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SCHIRMER/MOSEL US FALL 2012 NEW TITLES & COMPLETE CATALOG


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Marcel Duchamp: In Munich 1912/2012 Marilyn Monroe: Milton’s Marilyn Donata & Wim Wenders:

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Simone Nieweg: Nature Man-Made Eileen Gray: Her Life and Her Work | by Peter Adam

Pina. The Film and the Dancers

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Peter Lindbergh: Untitled 116

The Essential Cecil Beaton Eve Arnold: Hommage

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Waits/Corbijn ‘77–’11 Backlist

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Thomas Struth: Unconscious Places. Streets

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Thomas Hoepker: Photographs 1955–2005 Candida Hoefer: Retrospective

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Elger Esser: Nocturnes à Giverny. Claude Monet’s Garden

All prices are subject to change due to variable exchange rates.

front cover: Marilyn Monroe, photographed by Milton H. Greene, 1950s. taken from: Marilyn Monroe: Milton’s Marilyn.

Dear Schirmer/Moselites,

Marcel Duchamp: In Munich 1912

Marilyn Monroe, Pina Bausch, Eve Arnold, Wim Wenders, Marcel Duchamp, Cecil Beaton, Milton

which will capture the interest of the photography community as well as architects and urbanists in all

The iconoclastic creations of Marcel Duchamp (1887–1968) radically changed 20th-century art

Edited by Helmut Friedel, Thomas

Marcel Duchamp (1887, Blainville – 1968, Paris)

H. Greene, Candida Höfer, Thomas Hoepker, Simone Nieweg, and Elger Esser are the stars of our new

parts of our global village. I hope you will enjoy what we have put together

as well as our notion of it. Munich’s role in this is worthy of note.

Girst, Matthias Mühling, and Felicia Rappe

was a French Dada artist whose work strongly

fall list. Our books compile highlights from cinema, fashion, and documentary photography, dance and

for you here.

Annoyed at the rejections of his painting Nude Descending a Staircase, No.2 by the Salon des Indé-

influenced 20th-century avant-garde art. A pio-

theater, fine arts and art photography, from America and Europe, in outstanding quality.

With greetings to you and all the Duchampions of the world from Munich,

pendants, Duchamp traveled to Munich in late June 1912. He would ultimately remain for nearly three months, developing and preparing several important

neer of kinetic art and the inventor of ready-

Let me mention just two: the 50th anniversary of Marilyn Monroe’s death is commemorated with a monograph of the immortal photographs that Milton H. Greene did of her in the fifties. Images which found, among others, their film adaptation in Michelle Williams’ breathtaking Marilyn impersonation in the movie My Week With Marilyn and which will therefore continue to haunt us.

Lothar Schirmer Munich, June 2012

works including The Large Glass. At Deutsches Museum and the Bavarian Trade Fair, he discovered important technical details that inspired his readymades: the first ready-made ever—Bicycle Wheel— was assembled the year following his stay in Munich. Duchamp would later say: “My stay in Munich was the scene of my complete liberation.“

Thomas Struth’s new photography book compiles his famous street photographs from four decades, taken in all parts of the world (Unconscious Places). Richard Sennett has written an introduction to these images

made art, he became an American citizen in 1955. His major works include Nude Descending a Staircase, The Bride Stripped Bare by Her Bachelors, Even (The Large Glass), Bicycle Wheel, Fountain, Bottle Rack and others.

Available, hardcover US $ 55.00 Can. $ 60.00 61⁄2 x 91⁄4 in. / 16.5 x 23.5 cm, 336 pages, 113 color illustrations ISBN 978-3-8296-0591-5 3


Marilyn Monroe: Milton’s Marilyn This book unveils probably the last and definitely the finest, unpublished piece of the jigsaw making up

Edited by Josua Greene

James Kotsilibas-Davis, a Life writer-reporter

the now immortal image of Marilyn Monroe—photos taken by famous photographer Milton Greene who was

Texts by James Kotsilibas-Davis

in the 60s, shared assignments with Milton

Marilyn’s artistic advisor, agent, and business partner from 1954 to 1957. It was Greene who, by clever

Josua Greene has been

H. Greene and other noted photojournalists

maneuvering, freed Marilyn from the shackles of her contract with Twentieth Century Fox and together

an editorial and advertising photographer in

of that picture weekly. He is the author of

with her founded the independent production company “Marilyn Monroe Productions, Inc.,” which pro-

New York City for the last twenty years. He

several Hollywood biographies.

duced the superb Marilyn Monroe films Bus Stop and The Prince and the Showgirl.

specializes in people, travel, home furnishings,

The relationship between Marilyn and Milton was always a difficult, but highly fruitful one. It broke down in 1957, when Marilyn’s husband Arthur Miller

and food photography. He has started the Milton H. Greene

began to take care of her business affairs. Our book,

Archives and taken on

first published in 1994, offers a rich selection of this photographic treasure. Marilyn Monroe never looked as erotic, as elegant, and as stunningly beautiful as she does in these photographs by Milton Greene.

the organization and distribution of his father’s extensive work.

September 2012, flexcover US $ 24.95 Can. $ 27.95 53⁄4 x 7 in. / 14.5 x 17.5 cm, 220 pages, 214 color and duotone illustrations ISBN 978-3-8296-0614-1 4

Marilyn Monroe, New York, mid-1950s. Photograph by Milton H. Greene.


Donata & Wim Wenders: Pina. The Film and the Dancers Pina Bausch (1940–2009) became a cult figure in the international dance scene with her “Tanztheater

Texts by Wim Wenders Photographs by

Wuppertal” which she both founded and directed. In her choreographies she combined classical dance

Donata Wenders

Philippina “Pina“ Bausch (1940–2009) studied with Kurt Joos, icon of

with elements of performance art, mime, acrobatics, sports, acting, and song, thereby creating a new art

Donata Wenders, born

German expressionist dance, and with Antony

in Berlin in 1965, ac-

Tudor at the New York

genre that both suited the spirit of the times and, by the artistic radicality of her productions, set the

companied Wim Wenders during the shooting and has been traveling with

Juilliard School. A member of the New American Ballet and

Tanztheater Wuppertal for the past two years,

the Metropolitan Opera Ballet, she returned to

documenting their performances.

