Page 1

�erena��

�or

Kristi�

F O R

S O L O

O B O E

A N D

F R A N K

M

A

N

H

A T

T A

N

C H A M B E R

E N S E M B L E

T I C H E L I

B E

A

C

H

M

U

S

I C


Recording Credits for Serenade for Kristin for Solo Oboe and Chamber Ensemble: Performance by the University of Southern California Wind Ensemble, Kristin Reynolds, Solo Oboe, H. Robert Reynolds, Conductor


FRANK TICHELI

S E R ENA DE FOR KRISTIN FOR SOLO OBOE

& CHAMBER ENSEMBLE I N S T RU M E N TAT I O N

Solo Oboe Flute 1 Flute 2 Bb Clarinet 1 Bb Clarinet 2 Bb Bass Clarinet Bassoon 1 Bassoon 2 F Horn Percussion (Vibraphone, Marimba, Small Tom Tom, Small Suspended Cymbal) - two copies Harp Piano (only if Harp is not available) Double Bass

P R I N T E D O N A RC H I VA L PA P E R

Gg M A N H AT TA N B E AC H M U S I C 1595 East 46th Street Brooklyn, New York 11234 Voicemail: 718/338-4137 Web: www.ManhattanBeachMusic.com E-mail: customerservice@manhattanbeachmusic.com


S ER EN A D E

F O R

K R I S T I N

Commissioned by H. Robert Reynolds for his wife, Kristin Reynolds, in celebration of their 25th wedding anniversary The premiere performance was given by the USC Thornton Wind Ensemble on April 13, 2018, H. Robert Reynolds conductor, Kristin Reynolds, soloist

The two versions of Serenade for Kristin — for solo oboe and chamber ensemble, and for solo oboe and piano — are in the same key, and the solo part is identical in both versions. Duration, ca. 7 min. P RO G RA M

N OT E

The Serenade’s plaintive introduction is answered by a folk-like melody that unfolds sweetly and delicately. This melody gives way to a dance that gently hints at a kind of neo-Renaissance style. Ancient and modern influences intermingle — rhythms and cadences harken to the past — while constantly shifting harmonies suggest a modern-day spirit. The dance slowly grows in energy until it bursts into a vibrant expression of joy. Then the energy recedes as the work closes with a return of the delicate opening melody. o F R A N K

T I C H ELI


Commissioned by H. Robert Reynolds for his wife, Kristin Reynolds, in celebration of their 25th wedding anniversary

SERENADE FOR KRISTIN

FOR SOLO OBOE AND CHAMBER ENSEMBLE Transposed Score

     

q = c. 69 Solo Oboe

Flute 1

Flute 2

Bb Clarinet 1

  

  

f parlando

 

 

   

Bassoon 1

Bassoon 2

pp

 

  

 

Vibes: upper two notes Crotale: lower note

Harp

Double Bass

3

 

Percussion

5

  

Bb Bass Clarinet

F Horn

5

           

pp

Bb Clarinet 2

              

FRANK TICHELI

    

      mf

      mf

  

MMMOMNML

  

  

 

       

pp

Copyright © 2018 Manhattan Beach Music - All Rights Reserved - Printed and engraved in the United States of America ISBN 1-59913-226-5 (complete set) ISBN 1-59913-227-3 (conductor score) Visit www.FrankTicheli.com for the latest information on the music of Frank Ticheli Purchase music, download free MP3s, view virtual scores and more at www.ManhattanBeachMusic.com


        

Solo Ob.

 Fl. 1  

Bb Cl. 1

Bb Cl. 2

F Hn.

 

 

  

 

 

    

  

 

 

 

    

  

 

  

 

 

 

 

 

 

p

Vibes: upper note Crotale: lower note

Perc.

   

   

Hp.

Db.

 

ord.

 

Bsn. 1

    

mf

Bs. Cl.

 

3

 

 

Fl. 2

Bsn. 2

3

fltg.

         

              

4

 

mf

  

     

    

p

fp

mp

mp

mp

Vibes: upper two notes Crotale: lower note

  

  mp

 

mp

2

p

p

  

p

   

   

 

 

 

 

 

 

mp

  

   

   

   

  

     

 

p

    

 

 

 F§

 mf

 

  

 


        

8 Solo Ob.

  Fl. 1    Fl. 2

  

    mf

    

        

5

 

f

     

 pp

Bb Cl. 1

    pp

Bb Cl. 2

 

mf

3

5



3           

 

 

 

f

3

 

mf

f

   

pp

 

   mp

 

p

Bs. Cl.

