Page 1

I n c o n s i s t e n t

W o r l d

J e s s i c a W i s e m a n A / W 1 8 / 1 9


Trend Forecast

C o n t e n t s I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

Pa g e 4 - Tre n d S y n o p s i s Pa g e 5 - Ze i t g e i s t Wo rd s Pa g e 6 a n d 7 - I n s p i r a t i o n a l I m a g e r y Pa g e 8 a n d 9 - C ro s s S e c t o r A n a l y s i s Pa g e 1 0 a n d 1 1 - C re a t i ve D i re c t i o n Pa g e 1 2 a n d 1 3 - C a t w a l k A n a l y s i s Pa g e 1 4 - Co l o u r Pa g e 1 5 a n d 1 6 - Fa b r i c s Pa g e 1 7 - E f fe c t s Pa g e 1 8 - S h a p e Pa g e 1 9 - D e t a i l s Pa g e 2 0 - S t y l i n g Pa g e 2 2 a n d 2 3 - K e y B r a n d s Pa g e 2 4 a n d 2 5 - O t h e r S e c t o r s Pa g e 2 6 - Co n c l u s i o n

Contents

3


Trend Forecast

T r e n d

S y n o p s i s

I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

I n c o n s i s t e n t Wo r l d s y m b o l i s e s

a n d g re y, t o s y m b o l i s e d i s t re s s a n d

d i s c r i m i n a t i o n t h a t i s p re s e n t i n t h e d i s a p p o i n t m e n t , w i t h t h e u s e o f r i c h wo r l d t o d a y. I n c o n s i s t e n t Wo r l d

metallic to show a glimpse of

re p re s e n t s a re g re s s i ve i n t h e wo r l d o p t i m i s m o f c h a n g e i n t h e f u t u re. t a k i n g a w a y f ro m t h e p o s i t i ve i m a g e t h e wo r l d s h o u l d b e re f l e c t e d a s.

T h e t re n d i s fe a r f u l, s h o w n u s i n g t h e

T h e p ro b l e m s s u c h a s r a c i a l a n d

m a t e r i a l s u s e d. T h e u s e o f wo o l

g e n d e r d i s c r i m i n a t i o n c re a t e a n

re p re s e n t s t h e a n x i e t y w i t h i n p e o p l e,

a n x i o u s,

uncertain,

and

shocking using the material to cocoon

wo r l d. Wi t h s u c h v u l n e r a b i l i t y a n d

t h e m s e l ve s f ro m t h e re a l i t y o f t h e re a l

i n e q u a l i t y s u r ro u n d i n g e ve r y b o d y

wo r l d. I t s h o w s i n t i m i d a t i o n a n d

t o d a y, t h e re i s h o p e fo r a m o re

wanting

p o s i t i ve a n d f a i r f u t u re fo r a l l

t h e f r i g h t e n i n g wo r l d.

i n d i v i d u a l s,

but

with

such

to

p ro t e c t

t h e m s e l ve s

f ro m

e x t re m e A s we l l a s wo o l, t h e m a t e r i a l fo i l

p ro b l e m s p re s e n t , t h e t re n d

j e r s e y re f l e c t s t h e o p t i m i s m o f

I n c o n s i s t e n t Wo r l d i s ve r y m u c h

i n d i v i d u a l s t h ro u g h t h e u s e t h e s h i ny

p re s e n t .

a n d s m o o t h m a t e r i a l.

I n c o n s i s t e n t wo r l d re p re s e n t s t h e

The use of materials shows the

e ve r - g ro w i n g d a r k c l o u d s

e m o t i o n s o f i n d i v i d u a l s a n d t h e wo r l d

s u r ro u n d i n g t h e wo r l d s a t t i t u d e s, w i t h t o d a y a n d t h i s s h o w s a c l e a r t h e u s e d a r k c o l o u r s, i n c l u d i n g b l a c k

d i re c t i o n i n w h i c h t h e p o we r f u l t re n d I n c o n s i s t e n t Wo r l d i s h e a d i n g t o w a rd s.

4

Trend Synopsis


Trend Forecast

Vulnerability Sadness

Isolation Bitter

Insecure Disappointment Uncertainty

Anxious

Inequality Intimidated

Distress

Apprehensive Optimistic

Pessimistic Timid

Resentment Rejection

Pain Wistful

Zeitgeist Words

5


Trend Forecast

I n s p i r a t i o n a l

I m a g e r y

I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

T h e i m a g e s o p p o s i t e s h o w t h e i n s p i r a t i o n fo r t h e t re n d, I n c o n s i s t e n t Wo r l d. T h e u s e o f c o l o u r s, t o n e s, t e x t u re s a n d e m o t i o n s i n t h e i m a g e s re p re s e n t t h e t re n d t h ro u g h t h e u s e o f c o n c e p t i o n a l i m a g e r y. T h e i m a g e s u s e d a re t h e i n s p i r a t i o n fo r t h e t re n d, w h i c h i s c a r r i e d o u t t h ro u g h o u t t h e t re n d b o o k i n t o wo m e n s we a r fo r Au t u m n / Wi n t e r 1 8 / 1 9 .

6

Inspirational Imagery


Trend Forecast

1

2

3

4

Inspirational Imagery

7


Trend Forecast

C r o s s

S e c t o r

A n a l y s i s

I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

The images below demonstrate how the theme Inconsistent Wo r l d h a s s t a r t e d t o m a n i fe s t e r i n t o d i f fe re n t s e c t o r s i n c l u d i n g f a s h i o n , b e a u t y, h o m e w a re a n d a rc h i t e c t u re.

6

7

7

5

8

Cross Sector Anaylsis

8

8


Trend Forecast

10

9

13

12

11 14

16

15

17

Cross Sector Anaylsis

9


Trend Forecast

C r e a t i v e

D i r e c t i o n

-

W o m e n s w e a r

I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

20

19

18

19 21

10

Creative Direction


Trend Forecast

23

2241

25 22

27 28 26 Creative Direction

11


Trend Forecast

C a t w a l k

A n a l y s i s

I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9 T h e c a t w a l k i m a g e s f ro m t h e l a t e s t s e a s o n s s h o w h o w t h e c o m p o n e n t s o f t h e t re n d I n c o n s i s t e n t Wo r l d a re m a n i fe s t i n g i n t h e f a s h i o n i n d u s t r y. T h e u s e o f o ve r s i z e d c l o t h i n g, t h e l a r g e q u a n t i t i e s o f b l a c k a n d s h i ny m e t a l l i c s, t h e u s e o f g o l d d e t a i l s a s we l l a s t h e u s e o f h e a v y a c c e s s o r i e s s h o w t h e t re n d s h i n i n g t h ro u g h i n t h e d e s i g n e r ’s l a t e s t c a t w a l k s.