Germany in 1962 and founded the Wuppertal Tanztheater in 1973.

Wim Wenders, born in

Her most important

Düsseldorf in 1945, award-winning filmmaker, writer, and pho-

choreographies include Café Müller, Walzer, Kontakthof, Nur Du,

tographer, is president of the European Film Academy.

The Window, and Sweet Mambo.

parameters for the future of dance theater. Wim Wenders dedicates his remarkable documentary Pina to her œuvre. The film won the Deutsche Filmpreis 2011 for best documentary and was nominated for the 2012 Oscar for best documentary. Donata Wenders’ still camera accompanied the shooting of Wim Wenders’ congenial homage to Pina Bausch and her celebrated ensemble. This book offers a unique view of both the film and the stunning œuvre of revolutionary choreographer Pina Bausch and her legendary dance company.

August 2012, hardcover US $ 65.00 Can. $ 72.00 92⁄3 x 101⁄2 in. / 24.5 x 26.5 cm, 264 pages, 155 color and duotone plates ISBN 978-3-8296-0623-3 6

Tsai-Chin Yu, 2010. Le Sacre du Printemps, 2009. Photographs by Donata Wenders. 7


The Essential Cecil Beaton Cecil Beaton (1904–1980) was a man of many facets and extraordinary skill. He was a successful

Texts by Philippe Garner and David Alan Mellor

David Alan Mellor, curator and professor of

theater designer, a writer, a fashion and society photographer, as well as a gardener. As a photographer,

Philippe Garner is an

and writer on art. Mellor was the organizer of

auction specialist in photographs and 20th-

the 1986 Cecil Beaton retrospective exhibition

century decorative arts and design since 1971.

at the Barbican Centre in London. His study of the

depicts with his customary elegance and panache the high and low of the century: The British Royal family,

He is a director of Christie’s, and is their

London art scene, The Sixties, was published

the nobility, the London bohemian scene, and the New York underground. Since the 1920s, his work has been unique in depicting the international

International Head in his specialist areas. He

with an exhibition he also organized at

“Zeitgeist.” Without doubt, Cecil Beaton’s photographic work is one of the most important

has written extensively on photography and design in the 20th cen-

the Barbican in 1993. In 2005 Mellor won the Royal Photographic

contributions to the history of art and photography

tury. In 2011 he received

Society’s J. Dudley

of the 20th century. This marvelous volume, which offers a comprehensive and complete presentation of Beaton’s work and life, will now be available again in a hardcover edition.

the Royal Photographic Society Award for Outstanding Services to

Johnston Award.

he was world-famous. The secret of his success was probably his ability to capture with his photographs a whole era, as a kind of master of ceremonies to the British Empire. Always self-assured and stylish, he

Photography.

September 2012, hardcover US $ 65.00 Can. $ 72.00 91⁄2 x 121⁄4 in. / 24 x 31 cm, 320 pages, 265 color and duotone plates ISBN 978-3-8296-0610-3 8

H.M. Queen Elizabeth II, 1968. Photograph by Cecil Beaton. Cecil Beaton, 1937. Photograph by Paul Tanqueray. 9


Eve Arnold: Hommage Eve Arnold, born in 1912 to Russian immigrant parents in Philadelphia, died in London in 2012 shortly

Edited by Isabel Siben and Andréa Holzherr

Gina Thomas is a German journalist reporting

before her 100th birthday. One of the great women photographers of the 20th century, Eve Arnold joined

With an introduction by Gina Thomas

from Great Britain for Frankfurter Allgemeine

the legendary Magnum agency in 1951 and became its first full female member in 1957.

and texts by Eve Arnold

Zeitung (FAZ) since 1986.

Published in honor of her 100th birthday and in memory of the grande dame of photojournalism, this

Isabel Siben is the exhibition curator

lavishly illustrated monograph is a collection of Eve Arnold’s most famous photo documentaries.

for Bayerische Versicherungskammer,

Accompanied by her commentaries, these include New York by Night, Fashion Shows in Harlem (1950),

Munich.

A Baby’s Momentous First Five Minutes, Haiti Voodoo, and Malcolm X, as well as her travel photographs from Afghanistan (from the late 60s), China and India

Andréa Holzherr is the manager of exhibitions at the Paris branch of

(circa 1980), and her legendary portraits of Marilyn

Magnum Agency.

Monroe, Marlene Dietrich, Joan Crawford, Isabella Rossellini, Clark Gable, Peter O’Toole, and Anthony Quinn.

Available, hardcover US $ 49.95 Can. $ 54.95 9 x 11 in. / 23 x 28 cm, 184 pages, 120 color and duotone plates ISBN 978-3-8296-0601-1 10

top: Buzkashi game. Kabul, 1969. bottom left: Isabella Rossellini studying her lines for Blue Velvet, directed by David Lynch. Massachusetts, 1985. bottom right: Marilyn Monroe on the set of The Misfits. Nevada, 1960. Photographs by Eve Arnold. 11


Thomas Struth: Unconscious Places Mundane buildings, nondescript streets, anonymous facades—these are the features that first strike

With a text by Richard Sennett

Richard Sennett, born in Chicago in 1943, is one

in viewing Thomas Struth’s pictures of streets— “unconscious places”. Both in black-and-white and

Thomas Struth, born

of the most prominent sociologists of our time

in color, Struth uses a frontal, eye-height view, with no optical distortion to disrupt the impression that

in 1954, studied with Gerhard Richter and

researching urbanism and labor. He is the

what we see is a neutral, objective recording of reality. At the same time, Struth’s urban landscapes are

Bernd Becher in Düsseldorf. Holding a chair

author of, among others, The Conscience of the Eye

also a critical depiction of different human habitats. This volume presents a comprehensive survey of

at the Hochschule für Gestaltung in Karlsruhe

(1990), Flesh and Stone (1992), The Corrosion of

Struth’s street views from the 1970s to 2010: narrow lanes in Edinburgh, Wuhan, Naples, and Erfurt;

from 1993 to 1996, Struth is a leading

Character (1998), The Culture of the New Capi-

satellite towns in Paris, Leverkusen, Chicago, and Pyongyang; thoroughfares in Brussels, Lima, and Los Angeles; grand boulevards in St. Petersburg, New York

proponent of German arts and international photography.

talism (2006), and The Craftsman (2008).