 

 

 

Bsn. 1

 

 

 

 Bsn. 2  

 

 

mute   

 

F Hn.

Perc.

Hp.

Db.

 

     

 



      

fp

     

Vibes

mf

 

6

f

  

mf

   



f

3

 3

  

f

  

 5

 

pp



 

 

 




10  

Solo Ob.

Fl. 1

 

mp

          

  

 

mf

Bsn. 2

F Hn.

Perc.

  

     

  



  

p

Db.

p

  

p

 



pp

   

 

 

 F#     

pp

 

   

mf

  

pp

 

p



 

 

pp

mf

mf

 

Hp.

pp

mf

 

mf

p

f

pp

     

p

          



 

Bsn. 1

mf

  

mp

Bs. Cl.

  

p

Bb Cl. 2

3

 

  

Bb Cl. 1

 

Fl. 2



3

pp C#

 

    





mf

pp

4

 

p

  

p

 


14

Solo Ob.

 Fl. 1 

    f

  6

    

Fl. 2

 

Bb Cl. 1

 

 

17   



mp dolce e molto cantabile

 

 

 

 

  

n

p

 

 



 





 



 



p

Bsn. 2

F Hn.

Perc.

Hp.

Db.

  

 

 

 

 

 

 



Bsn. 1

 



p Bs. Cl.

    

fp

Bb Cl. 2

                  

       f        6 f      

 

pizz.



f

  MMMOMNMM

 

  5

 

p

   

  

  

 

 



 



p

arco

   p

 


19 Solo Ob.

Fl. 1

Fl. 2

Bb Cl. 1

  

   

            3

 

    

 

 

  

   

Bs. Cl.

 

Bsn. 1

  

Perc.

 

 

Db.

         



mp

  

    

Hp.

3

  

Bb Cl. 2

F Hn.

3

mf

 

Bsn. 2

             

p

    

p

  

  

mp

   

 

   

        6

    

    

  

    

3

3

 

  

p

  

p

  

p

 

  

 

   

 

   

p

 

 

    

    

 

  

   


      

24 Solo Ob.

Fl. 1

   

          

Bb Cl. 1

f

 

Fl. 2

rit.

Bsn. 1

 

mp

semplice

  

 

    

  

 

mf

mf

   

mf

    

   

 

  



 



 

   

 

mf

Bs. Cl.

 

    

              

Bb Cl. 2

27 q = c. 72      

 





   

mp

mp

p

   

   

  

p

p

p

  

 

F Hn.

  

 

Perc.

  

 

  

Bsn. 2

Hp.

Db.

   

 



         

7

     p

      

mp

   

    



    p

     


     

28 Solo Ob.

Fl. 1

    

Perc.

 

 

 

 

 

 

 

 

 

 

  

 

 

   

 

 



 

  

 

  

Bsn. 1

F Hn.

 

   

Bs. Cl.

Bsn. 2

   

Bb Cl. 2

Db.

n

  

n

   

  

 

 

  

 

 

  

 

Hp.



 

   

Bb Cl. 1

    3

   

Fl. 2

                    

p





p



 

p

 

 

 

8

p


Solo Ob.

Fl. 1

33    

    

Fl. 2

p

  

 

 

   

 

  

   

  

   

p

    

Bb Cl. 2

p

   

Bs. Cl.

p



Bsn. 1

   p

Bsn. 2

F Hn.

Perc.

    p

 

Hp.

Db.

   



f

f

  

   

    

 

    

     

  

    



(echo)

 

    

Bb Cl. 1

          

p

   

   

 

 

pp

 

 

 

 

 

 

 

pp (echo)

 

 

 

 

pp (echo)

pp (echo)

 

pp (echo)

   

 9

p

mp



mp

  

  

mp



 

  

mp

 mp

  

    

pp

  

 

pp (echo)

   

mp

 

mf

pp (echo)

               

p

pp (echo)

   

    


39

Solo Ob.

    

  Fl. 1 

Fl. 2

Bb Cl. 1

Bb Cl. 2

Bs. Cl.