29

12

30

31

Trend Future - Catwalk Analysis


Trend Forecast

32

33

34

35

36

37

38

39

Trend Future - Catwalk Analysis

13


Trend Forecast

Optimistic

Bitter

Disappointment

Sadness

Pa i n

C o l o u r I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

40

41

42

43

74 6

45

44

Snow

Glowing

Harsh

Cu r i o u s

Dusty

Cloudy

Jet

White

Gold

Gold

Gold

G re y

G re y

Black

142 J e t b l a c k i s t h e a v i d m a i n c o l o u r s h o w n t h ro u g h o u t t h e t re n d I n c o n s i s t e n t Wo r l d. J e t B l a c k re p re s e n t s t h e g l o o my, d a r k a n d b i t t e r n e s s o f discrimination and the impact of vulnerability on individuals which can b e u s e d i n a l l a re a s o f wo m e n s we a r. O t h e r c o l o u r s s u c h a s w h i t e a n d g re y a re a l s o m a i n c o l o u r s w i t h m e t a l l i c b e i n g u s e d t o s y m b o l i s e h o p e, i n s m a l l e r q u a n t i t i e s i n wo m e we a r.

14

Trend Future - Colour


Trend Forecast

Vu l n e r a b i l i t y

Uncertainty

Intimidation

F a b r i c

-

A p p re h e n s i ve

Ti m i d

W o o l

I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9 Wo o l the

used

largely

t re n d,

in

symbolises

the large and h e a v y we i g h t

p ro b l e m s

t h a t m a ny individuals

a re

carrying

on their shoulders in this I n c o n s i s t e n t Wo r l d. Wo o l

re p re s e n t s

shelter

n e e d e d f ro m vulnerability and intimidation, with the warmth and p ro t e c t i o n

f ro m

the

away

and

wo o l t o w r a p t h e m s e l ve s

h i d e f ro m re a l i t y.

47

48

49

Trend Future - Fabric

50

51

15


Trend Forecast

A p p re h e n s i ve

Optimistic

M a t e r i a l

Uncertainty

-

F o i l

Pa i n

J e r s e y

I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

The use of the m a t e r i a l fo i l jersey re p re s e n t s t h e s l i p p e r y wo r l d o f discrimination. T h e s h i ny,

54

c r u m p l e d,

and

smooth

material

symbolises the optimism

and

hope

by

individuals

with

the

coldness

material

of

the

used

to

55

show the s a d n e s s o f t h e t re n d, Inconsistent

Wo r l d,

making it a key m a t e r i a l fo r a b r i g h t e r f u t u re i n wo m e n s we a r. 52

16

53

Trend Future - Material

56

D i s t re s s


Trend Forecast

A p p re h e n s i ve

D i s t re s s

E f f e c t s

Vu l n e r a b i l i t y

-

C a g e d

Isolation

Anxious

E f f e c t

I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

T h e c a g e d e f fe c t s y m b o l i s e s t h e t i g h t , r i g i d, a n d h a rd e m o t i o n s o f d i s c r i m i n a t i o n . T h e d a r k e n i n g re s i s t a n c e o f t h e t i g h t material

shows

a

trapped

e f fe c t

which

symbolises

the

isolation,

d i s t re s s, a n d v u l n e r a b i l i t y.

59

57

2

58

3

60

Trend Future - Effects

4 17


Trend Forecast

Vu l n e r a b i l i t y

I n s e c u re

S h a p e

Anxious

-

Rejection

Ti m i d

O v e r s i z e d

I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

T h e o ve r s i z i n g o f c l o t h i n g re p re s e n t s t h e e m o t i o n s i n t i m i d a t i o n , i n s e c u r i t y, a n d v u l n e r a b i l i t y t h ro u g h t h e u s e o f b a g g y c l o t h i n g t o s y m b o l i s e t h e w a n t f ro m i n d i v i d u a l s t o h i d e a w a y f ro m re a l i t y o f d i s c r i m i n a t i o n , w h i c h i s a k e y t h e m e i n t h e t re n d I n c o n s i s t e n t Wo r l d.

61

18

62

63 Trend Future - Shape

64


Trend Forecast

Optimistic

Uncertainity

I n s e c u re

Co n f i d e n c e

Ti m i d

D e t a i l s I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

T h e u s e o f d e t a i l s s y m b o l i s e s c o n f i d e n c e i n c h a n g e i n s o c i e t y t o b e m o re accepting of

a l l i n d i v i d u a l s. T h e u s i n g o f l o u d, b u t t i m i d u s e o f s h i ny m e t a l l i c

re p re s e n t s a b r i g h t e r f u t u re, t o s h i n e s o m e l i g h t o n a s t ro n g a n d d i s t i n c t d a r k c l o u d. T h ro u g h t h e u s e o f e m b e l l i s h m e n t , c h a i n s a n d a c c e s s o r i e s, t h e s m a l l b u t b r i g h t i m p a c t o n g a r m e n t s s h o w s o p t i m i s m b u t w i t h t h e d e l i c a c y o f t h e d a i n t y, thin and rich details it symbolises a p p re h e n s i o n , making it a key fe a t u re fo r t h e t re n d i n wo m e n s we a r.

65

66

67

68

69

Trend Future - Details

70

19


Trend Forecast

D i s t re s s

Inequality

Resentment

Optimistic

Bitter

S t y l i n g I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

The

use

of

thick,

b o l d,

and

chunky

fo o t we a r,

including

a

l a r g e p re s e n c e o f h e a v y we i g h t b o o t s, re p re s e n t s t h e b u l k y, d a r k , a n d we i g h t y p ro b l e m s o f d i s c r i m i n a t i o n i n t h e I n c o n s i s t e n t Wo r l d. T h e re s t r i c t i o n o f t h e u s e o f n e t t i n g a c c e s s o r i e s, i n c l u d i n g f a c i a l a n d b o d y, s h o w s t h e t r a p p e d e m o t i o n s o f i n d i v i d u a l s w i t h t h e l i g h t we i g h t u s e o f a c c e s s o r i e s t o symbolise the heavy mourning of discrimination.