City, and Beijing. Frequently there is an almost total absence of people in his cityscapes, which provides a feeling of desolation. In contrast, his famous Shibuya Crossing, Tokyo, is bustling with people and billboards. October 2012, hardcover US $ 78.00 Can. $ 88.00 114⁄5 x 112⁄9 in. / 30 x 28.5 cm, 300 pages, 258 color and duotone plates ISBN 978-3-8296-0618-9 12

Ulica Truda, St. Petersburg, 2005. Dey Street, New York/Wall Street, 1978. Photographs by Thomas Struth. 13


Thomas Hoepker: Photographs 1955–2005 From the 1960s to the 1990s no other photographer shaped the German magazine imagery as significan-

Texts by Ulrich Pohlmann,

Ulrich Pohlmann is head of the Fotomuseum

tly as Thomas Hoepker. A staff photographer and correspondent of Stern magazine, he was among the

Christian Schaernack, Diana Schmies, and

within the Münchner Stadtmuseum.

first who obtained a special permit to travel almost freely between West and East Berlin. His realist, un-

Harald Eggebrecht

prejudiced pictures of life in the East are highlights of Cold War picture journalism; his portraits of East

Thomas Hoepker, born in Munich in 1936, started

German artists such as Anna Seghers, Stephan Heym, and Wolf Biermann are icons of intensity and near-

to work for Stern magazine in 1964. In 1974

ness. For Stern, and, from the late 1970s, for Geo magazine Hoepker traveled the whole world with his

he became the Stern correspondent in East

camera. In this book he presents a comprehensive survey of his work of 50 years including many of his German

Berlin and eventually in New York. From 2003 to January 2007 he was

East-West classics as well as reportage photographs from his trips to South-East Asia, Africa, Easter

president of Magnum

Island, the US, and Europe.

Agency. Hoepker lives in New York.

September 2012, hardcover US $ 65.00 Can. $ 72.00 113⁄4 x 11 in. / 29.5 x 28 cm, 272 pages, 192 color and duotone plates ISBN 978-3-8296-0569-4 14

Muhammad Ali, Chicago, 1966. Photograph by Thomas Hoepker. 15


Candida Höfer: Affinities “For me, this exhibition provides occasion for introspection: without regard to time, motifs, and forms

Text by Bo Nilsson and Friedrich W. Heubach

Bo Nilsson is the director of the Artipelag

of presentation, I attempt to determine the common thread of the visual memory that has always been my

Candida Höfer, born in

guide.” Born in 1944 and Bernd Becher’s first female student

Eberswalde, Germany, in 1944, studied with

Friedrich W. Heubach, is a German psychologist

at the Kunstakademie Düsseldorf, Candida Höfer is one of the greats of international photography. The

Bernd Becher at the Düsseldorf Art Academy.

and author. Until his retirement in 2008 he was

new art center Artipelag in Stockholm, which will open its doors on June 3, is presenting a large-scale

Along with numerous international shows,

professor of psychology and education at Kunst-

retrospective of Höfer’s work that spans her early series, such as Liverpool and Turks in Germany, as well

she participated in documenta 11 and

akademie Düsseldorf.

as Rodin’s The Burghers of Calais, her photographs of libraries and public spaces, and her most recent series on the Neues Museum in Berlin.

represented Germany at the 2003 Venice Biennial.

art museum in Sweden.

The multilingual exhibition catalog (German/ English/Swedish) is richly illustrated and includes an essay by psychologist and publicist F. W. Heubach and an introduction by Bo Nilsson.

August 2012, softcover US $ 49.95 Can. $ 54.95 81⁄4 x 101⁄4 in. / 22 x 26 cm, 192 pages, 120 color plates ISBN 978-3-8296-0612-7 16

City Library Stockholm, 1993; Swedish Museum of Natural History Stockholm II, 1993; Photographs by Candida Höfer. 17


Elger Esser: Nocturnes à Giverny. Claude Monet’s Garden

Simone Nieweg: Nature Man-Made

A graceful Japanese bridge spans the lily pond, willows and water lilies adorn the banks, and the

Text by Hubertus von Amelunxen

Hubertus von Amelunxen, born in

Simone Nieweg’s latest book is a compilation of nearly every variety of agricultural cultivation,

Text by Heinz Liesbrock

sunlight plays in the dense foliage of the trees— thus did Claude Monet (1840–1926), the preeminent

Elger Esser, born in

Germany in 1958, is an art and photo historian

ranging from small market gardens with vegetable beds and fruit trees to pastures, fallow land, forest

Simone Nieweg, born in 1962, studied with

French Impressionist, paint his garden, which he laid out himself during the 1880s and 1890s in the

Stuttgart in 1967, grew up in Rome and studied

and cultural critic. He is president of the

fringes, arable land, and fields of grain. Without exception, Nieweg photographs her subjects in a soft,

Becher at the Kunstakademie in Düsseldorf.

village of Giverny in Upper Normandy. Since then, Giverny has become a place of pilgrimage for artists,

with Bernd Becher at the Düsseldorf Art Academy.

Braunschweig University of Art in Lower Saxony,

almost shadowless light that does not obscure the fine structure of her images. Her long exposure times

Her first book with Schirmer/Mosel,

art historians, and garden lovers—as well as for photographer Elger Esser with his gifted eye for the

He has exhibited internationally, such as in

since 2010.

require an absolutely breezeless day in order to capture images of plants and landscapes in hitherto

Landscapes and Gardens, was published in 2002.

beauty of French domestic landscapes. Interestingly, he chose to photograph the enchantment of

New York, Rome, Paris, Madrid, Hamburg,

unseen clarity and richness of detail. Nieweg’s photographs tell of the unconventional marriage which

Heinz Liesbrock is

blossoms and water at dusk or by moonlight and in black and white. The magic of the place is retained

Cologne, Düsseldorf, and Munich.

nature and civilization have entered upon in the

and even heightened by a sublime moment that evokes a bygone time, an artistic vision that took form more than 100 years ago. Art historian and literary scholar Hubertus von Amelunxen wrote the introductory essay on Elger Esser’s Giverny series, which was taken in 2010. Available, hardcover US $ 55.00 Can. $ 60.00 114⁄5 x 9 in. / 30 x 23 cm, 48 pages, 13 plates ISBN 978-3-8296-0578-6 18

course of their long evolution, and everything in them gives the impression of being known and familiar through many encounters.

an art historian and director of the Josef Albers Museum, Bottrop, Germany.