Bsn. 2

F Hn.

Perc.

Db.

p

 

mf

 

p

   3

 mp

mp

 

    

  

  

  

 

 

 





p

   p

 

 

p

    

3

p

3



  

  

  

 

   

p

 

  

  



p

p

p

  

Hp.

 

  

    



Bsn. 1

 

43         

 

  





 10

mp

   

 

 p



 

p

 




  

       

       

Solo Ob.

Fl. 1

Fl. 2

 

  

44

3

 

Bb Cl. 1

 

Bb Cl. 2

Bs. Cl.

Bsn. 1

3



 



Bsn. 2

F Hn.

Perc.

Db.

mf

 

 

 

 

 

 

 

p

  

   

 

p

p

 

   

  

   

 



  

 

 

mf

mf

  

mf



 

   

3

  

mp

  

mf

 

  

3

      





mf

Hp.



  

mf

mf



48       

     

    3

  

mf









 



mf

11

F#

  

p

  

 

 

 

p

  

   

 

  

 

 

 

 

 

 

 

 

 

 

 

p

 

p

     

p

  


49 Solo Ob.

Fl. 1

Fl. 2

Bb Cl. 1

Bb Cl. 2

Bs. Cl.

    

   



   



  

   

    

  

   

    

  



  

   

 

 



p

p

 

mf



p

 

    

  

 

   

 

 

   

 

 

  

 

 

  

 

 

 

 

pizz.

  

12

mp

  

  

p

  

  

  

  

  

   

3

 

  





 

  

 

   

   

Db.

 



 

  

Bsn. 2

Hp.

 

Bsn. 1

Perc.

 

   

  

F Hn.

                    

    


54         

Solo Ob.

Fl. 1

     

Fl. 2

Bb Cl. 1

Bb Cl. 2

  

 

   

  



Bsn. 1

  

p

Bsn. 2

F Hn.

Perc.

Hp.

Db.

      p      

 

   

  

 

  

 

  

pp (echo)

pp (echo)

pp (echo)

     

p

 

 

pp (echo)

   

pp (echo)

     

  

mf

  

pp (echo)

 

               

   

pp

  

    

   

p

 

p

 

  

    

p

Bs. Cl.



mp

mp

mp

 

mp



p

mp

 

mp

p

 

 mp

mp

 

   

  

  

    

pp (echo)

pp (echo)

    13

 

arco

p

mp

(pizz.)


60

Solo Ob.

  

  Fl. 1  

Fl. 2

 

Bs. Cl.

Perc.

Hp.

Db.

 

 

   

  

  

p





p

p

  

pp

  

   

   

pp

pp

   

pp

   

    

pp

 



 

p

pp

   

    

   

 

pp

pp

14



p

pp

 

mute out

 

 

p

 

p

 mf

  

   

   

p

 

  

  

   

      

 

  

Slightly Faster

 

 

 

Bsn. 1

61 rit.   

   

Bb Cl. 2

F Hn.



     

Bb Cl. 1

Bsn. 2

 

C#

 

 


accel.

65

Solo Ob.

 

68 q = c. 108                        

           Fl. 1 

Bb Cl. 1

Bb Cl. 2

Bsn. 2

F Hn.

Perc.

   

   

 

   

            

  

 

            

  

   

 

  p

 

    

Hp.

Db.

 





     



Bsn. 1

p

 

 

Bs. Cl.

f

   

Fl. 2

mf

 

 

 

   

p

 

   

  

 

  

   

mf

open

  

 

   

15

           

 

    

 

mf

 

mf leggero

mf

mf leggero

 

mf leggero

 

mf

       

  

pizz.

mf


69

Solo Ob.

  Fl. 1    

Fl. 2

Bb Cl. 1

Bs. Cl.

Bsn. 1

F Hn.

Perc.

    

Db.

 



 



     

   

mp

      



mp

  



  

 



  



mf

    

  







      

mp

    

   



 

 

 G#

A#



   





 mp

  

mp

mp MMMOMNMM

 

16

  

    

 

 

mp

 

       

mp

  

  

  

mp

 

mp

         

   

 

Hp.

        

Bb Cl. 2

Bsn. 2

 


73

Solo Ob.

  Fl. 1 

Fl. 2

 

Bb Cl. 2

Hp.

Db.