74

71

20

72

73 Trend Future - Styling

75


Trend Forecast


Trend Forecast

Vu l n e r a b i l i t y

Isaolation

Uncertainity

K e y

Co n f i d e n c e

D i s t re s s

B r a n d s

I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

Chanel

A . F. Va n d e fo r s t

76

22

77

G a re t h Pu g h

78

Trend Future - Key Brands


Trend Forecast

79

80

81

G a re t h

Pu g h

Wo r l d.

brand

fo r

T h ro u g h t h e l a r g e u s e o f

Wo r l d.

Wi t h

t r i m m i n g s, s h i ny

metallic

Chanel

o f b l a c k re p re s e n t i n g a n

fo r

e d g y, d a r k a n d the

use

of

b r a n d, netting

with and

84

brand

A . F. Va n d e fo r s t u s e s l o t s

my s t e r i o u s

83

82

is

a

key

Inconsistent

metallic

as

we l l

as

the

dark

is

a

key

Inconsistent the

use

placed

c l o t h i n g,

on as

of the we l l

o ve r s i z e d c l o t h i n g,

u s e o f f a c i a l n e t t i n g,

a s t h e u s e o f o ve r s i z i n g

i t i s a k e y b r a n d fo r t h e

i t re p re s e n t s t h e d e t a i l s

clothing

t re n d I n c o n s i s t e n t Wo r l d.

and

the shaping and

t re n d.

acessories

fo r

the

colouring

it of

re p re s e n t s the

t re n d

I n c o n s i s t e n t Wo r l d.

Trend Future - Key Brands

23


Trend Forecast

Vu l n e r a b i l i t y

Anxious

D i s t re s s

Resentment

Ti m i d

B e a u t y I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

I n c o n s i s t e n t Wo r l d c a n a l s o b e re p re s e n t e d t h ro u g h t h e b e a u t y i n d u s t r y. Wi t h d a r k , h a z y, a n d h e a v y we i g h t e ye s, i t s y m b o l i s e s t h e h e a v i n e s s o f t h e e m o t i o n s i n d i v i d u a l s a re fe e l i n g s. Wi t h t h e u s e o f a f i n e e ye l i n e r, w i t h m e t a l l i c t o n e s, a s we l l a s b o l d d a r k l i p s, i t re p re s e n t s t h e d e n s e n e s s o f I n c o n s i s t e n t Wo r l d.

18 5

87

24

86

88 Other Sectors

89


Trend Forecast

Uncertainty

I n s e c u re

A p p re h e n s i ve

Optimistic

Bitter

B r a n d i n g I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

Branding

can

also

re p re s e n t

I n c o n s i s t e n t Wo r l d. T h ro u g h

the

use

of

logos

placed visibly on c l o t h i n g,

or

t h ro u g h

t a g s, w i t h l a r g e b o l d w r i t i n g, large

it

90

symbolises

stance

the

discrimination

h a s i n t h e wo r l d. Using the

a

b l u r re d

writing

s a d n e s s,

93 e f fe c t

re p re s e n t s

v u l n e r a b i l i t y,

on the and

s h o c k i n g e m o t i o n s. 91

Wi t h u s i n g t h e c o l o u r metallic on the logos shines a light on the extent

of

discrimination

fo r

individuals to see the substantial impact in the I n c o n s i s t e n t Wo r l d. 92

Other Sectors

94

25


Trend Forecast

C o n c l u s i o n I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9

O ve r a l l, t h e t re n d I n c o n s i s t e n t Wo r l d re f l e c t s s i m p l i c i t y a s we l l a s d a r k n e s s. T h e u s e o f b l a c k t h ro u g h o u t s y m b o l i s e s t h e e m o t i o n s o f d i s t re s s, re s e n t m e n t a n d d i s a p p o i n t m e n t w h i c h i s c a r r i e d t h ro u g h o u t t h e t re n d d u e t o t h e d a r k n e s s o f t h e t re n d a b o u t discrimination. The raw materials show the intensity of h o w f re s h o f a n i m p a c t t h e d r i ve r s a re h a v i n g o n t h e wo r l d a n d h o w p o we r f u l d i s c r i m i n a t i o n i s. T h e t re n d s t a n d s fo r e ve r yo n e i n t h e wo r l d, w h e t h e r i t ’s d u e t o g e n d e r, ethnicity or health and the emotions i n d i v i d u a l s a re fe e l i n g d u e t o d i s c r i m i n a t i o n b e i n g e ve r s o p re s e n t i n t h e wo r l d. T h e o n l y w a y fo r c h a n g e, i s fo r g e n e r a t i o n Y, t h e re v a m p g e n e r a t i o n , t o g e n e r a t e a m o re e q u a l wo r l d b u t fo r n o w I n c o n s i s t e n t Wo r l d i s t h e l a t e s t t re n d.

26

Conclusion


R e f e r e n c i n g I n c o n s i s t e n t W o r l d A / W 1 7 / 1 8

Number

1

Pa t t e r n i t y

(Unknown)

Cracked

zebra

c ro s s i n g.

Av a i l a b l e

h t t p s : / / p a t t e r n i t y. o r g / re s e a rc h / c r a c k e d z e b r a c ro s s i n g p a t t e r n i t y / .

at (Ac -

c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) Number

2

Strangley

compelling

(Unknown)

Av a i l a b l e

at

http://strangel-

ycompelling.net/post/36881137002/photography-martina-dankov a - s c - s c - o n - f a c e b o o k . (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) N u m b e r 3 – Tr u e t e x t u re s ( U n k n o w n ) Av a i l a b l e a t h t t p s : / / u k . p i n t e re s t . c o m / c o re a l i n e / t r u e - t e x t u re s / . (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) N u m b e r 4 – N i c k y K e h o e ( 2 0 1 3 ) Te x t u re. Av a i l a b l e a t h t t p : / / n i c k e y k e h o e. t u m b l r. c o m / p o s t / 6 7 7 7 2 2 3 4 5 1 1 / t e x t u re.

(Ac c e s s e d

on

Tu e s d a y

10th

Janu-

ary 2017) N u m b e r 5 – R i c k O we n s ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 R i c k O we n s. Av a i l a ble

at

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n -

der=2&season=0&city=0&show=34221.

