Dancing on Water for concert band by Frank Ticheli

Dancing on Water C O N C E R T

B A N D

Frank Ticheli

Manhattan

Beach

Music

Recording Credits for Dancing on Water: Performance by the Austin Symphonic Band, Richard L. Floyd, conductor

This virtual conductor score and recording are designated “private,� and any publication or distribution beyond the web sites of Manhattan Beach Music without its permission is prohibited.

F RA N K T ICH ELI

DA NC I NG ON WAT ER F O R

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T

C O N C E R T

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M

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B A N D

T A T

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1 Full Score

3 Eb Alto Saxophone 2

3 Euphonium B.C.

1 Piccolo

2 Bb Tenor Saxophone

2 Euphonium T.C.

4 Flute 1

1 Eb Baritone Saxophone

4 Tuba

4 Flute 2

3 Bb Trumpet 1

1 String Bass

1 Oboe 1

3 Bb Trumpet 2

2 Timpani

1 Oboe 2

3 Bb Trumpet 3

2 Percussion 1

4 Bb Clarinet 1

1 F Horn 1

4 Bb Clarinet 2

1 F Horn 2

4 Bb Clarinet 3

1 F Horn 3

3 Bb Bass Clarinet

1 F Horn 4

1 Bassoon 1

2 Trombone 1

1 Bassoon 2

2 Trombone 2

3 Eb Alto Saxophone 1

2 Trombone 3

Xylophone, Vibraphone (motor off)

3 Percussion 2 Snare Drum, Ride Cymbal, Tambourine, Marimba, Glockenspiel, Chimes

4 Percussion 3 (Two players) Cabasa, Vibraslap, Woodblocks (piccolo and med.), Suspended Cymbal (med. lg.), Crash Cymbals, Bass Drum (lg.), Tam Tam (lg.), Tom Toms (3)

P R I N T E D O N A RC H I VA L PA P E R

Gg

Manhattan Beach Music 1595 East 46th Street Brooklyn, New York 11234 Web: www.ManhattanBeachMusic.com E-mail: customerservice@manhattanbeachmusic.com Voicemail: 718/338-4137

M A N H AT TA N B E AC H M U S IC

.

D A N C I N G

O N

WAT E R

Commissioned by the Austin Symphonic Band in honor of Richard Floyd on his 25 years of service as their Music Director

P R O G R A M D A N C I N G

O N

WAT E R

N O T E

is a joyous tribute to my longtime friend and colleague,

Richard Floyd, and is partly inspired by Dick’s love of sailing. The work begins as an exuberant dance expressing feelings of unabashed joy. Imagine images of the sea on a perfect morning. This dance gives way to a heartfelt song played broadly in the horns and euphonium, supported by a playful background of crisp 8th-notes derived from the opening dance. This “song and dance” might have been sufficient as the work’s material, but in the very center of the work appears something new — a kind of oasis, perhaps an island — a soulful interlude marked by mysterious solos and duos in the alto saxophone and clarinets. Then the work proceeds in reverse, suggesting an arch form, a return home by the same pathways, but with one final surprise: a massively full-throated coda, signaled by the horns, lifts the exuberance and majesty to new heights, driving this water journey to a powerfully exalted finish. R E H E A R S A L

N O T E S

A-Section (Bars 1-60): The accents and staccato markings are vital for enhancing this section’s bright, dance-like quality. They should be somewhat exaggerated by the players, but within the bounds of good taste. Rhythmic clarity is equally essential in this section.

The staccato marking at the end of bar 48 must be observed by all, so that no player sounds across the barline, thereby energizing the silence at the downbeat bar 49 and the subsequent entrance.

B-Section (Bars 61-109): The horns and euphoniums and later the trumpets sound the lyrical

theme that comprises most of this section, and they should play the melody with a gentle, cantabile quality. The melody is supported by crisp, playful reminders of the dance-like music from the

first section. For this reason, there must be no change in tempo throughout this section. Because of

the lyrical foreground, conductors may be tempted to slow down. They should not succumb to this temptation.

C-Section (Bars 110-138): This section requires the most sensitivity and subtlety of all. The

undulating passages in the woodwinds and mallet percussion should always sound distant, lightly floating in the background, never interfering with the soloists. The alto saxophone solo is soulful

and longing in quality, and while it may be played with a slight bit of rubato, the player should not stray too far from the notated rhythm (as it is already notated in a somewhat free fashion).

In comparison to the alto saxophone solo, the clarinet solo beginning at bar 123 and clarinet duo

beginning at bar 127 should be played somewhat more assertively, perhaps more passionately, although maintaining the soulfulness established by the alto saxophone. Because the two clarinet

soloists have an intricate rhythmic relationship with one another, they should probably adhere fairly strictly to the notated rhythm (although, again, a subtle bit of rubato playing style might also be acceptable).

As in the previous section, conductors may be tempted to move more slowly than this section’s

indicated tempo of quarter-note equals ca. 92. As before, this temptation should be resisted, mostly because of the metric modulation that occurs at bar 139 (where the triplet 8th-note equals the subsequent regular 8th-note). In order to nail the new tempo at bar 139, the previous section can not drag below its marked tempo.

B1-Section (Bars 139-172): If the metric modulation is handled well, the listener will scarcely

notice that a much faster tempo has suddenly ensued. The lyrical theme returns in the low brass, once again accompanied by light, playful reminders of the A-section. But this time, the section is shortened considerably, driving to the reprise of the opening material.

A1-Section (Bars 173-190): The return of the opening material bursts out dramatically and

exuberantly; once again, rhythmic clarity, crispness, and intensified articulations are key to the desired dance-like quality.

Coda (Bars 191-234s): The horns triumphantly announce the coda with their overlapping chords.

