Page 1

gel n A

s in t he Ar c

h

it ec re

C o n c e r

tu

f o r

t B

a n

d

k

F

r

a

n

chel i i T

M

a n h a t t a n

B e a c h

i c s M u


Recording Credits for Angels in the Architecture: Performance by USC Thornton Wind Ensemble; H. Robert Reynolds, principal conductor; Sharon Lavery, resident conductor; Frank Ticheli, guest conductor.

This virtual conductor score and recording are designated “private,� and any publication or distribution beyond the web sites of Manhattan Beach Music is prohibited


ANGELS IN THE

A RC H I T E C T U R E F O R

C O N C E R T

B A N D

FR ANK TICHELI I N S T R U M E N T A T I O N 1 Full Score

(oversize, 11x14˝, included with set)

1 Piccolo 4 Flute 1

1 Oboe 1 1 Oboe 2 (doubling English Horn)

3 Bb Clarinet 2 3 Bb Clarinet 3 3 Bb Clarinet 4 2 Bb Bass Clarinet 1 Bb Contrabass Clarinet 1 Bassoon 1 1 Bassoon 2 2 Eb Alto Saxophone 1 2 Eb Alto Saxophone 2

1 String Bass

1 Eb Baritone Saxophone

1 Soprano (or Boy Soprano)

2 Bb Trumpet 1

1 Celesta

2 Bb Trumpet 2

4 Flute 2

3 Bb Clarinet 1

1 Bb Tenor Saxophone

(if Celesta is unavailable, play on piano an octave higher than notated)

2 Bb Trumpet 3

1 Organ (optional)

2 Bb Trumpet 4

1 Timpani (also plays Bell Tree)

1 F Horn 1

2 Percussion 1

tuned Whirly (Eb), Marimba, Three Tom Toms, Chimes

1 F Horn 2 1 F Horn 3

2 Percussion 2

Two tuned Whirlies (Bb and C), Snare Drum, Vibraphone (motor off), Suspended Cymbal (lg.), Triangle (lg.)

1 F Horn 4 2 Trombone 1

2 Percussion 3

2 Trombone 2 2 Trombone 3 3 Euphonium B.C. 2 Euphonium T.C. 4 Tuba

Two tuned Crystal Wineglasses (C and F), Xylophone, Glockenspiel, Triangle (med. lg.), Bass Drum (shared with Perc. 4), Suspended Cymbal (med.), Two Chinese Cymbals

3 Percussion 4 (2 players)

Two tuned Crystal Wineglasses (Eb and G), Suspended Cymbal (med. lg.), Four Temple Blocks, Tam Tam, Slapstick (lg.), Pedal Bass Drum, Snare Drum, Crash Cymbals, Ratchet, Vibraslap, Bass Drum (shared with Perc. 3)

P R I N T E D O N A RC H I VA L PA P E R

 Manhattan Beach Music 1595 East 46th Street Brooklyn, New York 11234 Web: www.ManhattanBeachMusic.com E-mail: customerservice@manhattanbeachmusic.com Voicemail: 718/338-4137

M A N H ATTA N BEACH M USIC


1 A N G E L S I N T H E A RC H I T E C T U R E

was commissioned by Kingsway International and received its premiere performance at the Sydney Opera House on July 6, 2008 by a massed band of young musicians from Australia and the United States, conducted by Matthew George.


P RO GRAM

A

NGELS

IN

THE

NOT E

A R C H I T E C T U R E was commissioned by

Kingsway International, and received its premiere performance at the Sydney Opera House on July 6, 2008 by a massed band of young musicians from Australia and the United States, conducted by Matthew George. The work unfolds as a dramatic conflict between the two extremes of human existence — one divine, the other evil.

The work’s title is inspired by the Sydney Opera House itself, with its halo-shaped acoustical ornaments hanging directly above the performance stage. Angels in the Architecture begins with a single voice singing a 19th-century Shaker song: I am an angel of Light I have soared from above I am cloth’d with Mother’s love. I have come, I have come, To protect my chosen band And lead them to the promised land.

This “angel” — represented by the singer — frames the work, surrounding it with a protective wall of light and establishing the divine. Other representations of light — played by instruments rather than sung — include a traditional Hebrew song of peace (“Hevenu Shalom Aleichem”) and the well-known 16th-century Genevan Psalter, “Old Hundredth.” These three borrowed songs, despite their varied religious origins, are meant to transcend any one religion, representing the more universal human ideals of peace, hope, and love. An original chorale, appearing twice in the work, represents my own personal expression of these aspirations. In opposition, turbulent, fast-paced music appears as a symbol of darkness, death, and spiritual doubt. Twice during the musical drama, these shadows sneak in almost unnoticeably, slowly obscuring, and eventually obliterating the light altogether. The darkness prevails for long stretches of time, but the light always returns, inextinguishable, more powerful than before. The alternation of these opposing forces creates, in effect, a kind of five-part rondo form (light — darkness — light — darkness — light). Just as Charles Ives did more than a century ago, Angels in the Architecture poses the unanswered question of existence. It ends as it began: the angel reappears singing the same comforting words. But deep below, a final shadow reappears — distantly, ominously.

FRA N K

T I C H ELI


F

O

R

M

LI G H T

m. 1

Offstage soprano: Shaker song, “Angel of Light”

E-flat major

DA R K N ES S

m. 2 m. 23 m. 84 m. 107

Transition...dark forces begin to overtake… “Darkness music” (main motive) Darkness theme Return of darkness section

A pedal C minor E minor G minor

LI G H T

m. 149 m. 175 m. 183

“Chorale of light” “Hevenu Shalom Aleichem” (Traditional Hebrew) Darker forces begin to overtake…

E-flat major C minor Tonalities clash

DA R K N ES S

m. 208 m. 272 m. 281

“Darkness music” returns Slow section, uncertain, questioning… Long transition, growing from darkness…

E-flat minor C minor C pedal, chromatic harmony

LI G H T

m. 314 m. 328 m. 332 m. 341

Return of “Chorale of Light” (tutti) D-flat major...B-flat major Church bell effect… transition… B-flat major (G-flat pedal) Quote: “Old Hundredth” (16th-century Genevan Psalter) Polytonal (D-flat/B-flat) Offstage soprano returns. “Angel of Light” E-flat major, A in bass at end

REH E A RS A L

N OT ES

Soprano Solo Angels in the Architecture begins and ends with a simple 19th-century Shaker melody, “Angel of Light,” to be sung by a soprano soloist, or, alternatively, by a boy soprano. At the premiere performance in Sydney, we used a boy soprano; at the American premiere at Interlochen, we used a young female soprano. Both options were equally successful, and I have no strong personal preference one way or the other. What matters most is that the song be sung clearly, beautifully and expressively with little or no vibrato. The expressive quality should be pure and celestial, not operatic or dramatic. In other words, a very good choral singer would probably be a better choice than a trained opera singer or vocal soloist. The singer represents an angel, and should therefore not be placed on the stage, but at some higher point in the performance hall. At the premiere performance, we placed the singer in the choir loft directly behind and above the onstage performers. At the American premiere, we placed the singer in a side balcony towards the front of the hall. This was particularly effective, as the audience remained unaware of the singer’s presence until she stood at the work’s beginning.


Celesta If celesta is unavailable, the part may be played by piano an octave higher than written. The most crucial celesta passages have also been cued into vibraphone and glockenspiel, in the unlikely case that neither celesta nor piano is available. Tuned Wineglasses and Whirlies The tuned wineglasses and whirlies are played by the percussionists (and/or auxiliary performers) at the beginning and end of the piece as an accompaniment to the singer. These exotic, magical sounds immediately transform the mood of the performance space, and enhance the character of the singer as an angelic, other-worldly being. If there aren’t enough percussionists available to handle all of the whirly and wineglass pitches, recruit non-percussionists if possible. Otherwise, use whatever pitches are obtainable to achieve the desired magical effect. In the end, the objective is to sustain all, or at least some of the pitches of the E-flat pentatonic scale, in any octave available. Experiment! Crystal Wineglasses Crystal wineglasses are readily available, and no single brand is necessarily better than another. I have found glasses with thin rims to be more responsive than those with thick rims. Water is added to the glass to achieve the desired pitch. (Add water to lower the pitch, remove water to raise the pitch.) Once the exact desired pitch is found, mark the water level and pitch name on the glass with a felt-tip pen. Wineglasses are played by rubbing a finger around the rim of the glass. Both the finger and the rim should be wetted. The hands should be washed and free of oils and lotions of any kind. If there are enough percussionists (or auxiliary performers) to assign one wine glass per player, the player may hold the glass bottom in one hand and play with the other hand. If there are fewer players than wineglasses, two wine glasses may be mounted or taped onto a chair, stand, or other stable surface, enabling pairs to be played by one player. Whirlies Tuned whirlies are simply flexible, corrugated rubber or plastic tubes or hoses with an average diameter of approximately one to two inches, and — once cut — a length of approximately three to four feet. (Anything shorter lacks pitch focus, and anything longer becomes clumsy and unwieldy.) Corrugated tubing may be found at a number of retail stores, including toy stores, garden supply stores, and/or pool supply stores. Pool drain hoses or pool vacuum hoses usually work. Whirles from toy stores are often suitable, for the E-flat pitch. The tubing must be cut to the desired length with household scissors. Tune them carefully using a piano or other reliable pitch source, and be careful not to cut too much at a time. (You can always cut more length off to raise the pitch, but if you over-cut, you can’t add back tubing to lower the pitch!) Note that the tubing must be corrugated, i.e. ribbed (with a series of rings or ridges), in order for sound to be produced. Whirlies are held by the hand at one end and twirled above the head to achieve the desired pitch. (To prevent collisions, be sure to allow sufficient distance between the players.) Whirlies are capable of sounding several pitches of their overtone series, depending on how quickly and forcefully they are twirled. The 2nd and 3rd partials are the easiest to sound and control. (The fundamental pitch, or 1st partial, is not playable, and the 4th partial tends to be too loud.) I strongly prefer that the whirlies be twirled above the head (like a helicopter blade). When played in this manner, each whirly will look like a halo floating above the player’s head, thus enhancing the angelic appearance.


Measure 2 The conductor begins conducting at measure 2 while the singer is still singing the song in measure 1. The ensemble slowly overtakes the singer, drowning her out completely near the end of the Shaker melody. After the singer is finished, the ensemble continues to grow in volume, culminating in the massive unison/octave shout of the “dark motive” at measure 23. Trombone Plunger Mute Effects (measure 57-59 and elsewhere) Trombones 1 and 2 must have plunger mutes. The plunger is to be moved in and out from the bell as indicated, and combined with a flutter tongue to produce a raw, raucous, jazzy sound. The resulting sound may resemble a multiphonic (two or more tones sounding at once) rather than a pure single tone. If this happens, it is okay, and even desired. Jet-Whistle Effect in the flutes (m. 65 and m. 253) The jet-whistle effect is achieved by covering the blow-hole of the flute entirely with the lips and blowing as hard and violently as possible into the instrument, as though you are trying to blow out a hundred candles with one short and powerful burst of air. The resulting sound should resemble something like the sudden release of steam from a powerful engine. If players find themselves taking a full second or several seconds to release all the air from their lungs, they are not blowing with the proper force. The effect will only last a fraction of a second if done properly. There should be no attempt to sound any specific pitch. Measure 341 to the end At measure 341, the tuned wineglasses and whirlies return along with the soprano soloist. Added to this, however, is a perfect-fifth diad, hummed by members of the ensemble. It is crucial that these two pitches (E-flat and B-flat) be sung only in the octave notated. Most men will probably sing the E-flat, and likely in falsetto. (No lower octaves!) Most of the women will likely sing the B-flat, but some may be assigned the E-flat to achieve proper balance. As in the work’s beginning, the desired effect at the end is one of celestial, other-worldly beauty. The final bar should fade slowly to silence. The listener should not be able to tell where the sound stops and the silence begins. However, it is important to remember that a gradual slowing down of the whirlies will not create a desired diminuendo, but rather an undesired change in pitch! In my own performances, I have experimented with the final bar in a number of ways, such as having the whirlies release first — either together or in a staggered way — and then fading the others a few seconds later. In some halls this works well, whereas in others, it has proven more effective to have all players fade together to silence. In short, experiment!

F RANK

T ICH ELI


To Shari

ANGELS IN THE ARCHITECTURE FOR CONCERT BAND Piccolo

 

 

Flute 1

Flute 2

Oboe

1 2

Bb Clarinet

1 2

Bb Clarinet

3 4

Bb Bass Clarinet

Bb Contrabass Clarinet

 

Eb Alto Saxophone 1

 

Eb Alto Saxophone 2

Bb Tenor Saxophone

Eb Baritone Saxophone



Bassoon

           

1 2

       

Bb Trumpet

1 2

 

Bb Trumpet

3 4

F Horn

1 2

F Horn

3 4

 

Trombone 1

2 3

 

Euphonium

Trombone

Tuba

String Bass

Soprano (or Boy Soprano)

Celesta

Timpani

         

 

 10" The singer stands either in a balcony  or at some other high point in the hall.

