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ART MIAMI 4th – 9th December 2018


ART MIAMI 4th – 9th December 2018

Stand no. AM429 One Miami Herald Plaza NE 14th Street Downtown Miami

Lyndsey Ingram 20 Bourdon Street London W1K 3PL T. +44 (0)20 7629 8849 E. info@lyndseyingram.com W. lyndseyingram.com


Francis Bacon Miroir de la Tauromachie Triptych of lithographs printed in colours, 1990. Each signed in pencil and numbered from the edition of 150, with 5 Hors Commerce proofs. Printed on Arches wove paper. Published by Galerie Lelong, Paris. 48 Ă— 36 cm

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Will Cotton Domino Lithograph printed in colours, 2017. Signed in pencil and numbered from the edition of 25. Printed by Flying Horse Editions, Orlando, Florida. Published by Flying Horse Editions. 95.2 Ă— 71.1 cm

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John Giorno The World Just Makes Me Laugh Archival pigment print in colours, 2017. Signed in pencil and numbered from the edition of 75. Printed by the artist. Published by Cahiers d’Art, Paris. 66 × 66 cm

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John Giorno The World Just Makes Me Laugh Archival pigment print in colours, 2017. Signed in pencil and numbered from the edition of 75. Printed by the artist. Published by Cahiers d’Art, Paris. 66 × 66 cm

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Jane Hammond Hong Kong Vase with Weeping Gum, Persian Carpet Flower and Banded Broadbill Unique botanical collage using lithography, linocut, relief printing, digital printing, coloured pencil, Sumi ink, watercolour and gouache, hand cut and assembled on collaged Japanese papers over painted cotton rag, 2017. Signed in pencil. 127 Ă— 96.5 cm

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Jane Hammond French Glass with Emerald Cuckoo, Malachite Sunbird and Carmine Bee-eater Unique botanical collage using lithography, linocut, relief printing, digital printing, coloured pencil, Sumi ink, watercolour and gouache, hand cut and assembled on a mosaic of various collaged gold papers over painted cotton rag, 2017. Signed in pencil. 127 Ă— 96.5 cm

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David Hockney Mirror, Mirror on the Wall Etching and aquatint printed in colours, 1961. Signed in pencil. From the edition of aproximately 50. Printed on handmade English paper by Ron Fuller and Peter Mathews at the Royal College of Art, London. Published by Petersburg Press, London. (Tokyo 10; Scottish Arts Council 10) 56 Ă— 79 cm

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David Hockney Picture of a still life that has an elaborate silver frame Lithograph in colours, 1965. Signed in pencil and inscribed TP VIII/XVIII. A proof aside from the edition of 85. From: A Hollywood Collection. Printed on BFK Rives paper by Gemini G.E.L, Los Angeles. Published by Editions Alecto, London. (Scottish Arts Council 41) 77 Ă— 56.5 cm

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David Hockney Rue de Seine Etching and aquatint, 1972. Signed in pencil. An artist's proof aside from the edition of 150. Printed on J Green mould-made paper by the Print Shop, Amsterdam. Published by Petersburg Press, London for the National Council of Civil Liberties and Release in London. (Scottish Arts Council 121; Tokyo 111) 89.4 Ă— 70.6 cm

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David Hockney The Student: Homage to Picasso Etching and aquatint, 1973. From the portfolio Homage to Picasso. Signed in pencil and inscribed E.A 4/15. One of 15 artist's proofs aside from the edition of 90. Printed on Arches paper by Atelier Crommelynk, Paris. Published by Propylaen Verlag, Berlin/Pantheon Press, Rome. (Tokyo 143) 75.5 Ă— 56.5 cm

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David Hockney Marguerites Etching and aquatint printed in colours, 1973. Signed in pencil and numbered from the edition of 100. Printed on Arches mould made paper by Atelier Crommelynk, Paris. Published by Petersburg Press, London. (Scottish Arts Council 157; Tokyo 141) 41.5 Ă— 32 cm

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David Hockney Henry at Table Lithograph, 1976. Signed in pencil and numbered from the edition of 90. Printed on Arches Cover buff paper by Edward Henderson and Anthony Zapeda at Gemini G.E.L., Los Angeles. Published by Gemini G.E.L., Los Angeles. (Tokyo 177) 72.7 Ă— 105.7 cm

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David Hockney Lithograph of Water Made of Lines and a Green Wash Lithograph printed in colours, 1978-80. Signed in pencil and numbered from the edition of 36. Printed on TGL handmade paper by Roger Campbell, Rodney Konopaki and Kenneth Tyler at Tyler Graphics Ltd, New York. Published by Tyler Graphics Ltd, New York, with their blind stamp. (Tokyo 204) 66 Ă— 87.6 cm