The present work is a selection of photographs taken by Simone Nieweg over the last ten years. The introduction was written by Heinz Liesbrock.

Available, hardcover US $ 69.95 Can. $ 77.00 122⁄3 x 11 in. / 32.5 x 28 cm, 168 pages, 98 color plates ISBN 978-3-8296-0583-0 19


New Edition

New Edition Available again in October Eileen Gray: Her Life and Her Work | by Peter Adam

Available again in October Peter Lindbergh: Untitled 116

Eileen Gray started her career as a lacquer artist in Paris creating new furniture and living accessories

Peter Adam has been an executive producer with

Eileen Gray, born in Enniscorthy, Ireland, in

Peter Lindbergh is courted by international fashion magazines and is loved for his sensitive portraits

Book design by Juan Gatti

Juan Gatti, born in Buenos Aires, Argentina,

with striking colors and understated shapes. Remaining stalwartly independent, Gray developed an opu-

the BBC for 22 years and the editor of the

1878, studied painting in London and moved to

of the most beautiful women in the world. The renowned photographer who lives in Paris and New

Peter Lindbergh, born

in 1950, is an internationally acclaimed art

lent, luxuriant take on geometric forms and industrially produced materials. Her Bibendum chair and E-1027 table are today familiar icons across the world. The ship-shaped home she designed and built

arts magazines Review and Arena Theatre.

Paris in 1906, where she opened her own lacquer

York and works all over the world has also published

in 1944, is one of the

director and graphic

A director of documentaries and stage director,

store in 1922. She designed two homes in

two earlier books with overwhelming success: Ten Women (1996) with dream shots of ten dream models, and Images of Women (1997), a collection

world’s most successful photographers. His campaigns for Armani,

designer and a long-time collaborator of Peter Lindbergh’s. His clients

on a cliff near Monaco was hailed as a triumph of de luxe modern living. Her flamboyant beauty captured

he is also a regular contributor to Vogue,

France and participated in the 1937 Paris

of famous fashion photographs of beautiful women. As a climax in his third book, Untitled 116, Peter

Donna Karan, Calvin Klein, and Kathleen

include international fashion magazines,

by Berenice Abbott made her an admired figure among American expatriates such as Gertrude Stein.

Ambiente, The Listener, and the author of

Exposition. Her furniture was the unexpected hit

With her archives bombed during World War II, she was largely forgotten when one-time peers like Le

numerous books on 20th-century artists.

of a 1972 auction. Today many of her designs are considered to be classics

Lindbergh presents a collection of his most impressive photographs of 116 female stars in the world of pop music, cinema, and fashion, such as

Madden created a furor both in the world of fashion and with the

beauty labels, and movie directors such as Pedro Almodóvar.

Monica Bellucci, Juliette Binoche, Naomi Campbell,

public. He is a regular

Geraldine Chaplin, Catherine Deneuve, Linda Evangelista, Aretha Franklin, Daryl Hannah, Milla Jovovich, Jennifer Lopez, Madonna, Demi Moore,

contributor to Harper’s Bazaar in New York.

Corbusier were lionized as visionaries. Rediscovered in the 1960s, she is today celebrated as a pioneer of modern design. Peter Adam, the last living contemporary witness and a close friend of Eileen’s, is the

of 20th-century furniture design. She died in Paris in 1976.

Jeanne Moreau, Charlotte Rampling, the late Anna

editor of this richly illustrated study on the life and work of an extraordinary woman artist.

Nicole Smith, Sharon Stone, Tina Turner, Isabella Rossellini, Veruschka, and many others.

October 2012, hardcover US $ 99.00 Can. $ 124.00 92⁄3 x 111⁄2 in. / 25 x 29 cm, 356 pages, 152 color and duotone plates plus 265 ill. ISBN 978-3-8296-0420-8

October 2012, hardcover US $ 120.00 Can. $ 130.00 121⁄2 x 121⁄2 in. / 31.5 x 31.5 cm, 356 pages, 207 plates, 5 in color and 202 in duotone ISBN 978-3-8296-0179-5

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ALREADY ANNOUNCED

BACKLIST INCLUDING SPRING 2012 TITLES

WAITS / CORBIJN ’77– ’11 LIMITED EDITION OF 6,000 COPIES PHOTOGRAPHS BY ANTON CORBIJN—CURIOSITIES BY TOM WAITS TEXTS BY JIM JARMUSCH AND ROBERT CHRISTGAU

September 2012, Collector’s Edition of 6,000 copies w/slipcase US $ 200.00 Can. $ 220.00 10 x 141⁄5 in. / 25.2 x 36 cm, 252 pages, 193 color and duotone plates ISBN 978-3-8296-0555-7 22

Martin Assig Vases, Summits, Humans 208 pages, 152 color plates 61⁄2 x 9 in. / 16.5 x 23 cm, hardcover ISBN 978-3-8296-0475-8 US $ 39.95 Can. $ 43.95

Kishin Shinoyama Balthus – The Painter’s House 104 pages, 42 color plates 101⁄4 x 71⁄2 in. / 13 x 19.5 cm, softcover ISBN 978-3-8296-0320-1 US $ 19.95 Can. $ 21.95

Sabine Rewald Balthus – Time Suspended 164 pages, 76 color plates and 96 ill. 101⁄4 x 121⁄2 in. / 26 x 31.5 cm, hardcover ISBN 978-3-8296-0321-8 US $ 79.95 Can. $ 90.00

