

 





   

  





    

div.  



  

 P

 



  

 

    

     



     

  

    

 



 

 

 

 


 Picc.  32

    a2

Fl.

Ob.

1 2

f 1.

   

1 2

f

Bb Cl. 1

Bb Cl. 2

 

 

 

Bb Cl. 3

Bb Bs. Cl. 1 Bsn. 2

33

 

 Eb Alto Sax. 1 

34  

  

 

  

 



           f

 

 

      mp

 

 

    

mp

 espr.

fp

 

 

 

38

 

fp

 

 

 mf

 

  







 



  









fp

       

   

 

 

 





 

 



  







fp

        

  

   

mf



   





mf

    



mf          

a2

 



 

           

   

 

1.       

  

     

40

 

39

       

         

  



37

     

  

2+2+3

 

 espr.

 

        

36



   

35

a2





mf





mf

  

 

 

    

Bb Ten. Sax.

 

 

Eb Bari.Sax.



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Eb Alto Sax. 2

 Bb Tpt. 1  

Bb Tpt. 2

f

mp

   

 





mf





mf

 open

  

 

mf

       

open

mf

Bb Tpt. 3

 

F Hn.

1 2

 

F Hn.

3 4

Tbn.

1 2

 

 

 

 

 

Bs. Tbn.

 

 

 

 

Euph.

 

 

Tuba



  

  



  



  



   





 



Perc. 2

Perc. 3

mp

  

 

  

  

 

 

 

      

 

 

 

 

 

 

   

 

 

 

 

 

 

 

 



 

 

 

 

Perc. 1

 

 

          

Timp.

   

 D. B.  Pno.

 

  

 

D.B. cue*

p



*For all double bass cues, only one tuba plays if no double bass available arco



mp



  

5

 

  

Sus. Cym.

p

mf

 

mf Bongos – sticks



mf

   

mf





   

(Chimes)



mf




 Picc.  41

Fl. 1

Ob. 1

Ob. 2

      

Bb Cl. 2

Bb Cl. 3

                                 

   

3



(a2)

 

Bb Ten. Sax.

Bb Tpt. 1



  

1 F Hn. 2

Timp.

Perc. 1

 

Perc. 2

Perc. 3

 

 

  

  







(Bongos)

 

  

   



 

          

f

  



         

 

    

    



   

           



3

3

   

sf

    1.

mf

 





3

3

f

 



  

f

mf

 

        

f to st. mute

to st. mute

  f



 

P

 

   

f

Slapstick

6

f

   



         

          

 

   

   

f

          

P

Xylo.

   

  

mp

sfz

  

st. mute f

 

 

    

mf

   



                     

3

3

p

 

           3

f

f

   





 



                      st. mute     

      

   

                                

2.

 



f

f

    

  

         f           

f

  

         

  to st. mute            

     

f

   

f



f

                                f                     

3

sf

     





   

 

                      

p

(Chimes)

 

3

3

3

 

 

             



   



fp

 D. B.  Pno.

mf

fp

f

f

3

  

3 F Hn. 4

f

       

                           



  

            

 

    

Bb Tpt. 3

 



  

 

   

Bb Tpt. 2

1 Tbn. 2

  

 

   

3

                     

  Eb Alto Sax. 1  Eb Alto Sax. 2

3

3

   

              3  3   3                                              f                                                  3 3  3

   

3

                                3

      

 

3

f

                             3             

      

Bb Bs. Cl.

3

mf

3

Bb Cl. 1

1 2

        

Fl. 2

Bsn.

44 Vigorous        46  42         43    45  3    3                                         

 

 

  

 

f

 

     P

 

P

  

2.

 

Sn. Dr.

  p

   

mf

                 

 f


47   Picc.  

Fl. 1

 

Fl. 2

Ob. 1

        cresc.       cresc.           

48

cresc.

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

 

Bsn. 1

 

Tuba

  



cresc.

       cresc.

D. B.

Perc. 1

Perc. 2 Perc. 3

 

cresc.

 

      



cresc.

  

 



cresc.



    

  

mp Sus. Cym. 

 

 

 

f







p

 

 

 

p





     ff



p

p

        

 

 

f

p

 





 

p



p

 

arco

 p

     P 

    

mf

 Chimes



f

7

to mute

 

pp

mf

    



mf

      To Eng. Hn.  

f

p

 

p

p

f

 

p

       

  

     3. mf               

  

p       

fp

 



    

poco rit.

 

pizz.

 

p

54

       

f

p

   

 

53

p

p

  

p

 

fp

ff

p

 



  

        

 

  

    



 

 

   

    

       

 



ff

   

 

52

                 

   

 

               



 

         

                  

  

 

f cresc.

  

 

       

cresc.

   P  Timp.  Pno.

f cresc.

 

    

          

Bs. Tbn.

     

1 Tbn. 2

 Bb Tpt. 1  

3 F Hn. 4

    

  

   

51

   Bb Ten. Sax.                  Eb Bari.Sax.  

1 2

f cresc.

F Hn.

              

50

        Bsn. 2  cresc.         Eb Alto Sax. 1    cresc.           Eb Alto Sax. 2    

Bb Tpt. 2

cresc.

 

Bb Bs. Cl.

49

            

            cresc.         cresc.               cresc.          cresc.

Ob. 2

   



p

p



  



   


 Picc.  

56              

 

         

55

1 Fl. 2

Ob. 1

Ob. 2

Bb Cl.

mp

Bsn. 1

 

Eb Bari.Sax.

1  Bb Tpt.  2 Bb Tpt. 3

1 F Hn. 2

F Hn.

3 4

Tbn.

1 2

 

Bs. Tbn.

Euph.

Tuba

D. B.

Pno.

     

 

  

 pp

pp

  



mp

 

  

   

                            2.



mp

 

 

      

 

   

 

    



 

mute

      mp

      

 

mf

  

     mp

   

D.B.







pp



      f

  



mp



mp

pp

mp

pp

    

p

pp

   

Solo

p

   

60

a2

f (with energy)

59

                        

mp

1  Eb Alto Sax.  2 Bb Ten. Sax.

Eng. Hn.

pp

58

  

q = 108

mf

 

Bb Bs. Cl.

Bsn. 2

mp 1.

  

1 2

57















 

            

 

         

 

pp

mp

pp

mp

Perc. 2

Perc. 3



Timp.

Perc. 1

8

 p

 


64

 Picc.  61

Fl. 2

Ob. 1

p

 

To Oboe

p

f

 

f

 

         f 

Bb Cl. 3

 

Bsn. 1

 Eb Alto Sax. 1 



f

mf

mf

 

 

    

   

     

 

      

                  f

   f

p

 

  

   

p   

f

  

p

 

2.

 

mf

  

mute out

 

  

f

     f



  





 

   mp

    

1. st. mute

mf 3.

mf 2.

 

mf

 



mf

 

 p

 

p

Play

p pizz.

mf

Perc. 2

Perc. 3



Pno.

Timp.

Perc. 1

   

9

Sn. Dr. – brushes

 

f



Trgl.

f

   mf



  p

  

f





  

    







1.

        

open

 

1 2



 

D. B.

fp



Tuba

 

3 4

Bs. Tbn.

  

fp

Solo

    mf



     

 

  

1 F Hn. 2

   

65

   

 mf

 

                   

 

Bb Tpt. 3

Tbn.

 

 

Bb Ten. Sax.

F Hn.

f

   

            

p

Eb Alto Sax. 2

1 Bb Tpt. 2

f

 

p

p

       

              

mf

  

p

    Bsn. 2  

Eb Bari.Sax.

 

Bb Bs. Cl.

f

solo

Bb Cl. 2

f

Bb Cl. 1

                       

p

                   

 

Eng. Hn.

            

63

Fl. 1

62

  

   


 Picc.  66

1 2

Ob. 1

Fl.

   

Bb Cl. 1

f

 

Bb Cl. 2

    

Bb Cl. 3

Bb Bs. Cl.

Bsn. 1

   

    



 

   p

   

mp

f



   

1 Tbn. 2

Euph.

Tuba

D. B.

Pno.

 

 

 Timp.  Perc. 1

Perc. 2

Perc. 3

          3

f

  

 

 

   

f

p



        f    

 

f

  

    mp    

  f  

 

mp

f

mf

     p 2.     

   

p

   



mp

  mp 

 

mp

      f

    

p

  

f

 

    mp

10

  

Crotales mp

to st. mute

pp

p

     f fp       

      

  



mp



   

f

 mf

f

    

 

 

f

Chimes



 

   

 

mp

    

       

 

mp

   



   



 

mp

 

pp

     



mf

st. mute        

div.

p

p

mf

(1.)

                



p

   



   

mf

f

71

 

Bs. Tbn.

p

  

3 4

F Hn.

  

mf

Eb Bari.Sax.

 

   

1 F Hn. 2



   

Oboe

        

p

       

Bb Ten. Sax.

Bb Tpt. 3



   

p

f

  

  

f

p

3

1 Bb Tpt. 2

       

f

70

            



 

1 2

 69   

             Bsn. 2   Eb Alto Sax.

p

          

    

68

p

Eng. Hn.

67 

 

p

  


 

72

Picc.

Fl. 1

Ob. 1

Ob. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn. 1

Bsn. 2

 

Bb Cl. 2

mf





 

 

F Hn.

p



f

Euph.

Pno.

Timp.

Perc. 1

Perc. 2

Perc. 3

 

    

mf

 

   f





mf

 

 

 

mf

mf



 



mp

 11

   

 

 

 

 

 

 

  

fp

    

 

   

 

fp

1.

3.

 f



f

 

  

   

p

  

p

   

 

 

 

 

 

  

 

 

unis. pizz.

    



 

 

 



mp (Crot.)

 

 

Vibes

 





 

  

 

3

     fp       

 

mf

   



fp

 

     fp     

mf

           mp

  

fp

div. arco

            mp 

f

f

3                            

     

Bs. Tbn.

 

   

p

 

 

  

f

a2 

mp

   

         

   

p

 D. B. 

f

f

p

p

1 Tbn. 2

Tuba

f

 

  

3 4

1 2

   

  

Eb Bari.Sax.

Bb Ten. Sax.

F Hn.

p

1 Bb Tpt. 2

f

f

                           Solo boisterous

78  3               3         3 3

f

   

p

f

77          

76

mp

f

3



1  Eb Alto Sax.  2

f

        3

 

75

sf

74

 

  

Bb Cl. 1

Fl. 2

                     

Solo boisterous

73 

f

    

   

mf

  

 

 

 

 

 

 

 

 

 

 

mf

mf

  

 

 


2+2+3   81                

79 3+2+2 80            Picc.     Fl. 1

Fl. 2

Ob. 1

Ob. 2

      

 

 

 

 

 

 

1 Bb Cl. 2

1.   

Bb Cl. 3

 

Bb Bs. Cl.

3

 

mf

3             

 sfp

mf

sf

   

mf

sf



  



 

f

   

f

    

  

a2

fp

fp



fp

   

   

   

   

 

 

 

f



1.

  

  

  

  

  

    

 

  

 

  

p

f

p

 

84

mf

         

f

                                      

sf

83

    

f

mf

   

  

  

   

 

mf

    

mf

 

mf

 

  

 

 

 

 

 

 

 

Bb Ten. Sax.

 

 

 

 

Eb Bari.Sax.

  

 

 

 

 

 

 

 

 

 

1 2

  Eb Alto Sax. 1   Eb Alto Sax. 2

Bb Tpt.

1 2

  

F Hn.

1 2

 

3 4

 

 

1 Tbn. 2

 

 

Bs. Tbn.

 

Euph.

 

F Hn.

Tuba

D. B.

Pno.

       

fp



   

mf

 

 

mf

pp



pp

   

  

mf



 mf

 

 

 

 

 

 

 

  

 

 

 

   

 

 





  

 

   



 



 



   





 

    

  Timp.  

  Perc. 1   Perc. 2

 

Perc. 3

  



mf



P

  

P  

 

(Vibes)

 

 

mf

(Chimes)

mf

  



  



 

mf

  

    

mf div. – arco

 











mf

 

 

 

 



  

 

mf

  12

 

Bsn.

  



 

  

     

82

mp

   


          Picc.   85

3

3

Fl. 1

3

 

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

 

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl. 1 Bsn. 2

       

   

  

mf

   

3

3

3

           3



    

 

3+2+2+2



   







f



 

f

 

 

      

 

   



   f

f

f

           f       f

         

Eb Bari.Sax.



 

 

 

 

   

  

 

  

 

 

 

 

  distinct                                             

        

 

 

f

 

 

 



st. mute

secco            mf

f

F Hn.

1 2

 

     mf  

F Hn.

3 4

 

 

Tbn.

1 2

 

 

Bs. Tbn.

 

 

Euph.

 

 

 

 

 

to mute

   D. B. 

Pno.

Perc. 1

Perc. 2

 

 

 

 

 

 Perc. 3    

Sus. Cym. p







f





(Vibes)



 

unis. pizz.

f

     

 

    

    

   

   

mf st. mute – secco

 

  

          

Tuba

90

                                      f     

Bb Tpt. 3

f distinct



89

 distinct                                   

f

88  

         

Bb Ten. Sax.

 

  

     

 

1 Bb Tpt. 2



 

 

87



f



 

          

 



f

     Eb Alto Sax. 1  Eb Alto Sax. 2

3

 

86

   

 

   

   

mute

   

  

secco

         

st. mute

mf

          

mf

    mf

               

 

              

    

  

           

 

 

 T. Blks.       

 

 

f

f

 choke       f



13


 Picc.  91

Fl.

1 2

1 2

93

            

f

Bb Cl. 3

Bb Bs. Cl.

              1        Bsn.   2   

Eb Alto Sax.

1 2

 

sf

 

f

           

    mp

mf

        mf

                 mp

1. Solo aggressive

   

f

 

Bb Ten. Sax.

Eb Bari.Sax.



1 Bb Tpt. 2

  

 

Bb Tpt. 3

F Hn.

1 2

    

     

             

 

mf

3 4

1 Tbn. 2

F Hn.

Euph.

Pno.

Timp.

Perc. 1

Perc. 2

Perc. 3

            

      

   

   

 

   

      

       

  

      

                 D. B.          Tuba

sf

      

          

Bs. Tbn.

  

      

                

         

  

     



sf



sf

mf

mf

      

   mp

 

    

 

  

(T. Blks.)

mf

 Tom-Toms dry, muffled

     

mp

  

sf

              mf

mf

      

f

  

            

96 

            

sf

95

 

f

94

           

               

1 Ob. 2

Bb Cl.

92

     

   f

     

    14

  p

     

mf

mp

  mp


 Picc. 

        

1 2

      

Bb Cl. 3

Bb Bs. Cl.

97

1 Fl. 2 1 Ob. 2

Bb Cl.

Bsn.

1 2

     

98

99

(1. solo)       1        Eb Alto Sax.  2 dolce

p sub.

scolding

    ff

 

100

     

 

 

 

  

 

mf

mf

101

    

   

f

           

playful

        

f

102

mf

   

  

dolce



mf

  insistent             f

Bb Ten. Sax.

Eb Bari.Sax.



 

Bb Tpt. 1

Bb Tpt. 2

F Hn.

    

1 2

mf

F Hn.

    

3 4

mf

mf

 

   

   

mf

    

     

      

     

mute out

      

mute out

   mp     

mute out

      

Euph.

        mp

Tuba

    

Pno.

Timp.

Perc. 1

Perc. 2

Perc. 3

    

     

D. B.

   

Bs. Tbn.

mp

1 Tbn. 2

   

    

2. st. mute      

  

   

 

 

 

 



 

 

Tambourine

mp

 

Claves 

 

mp

15

 


 Picc.   103

 

 

1 Fl. 2

 

 

1 2

 

 

Ob.

Bb Cl.

Bb Cl. 3

Bb Bs. Cl.

 

  

a2 with drive and energy

mf

107

 

     

106

   

(1. solo)

1 Eb Alto Sax. 2

105 

1 2

1 Bsn. 2

mf

104

     

   

f

    f



with drive and energy

    f



f

   

  

1.

f

            f ff

 1.



f



    

 



 





    

 





    



 

 

          f  1.

 



Eb Bari.Sax.



   mute out 

    

1 2

  

1 2

 

3 F Hn. 4

 

F Hn.

1.

mf

1 Tbn. 2

Bs. Tbn.

        

open

   f

  

mf

   f

Tuba

 

D. B.

Pno.

Timp.

      

mf

 

    

 

   

      

     f arco    

   

 



 

    

  

  

 

      

 

 open

        

f

 

 

 

(Claves)

 

 

 

    

mf Sn. Dr.– sticks

 

mf

 

 Tom-Toms

    mf

 16

 

  

 





        





 



 

     

   

  



f

   



 

 

f

(Tambourine)

Perc. 3

  



 Perc. 1  Perc. 2

  

open strict rhythm

Euph.

  

open strict rhythm

a2

Bb Ten. Sax.

Bb Tpt.

    



  

p

mf

 

   

 

  

  

 


  108

Picc.

Bb Cl. 3

Eb Alto Sax.

1 2



(1.)



Timp.

Perc. 1

Perc. 2

Perc. 3

(a2)

     

 



  



 

     f

 

    

f

 

 

        

 

  

   

 

   

   

        

  

   





 

 

open

   



   

mf



 

(Tom-Toms)

  

ff

 







   

ff

   

  

 

  

       

fp

 

p

p

   

        

f

mf

 

     

f

fp

D.B. cue (One only if no double bass available)

pp

D.B.

    f

 

 

 

f

f

Xylo.

    f

17

f

   

(r.s.)

p

    

pp

div.

pp sub.

   



ffp

p

pp sub.

fp

ffp

 



   

      

 

f

 

mf

   

 mf

 1. solo – aggressive

 

   

fp

ff

   

fp

   

ff

 

 

5       

    

ff

5     

    

    

   



   

(Sn. Dr.)

f

 

   

   

   

 

 

 

   

   

sf

      

ff

 

sf



ff a2

f

f

f

ff

    open

   

       ff ffp     

        



ff

   

 

ff

112

f

ff ffp

 

 

   

        

poco rit.

111

ffp

   

 

 





f

ff

 

   

 D. B. 

Pno.

   

Bs. Tbn.

Tuba



3 4

f

    

 Bb Tpt. 1 

F Hn.



a2





1 F Hn. 2



Bb Tpt. 3

   

    



   

  

ff



 

Bb Tpt. 2

 



 

Bb Ten. Sax.

Eb Bari.Sax.



Bb Bs. Cl.

1 2

Bb Cl. 2

Bsn.



Bb Cl. 1

    

 (1.)

1 Ob. 2

f

110        

f

Fl. 2

 



Fl. 1



109          

 

 

f


 Picc.  113

 

  

    mf

Bb Cl. 3

Bb Bs. Cl. 1 Bsn. 2

Solo

 

Bb Cl. 2

Bb Cl. 1

mp

  

mp

Solo

Ob. 2

   mf

  

 

mf

 Solo

    

  

Solo

mf

 

tutti

p

 

 

 

   

mp

 p

     pp



p

119

   mf

 

118

   

mf

Suddenly Faster q = c. 132

pp

  

   

p

   

116

         

pp

solo

  

mf (elegant)

    

         

mf

pp



 

 

p

   mp

    

Bb Ten. Sax.

Eb Bari.Sax.



