Page 1

Songs of Love and Life for soprano and small wind ensemble conductor score

Frank Ticheli

M a n h a t t a n

B e a c h

M u s i c


Recording Credits for Songs of Love and Life (for soprano and small wind ensemble): Performance by University of Minnesota Wind Ensemble, Craig Kirchhoff, conductor, Jennifer Olson, soprano.

This virtual conductor score and recording are designated “private,� and any publication or distribution beyond the web sites of Manhattan Beach Music without its permission is prohibited.


FRANK TICHELI SONGS OF LOVE AND LIFE FO R S O PR A NO A N D S M A L L W I N D E N S E M BL E

C O N D U C T O R

S C O R E

Instrumentation — the 2 piano/vocal scores and this conductor score are for purchase, & all other parts are for rent:

2 Piano/Vocal Score

1 Bb Trumpet

1 Flute 1

1 F Horn

1 Flute 2

1 Trombone

1 Oboe 1

1 Solo Soprano

(reads from the piano/vocal score — there is no solo soprano part, per se)

1 Oboe 2 (doubling English Horn) 1 Bb Clarinet 1 1 Bb Clarinet 2 1 Bb Bass Clarinet

1 Vibraphone 1 Percussion

Glockenspiel, Triangle (med.), Marimba, Crotales (low F, Gb, Ab), Timpano (26"), Suspended Cymbal (med.), Tambourine, bowed Vibraphone (shared)

1 Bassoon 1 1 Bassoon 2

1 Harp

1 Eb Alto Saxophone

1 Piano 1 Double Bass

S C O R E P R I N T E D O N A RC H I VA L PA P E R

Gg M A N H AT TA N B E AC H M U S I C 1595 East 46th Street Brooklyn, New York 11234 Fax: 718/338-1151 www.ManhattanBeachMusic.com E-mail: customerservice@manhattanbeachmusic.com Voicemail: 718/338-4137


1 A C K N O W L E D G M E N T

Songs of Love and Life

was commissioned jointly by

the Alpha Iota Chapter of Kappa Kappa Psi

and the University of Colorado at Boulder Department of Bands in honor of Professor Allan McMurray

for his many years of service to college bands, inspirational performances, and artistic leadership

the field of college wind band conducting.

M O V E M E N T D U R AT I O N S

1. Swinging into the Night (6 ½ minutes) 2. First Lesson (6 minutes)

3. Prayer for a Marriage (5 minutes)

4. Winter: Tonight: Sunset (5 ½ minutes) T O TA L D U R AT I O N :

ca. 23 minutes


P R EFAC E N O T E

S O N G S O F L O V E A N D L I F E was commissioned jointly by the

Alpha Iota Chapter of Kappa Kappa Psi and the University of Colorado at Boulder Department of Bands in honor of conductor Allan McMurray.

The poems chosen for S O N G S O F L O V E A N D L I F E — all written by contemporary American poets — were discovered slowly, after a painstak-

ingly long and careful search. Indeed, the only poem I had decided upon when

I began composing the work was Leland Kinsey’s “Swinging into the Night” with its beautiful depiction of a boy being pushed on a swing by an exhausted

but grateful parent. After several more weeks of searching, I stumbled upon two more stunningly powerful poems that further strengthened the themes of love

and life —Philip Booth’s delicate “First Lesson,” about a daughter being taught

to trust, and Steve Scafidi’s touching and witty “Prayer for a Marriage.” But it

took yet another two months to find the poem that would end the song cycle.

David Budbill’s vivid depiction of a man at the beginning of his old age — expressing nothing more than simple gratitude for being alive — struck me like a thunderbolt. I knew I’d found the perfect poem for my finale.

I am grateful to all four poets, whose words sustained and inspired me through-

out the creative process. I am also grateful for the opportunity to compose S O N G S O F L O V E A N D L I F E as a symbol of my enduring friend-

ship with Allan and his wife, Judy.

FRANK TICHELI


Movement I

Swinging into the Night by Leland Kinsey My boy is swinging and I push him. “Higher,” he cries and I push him till with his feet he pulls leaves and twigs from the weeping willow, tree carved on slate markers on the hill behind us. He holds on tightly, as I taught him the first times he wanted to go so high, and only once has his grip faltered as he let go to point at the rising full moon and he flew towards it and knocked his breath completely out for what seemed like minutes until he could breathe then cry then wanted to climb aboard for more, and I pushed him. Now he swings the other way, “This way then that way,” he says, and that way his feet go up into the grape arbor where they crush green grapes and later ripe ones will splatter. “I love swinging up into the night,” he says. He is big enough to pump. He laughs when I push him. My arms ache, I have pushed him so long, so hard. My wish is obvious, that this swinging freeze at this moment, go on forever. More strangely, he curves into time more huge than both of us together can imagine, and I push him.

“Swinging Into the Night” from Not One Man's Work: Poems by Leland Kinsey Copyright © 1996 by Leland Kinsey. Used by permission of Leland Kinsey.


Movement II

First Lesson by Philip Booth

The text of this poem is reproduced only in the paper editions of this score and may also be found in the following book: Lifelines Selected Poems 1950–1999 by Philip Booth Penguin Poets LIFELINES by Philip Booth copyright © 1999 by Philip Booth Viking Penguin, a division of Penguin Group (USA) Inc.


Movement III

Prayer for a Marriage For Kathleen

by Steve Scafidi When we are old one night and the moon arcs over the house like an antique China saucer and the teacup sun follows somewhere far behind I hope the stars deepen to a shine so bright you could read by it if you liked and the sadnesses we will have known go away for awhile—in this hour or two before sleep—and that we kiss standing in the kitchen not fighting gravity so much as embodying its sweet force, and I hope we kiss like we do today knowing so much good is said in this primitive tongue from the wild first surprising ones to the lower dizzy ten thousand infinitely slower ones—and I hope while we stand there in the kitchen making tea and kissing, the whistle of the teapot wakes the neighbors.

“Prayer for a Marriage” from SPA RKS F RO M A N I N E -PO UN D H A MMER Copyright © 2001 by Steve Scafidi. Permission courtesy of Louisiana State University Press.


Movement IV

Winter: Tonight: Sunset by David Budbill Tonight at sunset, walking on the snowy road, my shoes crunching on the frozen gravel, first through the woods, then out into the open fields past a couple of trailers and some pickup trucks, I stop and look at the sky. Suddenly: orange, red, pink, blue, green, purple, yellow, gray, all at once and everywhere. I pause in this moment at the beginning of my old age and I say a prayer of gratitude for getting to this evening, a prayer for being here, today, now, alive in this life, in this evening, under this sky.

David Budbill, “Winter: Tonight: Sunset” from While We’ve Still Got Feet: New Poems. Copyright © 2005 by David Budbill. Used with the permission of The Permissions Company, Inc., on behalf of Copper Canyon Press, www.coppercanyonpress.org All rights reserved worldwide.


ACKNOW LED G EM EN TS

AND

COP YRIG H T

I NF OR MAT IO N

SONGS OF LOVE AND LI FE

for soprano and small wind ensemble by Frank Ticheli Copyright © 2012 Manhattan Beach Music (music only). The below copyright notices apply to the poetry as used in their respective movements: Movement 1: Swinging Into the Night “Swinging Into the Night” from Not One Man's Work: Poems by Leland Kinsey Copyright © 1996 by Leland Kinsey. Used by permission of Leland Kinsey. Movement 2: First Lesson “First Lesson” from LI F ELI NES by Philip Booth, published by Viking Penguin, a division of Penguin Group (USA), Inc. Copyright © 1999 by Philip Booth. Used by permission of the Philip Booth Family Trust. Movement 3: Prayer for a Marriage “Prayer for a Marriage” from SPA RKS F RO M A N I N E -PO UN D H A M M ER Copyright ©2001 by Steve Scafidi. Permission courtesy of Louisiana State University Press. Movement 4: Winter: Tonight: Sunset David Budbill, “Winter: Tonight: Sunset” from While We’ve Still Got Feet: New Poems. Copyright © 2005 by David Budbill. Used with the permission of The Permissions Company, Inc., on behalf of Copper Canyon Press, www.coppercanyonpress.org All rights reserved worldwide.


To Allan and Judy McMurray

SONGS OF LOVE AND LIFE

Transposed Score

FOR SOPRANO AND SMALL WIND ENSEMBLE I. Swinging into the Night

LELAND KINSEY

  Flute 1    

q. = c. 52

Flute 2 Oboe 1 Oboe 2 (doubles Eng. Hn.)

Bb Clarinet 1

2

  

 

  

  

Bb Bass Clarinet

     

         pp

 Eb Alto Saxophone       

pp

      p   Trombone  

mute

Voice

Percussion

Harp

      p    

   

Piano

Double Bass

         

   

LMLOLMMM

  p

pizz.

p

          

pp

          

    

      

  

3

p

             

  

  

mf

boy

    

is swing- ing



   

and I



push

him.





 

 

 

    

      





       



 



3

3

        

             

My

   

  Vibraphone   

   

F Horn

6

   

       

 

5

    

4

   

pp

 

Bb Trumpet

  p

 

Bassoon 2

  

Bb Clarinet 2

Bassoon 1

3

FRANK TICHELI

Copyright Manhattan Beach (music only) - All and Rights Reserved - Printed and Engraved in the U.S.A. Copyright© © 2012 2012 Manhattan Beach Music Music - All Rights Reserved - Printed engraved in the United States of America ISBN (complete copyright set) ISBN (conductor ISBN 1-59913-152-8 — Additional noticesscore) apply and may be found on the facing page Visit www.FrankTicheli.com for the latest information on the music of Frank Ticheli Visit www.FrankTicheli.com for the latest on the music of Frank Ticheli Purchase music, download free MP3s, view virtual scores and information more at www.ManhattanBeachMusic.com Purchase music, download free MP3s, see & hear virtual scores, and more at www.ManhattanBeachMusic.com


  Fl. 1   

Fl. 2

7

Ob. 1

Ob. 2

   

  

8

ENGLISH HORN

mp

 

Bb Cl. 2

Bb Bass Cl.

Bb Cl. 1

   

    pp

mp

Bsn. 1

Bsn. 2

Eb Alto Sax.

    

   

mp

 Bb Tpt.  F Hn.

Voice

Vibes

Perc.

Hp.

Pno.

Db.

mp



 

 

          



pp 3

3

p



mp

mp

pp

mp

 

pp

      

mute out

  

  

  

     

My boy

    

is swing- ing

 

 

 



 

 

and I

push

  

p

 

  

 

him.

p

    

  

    



O

p

 to st. mute     

mf

p



  to st. mute    

O

p

    

harmon mute (stem in)

  

p

 

 

  

   

p

  

 

   

pp



pp

3



  

12

    

  

        

11

harmon mute (stem in)

mp

Tbn.

    pp

      

  

10

pp

9

mf

  

p

mf       “High - er,”



 

 



  

                 arco

mp





2

        3

p

3

he


15    16        

  Fl. 1   

Fl. 2

13

Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

   

    

14



    

3

mp

    

        

          

 

   

    

    



17





p

 

 

    





    



     p

     

          

 

18

  



 

   mf

    

mf

    mf

    

       



mf

  



Tbn.

