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Recording Credits for Acadiana: Performance by Metropolitan Wind Symphony, Lewis J. Buckley, music director and conductor.


F RA N K T ICH ELI AC A DI A N A F O R

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1 Full Score

3 Eb Alto Saxophone 1

3 Euphonium B.C.

1 Piccolo

3 Eb Alto Saxophone 2

2 Euphonium T.C.

4 Flute 1

2 Bb Tenor Saxophone

4 Tuba

4 Flute 2

1 Eb Baritone Saxophone

1 Oboe 1

3 Bb Trumpet 1

1 Oboe 2

3 Bb Trumpet 2

4 Bb Clarinet 1 4 Bb Clarinet 2 4 Bb Clarinet 3 2 Bb Bass Clarinet 1 Bb Contrabass Clarinet 1 Eb Contra Alto Clarinet (in absence of Bb Cbs. Clar.)

2 Bb Trumpet 3 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 4 2 Trombone 1

1 Bassoon 1

2 Trombone 2

1 Bassoon 2

2 Trombone 3

2 String Bass 1 Timpani 2 Percussion 1 Xylophone, Chimes, Snare Drum, Wood Block (med.)

2 Percussion 2 Glockenspiel, Slapstick (lg.), Triangle (med. lg.), Suspended Cymbal (med.), Crash Cymbals, Tam Tam (very lg.), Washboard

2 Percussion 3 Vibraphone, Crotales (upper octave only), Suspended Cymbal (med. sm.), Bongos, Washboard

2 Percussion 4 Washboard, Tambourine, Suspended Cymbal (med.), Shaker or Maracas, Tom Toms (4), Bass Drum (lg.)

P R I N T E D O N A RC H I VA L PA P E R

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Manhattan Beach Music 1595 East 46th Street Brooklyn, New York 11234 Web: www.ManhattanBeachMusic.com E-mail: customerservice@manhattanbeachmusic.com Voicemail: 718/338-4137

M A N H AT TA N B E AC H M U S IC


F RA NK

T I CH ELI

WO R K S F O R CO N C ERT BA N D FRANK TICHELI’S WORKS FOR CONCERT BAND

ARE PUBLISHED EXCLUSIVELY BY MANHAT TAN BEACH MUSIC

Abracadabra (5 minutes, grade 3) Acadiana (17 minutes, grade 5) Movements 1 and/or 3 may be performed separately

Amazing Grace (5 minutes, grade 3) Amen! (3 ½ minutes, grade 2) An American Elegy (11 minutes, grade 4) This work is also available as An American Elegy for orchestra

Angels in the Architecture (14 ½ minutes, grade 5) Ave Maria / Schubert (4 ½ minutes, grade 3) Blue Shades (10 minutes, grade 5) This work is also available as Blue Shades for orchestra

Cajun Folk Songs (6 ¾ minutes, grade 3) Cajun Folk Songs II (10 ½ minutes, grade 4) Concerto for Clarinet and Wind Ensemble (21 minutes, grade 6) This work is also available as Concerto for Clarinet in an edition for Solo Bb Clarinet and Piano

Concerto for Alto Saxophone and Wind Ensemble (21 ½ minutes, grade 6) This work is also available as Concerto for Saxophone in an edition for Solo Alto Saxophone and Piano

Dancing on Water (8 minutes, grade 4) December Snow (2 ¼ minutes, grade 1) Earth Song (3 ½ minutes, grade 2) First Light (3 minutes, grade 1) Fortress (5 ½ minutes, grade 3) Gaian Visions (9 ½ minutes, grade 6) Joy (2 ½ minutes, grade 2) Joy Revisited (3 ½ minutes, grade 3) Korean Folk Songs from Jeju Island (10 ½ minutes, grade 4) Loch Lomond (6 ½ minutes, grade 3) Making Music Matter: Band Method by Frank Ticheli and Gregory B. Rudgers – Bob Margolis, Editor

Book 1: Beginning Band (Foreword by Richard L. Floyd) & Book 2: Intermediate Band (Foreword by Craig Kirchhoff ) view online: www.makingmusicmatterbook1.com & www.makingmusicmatterbook2.com

Nitro (3 minutes, grade 4) Pacific Fanfare (5 ½ minutes, grade 5) Peace (3 minutes, grade 1) Portrait of a Clown (2 ¾ minutes, grade 2) Postcard (5 ¼ minutes, grade 5) This work is also available as Postcard for orchestra

Rest (8 minutes, grade 4)

This work is also available as Rest for string orchestra

Sanctuary (12 minutes, grade 5) San Antonio Dances (9 ½ minutes, grade 4) Songs of Love and Life (23 minutes, grade 6) for Soprano and Small Wind Ensemble (18 players) A Shaker Gift Song (2 minutes, grade 2) This work is a separate publication of the third song from Simple Gifts: Four Shaker Songs

Shenandoah (6 ½ minutes, grade 3) Simple Gifts: Four Shaker Songs (9 minutes, grade 3) Sun Dance (5 minutes, grade 3) Symphony No. 1 (31 minutes, grade 6)

Movement 1, “Of Youth,” Movement 2, “Of Wisdom,” Movement 3, “Profanation,” Movement 4, “Prayer”

Symphony No. 2 (21 minutes; mvts. 1 & 2 are grade 6, mvt. 3 is grade 5)

Movement 1, “Shooting Stars,” Movement 2, “Dreams Under a New Moon,”and Movement 3, “Apollo Unleashed” may be separately performed

The Tyger (6 minutes, grade 6) Vesuvius (9 minutes, grade 4) Wild Nights! (6 ½ minutes, grade 4)

W W W. F R A N K T I C H E L I . C O M – T H E O F F I C I A L S O U R C E F O R T H E M U S I C O F F R A N K T I C H E L I


ACADIANA Commissioned by

the Metropolitan Wind Symphony, Lewis J. Buckley, Music Director;

the New England Youth Wind Ensemble at UMass Lowell, Deb Huber, Music Director;

and the MIT Concert Band,

Thomas Reynolds, Music Director


A C A D I A N A

P R O G R A M

N O T E

The word, Acadiana, was coined by Cajuns in Louisiana with the intention of creating a hybrid of

“Acadia” (now Nova Scotia) and “Louisiana;” it refers to a region comprising much of the southern half

of Louisiana, where Cajun culture and heritage have thrived for more than two hundred years. My work honors that heritage, and completes the trilogy of Cajun-inspired works I have composed for concert band over a twenty-seven year period.   The trilogy:   Cajun Folk Songs (1989) - Grade III   Cajun Folk Songs II (1996) - Grade IV  Acadiana (2016) - Grade V  

I  ­—   A T T H E D A N C E H A L L :

The first movement, “At the Dancehall,” makes use of two

different Cajun rhythmic features: un valse in deux temps (a waltz in two times), alternating between

triple and duple meters, and a witty, lighthearted two-step dance. Beginning as a playful game of catch

between instruments at the extreme registers of the band, and ending like an old 78 rpm record that has lost its spring-power, this movement is jazzily joyful and as wry & playful as anything I’ve composed for concert band.  

I I  ­—   M E D I T A T I O N S O N A C A J U N B A L L A D :

The second movement (composed

in memory of the victims of Hurricane Katrina) serves as the emotional heart of the entire work. It is

constructed as a set of six variations (or meditations) on an ancient Cajun ballad, “La fille de quatorze ans.” The haunting melody first appears about 90 seconds into the movement, heard as if through a

distant mist of circling rain; it is played by piccolo and tuba four octaves apart from each other. Then the variations unfold, growing in volume and speed, finally bursting out in pandemonium, during which

several old Cajun folksongs make short, frenzied cameo appearances. The energy reaches a boiling point, finally collapsing on itself before slowly dissolving into a poignant and prayer-like coda, during which, without pause, in bursts the final movement:  

I I I  ­ —  T O L A F A Y E T T E :

The finale is an exalted dance that combines original material

with my own personal variant on the Cajun folk melody, “Allons a Lafayette.” I’ve come across many versions of this wonderfully jubilant tune over the years. While my own version is fairly removed from

any of the sources I’ve seen or heard, it still upholds the tune’s basic harmonic structure and inherent joie de vivre. From beginning to end, the finale is an exuberant celebration of life, as is the trilogy itself.


A B O U T

T H E

C A J U N

P E O P L E

Cajuns are descendants of the Acadians, a group of early French colonists who began settling in Acadia (now Nova Scotia) around 1604. In 1755 they were driven out by the British, whereupon they resettled in various parts of Canada, including Québec, New Brunswick, and Prince Edward Island, and in the Northeastern United States in and around what is now the state of Maine; however, most Acadian exiles eventually resettled in South Louisiana, where roughly one million of their descendants now live.

R E H E A R S A L

S U G G E S T I O N S

M OV EM EN T 1: AT T H E DA N C EH A LL

Bars 1–54 — Un valse in deux temps. The most captivating aspect of the opening melody lies in its alternation between 9/8 and 6/8 meters. There should be no need to force artificial accents onto the melody to bring out these agogic shifts; just let them occur naturally. However, do pay attention to the contrast in style between the crisp, separated notes that comprise most of this melody’s setting and the answering slurred passages that occur at the end of each phrase.   About the Washboards: Percussion 4 is required to play a washboard in this movement, (while three percussionists play washboards in the finale). The washboard is not a typical percussion instrument, but it is readily available. Searching “musical washboard” online this year (2017), I found numerous websites, almost all offering the instrument for under $30. For ease of playing, the players are encouraged attach a strap or belt to the washboard so that it may be worn around the neck with the washboard hanging at chest level. This frees up both hands to play the instrument. Percussionists may experiment using triangle beaters, spoons, thimbles, or whatever they find works best as scrapers, and whichever allows them to most effectively play the instrument in a crisp, staccato fashion, never too connected.   Bars 55 – end — Cajun Two-Step Dance. A dramatic turn of events occurs at measure 55 with the introduction of a new melody and a new rhythmic feeling—a Cajun Two-Step dance with swung eighth-notes. The mood is now somewhat more easygoing than before, but just as joyous and optimistic. Strive to swing the eighth-notes with a natural, easygoing lilt, not forced or overly done. The melody is first announced by solo clarinet. The player is asked to bend the first note of the melody upwards towards the second note. The resulting effect should sound subtle and natural. (I would prefer no note-bend at all over one that sounds rhythmically awkward or insecure.) Notice also that the second clarinetist


does not bend the note. This, combined with the first clarinet, will produce a marked dissonance. Let it happen freely. Indeed, the half-step dissonance occurs regularly in this section and contributes greatly to the melody’s rugged and carefree profile.   At measure 79, a foreshadowing of the middle movement’s melody sounds in the brasses as a counterpoint to the woodwind melody. Balance these two melodies carefully, perhaps allowing the main melody (in the woodwinds) to receive slightly more prominence.

M O V E M E N T 2 : M E D I TAT I O N S O N A C A J U N BA L L A D

Bars 1 – 38 — Introduction. This movement, composed in memory of the victims of Hurricane Katrina, serves as the emotional heart of the work, and will likely require greater care and attention in rehearsals than the outer movements. It is constructed as a set of six variations — I like to think of them as meditations — framed by an introduction and coda. The opening thirty-eight measures establish the movement’s mysterious, dream-like quality, and set the stage for the ancient melody’s entrance at bar 39.   The bass line, entering at bar 7, is sounded by the string bass, bass clarinet, and contrabass clarinet, and cued in the tuba; however, the string bass color is, to my ears, the most important one for this bass line. It is strongly suggested that the director secure a string bass player rather than relying on the alternative options presented.   An important idea is first introduced by solo flute at bar 13. Soon thereafter (bar 29), the clarinets play it in a tight, three-part canon, thus blurring its original clarity and transforming it into its ultimate role as a cloudy, mysterious accompaniment figure to the Cajun ballad.   Bars 32 – 39 — Percussion and Brass Swells. The gently swelled chords, first appearing in the glockenspiel and crotales at bar 32, must be handled with care. The players should experiment with a variety of soft mallets to produce a shimmery, bowed effect, with almost no audible attacks. The chords should sound as though they are sustained, not audibly rolled.   At the other end of the register, the low brasses answer the percussion with their own gentle swells built on diatonic cluster chords. Here, too, subtlety is the main objective, but not to the point that the attacks sound insecure or timid. The players may play these passages into their stands, or with their bells slightly hand-covered — whatever will produce the desired distance, mystery, and beauty of sound.   Bars 39 – 153 — the Variations on the Main Theme. The first statement of the melody, occurring at


measure 39, is sounded in the piccolo and tuba four octaves apart from each other. The tune is reorchestrated with each succeeding appearance, all the while gaining in intensity and volume.   The tempo suddenly increases at bar 116 by means of a simple metric modulation, setting up a faster, more energetic mood for Variation IV. This sudden change in tempo may initially cause minor problems for some players, but they should become comfortable with it after a bit of practice. It may help to point out to the players that the bass line should sound exactly the same in the new tempo as it did in the old tempo. In fact, the most noticeable change at the modulation point should not be aural at all, but visual: the conductor’s beat suddenly changes from the slower tempo to the new, faster tempo.   Bars 154 – 195 — Variation VI (Climax). A molto ritardando ushers in the final, climactic variation. Although the tempo is now slower than before, the intensity is substantially greater, more passionate and chaotic. Horns (with bells up) and trumpets sound the main melody while trombones wail as loudly as possible, smoothly executing a slow, steady, siren-like glissando. Tuba (supported by Euphonium) roars violently, ripping up to the top of its register, trying to overpower everyone and everything. (I refer to these tuba rips as “elephant rips,” as they remind one of an elephant’s loud trumpeting sound.)   Beginning in measure 160, a series of ancient Cajun folksongs make cameo appearances. These tunes combine and compete with other material as the tension builds like a pressure cooker, finally collapsing into a huge sustained brass chord at measure 192. As the chord slowly recedes, it gives way to a final, prayer-like statement of the main melody, sounded in solo horn and echoed by solo euphonium.   Bars 217 – end — Transition. A brief transition connects to the final movement without a pause. This transition begins with a distant foreshadowing of the finale’s main melody, first stated in the muted horns, then muted trumpets. The tempo accelerates and the volume builds as the music sweeps forward, bursting into the final movement.

M OV EM EN T 3 : T O L A FAY E T T E

There are many things to love about the old Cajun melody, “Allons a Lafayette” — its unabashed simplicity, its exuberance, its optimism — but for me, its most appealing quality is its quirky harmonic construction. It begins not on the tonic chord, but on a sustained sub-dominant chord. As a result, the ear is pleasantly tricked into thinking that the sub-dominant is in fact the tonal center…that is, until the melody’s second half appears, where the real tonal center finally becomes firmly established. It’s one of those rare little harmonic twists that can sound at once natural yet surprising.