Bb Tpt.

1 2

 

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

Tuba

 

   D. B.  Pno.

Timp.

Perc. 1

Perc. 2

Perc. 3

 

unis.

p

  

Play

p

   

Play

pizz.

mf

 

  

arco div.

 

p



  

  18

   

Xylo.

mp

 

 

  

 

(1.)  

1  Eb Alto Sax.  2

  

Ob. 1

Solo  

 

Fl. 2

 

117

molto rit.

115

Solo

 

Fl. 1

114

 


 Picc.  120

Fl. 1

Fl. 2

  

 

Bb Cl. 3

Bb Bs. Cl. 1 Bsn. 2

Eb Bari.Sax. 1 Bb Tpt. 2

  

mf



pp

 

124  

 

 

 

 



   

 

     

  

mf

   

  

mf

  



  



  



  

 

mf

ppp



  

 

pp

pp

ppp

ppp

  



p

 

 

  

 

 

 

 

 

 

 



 



 



 



 

  p





tutti

     pp

f

pp

f

 

 



1. 

pp

   

 

 

p

fp

      

 



pp

 

fp



pp

 

      

p

fp

pp

 

      

p

pp

p

 

     

p

ppp

pp



128

fp

f

 

127

 

   

126

                       

  

125

 

 

123

 

Bb Ten. Sax.

p

 

 Eb Alto Sax. 1  Eb Alto Sax. 2

 

 

Bsn. 1

  

   

122

p

Bb Cl. 1

2+2+3

 

Ob. 1

Bsn. 2

     

121

 





p





p

1 2

F Hn.

3 4

 

 

 

Tbn.

1 2

 

 

 

Bs. Tbn.

 

 

  

Euph.

 

 

  

Tuba

 

F Hn.

   D. B.  Pno.

Timp.

Perc. 1

Perc. 2

Perc. 3

 

  

   

 

       

 

   

  

    

  

   

 

 

  

 

 

 

 Glock.  



 

 

mp

 

  p

mf

 19















Vibes



 





 

mf

mf l.v. sempre

 

p

Chimes

 

 

 

   





mf l.v. sempre



                               

 



mp

p

 

mf

 p 

f

pp









 

 

  

 


  Picc.   129

 

Fl. 1

 

Fl. 2

Ob.

 

1 2

130

   p

Bb Cl. 3

 

 

1 2

Eb Alto Sax.

1 2

1 2

F Hn.

  

   

fp

f

    



 

    

    

f

  

   

 

p

mf

 

 

 

 

fp

    

p

   

p

 

 

 

 

pp



2.  fp

    fp

 

fp

       

fp

fp

 

 

fp

 

 

 

 

 mf



















mf

 p



p



















 

  

p

 pp



pp

 

   



     p

p

 

    

    

    

 

    

    

    

    

 

   

f

f

  

  

   

   

  

  

    

 

    

 

mp

mp

1. 

 

p

mf

  

 

  

   

 

 

 

 

 

 

(Chimes)

 

  

 

     



 

 

(Glock.)

 

   



 

                   

 

 



 



  

f

mf

  

p

mf

 

    

p

   

 

f

  

 (Vibes)  Perc. 1  

Perc. 3

f

      

Perc. 2

             



 

Euph.

Timp.

  

f

Bs. Tbn.

Pno.

             



D. B.

mf

 

1 Tbn. 2

Tuba

mf

136

3 4

135

p

F Hn.

134

p

    



f

 

133

 

1 2



  

Bb Tpt. 3

 

132

 Eb Bari.Sax.  Bb Tpt.

  

 

p

 

Bb Ten. Sax.

    

p

 

Bsn.

fp

    

1 2

Bb Bs. Cl.

fp



 

   

Bb Cl.

 

 

131

  

 

 





 20

              

 

 

 

 

    

 



  

 

 

   


        

  Picc.    137

1 Fl. 2

Ob.

1 2

f

1.

  

  

f

 

 

Bsn.

1 2

Bb Ten. Sax.

Eb Bari.Sax.

Tbn.

3 4 1 2

 

Bs. Tbn.

Tuba

  

Timp.

Perc. 1

p

  

p

    

          f             f

p

     

f

  

p

mp

       mp

p

2. 



f 3.

  

f

f

f

  

f

 

(Glock.)

Perc. 3

  

(Chimes)

 

     

 

mp

    

 

 

 

 

    

  

 

pp



p

p

  

p

  

a2

mp a2

 

mp

 

 

       

 



 

 

 

  a2                     mf          

 

 



 

 

   

 

p

  



 



 

  



 



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

 

 

 

 

 

 

p

p

 

     

f

p

     

f

p

mf

mp

p

  

mp



p



      mf

mp

mf

      



 

f (Vibes)

Perc. 2

mf

 

   

mf

     

f

 

 

 

p

     

   

 

pp

143

 



    

espr.

p

  

  

f

p

 

mp

   

mp

f

   

mp

  

2+2+3

 

       

1.

  

p

p

  

ff

f

  D. B.   

Pno.

     ff

 

 

    

  

f

F Hn.

142

 mp          mp

p

f

1 F Hn. 2

 1    Bb Tpt.   2 Bb Tpt. 3

   

141



mp

 

  Eb Alto Sax. 1   Eb Alto Sax. 2

mp

   

Bb Cl. 2

     

140

mp

f a2

 

Bb Bs. Cl.

         

Bb Cl. 1

Bb Cl. 3

139

138

  

 

p

 

     

       

 

    

   

 

 

 

 

 

 

 

      

 

 

 

 

   

p

21



  

p

Xylo. p

 

   

 

   


  Picc.   144

Fl. 1

Fl. 2

145  

 

  

 

  

 

1 2

 

1 2

 

  

Bb Cl. 3

 

  

Ob.

Bb Cl.

Bb Bs. Cl.

  

Eb Alto Sax. 2

mf

  

mf

     

 



  

 

  

p

 

 

 

 

 one player  



 

   

 

 

 

   

 

 



 

 

150





 

 

 

 

 

      

 

p



 

149

 



mf

mp

 

 

 

tutti



  



 

 

 

 

 

  

 

Tbn.

1 2

Bs. Tbn.

mp

f

 

 

 

 

  

Euph.

 

 

Tuba

  

 

   D. B.  

 

p

open

p

 

 

 

 

 

 

 

 

p

one player

p

 

 

 

 

  

  

 

 

   

f

mute out

p

mp

  

 

1.            

 

 

 

 

 

 



 







      

 

 

 

 

 

 

 

 

 

 

22

p

p



 

p



p





 

p

a2

         



 all          mp   2.         mp



mf

1.      



    

 

a2



 







 

p

   

 

 







 

 

151 

Perc. 3

 



 

 

 

Perc. 2

 

148

3 4

Perc. 1

 

2+2+3

  

F Hn.

Timp.

a2 mute

Pno.

 

   

147

  

Eb Bari.Sax.

1 F Hn. 2

p

  

Bb Tpt. 3

a2

  

1 2

 

one only

Bb Ten. Sax.

Bb Tpt.

  

1  Bsn.   2 Eb Alto Sax. 1

146

(Xylo.)

   

p

 

     




152      Picc.    1 Fl.    2

(a2)

1 Bb Cl. 2

 



Bb Cl. 3

 



  

Bb Bs. Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax. 1

 

 

     p

1.    p

1 Ob. 2

153









mf

p

mf



p



 

         

  

  

             f

    





156

  

 

p

    

 1. Solo

           



mf        



       

   

mp



  

      



p

          



157

 

 







     

155

          

         

 

154

  

             

 



Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari.Sax.



Bb Tpt.

1 2

  

Bb Tpt. 1

Solo st. mute – distinct

                

Bb Tpt. 2

   (1.)

1 F Hn. 2

mp

f



  

st. mute

    

f

   

   

    mp

f





F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

Tuba

 D. B.        Pno.

 

Timp.

 

 Perc. 1 

Perc. 2

Perc. 3



 

p

 

 

           

        

Vibes

   p

mf

mf

       

(Xylo.)

   

 

mp

    

 

  

p

p

 23

    

mp

   pizz.

mf

 

 

   mf


   158

Picc.

 

Fl. 1

159      

mf

Fl. 2

f

    

     

f

  

Bb Cl. 2

 

Bb Cl. 3

f

a2 f

   

  

Bb Cl. 1

    

f

f

             2.  1         Bsn.   2   

Bb Bs. Cl.

Eb Alto Sax. 1

  

Eb Alto Sax. 2

 

Bb Ten. Sax.

Eb Bari.Sax. 1 Bb Tpt. 2 F Hn.



  (1.)     f

1 2

fp

p

     

5



f

3

5

mp

         3 f

           3



   

Euph.

 tutti

   p   

          D. B.   Pno.

 

 Timp. 

Perc. 3

   



  

 (Xylo.)

 

 f

    

 

  2.

p



p

p

p

 

 

 

 

f

 

   

pp















 



f

   

  

p

p

     







 

 

pp

  

   



  

p

p

p



mp

  p

 

arco



p

    

f

 

    

 24

  f

P





 

 

pp Glock.

(Chimes)

  mp

   

Sus. Cym.

 

 

p

pp

 

 Perc. 1  Perc. 2

       

   

Bs. Tbn.

      



   

pp

      

  

   

1. solo                 f

f

fp

p

p

mp

1 Tbn. 2

  p   a2            

   

  



p

f

f

f

f

f

3 F Hn. 4

Tuba

f



  

p

5

    

    

 

f

p

mp

164            

163

p

f

162

               



p

5

      

161

                3

(1.)

fp

  mf

1 Ob. 2

 

f

160

mf

   

 

mp







 


165 With energy and clarity 166  Picc.   Fl.

Ob.

 

1 2

1 2

 

mp

 

1 2

Bb Cl. 3

    

  1    Bsn.  2 f

1  Eb Alto Sax.   2

p

mf

   

   

   

(a2)

   



  



      

   



1 2

3 4

1 2

Bs. Tbn.

Euph.

 

  

Timp.

Perc. 1

 

1.



mp

mf



  

 



mp

mf



p



p

   

 

    



     mf

p

   

p

       

  

   

   

 

 

f

 

p

 

p















f

 

p

mp

mf

p

mp

mf

p

  



 



  p

   

f

f

 25

   

Sn. Dr. (r.s.)

a2         mf

 

p

 

  

    



       

  

Tambourine

  

 

   

    

 

f

 



    

f

   

 

 

p

   



p

 

  

p

    

F Hn.

Perc. 3



   

Perc. 2

  

      

Pno.

 

    

D. B.

f

 

Tuba

        

 

171

p



1 2

Tbn.

 

p

Bb Tpt.

F Hn.

f

170

   

Bb Ten. Sax.

Eb Bari.Sax.

      

 

169

 

  

 



fp

p fp

 

Bb Bs. Cl.

   



168

fp

Bb Cl.

167

p P

 



 

 

 

   

Vibes

f mf Glock.

   f

mf

 

(Chimes) mf




 Picc. 

 

172

1 Fl. 2

Ob.

Bb Cl.

Bb Cl. 3

Bb Bs. Cl.

1 Bsn. 2 1 Eb Alto Sax. 2

1 2

F Hn.

F Hn.

  fp

(p)

f p

Perc. 3

 

  

    

 

  

f p

  

        

   

  

f p

  

        

   

mp

ff

  

 

 



 p

    

   

 

   



   



mf

mp

mf



  



mp

mf

     

  

  

       P

 

  



   



p

 

   

 

  

   

 



 26

 

p

ff

  

    

  

  

 

p

ff

   

pizz.

mp

     

 

  

 

 

 

  

     p

 

   

p

  

 

Claves p

p

 

   





  

p

mp

 

   

   

 

  

  

f

 

mp

  

mp

 

    

(Vibes)

 

    

  

 

   

f p

   

  

   



 

 

p

mf

      

mp

 

 

 

 

Perc. 2

    

   

   

  

f

 

  



fp

1.



  

ff

    

 

 

  

f

 D. B. 

  

     

   



   

     

fp

  



    

3.





mf

mf fp

  



  

ff

mp

   

Perc. 1

     

3 4

Timp.

fp

 

2.     

Pno.

   

   

 

 

f p

    

    

p

    

mf



1 2

Tuba

  

     

p

f

     

Euph.

fp

 

   

Bs. Tbn.

   

1 2

178



mf fp

Tbn.

  

 

   

Bb Tpt. 3

177

f p

Bb Tpt.

176

f

Eb Bari.Sax.

175

 

 

  

          

Bb Ten. Sax.

 

mf fp

   

1 2

174

    

 

1 2

173

  

 

Sus. Cym.

p

     

f

  p


 Picc.  179

1 Fl. 2

Ob.

Bb Cl.

1 Bsn. 2

   

f

Bb Tpt.

1 2

F Hn.

F Hn.

 

 



3 4

    

f

 

    mp

    mp

                  

 

      

   

   

   

   

   

mp





mf

  



f p

 

    f

 

  

  

  

    mf

  

mf

     

mf

     

  

 

              f

  

  

 

  

                  

    

mf

     

mp

  

 

mp

  

f

          

sf

   



   

bring out

mp

2. st. mute

st. mute

       

mp

  



mp cresc. poco a poco

    p

sf

                 

a2



a2

  

    

    p

   



f p

f

1 2

 

   

  

      

f

   

 

       

p



    p

 

f

Bb Tpt. 3

 p

  

2

Eb Bari.Sax.

     

185

 1   Eb Alto Sax.  Bb Ten. Sax.

184

 

183

Bb Bs. Cl.

182

  

Bb Cl. 3

p

1 2

181

     p

1 2

180

mp

   

      

 

   

      

 

mf

     

  

 

mf mute out

 

mute out

 

 

  





 

  f

 

 

1 2

 

Bs. Tbn.

 

Euph.

 

 

 

 

Tbn.

Tuba

D. B.

Pno.

Timp.

Perc. 1

Perc. 3

                     

 

   



mf

     

P

 (Vibes)       

     

f mp cresc. poco a poco

(Sus. Cym.)

Perc. 2

in strict rhythm



   

          

 

 

p cresc. poco a poco

          

 27

  

      P

( mf )

 



      

  

  

   

 



T. Blks. f Vibraslap

 

   

            

(mp)

l.v.

mf

 

      

 

      

Tambourine

p

   


192

186   Picc.   1 Fl. 2

Ob.

187

     

  

mf

1 2

     

1 2

     

Bb Cl.

Bb Cl. 3

 

fp

188

    

 

     

mf

    



fp

  fp

                     mf

 

      

189

f

190

 

     

fp

             

     mf

 

 

mf

fp

        

   sf

191   

 

mf

   

  

f

          

f

   

       f      

  

f

          

     

 

 

 

Bb Bs. Cl.

 

 

 

1 2

  

 

 

Bsn.

                 Eb Alto Sax. 1       mf

Eb Alto Sax. 2

f

                      mf

f

     mf cresc.

    

    

    

mf

   

     

 

mp



           

f

mf



f

Bb Ten. Sax.

 

 

 

Eb Bari.Sax.

  

 

 

  Bb Tpt. 1    Bb Tpt. 2

open Solo – bring out







f

 



3      

 

     

    

growing more intense

      

  

 marcato         

open        f

 

      

marc.

Bb Tpt. 3

 

 

 

F Hn.

1 2

 

 

 

F Hn.

3 4

 

 

 

Tbn.

1 2

 

 

 

Bs. Tbn.

 

 

 

Euph.

 

 

 

Tuba

  

 

 

 

 

   

D. B.

Pno.

   

 

(cresc.)

  Timp.  

(Vibes)      Perc. 1   

f

Perc. 3



  

 

mf

     (Tambourine)

Perc. 2

    

                 





 

P

   

  

f

mf

              

 



f



Xylo.

  

(Vibraslap)

 

f

 28



       

 

 

f

   

         

 

        

 

   

 

 

(f)







  

  



 

     

 

  

  



   

   


        Picc. 

   

193

Fl. 1

Fl. 2

3

    3

 

Bb Cl. 1

 

Bb Cl. 2

3

3

  

3

fp





3

 

        

fp



fp

fp







 

 

   



 

Bb Tpt. 3

1 2

3 F Hn. 4

     

      

 



 



 



 

open           

 

   

(Vibes)     Perc. 1 

cresc.

(Xylo.)



  

cresc. Sus. Cym.

 Perc.    

p cresc.

      

f

 

 

   





     

 

 

  

  

  



 

  

 



 

 

ff

            6

6

   

  

           

        

     











     

        



ff

 

   

   

                









              

ff

 

 ff a2

ff

               

  

   



 

   

1.

ff

                

  



 



 

ff

ff



ff

   

ff

f

29

 

f

  



mp

 

6

 

a2

   

                        

   

  



  

ff

  

   

ff

   

     

    

 

   

      

        

Euph.



a2

ff

  

ff

  

                                     

           

                              



198

       

ff

f

cresc.

ff

1 2

   



 

ff

  

3

3

Bb Tpt. 2

Perc. 2

3

cresc.

cresc.

Pno.

 





   Bb Tpt. 1 

Tbn.

3

 

Bb Ten. Sax.

F Hn.

3

cresc.

3

3

  

  Eb Alto Sax. 1 

Eb Bari.Sax.

3

rit.

197

ff

     

                        



Eb Alto Sax. 2

195

                     

       

1 Ob. 2

Bb Bs. Cl.

 

196         

     

194

 



    


  199

Picc.

(a2)

Fl.

1 2

fff

200

    

Bb Cl. 1

   

fff

   fff  

1 Ob. 2

a2

fff

Bb Bs. Cl.

Eb Alto Sax.

1 2

Bb Ten. Sax.

Eb Bari.Sax.



Bb Tpt. 3

F Hn.

3 4



1 2

Bs. Tbn.

Euph.

Tuba

   

fff



 

ff

 

 ff

 

Timp.

 ff

 

loco

  

f a2

 



  

  Perc. 1 

ff

(Vibes)

  

ff

   

 

ff

   

 

ff marc. ff

 

ffp

ff marc.

ff marc.

     



ffp

mf

    

a2 ff

ffp

   

    ff marc.

     

ff

   

marc.

   

a2

      marc.

ff ffp

            ff marc.

     

ffp

arco

      

ff marc.

ff marc.

f

 

p

         ff marc.              

Perc. 2

Perc.

 

fff

   

ff

 

f

 30

ff

  

   

     

 

     

 

     

  ff

ff

   

ff

 

   

 

 a2   

  

ff

 

    

   

Bongos

 Tom-Toms

a2                          

ff

 

   

(Xylo.)

         

         

f

                       

                          

         

ff

                

   a2          

ff

ffp

204           

ff

      

 

ff

ffp

ff marc.

ffp

     

 

a2 ffp

ff marc.

  

ffp

ffp         

ff

ffp

ff marc.

       

ff marc.

ff

ff

   

     

ff

 

 

   

ff

ffp

 



      

ff

        marc.

ffp



  

 





fff

 

 

mf



 pizz.

   

mf

fff

 

ff marc.

  D. B. 

Pno.

a2

 

 

f

 

ffp

        marc.

fff

 

ffp

fff

ffp

  

        marc.

     

 

 

marc.

       ffp ff marc.               

   

  

  



ff

mf

 

fff

fff

Tbn.

ff



fff

1 F Hn. 2

 

   

fff

 Bb Tpt. 1  Bb Tpt. 2

    

ff

Bb Cl. 3

1 Bsn. 2

   



203

202

 



fff

Bb Cl. 2

201 A Tempo

molto rit.