Bernd & Hilla Becher Coal Mines and Steel Mills 188 pages, 154 duotone plates 11 x 11 in. / 28 x 28 cm, hardcover ISBN 978-3-8296-0474-1 US $ 75.00 Can. $ 85.00

Bernd & Hilla Becher Hannover Coal Mine 280 pages, 193 duotone plates 103⁄4 x 111⁄2 in. / 27 x 29 cm, hardcover ISBN 978-3-8296-0468-0 US $ 95.00 Can. $ 105.00

Bernd & Hilla Becher At Museo Morandi 48 pages, 14 duotone plates, 8 ill. 74⁄5 x 9 in. / 20 x 23 cm, softcover ISBN 978-3-8296-0406-2 US $ 24.95 Can. $ 30.95

Laurenz Berges Frühauf Danach 116 pages, 43 color plates 103⁄4 x 11 in. / 27.5 x 28 cm, hardcover ISBN 978-3-8296-0538-0 US $ 69.95 Can. $ 77.00

Joseph Beuys / Caroline Tisdall Coyote 160 pages, 97 duotone plates 93⁄4 x 62⁄3 in. / 25.5 x 17.5 cm, hardcover ISBN 978-3-8296-0397-3 US $ 45.00 Can. $ 48.95

Joseph Beuys The End of the 20th Century 390 pages, 250 ill. 9 x 114⁄5 in. / 23 x 30 cm, hardcover ISBN 978-3-8296-0287-7 US $ 99.95 Can. $ 110.00

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<

Joseph Beuys Parallel Processes 432 pages, 436 color and duotone plates 9 x 111⁄2 in. / 23 x 29 cm, hardcover ISBN 978-3-8296-0482-6 US $ 90.00 Can. $ 100.00

Karl Blossfeldt Art Forms in Nature 276 pages, 240 plates 91⁄2 x 114⁄5 in. / 24 x 30 cm, hardcover ISBN 978-3-88814-627-5 US $ 29.95 Can. $ 32.95

Joachim Brohm Color 152 pages, 55 color plates 81⁄2 x 103⁄4 in. / 21.5 x 27.5 cm, softcover ISBN 978-3-8296-0518-2 US $ 45.00 Can. $ 48.95

Giovanni Chiaramonte Berlin, the City of Eternal Becoming 140 pages, 66 color plates 111⁄2 x 111⁄2 in. / 29 x 29 cm, hardcover ISBN 978-3-8296-0458-1 US $ 59.95 Can. $ 77.00

Karl Blossfeldt The Alphabet of Plants 80 pages, 44 duotone plates 51⁄2 x 71⁄2 in. / 14.4 x 19.2 cm, softcover ISBN 978-3-8296-0304-1 US $ 9.95 Can. $ 10.95

Anton Corbijn U2&i 416 pages, 380 color and duotone plates 101⁄4 x 121⁄4 in. / 26 x 31 cm, hardcover ISBN 978-3-8296-0174-0 US $ 120.00 Can. $ 130.00

Anton Corbijn U2&i 416 pages, 380 color and duotone plates 74⁄5 x 91⁄2 in. / 20.1 x 24 cm, hardcover ISBN 978-3-8296-0319-5 US $ 59.95 Can. $ 65.00

Anton Corbijn / Tom Waits ’77–’11 252 pages, 193 color and duotone plates 10 x 141⁄5 in. / 25.2 x 36 cm, hardcover w/slipcase ISBN 978-3-8296-0555-7 US $ 200.00 Can. $ 220.00

Sante D’Orazio Pam: American Icon 96 pages, 38 color and duotone plates 131⁄4 x 161⁄2 in. / 33.5 x 42 cm, hardcover ISBN 978-3-8296-0187-0 US $ 120.00 Can. $ 130.00

Sante D’Orazio Pamela Anderson: American Icon 96 pages, 38 color and duotone plates 11 x 14 in. / 28.5 x 35.5 cm, hardcover ISBN 978-3-8296-0224-2 US $ 49.95 Can. $ 54.95

Sean Ellis Kubrick the Dog 148 pages, 118 color and duotone plates 81⁄9 x 11 in. / 20.5 x 28 cm, hardcover ISBN 978-3-8296-0505-2 US $ 39.95 Can. $ 43.95

ANTON CORBIJN

Anton Corbijn Inwards and Onwards 88 pages, 36 duotone plates 84⁄5 x 84⁄5 in. / 22.5 x 22.5 cm, hardcover ISBN 987-3-8296-0558-8 US $ 39.95 Can. $ 43.95

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Anton Corbijn Inside the American 164 pages, 116 color plates 12 x 81⁄4 in. / 32.5 x 21 cm, hardcover ISBN 987-3-8296-0476-5 US $ 59.95 Can. $ 77.00

Anton Corbijn In Control 136 pages, 75 duotone plates 113⁄4 x 91⁄2 in. / 32.5 x 21 cm, hardcover ISBN 987-3-8296-0290-7 US $ 69.95 Can. $ 77.00

Gerrit Engel Berlin 278 pages, 234 color plates 103⁄4 x 121⁄5 in. / 27 x 31 cm, hardcover ISBN 978-3-8296-0392-8 US $ 115.00 Can. $ 125.00

Gerrit Engel Schinkel in Berlin and Potsdam 140 pages, 78 color plates 91⁄2 x 11 in. / 24 x 28 cm, hardcover ISBN 978-3-8296-0541-0 US $ 68.00 Can. $ 75.00

Elger Esser Eigenzeit 180 pages, 73 color and duotone plates 81⁄2 x 111⁄2 in. / 21.5 x 29 cm, hardcover ISBN 978-3-8296-0418-5 US $ 65.00 Can. $ 84.00

Anton Corbijn Famouz 148 pages, 105 duotone plates 101⁄2 x 14 in. / 26.5 x 35.5 cm, hardcover ISBN 978-3-8296-0182-5 US $ 69.95 Can. $ 77.00

Anton Corbijn Star Trak 144 pages, 113 color and duotone plates 112⁄3 x 112⁄3 in. / 29.5 x 29.5 cm, hardcover ISBN 987-3-8296-0056-9 US $ 69.95 Can. $ 87.00