Three percussionists begin this movement playing on washboards. In truth, the assigned number of three players is only an approximation. One cannot be certain whether two, three, or four or more players would be the ideal number. It may depend on the performance venue, or the overall size of the ensemble. In the end, the washboards should serve as a lively accompaniment (along with the trumpets) to the main melody, and should be heard clearly in the overall texture. The overall mood should be quite celebratory. As before, the washboard rhythms should be crisp and distinct, never overly legato.   A Word About Original Material used in the Movement. Although the movement relies heavily on my own personal variant of this delightful Cajun melody, there are also many passages where the melody is absent, replaced by original music (e.g., mm. 17–48, mm. 82–93, etc.). These sections provide contrast from the melody, but without ever turning away from the overall feeling of heightened joy. Strive to preserve that mood throughout.   Of equal importance is the syncopated bass line that permeates the movement. The rhythm of this bass line must be played with rock-solid accuracy in order to provide a firm foundation for the other ideas to dance upon. It also contributes greatly to the movement’s exuberance and dance-like energy. As in the second movement, the string bass is crucial. The bass line is once again present in other instruments, but the color of the string bass, to my ear, is the most crucial component to its success. Using one string bassist is far better than using none, and two would be even better than one!   Bars 128 – End — Coda. An unexpected meeting of Cajun melodies from the finale and first movement occurs here, sounding in full-throated counterpoint with each other and ushering in the final climax. A few brief measures of quiet, reflective music attempts to dampen down the unrelenting energy (mm. 145–147), but in the end the boisterous energy and ecstatic mood are victorious.

F R A N K

P A S A D E N A ,

T I C H E L I

C A L I F O R N I A


Commissioned by the Metropolitan Wind Symphony, Lewis J. Buckley, Music Director; the New England Youth Wind Ensemble at UMass Lowell, Deb Huber, Music Director; and the MIT Concert Band, Thomas Reynolds, Music Director

ACADIANA

FOR CONCERT BAND 1. At the Dancehall

FRANK TICHELI

q. = 156 Crisp and Distinct

                                                              Piccolo            f                                                                Flute 1          f                                                               Flute 2           f                        1                                                             Oboe  2  f                                                             Bb Clarinet 1     f                                                            Bb Clarinet 2          f

Bb Clarinet 3

Bb Bass Clarinet Bb Contrabass Clarinet

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F Horn

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Trombone

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Euphonium

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              (initial tunings)

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Tuba

Percussion 1

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

 

 

      

 

 

 

 

 

 

 

    

 

 

 

  

 

 

 

 

 

 

 

 

 

 

       



       

 

      

 

 

 

 

 

 

    

 

 

 

  

 

 

 

 

 

 

 

 

 

 

       



       

Copyright © 2017 Manhattan Beach Music - All Rights Reserved - Printed and engraved in the United States of America ISBN 1-59913-174-9 (complete set) ISBN 1-59913-175-7 (conductor score) Visit www.Frank Ticheli.com for the latest information on the music of Frank Ticheli Purchase music, download free MP3s, view virtual scores and more at www.ManhattanBeachMusic.com

 

      

 

 

 

 

 

 

 

      

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


         Fl. 1    8

Picc.

    

Fl. 2

Ob.

9

                                                          4                                                               4                                                           4

                                                                                           4                                    

1 2

Bb Cl. 1

                                                    

Bb Cl. 2

     

Bb Cl. 3

      

                                                    

 

 

 

Bb Bass Cl.

Bb Cb. Cl. 1 Bsn. 2

   

  Eb Alto Sax. 1   Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 Bb Tpt. 3

     

 

      

f

4

            

          

4

      

f

 

3 4

  

 

1 Trb. 2

   

Trb. 3

   

Euph.

  

Tuba

   

   

Timp.

 

 

 

 

  

        

       





 

 

 

  

 

 

 

 

  

 

               

        

  

Str. Bs.



 

                                                                                            

1 F Hn. 2

F Hn.

 

                                                         

       

  

f



f

 

 

 

                  

     

 

        

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

  

 

 

 

 

 

 

 

 



      



st. mute

 

   

(Xylo.)

Perc. 1

(Slpstk.)

Perc. 2

 

Perc. 3

   

Perc. 4

  

(Vibes)

f

  

     ff     

      



 

 

 

 

 

 

 

 

 

      

            WASHBOARD                      f

 



 

    

  

 

               

                                2

 



  

      



 

         

                               


   Picc.       Fl. 1    15

    

Fl. 2

Ob.

  

Bb Cl. 2

  

Bb Cl. 3

Bb Cb. Cl.

Bb Ten. Sax.

Bb Tpt. 3

F Hn.

1 2

3 F Hn. 4

Trb.

1 2

Trb. 3

Euph.

         

    

 

  

 

 



        

           

a2



f

  

           

    

 f

  

   

 

        

18

               

                                            

      

 

 

 

   

  

    

 

 

   

    

 

    

     

a2

 

 

    

  f

a2

f

   

                           

ff

   

              ff a2                      ff                     ff               ff       

     

       

  

 

       

 

     

        

       ff

 

 

 

  

          

     



    ff

  



   



ff

   



ff



 

    

   

ff



 













 

 

1.

ff

 

 

 

    

 

    

     

 

   

    

 

f  

 



ff



      





    

        

    

        

    

   

 

    

1.



    



f



   

    



      

p



p



 p



 



   









 

  



 

 

 

 

  f

 p

 

 

 

 

 

 

 

  

      

 

f

  dampen  

 

           

 

ff

ff



  

                        Perc. 4     

 ff

  

  

 

 3

  

 

   

  

 

 

     

  



  

 

  

  



ff



f

Perc. 3

 

GLOCK.

Perc. 2

  



   Timp. 

Perc. 1

 



  Tuba   Str. Bs.

 

 

 Eb Bari. Sax.    1 Bb Tpt. 2

 

 

  Eb Alto Sax. 1   Eb Alto Sax. 2

 

       

Bb Bass Cl.

1 2

 

 

                 

1 2

Bb Cl. 1

Bsn.

 



     


  Picc.   23

Fl. 1

Fl. 2

 

 

     

(a2)

1 Ob. 2

                            

                  

   



26



                         

                 Bb Cl. 1                    Bb Cl. 2              Bb Cl. 3                Bb Bass Cl.    f     Bb Cb. Cl.    f  1           Bsn.  2 

   Eb Alto Sax. 1  Eb Alto Sax. 2

Bb Ten. Sax.

 

  1  2

Eb Bari. Sax.

Bb Tpt.

Bb Tpt. 3

     

(1.)

ff

(a2)

  

3 F Hn. 4



1 2

Trb. 3

Euph.

     

Tuba

  

Str. Bs.

 

  Timp. 

   

(Xylo.)

Perc. 1

Perc. 2

Perc. 3

Perc. 4



 

                

ff

 



1 F Hn. 2

Trb.

     

f

 

 

 



    

      

 

    







 





 

 

 



 





 

 

 

 

 

 

  

  

  

                 













   



 

            

 



 

 

   

   

  

  

 

 

      

     

open       

 

f

 

f

 

  f       

     f

f

(Glock.)

 

(Vibes)

(Washboard)

 





    



2.

     ff 



ff

   

  

  





 



  

  

    

   ff   ff

ff

    

f



  

 



 

 

 

 

 



    







    



    



 

 

  ff

   

          



    





 

p

   



f

p

 

    

 





 

     

 

a2

    

 



    

p

  



 

 

f





a2

 p





  



 



 

 

  

ff

  

ff

                             4

 

    

    





 



  



 

   

    







 

 

  

1.



f

   

 

 





   

     



               

          


  Picc.   31

 

Fl. 1

  

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

1 2

 

Fl. 2

Bsn.



1 2





Trb. 3

Euph.

Perc. 3

Perc. 4

   

 

     

 

 

 

   

 

 

 

             

 

               

 

  

  



 

           



      

(a2)

 





 

a2

ff

 

 

   

Bringout 

 

       



f

f

4





     



mf

mf

    



     



mf

 



 f

 

  

   



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

         

 

 

 

 

 

 

 

 

 

                                  mf a2 Bring out                     f Bring out                      f                 

mf

 

 

                                     

 



 

Bring out

mf

 

  



4



 



 

ff

 



mf



 

 



     



 



       

ff

    

mf

ff 4

a2



4         

  

        

 

 

                                  mf Bring out                               4 f                     4

 



 

Bring out

                      mf                             

  

f



   



 

        

34



 

 

1 2

Perc. 2

  

3 F Hn. 4

Perc. 1

Bb Tpt. 3

Timp.

 

 

  1  2

Str. Bs.

 

 

Eb Bari. Sax.

Tuba

 

   

Bb Ten. Sax.

Trb.

 



  

Eb Alto Sax. 2

F Hn.

 

   

   Eb Alto Sax. 1 

Bb Tpt.

 

              ff           

                           5

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



ff



 


                    Picc.       f                                Fl. 1         f                                Fl. 2         38



f

                                 (a2)

1 Ob. 2

f

 

 

 

  

  

     

            

            

            

                    

 

Bb Cl. 1

 

 

 

Bb Cl. 2

 

 

Bb Cl. 3

 

 

 

Bb Bass Cl.

 

 

                f                

                  mf        

Bb Cb. Cl.

 

 

1 2

   

 

  

 

 

 

 

 

 

Bsn.

  Eb Alto Sax. 1   Eb Alto Sax. 2

 

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

  

  

3 4

  

 

 

a2 Bring out

    

1 Trb. 2

  

f Bring out

    

Trb. 3

f

  

Euph.

  

Bring out

Tuba

      

f

Str. Bs.

  

  Bring out   Timp.  

Perc. 1

Perc. 2

Perc. 3

  

   

   

   

 Perc. 4   

f

           

    

 

 

 

 

 

 

 

                f                 f

    

 

   

 

    

 

 

 

 

   

 

 

 

 

 

 

 

 

 

 

 

 

        

    

    

  

 

  

 

 



mf

                 



 

 

 



 

                 mf        

 



                    

1 F Hn. 2

f

                       

Bb Tpt. 3

F Hn.

 

 

43

  

a2

a2

a2

    

f

     f      f

f

       

                mf                         

 

 

 

f

             

 

 

 

 

 

 

 

 

 

 

 

 

 

 

               

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

f

 

 

 

 

 

 

(Vibes)    

 

   TAMB.  

6

                   

 

mf

(Xylo.)         

 

f

f

f

     

  

   mp

 


45                                       Picc.                                           Fl. 1                                            Fl. 2       

Ob.

a2                                          

1 2

                        

Bb Cl. 1

Bb Cl. 2

 

Bb Cl. 3

 

Bb Cb. Cl.

 

1 Bsn. 2

   

Eb Alto Sax. 2

 

  

   

  

  

  

 

  



    

    

    

    

               

            

                          

mf

 

f

                                  mf f                                             

Bb Bass Cl.

Eb Alto Sax. 1

 



 

 

   

 

 

 

mf

 

 

  

mf



f

             mf

        

f

                         



mf

 

 

 

Bb Tpt.

 

1 2

3 F Hn. 4

 

 

  

 

    

1 Trb. 2

  

Trb. 3

mf

  

Euph.

  

Tuba

   

Str. Bs.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

   

   

      

  f

              



mf

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

   mp

 



            

 



 

 

 

mf

 

   

  f

              

   

   mp

7

  

(Glock.)

f

  f

 

 

          f

 

f

 

f

  

  

 

             

 

 

 

 

 

 

              mf f              mf f                    mf f         f     

 

 

 

 

 

                                 

                        

     



f a2

                   a2

 

  

                     

  

 

 

1.                                 1                     2

Bb Tpt. 3

F Hn.

 

 

 

                               mf                                         Eb Bari. Sax.           Bb Ten. Sax.

 

  

                                     mf f                                 a2

 

q. = q

         

  

          

 

 

  

    

 




  Picc.    52

(q = 160) Swing 8ths

55  

Fl. 1

   

 

Fl. 2

  

 

1 2

  

 

Bb Cl. 1

  

Bb Cl. 2

 

Bb Cl. 3

  

Ob.

f Solo

    f

   

Bb Bass Cl.

Solo      



mf

 



 

1 Bsn. 2

   

1.  

 

 

  Eb Alto Sax. 1     

Eb Alto Sax. 2

  

Bb Ten. Sax.

 Eb Bari. Sax.    Bb Tpt.

1 2

f

     

Bb Tpt. 3

F Hn.

  

 

  





mf

p

 

 

 

   

    

 

 

mp

mp

  

 

 

 

 

mf

 

 

 

 

mp

  

 

  8

1. mute

mp 3. mute

mp

p





mf

mf

mf

  

   

 

 (Vibes)     

 Perc. 4   

Tuba

f

 

   

Perc. 3

Euph.

   

Perc. 2

f

   

Trb. 3

Perc. 1

mf

   Timp. 

 

       

mute out

   

   

   f

  

Str. Bs.

f

  

mf

   

mf

  

   

 

1 2

Trb.

mp

f

f

    

   

3 4



mp one only

mf

      

      

1 2

 

  

(a2)

F Hn.



  

       

f

mp

Bb Cb. Cl.

  

         mf

 

  

  p

p

p

  

  

SUS. CYM. (sticks)

mp


  Picc.   60

Fl. 1

Fl. 2

Ob.

 

 

Bb Cl. 1

  

  

   

mf

Bb Cl. 2

 

 

1 2

f

mf

   

     

fltg.

f fltg.

ff

f

ff

     

      

    

f

63

   

   

Bb Cb. Cl.

 

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.



1 Bb Tpt. 2

  

Bb Tpt. 3

F Hn.

F Hn.

 

1 2

 

3 4

  

1 Trb. 2

 

Trb. 3

 

Euph.

 

Tuba

 

 

Str. Bs.

  Timp. 

Perc. 1

Perc. 2

Perc. 3

Perc. 4

    



 

mf

mf

 



       

   

TRIANGLE



 

 

  

mp

f



mp

9

   

  

a2

open

3.

mf open



  



  mf  



   

mf

 

pp

  

 

mf

 



mf

   

SUS.CYM. (stick)

1.

mf

 

f

      



 

SN. DR. (brushes) (opt. swirl, ad lib.)

mf



pp

 

                    



  

 

  



   



mf

 

mf

 mf

       

(st. mute) a2

f

 

mf

    1.

 

  

   

f

Bb Bass Cl.

Eb Alto Sax. 1

mf

   

  

Bb Cl. 3

1 Bsn. 2


  Picc.   68

Fl. 1

Fl. 2

     

 

               (1.)

1 Ob. 2

      

     

     

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

Bsn.

1 2

   

  Eb Alto Sax. 1  Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

 

 1  2

Bb Tpt. 3 1 F Hn. 2

(1.)

(a2)

3 4

1 Trb. 2 Trb. 3

  f

F Hn.

 

  

 

f a2

 

mf

    

f

 

 

Perc. 2

Perc. 4



(Sus. Cym.)

  

  

  

  

f

f

a2

       3

  

3

3



f

             3

3

  

       

f

3

f



3



  

    

     

3

3

  

3

     

 

f

mf a2

f

3

3

3

3

f

  

 

 

mf

3

3

f

  

mf

 

  



   



3

 

3

3 3 3 3     3          

 



3

 10

3

  

mf

3

(Sus. Cym. - sticks)

3

3

 

mf

           3                  3 3 3 3 3

1. open

  

 

3

        

    3                 3 3 3 3

f

3

3

 

                                  

3

 

   

       

 

3

  

       

f

3

3

  

      

  

                          f  3 3 3 3               3     3 3 3                 

   

 

Perc. 1

Perc. 3

 mf             

 

(Sn. Dr.)

