Page 1

Dancing on Water C O N C E R T

B A N D

Frank Ticheli

Manhattan

Beach

Music


Recording Credits for Dancing on Water: Performance by the Austin Symphonic Band, Richard L. Floyd, conductor

This virtual conductor score and recording are designated “private,� and any publication or distribution beyond the web sites of Manhattan Beach Music without its permission is prohibited.


F RA N K T ICH ELI

DA NC I NG ON WAT ER F O R

I

N

S

T

C O N C E R T

R U

M

E

N

B A N D

T A T

I

O

N

1 Full Score

3 Eb Alto Saxophone 2

3 Euphonium B.C.

1 Piccolo

2 Bb Tenor Saxophone

2 Euphonium T.C.

4 Flute 1

1 Eb Baritone Saxophone

4 Tuba

4 Flute 2

3 Bb Trumpet 1

1 String Bass

1 Oboe 1

3 Bb Trumpet 2

2 Timpani

1 Oboe 2

3 Bb Trumpet 3

2 Percussion 1

4 Bb Clarinet 1

1 F Horn 1

4 Bb Clarinet 2

1 F Horn 2

4 Bb Clarinet 3

1 F Horn 3

3 Bb Bass Clarinet

1 F Horn 4

1 Bassoon 1

2 Trombone 1

1 Bassoon 2

2 Trombone 2

3 Eb Alto Saxophone 1

2 Trombone 3

Xylophone, Vibraphone (motor off)

3 Percussion 2 Snare Drum, Ride Cymbal, Tambourine, Marimba, Glockenspiel, Chimes

4 Percussion 3 (Two players) Cabasa, Vibraslap, Woodblocks (piccolo and med.), Suspended Cymbal (med. lg.), Crash Cymbals, Bass Drum (lg.), Tam Tam (lg.), Tom Toms (3)

P R I N T E D O N A RC H I VA L PA P E R

Gg

Manhattan Beach Music 1595 East 46th Street Brooklyn, New York 11234 Web: www.ManhattanBeachMusic.com E-mail: customerservice@manhattanbeachmusic.com Voicemail: 718/338-4137

M A N H AT TA N B E AC H M U S IC


.


D A N C I N G

O N

WAT E R

Commissioned by the Austin Symphonic Band in honor of Richard Floyd on his 25 years of service as their Music Director

P R O G R A M D A N C I N G

O N

WAT E R

N O T E

is a joyous tribute to my longtime friend and colleague,

Richard Floyd, and is partly inspired by Dick’s love of sailing. The work begins as an exuberant dance expressing feelings of unabashed joy. Imagine images of the sea on a perfect morning. This dance gives way to a heartfelt song played broadly in the horns and euphonium, supported by a playful background of crisp 8th-notes derived from the opening dance. This “song and dance” might have been sufficient as the work’s material, but in the very center of the work appears something new — a kind of oasis, perhaps an island — a soulful interlude marked by mysterious solos and duos in the alto saxophone and clarinets. Then the work proceeds in reverse, suggesting an arch form, a return home by the same pathways, but with one final surprise: a massively full-throated coda, signaled by the horns, lifts the exuberance and majesty to new heights, driving this water journey to a powerfully exalted finish. R E H E A R S A L

N O T E S

A-Section (Bars 1-60): The accents and staccato markings are vital for enhancing this section’s bright, dance-like quality. They should be somewhat exaggerated by the players, but within the bounds of good taste. Rhythmic clarity is equally essential in this section.

The staccato marking at the end of bar 48 must be observed by all, so that no player sounds across the barline, thereby energizing the silence at the downbeat bar 49 and the subsequent entrance.

B-Section (Bars 61-109): The horns and euphoniums and later the trumpets sound the lyrical

theme that comprises most of this section, and they should play the melody with a gentle, cantabile quality. The melody is supported by crisp, playful reminders of the dance-like music from the

first section. For this reason, there must be no change in tempo throughout this section. Because of

the lyrical foreground, conductors may be tempted to slow down. They should not succumb to this temptation.


C-Section (Bars 110-138): This section requires the most sensitivity and subtlety of all. The

undulating passages in the woodwinds and mallet percussion should always sound distant, lightly floating in the background, never interfering with the soloists. The alto saxophone solo is soulful

and longing in quality, and while it may be played with a slight bit of rubato, the player should not stray too far from the notated rhythm (as it is already notated in a somewhat free fashion).

In comparison to the alto saxophone solo, the clarinet solo beginning at bar 123 and clarinet duo

beginning at bar 127 should be played somewhat more assertively, perhaps more passionately, although maintaining the soulfulness established by the alto saxophone. Because the two clarinet

soloists have an intricate rhythmic relationship with one another, they should probably adhere fairly strictly to the notated rhythm (although, again, a subtle bit of rubato playing style might also be acceptable).

As in the previous section, conductors may be tempted to move more slowly than this section’s

indicated tempo of quarter-note equals ca. 92. As before, this temptation should be resisted, mostly because of the metric modulation that occurs at bar 139 (where the triplet 8th-note equals the subsequent regular 8th-note). In order to nail the new tempo at bar 139, the previous section can not drag below its marked tempo.

B1-Section (Bars 139-172): If the metric modulation is handled well, the listener will scarcely

notice that a much faster tempo has suddenly ensued. The lyrical theme returns in the low brass, once again accompanied by light, playful reminders of the A-section. But this time, the section is shortened considerably, driving to the reprise of the opening material.

A1-Section (Bars 173-190): The return of the opening material bursts out dramatically and

exuberantly; once again, rhythmic clarity, crispness, and intensified articulations are key to the desired dance-like quality.

Coda (Bars 191-234s): The horns triumphantly announce the coda with their overlapping chords.

Horns must play here with great power and confidence. This is crucial to the success of the coda. If necessary, horns may play with bells up to increase their volume and intensity.

In counterpoint to the horns, trumpet fanfares and faster-paced woodwind passages (all derived from the A-section) sound majestically and aggressively, and drive the coda to its exalted climax.

F R A N K

PA S A D E N A ,

T I C H E L I

C A L I F O R N I A


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F RA N K

T I C H ELI

WO R K S F O R CO N C ERT BA N D FRANK TICHELI’S WORKS FOR CONCERT BAND ARE PUBLISHED EXCLUSIVELY BY MANHAT TAN BEACH MUSIC

Abracadabra (5 minutes, grade 3) Amazing Grace (5 minutes, grade 3) Amen! (3 ½ minutes, grade 2) An American Elegy (11 minutes, grade 4) This work is also available as An American Elegy for orchestra

Angels in the Architecture (14 ½ minutes, grade 5) Ave Maria / Schubert (4 ½ minutes, grade 3) Blue Shades (10 minutes, grade 5) This work is also available as Blue Shades for orchestra

Cajun Folk Songs (6 ¾ minutes, grade 3) Cajun Folk Songs II (10 ½ minutes, grade 4) Concerto for Clarinet and Wind Ensemble (21 minutes, grade 6) This work is also available as Concerto for Clarinet in an edition for Solo Bb Clarinet and Piano

Concerto for [Alto] Saxophone and Wind Ensemble (21 ½ minutes, grade 6) This work is also available as Concerto for Saxophone in an edition for Solo Alto Saxophone and Piano

