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Miloš Komlenić (1972- ), fotografije grada u duhu slova “E” u 2D/3D... 2,5D


***

T E K S T U RE ARHITEKTURE GRADA BERLINA autor: doc. arh. Miloš Komlenić saradnik: arh. Bojan Zdravković Berlin,

jul/avg

2011.god.

*** Maurits Cornelis Escher (1898-1972), crtež slova “E” u 2D/3D... 2,5D


M. C. Escher The City


Renzo Piano, Christoph Kohlbecker Debis Headquarters, 1997


Schulte-Frohlinde Architekten SOLON AG Office Building 2007


Izložba

je

intuitivnom

nastala

gotovo

spontanom,

reakcijom na utiske putovanja u

Berlin, grad koje je postao, i postaje, muzej savremene arhitekture. Ona oslikava impresije jednog stručnog, „arhitektonskog“ oka, a u isto vreme

je

i

jedan

opušteni

eksperiment

savremenim, digitalnim tehnologijama.

zašto?

sa


The exhibition was created through an almost spontaneous, intuitive reaction to impressions of a trip to Berlin, a city which has become, and is becoming, a museum of modern architecture. It reflects the first impressions of an expert, “architect’s eye”, and is also a relaxed experiment with modern, digital technologies.

why?


Schulte-Frohlinde Architekten SOLON AG Office Building, 2007


Sam početak razmišljanja o datom materijalu predstavlja opažanje, donekle posebno jednom „južnjačkom oku“: arhitektura i sami objekti koji čine ovaj urbani milje su oblikovno vrlo svedeni i jednostavni, gotovo strogi. Ali i otvoreni urbani prostori (ulice, trgovi i parkovi, čak i unutrašnjost zatvorenih gradskih blokova) daleko su veći od sličnih prostora u nama bliskim sredinama. Samim tim daleko veći broj objekata ulazi u „oko posmatrača“ osvrtom na grad i njegove ulice. Takođe, njihovo severno nebo daleko je „teže“, i predstavlja vidni, a bliski, teret oku posmatrača.

zato...


Starting

thought

about

the

presented

material concerns perception, particularily unusual to a “southern eye”: architecture, and the objects themselves, that make this urban setting, are very simple and reduced in forms. Open urban space (streets, squares and parks, even spaces inside the closed city blocks) are much more spacious than similar spaces in envoronments around us. Thus, a far greater number of buildings appear in the eye of the spectators view on the city and its streets. Also, their northern sky is more “heavy”, and presents the “visible burden” of the spectators view.

‘cause...


Jean Nouvel Galeries Lafayette, 1996


Time arhitektura samih zgrada postaje smernija i manje nadmena, obzirom da je ona gotovo uvek deo većeg asemblaža koji gledamo. Dominiraju jednostavne

i

osnovne

prizmatične

forme,

sa

dominantnim ortogonalnim linijama. Oblikovanje formama višeg

objekata reda,

postaje

urbanim

podređeno

formama,

koje

uglavnom prate jednu čistu, jasnu i jednostavnu matricu. Prirodna potreba za identitetom svakog pojedinačnog objekta (a i njegovih autora) seli se na drugostepeni izražajni plan: na oblikovanje fasade, na njenu perforaciju, ritam, materijalizaciju...

kako?


The architecture, the design of the buildings itself, becomes less arrogant and more modest, concerning that it is almost always a part of a larger assemblage that we look. Basic and simple prismatic forms dominate, with predominantly orthogonal lines. Forms of buildings becomes subordinated to the higher order of forms, urban forms, which generally follow a clear, and simple pattern. “Natural need�, search for the identity of each building (and its

authors)

is

translated

to

the

second-level

expressive plan: the facade, and its perforations, rhythm, materialisation...

how?


Eller & Eller -


Pažnja i fokus fotoaparata upravo se na to i usmeravaju - na ritam, način, ideju i pristup otvaranju opne samog objekta. To i postaju osnovni „alati“, instrumenti

formiranja

identiteta

svakog

objekta.

Takvu nameru je, svakako, lakše čitati u 2D prikazu, sa jasnim proporcijama bez skraćenja, tj. u „tehničkom crtežu“ - ili svođenju fotografije na imitaciju istog. Upravo takva namera se čita iza ove izložbe. Oblici i forme koji nose ove matrice/teksture su gotovo drugostepeni u njihovom čitanju, i deo su poimanja grada u većoj razmeri. Samom prolazniku, posmatraču, u bliskom kontaktu sa objektima ostaje dominantna impresija upravo o njegovoj opni, koja i jeste prvi kontakt objekta sa spoljnjim svetom, kako za njegove korisnike, tako i njegove posmatrače.

tako...


Attention and focus of the camera are directed on that - the rhythm, approach, and the concept of opening of the surface membrane of the building. It literally becomes “the main tool”, the instrument in establishing the identity of each building. Such intention is easier to read in 2D view, with clear proportions

without

perspective,

the

“technical

drawing” alike, or a photograph as an imitation of it. Such intention is visible behind this exhibition. The forms bearing these textures are almost secondary in their reading and comprehension of a larger scale. Passing by, the viewer, in close contact with buildings, retains the dominant impression of its surface, “the skin” - and that is the buildings first contact with the outside world, both with the users and its observers.

so...


Christoph Langhof Indoor Swimmingpool, 1987


Hascher Jehle Architektur Berlin Chamber of Physicians, 2003


Reichel & Stauth Architekten Scandic Hotel, 2010


Dominique Perrault Velodrom, 1997


Modersohn & Freiesleben Architekten Office Building, 2003


David Chipperfield Gallery of Modern Art, 2006


Busmann und Haberer Representatives/Jakob-Kaiser-Haus, 2002


Frenk O. Gehry DZ Bank Haus, 1999


STP Architekten Office Building, 2010


Axel Schultes Apartment and Office Building, 2000


H채ffner & Zenk Architekten Embassy of Slovak Republic, 2010


Petzinka Pink Architekten NRW State Representation, 2002


Christoph Langhof Apartment and Office Building, 2002


NPS Tchoban Voss Department Store, 2007


?