     

 Tuba     

Timp.

  

Str. Bs.

2. (st. mute)

Euph.

   

 

      

 

f tutti

  

Bb Cl. 2

tutti

Bb Cl. 1

71

 

mf

  mf  

mf


  Picc.  

 

 

a2

75

Fl. 1

Fl. 2

 

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

Bsn.

1 2

  

        3

3

       

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 Bb Tpt. 3

F Hn.

F Hn.

1 2 3 4 1 2

Trb. 3

Euph.

Tuba

Str. Bs.

Timp.

Perc. 1

       3

 

3

3

  

mf

a2

 

     

 p

   

     f

3

3



3

p

   

p

  

3

 

   



  

  

  

        

     

  

  

ff

    

 

 

  

p



3    3  

 

 

 

   

f





 

 

 

   

  

   

11

 f

 f 

 

 

    



3

3

3

 

3

3

 

3

 

 

f

  

f

 f

 f

   

        











                





 





 

 



  

3

 

3

 

3

3



   









3

3

3

3



 









 

  

   

 

3

3

ff

ff

   

 3

3

3

 

       

      3

 

        

3

3





3



f

3

   





 

f

3

f



mf

f



f

 

3

ff

open

3

3

mf

3

3

3

3

3

3

3

ff

 

            

  



 

ff

ff

   



         

  



 

         

ff

        

  

3

p

SUS. CYM. (yarn)



 

   

p

 3 3              3             

   

  

Perc. 3

       3

  

  

     

3

 

  

  

 

ff

ff

   

mf

open



ff

          ff 3 3 3    3  3 3 3                     3 3 3 3 3  mf ff               f       3    3    3          3 3 3  3 3 3 3

  

 

Perc. 2

Perc. 4

  

  

     

   ff  

      

mf



          

mf

Trb.

a2

   Eb Alto Sax. 1  Eb Alto Sax. 2

   3

p

 

  

       

   

  

  

79

   ff 


81            Picc.              Fl. 1  

           

Fl. 2

                     (a2)

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

               

1 2

Eb Bari. Sax.

1 Bb Tpt. 2

F Hn.

Tuba

Perc. 2

Perc. 3

Perc. 4

  

 



  

 

        

        

 















  



















      



  3

3



 



 

3



3

3

3

3











 

 

3

 3



   

 

3

3

3







aggressive, heavy swing

                                

     

           

3

3

 

3

 

3

 







 

3

         

aggressive, heavy swing



 

                   aggressive, heavy swing       



  

3





aggressive, heavy swing

      

 

 

3

       



     Timp.   



                     

Str. Bs.

Perc. 1

  

 

  

       



        

 

    





   

Euph.

  





  

Trb. 3

  



       

   







  

1 Trb. 2

    

       

 

                      

   

3 4

              









1 2





(a2)

F Hn.

  

     



 





Bb Tpt. 3





Bb Ten. Sax.

     



          Eb Alto Sax. 1  Eb Alto Sax. 2





   

(a2)

Bsn.

3



3

  

3

  

3

3

     

3



 





3

3

3



3

  

3

 

3

3

3

 

3

 



3



3

 

3

3

3













































  mp

  f









 

  

 







       

 

  



mf



3



 

3

 

 

3

 









     mf

          3

    

                    



 



       

 

3

  



      

  

mp

(Sus. Cym.)

 

p

   

f

 12


  Picc.  

87

Fl. 1

    f

Fl. 2 1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

1 Bsn. 2

     

Bb Ten. Sax.

Bb Tpt.

1 2

Bb Tpt. 3

1 F Hn. 2 3 F Hn. 4

    

mf







mf

            

         

p

p

   

 

mf

      

  

 

      

Trb. 3

    

   

    

    

mf

                   

   

     

    

   



   

     

   

   

    



   

    

p

   

p

p

       p

            p

Perc. 1

Perc. 2



    mp



   

  13

mf

  



mp

 mp



 

a2



mf

 f

  

 

mp

mp

 



mf

 VIBES     p

    

1.

mf

   

       p     Str. Bs.     p  Timp.    

Perc. 4

    

    

Tuba

Perc. 3

1. mf

   

p

Euph.

mf

  

p

1 Trb. 2

mf



mf

    

        

p

   

   

      

Eb Alto Sax. 2

f

 

   

ff

   

f

   Eb Alto Sax. 1 

Eb Bari. Sax.

 


   Picc.   93

 

Fl. 1



   

Fl. 2

   

(1.)

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

1 Bsn. 2

   

Bb Ten. Sax.

Eb Bari. Sax.

        

    

    

   

           

      mp

      mp

       mf        mf



 

 

 





  

          



(1.)





   

(a2)

        

mf

 

Tuba

  

 

  

mp

        mp

              

       mp

 

 

1.



  

mp



 

 

mp





 



mf



          

mf

 



 

          



  

                                   

       



  f



  

   

                    

             

                             

       

       

                   

       

SN. DR. (light sticks)

mp

    

   

 

   

    

   

    

14



   

   



         

a2 mute

 

 

 



mp





Euph.

Perc. 4

Perc. 3

Perc. 2



Perc. 1

3 F Hn. 4

Timp.

Str. Bs.

Trb. 3



1 Trb. 2

1 2

F Hn.

Bb Tpt. 3

     mf 

1 Bb Tpt. 2

  Eb Alto Sax. 1  Eb Alto Sax. 2

94

 


   Picc.   100

 

Fl. 1

 

Fl. 2

 

1 Ob. 2

101



     

f



     



      

        f

                                   

Bb Cl. 2

                                   

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

1 Bsn. 2

 

  Eb Alto Sax. 1  Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.



1 Bb Tpt. 2

 



Perc. 2

Perc. 3

Perc. 4

  

mp

mf

  

1. cup mute

  

f

a2

  

  

  

     

                      

   

mf

      

            

mf

                                    mf

      

       

          

    

1.

mf

      

       

        

      

mp

  

   

mp       

  



    mf

  

   

              

                                 

mf

   

              

 

  

SUS. CYM. (sticks)

mf

  

   

 

  

  

   

 

  

  

15

  

 

     

  

  

         

   

    

     

   

 

                       



       

        

      Tuba    

Perc. 1

          

  

mf

Timp.

 

        



 

     

3 F Hn. 4

Str. Bs.



 

 

Euph.

 





Trb. 3

     

fp

 



                     mf               

1 2

1 Trb. 2

F Hn.

mf

Bb Tpt. 3

  

   

Bb Cl. 1


     Picc.    107

  

Fl. 1

Ob.

       

 

Fl. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

  

Bb Bass Cl.

Bb Cb. Cl.

 

  

 

(1.)

 

 

  

  

 

              Eb Alto Sax. 1             Eb Alto Sax. 2  Bb Ten. Sax.

Eb Bari. Sax.



Bb Tpt.

1 F Hn. 2

F Hn.

 1  2

Bb Tpt. 3

3 4

1 Trb. 2 Trb. 3

Euph.

  



Perc. 2

Perc. 3

Perc. 4

  

 

  

mf



(Sn. Dr.)

   

   

   

 

    



 

    

                

  

 

           

  

   

    2.

        













            

  



  

 

             

        

  

     

 

 1.

   

mp

    

(Vibes)

   

mf SUS. CYM. (stick)

mp

    16

 

 

 

  

 

a2 open

 

 

       

mf



 

  

             



mf



f

         

      

      mf

mp

mf

    

                     

  

  

1.

  

f

    

    

                  

      

      

       

          

     

           

 

 mute out     

mf

           

 

a2

   

    

mf

mf

                            

  

   



      mf      mf     





mp

mute out

mf

  



         mf     mf        mf

 

    mf    

  

         

         

Perc. 1

  

         (a2)



(1.)

 

     Tuba       Str. Bs.  Timp.

1 Bsn. 2

                

1 2

109

V.


  Picc.   114

Fl. 1

 

Fl. 2

 

Ob.

1 2

     

     

      

Bb Cl. 2

Bb Bass Cl.

Bb Cb. Cl.

1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

Bb Tpt. 3

      

 

  

 

      

 

   

          



  

    

        

 

      

         

Euph.

 

 Tuba   Str. Bs.

Timp.

 

  

 

mf

 



 

  

   

 

        

 

     mf    

              

mf

mf

   

mf

       

  

               

     

       

       mf 

                                 

                                    

 

     mf

     mf

  

   

            

   

             

     mf

Perc. 1

Perc. 2

Perc. 3

Perc. 4

  

mf

 17





Trb. 3

 

3 4

f

      



 

    

 



     

 

F Hn.

 

     mf

     

                

     

         

mf

mf

 

1 2

 

    

     mf

mf

 

 

F Hn.

1 Trb. 2

    

            

      

Bb Cl. 1

Bb Cl. 3

116

p

 


  Picc.   121

     

Fl. 1

 

f

 f

  

  

 

  

 

 

  

f

 

mf

 



mf

          

f

   

mf

   

f

f

  



   

f

f

f

  



   

mf

   

f

f





  

  



f

   f

  

f

  

  

Bb Cl. 2

Bb Cl. 1

      

1 2

 

     

Fl. 2

Ob.

123



f

          

  

Bb Cl. 3

Bb Bass Cl.

 

Bb Cb. Cl.

1 Bsn. 2

      Eb Alto Sax. 1       Eb Alto Sax. 2         Bb Ten. Sax.            Eb Bari. Sax.       Bb Tpt.

                             

             1                2   mf

Trb. 3

 

      

Euph.

 

 

 

Tuba

Str. Bs.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

 

mf

  

   

(Vibes)

 

mp

       mp        mp

       mp

                    

 (Sn. Dr.)

mp

 

      

  

                     

   

 18



  

mf

  

   

 

 

 

mf

mf

mf              

              

3.

   mf                                      

 

     

mf

  

 

mf

 

f



   

  

f

 



 

mf     

      

  

f

mf

 



   f  

1.  

             

  

      

      

                            

1 Trb. 2



  

3 4

  

F Hn.



  

1 F Hn. 2

  

Bb Tpt. 3

          

                             

  

 

  

 


  Picc.   128

 

Fl. 1

Fl. 2

1 Ob. 2

Bb Cb. Cl.

1 2

 

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

F Hn.

F Hn.

  

 

 

  

 





 

 



 



p

SUS. CYM. (yarn)

  

p

 

  



3

f

3



 

 

 

f

f





 

3

 

3

3

 

3

 

 



 

 

3

3

   



 

   

  

 

 





3

3

 

 

f



   

f

         

  

f

f

19

3



 

     f SUS. CYM. (yarn)  

f

f

 



3

  

 

 



 

f



f

  



  

 

ff



          

       





                                     

a2

            

  

ff

a2

ff



               

f

 

          

       



  

  



       

 f  

    2.

  

 

ff

  

       

ff



 

ff

mf



ff

ff



  

 

       





       

   



 

       

mf



ff



       

   

 

  



  

   



   



ff

 

 

ff



ff

 

 

  



   

ff

 

        



         

  

1 2

  

Perc. 4



Perc. 3

 

3 4

Perc. 2

Perc. 1

       



  



Timp.

 

1 2

Str. Bs.

       

                   Trb. 3           Euph.          Tuba    

Trb.

 

                    

     

 1  2

Bb Tpt. 3

   

   Eb Alto Sax. 1  Eb Alto Sax. 2

 



 

Bb Bass Cl.

 

Bb Cl. 3

Bb Cl. 2

 

Bb Cl. 1

Bsn.

131



 

 





 


134    Picc. 

 

Fl. 1

1 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

 

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

Bb Tpt. 3

Perc. 4

 

 



 

  

(a2)

(a2)

 

 

  

 



 

f

3

3



 

3

    

3







  

          



          



          

  

 

       

              

        

    



3

     



 



 

 

  

3

3

 

  

 3

3

3

3









  

 



 

f

 

3



3



  

   

 

mf

   

 

 





 



        

 

  

 

 





 



 

   

  

mf

 

   

 

  

 

f

         

3

 



f

       

3

   

1.

         

               

aggressive, heavy swing           

       

3

        



        

        

 

       

  

       

        

   

    f

 

         

ff

139

           aggressive, heavy swing

    



       

ff

1.

  

ff aggressive, heavy swing

  

ff

 

 

aggressive, heavy swing                           

(2.)



       

 

 

       

 



       

   

 

       



  

 



mp

Perc. 3

     Timp.   

Perc. 2

Str. Bs.

Perc. 1

  





Tuba

 

3 F Hn. 4

Euph.



               



Trb. 3

 

       

1 F Hn. 2

1 Trb. 2



  

  Eb Alto Sax. 1  Eb Alto Sax. 2

 

       

Bb Cl. 2

1 2

  

Bb Cl. 1

Bsn.

 

Fl. 2

Ob.



 

mp

   

20


  Picc.   140

      

Fl. 2

       

1 2

legato

Bb Cl. 1

p legato

Bb Cl. 2

p legato

Bb Cl. 3

Bb Tpt.

1 2

     

 



 

 

      



 

  

p

 







   dim.







 





  





  



  



 

   dim.







 





  





  



 





  



 



 

 



 

  

  







 

 





    

div.

dim.

p



div.



     

 

div.

 



  

p

dim.

legato

 

 









   

mf





 



Bb Tpt. 3



   

 

   

     

   

     

molto rit.

Bb Ten. Sax.

Eb Bari. Sax.

 

        Eb Alto Sax. 1  Eb Alto Sax. 2



p

 

legato

Bb Cb. Cl.

p

Bb Bass Cl.

1 Bsn. 2

      

Fl. 1

Ob.

rit.

legato

 





p

F Hn.

1 2



F Hn.

3 4



 mute out 

1 Trb. 2

Trb. 3

Euph. Tuba

Str. Bs.

Timp.

1.

st.mute

mf

 VII     

 

 

     

  

V

 2. st.mute

mf

3

(open)

mf

 

Str. Bass cue



 

If no low Eb, take passage up and octave.

to st. mute

     3

mp

arco

mf

Perc. 1

Perc. 2

Perc. 3

Perc. 4

 



21


 

  Picc.   147

 

 

Fl. 1

 

 

Fl. 2

 

1 Ob. 2

Bb Cl. 1

  

    ppp     ppp   

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

1 Bsn. 2

    

  Eb Alto Sax. 1  

Eb Alto Sax. 2

Bb Tpt.

1 2

   

  

Bb Tpt. 3

F Hn.

1 2



F Hn.

3 4



Trb.

1 2

 

Trb. 3

 

Euph.

 

Tuba

 

Str. Bs.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

 

    

  

ppp

                         

   

 

 

 

 

 

      

 



          

   



mp

   

          



 



 



   

    





   





 

 

1.