Dancing on Water (8 minutes, grade 4) December Snow (2 ¼ minutes, grade 1) Earth Song (3 ½ minutes, grade 2) First Light (3 minutes, grade 1) Fortress (5 ½ minutes, grade 3) Gaian Visions (9 ½ minutes, grade 6) Joy (2 ½ minutes, grade 2) Joy Revisited (3 ½ minutes, grade 3) Korean Folk Songs from Jeju Island (10 ½ minutes, grade 4) Loch Lomond (6 ½ minutes, grade 3) Nitro (3 minutes, grade 4) Pacific Fanfare (5 ½ minutes, grade 5) Peace (3 minutes, grade 1) Portrait of a Clown (2 ¾ minutes, grade 2) Postcard (5 ¼ minutes, grade 5) This work is also available as Postcard for orchestra

Rest (8 minutes, grade 4)

This work is also available as Rest for string orchestra

Sanctuary (12 minutes, grade 5) San Antonio Dances (9 ½ minutes, grade 4) Songs of Love and Life (23 minutes, grade 6) for Soprano and Small Wind Ensemble (18 players) A Shaker Gift Song (2 minutes, grade 2) This work is a separate publication of the third song from Simple Gifts: Four Shaker Songs

Shenandoah (6 ½ minutes, grade 3) Simple Gifts: Four Shaker Songs (9 minutes, grade 3) Sun Dance (5 minutes, grade 3) Symphony No. 1 (31 minutes, grade 6)

Movement 1, “Of Youth,” Movement 2, “Of Wisdom,” Movement 3, “Profanation,” Movement 4, “Prayer”

Symphony No. 2 (21 minutes; mvts. 1 & 2 are grade 6, mvt. 3 is grade 5)

Movement 1, “Shooting Stars,” Movement 2, “Dreams Under a New Moon,”and Movement 3, “Apollo Unleashed” may be separately performed

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Commissioned by the Austin Symphonic Band in honor of Richard Floyd on his 25 years of service as their Music Director

DANCING ON WATER FOR CONCERT BAND

2   q = c. 138                 Flute 1     f              Flute 2    f       1            Oboe  2 Piccolo

Bb Clarinet 1

Bb Clarinet 2

   

Bb Clarinet 3

 

Bb Bass Clarinet

 

f Ob.  1

          

Ob. 2          

f

f

      Eb Alto Saxophone 1   Bassoon

Eb Alto Saxophone 2

Bb Tenor Saxophone

Eb Baritone Saxophone

 

 

       

sfz



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sfz

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3

1 2

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 

F Horn

1 2

F Horn

3 4

Trombone 1

Trombone

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Euphonium

Tuba

String Bass

Timpani (also playingTriangle)

Percussion 1

Percussion 2

                                                               

f

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        

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         

   

   

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6

                           

                      

                  

     

mf

 

 

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                       sfz f          straight mute

      

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   

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      

TRIANGLE (choke always at staccato indication)

  

CABASA

Percussion 3

f

2 3

FRANK TICHELI

  

straight mute                      Bb Trumpet 1      

Bb Trumpet

4

 5      

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          

Copyright © 2015 Manhattan Beach Music - All Rights Reserved - Printed and engraved in the United States of America ISBN 1-59913-164-1 (complete set) ISBN 1-59913-165-X (conductor score) Visit www.FrankTicheli.com for the latest information on the music of Frank Ticheli Purchase music, download free MP3s, view virtual scores and more at www.ManhattanBeachMusic.com



 

  

 


  Picc.   7

                     

Fl. 2

Ob.

       

Fl. 1

1 2

Bb Cl. 1

     

Bb Cl. 2

       

Bb Cl. 3

Bb Bs. Cl.

Bsn.

1 2

mf

 

Bb Ten. Sax.

Eb Bari. Sax.



Bb Tpt. 1

 

 

  

   

9

             



 

  

   

        f                 f  

                             

10

   11     

f                           

                                                                                 mf                            

 

  Eb Alto Sax. 1  Eb Alto Sax. 2

8

            

  

           

   

mf

a2                mf                    mf                  mf                     mf                 mf

      

                  

 

               

 

            mf                                                                                                           

 

 

 

 

 

 

 

 

1 2

 

3 F Hn. 4



Tbn. 1

 

2 3

 

Euph.

 

Tuba

  

S. Bass

Timp.

 

      

(Tri.)

      f

  

 

pizz.

f

Perc. 1

Perc. 2

 



mf

 

 

 

 

 

               

(Cabasa)

f

2

 

         f

       

 

 

       

arco

mf

        

 

Perc. 3

       

st. mute

 

           mf

F Hn.

Tbn.

               

 

               

2 3

f

 

Bb Tpt.

(1.)

                

     

 

                 

        

12

 

 

 

 

 

 

 

 

 

                  


       14                Picc.   f                     Fl. 1   

13

 

                      f                            f

Fl. 2

Ob.

1 2

f

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

     

     

      sfz       sfz

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

    

      

1 2

3 F Hn. 4

Tbn. 1

2 3

Euph.

Tuba

Tbn.

S. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3

     

      sfz

                                          

                            sfz                                         sfz                                                                                                                      

                                                                

a2

a2

   mf

      mf                  

   

   

      

sfz

  

     

    

f

      

 

 

  

                      

           mf

sfz

 

sfz

  

sfz

 

                         f     

   

                                                                                                           

     

f

F Hn.

                                         

sfz

2 3

19

                   Bb Tpt. 1      Bb Tpt.

 18          

f

     

17

  sfz  a2      1    Bsn. 2     

    Eb Alto Sax. 1     

16     15           

  

  

   

 

  

3

   

                      f

    

 


 21  20         Picc.                     Fl. 1                Fl. 2   1 Ob. 2

22

               

                               

   

 

   

    

    

Bb Cl. 3

Bb Bs. Cl.

Bb Cl. 2

1 Bsn. 2

Bb Cl. 1

              

 

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

2 3

F Hn.

1 2

3 F Hn. 4

Tbn. 1

Tbn.

2 3

Euph.

  

 

  

S. Bass

 

Timp.

Perc. 1

Perc. 2

Perc. 3

f



mf

f

                  p

f

4

 

 

 

 

                      2.

mf

                      

 

 

 

 

 

 

 

 

 

 

         

mp

    mp

mp

mp

   mp

           

 

 

mp

mute out

        

   

   

 

 

Solo

mf

 

 

 

 

 

 

 

 

 

 

 

     

   

   

     

   mp

mp

        

        

 

   

  

  p

 

  

   

 

  

  

mp SNARE DRUM (light sticks)  

 

  p

           

    

 

     

mp

 

   

     

 

 

   mp

                 

   

        

3.

 

             

  

mp

     

                  

   

 

 

 

ff

mf

      

       26      

 

 

   mp

  

   

mp



Solo

  

25

                      



 

 

      

     

   

 

 

  

WOODBLKS.

mf

  

(Tri.)

   

        (Xylo.)        

 

                                                                   f                                  f                                      f  2.                 mf f                 

Tuba

mf

                       

mf

24

mf

                        

  Eb Alto Sax. 1  Eb Alto Sax. 2

23

     

    

   

    

    

 

      mf

 

 

 

   

   

      

 

  

 

 

 


  Picc.    27

28

 

29

 

Fl. 1

   

 

  

Fl. 2

   

 

 

1 2

  

 

 

Ob.

       

Bb Cl. 1

mf

         

Bb Cl. 2

 

Bb Cl. 3

 

       

         

Bb Bs. Cl.

1 Bsn. 2

   

mf

   

     Eb Alto Sax. 1       

Bb Tpt. 1

   

    

         1.                 mf

mp

 

  

1 2

  

 

3 F Hn. 4

  

 

Tbn. 1

  

      

Euph.

Tuba

F Hn.

Tbn.

2 3

S. Bass

Timp.