(Ac c e s s e d

on

Sunday

8th

January

2017) N u m b e r 6 – D i a n a D u m i t re s c o ( U n k n o w n ) B l a c k L i g h t . Av a i l a b l e a t h t t p s : / / p a t t e r n i t y. o r g / re s e a rc h / b l a c k l i g h t d i a n a d u m i t re s c o / .

(Ac c e s s e d

on

Thurs-

day 15th December 2016) N u m b e r 7 – Lu c a To m b o l i n i ( U n k n o w n ) Fa l l 2 0 1 6 re a d y t o we a r, M a rc J a c o b s. Av a i l a b l e

at

h t t p : / / w w w. vo g u e. c o m / f a s h i o n - s h o w s / f a l l - 2 0 1 6 - re a d y - t o -

we a r / m a rc - j a c o b s / s l i d e s h o w / b e a u t y # 1 1 . cember 2016)

28

(Ac c e s s e d

on

Thursday

15th

De-


Number re a d y

8

to

Alexandra

we a r

Shulman

collection.

(2016)

Av a i l a b l e

Saint at

L a u re n t

Au t u m n / Wi n t e r

2016

h t t p : / / w w w. vo g u e. c o. u k / s h o w s / a u -

t u m n - w i n t e r - 2 0 1 6 - re a d y - t o - we a r / s a i n t - l a u re n t / c o l l e c t i o n / .

(Ac c e s s e d

on

Sunday 8th January 2017) Number

9

Pi n i m g

(Unknown)

Av a i l a b l e

at

https://s-media-cache-ak0.pin-

i m g. c o m / o r i g i n a l s / e 2 / 6 2 / 1 6 / e 2 6 2 1 6 5 f b 3 5 2 c 6 c 1 7 5 c e 7 7 b 4 3 7 2 f f 7 f 6 . j p g.

(Ac -

c e s s e d o n Fr i d a y 1 6 t h D e c e m b e r 2 0 1 6 ) N u m b e r 1 0 – S v i l e n G a m o l o v ( U n k n o w n ) I n s i d e S t a c k . Av a i l a b l e a t h t t p s : / / p a t t e r n i t y. o r g / re s e a rc h / i n s i d e - s t a c k- s v i l e n - g a m o l o v / .

(Ac c e s s e d

on

Tu e s d a y

10th January 2017) N u m b e r 1 1 – Vo g u e ( 2 0 1 6 ) C a l v i n K l e i n c o l l e c t i o n f a l l 2 0 1 6 m e n s we a r. Av a i l able

at

h t t p : / / w w w. vo g u e. c o m / f a s h i o n - s h o w s / f a l l - 2 0 1 6 - m e n s we a r / c a l -

vin-klein-collection/slideshow/collection#29.

(Ac c e s s e d

on

Tu e s d a y

10th

January 2017) Number

12

Blogspot

(Unknown)

Av a i l a b l e

at

h t t p : / / 3 . b p. b l o g s p o t .

com/-g72hkZQH9pw/UEdw7cHoDVI/AAAAAAAACBQ/xWV0SRviLpo/s1600/ B l a c k a n d W h i t e G l a s s A rc h i t e c t u re - l o n g + g o o d b ye. p n g,

(Ac c e s s e d

on

Fr i d a y

16th December 2016) N u m b e r 1 3 – R i c k O we n s ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 R i c k O we n s. Av a i l a b l e at

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & -

season=0&city=0&show=34221. (Sunday 8th January 2017 N u m b e r 1 4 – Pa u l J u n g ( U n k n o w n ) P l a t fo r m p o i n t s. Av a i l a b l e a t h t t p s : / / p a tt e r n i t y. o r g / re s e a rc h / p l a t fo r m - p o i n t s - p a u l - j u n g / .

(Ac c e s s e d

on

Fr i d a y

16th

December 2016) N u m b e r 1 5 – N u m b e r 5 – S t u d i o 9 0 3 ( 2 0 1 6 ) . Av a i l a b l e a t h t t p : / / s t u d i o 9 0 3 . t u m b l r. c o m / p o s t / 1 5 4 7 2 0 6 7 1 7 1 3 . (Ac c e s s e d o n Tu e s d a y 3 rd J a n u a r y 2 0 1 7 ) Number

16

I t s n o ve m b e r

able

at

(2014)

A rc h i t e c t u re

in

black

and

w h i t e.

Av a i l -

h t t p s : / / i t i s n o ve m b e r. wo rd p re s s. c o m / 2 0 1 4 / 0 2 / 2 6 / a rc h i t e c -

t u re - i n - b l a c k- w h i t e - d u s s e l d o r f - 2 0 1 4 / .

(Ac c e s s e d

on

Tu e s d a y

Tro p i c a l i a .

Av a i l a b l e

10th

January

2017) Number

17

Pa t r i c i a

U rq u i o l a

(2008)

d e z e e n . c o m / 2 0 0 8 / 0 5 / 1 1 / t ro p i c a l i a - b y - p a t r i c i a - u rq i o l a / .

at

(Ac c e s s e d

h t t p s : / / w w w. on

Thurs-

day 15th December 2016) Number t o.

18

Av a i l a b l e

Yo h j i at

Ya m a m o t o

(2016)

Spring/Summer

2017

Yo h j i

Ya m a m o -

h t t p s : / / w w w. wg s n . c o m / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & s e a -

s o n = 0 & c i t y = 0 & s h o w = 3 4 2 9 6 . (Ac c e s s e d o n Fr i d a y 6 t h J a n u a r y 2 0 1 7 )

29


N u m b e r 1 9 – N u m b e r 4 – J e a n Pa u l G a u l t i e r ( U n k n o w n ) C a g e Co a t . Av a i l a b l e at

h t t p s : / / p a t t e r n i t y. o r g / re s e a rc h / c a g e c o a t j e a n p a u l g a u l t i e r / .

(Ac c e s s e d

on Thursday 15th December 2016) N u m b e r 2 0 – Lu k a s S c hwe r i n g ( U n k n o w n ) g e l a d e n u n d e n t s i c h e r t . Av a i l a b l e at

h t t p : / / l u k a s s c hwe r i n g. t u m b l r. c o m / .

(Ac c e s s e d

on

Monday

9th

January

2017) N u m b e r 2 1 – H o r s t D i e k g e rd e s ( U n k n o w n ) D r a p e d i n n e t s. Av a i l a b l e a t h t t p s : / / p a t t e r n i t y. o r g / re s e a rc h / d r a p e d i n n e t s h o r s t d i e k g e rd e s / .