 



mf





       

mf

     

  

     

  

     

  



mf



mf

   

 



 



 



mf

p

p

p

p

 

 

      

mf

 

p

 

 

 

 

 

     p

  

 

  

      

 

mf

mf

 

 

Bsn. 1

Perc.



Bs. Cl.

F Hn.

        

Bb Cl. 1

Bsn. 2

 

 

 

 

 

 

 

 

p

 

 

 

 

 

 





mf

17



p


Solo Ob.

77 3+2+2                mf giocoso

   Fl. 1  

 

mf giocoso

Fl. 2

         

Bb Cl. 2

   

   giocoso

  

 

mf

Bs. Cl.

giocoso

Bsn. 1

mf giocoso

 Bsn. 2     F Hn.

 

  

   

  mf            

Hp.

Db.





      

  

  

   

        

   

mp

  

   

   

mp

mp

mp

  

    

  

    

             

    

mp

       



 

mp

  

  

mf giocoso

Perc.

     

  

            

mf giocoso

   

       

            

                mf giocoso

             

mf giocoso

Bb Cl. 1

2+2+3

mp

mp

  

   

mp

   

  

   

 

 

 

 

 

 

     

  

 



  

mf giocoso

18

  



 mp




                         2+2+3

82 Solo Ob.

 Fl. 1 

                

 

Fl. 2

mf

   

Bb Cl. 1

Bb Cl. 2

Bs. Cl.

 

  

 

 

Bsn. 1

       

mf

mf

        mf

 

 

    mf

 

 

mf

    mf

Bsn. 2

F Hn.

Perc.

Hp.

Db.

   

mf

 

  

   

      

mp

      

mp

          

  

  

     

mp

           

mp

 

  

           

 

  



  

  



  

  



  

  

  

  

  

  

 

mf

mp

mp

mp

         

 

mp

 

 

 

 

 

 

 

 

 

 

    mf

mf

mp

    

 

   19

 

  



  

    mp

Marimba

   mf

 


 

88          

 

 

              

 

 

 

87 Solo Ob.

Fl. 1

Fl. 2

Bb Cl. 1

p

p

mp

  p

  f

 

   

  

p

mp

 

Bb Cl. 2

 

 

 

Bs. Cl.

 

 

 

 

 

F Hn.

 

 

Perc.

              

 

 

Bsn. 2

Hp.

Db.

p

 

Play

p

        

                  

Bsn. 1

mf

   

 

  



 20

 

 

  

 


           

91 Solo Ob.

3+2+2

  

Fl. 2

 

Bb Cl. 1

Fl. 1

Bb Cl. 2

Bsn. 1

  

 

  

 

 

 

                      

   

   



  

 

 

  

p

   

f

  

mp

  

p

Bs. Cl.

94         

p

mf

 

 

mp

    

  



    

  



   

  

  

  

  

mp

mp

mp

 

Bsn. 2

  

 

 

 

F Hn.

 

 

 

 

Perc.

 

                      

 

 

 

 

Hp.

Db.

         

mp

  

G#

   

  

  

     

 

 21

 

G§ Eb Bb


         

95 Solo Ob.

Fl. 1

         mp

        

Fl. 2

mp

 

Bb Cl. 1

  

Bb Cl. 2

Bs. Cl.

Bsn. 1

  

  

f

 mf

 mf

mf

   

 

 mf

   

   

F Hn.

Perc.

Hp.

Db.

 

   

 



 



 



 

 

 

mf



mp

                    

mf

mf

 

 

 

  

arco

mf

mp

22

mf

 

                   

     

  

mf

 

f

mp



5

  

 

mf

mf

mf

                  

mf

Bsn. 2

       

  



mf

      mf

    

mf

   

mf


99

Solo Ob.

  Fl. 1 

 

Fl. 2

Bb Cl. 1

Bb Cl. 2

100            5

ff

            

5

5

f

f

   

                    

 

   

      

f

f

    f



  



  

mp Bsn. 2

F Hn.

Perc.

mp

Db.

  

f

 

f

        

 

 

        

  

Hp.

 

 

Bsn. 1

     

         

        

Bs. Cl.

     

    

mp

 

 F§

      

f

  

     f

23

 

       

  f


102

Solo Ob.

      

 Fl. 1 

Bb Cl. 1

Bb Cl. 2

Bs. Cl.