Elger Esser Views 96 pages, 37 color plates 121⁄2 x 11 in. / 32 x 28 cm, hardcover ISBN 978-3-8296-0357-7 US $ 90.00 Can. $ 100.00

Elger Esser Vedutas and Landscapes 132 pages, 60 color plates 131⁄5 x 11 in. / 33.5 x 28 cm, hardcover ISBN 978-3-88814-177-5 US $ 90.00 Can. $ 100.00

Larry Fink The Vanities 140 pages, 92 duotone plates 105⁄8 x 123⁄5 in. / 27 x 32 cm, hardcover ISBN 978-3-8296-0526-7 US $ 68.00 Can. $ 75.00

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Dan Flavin Icons 80 pages, 39 color plates, 28 ill. 91⁄2 x 11 in. / 24 x 28 cm, hardcover ISBN 978-3-8296-0405-5 US $ 65.00 Can. $ 81.00

Abe Frajndlich Penelope’s Hungry Eyes 188 pages, 102 color and duotone plates 101⁄4 x 12 in. / 26 x 30.5 cm, hardcover ISBN 978-3-8296-0559-5 US $ 68.00 Can. $ 75.00

Georg Gerster Swissair Posters 96 pages, 44 color plates 81⁄4 x 124⁄5 in. / 21 x 32.5 cm, softcover ISBN 978-3-8296-0229-7 US $ 24.95 Can. $ 27.50

Candida Höfer Philadelphia 48 pages, 13 color plates 91⁄3 x 121⁄2 in. / 24.5 x 23.7 cm, hardcover ISBN 978-3-8296-0440-6 US $ 39.95 Can. $ 43.95

Candida Höfer Weimar 104 pages, 39 color plates 93⁄4 x 113⁄4 in. / 24.5 x 30 cm, hardcover ISBN 978-3-8296-0346-1 US $ 49.95 Can. $ 54.95

Axel Hütte After Midnight 56 pages, 21 color plates 14 x 11 in. / 35.3 x 28 cm, hardcover ISBN 978-3-8296-0261-7 US $ 65.00 Can. $ 72.00

Axel Hütte Towards the Wood 84 pages, 37 color plates 13 x 101⁄2 in. / 33 x 27 cm, hardcover ISBN 978-3-8296-0515-1 US $ 78.00 Can. $ 88.00

Peter Jonas / Zubin Mehta The Bavarian State Opera 264 pages, 132 color plates 9 x 124⁄5 in. / 23 x 32.5 cm, hardcover ISBN 978-3-8296-0254-9 US $ 90.00 Can. $ 100.00

Helga Prignitz-Poda Frida Kahlo – The Painter and Her Work 264 pages, 121 color plates, 54 ill. 81⁄4 x 92⁄3 in. / 21 x 25 cm, softcover ISBN 978-3-8296-0464-2 US $ 39.95 Can. $ 49.95

CANDIDA HÖFER

26

Eberhard Havekost User Interface 178 pages, 167 color and duotone plates 91⁄4 x 114⁄5 in. / 23.5 x 30 cm, hardcover ISBN 978-3-8296-0334-8 US $ 90.00 Can. $ 100.00

Adieu Audrey Memories of Audrey Hepburn 136 pages, 89 color and duotone plates 9 x 103⁄4 in. / 23 x 27 cm, hardcover ISBN 978-3-88814-566-7 US $ 19.95 Can. $ 21.95

Candida Höfer In Portugal 128 pages, 83 color plates 92⁄3 x 113⁄4 in. / 24.5 x 30 cm, hardcover ISBN 978-3-8296-0279-2 US $ 65.00 Can. $ 84.00

Candida Höfer / Umberto Eco Libraries 272 pages, 137 color plates 91⁄2 x 114⁄5 in. / 24.5 x 30 cm, hardcover ISBN 978-3-8296-0186-3 US $ 99.95 Can. $ 124.00

Candida Höfer Louvre 56 pages, 18 color plates 101⁄2 x 131⁄2 in. / 26.5 x 34 cm, hardcover ISBN 978-3-8296-0250-1 US $ 49.95 Can. $ 54.95

Ellsworth Kelly Plant Drawings 240 pages, 121 color plates 92⁄3 x 131⁄2 in. / 24.5 x 34 cm, hardcover ISBN 978-3-8296-0575-5 US $ 95.00 Can. $ 105.00

Anselm Kiefer Heavenly Palaces 116 pages, 109 color and duotone plates 81⁄4 x 114⁄5 in. / 21 x 30 cm, hardcover ISBN 978-3-8296-0459-8 US $ 75.00 Can. $ 85.00

Nick Knight Nicknight – The Blue Velvet Book 162 pages, 118 color and duotone plates 101⁄2 x 131⁄2 in. / 26.5 x 34 cm, hardcover ISBN 978-3-88814-661-9 US $ 120.00 Can. $ 150.00

Candida Höfer Napoli 56 pages, 21 color plates 81⁄4 x 101⁄2 in. / 21 x 27 cm, hardcover ISBN 978-3-8296-0424-6 US $ 39.95 Can. $ 49.95

Candida Höfer Opera de Paris 80 pages, 45 color plates 101⁄2 x 131⁄2 in. / 26.5 x 34 cm, hardcover ISBN 978-3-8296-0230-3 US $ 49.95 Can. $ 54.95

Candida Höfer Spaces of Their Own 208 pages, 112 color plates 112⁄9 x 114⁄5 in. / 28.5 x 30 cm, hardcover ISBN 978-3-8296-0514-4 US $ 68.00 Can. $ 75.00

Brigitte Lacombe Cinema / Theater 292 pages, 254 duotone plates 101⁄4 x 14 in. / 26 x 35.5 cm, softcover ISBN 978-3-8296-0180-1 US $ 39.95 Can. $ 43.95

Louise Lawler Louise Lawler and/or Gerhard Richter 80 pages, 29 color plates 91⁄2 x 103⁄4 in. / 24 x 27.5 cm, hardcover ISBN 978-3-8296-0581-6 US $ 59.95 Can. $ 65.00