(Ac c e s s e d

on

Mon-

day 9th January 2017) Number

22

A . F.

Av a i l a b l e

Va n d e vo r s t

at

(2016)

Au t u m n / Wi n t e r

2016

A . F.

Va n d e vo r s t .

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -

lery/#gender=2&season=0&city=0&show=28916.

(Ac c e s s e d

on

Thursday

5th

January 2017) N u m b e r 2 3 – Vo g u e ( 2 0 1 5 ) Au t u m n Ac c e s s o r i e s : t h e vo g u e e d i t o r s h i t l i s t . Av a i l a b l e

at

h t t p : / / w w w. vo g u e. c o. u k / g a l l e r y / e d i t o r s - a u t u m n - w i n t e r - a c c e s -

s o r y - s h o p p i n g - l i s t . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 ) Number

24

To o p o o r

(Unknown)

Av a i l a b l e

at

h t t p : / / t o o p o o r. t u m b l r. c o m /

p o s t / 1 3 3 7 1 0 1 9 7 6 1 7 . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 ) N u m b e r 2 5 – Co d i e Yo u n g ( U n k n o w n ) S M o d a b e a u t y. Av a i l a b l e a t h t t p : / / f t a p e. c o m / m e d i a / c o d i e - yo u n g - s - m o d a - b e a u t y / .

(Ac c e s s e d

on

We d n e s d a y

11th January 2017) N u m b e r 2 6 – A l e x a n d r a S h u l m a n ( 2 0 1 6 ) S a i n t L a u re n t Au t u m n / Wi n t e r 2 0 1 6 re a d y

to

we a r

collection.

Av a i l a b l e

at

h t t p : / / w w w. vo g u e. c o. u k / s h o w s / a u -

t u m n - w i n t e r - 2 0 1 6 - re a d y - t o - we a r / s a i n t - l a u re n t / c o l l e c t i o n / .

(Ac c e s s e d

on

Sunday 8th January 2017) N u m b e r 2 7 – M e l i t t a B a u m e i s t e r ( 2 0 1 6 ) M e l i t t a B a u m e i s t e r f a l l 2 0 1 6 re a d y t o we a r.

Av a i l a b l e

at

h t t p : / / w w w. vo g u e. c o m / f a s h i o n - s h o w s / f a l l - 2 0 1 6 - re a d y -

t o - we a r / m e l i t t a - b a u m e i s t e r / s l i d e s h o w / c o l l e c t i o n # 1 0 .

(Ac c e s s e d

on

Monday

9th January 2017) N u m b e r 2 8 – L a c o o l a n d c h i c ( U n k n o w n ) Av a i l a b l e a t h t t p : / / l a c o o l e t c h i c. t u m b l r. c o m / . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 ) Number

29

A . F.

Av a i l a b l e

at

Va n d e vo r s t

(2016)

Au t u m n / Wi n t e r

30

A . F.

Va n d e vo r s t .

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -

lery/#gender=2&season=0&city=0&show=28916. 4th January 2017)

2016

(Ac c e s s e d

on

We d n e s d a y


N u m b e r 3 0 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) N u m b e r 3 1 – R i c k O we n s ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 R i c k O we n s. Av a i l a b l e at

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & -

s e a s o n = 0 & c i t y = 0 & s h o w = 3 4 2 2 1 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) N u m b e r 3 2 – Ce n t r a l S t M a r t i n s ( 2 0 1 6 ) Au t u m n / Wi n t e r 2 0 1 6 Ce n t r a l S t M a r t i n s.

Av a i l a b l e

at

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -

lery/#gender=2&season=0&city=0&show=28626.

(Ac c e s s e d

on

We d n e s d a y

4th January 2017) N u m b e r 3 3 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) Number

34

Christopher

K a n e.

Av a i l a b l e

at

Kane

(2016)

Spring/Summer

2017

Christopher

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -

lery/#gender=2&season=0&city=0&show=33591.

(Ac c e s s e d

on

We d n e s d a y

4th January 2017) N u m b e r 3 5 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) N u m b e r 3 6 – S i m o n e R o c h a ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 S i m o n e R o c h a . Av a i l able

at

h t t p s : / / w w w. wg s n . c o m / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & s e a s o n = 1 1 1 & c -

i t y = 2 & s h o w = 3 3 4 3 1 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) N u m b e r 3 7 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) N u m b e r 3 8 – T h o r n t o n B re g a z z i ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 Pre e n b y T h o r n t o n B re g a z z i .

Av a i l a b l e

at

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _

gallery/#gender=2&season=0&city=0&show=33471.

(Ac c e s s e d

on

We d n e s -

day 4th January 2017) N u m b e r 3 9 – To g a ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 To g a . Av a i l a b l e a t h t t p s : / / w w w. wg s n . c o m / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & s e a s o n = 0 & c i t y = 0 & s h o w = 3 3 6 3 1 .

(Ac -

c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 )

31


Number

40

DC-148-9-C

Pa n t o n e

w h i t e.

(Unknown) Av a i l a b l e

Pa n t o n e at

p ro c e s s

coated

pclps-

h t t p s : / / w w w - wg s n - c o m . e z p rox y.

bcu.ac.uk/search/search.php?startOver=%2Fsearch%2Fdesign_library#%7B%22start%22%3A%200%2C%20%22limit%22%3A%2050%2C%20 % 2 2 f _ l i m i t % 2 2 % 3 A % 2 0 5 % 2 C % 2 0 % 2 2 q % 2 2 % 3 A % 2 0 % 2 2 PA N T O N E % 2 2 % 2 C % 2 0 %22facets%5B%5D%22%3A%20%5B%22classif_name%7C56894%22%2C%20 %22colors%7C1987%22%5D%2C%20%22block_markets%5B%5D%22%3A%20 % 5 B % 5 D % 7 D. (Ac c e s s e d o n S a t u rd a y 7 t h J a n u a r y 2 0 1 7 ) Number ed

41

10126-C

Pa n t o n e b ro n z e.