    

   

           

 Sn. Dr.    

 

   

   

mf

fff

    

 

Cr. Cym.

 

fff

 


II. Of Wisdom   Piccolo  

1 2

 

1 2

 

Bb Clarinet 1

 

   

    

    

Tranquil q = c. 52 2

Flute

Oboe (Ob. 2 doubles Eng. Hn.)

Solo – dolce

mp

div. pp

Bb Clarinet 2

Bb Clarinet 3

Bb Bass Clarinet

Bassoon

Eb Alto Saxophone

1 2 1 2

   

 div. pp

pp

         

     

pp

3

4

rit.

q = c. 40

 

 

 

 





mp

 

  

p

 

 

     

 p

  

  

 



pp

 

 

7

 

1. Solo – dolce

p

ppp

6

      Solo – dolce

 

pp

5

8

9

 

rit.

10

 

 

 

 

 

 

        



       

   

  

 

 

 

 



 

3

3

     

pp

pp

 

 

 

Faster q = c. 52

 

 



  

ppp

p

  

ppp

 

 

 

 

 

 

 

 

 

 

ppp

Bb Tenor Saxophone

 

 

 

 

 

Eb Baritone Saxophone

  

 

 

 

 

 

 

 

 

 

 

 

 

 

Bb Trumpet

1 2

  

Bb Trumpet 3

 

1 F Horn 2

 

3 4

 

F Horn

1 Trombone 2

Bass Trombone

Euphonium

Tuba

Double Bass

Piano

     pp

  



cup mute – into stand



 

  

   

mute out

mute out

 

ppp

pp

  

   

      

  

pp

 

 

 

 

 

 

 

 

 

 

 

 



    

 

 

 

    

 



  

 

    

 



 

 

pp

pp

ppp



p

pp

 

pp

    

 

 

 

 

 

 

 

 

 

 

 

        

  Timpani   Percussion 1

cup mute – into stand

   

mute

  

p

 

 

 

 

 

Percussion 2

 

 

 

 

 

Percussion 3

  

 

 

 

 

31


 Picc.  11

12

13

  

Solo espr.

Fl. 1

Fl. 2

Ob. 2

Bb Cl. 3

Bb Bs. Cl.

1 Eb Alto Sax. 2



  

pp

p

p





pp

 



p



   

tutti

p

 

  



p

p

 

 

mp

17

18

      



pp



p

pp

16

p

pp



     

 

ppp

tutti

15

Bb Cl. 2

1 Bsn. 2

Bb Cl. 1

ord.

dolce

    mp

          

f

Ob. 1

p

flutter-tongue

14

19

       mp





 

  

 

p

   p

 

    

p

 p

  

  

pp

 

 

p

 

mp









p



pp

pp

p

 1.    pp

  p

 

  

2. p

   

Bb Ten. Sax.

Eb Bari.Sax.



Bb Tpt. 3

1 2

 

Bb Tpt.

F Hn.

1 2

 

1.

mute out

p

3 F Hn. 4

1 2

Bs. Tbn.

Euph.

Tbn.

Tuba

 D. B. 

Pno.

 Timp. 

 Perc. 1 

pizz.

 



pp

Grace notes always before the beat loco



 

  

 

Perc. 2

Perc. 3



32

 

Vibes

mp


 Picc. 

20

Fl. 1

Fl. 2

Ob.



Bb Cl. 1

 

pp

  

 

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari.Sax.

         p

pp 1. espr.

Bb Tpt.

1 2

pp

 

   

 

p





  





   mp





 











 

pp

  



 



 





 

mp

    





p

pp



mp







mp

mp

 

p



mp

   

 



   

 



3

 

pp









pp

  

 

pp

 

 

 

1 2

 

F Hn.

3 4

 

Tbn.

1 2

 

Bs. Tbn.

 

Euph.

Timp.

Perc. 1

espr.







pp

mp





  

p

pp warm

   

 

 

 



 



 



warm pp warm

pp

  

 

 

open

 



mp



 

Pno.

p

  D. B. 

Solo – dolce e molto cantabile

3

 

                3 3                  

  



Tuba



29



Bb Tpt. 3

F Hn.

28



pp







 

27

pp

mp

 

  

mp



A Tempo

   

 



26

pp

 

 

 

 

 

  



mp



pp

25

 

 

     

   





 

rit.

24

mp

     Eb Alto Sax. 1  p

p

pp

1 Bsn. 2

  

pp

 

  

 

Bb Bs. Cl.

 

p

Bb Cl. 3

23

   

Bb Cl. 2

22

pp

1 2

21



pp

 

 

 

Perc. 2

 

Perc. 3



 

33




 

30

Picc.

Fl. 1

Fl. 2

1 Ob. 2

 

Bb Cl. 1

31

32

espr.

33

34

35

36

37 A bit

 

 

 

 

 

 

   

 mf

 

faster

pp

pp

 pp

  

 

    

 



 

 





 

1.

pp



mf

rit.







38

39

 

 

 

 

 

 

 

 

Bb Ten. Sax.

 

 

Eb Bari.Sax.



 

 

 

 

 

 

 

Bb Bs. Cl.

Bsn.

1 2

Eb Alto Sax.

1 2

Bb Tpt.

1 2

Bb Tpt. 3

F Hn.

F Hn.

  

1 2

3 4





 



p

a2

p

 

    



   

      

mp

  

 



 

pp

 

p



 

 

 

1 2

 

 

Bs. Tbn.

 

 

Euph.

Tbn.

Tuba

D. B.

Pno.

Timp.

Perc. 1

Perc. 2

Perc. 3

 

  

p



   

 



 



   

 



 

p

mp

mp

pp



pp

 

 

 

 

 

 



 

Crotale (bowed)

mf

 

34

 

p

 



 

 

        



    

 

 

 

p

p

   

 

 

 

 

 

 


40

q = c. 52

 

  Picc.    1 Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3





        

f    

  

f

f

 

Bsn.

1 2

   

1 2

 

47

 

  

Solo - espr.



mp

  

 

3             3      3 3 3 3

         3



   



mp





   









   













   





  1.                      

   



   



ppp 2.

p

    

f

ppp

pp

ppp

pp

ppp

6

3

p

mp

mp

mp

   

poco f

pp

div.



 pp

F Hn.

3 4

 

Tbn.

1 2

 

Bs. Tbn.

 

Euph.

    

   

poco f

Tuba

  D. B.    

poco f

Pno.

Timp.

     





       





ppp

  

sfz

   

Vibes       Perc. 1  







pp

pp



pp

f

Glock.

Perc. 2

Perc. 3

3

3



  

F Hn.





46

Eb Bari.Sax.

Bb Tpt. 3

mf



 

1 2



45

ppp

Bb Ten. Sax.

Bb Tpt.

1. Solo

44

pp

 

ppp

43

 

ppp

1 Eb Alto Sax. 2

42

ppp

Bb Bs. Cl.

41

     

  

f

 

ppp





 



   





mp

35


 Picc.  48

 (1. solo)

1 Fl. 2

49





 

51

rit.

50

 

A bit faster

   p

   

 

1. tutti p

1 2

Bb Cl. 1

3

mf

Bsn.

1 2

3

3



p

mp



 

 

 

pp





 

 



pp

pp

pp

3

3



mp

1.

1.

  

 

p

p

p

mf

   

 





  

 



   

 

pp

   

  

 

  

pp

3

 

   

mp

3

       

   

mp

p

mf

       



pp

mp

57

 

pp

mp

56

mf

  

 

1  Eb Alto Sax.  2

2.



3

3

       



p

 

   

55          p





54







p (2)

53

p

Bb Bs. Cl.

3

     

  p

Bb Cl. 3

              3      3

Bb Cl. 2

  

         mp

Ob.

52

 

  

Bb Ten. Sax.

Eb Bari.Sax.



 

Bb Tpt.

1 2

 

Bb Tpt. 3

1 2

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

 



   

 

   

 

 

 



  

mp

 

  

 

 

mp

pp

F Hn.

Tuba

  D. B. 

Pno.

Perc. 3

pp

 

 

p

 

 

  

     

  

p

mp

pp

 Perc. 1 



 Timp. 

Perc. 2

pp

1. Solo

 

f

pp

pp

pp

 

 p

3

3

      

Vibes



       mp

Glock.

  mp

     36



 

mf



 

   

        p

3

        3

3

3

     


 Picc.  58

(1.)

Fl.

1 2

f

3

59  

f

3

 

 

 

rit.

         

  

Ob. 1

  

Ob. 2

Tempo Rubato (q = c. 63)

60

61

Bb Cl. 1

 

one player

Bb Cl. 2

  

  

  

  

 

mp one player

  

Bb Cl. 3

 

Bb Bs. Cl.

Bsn. 1

Eb Bari.Sax.



1  Bb Tpt.  2

Bb Tpt. 3

mp

 

cantabile

    

pp

mp

pp

 



tutti



mp

  

 

     



f

   

f

mp

 



       



tutti

64

 

 

pp

    

63

div.

 

 

     

  

pp

mf

pp

     

 

 

pp

Solo

  

 Eb Alto Sax. 1  

Bb Ten. Sax.

  Bsn. 2  

Eb Alto Sax. 2

mp

62

65

Solo

pp

 

p

mf

 

    

    

   

p

unis.

 

p

     

 

p























pp

 p





 

 

  

let oboe through

  

1 F Hn. 2

 

F Hn.

3 4

 

Tbn.

1 2

 

Bs. Tbn.

 

Euph.

Tuba

D. B.

Pno.

Timp.

 

 

 

  

 

   

 

 

 Perc. 1 

mp



mp

 

mp

    

f

pp

pp

pp

 

p

p

p pizz.

p

  

 

  

3

 

3

 

 

 



Perc. 2

 

Perc. 3



 

 

pp

37

 

   

(Vibes)

   p

Chimes

  p

  



 

p



  







  

mf

67

mf

  

66

 

 

 


68  Picc.  

Fl. 1

Fl. 2

Ob. 1

     



  mp

 

mp

  

mp

   

Bb Bs. Cl.

mp

   

Bsn. 1

Bsn. 2

Eb Alto Sax.

1 2

 

Bb Tpt.

1 2

F Hn.

mp

   

1 2

  mp







 





mf

mf

     

       





 



   



   

mf

mf

 



   



 



 

 



 

 



  







 

 

  





 

 









cresc. poco a poco

   



mp



 

  

mp

mf

  

mf cresc.

  

mf cresc. a2

  

cresc. poco a poco

cresc. poco a poco

  

 

 

 



 

 

mp

 a2

 



 

  



 

 

 

mf cresc.

  

  

   

 

4: mf



cresc.













 



 



 

 



 



mp cresc. a2

(mp cresc.)

  

  

 



  

Sus.. Cym.

p

 

  

mf



   

cresc. poco a poco





   

mp

 



3.

cresc.



   





  

1.





 



cresc.



2.



 

  





76

 

   

75

  

cresc. poco a poco

   







74

mf

 Perc. 1 

Perc. 3

mf

Euph.

Perc. 2

mp



Timp.





Bs. Tbn.

Pno.





D. B.



1 Tbn. 2

Tuba

73

3 4

72

 

F Hn.

     

 



Bb Tpt. 3



   

Bb Ten. Sax.

Eb Bari.Sax.

mp

    

 

Bb Cl. 3



 



mp

Bb Cl. 2

71

mf

mp

Bb Cl. 1

70

mp

 

Ob. 2

69

 l.v.   

mf

  38

 

mp

 

 

   p


 Picc.  77

Fl. 1

Fl. 2

Ob.

Bb Cl.

1 2

1 2

Bb Cl. 3

Bsn.

1 2

   

    

   

f

    

    

f

 

Bb Ten. Sax. Eb Bari.Sax. 1 Bb Tpt. 2

 

    

f

F Hn.

1 2

 f

 

f

 

 

 

3 4

f

 

 

f

 

 

 

   

1 2

Bs. Tbn.

Euph.

 

   

 

 

   

open

 

open

 

  arco 

  Timp. 

 Perc. 1  Perc.

Perc. 3

f

 f

f

 f

f

f

f (Chimes)

f

 



3

3 3   3                  

  

ff

               3 3

aggressively

ff

   



 

    

ff



mf

ff

mf

ff

ff

  

ff a2 aggressively

   aggressively              ffp

ff

3

    

  



  

ff

 





ff

mf

6

    

ff Xylo.

    

   

 

 

 



   

 

 

3

6

3

f

f

 

f

  



 

 

  

ffp

 

aggressively 3

3

          

 

2.



 

 



  

   



 

ffp

  



   

             



39

f

ff



ffp



     a2

ffp

ff

f

     3  

ffp

 

f

mf



    

                ff  3 3 3   3   3    ff          

ff

  

3



    



ff

ff

f

  

ffp

3

 

f

ffp

ffp

    

  mf



    

ff

ff

mf

 

   

dim.



  



 

 

    

 

ffp



  

 

ff

dim.

   

                 3 3

ffp

  

ff

3





3

 

  

ff

3

ffp

  



mf ff

                  ff  3  3    ff                 

  



        3   

    

3



ff

ffp





ffp

            

mf

dim.

   

ffp







ffp



3

 

             

aggressively

ffp



  

 

 

  

 

p



ffp

3

 

aggressively

3

       

3

3



   

S. Cym.

 



   

dim.

              

 





   81  

aggressively



  

  



    



 

    

  

     



ff

 

       

    

 



ff

ff

80

      

   

Pno.

 

ff

  

 

  Tuba  D. B.

ff

    

    

f

Tbn.

   

    

      

    

f

F Hn.

 79       

ff

f

Bb Tpt. 3



    

  Eb Alto Sax. 1  Eb Alto Sax. 2

    

 

Bb Bs. Cl.

78

3



 f

mf

 

    ff


 Picc.   82

Fl. 1

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

1 2

1 Eb Alto Sax. 2

 mf



(f)



dim.





(mf )



(f)

 mf

dim.

(f)

 

f

mf

f

mf

 

 

f

 

 

f



 

mp

p

pp

one player

one player

p

p



    

p

mf

n

  

   

89

Solo dolce

       

p

   

88

      

 

p

87

mp

mf

86 n

   

mf

 

(mp)

   



mp

q = c. 56

85

   



    

div.

    





(mf )

 

rit.



84

(mp)



    



 

Bb Bs. Cl.

Bsn.



 

Fl. 2

Ob.

83



pp dolce

pp dolce

    

one player p

   

n one player

p

 

 p

pp dolce

mf

  

mp

Bb Ten. Sax.

Eb Bari.Sax.



to Harmon mute (stem out)

to Harmon mute (stem out)

to cup mute

Bb Tpt.

1 2

     mf

   

Bb Tpt. 3

F Hn.

F Hn.

Tbn.

1 2

  

3 4

1 2

 



 



mf 1.

       

mf

Bs. Tbn.

f

Timp.

Perc. 1

Perc. 2

 



mf

mf

pizz.

mf

V.



 

to mute

mp

  

1. st. mute



mf

   

p



Solo

pp

mp

  

  

 

   f

 

mf

 

mp

40

   

  

(pizz.)

p



arco dolce



(Play)

pp



p

 

   

pp

p

     



mf

mp

mf

 

mf

(Chimes)

Perc. 3

  D. B. 

Pno.

mf

   

mf

Euph.

Tuba

a2 



Vibes p



D.B. cue (play in no double bass available)




 Picc.  90

Fl. 2

Bb Bs. Cl.

Bsn. 1

1 2

 



  

93







94







pp



 

 p

pp

 

92

     



  

1 2

Bb Cl. 3

Eb Alto Sax.

Ob. 1

Bsn. 2

91

    

Fl. 1

Bb Cl.

q = c. 60 (distant)

molto rit.



p

 

pp

p

   



 

 

  



 



  

95 

 

   

96

 

1. one only



 p

 





p

 













   

Solo – poignant, lyrical

       3

mp

3

f

Bb Ten. Sax.

Eb Bari.Sax.



 

Harmon mute (stem out)

Bb Tpt.

1 2

 

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

1 2

Tbn.

Euph.

Tuba

 D. B.  

Pno.

Timp.

 

pp

pp

  

Perc. 2

Perc. 3



 

(Vibes)

  p

  

 

mf

 p

3

p

3

pp

3

3

mute

 pp

3            3

3

  

 

(Chimes)

3

 

pp

          

 Perc. 1 

3

D.B.

 

3               

Bs. Tbn.

1. Solo Cup mute

Harmon mute (stem out)

 

      41



p

 



pp





 

 

  

 

div. pizz.

 






           97

1 Fl. 2

p

 

Bb Cl. 3

      

Bb Tpt.

1 2

1 2

Tbn.

1 2

p

Perc. 1

Perc. 3

 

  

 arco

 

 (Vibes)     

(Chimes)

 Picc. 

(1.) 3            

  

   





 

 

 

  

3

 

102

   

Bb Cl. 3 Bsn. 1 Bsn. 2

  Eb Alto Sax. 1 

pp

F Hn.

Tbn.

1 2

D. B.

Pno.

Timp.

mf

    

  

   

 

 Perc. 2 

  

3



p

 

(1.)          

1 2

Tuba

 

Solo

3

3

p

 arco 

   

   



 

    

3





 

pp

 



 

 

 

 

 

   

  

 



 p 

 

 

   

105



   

106

 

   



107

   

Solo dolce





mp

mf

    



 

  

42

104

unis. somber

p

3

pp somber

p

3

 

  

3

pizz.

D.B. Cues

   

     

1. somber

 

         

 

 

 

p

 

p

 



 

  

  

somber

 



mf

   

 pp

somber

 

 

      

   

 sf

pp

 

 

3

103 A tempo   

 



   

 

 

intense

 

p

  

1 Bb Cl. 2

p

3



 

Fl. 2

 

one player



 

    

one player

Fl. 1

 



 3



rit.

101

     

3

mf

100

    

  

(one player)

p

 

  



f

99 2. one player

p

   

 

 D. B.   Pno.

f

 

   

Bb Tpt. 3 F Hn.

98

(1.)

1 Bb Cl. 2

Bsn. 1

    

tutti



   









   



Crotales – bowed



  

   



 

 

   

 



   

 

 




  Picc. 

    

108

109

pp

  

Fl. 1

 dolce

  

Ob. 1

  pp

112



 



 

113





   

 

 

 

 

 dolce

 

ppp

Bb Cl. 3

pp

Solo 

Bb Cl. 2

Bsn. 2

pp

111

 

div.



mp

Bb Cl. 1

 

  

Fl. 2

110   

  

  

   

one player

p div.

 p

 





 



  

  

 

pp





 

one only







mf



 p



mf



p

p



 

 

Bb Ten. Sax.

 

Eb Bari.Sax.



 

 

 

   

to mute

 

 

Eb Alto Sax.

Bb Tpt.

1 2

1 2

 

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

 

Tbn.

1 2

 



3       

(1.)

mf

3

Bs. Tbn.

 

Euph.

 

 

 

Tuba

 

 

 D. B.   

Pno.

Perc. 2

Perc. 3

   

 

 

 Timp.  Perc. 1

 

 

  

 

 

 (Chimes)  

  

p

(Vibes)

p

Solo (In strict rhythm)

div. pizz.