Horns must play here with great power and confidence. This is crucial to the success of the coda. If necessary, horns may play with bells up to increase their volume and intensity.

In counterpoint to the horns, trumpet fanfares and faster-paced woodwind passages (all derived from the A-section) sound majestically and aggressively, and drive the coda to its exalted climax.

F R A N K

PA S A D E N A ,

T I C H E L I

C A L I F O R N I A

.

F RA N K

T I C H ELI

WO R K S F O R CO N C ERT BA N D FRANK TICHELI’S WORKS FOR CONCERT BAND ARE PUBLISHED EXCLUSIVELY BY MANHAT TAN BEACH MUSIC

Abracadabra (5 minutes, grade 3) Amazing Grace (5 minutes, grade 3) Amen! (3 ½ minutes, grade 2) An American Elegy (11 minutes, grade 4) This work is also available as An American Elegy for orchestra

Angels in the Architecture (14 ½ minutes, grade 5) Ave Maria / Schubert (4 ½ minutes, grade 3) Blue Shades (10 minutes, grade 5) This work is also available as Blue Shades for orchestra

Cajun Folk Songs (6 ¾ minutes, grade 3) Cajun Folk Songs II (10 ½ minutes, grade 4) Concerto for Clarinet and Wind Ensemble (21 minutes, grade 6) This work is also available as Concerto for Clarinet in an edition for Solo Bb Clarinet and Piano

Concerto for [Alto] Saxophone and Wind Ensemble (21 ½ minutes, grade 6) This work is also available as Concerto for Saxophone in an edition for Solo Alto Saxophone and Piano

Dancing on Water (8 minutes, grade 4) December Snow (2 ¼ minutes, grade 1) Earth Song (3 ½ minutes, grade 2) First Light (3 minutes, grade 1) Fortress (5 ½ minutes, grade 3) Gaian Visions (9 ½ minutes, grade 6) Joy (2 ½ minutes, grade 2) Joy Revisited (3 ½ minutes, grade 3) Korean Folk Songs from Jeju Island (10 ½ minutes, grade 4) Loch Lomond (6 ½ minutes, grade 3) Nitro (3 minutes, grade 4) Pacific Fanfare (5 ½ minutes, grade 5) Peace (3 minutes, grade 1) Portrait of a Clown (2 ¾ minutes, grade 2) Postcard (5 ¼ minutes, grade 5) This work is also available as Postcard for orchestra

Rest (8 minutes, grade 4)

This work is also available as Rest for string orchestra

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Shenandoah (6 ½ minutes, grade 3) Simple Gifts: Four Shaker Songs (9 minutes, grade 3) Sun Dance (5 minutes, grade 3) Symphony No. 1 (31 minutes, grade 6)

Movement 1, “Of Youth,” Movement 2, “Of Wisdom,” Movement 3, “Profanation,” Movement 4, “Prayer”

Symphony No. 2 (21 minutes; mvts. 1 & 2 are grade 6, mvt. 3 is grade 5)

Movement 1, “Shooting Stars,” Movement 2, “Dreams Under a New Moon,”and Movement 3, “Apollo Unleashed” may be separately performed

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Commissioned by the Austin Symphonic Band in honor of Richard Floyd on his 25 years of service as their Music Director

DANCING ON WATER FOR CONCERT BAND

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Bb Clarinet 1

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FRANK TICHELI

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          

Copyright © 2015 Manhattan Beach Music - All Rights Reserved - Printed and engraved in the United States of America ISBN 1-59913-164-1 (complete set) ISBN 1-59913-165-X (conductor score) Visit www.FrankTicheli.com for the latest information on the music of Frank Ticheli Purchase music, download free MP3s, view virtual scores and more at www.ManhattanBeachMusic.com







 

  

 

  Picc.   7

                     

Fl. 2

Ob.



       

Fl. 1

1 2

Bb Cl. 1

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Bb Cl. 2

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Bb Cl. 3

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Bb Bs. Cl.

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1 2

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Bb Ten. Sax.

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Eb Bari. Sax.

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Bb Tpt. 1

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f                           



                                                                                 mf                            

 



  Eb Alto Sax. 1  Eb Alto Sax. 2

8

            

  

           

   

mf









a2                mf                    mf                  mf                     mf                 mf

      

                  

 

               

 

            mf                                                                                                           







 



 







 



 







 



 







 



 

1 2

 



3 F Hn. 4





Tbn. 1

 









2 3

 











Euph.

 







Tuba

  











S. Bass

Timp.

 







      

(Tri.)

      f

  



 



pizz.



f



Perc. 1







Perc. 2

 

















mf



 



 



 



 



 





               

(Cabasa)

f

2

 

         f

       

 

 

       

arco



mf

        

 

Perc. 3

       

st. mute



 

           mf



F Hn.

Tbn.



               





 

               

2 3

f

 



Bb Tpt.

(1.)



                



     

 

                 



        

12



 

 

 

 



 

 



 

 



 

                  

       14                Picc.   f                     Fl. 1   

13

 

                      f                            f

Fl. 2

Ob.

1 2

f

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

     





     



      sfz       sfz

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

    

      

1 2

3 F Hn. 4

Tbn. 1

2 3

Euph.

Tuba

Tbn.

S. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3

     

      sfz



































                                          



























































                            sfz                                         sfz                                                                                                                      

                                                                



a2





a2

   mf

      mf                  















   















   





























      



sfz

  

     

    

f

      

 



 

  

                      



           mf

sfz

 

sfz



  

sfz

 



                         f     

   

                                                                                                           

     



f

F Hn.

                                         





sfz

2 3



19



                   Bb Tpt. 1      Bb Tpt.