   

Percussion 2

Percussion 3

Percussion 4 (Two players)

poco vibrato ten. 

 I



am

an

an

-

gel

of

(If celesta is not available, play part on piano an octave higher.) Ad. lib. With metal beater, strike individual bells of bell tree in random order and rhythm (complete within 5 seconds)

          

  

light

I

have

   p

   

 

Tuned Whirlies (It is recommended that each whirly be played by separate players, if available.)

p

  

Tuned Crystal Wineglasses (may be played by one or two players)

p



soared

Tuned Whirly (whirled above head)   mp

Percussion 1

FRANK TICHELI

 

Freely, not conducted (q = c. 92)

Tuned Crystal Wineglasses (may be played by one or two players)

p

Copyright © 2009 Manhattan Beach Music - All Rights Reserved - Printed and engraved in the United States of America ISBN 1-59913-100-5 (complete set) ISBN 1-59913-101-3 (conductor score)

Visit www.Frank Ticheli.com for the latest information on the music of Frank Ticheli Purchase music, download free MP3's, view scores and more at www.ManhattanBeachMusic.com

 from

a - bove


Sopr.

  I

Perc. 1

am

cloth'd

with

Mo - ther's

love.

 I

have

,

come,

I

have

,

come,

To

pro - tect

my

cho - sen

 

Perc. 2

Perc. 3

Perc. 4



CONDUCTOR: Begin conducting ensemble at m. 2 very shortly after singer begins this phrase.

Sopr.

,

 

band

Perc. 1



And

lead

them

to

the

pro - mised

land.

Singer: continue singing at original tempo, not coordinated with conducted ensemble.

 I

am

an

an

-

gel

of

 light

 

Perc. 2

Perc. 3

Perc. 4



Sopr.



I

have

 soared

from

a

 -

bove

(rit.)

 I

am

cloth'd

with

Mo

- ther's

love.

 

 

 

Perc. 2

 

Perc. 3

 

Perc. 4



 

Perc. 1

2


2 q = 160   Picc.  

Fl. 1

 

Fl. 2

 

1 2

 

Ob.

   



a2 Ad lib. Play indicated notes in any order, rapidly and nervously.

1 Bb Cl. 2

 

mp

   





 

  



a2 Ad lib. Play indicated notes in any order, rapidly and nervously.

Bb Cl.

3 4

 

mp

   





 

  



Ad lib. Play indicated notes in any order, rapidly and nervously.

Bb Bass Cl.

 

Bb Cbs. Cl.

1 2

 

Eb Alto Sax. 1

 

mp

pp





 

   

1.

 

Eb Alto Sax. 2

 

Bb Ten. Sax.

 

  

Bsn.

Eb Bari. Sax.

p

 

p

p





p

Bb Tpt.

1 2

  

Bb Tpt.

3 4

 

F Hn.

1 2

 

F Hn.

3 4

 

Tbn. 1

 

2 3

 

Euph.

 

Tbn.

Tba.

S. Bass

Timp.

 

pp

    

Perc. 1

 

Perc. 2

 

Perc. 3

 

Perc. 4

  

 

pp

 pizz.

pp

3

p

 

p

p


10 accel.

 Picc. 

8

Fl. 1

Fl. 2

Ob.

1 2

3 Bb Cl. 4

Bb Bass Cl.

Bb Cbs. Cl.

Bsn.

 

1 2

 

Eb Alto Sax. 1

1. 2.











p

Eb Alto Sax. 2

3

a2

    f

    f

    f

 

f

 

 



mp























mp





mp

a2

  f

         

 

         

        

mf



 

mp





























mf

         

mf

mp

 

mf

         

 

mp

 

(Cut off Pc.1, 2)

 

Bb Ten. Sax.

Eb Bari. Sax.

 

Pc. 3)

1 2

2 (Cut off Cl. 1,2,

Bs. cl, Pc. 4)

Bb Cl.

1 (Cut off Cl. 3,4,

mf

mf

mf

Bb Tpt.

1 2

 

Bb Tpt.

3 4

F Hn.

1 2

3 4

Tbn. 1

2 3

Euph.

F Hn.

Tbn.

Tba.

S. Bass

Timp.

 





1.



mp

mp

mp

 





mp

 

 

 

 

mf

mf

 

 

 

arco

 

mf

mf

 

Perc. 1

  

Perc. 2

 

Perc. 3

Perc. 4



     

 

4


 Picc. 

16

Fl. 1

Fl. 2

Ob.

1 Bb Cl. 2 3 Bb Cl. 4

Bb Bass Cl.

Bb Cbs. Cl.

Bsn.



1 2

a2

       

         

   

       



     f

           





    

 

 

cresc.

 

cresc.

cresc.

cresc.

cresc.

 f

 











    

1 F Hn. 2

 

Tbn. 1

2 3

Euph.

Tba.

 

 f

f

f

f

 

 

 f

a2

  f

3.   f



f

f

f

 

 

cresc.

cresc.

cresc. cresc.

      

f

f

        

   



    

cresc.

cresc.



    

    

    

    

    























 

 

 

 

 

 

 





 

 

  

cresc.

 

Perc. 2



 

 

 













 

 

 

SNARE DRUM

     

mf

cresc.

 

 

 

 

 



 

 

3. 4.

 

 

 

5

   

cresc.

cresc.

SUS. CYMBAL (yarn)





cresc.

cresc.

   



p



 





   

    



Perc. 4



Perc. 1

Perc. 3

    

        

cresc.

f

cresc.

cresc.



cresc.

div.

       

3.

       

 

3 F Hn. 4

       

cresc.

cresc.

f

cresc.



3 Bb Tpt. 4

        

           



        

             

 

             

 1 Bb Tpt. 2 

Timp.

   

           



Bb Ten. Sax.

S. Bass

     

             

Eb Alto Sax. 2

Tbn.

           

f

Eb Alto Sax. 1

Eb Bari. Sax.

     

1 2

     

      

 


 Picc.   22

 

Fl. 1

 

Fl. 2

 

1 Ob. 2

1 2

 

3 Bb Cl. 4

 

Bb Bass Cl.

 

Bb Cl.

Bb Cbs. Cl.

1 Bsn. 2

Eb Bari. Sax.



no breath

no breath

no breath  

 

   no breath 

no breath 

  no breath

no breath

Tbn. 1

2 Tbn. 3

 

no breath  

 

 

S. Bass

Timp.



no breath

    

no breath

   

 

Perc. 1

 

 

Perc. 2

 

      

 

 

 Perc. 4   

  

Perc. 3

       

fff



       

fff



fff

                        

fff

       

fff

           

fff

           

fff

   fff 

  

  

  

  

  

  

  

       

fff

fff

       

fff

                       

fff

       

a2

fff



   

       

       

               

                                                              

  

  

  

  

  

  

  

       

               

  

               

                 

       

fff

fff

                   fff                  fff

   dampen             

fff

MARIMBA

   fff   

  

  

              

ff

XYLOPHONE                     fff

 

Strike!

fff

 choke  

6

               

a2

  

  

  

  

  

        

                                                           

  

              

        

        

       



     3.   

                          

  

  

  

  

  

      

                 

     

            

        

                                                                              

   

  

  

  

   

       

                                 

        

p

3.      4.  fff    fff     

        

p

   

fff



       

fff

a2

   

fff

no breath  

Tba.



no breath

3 F Hn. 4

Euph.

23 q = 160        

 

  

3 Bb Tpt. 4 1 2

 

  

F Hn.

no breath      

no breath  

1 2

Bb Tpt.

no breath            no breath   

Bb Ten. Sax.

     no breath   

  

Eb Alto Sax. 2

     no breath   

 no breath 

Eb Alto Sax. 1

 

 no breath   

  

  

                 

                

 to mute

to mute

to st. mute

to st. mute

   

A ——Bb

   


  Picc.   

  

29

Fl. 1

30

Fl. 2

  

Ob.

1 2

  

Bb Cl.

1 2

  

Bb Cl.

3 4

Bb Bass Cl.

Bb Cbs. Cl.

        

f

 

 

p

a2

           

p





   

a2

     mf



          

  

f

                   

Eb Alto Sax. 1

Eb Alto Sax. 2



   

Bb Ten. Sax.

Eb Bari. Sax.



f

  

p

f

   

   mf

      

    

     

  

  

    

   

 

   

 

  

      

 

    

 

f

        

 1 Bb Tpt.  2



straight mute

 

(a2) mute

1 2

3 4

 

  

3 Bb Tpt. 4

F Hn.

F Hn.

Tbn. 1

mf

2 3

  

Euph.

  

 Tba.   

Tbn.

S. Bass

Timp.

Perc. 1

  



  

a2 straight mute

   mf

  

one only

    mf pizz.   mf

             

f

p

 

 

    

      

       



   

                  

 

 

straight mute

  

(a2) mute

straight mute

 

     f     f

  f 

  

                  f

Perc. 3

  

7

f

           

Perc. 2



   

  f           

 

Perc. 4

  

f

  

1 Bsn. 2

   f

 

               

     



                

fp




  Picc.   

Fl. 1

  

Fl. 2

  

Ob.

1 2

  

Bb Cl.

1 2

    

Bb Cl.

3 4

               

36

  

  

              mp mp

Bb Bass Cl.

Bb Cbs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

38

           

 



       

a2

   

 



  

mp

         

  



  

  







 

  

mf

  

  

  

Bb Tpt.

3 4



Tbn. 1

1.

                   mp

  

  

mp

                   mp mp

 



f



   

               

    

f

  

 

mp

       

mf

  

              f        

f

mp

        mp

f

mp

      



      

 

3 4

     

1 2

F Hn.



Bb Tpt.

1 F Hn. 2

 



 

   f

a2    

mute out

2 Tbn. 3

  

Euph.

  

Tba.

  

S. Bass

  

       

       

       

       

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4



                           mp

 

  



 

  

 

     

f

VIBRAPHONE



mp



8

 


  Picc.   

  

  

  

42

Fl. 1

Fl. 2

Ob.

1 2

1 Bb Cl. 2

Bb Cl.

3 4

       a2

       mp

Bb Bass Cl.



Bb Cbs. Cl.



1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

  

 

 

  



 

1 2

3 Bb Tpt. 4

mf



1.

1 F Hn. 2 3 F Hn. 4

Tbn. 1

        

  

f

    

  



Euph.

  

Tba.

  

Timp.

Perc. 1



Perc. 4



  

f

   f

    f  

 

mute out

    mf

   

     

 

mf

  

  

   

 PEDAL B.D.

mf

open

open



 

 

  

a2

sfz







mp

sfz









 mp

  

  

sfz

mf

sfz

mp

              

 



             

   

     

   

    

   

f

2.

mf

mf

  

(Xylo.)

 

 

f

   



T. BLKS.

 

       

mp

 

f

(Ped. B.D.)



f

9



 

    

f

f

mf

 

         mf

f

f

       

mf

a2

       

mf

       

 

a2

 

 

       

(a2)

mf

   

    

a2

f

a2

  

a2

   

p

     

Perc. 3

 

      

Perc. 2

           



p

 

f

  

  

 

         f            f            f



f

2 Tbn. 3

S. Bass

(a2)

f

a2

   f     

    

 

 

f

 

mf

              

   

       

1.

Bb Tpt.

f

   

   

    mf

f

    

   

 


  Picc.   

Fl. 1

  

Fl. 2

  

1 2

  

47

Ob.

49

1 Bb Cl. 2



       

       

3 4



       

       

Bb Bass Cl.



Bb Cbs. Cl.



       

Bb Cl.

f

       

     

             f                f

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

  

f

        f

       

f

       

Bb Tpt.

1 2

 

Bb Tpt.

3 4



F Hn.

1 2

   

3 F Hn. 4

Tbn. 1

f

 

        

2 3

Euph.

Sopr.

Timp.

Perc. 1

Perc. 2

mp

             

p

f

p

f

    

mf

 

  

p

   

p

        p                f p

 

mp

Perc. 4

       

       

       

       

       

       

       

       

       mp

    

       

       

mp



  

pp

  to plunger mute                f

p

3.               p f        

   

p

  

 

  

      f p      p

f

 a2       a2 

    

f

f

   

f

 

f

         

       

                       

       

           



  

  

     

mp

Perc. 3

 

 a2                 p f                  mp

 



          



 

   

             f            

  



            

f



  

f

S. Bass

 

    

   

f

Tba.

   

mp

 

f

Tbn.

  

      

 

    

10

f


  Picc.     53

Fl. 1

Fl. 2

Ob.

Bb Cl.

1 2

1 2

3 Bb Cl. 4

Bb Bass Cl.

            

 ff

 

        f        

Bsn.