  

   

                   

 

 

       

 

        

 

   

 

 

 

 

 

 

 

 

 

   

  

  

     

Perc. 3

   

  

 

  

 

 

 

 

 

 

 

 

   

 

  

 

    mp           mf        

 

     

       

 

  

       

     

mf

    

  

 

 

 

  

 

 

    

    

 

 

 

 

 

 

 

 

 

        

 

 

        

 

 

   

        

   

   Solo

mf

2.                                                                      mf                                  

Perc. 2

 

mf

                          

 

Perc. 1

   

  

 

  

  

      

        

33 Solo  

 

 

    

 

1.               

  

 

32

  

        

   

 

 

 

mf

 

 

 

mf

 

       

  

sf

      

     

 

mf

 

mf

31

1.

   

mf

 

 



    

              

2 Bb Tpt. 3

 

 

         Eb Alto Sax. 2      sf mp              Bb Ten. Sax.                sf mp                      Eb Bari. Sax.              

     

 

  

30

                

mf

        

 

 

 

 

     

    

      

    

       

  

     

 a2          

mf

 

    

    

 

 

 

 

 

 

 

    

 

5

  

  

  

 

 

  

    

               

    

     

               

  

 

    

          mf

   

  

  

 

 

 

   

 

   

   


34   Picc.   

  

35

     

36

Fl. 1

  

 

Fl. 2

   

 

1 Ob. 2

  

 

Bb Cl. 1

 

      

Bb Cl. 2

 

 

Bb Cl. 3

 

 

Bb Bs. Cl.

  

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

    

      

 

      Eb Bari. Sax.    Bb Tpt. 1

2 Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

Tbn. 1

          

    

Tuba

    

S. Bass

    

Timp.

     

  

Perc. 1

  

Perc. 2

    

  Perc. 3    

(Woodblks.)

       

                   

    



      

 

 

                

      

               

 

            

  

      

   

 

 (Xylo.)

f

    

   

                       1.

        f     f    

                      cresc.

    

cresc.

mf

 

  

    

   

mute out

f

    

    

   

 

                    

          

 

 

     

    

 

 

       

     

 

       

  

 

                 

   

   

    

 

   

cresc.

           

 

  

  

                   

to Timpani

                 

  

    

 6

   

         

mp

 

 

 

 

tutti           

 

 

f

    

   

  

         pizz.         

f

 

f

 

  

 

  

               

   

   

   

RIDE CYM. (keep light sticks)

    

 

     

        40   

39

     

 

38

  

    

mp

f

       

    

       

   

  

   

 

 

        

(S.D.)

   

(3.)

(Tri.)

  

mp

Euph.

f

        

                

   

  

          

mp

      

   

      

    

     

     f    f      f a2

  

mute out

  

       

mp

          

2 3

Tbn.

  

mf

        mf           

37

 

  

 

 

 

 

 

 

    

      mf

   

   

            


41 42        Picc.           Fl. 1     Fl. 2

  

1 2

   

Bb Cl. 1

 

Bb Cl. 2

 

Bb Cl. 3

  

 

Ob.

Bb Bs. Cl.

43

 

 

 

       

       

Bb Ten. Sax.

       

 

 

       

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

2 3

1 F Hn. 2

F Hn.

3 4

Tbn. 1

Tbn.

2 3

Euph.

      

f

2.          open

  

f

Perc. 1

Perc. 2

 

          

 

           

  

p cresc.

 

 

 

        

 

  

                     

 

 

 

 

 

                

         2. ff      







               

               

 

 

 to Tambourine      

 

 

p

 

   

        ff

TAMBOURINE         

f

 

 

                Perc. 3                                    7

f

                       f              

 

      

ff

 

 

      

     a2                          ff                  f                               f   a2                                  f                              

 

 open

f

 

                     

 

ff

ff

 

               



f

ff





 

 



               

                      



mp

              p cresc. open                                             mf  a2                                             mf                                              

           ff            ff            ff a2           ff            ff            ff             ff         f         

49

                               mp               mp              

 

 

48

                   

 

        

  Tuba                     S. Bass    Timp.

 

                 

2.

  

       

 

  

  

       

      

  

  

 

1.

                        Eb Alto Sax. 1      

 

2.

1 2

Eb Alto Sax. 2

a2

Bsn.

    45    46    47                                 

44

ff

  

mf


50      Picc.  Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

sfz

     

     sfz        

        

   

  

sfz

   

 

  Eb Alto Sax. 1  Eb Alto Sax. 2

51

     

   1     Bsn. 2  

Bb Bs. Cl.

     sfz     

     

sfz

       

sfz

 52                                                            

53

                                      

             

                         

                 sfz                                                         

          

55

54                      

                     

                          

                                                     

       

                     













cresc.

                              

Eb Bari. Sax.



Bb Tpt. 1

 

     

Bb Tpt.

2 3

F Hn.

1 2

      

F Hn.

3 4

Tbn. 1

Tbn.

2 3

Euph.

    



ff

Timp.

Perc. 1

                           

sfz

f

sfz

f

sfz

f

                                                 

          

       

                         

f

  

arco

  

(Xylo.)

 

 

                      

  

mp

ff

mf

ff

       

   

      

   

       

      

   

        

                     

               



cresc.













     

cresc.

  

cresc.

    

        



                 

f

ff

Perc. 3

ff

     

(Tamb.)

Perc. 2

                              

                           

 Tuba    S. Bass

                

cresc.

                                

              

                     

ff

Bb Ten. Sax.

        

ff

       

mf

cresc. TIMPANI

 

 mp cresc.      

                 mf

     

ff

   to Marimba   ff

 8

 

 

            


   56

Picc.

  

Fl. 1

    

Fl. 2

Ob.

  

57                          

      

 

Bb Cl. 2

    

 

Bb Cl. 3

Bb Tpt. 1

Bb Tpt.

    

        



     

 

2 3

3 4



Tbn.

Euph.

Tuba

S. Bass

Timp.

 

 

 

   

 

       

Perc. 1

Perc. 2

  



  





a2        



   f

    



 

 

   

     

   

     

   



    



cresc.



  

     

 

   



  



                                               

 

 

SUS. CYM. (yarn)

BASS DRUM

9

ff

  ff   ff

 

p           p

       

  ff  ff

                

 

                ff          ff

 

  ff

  

     

ff

div.

         

   ff  

 

   

 



 

 

   

ff

  

ff

ff

    l.v.



to Triangle

       

ff MARIMBA

       

   l.v.     l.v. ff

f

  

f

  

  

 



 

ff

f

                                    

 

 

ff

 

f



   

f

   

  



 

  

 

         

                            

f



 

   



                   f                                   

     

                                

   

 

 

        

                                                                   

     

  

f

60                61                                          ff                ff                                  59                    

 

  

  

Perc. 3

     

58



                                          

             

2 3

   

 



Tbn. 1

   

   

1 F Hn. 2

F Hn.

   

           

       

Bb Ten. Sax.

   

         

  

    

Eb Alto Sax. 2

Eb Bari. Sax.

          

 

Bb Bs. Cl.

Eb Alto Sax. 1

 

             

1 2

   

                

1 2

Bb Cl. 1

Bsn.

   

ff


   62

Picc.

Fl. 1

Fl. 2

          

Bb Cl. 1

Bb Cl. 2

  

Bb Cl. 3

Bb Bs. Cl.

  

1 Bsn. 2

  

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

F Hn.

F Hn.