  

Vibes

Perc.

Hp.

Pno.

Db.

     

  

cries

    

and I push

 

him

      4

till with his feet

  

he pulls

 

leaves

      

  

and twigs from the weep - ing wil - low,



 

 

 

 

 



3

 

mf

  

F Hn.

Voice

 

mf

mf


23

  Fl. 1    19

Fl. 2

 

Ob. 1

  

Ob. 2

 

 

p

(Engl. Hn.)

p

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

 

Eb Alto Sax.

Bb Tpt.

F Hn.

Tbn.

Voice

Vibes

  

 

   

  

p

  

 

Perc.

Hp.

Pno.

Db.

  p

 

       f

       

p

f





p

    

f

p

f

p

 

 

 3

     3

#     3

mf

   



    

   

 

   

p



 



      

    

p

       f

 

 

             

 

 

 

 

 

 

 

 

 

 

 

 

         carved on

       slate

mark - ers

        on the hill

be

-

 

hind

     us.



 

 

 

 

 

 

 

 

 

 

 



 

 

 

 

4

3

       mf

mf



open



mf



mf

 

  

 

mf

 

 

      

 

 

 

tree

 

 

  

to Oboe

e = e (q = c. 78)

 

 

p

3+3+2



  

f

 

p

      

22

    f

p

 



  



 

p

Bsn. 2



 

21

  

p

20

3

 

   3


  Fl. 1     Fl. 2   24

Ob. 1

Ob. 2

Bb Cl. 1

25

 

Bb Bass Cl.

Bsn. 1

Bsn. 2



 



p

3



3

       

Bb Tpt.

F Hn.







 

        

  

Voice

 

Perc.

   



 

   

Pno.

Db.

st. mute



  

  

3



mf



3

3

 

   

 

 

  3

3

 

  

       



 

3

3

 

 

3



mf 3



3



3

 

 

3





3







3

   3

 5

3

 

3

3

   

3

3

     

3

mf

3

    

 

   

       #             

3

p

 

Hp.

3

Tbn.

Vibes



3

   

   

3

        

p

Eb Alto Sax.

mf

      

p

#

3

   #           

27

3

Bb Cl. 2

26

 

 

     

 

3

3

3


   

  

28

Fl. 1

Fl. 2

 

Ob. 2

Bb Cl. 1

Bb Bass Cl.

F Hn.

3

      3 3

3

 



 

  

Hp.

  

Db.

    

3



 



   

 3

3



 

f



 

          3

 

   



p

   

 

  

 

 

 

 

 

 

   3

         3

           3 3 3

 

3

3

 

 

3



3

3

p

   

 

  3

3

 



                

 

 

Pno.



  

  



 

   

           3

3

Voice



    #          3 

  

Perc.

  

3

 

Tbn.

Vibes

   3 # 3 3             3  3

  

 

3

31

e = e (q. = c. 52)

      30        3

  

Bsn. 2

 

 

Bsn. 1

Bb Tpt.

3

mf

   

Bb Cl. 2

  29   3 3 mf 3                 3 3 3 3

 

Ob. 1

Eb Alto Sax.

   

gli ss.

 

 

  

p

         

  

3

6

  

Bb

 

p

 

 

     


    32

Fl. 1

 

33

34

  

35



mp

 

 

Bb Cl. 2

Bb Bass Cl.

 

  

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

  

F Hn.

Tbn.

Voice

Vibes

Perc.

Hp.



Pno.

Db.

 

3

  

  mp

mp

3

 

    





He

holds

mp

     

 mp

mp

   

sfz



    I

    

 

p

as

 

p

    

on tight - ly,

     

  

taught

p



  

fp

   

him

the

first

times

he

   

   

           

   

  



  pizz.  



    

     

p

7

   

 

3

 

3

  

 



     

      

    

     

 



  





 

p

 

p

    



 





mp

  mp



     

     

 

  

37

36

 

  

  

 

           


   Fl. 1    

 

38

Fl. 2

 

39

 p

Ob. 1

 

Ob. 2

 





Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

    



p

 

 

41

   

3

3

   

p

  

OBOE

                mf

 

p

3

      p #

     

p

     

p

   

 

  

     



40

     

 

mf

 

mf

  mf

 

mf

42

         

   

 

    

 

    

 

 

    

 

     

mp

mp

   

 

   

   

      



mp

mp

 

 

F Hn.



 

Tbn.

  

 

  4        mp

Voice

want- ed to

Vibes

Perc.

Hp.

Pno.

Db.

  

go



dolce

so

high,

 and

        on - ly

once has his

grip

 fal -



tered

 



 

 

 

 

 



 

        

 

  

Gb B§

  

             

     

mf 3

   

3

   mf



Bb

 

 

 

 

3

 8




  Fl. 1     43

45

44

 

Fl. 2

  

 

Ob. 1

  

 

Ob. 2

  

Bb Cl. 1

   #           f

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

      f                f

Bsn. 2

 Eb Alto Sax.   

pp

  

 



f

pp

  

pp

 





 

 

 



 





p

p

p

#   

p

       

p

  

pp





47

 

  

46

mf

3



3



          

p

mf

3

3

3

   

 

F Hn.

  

 

Tbn.

   

 

Voice

  

Bb Tpt.

Vibes

Perc.

Hp.

Pno.

Db.

   





           as

he

let

go

to

f



       

point

at the

ris - ing full

 



moon

and he

 

   

 

   

 

  

 



  

 



   

 



   

 



 

      

p

 

p

9

      

   

 

   

    

3

 

      3


   48

Fl. 1

Fl. 2

49

 

    

50



52                              51

3

mp

 



  

   

 

Bsn. 1

 

Bsn. 2

 

Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Eb Alto Sax.

Bb Tpt.

     



  p

 

5





  



    

  



 

    

  

 

 



    

  

 

 



    



 

 

 

    

pp

 

 

 

 

 

 

 

 

 



F Hn.



 

 

Tbn.

  

 

 

Voice

Vibes

Perc.

Hp.

Pno.

Db.

     

flew

          

   

towards it and knocked his breath com - plete - ly

  

out



mp

 

for what

       seemed like

min - utes

 

 



 

 

 

 



 

          

      

    

 

 

 10

 

 



   



    

  

  

MMMOMMMM

 

 

 


Fl. 1

  

54

55

 

Ob. 1

 

 

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.



 

  

    pp

  

 









pp





56

Fl. 2

Ob. 2

58

rit.

53

 pp

 

pp





  

   

57

A Tempo







p



p

 

p





 

   3

mp

 

 

p

F Hn.



Tbn.

  

      

     

Voice

Vibes

Perc.

Hp.

Pno.

Db.

  

p

  

    



  

for what seemed like min - utes

un

-

til

he

could

breathe

then

   

cry

  



 

 

 

 

     



 

p



 

 

  11









 

3

Bb

p

         

   mp

 


   Fl. 1      Fl. 2    Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

 3

3

  

 

3+3+2

e=e

 

 

 

 

 

 

 

 

 

          3



3

3

mf

pp

 

   

    

 

 

63



62

      

61



 

60



    

rit.



59



  



mf

p

      

          mf        



          

pp

mf

pp

mf

pp

         

         

 

 

mf

pp

F Hn.



 

 

Tbn.

  

 

 

Voice

Vibes

Perc.

Hp.

   

 

then

Db.

f

want- ed

to climb



 

a - board

 for

 

  

more,

        mf

and I

  

 

 



 

 

 

 

 

 

 

 

 

 

 

 



3 3           

 

       

  

Pno.

     

  

mf

     

       

       

        3

Eb

3

 

p

         p

12

LMLOLMMM


64

  Fl. 1     Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

(q = c. 78)

        

       

Bb Tpt.

F Hn.

Perc.

Pno.

Db.

  

p



mf

 

   



        #          



3

3

3

3

3

    



 

 

3

him.



    

  

     



mf

(st. mute)

 

3

 

3

3





  

mf



3

   

   



   

    

      

       3          3  

#

     

   

     

(open)

3

  

Hp.



pushed

Vibes

   

  Tbn.   Voice

mf

   

   

 p

3

mf

67

#        3        3 

p

Eb Alto Sax.

66

3

p

Bsn. 2

65



  

3

3

mf 3

 

 

3



  13

3

3

3

 







3 





 

3

 



3


  Fl. 1    68

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

      

F Hn.

  

 



 



 

 

 

 

3

 

  

 

3

3

 

     q = q.   3

 

 

 

      3      3 3

 



  



  

     3

 

 



    #         3 

3



  

3

3

3

          3

 



3

   #  3              3  3 3

3          3         3 3 

3

mf



3

70       3

 

3

3

          3  

     Eb Alto Sax.   Bb Tpt.

69

   

 3

3

   

 

 

Tbn.

  

 

 

Voice

 

 

 

  

 

 

Vibes

Perc.

Hp.





  

Pno.

Db.

3

   

 

3

     



   3

   3 3

   3

3

3



      3

 

3

3

 

             3

3 

 14

 

3

3

 

        3





gl iss

.

     

3

 

 

 

 


71

q. = c. 84

   Fl. 1          f

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

  



p

  

  

Bb Bass Cl.

  





f

 



  fp 



   Eb Alto Sax.   



Bb Tpt.

   

f

  

  Tbn.  

  

F Hn.

Voice

  Vibes    

 

med. yarn

Perc.

Hp.

Pno.

Db.



   p fp

  f



p

   

 D§ Bb

  

f

 p

   

p



      7

f



 



  





fp

p

f

p



  

 

 



f

    



 



Now

 



  

he swings

        



             



 



      



      

the o - ther way,

       

  

     

 

     

 

   

15

fp





fp

  





 

fp

                     

  

fp



fp

fp

                       



77

 



76





 



 

 

 

p Glock. p

st. mute

  

75



 





  



fp

p



  

p







f



f

Bsn. 2

 

  

p



    

74





   

73







f

Bsn. 1



   

Bb Cl. 2

72


   78

Fl. 1

Fl. 2

 

Ob. 1

 





(p)

 

Bsn. 1

 

Bsn. 2

 

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Eb Alto Sax.

Bb Tpt.

F Hn.



 

 

fp

Pno.

Db.

p

 

  









 

 

 



 



 

  



    



 

 

    





   

he

        

      



       

 



fp



 

says,

 

f

fp

       way,”

f

 

     

that

      

 

then

fp



 

way





 



   

 

fp

This

 

  

 

fp

 

 

 



 83 

fp



  







               





82

 



fp

       

81

 

 

 

 



fp



  

  

p

f

  

 



  

 

    

  Vibes  

Hp.

fp

80

fp

p

fp

Perc.