1 2

f

           

a2 f

             

f

      

       f           f

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

 



f

Bb Tpt.

1 2

  

Perc. 2

Perc. 4

     

   



        

      

                

    

 



         

 

    



 



  

   



      

      

ff

a2

 

ff

  

   

  

   

            

 

a2

       

    

 

                              f

   

      

        

(Xylo.) f

          

 



 

   

  

   

  

   p

   

  

   

  

   

sfz

 

      

  

    

    

   

sfz

sfz

             sfz

         

11

       

  

          sfz

a2 

     

sfz

   

   

  

      

sfz

  

      

   

  

      

  

 

p

plunger mute



  

   

p

 

p

  

p

p

   

p

p

   p

              sfz      

sfz

   

      

sfz

p

p

       

 

  

sfz

             

        

   

p

       

f

  

 

  

ff

    

   

           

f

  

sfz





     

   

 

sfz

           

  

 

   

   





  

             

  



  



 

f

Perc. 3

    

    Tba.     

Perc. 1

      

Timp.

f

 

S. Bass



3 F Hn. 4

Euph.

   

2 3

  

1 2

Tbn.



 

Tbn. 1

 



F Hn.

    

3 4

Bb Tpt.

 

      

 

     

 

      

   

            



f

Eb Bari. Sax.

         

f

f

Bb Cbs. Cl.

  

     

T. BLKS. f

        

        p


  Picc.   

Fl. 1

  

Fl. 2

  

Ob.

1 2

  

Bb Cl.

1 2

  

58

Bb Cl.

3 4

(a2) mp

60



a2

         mp

   

      

     

       



          

     

Bb Bass Cl.



Bb Cbs. Cl.



  

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

   

      



               

               





pp

Bb Tpt.

3 4



F Hn.

1 2

 

     

Fltg.

Euph.

mf



2 3



Tbn.



 

Tbn. 1



1 Bb Tpt. 2

3 F Hn. 4



      

O

a2               

f

p

f

f

    

  

     

a2

               

Tba.

  

S. Bass

  

       

       

       

       

       

       

       

       

       

           

          

       

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4



        



mp

mp

12

accented notes with alto sax.


  Picc.    64

Fl. 1

Fl. 2

Ob.

1 2

  

 Jet Whistle*

(see note below)

  

  

 





 

ffff

Jet Whistle*





ffff

1 Bb Cl. 2

 

3 4

 

     

Bb Cl.

  

 







Bb Bass Cl.

Bb Cbs. Cl.



  



1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

Bb Tpt.

F Hn.

F Hn.



                  3   1 2

4

1 2

3 4

                   

 (plunger)

 

 Fltg.

 

  

Euph.

  

  

  

Tba.

S. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4





f

     

f

             f

 

 

   

                               

               f       a2

mf

 

mf

mf



 

     mf      mf

mf

mp

 a2    

   

   

   

     

 

    



  

                       

                     

   

 

     

 

                    





p



p

mute out

       f



 

mf

      f      

2. to plunger mute

f

  

  

 

(Xylo.)

   

f



 



mute out      

 

f

 

p

    

   

mf

f

        

         mf            

                                                        

f

f

 

  

                     mf

 

2 Tbn. 3

    

mf

O

p



  

Tbn. 1





        

             mf





Bsn.

67

 







  

   

   

 

* The jet-whistle effect is achieved by covering the blow hole of the flute entirely with the lips and blowing as hard and violently as possible into the instrument, as though you are trying to blow out a hundred candles with one short and powerful burst of air. The resulting sound should resemble something like the sudden release of steam from a powerful engine. If players find themselves taking a full second or several seconds to release all the air from their lungs, they are not blowing with the proper force. The effect will only last a split second if done properly. There should be no attempt to sound any specific pitch.

13


  Picc.    70

Fl. 1

Fl. 2

Ob.

1 2

1 Bb Cl. 2 3 Bb Cl. 4

   

           

   

            

     

             

     

               

   

f

         a2 

f

Bb Bass Cl.

 

Bb Cbs. Cl.

 

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 3 Bb Tpt. 4

     



  

  

           

   

 

    

sffz

   

 

 

  

     

a2

    sfz

sfz

 

 a2

  



sfz

      







   

  





     

      

   

     

   



 

  



 



  

 

 

  











sfz

sfz

sfz

sfz

sfz

sfz



    

   

     



    

   

 

sfz

sfz

  

a2

   



f

   

 

f



   

   f



 

 

ff

f

  

   

       

mf

ff

         mf 

         

 







mf

mf

ff

ff









 

RATCHET

  ff

     

 

mf

  

  

mf

          

 

    



  

    

        

14

  

 

   

mf

   

(Xylo.)

  



ff

   

T. BLKS.

PED. B.D.

f

f

mf







    

  

     



 

 

 

     

   



      



       

open

       



   



sfz

 

sfz



   

 Tba.    

Perc. 4

  

   

  

  

  

  



sfz

            sfz sfz

   



a2

  

Perc. 3

  



sfz

        sfz  a2     sfz

   

     

2 3

  

  

sfz

Perc. 2

sfz

  



sfz

           

Tbn. 1

  

     

                                        

sfz

sfz

3 4

Perc. 1

    

                                    

     

sfz

open



sfz

           

  

Timp.

  

              

                             

f

S. Bass

  

     

sffz

Euph.

   

  

  

Tbn.

  

f

1 F Hn. 2

F Hn.

     

ff

        





  

       

 


   

Fl. 1

  

Fl. 2

  

1 2

  

1 Bb Cl. 2



3 Bb Cl. 4



Bb Bass Cl.



75

Picc.

Ob.

Bb Cbs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

   

 

3 F Hn. 4

 

2 Tbn. 3

Euph.

ff





 

 

  

 

       

      

 

       

 

  O   O          O      O



 

 

mf

mute out

 

 

  

O  

mute out



  

  

              

 





 

 

  

open

  f f

f

 

  

 

 

  

   

  

  

 

  

         

 

a2

  

 

    

    

  

    



 







                    

TEMPLE BLOCKS



  

  





     

       

 

    

    

     

    



 

  



  



  

   

   

  

    

       

15

 

 

ff

      

  

 



     

    

 

    

  

  

  

 mute out

 

open

  

  

     

mute out

O  



ff

 

 

      

                

 

 

          





 



            

   

Perc. 4

  

 O             ff Fltg.  O  2. plunger          

  





      

                          

mp

S. Bass

Perc. 3

 



 

 

                          



Perc. 2



mp

    

Perc. 1

   

Fltg.  (plunger) 



 



Tba.

Timp.

ff

ff



1 2



        

 

         

                

   



ff

3 Bb Tpt. 4

Tbn. 1

 

          

  

F Hn.

 

 

ff

    

ff

           

 

                     ff                 

ff

1 2

Bb Tpt.



77 



 

  



     

   

   

      

   

  

       





  




  Picc.    80

Fl. 1

Fl. 2

Ob.

1 2

1 Bb Cl. 2

Bb Cl.

3 4

Bb Bass Cl.

Bb Cbs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

  

     



  





  

   

        

1 2

  

F Hn.

3 4

 

Perc. 1

Perc. 2

Perc. 3

Perc. 4







 





  

               ff                            

 

 



      





ff









 

   

  

 

  

  

  

    

   



 

                     



 



  

 

a2 a2

   







 

   

  

 

     





         

    

 

   

 

     

f

     

      

f



 



 

 

      

  





f

f

f

     

f

      

f



 

 



 





  

 

    

 

f



a2

  



 

 

      

 

f

  

 

  f

  

RATCHET

  ff

 

  

TAM TAM

pp

16

 

  

 

 

   

 







3



3

  

   f arco        f         Eb——E§         

 

 

 

 

div.



 

 

3

  

 

 

 

 



     

   

 

 

3

f

           



f

f

  

     

       

 



        f    

open

3

f





open

   

 3

f

f

   

 

f





ff

        



    









    

         

   

      

 

 



 

a2



 



a2







84     

  

 





  

        









                

   



 

      



 



     

  

 

                                      





  

F Hn.

Timp.

 

     

 

S. Bass

  

3 4

Tba.

 



Bb Tpt.

Euph.

 

  

2 3

  

1 2

Tbn.

      

Bb Tpt.

Tbn. 1

 



 

   

 

   

    mf

 l.v.

   

mf


  Picc.  85

Fl. 1

Fl. 2

1 Ob. 2

 

Bb Bass Cl.

 

Bb Cbs. Cl.



1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

 

  

mf

mf

  1.

 mf

  

  

  



mf

1 2

 

 

3 4

Tbn. 1



2 Tbn. 3



Euph.



Tba.



Perc. 4

 

3

  

 

 

 

 

 

3



p

p

 



 

 



          

            



          



            

 

 



3

3

3

 

3

     

      

 

3

3

   

 

  

 



    

  

(a2)

(a2)



 

 

     

   

f







  

p

 pizz.

mf

 

f

 

       

 

 

   



   

    f   

     

PEDAL B.D.

f

17







2.

Fltg. 

 

Fltg.  

 

 

   



   

 

     

 

SUS. CYM. (stick)  l.v.

          



















 



              

     

   

    

   

      

  

 

  

 

 

 

 

        

       

(Xylo.)

      

 



   



(a2)

  



 

f



         f        

   



f

   



        

 

f





f





(a2)

   



f











        



 





     

f



3

      



3

 

     

f



     







 





 



 

 

 

3





3

 

Perc. 3

 

3

mf

 

  

Perc. 2

3

3 4

Perc. 1

3

3

Bb Tpt.

Timp.

mf

1 2

S. Bass

3

3

Bb Tpt.

F Hn.

         

Bb Ten. Sax.

F Hn.

         

3 4

Eb Bari. Sax.

  

1 Bb Cl. 2 Bb Cl.

 

       

              


  Picc.  90

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl.

1 2

Bb Cl.

3 4

F Hn.

F Hn.

a2

 

3 4



Tbn.



2 3





 

mp



Euph.

Tba.

S. Bass

Timp.

Perc. 1

 

 

Perc. 2

Perc. 3

Perc. 4



  

  

      



 

 

 

 

 

f



  

  



3





ff

 

 

  

 

  

 

 

3





ff



3

 



   



ff

    

3

3

 ff

3

3

3



 

(mf)



ff

  



a2

        

 





   



      

 















   



        

 

  

 

 





f

 

 

 



 

f

  

  

   f    

f

  

 

       

PEDAL B.D.

18

 

        

   





  

 







       

f

 

    

 

         





 



f

f



      

     f     f      f          

ff

3

     

    



 3

 

3

  

3



 



3

3

 



3



 

        

mp

mp

3

 

3

3

3

mp

Tbn. 1

mp

 

   

1 2

    

   

3 4



  



3



3

3



  

3

  

3

3

 



 

Bb Ten. Sax.

Bb Tpt.

3

3

3



Eb Alto Sax. 2

1 2

3

3

  

1 2

  

Eb Alto Sax. 1

Bb Tpt.

 

Bb Cbs. Cl.

Eb Bari. Sax.

     

Bb Bass Cl.

Bsn.

90

 f

SUS. CYM. (stick)  l.v.


   95

Picc.

Fl. 1

Fl. 2

1 2

Ob.

3 4

Bb Cbs. Cl.



1 2

 

         

             

f



  

 

 





        

f

          

Bb Ten. Sax.

  

  1  Bb Tpt. 2  Bb Tpt.

f



      

3 4







 

 





        

  

 

  





 

 

Tbn. 1

   

2 3



    

Euph.



Tba.



S. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4



  



 

       

 

         f

f

 

a2

 

 

        

f

a2

(f )

(f )

              

     

 

 

   

 

   

 

 

 

    

 

               

     

     

 

    

    





              

      

    

        

 

  

 

 

 

    

 

    

 

    

     

    

    

   

 

div.

      

 

  

(f )

        

     

  

  

                        

 

 

    

    

    

 









 

  



 

      

 

 

   

 

   

   

   

 

 

  



 



  

  

    

   

 

 

 

 

 

 

  

   

 

      

   

             

   

SNARE  DRUM

   

 

 

  

  

 

  

 

 

 



 

   

  

      

  

     

  

mf

T. BLOCKS

 PED. B.D. 

 

f

   

    

         

  

    

f

19

   

f

   

  

    

 

    

   

   f



f

 

arco

 

    

   

    

   

 

                     

f

       



 



 

       

ff



Tbn.

f

 

 

3 4

        f       f       f       

  

       

F Hn.

                    

 

f

f

             

      

1 F Hn. 2

 

      



        

 

 

Eb Alto Sax. 2

Eb Bari. Sax.



 

Eb Alto Sax. 1

f

       

97  

f

  

Bb Bass Cl.

Bsn.

                  

  

1 Bb Cl. 2

Bb Cl.

                  



 

           


  Picc.  101

Fl. 1

Fl. 2

1 Ob. 2

 

a2

  

3 4

             

Bb Bass Cl.