Stop strings firmly near edge with left-hand fingers, and play on keys with right hand

poco f Solo 

    3

P

 

  3



3

           3

3

3

       3

 



 43

3

  

 

 

 

    3


 Picc.   114

Fl. 1

Fl. 2

  

Ob.

115

 

 

Bb Cl. 3





 

Bsn. 2 1 Eb Alto Sax. 2

 

 

F Hn.

 

3

  

    3

3



mf



 

  p

(Harmon mute)



p



   



 



mute out

p

Euph.

Tuba

 

 

(Chimes)

Perc. 3

 

   

unis.



       3

mf



 



f

f





1.

mp

 

 

mute out

p

pp





p







 

 

   mp

pp

  

 

 

mf       

    

44

      



div. arco

 

   

 

p

 D. B.  

Perc. 2

   mp

 Perc. 1 

D.B. Cue (mute) Play if no double bass available)

Bs. Tbn.

 

Timp.

    

  

Pno.

(Harmon mute)

Tbn.

                             mf    

1 2

mute mf

3 4

1 F Hn. 2



  





Eb Bari.Sax.

Bb Tpt. 3

  







 



1 2





118

mf



117



   

p

Bb Ten. Sax.

Bb Tpt.

p

Bsn. 1

Solo dolce

pp

Bb Cl. 2

Bb Bs. Cl.





 

Bb Cl. 1

solo

1 2

116

       f 


 Picc.  119

Fl. 2

Ob.

1 2



 

Fl. 1

Eb Alto Sax.

1 2



f

p



f

p

        



f



ppp



ppp



ppp



one only ppp

Eb Bari.Sax.











 

 

 

 

3 4

1 2

Bs. Tbn.

Euph.

1 F Hn. 2 F Hn.

Tbn.

Tuba

D. B.

 

 

 Timp. 

Pno.

 Perc. 1  Perc. 2

Perc. 3

Solo pizz. 

mp

Solo

smoothly

mp

mf



 



ppp

ppp

 

(Chimes)



mf

 

 

    

 

 

 

p

arco

smoothly



 

 

 

 

 

 

 

one only pp

pp

 

 

 

 

 

 

 

    

mute out

mute out

 

 

 

 

 

 

 

 

 

     

 

 



   

     

n

n

 

 





    

 

 

pp

pp

  

p

mp

 

 



  p

p

      n   

 

 

126

    

    

mute





one only

  



mf

ppp one only

     

rit.

125

    

 

 

124

p

Bb Tpt. 3





  

  

  



  

Bb Ten. Sax.

1 Bb Tpt. 2

  

  

123

one only

p

         

p

1 2

tutti

Bsn.

p

Bb Bs. Cl.

122

tutti

Bb Cl. 3

          

Bb Cl. 2

121

tutti

Bb Cl. 1

rit.

120

Crot.

  

p

 

 

 

 

 

 

  

   

45

 

p

Sus. Cym. – (scrape briskly w/ triangle beater)

 

 

sf

 

ppp

 

(distant)

p

 

 

pp


III. Profanation

  Piccolo  

Dark q. = 126 +

2

3

4

Flute

1 2

 

Oboe

1 2

  

1 2

  

Bb Clarinet 3

  

Bb Bass Clarinet

  

           

Bassoon 1

  

           

Bassoon 2

   

(Ob. 2 doubles Eng. Hn.)

Bb Clarinet

Eb Alto Saxophone

1 2

  

pp

  

                          

                                  pp

           

                                                   pp

Bb Tenor Saxophone

  

Eb Baritone Saxophone

  

Bb Trumpet

1 2

  

Bb Trumpet 3

  

F Horn

1 2

  

F Horn

3 4

  

Trombone

1 2

  

Bass Trombone

  

Euphonium

  

  Tuba   Double Bass

Piano

Timpani





pp sul pont. pp

   



    



         l.v.  



pp

ped.thru m. 9

  Bass Drum     

Percussion 2

  

Percussion 3

  

1

  

Marimba

pp l.v.



 

pp

Percussion 1

                  p

      





     sim.

sim.



 











     









pp

pp



      



















p

     



 



     









                                    

   Marimba 2   



p







 

 

46

    

    





                  p


 Picc. 

5

6

7

 

8

9  

10

Fl.

1 2

 

 

Ob.

1 2

 

 

Bb Cl. 1

 

 

Bb Cl. 2

                      

Bb Cl. 3





                 p

cresc.

               cresc.

p

  

pp

          

      

p

cresc.

             Bb Bs. Cl.            cresc.       Bsn. 1                                         Bsn. 2                                     Eb Alto Sax. 1                                         

Eb Alto Sax. 2



Bb Tpt. 3

1 2

Bb Ten. Sax.

Eb Bari.Sax.

Bb Tpt.

F Hn.

1 2

 

Bs. Tbn.

D. B.



mf

p

  

cresc.

 

                 



  

p

 

 

 

 

 

 

4. mute



 

cresc.

            

 

 

2. mute





f mute out





             





    Timp.     Perc. 1  

      

Perc. 2

Perc. 3

 





   

 

    

        



  

       

 

  



 



      

cresc.



     







        

  

 

  

 

     

 

 

 



cresc.

cresc.

    



                                                 

Pno.

pp





 

  

1 2

Tuba



pp

 

p

                      

Euph.

3 F Hn. 4

Tbn.

 

     

p

cresc.





p gradually to

   

 

 

        



       





   

      



Xylo.

     p cresc.



cresc.



p

       





  







          

                                                                cresc.                                                         Mar. 2               Mar. 1

47


 

11

Picc.

Fl.

1 2

1 Ob. 2

12

13

            

a2

mf

Bb Cl. 2

mf cresc.

      

     

mf cresc.

      

           

Bb Cl. 3

Bb Bs. Cl.



cresc.

     

a2

                   

Bb Cl. 1

mf cresc.

14

16                             cresc. ff marc. f                              ff marc. f cresc.                                ff marc.                                            15

                         

                mf cresc.                   



mf cresc. a2  



  1           Bsn.   2  mf cresc.                                      Eb Alto Sax. 1    mf cresc.                                   Eb Alto Sax. 2   mf cresc.                           Bb Ten. Sax.  Eb Bari.Sax.     Bb Tpt. 1  Bb Tpt. 2

Bb Tpt. 3

F Hn.

Bs. Tbn.

Euph.

Tuba











p

 

      mf cresc.



       





mf cresc. cresc.





cresc.

  

mf

  

mf

      

     

f         

 

 

 

  

       

 

 

             



  

ff marc.        ff



ff marc.                    

              ff marc. ff marc.

f



   



 

   



ff

 

 

ff

f cresc.

 

             cresc.



               

  4

                             P            

cresc.



     ff   marc.                    2 ff f                     2 2 2 f ff marc.                     2  2 ff marc. 2 f                        ff marc.                        ff marc.                 ff             ff

mf cresc.

                                  

mf cresc.



   

 



cresc. ord.



 



mf cresc.





                      





     Perc. 1   Perc. 2

a2 (2. open)

mf cresc. f f a2 (4. open)

   

      

1.

 

Timp.

mf

Pno.

 

1 2

D. B.

 



mf cresc.

 

1 2

3 F Hn. 4

Tbn.

 



   

 

                      

fff

 

f

ff marc.



  

  





2





2



2



      



 

  

  

  



 

        f



         

       Perc. 3    ff                                           Mar. 1               ff marc. mf cresc.                                     Mar. 2                 

mf

Triangle

ff marc.

cresc.

48


17                       Picc.        (a2)              loco      1          Fl.     2 18

    



20

 

Ob.

1 2

(a2)               

Bb Cl.

1 2

Bb Cl. 3

              

Bb Bs. Cl.

Bsn.

1 2

 Eb Alto Sax. 1  

Eb Alto Sax. 2

                           

              

Bb Ten. Sax.

Eb Bari.Sax.



              

19

             

                                       

                            Bb Tpt. 1  4

                            

Bb Tpt. 2

F Hn.

4

4

Bb Tpt. 3

F Hn.

4



(a2)              

1 2

(a2)              

3 4

         



Euph.

Tuba

 

Pno.

Timp.

Perc. 1

Perc. 2

 

   

  

  



  

 

 

  

     

  



(Xylo.)                  

(Trgl.)

Perc. 3

Mar. 1

Mar. 2

l.v.



           

    

ff

  

    

    

   



               

ff



              

to st. mute      







  

      

  a2

mf





ff



           

ff

           

              



ff

               ff                 

 ff



 

ff

     

ff



4.

fl. t.

 



2.

  

    



               

ff



    

pp

                



                     

f (B. D.)



                              





D. B.

  

               

                     

      

ff



Bs. Tbn.

       





to st. mute



              

1 2

Tbn.

     

    

f



                              49

  

Tom-Toms



f

          

  

    

  

  

  

                                  


 Picc. 

21

22

23

24

25

Fl.

1 2

Ob.

1 2

Bb Cl.

1 2

              f                                Bb Bs. Cl.                         f        f            a2            1                                   Bsn.     2  Bb Cl. 3

 Eb Alto Sax. 1 

f

    



              ff f      Eb Alto Sax. 2              f                        Bb Ten. Sax.                                                                               Eb Bari.Sax.        Bb Tpt. 2  Bb Tpt. 3 1 F Hn. 2

F Hn.

Tbn.

 

f

 

 

     

st. mute ff st. mute

     

ff



1 2

     

 

     



ff

p

 

f

2.

4.

mf

f

                                          loco         Timp.   

   

 

   f 



             









           





           

     

                                               f



mf



   

mf

       Tuba                                 D. B.           mf                Pno.



      

mf



p

Euph.

3 4

Bs. Tbn.

                

                         

 



mf

         



Perc. 2

Perc. 3

  







                      

Perc. 1

                                                                     Mar. 1           marc.                                                             Mar. 2          f

mf

f

50


 Picc. 

26

27

28

29

Fl.

1 2

Ob.

1 2

Bb Cl.

1 2

            

           

   

           

       

                                

              1            Bsn.      2

Bb Bs. Cl.

Eb Alto Sax. 1

                          

Eb Alto Sax. 2

       

Bb Ten. Sax.

Eb Bari.Sax.

     

mute out   Bb Tpt. 2      

     

mute out

Bb Tpt. 3

       (2.)

1 F Hn. 2

F Hn.

3 4

Tbn.

1 2

              (4.)

Bs. Tbn.

Euph.

Tuba

mf

      D. B.  Pno.

Timp.

Perc. 1

marc.

                           

Bb Cl. 3

           



    



f

 



           





                

  marc.         

            

f

 

  

    

f



                              

pizz.

 

sfz

  

   

 

Mar. 2

   fp      

   

Mar. 1

marc.



           

           

                  f                   f 



   marc.         

            

 

  

    

Perc. 3



marc.

                         mf  marc.        

                                

 

Perc. 2

 

          



mf







                   

                   

f

mf





mp













            

           

   marc.          

           

f

51

 

Xylo

                  



f



   marc.          

           


  30

Picc.

Fl.

1 Ob. 2

1 Bb Cl. 2

                 

              ff

Eb Alto Sax. 1

Bb Ten. Sax.

Eb Bari.Sax.

F Hn.

F Hn.

1 2

3 4

 

ff

ff



ff

 open



 

 

  

 

 

 



2

ff



 

 

 

  









open

4





ff

4

open

 

 









 









2

 

  

  

 

ff

f

mf

 



  

Bongos – sticks



      mp



 

      5



 

 

 

 

 

 

 

 



          

            

 



fff





       

 

P





4

4



 











   

 

ff





ff

  

 

 

 

ff

 

ff

 

ff

 

  

 

 

 

   52

 

 

 



5

 

2

 

4

 

 

 

    

white note gliss.

 



 

 







4

4

ff

 

 



2. open

2

   

 

 



 



 

 

   

  

 

 

      

 

             

 

white note gliss.



 



            

 

       

      

 

Trgl.



 



 







5

ff



 

5



  





 

smear



 

        a2        



 





4

 

 

 





  

4

                        Timp.  

 

 

  

smear





 

           

 

             

smear

ff

 

ff ff

  

      5

 5              5 

5

ff

 

         

  

 arco             

 

Tuba

Mar. 2

  

Mar. 1

 

Perc. 3

 

          5

 

Euph.

Perc. 2

32

 

Perc. 1

 

ff

Bs. Tbn.

Pno.

 

               

D. B.

f

 

  ff  

1 Tbn. 2

ff

            

 Bb Tpt. 1 

Bb Tpt. 3

ff

 

 

            

Bb Tpt. 2

 

            

Eb Alto Sax. 2



 

ff

            

Bb Bs. Cl. 1 Bsn. 2

ff

a2

ff

             

Bb Cl. 3

 

1 2

31



    

white note gliss.

 

 


  Picc.  

34  

1 2

  

 

1 2

  

 

1 2

  

 

Bb Cl. 3

  

 

Bb Bs. Cl.

  

   

33

Fl.

Ob.

Bb Cl.

Bsn.

1 2

  Eb Alto Sax. 1  

   

Bb Tpt. 3

  

1 2

  

3 F Hn. 4

  

Tuba

D. B.

  

   

  

Pno.

Timp.

 

  

   

  Perc. 1  

 

  

 



 

     



f



        f     

 

           





f

 pp

  

pp



mf



 



 

 

pp

  mf

 



 



         

pp

  

f

           

f



 

             

f

solo – brash!

mf

 

f

 

 

   

fl. t.

 

 

       

 

fl. t.





     

fl. t.



4

f

f



sfzp

 



     

sfzp

Euph.

mf

f



    

f

sfzp





                                         

    



 



                         

Bs. Tbn.



mf

mf

  

  

1. open



a2

1. 

2. mf

f

    





Bb Ten. Sax.

1 Tbn. 2





 f         f                     

  

F Hn.



f

  

  Bb Tpt. 1  

36

                                     

Eb Alto Sax. 2

Eb Bari.Sax.

35

Perc. 2

  

 

Perc. 3

  

 

Mar. 1

  

 

                                      

  Mar. 2  

                                    f

f

53




  Picc.   37

1 Fl. 2 Ob.

Bb Cl.

1 2

1 2

Bb Cl. 3

Bb Bs. Cl.

   

1. mf

   

 

mf

 





  

  







 

38



1 2

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari.Sax.



  

   

   





(1.)



 

     

                         



           Bb Tpt. 1        sffz

ff

  

 

     

     

40

  

   

 

                                    



 

                        

                            Eb Alto Sax. 1  Bsn.







39





 

 







41

           



            f



a2

f





        5

 

 

ff

         5





a2

                                                                           

 



     f           

f

F Hn.

1 2

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

Tuba

D. B.

Pno.

Timp.

Perc. 1

Perc. 2

   



   







sffz





Mar. 1

Mar. 2



 







 







                     



 







                                  



 

f



    f

 

    f    

arco

             f

f

           

    

Bongos (sticks)

                                                                                              

 



f

Perc. 3





 





                  f                                



ff                                    

Bb Tpt. 3

 



    

ff           f

f

                       

                                            54


     42         Picc.   (a2)       1  Fl.     2

Ob.

43        

 a2           

1 2

f

    

     

      

Bb Cl. 2

Bb Bs. Cl.

         

    

 (a2)                                    Eb Alto Sax. 1      Bsn.

1 2

         

Eb Alto Sax. 2

                       Eb Bari.Sax.  

Bb Ten. Sax.

Bb Tpt. 1

         

Bb Tpt. 3

1 2

3 F Hn. 4

1 2

F Hn.

Tbn.

      

Bs. Tbn.

Euph.

            D. B.               Tuba

Pno.

           

Perc. 3

Mar. 1

Mar. 2

          



         









 

           

2



ff











      2          

pp



         2

    

     mp

    mp

mp

ff

 

f



    

2

f



2

ff

 

 

2









       

 

 







 

 2





   

 



 

2

       

2



arco

 

f

55



     



            







5

                           

ff



                    mp f     

     

 

                     f mp



       

                     mp

Sus. Cym. (stick) Tom-Toms

          

           

f

 

f

5

 





p

5

 

ff



p

    

       

2

 

         

f

f

         

      

                       p  ff 5                        

     ff 5   1.    1.

45

f

f





              f               f                     





(Xylo.)

Perc. 2

    

          

      Timp.   Perc. 1

      

ff

Bb Cl. 1

Bb Cl. 3

44





      

   





Sus. Cym.

  



           




 Picc. 

46

47

48

49

Fl.

1 2

Ob.

1 2

Bb Cl. 1

     

Bb Cl. 2

     

Bb Cl. 3

     

Bb Bs. Cl.

Bsn.

1 2

  Eb Alto Sax. 1      

  



Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari.Sax.



Bb Tpt.

1 2

 

F Hn.

F Hn.

3 4

1 Tbn. 2

  ff

f

                     

        f         

Bs. Tbn.

Euph.

Tuba

             f              f           

1 2

ff

Bb Tpt. 3

           ff            ff            ff            a2          

   

Pno.

           

f

mp

Perc. 2

 

Perc. 3

 

 

(Tom-Tom)

Mar. 1

Mar. 2



     

    

 

               



     

 



                      

      

f

  

2.

                        f                        

f

ff

   

ff

mf

f

ff

               

               

               

               

               

mf

            

   

                

               



Sn. Dr. mf





56

f

ff

f

                                      f f              

           

ff

             ff

f

 





mf

                            



               

               





     

 

 

    



    

f



    

               

mp

                              Timp.  Perc. 1

 

mp

f

f

  

mp

    

             D. B.      

 

     

           

 

           

pp





f

 Tam-Tam

     

 

p


50  Picc. 

            a2      ff   a2                ff                   

1 Fl. 2 Ob.

51

1 2

Bb Cl. 1

ff

Bb Cl. 2

Bb Bs. Cl.

1 2

f

  





52





  





  

f



                  



F Hn.

Tbn.

                p

                p

               

   

 

 

 

ff

p

 

 

pp



pp

f

 

 

Tuba

mp

pp



p to st. mute



f





f

p

 

 



 

mp



pp

mp



pp

mp

pp

 





                         p 





           

pp







 

           

pp

to st. mute

 

           p  



 

 

 

Euph.

 

 

 

Bs. Tbn.

           

pp

ff

     ff    

f

mp



    

1 2



            

   

3 4

 

           

             

1 F Hn. 2



     

f

                         f p

Bb Tpt. 3





f





 

           

           

f

1 2

 

f

Bb Tpt.



f p       p                      1                                 Eb Alto Sax.  2        p p

Eb Bari.Sax.



ff f

Bb Ten. Sax.

53



f

Bsn.

  

                ff

Bb Cl. 3







                         D. B.                                          p ff f                             ff

          Timp.    Pno.

Perc. 1



ff

f

 



              

Perc. 2

(Xylo.)

f

(Tam-Tam)

 





pp

  f f



  







 

  





                     p f





 



 



Bongos (sticks)

      mp

            

Perc. 3

Mar. 1

                                         p                   

Mar. 2

mf f

p

f

p

f

                                                 57


54    Picc.   

1 Fl. 2 Ob.



           



f marc. div.

 

a2

f marc.

  

Bb Cl. 1



f marc.

     

Bb Cl. 3

f

      f  1      Bsn.   2

Bb Bs. Cl.

1  Eb Alto Sax.  2

f f

     

f

     

Bb Ten. Sax.

f

     

1  Bb Tpt.  2

F Hn.