Solo

  

mp

 

  

 

  

 

        

   mp  

mute out

   

 

mp

 

 

22

 

mp

mp

mp

 

  

 



Solo

mp

TRIANGLE

  

 

          

mp

1. Solo st. mute





Ob. 1 cue

Solo

   mp    1.

mp

 



 

Bb Ten. Sax.

Eb Bari. Sax.

ppp

ppp

ppp

Bb Cb. Cl.

 

148 q = 160 (Swing 8ths)


  

 

153

Picc.

 

Fl. 1

Fl. 2

 

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

1 Bsn. 2

Eb Bari. Sax.

Bb Tpt.

1 2

 

 

 

 

          

 

   

   

  

 

         

  

   

 

 

 

 

 

 

mp

   

  

  

       

     

 

Bsn.1 cue

    

mp

      mp     

mp

 

 

   

1 2



F Hn.

3 4



1 Trb. 2

 

Trb. 3

 

Euph.

 

Tuba

 

   

F Hn.

          

    

 



 

 

 

 

Bb Tpt. 3

    

        

 

1.

  

 

  

mp

    

mp

Bb Ten. Sax.

    

   Eb Alto Sax. 1  Eb Alto Sax. 2

     

     

   

Str. Bs. / Contabs. Cl. cue

  

 

   

tutti

p

tutti

p tutti

 

p

 

   

     pp

     pp

    pp

 

 

 

     

           

open

    pp

 

 

 

mp

Str. Bs.

 

  Timp. 

Perc. 1

Perc. 2

Perc. 3

Perc. 4

 



If no low Eb, take passage up and octave.

     mp

 

 

(Tri.)

 mp

 

23

   

 

 

   

 

pizz.

    mp

 

 

 

     


2. Meditations on a Cajun Ballad   Picc.     Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

In memory of the victims of Hurricane Katrina

q. = 84 Somber

              

       

div.

p

  

 



div.



p

  



  

 

  

p

 

  

 

p

 

 

 

 

 

   

   

      Eb Alto Sax. 1  

Eb Bari. Sax.

Bb Tpt.

Bb Ten. Sax.

F Hn.

1 2

F Hn.

3 4

Trb.

1 2

Trb. 3

Euph.

  

slightly separated

 

p



p





 

   

   

             

Str. Bs.

Contrabass Cl. cues (one only if no Cbs. Cl.)





 

    

    

     





VIBES motor on (slow oscillation)



p

 

 

*Crotale on Timp. Head

*Strike crotale placed on timpani head while moving foot pedal as indicated

   Timp.  



 

ff





 

 

SHAKER or MARACAS

p

l.v.

 









mf (If no String Bass available, play on Piano an octave lower.)

 



pizz.



 

       

normale



p CHIMES



p

















  





l.v.

Play the indicated pitches in any order, improvising rhythm to create a gentle, rustling effect....





    



mf

24

pp

 



  

 

  

  

Perc. 4





slightly separated

 

pp

Perc. 3



 

 

 



 

 

   

Perc. 2

 

 

Tuba

Perc. 1

 

      1   2

Bb Tpt. 3

 

 

1 Bsn. 2

Eb Alto Sax. 2

 

  

Bb Cb. Cl.

7


  Picc.    10

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

Bb Tpt. 3

        

        

     



n

n

      



mp

              

              

Solo



  



 







 

              



 



 





13











 

 

 

 







 

 











 

 

   

F Hn.

1 2

F Hn.

3 4

 

Trb.

1 2

 

Trb. 3

 

Euph.

 

Tuba

  



 Str. Bs.      Timp.    Perc. 1

Perc. 2

Perc. 3

Perc. 4



  

           







 











  





   





st.mute



 

 



ppp













 







 25







 l.v.    

p



 













 





 

  

 



p



  

 





 





 

 









  






  Picc.    19

Fl. 1

                 

end solo

  

  

Bb Cl. 1



Bb Cl. 2



Bb Cl. 3



Fl. 2 1 Ob. 2

Bb Bass Cl.

Bb Cb. Cl.

21

     

              

mp

              

mp

 







 

 









Eb Bari. Sax.

Bb Tpt.

  1  2 

F Hn.

1 2

F Hn.

3 4

Trb.

1 2

Trb. 3

Euph.

Tuba

Str. Bs.

Timp.

Perc. 1

   

 

     

  



Perc. 3



 



 

 

 

















 

mute out

p







 











 

  













 

mp

    

mf





(Vibes)





 

(Shaker or Maracas)

p



  











 















 

















  









 (Chimes)      

  





    

  



   

Perc. 2

Perc. 4



              

Bb Tpt. 3

              

Bb Ten. Sax.

              



Eb Alto Sax. 2

              

 

Eb Alto Sax. 1

1 2







Bsn.











 













 

26








  Picc.    27

Fl. 1

Fl. 2

Ob.

1 2

   

              

                        

Bb Cl. 2



Bb Cl. 3



Bb Bass Cl.



Bb Cl. 1

Bb Cb. Cl.

Bsn.

1 2

29



  







  

 







 

              



p



   





              

              



              

              

p



p

 



 







     

              

 

        

              

               





              



  

 



Eb Bari. Sax.

Bb Tpt.

  1  2



Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Bb Tpt. 3 1 F Hn. 2 3 F Hn. 4 Trb.

1 2

Trb. 3

Euph.

Tuba

Str. Bs.

   

     

  





   



   Timp.   Perc. 1

  

Perc. 2

  

Perc. 3

  

Perc. 4









 

   







  

   







     





















 arco





pp



 27







mp



 



1. mute









 





GLOCK.*





CROTALES*





(Shaker or Maracas)



      ppp     ppp

  pp

           

      mp     mp

 

mf

           

*Glock. and Crotales, use soft mallets that produce a shimmery effect with almost no audible attacks; sounding almost though bowed.

           

l.v.

ppp l.v. ppp

pp


  Picc.    35

Fl. 1

Fl. 2 1 Ob. 2 Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

  

              

  



p

  

    

        





     

p



 







39



Var. I



              



p



     



  

p

p

 



          





mp

          

       



           



Solo with Tuba

                 

Bb Bass Cl.



Bb Cb. Cl.



Bsn.

1 2

  

 Eb Alto Sax. 1 







Eb Bari. Sax.

Bb Tpt.

  1  2 

Bb Ten. Sax.

Bb Tpt. 3 1 F Hn. 2

   

(1.) p

          

Blend with Flutes

Eb Alto Sax. 2

   pp























F Hn.

3 4

 

Trb.

1 2

  

Trb. 3

  

Euph.

  

 Tuba   Str. Bs.

Timp.

Perc. 1

  

  

sul G



Perc. 2

Perc. 3

   

 

p

        

Perc. 4

(Chimes)







(Glock.)

(Crotales)

(Shaker or Maracas)

   

    

  

ppp

ppp

  pp



Solo with Picc.



     

    



    

   mp

mp

  mf





mp

mf









    

     28

    

    

    

    

 l.v.

ppp l.v.



 

ppp

pp


  Picc.    41

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1





        





  

Bb Cl. 3

  









                     

Bb Cl. 2





            

mf











                 

       



            

                    



         

                 



              

    

     

Bb Bass Cl.



Bb Cb. Cl.





Eb Bari. Sax.

Bb Tpt.

  1  2











Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Bb Tpt. 3

    

1 F Hn. 2

 

3 4

 

F Hn.

 

open

1 2

  

Trb. 3

  

Euph.

  

Trb.

Tuba

Str. Bs.

Timp.

Perc. 1

      

Perc. 2

  

Perc. 3

  

Perc. 4





 

 

distant

ppp distant

 

 

open





 

ppp

 

mp



ppp distant



mp

 

 

mp

 

ppp open distant

    

  



open





mp



   

 





 

 

 

     

ppp

ppp

ppp

ppp

 





mf









      



p













29

p








   Picc.   



48

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

  







  

Solo with Euph.



mp

 



 

  



 

             



 

  

 

  

 





Bb Bass Cl.



Bb Cb. Cl.



 

 

 

 

 

 

   1  2

Eb Bari. Sax.

Bb Tpt.

Bb Tpt. 3

F Hn.

1 2

3 F Hn. 4

1 Trb. 2

Trb. 3



             

 

 

ppp

   

ppp



ppp Euph.

  

 Tuba       Str. Bs.    Timp.  Perc. 1

   

Perc. 2

  

Perc. 3

  

Perc. 4



mp



 

 

mp





 

 

mp

mp



 

 

 

ppp

 



 

   

       

 



mp

 

 

  

 

 

  



    

pizz.



  



 p 

 





 





 



(Glock.)

(Crotales)

 

 

 

 



 



30



 

 

       

 

    

ppp

p

              

ppp

 



  

p



ppp

  

         

ppp

   





 

(Chimes)

 

 

  

Solo with Picc.

   

   

          

   

   







p

 



       

 





    

1 2

pp



p

                                Eb Alto Sax. 1                          Eb Alto Sax. 2                                Bb Ten. Sax.     Bsn.



  

  

51

    

 



ppp



 

ppp (Shaker or Maracas) pp


   Picc.    55

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

  



 

     





mp



Bb Cb. Cl.

















               

                

               mp

               



               mp

              





mp

mp



       

Eb Bari. Sax.

Bb Tpt.

   1  2



    Eb Alto Sax. 1  Eb Alto Sax. 2

Bb Ten. Sax.

Bb Tpt. 3 1 2

 

3 F Hn. 4

 

F Hn.

1 Trb. 2

Trb. 3

Euph.

       

 Tuba   Str. Bs.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

    

    

                    



 

 mp

mp

 

mf

   

    

   

 



















 31

 







mp

 





 

mp





 

ppp



 

 



pp

ppp



 

 

ppp



 



ppp l.v.

 

 



l.v.

ppp

ppp



 

     



 



 







mp



     







mp

 

 

 

mp



 

 

          

1 2

 

mp

Bsn.

 

            

              

 

                  

Bb Bass Cl.



              

 



 

 





ppp

ppp ppp

ppp

  

     

   

p

       

   

               

 

 

 

 

 










  Picc.     62

Fl. 1

Fl. 2 1 Ob. 2 Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.



              

    

  

mf

         p

      p

  

p

               p

Bb Ten. Sax.

    

 Eb Bari. Sax.       1 Bb Tpt.   2 Bb Tpt. 3

  

         mp

p

 

 

   

3 F Hn. 4

   

Trb.

1 2

Trb. 3

Euph.

   

mf

  

p

    





   





  

Solo with Picc. & Tpt.







mp

(Chimes)









mp



   

ppp



ppp







 

ppp



ppp

  

 





 

 

mp

mp





 

mp

 

 





  



Perc. 2

Perc. 3

    

 

 32

mp





 

 

 

    

Perc. 4



mp

  





Perc. 1

 





   





 

  

   Timp.  



mf

     

  

  

  

    

   

     

       

              





p

  

     

1.







   

  







              

 Tuba    Str. Bs.



         

1. Solo with Picc. & Tuba cup mute

1 2

F Hn.



  

            

      

mp



p

   



mp

1 2

Eb Alto Sax. 2

 

                 Eb Alto Sax. 1   Bsn.



           mp

 

64 Var. II

       

  

Solo with Tpt. & Tuba


  Picc.    70

Fl. 1

Fl. 2

Ob.

1 2



  



  

             



 



      

     



             

              

   



     

       

  

    



  





           





Bb Bass Cl.



Bb Cb. Cl.





    1  2



Bb Cl. 2

Bb Cl. 3

    Eb Alto Sax. 1  Bsn.

1 2

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

Bb Tpt. 3

F Hn.

F Hn.

Trb.

1 2 3 4

1 2

Trb. 3

Euph.

Tuba

Str. Bs.

Timp.

Perc. 1

                   

      

     

Perc. 2

  

Perc. 3

  

Perc. 4



  

ppp

ppp

ppp

ppp



  

p

mp

      p



     

  

mp

     

p

mp

   





  

              



Bb Cl. 1



76



 











  

  





 

  



  

  

  

 

  







   





(Glock.)



(Crotales)



    

  

ppp

ppp (Shaker or Maracas)





  pp

33

   

    

   

  

mp

mp

 

mf



    

    

  



  



 l.v.

ppp

ppp

pp

l.v.

  


   Picc.    78

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

  

Bb Cl. 3

  

  





   

p

Bb Cb. Cl.



 Eb Alto Sax. 1 

p

     

2.



p

    



  

  

Trb. 3

 

Perc. 2

Perc. 3

Perc. 4

   

  



 

 

 

Crotale on Timp. Head

      p

    





 

 



  



 





   

 



p



  

1.





      

     



 (Chimes)     



1 2

Perc. 1

  Timp. 



  

p

p



     

              

Str. Bs.



    

p

  

  

            

 (1.)  1    2

Tuba



 













Oboe 2 cue



 



Euph.



 



 



       



3 F Hn. 4



 



1 2

  

Bb Tpt. 3



Eb Bari. Sax.

Trb.

  

Bb Ten. Sax.

F Hn.



Eb Alto Sax. 2

Bb Tpt.



      p

              



p

          



  

            

           



1 2

 

Bb Bass Cl.

Bsn.



p

Bb Cl. 2

  

 









   

 





 

  

 

ppp

ppp

 





ppp

   

mute out

ppp

   





 



l.v.

ff

 









 34
















  Picc.    86

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

Bsn.

      

                  

  

  

p

    

      

    

         



      





mp

 

    

                     f

f





mp

Play upper octave D if lower octave not available.



            

a2









f



  1  2



 

mp

3 F Hn. 4 1 Trb. 2

Trb. 3

 

           

 

 

 

 

 

mp

mp



mp

 

 

 

ppp

ppp

  



        



f

2.



f

  













pp





pp





Perc. 3

Perc. 4

  





a2









f

SUS. CYM. (stick)

pp

mf BONGOS (hands)

   

mf

 

  2    2  mf     2 2     mf      2    2  mf 2         mf  arco       mf 2

 

  



  

     

  

Perc. 2

     



     



     







  







              



  

f

 Tuba        Perc. 1   





              

Timp.

  



f

Str. Bs.



Euph.

  

              

ppp











  

  

f

 ppp

 





  



              

f

 



f

    

f

  



f

1 2

  



          

Bb Tpt. 3

f

Eb Bari. Sax.

 



f

Bb Ten. Sax.



f                  

mp





  



1   2   

Eb Alto Sax. 2

F Hn.

 



             

 Eb Alto Sax. 1 

Bb Tpt.

90 Var. III

 

2

  

mf

    

f

2

(Or lowest note possible)

 



   

mf BS. DR.



mf

35


   Picc.   



94

Fl. 1

Fl. 2



      



Bb Cl. 1



Bb Cl. 2



Bb Cl. 3



Bb Bass Cl.



1 Ob. 2

Bb Cb. Cl.





Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

1 Trb. 2

Trb. 3

Euph.

Tuba

Str. Bs.