Bb Cbs. Cl.

Bsn.



1 2

  

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2

  

 

 

 

  

          

 

 

  

 

 

  

 

f

f

  

S. Bass

Timp.

 

 

Perc. 2

Perc. 3

 

 

  

     

 

  

  

  

  

  

 

   

  

  

3



     

         

     





 





 



 



 

 

 







 

  

 

 

 



 

 



 

 

 

  

 

 





 

 





 

 



   

   

 

   

      

     

   

   

 

3

    

  

   

   

  

 

  

 



     

  





 

  





      

 

 

      

 

 

 

 

        

 

 

     

  

  

  

 

 

 

 

     

   

   

f

 

  

  

 

 

   

  

  

 

      

  

  

 

 

 

 

E——G

 

 

20

 



  

  

 

  

 

   

 

    

  

  

   

     

  

     

 

      

 

  

 

 

  

  

  



 





Perc. 1

Perc. 4

  

  

  



 

 

Tba.

 

 

      

 

3 4

    

 

      

F Hn.



  

 



Euph.



   

  

 

   

 



f

 

 

1 2

2 3

 

        

  

 

F Hn.

Tbn.



   

   

Tbn. 1

         



   



 

f

 



       



 

  

 



3 4

 

f

 

Bb Tpt.

   

 

   



  

  

  



f

1 Bb Cl. 2

Bb Cl.

  


107

   106

Picc.

Fl. 1

Fl. 2

                ff

ff

                     ff                      

1 2

 

3 Bb Cl. 4

ff

               

  

Bb Bass Cl.

  

Bb Cbs. Cl.



1 Bsn. 2

    

Eb Alto Sax. 1

 

Eb Alto Sax. 2

ff

               ff   3        ff  a2  3        ff   

  

Bb Ten. Sax.

Eb Bari. Sax.

1 Ob. 2

Bb Cl.

              ff              

    

3 4

F Hn.

1 2

 

3 4

 

F Hn.

Tbn. 1



2 3



Tbn.

S. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

a2  







   

  3  



 







3

 

 



 

mp

 





  p

SUS. CYMBAL (yarn)

  

  p

TAM TAM p

     

  p



 

ff

 

  

  



 

   



         f             f

 

 



 











   









   

p

ff

f

ff

p

 

 

 

 

p

ff

 21





  

ff

pizz.

f

        

 

  

 

 

   

 

 

RATCHET

  ff

           





 

  

  

 

            

    p     p  

 



mf



    

f

l.v.



mf

One only if no string bass    f

ff

 

p

p



ff

 



          











            

        

2. to plunger



l.v.





 

  

  

   















f



 



 

 

ff







 

 

f

                                                                                





 a2

f

  





3.

    

p



    





 



  

ff

ff



 

  



      to plunger       



ff

a2



Euph.

Tba.

    

  

 

        

Bb Tpt.

                                                                           





     1   Bb Tpt.  2

                          

       

 

 

 


        Picc.  

         

        

        

        

a2           

111

sfz

Fl. 1

sfz

sfz

Fl. 2

sfz

          sfz

1 Ob. 2 1 Bb Cl. 2 Bb Cl.

3 4

sfz

sfz

sfz

Bb Bass Cl.



Bb Cbs. Cl.



Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

        

       sfz

Eb Bari. Sax.

Bb Tpt.

1 2



 







    

















   

       

        

    

sfz

sfz

sfz

sfz

sfz

  















 



 

 

      















   

   

  

f

a2

a2

a2

 

2 Tbn. 3

 

Euph.

 

Tba.

  

S. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3





    





mute out

O  

   

    

    

      

    f

    

       

f

    

f

mute out







XYLO.

T. BLKS. PED. B.D.  

  









 

      

O  

f

Perc. 4

   

 







 

  

 

f

22





  

  

  









  

  

     

  

         f              ff

      

   

  

      

  

TEMPLE BLOCKS



VIBRAPHONE

mf

    



    

f

 



          



    

Tutti play

  

 

ff

      

     



  

              

   O        



ff

Plunger (nasty)   2.  O   O



  

ff





   O    



 



    O  O     

  

    

Tbn. 1

   

                    

ff

plunger (nasty)



  

  

3 4



 

   

F Hn.



  

       





  

  



  

1 2

  

   

a2

F Hn.



f

f

 

  

       

      

                             

f

3 Bb Tpt. 4

 

 

      

 

 

   



       

f

 

      

     

ff

     

(a2)

             ff             

         

ff



   

                

ff

sfz

ff



ff

                     ff                 

(a2)

sfz

     



      

         

        



   

sfz

Bb Ten. Sax.

sfz

sfz

    

a2

sfz

         sfz sfz          sfz sfz 

    

sfz

sfz

         a2

sfz

  

ff



 

      

       

    


   117

Picc.

 

Fl. 1

3 4

Eb Alto Sax. 2

                                            

 

 

 

Tba.

 







      

           SUS. CYM. (yarn)

  p

          f

 

      

 

marcato

   

 

  

          f

   

   

     

             

 

          

     

  



 

         

     

  



 



 

                    

       

f

           

ff

ff

  

ff



 

 

ff

 

 l.v.   

ff

 



 

 

 

 

    

            

       

 



 



marcato           f

 

            

       

 



 

           

       

ff

     

 

marcato

          

   

          f

ff

               

ff

ord. a2

f

        f ord. a2               

               

ff

ff

     

f

          f

ff

a2 marcato

 



      f      

ff



       

marcato

Euph.



               

Perc. 4

         

 

Perc. 3

2 3

Perc. 2

          

Perc. 1

     

          f

Bells up!

 

 Timp.

     

(a2) marcato

Bells up!

Tbn. 1

S. Bass

           

    

f



Tbn.

ff

    

 

3 4



ff



  

     

Eb Bari. Sax.

F Hn.



1 F Hn. 2

         

Bb Ten. Sax.

3 4

118         

ff

     

Eb Alto Sax. 1

Bb Tpt.



 

1 2

1 2

    

Bb Cbs. Cl.

Bb Tpt.

  

Bb Bass Cl.

Bsn.

  

1 2

1 Bb Cl. 2

Bb Cl.

  

     

Fl. 2

Ob.

  

 

23


122    Picc.  

       

       

       

       

       

       

       

       

       

        



       

       

       

       

        

   

       

       

       

 a2         

       

       

       

        

       

        

 a2      

       

       

       

        

Fl. 1

 

Fl. 2

 

Ob.

1 2

1 Bb Cl. 2

3 4

Bb Bass Cl.

Bb Cl.

Bb Cbs. Cl.

1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

3 Bb Tpt. 4

a2

 

          

 

       

              

 

  

 

       

                    

 

 

        

        

        

     

Bells up

Bells up

3 4

 

 

 

 

                                 

  

         

ff

 

 

   ff 

 

         

   

    

 

                             

        

        

        

  

  

 

 

      

 

        

 

   

ff

ff

 

ff

   

 

 

 

 

ff

ff

 

 

 

 

        

      

   

ff

 

 

ff

         

f

 

      

 

         

F Hn.

Timp.

 

   

S. Bass

   

        

Tba.

  

Euph.

   

   

 

2 3

1 2

Tbn.

   

F Hn.

Tbn. 1

 



 

                            

 

ff

 

ff

   

 

 

 

 

ff

  

 

 

 

ff



TOM TOMS

 

  

 

Perc. 1

 

Perc. 2

 

 

Perc. 3

 

 

Perc. 4



       

      

f

  

BASS DRUM

mf

 24

 

 


    Picc.       Fl. 1   Fl. 2

Ob.

1 2

      

    

      

  

   

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

                    





     





     











            



      







      





    





              





    

                     





   





  

F Hn.

1 2

  

F Hn.

3 4

  

Tba.





3 4

Euph.



      

Bb Tpt.

2 3

                     

           1   Bb Tpt.    2

Tbn.

           

     



                               

            











     





      





           

                

 

             

1.

      

             

  

    

 



 

                      

  

  

                                                             

       

                    

        

              

      

             

                

         

     

          



        

                         

                     

   

 

Sopr.

   

 

 

Perc. 1

Perc. 2

Perc. 3

Perc. 4

  

        

   

    

   

    f



 



          ff

 

VIBRAPHONE

 

SUS. CYM.

  

 

      ff

25

   ff

 

 

l.v.

ff

(forceful)

 

   

              

S. Bass

Timp.

            

        

Eb Bari. Sax.

Tbn. 1

              

       

      

  

1 2

3 4

 

               

Bb Cl.

Bb Cbs. Cl.

     

                          

         

  

  

        

     

     

1 2

Bb Bass Cl.

      

     



Bb Cl.

Bsn.

      



      

                  

      

127


132   Picc.  

Fl. 1

 

Fl. 2

 

               

Ob.

1 2

1 Bb Cl. 2

Bb Cl.

3 4

Bb Bass Cl.

Bb Cbs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

          a2

      

 

f

 

mp

                  

  

  

    

       

a2

         mp f

      

  



mf

 

f

mp

 

 

 

mf









 

  

 

 

3

 3   

 

f

mp

       

mp

       

       

         

          

  

           

                 

      

       

       

              

       

       

       

       

       

       

f

  



       

       





f

(a2)

mp

      

       

               

       

        Eb Bari. Sax. 

f

                 

        

Bb Ten. Sax.

 1 Bb Tpt.  2

Bb Tpt.

3 4

  



3 F Hn. 4

 

Tbn. 1

  

2 3

Euph.

         

1 F Hn. 2

Tbn.

ord.

(a2)

2.

 fp

 



fp

f

  

        

 mf

 

mf

mp

2.





 





 





 

 

fp





  3

 

 

 

fp



fp

1.



f

fp

  



mp

 3   

 



 

 

 

 

          

1.

fp



          

                 

        

Tba.

  

S. Bass

 

       

         

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4



  

      

MARIMBA



                         

                

f

 

mp

  



 

                                            

f

mp

26


  Picc.   138

Fl. 1

Fl. 2

   

Ob.

1 2

      

Bb Cl.

1 2

  

3 4

  

Bb Bass Cl.

          

Bb Cl.

Bb Cbs. Cl.

1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

Bb Tpt.

F Hn.

1 2

  

        

     

   

     

fff

ord.

           

  

     

S. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

          

p

                             

        f

        

  

   

  

   

       

        

 

 

      

       

     

 

      

       

       

 

      

       

       

 

       

        

      

 

f

f

f

f

f

   

         

      

                        

  

  

               

    

    

    

      

          

  

  

  

       

ff

ff

                      ff fff                 fff

               

fff

            

           

           

                                ff fff                               fff

                         

         

fff

     

Tba.

    

fff

  

Euph.

   

fff

   

f

      

fff

  

1 2

2 3

fff

fff

Tbn. 1

        fff              

f

   

       f         

     fff      

               

(echo effect)

fff

                

      

3 4

3 F Hn. 4

Tbn.



140

          

  

  

    

  

    

       

            

ff

ff

div. 

          

 

  

 

       

div.

ff



                        fff                        fff      

ff

     

T. BLKS. p

       

fff

27

       

TOM TOMS 

f


  Picc.   144

 

3 Bb Cl. 4

Bb Bass Cl.

Fl. 1

Fl. 2

Ob.

1 2

1 Bb Cl. 2

   

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Bb Tpt.

Bb Tpt.

1 2 3 4

 

fff



          fff 

    

      

3 F Hn. 4

    

                 fff

 

 

2 3

Euph.

S. Bass

 Timp.

           

Perc. 2

          

fff

S.D.

fff

Perc. 3

 B.D.           fff

Perc. 4



 

  

6 sec.

 

 

n

n

          

 

n

 

6 sec.

6 sec.

 

6 sec.

 

6 sec.

28

 

 

  

 

1. Horn cues  

 

 

 

mf



n

n

   

  

  

  

  



  

  

reverence with     

  

mf

mf

mf

mf

 

 

 

 

 

p

 

l.v.

  



6 sec.

n

mf

6 sec.

6 sec.

  

2.with reverence

6 sec.

n

 

 

mf

 

with reverence

6 sec.

          

 

6 sec.

n

  

 

 

  

  

3. with reverence

6 sec.

n

1.with reverence

 

mf

n

 

 

 

6 sec.

 

p

6 sec.



 

p

 

6 sec.

 

 

 

  

   

6 sec.

 

 

6 sec.

fff

 

6 sec.

f

n

 

         

 

6 sec.

6 sec.

TAM TAM

6 sec.

6 sec.

       

 

6 sec.

6 sec.

Perc. 1

 

senza dim.

6 sec.

fff

 

 

 

 

                                

6 sec.

         

6 sec.

senza dim.

    Tba.                                       

 

6 sec.

                                           fff 6 sec.                                     

fff

n

6 sec.

fff

 

6 sec.

 

 

p

6 sec.

 

6 sec.

senza dim.