3 4

Tbn.

1 2

D. B.

f

     

        f

f

        

Perc. 1

(Bongos)

  f



     

Perc. 2

f

     

Mar. 1

f

Mar. 2

 

a2 



 

     



f

f marc.

 

 









              f marc.

           











           

f marc.

    

     

 

 





   

f

 

 



 



   



  



mf





 T. Blks

     

mf

58



         



                     





      



 

f marc.

     

Vibraslap

f marc.



                  

    





                             f marc. 1. st. mute               



st. mute







                        f marc.





 





    





     

 

 



          

  



f marc.

                        







 

           

Perc. 3





        Timp.  Pno.



      

 

57

            

             ff marc.

Euph.

Tuba





                   ff marc.

Bs. Tbn.



Bb Tpt. 3 1 2

f

56



            

Bb Cl. 2

F Hn.

55

                  

1 2

Eb Bari.Sax.



 



f

        



 

4

    

Tom-Toms

f

4


              Picc.  58

Fl.

Ob.

cresc.

f

cresc.

             

1 2

Bb Cl. 2

Bb Cl. 3

f

             

cresc.

f

cresc.

             f

           

         a2  1             Eb Alto Sax.  2

cresc.

             

Bb Ten. Sax.

f

 

 

     f mute out  1      Bb Tpt.   2

Eb Bari.Sax.

      

        mute out     

1 2

Euph.

Tuba

    

pizz.  arco     D. B.   f

Pno.

Mar. 2

    





 

(Tom-Toms)





cresc.

Mar. 1

f cresc.

Perc. 3

            



 



 



                         













  2  2       ff   ff

ff

a2

 

 



2

2

ff

2 2

2

    

2

 

2

2

2

2

   

2     

    2

 2

 

  



  

ff



f marc.

         

f marc.

2

     

     

     

f marc.



  

st. mute (Angry)



f Stopped (Angry)



f Stopped (Angry)

   

    f      

 



                   2

f marc.

                 

 

     f     

fp

   



                               



2          2





2



    

ff

  

2

2





ff



2



Tambourine



  

      f marc.                    f marc.        

     

2







2

poco f

59



 

         f    2  2       f    2  2       f    2  2       f  arco  2  2     

cresc.

 



           

2

2

 

cresc.

       ff   2  2          

a2



          2 2             ff



ff

           

5 5







61          5          5    a2           5       





 

f

Perc. 2

 

cresc.

 

 

       (Bongos)     Perc. 1    Timp.

 

f cresc.



      

Bs. Tbn.

 

                         



4.

3 4

           

 

2.

1 F Hn. 2



cresc.

Bb Tpt. 3



 

           

cresc.

60

a2

1 2

f

Tbn.

           

Bb Bs. Cl.

F Hn.

             

                                            cresc. f                          

Bb Cl. 1

Bsn.

            

f (a2)

1 2

59

2

2

     

                 

f marc.


 Picc. 

62

Fl.

1 2

Ob.

1 2

 

Bb Cl. 1

63

        

     

Bb Bs. Cl.

1 2

   

Bb Ten. Sax.

Bb Tpt.

1 2

 

 

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

Tbn.

1 2

      

        

 

          

           

                      

2. f marc.

    

     

          

                                                                                                

          

          



   

 

 

 

      

 



  

 

   1.              f

           

 

 

 

             

  

       



   

               





    

 

              

                

               

Perc. 3

Mar. 1

           

Perc. 1

  

Perc. 2

Mar. 2

     

Timp.

     

          

Pno.

   

     

          D. B. 

 

     

               

          

                

Euph.

           

    

               

          

 

   

      

          

                

Bs. Tbn.

Tuba

1. f marc.

2. f marc.

a2

           

           

 Eb Bari.Sax.      

     f marc.

    1             Bsn.   2     Eb Alto Sax.

65

1. f marc.                           2. f marc.  1. f marc.                                          

f marc.

2 Bb Cl. 3

64

           

Xylo.

f marc.

            

                                                            f marc.

60

           


 Picc.  66

Fl.

1 2

67

            

      

ff

                                                 Bb Bs. Cl.   a2                   div.        1  Bsn.  2

a2                    div.     1    Eb Alto Sax.  2                        Bb Ten. Sax.                         Eb Bari.Sax.   

Bb Tpt. 3

F Hn.

Tbn.

       

3 4

     

1 2

Bs. Tbn.

Euph.

Tuba

D. B.

Pno.

Timp.

Perc. 1



Perc. 3

Mar. 1

Mar. 2

p

open

 









open





        p

        p

           

p

     p

 

  



  



          





 



ff

     

  



ff

           ff            ff

       

ff



    

    



to st. mute

ff

      ff



ff





ff

               







 



 



Bongos

                   

p

                 p ff      ff        



ff

ff

                              

(Xylo.)

Perc. 2

69



ff

     ff               

open





ff

    

        

mf

       

1 F Hn. 2





            

(a2)

1 2



ff

2 Bb Cl. 3

Bb Tpt.

   

                    

                        

Bb Cl. 1

68

f

a2                    a2

1 Ob. 2



      

    

p

     

    

Sn. Dr.

ff

  

ff

(Tom-Toms)

      

    

p



 

    



ff



                 

                           ff

61

ff

p

                  


 Picc. 

70

Fl.

1 2

Ob.

1 2

  1.

 

71

         



f

72

73

74

 

 

 

                 f a2 f mf   2                 Bb Cl.       3                    f ff        Bb Bs. Cl.                                           f mp mf 1.   1.     1                               Bsn.      2    f mf  1       Eb Alto Sax.   2 Bb Cl. 1

Eb Bari.Sax.

Bb Tpt.

1 2

     

               

 



                           

 



 

 



 

Bb Ten. Sax.

  



a2

    st. mute

mute out

mp

 

mp

f

1 2

 

Bs. Tbn.

 

Euph.

 

 

 

 

 

 

 

 

Bb Tpt. 3

1 F Hn. 2

F Hn.

Tbn.

3 4

Tuba

D. B.

Pno.

Timp.

Perc. 1

  

Perc. 2

Perc. 3

Mar. 1

Mar. 2

  

f

(Xylo.)

              f

  

      mp      

f

 

 

mute

 f

 

ff



mp

 





 

p

 mf

                                      

                

f



mf

62



 

mp

mp

     

                  


  Picc.  

75

76

 

77

78

Fl.

1 2

 

 

Ob.

1 2

 

 

Bb Cl. 1

 

 

Bb Cl. 2

 

Bb Cl. 3

 

Bb Bs. Cl.

 

Bsn.

1 2

  

Eb Alto Sax.

1 2

  

   

            mp

                           mp                                   mf                                                                                           2. mf 

                     Eb Bari.Sax.    

Bb Ten. Sax.

           

          

                       

 

 

            

               

               

  

 

Bb Tpt. 3

 

 

F Hn.

1 2

 

 

F Hn.

3 4

 

 

Tbn.

1 2

 

 

Bs. Tbn.

 

 

Euph.

 

 

Tuba

  

 

Bb Tpt.

1 2

   D. B.   Pno.

Timp.

Perc. 1



                mp

            

               

 

 

 

 

       

   

 

  

p

  

Perc. 2

 

 

Perc. 3

 

 

                                                     Mar. 2        Mar. 1

63

 (Xylo.)                mp

                                                      


 Picc. 

79

80

81

82

Fl.

1 2

Ob.

1 2

           

                          

Bb Cl. 1

Bb Cl. 2

f



                  f mp                

Bb Cl. 3

Bb Bs. Cl.

f

                       mp                        

           mp

             

mp

                                                             

mp

   1               Bsn.    2 

1  Eb Alto Sax.  2

             

             

             

             

1.

Bb Ten. Sax.

Eb Bari.Sax.

f

              

1  Bb Tpt.  2

Bb Tpt. 3

f

mp

mp 1. 

mp

1. open                                                    p p 2. open

pp

1 2

3 4

1 2

Bs. Tbn.

F Hn.

F Hn.

Tbn.

Euph.

Tuba

                              p

Timp.

Perc. 1

Perc. 2

Perc. 3

               

               

p



3.

mp

                             

f

           

            

              

mp

     

  

non cresc.

                f 

              



  

f

  

              

          f mp                             Mar. 2   Mar. 1



mp

               D. B.  Pno.

          

mp

64

                            

mp

                          


 Picc. 

84  

83

85

 

86

87

 

88

 

 

Fl.

1 2

 

 

 

 

 

Ob.

1 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                   

Bb Cl. 1

                     f

Bb Cl. 2

                    f

Bb Cl. 3

f

                    

Bb Bs. Cl.

f

                                 f  (1.)                      1  Eb Alto Sax.   f

1 Bsn. 2

2

Bb Ten. Sax.

 

f

     Eb Bari.Sax.                     f        1                     Bb Tpt.    2  f

                     f   (1.)          

Bb Tpt. 3 1 F Hn. 2

             sfp f    a2                         

3 F Hn. 4 1 Tbn. 2

f

                       f        

Bs. Tbn.

Euph.

Tuba

sfp

f

(3.)

f

 

Pno.

Timp.

Perc. 1

Perc. 2

Perc. 3

 

 

    

 

f

f

     

    

                



ff

aggressively ff

 

       

 aggressively

     

ff aggressively

     

ff

 

   

  

    

                                  

 



 



 

 

 

 

 

 



 



     

2

   

    2

         

   

     

sfp

 

sfp

            

 

 

 

 

   

 

2

                             ff                         

 

aggressively

2

 

 

 

  

   

 

 

        

   

 

                        f                     Mar. 2   Mar. 1



(Xylo.)                      

                

 

f

mf

   

        

 a2  

     

aggressively

 

                     D. B.   

  



2

   

  

 

2



 

 

  

 

 

 

 

 

 

 

 

 

  

 

 

2

f



   2

f

2         





f

2

 

 

 

 

 

 

 

 

 

 

 

         

 

2

 

 

     

aggressively ff

65

  

    

                                

      2





 

   


   89

Picc.

Fl.

Ob.

Bsn.

1 2

a2

    

    

   

1   Bb Tpt.  2

F Hn.

Tbn.

    

    

Euph.

   

   2          Perc. 1      

Perc. 3

  

Mar. 1

      

Mar. 2

    

 

 

     2

   

Perc. 2

 

   

 



2  



       

sfz



 

        

 

2

  

 



2

 

 

 

 

 

 





                        

      Tuba    2       D. B.   

Timp.

sfp

2

Pno.

 

        sfp      

    

Bs. Tbn.

       

    

1 2

 

                 

    

3 4

   

ff aggressively

  

1 F Hn. 2



                                  

 Eb Bari.Sax.    

Bb Tpt. 3



                                   

  

Bb Ten. Sax.

 

ff

  Eb Alto Sax. 1   Eb Alto Sax. 2

 

      

      

            

 

2

 

        



  



  



   



f

         

 

2





   

f

 

 

   

 

 

 

 

 

f

  



 

f



     

 



  

2



 

 

    

  

 Tam-Tam     f

p



 

   

f

66



ff

ff

           

  

          

            

ff

            ff

 

           

ff

           



ff

 



a2



 

 

a2

 

 

 

           

ff

           

ff

  

            

ff

           

 





 

ff

           



ff



     arco             



 

 



 





   

 

     4.      2                          2        



 2.        

 

A Tempo



f

   

 

              

93

92



  

                   



  

 

          

           

aggressively ff

allargando

91

                  sfp

aggressively

   

Bb Bs. Cl.

 

sfp



   

2 3

1.



   

1 2

Bb Cl. 1

Bb Cl.

   

1 2

90

 

  

Sn. Dr.

        

 

  p

 

               

                f

 

  

f

ff

          

   

  

  

 

          

     l.v.

ff

  

 

ff

f

 

    

 

ff

 

 



 

 

 

           

ff


 

94

Picc.

Fl.

Ob.

1 2

1 2

Bb Cl. 1

95

    

          Bb Ten. Sax.     f           Eb Bari.Sax.      Bb Tpt. 1  



 



      

1 2



        ffp       

1 2

Bs. Tbn.

Euph.

         



mf

      

             Timp.  Pno.

Perc. 1

mp



 

     

Perc. 2

Perc. 3

Mar. 1

Mar. 2

f

 

 

 

 

 

  







3.

1.









 











ff

   

ff

    

   

p

ff

p

ff

p





ff

   

ff

f

           



   



 

 

Trgl.

        

           

 

fff   4











2

2

 

2

2

 



2







 

 

f

ff

2



2

f

            





arco

67





ff



2

             

            

         

             

           



         



           

p

           



2

   

           

           

                   

   

ff

Bongos (sticks)

ff

   

           





p



   

           

p



        

ff

p

               

   

ff

            

        

ff

p

              

    ff ff

            

1.

             f             



 





(Xylo.)



    fff     fff



            

 

p

             

f

mf

         

ff

           

            

             Tuba     

    pizz.  D. B.  



   

ff a2

                  

p                           

fff

                 mf              

ff

p

                         

  



ff

a2              

            

       



ffp

3 F Hn. 4

Tbn.



 

Bb Tpt. 3

F Hn.

f

ff

p

                  a2              

p div.

                 

f

Bb Tpt. 2

                

   

 

2 3

97

 div.                

                  f  Bb Bs. Cl.            f       1           Bsn.   2    f    Eb Alto Sax. 1                  Eb Alto Sax. 2  Bb Cl.

div.

96



  

  

P



 

  

  

  



Sus. Cym.    f    ff

     4

          4

              ff

ff

             ff


           99        Picc.                   1 Fl.  98

2

Ob.

1 2

              

Bb Cl. 1

Bb Cl.

2 3

Bb Bs. Cl.

Bsn.

1 2

            

   

              

   

        Eb Bari.Sax.                   Bb Tpt. 1       4

4

4

              

Bb Tpt. 3

4

              

1 F Hn. 2

3 4

Euph.

Tuba

Timp.

Perc. 1

 

 

 

Perc. 3

Mar. 2

 

  



 

p

               

     

   

  

p













 





   











   

  

 

 



     

   ff

2

    



 





 2



p

2









         



    

             

4

 



68

            

 

   

           p 

fp

p

     

   

     

 

solo

p

fp

 

     

    

  

p

        p    

     

        

           p     



fp

 





4

    



4

 

    

    

ff



             4          



  

2



fp



  

4

f         

4

        4     

101

            1. 

fp a2

ff

V  



                 white note gliss.               l.v.   4 4 4              2                    white note gliss.  mf                              white note gliss. mp

     ff

 



 



 

  

IV VII

Perc. 2

Mar. 1



 

Bs. Tbn.

Pno.

             

 

1 Tbn. 2

D. B.

   

4

4



                  

Bb Tpt. 2

F Hn.

div.

                             

Bb Ten. Sax.

   

              

         Eb Alto Sax. 1        Eb Alto Sax. 2



   100       4        4          4  4                  4  4                      4

 

    

 

 2



 2

 

2

         p      p

           


102 Trio  Picc. 

1 Ob. 2



Bb Cl. 1

 

Fl.

1 2

2 3

Bb Bs. Cl.

Bb Cl.

           1  Eb Alto Sax.  2 Bsn.

1 2

103

104

105

                 mf                  p

        p

        

         

107





           

div.

2.

106

     

mp

          



                      mp      div.

 

 

Bb Ten. Sax.

Eb Bari.Sax.



Bb Tpt.

1 2

  

Bb Tpt. 3

F Hn.

F Hn.

 

1 2

                 mp

3 4

     

     

1 2

Bs. Tbn.

Tbn.

Euph.

Tuba

           

mp

           mp

 

     

             

 

      



 pizz. D. B.   p





 





 





    

       

               3.       

 

 

pp

  

 

pp







  

  





  

Perc. 2

Perc. 3

Mar. 1

Pno.

Timp.

Perc. 1

Mar. 2

  

  p





 





 





     69

       

     p

 

           mp            mp

   

 


108  Picc. 

109

110

111

112

113

Fl.

1 2

Ob.

1 2

Bb Cl. 1

Bb Bs. Cl.

mp

Bb Ten. Sax.

Eb Bari.Sax.



1  Bb Tpt.  2

Bb Tpt. 3

    

1  Eb Alto Sax.  2

F Hn.

1 2

    

F Hn.

3 4

  

   

                          

2 Bb Cl. 3

1 Bsn. 2



                    

         



   



 

 

    

   

  

   

  





mp

  

p



        

2.

    



   

mf

 

 

p

    

p

mp

p

          mf

f f

Bs. Tbn.

Euph.

   





 

 

     

Perc. 2

Perc. 3

Pno.

Timp.

Perc. 1

  

 



  













mf





   

mf

mp

  

     70

    

   

                                Mar. 2   Mar. 1

 

 



D. B.



mp

                 f                

Tuba



mp

1 2

Tbn.

3.

 


 Picc.  114

Ob.

(3.)

 

Eb Alto Sax.

1 2

 

Bb Tpt.

1 2

   

  







f

 

    



     

 



 

  mf

    mf

           

 

1. mf

 

 

 

 

 

   

 

   

 

             

   

 

 

   

  

118





fp a2

 

        

  fp



             

  

                               





 

       

   

        

fp

                           

f

            f

         

       

 

 

 

 

  

                 

F Hn.

3 4

  

Tbn.

1 2

Bs. Tbn.

Euph.

 

   

 

 

  



         

    

     

 

  

 

  

 

 

 

 

 

    



 

mf

 

      f





      

  

 

   

f

                           

 

                         

 

 

 

 

   



 



 





 

 

 

 

 

 

 

 

Perc. 2

 

 

Perc. 3

 

 

Mar. 1

 

 

 

 

Pno.

Timp.

Perc. 1

Mar. 2

  

71

fp

                         

 

1 F Hn. 2

D. B.

f a2

              

Bb Tpt. 3

Tuba

      

             

Bb Ten. Sax.

Eb Bari.Sax.

div.

117  

116

 

Bb Bs. Cl.

1 2



2 3

Bsn.



 

1 2

Bb Cl. 1

Bb Cl.

 

1 Fl. 2

115

 


  Picc.   119

Fl.

Ob.

 

1 2

 

div.

1 2

Bb Cl. 1

   f

     f

      











fp

   

          1  Eb Alto Sax.       2        Bb Ten. Sax.   Bsn.

1 2

Eb Bari.Sax.

 

 Bb Tpt. 1  Bb Tpt. 2

Bb Tpt. 3

F Hn.

F Hn.

Mar. 2

                     

     

f

             

a2 f

2.                        

  

   

            

  

                  

div.          

           f

     

fp

f

Sus. Cym.

 

 

 

 

 









 

  

 

   

 



  

 





 

 

 

arco

f

 

f

     

 



 

 



  

  

     



     

     

 



 

 

 

 

 

       

 

   

 

   

 

   

 

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

f

     

 

 

 

   

 

 

 

   

 

  f

     

 

f

f

72

 

  f



f



B. D.

          

 

 

                   

 



f

 

 



p

 



 



 



  

 

  

 

 

 

 



 

 

f

 





 

 

f

 

 

fp



 

 

 

  

 

  



  

 

  

 

 



  



123

 

 



f

 

  



    



 

f

f





 a2      

  

                



 



 



    



            

   D. B. 

Mar. 1

f

fp

Perc. 3



                 



 

     

Bs. Tbn.