F Hn.

Perc.

Hp.

Db.

 

     f

    

       

    

       

f

         

                           

                          

    

             

Bsn. 1

Bsn. 2

Fl. 2

        

  





 

 

 

 

         

   

   

A# D#

 

  

  

   24


105

Solo Ob.

         

          Fl. 1  

Fl. 2

Bb Cl. 1

Bs. Cl.

Bsn. 1

F Hn.

Perc.

    

    

Db.

            ff

            

 

    

 

 

    

 

    

     

          

   



ff

 

 





ff

    

     f



ff

 

       

Sus. Cym.                     

Tom Tom

 

 

 

ff

  

 

 

ff

     

fff

    

 

ff

 

Hp.



106    

ff

     

Bb Cl. 2

Bsn. 2

        



 

f distinct, dry (muffle drum with cloth if necessary)

   

s. glis

ff

  

 25



 

 

 


108 Solo Ob.

 

  Fl. 1   Fl. 2

Bb Cl. 1

Bb Cl. 2

Bs. Cl.

Bsn. 1

   

3+2+2

   

     

 

   

     

 





     

      

 Bsn. 2  



       

Perc.

         

Db.

      

        

    

        

   

       

        

    

  

  



     

  

    

      

MNMOMNMN

  

 

  

   

  

 

     26

  



      

         

 

         

 

 



    

 



mf

   f

     

              

          

      

     



     

  

 

     

  

F Hn.

Hp.

 

rit.

   

                 


112

Fl. 1

Bb Cl. 2

Perc.

Hp.

Db.

 

p scherzando

               

       

  

                 

           

 

    

 

     

          

 

   

 

     

Bsn. 1



  

Bs. Cl.

115 q = c. 92                  

                     

Bb Cl. 1

F Hn.

mp

  

Fl. 2

Bsn. 2

Solo Ob.

        



 

 l.v.   

p

  

pp

pp

       

scherzando

p

      

     

   

     

   

     

   

     

   

    scherzando        

   

     

to mute

  

mf

A§             pizz.               

p scherzando

   

      

pp

p scherzando

p

Mar.

p

      MMMOMNMM       27

   

        


117

Solo Ob.

 

  

rit.                 

119 q = c. 80 

                               Fl. 1                          

Fl. 2

   

Bb Cl. 1

 

Bb Cl. 2

             

 

 

          

 

   

      p

      p

Bs. Cl.

Bsn. 1

Bsn. 2

F Hn.

Perc.

Hp.

Db.

         mp p

   

p

p

 

                 p 

  

 

 

 

 

 

 

 

mute    

   

   

 

 

rit.

        

    mp

Crotales

p

p

 

 

  

  

  

  

 

  

 

p

     mp

28

arco



p

pp


122 q

Solo Ob.

= c. 72

  Fl. 1  

Fl. 2

Bb Cl. 1

124       semplice

mp



 

 

                  

 

 

 

 



 

 



 

 

Bb Cl. 2

Bs. Cl.



 

 

 

 

 

 



 

 

Bsn. 1

Bsn. 2

F Hn.

Perc.

Hp.

Db.

  

p

 

  

Vibes

 

p

 

 

  

 

  

 

 

 

 29

 

 

 

 

  



 

 

    


130                         

   

128 Solo Ob.

Fl. 1

    p

Fl. 2

Bb Cl. 1



p

Bsn. 2

F Hn.

Perc.

  

Db.

   

   

    

 

 

  

    

Hp.

 

f

               

 

    

     

Bsn. 1

   

                 

p

Bs. Cl.

   

f

    

 

  

        

p

  

p

 

mf

(echo)

    p

Bb Cl. 2

p

3

          

   

         

p

   

 

  

 

pp

pp (echo)

  

 

  

 

pp (echo)

pp (echo)

   pp (echo)

  

   

mp

p



  

p

pp (echo)

mp

pp (echo)

mp

mp



mp

 mp

 

 

 

 

  

 

  

    

        

   

  30

  

 

  

pp (echo)

 pizz.

arco

p

mp


              

135 Solo Ob.

Fl. 1

Fl. 2

Bb Cl. 1

Bb Cl. 2

Bs. Cl.

Bsn. 1

3

   

 

 

 

 

 

Perc.

Db.