 

    

6 sec. senza dim.

 

 

6 sec.

Tbn.

 

 

 

 

6 sec.

       

6 sec.

6 sec.

       

6 sec.

 

6 sec.

 

6 sec.

         

 

149    

h = c. 69

 

6 sec.

senza dim.

        

 

 

6 sec.

6 sec.

6 sec.

1 F Hn. 2

Tbn. 1

 

6 sec.

                                          

fff

Eb Bari. Sax.

 

6 sec.

6 sec.

fff

1 Bsn. 2

 

6 sec.

6 sec.

6 sec.

 

 

                  

 

6 sec.

6 sec.

div.                                       fff

Bb Cbs. Cl.

 

6 sec.

  

dim.

pppp

(barely audible)

 

 

 

 

 

 

 

 

(Dampen tam-tam)

 


rit.

A Tempo h = c. 69

   

  

Fl. 2

  

1 2

  

1 2



151

Picc.

Fl. 1

Ob.

Bb Cl.

Bb Cl.

3 4



 

 with reverence



mf

with reverence

mf



with reverence mf



with reverence mf

3. with reverence

mf

 

  



  



 



   

 





   

   

 



  

   

 



 

 

div.

 

 

Bb Bass Cl.



Bb Cbs. Cl.



 

 

 



 

 

  

 

     



 

       

 

 

 





 

p

p

    

 

 



  



  

 

Eb Alto Sax. 1

 

 

Eb Alto Sax. 2

 

 



 

 

 

 

 

 

 

 

1 Bsn. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

3 Bb Tpt. 4



 



  

3 4

  

 

   

2 3

   

 

Euph.

   

 

Tbn. 1

Tbn.

 Tba.   

  

S. Bass

 Timp.

 

  

F Hn.

 f

1 2

F Hn.

 p

 

 

f

 

 

 

 

 

 

 

 

 

 p

 

p

  

p

f

p

f

p

 

f

f

 

 

 

 

 

div. p

 

Perc. 2

 

 

Perc. 3

 

TRIANGLE   

 

mf

arco

 

 

  

   

 

 

23 inch: G——Eb 30 inch: G——D

(Tam Tam) p

 

 



29

 

p

p

   

Perc. 1



 

p

 

Perc. 4

p



  

 


  Picc.     158

Fl. 1

Fl. 2

Ob.

Bb Cl.

Bb Cl.

 

  

          

 

 

1 2

      

 

1 2

   

   

3 4

   

Bb Bass Cl.

   

Bb Cbs. Cl.

   

 

  

        

  

       

 



Eb Alto Sax. 1

 

Eb Alto Sax. 2

  

Bb Ten. Sax.

  

Eb Bari. Sax.

  

 

      

   

  

  



 

   

1 2





           

 

Bsn.

    



 

 

 f

f



 

  



f

 

 f

  

  

a2

  

 

 

mf

mf

f

a2

f

 

 f

 





unis.

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 



    

 

   

 

 

 

 

mf

 

  

 

 

 

 

 

 



  

 





  





 

  

  

 

div.

 





poco f



 





 



 

 

 

poco f



poco f

 

a2

 

  

poco f

 

 



 

a2

 



mf



1. Horn cues    

mf

 

  

    

  

 





3 4



 

 



 

  



poco f



  

 



 

 



 

S. Bass

 

f

 

    



  

 

f

1 2

    

   

 

 

F Hn.

Tba.



 

   

3 4

Euph.

 



Bb Tpt.

2 3

mf

 

 

Tbn.

  

mf

  

Tbn. 1

 

    

F Hn.

mf

1 2

Bb Tpt.

f

 

  

 

   

  

 

162  

 

 







 





           

 

mf





 

mf





 

 

 

 

   

 

 

 

 

 

Perc. 1

    

 

 

 

 

Perc. 2

    

 

 

 

 

Perc. 3

    

  

 

 

 

 

 

 Timp.

Perc. 4



 

p

 

 

mf

 

    

  30


  Picc.     165

Fl. 1

Fl. 2

 

     

     

   

1 2

      

   

1 Bb Cl. 2

   

3 4

   

Bb Bass Cl.

   

Bb Cbs. Cl.

   

1 2

    

Ob.

Bb Cl.

Bsn.

 

               

                

  

      

   

 

  

     

 

  



  



piu f

piu f

 



 

 piu f

 

piu f



 



a2

a2

 

 

 

3

3



f

 1.

f

 

piu f

 

rit.

3

3

 



 



 

 

 

 



  p



p



p





 

   

p

 

  

mp

 

one only

mp

   



p

f

mp

 

 

  

one only

p

170 q = c. 69   

Eb Alto Sax. 1

 

 

 

 

Eb Alto Sax. 2

 

 

 

 

Bb Ten. Sax.

  

 

 

 

Eb Bari. Sax.

  

 

 

 

1 2

   

3 Bb Tpt. 4

  

1 2

    

  

3 4

    

Bb Tpt.

F Hn.

F Hn.

Tbn. 1

2 3

    

 

Euph.

    

  

Tbn.

Tba.

S. Bass

   

    

   

 Cel.     

 



 

  

    

 







                        

         

   

f

 

f

  f

 



 

 

f

   

p

p







p

 



 

 

p

p

 

f

 

 

 

 

 

 

p

    p

p

 

 

 

 

 

 

 

 

Perc. 1

    

 



Perc. 2

    

   

 

  l.v.  

 

    

 

 

 

 

 

 

 

Perc. 3

Perc. 4





SUS. CYM. (yarn) p

mf

 

 

Timp.



f

 

 

 

f

  



31

 



  

   

(with flutes) mp

       

MARIMBA



mf

     mp

 

 

(Triangle)

mp


          

     Picc.    172

Fl. 1

Fl. 2

Ob.

1 2

   

 

 

  

                 

       

   



   

    

  



3 Bb Cl. 4



Bb Cbs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

175 q = c. 60 accel. 

"Hevenu Shalom Aleichem" ("We Brought You Peace") (Traditional Hebrew)

1 Bb Cl. 2

Bb Bass Cl.

rit.    

    

   

p

p

2. ENGLISH HORN

     

1.

     

 







mf

    



    

    

            mp 1.             mp

    

     



   

    



    

   

                                                                mp                                                              mp



  

mf



mf



                               

                       

    

                          

   

                                                mp       

div.

             mp               mp

                                  

        

           

           

Bb Tpt.

1 2

 

Bb Tpt.

3 4



F Hn.

1 2

 

F Hn.

3 4

 

Tbn. 1

  

2 3

  

Euph.

  

Tba.

  

Tbn.

S. Bass

Cel.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Contrabs. Cl.

pizz.

mp

         

     

   

p

   

                  

 

 

 

 

    





    

        

        

  

 

   

   

PED. B.D. & S.D. (brushes)

mp

32


  Picc.   

Fl. 1

  

Fl. 2

  

179

1 Ob. 2

Bb Cl.

Bb Cl.

1 2

3 4

    

   

    

     



  

  

    

    

 

cresc.

cresc.



183 q = 160 

(E.H.)

 

ff

2.ff

                                                         cresc.

Bb Bass Cl.

                                          

Bb Cbs. Cl.



Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

cresc.

                                                cresc.                                                  cresc.

 

 cresc.

  

     

    







ff

cresc.

                                          



Bb Tpt.

1 2

  

Bb Tpt.

3 4

F Hn.

F Hn.

cresc.

                                              cresc.

      

     

 

      

         

 

     

   

       

       

                                                     f

                                                f

                                                  f a2                                                 f

         

                                                      

 

1.             

 

 

1.           







    

    

    

   

                                                        f

                                       f                                         

f

        

        



1 2

 

3 4

 

  

2 3

  

Euph.

  

Tba.

  

Tbn. 1

Tbn.

S. Bass

  

 Timp.

cresc.





 

4.

 mp



  

mp

 





  

  

Perc. 1

  

Perc. 2

 

Perc. 3

 

Perc. 4



cresc.

   33

mf


  Picc.   

Fl. 1

  

Fl. 2

  

187

Ob.

Bb Cl.

Bb Cl.

1 2 1 2 3 4

Bb Bass Cl.

Bb Cbs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

    

         

  

    

                             

           

                



  

 

           

             



 

           

1 F Hn. 2

F Hn.

3 4

Tbn. 1

2 Tbn. 3

Euph.

Tba.

S. Bass

Timp.

4.        

 

      

     

       

  

   

                          

   

    

    

 

 

 

 

 

 

 

 

 

           









    

    



 

        

f

 

p

     

     

     



34

f

      

 

  

f

  



  

 

  

f

pizz.

  

  

(not rolled)

 

f

3.

f

  

   

 

 

 

  

 

    

  

  mf

f

       

p

  



        p

   

    



p

  

         p

   

p

  

    

f       

        

   

    

 

p

   

 

 



  

          

       

  

          



             

     

           p

        

p

          

 

    

          

p

          

         

         

 

  

          

   

     

 

 

Eng. Hn. return to oboe

 

           

   

Perc. 2



         

    





      

        

 

Perc. 4

    

  

Perc. 3



  

Perc. 1

                        

           

 

mf

mf

 

           

2.

mf

           

                                 

mf

arco

                                 

    

mf

                                 

mf

                                             



  



    

 3.

3 Bb Tpt. 4

   

191  

          

  

  



SUS CYM. (sticks)



f

 

p

BASS DRUM l.v. sempre

f


  Picc.    194

Fl. 1

Fl. 2

Ob.

Bb Cl.

Bb Cl.

1 2

  

  

  

1 2



3 4



      

     

f

f

 

a2

     

f

             

 

f

      

     

                     

a2 f

   

a2

   

f

Bb Bass Cl.

Bb Cbs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2

Bb Tpt.

3 4

F Hn.

1 2

3 F Hn. 4

Tbn. 1

Tbn.

2 3

Euph.

Tba.

S. Bass

Timp.





  

 

f

f

 







 

 unis.





 

    a2   

Bells up

 

f

f

 

          

     

    



    

 

   

    

 

 

f

(loud and trashy)

l.v. sempre

 

  

  

     



 

  

 

 

 

   

 

 

 

      

 

35

a2



 

 

   

 

 





f



   

 

f

 

f

a2

 (f )



 



 

 

  

 





 

 

 

 



    

  

f

 





  

 

f

       

 

  



 

f

f



 

l.v. sempre       



  

 

f

mp



 

 

 

 



  



 



  



   

CHINESE CYMBALS

  

 

  

Perc. 2



  

 

 f



 



 

2.

  

  



  

 a2 Bells up       

   

  

Perc. 4

 

Perc. 1

Perc. 3

 

      

f

   

 

mp

f

  

  

  

  

 

      

 

  

   

    





 

         mp


    201

Picc.

Fl. 1

Fl. 2

Ob.

Bb Cl.

Bb Cl.

1 2

  

    

3 4

  

Bb Cbs. Cl.



1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 2

3 Bb Tpt. 4

F Hn.

1 2

3 F Hn. 4

Tbn. 1

Tbn.



1 2

Bb Bass Cl.

Bb Tpt.



   



Bsn.



2 3

Euph.

Perc. 2

cresc.

cresc.

cresc. cresc.

Perc. 4



 



 



 



 

 

  



 cresc.



 

 





cresc.

 



cresc.

 

 

 

 

 

 

 

 

 

 

  

  

        

  



   



cresc.

 cresc.





  

  

  

  

    

 

  

 

  

   

     

   

cresc.

cresc.

 



 

cresc.  cresc.



cresc.

       cresc.        

      

ff

     

 

  



 

     

 

  



     

 

  



 

     

 

  



     

 

  



 

     

 

  



     

 

     

 

  



     

  

        

  

     

 

           

  



   

 













  

 



 

  

 







  

   

  

 

   

 







 

 

 

 

 

 

  

  

  

   

 



  

 

 

   

 

    

  

  





ff

       

 

 

 

     

  

 

  

  

 

 

 

 

 

 

 

 

 

            



 

  

           

   

 

  

     

 

           

 

 

(B.D.)

     

p

f

     

 

         

           

 

 

 

  

 

 

 

 

 

 

36

 



 

 



 

 

 

           





XYLOPHONE

 

 

 



 



 

 





 

 



  



  



 

 

ff



  

 

  

 

  

 

arco



  

 



 

 



  

  

 

 

 



 

  



 

 

 



  

  

 

  

 





 



 

  



   

 

 

  

 

cresc.

cresc.

 

 



 

     

 

   

 

 

cresc.



  





 

 

  



         

  

  



 

 





ff

Perc. 3

 

 cresc.

 Timp.

Perc. 1

cresc.

    cresc.

 Tba.    S. Bass

cresc.



             

     


208            Picc.     208

            

                  

fff

Fl. 1

Fl. 2

Ob.

Bb Cl.

1 2 1 2

3 Bb Cl. 4

        

   

fff

   

fff

        

               fff

             fff             

Bb Bass Cl.