2 3

1 2



3 4

 



p



mf

  

p



  

mp

to st. mute

   

 

1.

 to st. mute    

p

 

 

mp

  

 

  





                 mf                    mf

  

  

             

 

a2 cantabile

poco cresc.

mf a2 cantabile

mf

poco cresc.

cantabile

 Tuba       p      S. Bass 

poco cresc.

mf



 

Timp.

     p  

p

68

Euph.





2 Tbn. 3

                          

 

Tbn. 1

67

2.

                   mp            



mf

66

                                            mp mp                         mf                       mf                   

p

           

65





   Eb Alto Sax. 1  Eb Alto Sax. 2

mp



  

64

                                 mp                                    

 

1 Ob. 2

63





 

 p



p

 



 

mf

mp

 

mp

 mf

p

mf



p

 



poco cresc.

 

poco cresc.

mp

poco cresc.

mp

  

                                                               (Xylo.)

Perc. 1

mp

Perc. 2

Perc. 3

mf

 (Mar.)                                                         mf mp



10


  Picc.    69

Fl. 1

Fl. 2

1 Ob. 2

   

 

mf

   

70

   



       mf              mf

 1.            

        

    

Eb Bari. Sax.

Bb Tpt. 1

2 Bb Tpt. 3 1 F Hn. 2

F Hn.

3 4



 

 

2 3

 

Perc. 3

     

st. mute

mf

p



p

mf

          







    

 

 



mf

                

mf

poco cresc.

mf





  

 



 

              VIBRASLAP    11



   



f





 

 

pizz.

mf

      

mf

        mf

 



 

arco

           

 

mp

  





mf

               

f

mf

mf

mp

mf



mf

poco cresc.

 

  



mf

 



mp

       

         

f

 



         

mp

p

 

mp

TRIANGLE

   

  

    



   

st. mute

 



p



 

          









p

  

 

 Timp.

Perc. 2

 Tuba   

Perc. 1



 

 

S. Bass



 

Euph.

Tbn. 1

Tbn.

  

 

       

  

mf

f

           

a2

   

f

Bb Bs. Cl.

Bb Ten. Sax.

p

Eb Alto Sax. 2

 

Bb Cl. 3

 

  

  



mf

 

p



Bb Cl. 2

   Eb Alto Sax. 1 

    

     

 

1 2

73         74        

Bb Cl. 1

Bsn.

          

72



            

mf

           mf

      71      

    

ff



mf

 




75 76       Picc.      Fl. 1  

 

Fl. 2

Ob.

Bb Cl. 1

Bb Cl. 2



Bb Cl. 3

mf

Bb Bs. Cl.

  

 

  

  

mf

Eb Alto Sax. 2

Bb Ten. Sax.

 

F Hn.

3 4

Perc. 1

Perc. 2

Perc. 3

   

   

mf

         

mf

  

   



mf

  



 

 

 

 

  

 

mf

     



dim.

  

 





 

(Xylo.)

(Tri.)

poco cresc.

mf

poco cresc.



12



 

p





              

p

                          



p



mp

         



mf

poco cresc.

    

mf

   



mf

p

 mf

   



   

    

mp

mute out

        

 

dim.

dim.

 

mf

mf

mp

                

   

          

mf

    

mp 1.

dim.



    

          

                

                            (Mar.) mp                             mp



dim.



                                                  



 

   

 



 



81

                   

  

        

1.

80

                

 

79

    

  

mf

mf

 

  

 

Euph.

   

2 Tbn. 3

Timp.

  

  

 

Tbn. 1

S. Bass

mf

       mf                               

1 2

Tuba

 

 

2 Bb Tpt. 3

F Hn.

fp

Bb Tpt. 1

         

      Eb Alto Sax. 1 

Eb Bari. Sax.

78

  1.                  2.           

1 2

1 Bsn. 2

fp

77

 mf

   



(Vibraslap)

ff


            82

Picc.

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

84

         

85

                                                            

Bb Cl. 2

  

Bb Cl. 3

  

Bb Bs. Cl.

83

  

           

       86         mf                mf                    

mf

        mf

     



 

      

Eb Alto Sax. 2

      

   

mf



 

 

  

p



                          Eb Bari. Sax.  

Bb Ten. Sax.

Bb Tpt. 1

2 Bb Tpt. 3

1 F Hn. 2 3 F Hn. 4

Tbn. 1

2 Tbn. 3

Euph.

Tuba

S. Bass

Timp.

 

 

 

mf

poco cresc.

mf

 

 

 



      

   



 



    



  

  

    

  

 



   



      

     

 open

  

mf

 mp



mp





Perc. 2

 

    

    mp

mp

SUS. CYM. (yarn)

13

mf



 

 

p

   

p

p

              

    

mf

   

f



mf

 

p

mp

mf

 

mf

cantabile, bring out

mf           mute out                    

 



 



mf

Perc. 1

Perc. 3



mf

 



  

  

mf

 



mf

           mf                                            

  

   



poco cresc.

       

 



p

  



   

                               

  

                     1           Bsn. 2   Eb Alto Sax. 1



     

88

                              

 87           

    

              




  Picc.   

89

Fl. 1

  

Fl. 2

 

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn.

1 2

mf



mf

  

a2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

2 Bb Tpt. 3

mf



          

    

mf

  

      

   

mf

   

mf

 

  

mf

 

 



 

mf

   

    

92 93      

    

    

     

             

   

 



  



       

      



             

    

mf

    



 

    



mf

 

 

   

                      mp

                            mp 

    



 

    



94

    



    91

    mf     





   Eb Alto Sax. 1  Eb Alto Sax. 2

   90

                       mp

 

F Hn.

1 2



F Hn.

3 4



Tbn. 1

 

2 Tbn. 3

  

mp

mp

 



Euph.

 

Tuba

  

S. Bass

Timp.

  

mp

Perc. 1

 

Perc. 2

 

Perc. 3





mp

 



mp

 14

 

  

 (Xylo.)

 

to Timpani



mf



 

       

  

        mp 

mp (Mar.)

 

  



 


   100        101                      mp                                                                                               

  Picc.   95

Fl. 1

97       98       99        

96

Fl. 2

 

1 Ob. 2

 

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

mp

mp

     



  



  

 

     

mp

 

 mf

mf

     

  

   

 

                        

2 3

F Hn.

1 2

 

3 F Hn. 4

  

Tbn. 1

 

2 Tbn. 3

      

 Tuba   

mf

mf

 

mf

  

Bb Tpt.

Perc. 3





Perc. 2

Eb Bari. Sax.

Perc. 1

Timp.

Bb Ten. Sax.

S. Bass

Euph.

Eb Alto Sax. 2

Bb Tpt. 1

                            

mp

 

 



 

SUS. CYM. (yarn)

pp

 

gently

  

p

 

p

 

 

p

p



mf

mf

mp

 

mp

 mf

mp

mp

 p

  

p

 

                             p

  

mp

  

pp

15

 


rit.        103        104       105            Picc.   p                                Fl. 1  102

Fl. 2

  



  

2.

Bb Cl. 2



  

Bb Cl. 3



  

Ob.

1 2

Bb Cl. 1

Bb Bs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

 

mp

p

   

 

 

1 2

 

  



 

mp

 

 

 

mp

mp

mp

mp

mp

 Tuba   

 

mf

 

 



mp



1. Solo

  

 

  

 

Hn. cue mf

F Hn.

Perc. 3

Perc. 2

2 3

Perc. 1

Bb Tpt.

Timp.

  

109

1.                               mp



S. Bass



108

Eb Bari. Sax.

Euph.

  

2 Tbn. 3

107

Bb Ten. Sax.