 18          



f

     



17



  sfz  a2      1    Bsn. 2     

    Eb Alto Sax. 1     

16     15           

  

  

   

 

  





























3



   

                      f

    









 

 21  20         Picc.                     Fl. 1                Fl. 2   1 Ob. 2



22

               

                               

   

 

   

    

    











Bb Cl. 3









Bb Bs. Cl.









Bb Cl. 2

1 Bsn. 2







Bb Cl. 1

              















 

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

2 3

F Hn.

1 2

3 F Hn. 4

Tbn. 1

Tbn.

2 3

Euph.

  



 

  



S. Bass

 



Timp.

Perc. 1

Perc. 2

Perc. 3

f



mf



f



                  p

f

4

 



 



 



 

                      2.

mf

                      



 



 



 



 



 



 



 



 



 



 

         



mp

    mp



mp

mp

   mp

           



 



 

mp

mute out

        

   



   



 

 

Solo

mf

 

 



 



 



 



 



 



 



 



 



 

     



   



   



     



   mp



mp



        

        



 

   



  



  p

 

  





   



 



  

  



mp SNARE DRUM (light sticks)  

 



  p

           





    



 

     

mp

 







   

     



 

 

   mp



                 

   

        





3.

 

             



  

mp

     

                  

   





 

 



 

ff



mf



      

       26      

 

 

   mp

  

   

mp



Solo

  







25

                      







 



 

      







     











   



 

 



  

WOODBLKS.

mf



  

(Tri.)





   

        (Xylo.)        



 



                                                                   f                                  f                                      f  2.                 mf f                 

Tuba



mf

                       

mf

24

mf

                        

  Eb Alto Sax. 1  Eb Alto Sax. 2

23





     



    

   



    

    



 

      mf

 

 



 

   

   

      

 

  



 



 

 

  Picc.    27

28

 



29

 



Fl. 1

   



 



  

Fl. 2

   



 



 

1 2

  



 



 

Ob.

       

Bb Cl. 1

mf

         

Bb Cl. 2

 

Bb Cl. 3

 



       

         

Bb Bs. Cl.

1 Bsn. 2



   

mf



   

     Eb Alto Sax. 1       

Bb Tpt. 1

   

    

         1.                 mf

mp

 

  

1 2

  



 

3 F Hn. 4

  



 

Tbn. 1

  



      

Euph.

Tuba

F Hn.

Tbn.

2 3

S. Bass

Timp.

  

   

                   

 



 



       



 



        



 



   



 



 



 



 



 



 



 



 





 



   



  

  

     

Perc. 3

   



  



 

  



 



 

 



 

 



 



 



 



   



 

  

 

    mp           mf        

 



     

       

 



  

       



     



mf

    

  

 

 

 

  



 

 

    

    

 



 



 

 



 



 

 



 



 

        

 



 

        

 



 

   

        

   

   Solo



mf

2.                                                                      mf                                  



Perc. 2

 

mf



                          

 

Perc. 1



   

  

 

  



  



      

        

33 Solo  

 

 

    



 





1.               



  

 

32



  



        

   

 

 

 



mf

 

 



 



mf

 

       

  

sf

      



     



 

mf

 

mf



31

1.

   

mf

 

 



    



              

2 Bb Tpt. 3

 

 



         Eb Alto Sax. 2      sf mp              Bb Ten. Sax.                sf mp                      Eb Bari. Sax.              



     

 



  

30

                

mf

        



 





 



 



 



     



    

      



    



       

  



     

 a2          

mf

 



    



    



 





 



 

 



 



 

 



    



 



5



  





  

  

 

 



  



    

               

    



     



               

  



 



    

          mf





   





  

  

 

 







 

   



 



   

   

34   Picc.   

  

35

     



36



Fl. 1

  



 





Fl. 2

   



 





1 Ob. 2

  



 

Bb Cl. 1

 



      

Bb Cl. 2

 



 

Bb Cl. 3

 



 

Bb Bs. Cl.

  

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.



    

      



 



      Eb Bari. Sax.    Bb Tpt. 1

2 Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

Tbn. 1

          

    



Tuba

    



S. Bass

    



Timp.





     

  

Perc. 1

  

Perc. 2

    

  Perc. 3    

(Woodblks.)

       



                   





    





      





 





 



                

      

               

 



            

  



      

   

 

 (Xylo.)



f

    

   

                       1.

        f     f    

                      cresc.

    

cresc.

mf

 

  

    

   

mute out

f

    



    

   



 

                    

          



 



 



     



    

 

 

       

     

 

       

  

 



                 

   

   



    

 

   

cresc.

           

 

  

  

                   

to Timpani

                 

  

    





 6

   

         



mp



 







 

 



 



tutti           







 







 







f

    







   

  





         pizz.         



f

 

f





 

  

 



  

               

   



   

   



RIDE CYM. (keep light sticks)

    



 





     



        40   

39

     



 

38

  

    



mp

f

       



    



       

   

  

   



 

 

        

(S.D.)

   



(3.)

(Tri.)



  

mp



Euph.



f

        

                

   

  

          





mp

      

   

      

    

     

     f    f      f a2





  

mute out

  

       

mp

          

2 3

Tbn.

  





mf

        mf           

37

 

  

 



 





 



 





 

 

    



      mf

   



   

            

41 42        Picc.           Fl. 1     Fl. 2

  



1 2

   



Bb Cl. 1

 



Bb Cl. 2

 



Bb Cl. 3

  



 



Ob.

Bb Bs. Cl.



43

 



 



 

       

       

Bb Ten. Sax.

       



 



 

       

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

2 3

1 F Hn. 2

F Hn.

3 4

Tbn. 1

Tbn.

