“...I am a very shy and sensitive person...” I almost never shoot in my city, Naples. I don’t know why, but I don’t feel comfortable doing it, even though I believe it’s a beautiful city and it’s a great place for street
trimestral Heike Frielingsdorf
03.2022 O MUNDO À FRENTE DAS OBJECTIVAS LA GRANDE FAMILLE João Pedro Marnoto “Pia é ﬁlha de uma ex-modelo francesa e Zinzin é ﬁlho de um ex-viciado em heroína. Ambos são "saisonniers" - trabalhadores agrícolas sazonais. Duas histórias diferentes com o mesmo destino...” PORTFÓLIO Francesca SETEMBROChiacchioJULHOAGOSTO MAGAZINE REPORTAGEM GALERIA DE AUTOR Thomas Hackenberg
1 Terça a sábado 11h00 - 18h00 Encerrado Domingo, segunda e feriados Rua Arronches Junqueiro 126, SETUBAL
2 EDITORIAL 03.2022 04. LA GRANDE FAMILLE João Pedro Marnoto Pia é ﬁlha de uma ex-modelo francesa e Zinzin é ﬁlho de um ex-viciado em heroína. Ambos são "saisonniers" - trabalhadores agrícolas sazonais. Duas histórias diferentes com o mesmo destino... 22.33. GALERiA DE AUTOR 34. PORTFÓLIO Francesca Chiacchio I constantly worry about people’s reactions, and as a street photographer you alwayssome.get magazine REPORTAGEM 0303.20202 I am fascinated by such situations that seem to come across as trivial and yet create a cosmos of their own. Thomas Hackenberg Heike Frielingsdorf When I am out on the streets, I like chasing for the offbeat, on a quest to ﬁnd some extravaganza in ordinary...the
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4 João Pedro Marnoto 05magazine REPORTAGEM03.20202 LA GRANDE FAMILLE, uma co-produção de Orphic Visuals e MediaUtopia, é uma aventura cinematográfica partilhada entre Nuno Beirão Vieira (psicólogo de formação) e João Pedro Marnoto (fotógrafo e realizador cujo trabalho tem vindo a refletir sobre as questões da identidade), sobre encontros e desencontros daqueles que decidiram viver à margem da sociedade. LA FAMILLEGRANDE
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magazine REPORTAGEM 0903.20202 AMBOS OS PERSONAGENS DESTE FILME SÃO SEASONIERS, NÓMADAS QUE VIVEM DO TRABALHO AGRÍCOLA TEMPORÁRIO.
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11 magazine REPORTAGEM12 03.2022 Duas histórias diferentes ligadas por um mesmo destino, vivem em florestas ao abrigo de uma grande família que escolheram e à margem de um mundorejeitaram.que
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Festas ‘hardtechno’ secretas, substâncias ilícitas, recuperação de detritos, regresso às origens hippies e outros rituais vividos pelos dois jovens revelam-nos, dia a dia, a vida de uma das grandes subculturas nómadas da Europa. Clique para o documentário... Pia, uma das personagens do filme Um dos membros da “família” em modo circense. Os animais estão sempre presentes nos acampamentos. O conflito com a sociedade que os rodeia é visível no dia-a-dia. A Natureza funciona como um refúgio para esta subcultura... “Leitura das cartas”...
A partilha é condição essencial para os membros desta família. As suas carrinhas são as suas casas... As festas “techno” ilegais (free parties) são uma parte importante desta subcultura. As “free parties” albergam várias tribos que vivem à margem da sociedade.
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GALERIA DE AUTOR Thomas Hackenberg For me, a good street photo must be made candidly, captivate me at ﬁrst glance and make me want to take that second look – like wanting to read a poem twice. It must raise more questions than provide answers. I like photos that tell a story in a single image, and I particularly adore humorous and quirky pictures and visual puns in everyday life. When I am out on the streets, I like chasing for the oﬀbeat, on a quest to ﬁnd some extravaganza in the ordinary, some fun element, some beautifully layered scene, some ﬂeeting moment. WAS BORN IN 1963 AND LIVES IN THE GERMAN CITY OF BRAUNSCHWEIG. HIS WORK HAS BEEN WIDELY PUBLISHED, RECEIVED FINALIST AWARDS AND PRIZES AT INTERNATIONAL FESTIVALS SUCH AS AT THE GOTHENBURG, ISTANBUL, ITALIAN, LONDON, MIAMI, AND PARIS STREET PHOTOGRAPHY FESTIVALS, AND WAS EXHIBITED IN SEVERAL GROUP SHOWS.
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7 magazine REPORTAGEM24 03.2022 I ALSO LIKE ORDINARY, THOUGH BEAUTIFULLY LAYERED STORY FROM THE LEFT- TO THE RIGHT-HAND CORNER INTERESTING SCENE THAT HITS MY EYE, OBSERVED THEATRE OF STREET LIFE THAT MIGHT ONLY EXIST THEY’RE GONE FOREVER.
LAYERED PICTURES WHICH TELL A CORNER OF THE IMAGE. ANY OBSERVED MOMENTS FROM THE GREAT EXIST FOR A SPLIT SECOND AND THEN
It’s the pleasure and anticipation of making a good street picture that drives me. The ﬂow when I am completely in the moment and fully open and susceptible to life on the street. Standing on a corner, letting life ﬂow towards me, observing and pressing the shutter at the right moment. After all, it’s all about curiosity. It’s all about ﬁnding out what life has in store for me on any given day – I'm eager to see what’s around the next corner."
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“I also feel that every time I press the shutter release I am in eﬀect saying YES to life!”