  

fff

fff

Bb Cbs. Cl.

  

                       

fff

                     fff            

        

        

        

        

                                                          

                              

  

3.

p





p

                       

                    

                     

       

         

           

             

           

           

             

                        

                   fff            S. Bass 

             

                    

1 Bsn. 2

Eb Alto Sax. 1

fff

Eb Alto Sax. 2

fff

Bb Ten. Sax.

fff

 Eb Bari. Sax.               fff

             a2

Bb Tpt.

1 2

Bb Tpt.

3 4

F Hn.

1 2

F Hn.

3 4

Tbn. 1

fff

a2                    fff      ord.      fff

ord.          fff              fff

Tbn.

2 3

Euph.

       fff     

fff

Tba.

Timp.



fff

fff

Perc. 2

SNARE   DRUM  

     

    

                      ff

Perc. 3

Perc. 4



fff

    

                                            

        

                            

            

            

                            

        

       

                    

           

               

               

             

       

                          

fff

Perc. 1

        

                 

fff

37


215

      215       Picc.   

ff

Fl. 1

  

1 Ob. 2

  

Bb Cl.

1 2



Bb Bass Cl.



Bb Cbs. Cl.



1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

  

       

1. f

        

f

1.

f

   

3 Bb Tpt. 4



mf



a2 

 

    

mf

         

f





a2 

  

  

mf

   



    

   

 

    

 

 

  

ff

 

  

f

        f

a2

  

 

   

  

 

    

 

ff

   

ff

a2

 

        

  

mf

 

mf

f

        

 

                     

                   

to straight mute

    

f

                  

to straight mute     

f

       

   

          

                    

              

    

           

a2 straight mute

f

a2 mute 

             

 

  mute out  

  

2 3

  

Euph.

  

   

   

F Hn.

3 4

Tbn. 1

Tbn.

   

Tba.

  

S. Bass

  

 Timp.

f

f

         

f

    

Perc. 1

Perc. 2

  

Perc. 3

Perc. 4

   

f

f

30 inch: D——A

f

  

to mute       f       f     

1 F Hn. 2

 

mf

 

mf

f



        

  

       

 

  

f

1 2

Bb Tpt.

        

f



3 4

Bb Cl.

        

  

Fl. 2

   

     

mf

VIBRAPHONE

     

mf

 

SLAPSTICK ff

 

    

 

    

       

 

      

       

       

       

       

 38

    

           f    ff

  

    

 


  Picc.   

  

  

221

Fl. 1

Fl. 2 1 Ob. 2

Bb Cl.

1 2

3 Bb Cl. 4

Bb Bass Cl.

Bb Cbs. Cl.

1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

   

 

 

      

   

 

   

 

 

          

f

a2

a2

f

  

3



 



3



3







3



  3

 





    

mf

ff

        ff

a2

       

ff

             ff              ff

           

ff

             ff

  



3



  

   

mf



    

mf

   





       







Bb Tpt.

3 4



F Hn.

1 2

 

F Hn.

3 4

 

Tbn. 1

  

2 3

  

Euph.

  

Tba.

  

S. Bass

  

 Timp. Perc. 1

Perc. 2

Perc. 3

Perc. 4

                         

  

pizz.



         mp ff       

mf

ff

  

 



Pedal gliss. on 30 inch drum

   

ff

  

VIBRASLAP

ff

l.v.

 mf

TAM TAM

mp

39



 

 

 

 

   



     

   

3

ff

3

   

 

p



  

3

1 2

   

Bb Tpt.

Tbn.

3

p

mf

 

    

3

    

 



 

3

        





 

3

3

3

 

 

3



a2

f



f

ff

           

223 

       

 

 



 

        

mf


226    Picc.   

Fl. 1

  

Fl. 2

  

1 Ob. 2



3 Bb Cl. 4



Bb Bass Cl.



Bb Cbs. Cl.

   

1 2

Bb Cl.

1 2

        

  f 

   

  a2   

 mf

f









mf

  





mf

f

Bsn.

 

 

229

 

 

 

1.

 

  

 

f

 

f

 













 

 



















 

1.   

       

 

   



f

   

 

 

 

           

  

       

 

   



   

       

       f   

 

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

Bb Tpt.

1 2

3 4

1 F Hn. 2

F Hn.

3 4

Tbn. 1

Tbn.

2 3

Euph.

Tba.

S. Bass

          



 

Perc. 2

Perc. 3

Perc. 4

 





mf

f



( a2 )





 



   

  f

a2      





   

 



      f     f



 





mf



mf

 

mf

       

 

  

     

  

 

  









 

 



 



  

 

  













 f

       

     

to mute!

   

mf

to mute

         

 

            

   

   

   

mf

mf

   



   

   

f

mf

     

mute

       

                      f



   

SUS. CYM. (stick) PED. B.D.   l.v.





  

 

   

                     



                 f

f

     f



              

f

f



f

( a2 )     

   





       

( a2 ) straight mute

 open



     

( a2 ) (st. mute)



 Timp. Perc. 1



 f

   

    

f

f

   

f

    

 

       

       

       

       

       

  

(Vibes)

mf

 

f

40


  Picc.    232

Fl. 1

Fl. 2

        

    

  

  

               

               

    f    

  

      

    

  

      

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

  

 1 Bb Tpt.  2 Bb Tpt.

F Hn.

F Hn.

3 4

Tbn.

f

   

 

  

Tba.

S. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

      



   

        

   

f

  

 



   

 

 



sfz

sfz

    

        

      

  

   

   

   

   

   

   

   

f

  

   

   

mf

     f

  

   

           

    

     

  

    

   

   

   

f

   

  

  

  

  

   

   

      

   

SLAPSTICK

PEDAL B.D.



41

  

mp

  

    

f

   

   

   

a2

a2

  

mp

mf

   

   

   

     

   

f

    

       

    

f

 

 

   

       

    f

    

 

f

   

       

f

       

      

mute

f

                sfz mf       

    

      

   

  

 

   

f

 a2      

      

 

mf

   

        

       



a2

       

  

             

3 4

   

   

Euph.



   

f

    

a2

   

f

 

2 3

f

    

1 2

Tbn. 1

   

 



mf

     

Eb Alto Sax. 1

3 4

  

Bb Cl.

1 2

  

Bsn.

1 2



  

Bb Cl.

Bb Cbs. Cl.

1 2



Ob.

Bb Bass Cl.


237   Picc.     Fl. 1

Fl. 2

        a2

1 Ob. 2

   



f



 f



  



  





  



  



f



f





  

  

  

  

     

ff

ff

  



  



ff





ff

       

    

     

             

Bb Cbs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

 



   

Bb Tpt.

1 2

F Hn.

F Hn.

Tbn.





 





ff

ff

 

         

         

         

         

      

    

 

      

     



mf

             

 

                 

Perc. 1

   

Perc. 2

   



    

    

    

   f

   f

    

 

    

 

f

f

    f

     

mf



mf

        

 

        



       

 





SUS. CYM. (yarn)

 42

 

  p

(Xylo.)

 

            

   

   

                       cresc.

     

cresc.

    

f

     

f

    

    

open

f

open

f

      

 to plunger mute               

  

f

 Timp.

Perc. 4

 

    

 

Perc. 3



    

      

3 4

S. Bass

       

mute out

Tba.



f

   

       

mute out

Euph.

    

         

 

2 3

3.

         

1 2

Tbn. 1

f

        

f

3 Bb Tpt. 4

mf

Eb Bari. Sax.

   

3 Bb Cl. 4

     

    



Bb Bass Cl.

a2

1 Bb Cl. 2

f



     f

   

            

 



 




243    Picc.   

Fl. 1

Fl. 2

1 Ob. 2

Bb Cl.

Bb Cl.

        

1 2



3 4



       

Bb Cbs. Cl.

   

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

   

      

  

      

  

    

2 Tbn. 3

  

Euph.

      

S. Bass

  

Perc. 3

Perc. 4



ff

 

     

       

        

a2

mp

1.



  

mp

f

       

1. f

 

 

   

mp

mute out

 

to mute

   

a2                                

      

        

         mp      

      

plunger

   

mp

Fltg. 

 

mp

   mp

   

O

f

                

ff

mp

       

       

   



               

 l.v.  

pp

43

 

               

 

f



mute

       

   

f

p

mp

ff

             

mute  

    

 

mp

         

to mute

       

ff

mp

         

 

mute out

f

   

    

mp



        

f

    

       

  

mp

       

mp

     

        

      

248             f

ff

    

             

        

         ff         

   

Tba.

          

ff

   

Perc. 2

      

  

Perc. 1

ff

       

  

      

    



Timp.

     

Tbn. 1

3 4

3 F Hn. 4

p

1 2

        



       

F Hn.

ff

p

1 Bb Tpt. 2

Bb Tpt.



         

p



Eb Alto Sax. 1



1 2

 p

Bb Bass Cl.

Bsn.

mp

f

            f


  Picc.    249

Fl. 1

Fl. 2 1 Ob. 2 1 Bb Cl. 2

Bb Cl.

3 4

  

  

   



Bb Ten. Sax.

Eb Bari. Sax.







        

Bb Cbs. Cl.

Eb Alto Sax. 2

a2



mf

Bb Bass Cl.

Eb Alto Sax. 1

  



1 Bsn. 2

  

mf

      

        

 

 

 

 





   

           







 



  

           







 



  











  

 

 



Jet Whistle



 

ffff

Jet Whistle





ffff

 

          

     5         

           



 

     mf

  

  

    





p



p

 p

Bb Tpt.

1 2

 

Bb Tpt.

3 4



 

1 F Hn. 2

F Hn.

3 4

  

p

 

 

 





   

          

  

       

mf

mute out

mute out

   

O

2 3

  

Euph.

  

Tba.

  

S. Bass

  

Tbn.

Timp.

Perc. 1



  

(accented notes w/ clarinets)

Perc. 2

Perc. 3

Perc. 4

                           mf      

     

p

(a2)

 

  

Tbn. 1

(a2)

p

  

(a2)

f

 

 

 

 

     

              

  

       

       

       

 

 



 

     

           

44


255

    255

Picc.

Fl. 1

Fl. 2

1 Ob. 2

 



Bb Bass Cl.



Bb Cbs. Cl.



   

   

ff

1 2

 

3 F Hn. 4

 

open 

   

ff

   

Euph.

Tba.

  

S. Bass

  

  

f

Perc. 3

Perc. 4

        

       

        

      

       

         

a2

            

   

    

                

 

    

  mute out    

p

    

ff

   

ff

   



         

             

         

                      

a2

  

 f





  



  

f

         

           

                            f                        f                                   3 f

3





3

 

   

      ff

  

   

 

ff

  

SLAPSTICK ff

B.D.

 

f

  

  

   

3

         

        

3

 

(a2) open

       

f

ff

ff

  



         

                 

arco

Perc. 2

    

ff

  

  

   



           

f

ff

  

           

   

2 3



f

ff

open

Perc. 1

   

open

Timp.

     

ff



Tbn.

a2

ff

3 4

Tbn. 1

        f

  

 

F Hn.

a2

        

1 Bb Tpt. 2

Bb Tpt.

         

f

 f     



  

3 4

Eb Bari. Sax.

      



Bb Cl.

Bb Ten. Sax.

  

     

 

f

f

ff





f

 1.   

    



Eb Alto Sax. 2

     





Eb Alto Sax. 1

1 2

1 2

            



Bb Cl.

Bsn.

  



ff

ff

      

   

ff

     



ff

  

   

  

  

    



ff

  

     

   

         

                 

     

 

 open

 ff

ff

 

3

 

3

 

 

45

    

       

   

   

 

3

3

   

  3

3

 

 

3

  

    

  

  

SNARE DRUM p

                      

3

3

                         

3

f

 3

a2   ff



     

             


261        Picc.   

rit. poco a poco  

261

fff



Fl. 1

           fff

Fl. 2

fff

       

ffp





f



1 2

  1.    



3 4



Bb Bass Cl.



Bb Cl.

Bb Cl.

1 2

Bb Cbs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

fff

fff

 

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

3 Bb Tpt. 4

f





 

3 4

mf







 

   

 

 

  3.    mf

 Solo



mf



 









mp

 







       fff     

fff

   fff

 

  

fff

  

fff

  

fff

     fff

                

Bs. Clar. 









mp

1. Solo



mf

 



1.



3

f

fp

 





 

 mp

     

      

fff

Tbn. 1

fff

Tbn.

2 3

fff

Euph.

      fff

       fff      S. Bass     fff   Timp.   Tba.

Perc. 1 Perc. 2

Perc. 3

Perc. 4

  

fff

23 inch: Eb ——F 30 inch: Eb ——Ab

         ff  GLOCK.         



fff



ff

 

 

 

(B.D.) pp

fff

46

CHINESE CYMBALS

 

 

like distant thunder mp

f



mp

3

  



mp



  

mf

fff

F Hn.





fff

1 F Hn. 2

mf

f

ffp

fff

Eb Alto Sax. 2



f

Ob.