Peter Lindbergh The Unknown 200 pages, 89 color and duotone plates 91⁄2 x 121⁄2 in. / 24 x 32 cm, hardcover ISBN 978-3-8296-0544-1 US $ 68.00 Can. $ 75.00

27


Herbert List The Essential Herbert List 328 pages, 420 duotone plates 71⁄4 x 124⁄5 in. / 18.5 x 21.7 cm, softcover ISBN 978-3-8296-0349-2 US $ 34.95 Can. $ 38.95

Robert Longo Men in the Cities – Photographs 128 pages, 94 color and duotone plates 83⁄4 x 11 in. / 22 x 28 cm, hardcover ISBN 978-3-8296-0411-6 US $ 49.95 Can. $ 64.95

Robert Mapplethorpe The Black Book 108 pages, 96 duotone plates 112⁄9 x 112⁄9 in. / 28.5 x 28.5 cm, softcover ISBN 978-3-8296-0460-4 US $ 39.95 Can. $ 49.95

Anders Petersen Café Lehmitz 116 pages, 88 duotone plates 83⁄4 x 91⁄2 in. / 21.5 x 24 cm, hardcover ISBN 978-3-8296-00072-9 US $ 39.95 Can. $ 49.95

Man Ray Paris – Hollywood – Paris 320 pages, 517 color and duotone plates 9 x 113⁄4 in. / 24 x 30 cm, hardcover ISBN 978-3-8296-0540-3 US $ 78.00 Can. $ 88.00

Bettina Rheims Chambre Close 152 pages, 85 color plates 91⁄4 x 111⁄2 in. / 23.5 x 29 cm, hardcover ISBN 978-3-8296-0316-4 US $ 49.95 Can. $ 54.95

Bettina Rheims Female Trouble 152 pages, 102 color and duotone plates 9 x 111⁄2 in. / 23 x 29 cm, hardcover ISBN 978-3-8296-0022-4 US $ 34.95 Can. $ 38.95

Leo Rosenthal A Court Reporter of the Weimar Republic 160 pages, 123 duotone plates 81⁄4 x 101⁄4 in. / 21 x 26 cm, hardcover ISBN 978-3-8296-0564-9 US $ 39.95 Can. $ 43.95

Judith Joy Ross Photographs 144 pages, 92 tritone plates 91⁄2 x 11 in. / 24 x 28 cm, hardcover ISBN 978-3-8296-0565-6 US $ 69.95 Can. $ 77.00

Thomas Ruff Works 1979–2011 272 pages, 202 color and duotone plates 112⁄9 x 114⁄5 / 28.5 x 30 cm, hardcover ISBN 978-3-8296-0585-4 US $ 79.95 Can. $ 90.00

Yves Saint Laurent Icons of Fashion Design 232 pages, 135 color and duotone plates 9 x 122⁄3 in. / 23 x 32.5 cm, softcover w/flaps ISBN 978-3-8296-0471-0 US $ 39.95 Can. $ 43.95

August Sander Face of Our Time 144 pages, 60 duotone plates 51⁄2 x 71⁄2 in. / 14.4 x 19.2 cm, softcover ISBN 978-3-88814-292-5 US $ 9.95 Can. $ 10.95

August Sander Seeing, Observing, Thinking 176 pages, 105 duotone plates 73⁄5 x 91⁄2 in. / 20 x 24 cm, hardcover ISBN 978-3-8296-0443-7 US $ 65.00 Can. $ 84.00

Simone Sassen / Cees Nooteboom Ultima Thule 128 pages, 101 color plates 74⁄5 x 81⁄4 in. / 20 x 22 cm, hardcover ISBN 978-3-8296-0393-5 US $ 45.00 Can. $ 48.95

Cindy Sherman Clowns 64 pages, 19 color plates 84⁄5 x 11 in. / 22.7 x 28 cm, hardcover ISBN 978-3-8296-0168-9 US $ 39.95 Can. $ 43.95

HELMUT NEWTON

Hellen van Meene Tout va disparaître 88 pages, 40 color plates 111⁄2 x 111⁄2 in. / 29 x 29 cm, hardcover ISBN 978-3-8296-0417-8 US $ 65.00 Can. $ 81.00

Silver Marilyn Marilyn Monroe and the Camera 248 pages, 152 color and duotone plates 9 x 122⁄3 in. / 23 x 32.5 cm, hardcover ISBN 978-3-8296-0312-6 US $ 49.95 Can. $ 54.95

The Best of Helmut Newton 160 pages, 107 duotone and color plates 83⁄4 x 101⁄2 in. / 22 x 27 cm, softcover ISBN 978-3-88814-635-0 US $ 34.95 Can. $ 42.95

Helmut Newton’s Illustrated No. 1 – No. 4 136 pages, 134 duotone and color plates 81⁄4 x 101⁄2 in. / 21 x 26.5 cm, softcover ISBN 978-3-88814-613-8 US $ 24.95 Can. $ 27.50

Helmut Newton Private Property 112 pages, 45 duotone plates 53⁄4 x 71⁄2 in. / 14.4 x 19.2 cm, softcover ISBN 978-3-88814-391-5 US $ 9.95 Can. $ 10.95

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Helmut Newton Pola Woman 152 pages, 175 color and duotone plates 9 x 12 in. / 23 x 30.5 cm, softcover ISBN 978-3-88814-749-4 US $ 34.95 Can. $ 38.95

28

Helmut Newton Portraits 248 pages, 191 color and duotone plates 9 x 111⁄2 in. / 23 x 29 cm, hardcover ISBN 978-3-8296-0131-3 US $ 49.95 Can. $ 54.95

Helmut Newton Archives de nuit 80 pages, 58 duotone plates 91⁄2 x 113⁄4 in. / 24 x 30 cm, softcover ISBN 978-3-88814-664-0 US $ 19.95 Can. $ 21.95

29


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Cindy Sherman History Portraits 72 pages, 90 color plates 61⁄2 x 91⁄4 in. / 16.5 x 23.5 cm, hardcover ISBN 978-3-8296-0600-4 US $ 29.95 Can. $ 32.95