2 3

Euph.

      

f





2.          open

  

f



Perc. 1

Perc. 2





 









          

 



           

  

p cresc.



 





 











 

        

 

  

                     

 



 









 

















 



 

                

         2. ff      











               

               



 



 

 to Tambourine      





















 







 

p

 

   





        ff

TAMBOURINE         

f

 



 

                Perc. 3                                    7

f

                       f              

 

      

ff

 

 

      

     a2                          ff                  f                               f   a2                                  f                              



 

 open

f

 





                     



 



ff

ff

 



               





f

ff











 

 



               

                      



mp

              p cresc. open                                             mf  a2                                             mf                                              





           ff            ff            ff a2           ff            ff            ff             ff         f         

49

                               mp               mp              





 



 



48



                   

 

        



  Tuba                     S. Bass    Timp.





 

                 

2.



  

       





 

  

  



       

      

  

  

 

1.

                        Eb Alto Sax. 1      

 

2.

1 2

Eb Alto Sax. 2





a2

Bsn.



    45    46    47                                 

44

ff



  

mf

50      Picc.  Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

sfz

     

     sfz        

        

   



  





sfz

   

 

  Eb Alto Sax. 1  Eb Alto Sax. 2

51

     

   1     Bsn. 2  

Bb Bs. Cl.

     sfz     

     

sfz

       

sfz

 52                                                            

53

                                      

             

                         

                 sfz                                                         



          

55

54                      

                     



                          

                                                     

       

                     























cresc.

















                              

Eb Bari. Sax.



Bb Tpt. 1



 







     

Bb Tpt.

2 3



F Hn.

1 2

      

F Hn.

3 4

Tbn. 1

Tbn.

2 3

Euph.

    





ff

Timp.

Perc. 1

                           

sfz

f

sfz

f

sfz

f

                                                 

          

       

                         

f

  



arco





  

(Xylo.)

 



 

                      

  

mp

ff

mf

ff



       

   

      

   

       





























      

   

        



                     









               













cresc.

























     



cresc.

  

cresc.



    

        



                 

f

ff

Perc. 3

ff



     

(Tamb.)

Perc. 2

                              



                           

 Tuba    S. Bass



                



cresc.

                                





              

                     

ff

Bb Ten. Sax.

        



ff



       





mf

cresc. TIMPANI

 

 mp cresc.      



                 mf

     

ff

   to Marimba   ff

 8

 

 

            















   56

Picc.

  

Fl. 1

    

Fl. 2

Ob.

  

57                          

      

 

Bb Cl. 2



    



 

Bb Cl. 3

Bb Tpt. 1

Bb Tpt.

    

        



     



 







2 3



3 4





Tbn.

Euph.

Tuba

S. Bass

Timp.



 

 

 

   

 



       

Perc. 1

Perc. 2

  







  





a2        



   f

    





 





 



   

     

   

     

   



    









cresc.







  

     

 

   



  



                                               



 





 



SUS. CYM. (yarn)



BASS DRUM

9

ff

  ff   ff

 

p           p

       

  ff  ff

                

 



                ff          ff

 

  ff

  

     

ff

div.

         

   ff  

 

   

 









 

 

   

ff

  

ff





ff





    l.v.







to Triangle

       

ff MARIMBA

       

   l.v.     l.v. ff





f



  







f



  

  



 



 



ff



f

                                    

 

 

ff

 

f



   

f



   



  









 

  

 

         

                            

f





 





   



                   f                                   

     



                                



   

 

 

        

                                                                   

     

  

f

60                61                                          ff                ff                                  59                    

 

  

  

Perc. 3

     

58



                                          

             

2 3

   

 





Tbn. 1

   

   



1 F Hn. 2

F Hn.

   

           



       

Bb Ten. Sax.

   

         

  

    

Eb Alto Sax. 2

Eb Bari. Sax.



          

 

Bb Bs. Cl.

Eb Alto Sax. 1

 

             



1 2

   

                

1 2

Bb Cl. 1

Bsn.

   

ff



   62

Picc.

Fl. 1

Fl. 2

          



Bb Cl. 1





Bb Cl. 2



  

Bb Cl. 3



Bb Bs. Cl.



  

1 Bsn. 2

  

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

F Hn.

F Hn.



2 3



1 2



3 4



 



p





mf

  



p



  

mp

to st. mute

   

 

1.

 to st. mute    

p



 

 

mp



  

 



  







                 mf                    mf

  



  

             

 





































a2 cantabile





poco cresc.





mf a2 cantabile

mf

poco cresc.



cantabile



 Tuba       p      S. Bass 

poco cresc.



mf



















 

Timp.





     p  

p

68





Euph.







2 Tbn. 3



                          



 

Tbn. 1

67



2.



                   mp            





mf





66



                                            mp mp                         mf                       mf                   



p

           

65







   Eb Alto Sax. 1  Eb Alto Sax. 2

mp



  

64



                                 mp                                    

 

1 Ob. 2

63



































 

 p



p













 



 



mf

mp

 

mp





 mf



p





mf









p











 











poco cresc.



 



poco cresc.



mp



poco cresc.



mp





  

                                                               (Xylo.)

Perc. 1

mp

Perc. 2

Perc. 3

mf

 (Mar.)                                                         mf mp











10







  Picc.    69

Fl. 1

Fl. 2

1 Ob. 2

   

 

mf

   

70

   



       mf              mf

 1.            

        

    

Eb Bari. Sax.

Bb Tpt. 1

2 Bb Tpt. 3 1 F Hn. 2

F Hn.