 

p

    Tbn.   Voice



  

p



 

Ob. 2

79

 

 



 

    and

                      



         

         

     

 

 

 

 

16


  Fl. 1     84

Fl. 2

Ob. 1

85

  

   





   f

  

  

Bb Cl. 1

Bb Cl. 2

  

Bb Bass Cl.

 

Bsn. 1

  

 

   

 

Bsn. 2

F Hn.

Tbn.

Voice

Perc.

Hp.

Pno.

Db.

fp

f

f





fp

   

   

 

  

 

   

 

     

     

his

feet go

 

up

 

                

        

    

  

in - to





 



        

 

   

        



the

 



 

   

 

 17

 mp 

 

  

 



 

 

 



 

mp

grape

ar - bor

        





    



    





 

where they

 

  

   



   

   

 

f



mp



mp

f

                  way



89

 



fp

            fp f             

 



    

that

Vibes

(p)

   

    

 Eb Alto Sax.    Bb Tpt.

fp

 

88

 

  

 

87

  

f

86  fp

f

  

Ob. 2

  

crush green

grapes

    

                   

 

arco

mp

 

 



 


  Fl. 1    90

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

F Hn.

Tbn.

Voice

  

 

 

Pno.

Db.

 





93







 

f

 

 

 

 

 

 

 

   



 



 

 

 

 

 

 

   

lat - er

 

mp

            

 





f

f

 

  



  



     

fp

  

  

  

   

   

 





     

fp



  



ripe ones will splat - ter.

 

  









       

  



               

   



 

 



18



   



 

          

 



 

 



                             

fp

   

      

 

mp

 



 

3

f



f



 

 

 











fp



 

f

           

 

  



fp



fp

  

        

Db

f

95



fp

  

f

f

  

 

  

 94 

  

f

    

 



   Vibes  

Hp.

92

 

and

Perc.

91

    




96

Slower (q. = c. 60)

      Fl. 1     Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

F Hn.

  

 p

  







 



 

  



      





     

  

    

 

 

 



Perc.

Hp.

 

    

pp

 

 MMLOLMMM

   

Pno.

Db.

   

 f

 

  

           

   

 

 

 

 

 

 

 

 

love

    

      

 

swing - ing

 

 

 

 



 

night,”

he



says.

 

 

 

  



            up in - to the

    



  

p

 

pp

 

 



      

“I

 

 

 

poco rubato mp dolce



    





 

  

 

pp

f

p

103

    

  



p

f

  

p

  



f



    

pp

f

  

 



pp

f

 



p

f

Vibes

p

  

fp

A Tempo (q. = 60)

 102       

 

 

 to harmon mute (stem in)        Tbn.   Voice

99

 

f

Bb Bass Cl.

98

           

f

Bb Cl. 2

97

poco rit.

101

100



  

 

 

 

 

19


          Fl. 1    104

p

Fl. 2

Ob. 1

106

105

 

pp

         

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

        

      

      

Bsn. 2

Eb Alto Sax.

 

Bb Tpt.

F Hn.

Tbn.

Voice

Vibes

Perc.

Hp.

Pno.

Db.



 

pp



pp

 

 

 

p





p

 

               f p                  

f

111





        

f

p

f

p

mf



       



  

He is

big e - nough to



 

pump.

He

laughs when

 I

           

    

mf

mf

          

     

         mf

p

      



 

  

      

p

110

109

p

 

pp

Bb Cl. 1

108

mf

pp

Ob. 2

107

  



  



  





 

  





  



   







p

 



      

push him.

My

arms

  





 

 

 

 

 

 

         

mf

LMLOLMML

20


118

  Fl. 1   

 

 

112

Fl. 2

 

Ob. 1

Ob. 2

Bb Cl. 1



Bb Cl. 2



f

 

113

  

Bsn. 1

f

  

Bsn. 2

Bb Tpt.



Voice

Vibes

Perc.

Hp.

Pno.

Db.

 

F Hn.

Tbn.



p

          f p               

Bb Bass Cl.

Eb Alto Sax.

114

f





p

 

f

p

 

f

p

  

 

I have pushed him so

117



119   

ppp b

  

ppp

p

  



                





        

 



 

 long,

 

     ppp

    ppp

 

  

 

Slightly slower

b

p

116

 



ache,

p

f

 

p

 

        f   

  

 

   

          f p  

     

f

p

115

 so

 

    



hard.

p



My



 



    pp

 D§

 

 

 

 

21


121 122 b          Fl. 1    b  n   Fl. 2          120

Ob. 1

Ob. 2

Bb Cl. 1

 

n

        

poco rit. 123

124

126

127

         





ppp

Bb Cl. 2

125

n

n



Bsn. 1

 

Bsn. 2

 

Bb Bass Cl.

Eb Alto Sax.

Bb Tpt.



 

F Hn.



Tbn.

  

          very private, intimate

Voice

  

wish is ob - vi - ous,

Vibes

Perc.

Hp.

Pno.

Db.

       

       



that this swing- ing freeze

at this



mo - ment,

   go



 



 

 

 

 

 

 



 

mp

  

 

 

  

 

mf

mp

pp





 

3

3



 E§ F# B§

 

  

3





  

22

3



  



       

 


130

   128

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

129

 

pp

     

131

 



 

 

     

     

Bsn. 2

pp



p



 

 

  



pp

pp



  

 

 

     



  

  

  



 

mp

rit.

p

3

135

      p

      

134

    



3

  

133

 

 

pp





      

     



pp

132

   

Bsn. 1

Bb Tpt.



 

Eb Alto Sax.



q. = c. 52

p

 

  

F Hn.



Tbn.

  

Voice

Vibes

Perc.

Hp.

Pno.

Db.

   delicato         

  

on

for

-

ev

-

-

 



p dolce

 

er.



for - ev

-

      -

-

-

   -

er.



 

 

 

 



 

 

   

 

3

      

mp

pp

 

   p

 

 

I



3

  

 

pizz.



p

23

       p

   



       arco



             

 

  


136 A Tempo

   Fl. 1       Fl. 2   Ob. 1

   

Ob. 2

 

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

3

mf

 

Bb Tpt.

F Hn.

 

 

 Tbn.   Voice

Vibes

Perc.

  

   

 



 

Hp.

Pno.

Db.

f

           



 

p

f

f

p

p

f



    

  (st. mute)

mf 3



  



 



3         

   





    3

 

    

3





3

24

 

3      3

  



 

mf 3

 

                     3     3   3 3 mf      



   

3

 



p

p

3

#

3

    

 





       



 

3

 

3



mf

 

p

         

          3              

  mf 3

         

p



    

p

Eb Alto Sax.

3

  3           

139

#



138



    

137



3



3

  



3

3

 


   140

Fl. 1

Fl. 2

Ob. 1

Ob. 2

  

Bb Cl. 2

Bb Bass Cl.



 

 

 

Bsn. 2

  

 



 Bb Tpt. 

    



 

3

 

  

Voice

Perc.



Pno.

Db.

 

 

3

3

 













  



     3 

 



 

 





  



 

3

3

  



 

      

  



   



mf

More



3

3

  

3

        

  3

      3

3

3

3

 

3

     3

3 

 mp

 

glis

s.

 

 

 

 

 

 

 

 

    

     pp

 

 

 

 

 

 

 

   

 

      strange-ly,

 

  

 

25

ss. gli

 

   

 

 

   

fpp

 



 





to harmon mute (stem in)

3

3

   

 

 

     

Hp.

 

 

3

Tbn.

mf 3

         3 3 3                       3    3 3 3 3  3 3 3 3        3 3                              3     3  3 3

  

Vibes



3

3

Bsn. 1

F Hn.

142

                  mf

143

                    3 3

 

Bb Cl. 1

Eb Alto Sax.

141

    mp

he

 

 

 

 

 

 

 

 

 

 

 

pizz.

 

  

   p


   Fl. 1    



144

Fl. 2

Ob. 1

   

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

pp



146

 

(pp)

    

poco rit.



145

147







A Tempo (q. = c. 52)





148



149

 

  

  

     

 



 

    pp







 

mf

pp

Bsn. 2

  

Eb Alto Sax.

  

   

F Hn.

  

Tbn.

   

Vibes

Perc.

Hp.

Pno.

Db.

   

curves

   

in - to

more

huge

delicato                    than both of us to - geth - er can i - ma - gine,



 

pp

  





  

   

   



       

time

3



Voice

3



pp

  

                   

3

           

Bsn. 1

Bb Tpt.

3

   26



mf

 

     pp   pp



 


151 A Tempo (q. = c. 52)

rit.

  Fl. 1    150

152

153

154

Fl. 2

 

Ob. 1

 

Ob. 2

 





Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.



 





p



 

 



 

  

    

       p      

   

     

   

     

p

p



        

 

156

 

 

 

 

 

         

 

   

 

   



   

     

 

  

155

  p

p

 

     



p

 

 

   

     

2+3

    

  

      

     

         

 

 

 

 

F Hn.



 

 

Tbn.

  

           



 

 

Voice

Vibes

Perc.

Hp.

Pno.

Db.

   

 



mp

and

him.

and I

push

    





 him.

 



 

 

 

 

 

 

 

 

 

 

push

   

  

     

I





  



p

 

  

  



  





  

  

  

  

 

 

 

 

 

 

 

27


158

  Fl. 1     157

Fl. 2

Ob. 1

  

     

Ob. 2

  

Bb Cl. 1

 

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax.

       

Solo

mp

3

mf

159



 p

160

                            

mf

pp

pp

        

Solo

 

3

f

 

 

     

pp

       

pp



  

       

  

 

   

   

161



   

 

 

 

 

 

  Bb Tpt.  

  

   

  

 

    

   

 

 

   

 

 

      

 

 

 

F Hn.

Tbn.

Voice

Vibes

Perc.

Hp.

     

Pno.

Db.

 



 

p

mf

p

O 

 

mf

p

harmon mute (stem in)



MMLOLMMM

mf

  

     

   

  p

 

O

harmon mute (stem in)

p

        

  

           28



to cup mute

 

to cup mute

   


    Fl. 1     162

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 2

 

      

 

 

   

             mf

3

166

 

 

 

 





 

3

165

                

Solo

164



     

   

n

 

 

 

   

 

 

 

F Hn.

  

 

 

Tbn.

   

 

 

Voice

  

 

 

   

 

   

 

 

 

  

    

 

  

 

  

   

   

Bsn. 2

Eb Alto Sax.

Bb Tpt.

Vibes

Perc.

Hp.

Pno.

Db.

   





  

molto rit.

 



  

  

Bsn. 1



       

Bb Cl. 1

Bb Bass Cl.

163

  

 

mp

 



   

p

                     mf                         p

29

p

    

  

     

     

 


II. First Lesson PHILIP BOOTH

FRANK TICHELI

  Blow air into flute Flute 1      q = c. 60

2

p f Blow air into flute

Flute 2

  



p

Oboe 1 Oboe 2 (doubles Eng. Hn.)