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David Hockney Big Celia Print #2 Lithograph, 1982. Signed in pencil and inscribed AP VII/XX, an artist's proof aside from the edition of 100. Printed on Arches Cover paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L. 133.4 Ă— 146.1 cm

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David Hockney Cacti on Terrace Etching, 1998. Signed in pencil and numbered from the edition of 35. Printed on wove paper. Published by Pace Editions Inc., New York. 95 Ă— 87 cm

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David Hockney Homemade Etching Etching with sugar lift aquatint printed in colours,1998. Signed in pencil and numbered from the edition of 35. Printed on Somerset paper. Published by Pace Editions Inc., New York. 96.5 Ă— 76.2 cm

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Anish Kapoor Horizon Shadow The complete portfolio of nine etchings printed in colours, 2010. Signed in pencil and numbered from the edition of 35. Published by The Paragon Press, London. 72.4 Ă— 96.5 cm

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Anish Kapoor Shadow IV (Yellow) Etching printed in colours, 2011. Signed in pencil and numbered from the edition of 39, verso. Published by The Paragon Press, London. 72.4 Ă— 96.4 cm

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Anish Kapoor Shadow IV (Brown) Etching printed in colours, 2011. Signed in pencil and numbered from the edition of 39, verso. Published by The Paragon Press, London. 72.4 Ă— 96.4 cm

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Anish Kapoor Shadow IV (Burgundy Red) Etching printed in colours, 2011. Signed in pencil and numbered from the edition of 39, verso. Published by The Paragon Press, London. 72.4 Ă— 96.4 cm

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Anish Kapoor Shadow IV (Fuschia Red) Etching printed in colours, 2011. Signed in pencil and numbered from the edition of 39, verso. Published by The Paragon Press, London. 72.4 Ă— 96.4 cm

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Alex Katz Sharon Lithograph and woodcut printed in colours, 2010. Signed in pencil and inscribed 'PP 3/3'. A printer's proof aside from the edition of 55. Printed on Somerset Satin white 300gsm paper by Tom Pruitt at Graphicstudio, Tampa Florida. Published by Margaret Miller, Graphicstudio. 60.3 Ă— 91.4 cm

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Jeff Koons Puppy Offset lithograph and screenprint, 1999. Signed in pencil and numbered from the edition of 75, with 15 artist's proofs. Printed on ivory stock card. 106.7 Ă— 64.8 cm

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Jeff Koons Pink Bow, from the Celebration Series Pigment print, 2013. Signed in pencil and numbered from the edition of 50, with 10 artist's proofs. Printed on Japanese watercolour paper. 93.9 Ă— 111.7 cm

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Roy Lichtenstein Haystack #2 Lithograph and screenprint in colours, 1969. Signed in pencil and numbered from the edition of 100, with 10 artist's proofs. Printed on Rives BFK paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L., Los Angeles with their blind stamp. (Corlett 67) 52.5 Ă— 78.1 cm

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Roy Lichtenstein Haystack #3 Lithograph and screenprint in colours, 1969. Signed in pencil and numbered from the edition of 100, with 10 artist's proofs. Printed on Rives BFK paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L., Los Angeles with their blind stamp. (Corlett 67) 52.5 Ă— 78.1 cm

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Roy Lichtenstein Haystack #5 Lithograph and screenprint in colours, 1969. Signed in pencil and numbered from the edition of 100, with 10 artist's proofs. Printed on Rives BFK paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L., Los Angeles with their blind stamp. (Corlett 67) 52.5 Ă— 78.1 cm

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Roy Lichtenstein Haystack #7 Relief print, 1969 Signed in pencil and numbered from the edition of 100, with 10 artist’s proofs. Printed on Special Arjomari paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L., Los Angeles with their blind stamp. (Corlett 74) 52.5 × 78.1 cm

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Roy Lichtenstein Bicentennial Print Lithograph and screenprint on white wove paper, 1975. Signed, numbered, and dated in pencil from the edition of 200, with 25 artist's proofs. Styria Studio, New York, with their blindstamp. APC Editions, division of Chermayeff & Geismar Associates, Inc., New York. 76.3 Ă— 56.7 cm

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Roy Lichtenstein Reflections on Brushstrokes Lithograph, screenprint, woodcut, and metalized PVC collage with embossing, 1990. Signed in pencil and numbered from the edition of 68, with 16 artist proofs. Printed on mold-made Somerset paper by Tyler Graphics, New York. Published by Tyler Graphics, New York with their blindstamp. (Corlett 242) 145 Ă— 180.3 cm

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Roy Lichtenstein Reflections on Girl Lithograph, screenprint, woodcut, and metalized PVC collage with embossing, 1990. Signed in pencil and numbered from the edition of 68, with 16 artist proofs. Printed on mold-made Somerset paper by Tyler Graphics, New York. Published by Tyler Graphics, New York with their blindstamp. (Corlett 245) 114.6 Ă— 139.1 cm