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11 magazine REPORTAGEM28 03.2022 GALERIA DE AUTOR Heike Frielingsdorf Hi, I am Frielingsdorf,Heikeborn in 1970 in stilltodevotedmyholidays.celebrationsbeyondbeganinphotography,myyearsproduction.andIteacherinitiallyAfterPaderborn,homelyGermany.mystudiesIworkedasauntil2000whenmovedtoCologne,switchedtofilmAbout10agoIdiscoveredinterestintookpartsomecoursesandtotakephotos-familyand2011,Istartedownbusinessandmyselfmainlyphotography.Thatisthecasetoday.
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First of all, I photographed rather abstract compositions and deserted "non-places", also small artificial paradises, created by man. After some time, people "crept" gradually into my pictures and at some point I realized that this is exactly what thrills me. The whole thing has developed into a real passion and I can hardly imagine my life without this kind of Iphotography.amfascinated by such situations that seem to come across as trivial and yet create a cosmos of their own. Pictures that tell stories, that make people's dreams, longings, and worries tangible and often reflect life in all its absurdity.
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To recognize these fleeting moments, while at the same time keeping an eye on formal aspects such as light and shadow, the arrangement of perceivable shapes and colors, and then to press the shutter release at the right moment, is always a real challenge and for me the greatest happiness when it succeeds. I am very happy that in the last few years I have been able to participate in several international group exhibitions with my work and that I have made it to the final round in some competitions.
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Francesca Chiacchio I started shooting and developing photos while studying architecture in Naples, Italy. After graduating, I attended a photography class and participated to two collective exhibitions. From 1999 to 2007 I lived in NYC working as an architect. Back in Naples, in 2015 I approached Street Photography and in 2017 I bought my first professional digital camera and started to attend several photography workshops (Vineet & Rohit Vohra from APF Magazine, Nikos Economopoulos from Magnum Photos, Francesco Cito, Salvatore Matarazzo from Full Frontal Flash). Since 2019 I have beenparticipating in various Street Photography group exhibitions (“Street Sans Frontieres 2019” Paris; “Double Trouble” at StreetFoto San Francisco 2019; “Short Street Stories” at Trieste Photo Days 2019; “Women Street Photographers” at Brussels Street Photography Festival 2019; and more) and my work has been published both online and in print. I am part of the "Women in Street" community, founded and curated by Casey Meshbesher, Julia Coddington and Rebecca Wilthsire, and I am a member of an international street photography collective called "Through The Lands", which aims to connect 15 photographers from all over the world to show their unique P.O.V. of the countries they visit.
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19magazine REPORTAGEM36 03.2022 I ALMOST NEVER SHOOT IN MY CITY, NAPLES. COMFORTABLE DOING IT, EVEN THOUGH I BELIEVE A GREAT PLACE FOR STREET PHOTOGRAPHY.
20 magazine REPORTAGEM 3703.20202 NAPLES. I DON’T KNOW WHY, BUT I DON’T FEEL BELIEVE IT’S A BEAUTIFUL CITY AND IT’S PHOTOGRAPHY.
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23magazine REPORTAGEM40 03.2022 ONE REASON COULD BE THAT I AM A VERY LOOKING FOR SOMETHING NEW, ESPECIALLY DURING THE WEEKENDS. TRAVELING MOSTLY IN ITALY AND EUROPE, YORK, MY SECOND HOME. I THINK PHOTOGRAPHY,IT’S
24 magazine REPORTAGEM 4103.20202 VERY CURIOUS PERSON, AND I AM ALWAYS THIS IS WHY I TRAVEL AS MUCH AS I CAN, WEEKENDS. IN THE PAST TWO YEARS I HAVE BEEN EUROPE, BUT I ALSO LOVE GOING BACK TO NEW ONE OF BEST PLACES TO SHOOT STREET PHOTOGRAPHY, ALONG WITH LONDON AND ISTANBUL.
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27 magazine REPORTAGEM44 03.2022 THESE ARE THE CITIES I COULD NEVER GET BORED WITH, THERE SOMETHING EYE-CATCHING WAITING FOR YOU AROUND THE DAY I USUALLY FOLLOW THE LIGHT AND LOOK FOR SHADOWS.
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When you shoot in places where people don’t care about you shooting or they are even happy if you do it, it’s a totally different feeling. I also like using flash and, in these occasions, I can do that more easily.
Lately I have been shooting also during events. I feel safer and more comfortable, because I am a very shy and sensitive person and street photography for me sometimes is hard. I constantly worry about people’s reactions, and as a street photographer you always get some.
THERE IS ALWAYS THE CORNER. DURING THE SHADOWS. I LOVE IMAGES WITH
29magazine REPORTAGEM46 03.2022 DIRECTOR Rui Miguel Cunha REDACÇÃO Vanessa Pereira DESENHO GRÁFICO E PAGINAÇÃO Rui Miguel Cunha FOTOGRAFIA Rui Miguel Cunha REVISÃO Nuno Guerreiro . Go4Word ERC n.125433 EDIÇÃO, PROPRIEDADE E SEDE Rui Miguel Cunha . Rua Jorge Barradas, 14 Almoinha . 2970-001 Sesimbra ESTATUTO EDITORIAL Clique PARCEIROS Olympus - MAC SOSWEB www.magazinereportagem.com EMAIL firstname.lastname@example.org COPYRIGHT @2022 Todos os Direitos Reservados. PRÓXIMA EDIÇÃO 04 OUTUBRO, NOVEMBRO e DEZEMBRO 2022 em... PORTFÓLIO Miguel A. Lopes Ficha Técnica Durante três semanas em agosto e setembro de 2021, fui fazer a cobertura dos jogos paralímpicos em Tóquio no Japão. Nessas semanas que lá estive, além de fotografar as competições desportivas, aproveitei para levar a minha pequena câmera e sempre que pude fiz fotografias de rua.
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