Helmut Jahn Office building


Leon Wohlhage Wernik Indian Embassy, 2001


Hilde Leon & Konrad Wohlhage Office Building


PÄTZOLD ARCHITEKTEN Office Buidling, 2009


PSP Pysall, Stahrenberg & Partner Embassy of Malaysia, 2000


Collignon und Fischötter “City Light House” Office Building, 2004


Michael Kรถnig, Betz und Partner Hotwl, 1996


Murphy / Helmut Jahn Kranzelereck, 2001


GMP - von Gerkan, Marg und Partner Berlin Central Train Station, 2006


GMP, von Gerkan, Marg und Partner Berlin Central Train Station, 2006


Nalbach+Nalbach Architekten Hotel at Central Train Station, 2011


Matthias Sauerbruch & Louisa Hutton Fire and Police station, 2004


Le Corbusier ”Unité d’ Habitation” in Berlin, 1957


Busmann + Haberer Architekten Center for Microsystems and Materials, 2011


Augustin & Frank Architekten Institute of Physics, 2003


“GMP” - von Gerkan, Marg & Partner Swissôtel im Ku’damm-Eck, 2001


NPS Tchoban Voss Office Building, 2006


Matthias Sauerbruch & Louisa Hutton Inovation Center for Photonics, 1998


Geier Maass Pleuser Architekten Ministry of Environmental Protection, 2010


Thomas Baumann Viterra Development Building, 2008


Hastrich Keuthage Architekten Appartment Building, 2007


Ortner & Ortner Office & Apartment Building


Stephan Braunfels Parliament Building, 2002


Abelmann Vielain Pock Architekten Institute for German Literature, 2006 Reconstruction of an old DDR Lecture Hall


Numrich Albrecht Klumpp Architekten Center for IT and Medias, 2011 Reconstruction of an old DDR Office Building


Peichl & Partner Architekten Annex to Hotel Adlon, 2004


SGS Architekten Apartment Building, 2004


Carlos Zwick Architekten Office Building, 1999

associate:

Bojan Zdravković


Schulte-Frohlinde Architekten SOLON AG Office Building, 2007


Eisele Fritz Bott Architekten Center for Environment and Technologies, 1998


Arata Isozaki Headquarters of Berliner Volksbank, 1998


Frenk O. Gehry Schweger und Partner

DZ Banka Collegium Hungaricum,Center for Arts and Medias, 2011


GMP, von Gerkan, Marg und Partner Jakob-Kaiser-Haus, 2000


Lieb + Lieb Architekten Office Building for Representatives, 2011


Leon Wohlhage Wernik Syndicate Union, 2003


Laurdis Ortner & Manfred Ortner German Broadcasting Service, 1999


STP Architekten Office Building, 2010


Hastrich Keuthage Architekten Apartment Building, 2007


Carlos Zwick Architekten Office Building, 1999

associate

Bojan Zdravković


CEPEZED B.V. Architects Innovation Centre for Informatics, 1999


M端ller Reimann Architekten Office Building, 2005


3XN Arcitects Danish Embassy , 2010


N. Grimshaw & A. Neumann Office Building, 2005


Matthias Sauerbruch & Louisa Hutton GSW Headquarters Tower, 1999


? Office Building, MarkgrafenstraĂ&#x;e 19


GMP, von Gerkan, Marg und Partner Office and Apartment Building, 2010


Nettbaum & Partner Hotel Maritim, 1995


Abelmann Vielain Pock Architekten Institute for German Literature, 2006


Braun & Schlockermann & Partner Singapore Ministry of Foreign Affairs, 1998


STP Architekten Etap Hotel, 2010


Frank O. Gehry DZ Bank, 2001


Sergei Tchoban DomAquareĂŠ, 2004


M端ller Reimann Architekten Ministry of Foreign Affairs, 1996


Cornelsen und Seelinger Architekten Representative Office of Saarland Building, 2000


Ortner & Ortner Office & Apartment Building, 2003


“GMP”- fon Gerkan, Marg & Partner Eugen Gutmann Haus of Dresdner Bank, 1997


Kรถhler Architekten Allianz Building, 1997


M端ller Reimann Architekten Ministry of Foreign Affairs, 1996


Emil Leibold, Herbert Boos & Hanno Walther DDR Ministry of International Trade, 1984


Stรถrmer Murphy and Partners Office Building


Busmann & Haberer Jakob-Kaiser Haus, 2002


Ieogh Ming Pei & Eller+Eller German Historic Museum, 2003


Claus Neumann Architekten Konrad Adenauer Foundation, 1998


Walter A. Noebl Office Building, 2001


Alfred Berger & Tiina Parkkinen & others... Nordic Embassies


Deubzer Kรถnig Architekten Office & Apartment Building


SGS Architekten Apartment Building. 2004


Schwebes + Schoszberger Office Building, 1955


Andrew Pilson & Daniel Shiu Escher/LEGO instalation, 2005


Miloš Komlenić (1972- ), fotografije grada u duhu slova “E” u 2D/3D... 2,5D


***

T E K S T U RE ARHITEKTURE GRADA BERLINA autor: doc. arh. Miloš Komlenić saradnik: arh. Bojan Zdravković Berlin,

jul/avg

2011.god.

*** Maurits Cornelis Escher (1898-1972), crtež slova “E” u 2D/3D... 2,5D


teksturE arhitekturE bErlina