3 4

































 



 

2 3

 

Perc. 3

     

st. mute

mf

p



p



mf





          











    

 



 





mf







                



mf

poco cresc.





mf



















  

 













 

              VIBRASLAP    11





   



f





 



 



pizz.

mf

      

mf

        mf

 







 

arco

           

 

mp



  









mf

               

f

mf

mf



mp



mf









mf

poco cresc.

 

  







mf

 





mp

       

         





f







 





         

mp



p

 



mp

TRIANGLE

   









  













    



   

st. mute

 







p













 



          













p

  

 







 Timp.

Perc. 2





 Tuba   

Perc. 1







 

 

S. Bass







 

Euph.





Tbn. 1

Tbn.

  

 

       



  



mf

f









           

a2

   

f





Bb Bs. Cl.

Bb Ten. Sax.

















p





Eb Alto Sax. 2



 



Bb Cl. 3



 



  

  









mf

 





p













Bb Cl. 2

   Eb Alto Sax. 1 

    

     

 







1 2



73         74        



Bb Cl. 1

Bsn.

          

72



            

mf

           mf

      71      

    

ff



mf

 



75 76       Picc.      Fl. 1  

 

Fl. 2

Ob.







Bb Cl. 1



Bb Cl. 2





Bb Cl. 3

mf



Bb Bs. Cl.

  



 

  

  



mf



Eb Alto Sax. 2



Bb Ten. Sax.

 

F Hn.

3 4

Perc. 1

Perc. 2

Perc. 3





   

   

mf

         

mf

  

   





mf

  









 

 



 

 





  

 

mf

     













dim.



  





 













 



(Xylo.)

(Tri.)

































poco cresc.





mf

poco cresc.









12







 

p











              



p



                          





p





mp









         





mf



poco cresc.



    



mf



   







mf



p

 mf

   







   

    

mp



mute out



        



 





dim.

dim.



 









mf













mf

mp



                

   

          







mf

    

mp 1.





dim.





    

          



                



                            (Mar.) mp                             mp









dim.











                                                  







 

   

 



 









81



                   

  

        





1.



80

                

 



79



    

  

mf





mf



 



  



 

Euph.





   

2 Tbn. 3

Timp.

  

  

 

Tbn. 1

S. Bass



mf

       mf                               



1 2

Tuba

 

 

2 Bb Tpt. 3

F Hn.







fp

Bb Tpt. 1



         



      Eb Alto Sax. 1 

Eb Bari. Sax.

78

  1.                  2.           

1 2

1 Bsn. 2

fp



77



 mf

   





(Vibraslap)

ff

            82

Picc.

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

84



         

85







                                                            



Bb Cl. 2



  

Bb Cl. 3



  

Bb Bs. Cl.

83

  

           









       86         mf                mf                    

mf



        mf

     



 

      

Eb Alto Sax. 2

      

   



mf



 

 



  



p



                          Eb Bari. Sax.  

Bb Ten. Sax.

Bb Tpt. 1

2 Bb Tpt. 3

1 F Hn. 2 3 F Hn. 4

Tbn. 1

2 Tbn. 3

Euph.

Tuba

S. Bass

Timp.



 















 



 







mf

poco cresc.





mf

 

 

 











      



   



 









    



  

  



    

  



 



   





      

     

 open



  







mf



 mp



mp





























Perc. 2

 







    









    mp



mp



SUS. CYM. (yarn)



13



mf







 





 



p





   

p







p

              

    



mf

   

f



mf



 

p



mp



mf

 





mf





cantabile, bring out

mf           mute out                    



 









 



mf



Perc. 1

Perc. 3









mf

 



  







  

mf

 



mf







           mf                                            

  

   





poco cresc.



       







 





p



  





   



                               

  



                     1           Bsn. 2   Eb Alto Sax. 1



     

88

                              





 87           



    

              



  Picc.   

89

Fl. 1

  

Fl. 2

 

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn.

1 2

mf



mf

  

a2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

2 Bb Tpt. 3



mf





          

    

mf

  



      

   



mf

   

mf

 

  



mf



 



 







 



mf





   



    

92 93      

    

    

     





             

   

 



  



       



      



             

    

mf

    





 

    



mf



 

 



   





                      mp









                            mp 























    











 









    

















94



    



















    91





    mf     







   Eb Alto Sax. 1  Eb Alto Sax. 2



   90



                       mp

 





















F Hn.

1 2















F Hn.

3 4

















Tbn. 1

 

2 Tbn. 3

  

mp

mp





 



Euph.

 





Tuba

  





S. Bass

Timp.

  



mp



Perc. 1

 

Perc. 2

 

Perc. 3











mp

 





mp















 14



 

  











 (Xylo.)

 



to Timpani











mf







 







       

  

        mp 



mp (Mar.)



 



  



 

   100        101                      mp                                                                                               

  Picc.   95

Fl. 1

97       98       99        

96

Fl. 2

 





1 Ob. 2

 





Bb Cl. 1



Bb Cl. 2



Bb Cl. 3

Bb Bs. Cl.

Bsn.

1 2

Eb Alto Sax. 1



mp



mp













     



  



  

 

     









mp

 









 mf



mf

     



  



















































































   



 

                        

2 3



F Hn.

1 2

 

3 F Hn. 4

  

Tbn. 1

 

2 Tbn. 3

      

 Tuba   





mf



mf

 

























mf

  







Bb Tpt.

Perc. 3











Perc. 2









Eb Bari. Sax.

Perc. 1











Timp.







Bb Ten. Sax.

S. Bass









Euph.







Eb Alto Sax. 2

Bb Tpt. 1

                            

mp















 





 









 

SUS. CYM. (yarn)

pp

 

gently

  



p

 



p

















 

 















p



p

































mf

mf

mp

 

mp







 mf









mp

mp











 p

  

p

 

                             p

  

mp

  

pp

15

 













rit.        103        104       105            Picc.   p                                Fl. 1  102

Fl. 2

  



  

2.