 

mp



SUS. CYM. mp

   

pp


  Picc.    268

Fl. 1

  

 3

 

     



           3

3

3

Fl. 2

  

Ob.

1 2

  

Bb Cl.

1 2

  

3 4



Bb Cl.

Bb Bass Cl.

Bb Cbs. Cl.

 p

 p



 





 





p

p

3

 

  





 

272 q = c. 69   



pp

 

 

 

 

 

 

 

 

 

 



 

 



 





pp



pp

  

 

 

Eb Alto Sax. 1

 

 

Eb Alto Sax. 2

 

 



 

 

Bsn.

1 2

Bb Ten. Sax.

Eb Bari. Sax.



 1  Bb Tpt. 2  3 4



F Hn.

1 2

  

3 F Hn. 4

 

Tbn. 1

 

 

 

 

 

 

 

 

 





pp

 

 

  

 

 

2 3

  

Euph.

  

 Tba.   

Tbn.

(arco)

S. Bass

Cel.

Timp.

Perc. 1

   

Perc. 3

Perc. 4

        

p

  p

 

 

 



  



 

 

 

p

 

2. 3.

pp

 





pp



  

 

pp

pp

 



 

 

 

Solo

  

mf

    

  

   

  

 

 

 

 

 

 

pp

 

mp

  pp

47

 

 

VIBRAPHONE

(Glock.)

pp

pp

 

 



pp

Bsn. 1  



p





a2

on dome

Perc. 2





  

Bsn. 1 

p

Bb Tpt.

1. Solo

 

  

 

  

Celesta cues: Play if no celesta or pno. available                   mf

Celesta cues: Play if no celesta or pno. available             mf


  Picc.   

 

Fl. 1

  

 

Fl. 2

  

 

1 2

  

 

274

Ob.

Bb Cl.

1 2



1. Solo

f

3 4



Bb Bass Cl.



Bb Cbs. Cl.



Bb Cl.

1 Bsn. 2

 



   

   

mf

Eb Alto Sax. 2

Eb Bari. Sax.



  



mf



 

         3 3

  

Eb Alto Sax. 1

Bb Ten. Sax.





   

  





3

  



   

 

   

 

 

 

 

 

P

 

Bb Tpt.

1 2

 

Bb Tpt.

3 4



 

F Hn.

1 2

 

 

F Hn.

3 4

 

 

 

 

Tbn. 1

  

2 3

  

Tbn.

Euph.

Tba.

S. Bass

Cel.

Timp.



 

mf

 

     



3

3

f

P

only   one 







    

 

 

 

 

  

   

Perc. 1

  

Perc. 2

  

Perc. 3

  

Perc. 4

 



one only

     

     

   

 

  

 

   



  

      

   

 

 

   





 

 

 

 

 

 

 

 



 

 

p

f

   f

ord.

     

3

3

3



f

       

3.

         3

   (Bell up)  

 

   

                       

 

 

 

 

 

 

 

 

 

 

 

 

  

  

 





 

 

  

  

 

 

 

 



 

 48

 

 

 

 

 

 

 

 


281 h = c. 80    Picc.    

 

 

Fl. 1

    

 

 

Fl. 2

    

 

 

Ob.

1 2

    

 

 

Bb Cl.

1 2

   

 

 

 

 

 

 

3 Bb Cl. 4

  



mp





Bb Bass Cl.

   

Bb Cbs. Cl.

    

1 2

   

Eb Alto Sax. 1

 

Eb Alto Sax. 2

 

Bb Ten. Sax.

  

  

p

Bsn.

Eb Bari. Sax.

 

 

 

  

mp

Bsn. 1 

mp

Bsn. 2 

mp

 

  

    

   

 

   



 

 

 

 

 

 



 





 

 



 

 





 

Bb Tpt.

1 2

   

 

 

Bb Tpt.

3 4

  

 

 

F Hn.

1 2

   

3 4

   

Tbn. 1

   

F Hn.

a2

mp

 Hn.  1&2

 



 

 



mp

  

 

  



   

 



 



2 3

      

 

 

 

Euph.

    



 

 

     



 

 

Tbn.

pp

( pp )

Tba.

( pp )

pizz.

S. Bass

Timp.

     

 

 

 

   

   

 

  

 

 

 

   

   

 



p

p

Perc. 1

    

 

 

Perc. 2

    

 

 

Perc. 3

    

 

 

 

 

 

Perc. 4



49


  Picc.   

 

  

  

 

1 2

Bb Cl.

Bb Cl.

291  

 

 

 

 

 

 

 

  

 

 

 

1.

 

 

 

1 2



 

 

3 4



 

 

Bb Bass Cl.



 

 

Bb Cbs. Cl.



289

Fl. 1

Fl. 2

Ob.

Bsn.

1 2

 

    

    

   

 

    

mp

   



mf

 

 

 

 

mp

  

mp

mp

 

 

 

 

  

 

Tutti

mp

   

 

 

Eb Alto Sax. 1

 

 

Eb Alto Sax. 2

 

 

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

3 Bb Tpt. 4

F Hn.

F Hn.

 



 

 



 



 

  

1 2

   

3 4

 

Tbn. 1

  

 

  





 

 

 

mf

 mf









Play









Play mp

mp

   

   

mf

  mf

mf





mp

 

 







 

 



 

 

 

 

2 3

  

 

 

Euph.

  

 

 

Tba.

  

 

 

Tbn.

S. Bass

    

 Timp. Perc. 1

  

Perc. 2

Perc. 3

Perc. 4

 

   

   

 

 

 

 

 

   

   

 

 

 

 

 

mp

 

 

  

 

  

 

 



mp

 

 

 

50


  Picc.    297

Fl. 1

Fl. 2

Ob.

1 2

1 Bb Cl. 2 3 Bb Cl. 4

Bb Bass Cl.

Bb Cbs. Cl.

1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

298

    

 

 

 

    

 

 

    

 

 

a2

Tutti



a2





mf

mf

   

 

 

mp

cresc.

 

 

 

 

 

 

 

 

cresc.

 

 

 

 

cresc.

 





 

   



 

  

mf



 

 

 

  cresc.

 











cresc.

cresc.

mp

  



 mf

   



 

mf

 



mf

 

 

 

 

 

1.

















   

mp

cresc.

 

 

 

 

cresc.

cresc.













 cresc.



cresc.

cresc.



cresc.

Bb Tpt.

3 4



F Hn.

1 2

 

F Hn.

3 4

 

Tbn. 1

  

2 3

  

Euph.

  

Tba.

  

Tbn.

S. Bass

Timp.

    

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



cresc.

cresc.

Perc. 1

  

Perc. 2

  

Perc. 3

  

Perc. 4



51


    Picc.    305

Fl. 1

Fl. 2

Ob.

Bb Cl.

1 2

1 2

3 Bb Cl. 4

Bb Bass Cl.

Bb Cbs. Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

  

 

306  

 

mf

cresc.

mf

    

cresc.

 

mf

     

 

  

mf

cresc.

f

  



mf

f

mf

  

 

  

cresc.

 

cresc.

    

 



 



 

a2



 



 

 

 

 

 

 

cresc.

 

 

 

 



 

 





 



 

 



 

 

 

 

 



 

 

 

 

f

f

cresc.

cresc.









 









cresc.



2 3

  

Euph.

  

Tba.

  

f







 

cresc.





 





  

f

C——Db

mf

 

Tbn. 1

a2

 

a2

cresc.

3 F Hn. 4





 

Perc. 4

 

1 2

  



Perc. 3

  

 

 

Perc. 2







  





Perc. 1



 

3 4

mf



Bb Tpt.

 



 

f



 



 

Timp.



 



f



    

 

 

S. Bass

1 2

Tbn.

 

 



 

Bb Tpt.

F Hn.





cresc.

mf

mf

 

cresc.

a2





 



cresc.

 





 

 



 

 

 

 

 

 

 

 

   



    

52





 

cresc.

 

f

cresc.



cresc.




rit.    Picc.    312

Fl. 1

Fl. 2

1 Ob. 2

Bb Cl.

Bb Cl.

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 2 3 4

1 F Hn. 2

fff







  

 

 



 

 





fff

  

                  

  













     



 

 









  



fff

 

fff

 

 

fff



 



   



 



    



 



   

  



 

fff

fff

fff





fff



fff

fff





fff

 

 



        

 







 





  





 

fff

  











fff

 

  

 

 

 

 

 



 

 

 









  







  









 

fff



fff

Euph.

 Tba.   



 

  

Perc. 4





fff

fff



    

fff

  



arco

 

 

fff

fff

   

 

 

  

 

TRIANGLE

GLOCK.

BASS DRUM

                                

  

fff

Perc. 3

 



  



  

  

  

Perc. 2



         



2 3

  

 

 

Perc. 1

    





       



Timp.



        



    

   

               

 

  

S. Bass

 

      



Tbn.

 

    

 



Tbn. 1

  

a2   

       

   

3 4

 

   

Optional organ part enters here, doubling brasses.

 

F Hn.

                                                                 

   

 

fff

a2 

314 Majestic h = c. 76      



 

 

3 4

1 2

   

 

Eb Alto Sax. 1

Bb Tpt.



Bb Cbs. Cl.

Bb Tpt.

  

1 2

Bb Bass Cl.

Bsn.

  



  

fff

fff

ff

  

   

 

   

 

 



fff The notated pitches are only a suggestion. Play at liberty, wildly and very loudly!

 

     

CHIMES (opt.: If available, use two sets of chimes, positioned on opposite ends of stage.) Strike any notes in wild and random fashion, evoking the sound of celebratory church bells.

   

   



  

CRASH CYMBALS

53

(B.D.)

 

ff

l.v.


  Picc.    317

Fl. 1

Fl. 2

1 Ob. 2

         

  

  

         



Bb Bass Cl.



Bb Cbs. Cl.



Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

3 4

1 2



Bsn.

         

1 Bb Cl. 2

Bb Cl.

 





   



  

     



  























 



    

   

 

 



 





fff

(a2)  fff

 fff

fff

fff

 fff







 



1 2

  

 

3 4

  







  





    

 

 

  

 

 

 

 

 

 



 

 





 







 



Tbn. 1

2 Tbn. 3

Euph.

Tba.

S. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

      

 

 

 

 





 



 

 

 



   







 



        

 

      

Ab——G

   

 

 

 

   

               

                

 

 

 

 

 

 



   

          

    54

 

    

 

 

 

  

  

  

 

 

 

 

     

     

 

 

 

 

 

   

   

(a2)

 

 

 

         

 

   



a2

  



fff

  





  

  

 



 

F Hn.

 



fff

 

F Hn.

    

 





 



3 4

 



Bb Tpt.

 



1 2

 

   

Bb Tpt.

 

fff

 

 

fff

   

320 

          

  

 

   



 

 

  

 

       

     

      

 

  

 

 



 

  

   



 

  

          

 

  

 

 



  

 

   

 

 

 

  

 

 

       

 

 

   

  

   

  

    

  

   

   

 

 



 

 

   

 

 

  

    


       Fl. 1    Fl. 2

1 Ob. 2

 



  

 

  



 

  



 

  



 

Bb Bass Cl.

 

Bb Cbs. Cl.



Eb Alto Sax. 1

Eb Alto Sax. 2

     

 

  



 

1 Bb Tpt. 2

   





3 Bb Tpt. 4

 

Bb Ten. Sax.

Eb Bari. Sax.

 

1 2

 

3 F Hn. 4

 

F Hn.

Tbn. 1

2 Tbn. 3

Euph.

Perc. 2

Perc. 3

Perc. 4





 

 

 

   









 









 

 

 

  

 

 

   

 

 









 

 

 









 







 

 



















 



 

 

  

 

 

 

 



   



 

 

 

 

 

 

 

 

 

  

  

 



         

  

   

      

 

         

 

(a2)





2.

     

 

     

  

 

   

  

  

 









 

 

 

 

 

 

 

  

  

 

 

   



  

 

   

  



  







  

  

 

  

 Timp. Perc. 1

 

 



 Tba.    S. Bass

  

 





 



3 4

 

 



 



 

   







 



  

    

   



 

 







 

  

  



  

 





 

 



 

 

  



molto rit.  

 







1 Bsn. 2

 

1 Bb Cl. 2

Bb Cl.

  

323

Picc.

 

rit. 

 

 

   div.    

 

      

Db——D§

  

 

   

  

 



 





fff

 

 









 

 

  

 

 

 

  fff

 

SUS. CYM. (B.D.)