Perc. 2

      



Perc. 1

fp

 

fp

   

 

      



122

fp

1 Tbn. 2

Timp.

fp



 

Pno.

  

     



3 4

  

fp

121

 

Tuba





1 2

Euph.

   

120

f

     

Bb Bs. Cl.

   

 

               

fp

2 Bb Cl. 3

 

 

  



 





  

 

 


124         Picc.    p           Fl. 1   p        Fl. 2      p              Ob. 1   2 mf 2        Ob. 2  

2 Bb Cl. 3 Bb Bs. Cl.

  

p

1 2

Bb Ten. Sax.

1.

       

  Bb Tpt. 1  

F Hn.

1 2

F Hn.

3 4

1 Tbn. 2 Bs. Tbn.

p

         p

         p         

                          

  Timp.  

  Perc. 1   Perc. 2



2

Mar. 2

 



2

2

2

 



 2

  2



 2



2



   

2

2

 

   





    

 

 mf

2

2

mf

  

2

 

2







 

 2

 2

2

2

 

      



2

 



 2



2

 



 2





 





2

2

 



2

2







   

2





2

 2

 2

   

2



 2

 



2

   

2

2

 

    

 2







 

 2

Solo

 

 2



 2

2



2

  



  

2



 

  2

2

 



 2

 

   

2

2

 

    2

 

 2

     p



 



2

S. Cym yarn 

    

2

        

p





2



  



    



73

2

    

                  



 

   

                                            2 2  2        2 2 2             

    

2

 127                   

   

l.v. sempre

   

               

    

(Xylo.)

      

126                                                                          2 2 2   2         2 2 2 2                     

      2

mf

Mar. 1



mf

Perc. 3

2



2

mp





p







p

   

 



  

mp

2

2



        Tuba    p         D. B.   p           2 2 Pno.





p

Euph.



                                               2 2 2        2 2 2                       



p

Bb Tpt. 3

 

   Eb Bari.Sax.      

Bb Tpt. 2

2

2

           p 1    Eb Alto Sax.  2 Bsn.

 

2

mf                   p a2                  2

Bb Cl. 1

125                                      2     

2



   2

 

 2

2

  

 

2


  129 128                    Picc.                              Fl. 1      

     

  

  





2

Fl. 2

Ob. 1

Ob. 2

2







2

2



2

   2

    2

2





2

2

2





2

2

2

          2

2

2

2

   2

2

2 3

2

2

2

2

2



Bb Ten. Sax.

Eb Bari.Sax.



Bb Bs. Cl.

Eb Alto Sax.

1 2

Bb Tpt. 1

2

 2         2

2







2

2

2       2

   2

               p                    p 2

  

2       2

  

 



f

Bb Tpt. 2

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

Tbn.



2        2

      

2        2



2

 

 

2

2

2         2

dim.

 



2       2

2

2 2 2      

                                                                                                                                                       

Bb Cl. 1

Bb Cl.



130 131 132                                                                                   2                            2 2 2 2 2 2 2         2 2                       

p

       p

         p  

2         2



   

 

2

     



2

1 2

Bs. Tbn.

Euph.

Tuba

D. B.

 

         2  2

Pno.

2

2 2 2           Timp. 

Perc. 1

Perc. 2

Perc. 3 Mar. 1

Mar. 2

  

   





 

 

2

 2  

    

mf

 

  

p

  





2

  2

2

  

  2



            2

2

2

2

2 2 2 2          

   2

2  

 

2

            2 2

  

2 2 2      

2 2 2 2           

2  

           





 2      2        

         2 2 2

2

2



2

2

    



       

 2 2         2        2

2

74

2

2

    

    2





2

2

2

2

2

2

2

2

             



   

 2     2     

p

p





2

     2

2

2

     

2


 Picc. 

133

Fl.

       p

1 Ob. 2

Bb Cl. 1

Bb Cl.

2 3

Bb Bs. Cl. 1 Bsn. 2

1 Eb Alto Sax. 2

135



2.

1 2

134

 

 

 

        

a2

mp

 

 

 

   

 

 

         

           

 

 

Eb Bari.Sax.



 

 

 

(1.) 1  Bb Tpt.    2 p

F Hn.

Tbn.

    

3 4

  

1 2

Bs. Tbn.

Euph.

Tuba

f

f

                                    

mp

Perc. 3 Mar. 1 Mar. 2

 

 

    

                

   

  

 

 

 





 



  

  

 

 

 

 



    75

 





  

  

  

         mf          

 

  



    

fff

  

 Sn. Dr.

(Xylo.)

           mf

     

fff

         fff        

       

                    f                   f 

 



             mp 



           



            



      





      



ff

      

 



fff

ff

 



         

    



        

ff

 

fff

   

 



           

fff

 



ff Tom-Toms 

 

1.

mf

 



mf

       

fff

 

 

fff





fff

 

mf

  





fff

fff



  

 



mp

   

  

fff



 

p



    



mp

  

fff

       ff div.            div. 





 

   

  

        

       

mp

 

ff

   

 

2.

fff



      

  

137       

          



mf

  

       p

        

       



mp

mf

  



          

 



  

mf

  

 

   



ff



pizz.

 

  

 



 

       Timp.   Perc. 1  Perc. 2

mf



   D. B. 

Pno.

 



   

1 2

    div.  

Bb Ten. Sax.

F Hn.

  

 

   

Bb Tpt. 3

136

     

  

       

                 


  Picc.  

 

138

Fl.

1 2

Ob.

1 2

Bb Cl. 1

   



  

Bb Bs. Cl.

Bb Ten. Sax.

Eb Bari.Sax.

Bb Tpt.

1 2

Bb Tpt. 3

1 F Hn. 2

Tbn.

3 4 1 2

Bs. Tbn.

 

  

Euph.

Tuba

Pno.

 

Timp.

Perc. 1

       

      

          mf

p

     p













mp

          



p

mf

 

mp

 

mf dim.

                mf       



              f p                                   mf                        

                       

 

pp

  

            mf dim.                





 (with piano)



mf

               

mf

mf

pp

                           

 

    





 

      

 

       

 



 

f

 

  

                   ff    1.         

 





  

f dim.

142

f

 

          f               

    D. B.  



                 

f

141

 

               

  

   

 

ff

F Hn.

 

140

f



 

  

f dim.

  

   

 

       



1  Bsn.         2 1 Eb Alto Sax. 2

    p

(2.)

2 Bb Cl. 3

139

           



p

 

p

mf

dim.

             mf dim.

(with clarinet)

p

 

 

 













Perc. 2

 

 

Perc. 3

  

 

Mar. 1

 

 

 

 Mar. 2  

 

                        p mf

                         p mf

76


 Picc. 

143

144

145

146

147

Fl.

1 2

Ob.

1 2

Bb Cl. 1

           

Bb Cl.

      (2.)

2 3

 

Bb Bs. Cl.

 

Bsn. 1

Bsn. 2

       

 

1  Eb Alto Sax.  2



        

mf

        

                        

p

         

mf

pp

mf

pp

            



p





           

p

                              

p

Bb Ten. Sax.

Eb Bari.Sax.



1  Bb Tpt.  2



                              

p

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

Tuba

 D. B.  Pno.

Timp.

Perc. 1

Perc. 2

 

dim.

pp

            

 

B. D.

Mar. 1

Mar. 2

   

 

pp





     l.v.

   pp

    

pp

pp l.v.

Tam-Tam

Perc. 3

 

arco sul pont.



gliss.





     

     







sim.

 



 





sim.

  

 

     





          







    



                                                

p

77


 Picc. 

148

149

151  

 

 

 

150

152

Fl.

1 2

Ob.

1 2

 

 

Bb Cl. 1

 

2 3

 

       

Bb Cl.

 

                         3.

   

p cresc.

2.

p cresc.

Bb Bs. Cl. Bsn.

1 2

Bsn. 1

Bsn. 2

Eb Alto Sax. 1

                   

 



 

       Bb Ten. Sax.                       p cresc.                               Eb Bari.Sax.   p Bb Tpt.

1 2

       

 

  

 

 

  

        





  

 



                          

 

      

 

 

 

Bs. Tbn.

Euph.

4.



mf

      Timp.    

     

(B. D.)

 







 

 

 

   

   D. B.  

Perc. 3

 

Perc. 2



Perc. 1



1 2

Pno.



 

3 4

Tuba



1 F Hn. 2

Tbn.



 

Bb Tpt. 3

F Hn.

p cresc.

            





p cresc.

                         

  

               

154

p cresc.

 

Eb Alto Sax. 2

 

  

p cresc.

                                      2.          p cresc.                                        

153





mf

 

  

 

            

     

     









  

 

 

 

 

  

      

 

p

   





 

  

 

 

 

                               p p cresc.                               Mar. 2  Mar. 1

78





p cresc.











p







 

 

 



 



 



 

 



 

   

  



  

   

   



2.



                 

 



cresc.

gradually to

cresc.



p

   cresc.  

 

cresc.               



 

 

  

 

 

    

2. 





 



 



 

mf cresc.

Xylo.

mp cresc.

       

          

           


  155

Picc.

Fl.

Ob.

1 2

156

157

 

               mf cresc.              

1 2

Bb Cl. 1

a2

2 3

             mf cresc.    a2 1           Bsn.   2 mf cresc.              Eb Alto Sax. 1  mf cresc.        Eb Alto Sax. 2       mf cresc.            Bb Ten. Sax.   mf cresc.

Bb Bs. Cl.

Eb Bari.Sax.



mf cresc.

 Bb Tpt. 1  Bb Tpt. 2

Bb Tpt. 3

(2.)

mf cresc.

 

(2.)

1 2

Bs. Tbn.

Euph.

 

cresc.



   

     

       ff



mf cresc.





 

       cresc.

ff

5



 

              ff marc.

ff marc.

            ff marc.                      2 ff 2 mf                      2

   

 

2









 

        



 



   



5

 

       

      



2

 



       ff

 

 

ff

 

  4

            P    

        

ff

 

f

 

                    

cresc.

 

fff



ff marc.

  

  



 

Trgl.

mf cresc.

79

5

5        



a2

 

2

  

2





  

 

ff

2

ff

2





    

5 5

  





ff

5

         5 5        



5

      2









ff

  

               





ff





     

ff

      

  

5 ff            5                

 

 

  



ff

2



2

   

2

  

   

ff

2



2



2

2

     

 

  

  

   

  

 



          

 

 

            Perc. 3   ff                              Mar. 1            ff marc. mf cresc.                          Mar. 2                  ff marc. mf



              ff marc.                               



 

(B. D.)

        

   159                5 5                 5  5                5                 5                

2 2 f ff                            2 mf f ff 2                                     

 

mf cresc.

 

 

                         

 



cresc. (Xylo.)

Perc. 2

f cresc.

  

mf





   Timp.   Perc. 1



ff

   





cresc.

    



mf cresc. ord.

Pno.

     

                        f cresc. ff                        

                 f a2

mf cresc.

D. B.



a2

3 F Hn. 4

Tuba

      

1 F Hn. 2

Tbn.

a2 

ff

a2                                                      mf cresc.

Bb Cl.

 

     

158    

       

   

     

    

white note gliss.





    

          white note gliss.               white note gliss.


 Picc. 

160

Fl.

1 2

1 Ob. 2

     

Bb Cl. 1

Bb Cl.

161



                   ff div.  1                   Bsn.          2 

 

      



3 F Hn. 4

1 Tbn. 2

Bs. Tbn.

 4 4           



                           

1 F Hn. 2

st. mute

mp

             

 4                   mf f           4       

 

mf

f

                                                         

    

f

 

     

      Tom-Toms      f



          

 

   

Sn. Dr.. 

  

f



f





                  

ff

p

2





         2 1.

     

f



                 ff                 D. B.     

f

                



                   

Euph.

Perc. 3



Perc. 2

Bb Tpt. 3

Perc. 1



Timp.

f

 

f

 Bb Tpt. 1 

Pno.

                            

164

1.

 

Bb Ten. Sax.

Tuba

163

Bb Bs. Cl.

Eb Bari.Sax.

                                                                                                                       p f p

2 3

1 Eb Alto Sax. 2

162





mute out   4        

mf

f

 a2 

  

 

 

sfz

mp









pizz.  sfz

     f

2

2









                                                p f p

f

   





                                                                   p p f                                           Mar. 2    Mar. 1

f

80

p


 Picc. 

165

Fl.

1 2

  

 

(1.)

1 Ob. 2

Bb Cl. 1

 

166

 

 

 

 

 

 Eb Alto Sax. 1 

sfz

p

 sfz

p

p

f

           

f

p

           

p

f





             

            



Eb Alto Sax. 2

Bb Ten. Sax.

1 2

 

168

 Bb Bs. Cl.         f

Bb Tpt.

                                         

2 Bb Cl. 3

Eb Bari.Sax.

167

  

Bb Tpt. 3

   

(a2)

1 F Hn. 2

sfz

 

 

p

              

p

             

p

  



             



1. open p

sfz

             

 



F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

Tuba

 D. B. 

Pno.

Timp.

Perc. 1

 sfz





 sfz















              

             

             f

Perc. 3

Mar. 1

 



(Xylo.)

Mar. 2

p



 

Perc. 2



p

            f

           

           

f

p

         f

f

           

f

81

p

    

p



             

p



      

p

            


 Picc. 

169

170

171

172

Fl.

1 2

Ob.

1 2

Bb Cl. 1

                           

              

Bsn. 1

Bsn. 2

 

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Eb Alto Sax. 1

        

Eb Alto Sax. 2

cresc.

Bb Ten. Sax.

Eb Bari.Sax.

cresc.

        

 Bb Tpt. 1  Bb Tpt. 2

Bb Tpt. 3

F Hn.

       

cresc.

 

 

1 2

                                 p cresc.                           p cresc. p cresc.

p cresc.

  

                              p cresc.                   p cresc.

                p cresc.                                                                                                      

 

 





 

open



 





p cresc.



p



p

 

  



                    

                                              









                           p cresc.

          

1 2

Bs. Tbn.

Euph.

Tbn.

Tuba

   D. B.  Pno.

Timp.

Perc. 1

Perc. 2

Perc. 3













  

cresc.





cresc.

 



 



 



 



             

           

             

               



arco

 

              

3 F Hn. 4



                                             cresc.                            Mar. 2                      Mar. 1

cresc.

82

              


 Picc. 

173

Fl.

1 2

         

1 Ob. 2

Bb Cl. 1

mp cresc.

        

     

     

mp cresc.

       

Bb Cl. 2

      

mp cresc.

       

Bb Cl. 3

Bb Bs. Cl.

mp cresc.

       

Bsn. 1

174

mp cresc.

      

      

                Bsn. 2  mp cresc.

        Eb Alto Sax. 1 

     

  

  

mp cresc.

    

Eb Alto Sax. 2

   

mp cresc.

      

      

Bb Ten. Sax.

mp cresc.

     Eb Bari.Sax.   

      

mp cresc.

Bb Tpt. 1

   

Bb Tpt. 2

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4



 

175

 

                

                                        

         f cresc.       

                           

    

      

ffp cresc.





f cresc. f

f

     f

  

f cresc.

  

f cresc.

    

 



ffp cresc.



ffp cresc.

   

 

     

 

 

           

          









 

 

 













fp

f

   fp              ff               ff     

Bs. Tbn.

Euph.

Tuba

  D. B.  mp  Timp.   Perc. 1  

Perc. 2



     

Sus. Cym. (yarn)

Perc. 3

p cresc.

Mar. 1

Mar. 2



 



 



cresc.

(Xylo.)

  

 

               

     

             

     f

              

              

              83

    

f

  

     f

f









        

           f            f





 l.v.    

              

f cresc.

f cresc.

 

1 Tbn. 2

f cresc.

fp



mp cresc.



       

ffp cresc.



        

ffp cresc.



                             f                           

  







 

       

f cresc.

 

         

          



  

f



ffp cresc.



f

 

     

               

                   

   

f cresc.

                  

             

   

            f cresc.              

             

176

 

f

  ff



 

          

f


177   Picc.  Fl.

       ff

                

    

1 2

             ff            

1 Ob. 2 Bb Cl. 1

ff

ff

      

   

Bb Cl. 2

       

178

 

 

   

ff

 

 

       

                ff               1    Eb Alto Sax.  2 Bsn.

1 2

    

Bb Ten. Sax.

ff

 

ff

 Eb Bari.Sax.     Bb Tpt. 1

  ff 

    

      

Bb Tpt. 2

ff

ff

       

Bb Tpt. 3

 

1 F Hn. 2

  

ff

 

3 F Hn. 4

ff

  

ff          

1 Tbn. 2

ff

   

Bs. Tbn.

  ff

   

Euph.

 

  Tuba  D. B.

ff

  ff

   

  ff  

 

Pno.

 

   Timp.  Perc. 1



ff

   

P



B. D.

Cr. Cym.

Perc. 2

ff

  

  

mf

 

ff

 

  

 

 

 

  

    

     

 

 

     

 

     

 



   



   

   

    

 

  

  

 

  

   



2



2

 

 

 

   





 

  



2

     

  

       

 



2

 



  

  





 

  

 2

 

 



               

    



         

 



 



 

 



 

 

  

 

 

  

 

 

   



2

 

  

2

 

  



     

   

  Tom-Toms



ff

 

 

ff



 

 

     



 

 



 

            

          

   

 

                       

 



   

      



 

 

       



  

     

  

 



84



2 2

180

                        



 





 

 

       

   

2

    

   

2

    



2

   

   





  

mf

   





ff



   

       

   



   

    







 

        



 





 



 



  

 



 

 

 

  

 

       

2                                    

 

 

       



 

 

179

            



 

           

                                                                                 

 

 

      

ff

 

 

      

 

Mar. 1

Mar. 2

 ff  

Perc. 3

ff

 



   

ff

   

Bb Cl. 3

 

 

     

          


181          Picc.            1 Fl.    2       1 Ob.  2       Bb Cl. 1         Bb Cl. 2  

    

Bb Cl. 3

              1         Eb Alto Sax.   2 Bsn.

1 2

 

        Bb Tpt. 1  

 

  

 

 

 

 

mf

Bb Tpt. 2

Bb Tpt. 3

F Hn.

1 2

3 F Hn. 4

1 Tbn. 2 Bs. Tbn.

Euph.

                                      

  Tuba          D. B.   Pno.

  

   

 

  

 

 

 

 

   

   

 

  

       Perc. 1   Timp.

  

Perc. 2

  

Perc. 3

   

Mar. 1

 

Mar. 2

  

 

 

           

f

            f        

 

fff

     

 

 

  



ff

 



                



     

 

 

 

 

 

 

 



 



 





   

     

 



  

 



             





     



      fff



      fff



f

      fff  

fff

mf

fff

mf

 



   

fff



      f

fff non div.

 

            

    

 

      

mf

   

     

mf

  

       mf

            

fff

mf

fff

mf





f





  

mp



             f

85

  

              





                    f                       

              

f

 

           



                    

p

           



           

p



 

    

 

 

     

 





            f               

fff

 

f

fff

 

    



184

        

 

  

A Tempo







 

183

      

                    

 

Eb Bari.Sax.

rit.

    

Bb Ten. Sax.

 

182

     

 

  

Bb Bs. Cl.

                

                     





  

               f            


  Picc.  