  

Bb Clarinet 1

  

Bb Clarinet 2

  

Bb Bass Clarinet

  

Bassoon 1

Bassoon 2

Eb Alto Saxophone

Bb Trumpet

F Horn

Trombone

Voice

Vibraphone

Percussion

Piano

Double Bass

 

4

 

(Blow air)

(Blow air)

  











ppp

5

ppp



mp

  

   

  

     

      

   

  

mp

  

        

cup mute

 

p

mf

        

cup mute

p

     

  

mf

soft mallets

                                  

pp Triangle

 sempre 

p



  

pp

MMLOLNMM

        



         

Harp

       

fltg.

mf

f

  

3



arco II





  







   



 

  

mp



pp

30


 Fl. 1   

 

6

f

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

f

 

 

  



 

ord.



ppp

9

 

Bb Bass Cl.

mf

8

ppp

Bb Cl. 2

           

7 fltg.

 

pp

   

10

11

                   







  

 

Bsn. 1

Bsn. 2



 

Eb Alto Sax.

Bb Tpt.

F Hn.

Tbn.

 

Voice

Vibes

Perc.

  

Hp.

Pno.

Db.

p

Lie



back,

daugh

    



Marimba

6

mp

pp

-

    

              

pp

pp

-

   

ter,

3

 

Triangle

 

daugh

3

3

pp

 l.v.   

mp

  

mp

 dolce

3



stopped mute

           

  

6

  3

 



-

ter, 3

       

            

    



Dampen C and D strings firmly near edge with left-hand fingers and play keys with right hand

    II

pp

 

      

mf

6

to measure 28

 

 31



Seagull effect III

mf

 

*Keep hand position fixed while descending;thus, the perfect 5th double-stop becomes a perfect 4th, then a major 3rd, a minor 3rd, etc.


 Fl. 1    12

     mf

6

      13          5

    

Fl. 2

Ob. 1

Ob. 2

5          mf

14

     

p

 

Bb Cl. 1

 



Bb Cl. 2

 



15

 

16 

   

 

      

 

 

 

 

   

 

  

 

  



 

 

Bsn. 1

 

 

Bsn. 2

 

 



 

 

 

 

 

 

 

 

Bb Bass Cl.

Eb Alto Sax.

Bb Tpt.

 

  

F Hn.

Tbn.

Vibes

Perc.

Hp.

Pno.

Db.

 

Voice

  

 

   

      

let your head be tipped back 3

    

    

   mf

 

3

p

Marimba

 

6

mp

pp

  

p

mf

6

   

32

hand.

 

 

                 

             6

in the cup of my

                      



 

mf

 3 3  3           

 

 

 

 

   

F#

 

 

 

 

  

mp

 



pizz.

mp


 Fl. 1   17

Ob. 2

Bb Cl. 1

 

Bb Cl. 2

Vibes

Db.

  

mp

 pp

 

  

 mp 

mp

  

 

 

   



 

pp

 



pp

 

 

 

 

     

 

 

   pp

pp



pp

 

  

   

      

     



6

 

     

mf

Seagull effect arco

 

6

          6

6

 

  

 

mf (Timp.)

     



   

3



         

    

ly,

 

       



*Crotale on Timp. head

   



 

p dolce

Gent -



Pno.

distant

21

Hp.

*Strike crotale placed on timpani head while moving foot pedal as indicated

Perc.

 

20



 

Bsn. 2

F Hn.

Voice

p

 

p

 

 

 

19

Tbn.

 

 

Bsn. 1

Bb Tpt.

 

fltg.

       f

 

Bb Bass Cl.

 

mf

Ob. 1

Eb Alto Sax.

 

mf



Fl. 2

 

18 fltg.



Triangle

 

p

 

F§ Ab

 

 

 

 

 

mp

pp

III

mf

 33


Fl. 2

 

Ob. 1

 

Ob. 2

 

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bb Tpt.

Voice

Vibes

Perc.

Hp.

Pno.

Db.

 

 

(Oboe)

p

 

  

   

   

p

 

 

 

 

 

  

  

 

 

 

 



p

   

 

 

hold

you.

 

 

               

p

  

 

 

 

 

 

mf

  

6

 

6

 

pizz.

  

p

     

34

   

   

 

 

p

p

Marimba

          

p





mf  p   

 

mp





mf

   

p

  

 

mp

 

and I will

   

mf



mf

26

        

 

     

  

p

  



mf

   

    

       

24

  

   

25

 

 



Solo

F Hn.

Tbn.

A Tempo

 

Bsn. 2

Eb Alto Sax.

23

rit.

  Fl. 1    22






  Fl. 1   27

 

 

Fl. 2





28



29

 

30

 

 

 

Ob. 1

 

Ob. 2

 

Bb Cl. 1

Bb Cl. 2

Vibes

Perc.

 

 

Db.

  

 

mp slightly detached

mp

 

   

  

 

 



 

 

 (cup mute)        

 

 

    

mf

 

to regular mute

p



  

mp

 

 your

3

arms

mf

6

6



6

 

 

 

3

6

 

 



  

6

 

lie

 

   

3 6 6 6        

  

   

 

 

 



35

     

     

wide,

6



  

  

6

  

6

 



    

3

mf



mp

6

        

 

 

slightly detached

Spread

    

Pno.



 

Hp.

 

F Hn.

Voice

Bsn. 2

Tbn.

Bsn. 1

Bb Tpt.

 

Bb Bass Cl.

Eb Alto Sax.

 

slightly detached


 Fl. 1   31

32

 

33

34

Fl. 2

 

Ob. 1

 

Ob. 2

 



  



  



Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

Voice

Vibes

Perc.

Hp.

Db.

 



  



 



  

  



 





 





 



 

 



 

  

p

  

 

 

 

 

 

 

 



 

                 6

out

on the

stream

and

   p  6 6             

 

 

 

  p

     

 

           

6

 3   

 

Pno.

  





F Hn.

Tbn.

 



look







6

 

 

  3 

 

 36



  



 

   

gulls.





  

6



 6



6

6

                     

 

 

at the

 

 



          

6

high



6

6

  

  



  



  

 

 




 

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

35

Fl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Vibes

Perc.

Hp.

Db.



         f

   

  

 

f

5

   

 

 

 



fltg.

 

 

 

 



p



 

 

 

 

 

 

 

  

   

  

 

 

  

  

 

 

 

  37

 

mf

   



p

 p

pp

mp

fp

    pp

mp

 

 

 

 6

      mf

F#

  



      

  

 

 

 

   

 

 

p

   

6 6 6 6 6 6 6                                                

  

p (cup mute)

 

6

p

 

 

 



 

6

 

 

p

mute 6 6                            f                   6 6

 

          

 

mp

          

6

 

f

mp

6

        mf  

       

          

f

        

Pno.

F Hn.

Voice

  

 

 

38

      mf fltg.

f

  

   

37

 

     

 Bb Tpt. 

Tbn.

 

 

    f

 

Bsn. 2

Eb Alto Sax.

 

  

36

  

 

mp


 Fl. 1  

39

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

F Hn.

          p ord.

         

 

  

 

Vibes

 

     



 

        

 

 

Perc.

Hp.

Pno.

Db.



   



 

mf

marcato

 

 

 

      

A

dead - man’s - float

   p        p

 

   is face

 

  

  



       

    

 

    

 

   

        

 

      

  

       

 p





      

 



 p

 



 

to Eng. Hn.

 

 

       

to stopped mute

 

 

 

     

down.

You will

        

 

 

mf

3



p

marcato

 45     

 

44       

p

 

  

mf marcato marcato

mp

mf marcato

mf

   

   

         

 



mf marcato

 

  

         Tbn.  Voice



mf marcato

 

 

    

43





  

p

42

41

40 ord.

       mf 

Eb Cb Db



          

 

 



 

 

 

 

 

 38





 


46     

Fl. 1

       

Fl. 2

  

Ob. 1

 

Ob. 2

   

f

6

   

f

6

Bb Bass Cl.

Bsn. 1

Voice

Vibes

Perc.

Hp.

Db.

 

fp

   f

6

slightly detached

     6

  

mp



slightly detached

       

  







  

  

   



      



     

mp

  

  

 

  

mp

      f

slightly detached

6

 

mp

      

 

 

sfz

   

  

    

  3     

and swim

     f

3   3         

3

dive

  

mp

f

 

Pno.

  

  Bb Tpt.  

Tbn.



 

 

   

F Hn.

fp

rit.

fp

 

Bsn. 2

49

  

Bb Cl. 2



48

6

    

47

  

Bb Cl. 1

Eb Alto Sax.

f

   

soon e - nough

where this tide -wa- ter

ebbs

to the sea.



gliss.

6

 

mp

  

3

    



3

    

 

3



       mf

 

 

mp

39

   

mp

 p

 

p

 

 

  

 

mp

mf

  

mp

3      

3

  

mf



  

  

  


51

Fl. 1

q = c. 52

           50

ppp

Ob. 1

Ob. 2

Bb Cl. 1

mf



 

 

Bb Bass Cl.

 



 

Bsn. 2



Hp.

Pno.

Db.

       

mf

ord.

 

 

 

 

 

 

pp

 

 

 

 

 

 

 

 

 

 

 

 

  

          

      

Daugh - ter,

3

-

ter,

p

     

ppp

     arco   

 

mf

 F# Bb

3       

 

daugh - ter,

      B§

daugh

fragile

  

p

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 



b     

 

rit. 54

  

mp

5

ppp

6

3

ppp

Perc.

      53           

F Hn.

Vibes

mf

    

     

Voice

ppp

Tbn.

ppp

ppp

Bsn. 1

Bb Tpt.

3

  

 

Bb Cl. 2

Eb Alto Sax.

   

         

Fl. 2

52

    

 

  

  D§

   

ppp

40

  

 

 

 

         

 

 

 

 

     



p

 

   

 


55

q = c. 48

  Fl. 1   

   

Fl. 2

pp

  

Ob. 1

 

Ob. 2

56



57

ppp



58

p

59

 

60

 



ppp

Solo, with soprano

Bb Cl. 1

   

   

Bb Cl. 2

   

   

Bb Bass Cl.

 

   

Bsn. 1

 

Eb Alto Sax.

Bb Tpt.

     

F Hn.

Tbn.

Voice

Vibes

ppp

   

  

n

    

    

 

Hp.

Pno.

Db.

 

p

 

ppp

                 

p

poco vibrato



p slightly detached

 

me,

when you





tire

Strike crotale on Timp. head

p

                        

  

be - lieve

Tri.

Perc.

        

n



 

Bsn. 2

n

    

     

          

 

(Timp.)

.  gliss 

p

          

          

          

 41

 

mf

pp

     

 

3

 

          

  

  

           

          


  61

Fl. 1

62

63

64

65

rit.

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Perc.

Hp.

Pno.