  

 

Perc. 2 Perc. 3

Perc. 4



  

 

  



 



 



     

   

  

 

  

  

    

 



(a2)

  

 

    







2

 

 

f

  

2   

 

 

2

  2   

 

2

mf



   

f

2

G to F

    

   

mf 2

2

 

 



  

 

 



   





   

mf

 



2

36

 

 





  



  















  

             

                           

 



  





Play

2   

 

 

2

  2   

 

 

2

mf



simile

    

f

   

mf 2

2

 



             



 

2

(Sus. Cym.)

(Bs. Dr.)





2

 

   



 





 

 



 







       





(Bongos)

mf 2

2





   





 



              





 

              

 



sempre simile

        

 

 

                  

     

 

 



              





  



       

(2.)    

f

    



     

  Timp.  Perc. 1

 

f

  



    

(a2)

  





  

  



  

  

  







2

 



   





   

mf

 

 

2



2





2





 

 

 

 

2

  

 

2

  

 

2

   2     mf     mf

2

 

f

  

    

f

2

2


   Picc.   

102

Fl. 1

Fl. 2

Ob.

1 2

             

            



  



  



  

 

    



  



  



  

 

Bb Cl. 1



Bb Cl. 2



Bb Cl. 3



Bb Bass Cl.



Bb Cb. Cl.



 

      Eb Alto Sax. 1  Bsn.

1 2

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 Bb Tpt. 3

F Hn.

1 2

        

  

 

     



 



 

   



  

3 4

Trb.

1 2

Trb. 3

Euph.

Str. Bs.

Timp.

    

  

Perc. 1

Perc. 2

Perc. 3

Perc. 4





      mf   

SN. DR. (light sticks)

     

mf

 







 







  



  



  



  

 

 

    

            

 



 

  









  



  



 

     





        

   

 









    



   

  

 

    2     mf





mf

2

     

    

f

2

2 2



f

               

2

 





                

2   

 

   



2

 

2.

 

    

  

  

 



     

mf

37

mf

 



        

 

mf

    

   

   

  

      

2

2

     

    

f

2

    2  2    2  2    2  

 

 

2

 







 

   

  



      

 

 

             

 

2



  

     



  





                      mf       2          mf 2      

 Tuba     





mf

F Hn.

                                    



 

    

     





 2

              

 



   

 



p

   

 



p

   

                    



   

p

   





  p

  

   

   

 


   Picc.   



110

Fl. 1

Fl. 2

Ob.

1 2

   



   



     

 

114

 

q = c. 126

e=e

 

 

 

 

 

Bb Cl. 1



Bb Cl. 2



 

Bb Cl. 3



 

Bb Bass Cl.



Bb Cb. Cl.

Bsn.

1 2





 





 (2.)  1    2



Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

 

Eb Alto Sax. 1

Bb Tpt. 3 F Hn.

1 2

F Hn.

3 4

Trb.

1 2

Trb. 3

         (a2)    

mf 2

   mf

Euph.

   

  Tuba    mf

Str. Bs.

Perc. 2 Perc. 3

Perc. 4

2

  



mf 2 (Sn. Dr.)

      

    2

 

2

  2   

 

  mf  

    

   Timp. 

Perc. 1

2

 





    

(Bongos)

      

 

       

        (Sus. Cym.)         

(Bs. Dr.)

 

 



   

mf





 

  mf 









mf

 

2

 

 

mf 2

   

    

f

2

      

  

mf



    

 

mp

  

2

2

 

     

mf

2

    

pizz.

mf



mf

              

 

   

  

          

 

 

 

 

 

 

 

  

 

 

 

 

   



    

38

mf

      

mf

   mf

mf

     

2

      

mf

  2   

 

     

2

 

     

    

mp

   

 

mp

mf mf

  

 

2

1.



 


  Picc.    117

Fl. 1

Fl. 2

     

  

Bb Cl. 1



Bb Cl. 2



Bb Cl. 3



Bb Bass Cl.



Bb Cb. Cl.



Ob.

Bsn.

1 2

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 F Hn. 2

F Hn.

Trb.

3 4 1 2

Trb. 3

Euph.



   

Perc. 3

Perc. 4

 

 

 

           

fp



 

 

         

  

  

 

    

 

    

 

fp



f



 



 



 

f

  

a2

mf

   Bring out!

f



f

       

  

marcato

  

marcato

        

  

  

 



39



f

 

      

         

 

f

TOM TOMS f

  

      

to Xylo.

  

arco

        

f

             

p

           

f

   

  



f

 

f

f Bring out!

mf

f

f



                f                

f





f

fp



2.

  

  

  

         

    





 

fp



f

  



a2

        



a2

 

f

   

f



    



f

 

  f

 

  

f





       

f

 



  

  

 

a2

 



 

mp



           

 

 

mf     

 

   

          



  

 



 



           



 

mf   

 

 

  Str. Bs.    Timp.   

Perc. 2

mp

a2

           

 Tuba  

Perc. 1

 

 1  2

Bb Tpt. 3



122 Var. IV





          


  Picc.    125

130

Fl. 1

  

Fl. 2

  

  

Bb Cl. 1



Bb Cl. 2



    

Bb Cl. 3



           

    

Bb Bass Cl.



Bb Cb. Cl.



     

Ob.

1 2

1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

1 Trb. 2 Trb. 3

Euph.

Tuba

Str. Bs.

         

             

                      

                     

                     

                             

 

     

     

      

      

     

     





 

     



   

     

   

  

      f

 

(a2)                                                                                     

f

                       

   

f

 

 

mf

     

 

                                                     

     

 

 

  

Perc. 2

Perc. 3

Timp.

Perc. 1

Perc. 4



      

(Toms)



(Sus. Cym.)



  





 



                          40





 







      

   


138 Var. V

  Picc.    133

marcato

ff marcato

  

Fl. 2

  

1 Ob. 2

  

Bb Cl. 1



Bb Cl. 2



Bb Cl. 3



Bb Bass Cl.



Fl. 1

Bb Cb. Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax. 1 Bb Tpt. 2 Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

1 Trb. 2

Trb. 3

Euph.

Tuba

Str. Bs.

Timp.

Perc. 1

       

 



     

 

   

   



   

 

   

 

   

   

        

 

 

               

 

 

    



 

 

 

      



marcato

 

ff



      

   

       





 

   



     

    

     

  

  

   f

a2

 

2. marcato    

  

f marcato

   

 

 

XYLO.

ff

 BONGOS (sticks)

  

 

                       

 

    

 

f

41

    f

 

 

f

     

a2

 

 

marcato

 

     f

    

 

ff



 

ff marcato



f

   

    

     marcato      



a2

 

    

 

f

     f

 

   

                             

        

   

   

 

ff

    

   

         

 

  

        

  

 

ff a2 marcato

                 

   



     

      

     

Perc. 3

    

 

  

   

 

 

Perc. 2

Perc. 4





ff marcato

    

  

          

  

 

  

    


140     Picc.      Fl. 1        Fl. 2  (a2)    1  Ob. 2 

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 Bb Tpt. 3

F Hn.

1 2

3 F Hn. 4

Trb.

1 2

Trb. 3

Euph.

   

       

               

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

                               

               







     

        

          

     

 



 

 

       

     

(a2)     

  

      f        

 

  

(Xylo.)    

 

           

  

BS. DR.

  

  

  

   

 

       

    

  

 

  

   

 

   

   

(hard mallets)

   

 

f

   

       

    

      

     





  

 

  

 

              

                   

          

   

    

 

  

 



  

  

     

        

 

   

       

   

     

              

 

 

       f      1.               

      

f

       

 



 

 

     

   

a2

     

  

       

  

     

   

      

  

     

     

     

       

   

f

     

    

f

     

   

     

  

42

    

     

       

      

  

  

         

      

 

              

          

 

    

2.    

 

146

     

    

       

     

 

f

       

  

   

       

     

f

      

  



            

        f

(Bongos)

  

       a2           f           

  

     

    

(a2)

  

    

    

        

    

           (2.)                     



     

       



     

(a2)

 Tuba            Str. Bs.

     

 


147     Picc.       Fl. 1   

Fl. 2 1 Ob. 2

           

                      

Bb Cl. 1

  

Bb Cl. 2

  

Bb Cl. 3



Bb Bass Cl.

Bb Cb. Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2 Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

1 Trb. 2 Trb. 3

Euph.

Tuba

Str. Bs.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

  

       

   

      

     

           

 

  

   

 



   

   

 



     

 



   

   

 

     

 

 

f

   

 

     

  

 

 

 

  

 

   

        

 

      

a2

      

 

  

   

       

        f

                     

 

 

 

   

 

 

 

 

 

 

   

 

 

 

 

 

 

   

   

 

  

  

1.  

  

 

 

 

  

     

 43

  

mp

   

ff

  

  

          

  

   

   

                                            f      

 

 

   

         

   

a2

Bells up! ff

a2 Bells up!

      

ff

ff

               

       

        

              f   

 

    

 

              

    

 

 

f

 

  

 

                           

  

 

   

         

  

a2

              

  

f

     

 

     

 

   

            

 

  



    

   

molto rit.

                 

             

   

f

     

                                                        

  

                   

  

       

          f

 

             

                        

       

  

     

   





 



 

  

  



 

 



  



  

                       

 

TAM TAM

p

  

          

mf

 

   

                mp


Var. VI

154 q = 108 Chaotic

  Picc.    Fl. 1

Fl. 2 1 Ob. 2 Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

1 2

  

  

  



 



ff



ff



ff



 



   



 



ff



      

ff



 

Trb. 3

Euph.

   (a2)  

(a2)   I   a2   

  

     ff    Timp.     ff  Perc. 1   



ff

  

 

   

ff

ff

 

ff

(to Sus. Cym.)



 

 



 

     



to Crash Cym.

  



 

         

  

  



  

 SUS. CYM.

 

 

 

 

44

 

 

   

   

   



 



 

  

  

  

mf

3

ff

ff

ff

 

fff

 

fff

      

fff   fff  

 

 

   

   

 

fff

 

 

  

 

 

 

  

     

 

fff

 

     

     



 

 

  

 

 

        

 

 

 

 

 

 

 

   

       

 

 

 

 

 

 

 

 

    

 

 

fff

 

 

   

 

 

 

 

 

fff

 

 

    

  fff 

fff

 

   

fff

 

(a2)

 

 

3              

mf

 

 

              3

mf

 

 

            

 

    



          

 

     violent rips!                 fff violent rips!                fff

 

 

 

 



                   

 



ff

          

 

             ff            

"Tout un beau soir en me promenant"

 

 

 

 

 

  ff  

  

 

 

  



 

 



  



 

  

 

  



 

 



     

A Tempo

 

  

 

lunga

  

 

 

 



 

   



 



Smooth, steady gliss.



Str. Bs.

Perc. 4



fff

     ff     

 Tuba  

Perc. 3

ff

Perc. 2

  

  

 

 

  ff  (a2) 1    2

   ff

Eb Bari. Sax.

1 Trb. 2

  

3 4

  

  

1 F Hn. 2

Bb Tpt. 3

  

 ff 

Bb Ten. Sax.

  

Eb Alto Sax. 2

F Hn.

 Eb Alto Sax. 1 

Bb Tpt.

  

ff

Bsn.

molto allargando

 

 


Picc.

    

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

        

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

  

Trb. 3

Euph.

Tuba

Str. Bs.

Perc. 2

Perc. 3

Perc. 4

3





   

 

   



   

 



   



 

   

 

      

   

                  

  



ff

 



    



   

 

 

fff

 

 

 

 

 

 

 

 



  

  



  

  

  

 smooth, steady gliss.





 

                  3 3

   



p

ff

    

 

p

ff

fff

  

 

   

  ff

 

 

   

3

3

3



3

3

p

   

ff

 

3                      

 

 

ff

3

 

 

 

ff

 

 

ff

45

3

3





 

 

 

 

3

 



ff                           1.            

 

 

3

3

    

3

3

3

   

 

 

3

   

 

 

 

    3     3     3    

 

 

3

    3    

3



 

  

 

3



     

3



 

  

 

3



 

 

"Tavern Song"

3

    

3

3 3                   3

ff

3



 

 

ff

p

 



 

 

3

    

3

                                                                                  3 3 3 3 3 3

(Xylo.)

                           3 3 3 3 3 3              3              3 3 3 3 3              3               3 3 3 3 3 3 3                              3 3 3 3     3                 3 3 3 3 3     3                 3 3 3 3 3    3                       3 3 3 3 

 

  

fff

  

 



 

CRASH CYM.

 

 

 

 

 

"Tavern Song"     3         3 3

I

   

2..

fff

  





  

   

 

 



 

     

 

 



               

    Timp.   Perc. 1

   

                

1.

1 Trb. 2

   

    

    

1 Bb Tpt. 2

   

    

1 2

Eb Bari. Sax.

   

    

   

Bb Ten. Sax.

   

     

Bb Cb. Cl.

Eb Alto Sax. 2

   



Bb Bass Cl.

Eb Alto Sax. 1



   

Bsn.

                                  3  3 3 3 3 3 ff                       "Tavern Song"

161

    3

 

 

   


168           

   

     

   

  Picc.     Fl. 1

Fl. 2

        

3

3

3

3

      3

        3       3         3        3 (a2)

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

3

   3

   3

   3

  

3

3

    3

    3

    3

    3

   

3

3

3

3

3

3

3

3

3

             

   

3

3

3



3



3



3

3



   



                   

3

3

3

3

3

3

3

     

       

3

3

  

     

     

3

  

3

  3

 

 

3

  

3

3

3

3

3

    3   3

      3

Bb Cb. Cl.

  

   

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

  



     

  

(1.)         1    3 2 3

Bb Tpt. 3 1 F Hn. 2

F Hn.

3 4

Trb.

1 2

Trb. 3

     (a2)          

  

Tuba

   

Timp.

 

 

  

      3

    3

3

 

  

 3

   

3

 

   

3

3

3

       

    3

   

3

      3

3

          3

3

3

3

3

 

      3

     

       3

3

3

3

3

3

     

3

3

 3

          3

 

 



Perc. 4

ff

3



 

3

     

ff

3

 

3

3

     

3

3

Perc. 3

3

     

3

     



3

3

     

Perc. 2

3

     

3

3

 

3

     

3

3

     

       

3

3

3

3

     

 3

3

3

 

3

3

     

   

     

3

3

3

 

3

     

3

3

3

        

 

     

  

 

3

3

3

     

ff

 

     

3

3

"Tout un beau soir en me promenant"

3

3

(Xylo.)

Perc. 1

 

    

 

 (a2)   

Euph.

Str. Bs.

 

3

3

3

     

  Eb Alto Sax. 1  

3

     

  

1 2

3

     

Bb Bass Cl.

Bsn.

3

     

 3

  

3

    

   3

 

 

      3

3

 

 3

     

     

3

3

3

46


   Picc.   

175

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

Bb Ten. Sax.

Eb Bari. Sax.

   

         

F Hn.

        

         

   

 



1 2

 

     f     f a2 

3 4

 



 

1 Trb. 2

Trb. 3

Euph.

 

       

       Str. Bs.  Tuba

Timp.

Perc. 1

Perc. 2

  

    

Perc. 3

Perc. 4



 

2.