(Unknown) Av a i l a b l e

Pa n t o n e at

plus

metal

coat-

h t t p s : / / w w w - wg s n - c o m . e z p rox y.

bcu.ac.uk/search/search.php?startOver=%2Fsearch%2Fdesign_library#%7B%22start%22%3A%200%2C%20%22limit%22%3A%2050%2C%20 % 2 2 f _ l i m i t % 2 2 % 3 A % 2 0 5 % 2 C % 2 0 % 2 2 q % 2 2 % 3 A % 2 0 % 2 2 PA N T O N E % 2 2 % 2 C % 2 0 %22facets%5B%5D%22%3A%20%5B%22classif_name%7C56894%22%2C%20 %22colors%7C12284%22%5D%2C%20%22block_markets%5B%5D%22%3A%20 % 5 B % 5 D % 7 D. (Ac c e s s e d o n S a t u rd a y 7 t h J a n u a r y 2 0 1 7 ) N u m b e r 4 2 – Pa n t o n e ( U n k n o w n ) Pa n t o n e m e t a l l i c c o a t e d 8 3 8 5 - C b ro n z e. Av a i l able

at

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / s e a rc h / s e a rc h . p h p ? s t a r -

tO ver=%2Fsearch%2Fdesign_librar y#%7B%22star t%22%3A%200%2C%20%22limit%22%3A%2050%2C%20%22f_limit%22%3A%205%2C%20%22q%22%3A%20 % 2 2 PA N T O N E % 2 2 % 2 C % 2 0 % 2 2 f a c e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 2 2 c l a s s i f _ name%7C56894%22%2C%20%22colors%7C12284%22%5D%2C%20%22block_ m a r k e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 5 D % 7 D.

(Ac c e s s e d

on

S a t u rd a y

7th

January

2017) N u m b e r 4 3 – Pa n t o n e ( U n k n o w n ) Pa n t o n e m e t a l l i c c o a t e d 8 3 8 3 - C b ro n z e. Av a i l able

at

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / s e a rc h / s e a rc h . p h p ? s t a r -

tO ver=%2Fsearch%2Fdesign_librar y#%7B%22star t%22%3A%200%2C%20%22limit%22%3A%2050%2C%20%22f_limit%22%3A%205%2C%20%22q%22%3A%20 % 2 2 PA N T O N E % 2 2 % 2 C % 2 0 % 2 2 f a c e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 2 2 c l a s s i f _ name%7C56894%22%2C%20%22colors%7C12284%22%5D%2C%20%22block_ m a r k e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 5 D % 7 D. 2017)

32

(Ac c e s s e d

on

S a t u rd a y

7th

January


Number

44

Pa n t o n e

(Unknown)

Pa n t o n e

E - 1 7 - 1 1 0 5 -TC X .

Av a i l a b l e

at

https://www-wgsn-com.ezproxy.bcu.ac.uk/search/search.php?startO ver=%2Fsearch%2Fdesign_librar y#%7B%22star t%22%3A%200%2C%20%22limit%22%3A%2050%2C%20%22f_limit%22%3A%205%2C%20%22q%22%3A%20 % 2 2 PA N T O N E % 2 2 % 2 C % 2 0 % 2 2 f a c e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 2 2 c l a s s i f _ name%7C56894%22%2C%20%22colors%7C1992%22%5D%2C%20%22block_ m a r k e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 5 D % 7 D.

(Ac c e s s e d

on

S a t u rd a y

7th

January

2017) N u m b e r 4 5 – re s e a rc h e r s o w n c o l o u r N u m b e r 4 6 – Pa n t o n e ( U n k n o w n ) Pa n t o n e s o l i d c o a t e d 4 2 6 - C b l a c k . Av a i l able

at

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / s e a rc h / s e a rc h . p h p ? s t a r -

tO ver=%2Fsearch%2Fdesign_librar y#%7B%22star t%22%3A%200%2C%20%22limit%22%3A%2050%2C%20%22f_limit%22%3A%205%2C%20%22q%22%3A%20 % 2 2 PA N T O N E % 2 2 % 2 C % 2 0 % 2 2 f a c e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 2 2 c l a s s i f _ name%7C56894%22%2C%20%22colors%7C1975%22%5D%2C%20%22block_ m a r k e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 5 D % 7 D.

(Ac c e s s e d

on

S a t u rd a y

7th

January

2017) Number

47

A . F.

Av a i l a b l e

Va n d e vo r s t

at

(2016)

Au t u m n / Wi n t e r

2016

A . F.

Va n d e vo r s t .

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -

lery/#gender=2&season=0&city=0&show=28916.

(Ac c e s s e d

on

We d n e s d a y

4th January 2017) Number look

48

book.

C r u vo i r

(2015)

Av a i l a b l e

at

T h a m a ny a h ,

wo m e n s

autumn/winter

2015-16

h t t p : / / b l o g. c r u vo i r. c o m / t h a m a ny a h - wo m e n s - a u -

t u m n - w i n t e r - 2 0 1 5 - 1 6 - l o o k b o o k / . (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) Number

49

Rodarte

(2016)

Au t u m n / w i n t e r

2016

R o d a r t e.

Av a i l a b l e

at

https://www-wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&s e a s o n = 0 & c i t y = 0 & s h o w = 2 8 3 2 6 . (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) Number

50

Te x t u re

takkda

(Unknown)

Av a i l a b l e

at

h t t p : / / t e x t u re t a d d k a .

c o m / w p - c o n t e n t / u p l o a d s / 2 0 1 2 / 0 9 / B l a c k _ Wo o l _ M a c r o _ Te x t u r e _ C l o s e u p _ 2 . j p g. (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) N u m b e r 5 1 – Lo n d o n f a b r i c s h o p ( U n k n o w n ) Av a i l a b l e a t h t t p : / / w w w. l o n d o n f a b r i c s h o p. c o m / w p - c o n t e n t / u p l o a d s / 2 0 1 4 / 0 8 / I M G _ 4 5 3 9 . j p e g.