Tbn. 1

3 F Hn. 4

106

Eb Alto Sax. 2

Bb Tpt. 1

  

mp

mf

p

  mp



mp

 





 

 

 p

 

p

mp

mp

p div.

 

p div.

mp

p

  

pp

to Vibes

                                  

(Mar.)

mp

16

pp

to Glock.

 


110 q = ca. 92

  Picc.   

  

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn.

1 2

  

111

 

 

  

    

pp

 

Perc. 2

Perc. 3

  

3     

Solo misterioso

sf

    

mp



mf

  3

 

  

   

   

    

      

 

      

 

sul G

   

VIBES

Perc. 1

   

Timp.

  

S. Bass



Tuba

Eb Bari. Sax.

Euph.

2 3

 

Tbn.

 

p

Tbn. 1

mf



     

p

Bb Ten. Sax.

3 4

p



 

F Hn.

mf

     

  

p

 



1 F Hn. 2

Air only



116

   

2 3

115

  

Bb Tpt.

Air only

114

Bb Tpt. 1

113

    Eb Alto Sax. 1  Eb Alto Sax. 2

112

   

p

a2 Air only



p

mf

p

mf



 

 



mp





sul G

 gently

Air only

  



(sempre sul G)

    l.v.

mf

17

 

mp

TAM TAM (wire brushes) rustling

mp

 

 

 

 

  

mf


   117

Picc.

118

119

Two players only thru m. 141

120

3

3

3

pp

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 2

 

1 Ob. 2

 

Bb Cl. 1

Bb Cl. 3

Bb Bs. Cl.

Eb Alto Sax. 1

3 3 3 3 3 3 3                                 3

pp

 

   

    

    

3

3

 

 

Eb Bari. Sax.



3

pp

3

3

Solo

p

mfz

2 3

F Hn.

1 2



F Hn.

3 4



Tbn. 1

 

2 3

 

Euph.

 

Tuba

 

S. Bass

Timp.

  

Perc. 1

  

Perc. 2

 

(Vibes)

Perc. 3



 

pp

ped. as slurred

mp

shimmering, distant

 

 

 

 

 

 

  

 

18

mp

  

 



Bb Tpt.

Tbn.

f

3

 

       

mp

Solo 3

       

pp

Two players only

Bb Ten. Sax.

Two players only thru m. 137

  

                   

        

3

3

Eb Alto Sax. 2

Bb Tpt. 1

Two players only thru m. 137

Bb Cl. 2

122

                                                    

Fl. 1

1 Bsn. 2

121

3.

 

p

p div.

 

p pizz.

 

p



TIMPANI

 

p

TAM TAM (normal beater)



pp

dampen


  Picc.  

123

Fl. 1

Fl. 2

Ob.

1 2

pp

3

3

3

3

Bb Bs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

  

  

  

Eb Bari. Sax.



       mp 3

3

 pp

       3

mp

3

3

3



     3

3

 

  

3

3 3

  

sf

6



3

  

   

sf

 

 

 

        

     3

mf 3

 



  

   

   

pp

Bb Tpt.

2 3

F Hn.

1 2



F Hn.

3 4



Tbn. 1

 

2 3

 

Euph.

 

Tuba

  

Tbn.

S. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3

 



                                         

p GLOCK.

3

 p 

 

   

 

 

3

3

               SUS. CYM. (yarn)

 19

  p

  

mp



One player only

3

pp

3

6

mf

 

3

Solo (duo with first player) 3

          

Two players only

 



p3

  

3 3

pp

           

    

sf

128

1. 3

           

p

f

           

  



3

127

     

Bb Ten. Sax.

3

Bb Tpt. 1

126

3

Eb Alto Sax. 2

3

Tutti Bb Cl. 3

3

 

Bb Cl. 2

125

                                

passionately

Bb Cl. 1 (divisi)

124

  3

   

   

   

   

    


  Picc.   129

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

 

3







3

pp

 

132

   

3

133

134

135

dolce

3



  



       dolce    3



  

mp



 

pp

                   

Bb Ten. Sax.

Eb Bari. Sax.

  

   3   3



 3

3

mf

                pp

2 3

F Hn.

1 2



F Hn.

3 4



Tbn. 1

 

2 3

 

Euph.

 

Tuba

  

S. Bass

 

 Timp.

p

Perc. 3



 

                                                        3

3

pp

(Glock.)

Perc. 2

arco

(Vibes)

Perc. 1

   

      

Bb Tpt.

Tbn.

3

(Two only)

                  

  

3

  

     

mp

Eb Alto Sax. 2

Bb Tpt. 1

131

                             3 3 3 3 pp                            

 Bb Cl. 1 (divisi)

130

3

3

3

3

3

3

3

3

  

  

3

3

                                                     pp



20

pp


  Picc.   136

1 Ob. 2

3

 

pp



3

p

3

3

3

3



p

     

Bb Ten. Sax.

Eb Bari. Sax.

  

3

p

 





  

One only

3

Eb Alto Sax. 2

141

  Eb Alto Sax. 1 

140

Bb Bs. Cl.

= ca. 138

mp

3

      

3

3

3

3

3

3

Bb Cl. 3

mp 3

            

Bb Cl. 2

3

      3

mfz

Bb Cl. 1 (divisi)

Bb Tpt. 1

3

139

                                        

              

Fl. 2

138

3

  

Fl. 1

1 Bsn. 2

137

3 e=e q

3

3

3

3

               

Tutti

mp

Tutti

                mp

pp

3

  

1.

                                       3

142

3

mp

       

Bb Tpt.

2 3

F Hn.

1 2



F Hn.

3 4



Tbn. 1

 

2 Tbn. 3

 

Euph.

 

Tuba

 

 

Perc. 1

           

   

       

Perc. 2

 

Timp.

Perc. 3





 



pp

 

S. Bass

pizz.

 



pp



p



  to Triangle

pp

to Mar.

 

21

  

  

pp

mp

cantabile



mp

 poco cresc.

 

 poco cresc.

to Sus. Cym.

TAM TAM

cantabile




  Picc.  

143

Fl. 1

144

145

         Tutti

mp

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

 

 



mp

 



 

 

  Tutti        mp

    

mf



mp

 

         

 







  

   

                           mp                                                         2. mp                                               

   

             

   

 

 

1 F Hn. 2



3 4





Bb Tpt. 1

Bb Tpt.

F Hn.

2 3

Tbn. 1

 

2 Tbn. 3

  

Euph.

Tuba

S. Bass

   p

       arco

 Timp.



p

p

Perc. 2

 

(Vibes)

Perc. 3



 mp   

mp

mp



  

 

 



unis.

  

Perc. 1

 

mp

 poco cresc.

  

poco cresc.

mp

mp

mp



   

 

    

Eb Bari. Sax.

     

 

mp

 

 

 

 

            

 

   



mf

shimmering

 



 



      

          

         

mf



                       













p

  

p

 

 

22



p

TRIANGLE

   

 

p

mp

   

  

st. mute

 

     

 

   

                  

Bb Ten. Sax.

 

Eb Alto Sax. 2

148

mf

  

   

 

                 mp

147

mp

Tutti

Tutti

        1     Bsn.  2  

Eb Alto Sax. 1

 

         

  

146


  Picc.   149

Fl. 1

Fl. 2

1 Ob. 2

151     

  

 

mp

Bb Cl. 2

   

  

 

  

3 F Hn. 4

Tbn. 1

2 Tbn. 3

Euph.