Db.

     

  

 

 

 



 



pp

 

pp



pp



        

pp

p

pp

  

 

pp

pp

on the long

 

  

     

 

Voice

Vibes

   

F Hn.

Tbn.

  

Bsn. 2

Bb Tpt.

 

Bsn. 1

Eb Alto Sax.

   

q = c. 52

thrash

  to

your

 is

 -

land,

 

  

lie

up,

 

  

pp



and sur - vive.

 

     

   

   

   

  

  

           

   

  

  

                 

       

42

     

 

 

 

pp

MLLOMMML

p

 

pp

 

   

Play upper octave if low Db not available.

  

pp


  

 

66

Fl. 1

Fl. 2

Ob. 1

 

Bb Cl. 2

Bsn. 1

Perc.

Hp.

Pno.

Db.

  

 

p

         

 

p

p

    

       

           ppp       



ppp



ppp

   

 

 

     

     

       

  

 

71

 



  

70

 

69

     



68

 

Voice

Vibes



F Hn.

Tbn.

Bsn. 2

Bb Tpt.

rit.

  

Bb Bass Cl.

Eb Alto Sax.

 p

Bb Cl. 1

     

Ob. 2

67

  

stopped mute

mfz

 

 

      

 

 

 

 

 

 

 

 

 

 

 

43

 

 

 

 

 

 

           

 

        pp              pp     

      

 

 

  

ppp


Conductor cues 1 & 2

Fl. 1

  

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

72

1

2

 

 

 

 

 

 

   

Calm, distant, freely undulating, as though floating; vary rhythm...

 

      

ppp

 

Calm, distant, freely undulating, as though floating; vary rhythm...

    

ppp



Calm, distant, freely undulating, with occasional flutter-tongue; vary rhythm...

 

ppp

Calm, distant, freely undulating, with occasional flutter-tongue; vary rhythm...

    

ppp

 

Vibes

Perc.

Hp.

 

Pno.

Db.

q = c. 52 (freely) p delicato

            

   

As you float now,

where

I

held

 

 

 

 

you

fragile

3

and let

go,

  3       

        3

 

re - mem - ber

 

mp

(Timp.)

                  when fear cramps your heart

 

3



 

 

 

  

  

Calm, distant, freely undulating, as though floating; vary rhythm...

pppp

 

 + una corda

  



 mp

44

 

   

(continue until m. 74)

Seagull effect

 

 

  

what I

 

Strike crotale on Timp. head

 

 

 

 

 

 

 

 

 

 

 

 



 

 

 

Voice

 

(continue until m. 74)

(continue until m. 74)



Bsn. 2

Tbn.



 

F Hn.

 

(continue until m. 74)

Bsn. 1

Bb Tpt.

(continue until m. 74)



 

Eb Alto Sax.

  



 

Bb Bass Cl.

     

  

 

   


q = c. 48

rit.

  Fl. 1    73

 

 

Fl. 2

74

q = c. 60

    

     

 

p

 

75 fltg.

mp

 

76

 

 

 

Ob. 2

 

 

Bb Cl. 1

 

    





Bb Cl. 2

  





Bb Bass Cl.

 

  

Bsn. 1

 

 

Bsn. 2

 

 

Eb Alto Sax.

  

  

Bb Tpt.

F Hn.

Tbn.

Voice

Vibes

Perc.

Hp.

Db.

mp

 

 

 

 

 

 

told

   you:

 

  

   

 

 

MMLOLNMM

mp

  

ten.    

 

 

Pno.

 

   

    

ppp

ppp

77

          

Ob. 1

 

mp

lie

   gent

-

ly

3 3 3 3 3 3                                 pp       



         

  

    

  

 

 

 

 

 

pp

pp

  

 



  



  



   

    





 

     

45


  Fl. 1    78

3

 

 

 

Bsn. 1

Bsn. 2

Vibes

Perc.

Pno.

Db.





  

  



 

mp

pp



  

 

 

 

 

 

 

 

  









to

 

  

pizz. p

light

     

(cup mute)

      (dolce)

-

year

mp

     

     



 

 46

 

 

  

 

pp

 

        



pp

p

ppp

 

Ab F§ Db

   

p

          + una corda

   

                      mf

p

        mp

stars,

  

   

                ppp     

  

the

     mf

 

 3    

wide

  

 

pp

  

Hp.

and

  

Voice

 

 3    

  

 

 

  

pp



F Hn.

    

 

  

mp

mf

 82   

pp

 

Bb Bass Cl.

Tbn.

   

Bb Tpt.

3

Bb Cl. 2

  

 

Bb Cl. 1

Eb Alto Sax.



Ob. 2

80

           

Fl. 2

Ob. 1

81 A Tempo

molto rit.

79

6


  Fl. 1  

  

83

Fl. 2

Ob. 1

Ob. 2

 

84



  

    

85



  

    

  

Solo

  

 

   



molto rit. 86

mp

87



    

     

    



 

 

Bb Cl. 1

 

  



  



  



  



   

Bb Cl. 2

 

  



  



  



  



    

 

Bsn. 1

 

Bsn. 2

 



 

 

 

 

Bb Bass Cl.

Eb Alto Sax.

Bb Tpt.

 

   

F Hn.

Tbn.

Perc.

Hp.

Pno.

Db.

        6

  

   

to st. mute

 

lie

 

  

  

  

 

 



 

    and the

mp

  

Marimba

  

 

  

   

back,

   

   

fragile

 

Voice

Vibes

 

 to regular mute     

mp

  

 

  

  

 

 

 

 

 47

will

 

  

 

  

  

 

 

 

 



 

hold

3

3

sea

       3

    

 

 

  

. iss

 gl

p A§

   

  

 

   

 

 

 

 

 

 





 


88

   Fl. 1      Fl. 2  

q = c. 48

89

   

Ob. 1

 

Ob. 2

pp

  

Bb Cl. 1

 

Bb Bass Cl.

Voice

Vibes

Perc.

Hp.

Pno.

Db.

  

  

mp     mp

        

  



 

  

       

   

  

      

  

 

   

   

    pp

  

 

 

F Hn.

Tbn.



 Eb Alto Sax.    Bb Tpt.

  

pp

Bsn. 2

91

pp

Bsn. 1

90

   

Bb Cl. 2

  

p

you.

hold

  

  

    

pp

       

    

pp

           

    

         

 

     

 

 

 

   

   

         

 

     

 

 

 

   

   

48


molto rall.

 Fl. 1   92

93

94

95

96

Fl. 2

Ob. 1

Ob. 2

 

 

 

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

 

  

  

Bb Tpt.

Voice

Vibes

Perc.

Hp.

Pno.

Db.















n

n



 

  

pp

p

n

 

F Hn.

Tbn.





 



you.

 



 

   

 

     

  

Crotales





p

p



 

 

 

 

 

 

 

 

 

 

 

 

    

 

 

 

 

 

 

 

 

 

 

 

49



Gb



 

 

  

 

  



Eb Alto Sax.



pp

Bsn. 2

  





pp

Bsn. 1

    


III. Prayer for a Marriage STEVE SCAFIDI

Flute 2

p pp almost no vibr.

   pp

  

Oboe 1

  

Oboe 2 (doubles Eng. Hn.)

  

Bb Clarinet 1

  

Bb Clarinet 2

Bb Bass Clarinet

  

Bassoon 1

    

Bassoon 2

Eb Alto Saxophone

pp

   

p

2

 pp

 pp

p

3

  

 

p



p

  

  

p

MMLOMMMM

  

Piano

Double Bass

  

     

 

pp

 



 

top note on the beat

  

pp

  

pp

 p

 

p

  

  

    p

   

 

rit. 8

 

  

    

 

 

    



 



p

p

 

p

 

p

 

    

 

    



 

p

 

      

p

 

 

 

 

 

 

 



mp



   

 

 

 

 

 

 

 

 

 

 

  

 

 

p

 

  

p

7

  

 

top note on the beat



  



Harp

  



Percussion

  

 

Solo dolce e molto cantabile cup mute

(do not let notes ring beyond notated duration)



  Vibraphone  

  

Voice

pp

pp

Trombone

  Bb Trumpet    F Horn

  

6

p

ENG. HN.

pp

pp

 

5

p

 pp

4

 pp



simile

  

     

 50

 

    

  



  Flute 1   

almost no vibr.



q = 63

FRANK TICHELI

     

simile

      

 

       



    

  

 

 

 

 

 

 



 

   

     

 

  

 

 



 

 


9

  Fl. 1   

A Tempo



10

  

Fl. 2

 

     

Ob. 1

Ob. 2

Bb Cl. 1

11

 

 



12





  

Bb Cl. 2



 



  



 



 

 









 

  

 

 

 



 



 

13

14

 

 

16

 



 



 

 

 



  









  











 



 



 

 

Bsn. 1

 

Bsn. 2

 

 

 

 

Eb Alto Sax.

  

 

 

 

Bb Tpt.

    

F Hn.

Tbn.

Voice

Hp.

Pno.

Db.











     



 



 

 

  

  





 

 

 

 

 

 

 

 

 

  Vibes   Perc.



 

 

Bb Bass Cl.

 

  



rit. 15



  

  

 

   

          

      



     

 



    

  



    

 



     

      

 

 

     



  

 51

 



 

 

 

  





  

    

   

 

 

 

 

 

  

 

 



 

 





  

     

 

 

 

 

 

 

 

 

 

 


17

  Fl. 1   

A Tempo 18

mf

  

Fl. 2

 

Ob. 1

mf

(Eng. Hn.)

 

Bb Bass Cl.

 

  

Bsn. 1

 

Bsn. 2

Eb Alto Sax.

mf

mf

  

F Hn.

Tbn.

Voice

Vibes

Perc.

Hp.

Pno.

Db.

 

 





pp

to st. mute

mp like a prayer

  

   3

When we are

  

old one night

3     

 3  

and the moon arcs

      

ov - er the house

like an an - tique

*Players 1 & 2 may share one vibraphone. Let all notes ring.

   

  

 

 

22

 

  

 

mf

21

  Bb Tpt.   

 

n

pp

n

 

n

20

pp

mf

 

n

 n

  

Bb Cl. 2

n

mf

Bb Cl. 1

19

  

Ob. 2

mf

* (bowed )

mp *Vibes (bowed)

 

mp

mp

mp

  

non arp.

pp

  actual sounds

arco

 

 



  

II

III

p

simile

simile

    

 

               mp 3

 

  



  

   

    



 

II

52

I

 


 Fl. 1   23

24

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 2

Bb Bass Cl.

 pp

Perc.

Db.

27

 









mp

pp

pp

pp





    

 

      3

  

 

 

  

  

   

    

 

  

 

 

dolce

  

3

 

and

the

tea - cup

 



Eb

  p

I

53

  

 

 3 

fol -lows some- where far

    

    

be - hind

 

 

    

 

 

 

    

sun

pp

  

II

pp

.