   

 

 

  

 



 

 

  



 

 

 

      

   

 

 

 

 

 

 

 

 

      

  

    55





   

fffp

  

  f

  f

  



   

bell tones f

   

bell tones

 

bell tones

 





  

   

bell tones

  

bell tones

  

      bell tones    

  

bell tones

  

bell tones

  

        

bell tones

  

     bell tones    

  

bell tones







  

      f

  

pizz.

 f

    

fff

        

     

    





fffp

mf

  

  



  

bell tones    

bell tones

  

  

  

    

  

  

bell tones    

  

           

328 q = c. 76 bell tones     bell tones     bell tones    

       

l.v.

l.v.

 

fff

   

fff

f


  Picc.   

Old Hundredth (16th-century Genevan Psalter)

329

Fl. 1

Fl. 2

Ob.

Bb Cl.

Bb Cl.

 

  

1 2 1 2



3 4

Bb Cbs. Cl.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

Bb Tpt.

3 4

   

  f

  

f

     



   



 

mf

 

mf



mf

 

f



f



 

f

 

  

 

  

f

     

  

     (2.)     

  

f

Tbn. 1

    f      

     

      f      f

Tbn.

2 3

Euph.

f

Tba.

S. Bass

Cel.

            

 Timp. Perc. 1

Perc. 2

Perc. 3

Perc. 4

      

  

mf



 f

   

  

mf







 

 



     

 

mf

  

 

mf

mf

   mf

   mf      mf    



mf









  

  

p

   p

  





   

  

mp

  

p





p

 

p

  

  









    

  

  

  

  

    

3            

  mp  

  

   mp   mp

     

mp

 

 

mp

  p  



 

   p p

    

3

        

     

 

   

pp

 



p

 

mf

 



(with flutes)

 

3

     

  

 

(Play upper octave only if contrabs. clar. is available)

  



     



 



 

  



 

  

30 inch: G——Gb

mp

mp

  



   

 

mf

 

 

   

Old Hundredth (16th-century Genevan Psalter)



 

   

 

 

  

   

mp

  



   

 p

  

   

  

mf

 

  

mf

3          

f

mp

mp

1. Solo baleful





mp

 

mp



(Optional organ tacets here to end...)

 

mp

  



 

mp

mf

One only

  



  



mf

    

      

  

mf



One only 

   

 3.      mf

f

3 F Hn. 4

     

f

1 F Hn. 2

  

mf



    

f



   

f

    

Bb Bass Cl.

Bsn.

  

p

p

56


   Picc.   



 



 

   



335

Fl. 1

Fl. 2

Ob.

1 2

  

  

1 Bb Cl. 2



3 4



Bb Bass Cl.



Bb Cl.

Bb Cbs. Cl.

1 Bsn. 2

   

 

 

 

  

  

 









  



 

a2























 











 









 

1.

mp









 

molto rit.   

 

 

pp



 



pp

 

   

 

Eb Alto Sax. 1

 

Eb Alto Sax. 2

 







Bb Ten. Sax.

Eb Bari. Sax.



 

Bb Tpt.

1 2

 

 

Bb Tpt.

3 4



 

F Hn.

1 2

  

 

F Hn.

3 4

 

Tbn. 1

  

2 3

Euph.

Tbn.

Tba.

S. Bass

Cel.

Timp.

 

 



 

Mute

  

  

         

     

 

 

 

 

 

 

 

 





  

 

 

pp

  

 





 

 

mf



mp



 

  

arco



 

mp

 

  p

  

 

 

    

  

  

Slow gliss.

 

3.

 

 

pp

  

 

  

Slow gliss.

 

 

 

Slow gliss.

   

   

Perc. 1

   

Perc. 2

 

Perc. 3

  

 



Perc. 4



VIBRAPHONE

 

mp

57

 

  

  

   


Conductor: Men will likely need to sing falsetto on the Eb with the women singing the Bb. Experiment as needed to obtain proper balance between the two pitches.

341 h = c. 50    Picc.     pp     Fl. 1   pp

Fl. 2

   

 

 

1 Bb Cl. 2

    

 

 

 

3 4

    

Hmm...

 

 

 

Bb Cl.

Bb Bass Cl. Bb Cbs. Cl.

a2

  

 

pp

 

Eb Alto Sax. 1

   

 

 

 

   

 

 

 

    

 

 

 

    

 

 

 

      

 

     

Bb Tpt.

F Hn.

F Hn.

Hmm... Hum softly, concert pitch, no octaves! (Men use falsetto) Stagger breaths

3 4

    

1 2

Hum softly, concert pitch, no octaves! (Men use falsetto) Stagger breaths            

3 4

Hum softly, concert pitch, no octaves! (Men use falsetto) Stagger breaths            

 

Hmm...

 

Hmm...

Hmm...

2 Tbn. 3

     

pp

Euph.

    

pp

 Tba.      S. Bass Sopr.

         pp   Timp.  

 

WHIRLY

   

Hmm...

I

     







 

 

 

 

 

 

p

CRYSTAL WINEGLASSES

Perc. 4

    

Perc. 2

      

Perc. 3

    

CRYSTAL WINEGLASSES

     

    

 

p

  

  

Hmm... Hum softly, no octaves! (Men use falsetto) Stagger breaths

     

WHIRLIES

  

    

 

Perc. 1

p

  

Hum softly, no octaves! (Men use falsetto) Stagger breaths

 

Cel.

pp

pp

      ppp     

  

    

 

 

  

    

Hmm...

Tbn. 1

  

    

 

Hum softly, no octaves! (Men use falsetto) Stagger breaths           

  

    

have

 

 

  

come,

   

               

p

58

  

,

 I

have

       

 

   

 

   

 

   

 

   

   

 

   

 

   

 

   

 

   

 

   

 

   

 

   

 

   

 

   

 

   

 

   

 

   

 

 

 

 

 

 



   

come,

 

 

  

    

   

 

 

    

Hum softly, concert pitch, no octaves! (Men use falsetto) Stagger breaths  1       Bb Tpt.      2 Hmm...

    

Hmm... Hum softly, concert pitch, no octaves! (Men use falsetto) Stagger breaths

Eb Bari. Sax.

Hmm...    

Hum softly, concert pitch, no octaves! (Men use falsetto) Stagger breaths

Bb Ten. Sax.

  

    

 

Hmm... Hum softly, concert pitch, no octaves! (Men use falsetto) Stagger breaths

Hmm...

  

Hum softly, no octaves! (Men use falsetto) Stagger breaths

Hmm... Hum softly, concert pitch, no octaves! (Men use falsetto) Stagger breaths

Eb Alto Sax. 2

  

    

Hmm... Hum softly, concert pitch, no octaves! (Men use falsetto) Stagger breaths

1 2

Bsn.

    

 

Hmm... Hum softly, concert pitch, no octaves! (Men use falsetto) Stagger breaths

  

  

Hmm... Hum softly, no octaves! (Men use falsetto) Stagger breaths

1 2

    

 

pp

  

Hmm... Hum softly, no octaves! (Men use falsetto) Stagger breaths

     

Ob.

    

 

pp

  

Hmm... Hum softly, no octaves! (Men use falsetto) Stagger breaths

    

Hum softly, no octaves! (Men use falsetto) Stagger breaths

,

To

pro

   -

 

tect

 

 my

cho - sen

 

     

  

 

  

 

   

 

   

 


   Picc.       348

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl.

1 2

Bb Cl.

3 4

                       

           

Bb Cbs. Cl.

  

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

Bb Tpt.

3 4

F Hn.

1 2

F Hn.

3 4

Tbn. 1

Tbn.

2 3

Euph.

               

            

                                     

S. Bass

   

Sopr.

,

    

 Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

 

            

       

     

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



pp



pp

 

 

 

 

 

 

 

And

 

 

 

 

 

 

   

 

 

 

 

 

   

 

 

 

 

 

   

 

 

 

 

 

   

 

 

 

 

 

 

 

 

 

 

   

 

 

 

 

 

   

 

 

 

 

 

   

 

 

 

 

 

   

 

 

 

 

 

   

 

 

 

 

 

   

 

 

 

 

 

 

  

lead

Cbs. Clar.

 pizz.

them

to

the



 

 



pp

land.

pp

pro - mised

 

 I

mp

 

    

pp

am

an

an

-

gel

of

light

 

 

   

  











 

 

 

 

 

   

 

 

 

 

 

59

  

  

   

 

   

  

band

Cel.

 

 

 

     

 

   

     

   

 

   

       

Tba.

 

   

Eb Alto Sax. 2

 

   

  

Eb Alto Sax. 1

   

   

Bb Bass Cl.

1 Bsn. 2

352


rit.

  Picc.     

 

 

 

 

 

    

 

 

 

 

 

 

 

 

 

   

dim.

 

355

Fl. 1

Fl. 2 Ob.

1 2

         

 

 

 

 



 

 

 

 

 

 

3 4



 

 

 

 

 

Bb Bass Cl.



 



Bb Cbs. Cl.



 



1 Bb Cl. 2

Bb Cl.

1 Bsn. 2

    

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



 

 

 

 

 

 

  1 Bb Tpt.  2

 

 

 

 

 

 

3 4



 

 

 

 

 

 

1 2

   

 

 

 

 

 

3 4

   

 

 

 

 

 

Tbn. 1

    

 

 

 

 

 

2 Tbn. 3

    

 

 

 

 

 

Euph.

    

 

 

 

 

 

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

F Hn.

F Hn.

Tba.

S. Bass

Sopr.

  



   

        Timp. 

Perc. 2

Perc. 3

Perc. 4

 

   

Cel.

Perc. 1

 

 

   

I

have

    

soared

 

from

a

 

bove

 

 

 

   

 I

am

Mo - ther's

   

dim.

 

dim.

dim.

  

 

  

 

     

 

  

 

  

 

  

 

dim. dim.

dim.

dim.

dim.

dim.

dim.

dim. 

arco



ppp



ppp







 

 

 

 

 

dim.

 

 

 

 

 

 

 

 

dim. dim.

 

dim.

dim.

   

  

dim.

60





  

 



    

  

 



  

 

dim.

  

 

dim.

love.

  

dim.

 

 

    



dim.

  

ppp

 

   

  

dim.

   

     

dim.

 

  

 

cloth'd with

  

dim.

 



 -

 



 

 

  

 

pp

         

 

 


F R A N K W O R K S

T I C H E L I

F O R

C O N C E R T

B A N D

FRANK TICHELI’S WORKS FOR CONCERT BAND

A R E P U B L I S H E D E X C L U S I V E LY B Y M A N H AT TA N B E A C H M U S I C

Abracadabra (5 minutes, grade 3) Amazing Grace (5 minutes, grade 3) Amen! (3 ½ minutes, grade 2) An American Elegy (11 minutes, grade 4) Angels in the Architecture (14 ½ minutes, grade 5) Ave Maria / Schubert (4 ½ minutes, grade 3) Blue Shades (10 minutes, grade 5) Cajun Folk Songs (6 ¾ minutes, grade 3) Cajun Folk Songs II (10 ½ minutes, grade 4) Fortress (5 ½ minutes, grade 3) Gaian Visions (9 ½ minutes, grade 6) Joy (2 ½ minutes, grade 2) Joy Revisited (3 ½ minutes, grade 3) Loch Lomond (6 ½ minutes, grade 3) Nitro (3 minutes, grade 4) Pacific Fanfare (5 ½ minutes, grade 5) Portrait of a Clown (2 ¾ minutes, grade 2) Postcard (5 ¼ minutes, grade 5) Sanctuary (12 minutes, grade 5) A Shaker Gift Song (2 minutes, grade 2)

This work is a separate publication of the third song from Simple Gifts: Four Shaker Songs

Shenandoah (6 ½ minutes, grade 3) Simple Gifts: Four Shaker Songs (9 minutes, grade 3) Sun Dance (5 minutes, grade 3) Symphony No. 2 (21 minutes; mvts. 1 & 2 are grade 6, mvt. 3 is grade 5)

Movement 1, “Shooting Stars,” Movement 2, “Dreams Under a New Moon,”and Movement 3, “Apollo Unleashed” may be separately performed

Vesuvius (9 minutes, grade 4) Wild Nights! (6 ½ minutes, grade 4)

learn more at WWW.FRANKTICHELI.COM

THE OFFICIAL SOURCE FOR THE MUSIC OF FRANK TICHELI


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AN B E �� AC S I�C� � � �M� � � H� A�T�T A � �N� �� �H � �M� �U � � � � � � � � � � � �� �� � � � � � � � � � � � � � � � � BOB MARGOLIS: PUBLISHER ���������� N E I L R U D DY: C R E AT I V E D I R E C T O R C O F O U N D E R S � � � � � � � � � � � � � � � �� � � � � � � � � � � � � � � �

PRINTING :

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ANGEL S IN THE ARCHITEC TURE COVER PHOTOGR APHY: ROBERT BENNE T T


www. F r a nk Tic he l i . com www. M a n h at ta n B e a c h M u s i c . com

Angels in the Architecture for concert band by Frank Ticheli  

The complete conductor score of Angels in the Architecture for concert band by Frank Ticheli