             

mf

               

 

a2

 

a2

 





mp

mp

      

mp

Perc. 1

Perc. 2

Perc. 3



  

    

p

fp

fp

 f

f

            

f

   

     f

       

fp

                            

open

mute out

open



 

 

 

mf

mf

 

 

 

mp

  

mf

  

 f

 

 

  

mf

mf

      



mp

mp

 

 

f

f

mf

mp

 

f

mp

mp



 

to Xylo.   



 

  

p

 

MAR.

       

 23

SUS. CYM.



f

f

  

      

f

f

mf

mf

   f

  

mf

mf

  

fp

  

mute out

 

            

f

     

p

        

   f

mp

a2

                 

  

    

mp

Timp.

154

 

 Tuba    S. Bass

    

           

    153    

mp

st. mute

   152         

                  Eb Alto Sax. 2        Bb Ten. Sax.                       Eb Bari. Sax.     Bb Tpt. 1 

p

  Eb Alto Sax. 1 

1 F Hn. 2

   

  Bb Bs. Cl.                 1         Bsn.   2              

2 Bb Tpt. 3

p

                   

Bb Cl. 1

Bb Cl. 3

150

                  


155    Picc.    mf   Fl. 1   

    mf

Fl. 2

1.      mf

1 Ob. 2

     mf      mf

Bb Cl. 1

Bb Cl. 2

mf

   

   156



  



  



  



  

157

158

  

  

  

                                               

159

160

 

         mp             

     

 

                           

mp                                  mp         

Bb Cl. 3

Bb Bs. Cl.

  

Bsn.

1 2

                   mf                  Eb Alto Sax. 2  Eb Alto Sax. 1

mf

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

 

 

 f

 

 

Tbn.

2 3

Euph.

mf

   

 

  

Timp.

Perc. 1

  

p



  

mf

p

 

Perc. 3





mf

mf



 

 

 

mp



 

mf

mp









mp



mf

mf

 

        

       

                                    (Mar.)

Perc. 2

p

 

mf

  

 

 

  

 Tuba    S. Bass

mp

 

  

 



 

 

  

1 F Hn. 2

Tbn. 1

mp





   

 

3 F Hn. 4

                        

2 Bb Tpt. 3

f

                               



 24

XYLO.

mp to Tamb.


  Picc.  

 

161

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn.

1 2

162

                 

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

F Hn.

2 3 1 2

3 F Hn. 4

Tbn. 1

Tbn.

2 3

Euph.

Timp.

Perc. 1

Perc. 2

Perc. 3

f

               

f

   

  

 



 

 

  

   

  

  



mp

  

mp





 



 



   

 mf

  

   



  

mf

mp



 

a2

 

 

Sus. Cym. (yarn)

p

mf

f

mf

f

mf

f

mf

f



  

 

 f



a2



 

f





p

         

     mf

   

mp

 mf

  

mf

         

 



mf



mf



                     

  f





 

f

 

    

 







mf to Timpani

  

25

 

             



 

  

                   



l.v.  

mf





f

 

f

f



    

 

f

mf

          mf f         

 

f

  

        

f

f



          mf f         

f





fp

   

        

    

 

                  

      

   

 

166

fp

     

   

165

   

     

 

  

 

  

    

                                             fp                  

  

 

f

    



f

  



f

 

   164

            f       

     

 Tuba    S. Bass

    f

   

  Eb Alto Sax. 1  Eb Alto Sax. 2

               

               

   

163


  Picc.   

      

   

  

        

    

  

167

Fl. 1

Fl. 2

mp cresc.

Bb Cl. 2

Bb Cl. 3

Bb Tpt.

    

  

 

  

2 3

 p

 p

Tbn. 1

 

2 Tbn. 3

   

Euph.

  

S. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3

  

                      

mf

cresc.

mf

cresc.

   

   



mp

cresc.

 

mp

 







cresc.



mp



 cresc.   

 

 



 

mp

  

 cresc. 

 

cresc.



mp

 

                      

           

            





mf







 

 

    

   

    

 

     



      

  



  

  

f

 

f



   







cresc.

mp

         

pp

ff

    

B.D.

    

   







TOM TOMS

ff

a2

ff

ff

         

  

 





         







cresc.



 mp

          

   

          

mf

     

         

   

   

p cresc.

 

cresc.

   

mp

p cresc.

   



p cresc.

  

cresc.

 

p cresc.

 

mf

           

mf

Tuba

cresc.

p



3 F Hn. 4

1 2

       

   



mf

   

mp cresc.

cresc.

mf

          



F Hn.

                   

Bb Ten. Sax.

Bb Tpt. 1

           

     

    

    

    

                

     

       

Eb Alto Sax. 2

    

mf cresc.

mf

mp cresc.

   

            

172                          

            

                

     

mf cresc.

171     

       

   Eb Alto Sax. 1 

     

    

   

    

mp cresc.

     

a2

mp cresc.

mf cresc.

170

   

     mp cresc.

    

Bb Bs. Cl.

Eb Bari. Sax.

169

      

Bb Cl. 1

1 2

mp cresc.

 

1 Ob. 2

Bsn.

168

26

 f

                                  f


173         Picc.   ff          Fl. 1               ff            ff

Fl. 2

Ob.

1 2

        ff

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn.

1 2

        ff

         ff

ff

   

   

  Eb Alto Sax. 1  Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

2 3

1 F Hn. 2

F Hn.

3 4

  

  

175

  

  

  

  

  

  

  

sfz

sfz

      

              

sfz

     

       

sfz

             

p

ff

p

ff

p

ff

                   

p

ff

sfz

 

2 3

  

Euph.

  

  

3.

p

        p                       f                                mf f                               f

mf

   Tuba                          f  pizz.                      S. Bass   f    Timp.   XYLO.             Perc. 1     ff TAMBOURINE

Perc. 2

          mf SUS. CYM.

ff

mf

ff

     Perc. 3       (B.D.)

mp

        

mf

ff

mf

ff

  p

ff

 

   

    

      



                                

   

         

f

          

a2                   f                

 

         

p

ff

         

p

ff

p

ff

                   

p

                 3.    p             p

ff

          p ff                 

4.

                   

       

    

                                     

 

ff

  

  

                  

ff

   

178

                                     

    

             2.              

         

ff

   

sfz



177                         

      a2      

         

                  

         



sfz

2. ff





sfz

      

  

  

     

     

176

sfz

                

Tbn. 1

Tbn.

f

 

    f  

174             

 choke   

27

f

             mf

ff

mf

     

to Mar.

ff

 

TIMPANI

ppp

 

choke          

p

f


181

                         Picc.     179

                              

Fl. 1

                             

Fl. 2

Ob.

180

                                

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

                                                                                             

 1    Bsn.  2    ff

Eb Alto Sax. 1

   

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1



2 3

F Hn.

1 2



F Hn.

3 4

Tuba

S. Bass

ff

 

Perc. 3

   

 

   

   

ff

ff









             

              

ff

   

 

 

     

       







            

 

    

         

   

f

28

   

   

 

     

   

       

                  

                                                                       

 

                

 

cresc.

f

f

f

mf

     

  

 

 

 

 

 

 

  



 

 

     



 

 

   

   

 



cresc.

   

   

f

   

   

 

cresc.

ff

     

  

f

    

   



    

   

     

   

 

cresc.

    

     

   

 

   

             

   

     

184

     







   

   

cresc.

             f f                

   

         

  



   

          

cresc.

f

 

                             

                      

   

183

f

ff arco

(Xylo.)      



ff

              

                                          

ff

f

Perc. 2

   

                           ff  

2.

   

 Timp.

Perc. 1



                       

                          

    ff     





f

 

Euph.

cresc.

 



2 3

f



Bb Tpt.

Tbn.

cresc.

ff

 

Tbn. 1

f



ff

182           

cresc.