Pno.

iss gl

Hp.





Chi- na sau - cer

Vibes

26

3

Voice

F Hn.

Tbn.

Bsn. 2

Bb Tpt.

p

 

Bsn. 1

  6           

 

Bb Cl. 1

Eb Alto Sax.

25

Ab Db


28

  Fl. 1  

 

Fl. 2



29

 



30

 





31

32

Ob. 2

Bb Cl. 1

Ob. 1

Bb Bass Cl.

Bsn. 1

Bsn. 2

Bb Tpt.

Voice

Vibes

Perc.





 

pp

 

 





  

 

 

 

       

 

 

mp

   

 

   

 

 

 

 

 



 

  

 



    

3

dolce

   

  

3 3 3 3                 mp            3    pizz.      

(waltz)

mp

54

3

 

 

 

 

  

 

deep - en to a shine so bright

        

stars

      

ss. gli

  

  



I hope the

  

3

.

Db.



 

Pno.

iss gl

Hp.



F Hn.

Tbn.



 

Bb Cl. 2

Eb Alto Sax.





  

  

    

 

 

 

 


   Fl. 1   

 

Ob. 2

 

Bsn. 1

  

Perc.

Pno.

Db.

6                   6

Solo

  



  



 

pp





 





       6

mf

6

    



   



 



   

pp

  

6

6

p

 

 



 

  

 

 

 

 

 

 

 

 

 

 

  

            

   

3

you could read by it

   

       

 

 

 

if you liked

3

  

and the

 

  

 

 

 

 

 

Fb Gb Cb

 

    pp    

  

I arco

p

    

        

    

p

ss. gli

Hp.

36

F Hn.

Vibes

  

   

Bsn. 2

Voice

Slightly Slower (q = 56)



 

  

Bb Bass Cl.

Tbn.

 

   

Bb Cl. 2



  

     

Bb Cl. 1

Bb Tpt.

 

   

Ob. 1

Eb Alto Sax.

34

   

Fl. 2

35

rit.

33

  

 

   

 

  

 

 

 

 

p

     

pizz.

55

 


  Fl. 1    37

 

Fl. 2

Ob. 1

   

Ob. 2

 

Bb Cl. 1

 

Bb Bass Cl.

 

Bsn. 1

 

Perc.

Hp.

Pno.

Db.

 

   

 

 

 

accel.



41



p

  



40

p



42

 

  

 

 



 



 

    

p

  p

 











 



 



 

    

 

 

           

  

 

 

 

 

 

 

 

 

 

 

  

 



 

F Hn.

Vibes

 

  

 Eb Alto Sax.   

Voice

  

39

Bsn. 2

Tbn.

q = q. = 56

rit.

  



   

Bb Cl. 2

Bb Tpt.

38

mp

mp

 

  3   3    3   3        

  

sad

- ness - es we will have

  

         

      

 





 



p



   

while—

in this

    

 

 





hour

or

 

 



 two

 

    

be- fore

 

 

 

 

    

 

 

    

 

         

 

     mp

   





   



mp

56



     

     



   



    

   



   







     

  



  

       

known go a- way for a -

  

E§ C§

        






moto 43 q. = c. 63 con      44  

 Fl. 1   

  

mf

  

45      

          mf                      

Fl. 2

Ob. 1

mf (Eng. Hn.)

 



mf

Bb Cl. 1

Bb Bass Cl.

Bsn. 1

Eb Alto Sax.

Bb Tpt.

Voice

Vibes

Perc.

Hp.

Pno.

Db.



        mp      







mf

f

                      3

3

3

                      

mp                                      3

   

 3

   

   

  

    

3

 

mf

3

3

3

 



 



3

p

sub.                             3 3 3 mp  3                                      3   3 mp 3 3 mp

3

3

 

F Hn.

Tbn.

   



Bsn. 2

    

48

mp

 

Bb Cl. 2

   

mp

47

    

mp

                    

Ob. 2

46

   

 



mf



sleep

    

mf

  

   

playful

and

that we

 

kiss

 



   

 

 57

 

  

stand - ing in the

MMLOLMML

4


Fl. 1

              

   49

50

Solo

p

  

   

Fl. 2

Ob. 1

Ob. 2

mf

fp

Bb Cl. 1

Bb Cl. 2

          

3

p

 

 

3



  

  

 

3

     



3

rit.

 

A Tempo

         53  

52

3

Bb Bass Cl.



         

      

51

 

  

    

3

 

     

 

       3

3

    

  



   

3

  

 

     3

           3

mp

Bsn. 2



 Bb Tpt. 

  

F Hn.

Tbn.

  

Voice

Vibes

Perc.

Hp.

Pno.

Db.

 

kitch- en



 

   p      

 

 

 



st. mute

 

mp mute mp

   

   

 

 

 

 

 



(pizz.)

 58

   

3

Bsn. 1

Eb Alto Sax.



mp

 

 


 Fl. 1   54

55

                     

 

Fl. 2



f

56



       



 



Ob. 2

Bb Cl. 1

Bb Cl. 2

59

 

 

f

58

f

Ob. 1

 

57

3

 



 

 

mp

  3

mp

   

Bb Bass Cl.

 

Bsn. 1

Eb Alto Sax.

Bb Tpt.

Tbn.

Perc.

Hp.

Pno.

Db.

  

  

  

mf

  



mf

 





      





      

3

not

 

 

f

fight



 

-

ing

 

  











 

 

 

 

mp

 

3



sf

3

 

mp



  

3     mp

sf

  

mf st. mute



Voice

Vibes

f

   



 

      

  

  

 

f

f



F Hn.

               

 

Bsn. 2





  

     

     



 

       

     

gra - vi - ty

so



 

 

MMLOLNMM

  









 

f

 mp

59





  

much as em - bo - dy - ing its

      

 

   





 


          61           

60

Fl. 1

  

Fl. 2

Ob. 1

mf

Ob. 2

 

Bb Cl. 1



63 64                       

62

      

 (Eng. Hn.)

  

f

f



mp

 

Bb Cl. 2



mp

Bsn. 1

Bb Tpt.



  



 

 



 





 

 

F Hn.

Tbn.

Voice

Vibes

Perc.

Hp.

Pno.

Db.

mp

      mp

  

 

 

   

 

   

f

            

sweet

 

   

  

mf



mf

       

 

 



  



  

  

3

 

 

3

mf

      3

    3



  mp



mp





 

mp





 mf

60







 

3

      3

3

     

mf

mf

3

   3

     



mf

force

   

     

 mf    

  

     

  mf        f

   

     mp



Bsn. 2

Eb Alto Sax.

Bb Bass Cl.



 

    3


 Fl. 1   65

66

67

68   69                                 



Solo

mf

Fl. 2

Ob. 1

Ob. 2

 

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

         

  

 

3



       

Bsn. 1



        3

Bsn. 2

Eb Alto Sax.

Bb Tpt.



Voice

Vibes

Perc.

Hp.

Pno.

Db.

3

  

F Hn.

Tbn.



fp

  

fp

  

         

3

 

 

  

 

  



        

3

 



sf

mp

  

      sf

                     





 

f



                           

f

  

f

  

 



 





        

        

    

fp

  

p

     

 





  

 

f

 

  

   

 

mf



 



 



 

 



 

 61

 



 

  

f

     

  f   

f




 Fl. 1   70

Fl. 2

molto rall. A Tempo        71 72                     73                                

                                f

Ob. 2

Bb Cl. 1





Bb Cl. 2

     

Bb Bass Cl.

Bsn. 1

  

Bsn. 2

Eb Alto Sax.

  



Tbn.

Voice

Vibes

Perc.

Hp.

Pno.

Db.



        

  



   



 

f

f

mp

 

mp

    mp

        

f

f                        

 

  

 

mf



 

 

  

 

  

mf

mf

     





     mp

  



  

 



 

f

     f

mp

  

 

mf

         f          

    

mf



 

 

  



f



     

                  

 

    

   

 Bb Tpt.  F Hn.

mf



        

Solo

f

Ob. 1



74

mf

       f

       f

       f         f

       f

    

  f

 





 

  

  mp

62







 


75

 Fl. 1   Fl. 2

Ob. 1

 

 

  

  

Bb Cl. 1



  

Bb Bass Cl.

Bsn. 1

fp

77

    

 mp

 

Bsn. 2







  

Bb Cl. 2

76

 

Ob. 2

Eb Alto Sax.



Voice

Vibes

Perc.

Hp.

Pno.

Db.

          

(Eng. Hn.)

mf



p



 

                 p

mf

  p

 

p

  

   



 

p

 

 

         

mf

 

 

 

         

        



mf 3

        

   

mp

     

 

 

 

          

poco f

  



and

 



 f









 I



hope we kiss like we



mp

63



do



 

3

3



              p     F Hn.              p 

80

Bb Tpt.

Tbn.

79

  

78



to - day

 

3

 

 



know - ing




 

81

Fl. 1

Fl. 2

Ob. 1

Ob. 2

82

p

 

    





Bsn. 2



Perc.

Hp.

Pno.

Db.

 

mf

3



mf



   

      

so much good is



   

said

in this

 

       

   pri - mi- tive





 

f

 

 



     

 

 

  

tongue

 

f





  

 

  

 

from the

 

  f

 

 

  f

   

f

 

 















 f

 



arco

f

64

   f 3

     3

3

 

 



 

   f 3

   

 

   

  

 

  3

wild

   

ff

(Eng. Hn.)



3

f

f

  

f 3

f

mf 3

p

mp

3







   

                 

       

3

3

f 3



3

               

p

Vibes



3

3

mf

f

3



                   p        F Hn.        p                 Tbn.  



  

Bb Tpt.

Voice

      

Bsn. 1

Eb Alto Sax.

 

Bb Bass Cl.

           

85

84

Bb Cl. 2



 

Bb Cl. 1

  83          


 Fl. 1   86

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bsn. 2

Bb Tpt.



Tbn.

Vibes

Perc.

Hp.

Pno.

Db.

3

3

3

3           3 3

3

   

3

 

  

 

  

 



   3

    

 

 

 

 

- pris - ing

3

 

  3

   

  

3

 

 



 



  

  

 

 

to the

low

  3

-

3

3







 





   

 

 

 

 

 

er

diz

-



zy

ten



 

 

 

 

 

 





 



 65

 

 

  

 

 

3

3



    

    

 



3

   



 

 



3

3

3







     

3

3

 

3

3

  



 

 

     

  

3

 

    

   

  

3

3

3

 



  

3

3

ones

3

3

3

 

first sur

  

    



  



 

3    



          3 3

3

  

 

 

3

   

88



  

 



3

           3

  

Voice

3

 

  

3

      



   

F Hn.

3



   

Bsn. 1

    87     



Bb Bass Cl.

Eb Alto Sax.



 






 Fl. 1   89

 

Ob. 1

mp

      

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

mp



       



Pno.