   



 

f

 

3

               

a2



 



   

 

 

  

 









 







ff

ff

   

          



 

                

 

   

   

 

  

 

     

 

 

  

 

 

 

 

 



 

       

ff

    

  

 

 

f

  

BONGOS (sticks) f

(Bs. Dr.)

p



  

 



 

              

 

3

 

3

 

3

 

ff

  

3

 

 

SUS. CYM. (yarn)

3

3

ff



       

 



 

 



  

 

   

       

 

   

 

 

3



  

   

               

 

ff

 

               

       







               







f



 

"Allons a Lafayette"

f a2

       

 

  

               

 

               

       

 1   2

Bb Tpt. 3

F Hn.

       

   

1 2

Eb Alto Sax. 2

Bb Tpt.

       

   

        Eb Alto Sax. 1  Bsn.

 

  

f

  

 

  

p

47

  

 

  

 

f

 

  

p

    


182                       Picc.              cresc.                         Fl. 1    cresc.                       Fl. 2   

184

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

  

         

(a2)

 



       



       



        cresc.         cresc.

 

       Eb Alto Sax. 1 

 

  

Bsn.

 

1 2

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2

Bb Tpt. 3

1 F Hn. 2

3

Trb.

1 2

Trb. 3

Euph.

Tuba

Str. Bs.

Timp.

   

        

  

               

(a2)    

        

 

  

  

       

            (Sus. Cym.)    

Perc. 2

Perc. 3

Perc. 4



  

(Bs. Dr.)

f

  

(Bongos)

 

  

3

  

 

3

broader

 

broader

 





3

 

        

       

  

violent rips!

 

 3

mf

3 mf

3

 48

3

mf

 

cresc.



cresc.



cresc.





  



 

  





 





 

   

 



     fff      fff 





     

 

       



 

 

        

cresc.

 

 



 





 





 



mf

TOM TOMS (same mallets)

 

 



violent rips!

 

 

 

 



   

 

    

 

3

 

cresc.

 

 

   

 

  

 

broader

 

 

 

 

  

  

  

  



   

   

  

 

  

 

broader

 

f

  

 

broader

3

a2

3



(Xylo.)

Perc. 1



 

(a2)

3 F Hn. 4

3

       

               

       

3

3





cresc.

cresc.

Bb Cb. Cl.

cresc.

 


accel.

188                  Picc.           Fl. 1            Fl. 2                   1  Ob. 2           Bb Cl. 1  

Bb Cl. 2

Bb Cl. 3

 

       

               

               

       

       

       

       

Bb Bass Cl.

 

Bb Cb. Cl.

 

 

  







 1    Bsn.   2    Eb Alto Sax. 1    Eb Alto Sax. 2      Eb Bari. Sax.     1   Bb Tpt.  2 Bb Ten. Sax.

1 2 3 4

1 2

Perc. 4















3 3

  

 

 

 

 

 

 

 

 

  

 

 

 

 

 







  

  























 

 

 

 

 

 

 

 

 

 

 

   

cresc.

 

  

     

 

 

  

   

 

   

 

 

  

 

          

                fff

 

 

 

 

 

 

 

 

 

 

   

49

 

    TAM TAM      ffff               ffff

3

  mf    mf    

ffff

 

mf

mf

 

   

to st. mute

  

n

n n

   

     

n

 

n

 

n

 

n

 

n

n

n

mf

 

n

n to st. mute

  

  

n

      

mf

 

n

dampen

 

 

 

n

       

 

 

 

   

   

         

 

 

 

 

 

 

   

   

 

  n

  n

 

ffff

3

fff

 

 

ffff

  mf  

   

 

 

ffff

fff

 

mf

   

   

          

 

 

  

 

 

mf

    

ffff

 

 

ffff

   

5 sec.

     

 

5 sec.

 

ffff

 

5 sec.

 

   

ff

   

   

ffff

 

   

  

 

ffff

ff

 

   

 

 

 

 

   ff        

 

 

   

 

 

 

  

 

5 sec.

   

 

 

 

 

 

 

   

 

   

  

   

 

     



 Tuba  

Perc. 3





Euph.

Perc. 2





 

Perc. 1



  

Trb. 3

Timp.

3



  

Str. Bs.





cresc.

Trb.



  

cresc.

F Hn.





cresc.

F Hn.



 3

cresc.

Bb Tpt. 3



  

 

       

192

 

 

     

 

           

 

 

   

         

   

         

   


  Picc.     196

q = c. 84 Somber

202

 

Fl. 1

    

Fl. 2

    

1 2

    

Ob.

Bb Cl. 1

Bb Cl. 2

   

p



p

    



 

 

  





Ob. 1 cue



pp



1.

pp

 

  

Bb Cl. 3

  

Bb Bass Cl.

  

Bb Cb. Cl.

  

1    2   

Eb Alto Sax. 2

 

Bb Ten. Sax.

  

Eb Bari. Sax.

  

  

Bsn.

  Eb Alto Sax. 1  

Bb Tpt.

1 2

Bb Tpt. 3

   

1 F Hn. 2

   

F Hn.

3 4

   

Trb.

1 2

   

Trb. 3

  

Euph.

   

Tuba

   

    

 

Str. Bs.

Timp.

  

Perc. 1

    

Perc. 2

 

Perc. 3

  bowed    

Perc. 4



 



VIBES (motor off)

p

  

mf

1. Solo

mp

 pp





CHIMES

p

(Solo Horn)

  



 



p



   

mf

  50

 

p





    

mf

 




  Picc.     204

Fl. 1

   

Fl. 2

  

Ob.

1 2





pp

pp

   

mp



mp

Bb Cl. 1



Bb Cl. 2

    



mp

mp









pp

pp





pp

pp



mp



mp





   



mp

   

   



   

mp

 

   

   

   

Bb Cl. 3



Bb Bass Cl.



Bb Cb. Cl.



Bsn.

 1   2   

 Eb Alto Sax. 1  Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

Bb Tpt. 3

mp





  

1 2

  

F Hn.

3 4

 

Trb.

1 2

F Hn.





mf

  

 

 



Trb. 3

 

Euph.

  

Perc. 2

Perc. 3

Perc. 4

 

  

Perc. 1

mp



Timp.



Str. Bs.

pp

Tuba





mp









  

  

         



 

TRIANGLE

pp

 

    

mp

mf

   

f

 51

 

pp

 

    

mp

mf

Solo mp


  Picc.    

rit.

212

Fl. 1

Fl. 2

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

1 Bsn. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2

Bb Tpt. 3

F Hn.

F Hn.

Trb.

1 2

3 4

1 2

Trb. 3

Euph.

Tuba

Str. Bs.

Timp.

   

   

 

  

mp



   





  

mp

 

  

mp

 





f

 

 

 



mp



mp



Solo

mp



p

 

 

 

 

 

 

 

 

 

 

 

 

   

1. Solo, st. mute

  

 

  

 



  

 

 

  



mp

 

 

one only



mp

Perc. 2

      



 

  

Perc. 4

Perc. 1

Perc. 3

  

 

f

 

mp

     

 

 

 

 

 

  52

 



 



 

 

 

 

  



   



mp

217 q = c. 120  

   

mp

 





 

 

 



f



f





1. Solo

 

fltg.





   

 Eb Alto Sax. 1  Eb Alto Sax. 2

molto rit.

mp

 





 

 

 

 

 

1. mute

 

mf 3. mute

 

mf

 

 

 

   mute out

   

mp

      

p

 

mf

 mute out

 2.  mp

   

 

 

mf

 

 

 

 

 

  

mute out

p

Soli, st. mute

 

 

 

 


   

  

  

  



accel.

221

Picc.

Fl. 1

Fl. 2

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.



Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.





 mp

 

 

mp



 

mf

F Hn.

3 4

1 Trb. 2

Euph.

       

          

   cresc.

mp

  

 

mp

cresc.

 



cresc.

 

 





 

 

 

  

  

 

   

 

 

 

mf

mf

 

 

mf

 

 

mf

             

   

 

tutti

     mf

 tutti



mp cresc.

cresc.

 

mp

cresc.

 

 

 

   





   





 



 

mf

 

mf

 

mf

 

      

a2

mf a2 open

 

 

 

p

    mf           

 

 

XYLO.

 

 

mf

 

      

a2

      

 

  

 

 

       

Perc. 3

   

 

 

53



 

 

 

a2 open



      

mf

 

Perc. 2

Perc. 4





      

    mf         mf



mf

 

 

         

       

       mp cresc.              

mp

 

1. open

mp

mp

     mf

        tutti              

  

mf

  Timp. 

Perc. 1

mf

 Tuba    Str. Bs.

       

gently

Trb. 3

                    Bb Tpt. 3   1 2

1 Bb Tpt. 2

F Hn.

mf

   

 Eb Alto Sax. 1 

 

mf

1.

1 Bsn. 2

Attacca

 


     ff    Fl. 1    ff    Fl. 2   

3. To Lafayette

q = 160 - 168 Exuberant

Picc.

ff

1 Ob. 2

Bb Cl. 1

     ff

   ff

Bb Cl. 2

   ff

Bb Cl. 3

  

 

 

 

 

 

     ff

Bb Bass Cl.

ff

 Bb Cb. Cl.      ff  1      Bsn.  

      ff    Eb Alto Sax. 2   2

ff

Eb Alto Sax. 1

ff

   Bb Ten. Sax.   ff    Eb Bari. Sax.    Bb Tpt.

1 2

a2

   

  

 

        

  

F Hn.

3 4

Trb.

1 2

Trb. 3

Euph.

Str. Bs.

       ff        Perc. 1    Timp.

ff WASHBOARD

Perc. 2

Perc. 4

  

    

  

      

     

  

     

  

  

 

 

  

 

 

  

 

 

  

 

 

  

 

        

2.

         

 

 

 

 

 

 

 

 

 

 

 

 

  

           

 

    

 

    

 

 

         

           

                   

            

  

  

 

 

  

  

 

 

  

  

  

  

   

 

 

    

  

              

  

       

           

           

     

                               

  

                               

  

       

                   

  

  

  

(to Sn. Dr.)

            

              ff

  

         

             ff WASHBOARD

 

ff WASHBOARD

Perc. 3

  

 

 

ff

  

  

  

  

ff

  

  

  

     ff        ff         ff             

  

  

         

ff

  

  

   Tuba    

  

(a2) ff

  

     

 st. mute         (a2) ff

1 F Hn. 2

  

ff

Bb Tpt. 3



   

                ff st. mute



 

 

                                                                                                                                                                                                                                                                                          54


  Picc.     Fl. 1     Fl. 2  

 



 





    

 









     



7

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Cb. Cl.

1 Bsn. 2

    

 

  

 

 

  

 

  

  

 

  

1. Solo f

Oboe 1 cue (Solo)

     

 

f

mp

mp

Cbs. Cl. cue

 

  

     

 

  

   



        

   



     

   

  

  

  

  

       

 

 

 

 

 

       

   





    

 

     

  

  

1 2

 

Trb. 3

 



 

Trb.

Perc. 4

  

  

     

 

Perc. 3

    

 

 

Perc. 2

  

3 4

      

 

F Hn.

Perc. 1

 

     

f Bsn. 1 cue (Solo)

 

f

                  

             

 

1. Solo



  Timp. 

 



 

mp

 

  

      

  

 



  



 

  

     

 

 



1 2

Str. Bs.

F Hn.

Tuba

  

 



Euph.

  

Eb Bari. Sax.

Bb Tpt. 3

  

1 2

  

Bb Ten. Sax.

Bb Tpt.

    

     

9

mp

     Eb Alto Sax. 1  Eb Alto Sax. 2

 

    

Bb Bass Cl.



   

    

mute out

  

  

Str. Bass cue (Play if no Str. Bass available)

 



mp

pizz.



mf

                                                                 

mp

  

  













 

  

  

Str. Bass cue (Play if no Str. Bass available)

    mp

 





  

                                                                                                           mf

55


  Picc.   14

 

Fl. 1

 

Fl. 2

Ob.

(1. Solo)        

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

 

  

  

 

 

    

  

 

 

 

 

     





Bb Cb. Cl.

 

(1.)

 

 

  

 

    

 

 

 

Eb Alto Sax. 2

  

Bb Ten. Sax.

Eb Bari. Sax.



 



 



  

Eb Alto Sax. 1

 

    

 

  

  

  

 

  

 

  

  

  

 

    

 

   





mf

mf



Play



mf





  





  



mp



       

 

 











  





     

 

  

mf

    



 

  

a2

 

       

  





 

     

      

 

mf





1 2

 

Trb. 3

 

Euph.

 

Tuba

  

Bb Tpt.

1 2

Bb Tpt. 3

F Hn.

1 2

3 F Hn. 4

Trb.

Str. Bs.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

 



  

 







 

 

  







 

 

  

  

p

                                                       

(Washboard)

56



TRI.

mf





 





  

 

  





mf

 

mf

Play

Bb Bass Cl.

1 Bsn. 2

   

17





  

  

1. Solo

 





  

 

mf


  Picc.   21

  

Fl. 1

 

Fl. 2

Ob.

 

Oboe 1 cue

 1.    

1 2

mf

  mf

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

1 2

Eb Alto Sax. 1

  

















   

   







 mf











  

 

 





 

 

mf

p

p

Cbs. Cl. cue

 



mf



p







p



 

 

p

  

  













  

  

           

  

        

  

    

  

  

1 2

F Hn.

3 4



1 2

  

1. Solo

Trb.

Trb. 3

 

Euph.

 

Str. Bass cue

Tuba

 

   mp



   

Perc. 1

Perc. 2

Perc. 3



  

mf

 



  Timp.  

Perc. 4





F Hn.

Str. Bs.



















Bb Ten. Sax.

Bb Tpt. 3

   

1 Bb Tpt. 2







  

Eb Alto Sax. 2

Eb Bari. Sax.

 



 

mf

Bb Cb. Cl.



Bb Bass Cl.

Bsn.

 



25



  

      

 



  

  

  

  





 



 







 

mf

 



p



 

 

mp

 

f

 

      

Bari. Sax cue (st. mute)

Solo (Player may stand during solo)  

    

 

 

  

  





 

 

 









    

   

 

  

  

57


  Picc.   29

Fl. 1

Fl. 2

Ob.

1 2

  

   

Bb Cl. 2

Bb Cl. 3

Bb Cl. 1

Bb Bass Cl.

Bb Cb. Cl.

Bsn.

1 2

Eb Alto Sax. 1

  







Bb Ten. Sax.

Eb Bari. Sax.



  

Eb Alto Sax. 2











 

 

  

 

   

 



 

mp



     













3

      3

Trb. 3

 

 

Euph.

 



  

   

 3 

 

 

   

1. Solo, st. mute  



f

  



         

  

       

mf

3

 

 

   

Perc. 2

Perc. 3

Perc. 4



 



 

p st. mute

 



mp

  

     



     

 









     

  



   

              

  

  

    

 

     

58





 

         

  

     

SN. DR. (light sticks) mp

  

    

p 3.

     

  

  

mute

3

 

 

Perc. 1

   3 



  

Timp.