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Harland Miller Wherever You Are Whatever You're Doing This One's For You Screenprint in colours, 2013. Signed in pencil and numbered from the edition of 50. Printed on Somerset Tub Sized Satin 410gsm paper by K2 Screen, London. Published by Alex Daniëls / Reflex Amsterdam. 138 × 110 cm

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Harland Miller Happiness, The Case Against Etching with block printing in colour, 2017. Signed in pencil and numbered from the edition of 50. Printed on Hahnemuhle Bright White 350 gsm paper. Published by Manifold Editions, London. 98.5 Ă— 72.5 cm

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Harland Miller Happiness, The Case Against Aquatint etching with block printing in colour, 2017. Signed in pencil and numbered from the edition of 50. Printed on Somerset White Textured 410gsm paper by Peter Kosowicz at Thumbprint Editions, London Published by Paragon | Contemporary Editions Ltd., London 178.5 x 120 cm

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Harland Miller Armageddon: Is It Too Much To Ask? Polymer-gravure with photo-etching and block-printing, 2017. Signed in pencil and numbered from the edition of 50. There are 12 artist proofs. Printed on Hahnemuhle Bright White 350gsm paper by Peter Kosowicz at Thumbprint Editions, London. Published by Manifold Editions, London. 102 Ă— 67.2 cm

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Harland Miller Armageddon: Is It Too Much To Ask? Aquatint etching with block printing, 2017. Signed in pencil and numbered from the edition of 50. There are 12 artist proofs. Printed on Somerset White Textured 410gsm paper by Peter Kosowicz at Thumbprint Editions, London. Published by Paragon | Contemporary Editions Ltd., London. 180 Ă— 119.5 cm

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Ed Ruscha Miracle Lithograph printed in colours, 1990. Signed in pencil and numbered from the edition of 60. Printed on John Koller HMP paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L. 39.1 Ă— 63.2 cm

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David Shrigley This will not be here tomorrow Marker pen on Caneletto 300gsm Liscia paper, 2009. Signed and numbered from the edition of 100. Published by Counter Editions, London. 42 Ă— 32 cm

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David Shrigley Sell Your Soul Screenprint in colours, 2012. Signed in pencil and numbered from the edition of 100. Published by the Hayward Gallery, London. 76 Ă— 56 cm

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David Shrigley Be Nice Screenprint in colours, 2017. Signed in pencil and numbered from the edition of 125. Printed on Somerset Tub Sized 410gsm paper by K2 Screen, London. Published by Counter Editions, London. 76 Ă— 56 cm

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David Shrigley Another Task For You Screenprint in colour, 2017. Signed in pencil and numbered from the edition of 100 verso. Printed on Somerset Satin White 410gsm Paper by Jealous, London. Published by Jealous. 75 Ă— 56 cm

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David Shrigley I'm Sorry for Being Awful, Vibes, Shut Up, Pretty Thoughts Inside Your Head Set of four screenprints in colour, 2018. Each signed in pencil and numbered from the edition of 125. Printed on Somerset Tub Sized 410gsm paper by K2 Screen, London. Published by Counter Editions, London. 76 Ă— 56 cm

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David Shrigley Don't Screenprint in colours, 2018. Signed in pencil and numbered from the edition of 125. Printed on Somerset Tub Sized 410gsm paper. Published by Jealous Gallery, London. 76 Ă— 56 cm

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David Shrigley Pretty Thoughts Inside Your Head Screenprint in colours, 2018. Signed in pencil and numbered from the edition of 125. Printed on Somerset Tub Sized 410gsm paper by K2 Screen, London. Published by Counter Editions, London. 76 Ă— 56 cm

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David Shrigley Untitled Screenprint in colours, 2018. Signed in pencil and numbered from the edition of 125. Printed on Somerset Tub Sized 410gsm paper. Published by Stephen Friedman Gallery, London. 76 Ă— 56 cm

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David Shrigley Vibes Screenprint in colours, 2018. Signed in pencil and numbered from the edition of 125. Printed on Somerset Tub Sized 410gsm paper by K2 Screen, London. Published by Counter Editions, London. 76 Ă— 56 cm

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Andy Warhol Marilyn (Castelli Graphics Invitation) Offset lithograph printed in colours, 1981. Signed in ink. From an edition of approximately 300. Printed on the occasion of the exhibition 'Andy Warhol: A Print Retrospective' at Castelli Graphics, New York. Published by Castelli Graphics. 30.5 Ă— 30.5 cm

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Christopher Wool My House I Screenprint in colours, 2000. Signed in pencil and numbered from the edition of 100. Printed on 335gsm matte custom art paper by Brand X Editions, New York. Published by Counter Editions, London. 101.5 Ă— 76 cm

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Profile for Lyndsey Ingram

Art Miami 2018  

Art Miami 2018  

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