Bb Cl. 2





  

Bb Cl. 3





  

Ob.

1 2

Bb Cl. 1

Bb Bs. Cl.

Bsn.

1 2

Eb Alto Sax. 1





































































 





mp



p































































































   



 

 



1 2

 





  







 

mp







 









 









 

mp





mp







mp







mp



mp

 Tuba   

 

mf

 



 





mp







1. Solo



  

 





  







 



Hn. cue mf

F Hn.

Perc. 3









Perc. 2







2 3

Perc. 1







Bb Tpt.

Timp.

  

109



1.                               mp







S. Bass





108



Eb Bari. Sax.

Euph.





  



2 Tbn. 3



107



Bb Ten. Sax.

Tbn. 1









3 F Hn. 4



106



Eb Alto Sax. 2

Bb Tpt. 1

  

mp

mf

p





  mp



mp



 











 

 











 p

 

p





mp





















mp



p div.

 

p div.



mp

p









































  

pp

to Vibes

                                  

(Mar.)

mp

16









pp

to Glock.

 

110 q = ca. 92

  Picc.   



  



Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn.

1 2

  

111

 





 

  

    

pp

 























Perc. 2

Perc. 3

  

3     

Solo misterioso



sf



    

mp





mf

  3

















































 















  











































   















   















    

















      



 







      

 



sul G

   

VIBES

Perc. 1





   

Timp.





  

S. Bass









Tuba





Eb Bari. Sax.

Euph.







2 3







 

Tbn.



 



p



Tbn. 1

mf





     

p

Bb Ten. Sax.

3 4

p





 



F Hn.

mf



     

  



p





 











1 F Hn. 2

Air only



116





   

2 3



115



  



Bb Tpt.

Air only



114







Bb Tpt. 1

113





    Eb Alto Sax. 1  Eb Alto Sax. 2

112



   

p







a2 Air only





p

mf

p

mf





 

 





mp







sul G

 gently

Air only





  



(sempre sul G)





    l.v.

mf

17



 











mp





TAM TAM (wire brushes) rustling





mp

 





 





 







 

  

mf

   117

Picc.

118



119



Two players only thru m. 141

120



3

3

3

pp

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 2

 

1 Ob. 2

 



















Bb Cl. 1

Bb Cl. 3

Bb Bs. Cl.

Eb Alto Sax. 1







3 3 3 3 3 3 3                                 3

pp















 



   

    

    





3

3

 

















 





Eb Bari. Sax.





3

pp

3

3











Solo



p

mfz

































2 3















F Hn.

1 2















F Hn.

3 4















Tbn. 1

 













2 3

 













Euph.

 













Tuba

 













S. Bass

Timp.



  







Perc. 1

  

Perc. 2

 

(Vibes)

Perc. 3





 

pp

ped. as slurred





mp



shimmering, distant

 



 

 





 

 



 

  

 





















18



mp

  

 





Bb Tpt.

Tbn.

f



3





 

       



mp

Solo 3



       

pp





Two players only





Bb Ten. Sax.

Two players only thru m. 137



  



                   

        







3





3





Eb Alto Sax. 2

Bb Tpt. 1



Two players only thru m. 137



Bb Cl. 2

122



                                                    

Fl. 1

1 Bsn. 2

121



3.

 

p

p div.

 

p pizz.

 

p



TIMPANI



 

p



TAM TAM (normal beater)





pp

dampen

  Picc.  

123

Fl. 1

Fl. 2

Ob.

1 2

pp

3

3

3

3

Bb Bs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

  







  



  

Eb Bari. Sax.



       mp 3

3



 pp





       3

mp



3

3

3



     3

3

 

  

3

3 3

  

sf

6



3

  

   

sf

 

 















 

        

     3

mf 3

 



  

   

   

























































pp



Bb Tpt.

2 3















F Hn.

1 2















F Hn.

3 4















Tbn. 1

 













2 3

 













Euph.

 













Tuba

  





































Tbn.

S. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3

 



                                         

p GLOCK.

3



 p 





 



   

 

 

3

3

               SUS. CYM. (yarn)



 19

  p

  

mp





One player only



3







pp

3

6

mf

 

3

Solo (duo with first player) 3



          

Two players only



 



p3

  

3 3

pp



           



    



sf

128



1. 3



           

p



f



           



  







3



127





     



Bb Ten. Sax.



3





Bb Tpt. 1

126

3







Eb Alto Sax. 2

3



Tutti Bb Cl. 3



3

 



Bb Cl. 2

125



                                

passionately

Bb Cl. 1 (divisi)

124



  3

   

   

   

   

    

  Picc.   129

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

 



3









3

pp

 

132



   

3

133



134



135







dolce

3



  







       dolce    3











  

mp















 



pp



























                   

Bb Ten. Sax.



Eb Bari. Sax.

  



   3   3





 3

3

mf





                pp











































































2 3

















F Hn.

1 2

















F Hn.

3 4

















Tbn. 1

 















2 3

 















Euph.

 















Tuba

  















S. Bass

 

















 Timp.



p

Perc. 3









 

                                                        3

3

pp

(Glock.)

Perc. 2





arco

(Vibes)

Perc. 1

   

      

Bb Tpt.

Tbn.

3

(Two only)







                  





  

3



  



     



mp



Eb Alto Sax. 2

Bb Tpt. 1



131

                             3 3 3 3 pp                            

 Bb Cl. 1 (divisi)

130

3

3

3

3

3

3

3

3

  

  

3

3

                                                     pp











20



pp





  Picc.   136



1 Ob. 2

3

 

pp





3

p

3

3

3



3







p

     























Bb Ten. Sax.