 



1 2

   



   



Str. Bs.

   

  



 







  

    

Tuba

p

       



  

Str. Bass cue

 

Trb.

3 4

F Hn.

1 2

F Hn.

Bb Tpt. 3



 

1 Bb Tpt. 2

mf

mf

   

Oboe 1 cue (Solo)

 

1. Solo 

Play

 

33


  

 

37

Picc.

Fl. 1

 

Fl. 2

   

1 Ob. 2

Bb Cl. 2

Bb Cl. 3



Eb Bari. Sax.

1 Bb Tpt. 2

F Hn.

Trb.

Tuba

Str. Bs.

Timp.







 

 



 

 

           

 

 

 

   

 

 

 

       

      





 

   



   



  





f

  

    

f a2 f

          

  

p



  

       

  

              

Str. Bass cue

 

  





  

 



        

           





ff

Play

ff

   

f

 

ff

mute out



  

                             

 

  



  

       



  

       

 

  

   

  

 

 

  

   

  

 

    

    

   





f

   

   

   



 

f

   

   

     

 



 

   

   

   





 

   

   





 



f

open

ff

 

  

f

   

 

   

2. open

   

f f

mute out

ff

f

mute out

 

ff

 

   



f

  

ff

3

 

 

   



f

3

 

 

3

  

Euph.

3



Trb. 3

 

1 2





3 4

  

1 F Hn. 2

Bb Tpt. 3



  Eb Alto Sax. 1 

Bb Ten. Sax.



 

  

Eb Alto Sax. 2



Bb Cb. Cl.

Bb Bass Cl.

1 2

Bb Cl. 1

Bsn.

   

41

   

    

 

 

1. open

p

 

open

               

 

 



               

 

   

p

 p

Perc. 2

Perc. 3

Perc. 4



 59

   

f

   

   



 

Perc. 1

TAMB.

 



 














  





  Picc.   45

 

Fl. 1

 

Fl. 2

Ob.

1 2



Bb Cl. 1 Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

1 Bsn. 2

(a2)









 

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

1 2

Bb Tpt. 3

F Hn.

1 2



Trb.

3 4

1 2

Euph.

Str. Bs.

Timp.

Perc. 1

         

Perc. 2

Perc. 3

Perc. 4

3

     

  

3

  

  

  

  

       

      f

   3

3 3

   3

   

        

  

      

    

  

3

3

      3

      3 3

      3

                    

 

   

3

3

3

            3 3 3

          

  

     

  

   f   f

   f

f

     

        

     

      

            

 

     

      

    

WOODBLOCK



 (open)

      

     

 3            3 3 3



 

     

  

 

 

       

  

                 

     

 

        

 

f

  

 

ff

 

 60





 

 

 

 

 

 



 

  

  

  



 

    

   

     

  

 

     

  

 

 

 



non staccato

 

non staccato

 

 





 

 



  

  

 

ff arco

    

  



  



  



 

 

 

 

 







     

 

ff

ff

  



f

 

ff



  

 

ff

     

ff

 

 

 

ff

   

 

 

ff

  

  





 

   

 

 l.v.   

p

a2

 



a2

     

                 

ff

f

SUS CYM. (yarn)

    

TOMS



  

ff

f

 

       



 

ff

ff



 

 

       

   f       

3      

49

                                                                                                                                   ff               ff                           ff   3           

3

sff

Tuba

3   

sff

Trb. 3

      

f open

F Hn.

  

   f

  

   f

  Eb Alto Sax. 1  Eb Alto Sax. 2

     

       


 

 

 

   







  Picc.   51

Fl. 1

 

Fl. 2

 

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.



Bb Cb. Cl.



1 Bsn. 2

     

  Eb Alto Sax. 1  

 

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.



  



Bb Tpt.

1 2

Bb Tpt. 3

 

1 2



F Hn.

3 4

 

Trb.

1 2

  

F Hn.

 

Euph.

  

Str. Bs.

Timp.



 



 



 



 

 

 

  

  

 

    

 

 



       

   

 

     



  



  





 

 

  

   

 

 



 

 

     

 



 

  





 





  

  

   

  



  



  



 

   

 

 

 

 

 



 



 



 



 



 



     

   



  

  

    

 

   



   



 

     

    







  

  

  

  

 

        

 

     

     

  

   

Perc. 2

Perc. 3

  

f

 61

     



  

Perc. 1

Perc. 4

 

  

   

 

 

     

  

     

  

  

  

  

  

 

     

  

 

     

 

  

  

 

  

     

  

  

     

  

 



 



  

 



 

 

  

 

  

 



     

 

  

 

  

   

 

     

 

    



 

  

 

     

  

 

     

 

  

 

  

 

  

                 

 

 



 

 



 

  

  



  

  



  

  

Trb. 3

Tuba

 

 

  

  

1. Solo

 

mf

    

      


  Picc.   57

Fl. 1

Fl. 2

Ob.

 

 

 

1 2

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

mf

p

  1  2

Eb Bari. Sax.

Bb Tpt.

(1.)

F Hn.

1 2

 

F Hn.

3 4



3

3





 

    

     3 3       



 



 

 

 

  

  

 

  

 



a2

mp

mf

  

    



 

  

  

cresc.

  

 

cresc.

     

open

mf

Euph.

 

Str. Bs.

Timp.

  

mp

 







 

  

  

mf





cresc.

   

    

   

mf

 

 



 

   mf

cresc.

  

Perc. 1

Perc. 2

Perc. 3

Perc. 4



62



     



mf

cresc.



mf

 

pizz.

   

cresc.



 

  

Trb. 3

cresc.

cresc.

mf

mp



1.

   

 



 

Tuba

 

1 Trb. 2

 

a2

mp



    cresc. 

    

mf





2.

   

cresc.

    

mf

cresc.

       



mp

    

mf

 

    

3



3

         

   

3

3





 









3

p

Bb Tpt. 3

3

mf



3

mf

  

3

mp

p

mf

  

Bb Ten. Sax.

       

   Eb Alto Sax. 1  Eb Alto Sax. 2



3



 

3

  mp

Bb Cb. Cl.

 

Bb Cl. 1

1 Bsn. 2

60


   Picc.  

  

64

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

Bsn.

1 2

   

   

mf

Bb Ten. Sax.

F Hn.

1 2

3 F Hn. 4 Trb.

1 2

Trb. 3

Euph.







  

  

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

f

 

f



  f

a2



          

f

f

   

f

f

 

 

 

  

 

p

 



 

  

                       

 



 

 

 

 

  

 

  

 

 

  



    

  

 

 

  



 

    

 

     

 

  

p

  

 

  

 

 

  

1.



   

mf

  



f

(Sus.Cym.)

p

 



  

 



  

f

f a2

f

 



     

  

   a2

f

  

f

p

  

  

 

 

 

 

 

  

            

   

  

 

  

 

f

  

     

     

 

  

 

 



 

 l.v.   

f

WASHBOARD                     

f WASHBOARD

                    

f

63

 

 

  

f

 

 

                 



  

p

                  

 

  





  

 

f



 

  

                   

mp

                    

  

 







f

a2

 

f

 Tuba   Str. Bs.





f

     

  1  2

Bb Tpt. 3

Eb Bari. Sax.

Bb Tpt.

  

   Eb Alto Sax. 1  Eb Alto Sax. 2

 



  



66

 

                                                                     


  Picc.   70

        

        

Fl. 1

 

Fl. 2

  

1 2

  

(a2)

Ob.

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

 

                 

  

  

  

  

  

     

  

        

  

  

  

  

    

  

  

    

  

  

                   

                       

  

    

  

     

  

        

Bb Cb. Cl.

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.

  

 1  2

Bb Tpt. 3

f

   

Trb. 3

        

        f

Euph.

Tuba

Str. Bs.

Timp.

Perc. 1

Perc. 2

sf

(a2)

1 Trb. 2

   

     

  

(a2)

3 F Hn. 4

sf

1 F Hn. 2

  

 

 

 p

   

sf

   

 

 

 

p

sf

            

  



  



  



  

 

  

   



    

p

p 2.

sf

     

                           



    

  

         

  



     

  

             

  

f

f









Perc. 4





to st.mute

(pizz.)



XYLO.

                                                                                                                                                      64

f

   

p



 

mf

(Washboard)

(Washboard)

   

1. mute



 

Perc. 3

p





   

sf

  

  

  



  

      

TRIANGLE

     



  

  

              



  

  

 

  

  

     

mf

     





     

 

mf

  

     



      



     

  

f

p

          

  

  

           

  

    

  

  

 

p

        

                  

  

  

f

p

            

                 

  

     

 

Eb Alto Sax. 1

   

    p        

  

  

p 1.

     

1 2

  

Bb Bass Cl.

Bsn.

74

             p          p        

  

     



mp

   


   Picc.         Fl. 1  

                      

76

Fl. 2

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

                 

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

Bsn.

1 2

        

        

           

            



  





 

          Eb Alto Sax. 1      Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.



Bb Tpt.

1 2

Bb Tpt. 3

1 F Hn. 2

                                                                        

       

  

                              

 

   

     

        

 

      

      



    

 

      

 



      



                    

        







      

                  

  



               

        

     



   



         

                         

 

        

 

     

                      

  

 

     

 

 

   

    

Trb.

1 2

 

Trb. 3

 

Euph.

Tuba

  

   

 p

  

f

   

 

  



  

  

Perc. 2



  

Perc. 1

 

   



    

  

  

     





 



          

 

  

  

mf

   

 

65

1. Solo

      

  

mute out       

   

 

     

  

                         

Perc. 4

                              

                    



Perc. 3

 

                      

            

3 4

Timp.

F Hn.

Str. Bs.

                          


82

          Fl. 1   

                                               

Picc.

  

Fl. 2

Ob.

 

1 2

Bb Cl. 1

Bb Cl. 2

 

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl. 1 Bsn. 2

                                          



 



mp

        Eb Alto Sax. 2  

  1  2

Eb Bari. Sax.

Bb Tpt.

Bb Tpt. 3 1 F Hn. 2



3 4



F Hn.

     

  

mf st. mute

   

mf

                                     

 

                              





 



   

sf

p

sf

   

   

 

 

      

     

   

p

sf

p

sf

    

   

                                      

   





 p

p

p

   

   

   

 

Euph.

 

Tuba

  

Str. Bs.

   

  Timp. 

mp

 

       (Xylo.)

Perc. 1

Perc. 2

Perc. 3

Perc. 4

  





 

      









 



 

    

VIBES                     p secco, no pedal





 

     

 66

 

 

     

                         

   



 

     



 

    

                

   

Trb. 3

  

(1. Solo)

 





   

     

   

sf

      

   

p

   

   

    

 



     

                              

 



                                

 

sf

                               

   

p

   

p

  

   







    



                    

  

1 Trb. 2

st. mute    

Eb Alto Sax. 1

Bb Ten. Sax.

 

mp

p

                                                 

     

           


     Picc.     Fl. 1         Fl. 2   89

 

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

1 F Hn. 2 3 F Hn. 4 Trb.

1 2

Trb. 3

Euph.

   

 

       

     

 

      

  

Perc. 2

Perc. 3

Perc. 4

                 

  

     

         

     

  

  

 

  

 

    

mf

     

  

     mute out!         mute out!    

a2

mf

mf

a2 open

  





mf open slightly separated

mf

    



    

 

 

 

f

   

       



p

f

f



             

f

f



f

     

 





 



f

 



f

1.

      



 

3

f

3

          

   

f

f

3

f

   

 

 



 



          

      

f

67

      

   



  

 

 

 

mf

f

     

      

   

2.

3

  

f

          

  

  



mf arco

   

          

     

f

f

  

   

   

         f        

          

   

mf

   

  

     

mf

 

f

open slightly separated

f

 

                 

mf

   

 

mf a2

  

mf

  

a2

          

  

          

mf

  

  



  

mf

End solo

sf

  

  



  Timp. 

Perc. 1

   

     

 Tuba   Str. Bs.

sf

Bb Tpt. 3

sf

1 Bb Tpt. 2

         

     Eb Alto Sax. 1 

Eb Bari. Sax.

Bb Ten. Sax.

Bb Cb. Cl.

Eb Alto Sax. 2

 

             

Bb Bass Cl.

1 Bsn. 2

 

          

Bb Cl. 3

94

     

 

(Triangle)

f

f WASHBOARD

        

f WASHBOARD

        

f

 


 95    Picc.     Fl. 1      Fl. 2   1 Ob. 2

   

Bb Cl. 2

 

 

 

            

 

   

    

 

    

   

(a2)            

Bb Cl. 1

Bb Cl. 3

    

 

 

                             

                                            

                                        

        

                                                                      

           

  

  

               

    



                 

     

 

 

Bb Bass Cl.

Bb Cb. Cl.

             Eb Alto Sax. 1       Eb Alto Sax. 2  (2.)

Bsn.



1 2

Bb Ten. Sax.

Eb Bari. Sax.

1 Bb Tpt. 2

Bb Tpt. 3



     

     

(a2)



   



   

 

         

f

 





Tuba

Str. Bs.

Timp.



     



  

  

Perc. 3

Perc. 4

  

 





 

 

(Tri.) Perc. 2

 

    

(Xylo.)

Perc. 1



         

                

(Washboard)



   



 

 

     



   









a2

 

 

 

 

 

f

 

 

     

 



   

                             

     

 



     

            

 

 

                

(Washboard)



      

1.

 

 

     

 l.v. 

    

 

 

      

 

 

 

 



 

mf

                            



 

  

  

 

  

                         

3 F Hn. 4

Euph.

1.

 2.

 

mf



    

 

Trb. 3

 

(a2)



     

1 Trb. 2

 

                  

                                

  

(a2)

 

 

1 2

F Hn.



  

 

mf



 

 

      

    



   

 

 

 



       

                                                                                                                                              68


  Picc.  

 

102

Fl. 1

Fl. 2

 

1 Ob. 2

 

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

 

 











mp

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

1 2

Bb Tpt. 3

 



mp

mp

 

mp

 

 

 

 

f

pp

 

 



3             3

     

   

      

  

   



mf

 

  



f

pp

pp

pp

  



pp

   

mf

  

  

1.

mf

mf

 

 



 

                          

f

  

  

mf

                         

    Eb Alto Sax. 1 

Bb Tpt.

        mp                        1     2  

Bb Cb. Cl.

Bsn.

 

105

   

mf

pp

pp

 

F Hn.

1 2



F Hn.

3 4



1 2

 

Trb. 3

 

Euph.

 

Tuba

  

Trb.

Str. Bs.

pizz.

  

  Timp. 

mp

 









  

mp

        crisp

  

            

            

         





  





  

Perc. 1

 

Perc. 2

Perc. 3

Perc. 4



69


  Picc.   109

 

Fl. 1



f

 

f    

Fl. 2

Ob.



1 2

f

Bb Cl. 1



f



Bb Cl. 3

f

Bb Bass Cl.

       

      

Bb Cb. Cl.

1 2

f

Bb Cl. 2

Bsn.