(Ac c e s s e d

on

Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) N u m b e r 5 2 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 )

33


N u m b e r 5 3 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) Number

54

AT M

label

(Unknown)

Av a i l a b l e

at

i m a g e s / p ro d u k t e / i 1 2 / 1 2 5 5 1 - Fo l i e n j e r s e y - b l a c k . j p g.

h t t p s : / / w w w. a t m l a b e l. c o m /

(Ac c e s s e d

on

Tu e s d a y

10th January 2017) Number

55

Diamonds

and

Studs

(2012)

Av a i l a b l e

at

http://diamondsand-

s t u d s. t u m b l r. c o m / p o s t / 5 5 2 0 1 1 8 8 4 1 . (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) Number

56

Cloud

f ro n t

(Unknown)

Av a i l a b l e

at

https://d2d00szk9na1qq.

cloudfront.net/Product/e08affa9-8d55-4cfd-9272-6bc7a313f4ac/Images/ L a r g e _ 0 3 9 2 5 6 0 . j p g. (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) N u m b e r 5 7 - Lo n d o n Fa s h i o n We e k ( 2 0 1 6 ) A . F. Va n d e vo r s t A / W 1 6 . Av a i l a ble

at

h t t p : / / w w w. l o n d o n f a s h i o nwe e k . c o. u k / d e s i g n e r s _ p ro f i l e. a s px ? D e s i g n -

e r I D = 2 8 8 5 . (Ac c e s s e d o n T h u r s d a y 2 2 n d D e c e m b e r 2 0 1 6 ) N u m b e r 5 8 – R o d a r t e ( 2 0 1 6 ) Au t u m n / Wi n t e r 2 0 1 6 R o d a r t e. Av a i l a b l e a t h t t p s : / / w w w.wgsn.com/catwalk_galler y/#gender=2&season=0&city=0&show=28326. (Ac c e s s e d o n Fr i d a y 6 t h J a n u a r y 2 0 1 7 ) N u m b e r 5 9 – H o r s t D i e k g e rd e s ( U n k n o w n ) D r a p e d i n n e t s. Av a i l a b l e a t h t t p s : / / p a t t e r n i t y. o r g / re s e a rc h / d r a p e d i n n e t s h o r s t d i e k g e rd e s / .

(Ac c e s s e d

on

Mon-

day 9th January 2017) N u m b e r 6 0 – J e a n Pa u l G a u l t i e r ( U n k n o w n ) C a g e Co a t . Av a i l a b l e a t h t t p s : / / p a t t e r n i t y. o r g / re s e a rc h / c a g e c o a t j e a n p a u l g a u l t i e r / .

(Ac c e s s e d

on

Thursday

15th December 2016) N u m b e r 6 1 – Le m a i re ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 Le m a i re. Av a i l a b l e a t h t t p s : / / w w w.wgsn.com/catwalk_galler y/#gender=2&season=0&city=0&show=34161. (Ac c e s s e d o n Fr i d a y 6 t h J a n u a r y 2 0 1 7 ) Number t o.

62

-

Yo h j i

Av a i l a b l e

Ya m a m o t o at

(2016)

Spring/Summer

2017

Yo h j i

Ya m a m o -

h t t p s : / / w w w. wg s n . c o m / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & s e a -

s o n = 0 & c i t y = 0 & s h o w = 3 4 2 9 6 . (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) N u m b e r 6 3 – Pa r s o n s t h e n e w s c h o o l o f d e s i g n ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 4 Pa r s o n s

the

new

school

of

design.

Av a i l a b l e

at

walk_gallery/#gender=2&season=0&city=0&show=5551.

h t t p s : / / w w w. wg s n . c o m / c a t (Ac c e s s e d

on

Fr i d a y

6th January 2017) Number t o.

64

Av a i l a b l e

Yo h j i at

Ya m a m o t o

(2016)

Spring/Summer

2017

Ya m a m o -

h t t p s : / / w w w. wg s n . c o m / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & s e a -

s o n = 0 & c i t y = 0 & s h o w = 3 4 2 9 6 . (Ac c e s s e d o n Fr i d a y 6 t h J a n u a r y 2 0 1 7 )

34

Yo h j i


N u m b e r 6 5 – Lu k a s S c hwe r i n g ( U n k n o w n ) g e l a d e n u n d e n t s i c h e r t . Av a i l a b l e at

h t t p : / / l u k a s s c hwe r i n g. t u m b l r. c o m / .

(Ac c e s s e d

on

Monday

9th

January

2017) Number

66

To o p o o r

(Unknown)

Av a i l a b l e

at

h t t p : / / t o o p o o r. t u m b l r. c o m /

p o s t / 1 3 3 7 1 0 1 9 7 6 1 7 . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 ) N u m b e r 6 7 – G a re t h Pu g h ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 G a re t h Pu g h . Av a i l a b l e at

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & -

s e a s o n = 0 & c i t y = 0 & s h o w = 3 3 4 4 6 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) Number

68

Elle

South

Africa

(2015).

Av a i l a b l e

at

h t t p : / / w w w. e l l e. c o. z a /

p f w - re v i e w - v a l e n t i n o / _ v a l 0 2 4 5 / . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) Number

69

-

Christopher

K a n e.

Av a i l a b l e

at

Kane

(2016)

Spring/Summer

2017

Christopher

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -

lery/#gender=2&season=0&city=0&show=33591.

(Ac c e s s e d

on

We d n e s d a y

4th January 2017) N u m b e r 7 0 – C a l v i n K l e i n ( 2 0 1 6 ) S p r i n g 2 0 1 6 C a l v i n K l e i n . Av a i l a b l e a t h t t p : / / s t u d i o 9 0 3 . t u m b l r. co m / p o s t / 1 5 2 6 4 5 8 0 1 7 4 8 / l a ra m e e e e - c a l v i n - k l e i n - co l l e ct i o n - s p r i n g - 2 0 1 6 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) Number

71

A . F.

Av a i l a b l e

Va n d e vo r s t

at

(2016)

Au t u m n / Wi n t e r

2016

A . F.

Va n d e vo r s t .

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -

lery/#gender=2&season=0&city=0&show=28916.

(Ac c e s s e d

on

Thursday

5th

January 2017) N u m b e r 7 2 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 ) N u m b e r 7 3 – G a re t h Pu g h ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 G a re t h Pu g h . Av a i l a b l e at

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & -

s e a s o n = 0 & c i t y = 0 & s h o w = 3 3 4 4 6 . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 ) N u m b e r 7 4 – Vo g u e ( 2 0 1 5 ) Au t u m n Ac c e s s o r i e s : t h e vo g u e e d i t o r s h i t l i s t . Av a i l a b l e

at

h t t p : / / w w w. vo g u e. c o. u k / g a l l e r y / e d i t o r s - a u t u m n - w i n t e r - a c c e s -

s o r y - s h o p p i n g - l i s t . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 ) Number

75

Saint

L a u re n t

(2013)

Au t u m n / w i n t e r

2013-14.

Av a i l a b l e

at

http://www.vogue.fr/defiles/defile/automne -hiver-2013-2014-paris-saintl a u re n t / 3 3 3 9 . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 )

35


Number

76

Av a i l a b l e

A . F. at

Va n d e vo r s t

(2016)

Au t u m n / Wi n t e r

2016

A . F.