Eb Bari. Sax.

  

3



p





 











  









One only

3





Eb Alto Sax. 2

141







  Eb Alto Sax. 1 

140







Bb Bs. Cl.

= ca. 138



mp







3

      

3

3

3

3

3

3



Bb Cl. 3

mp 3

            



Bb Cl. 2

3

      3









mfz

Bb Cl. 1 (divisi)

Bb Tpt. 1

3

139

                                        



              

Fl. 2

138



3

  

Fl. 1

1 Bsn. 2

137

3 e=e q



3

3

3

3



               

Tutti

mp





















Tutti

                mp





pp



3













  

1.



                                       3

142





3

mp

       























































Bb Tpt.

2 3

















F Hn.

1 2

















F Hn.

3 4

















Tbn. 1

 











2 Tbn. 3

 







Euph.

 







Tuba

 





 























Perc. 1

           

   

       



Perc. 2

 

Timp.

Perc. 3





 



pp

 





S. Bass



pizz.

 



pp



p



  to Triangle

pp

to Mar.





























 

21

  







  



pp



mp

cantabile



mp



 poco cresc.

 

 poco cresc.

























to Sus. Cym.



TAM TAM



cantabile





  Picc.  

143

Fl. 1

144



145



         Tutti

mp

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

 

 



mp



 



 

 

  Tutti        mp

    



mf



mp



 

         

 







  

   

                           mp                                                         2. mp                                               



   



             

   







 



















 



















1 F Hn. 2













3 4















Bb Tpt. 1

Bb Tpt.

F Hn.

2 3



Tbn. 1

 

2 Tbn. 3

  

Euph.

Tuba

S. Bass

   p

       arco

 Timp.











p

p

Perc. 2

 

(Vibes)

Perc. 3



 mp   





mp

mp







  

 

 







unis.

  

Perc. 1

 





mp

 poco cresc.

  

poco cresc.









mp

mp



mp



   

 



    

Eb Bari. Sax.

     

 

mp



 

 

 

















 

            

 

   







mf

shimmering

 



 







      

          

         

mf



                       













p

  

p

 

 





















22







p

TRIANGLE

   

 

p



mp



   



  

st. mute



 

     





 



   









                  





Bb Ten. Sax.

 















Eb Alto Sax. 2



148

mf





  

   

 

                 mp

147

mp

Tutti

Tutti

        1     Bsn.  2  

Eb Alto Sax. 1



 



         



  

146



  Picc.   149

Fl. 1

Fl. 2

1 Ob. 2



151     



  







 

mp



Bb Cl. 2

   









  



 



  



3 F Hn. 4

Tbn. 1

2 Tbn. 3

Euph.



             

mf

               

 

a2

 

a2

 









mp

mp



      

mp



Perc. 1

Perc. 2

Perc. 3





  

    



p



fp

fp





 f



f



            

f

   



























     f

       

fp







                            









open

mute out







open



 



 

 



mf



mf



 













 



 







mp



  

mf

  

 f



 

 

  





mf



mf

      



mp





mp

 

 

f





f



mf



mp



 







f





mp

mp









 

to Xylo.   







 

  



p

 





MAR.

       





 23

SUS. CYM.





f

f



  



      



f

f

mf



mf



   f

  



mf



mf

  



fp

  

mute out

 

            

f







     

p

        



   f



mp



a2

                 



  



    









mp

Timp.







154



 

 Tuba    S. Bass

    



           



    153    



mp

st. mute



   152         



                  Eb Alto Sax. 2        Bb Ten. Sax.                       Eb Bari. Sax.     Bb Tpt. 1 

p



  Eb Alto Sax. 1 

1 F Hn. 2

   



  Bb Bs. Cl.                 1         Bsn.   2              

2 Bb Tpt. 3

p

                   

Bb Cl. 1

Bb Cl. 3

150



                  



155    Picc.    mf   Fl. 1   

    mf

Fl. 2

1.      mf

1 Ob. 2

     mf      mf

Bb Cl. 1



Bb Cl. 2



mf

   

   156



  



  



  



  

157

158







  





  













  

                                               

159



160

 

         mp             

     

 

                           

mp                                  mp         

Bb Cl. 3















Bb Bs. Cl.















  

















Bsn.

1 2

                   mf                  Eb Alto Sax. 2  Eb Alto Sax. 1

mf

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

 



 

 f

















 

 



Tbn.

2 3

Euph.

mf



   

 

  



Timp.

Perc. 1







  





p



  







mf

p

 





Perc. 3

















mf

mf



 



 

 

mp



 

mf











mp













mp









mf



mf















 









        

       









                                    (Mar.)

Perc. 2

p

 





mf

  



 

 

  

 Tuba    S. Bass





mp

 

  

 





 



 

  



1 F Hn. 2

Tbn. 1

mp









   



 

3 F Hn. 4

                        



2 Bb Tpt. 3

f

                               









 24

XYLO.

mp to Tamb.

  Picc.  







 







161

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn.

1 2

162

                 

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

F Hn.

2 3 1 2

3 F Hn. 4

Tbn. 1

Tbn.

2 3

Euph.

Timp.