 

   

 

   

       

        

                         

  

     


  Picc.    185

Fl. 1

   

Fl. 2

   

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

1 Bsn. 2

               

Bb Ten. Sax.

                 

       

                 

                                                 

  

            

   

   Eb Bari. Sax.   

  



 



 





 







  







2 3

F Hn.

1 2

F Hn.

3 4

Tbn. 1

  

    





f

                                Euph.      Tuba             

Tbn.

2 3

S. Bass

         

   Timp.   Perc. 1

Perc. 2

    

SUS. CYM. p

  Perc. 3   

fff

      

fff



  

  

   

a2

 

  

 

  

 

     

  

                            

p





            

div.

 

 

   fff  fff

 

mf

ppp

fff

 fff   

mf

 

p

p

 ppp

 

 

 



 

 



 

 



 

 

fff

ppp

 



 

 

 ppp

ppp

ppp

ppp

ppp

                            fff

    

MAR.

      B.D. fff 

fff



                                                         

fff

div.

mf

mf

 



     

                                        

fff

    

    

                         

p

 

 



fff

fff

fff

                           

 

    

p

fff

p



190



fff

 

 

      

               fff                    

                

 

fff



          Bb Tpt. 1   Bb Tpt.

  



fff

 

       



 



a2           

   



fff

                

189

                                 







188

fff

              

       

    Eb Alto Sax. 1   Eb Alto Sax. 2

186 187                    

fff

29



                         


  

191

Picc.

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

192

194

195

mf

 

            2. mf       

        

  

  

  

Bb Cl. 3

Bb Bs. Cl.

  

mf

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

 if necessary tointensify horns  Play 

      

 





 

F Hn.

1 2

3 F Hn. 4 Tbn. 1

a2



  ff

        



















Euph.

ff marc.

ff marc. slightly separated



st. mute

 Tuba  

 Timp. Perc. 1

 

 



slightly separated

 

 

  

 

S. Bass

 

 

 

2 3

Tbn.

sffz



 sffz

mp

ff

mp

ff

             

                    2.              

mp

Play!





   

2.

 



   

mp

   

  

 



 

    

 ff    

   



ppp





 

    ff majestic   ff majestic

ppp

  

 

f (but still big and majestic)

  

 

 

 

 

ppp

ff

    ff    opt. 

mf

ff

ppp

ppp

ff

TAM TAM

ppp

  

to Chimes  (Mar.)                                Perc. 2                 mf B.D.       Perc. 3       

30

 



f (but still big and majestic)

ff

 

ff



mf

 

ff

           

mp

      (Xylo.) ff                                                 

            

                                          mp

ff

     



ff

Play if necessary to intensify horns

 Bb Tpt. 1  2 Bb Tpt. 3

                                   mf              1.                               mf      

     ff                                                Eb Alto Sax. 1        1 2

             

Bsn.

196

                                           

mf

Bb Cl. 2

193

  

ppp

    f

dampen


  Picc.    197

  

Fl. 1

       

 

Fl. 2

Bb Cl. 1

   

   

                 

1 Ob. 2

    198 

    

199

200         

   

Bb Bs. Cl.

  

        

 

      

       

    

    

     

Bb Ten. Sax.



    

ff

    

2 3

   

 

 

 

mf

2.

  



  

ff



 

 

   

 

    

 

 

 

2 3

 

Euph.

 

Tuba

 

S. Bass

 Timp. Perc. 1

Perc. 2

Perc. 3

 





  

  ff

 

  

  



  





 



            mp

ff

mp

   

            ff



 

 

     ff   

  

ff

       ff

 

  

  

 



Tbn.

 

 

  





ff

                               

 

mf

       

     

ff

     

    

ff

 

3 4

mp

Tbn. 1

F Hn.

ff

            

 

1 2

mp

            

  

F Hn.

            

                                                  

    

ff

Bb Tpt.

 

    

Eb Alto Sax. 2

Bb Tpt. 1



        ff

Eb Bari. Sax.

          

               mp           1.                                                          2.                   fp                         

Bb Cl. 3

Eb Alto Sax. 1

fp

1 2

202

fp

Bb Cl. 2

Bsn.

201

   

    opt. 

   

31

   ff

ff

  

  

B.D.

TAM TAM ff

 

    ff


  Picc.    203

Fl. 1

Fl. 2

1 2

  

Bb Cl. 1

Bb Cl. 2

   

     

Ob.

   

   

    

 

Bb Bs. Cl.

ff

   

ff

 

  

Bb Tpt. 1

Bb Tpt.

2 3

F Hn.

1 2

F Hn.

3 4

Perc. 3

                                        

                             mf

                            

mf

a2



   

              

 

 



 dampen

  

 



   





  

 

sffz

    ff

  

 



         

     mp

mute out

  

 

 

(Tam Tam)

p

32

      

 

  

 

 

 

CHIMES

fff l.v.

  

ff

pp

 

p

  

pp

ff

ff

   

 

 

 

        

ff

ff

pp

ff

ppp

ff

      

a2

   

 

ppp

     

ppp

ff



 

  

ppp

                           



mp

ff

  

sffz

  



    

ppp

       

   

 

 

        

ff



mf



ff

                                     

   

mf





1.

    

 Timp.

Perc. 2

            

      

ff

ff

mf

   

   208               

                                                                       

   

Perc. 1

2 Tbn. 3

S. Bass



Tbn. 1

Tuba



207    

206

    

 

Euph.

205

    ff

Eb Bari. Sax.

   

     1   Bsn.       2 

Bb Ten. Sax.



     

ff

Eb Alto Sax. 2

                           ff

Bb Cl. 3

Eb Alto Sax. 1

204





pp

pp

pp

 

  


  

 

 

 

209

Picc.

Fl. 1

Fl. 2

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

210

211

      

 a2                       ff

     

ff

    

        

marc.

f

Bsn.

1 2

  

  Eb Alto Sax. 1  Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.



Bb Tpt. 1 Bb Tpt.

2 3

F Hn.

1 2

F Hn.

3 4

Tbn. 1 2 Tbn. 3

Euph. Tuba

S. Bass



ff

a2

        ff           

 

       

f

     

     

fff

fff

    

fff

fff



ff

       ff

 





 



 

  

    

 

                

f

f

sfz

 

 marc.





  f      

f

      

          

 

open

      

marc.

f

marc.

           

f

       

     TOMS       Perc. 3        B.D. f Perc. 2

fff

                 f sfz marc.     

             

 

 

a2                 ff                     

   

marc.

  

 Timp.  Perc. 1

ff

 

a2

     

     

ff

fff

     

ff

     

     

ff

fff

     

       

   213  214  

212

ff

       ff        

ff

 

            33

     

sfz

 

        ff       

             



a2                ff                

ff









             

  

          


               

    Picc.    f    Fl. 1    215

f

Ob.

  

Bb Cl. 1

f

  

f

Bb Bs. Cl.

1 Bsn. 2

f

Bb Cl. 3

  

Bb Cl. 2

  

 

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

 

 

Perc. 1

cresc.

 







         









      

 

                

   

   

(Xylo.)      f

 Perc. 2      (Toms)  Perc. 3    (B.D.)

 

ff



  

       

  



 

                                  cresc.             cresc.

 Tuba   

Timp.

                    

 

   

S. Bass

cresc.



3 F Hn. 4

Euph.

             cresc.             

 

 



 

                      

  

2 Tbn. 3

cresc.

 



1 F Hn. 2

Tbn. 1

      

  

             

   

             

2 3

               

               



Bb Tpt.