Db.

    p

 



mp

  

p lazily

mf

thou

-



     

sand

in - fi - nite - ly

p

      

slow - er













 



pizz.





 



     

p

 



 p

66

f

          



3

 



     

     

  

  

3



 

                   

  

 

mp

3

 

 



mf

 

 





ones

 

          mp 



mp

 

 increasingly legato - - - - - -                     

Voice

Hp.

   p     p

 

p increasingly legato - - - - - - -

mp

Perc.

 



              

F Hn.

Vibes

 

mp

increasingly legato - - - - - - -                    mp

Tbn.

      

3

(Eng. Hn.) Solo, playful



Solo, playful







94

 



93

p



A Tempo

 

4



  

Bb Bass Cl.

 

4

mf Bb Cl. 2

92

 

4 4                   

 

Bb Cl. 1

91

4 4 4                    mf 4 p      

Ob. 2

rit.

Fl. 2

90

  

  

   







   



    



   




 Fl. 1     95

Fl. 2

Ob. 1

96 97                               

mf

    

Ob. 2

 

Bb Cl. 1

p

 

Bb Cl. 2

p

Bb Bass Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

Perc.

Hp.

Pno.

Db.

   

   

    

  













 

 

   

  

 

 

 









mf

 

 











mf

   









   

   

   

 

 



 

 

mf

     

     

 

           

  

 



 

 

 



 

   

   

  



 

 







 67









 

 

 

 

 

   

  



  



    

  

  



mf

 

fp

 

 

           mf           

 

Voice

Vibes

 



F Hn.

Tbn.

       

  

98

 





f

p

    



 

  



  




rit.

    Fl. 1   99

            101           100  A Tempo



              

Fl. 2

mf

fp

p

              

Ob. 1

mf (Eng. Hn.)

Ob. 2

Bb Bass Cl.



 Bb Tpt.  F Hn.

Voice

Vibes

Perc.

Hp.

Pno.

Db.

mf

 

Bsn. 2

Tbn.

 

 

Bsn. 1

Eb Alto Sax.

mf

 

Bb Cl. 2

p

 

mf



  

mf









p

  

 

  

 



 

                  f

f                           f





p

p





mf

p

 



102

               

 

Bb Cl. 1



Solo

        f

       f

 

p

 

    

 

p





 mp



 mp





mp



    

  

















                



       f

       f



  

    

       f

 



 







p

68

 

  

  f


103

Fl. 1

 

Fl. 2

Ob. 1

Ob. 2



104

 

   

 

  

Bb Cl. 2

 

  

Bb Bass Cl.

 Eb Alto Sax.   

       

Tbn.

Voice

Vibes

Perc.

Hp.

Pno.

Db.

           mf

 

 

 

 

 

 

 

 



  



p

mf

 

mf

 

 

p

 

   

  



  









  



 

 

 

 

mute out

 

 

mute out

 

 

mute out

 

 

mf



    

108

  



107

 

p

mf

F Hn.

molto rit. 106



Bsn. 2

rit.

 



mf

  

Bsn. 1

Bb Tpt.

  

105

   

  

Bb Cl. 1

q. = c. 54

rit.



    

mp

    

dolce

    

   

   

ten.

 



 

 

                                       mp F§ dim. Ab Db            

 

 

 

 

 

 

 

and









mp

I

hope

 

while we

stand

 

 

there

in the

kit - chen

mak - ing

tea

and

 ten.

69


109

 Fl. 1  

q. = c. 44

Ob. 1

Ob. 2

Fl. 2

Bb Cl. 1

110

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

Voice

Vibes

Perc.

Hp.

Pno.

Db.





mp



pp



mp

pp

mp

pp

  pp

mp











p



mp



mp

mp

pp

 

mp

 

115

 





pp

114



mp

p

 



113

 





  p





mp

112

mp



 

F Hn.

Tbn.

 mp

(Eng. Hn.)

pp

Bb Bass Cl.

111

pp

pp

  

Bb Cl. 2

 



dolcissimo p

  

kiss



    

-

  



 

the

rubato

      

whis - tle

of the tea - pot

 



 

slow, teasing gliss.

 

wakes

the

      

     

ing,



mp

p

Gb

     

     

70


116

  Fl. 1   

q. = c. 54

 

Fl. 2

 

Ob. 1

  

rit. 117



p

 



    

    

     

p

    p

  

119

          

  

 

  

           

    

Jet whistle (short)

120

    

f Jet whistle (short)

         (Eng. Hn.)  

  

f

     

  to Oboe  

 

 

Bb Cl. 2

 

 

Bb Bass Cl.

 

 

Bsn. 1

 

 

Bsn. 2

 

 



 

 

 

      

      

Ob. 2

Bb Cl. 1

Eb Alto Sax.

 Bb Tpt.  F Hn.

Tbn.

Voice

   

              

118



  

f



Perc.

Hp.

Pno.

Db.

 

p

      p

           p p

smack lips in mouthpiece

 

f

 

pop hand over mouthpiece

f

 

 

 

neigh - bors.

Vibes

   

p

 

 

 



 

Tri.

 

 

 

 

 

 

 

 

 

 



 mf

71

  

    

mp

     

pizz. secco

p


IV. Winter: Tonight: Sunset DAVID BUDBILL

FRANK TICHELI

  Flute 1    

q = c. 69

Flute 2

  

Oboe 1



Oboe 2 (doubles Eng. Hn.)

 

Bb Clarinet 1

 

   

Bassoon 1

Bassoon 2

3

 

4

 

 

 

             f             

Bb Bass Clarinet

                                        f  OBOE                                 f             

   

Bb Clarinet 2

2

   

f

      

5

 

 

 

 

 

 

 

 

 

                    

 

 

 

 

   

 

                    

     

                     

  

6

                                                 

 

 

 

    

 

 

 

 

 

 

 

F Horn

 

 

 

 

 

 

Trombone

    

 

 

 

 

 

Voice

  

 

 

 

 

 

   

 

 

 

 

 

   

 

 

 

 

 

  

 

 

 

 

 

Eb Alto Saxophone

Bb Trumpet

Vibraphone

Percussion

Harp

Piano

Double Bass

  

MMLOMMMM

 

 

 

 

 

  

 

 

 

 

 

  

 

 

 

 

 

  

 

 

 

 

 

72


  Fl. 1     7

Fl. 2

  

Ob. 1

  

Bb Cl. 1

   

Bb Cl. 2

   

Bb Bass Cl.

   

Bsn. 1

F Hn.

Tbn.

Voice

Vibes

Perc.

Hp.

Pno.

Db.



 

 

     

   

    

p

  p

 

 

 

         

q = c. 63

 

           

Bsn. 2

Bb Tpt.

8

                   

Ob. 2

Eb Alto Sax.

9

rit.

p

 

 

p

  p

 

 

 

 

p



10





 



   



    







mf

 

3

      3

mf

 

mf



11



 

 



 

 

p

mf



cresc. poco a poco

 

p cresc. poco a poco





cresc. poco a poco

mf

     3

    3

                    3    3  mf            

   



 

    











 



  mf

   

  

  mf

  

    

  

 







   

 







   

 

  

 

    p

p

      p

   

  

 

  

 

  

  

pizz.

p



cresc. poco a poco

 

cresc. poco a poco

    

 

  



 

 

  

cresc. poco a poco

 







73



 

mf



mf



  

  

  

mf

 








12

   Fl. 1    Fl. 2

 

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

     

   

p





mp

mf

    Eb Alto Sax.      

Tbn.

mp

Vibes

Perc.



   

Hp.

mp

 

 

Pno.

Db.







  mf

  

 



 



set,

 

 

   



sun -

 

 

 

 

p

 

 



  

           walk - ing on the snow - y

road,



 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

         my

 

 

 

 







 

 





 

 

  

 

 

  

   

 

mp



       



at





  

 





 

 

  

 

mf

 

 





To - night

  

p

mp

 

mp



   

mp

Voice





p

p



mp

F Hn.





mp



p

   



Bsn. 2

Bb Tpt.



 

rit.

 





15







mf

mp



 



p



mf

14





     



p

 

   mf

Ob. 1

13

   74

   

   

      

 

  

 


16

A Tempo

  Fl. 1         

17

Fl. 2

   

Ob. 1

   

Ob. 2

   

   

Bb Cl. 2

   

Bb Bass Cl.

   

Bsn. 1

Bb Tpt.

         shoes

Perc.

Hp.

    

Db.



    



                crunch - ing

        p



on the fro - zen gra - vel,

 

   

   

Pno.



    

Tbn.

Vibes



p

  

Voice



    

F Hn.





   

Bsn. 2

Eb Alto Sax.



 



   

Bb Cl. 1

 



p



18

                  mp

 

 

 

 

 

 

 

 

mp



p

 

   



   





   

 

 



 

 

 

   

 

 

 

 

 

 

 

75

  

arco

p

 

 

 

 

 

 

 

 

mf  3                        first

 

   

 

mp

p

p

 

   

 

(pizz.)  

p

thru the woods,



then out



                             mp p          

     

 

 

p

 



  

 

mp

   mp

19



       mp p               mp

        

 

 

mp

  

 

        



in - to the op - en

 

 

 

 


20

 Fl. 1    

f



Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

  

 

Ob. 1

21

f



Fl. 2

Eb Alto Sax.

  



mp

 mf

  



  

mf

mf

   

   

 

mf

  

mf

    

Vibes

Perc.

Hp.



Pno.

    mf   

Db.

 

mf



 

 

mp

 

         

3

 

3

 

       

  





mp

 to st. mute

 

mp mf

past

a cou- ple of trail - ers

   

and

some pick - up trucks,

        mp       

 

 

 

F#

 

 

   

 

 



mp

 76

6

mp

 

mp

5

mf

   

mf



            

mp



Solo

mf

fields





mf

   

 

f

f

Voice

mf

Tbn.

mf

  

23

mf

 

  Bb Tpt.   F Hn.

 

 

mf

22


   24

Fl. 1



Fl. 2

      

          

7

    7

rit.

25

          

26

27

Ob. 1



Ob. 2



Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

F Hn.

Tbn.

Voice

Vibes

Perc.

Hp.

Pno.

Db.

   



      

p

  p

mp

 

 

  

 

 

        

 

 

  

 

    

mp

mp

   

 

p

 

mp

p

p

 

mp

   

 



28

     

mp

 

to mute

 

to st. mute

 



 



mp

 

mp





  

mp

  I

  

p

 



p

77


  







29

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

F Hn.

Tbn.

Voice

   

 

Hp.

Pno.

Db.

p

p

p

st. mute

mute

 

  

 3           



 

stop

and look at the

 

      f

f       f

   

p

f

p

f

 

  

   

 

 

 

  

Sus. Cym.