Perc. 1

Perc. 2

Perc. 3

f

               

f











   

  





 



 

 









  

   

  





  



mp

  



mp











 



 



   

 mf



  

   



  

mf



mp







 

a2

 

 



Sus. Cym. (yarn)



p

mf

f

mf

f

mf

f

mf



f



  

 

 f





a2



 











f













p



         

















     mf

   



mp

 mf

  

mf

         

 





mf



mf



                     

  f





 

f

 

    

 















mf to Timpani

  





























25

 

             







 

  

                   







l.v.  

mf









f

 

f

f





    

 

f

mf

          mf f         

 

f

  

        

f

f



          mf f         

f





fp





   

        

    

 

                  







      

   

 





166

fp

     







   

165

   

     

 



  

 

  



    

                                             fp                  





  

 

f



    









f



  



f



 



   164

            f       







     





 Tuba    S. Bass

    f

   

  Eb Alto Sax. 1  Eb Alto Sax. 2

               

               



   

163

  Picc.   

      

   



  

        

    



  



167

Fl. 1

Fl. 2

mp cresc.

Bb Cl. 2

Bb Cl. 3



Bb Tpt.

    



  





 



  

2 3

 p

 p



Tbn. 1

 



2 Tbn. 3

   

Euph.

  

S. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3



  

                      

mf

cresc.



mf

cresc.

   

   



























mp



cresc.

 

mp

 









cresc.



mp



 cresc.   

 



 



 

mp

  

 cresc. 

 

cresc.





mp

 

                      

           

            







mf

















 

 

    

   

    

 



     



      

  



  





  

f

 

f







   

















cresc.





































mp

         

pp

ff

    



B.D.



    

   









TOM TOMS

ff





a2

ff

ff

         

  

 







         











cresc.



 mp



          





   

          



mf





     



         

   

   



p cresc.

 

cresc.

   

mp

p cresc.





   





p cresc.

  



cresc.



 

p cresc.

 

mf

           

mf



Tuba

cresc.

p



3 F Hn. 4







1 2

       

   



mf



   

mp cresc.

cresc.

mf

          



F Hn.

                   



Bb Ten. Sax.

Bb Tpt. 1

           

     



    

    

    

                





     

       



Eb Alto Sax. 2

    

mf cresc.

mf



mp cresc.



   

            

172                          

            

                

     



mf cresc.

171     

       



   Eb Alto Sax. 1 

     

    

   



    

mp cresc.

     

a2



mp cresc.

mf cresc.

170

   



     mp cresc.

    





Bb Bs. Cl.

Eb Bari. Sax.

169

      



Bb Cl. 1

1 2

mp cresc.

 

1 Ob. 2

Bsn.

168

26

 f

                                  f

173         Picc.   ff          Fl. 1               ff            ff

Fl. 2

Ob.

1 2

        ff

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn.

1 2



        ff



         ff







ff

   

   

  Eb Alto Sax. 1  Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

2 3

1 F Hn. 2

F Hn.

3 4







  

  

175





  



  

  





  



  



  



  

sfz

sfz

      

              



sfz

     

       

sfz

             

















p

ff

p

ff

p

ff

                   

p

ff

sfz



 

2 3

  

Euph.

  

  







3.

p

        p                       f                                mf f                               f

mf

   Tuba                          f  pizz.                      S. Bass   f    Timp.   XYLO.             Perc. 1     ff TAMBOURINE

Perc. 2



          mf SUS. CYM.

ff

mf

ff

     Perc. 3       (B.D.)

mp

        

mf

ff



mf



ff

  p

ff

 

   



    



      









                                



















   





         

f



          



a2                   f                

 

         

p

ff

         

p

ff

p

ff

                   

p

                 3.    p             p

ff

          p ff                 

4.

                   

       



    

                                     

 

ff

  

  



                  



ff

   

178



                                     

    

             2.              

         





ff

   

sfz





177                         

      a2      

         

                  



         









sfz

2. ff







sfz

      

  



  

     

     

176

sfz

                

Tbn. 1

Tbn.

f

 

    f  

174             













 choke   

27

f

             mf

ff



mf







     

to Mar.

ff





 

TIMPANI

ppp



 

choke          

p

f

181

                         Picc.     179

                              

Fl. 1

                             

Fl. 2

Ob.

180

                                

1 2

Bb Cl. 1



Bb Cl. 2



Bb Cl. 3



Bb Bs. Cl.



                                                                                             

 1    Bsn.  2    ff

Eb Alto Sax. 1

   

Eb Alto Sax. 2



Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1







2 3



F Hn.

1 2



F Hn.

3 4

Tuba

S. Bass

ff



 

Perc. 3



   

 

   



   

ff



ff











             

              

ff

   

 





 







     







       













            



 

    





























         

   

f



28

   

   

 

     

   

       

                  

                                                                       



 

                

 





cresc.

f

f

f





mf

     

  



 

 

 

 



 

 

  





 

 

     





 

 

   

   

 



cresc.

   

   



f

   

   

 

cresc.

ff

     

  



f



    

   





    

   

     

   

 



cresc.

    

     

   

 

   

             



   

     

184

     









   

   



cresc.

             f f                

   

         

  





   

          

cresc.

f

 

                             

                      

   

183

f

ff arco

(Xylo.)      





ff

              

                                          

ff

f

Perc. 2



   

                           ff  

2.

   

 Timp.

Perc. 1





                       

                          

    ff     







f

 

Euph.

cresc.



 



2 3

f





Bb Tpt.

Tbn.

cresc.



ff

 

Tbn. 1

f



ff



182           

cresc.





 

   

 

   

       

        

                         

  









     

  Picc.    185

Fl. 1

   

Fl. 2

   

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

1 Bsn. 2

               

Bb Ten. Sax.

                 

       

                 

                                                 

  

            

   

   Eb Bari. Sax.   



  



 



 





 









  







2 3

F Hn.

1 2

F Hn.

3 4

Tbn. 1



  

    







f

                                Euph.      Tuba             

Tbn.

2 3

S. Bass

         

   Timp.   Perc. 1

Perc. 2

    

SUS. CYM. p