 

 

f

   

  

    

  

  

   

  

  

  

 

f

  

  

mp

p



  mp

    

  

  p

 



 

 

 

  p

 

   p

 

 

p

p

3

  



 

p

p

p





  

31



p

 

Hp.

p

 

  

  

    Bsn. 2  F Hn.

p

     

140         

 p


141

Solo Ob.

Fl. 1

   

Fl. 2

 

Bb Cl. 1

 

Bb Cl. 2

 

      

Bsn. 1



Bsn. 2





F Hn.

Perc.

Db.

 



  

  

 

rit.

  

 



   

      p

 

 

   

 

   

 

 

   

 

  

 

   

 

   

 

   

  

  

 

 

 

 

 



 

Hp.

 

  

 

Bs. Cl.

  

    



(mute)

p

 

 32

 

 

   


Solo Ob.

Fl. 1

Slightly Slower

  

 

mf

 

 

 

     

  

   

   

  

   

 

 

mf

p

 

Bs. Cl.

mf

 

p



Bsn. 1

 

mf

p

mf

 

    p

 

 

 

 

   p

 

     

mf



 

  

  



 



pp

 

 

  

p



 

 

  

 

   

mf

pp

pp

  

  

p

   

p

 

p

  

  

Db.

ppp

Bb Cl. 2

Hp.

 

p

Perc.

p

148 rit.  

Bb Cl. 1

F Hn.

  

  

Fl. 2

Bsn. 2

p

p

pp

pp

  pp   

p

    

pp

 

p

  

pp

33

 

pp

p

        pp             



146

May 28, 2017 Pasadena, CA


PRESERVING OUR MUSIC I T I S I M P O R TA N T T O P R E S E R V E O U R M U S I C A L H E R I TA G E F O R F U T U R E G E N E R AT I O N S

Acidic paper has been in widespread use since the turn of the century, and has become the bane of archivists, librarians, and others who seek to preserve knowledge intact, because it literally will self-destruct as it ages. Some paper, only three or four decades old, already has become impossible to handle — so brittle it crumbles to the touch. Surely we do not want today’s music to be unavailable to those who will inhabit the future. If the music of the Renaissance had not been written on vellum it could never have been preserved and we would not have it today, some four hundred years later. Let us give the same consideration to the musicians in our future. It was with this thinking that Manhattan Beach Music in 1988 first addressed the needs of the archivist by printing all of its concert band music on acid-free paper that met the standards specified in the American National Standard for Information Sciences — Permanence of Paper for Printed Library Materials (ANSI Z39.48-1984). The standard was revised on October 26, 1992 to include coated papers; all of our new editions and reprints of older editions meet this revised standard. With proper care and under proper environmental conditions, this paper should last for at least several hundred years.

Technical notes: Paper permanence is related to several factors: The acidity or alkalinity (pH) of the paper is perhaps the most critical criterion. Archival paper (also known as acid-free paper, alkaline paper, and permanent paper) is acid-free, has a pH between 7.5 and 10, is tear resistant, has an alkaline reserve equivalent to 2% calcium carbonate (to neutralize any acid that might arise from natural aging of the paper or from environmental pollution), and contains no unbleached pulp or groundwood (no more than 1% lignin by weight). The specific standards summarized here are set forth in detail by the National Information Standards Organization in American National Standard Z39.48-1992. For more information, contact: NISO, 4733 Bethesda Avenue, Suite 300, Bethesda, MD 20814, http://www.niso.org/

This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper)

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FRANK TICHELI HEAR COMPLETE RECORDINGS & VIEW COMPLETE VIRTUAL SCORES: www.FrankTicheli.com

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MANHATTAN BEACH MUSIC HEAR COMPLETE RECORDINGS & VIEW COMPLETE VIRTUAL SCORES: www.ManhattanBeachMusic.com

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Profile for Manhattan Beach Music

Serenade for Kristin for Solo Oboe & Chamber Ensemble by Frank Ticheli  

Serenade for Kristin for Solo Oboe & Chamber Ensemble by Frank Ticheli, complete conductor score, Manhattan Beach Music

Serenade for Kristin for Solo Oboe & Chamber Ensemble by Frank Ticheli  

Serenade for Kristin for Solo Oboe & Chamber Ensemble by Frank Ticheli, complete conductor score, Manhattan Beach Music