185

1 Ob. 2

 

Bb Cl. 1

 

Bb Cl. 2

f



        mf

 

1 Fl. 2

mf

        

mf



           

f



186

cresc.



cresc.



cresc.



     

cresc.



         a2            a2            

 



        cresc.

                        

Bb Cl. 3

                     

187

188

  

                        

                        Eb Alto Sax. 1  Bsn.

1 2

             

Eb Alto Sax. 2

     Eb Bari.Sax.            Bb Tpt. 1 

 

Bb Tpt. 3

F Hn.

3 4

Tbn.

1 2

 

Bb Tpt. 2

1 2

    









cresc.

  

 

mf cresc.

            

Euph.

Pno.

Timp.

cresc.

  

cresc.

   

cresc.



           

 



 

  

 



     

  

  

  

  

  

        

 

 



 



 

 

  

 

 

 

          

          

       

 

          



          



                 

           

                    

  

cresc.

cresc.

     cresc.     cresc.

  

             



  mf cresc.              cresc.              



  

cresc.

     

cresc.

  

 

 

      

 

                                    

    



  

                                     

                                            

               

    

  

 



  

cresc.

cresc.

86

                                       

                                 



                        

                          cresc.                            

Mar. 2

                     



Mar. 1

     

Xylo.                          Perc. 2  f



     

                 



                    

                   

mf cresc.



           

   

     

cresc.

D. B.

        

              cresc.      mf cresc.                      

Bs. Tbn.

Tuba



                        

Bb Ten. Sax.

F Hn.

cresc.

                     

cresc.

Bb Bs. Cl.

 







      



 





f



 

  

                                








189    Picc.  

accel. al fine

    p cresc.     p cresc.        p cresc.         p cresc.       p cresc.      

1 Ob. 2 Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

    

p cresc.

   

   

  

      

 

       

1 2

   

  

      

p cresc.

              

Bb Tpt. 2

      fff                  

Bb Tpt. 3

p cresc.

1 F Hn. 2

1 2

fff

fff



 

 

 

             

mf cresc.

     

            p cresc.                       

p cresc.

 

p cresc.

    Timp.    p cresc.  B.D.  Perc. 1    

p cresc. (Xylo.)  

 

        

p cresc. Sus. Cym.

     p

       Mar. 1   p cresc.           Mar. 2  

         



                

                

 



         



 

            fff              





fff

            fff            

 

  

    

loco

fff

 

f

f

           

P

 

    

                                   fff

87

 



fff



fff

    

fff

p cresc.



fff



fff

         

    



fff

          

 

             



    

                           

           

 

       

 a2               

   fff   

  



fff

fff

 

fff

                           

192





                 

           

            p cresc.               D. B.  

Perc. 3

           p cresc.           p cresc.

Euph.

Perc. 2

                 

    

Bs. Tbn.

Pno.

                     p cresc.

3 F Hn. 4

Tuba

fff

fff



 

                             p cresc.

Tbn.

fff

fff

           

 



                 

 Eb Bari.Sax.                 Bb Tpt. 1  



                 

               





fff

p cresc.

  

fff

            

                 

Bb Ten. Sax.

  

fff

fff

p cresc.

  

fff

                              

            



191

  

                  p cresc.                              Eb Alto Sax. 1   p cresc.                    Eb Alto Sax. 2   Bsn.



 

190

  

p cresc.

1 Fl. 2





           

                    

    





          

fff

            

Tom-Toms

(choke)



  

 

  fff       

   

  

          

fff

 


IV. Prayer

  Piccolo  

q = c. 69

2

3

4

 

5

 

Flute

1 2

 

 

 

Oboe

1 2

 

 

 

Bb Clarinet 1

 

Bb Clarinet 2

 

Bb Clarinet 3

 

Bb Bass Clarinet

 

Bassoon 1

 

 Bassoon 2  

(Ob. 2 doubles Eng. Hn.)

1 Eb Alto Saxophone 2

            

Bb Tenor Saxophone

 

Eb Baritone Saxophone

  

Bb Trumpet

1 2

  

1. Solo – cantabile

p

f

    p

    

p

 

   p

p

      

        

  

        3

 

  

 

 

 

 

 

       

  

  

 

   

             

 

 

 

 

 

 

Bb Trumpet 3

 

 

 

F Horn

1 2

 

 

 

F Horn

3 4

 

 

 

Trombone

1 2

 

 

 

Bass Trombone

 

 

 

Euphonium

 

 

 

Tuba

  

 

 

 

 

 

Piano

 

 

  Double Bass    

pizz.

p

p

 

 

     Timpani  

 

 

 

 

 

 

Voice

(Tenor or high Baritone)

Percussion 1

  



 

Percussion 2

 

 

 

Percussion 3

 

 

 

1

  

 

 

Marimba

 

mp

88

  

                  3 3                         f

  

    


* If alto sax soloist is unable to play the notated altissimo pitches in mm. 8-9 comfortably, oboe 1 should play the cued notes as a solo.

 Picc. 

6

Fl.

1 2

1 Ob. 2 Bb Cl. 1

7

8

   

     

1. Alto Sax. cue *

  

p

dim.

Bb Cl. 2

dim.

9

   p

f



   

3     

 

 

dim.



 

Bb Bs. Cl.

 

Bsn. 1

dim.

Bsn. 2

1 Eb Alto Sax. 2

     

p

dim.

  

    3

Bb Ten. Sax.

Eb Bari.Sax.



dim.

  

dim.



 

delicate

3

p

  

         

        



 

 

 

   

 

 

     

 

p

                   

mfz

pp

mfz

pp

 

   

 

 

 

 

 

Bb Tpt. 3

 

 

1 2

1.

 

F Hn.

3 4

Tbn.

1 2

 

Bs. Tbn.

 

Euph.

 

 

 

 

Tuba D. B.

 

Pno.

   

Perc. 1

Mar. 1

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Perc. 3

 

 89

 

 

 

   

 

   Timp.  Voice



 

pp

 

mfz

 

 

 

pp

 

 

 

F Hn.

pp

 

pp

1 2

 

mfz

    

pp

 

          

           mf

mfz

 

   

 

Bb Tpt.

 

 

p

12

 

 

        3

 

11

       p

Bb Cl. 3

  

      p

 

    

 

dim.

 

10

pp

          arco

 

pp

p

 

pp

              


13  Picc. 

14

   

1 2

Bb Cl. 1

Fl. 2

Ob.

Bb Cl. 2

Bb Cl. 3

Bsn. 1

Bsn. 2

Eb Alto Sax 1

  

p

 

      p

   

     

 

 

 



      

p



18

  

 

 

 

 

 

 

 

 

 

 

 

  

17

                         

  

p

16

Bb Bs. Cl.

 

  

Fl. 1

15

 

       mf         mf 

      mf      

mf

  

mp

mf

mp

mf

  

    

p legato

mf

p legato

mf

p legato

      

 

 

 

 



 

 

 

 

Bb Tpt. 3

 

 

F Hn.

1 2

 

 

F Hn.

3 4

 

 

Tbn.

1 2

 

 

Bs. Tbn.

 

 

Euph.

 

 

 

 

 

 

 

 

Eb Bari.Sax.

1  Bb Tpt.  2

Tuba

D. B.

Pno.

Voice

Timp.

Perc. 1

 

 

 

Perc. 3

Mar. 1

p dolce

          I want to hear the sounds of

 hope

of

big

 

 

   

Trgl.

p

 

  

p

mp 3                  

 

church



and

 

horns,

                  

p

      

sounds that wash a - way the

mf

 

wars



 

 

   

90

   and

p

p

mf

Vibes

dis - tant

      

 

  

bells

 



Bb Ten. Sax.



Eb Alto Sax. 2

 legato       

a -


 Picc.  19

     

Fl. 2 Ob.

      

Fl. 1

1 2

            

Bb Cl. 2

Bb Cl. 3

 

Bb Ten. Sax.

 

 

 

 

 

 

 

 

 

 

   

 

 

1 2

           

3 4

           

 

 

 

 

 

 

 pp

Bs. Tbn.

Euph.

Tuba

 

 

            

 D. B. 

Pno.

  Voice    - rouse  Timp.   Perc. 1  

Perc. 3 Mar. 1

 

 

 

P

            

heart.

 

  

         p     (Vibes)

 

       

p



p



mp

   

f fp

mf

p



 

mp

 

mf

           

 

     

 

 

 

 

 

A sure har - mo - ny

P

f

mf

 

    

  

   

 

  

              

mf dolce

glid

3

-

-

ing

-

3

ver a

 

 

 

  mf

o

 91

 

            f

         f





 



f

p

p

 

p

 

5 3 3                     p 5 3 3                    

mp

mf

mf



mf

        



  

 

 pizz.   

2. take Eng. Hn.

p

  

 

mf

 

p

 

the hu- man

 

  

p

mp

mf

p

 

     

1 2

mf

pp

 

f

24



    

 



p

Bb Tpt. 3

f



p

 

Tbn.

23

  

 

      1  Bb Tpt.  2

F Hn.

f

Eb Bari.Sax.

F Hn.

   

 

        Eb Alto Sax 1                   

 

22

Bsn. 1

Eb Alto Sax. 2

 

 

     

Bb Bs. Cl.

21

 

     

Bb Cl. 1

20  

 


  Picc.   25

rit.

26   

A Tempo

27

28

29

30

31

Fl.

1 2

 

 

Ob.

1 2

 

 

Bb Cl. 1

 

Bb Cl. 2

  

Bb Cl. 3

Bb Bs. Cl.

 

 

 

 

  

  

pp

  

 

  

1   Eb Alto Sax.  2

p

 

p

n



  

  

mp cresc.

Bb Ten. Sax.

Eb Bari.Sax.

  

 

 

         

                    

1. Solo – espr.

 

  



p

 

 

1 2

  

 Bsn. 1    

Bb Tpt.

n

   

3

3

5

f

 

 

 

  



cantabile           3          

 3

         

Bb Tpt. 3

 

 

F Hn.

1 2

 

 

F Hn.

3 4

 

 

Tbn.

1 2

 

   

pp

   

Bs. Tbn.

 

  

pp

   

Euph.

 

  

   

Tuba

  

  

   

 arco  

   

  

 

D. B.

   

 

Pno.

   

pp

pp

pp



   Voice      sea of    Timp.  

mp



P

    pp

 

ethereal        

still - ness.

p

   

 

 



   

 

   









        

 

 

  



  

  



       

 

 

        

  

 

Perc. 3

 

 

Mar. 1

  

 

Perc. 1

  

 

p

92

 


 Picc.  32

Fl.

1 2

Ob. 1

33

rit. molto

A Tempo

34

            pp p f  div.          

Bb Cl. 1

Bb Cl. 2

p

Bb Cl. 3

p

div.

 

f



f

 



pp



     

Solo

Bsn. 1

pp

           p f pp

Bb Bs. Cl.

p

div.

       

rit.

36



37

n

   

A Tempo

n

 n

 Solo – cantabile

  

mp

p





dolce

    

                   

mf

n mf



1 F Hn. 2

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

Tuba

1  Eb Alto Sax.   2 Bb Ten. Sax.

Eb Bari.Sax.



Bb Tpt.

1 2

 

Bb Tpt. 3

D. B.

 

mp

one player

pp

pp

      

   Timp. 

    

Mar. 1

pp

 

 





n

n



  

  

  

   



 

  

P

        

peace

       

p

 

p delicato

p dolce

I want to play the sounds of

1. dolce

p

n

 

Perc. 3

Perc. 1

pp one player

Voice

p

Pno.

Bsn. 2

 

unis.

p

n

38

 

  

       3    

35

      

    

   

 

delicato       of

sigh

-

ing winds

93


 Picc. 

39

Fl.

1 2

Ob. 1

 

Ob. 2

 

Bb Cl. 2

 

Bb Cl. 3

Bb Bs. Cl.

 

 

Bb Cl. 1

40

   

     

p

unis.

   

p

   

41

 

 

 

 

 

 

poco più mosso

42

rit.

 

 

 

English Horn

   

 

  

 

cresc.

cresc.

cresc.

        

 

mf

     

   

 

 

      

 

Bb Ten. Sax.

 

Eb Bari.Sax.



 Eb Alto Sax 1  Eb Alto Sax. 2

Bb Tpt.

1 2

 

Bb Tpt. 3

F Hn.

p

p

cresc.

cresc.



p

pp

 

pp

 

mf

 

mf

p

 p

   

p

 

 

 

 

 

 

 

  

 

  

 

 

Bs. Tbn.

 

Euph.

 

Tuba



1 2

Mar. 1

  

p

Tbn.

Perc. 3

pp

 

mf



 

p

 

 

 

 

 

 

 

cresc.



 

 

 

 

 

 

 

 

f

         

   

 

 

 

 

 

 

 

 

 

 

 

 

and rust - ling

leaves,

sounds that si - lence trou- bled





thoughts

94

and

p

calm

the

spi - rit's

rag





p dolce               

  

D.B. p

 

p

 

    

   

 

 

 

Perc. 1



 

 Voice    Timp. 

 

p

pp

 

Pno.

 

 



 

3 4

D. B.

 

F Hn.

p

     

1 2

cresc.

p



 

p

 

 

  

Bsn. 2

cresc.

 

46

 

   mf     

45

 

Bsn. 1

44

   

A Tempo

 

 cresc.  

43

-

ing

storms.

 

pp

pp

 



 


 Picc.  47

 

Eng. Hn.

   

Bb Cl. 1

p

Bb Cl. 2

 



p

    p

Bsn. 2

Eb Alto Sax 1

 

 



54

      f

  

 













mp











 

 



 



 

   

 

Solo – poignantly

 

55

p

p

53

 



 

52

 

  





51

Bsn. 1

 

 

Bb Bs. Cl.



50

p

p

Bb Cl. 3

49

one player per part a2 

1 Fl. 2

48

mf

mf

mp

mp



 





 

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari.Sax.



Bb Tpt.

1 2

 

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

D. B.

Pno.

Perc. 1





pp

  

pp

pizz.

   

(like a prayer)

   A

song

 

      3

of se - re - ni - ty

 

from

 high

 

  

p

   

a - top

an

an - cient

 

p

   

hill.

                

    

 

    

    

Tam-Tam

 pp      p

95



 

one player

Perc. 3

Mar. 1

pp

 

    Timp.  Voice

  



Tuba

 

   

 

 



 


 Picc.  56

58

Fl. 1

57

59

60

 

 

61   tutti

 

 

tutti

 

Fl. 2

Ob. 1

 

 

 

 

        

Eng. Hn.

Bb Cl. 1 Bb Cl. 2

  

Bb Cl. 3

Bb Bs. Cl.

  

 

 

   

Eb Alto Sax. 2

Bb Ten. Sax.

 1  Bb Tpt.  2

   

Eb Bari.Sax.

Bb Tpt. 3 1 F Hn. 2 3 F Hn. 4

1 2

Bs. Tbn.

Euph.

one player

Tbn.

Tuba

p morendo

 arco D. B.   Pno.

 

   



morendo

 

 

 

 

 

 

ppp

  

 

 

 

   

 

  

 

  

  

p morendo

  

ppp

96



1. Solo

   

 

mp

sffz

  

           

  

 

   

mf

   



  

  

a2

 



 

 

             

 

  

 

  

 

 

     

  

 

  

 

 

  



 

  

 

 

 

 

 

     



 

      

     

 

  Mar. 1 

       

               

 

 

     

 

 

 

 

 

 

           But my harp is stilled by    

Perc. 3

    

 

 

Perc. 2

 



 

f

 

 

 

       

 

   

63

   Timp.   Perc. 1  Voice

 

 

 

 

 

f

 

    f     f

 

f

 

 

  

   

 

f

 

62

  

f

 

 

 

f

 

 

p (dark)

 

 

ppp

 

 

 

ppp

sul tasto punta d'arco

p morendo

 

 

 

 

 

 

 

  Eb Alto Sax 1  1 Bsn. 2

 

  

      

        f

f      

 

voic - es

 Glock.  



 



 

by

voic - es.

 



f

f Tacet to end

mf f        

 

Trgl.

                    

 

 

 

ff







 

 

                     

 



 

 

 

Sus. Cym. poco f

 

 

  





  

   


  Picc.   64

Fl. 1

Fl. 2

Ob. 1

Eng. Hn.

Bb Cl. 1

   

     

65

   

    

Bb Cl. 3

Bb Bs. Cl. 1 Bsn. 2

         

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari.Sax.

 

1 F Hn. 2

  

  

1 Tbn. 2

 

Bs. Tbn.

 

Euph.

  

D. B.

Pno.

   

  Perc. 1  

p

   

 

              

 Voice      Timp.  

3

  sffz

 

  pizz.

   

3

3

 

 

(Glock.)

 Perc. 2    (Trgl.)    Perc. 3   

         

f

  

  

f

f

  f

 

   

 

 

      

 

 

p

f



fp

fp

 

 

ff



fp

 

 

 

 

 

 



fp

 

 

arco



fp

    

 

ffp

 

 

 

 

ffp

 

 

1.

   

open  

  

p

 

       

 

 

        

mp

 

f

 

 

 

 

Sus. Cym. 

   

ffp

out!

 

 

ffp

   

fp

ffp

 

 

ffp

 

 

 

 

   

 

fp

ff       cry - ing

ffp

 

 

fp

   

 

fp

    tutti

   

     

fp

 

ffp

ffp

 

ff

ff

fp

 

      

 

open

 

          

              

fp

ff

 



 

          

  

97

 

hun - gry,

fp

 

      

 

 

    



 

 

  

ff

  

 

          

 

   

fp

    

        

 

 

 

 

 

 

fp

 

70

                   ff                    ff             

 

 

69

 

f

Fast (q = 138)

   

Child - ren

 



 loco         

 

 

f dramatic

 

 

 

sf

 

  

      

 

 

  

68  

  

  

 

  

 

 

3

 

f

           

  

 

ff

 

 

67

    

3

ff

    

  3             ff         

 

3 4

F Hn.

p

f

f

3

1   Bb Tpt.  2 Bb Tpt. 3

 

 3  3         ff 3   3          ff 3 3          ff     3        

 

   

ff

p

  Eb Alto Sax 1   

 

 

 

     

 

 

66

 

           

  

 

p

Bb Cl. 2

 

   

  



    



  




71    Picc.   fp    1 Fl.     2 f   Ob. 1   Eng. Hn.

Bb Cl. 1

Bb Cl. 2

   

72

fp





73



 

fp

     

Bb Cl. 3

 

Bb Bs. Cl.

 

1  Bsn.    2

  Eb Alto Sax 1  



f

 

  



    f

1 2

F Hn.

3 4

  

  

1 Tbn. 2

3.

Bs. Tbn.

  

Euph.

  

 Tuba   

        fp    ff      fp    ff      fp 

 



tutti

 

 

f

sfz

 

  





p

f f

f

    sfz

  



Pno.

    f

        Timp.    f Vibes      Perc. 1   mf   (Glock.)   Perc. 2     Voice

P sempre

f (l.v. sempre) Chimes

Perc. 3

   

mf (l.v. sempre)

 





    

   









 



  









p p p

   

a2



pp













 

sfz

       ff





   





pp

pp

   

 

p

  a2 

 



f

         



f

       

   





p





p

   

p a2





 

f

  

78





   





     

77

              

f

sfz

p











                



pp

p









f

 





 

 

   



sul G

fp

      





 

  98















 

  

 

    

 



 



     

ff



p arco

   ff    ff

p

p



 



p

     D. B.     ff                     f pizz.

  



p



  

sfz

  

ff



p

 



p





  

 

76   





p

  



 





 

fp

ff



f

F Hn.

ff

Bb Ten. Sax.