 

     

   

   Eb Alto Sax. 1 

mf

 

   

   p     

   

mp

1 F Hn. 2

F Hn.

Trb.

3 4

1 2

mp a2

    mp           f

Trb. 3

Euph. Tuba

Str. Bs.

 

      

  Timp. 

Perc. 1

Perc. 2 Perc. 3

Perc. 4

   

   

      

mf arco mf

 3 

3       

 3 

3       

3

3

  

3

        3

       

3

3

    



 

f

    



3

        3

  



       3

       

  

 

  

 

 

 

 

       

   





 



 

  

  

       

3

 

     

3       

3

 

  

  3 

  

       

     mf

3       

  

f

 3 

         

 

 

        

ff

 

ff

 

        

          

ff

ff

 

ff

fp



 

  f  

 







f

 



 



(Xylo.)

 SUS CYM. (yarn)

 

p

ff

 

70

       

  

   

    

ff

   

ff



ff

  

  

    





    



 

ff



  

 

  

  

ff

ff

 

 

   

 

  

   



ff

  





  

ff

  

  

 

                      ff                    

  

  

ff

 

 

 

  



 

  

    

 ff 

     

 

 

  

                

        

  

  

  

                  

    

 

  

a2

    

  

    

     

   

  

ff

 

     

  

ff



         

   ff

fp

fp  

     

ff

 

 

ff

 



fp

   

      ff                ff            

                       f                                      a2                              f                  

   1   2

Bb Tpt. 3

   

     

Eb Bari. Sax.

Bb Tpt.

   

a2

   

       f

Bb Ten. Sax.

          

3

f

Eb Alto Sax. 2

   

113

        ff       

a2

  

  



     

  

  



  

 



 

   

 

  

     l.v.      ff (Washboard)                      ff

(Washboard)                     

ff


      Fl. 1     Fl. 2   115

Picc.

1 Ob. 2

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.



Bb Cb. Cl.



Eb Alto Sax. 1

 

       

    

Bb Ten. Sax.

  

 

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

1 Trb. 2 Trb. 3

Euph.

  

    

 

  

 

 

 

  

 

 

     

  

 

 

  

 

        

  

 





 



 

 

 



 

       

2.

  

  

 

 

  

 

  

 

 

  

 

  

 

 

  

 

 

  a2 

 

  

 

  

 



    

 





 

 

 



     

 

  

 

 

  

   

 

  

  

  

 

 

  

   

 

  

 

  

  

 

 

  

  

 

  

   

 

 

     

   

Str. Bs.

   

 

 

 

 

 

 

  

  

 

   



 

  

      

 

  

 

     

  

 





   

 

  

  

 

   

mf

     



    

  

  

  

  



 

 

  

 



 

 

 



 



 

   



 



 

 



Perc. 2

Perc. 3

 

Perc. 4



 dampen!



                                                                                             

                                                                                              

71

mf

 

 

 

Perc. 1

 



( ff )

     

  

  



 

  

 

  

 

 

        

 

                                                                                      

Tuba

Timp.

         

  

 

  

   

  

 

 



    

 

    Eb Bari. Sax.  

  

     



     

 



Eb Alto Sax. 2

1 Bb Tpt. 2

         

Bb Cl. 1

1 Bsn. 2

120

  

WOODBLOCK

   

ff

  


  Picc.   121

Fl. 1

Fl. 2 1 Ob. 2

 



 





 



 



 



     

Bb Cl. 1



 

Bb Cl. 2



 

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

Bsn.

1 2



Bb Ten. Sax.

F Hn.

1 2

3 F Hn. 4

1 Trb. 2





 3   3 

 3   3 

       





 3   3 

 3   3 

       





 3   3 

 3   3 

       



 3   3 

 3   3 

       



     

     

  

      

 

  

   

  





 

  

   

  





 



       

   

   

 



 

   

 



 

  



p

 

       

         

       

       

                                    

        

















f

                                 

 

 



 



 

      

sff

a2

f

   f

  

f

  

   

   

  

  



 

ff

72

f a2

   

TAMB.



  

  f 

a2







    

  

  



f

    





  

        











  



            

 

 





 

             

                                      

            



    

 

   



3

 

 

Perc. 4

3



Str. Bs.

     



Perc. 3

3



3



f

       



3



 

3



 



     



   

3



(Wdblk.)

      f   

3

 

Perc. 2

rit.



    

3

f

  

Perc. 1

    

f

Tuba

  Timp. 



 

3

f

Euph.





      

 



  

Trb. 3

       



        



 3   3 

  

     

 

        

  



 

  

  1  2

Bb Tpt. 3



  

Eb Bari. Sax.

Bb Tpt.





 

  Eb Alto Sax. 1  Eb Alto Sax. 2

 

   

  

SN. DR. (heavy sticks)

     

      

mf



 





  

  

      

  

  

     

         










 129 q = 116, Swing 8ths accel.       3 128                         Picc.   3 3 3 3 3 fffp ff  3                          Fl. 1   3 Fl. 2

Ob.

1 2

Bb Cl. 1

ff

f

F Hn.

1 2

         f

3 F Hn. 4

f

Trb.

1 2

Trb. 3

     

  

ffp

ffp

     Euph.  f   Tuba    

                      

   

Perc. 2

 

ffp TAM TAM

   

p

 

3

3

3

3

3

3

3



 

       

ff

3

3

3

3

3

3

3

3

3

3

3

 

3

3



 

 



    

       

 

    

ff



ff

 

      

 



   

   

   

   

ff

l.v.

   

ff

f

 

 

       

    

 

3

3

3

3

3

3

3

3

3

3

3

3

3

3



 

 

3

3

3

     

  



  



 



 

 

  3

   

f

   

 

    



3

    

    



  

        

3

3

3

       

3    

mp

3

                



3

3

    



73

    



3

3

    

 

3

                3 

3

3

3

3

  

3

               3  

3

 



3

3

       3

3

               3  

3

3

 



ff

3

3

      





ff

3

3

3

3

3

3

                 

3

            

    



ff

3

3

      

ff



     

    

    

3

       

3

3

3

3

3

3

    

    

ff

3

   3               

ff



3

3

    

ff

3

ff

ff

  

 

(Sn. Dr.)

Perc. 1

3

3

a2

3

3

3

3

                  

ff

 

  

ffp

 

     

Str. Bs.

ff

ff

      ffp     Timp.    ffp

 ff     

3

3                

ff

3

                

3

3                

   

3

     

3

ff

3

                  

3

                  

ff           

3

3                  

3

          

 Bb Bass Cl.    fffp  Bb Cb. Cl.    fffp  1     Bsn. 2     fffp      Eb Alto Sax. 1  f     Eb Alto Sax. 2  f    Bb Ten. Sax.  f     Eb Bari. Sax.   f   1   Bb Tpt.  2 f    Bb Tpt. 3 

3

3

3

3       

3

ff

                

3

3

ff

fffp

3

     

3

                   3

fffp

Bb Cl. 3

3

3                  

3

3

           fffp

fffp

Bb Cl. 2

3

            fffp ff            fffp

3       



           3 mf

f

 


  Picc.   

          

134

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bb Cb. Cl.

 

3

3           

           3

 

1 2

   Eb Alto Sax. 1  

Bb Ten. Sax.

Eb Bari. Sax.



Bb Tpt.

1 2

Bb Tpt. 3

 

                 

3

        

  

(a2)

  

Euph.

  

  

 

 

 

Perc. 3



         

3

3

3

3

          

3

         

3

3

3

      3

      3

       3

3        3

 

3

3

3

3

3

3

3

3

          3

3

3

          3

3

          3

3

 

 

3

 

 

  

  

 

 

  

  

 

 

 

   

 

 

 

  

    

    

  

 

 

 

 



   

  

  

 

 



  

3

3

          

  

3

3

3       

3

 

 

  

        

  

     

   

  

 

  

     



     



 



 

           3 



 

           3



 



   

BS. DR.

f



 

      



 

 

  

74

  

 

  



  



 

    

    

 

  

 

  



 

  



 

  

 

 

  

       

      



   

3

3

         



Perc. 2

Perc. 4

(Sn. Dr.)

3 3

 

         

     

  



  

3

 



         

3

3

3

      3

137 q = 168 accel.               3



  

3

       

 

 

    

Trb. 3

Perc. 1



  





Timp.



3

     

3 F Hn. 4

Str. Bs.

3

3

  

(a2)

Tuba

3

3

 

1 2

3

3

 

1 F Hn. 2

Trb.

3

3

3

 3 3           

   

Eb Alto Sax. 2

3

3

(a2)

Bsn.

3

3

3

3

3

(a2)  

3

          

  

         

3

3

3

      3


  Picc.   139

 

Fl. 1

 

Fl. 2

Ob.

 

1 2

(a2)

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.



Bb Cb. Cl.

1 Bsn. 2

  

(a2)

                      

        



      

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt.



 1  2

 

(a2)

F Hn.

 

1 2

(a2)

 

3 F Hn. 4

Trb.

   

Trb. 3

Str. Bs.

 

Perc. 2

Perc. 3

Perc. 4



 



 

  

  

 

  

cresc.

      

      

cresc.

cresc.

cresc.

        

cresc.



cresc.

cresc.

 



cresc.

     

cresc.

   

 

TRI.

               

        



        



cresc.

       

 

 

mp

 

               

 

               

 

mp

 75

 

                                         

        

 

            

 

 

  

  

 dampen



       

         ff choke

    

  

ff choke

 

  

                     

 

                                

  mp

               

                   

 

               

                  

cresc.

      

       

                               

                    

       

 

cresc.



cresc.

      

      



cresc.

      

                                                   

       

mp

                       



cresc.       

        cresc.

    

SUS. CYM. (yarn)

cresc.

      

cresc.

cresc.

  

cresc.

      

           

cresc.

      

       

    

  

  Timp.  

Perc. 1

  

       

          

Euph.

Tuba

    

1 2

  

       

  

           

  

  

  

Bb Tpt. 3

  

  

  

           Eb Alto Sax. 1     

  

  

        cresc.         cresc.        

       cresc.             

  

           

 

  



    

q = 180

        

ff dampen



ff

 


     145

Picc.

  

Fl. 1

   

Fl. 2

  

1 Ob. 2

148

q = c. 84, Straight 8ths

 

 

 

 

calm                 

Bb Cl. 1

mp calm

                mp        

Bb Cl. 2

Bb Cl. 3

 

Bb Bass Cl.

Bb Cb. Cl.

Bsn.

1 2

Bb Ten. Sax.

Bb Tpt. 3 1 F Hn. 2 3 F Hn. 4

Trb.

1 2

Trb. 3

Euph.

Timp.

Perc. 1

 

   

 

 

    

     

 

 

 

 

 

 

p

lontano                         

  

   

   

     

    

Perc. 2

 

Perc. 3

 

 Perc. 4   

  

mp

  3. lontano   p

 

 

 

 

 

 

p

  

 

p

 

 

 

p

pp

 

 (Sn. Dr.)

 

p

 

  

      

  

  



ff

ff

 

 

a2

          3 3 ff 3           3 3 ff 3           3 3 ff 3           3

3

3

         ff          ff             

 

     



     

  ff a2  

         

 

     

   

ff

  

ff

   

ff

       

ff

ff

Slam it!

  fff    

a2

ff VI IV

 

(Sus. Cym.)

mp Slam it!

 

fff

76

 mf V

 

mf

  ff      

tutti

  mf  

ff

 

CR. CYM.

  

ff

         ff

                  ff   ff

  

   

ff

        

 

a2

  





  

 

 

         

                   

                   

f

ff



                 

                                                    

 

(Bs. Dr.)

  

ff    

ff

     

 

 

 

ff

 

 

 

fltg.



p

 

 

p

Str. Bs. cue (one only)

p

 

fltg.

 

 



                         

 

ff

  Tuba   Str. Bs.

ff

ff

 

 Eb Bari. Sax.    1 Bb Tpt. 2

p

a2

        

        ff          ff     

p

  Eb Alto Sax. 1   Eb Alto Sax. 2

 

q = 168

   

 

   

                        dampen        

 choke   

ff

f

ff

dampen

     

mf

f

   

ff December 18, 2015 Pasadena, CA


PRESERVING OUR MUSIC I T I S I M P O R TA N T T O P R E S E R V E O U R M U S I C A L H E R I TA G E F O R F U T U R E G E N E R AT I O N S

Acidic paper has been in widespread use since the turn of the century, and has become the bane of archivists, librarians, and others who seek to preserve knowledge intact, because it literally will self-destruct as it ages. Some paper, only three or four decades old, already has become impossible to handle — so brittle it crumbles to the touch. Surely we do not want today’s music to be unavailable to those who will inhabit the future. If the music of the Renaissance had not been written on vellum it could never have been preserved and we would not have it today, some four hundred years later. Let us give the same consideration to the musicians in our future. It was with this thinking that Manhattan Beach Music in 1988 first addressed the needs of the archivist by printing all of its concert band music on acid-free paper that met the standards specified in the American National Standard for Information Sciences — Permanence of Paper for Printed Library Materials (ANSI Z39.48-1984). The standard was revised on October 26, 1992 to include coated papers; all of our new editions and reprints of older editions meet this revised standard. With proper care and under proper environmental conditions, this paper should last for at least several hundred years.

Technical notes: Paper permanence is related to several factors: The acidity or alkalinity (pH) of the paper is perhaps the most critical criterion. Archival paper (also known as acid-free paper, alkaline paper, and permanent paper) is acid-free, has a pH between 7.5 and 10, is tear resistant, has an alkaline reserve equivalent to 2% calcium carbonate (to neutralize any acid that might arise from natural aging of the paper or from environmental pollution), and contains no unbleached pulp or groundwood (no more than 1% lignin by weight). The specific standards summarized here are set forth in detail by the National Information Standards Organization in American National Standard Z39.48-1992. For more information, contact: NISO, 4733 Bethesda Avenue, Suite 300, Bethesda, MD 20814, http://www.niso.org/

This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper)

BOB MARGOLIS — PUBLISHER N E I L R U D D Y — C R E AT I V E D I R E C T O R

M A N H AT TA N B E A C H M U S I C COFOUNDERS B O B M A R G O L I S — N E I L R U D D Y AY DP R I N ING C .N D E R S P U B LP RI I N S THI NEG :RCSH E RAN N CTO F , OI NU

PRINTING:

CHERNAY

PRINTING,

INC.


A C A D I A N A

F r a n k

T o

h e a r

a n d

t o

T i c h e l i

C o m p l e t e L e a r n

M u s i c

o f

R e c o r d i n g s

M o r e

F r a n k

P l e a s e

a b o u t

t h e

T i c h e l i

V i s i t

F r a n k T i c h e l i . c o m & M a n h a t t a n B e a c h M u s i c . c o m

Acadiana for concert band by Frank Ticheli, conductor score  

Acadiana for concert band by Frank Ticheli, conductor score, published by Manhattan Beach Music

Acadiana for concert band by Frank Ticheli, conductor score  

Acadiana for concert band by Frank Ticheli, conductor score, published by Manhattan Beach Music