 



 



 



 

p

MMLOLMMM

       

78



5

    f



  

fp

 

f

p

p

       

      





          f

 

fp





 

p

st. mute

fp



 



5

   

p

 

                 f

f

f

5



  

f

 

fp

 

5

mf

 



 l.v.     

p

med. yarn



       

f



f

 

34

f

5



         

 



     

p

  



f

33

  

   

 



  

sky.

      p f        p f        p

  

 Vibes   Perc.

30

 31 q = 126+ (with bright energy)     32     

 

   


  Fl. 1    35

Ob. 2

Bb Cl. 1

p

f

p

p

f

p

        f

p

p

f

p

        p

f

p

         

p

 

f

 

f

 f

f

f

pp

  f 5

pp

 

  

 

 

 

 



 p

        

  









  

      



    



 

  

  

 

p



p

p

 p



p

 

 

p

          f

p

       

p

f

p

p

f

p

         

    

 

 

 

 Tri.

mp



   

   

     

 

 

79

3

p



   

 

3

fp



  

pp

f



5

pp

 



pp

f

       

 

 

5

41

3

f

f



p



5



Voice

Db.

5

    

 



F Hn.

Pno.

5

 

Bsn. 2

f

39

          

 

Bsn. 1

Hp.

38

Bb Bass Cl.

Perc.

40

  

Bb Cl. 2

Vibes



f

p

Tbn.

         

Ob. 1

Bb Tpt.

37

              

Fl. 2

Eb Alto Sax.

36


  Fl. 1     42

  

Fl. 2

  

Ob. 1

   

Ob. 2

fp

Bb Cl. 1

Bb Cl. 2



Bsn. 2

  

   



Bsn. 1

Bb Tpt.

 

Eb Alto Sax.



Bb Bass Cl.

       43

f

f

 

f

fp

  

  

p

p

 f

f

                     

f

                    

f

46

f                    

 

 

       44            45

f

f

f

 

 

p

p

f

p

f

F Hn.



Tbn.

  

Voice

 

Vibes

Perc.

Hp.

    

 

 

  



      

Db.

Sud - den- ly:

 

 



 

    



f

  

p

 

  

 

 

   

orange,

 l.v.   

f

   p





 

 







f



 

       

Pno.



   

f

 



f

 



    

 

 

80


47    Fl. 1  







48



p

 

Ob. 2

Bb Cl. 1

Bb Bass Cl.

Bsn. 1

Bsn. 2

Bb Tpt.

Perc.

Hp.

p



 



Db.

f

 f

 



 

 

     

p

p

f

  

mp



mp



  

mf

 

    

           

 

        

p

 

p

 

p

          

mp

 

mute out

mute out







Tamb.



 

        

pink,



         f

  

  

 

p

  

     

  

 

 

    

 

 

81

3



f

f 3

mf

 

   

mute out



 

    mf    

red,

 

p

f

      mp       



  

p

mp



f

                         

  

f

 

p

f

        





        

      

                         

f

p

51

        

   



     

 





       

Pno.



 



f

 

  



50



 

 

Voice

Vibes



49

f



F Hn.

Tbn.





 

p

Bb Cl. 2

Eb Alto Sax.

 

Ob. 1



f

 

Fl. 2




  Fl. 1   

Fl. 2

 

Ob. 1

 

Ob. 2

 

52

Bb Cl. 1

Bb Bass Cl.

Bsn. 1

 

Bsn. 2

 

Eb Alto Sax.



 

       

  

 

Vibes

Perc.

Hp.

Pno.

Db.

   

blue,

 

  





mf

mf

p

p

p

mf









 

 

p



 f

p

fp

   

f

 



 

                 

  

 

   yel - low

 

   

pur - ple



p

 

green,

      

mf

   

p



56



open



p







 Tbn.  

   



p

    

  



open



Voice

p

 

open

F Hn.

3

 Bb Tpt. 

 p

   

fp

f3

55



fp

 

 

54

 

 

Bb Cl. 2



53

p

 l.v.   

mf





 



     

     

        







 

 

82


57

  Fl. 1   

Fl. 2

 

Ob. 1

 

Ob. 2

 

to Eng. Hn.

58

59

60

61

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

     mf

Bsn. 2

Eb Alto Sax.

Bb Tpt.

F Hn.

   



mf

 



 

 

 

 









 









 

 

 



   

 



mf



   Tbn.  





 

 



 

 

 



mf

  



   Vibes  

Voice

gray

Perc.

Hp.

Pno.

Db.





Gb Ab



           





 

    

l.v.

 



all

at



  

once



     

 

 and



     

    





                     



 

 



  ev

  -

-



  

    

     

    

     

 

            



    

  

83



-




  Fl. 1    62

63

Fl. 2

 

Ob. 1

 

Ob. 2

 

Bb Cl. 2

Bb Bass Cl.

Bb Cl. 1

Bsn. 1

Bsn. 2

 

Bb Tpt.



Tbn.

Perc.

Hp.

  

    

-

-





Db.

f





 -

 

  



   f    

 

  

     

 





 

 

  

   

 

  

   

 

f

 

 

  

 



  















    

 

  

        

  







   







     

  



  

Sus. Cym.

66



mf







    



   





where.





  

65

f

'ry

       

 



    



      

Pno.

 

f

  

 

   

  

Voice

Vibes



 

F Hn.

 

f

  

Eb Alto Sax.

64

  

p

  



     





 l.v.    

f





  



                

dim.

   

  

    

   

 

 

84


68

  Fl. 1    67

 

Ob. 1

 

Ob. 2

 

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

F Hn.

 

Vibes

Perc.

Hp.



   



       

 

 

Db.

72

73

 

   

       

74

pp

  

 

 

   

pp



pp



pp

 

pp

         

pp

    

pp

 

 

 

 



 

 

 

 

 

 

 

 

 

 



   











  pp

pp

 

p

     p

I

 

 

  

 

q = c. 69

     

pp

   pp

           

Pno.

  

71

pp



  

70



    



69

               pp ENG. HN.                

 



pp

 Tbn.   Voice

   





Fl. 2

rit.

 

 

pause

in this mo - ment

3             

at

the be -gin - ning

of my

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 pp

 3    

85


rit.

    Fl. 1     75



77

76

  

q = c. 63

Fl. 2

  

  

Ob. 1

   

  

  

      (Eng. Hn.)

Ob. 2

Bb Cl. 1

Bb Cl. 2

  

    

  

   

  

Bsn. 1

  

   

Bsn. 2

  

   

   

  

  

  

  

   

   

Eb Alto Sax.

Bb Tpt.

F Hn.

Tbn.

Voice

Vibes

Perc.

Hp.

Pno.

Db.

  

        

old

 

 

p

 



p

  

 





 









  



  

  



  

  

  

  

  

   

   

   p

3

   

3

   

pizz.

  

MMLOMMMM

              

3













mf

   

age

   

Solo

mp





p



 



p

78



p

  

Bb Bass Cl.



 86













 


 Fl. 1   79





Ob. 1



Ob. 2



Fl. 2

 

Bb Bass Cl.

Bsn. 1

Bsn. 2

Eb Alto Sax.

Bb Tpt.

Tbn.

Voice

Vibes

Perc.

Hp.

Pno.

Db.

 

 

  

 



   

  

p







   







prayer of









    

p

arco

 

(p)

 

 

 

 p

    

    

 

get - ting to this

 

    

3



 

 

 

  

 

 

 

mp

   







 

 

 

eve - ning,

    87



       

 

 

  

  









  

 

 

mp



  

  

 

a





 

 



 





 

p





  

gra - ti - tude for

     

                            and I say a



mp



p





 



3

mf



mp



  

         3

     3 82

p with reverence











mf





p

p

    

pp



   

F Hn.

81

p

  

Bb Cl. 2



 



  

Bb Cl. 1

80

 

 

     



  

   

 

   

  

 

 


 Fl. 1   83

Fl. 2

Ob. 1

Ob. 2

84     

    

 

 

   

Bb Cl. 1

   

Bb Cl. 2

   

Bb Bass Cl.

mp

  

  



 

Bsn. 2

 

Bb Tpt.

Voice

Vibes

Perc.

Hp.

   

    

 

Db.

prayer

 

f

 

mf

 

mf

              

 

mp

mf

  

for be-ing

here,

 

  

 

   

 

   

mf

 

              

    

  





 

 

  

  

               

  

   mf





 

 

 



a - live



     

   f



life,

       

 

 

 

 

in this eve



-

ning,

 



  

 

 mf         

     



   

 

                        

88

  

in this

 

 

 





 

3

 



 

   



 











now,



f



 



      

   



 

 



 

  





 

to - day,

mf

 



  

   

p

 

cresc. poco a poco

mf



 

 



       

  

   



 



mf





  



mf

mf

  



86



      

  

 



 

mf

f

 

85



    

mf

      

             f            

 

Pno.

     

F Hn.

Tbn.

 

Eb Alto Sax.

  

(Eng. Hn.)

Bsn. 1



  

 



 

  


  87

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Perc.

Hp.

Pno.

Db.

 

 

rit.    89  

   



    

 

  

    

mp

  

mp

 



 

  p

     

ppp

ppp

    

 

un - der

this

p

sky.

p

  p

 

p

  

 p

 

p

   

p

mp



 

pp

91

p

ppp



p

q = c. 72

p

 

     

90

p

pp

       

mp

pp

   

 

       

F Hn.

Vibes

Bsn. 2

Voice

 

Bsn. 1

Tbn.

    

Bb Bass Cl.

Bb Tpt.

   

Bb Cl. 2

Eb Alto Sax.

 

    

Bb Cl. 1

   

88

p

3

  

un - der this

sky.

 

 



 

 

  

 

 

  

 

pp

mp

 

  

   p 

     

 

p

89

  

   

  

   pp

  

pp

 

  


Fl. 2

Ob. 1

Ob. 2

Bb Cl. 2

Bsn. 1

Bsn. 2

 

Voice

Vibes

Perc.

Hp.

Pno.

Db.

 



 

 

    



     



p

  

   p

Solo

 

         p

   mf

 

 

p



p

p

 

 

pp

 

pp

 

pp

 

 

p

3



 

98

mp

97

 



p

96

  

 

94

rit.

   

ppp

 

ppp

 

ppp

 

 

 

 

 

 

 

 



 

 



 

 

 

 

 

90

p

 

p

pp

II

pp

ppp

ppp

n

 

  

F Hn.

Tbn.

 

Bb Bass Cl.

Bb Tpt.

93

3   Solo            mf  mp  

Bb Cl. 1

Eb Alto Sax.

95



 Fl. 1   92

 

August 12, 2011 Pasadena, CA

Profile for Manhattan Beach Music

Songs of Love and Life for Soprano and Small Wind Ensemble, conductor score, by Frank Ticheli  

The complete conductor score of Songs of Love and Life for Soprano and Small Wind Ensemble by Frank Ticheli

Songs of Love and Life for Soprano and Small Wind Ensemble, conductor score, by Frank Ticheli  

The complete conductor score of Songs of Love and Life for Soprano and Small Wind Ensemble by Frank Ticheli