Va n d e vo r s t .

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -

lery/#gender=2&season=0&city=0&show=28916.

(Ac c e s s e d

on

Thursday

5th

January 2017) N u m b e r 7 7 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n T h u r s d a y 5 t h J a n u a r y 2 0 1 7 ) N u m b e r 7 8 – G a re t h Pu g h ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 G a re t h Pu g h . Av a i l a b l e at

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & -

s e a s o n = 0 & c i t y = 0 & s h o w = 3 3 4 4 6 . (Ac c e s s e d o n T h u r s d a y 5 t h J a n u a r y 2 0 1 7 ) Number

79

Av a i l a b l e

A . F. at

Va n d e vo r s t

(2016)

Au t u m n / Wi n t e r

2016

A . F.

Va n d e vo r s t .

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -

lery/#gender=2&season=0&city=0&show=28916.

(Ac c e s s e d

on

Thursday

5th

January 2017) Number

80

Av a i l a b l e

A . F. at

Va n d e vo r s t

(2016)

Au t u m n / Wi n t e r

2016

A . F.

Va n d e vo r s t .

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -

lery/#gender=2&season=0&city=0&show=28916.

(Ac c e s s e d

on

Thursday

5th

January 2017) N u m b e r 8 1 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n T h u r s d a y 5 t h J a n u a r y 2 0 1 7 ) N u m b e r 8 2 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n T h u r s d a y 5 t h J a n u a r y 2 0 1 7 ) N u m b e r 8 3 – G a re t h Pu g h ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 G a re t h Pu g h . Av a i l a b l e at

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & -

s e a s o n = 0 & c i t y = 0 & s h o w = 3 3 4 4 6 . (Ac c e s s e d o n T h u r s d a y 5 t h J a n u a r y 2 0 1 7 ) N u m b e r 8 4 – G a re t h Pu g h ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 G a re t h Pu g h . Av a i l a b l e at

h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & -

s e a s o n = 0 & c i t y = 0 & s h o w = 3 3 4 4 6 . (Ac c e s s e d o n T h u r s d a y 5 t h J a n u a r y 2 0 1 7 ) N u m b e r 8 5 – Lu c a To m b o l i n i ( U n k n o w n ) Fa l l 2 0 1 6 re a d y t o we a r, M a rc J a c o b s. Av a i l a b l e

at

h t t p : / / w w w. vo g u e. c o m / f a s h i o n - s h o w s / f a l l - 2 0 1 6 - re a d y - t o - we a r /

m a rc - j a c o b s / s l i d e s h o w / b e a u t y # 1 1 . 2016)

36

(Ac c e s s e d

on

Thursday

15th

December


N u m b e r 8 6 – Lu c a To m b o l i n i ( U n k n o w n ) Fa l l 2 0 1 6 re a d y t o we a r, M a rc J a c o b s. Av a i l a b l e

at

h t t p : / / w w w. vo g u e. c o m / f a s h i o n - s h o w s / f a l l - 2 0 1 6 - re a d y - t o - we a r /

m a rc - j a c o b s / s l i d e s h o w / b e a u t y # 1 1 . (Ac c e s s e d o n Tu e s d a y 3 rd J a n u a r y 2 0 1 7 ) Number

87

v93oo

(2016)

Instagram.

Av a i l a b l e

at

h t t p s : / / w w w. i n s t a g r a m .

c o m / p / B M k n 1 J k j A m s / . (Ac c e s s e d o n Fr i d a y 1 6 t h D e c e m b e r 2 0 1 6 ) N u m b e r 8 8 – Lu c a To m b o l i n i ( U n k n o w n ) Fa l l 2 0 1 6 re a d y t o we a r, M a rc J a c o b s. Av a i l a b l e

at

h t t p : / / w w w. vo g u e. c o m / f a s h i o n - s h o w s / f a l l - 2 0 1 6 - re a d y - t o - we a r /

m a rc - j a c o b s / s l i d e s h o w / b e a u t y # 1 1 . (Ac c e s s e d o n Tu e s d a y 3 rd J a n u a r y 2 0 1 7 ) Number

89

Studio

903

(2016).

Av a i l a b l e

at

h t t p : / / s t u d i o 9 0 3 . t u m b l r. c o m /

p o s t / 1 5 4 7 2 0 6 7 1 7 1 3 . (Ac c e s s e d o n Tu e s d a y 3 rd J a n u a r y 2 0 1 7 ) N u m b e r 9 0 – A l v i n D i e c ( 2 0 1 1 ) Wi t a n d D e l i g h t . Av a i l a b l e a t h t t p : / / w i t a n d d e l i g h t . t u m b l r. c o m / p o s t / 5 6 1 0 3 5 3 4 0 5 / v i a - a l v i n - d i e c - g r a p h i c - d e s i g n - e t c - a t l a n t a . (Ac c e s s e d o n We d n e s d a y 2 1 s t D e c e m b e r 2 0 1 6 ) N u m b e r 9 1 – Twe n t y S i x Ty p e s ( U n k n o w n ) . Av a i l a b l e a t h t t p : / / t we n t y s i x t y p e s. c o. u k / a b o u t - u s / . (Ac c e s s e d o n We d n e s d a y 2 1 s t D e c e m b e r 2 0 1 6 ) N u m b e r 9 2 – M i d d a y ( U n k n o w n ) C re we A L a M o d e. Av a i l a b l e a t h t t p : / / m i d d a y s t u d i o. c o m / p ro j e c t s / c re w - a - l a - m o d e / .

(Ac c e s s e d

on

We d n e s d a y

21st

December 2016) Number

93

Saco

(Unknown)

Av a i l a b l e

at

h t t p : / / s a c o s t u d i o. c o m / .

(Ac -

c e s s e d o n We d n e s d a y 2 1 s t D e c e m b e r 2 0 1 6 ) Number

94

B ro t h e r s

Soundtrack

(2015)

October

E xc h a n g e.

h t t p : / / w w w. g r a p h i c - e xc h a n g e. c o m / a rc h i ve s / 0 3 i d e n t i t y _ 3 3 . h t m .

Av a i l a b l e

at

(Ac c e s s e d

o n We d n e s d a y 2 1 s t D e c e m b e r 2 0 1 6 )

37

Profile for mail75106

TREND FORECASTING _ FLICK THROUGH  

TREND FORECASTING _ FLICK THROUGH  

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