Thomas Struth Museum of Cycladic Art Athens 56 pages, 28 color and duotone plates 91⁄4 x 93⁄4 in. / 23.7 x 24.5 cm, softcover ISBN 978-3-8296-0444-4 US $ 29.95 Can. $ 37.95

Thomas Struth Family Life 92 pages, 30 color plates 101⁄2 x 121⁄2 in. / 27 x 32 cm, softcover ISBN 978-3-8296-0355-3 US $ 69.95 Can. $ 77.00

Cy Twombly Photographs IV 180 pages, 120 color plates 91⁄2 x 121⁄2 in. / 24 x 32 cm, hardcover ISBN 978-3-8296-0589-2 US $ 79.95 Can. $ 90.00

Ellen von Unwerth Couples 320 pages, 195 color and duotone plates 53⁄4 x 81⁄4 in. / 14.7 x 20.5 cm, hardcover ISBN 978-3-8296-0251-8 US $ 24.95 Can. $ 27.50

Véronique Vial Paris Naked 112 pages, 78 duotone plates 91⁄2 x 111⁄2 in. / 24 x 29 cm, hardcover ISBN 978-3-8296-0438-3 US $ 49.95 Can. $ 64.95

Cy Twombly 50 Years of Works on Paper 156 pages, 84 color plates 91⁄2 x 133⁄4 in. / 24.5 x 35 cm, hardcover ISBN 978-3-8296-0181-8 US $ 90.00 Can. $ 100.00

Cornelius Völker Painting – Works 1990–2010 248 pages, 176 color plates 92⁄3 x 113⁄4 in. / 25 x 30 cm, hardcover ISBN 978-3-8296-0534-2 US $ 68.00 Can. $ 75.00

Jeff Wall Transit 136 pages, 44 color and duotone plates 104⁄5 x 114⁄5 in. / 27.5 x 30 cm, hardcover ISBN 978-3-8296-0478-9 US $ 69.95 Can. $ 76.95

Albert Watson The Vienna Album 272 pages, 142 color plates 133⁄4 x 83⁄4 in. / 34.8 x 22.5 cm, hardcover ISBN 978-3-8296-0215-0 US $ 75.00 Can. $ 85.00

CY TWOMBLY

Mette Tronvoll Photographs 132 pages, 46 color plates 91⁄2 x 11 in. / 24 x 28 cm, hardcover ISBN 978-3-8296-0436-9 US $ 65.00 Can. $ 84.00

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Cy Twombly Drawings. Cat. Rais. Vol 1 1951–1955 240 pages, 262 color plates 92⁄3 x 131⁄2 in. / 24.5 x 34 cm, hardcover ISBN 978-3-8296-0485-7 US $ 175.00 Can. $ 195.00

Cy Twombly Drawings. Cat. Rais. Vol 2 1956–1960 308 pages, 267 color plates 92⁄3 x 131⁄2 in. / 24.5 x 34 cm, hardcover ISBN 978-3-8296-0486-4 US $ 175.00 Can. $ 195.00

Cy Twombly Photographs 1951–1999 128 pages, 70 color plates 91⁄2 x 121⁄2 in. / 24 x 32 cm, hardcover ISBN 978-3-8296-0078-1 US $ 69.95 Can. $ 77.00

Wim Wenders Pictures from the Surface of the Earth 136 pages, 56 color plates 81⁄2 x 81⁄4 in. / 21.7 x 21 cm, softcover ISBN 978-3-8296-0238-9 US $ 24.95 Can. $ 27.50

Wim Wenders Journey to Onomichi 64 pages, 24 color plates 72⁄3 x 91⁄2 in. / 19.8 x 24 cm, hardcover ISBN 978-3-8296-0453-6 US $ 39.95 Can. $ 49.95

Michael Wesely Still Lifes 2001–2007 96 pages, 42 color plates 101⁄4 x 133⁄4 in. / 26 x 34.5 cm, hardcover ISBN 978-3-8296-0305-8 US $ 49.95 Can. $ 54.95

Cy Twombly The Paintings 1996–2007 240 pages, 88 color plates, plus 11 ill. 101⁄2 x 12 in. / 26.5 x 30.5 cm, hardcover ISBN 978-3-8296-0366-9 US $ 298.00 Can. $ 328.00

Cy Twombly Photographs 1951–2007 248 pages, 180 color plates 91⁄2 x 121⁄2 in. / 24 x 32 cm, hardcover ISBN 978-3-8296-0368-3 US $ 120.00 Can. $ 150.00

Cy Twombly Photographs III 1951–2010 184 pages, 104 color plates 91⁄2 x 121⁄2 in. / 24 x 32 cm, hardcover ISBN 978-3-8296-0537-3 US $ 78.00 Can. $ 88.00

Michael Wesely Time Works 120 pages, 64 color and duotone plates 105⁄8 x 123⁄5 in. / 27 x 32 cm, hardcover ISBN 978-3-8296-0513-7 US $ 68.00 Can. $ 75.00

Zhang Huan Drawings 110 pages, 50 color plates 9 x 133⁄4 in. / 23 x 34.5 cm, hardcover ISBN 978-3-8296-0308-9 US $ 49.95 Can. $ 54.95

Zurbarán Selected Paintings 1625–1664 132 pages, 50 color plates 101⁄4 x 12 in. / 26 x 30.5 cm, hardcover ISBN 978-3-8296-0545-8 US $ 68.00 Can. $ 75.00


Metropolitan Museum of Art New York June 5 â&#x20AC;&#x201C; Sept. 3, 2012

Schirmer/Mosel Books in North America Customer Service, Warehouse and Fulfillment Prestel Publishing Innovative Logistics 575 Prospect Street Lakewood, NJ 08701 Tel: (732) 363-5679 Fax: (732) 363-0338 toll-free for orders: (888) 463-6110 toll-free fax for orders: (877) 227-6564 Sales and Marketing Office Prestel Publishing 900 Broadway, Suite 603 New York, NY 10003 Tel: (212) 995-2720 Fax: (212) 995-2733 e-mail: sales@prestelusa.com

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Schirmer Mosel Fall 2012 Catalog  

Schirmer Mosel Fall 2012 Catalog

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