  

 

    a2    

Bb Tpt. 3

75

 

    

74

Eb Alto Sax. 2

1 Bb Tpt. 2



fp

f

Eb Bari.Sax.



 






 Picc.  79

80

81

82

83                 f

a2

ff

     

1 2

Ob. 1

 

Eng. Hn.

 

Fl.

 

Bb Cl. 1

  

Bb Cl. 3

Bb Bs. Cl.

 

Bb Cl. 2

1 Bsn. 2

 Eb Alto Sax 1  

F Hn.

  

3 4

 

1 Tbn. 2

f

    

ffp

ffp

mp



 

 

 

   

 

 ffp

  

 



 

    

 

mp

p

ffp

  

1.

p

 

 

   f

   a2                

  

mp

f

 

 

  

1.

  

3.

p

  

p

  

    f

  

 

ff

 

 

  

mf

  

mf to st. mute

mp

 

 

 

p

p

st. mute 

    

    mute out 

mp

p

 

 

  

       

(Glock.)

 

(Chimes)

Perc. 3

p

    

 

   

 

  

 

   (Vibe.) Perc. 1   Perc. 2

 

 

f

  



   D. B. 

Voice

  

f

fp



Euph.

Pno.

 

    



86

   

f

85

Bs. Tbn.

Tuba

p



    

  

 

          

fp

f

  

1 2

      f



F Hn.

  

Eb Bari.Sax.

Bb Tpt. 3

f



 

 

Bb Ten. Sax.

  

fp

84

ff



1 2

     

Bb Tpt.

           f    

fp

f

f

Eb Alto Sax. 2

f



        

 



  

      

              

    





   

mp



 



  

 99

 

f

  

  

f



ff

    





 

   

 

f

mp

 

Their

 dreams,

  



     f

 

wind - swept.


rit.

 Picc. 

1 2

Ob. 1

tutti

87

Fl.

 

Eng. Hn.

88

89

               

one only

 

Bb Cl. 1

f

2 Bb Cl. 3

Bb Cl. 2

 

Bsn.

1 2

 

 

 

 

 



 

 



3 4

 

p

f

 

p



 

   

   

 



mf



  

mf

      

p



p



         p

mf f

 

f

f

f

mp

pp

mf

mf

pp

mf

       

 

p

mf

   p

mf

mp

p



   

mf

mf mf

pp

mf

pp

   



 

fp

          f

F Hn.

f



      

p



 

Eb Bari.Sax.

1 2

F Hn.

Bb Tpt. 3

p

 

1 2



Bb Ten. Sax.

Bb Tpt.



  

p

 Eb Alto Sax 1   Eb Alto Sax. 2

p

 

94

p

93

92

 

 

p

91

  

Bb Bs. Cl.

f

Bb Cl. 3

fp

90

a2

 

sfz

1 Tbn. 2

Bs. Tbn.

Euph.

Tuba

D. B.

Pno.

D.B.



p

   

mp

mf

 

mf

 Voice       Perc. 1 

Perc. 2

Perc. 3



mp poignantly

      My

house

of

100



  

wis - dom,

      cresc.

a

web

 of

sor - row.

         

I on - ly know that I am


 Picc.  95

Fl.

1 2

Ob. 1

Bb Cl. 1

Bb Cl. 2

q = c. 60 rit.

96

 

  

p



 

Bsn.

1 2

  

1.

   

 

    

ffp

ffp

ffp



 Bb Tpt. 1 

3 F Hn. 4

 

1 2

Bs. Tbn.

Euph.

      pp

  pp pp pp

      

f

 

 D. B. 

Pno.

  



pp

 

 

p ten.                    long-ing long - ing long - ing long - ing…    Timp. 

Voice

 Perc. 1  Perc. 2

Perc. 3

P



 

  

pp Vibes

(Glock.)

 f

open

fp



    

f

 P sempre   

 

  sempre  

f

 

101

ff a2

   ff 

ff

  ff

pp

   

 

 

 

p

p

 

  

 

 



  

  

ff

 



  

 

p









     

    

 



p





pp

pp

     

pp

  

pp

pp

  

 

    sfz

  

fp

pp

 

f (l.v. sempre)

      

pp pp

f



  

ff

pp

(Chimes) f (l.v. sempre)

 

fp

 

   

 

pp

f

 f  

  

fp

     

pp

f

       

f

fp

101

      

fp

 

f

fp

ff

 

 

 

  

ff

pp

fp

f

 

f

pp

f





 

f

ff

f

pp

        ff

f

Tuba

 

 

ff

1 2

 

Bb Tpt. 3

Bb Tpt. 2

ffp

p

p

ffp ffp

100

 



Bb Ten. Sax.

Tbn.

 

99

ffp a2

Eb Alto Sax. 2

F Hn.

pp

p

p

 Eb Alto Sax 1 

Eb Bari.Sax.



98 Fast (q = 138) 

 

 

pp

Bb Bs. Cl.

 

pp

Bb Cl. 3

97

   

   

 


102   Picc. 

Fl.

1 2

       

 

Eng. Hn.

                ff                  ff                

 

Bb Cl. 2

 

Bb Cl. 3

ff

Bb Bs. Cl.

             ff              

 Eb Alto Sax 1    

Eb Alto Sax. 2

Eb Bari.Sax.



    Bb Tpt. 1  

Bb Tpt. 2

f

F Hn.

1 2

3 F Hn. 4

Tbn.

Tuba

D. B.

Pno.

 

Perc. 2

Perc. 3

p

  

 

 

    

 

  ff

 

  

ffp

  ff 

  

  

sfz

 

  

  







  





    

ff



      

 

 

fp

  

 mp  

     

      ff

   

ff



  



  



 f

f

    



 f

 102

 



  

     

  

p

          

p

    

 

  

 



mp

p

         



  

 



f

  

p

f

   

 

     

 

p

mp

mp

p

 

fp

mp

 





fp

ff



p

 

fp

mp





fp 1.

fp



 

ff

p

ff

sfz

    



 

 

sfz

f



 

      ff     

ffp

sfz

  

 

 

mp

  

fp

p

f

 

     

sfz

 

   

      ffp       ffp

ff

  

a2

ffp

     

    Perc. 1  Voice

  

     

Euph.

Bs. Tbn.

a2

f

       

 



p

a2

  

1 2



106

       

 

  105

 fp

  

f

 

Bb Tpt. 3

sfz

ff

Bb Ten. Sax.

ff

104

ff

 

Bb Cl. 1

1 2

 

Ob. 1

Bsn.

       ff         ff      

103











 





  

 

  

 

  


  107

Picc.

109             ff f       a2        ff f            

 

(1.)

1 Fl. 2

  

Ob. 1

1 Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl. 1 Bsn. 2

 fp

f

        

a2

  

  fp

 

Bb Ten. Sax.

Eb Bari.Sax.

Bb Tpt. 1



Bb Tpt. 3

F Hn.

fp

  

Bb Tpt. 2

F Hn.

ff

3 4

f

       

f

   p    

Calm (q = c. 66)

  

ff

            

            

1 2

ff

             f ff                

f

113

             

   

112

  



ff

f

         Eb Alto Sax 1         Eb Alto Sax. 2   

111

1. one only

pp

ff

f

110

  

             f ff          a2              

Eng. Hn.

rit.

108

 





 div.    



ffp

fp



  fp

fp

    



f

p dim.

f

p dim.

       mp          mp

    



     

 ffp

   

ff

to mute              f





ffpp

a2





ff

p

      

mp

1 2

Bs. Tbn.

Tbn.

Euph.

D. B.

Pno.

 

 

(Vibes)

(Glock.)

Perc. 3

    

  

     

(Chimes)

   ff

   





 

 Perc. 1   Perc. 2

 

   Timp.  Voice





   

    f    

  

                     

 



ff

 

 

ff



 

  

     

meno f

ff

103

And then

 

mp dolce

       I

catch a

pizz.

p

p

glimpse

 

   

ethereal pp ethereal

 

 

pp


 Picc.  114

 

(one only)

115

 

116

 

117

 

tutti

 



1 Fl. 2

Ob. 1

Eng. Hn.

1 2

Bb Cl.

Bb Bs. Cl.

1 Bsn. 2

Bb Cl. 3

p



p

p

p

p

  p

    

 Eb Alto Sax 1 

 

 



 

118

 

 

 

 

unis.

 

 

mp





mp

q = c. 72

120

121

rit.

 

119



 

 

 



 

pp



pp



pp

1. cantabile



 

mf div.

  



mf

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari.Sax.



mute out

Bb Tpt.

1 2

 

Bb Tpt. 3

1 2

F Hn.

3 4

      

1 2

Bs. Tbn.

Euph.

F Hn.

Tbn.

Tuba

D. B.

Pno.

Perc. 1

Perc. 2

Perc. 3

p











 

p

 

    Timp.  Voice

mute

 

 

    



   

arco sul A

 

one player



p

                               

pp

ethereal  pp

P (ethereal)

   an

   

an - cient tree…

 

 3      

an

o - pen

gaze,

 

   

    

  

   

(dolce)

Some e - ter

   



  3   3   

-

nal

eu - pho - ny



D.B.

pp

(ord.)

pp

   

     

     

poco cresc.

that dan - ces

that dan - ces

up

104

   

on

the


 Picc.  122

Fl.

A Tempo

    a2

1 2

Eng. Hn.

Bb Cl. 1

 

 

Bb Cl. 2

Bb Cl. 3

 

Bb Bs. Cl. 1 2

mp

  

     

pp

2. pp



 

 

  

pp

mp

 



   

mp

mf

p

 p

 p



pp



  1.



p

p

p

 

 

pp

p

130

                              

  



p

To Ob.



     

     

pp

 

a2

   

pp

129

 

 

128

  

a2

A Tempo

 

pp

 

127

 

mf

unis.

rit.



      

unis.

    

 Eb Alto Sax 1 



 

 

 

126

p

 

125

 

    div.

124

pp

Ob. 1

Bsn.

123

 

pp

Eb Alto Sax. 2

Bb Ten. Sax.



1 F Hn. 2

     

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

Eb Bari.Sax.

Bb Tpt.

1 2

 

Bb Tpt. 3

Tuba

D. B.

Pno.

Perc. 1



   

 

 

 

(dolce)

light.

  

pizz.

   Timp.  Voice

Perc. 2

Perc. 3



 

 p (chant-like)

   

And for one

(Vibes)

   p

(Chimes)

 p

  

pp



 

     

fleet - ing

 

 

  

 

pp

mo - ment,

  

 

 105

I

pp

pp arco

pp

p

1. open



pp

loco

know…

p

 

  

I

 

 3  

am the sound

of

hope,

 

the


 Picc.  131

Fl.

Ob.

(a2)

  

 

 Eb Alto Sax 1  

 

Bb Ten. Sax.



 



 

poco cresc.

 

 

 

p



  

138

  

     

poco cresc.



  



poco cresc.



p

  

  

 

  

 

poco cresc.



     

   

     

poco cresc.

  



p



poco cresc.

 

137

p

136



  

 

 

 

 

 

Bb Tpt. 3

1.

135

 



134

2. pp

Eb Alto Sax. 2

1 2



 

Bb Bs. Cl.

Bb Tpt.

           

Bb Cl. 3

Eb Bari.Sax.

133

           

Bb Cl. 2

1 2



1 2

Bb Cl. 1

Bsn.

 

1 2

132

F Hn.

1 2

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

 

Euph.

Tuba

D. B.

Pno.

 

  

 3   Voice   in - stru - ment   Timp. 

of

peace,

   

the



cresc. poco a poco

song

    with - in

the

         song,

the

  

song

with - in

the

song,

     the

 

Perc. 2

Perc. 3



Perc. 1

106


rit. molto

 Picc.  139

 div.

Fl.

1 2

(1.)

1 Ob. 2

 

      

 

141

mf cresc.

mf cresc.

     

mf cresc.

mp cresc.



  



 

 

 

 

    f a2     

Eb Bari.Sax.

Bb Tpt. 1

 

f

 



 

 

 

  

1.

 Perc. 1 

f

f

 













  







 

ff

 ff   

 

ff

 ff

 

P

 

 B. D.  

ff

ff

ff

107

 

p

 



 



 

ff

  

 



 



 

 

 

 

 

 

 



 Tam-Tam     p



 

 

     

 

         





 

   



 

      

   



 

f

  



    

  

      

  





song.

  



 

  

 

 

 



ff





 

Perc. 3

 

ff

ff

ff

 

  

    

Perc. 2

 

 

ff





the



 

ff

a2     

with - in

 

song

   

   Timp. 

 

ff

  

 

a2

  



 

Voice





  

 

 





 

ff

 

 

   

   

 

  

 

    a2   

mf cresc.

 



 

   

 



Pno.

ff



   



  



 

 

ff

     

  

 

D. B.

a2  

   

ff



   

1 2

 





        

   

Tuba

 

   

    

147

 



Euph.

   

  

 

     

  

3 4

Bs. Tbn.

     

 

mf

mp cresc.

 

  

146

  

 

 

mf cresc.

 



ff

 

  

   

  

ff



145

 

 

mp cresc.

 

1 F Hn. 2

  

 

Bb Tpt. 3

Tbn.

Bb Tpt. 2

F Hn.

   ff        

  

 

ff

144

  

ff

 

 

 

Bb Ten. Sax.

ff

 

mf

 a2  

 

mp cresc.

Eb Alto Sax. 2

 



   Eb Alto Sax 1     

 

  

ff

     ff      

 

 

mp cresc.

143 A Tempo   

142

 

a2

     

Bb Bs. Cl.

   

     

 

Bb Cl. 3

1 2

 

1 Bb Cl. 2

Bsn.

 

  

140


 Picc.  148

1 Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

 

 



  



 

Bb Bs. Cl.

 

1 Bsn. 2

  



Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari.Sax.

Bb Tpt. 3 1 F Hn. 2 3 F Hn. 4

Tbn.

1 2

Bs. Tbn.

Euph.

 



Perc. 2

Perc. 3

   

 





 

 





 

 



 

 

   

  

 

  



 





 

  





 

a2

  

   









   

mf

  

 

  







 







 

 

  

 

p



ff

 

Trgl.

ff



 

heroic!

 

    

 

 

    

 

   



      

Vibes

     ff

Xylo.

         

 

 



 

f

 

ff

108

 

 



  

f

 

 

 

 

 

      

 

  

 

  

 

 



 



 

 

dim.

  

 

 

 

 

f f

       

  f        

  

f

f

       

 

 

 

dim.





 

 





 

dim.

dim.

                

               



dim.



 

 

   

  

 

 



  

 



 

  

 

 

 

    

 

 

f

      

         

 

 

  

   

 

f

 



                      

 

f



      f   

              

    

heroic!

 

f

   

   

   

153

a2

    

Sus. Cym.

 

 

       

ff

     

 

152

       











   

 

151

         



 

   

 

 







 

  



 

  

    Timp.  Perc. 1

 

   

        

  D. B. 

Voice



 

  Tuba 

Pno.



 

  Bb Tpt. 1  Bb Tpt. 2





  Eb Alto Sax 1 

      

    

  

150 

149





mf

 f

 

 

  

 


  Picc.  

155

154

Fl.

1 2

  

  

     mf

156

rit.

1 Ob. 2

  

Bb Cl. 1

  

Bb Cl. 2

Bb Cl. 3

  





     

mf



  

  

mf

Bsn.

1 2

1.

  

  Eb Alto Sax 1    Eb Alto Sax. 2

Bb Ten. Sax.

mf

 

 mf

     

   

   

mf (a2)

1 2

   

3 F Hn. 4

  

F Hn.

(a2)

Tbn.

1 2

Bs. Tbn.

   

 

1.

mf 3.

mf

mf

mp

 

    mp

 

mf

2. mp

mp







pp

mp

 

 

 

n

pp



n

mp

n

mp

pp

p

mp

pp

 

p

n

mp

n

n

mp

mp

2. Solo

p

 



mp



p

 

 

p

  



 

p

n

 

n

 

n

p

mf dim.

 

p

mf

 

  Perc. 1  

 

     Timp.    Voice

  D. B.     

    p

 

 

 Tuba  

Pno.

mp

    

mf

159

p

mp

  

158

p

mp

 

  

mp

mf

Euph.

mf

mf

Bb Tpt. 3

    mp

mf

Bb Tpt. 2

mp

  

 Eb Bari.Sax.   Bb Tpt. 1

    mp

mf

Bb Bs. Cl.

mf

  

mf

157

p

p

pp

 n

mp

Perc. 2

 

Perc. 3

  

109

n


PRESERVING OUR MUSIC I T I S I M P O R TA N T T O P R E S E R V E O U R M U S I C A L H E R I TA G E F O R F U T U R E G E N E R AT I O N S

Acidic paper has been in widespread use since the turn of the century, and has become the bane of archivists, librarians, and others who seek to preserve knowledge intact, because it literally will self-destruct as it ages. Some paper, only three or four decades old, already has become impossible to handle — so brittle it crumbles to the touch. Surely we do not want today’s music to be unavailable to those who will inhabit the future. If the music of the Renaissance had not been written on vellum it could never have been preserved and we would not have it today, some four hundred years later. Let us give the same consideration to the musicians in our future. It was with this thinking that Manhattan Beach Music in 1988 first addressed the needs of the archivist by printing all of its concert band music on acid-free paper that met the standards specified in the American National Standard for Information Sciences — Permanence of Paper for Printed Library Materials (ANSI Z39.48-1984). The standard was revised on October 26, 1992 to include coated papers; all of our new editions and reprints of older editions meet this revised standard. With proper care and under proper environmental conditions, this paper should last for at least several hundred years.

Technical notes: Paper permanence is related to several factors: The acidity or alkalinity (pH) of the paper is perhaps the most critical criterion. Archival paper (also known as acid-free paper, alkaline paper, and permanent paper) is acid-free, has a pH between 7.5 and 10, is tear resistant, has an alkaline reserve equivalent to 2% calcium carbonate (to neutralize any acid that might arise from natural aging of the paper or from environmental pollution), and contains no unbleached pulp or groundwood (no more than 1% lignin by weight). The specific standards summarized here are set forth in detail by the National Information Standards Organization in American National Standard Z39.48-1992. For more information, contact: NISO, 4733 Bethesda Avenue, Suite 300, Bethesda, MD 20814, http://www.niso.org/

This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper)

AN S IECR B O BM M A HR AGTOT A L INS B—E A PC UH B LMI SU H N E I L R U D D Y — C R E AT I V E D I R E C T O R BOB MARGOLIS: PUBLISHER COFOUNDERS N E I L R U D DY: C R E AT I V E D I R E C T O R C O F O U N D E R S P R I N T I N G : C H E R N AY P R I N T I N G , I N C .

PRINTING:

CHERNAY

PRINTING,

INC.


w w w . M a n h at ta n   B e a c h   M u s i c . c o m

www. F r a nk   Ti c he l i . com

Symphony No. 1 for concert band by Frank Ticheli  

The complete conductor score of Symphony No. 1 by Frank Ticheli transcribed for concert band by Gary D. Green

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