220               

219

                        cresc.                            

cresc.

 

               

cresc.

                                                 

   Eb Alto Sax. 1  Eb Alto Sax. 2

               

                                          

 (a2)      f

1 2

216

                         

f

     

Fl. 2

218            cresc.             cresc.            

217                

f

       

f

 

f

 



  

(Chimes)

 

  



  

f 2.



 

    

      

  

     







+3.







 

cresc.



cresc.

  

cresc.

 

 

 

 

cresc.

   

 







  

  















 

 



 

 

ff

 

 

 

cresc.

 

cresc.

  



cresc.                                       cresc.



cresc.                                    

                 

cresc.

f

    

  

 Toms to Cr. Cym.      34

 

 

  

  

 

  

 


  Picc.  

                      ff                       ff                      ff                                    ff             222

221

Fl. 1

 

Fl. 2

 

Ob.

 

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

2 3

ff

                        ff                         

ff

   

 

    

3 4

 

a2

F Hn.

Tbn. 1

  

2 Tbn. 3

  

Euph.

 

Timp.

      



Perc. 2

Perc. 3



fff

              

   

 

   

   

    

 



 

    

   

   

 



 

    

  

            

              



 





 



  

ff

  

CRASH CYM.

        

 

 

  

ff

    

  

fff

    

  

  

    

 

 

  

fff



 

 

 







 

  

                           

  

  

 35

   



ff

    

    



ff

ff

ff

   



  

ff

   

ff

           

 



 

   

 

  

    



  

  

  

 

   

    

  ff  

(B.D.)



   

ff

  



                 ff            

    



   

ff

Perc. 1



  ff  

ff

   

226

ff

  



                          

fff

 

    

 

a2

225

ff

 

224                                                                                                                                                           

     

1 2

S. Bass

fff

F Hn.

Tuba

 

ff

 

223



 

 

   

 

  



 

 

 

          

 

   

  

 

   



  

 

    dampen!

    

     

   

    

  

  

     

         



     

  

   

    

    

            

  

   


   

    227

Picc.

Fl. 1

Fl. 2 1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

mp

   

  

mp

   

  

mp

1 2

Bb Ten. Sax.

Eb Bari. Sax.

2 3

    

    

       

    

    

   

mp

mp

mp

    

 

        

  

   

   



p

p

   



 

    

p

p

ffp

p





 

       

      

            

            





   

   





        p

S. Bass

 Timp.

p

     

(Chimes)

Perc. 2

Perc. 3





p

                

                

ff

                  

ff







  

 

  

  

     

  

a2





 



 







 



 



ffp



ff



















ff

ff

       

 dampen!

                               f

(B.D.)

ff

dampen!

     f

36

                        

ff to S.D.

ff

        





ff





a2



a2

 

ffp

ffp





a2



    

mp

 

ff



2.



ff

    

      

ff

ff

  

(Xylo.)

Perc. 1







 

 

p



                                                  ff                             ff                       ff                   

                         

             

             



a2

ff

                       ff                                          ff                                           ff      

p



    

p

Tuba

ff

mp

p

Euph.

      ff  

       



2 3

    

3 F Hn. 4

Tbn.

   

ff

    



Tbn. 1

230

   

       

1 2

F Hn.

   

    

 Bb Tpt. 1  Bb Tpt.

    

   Eb Alto Sax. 1  Eb Alto Sax. 2

      229  

  

p

Bsn.

   

228

ff


    Picc.   231

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

                  

Bb Cl. 3

     

Bb Bs. Cl.

  

Bb Cl. 2

Bsn.

1 2

    

    Eb Alto Sax. 1     Eb Alto Sax. 2     Bb Ten. Sax.     Eb Bari. Sax.   Bb Tpt. 1

Bb Tpt.

F Hn.

 

  

1 2

 

ff

a2

     

     

      

      

      

      

   

3 4

Tbn. 1

Tbn.

2 3

Euph.

Tuba

S. Bass

 

ff

fff

ff

          

fff

Perc. 2

Perc. 3

      

 

 

  

 

  

 

  

 

         

     

  

  

      

       

  

ff

  

S.D.

mp

  

 

 

       

        

 

 

ff

  

 

  

   

  

  

  

       

(B.D.)

37

   

ff (Cr. Cym.)

 

ff

  

ff

      

  div.  

div.



div.

    

    



   

     

 

            ff      ff    

secco

f

     

      

  

     

  

        

 

   

ff

 

 





 



      

a2

ff

   

    

 

  

  

    

          

         

234

 

     

            

 

233

                

  

 

        



 Timp. Perc. 1

ff

 

 

     

                           

   

ff VI

232

                                       

  

   

     

      

ff

F Hn.

     

2 3

     

  

       

                   

 

  

            

 

      

     

 



  

              

August 6, 2014 Pasadena, CA


.


Learn about Frank Ticheli’s newest works, events, CDs, DVDs, books, and hear complete recordings at

www.FrankTicheli.com “The Official Source for the Music of Frank Ticheli”

Gg


.


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PRESERVING OUR MUSIC I T I S I M P O R TA N T T O P R E S E R V E O U R M U S I C A L H E R I TA G E F O R F U T U R E G E N E R AT I O N S

Acidic paper has been in widespread use since the turn of the century, and has become the bane of archivists, librarians, and others who seek to preserve knowledge intact, because it literally will self-destruct as it ages. Some paper, only three or four decades old, already has become impossible to handle — so brittle it crumbles to the touch. Surely we do not want today’s music to be unavailable to those who will inhabit the future. If the music of the Renaissance had not been written on vellum it could never have been preserved and we would not have it today, some four hundred years later. Let us give the same consideration to the musicians in our future. It was with this thinking that Manhattan Beach Music in 1988 first addressed the needs of the archivist by printing all of its concert band music on acid-free paper that met the standards specified in the American National Standard for Information Sciences — Permanence of Paper for Printed Library Materials (ANSI Z39.48-1984). The standard was revised on October 26, 1992 to include coated papers; all of our new editions and reprints of older editions meet this revised standard. With proper care and under proper environmental conditions, this paper should last for at least several hundred years.

Technical notes: Paper permanence is related to several factors: The acidity or alkalinity (pH) of the paper is perhaps the most critical criterion. Archival paper (also known as acid-free paper, alkaline paper, and permanent paper) is acid-free, has a pH between 7.5 and 10, is tear resistant, has an alkaline reserve equivalent to 2% calcium carbonate (to neutralize any acid that might arise from natural aging of the paper or from environmental pollution), and contains no unbleached pulp or groundwood (no more than 1% lignin by weight). The specific standards summarized here are set forth in detail by the National Information Standards Organization in American National Standard Z39.48-1992. For more information, contact: NISO, 4733 Bethesda Avenue, Suite 300, Bethesda, MD 20814, http://www.niso.org/

This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper)

BOB MARGOLIS — PUBLISHER N E I L R U D D Y — C R E AT I V E D I R E C T O R COFOUNDERS P R I N T I N G : C H E R N AY P R I N T I N G , I N C .


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Dancing on Water Frank Ticheli C

O

w w w w w w

N

C

E

R

T

B

A

N

D

. Fr a n k T i c h e l i .

c o m

. M a n h at ta n Be a c h M u s i c .

R a i s i n g A m e r i c a n

T h e

S ta n d a r d s

C o n c e rt

A l l

O v e r

B a n d

t h e

o f

a n d

W o r l d

c o m

t h e B a n d s

Dancing on Water for concert band by Frank Ticheli  

Dancing on Water for concert band by Frank Ticheli complete conductor score

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